WEBVTT

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<v Speaker 1>When you hold this in front of me. Oh, yes,

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<v Speaker 1>surely that's a little too high. Sorry. How long did

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<v Speaker 1>it take you to make this? About a month? Uh?

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<v Speaker 1>Did you use good steel?

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<v Speaker 2>Oh?

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<v Speaker 1>Yes, the very best. Well, some steals are better than others,

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<v Speaker 1>you know. Oh yes, excuse me, I think you've got

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<v Speaker 1>a bad piece, But better luck next time.

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<v Speaker 3>Welcome to Amusing Jews, where we celebrate Jewish contributors and

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<v Speaker 3>contributions to American popular culture. I'm Jonathan Friedman.

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<v Speaker 2>And I'm Joey Angelfield producer.

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<v Speaker 3>Engineer Mike Tomran is working somewhere behind the scenes. Amusing

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<v Speaker 3>Jews is a project of a Dot Havreem Corregation for

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<v Speaker 3>Humanistic Judaism, the Jewish Museum of the American West In

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<v Speaker 3>I did studios. Hey Joey, what did the world's greatest

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<v Speaker 3>escape artists do to escape the limelight? He read books.

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<v Speaker 2>We're allowed to top with Barb Rosenstock, a picture book

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<v Speaker 2>author whose latest book is Houdini's Library. Barb, Welcome to

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<v Speaker 2>Amusing Jews.

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<v Speaker 1>Thanks, it's really great to be here.

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<v Speaker 2>What sparked your interest in Harry Houdini?

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<v Speaker 1>Oh, I had this crush on Tony Curtis in the

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<v Speaker 1>Old Houdini movie when I was like I don't know ten.

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<v Speaker 1>My grandma was a big old movie buffin so anytime

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<v Speaker 1>we go visit Grandma, you know, there was some old

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<v Speaker 1>movie on and that one I can just remember being fascinated.

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<v Speaker 1>So if anybody out there hasn't seen it, they really

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<v Speaker 1>need to go look it up. The whole thing, the

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<v Speaker 1>Tony Curtis muscles and the hanging upside down in the

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<v Speaker 1>tank and the death on Halloween. You know, I just

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<v Speaker 1>remember being really fascinated about that as a kid, not

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<v Speaker 1>really particularly into magic, more just kind of like into Houdini.

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<v Speaker 1>And then years ago now, I mean, I want to

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<v Speaker 1>say it was about eight years ago. I was at

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<v Speaker 1>the Library of Congress doing some research on Thomas Jefferson,

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<v Speaker 1>had nothing to do with this particular book, and there's

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<v Speaker 1>this little sign in the basement of the Library of

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<v Speaker 1>Congress that says the Houdini Collection or the Harry Houdini Collection,

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<v Speaker 1>And I just remember making a note like, what in

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<v Speaker 1>the heck is there, Like what would be at the

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<v Speaker 1>Library of Congress that was related to Harry Houdini. And

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<v Speaker 1>I didn't know if it was, you know, I had

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<v Speaker 1>this image of it being like some rabbit and an

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<v Speaker 1>old topy haad or something. You know. I didn't really know,

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<v Speaker 1>and just it took me a couple of books to

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<v Speaker 1>get around to, like looking up what exactly was it

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<v Speaker 1>at the Library of Congress, and it turns out to

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<v Speaker 1>be Houdini's books, of which he had many.

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<v Speaker 3>Mentioning the Tony Curtis movie, it's great that a Jewish

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<v Speaker 3>actor was playing probably the most famous Jew in the

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<v Speaker 3>world in his day.

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<v Speaker 1>Rah. Yeah, I never I mean, I certainly didn't put

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<v Speaker 1>it together then, but yeah, that's true. That's great.

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<v Speaker 3>I want to give a shout out to the books

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<v Speaker 3>artist mar delmar whose illustrations are themselves pretty magical. Could

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<v Speaker 3>you describe her artwork for the book?

