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Speaker 1: W m N H rips the normal.

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Speaker 2: So we are back from the brain.

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Speaker 3: Fever.

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Speaker 4: A beast not always.

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Speaker 5: Untie with the creatures old steals upocating. Fear may fade,

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but the bee stills are.

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Speaker 6: Game hasn't gone. Only I have a navy.

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Speaker 4: Till me just stound off what is the sleepy?

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Speaker 1: Until he just.

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Speaker 4: Stound the til we get agreed. We held hands, saying

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so far our gee. Now the pesson shared it's lost

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and burning. The price we paide is in the world

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keeps going. Me won't be paid without learning.

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Speaker 7: So we just stove off with.

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Speaker 8: This penancety.

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Speaker 4: Until we just scold off, until we just luck that

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we need.

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Speaker 1: To call out until he got care. But now long

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with me till at least let the world.

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Speaker 4: Was beady, and as we woke we saw burning.

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Speaker 8: He remains. Let me still lurky.

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Speaker 1: Let the strict spoke cold.

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Speaker 4: If we keep learning until we just stand off with

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us demands leave until it just stand off till we

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get breath.

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Speaker 1: Don't just love tole me to crop came?

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Speaker 9: How long would again to wait to breathe just stound off?

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Speaker 4: Whatsney is?

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Speaker 1: Don't just stand off?

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Speaker 8: Do we just luck to?

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Speaker 1: We need to call out that, what do they will mean?

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How long we need to agree?

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Speaker 10: Don't just luck and we sell call out road?

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Speaker 1: What do we How long we need to trees?

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Speaker 8: How long we.

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Speaker 11: Need to do?

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Speaker 12: How long the need to?

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Speaker 8: You can.

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Speaker 7: How long the need to?

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Speaker 2: I really like that a lot. The track is Breathe,

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the artist is Alienstone, and we're going to talk with

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the gentleman behind that project in just a moment. But

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welcome everybody. We have entered our number two numarrow doos

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of Matt Connorton Unleashed. For those of you listening live

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today is Saturday, September thirteen, twenty twenty five, and we

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come to you from the studios of wm NH ninety

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five point three FM and Glorious Manchester, New Hampshire. Jenny

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is here, of course at the news table, and of

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course hello to everybody listening online or even around the globe.

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Mattconnorton dot Com slash live is how the easiest way

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to get the show from anywhere, so we appreciate all

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of you who tune in with us. And let's go ahead.

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I'm gonna bring this Micah and we're gonna talk with

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mister Keith sam Land, the gentleman behind alien Stone, Keith,

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Are you there?

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Speaker 13: I am?

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Speaker 2: How you doing good? Good?

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Speaker 14: So?

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Speaker 2: I know you can't see us on video, but I

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can see you on video and you look like you're

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in a radio studio. And I saw something online. Do

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you also do a radio show?

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Speaker 11: Yes?

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Speaker 15: I uprate my own internet radio station for about the

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past eleven twelve years outstanding.

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Speaker 6: I have a show too, Oh, very cool.

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Speaker 2: Very cool, And what's the station and what's the show called?

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Let's give that a plug. Just partly for selfish reasons,

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I do want to talk to you about the music,

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but also as a radio guy, I'm just super curious

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about what you do as a broadcaster too.

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Speaker 6: For sure. The station's called alien X Radio okay.

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Speaker 15: And the show that I currently do is called Inside

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the Mothership okay. And I used to do interviews and

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all kinds of stuff with movie stars and things like that,

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but as of late, it's just become mostly just a

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comedy and entertainment show.

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Speaker 2: Oh interesting, I'm gonna have to check that out. Very cool.

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So I have questions about alien Stone, and a big

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one and part of the reason I picked that track,

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and I chose another song too that will play at

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the end of our conversation that I really like. But

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I love your sound. I love the songs. I'm particularly

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taken with the sound of the guitar. Is that you

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on lead guitar and all.

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Speaker 15: These I did everything on these songs, with the exception

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of leads and solos.

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Speaker 2: Okay.

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Speaker 15: What I did is I went through all of the

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bands that I've played with through you know, different bands

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that have played shows with me, and I've gotten their

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guitar players from all the local bands and had them

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all individuals, each one of these tracks as a completely

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different person playing on it.

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Speaker 2: Gotcha.

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Speaker 15: So they all contributed these from their home studios and

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sent them over and I chopped them up, spliced them

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and put them together and I got different. That's how

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I got such different flavor throughout the course of the album.

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Speaker 2: That makes sense because I really love the guitar tone

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on that track Breathe And is his name David Quick?

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Is that how you say his name?

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Speaker 6: David Schwick?

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Speaker 2: Oh Schwick? Okay, yeah, I wasn't sure I pronounce it.

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Speaker 15: The crazy thing about that, too, is that he's actually

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one of the most talented drummers that I've ever met,

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and I didn't even know he played guitar and now

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he's the he's the drummer of a band called Sonic

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Smut in this area right now. But that's how a

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drummer plays guitar. Really yeah, wow, Yeah, he's really good.

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Speaker 2: Yeah. And it it uh, you know, it fits the

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song perfectly. And I love the I love the tone.

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Everything about it is is so good. And tell us

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about I mean again, I listened to the you know

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you sound Us a whole album. I listened to the

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entire album. It's funny because we had kind of talked

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I'll pull the curtain back a little bit. Uh, we

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kind of talked online about you know.

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Speaker 13: Uh.

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Speaker 2: One of the songs you gave me a four warning

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has a word in it that we would have to

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make a radio edit up and I and I was

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willing to do that, but then, you know, I listened

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to the whole album and it's like, well, there's so

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much great stuff here. There's no reason to even bother

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making a radio edit of that song because there's no

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shortage of great songs here. So I agree that. So

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I picked a breath to open with, and I'm going

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to play criticize yourself at the end. Of the segment

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because I love that one too. Those are my two favorites,

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so selfishly, I picked my two personal two favorites. But

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but I'm curious about your creative process, and it sounds

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like you do all the production yourself. Is that correct?

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Speaker 6: Yep?

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Speaker 15: Right here, where I'm sitting right now is where I

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did all of the production on that whole album. Yeah,

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recorded everything in myself. I used Superior drummer to program

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and edit all the drums. I recorded my own bass tracks,

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my own rhythms on the acoustic, and actually all the

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vocal tracks, I recorded scratch tracks that I was going

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to re record later and I ended up just cleaning

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them up and using the ones that were already in there. Okay, okay,

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so everything was a one take on all the vocals.

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Speaker 2: Okay, Wow, Have you ever done this before? Or is

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Alien Stone this album? And by the way, what's the

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name of the album?

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Speaker 6: The album's called After the Gray?

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Speaker 2: After the Gray is After the Gray? Is this the

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first album where you've done that or have you released

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previous work where you've you've done all the production?

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Speaker 15: Well, I it was kind of a collaborative effort, but

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I was in a band for about twenty years called

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Freak Stark and not to be confused with the current

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Freak Star out of Los Angeles. But yeah, we were

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together for about twenty years and we got into recording

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our own stuff too. But of course it was much

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harder to do back then with the equipment. You know,

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it's much easier to do today. You can do with

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a laptop and you know, a very small mixer. So

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I and I also went to as you can see,

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I am into radio, so I went to radio school,

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so I know about mixing and you know, engineering and

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all that kind of stuff. So it just it made

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it much easier when the technology caught up to me

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and what I wanted to do.

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Speaker 2: Absolutely. Yeah, it's an amazing time to be alive, isn't

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it in terms of technology? And oh, for sure the

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things you can do now really.

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Speaker 15: Because that great track that was was given to me

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in many many takes from someone who never even came

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into my studio, recorded at elsewhere and just emailed it over,

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you know, So that's that's huge. Yeah, and had to

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get a bunch of people in a room.

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Speaker 2: Yeah, especially when you come out with something that sounds

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like it was recorded, you know, with a live band

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in a studio. I mean, that's that's fantastic. So so

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that that's a good good for you being able to

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do that. And then and then you mentioned so you

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you recorded everything else.

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Speaker 15: Yeah, pretty much everything else on there was me with

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the exception of piano. Okay, that came from another gentleman

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that he's the lead singer and piano player for a

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band called Sweet Crystal, which is a Detroit Award, a

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Detroit Music Award winning band for the last thirty years.

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I mean he's a huge, huge artist around Detroit area.

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Speaker 2: Okay. That's obviously very satisfying when you can do all

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of that yourself, I assume. I mean, did you feel

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any pressure putting this album together because so much of

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it was on you? Or or or maybe you did

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and you thrive on it, or maybe you didn't and

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you just enjoyed being able to have such autonomy and

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so much control. I mean, what was what was that like?

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Did you feel any pressure or was it just like, yeah,

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I'm just gonna do this mostly myself.

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Speaker 15: That that was the best thing about it is that

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there was nobody on my heels. There was nobody saying, hey,

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we got a deadline. We got to get this done.

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You know, Stone's was coming over to do the bass tracks.

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We got to get them all done today, right, You know,

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there wasn't any of that. You know, if I came

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home and I was tired, I just didn't do anything.

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I went to bed. You know, if it takes me

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a year to record it, it takes me a year. I

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don't even know how long it took me. I didn't

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even pay attention to that.

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Speaker 2: Yeah, no, that makes sense. And is this your first

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because a project officially is called alien Stone, is this

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your first project that you've recorded as alien Stone?

