WEBVTT

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<v Speaker 1>For decades, people have disappeared in the woods without a trace.

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<v Speaker 1>Some blame wild animals, others whisper of creatures the world

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<v Speaker 1>refuses to believe in. But those who have survived they

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<v Speaker 1>know the truth. Welcome to Backwoods Bigfoot Stories, where we

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<v Speaker 1>share real encounters with the things lurking in the darkness Bigfoot,

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<v Speaker 1>dog man, UFOs, and creatures that defy explanation. Some make

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<v Speaker 1>it out, others aren't so lucky. Are you ready, because

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<v Speaker 1>once you hear these stories, you'll never walk in the

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<v Speaker 1>woods alone again. So grab your flashlight, stay close, and

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<v Speaker 1>remember some things in the woods don't want to be found.

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<v Speaker 1>Hit that follow or subscribe button, turn on auto downloads,

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<v Speaker 1>and let's head off into the woods if you dare.

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<v Speaker 1>If you're joining this series for the first time, I'd

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<v Speaker 1>strongly encourage you to go back and start at the beginning.

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<v Speaker 1>This is the third installment of a ten part series

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<v Speaker 1>from a listener named Garrett, who's been sharing his experiences

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<v Speaker 1>from a decade of encounters on a remote forty seven

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<v Speaker 1>acre property in the southern Appalachians of western North Carolina.

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<v Speaker 1>In part one, Garrett told us how he came to

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<v Speaker 1>own the property a handbuilt cabin and acreage he purchased

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<v Speaker 1>from an elderly man named Earl. After the passing of

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<v Speaker 1>Earl's wife, Reba. That first summer in twenty fourteen, Garrett

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<v Speaker 1>began hearing deliberate wood knocks from the ridge line every

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<v Speaker 1>evening after sunset, he conducted a call and response experiment

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<v Speaker 1>that produced matching knock patterns from the ridge. He found

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<v Speaker 1>seventeen inch bipedal tracks pressed into clay along a game

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<v Speaker 1>trail after a rainstorm, and on the night of September

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<v Speaker 1>twenty seventh, he saw the thing responsible standing between two

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<v Speaker 1>white oaks at the edge of his meadow. In Part two,

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<v Speaker 1>Garrett described what happened after he planted a garden in

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<v Speaker 1>the spring of twenty fifteen. Something began harvesting his right

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<v Speaker 1>produce overnight with surgical precision, leaving no tracks, no damage,

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<v Speaker 1>and no waste. His countermeasures were systematically defeated. Motion lights

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<v Speaker 1>were avoided, a radio was physically switched off. A trail

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<v Speaker 1>camera captured a single infrared image of an enormous hair

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<v Speaker 1>covered hand. Examining the lens, Garrett eventually observed the visitor

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<v Speaker 1>directly from a workshop window, watching it move between the

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<v Speaker 1>rose and harvest tomatoes, corn, and beans with practiced efficiency.

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<v Speaker 1>The story ended with the creature approaching his cabin in

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<v Speaker 1>the middle of the night, breathing against the walls, tapping

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<v Speaker 1>the kitchen window, and scratching parallel lines into the logs

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<v Speaker 1>before retreating to the ridge. Garrett closed that account by

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<v Speaker 1>saying story three was the one he'd been dreading, not

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<v Speaker 1>because it was the scariest, though it might be, but

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<v Speaker 1>because it involved his brother. Here's Garrett, I need to

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<v Speaker 1>tell you about my brother before I tell you what

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<v Speaker 1>happened in the woods, because the whole reason this encounter

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<v Speaker 1>shook me the way it did, the whole reason it's

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<v Speaker 1>taken me ten years.

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<v Speaker 2>To talk about it is because of who it.

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<v Speaker 1>Involved, not what it involved who. My brother's name is Wade.

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<v Speaker 1>He's six years older than me, which means by the

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<v Speaker 1>time I was old enough to really remember things, he

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<v Speaker 1>was already a teenager, pulling away from the family the

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<v Speaker 1>way teenagers do. We weren't estranged or anything like that.

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<v Speaker 1>He wasn't a bad kid, he was just older. And

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<v Speaker 1>the gap between a nine year old and a fifteen

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<v Speaker 1>year old is a canyon. Different schools, different friends, different worlds,

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<v Speaker 1>When my dad would take us on those fall cabin

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<v Speaker 1>trips in the Blue Ridge, Wade was usually the one

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<v Speaker 1>who didn't want to go. He'd rather stay home with

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<v Speaker 1>his buddies, or take a girl to the movies, or

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<v Speaker 1>work on the chevelle he was rebuilding in the garage.