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<v Speaker 1>Mar is essentially a she paints on paper then turns

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<v Speaker 1>those little tiny paintings into physical paper objects, kind of

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<v Speaker 1>like building a diorama. So like, for example, and I'm

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<v Speaker 1>going to just use the book, like here is a

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<v Speaker 1>page from the book, and these are all real built

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<v Speaker 1>objects out of paper that she then sets up in

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<v Speaker 1>a scene and photographs lights and photographs them so that

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<v Speaker 1>they've got kind of a painterly but yet you can

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<v Speaker 1>tell that they are real. Look to them, and it's

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<v Speaker 1>it's kind of to me it was like having a doll,

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<v Speaker 1>having someone take my words and the scenes that I

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<v Speaker 1>had kind of created and turn them literally into a

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<v Speaker 1>dollhouse like page by page Whudini's life, Like what did

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<v Speaker 1>it really look like? What did it feel like to

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<v Speaker 1>inhabit those spaces, whether they were on the stage or

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<v Speaker 1>in his house in Harlem or wherever. And so Mars

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<v Speaker 1>just an incredible detailed artist, and we really felt it

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<v Speaker 1>was important to her work is so unusual that we

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<v Speaker 1>felt it was important that she gets her own back matter.

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<v Speaker 1>So in the back of the book, she's got two

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<v Speaker 1>spreads to kind of explain. And kids have been finding

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<v Speaker 1>that artwork, that explanation of the artwork completely fascinating. So

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<v Speaker 1>I'm glad you guys noticed it and liked it. It's

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<v Speaker 1>pretty cool.

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<v Speaker 3>Yeah, it's almost magical in the sense that it's like

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<v Speaker 3>an optical illusion. Am I looking at a painting or

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<v Speaker 3>a drawing? Or is this something different? It's like mysterious,

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<v Speaker 3>like the subject matter of much of Houdini's own work,

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<v Speaker 3>you know.

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<v Speaker 1>Yeah, yeah, it's a photograph of a diorama kind of,

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<v Speaker 1>I would say, But it depends because then she goes

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<v Speaker 1>back in and she'll paint a little you know, or

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<v Speaker 1>you know, so it's pretty cool. Yeah, yeah, we thought

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<v Speaker 1>it was magical. The art director at Kadaf thought like,

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<v Speaker 1>we're waiting, we're we've got a we got a magical artist,

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<v Speaker 1>and we need a magical project. So it all came together.

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<v Speaker 1>It was great.

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<v Speaker 2>You connect Houdini's love of books to his rabbi father,

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<v Speaker 2>who sailed his books to the United States ahead of

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<v Speaker 2>his family, The fact that Houdini was book obsessed seems

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<v Speaker 2>pretty Jewish.

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<v Speaker 1>No, yeah, we've got the whole people of the book thing, right,

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<v Speaker 1>But actually I wasn't the one to connect that. Whodini

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<v Speaker 1>was just so you know, so I didn't just make

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<v Speaker 1>that up wholesale. Houdini spent an awful lot of time

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<v Speaker 1>talking about his father's love of learning and the family

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<v Speaker 1>that he had come from in Europe. I've got a quote,

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<v Speaker 1>we have records for five generations that my direct forefathers

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<v Speaker 1>were students and teachers of the Bible and recognized among

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<v Speaker 1>the leading bibliographers of their time. So he always considered

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<v Speaker 1>that part of his family legacy. His Judaism too, Although

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<v Speaker 1>he was not a particularly the practicing person, like faithful person.

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<v Speaker 1>But he he just kind of considers it almost like

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<v Speaker 1>the books became the religion at some point, or they were.

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<v Speaker 1>They were certainly meshed together in his head with dad,

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<v Speaker 1>with you know, with the rabbinical studies, were with his

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<v Speaker 1>the generations that they had left behind in past in Hungary.

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<v Speaker 1>So yeah, it does seem kind of Jewish, that kind

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<v Speaker 1>of it is. It's fine.

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<v Speaker 3>In his library, were there books, uh like Talmudic books

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<v Speaker 3>and other things that would have been reminiscent of his

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<v Speaker 3>father's legacy.

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<v Speaker 1>Only the ones that were his father's. He actually did that.