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Speaker 15: Well, I did something a long time ago when Freestar

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had like a hiatus in the middle, where I did

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my own kind of thing on the side, and it

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was under the name alien Stone. But it was very,

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very different from this, and it was much lower on

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the production scale. It was kind of like a technoe

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beat kind of thing with a lot of heavy guitar

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on it. Yeah, and yeah, I just it never really

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released or anything anyway, so I don't really count it right.

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Speaker 2: Right, Where does the name come from, alien Stone?

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Speaker 15: It actually comes from all the way back in high school.

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This would have been like eighty eight eighty nine, I

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took a media production class and we were supposed to

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write and produce a small video, and I wrote a

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script that would have required me to get about thirty

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or forty million dollars, So I never made the movie.

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But it was about a meteorite that falls into Los

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Angeles and an alien comes to retrieve it because it's

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some kind of power source, and he goes on a

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murderous spree to retrieve the alien stone.

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Speaker 2: Okay, it's a good time.

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Speaker 6: It just stuck ever since.

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Speaker 2: Yeah, yeah, all right. And the album is called After

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the Gray? Where does that come from?

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Speaker 6: That's actually uh.

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Speaker 15: In one of the songs, there's the title says after

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the Gray, maybe there'll be some kind of light, Okay,

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And that's basically what the song was about, all this

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crap that happens to you, was like, well, maybe after

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this crap passes, you know, there'll be something better after that.

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Speaker 6: So after the Gray, maybe there'll be some kind of light.

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Speaker 2: So are these songs? Are they reflective of things that

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you've been through? Because in listening to the lyrics, I

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do feel like, you know, these aren't you know? They're

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not just simple feel good rock songs there, I feel like,

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I feel like there's some heavy stuff behind the lyrics

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of these songs. It definitely, you know, without I mean,

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you know, there's ambiguity, and of course, one of the

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wonderful things about music or any kind of art is

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that you can kind of interpret it however you want to.

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And sometimes people, different people find different meanings behind different

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you know, the lyrics to different songs and so forth.

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But my impression, because I listened to the entire thing

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in one sitting, you know, I wasn't like, Okay, I'm

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gonna listen to a song now and I'll listen to

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another one later. So I listened to the full thing,

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from front to back, and I felt like there's a

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story there, like like there's something that you're getting out,

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but I'm curious about that.

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Speaker 15: Yeah, there's definitely a lot of heavy lyrics. I've been

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criticized by a lot of people saying, can you write

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a happy song? I'd be like, if there's any happiness

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inside me, I want to keep it there, keep it inside.

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Speaker 2: You know.

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Speaker 15: If I get all this heaviness that's thrown on me

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from the world, let's.

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Speaker 6: Let's get that out through the therapy. Of music.

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Speaker 15: Let's remove that, you know what I'm saying, right, So

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I don't need to write a hand song. I just

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live the happy stuff, but you know, yeah, the the

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darker stuff. If you don't talk about the things that

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get to you, that the things that bring you down,

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then it's just going to keep you down. So that's

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pretty much you know what I do. It's like, if

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something bothers me enough to where I'm thinking about it

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a lot, then then yeah, it's gonna translate into the music.

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You know, I'm gonna I'm gonna write a story about

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you know what once was that is no more, or

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something that has changed for the not for the better.

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You know that that's you know, that's that's gonna come

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out that way. I have one song that's on there.

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It's called long Way Home, which is basically about thinking

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that the grass is greener on the other side. So

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you take this long journey going around trying to find

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something better, and then you find out that everything that

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was better was actually at home, so you're right back

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where you started. You took the long way home. So

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that's not really a dark story. That's like, hey, you

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just you didn't know, now you.

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Speaker 2: Do yeah, and it's relatable, you know, because I think

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we can all we can all relate to that, you know,

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at some point in our lives. So certainly. But I

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like too that you use the word therapy when you're

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talking about about you know, songs about dark subjects and

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so forth. Because something that comes up on this show

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a lot, because we talk about music, we also talk

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about mental health, and something that comes up on the

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show a lot is how creating art, whether it be

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music or you know, visual art Jenny as you know,

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she's a visual artist, or whatever it is that you're creating.

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It's it's a way I think it's the best form

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of therapy, right because you're you're working whatever it is

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that you need to work out through creating something. Not

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only are you creating something that ultimately that helps you,

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it helps you to express yourself, but it also helps

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others because then they are able to relate to what

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you've created. And I'm sure I don't know if it's

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happened to you, I assume it has. Maybe you've heard

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from someone who said, you know, hey, I listen to

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this song and I get what you're saying, and I

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really relate to it, and it kind of helped me,

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helped me feel better, helped me feel like I'm not

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alone whatever it is, right, So I think that that's

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you know, the best form of therapy is to is

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to create. And if you can take your pain, your trauma,

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whatever it is that you've been through, or maybe you're

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just upset about something going on in the world, whatever

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it is, if you're able to take that and then

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make something out of it, create something from it, you've

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taken something that's negative, but you've done something positive with

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it by creating something. Yeah.

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Speaker 15: And also, like you said that, if somebody else listens

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to it and they say, hey, I you know, connected

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with you on this level, it's like, okay, but you

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wouldn't have, right. You know, you had no idea that

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this person was on the same level with you, that

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was there right there with you, right, But you didn't

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know until you said something in the form of a

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song or a poetry or a painting or whatever. Then

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somebody looks at it and goes, you know what, I

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feel the same way, and it's like, okay, well I

330
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had no idea you did. Now at least I have

331
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a kindred spirit. I now feel like there's more people

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with me instead of against me.

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Speaker 2: Right, exactly exactly. Yeah, do you play any of these

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songs out or I mean, with all these guest musicians,

335
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Maybe that's challenging to pull that off. I don't know.

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But do you perform any of these live? Yes?

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Speaker 15: Actually, what I did is, since I'm the one that

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was in charge of producing the album, I was also

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the one in charge of rendering the tracks when I

340
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was done, so of course I rendered the entire album,

341
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and then I went through and muted the acoustic guitar

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and the vocals and rendered it again. Okay, so I

343
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load that onto a loop pedal and I can go

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out to any place I want now hit the track

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and it plays everything with the exception of my acoustic

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guitar and my vocals, and I can just play right along.

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Speaker 2: Oh that's great. And you know, once again, it's an

348
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amazing time to be alive, isn't it with all this technology.

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Speaker 6: Yeah, that was not available. I was not available.

350
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Speaker 15: You had to come out there with a reel to

351
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reel and all kinds of crazy stuff.

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Speaker 2: That's great. They were able to do that, So does

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anything ever go wrong with that? By the way, when

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you're you know, trying to play to these loops, and.

355
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Speaker 15: The only time it really went bad is before I'm

356
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not I use loop pedal itself, which plays the the

357
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wave file straight from there, and that pretty much is solid.

358
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Speaker 6: Okay, But I used to use a laptop.

359
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Speaker 15: Yeah, and you know how laptops are, you know, right

360
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in the middle of a song and goes, we're gonna

361
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do an update.

362
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Speaker 6: In the middle, Like, dude, you didn't even ask me.

363
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You just we're restarting your computer.

364
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Speaker 15: Really yeah, yeah, or you'll get a notification or something,

365
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but right in the middle of your song, you're like,

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that's not cool.

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Speaker 6: I deleted those. I thought I turned those off.

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Speaker 2: I mean, if you're a if you're a DJ, you

369
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know you can say, oh, it's the part of the

370
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remix or whatever if it suddenly goes creak. But if

371
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you're you know, you're playing a rock song, you.

372
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Speaker 6: Know, and you got to know all that vas critical error.

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Speaker 2: Yes, but but it sounds like so now it works

374
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pretty It all works pretty smoothly, though.

375
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Speaker 15: Yeah, it's pretty solid when you when you you have

376
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to actually hit the button to stop it. Now, yeah,

377
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you know it's not gonna just empower would have to

378
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go out.

379
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Speaker 2: Yeah, yeah, when you when you play out, are people

380
00:18:59,000 --> 00:19:02,279
ever surprised because obviously, you know a lot of people

381
00:19:02,359 --> 00:19:05,160
who maybe haven't seen someone play with loop pedals and

382
00:19:05,240 --> 00:19:07,319
so forth. You know, they might see you with your

383
00:19:07,519 --> 00:19:09,640
acoustic guitar and think that, you know, that's going to

384
00:19:09,680 --> 00:19:11,240
be it, and not that there would be anything wrong

385
00:19:11,279 --> 00:19:13,519
with that. But do you ever see people in the

386
00:19:13,680 --> 00:19:16,559
audience who are just surprised when they, you know, when

387
00:19:16,599 --> 00:19:18,519
they start to hear these other instruments in these other

388
00:19:18,559 --> 00:19:22,880
tracks and they realize that it's actually a bigger production,

389
00:19:23,000 --> 00:19:25,000
so to speak, then maybe what they were expecting.

390
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Speaker 15: That's always the case when somebody who hasn't seen me

391
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at first, they think I'm gonna come up there and

392
00:19:29,759 --> 00:19:31,720
do some Hank William seeing your tear and my beer

393
00:19:31,799 --> 00:19:34,440
kind of stuff, right, and you know, and there's nothing

394
00:19:34,480 --> 00:19:37,160
wrong with that either, you know. And there's other people

395
00:19:37,200 --> 00:19:39,119
at these shows too that do that kind of music.