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<v Speaker 1>So most of those trips it was the three of us, me,

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<v Speaker 1>Mom and Dad. I think my parents worried about Wade

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<v Speaker 1>and me growing apart. Mom used to make these transparent

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<v Speaker 1>attempts to get us to do things together. She'd ask

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<v Speaker 1>Wade to show your brother how to change the oil,

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<v Speaker 1>or take Garrett to the batting cages. Wade would roll

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<v Speaker 1>his eyes in that way teenagers do like. The request

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<v Speaker 1>was physically painful, but he'd always do it, and once

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<v Speaker 1>he got past the initial inconvenience of having his kid

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<v Speaker 1>brother tagging along, he was a good teacher, patient in

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<v Speaker 1>a way he never was about anything else in his life.

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<v Speaker 1>He'd explain things step by step and not get frustrated

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<v Speaker 1>when I didn't get it the first time. That patience

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<v Speaker 1>disappeared entirely when it came to his friends, his girlfriends,

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<v Speaker 1>his teachers, and eventually his drill instructors. But with me

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<v Speaker 1>he had a reserve of it that never seemed to

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<v Speaker 1>run dry. Dad noticed it too. He told me once

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<v Speaker 1>years later that watching Wade teach me how to throw

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<v Speaker 1>a curveball in the backyard was one of the proudest

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<v Speaker 1>moments of his life. Not because the curveball was any

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<v Speaker 1>good it wasn't, but because Wade had spent forty five

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<v Speaker 1>minutes in the July heat working with me on it,

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<v Speaker 1>adjusting my grip, correcting my wrist angle, never once raising

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<v Speaker 1>his voice or losing patience, and Dad realized that his

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<v Speaker 1>oldest son had a capacity for gentleness that the rest

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<v Speaker 1>of the world would probably never see. But every once

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<v Speaker 1>in a while, Wade came along on the cabin trips,

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<v Speaker 1>and those are the trips I remember best. Wade is

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<v Speaker 1>one of those guys who's good at everything without appearing

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<v Speaker 1>to try. He could throw a football fifty yards in

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<v Speaker 1>a perfect spiral. He could fix a carburetor by ear.

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<v Speaker 1>He could walk into a room full of strangers and

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<v Speaker 1>have three new friends by the time he left. Growing

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<v Speaker 1>up in his shadow was both a gift and a curse.

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<v Speaker 1>Gift because he taught me things practical things like how

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<v Speaker 1>to use a level, how to sharpen a knife on

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<v Speaker 1>a stone, how to read a topographic map, curse, because

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<v Speaker 1>no matter what I did, he'd already done it better

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<v Speaker 1>and done it first first. But in the woods, none

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<v Speaker 1>of that mattered. In the woods, Wade and I were

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<v Speaker 1>just two brothers doing what brothers have always done in

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<v Speaker 1>the mountains, walking, exploring, getting into places we probably shouldn't

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<v Speaker 1>have been. He taught me how to track deer by

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<v Speaker 1>reading the ground, how to identify a tree by its

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<v Speaker 1>bark and not just its leaves, how to orient yourself

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<v Speaker 1>using the slope of the terrain when you couldn't see

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<v Speaker 1>the sun.

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<v Speaker 2>He'd been a boy scout.

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<v Speaker 1>Which I never was, and he carried that practical wilderness

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<v Speaker 1>knowledge the way some people carry a college degree, casually, confidently,

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<v Speaker 1>like it was just part of who he was. There

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<v Speaker 1>was one trip in particular that I've never forgotten. I

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<v Speaker 1>was maybe ten, which would have made Wade sixteen. Dad

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<v Speaker 1>had rented a cabin near Blowing Rock for a long

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<v Speaker 1>Columbus Day weekend, and for once Wade had come along

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<v Speaker 1>without protest. On the second morning, he and I hiked

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<v Speaker 1>up a trail behind the cabin that climbed into a

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<v Speaker 1>stand of old growth hemlocksocks. The trees were enormous, cathedral sized,

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<v Speaker 1>the trunks were whiter than my armspan, and the canopy

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<v Speaker 1>was so dense overhead that the forest floor was nearly bare,

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<v Speaker 1>just brown needles and silence. We'd been walking for maybe

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<v Speaker 1>forty five minutes when Wade stopped and pointed up the

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<v Speaker 1>slope about one hundred yards above us. Wedged between two boulders,

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<v Speaker 1>there was a small waterfall I hadn't noticed, maybe six

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<v Speaker 1>feet tall. The water fell into a pool the size

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<v Speaker 1>of a bathtub, clear as glass, and the mist rising

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<v Speaker 1>off it caught the morning light in a way that

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<v Speaker 1>made it glow.