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<v Speaker 1>That's seen in the book where he searches for his

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<v Speaker 1>where they his father sells the great majority of the books,

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<v Speaker 1>and I mean, you know, no one knows how many

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<v Speaker 1>books exactly who Diane's dad had. You know, let's say

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<v Speaker 1>a big library for people of that time would have

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<v Speaker 1>been fifty books. I mean, we're not talking thousands of

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<v Speaker 1>books at that point, and but his father sold essentially

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<v Speaker 1>almost all of them. Houdini eventually did buy back a

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<v Speaker 1>couple of things, and now Houdini's father's bible, for lack

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<v Speaker 1>of a better word, it's kind of it's kind it's

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<v Speaker 1>a combination of a couple of books, but is in

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<v Speaker 1>the library, is in his collection, so yeah, he did.

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<v Speaker 1>He did not have like a huge religious collection. The

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<v Speaker 1>collection was very focused in magic and witchcraft, mind reading, spiritualism.

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<v Speaker 1>It's definitely had a focus. He wasn't just collecting books,

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<v Speaker 1>you know, in general. He was collecting around his craft,

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<v Speaker 1>and initially for purposes of learning it, and then he

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<v Speaker 1>just couldn't bear to not know everything that there was

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<v Speaker 1>to know about magic, so he just kept going.

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<v Speaker 3>And the name Houdini came from a book he read, correct.

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<v Speaker 1>Yeah. Gen Robert Whodin was a French magician born I

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<v Speaker 1>want to say, like eighteen oh five, so right at

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<v Speaker 1>the beginning of the eighteen hundreds. Super famous guy. Houdini

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<v Speaker 1>was not the only person influenced by him. He was

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<v Speaker 1>a clockmaker I think to begin with, and then wound

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<v Speaker 1>up having his own magic theater and performing his act,

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<v Speaker 1>wildly popular in his time, and wrote an autobiography about,

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<v Speaker 1>you know, basically about how great it was to be

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<v Speaker 1>Gen Robert Houdin the magician, right, and about some of

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<v Speaker 1>his you know, some of his tracks and some of

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<v Speaker 1>the people he met. And Houdini had picked up that

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<v Speaker 1>book and was right away like, well, Eric Weiss picked

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<v Speaker 1>up that book because it was before he was Houdini,

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<v Speaker 1>and and was just like instantly. He speaks about being

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<v Speaker 1>instantly captivated, like that's who I want to be when

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<v Speaker 1>I grow up, you know, that's it. And it's kind

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<v Speaker 1>of astonishing because that's exactly who he became, is a

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<v Speaker 1>little bit modern, more modern version of the super famous

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<v Speaker 1>magician known around the world. So yeah, and he thought,

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<v Speaker 1>Houdini is, if I get the story right, Houdini. He

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<v Speaker 1>thought it meant like he thought adding an eye to

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<v Speaker 1>words was like the Italian version of making it like

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<v Speaker 1>who Dan. So Whodini was supposed to be? I'm like Whodan.

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<v Speaker 1>It turns out that that probably is not exactly grammatically

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<v Speaker 1>correct in any language, but you certainly can't argue with

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<v Speaker 1>the name because people still know it today.

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<v Speaker 3>So do you know how Houdini transitioned from more standard

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<v Speaker 3>kinds of magic tricks to the escape artist persona and

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<v Speaker 3>all that stuff.

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<v Speaker 1>Yeah, I mean a little bit he when he first

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<v Speaker 1>started working with Best, he had a various standard mandic

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<v Speaker 1>geck early on when he was a young man, you know,

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<v Speaker 1>card tricks and coins and you know, and he always

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<v Speaker 1>kept some of those things in many of his performances.

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<v Speaker 1>But when he began working with Bessy, he started there

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<v Speaker 1>is some there's there's some feeling and because there's no

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<v Speaker 1>real proof of this that Houdini might have worked for

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<v Speaker 1>a locksmith when he was a boy, he didn't. He

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<v Speaker 1>quit quit. He had to leave school somewhere between second

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<v Speaker 1>and third grade. So we're talking about someone that did

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<v Speaker 1>not attend very much formal school at all and went

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<v Speaker 1>to work. And one of the things that people think

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<v Speaker 1>he might have been is been working in some way

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<v Speaker 1>from a locksmith, because he seems super good at it,

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<v Speaker 1>super quick and almost like unbelievably quick, so that there

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<v Speaker 1>might have been some knowledge there to begin with. But

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<v Speaker 1>he and Best began working right away with with handcuffs,

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<v Speaker 1>and it just became the thing that people were the

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<v Speaker 1>most fascinated by, you know, and it became a way,

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<v Speaker 1>i think for him to really interact with the audience.