396
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So maybe somebody right before them just did that. And

397
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then I come up there and they think, Okay, this

398
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is gonna be a continuation, and then all of a

399
00:19:45,319 --> 00:19:47,799
sudden they hear the drums kick in and a big

400
00:19:47,880 --> 00:19:50,559
fat bass kick in, and you've met guitar solo that

401
00:19:50,599 --> 00:19:53,079
you just heard on that song. You know, they're not

402
00:19:53,160 --> 00:19:56,319
expecting any of that, Yeah, and it kind of shocks

403
00:19:56,319 --> 00:19:56,839
them a little bit.

404
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Speaker 6: First dude. Sometimes they're like, are you just playing along

405
00:19:59,400 --> 00:19:59,960
with your album?

406
00:20:00,039 --> 00:20:01,880
Speaker 15: And sometimes I actually have to explain to people it's like, no,

407
00:20:02,119 --> 00:20:05,319
what I'm playing is live, Yeah, that's removed from the sound.

408
00:20:05,720 --> 00:20:09,640
Speaker 2: Yeah. Yeah. Do you ever, I mean, do you have

409
00:20:09,680 --> 00:20:12,839
any thoughts of putting together a band to play these

410
00:20:12,960 --> 00:20:16,519
or obviously doing it yourself? It gives you a lot

411
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of freedom and autonomy and if you want to book shows,

412
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you don't have to check with three or four other

413
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people what their schedules are. So I so maybe this,

414
00:20:25,240 --> 00:20:28,440
maybe this is a pointless question, but I am curious.

415
00:20:28,519 --> 00:20:30,279
I mean, have you thought about trying to put together

416
00:20:30,319 --> 00:20:31,440
a band to play these?

417
00:20:32,079 --> 00:20:34,920
Speaker 15: Yeah, I've always I'm always open to that idea. But

418
00:20:35,079 --> 00:20:38,279
it You know, something that I've learned from being in

419
00:20:38,359 --> 00:20:42,400
bands for you know, thirty plus years, is that you know,

420
00:20:42,480 --> 00:20:44,640
the more people you get into a band, the more

421
00:20:44,720 --> 00:20:49,319
schedules you have to coordinate. Everybody has wives and lives

422
00:20:49,799 --> 00:20:55,440
and husbands and car problems and jobs and vacation time

423
00:20:55,480 --> 00:20:57,119
and all that kind of stuff, and to get five

424
00:20:57,160 --> 00:20:59,359
people in a band and have all that lineup so

425
00:20:59,400 --> 00:21:01,079
that you can record, you can do a show.

426
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Speaker 6: It's really hard. It's really hard.

427
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Speaker 15: And then on top of that, you've got egos and

428
00:21:06,160 --> 00:21:09,440
personalities that you also have to get along with, and

429
00:21:09,480 --> 00:21:12,680
it makes it very, very difficult. So I'm always open

430
00:21:12,720 --> 00:21:14,960
to the idea. But then you've got to find somebody

431
00:21:14,960 --> 00:21:18,200
who's willing to play my music and then move forward

432
00:21:18,240 --> 00:21:21,680
writing stuff yeah together, you know, don't change what I've

433
00:21:21,680 --> 00:21:23,920
already written. That's already done right, you know. So you've

434
00:21:23,920 --> 00:21:25,039
got to be willing to do that. And a lot

435
00:21:25,039 --> 00:21:26,680
of people are like, no, I don't want to, you know,

436
00:21:27,240 --> 00:21:29,000
I don't want to be in the Dave Matthews band,

437
00:21:29,039 --> 00:21:32,240
you know. And I'm like, no, that's what I'm not

438
00:21:32,559 --> 00:21:33,839
trying to do that either, you know.

439
00:21:34,200 --> 00:21:39,720
Speaker 2: Yeah, where are you from, Keith? I I just realized too,

440
00:21:39,880 --> 00:21:42,519
I never asked you where are you located? Exactly?

441
00:21:43,279 --> 00:21:46,119
Speaker 15: Well, I'm originally from Westland, Michigan, but I moved over

442
00:21:46,160 --> 00:21:48,839
to Taylor, Michigan, which is a suburb of Detroit, pretty

443
00:21:48,839 --> 00:21:51,119
close to Detroit. Be there in about ten minutes if

444
00:21:51,160 --> 00:21:51,880
I chose to go.

445
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Speaker 2: Well, you're a you're in an area, then you're you know,

446
00:21:55,519 --> 00:21:57,319
being close to Detroit where I mean a lot of

447
00:21:57,319 --> 00:22:02,200
great music obviously is I mean you must have. I mean,

448
00:22:02,240 --> 00:22:04,440
what's the music scene like there right now? I mean

449
00:22:04,880 --> 00:22:07,519
there must just be talent everywhere. I would guess.

450
00:22:08,359 --> 00:22:09,039
Speaker 6: Yeah.

451
00:22:09,240 --> 00:22:11,640
Speaker 15: I do a lot of open mic nights obviously, you know,

452
00:22:11,720 --> 00:22:13,720
because that's the easiest thing for me. I go to

453
00:22:13,720 --> 00:22:16,519
places like Grizzlies and Windott or Three Nicks in Allen Park.

454
00:22:16,880 --> 00:22:19,039
But like the place I go the most, it's it's

455
00:22:19,079 --> 00:22:21,680
a bar. It's called road Rangers and Okan Taylor, and

456
00:22:21,720 --> 00:22:23,680
this bar is set up as a concert bar. I

457
00:22:23,680 --> 00:22:27,039
mean it has the full backing line, the full everything.

458
00:22:27,079 --> 00:22:29,119
I mean, anybody can play there. Docing could play there

459
00:22:29,160 --> 00:22:30,799
tomorrow and it would sound great. Yeah, you know what

460
00:22:30,799 --> 00:22:33,079
I'm saying, Well, the sound would be great. I don't

461
00:22:33,079 --> 00:22:35,160
know if Docing would be great, but.

462
00:22:35,920 --> 00:22:38,119
Speaker 2: Yeah, depends if George Leitch's and the band or not.

463
00:22:38,880 --> 00:22:39,359
Speaker 6: Right.

464
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Speaker 15: So when I go and play there, it's like the

465
00:22:41,960 --> 00:22:44,160
bands that come through that bar because of the fact

466
00:22:44,160 --> 00:22:46,480
that it has such good sound and you don't have

467
00:22:46,559 --> 00:22:48,559
to sell tickets and you don't have to be part

468
00:22:48,559 --> 00:22:52,440
of a national thing. There's a lot of huge talent

469
00:22:52,480 --> 00:22:54,920
that comes through that that bar. You know, bands like

470
00:22:55,119 --> 00:22:57,720
the Creeping Chaos is around here right now. That's an

471
00:22:57,880 --> 00:23:01,599
enormous band. And band's like Whole Shot the WRF, which

472
00:23:01,599 --> 00:23:04,200
is a huge radio station around here. They constantly hire

473
00:23:04,240 --> 00:23:07,519
that band to play all their events. Oh yeah, so yeah,

474
00:23:07,519 --> 00:23:09,359
there's a lot of really good bands that come through there.

475
00:23:09,599 --> 00:23:13,319
Speaker 2: Yeah. Something that we talk about on the show quite

476
00:23:13,319 --> 00:23:16,759
a bit is you know every around here, you know,

477
00:23:16,799 --> 00:23:19,039
because sometimes people will ask us, they'll ask me, or

478
00:23:19,079 --> 00:23:20,920
they'll ask Jenny because she does the booking. You know,

479
00:23:20,920 --> 00:23:23,079
how do you find all this great talent? And it's like, well,

480
00:23:23,160 --> 00:23:25,359
it's everywhere, you know, And I think that's true of

481
00:23:25,680 --> 00:23:28,599
probably every city and every town in the country. You know,

482
00:23:28,599 --> 00:23:31,680
there's local musicians who are doing great stuff. And if

483
00:23:31,720 --> 00:23:34,680
you you know, because sometimes people, you know, they get

484
00:23:34,720 --> 00:23:36,759
to a certain point in their lives where they sort

485
00:23:36,759 --> 00:23:39,880
of say, Okay, all the music that I've heard up

486
00:23:39,880 --> 00:23:41,799
to this point in my life, that's all the music

487
00:23:41,839 --> 00:23:44,400
I ever need to hear, and anything made after this

488
00:23:44,559 --> 00:23:47,000
point I'm not going to listen to. I'm going to reject,

489
00:23:48,279 --> 00:23:51,680
you know, And people who do that, they're missing out,

490
00:23:51,759 --> 00:23:53,440
you know. I mean there's first of all, I mean

491
00:23:53,480 --> 00:23:55,759
you can get access to there's so much, there's so

492
00:23:55,880 --> 00:23:58,920
much new music being put out. But also right in

493
00:23:58,960 --> 00:24:02,039
your own backyard, you know, there's musicians making music and

494
00:24:02,200 --> 00:24:05,039
you know you need to I always use my father

495
00:24:05,079 --> 00:24:07,920
as a very positive example of this. My dad, you know,

496
00:24:07,960 --> 00:24:10,839
he's in his seventies, but he still loves hearing new music.