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<v Speaker 2>Wade said, let's check it out.

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<v Speaker 1>And we scrambled up the slope and spent the next

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<v Speaker 1>hour at that pool, tossing pebbles into the water and

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<v Speaker 1>watching crayfish dart between the rocks. He told me about

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<v Speaker 1>a girl named Sarah who he'd taken to homecoming the

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<v Speaker 1>week before. He told me he was thinking about joining

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<v Speaker 1>the Marines after graduation. He told me he was scared

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<v Speaker 1>of turning into dad, working a job he hated until

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<v Speaker 1>his body broke down. I didn't understand most of what

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<v Speaker 1>he was saying at the time I was ten, but

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<v Speaker 1>I understood that he was talking to me the way

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<v Speaker 1>he'd talked to an equal, and that felt enormous. On

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<v Speaker 1>the hike back down, he put his hand on my

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<v Speaker 1>shoulder and said, you're all right, Garrett. Don't let anybody

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<v Speaker 1>tell you different. I've carried that sentence my whole life.

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<v Speaker 1>It's the thing I hear in my head when nothing

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<v Speaker 1>else is working. Wade's voice, sixteen years old, still half

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<v Speaker 1>boy and half man, saying my name with a weight

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<v Speaker 1>that told me he meant it. And that's exactly why

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<v Speaker 1>what happened on the mountain in October of twenty fifteen

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<v Speaker 1>nearly destroyed me. Wade did join the Marines. He did

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<v Speaker 1>two tours, came home and settled in Winston Salem, where

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<v Speaker 1>he married a woman named Colleen and got into commercial HVAC.

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<v Speaker 1>Not the same outfit as Cliff, different company, different territory.

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<v Speaker 1>Wade and Colleen have two kids, Owen and Maggie, and

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<v Speaker 1>they're good people, living good life lives. Wade and I

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<v Speaker 1>don't see each other as often as we should. He's busy,

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<v Speaker 1>I'm busy. We talk on the phone every couple weeks

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<v Speaker 1>and get together for holidays when we can. The bond

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<v Speaker 1>is still there. It just operates at a lower frequency now,

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<v Speaker 1>the way it does with siblings once everybody's grown and scattered.

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<v Speaker 1>Wade had visited the cabin twice since I'd bought it,

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<v Speaker 1>once in the summer of twenty fourteen, when he drove

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<v Speaker 1>down for a weekend to help me with the porch repair,

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<v Speaker 1>and once in the spring of fifteen when he brought

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<v Speaker 1>the kids up for an Easter visit. Neither time did

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<v Speaker 1>anything unusual happen. The knocking had been quiet during Wade's

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<v Speaker 1>summer visit, and by Easter. I hadn't yet planted the

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<v Speaker 1>garden that would change everything. So as far as Wade knew,

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<v Speaker 1>I was just a guy living on a mountain with

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<v Speaker 1>a dog and a nice view. I hadn't told him

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<v Speaker 1>about any of it. Not the knocking, not the tracks,

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<v Speaker 1>not the meadow siding, not the garden raids, not the

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<v Speaker 1>cabin visit. The only person who knew was Cliff, and

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<v Speaker 1>even Cliff didn't know all of it.

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<v Speaker 2>I kept Wade out.

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<v Speaker 1>Of it because I knew how he'd react. Wade is

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<v Speaker 1>a practical man, a marine, a mechanic at heart, even

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<v Speaker 1>if he manages a crew now. He deals in things

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<v Speaker 1>he can see, measure and fix. Telling him that something

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<v Speaker 1>seven feet tall was harvesting my tomatoes in the dark

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<v Speaker 1>would have gone one of two ways. Either he'd think

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<v Speaker 1>I was losing it, or he'd drive down with a

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<v Speaker 1>rifle and try to solve the problem the way he

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<v Speaker 1>solves every problem directly. And I didn't want either of

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<v Speaker 1>those outcomes. So when I tell you that I heard

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<v Speaker 1>Wade's voice in the woods that October afternoon, I need

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<v Speaker 1>you to understand the full weight of what that means.