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<v Speaker 1>It was like, God, you lock me up now, which

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<v Speaker 1>is different than standing in front of somebody and just

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<v Speaker 1>going and no, I'm going to take a coin and

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<v Speaker 1>take this out of my ear, and now here's a rebit,

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<v Speaker 1>you know. It was very interactive, which I think is

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<v Speaker 1>one of the things that made Houdini so popular with

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<v Speaker 1>his audiences. You know, it became see if you can

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<v Speaker 1>be you know, it was there were very challenging. They

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<v Speaker 1>were challenges. Challenges to companies, you know, make a box

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<v Speaker 1>that Houdini can't escape from, make a cage that Hugini

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<v Speaker 1>can't escape from. Challenges to police departments. Okay, Philadelphia, you

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<v Speaker 1>think you can lock me up, go ahead and do it.

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<v Speaker 1>And if you just think about that difference, that's an

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<v Speaker 1>enormous like a leap in the in the craft, you know,

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<v Speaker 1>to involve the audience to that degree. They really weren't

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<v Speaker 1>used to it at that point. So it was pretty cool.

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<v Speaker 3>And that stuff was ready made for the press as well.

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<v Speaker 1>Absolutely, I mean, he was a genius the press genius Houdini,

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<v Speaker 1>you know not. I mean, because it's one thing to say, yeah,

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<v Speaker 1>I'm gonna get locked up in jail, It's another thing

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<v Speaker 1>to announce it a day ahead of time, Strip yourself naked,

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<v Speaker 1>make sure all there, the guy's every newspaper man in

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<v Speaker 1>the city is there, and then have the police chief

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<v Speaker 1>not be able, you know, then get out right in

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<v Speaker 1>front of the police chief. That is an entirely different,

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<v Speaker 1>you know, experience, So and Whodini, I mean, Houdini at

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<v Speaker 1>least early on didn't had did his own press. So

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<v Speaker 1>you know, it's pretty it's pretty incredible that he would

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<v Speaker 1>have both skills, because sometimes being an artist and having

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<v Speaker 1>people and knowing how to promote yourself are not necessarily

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<v Speaker 1>one and the same thing. So you definitely could do both,

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<v Speaker 1>I think out of desperation quite frankly, certainly necessity, Yeah, necessity, well,

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<v Speaker 1>and even desperation, I mean, is it's some hungry, rough

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<v Speaker 1>years going. I mean, yeah, there wasn't a lot to

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<v Speaker 1>fall back on. That's that's for sure.

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<v Speaker 2>Another commonplace Jewish story.

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<v Speaker 1>Yeah, it kind of is, yeah, especially of those years.

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<v Speaker 2>Yes, enjoying the show, Click like and subscribe. There's a

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<v Speaker 2>wonderful image in the book where the crowd is waiting

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<v Speaker 2>for Houdini to emerge from a locked container and he's

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<v Speaker 2>relaxing backstage behind the curtains reading a book. Is that

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<v Speaker 2>based on any account?

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<v Speaker 1>It is? It actually is. There is a book, Houdini,

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<v Speaker 1>The Man who Walked Through Walls. It's by William Grusham Crusham,

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<v Speaker 1>I think, and he based it on an account that

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<v Speaker 1>he had seen in a book called American Vaudeville, where

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<v Speaker 1>people had said there was there was, you know, actual

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<v Speaker 1>eyewitness accounts that Houdini would do. It would do a trick.