497
00:24:11,279 --> 00:24:13,880
He lives on the sea coast here in New Hampshire

498
00:24:13,880 --> 00:24:15,960
and there's a great college station at the University of

499
00:24:16,039 --> 00:24:19,160
New Hampshire called WUNH and my dad loves to listen

500
00:24:19,200 --> 00:24:22,599
to WUNH because he loves hearing new music. He loves hearing,

501
00:24:23,079 --> 00:24:26,039
you know, new artists that he's never been exposed to before,

502
00:24:26,079 --> 00:24:30,720
either young, new upcoming artists, or just artists who maybe

503
00:24:30,720 --> 00:24:32,759
are not young but have been around a while but

504
00:24:32,880 --> 00:24:34,839
he just had never heard them before. He loves hearing

505
00:24:34,880 --> 00:24:38,839
new stuff. And you know, and I can only imagine

506
00:24:38,839 --> 00:24:40,400
what the scene is like there and how much great

507
00:24:40,480 --> 00:24:43,160
music there must be there. But you know, I always

508
00:24:43,240 --> 00:24:45,759
encourage people, you know, take a look around. You know,

509
00:24:45,799 --> 00:24:51,319
there's this great, incredible music being created by musicians right

510
00:24:51,319 --> 00:24:53,359
in front of you. You know, you're just not looking

511
00:24:53,440 --> 00:24:54,160
you know what I mean.

512
00:24:54,799 --> 00:24:56,799
Speaker 15: I know exactly what you're saying. Well, I hear it

513
00:24:56,839 --> 00:24:58,160
all the time. You know, people are like, well, I

514
00:24:58,200 --> 00:24:59,799
don't want to go see that band. I'm like, why no,

515
00:25:00,079 --> 00:25:01,680
I don't know who they are. I was like, okay,

516
00:25:01,680 --> 00:25:03,480
but did you know who Metallica was before you heard

517
00:25:03,480 --> 00:25:03,759
them for.

518
00:25:03,720 --> 00:25:04,279
Speaker 6: The first time?

519
00:25:05,039 --> 00:25:05,519
Speaker 2: Yeah, exactly.

520
00:25:05,519 --> 00:25:07,799
Speaker 6: Everybody has to be unknown before they're known.

521
00:25:07,920 --> 00:25:08,359
Speaker 2: Exactly.

522
00:25:08,440 --> 00:25:09,119
Speaker 6: Go and spend two.

523
00:25:09,079 --> 00:25:11,160
Speaker 15: Hundred and fifty dollars on a ticket to see Metallica,

524
00:25:11,200 --> 00:25:13,359
whom you'll never meet, or you can go to a

525
00:25:13,400 --> 00:25:15,319
bar and here's some brand new music you've never heard,

526
00:25:15,400 --> 00:25:17,319
and talk with them and do shots with them after

527
00:25:17,359 --> 00:25:18,039
the show.

528
00:25:18,720 --> 00:25:20,240
Speaker 2: Right exactly.

529
00:25:20,640 --> 00:25:22,759
Speaker 15: And then if it was a fifteen dollars ticket instead

530
00:25:22,799 --> 00:25:23,880
of two hundred and fifty.

531
00:25:23,680 --> 00:25:25,599
Speaker 2: Bucks, you know, come on yeah yeah, and then if

532
00:25:25,640 --> 00:25:27,279
you know, if they get big, you can say, hey,

533
00:25:27,359 --> 00:25:28,279
I knew them when.

534
00:25:29,240 --> 00:25:32,640
Speaker 15: Exactly I did shots with you know, come upcoming Metallica

535
00:25:32,720 --> 00:25:33,599
back in the day, you know.

536
00:25:33,759 --> 00:25:36,079
Speaker 2: There you go, yeah, uh, I hear that a lot.

537
00:25:36,119 --> 00:25:38,480
You know. In this area where we are, people will say,

538
00:25:38,599 --> 00:25:40,920
you know, I saw Aerosmith, you know, back in the

539
00:25:41,000 --> 00:25:43,359
day when they were you know, just a bar band,

540
00:25:43,440 --> 00:25:46,240
you know, and it's it's that's usually an example people

541
00:25:46,319 --> 00:25:49,519
use from from in this part of the country. But yeah,

542
00:25:49,559 --> 00:25:51,720
there's there's so much, uh, there's so much great talent

543
00:25:51,839 --> 00:25:55,240
out there and people people should definitely keep their eyes

544
00:25:55,279 --> 00:25:57,880
open for that. Do you use your now with your

545
00:25:58,440 --> 00:26:01,279
your online station and your show, do you use that

546
00:26:01,400 --> 00:26:05,240
to showcase indie artists or do you do you use

547
00:26:05,279 --> 00:26:07,720
that to promote for sure? Yeah, yeah, I'm.

548
00:26:07,559 --> 00:26:09,759
Speaker 15: Sure all the all the indie artists that are around

549
00:26:09,759 --> 00:26:12,559
here that have they have, you know, recorded music that's

550
00:26:13,039 --> 00:26:14,839
you know, you know, you know the level it has

551
00:26:14,880 --> 00:26:16,920
to be at, you know, the quality level it has

552
00:26:16,960 --> 00:26:19,319
to be at. You know, anybody that has those albums

553
00:26:19,359 --> 00:26:20,799
and stuff in it and they submit to me they've

554
00:26:20,799 --> 00:26:22,920
been on the radio station. I go through those albums too,

555
00:26:22,920 --> 00:26:25,640
and I pick a nice wide range of all the

556
00:26:25,640 --> 00:26:26,880
local music and put it in there. And then I

557
00:26:26,880 --> 00:26:28,920
sprinkle in some national stuff too, just for the people

558
00:26:28,960 --> 00:26:32,039
that can't handle not knowing what the next song is, right,

559
00:26:32,559 --> 00:26:34,160
you know, just to kind of keep them okay.

560
00:26:34,519 --> 00:26:36,720
Speaker 2: I think there's value in doing that too, is sprinkling

561
00:26:36,759 --> 00:26:40,200
in some national artists. Because I've I've always felt that

562
00:26:40,200 --> 00:26:43,640
that lends, uh for you know, for some people, that

563
00:26:43,720 --> 00:26:47,880
lends a certain credibility to the independent artists, maybe the

564
00:26:48,400 --> 00:26:51,440
local artists if they're mixed in with some national artists,

565
00:26:51,640 --> 00:26:52,240
you know what I mean.

566
00:26:52,720 --> 00:26:55,880
Speaker 15: Just yeah, for sure, you can have an unknown person

567
00:26:55,920 --> 00:26:57,880
selling bar bells on TV, or you can have Arnold

568
00:26:57,880 --> 00:26:59,920
Schwarzen that you're selling bar bells on TV.

569
00:27:00,000 --> 00:27:01,079
Speaker 6: Which one's going to sell faster?

570
00:27:01,400 --> 00:27:01,759
Speaker 2: Very well?

571
00:27:01,799 --> 00:27:04,920
Speaker 15: Put a couple of pearl jam songs on a couple

572
00:27:04,960 --> 00:27:06,960
of things in there around all these local artists.

573
00:27:07,119 --> 00:27:08,960
Speaker 6: Yeah, it'll attract a little bit.

574
00:27:09,039 --> 00:27:15,519
Speaker 2: Yeah, absolutely, So the where where should people go? Like,

575
00:27:15,599 --> 00:27:17,799
where can they find the online station that you have?

576
00:27:19,039 --> 00:27:21,079
Speaker 6: Well, it's at alien x radio dot com.

577
00:27:21,119 --> 00:27:24,240
Speaker 15: Okay, And unfortunately, I've realized within the last couple of

578
00:27:24,279 --> 00:27:26,440
days that the player isn't working, so I have to

579
00:27:26,440 --> 00:27:28,960
figure out how to fix that. Since it's been a

580
00:27:29,000 --> 00:27:32,440
decade since I've been into the actual controls of the website.

581
00:27:32,440 --> 00:27:35,559
Oh really, yeah, there's no reason to change the website.

582
00:27:35,559 --> 00:27:37,319
We just changed the music and stuff, you know, and

583
00:27:38,039 --> 00:27:40,160
everything's live, you know, most of our shows and stuff,

584
00:27:40,160 --> 00:27:41,960
so we don't have to go in there and change much.

585
00:27:42,559 --> 00:27:44,240
And I can't get back in there, so I got

586
00:27:44,240 --> 00:27:46,880
to figure that out. That's at alienxradio dot com. And

587
00:27:46,920 --> 00:27:50,119
then I of course have a Facebook page. The artist

588
00:27:50,200 --> 00:27:52,759
page is just alien Stone and you can get me

589
00:27:52,799 --> 00:27:56,200
at Keith Samlan at alien at Facebook as well.

590
00:27:56,400 --> 00:27:59,519
Speaker 2: Okay, and then the album. Can people find the album anyway?

591
00:27:59,559 --> 00:28:01,920
I mean assume it's on all the streaming platforms and everything.

592
00:28:02,400 --> 00:28:05,160
Speaker 15: Yeah, I went through that distro kid, so it's on everything.

593
00:28:05,759 --> 00:28:09,720
So you got Spotify, Apple Music, you know, it's even

594
00:28:09,720 --> 00:28:11,440
on like Pandora and things like that. So you can

595
00:28:11,480 --> 00:28:13,960
find it pretty much everywhere. Outstanding by the way in

596
00:28:14,000 --> 00:28:14,839
the freak Star stuff.