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<v Speaker 1>It wasn't just a familiar sound. It was the most

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<v Speaker 1>familiar sound in my life. The voice that said my

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<v Speaker 1>name at the waterfall when I was ten, the voice

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<v Speaker 1>that called me all right when nobody else was saying it,

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<v Speaker 1>the voice I would have followed anywhere, and something on

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<v Speaker 1>that mountain knew it. The encounter happened on October eleventh,

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<v Speaker 1>twenty fifteen, a Saturday. I remember the date because I'd

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<v Speaker 1>taken the day off from a bathroom remodel in Hendersonville,

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<v Speaker 1>specifically to walk the back acreage and check the property boundaries.

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<v Speaker 1>I tried to walk the full perimeter at least twice

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<v Speaker 1>a year, once in the spring after snow melt, and

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<v Speaker 1>once in the fall after the leaves came down, to

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<v Speaker 1>check for downed trees, boundary encroachments, and general condition of

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<v Speaker 1>the land. It was also my way of maintaining a

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<v Speaker 1>connection to the parts of the property I didn't use daily.

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<v Speaker 1>The cabin, the meadow, the workshop, and the first hundred

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<v Speaker 1>yards of the slope behind the house were my regular territory,

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<v Speaker 1>but forty seven acres is a lot of ground, and

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<v Speaker 1>most of it was forest. I only visited a few

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<v Speaker 1>times a year. I should mention that this was about

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<v Speaker 1>six weeks after the garden incidents had ended. I'd pulled

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<v Speaker 1>the last of the crops in early September, ripped out

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00:11:51.879 --> 00:11:54.519
<v Speaker 1>the tomato cages and the bean steaks, and turned the

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<v Speaker 1>plot back over with a shovel.

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<v Speaker 2>I left the soil exposed.

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<v Speaker 1>Didn't replant anything, didn't cover it, just let the mountain

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<v Speaker 1>take it back. The creature hadn't come to the cabin

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<v Speaker 1>wall again after that mid August night. The knocking had

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<v Speaker 1>gone sporadic, the way it had the previous fall, appearing

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00:12:12.120 --> 00:12:15.200
<v Speaker 1>maybe once or twice a week, with no discernible pattern.

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<v Speaker 1>In some ways, things felt like they dialed back to

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<v Speaker 1>the first summer's level of activity. Distant, observable, manageable. But

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<v Speaker 1>I'd be lying if I said I'd gotten comfortable. Comfortable

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<v Speaker 1>isn't a word that applies to your life when you

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<v Speaker 1>know something is in the trees above your house every night.

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<v Speaker 2>What I'd gotten was.

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<v Speaker 1>Accustomed, the way you get accustomed to living near a

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<v Speaker 1>railroad track. The trains are still loud, you just stopped flinching.

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<v Speaker 1>The morning was cool and bright, frost on the meadow

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<v Speaker 1>when I woke up, a thin white film that crunched

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<v Speaker 1>under Bowie's paws when he went out for his morning routine.

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<v Speaker 1>It burned off by nine, and the mountain emerged into

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<v Speaker 1>one of those autumn days that feel like a gift

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<v Speaker 1>you didn't earn. The sky was deep blue, not a

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<v Speaker 1>cloud in it, and the air had that october clarity

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<v Speaker 1>that makes distant ridges look sharp enough to cut your eyes.

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<v Speaker 1>The hardwoods on the ridge had peaked about a week

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<v Speaker 1>earlier and were starting to shed. The oaks were rust

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<v Speaker 1>and copper, The hickoryes had gone gold. The maples along

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<v Speaker 1>Bishop Creek were deep crimson, almost purple, and the whole

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<v Speaker 1>mountain looked like it was on fire in slow motion.

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<v Speaker 1>It was the kind of October day that reminds you

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<v Speaker 1>why people drive hundreds of miles to see the blue

243
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<v Speaker 1>ridge in autumn. I ate breakfast, scrambled eggs and toast,

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<v Speaker 1>and coffee strong enough to stand a spoon in, and filled.

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<v Speaker 2>A water bottle.