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<v Speaker 1>But you can't make even if it was easy, which

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<v Speaker 1>it wasn't always, but even when it was, you couldn't

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<v Speaker 1>make it look that easy because then you know, where's

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<v Speaker 1>the you know, where's the anticipation, right, So he would

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<v Speaker 1>sit behind the stage and just read what you know,

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<v Speaker 1>just waste some time reading whatever was the book on,

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<v Speaker 1>you know, on tap for the day. And he did

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<v Speaker 1>travel with a bookcase with one hundred books. Always everywhere

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<v Speaker 1>there was this bookcase. I don't think the bookcase as

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<v Speaker 1>from what I know, the bookcase doesn't exist anymore. A

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<v Speaker 1>lot of people have been asking me lately, I'd love

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<v Speaker 1>to see that bookcase, and like a lot of people

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<v Speaker 1>are collecting Houdini memorabilia. But that bookcase that I know

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<v Speaker 1>of hasn't turned up yet. But if anyone has it,

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<v Speaker 1>it might be David Copperfield, but who knows.

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<v Speaker 3>Right, But he won't let you see it. He'll do

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<v Speaker 3>some trick and make it disappear eventually.

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<v Speaker 1>I think it's going to have to be opened as

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<v Speaker 1>a museum. It's just too much. But we'll see. Hopefully

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<v Speaker 1>I'll be one of the first people online if it

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<v Speaker 1>ever does, that's for sure.

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<v Speaker 3>Houdini wrote some books himself, including one of my favorites,

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<v Speaker 3>A Magician among the Spirits, in which he exposes supposed

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<v Speaker 3>psychics and paranormal phenomena. Is it true he was a

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<v Speaker 3>terrible speller?

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<v Speaker 1>Well, first of all, it's true that basically anyone before

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<v Speaker 1>the nineteen twenties was a terrible speller. It just wasn't

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<v Speaker 1>standardized spelling the same way that we know it now,

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<v Speaker 1>I mean at all. I mean George Washington was a

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<v Speaker 1>terrible speller too, and he was not none, and he

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<v Speaker 1>was he was pretty educated, and he was a bad speller.

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<v Speaker 1>Like you know, so they're is saying, but yeah, Whudini.

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<v Speaker 1>I mean, you know, when you leave school in second grade,

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<v Speaker 1>there are things you don't learn to do. And what

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<v Speaker 1>I found very admirable though, is it it just didn't

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<v Speaker 1>occur to him that that should be something that should

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<v Speaker 1>get in your way, you know. I mean he found

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<v Speaker 1>people that could read his stuff and say, hey, that's

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<v Speaker 1>you know, that's sounds spelled that way, and and had

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<v Speaker 1>editors and had people who typed up his things, and

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<v Speaker 1>he just kept going. I mean, his thoughts were fine,

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<v Speaker 1>It's just his spelling was not.

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<v Speaker 3>I will say that as someone who is dyslexic myself

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<v Speaker 3>and really struggled to learn how to read and write

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<v Speaker 3>when I was growing up, that part of the book

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<v Speaker 3>was really inspiring to me to read that he had

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<v Speaker 3>those challenges, not that he was dyslexic, but that he

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<v Speaker 3>didn't let the you know, the impediment of this crazy

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<v Speaker 3>language that you have to spell get in his way.

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<v Speaker 1>Yeah, I don't think he really thought about it. I mean,

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<v Speaker 1>I think to Whodini, books are books were home, and

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<v Speaker 1>books are where he relaxed, and books were also his

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<v Speaker 1>thought process, how he learned about anything. And it was

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<v Speaker 1>just the thoughts were more important than the exact words.

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<v Speaker 1>It's like, you know what I mean. You know, he

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<v Speaker 1>could keep going. And again also he was by that

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<v Speaker 1>time world famous, you know, and quite doing quite well financially,

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<v Speaker 1>and so you know, there were there were people he had,

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<v Speaker 1>people like people have people.

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<v Speaker 3>A team of editors, a team of a team.

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<v Speaker 1>Of lots of people, a team of magicians, helpers, and

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<v Speaker 1>a team of people to help in and off the stage,

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<v Speaker 1>and of people to pack the trunks and people. Yeah,

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<v Speaker 1>it was good to be Houdini at some point, really good.

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<v Speaker 2>And he's also a wonderful thinker, you know, exposing supposed

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<v Speaker 2>psychics and paranormal phenomena, right.