597
00:28:14,920 --> 00:28:17,480
Speaker 2: Oh good. Oh yeah, I'm curious. I'm curious to check

598
00:28:17,519 --> 00:28:20,920
that out too. Do you do physical copies of the

599
00:28:20,960 --> 00:28:22,559
album or is strictly online?

600
00:28:23,440 --> 00:28:23,480
Speaker 4: No?

601
00:28:23,559 --> 00:28:25,359
Speaker 6: I have physical copies too. I've made some CDs.

602
00:28:25,400 --> 00:28:27,000
Speaker 15: And also what I really like is they look like

603
00:28:27,039 --> 00:28:29,680
business cards, but they're actually a flash drive. It pops

604
00:28:29,680 --> 00:28:32,359
out the side, oh perfectly straight in. Those are really

605
00:28:32,440 --> 00:28:32,880
nice too.

606
00:28:33,039 --> 00:28:36,039
Speaker 2: We had someone on the show recently who who used

607
00:28:36,039 --> 00:28:38,119
that same concept, and yeah, that's a great idea.

608
00:28:39,000 --> 00:28:40,640
Speaker 15: And some people you hand them a CD and they go,

609
00:28:40,680 --> 00:28:42,440
what is this is this America online?

610
00:28:42,480 --> 00:28:44,000
Speaker 6: What is this they don't know.

611
00:28:44,880 --> 00:28:47,160
Speaker 2: Well, it's interesting. That's a subject that comes up a

612
00:28:47,160 --> 00:28:49,839
lot on the show too, because there was a point where,

613
00:28:50,119 --> 00:28:52,079
because I've been doing this a long time, and there

614
00:28:52,119 --> 00:28:53,720
was a point where it seemed like none of the

615
00:28:53,759 --> 00:28:56,640
guests we would have on nobody was doing physical media.

616
00:28:56,720 --> 00:29:00,039
I'm talking like maybe seven or eight years ago, and

617
00:29:00,839 --> 00:29:03,079
you know, and that's fine, you know, just you know,

618
00:29:03,119 --> 00:29:06,400
email me the tracks whatever. But but lately, well I

619
00:29:06,400 --> 00:29:08,599
shouldn't say lately, I'd say probably for at least the

620
00:29:08,680 --> 00:29:11,440
past five years. Uh, it seems like, at least in

621
00:29:11,480 --> 00:29:13,119
this area, for the guests that we have coming in

622
00:29:13,160 --> 00:29:17,559
person from our area, physical media has had quite a resurgence.

623
00:29:17,599 --> 00:29:20,279
A lot of our guests bring in CDs. Now, you know,

624
00:29:20,319 --> 00:29:22,440
they send us the files ahead of time, obviously, but

625
00:29:22,440 --> 00:29:25,119
they'll also bring in a physical copy or even we've

626
00:29:25,119 --> 00:29:28,440
had some who even do vinyl and they'll bring in

627
00:29:28,440 --> 00:29:30,279
a vinyl record, not for us to play, but just

628
00:29:30,319 --> 00:29:32,440
to have. Although we do have a record player here

629
00:29:33,039 --> 00:29:35,200
that one of the other hosts uses, and we even

630
00:29:35,200 --> 00:29:37,319
have a CD player that I've never used, but we

631
00:29:37,400 --> 00:29:39,279
do have one here in the in the studio that

632
00:29:39,359 --> 00:29:41,359
I know. One of our hosts sometimes will bring in

633
00:29:41,400 --> 00:29:45,599
CDs to play. But but it's interesting, you know, uh,

634
00:29:45,799 --> 00:29:49,599
physical media never seems to completely go away, and sometimes

635
00:29:49,599 --> 00:29:52,680
it has these little resurgences. And uh so a lot

636
00:29:52,720 --> 00:29:54,880
of the artists around here are releasing things on CD

637
00:29:55,000 --> 00:29:57,759
and even on vinyl, which I understand is very expensive.

638
00:29:57,799 --> 00:30:00,359
But but I like your I like your content with

639
00:30:00,359 --> 00:30:01,039
the flash drive.

640
00:30:02,079 --> 00:30:04,359
Speaker 15: Yeah, it's it's you know, the physical media is kind

641
00:30:04,359 --> 00:30:06,559
of it's just kind of changed what its purpose really is.

642
00:30:06,599 --> 00:30:08,319
It's like, we know that when this guy gets home,

643
00:30:08,359 --> 00:30:11,000
he's probably gonna listen to it on his smart device

644
00:30:11,519 --> 00:30:14,160
or whatever from a streaming service, right. But you know,

645
00:30:14,680 --> 00:30:16,720
now the physical media I don't even like when I

646
00:30:16,759 --> 00:30:19,519
when I had a show or something, I find people

647
00:30:19,559 --> 00:30:22,680
who were interested and I just give them one. Yeah, okay,

648
00:30:22,720 --> 00:30:25,440
it's it has become the physical media has become the

649
00:30:25,480 --> 00:30:28,559
promotional tool to get you to go and stream exactly.

650
00:30:28,599 --> 00:30:30,160
Speaker 6: It's almost what it's become now, you know.

651
00:30:30,240 --> 00:30:32,279
Speaker 15: So I'm not trying to sell I'm not, you know,

652
00:30:32,319 --> 00:30:33,799
out of the trunk of my car out there going

653
00:30:33,799 --> 00:30:37,519
I go. Yeah, you know, I don't do that, you know,

654
00:30:37,559 --> 00:30:40,359
I just find someone who I think was interested, and

655
00:30:40,400 --> 00:30:41,319
I give them a copy.

656
00:30:41,519 --> 00:30:45,440
Speaker 2: Yeah, yeah, I think that's an excellent strategy. Well, Keith,

657
00:30:45,759 --> 00:30:47,839
I appreciate you joining us. In a moment, I'm going

658
00:30:47,920 --> 00:30:51,519
to play this track criticize yourself because this is this

659
00:30:51,599 --> 00:30:53,000
is the other one that I like. I said, I

660
00:30:53,079 --> 00:30:56,039
enjoyed the whole album, but breathe and criticize yourself for

661
00:30:56,119 --> 00:30:59,480
the two that really really kind of struck me. I'm

662
00:30:59,480 --> 00:31:02,039
curious if there's anything we should know about this song,

663
00:31:02,359 --> 00:31:04,920
if there's a backstory to this one, or what this

664
00:31:04,960 --> 00:31:07,039
one might be about, because again, this is another one

665
00:31:07,039 --> 00:31:08,799
of those songs too where I'm listening to the lyrics

666
00:31:08,799 --> 00:31:11,279
and it's like, well there's something here, you know, and

667
00:31:12,440 --> 00:31:13,960
I'm really curious about it. And by the way, and

668
00:31:14,000 --> 00:31:15,480
also too, if you want to talk about the guitar

669
00:31:15,480 --> 00:31:17,680
player on this one, because this is also another song

670
00:31:17,720 --> 00:31:19,480
where I really love the guitar work on this.

671
00:31:20,279 --> 00:31:24,480
Speaker 15: Yeah, the guitar this one is really involved. Yeah, it

672
00:31:24,519 --> 00:31:27,960
really is. Basically, he came over and he had nothing planned.

673
00:31:28,680 --> 00:31:31,119
This is Donnie Stanfill. He's the league. He's one of

674
00:31:31,119 --> 00:31:34,359
the guitar players from the band Creeping Chaos here in Detroit, Okay,

675
00:31:34,599 --> 00:31:38,079
and he probably recorded I just I just played the

676
00:31:38,119 --> 00:31:40,480
song and just let him go and improvise. He did

677
00:31:40,480 --> 00:31:43,880
probably fourteen tracks. Oh wow, just improvised. Yeah, and then

678
00:31:43,920 --> 00:31:45,880
I went through and cut and spliced and put together

679
00:31:45,960 --> 00:31:46,920
all my favorite pieces.

680
00:31:47,039 --> 00:31:49,160
Speaker 6: Okay, so that's what we ended up with.

681
00:31:49,200 --> 00:31:51,200
Speaker 15: And then when I played it back for me, he goes, dude,

682
00:31:51,799 --> 00:31:53,160
I don't think I could play that.

683
00:31:54,039 --> 00:31:58,000
Speaker 6: I was like, you just did? You just did.

684
00:31:58,440 --> 00:32:02,240
Speaker 15: That's what we're telling everybody, right, right, So that's where

685
00:32:02,240 --> 00:32:05,279
that came from. And the song itself is basically about

686
00:32:05,319 --> 00:32:07,960
just all the things that can kind of build up

687
00:32:08,039 --> 00:32:11,000
and start suffocating you. Is basically what it is. You know,

688
00:32:11,079 --> 00:32:14,519
the just the day to day grind, the things that

689
00:32:14,599 --> 00:32:16,680
happen around you and stuff. It's just it's choking you.

690
00:32:16,799 --> 00:32:19,240
It's it's suffocating you. And it's like when will we

691
00:32:19,279 --> 00:32:21,880
get a chance to breathe? Yeah, give us a chance

692
00:32:21,920 --> 00:32:23,039
to take a breath.

693
00:32:23,480 --> 00:32:24,599
Speaker 6: You know. Enough's enough?

694
00:32:24,799 --> 00:32:25,400
Speaker 16: Right? Right?

695
00:32:25,880 --> 00:32:29,799
Speaker 2: Well again, congratulations on the album. I think it's really good.