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<v Speaker 1>I told Bowie we were going for a long walk,

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<v Speaker 1>which produced the usual explosion of tail wagging and spinning

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00:13:43.120 --> 00:13:45.879
<v Speaker 1>that he did whenever the word walk entered any sentence,

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00:13:46.399 --> 00:13:49.919
<v Speaker 1>even accidentally. I'd once said the phrase I need to

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00:13:49.960 --> 00:13:52.559
<v Speaker 1>walk that lumber over to the truck, and he'd lost

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00:13:52.600 --> 00:13:55.679
<v Speaker 1>his mind for ten minutes. The dog was a linguist

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00:13:55.679 --> 00:13:58.840
<v Speaker 1>when it came to the vocabulary of outdoor adventure. I

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00:13:58.840 --> 00:14:01.799
<v Speaker 1>clipped a leash to his collar, not because he needed it,

254
00:14:02.039 --> 00:14:05.159
<v Speaker 1>he was voice trained and reliable, but because I liked

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00:14:05.159 --> 00:14:08.120
<v Speaker 1>having the option in case we ran into anything unexpected.

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00:14:08.919 --> 00:14:11.200
<v Speaker 1>I packed a small day pack with the water, a

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00:14:11.240 --> 00:14:15.480
<v Speaker 1>granola bar, a compass, my phone, though cell reception on

258
00:14:15.519 --> 00:14:18.679
<v Speaker 1>the back acreage was essentially non existent, and a folding

259
00:14:18.759 --> 00:14:22.639
<v Speaker 1>knife not for protection. I'm not naive enough to think

260
00:14:22.679 --> 00:14:25.000
<v Speaker 1>a three inch blade would help me against anything that

261
00:14:25.080 --> 00:14:28.799
<v Speaker 1>left seventeen inch tracks. The knife was for clearing brush

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00:14:28.799 --> 00:14:33.360
<v Speaker 1>and cutting flagging tape. Practical mundane, the kind of gear

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00:14:33.399 --> 00:14:36.279
<v Speaker 1>you carry when you're pretending everything about your life is normal.

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<v Speaker 1>We headed out around nine point thirty. The plan was

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<v Speaker 1>to walk the north boundary first, follow it east along

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<v Speaker 1>the ridge, drop down to the southeast corner near a

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00:14:45.960 --> 00:14:49.399
<v Speaker 1>creek drainage, then loop back along the southern boundary, and

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00:14:49.440 --> 00:14:51.080
<v Speaker 1>come up through the meadow to the cabin.

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<v Speaker 2>The whole circuit was.

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<v Speaker 1>About three and a half miles, give or take, and

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<v Speaker 1>usually took me two and a half to three hours,

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00:14:57.879 --> 00:15:01.039
<v Speaker 1>depending on how much bushwhacking was involved. Stay tuned for

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00:15:01.159 --> 00:15:05.000
<v Speaker 1>more Backwoods Bigfoot stories. We'll be back after these messages.

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<v Speaker 1>The first leg went fine. The north boundary followed the

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00:15:10.480 --> 00:15:14.000
<v Speaker 1>ridge line marked with my orange flagging tape and at

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00:15:14.039 --> 00:15:17.279
<v Speaker 1>wider intervals with old blazes on trees that Earl had

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00:15:17.279 --> 00:15:21.279
<v Speaker 1>cut decades ago. The blazes were faded but still visible

278
00:15:21.759 --> 00:15:24.240
<v Speaker 1>hatchet marks in the bark that had scabbed over with

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00:15:24.320 --> 00:15:26.080
<v Speaker 1>gray scar tissue.

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<v Speaker 2>I checked each.

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<v Speaker 1>One as I passed, still there, still holding The forest

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00:15:31.519 --> 00:15:36.000
<v Speaker 1>along the ridge was mostly open, mature hardwood with minimal underbrush,

283
00:15:36.320 --> 00:15:38.279
<v Speaker 1>and Bowie trotted ahead of me on the trail with

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00:15:38.360 --> 00:15:41.879
<v Speaker 1>his nose working and his ears rotating like satellite dishes.

285
00:15:42.559 --> 00:15:46.639
<v Speaker 1>He was happy, relaxed, no tension in his body, no

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00:15:46.759 --> 00:15:49.799
<v Speaker 1>hesitation at the tree line, which he'd begun crossing again

287
00:15:49.879 --> 00:15:52.480
<v Speaker 1>on these longer hikes, even though he still refused to

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00:15:52.480 --> 00:15:55.360
<v Speaker 1>do it during his daily morning loop. I think the

289
00:15:55.399 --> 00:15:58.600
<v Speaker 1>difference was me. When I was with him, he'd go anywhere.