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<v Speaker 1>Right, I mean, and I think he really would have

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<v Speaker 1>he said, I have an open mind, even at the

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<v Speaker 1>very end. I mean, he really didn't think that any

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<v Speaker 1>of the psychics that he had seen, you know, he

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<v Speaker 1>pretty much proved that they were fraudulent, But it didn't

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<v Speaker 1>mean that he said that it was impossible, you know

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<v Speaker 1>what I mean. And I really kind of admired that too.

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<v Speaker 1>So he wasn't Houdini was never so sure of his

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<v Speaker 1>own opinion that he wasn't willing to consider someone else's.

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<v Speaker 1>And I think that that's kind of the mark of

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<v Speaker 1>a well of a really educated like the in the sense,

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<v Speaker 1>in the real sense of the word person is like, yeah,

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<v Speaker 1>let's talk about it. You know, I don't know, I've

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<v Speaker 1>never been dead, have you, you know, so who knows

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<v Speaker 1>what really happens? Right? And so he was always willing

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<v Speaker 1>to entertain possibilities and could and therefore could like be

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<v Speaker 1>really close friends with like Conan Doyle, who was a

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<v Speaker 1>huge believer in spiritualism, and you know, at some point

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<v Speaker 1>the friendship completely fell apart, but really, for a long

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<v Speaker 1>time they were two people at opposite ends of the spectrum,

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<v Speaker 1>and they had dinner together and talked it through and

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<v Speaker 1>you know, spent a lot of time just discussing what

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<v Speaker 1>they completely disagreed on, and it, to me is kind

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<v Speaker 1>of cool. It was kind of Yeah, I think we

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<v Speaker 1>could use more of that.

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<v Speaker 3>Basically, a part of me thinks that that friendship was

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<v Speaker 3>a model for Fox Mulder and Danas Scully on X Files.

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<v Speaker 3>You have the firm believer and the doubter, you.

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<v Speaker 1>Know, right, right right, You've got you've got a true

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<v Speaker 1>believer and a doubter. You know, the true believer was

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<v Speaker 1>much more of a true beleiader believer. The doubter could

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<v Speaker 1>have gone either way. It's just that he never thought

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<v Speaker 1>he never found him. He just knew it was magic.

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<v Speaker 1>I mean, for the most part, what he was seeing

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<v Speaker 1>were people who were doing his craft, which he knew

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<v Speaker 1>an awful lot about. And so he's like, yeah, okay,

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<v Speaker 1>well now take your hands from under the table and

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<v Speaker 1>do that, you know, I mean, he just knew the tree.

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<v Speaker 1>I mean, he knew what could have been done, but

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<v Speaker 1>it is a concept speaking to people be on the dot.

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<v Speaker 1>I mean I think he I mean, he loved his parents,

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<v Speaker 1>his mother especially, and when she passed, I think he

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<v Speaker 1>would have loved nothing better than to be proven wrong

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<v Speaker 1>and to have been able to communicate with her one

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<v Speaker 1>more time. I mean, that is just that's clear from

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<v Speaker 1>all of his writing. It was a very emotional topic

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<v Speaker 1>for him. So he wasn't He wasn't a doubter. He

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<v Speaker 1>wasn't a scoffer, you know what I mean. He wasn't

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<v Speaker 1>like someone who just went that's stupid, nobody should believe,

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<v Speaker 1>you know what I mean. There was a real intellectual

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<v Speaker 1>curiosity there, and like, hey, I don't think you're it,

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<v Speaker 1>but as far as it being a possibility, it might exist.

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<v Speaker 1>You know, I did a book about the Fox Sisters

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<v Speaker 1>right before Houdini, and that's all spiritualism too, so I

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<v Speaker 1>think they kind of blend in my mind a little bit.

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<v Speaker 3>But yeah, I wonder if part of Whodini's openness was

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<v Speaker 3>just how much spiritualism, seances all that stuff was such

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<v Speaker 3>a big part of the culture at the time that

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<v Speaker 3>it was very normal to believe in this stuff, and

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<v Speaker 3>maybe he felt there might be something to it, you know.