696
00:32:29,920 --> 00:32:33,039
And remind people again to where should they go to

697
00:32:33,119 --> 00:32:34,799
keep up with everything that you're doing online?

698
00:32:35,839 --> 00:32:39,160
Speaker 15: Well, it's Alien Stone on Facebook or Keith Samlin on Facebook.

699
00:32:39,200 --> 00:32:41,839
And then you've got alien X Radio of course, when

700
00:32:41,880 --> 00:32:44,519
that's all, you know, moving and grooving again. Yeah, and

701
00:32:44,640 --> 00:32:47,720
anywhere on any streaming site anywhere you type in alien

702
00:32:47,759 --> 00:32:50,599
Stone or after the gray and it should pop right up.

703
00:32:50,640 --> 00:32:52,519
Speaker 6: Man, it's everywhere, YouTube everything.

704
00:32:52,720 --> 00:32:55,720
Speaker 2: Yeah, yeah, excellent. Yeah, I suggest people check it out.

705
00:32:55,759 --> 00:32:57,480
An alien Stone is one word, by the way too,

706
00:32:57,519 --> 00:33:01,319
for people when you're looking for it. And yeah, fantastic. Keith,

707
00:33:01,440 --> 00:33:03,200
thank you so much for joining us this morning. We

708
00:33:04,160 --> 00:33:07,079
will definitely have to do this again. In fact, maybe

709
00:33:07,119 --> 00:33:08,759
we'll have you on again soon. I'd love to talk

710
00:33:08,759 --> 00:33:11,200
to you more about your career with you mentioned you

711
00:33:11,519 --> 00:33:14,000
used to interview movie stars, and I'd love to talk

712
00:33:14,000 --> 00:33:15,680
to you about that in the future too, because you know,

713
00:33:15,680 --> 00:33:17,960
we kind of mostly we talk about music on the show,

714
00:33:18,000 --> 00:33:19,559
but we do mix in some other things as well,

715
00:33:19,599 --> 00:33:22,119
so we'll have to figure that out and set up

716
00:33:22,119 --> 00:33:24,599
a time for that. But congratulations on the album. I

717
00:33:24,640 --> 00:33:26,839
think it's great. I suggest everyone check it out. I'm

718
00:33:26,839 --> 00:33:29,720
gonna hit this track in a moment, criticize yourself another

719
00:33:29,920 --> 00:33:32,599
very very strong track from the album. But we'll let

720
00:33:32,680 --> 00:33:34,599
you go for now. But Keith, thank you so much.

721
00:33:35,319 --> 00:33:36,319
Speaker 6: Thank you for having me on the show.

722
00:33:36,359 --> 00:33:38,240
Speaker 2: All right, you got to take care I have a

723
00:33:38,240 --> 00:33:40,839
good one, bye bye, all right, wonderful. So that was

724
00:33:40,920 --> 00:33:44,200
Keith sam Land and the project is called Alien Stone.

725
00:33:44,359 --> 00:33:47,160
The album is After the Gray, and we're gonna give

726
00:33:47,160 --> 00:33:48,599
this a spin and then we're going to come back

727
00:33:48,640 --> 00:33:49,799
and Jenny and I are going to talk to you

728
00:33:49,839 --> 00:33:51,200
for a couple of minutes about for those of you

729
00:33:51,200 --> 00:33:54,440
who are listening live on Saturday, some exciting things going

730
00:33:54,480 --> 00:33:56,680
on today that Jenny and I are going to be doing.

731
00:33:56,680 --> 00:33:58,079
That you can come join us and be a part of.

732
00:33:58,160 --> 00:34:01,559
But for right now again, this is alien Stone and

733
00:34:01,599 --> 00:34:04,200
the track is called Criticize Yourself. I really like this

734
00:34:04,200 --> 00:34:05,160
one a lot. Check it out.

735
00:35:13,440 --> 00:35:22,039
Speaker 3: There's a storemass brew win. It's gone in in real slow.

736
00:35:22,639 --> 00:35:28,159
Speaker 4: From glasshouses. Your throw wins in question.

737
00:35:28,480 --> 00:35:29,400
Speaker 8: All I know?

738
00:35:35,599 --> 00:35:49,280
Speaker 12: Back then I ride out, back, Then I ride out.

739
00:35:51,840 --> 00:35:58,719
Speaker 3: There's a fire that's building your entry and the flame.

740
00:36:01,159 --> 00:36:03,920
Speaker 4: And now the fire it's greegee.

741
00:36:05,920 --> 00:36:15,280
Speaker 8: E give me give the name by then I ride out,

742
00:36:23,599 --> 00:36:25,079
by then I ride out.

743
00:36:28,960 --> 00:36:31,000
Speaker 7: Where you go in this my life?

744
00:36:31,360 --> 00:36:32,679
Speaker 4: What's your neighbor said?

745
00:36:32,800 --> 00:36:35,039
Speaker 1: Then get you for your big moment?

746
00:36:35,199 --> 00:36:35,840
Speaker 12: My face?

747
00:36:36,039 --> 00:36:39,079
Speaker 1: Uh, brn't you sell give a wheel.

748
00:36:42,159 --> 00:36:49,039
Speaker 10: Till you print side yourself? Don't you print side yourself?

749
00:36:51,519 --> 00:36:59,079
Why can't you pretty side yourself?

750
00:36:59,079 --> 00:37:05,360
Speaker 4: There's a water light, it's not a battle with it.

751
00:37:08,320 --> 00:37:14,400
You're judgment strikes light lighty? Is this the war I

752
00:37:14,559 --> 00:37:15,119
can win?

753
00:37:21,199 --> 00:37:31,039
Speaker 8: By bye?

754
00:37:36,199 --> 00:37:39,159
Speaker 4: Will you got in this my life with your.

755
00:37:39,159 --> 00:37:43,159
Speaker 10: NASA SAIDY give you gonna jumping off in my basa?

756
00:37:43,880 --> 00:37:44,840
Speaker 12: But that your sail?

757
00:37:45,039 --> 00:37:46,280
Speaker 4: Then wheel.

758
00:37:49,400 --> 00:37:56,239
Speaker 10: Till you PRITI sash yourself. Don't you pretty sash yourself?

759
00:37:58,719 --> 00:38:34,119
Why can't you print its side you sell? Will you

760
00:38:34,360 --> 00:38:37,679
start in my life with your neighs and step to

761
00:38:37,920 --> 00:38:40,920
kill you for your big over in my dash?

762
00:38:41,440 --> 00:38:43,599
Speaker 1: But I just sail begin within.

763
00:38:47,000 --> 00:38:48,960
Speaker 4: Till you pretty side yourself?

764
00:38:51,599 --> 00:38:52,320
Speaker 10: Well, don't you.

765
00:38:52,400 --> 00:38:58,480
Speaker 7: Fred side yourself? Why can't you fretty side you? Say?

766
00:39:23,840 --> 00:39:25,880
Speaker 2: I love the guitar sound on that. I love that

767
00:39:25,960 --> 00:39:31,280
guitar tone. That is alien Stone. The song is called

768
00:39:31,280 --> 00:39:34,719
Criticize Yourself. Alien Stone, of course is Keith sam Land.

769
00:39:34,760 --> 00:39:37,360
And thank you again to Keith for joining us. Check

770
00:39:37,360 --> 00:39:40,840
out alien Stone, check out alien x Radio and I'm

771
00:39:40,880 --> 00:39:43,199
going to be checking that out looking forward to learning

772
00:39:43,239 --> 00:39:45,639
more about that. We'll probably have Keith on again because

773
00:39:45,679 --> 00:39:47,199
like I said, I'd love to talk to him too.

774
00:39:47,400 --> 00:39:49,920
I'd love to have a supplemental conversation with him about

775
00:39:49,920 --> 00:39:51,920
his radio career, and you know he mentioned he used

776
00:39:51,960 --> 00:39:55,679
to interview movie stars and some of the other things

777
00:39:55,719 --> 00:39:58,559
he does on his show. Very very interesting guy. If

778
00:39:58,559 --> 00:40:00,800
you are just joining us, this is Matt Unleashed. We

779
00:40:00,840 --> 00:40:03,920
are live from the studios of wm NH ninety five

780
00:40:03,920 --> 00:40:09,119
point three FM, Inglorious Manchester, New Hampshire. Today is a Saturday,

781
00:40:09,239 --> 00:40:12,440
September thirteenth for those of you listening live, and we've

782
00:40:12,440 --> 00:40:15,320
got a busy day. So Jenny and I were going

783
00:40:15,360 --> 00:40:17,679
to be attending a couple of events after the radio

784
00:40:17,679 --> 00:40:20,679
show today a little bit later, so we've got let's

785
00:40:20,679 --> 00:40:23,559
see you want to talk about the first one, Jenny.

786
00:40:22,920 --> 00:40:26,920
Speaker 17: Yes, the Mosaic Our Collective. There is a show opening today,

787
00:40:26,920 --> 00:40:31,440
the full Circle opening starts at four o'clock this afternoon

788
00:40:32,199 --> 00:40:35,880
at the sixty six Handover Street, Suite two. Want to

789
00:40:35,920 --> 00:40:38,599
hear in the Queen City you will find the Mosaic

790
00:40:38,639 --> 00:40:42,039
Our Collective. There are I think I saw like over

791
00:40:42,400 --> 00:40:47,519
right around seventy different pieces on display. Yeah, and the

792
00:40:47,920 --> 00:40:51,280
exhibit the opening tonight is from four to eight. Come

793
00:40:51,320 --> 00:40:55,360
hang out with us. They'll be some nushies to munch on.