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00:15:59.039 --> 00:16:02.080
<v Speaker 1>When he was alone, he had his own rules. We

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00:16:02.159 --> 00:16:04.960
<v Speaker 1>hit the northeast corner of the property around ten point fifteen.

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<v Speaker 1>From there, the boundary dropped steeply down a wooded ravine

293
00:16:08.840 --> 00:16:12.080
<v Speaker 1>into a drainage that fed into a tributary of Bishop Creek.

294
00:16:12.879 --> 00:16:16.039
<v Speaker 1>This was the wildest part of the property. The slope

295
00:16:16.080 --> 00:16:19.240
<v Speaker 1>was choked with rhododendron and mountain laurel, and the ground

296
00:16:19.320 --> 00:16:23.000
<v Speaker 1>was slick with leaf litter over exposed rock. I had

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00:16:23.000 --> 00:16:25.720
<v Speaker 1>to use my hands in a couple spots, grabbing roots

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00:16:25.720 --> 00:16:29.559
<v Speaker 1>and saplings to lower myself down. Bowie navigated it better

299
00:16:29.559 --> 00:16:32.480
<v Speaker 1>than I did, As dogs always do on steep ground.

300
00:16:33.200 --> 00:16:35.559
<v Speaker 1>He'd plant his back feet and slide on his haunches

301
00:16:35.559 --> 00:16:38.399
<v Speaker 1>for the steepest sections, then wait at the bottom and

302
00:16:38.440 --> 00:16:40.720
<v Speaker 1>look up at me with an expression that suggested I

303
00:16:40.799 --> 00:16:43.799
<v Speaker 1>was making this harder than it needed to be. At

304
00:16:43.799 --> 00:16:45.840
<v Speaker 1>the bottom of the ravine, there was a flat bench

305
00:16:45.840 --> 00:16:48.720
<v Speaker 1>of ground along the creek where the drainage opened up,

306
00:16:49.480 --> 00:16:53.440
<v Speaker 1>maybe half an acre of relatively level terrain, thickly canopied

307
00:16:53.679 --> 00:16:56.000
<v Speaker 1>with a carpet of moss on the rocks and fallen

308
00:16:56.039 --> 00:16:59.440
<v Speaker 1>logs that gave the whole area a soft, padded quality.

309
00:17:00.279 --> 00:17:03.559
<v Speaker 1>Sound was different down there. The canopy and the terrain

310
00:17:03.679 --> 00:17:07.359
<v Speaker 1>walls created a natural amphitheater that muffled some sounds and

311
00:17:07.440 --> 00:17:11.759
<v Speaker 1>amplified others. The creek was loud, gurgling over a series

312
00:17:11.799 --> 00:17:14.640
<v Speaker 1>of small ledges, and its noise filled the air in

313
00:17:14.640 --> 00:17:16.640
<v Speaker 1>a way that made it hard to hear much else.

314
00:17:17.480 --> 00:17:19.359
<v Speaker 1>I stopped on the bench to drink some water and

315
00:17:19.400 --> 00:17:22.599
<v Speaker 1>give Bowie a break. He flopped onto a moss covered

316
00:17:22.640 --> 00:17:25.720
<v Speaker 1>log and panted happily. I stood there, looking up at

317
00:17:25.759 --> 00:17:28.559
<v Speaker 1>the canopy, at the way the sunlight filtered through the

318
00:17:28.599 --> 00:17:31.640
<v Speaker 1>remaining leaves and through shifting patterns on the forest floor.

319
00:17:32.359 --> 00:17:36.240
<v Speaker 1>It was beautiful, peaceful, the kind of spot that makes

320
00:17:36.240 --> 00:17:39.119
<v Speaker 1>you forget there's anything to worry about anywhere in the world.

321
00:17:40.039 --> 00:17:43.680
<v Speaker 1>We'd been stopped for maybe five minutes when I heard it, Garrett,

322
00:17:44.279 --> 00:17:48.839
<v Speaker 1>my name spoken clearly in Wade's voice. I need to

323
00:17:48.839 --> 00:17:50.839
<v Speaker 1>try to explain what this was like, because I don't

324
00:17:50.839 --> 00:17:53.880
<v Speaker 1>think words do it justice, but I'm going to try anyway.