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<v Speaker 1>Yeah, yeah, Well anytime that there's any kind of you know,

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<v Speaker 1>it's like tragedy. Right. Spiritualism came about right right before

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<v Speaker 1>the Civil War, was very popular through the Civil War,

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<v Speaker 1>kind of died back off, very popular again during World

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<v Speaker 1>War One, which is Houdini's time, you know what I mean.

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<v Speaker 1>So it kind of is a waving. It's kind of

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<v Speaker 1>back on the upswing right now, as a matter of fact,

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<v Speaker 1>not an exact same way, but definitely you see a

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<v Speaker 1>lot more tarot cards and reading and people doing zodiac

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<v Speaker 1>signs and all of that is you know, it's on

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<v Speaker 1>another wave of can we communicate? And you know, maybe

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<v Speaker 1>you know, maybe AI has its own intelligence like all

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<v Speaker 1>of that kind of thing, like what is AI spiritual?

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<v Speaker 1>Can it be? You know, those those kind of questions.

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<v Speaker 1>I mean, it's just coming up again. So I think

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<v Speaker 1>it's interesting, you know, not necessarily. I'm pretty big skeptic myself,

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<v Speaker 1>but I do think it's interesting.

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<v Speaker 2>What do you help kids take away from Houdini's library?

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<v Speaker 1>First of all, what I always do when I write

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<v Speaker 1>a picture book like this is I'm trying really hard

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<v Speaker 1>to just tell a story that I find fascinating in

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<v Speaker 1>a way that a kid will find fascinating. So I

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<v Speaker 1>really try really hard not to be preachy, like preaching

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<v Speaker 1>to kids. To me is just not necessary and not

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<v Speaker 1>a turn off and kind of a turn off. You know.

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<v Speaker 1>What I hope anybody would take out of reading Houdini's

390
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<v Speaker 1>story is just like, look what you can do with

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<v Speaker 1>a book that has nothing to do as goal. Really,

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<v Speaker 1>I mean, you know, he had to leave school, he

393
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<v Speaker 1>did not have books. His family had said, these are

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<v Speaker 1>important things. We can't afford them right now, but these

395
00:21:46.880 --> 00:21:49.519
<v Speaker 1>are important things you might if you get any extra dime,

396
00:21:49.519 --> 00:21:50.960
<v Speaker 1>if you get an extra dime, you might want to

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00:21:51.000 --> 00:21:53.359
<v Speaker 1>pick up a book. And he did, and he gave

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<v Speaker 1>himself a career, and he made himself into the most

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<v Speaker 1>famous and our pretty I mean on the planet. I mean,

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<v Speaker 1>that's arguable, but I don't know besides like Jenny Lynn

401
00:22:05.160 --> 00:22:07.000
<v Speaker 1>that I don't know who else would even come close

402
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<v Speaker 1>in that day and age, you know, and certainly Jenny

403
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<v Speaker 1>Lynn does not still have a dou a lipa song

404
00:22:12.799 --> 00:22:15.960
<v Speaker 1>about him or you know, I mean, so the name

405
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<v Speaker 1>and just the idea that Whodini is to, you know,

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<v Speaker 1>escape the way Einstein is too smart. I mean, it

407
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<v Speaker 1>just is, It's part of the language. So he's transitioned,

408
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<v Speaker 1>just like, almost out of his personality. Re means magic,

409
00:22:30.480 --> 00:22:33.400
<v Speaker 1>you know, you can go anywhere with it. And Houdini

410
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<v Speaker 1>really knew that. I mean his favorite kind of magic

411
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<v Speaker 1>was picking up something he didn't know and at the

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<v Speaker 1>end knowing something that you know, knowing something new. I

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<v Speaker 1>just think that that's cool, and I think he did

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<v Speaker 1>too well.

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<v Speaker 3>Thanks so much, Bart for joining us. Thanks and to

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<v Speaker 3>our audience. Now back to your regularly scheduled lives.

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<v Speaker 2>Amusing Jews is here to amuse you. If you like

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<v Speaker 2>being amused, go ahead and click like and subscribe. Never

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<v Speaker 2>thought