794
00:40:55,800 --> 00:40:58,280
People there lots of good things, meet some of the

795
00:40:58,400 --> 00:41:02,440
artists in person. This is their annual full circle every year.

796
00:41:03,559 --> 00:41:06,000
So people brought in things that are like things that

797
00:41:06,000 --> 00:41:09,239
they considered their best or things that they considered brought

798
00:41:09,400 --> 00:41:12,559
that notion of full circle to them and what that

799
00:41:12,800 --> 00:41:14,920
what that means to them. So it'll be fun to

800
00:41:14,920 --> 00:41:17,239
see all the work on display. I'm super proud and

801
00:41:17,280 --> 00:41:19,440
happy that I have two pieces on display. Yes, a

802
00:41:19,519 --> 00:41:23,440
painting and a Macroma piece. So come check it out

803
00:41:23,480 --> 00:41:24,360
and say hi to us.

804
00:41:24,360 --> 00:41:26,800
Speaker 2: We will be there, yeah, And uh so that starts

805
00:41:26,840 --> 00:41:28,840
at four and when does that end? You know, ends

806
00:41:28,840 --> 00:41:31,119
it eight? It ends at eight, and uh, I don't

807
00:41:31,159 --> 00:41:32,599
know that we'll be able to say yeah, I don't

808
00:41:32,599 --> 00:41:34,079
know that we'll be there for the entire.

809
00:41:34,000 --> 00:41:36,679
Speaker 17: For there are going to go see.

810
00:41:36,960 --> 00:41:40,679
Speaker 2: Let's see so Vice's Inc. Jagger from Vice's Inc. And

811
00:41:41,000 --> 00:41:43,360
invited us to join them. They're gonna be playing at

812
00:41:43,400 --> 00:41:49,960
Bad Burger right here in downtown Manchester and joining them

813
00:41:50,000 --> 00:41:54,119
on that show Under the Horizon of course. So Under

814
00:41:54,159 --> 00:41:57,199
the Horizon a great band who we've had on the show.

815
00:41:57,280 --> 00:42:00,320
And of course Plague Dad who is also been on

816
00:42:00,360 --> 00:42:03,199
the show with us. He's probably traveling down with Vice's Inc.

817
00:42:03,239 --> 00:42:06,559
Because Plague Dad also from Portland, but so a couple

818
00:42:06,639 --> 00:42:08,920
of a couple of Portland acts there. Vices Inc. I

819
00:42:08,920 --> 00:42:11,519
believe is headlining Plague Dad will be there, and of

820
00:42:11,519 --> 00:42:13,920
course Under the Horizon, who are from here. Yeah, and

821
00:42:13,960 --> 00:42:17,519
we love Under the Horizon absolutely so great great people

822
00:42:17,559 --> 00:42:20,360
and such a great band. We saw Under the Horizon

823
00:42:20,440 --> 00:42:25,079
just recently at Jewel Yep which is where Swarmy Fest

824
00:42:25,119 --> 00:42:26,119
is going to be. So, by the way, if you

825
00:42:26,159 --> 00:42:28,519
are listening live on Saturday, sepsis coming up in the

826
00:42:28,519 --> 00:42:31,199
third hour to talk all about Swarmy Fest. Yeah, coming

827
00:42:31,280 --> 00:42:34,719
up November fifteenth. But yeah, So we had a couple

828
00:42:34,719 --> 00:42:36,440
of things going on today. We got the art show

829
00:42:36,440 --> 00:42:39,079
at Mosaic and of course we have the event tonight

830
00:42:39,159 --> 00:42:41,840
at Bad Burger. Come say hello to Jenny and I

831
00:42:41,880 --> 00:42:42,920
come join us.

832
00:42:43,639 --> 00:42:45,840
Speaker 17: I'd love to see you there. I absolutely love to

833
00:42:45,880 --> 00:42:48,880
see you there. Oh I should mention there is an

834
00:42:49,000 --> 00:42:52,280
art raffle going on at the Mosaic Art Collective. You

835
00:42:52,280 --> 00:42:56,000
can win a piece of original art. The proceeds are

836
00:42:56,000 --> 00:42:59,400
going to be supporting artists, so come check it out.

837
00:42:59,400 --> 00:43:02,039
Tickets are five dollars for one, ten for five, twenty

838
00:43:02,039 --> 00:43:06,400
furn arms length, come down to full circle and grab

839
00:43:06,440 --> 00:43:06,840
a ticket.

840
00:43:07,000 --> 00:43:08,960
Speaker 2: All right, very good, very good. Well, if you are

841
00:43:09,000 --> 00:43:10,880
listening to Live on Saturday, coming up in the third

842
00:43:10,920 --> 00:43:14,280
hour Sepsis, we'll be here with us alive in a studio.

843
00:43:14,679 --> 00:43:16,880
But right now we got some premieres for you, some

844
00:43:17,000 --> 00:43:20,079
brand new music. Here's a new music block our friends.

845
00:43:20,079 --> 00:43:23,280
Of course from a big GPR they send us some

846
00:43:23,480 --> 00:43:26,360
amazing guests. And of course all of these folks will

847
00:43:26,360 --> 00:43:28,360
be either have been or will be interviewed on the

848
00:43:28,360 --> 00:43:31,039
show in the very near future. So check these out

849
00:43:31,199 --> 00:43:33,840
and we'll see you on the other side. Right now,

850
00:43:34,039 --> 00:43:39,400
the world radio premiere of the new single from Ah

851
00:43:39,519 --> 00:43:41,800
This is called My Prettiest Mistake.

852
00:43:42,199 --> 00:43:47,400
Speaker 18: You are listening to wum and.

853
00:43:43,880 --> 00:43:50,239
Speaker 1: A world premiere.

854
00:44:01,760 --> 00:44:06,960
Speaker 16: And in a man and at its warming outside, I'm

855
00:44:07,039 --> 00:44:13,079
craving a calls following that rockless man I shoulder the

856
00:44:13,400 --> 00:44:19,880
better but expected shot. Guys, I was to get Oh,

857
00:44:20,000 --> 00:44:21,239
I'm cursting.

858
00:44:21,719 --> 00:44:25,760
Speaker 9: Do let me.

859
00:44:29,039 --> 00:44:32,679
Speaker 19: Haven't made you pro.

860
00:44:44,000 --> 00:44:45,800
Speaker 16: My prettiest missed?

861
00:44:46,000 --> 00:44:50,960
Speaker 4: They found my person. Take me back to that mom

862
00:44:51,159 --> 00:44:52,679
and get started.

863
00:44:54,960 --> 00:45:01,159
Speaker 8: Side that love side fast to the spo James.

864
00:45:00,880 --> 00:45:08,400
Speaker 12: In Mama, let me.

865
00:45:11,719 --> 00:45:12,360
Speaker 9: Have a me.

866
00:45:25,239 --> 00:45:27,400
Speaker 1: Oh tell me what I'm missing.

867
00:45:27,599 --> 00:45:32,280
Speaker 16: Somebody took my posession and cares, let's follow your.

868
00:45:32,280 --> 00:45:35,400
Speaker 1: Sister away that I can listen.

869
00:45:36,000 --> 00:45:37,119
Speaker 2: I hope be car.

870
00:45:37,239 --> 00:45:40,679
Speaker 8: Do you think in one day I might mean that

871
00:45:41,360 --> 00:45:43,400
the Santa I'll be riding.

872
00:45:43,639 --> 00:45:45,360
Speaker 6: They find no way.

873
00:45:45,280 --> 00:45:47,360
Speaker 2: To ficture that sell me.

874
00:45:47,599 --> 00:45:54,400
Speaker 8: Hort says, somebody took my pession. That that's by your sister.

875
00:45:54,320 --> 00:45:58,599
Speaker 1: The way with actual listen, I hope becaud.

876
00:45:59,320 --> 00:46:06,000
Speaker 7: They want not the that the songs that I may find.

877
00:46:05,960 --> 00:46:07,559
Speaker 11: The way the fits.

878
00:47:12,519 --> 00:47:16,039
Speaker 2: Right now. The world radio premiere of the new single

879
00:47:16,159 --> 00:47:19,480
from Tuesday Night Whites. This is called Time.

880
00:47:20,000 --> 00:47:21,880
Speaker 18: You are listening to wumin h.

881
00:47:23,960 --> 00:47:25,360
Speaker 2: World premiere.

882
00:47:54,079 --> 00:47:57,519
Speaker 19: Black Si on the window, Silly works in his bones

883
00:47:57,559 --> 00:47:58,599
eight some people.

884
00:47:58,519 --> 00:48:00,480
Speaker 2: Stealing My name is days.

885
00:48:00,360 --> 00:48:06,119
Speaker 19: Where he shot at the seventh Son, the black South

886
00:48:06,199 --> 00:48:09,159
of half these days can't remember the dreams that he

887
00:48:09,360 --> 00:48:11,039
used to parade by size.

888
00:48:11,119 --> 00:48:13,800
Speaker 2: Don just remember to fire the gun.

889
00:48:17,440 --> 00:48:17,840
Speaker 7: He said.