325
00:17:54.720 --> 00:17:57.680
<v Speaker 1>Imagine you're standing alone in a forest, miles from the

326
00:17:57.720 --> 00:18:00.319
<v Speaker 1>nearest road, and you hear a voice you known your

327
00:18:00.480 --> 00:18:03.319
<v Speaker 1>entire life, not a voice that sounds kind of like

328
00:18:03.359 --> 00:18:07.759
<v Speaker 1>someone you know, the exact voice, every quality that makes

329
00:18:07.799 --> 00:18:12.720
<v Speaker 1>it unique, the pitch, the resonance, the way certain consonants land,

330
00:18:13.200 --> 00:18:16.680
<v Speaker 1>the way certain vowels stretch, all of it present and

331
00:18:16.720 --> 00:18:21.160
<v Speaker 1>accounted for. Your body responds before your brain does. Your

332
00:18:21.200 --> 00:18:25.680
<v Speaker 1>heart lifts, your shoulders relax. For one fraction of a second,

333
00:18:25.920 --> 00:18:29.200
<v Speaker 1>you feel relief because someone you love is nearby and

334
00:18:29.279 --> 00:18:32.039
<v Speaker 1>everything is going to be fine, and then your brain

335
00:18:32.079 --> 00:18:32.720
<v Speaker 1>catches up.

336
00:18:33.480 --> 00:18:34.880
<v Speaker 2>I froze.

337
00:18:34.880 --> 00:18:37.200
<v Speaker 1>My hand tightened on the water bottle so hard the

338
00:18:37.240 --> 00:18:40.680
<v Speaker 1>plastic crinkled. Bowie's head came up off the log, and

339
00:18:40.680 --> 00:18:43.920
<v Speaker 1>he oriented toward the sound, which had come from upslope

340
00:18:44.079 --> 00:18:46.960
<v Speaker 1>to the north, back the way we'd come, but offset

341
00:18:47.000 --> 00:18:50.839
<v Speaker 1>to the west, maybe eighty yards away, maybe one hundred.

342
00:18:51.559 --> 00:18:53.440
<v Speaker 1>It's hard to judge in a ravine because of the

343
00:18:53.480 --> 00:18:56.759
<v Speaker 1>way sound bounces off the terrain walls and the evergreen

344
00:18:56.799 --> 00:19:01.279
<v Speaker 1>thickets absorb and redirect it. I didn't move, I didn't breathe.

345
00:19:01.920 --> 00:19:07.000
<v Speaker 1>I just listened nothing. The creek, a crow somewhere above

346
00:19:07.039 --> 00:19:10.440
<v Speaker 1>the canopy, the faint rustle of dry leaves peeling off

347
00:19:10.440 --> 00:19:14.599
<v Speaker 1>branches in the breeze, but no voice. The forest closed

348
00:19:14.599 --> 00:19:18.000
<v Speaker 1>around the silence, like water filling a hole. My first

349
00:19:18.000 --> 00:19:21.400
<v Speaker 1>thought was that I'd imagined it. Your brain does that sometimes,

350
00:19:21.640 --> 00:19:26.400
<v Speaker 1>especially in natural environments with ambient noise. Running water, wind,

351
00:19:26.440 --> 00:19:28.920
<v Speaker 1>and bird song can combine in ways that trick the

352
00:19:28.960 --> 00:19:33.000
<v Speaker 1>auditory cortex into hearing patterns that aren't there. I'd read

353
00:19:33.039 --> 00:19:37.359
<v Speaker 1>about it. It's called auditory paradolia, the same phenomenon that

354
00:19:37.400 --> 00:19:40.880
<v Speaker 1>makes you see faces in rock formations. I told myself

355
00:19:40.920 --> 00:19:44.839
<v Speaker 1>that's what happened. My brain, tuned to familiar sounds the

356
00:19:44.839 --> 00:19:47.720
<v Speaker 1>way all brains are, had plucked Wade's voice out of

357
00:19:47.720 --> 00:19:50.240
<v Speaker 1>the white noise of the creek and the forest and

358
00:19:50.279 --> 00:19:53.480
<v Speaker 1>presented it to me as real. Except Bowie had heard

359
00:19:53.519 --> 00:19:57.240
<v Speaker 1>it too. He was standing now off the log, weight

360
00:19:57.319 --> 00:20:01.200
<v Speaker 1>forward on his front legs ears locked on the upslope direction.

361
00:20:02.039 --> 00:20:05.440
<v Speaker 1>His nose was working fast pulling air in rapid bursts.