890
00:48:18,000 --> 00:48:19,079
Speaker 20: Time is like a.

891
00:48:19,360 --> 00:48:23,639
Speaker 19: Mind for you, a step to saying you but you're

892
00:48:23,719 --> 00:48:24,639
far too good.

893
00:48:24,800 --> 00:48:28,079
Speaker 8: Furnished Town saw from love.

894
00:48:36,039 --> 00:48:37,519
Speaker 7: Because you're far too talk.

895
00:48:37,639 --> 00:48:38,960
Speaker 8: Perish Town come.

896
00:48:47,480 --> 00:48:49,000
Speaker 7: Because you're far too thought.

897
00:48:49,079 --> 00:48:49,880
Speaker 8: First town.

898
00:48:51,239 --> 00:48:54,599
Speaker 21: She dream of a better life, while love came first

899
00:48:54,639 --> 00:48:57,039
to as a family strife on the bath. Does he

900
00:48:57,199 --> 00:49:03,280
trust him as not bous to fire within? She says

901
00:49:03,519 --> 00:49:04,880
those things on small.

902
00:49:04,639 --> 00:49:08,320
Speaker 19: Though sadly Salmas on the factory floor that she believes

903
00:49:08,360 --> 00:49:15,679
as remember it slowed the gun. She said, time is

904
00:49:15,880 --> 00:49:20,519
like him mine field was that to send you, but

905
00:49:20,599 --> 00:49:22,000
you far too cot th.

906
00:49:22,440 --> 00:49:25,239
Speaker 4: So sot look.

907
00:49:33,239 --> 00:49:45,039
Speaker 7: Because she sells cof this time, because she.

908
00:49:45,159 --> 00:49:45,960
Speaker 11: Far to co.

909
00:50:11,880 --> 00:50:16,199
Speaker 13: Because time is like you can't monthy start to send you,

910
00:50:17,599 --> 00:50:24,000
but you far to go for this town. Because time

911
00:50:24,159 --> 00:50:29,280
is like you can't mindy stop can sn you You

912
00:50:29,440 --> 00:50:34,199
far to go for this town. So don't look down.

913
00:50:41,800 --> 00:50:42,800
Speaker 3: Because she far to you.

914
00:50:43,039 --> 00:50:44,119
Speaker 13: God say this town.

915
00:50:44,280 --> 00:50:45,199
Speaker 8: Don't look.

916
00:51:04,599 --> 00:51:16,840
Speaker 22: Because you don't say dirty so myself, because it's all

917
00:51:16,960 --> 00:51:18,440
safer yourself.

918
00:51:20,320 --> 00:51:21,559
Speaker 4: She said, time it's.

919
00:51:21,519 --> 00:51:24,679
Speaker 1: Like to turn my field start to sent me.

920
00:51:26,400 --> 00:51:28,639
Speaker 8: You there sell me.

921
00:51:28,840 --> 00:51:29,360
Speaker 5: So my.

922
00:51:32,280 --> 00:51:36,119
Speaker 22: Time it's like to turn my fields to send me.

923
00:51:37,599 --> 00:51:41,960
Speaker 7: But your fur very song sound common.

924
00:52:10,639 --> 00:52:16,719
Speaker 18: You're listening to macconnorton Unleashed on WMNH ninety five point three.

925
00:52:17,719 --> 00:52:21,239
Speaker 2: Now it's the American radio premiere of the Way We're

926
00:52:21,440 --> 00:52:31,679
Rolling by Lydia. Ready, I can no crack this, I

927
00:52:31,760 --> 00:52:32,639
can no crack that.

928
00:52:33,440 --> 00:52:36,000
Speaker 16: It doesn't matter out of the week because I exist

929
00:52:36,239 --> 00:52:39,800
for me, I can walk or I can't trash.

930
00:52:40,320 --> 00:52:42,880
Speaker 1: It doesn't matter out of the way, because I talk

931
00:52:43,079 --> 00:52:49,360
for me. Just sense chits my purpose. You're some even

932
00:52:49,559 --> 00:52:54,920
have you don't know, Oh my b college should all the.

933
00:52:55,000 --> 00:52:57,840
Speaker 2: Way I comment, And this is just the way we'll roll.

934
00:53:03,199 --> 00:53:05,239
This is just the way we're rolling.

935
00:53:11,039 --> 00:53:15,239
Speaker 6: I can sit down or stand up, sir, and that

936
00:53:15,480 --> 00:53:17,039
is just the way it's kind of going.

937
00:53:17,960 --> 00:53:20,599
Speaker 2: So I'll be me and you'll be you.

938
00:53:22,039 --> 00:53:24,079
Speaker 1: That is what we've kind of you to try to

939
00:53:24,239 --> 00:53:26,039
get through your chats.

940
00:53:26,119 --> 00:53:30,519
Speaker 10: My sister shots, my brothers, you are the perfect even

941
00:53:30,679 --> 00:53:32,840
have your dog mad home.

942
00:53:33,000 --> 00:53:36,320
Speaker 1: The people comment, shoulder all the way.

943
00:53:36,440 --> 00:53:37,320
Speaker 7: I come that.

944
00:53:37,519 --> 00:53:38,960
Speaker 8: This is just the way we roll.

945
00:53:40,800 --> 00:53:46,360
Speaker 20: Yeah, this is just the way we're rolling.

946
00:53:47,639 --> 00:53:47,840
Speaker 11: Yeah.

947
00:53:48,880 --> 00:53:49,079
Speaker 7: Yeah.

948
00:53:52,920 --> 00:53:54,239
Speaker 19: Someone just hurt you.

949
00:53:54,679 --> 00:53:55,880
Speaker 2: Others will hurt you.

950
00:53:56,320 --> 00:54:01,199
Speaker 8: Turn over think they don't deserve her. You'll come through

951
00:54:01,599 --> 00:54:02,800
everything they you do.

952
00:54:03,239 --> 00:54:04,519
Speaker 2: Be your person.

953
00:54:04,880 --> 00:54:06,239
Speaker 8: Livey for you.

954
00:54:10,920 --> 00:54:13,039
Speaker 2: Boy, you live, I follow you.

955
00:54:16,239 --> 00:54:17,159
Speaker 8: You gotta lea.

956
00:54:20,519 --> 00:54:24,480
Speaker 12: Shats my sensor shots my cos you want.

957
00:54:24,400 --> 00:54:29,639
Speaker 10: Some perfect even if you're John hold a papo the

958
00:54:29,760 --> 00:54:30,960
shoulder the.

959
00:54:31,000 --> 00:54:34,119
Speaker 1: Way I commented, I'm bit yes.

960
00:54:34,280 --> 00:54:36,800
Speaker 8: Shuts my sisters, my girl.

961
00:54:37,360 --> 00:54:40,119
Speaker 23: Start you want some perfect even if you're john't know,

962
00:54:41,199 --> 00:54:45,719
Oh my papo on my shoulder, the way you're comforting,

963
00:54:45,880 --> 00:54:47,039
and this is just the way.

964
00:54:52,960 --> 00:54:56,239
Speaker 7: This is just the way, man he.

965
00:54:57,880 --> 00:54:57,920
Speaker 22: T.

966
00:55:00,000 --> 00:55:18,039
Speaker 18: This is the you're listening to Mattconnorton Unleashed on wmn

967
00:55:18,159 --> 00:55:19,920
H ninety five point three.

968
00:55:20,519 --> 00:55:23,719
Speaker 2: And finally, the American radio premiere of the new single

969
00:55:23,840 --> 00:55:27,039
from Kyle Gordon, This is called she Chose Me.

970
00:56:08,280 --> 00:56:11,800
Speaker 20: If the skies are gray when the day is night,

971
00:56:12,719 --> 00:56:16,599
I can't find my way. If the day is night,

972
00:56:17,159 --> 00:56:22,559
almost homel, you let me shine your eyes part of me.

973
00:56:22,960 --> 00:56:27,920
Speaker 2: I stood on the stand. We hid in bed every night.

974
00:56:30,679 --> 00:56:40,159
Speaker 11: To turn up live all these shiving time. We don't

975
00:56:40,239 --> 00:56:41,519
always gathered right.

976
00:56:42,159 --> 00:56:43,800
Speaker 12: And don't.

977
00:56:46,280 --> 00:56:52,400
Speaker 7: You know my dog not fly doll.

978
00:56:55,360 --> 00:56:56,400
Speaker 9: She shows me.

979
00:56:59,559 --> 00:57:22,960
Speaker 23: Why if you're far away when the day is nine,

980
00:57:23,840 --> 00:57:27,639
I remain the same, just like black and white.

981
00:57:28,239 --> 00:57:31,880
Speaker 14: We should not assume. Just while I mean to you

982
00:57:33,000 --> 00:57:35,920
a part of me. I still don't under her stand

983
00:57:36,880 --> 00:57:41,880
we hide in bed at me. N no need to

984
00:57:42,119 --> 00:57:47,800
turn that a live, Always share it in my time.

985
00:57:50,719 --> 00:57:56,480
We don't always get it right. I just wanna get

986
00:57:56,559 --> 00:57:57,039
it right.

987
00:58:10,920 --> 00:58:11,599
Speaker 12: She's jo.

988
00:58:33,159 --> 00:58:33,639
Speaker 7: She s.

989
00:58:39,480 --> 00:59:48,639
Speaker 12: Speaking step downside of sube bug bout subside bun sug