362
00:20:06.119 --> 00:20:10.000
<v Speaker 1>He wasn't growling, he wasn't barking, but his whole posture

363
00:20:10.039 --> 00:20:13.039
<v Speaker 1>had shifted from relaxed dog on a walk to alert

364
00:20:13.079 --> 00:20:17.519
<v Speaker 1>animal processing a stimulus. Whatever he'd heard, it had engaged

365
00:20:17.519 --> 00:20:20.400
<v Speaker 1>his attention in a way that random forest noise wouldn't.

366
00:20:21.279 --> 00:20:24.400
<v Speaker 1>I called his name softly. He glanced at me and

367
00:20:24.440 --> 00:20:27.559
<v Speaker 1>then looked back up slope. I could see the calculation

368
00:20:27.680 --> 00:20:32.599
<v Speaker 1>happening behind his eyes. Go investigate, Stay with me. The

369
00:20:32.680 --> 00:20:35.599
<v Speaker 1>leash hung loose between us. I gathered it up and

370
00:20:35.640 --> 00:20:40.400
<v Speaker 1>shortened the slack About thirty seconds past. I'd almost convinced

371
00:20:40.400 --> 00:20:43.200
<v Speaker 1>myself it was nothing, just a trick of the terrain

372
00:20:43.279 --> 00:20:46.519
<v Speaker 1>and the water noise and my own over stimulated brain.

373
00:20:47.359 --> 00:20:51.519
<v Speaker 1>Then it came again, Garrett, clear as a phone call.

374
00:20:52.160 --> 00:20:57.240
<v Speaker 1>Wade's voice, the exact cadence, the exact pitch, the exact

375
00:20:57.240 --> 00:20:59.279
<v Speaker 1>way he says my name, with the emphasis on the

376
00:20:59.279 --> 00:21:02.599
<v Speaker 1>first syllable and a slight drop on the second, not

377
00:21:02.680 --> 00:21:07.160
<v Speaker 1>a yell, not a shout, conversational, the way he'd say

378
00:21:07.200 --> 00:21:09.200
<v Speaker 1>it if he was standing twenty feet away and wanted

379
00:21:09.240 --> 00:21:10.000
<v Speaker 1>to get my attention.

380
00:21:10.960 --> 00:21:11.480
<v Speaker 2>This time, I.

381
00:21:11.440 --> 00:21:14.839
<v Speaker 1>Could place the direction more precisely. It was coming from

382
00:21:14.839 --> 00:21:18.079
<v Speaker 1>the northwest up the slope, in an area of dense

383
00:21:18.160 --> 00:21:21.440
<v Speaker 1>rhododendron about seventy or eighty yards above me and to

384
00:21:21.519 --> 00:21:25.480
<v Speaker 1>the left, an area I'd just walked through twenty minutes earlier.

385
00:21:25.519 --> 00:21:29.200
<v Speaker 1>On my way down. My heart rate climbed. Not because

386
00:21:29.240 --> 00:21:32.559
<v Speaker 1>I was scared, not yet, but because the rational part

387
00:21:32.559 --> 00:21:35.839
<v Speaker 1>of my brain was running through possibilities and coming up empty.

388
00:21:36.720 --> 00:21:39.839
<v Speaker 1>Wade was in Winston Salem, two and a half hours away.

389
00:21:40.400 --> 00:21:42.960
<v Speaker 1>He wasn't on the property. He hadn't called to say

390
00:21:42.960 --> 00:21:45.599
<v Speaker 1>he was coming. There were no other cars at the

391
00:21:45.599 --> 00:21:48.799
<v Speaker 1>cabin when I'd left. And even if by some miracle

392
00:21:48.839 --> 00:21:51.880
<v Speaker 1>he'd driven down unannounced and hiked onto the property to

393
00:21:51.880 --> 00:21:55.079
<v Speaker 1>find me, he wouldn't know which direction I'd gone. He

394
00:21:55.119 --> 00:21:57.640
<v Speaker 1>wouldn't be standing in the middle of a rhododendron thicket

395
00:21:57.680 --> 00:22:01.319
<v Speaker 1>on a steep ravine wall, calling my name at conversational volume.

396
00:22:02.079 --> 00:22:06.240
<v Speaker 1>I cupped my hands around my mouth and called out Wade.

397
00:22:06.279 --> 00:22:08.640
<v Speaker 1>My voice sounded thin and small against the noise of

398
00:22:08.640 --> 00:22:11.240
<v Speaker 1>the creek and the immensity of the forest around me.

399
00:22:12.079 --> 00:22:14.720
<v Speaker 1>It died in the canopy above and left nothing behind.

400
00:22:15.599 --> 00:22:19.319
<v Speaker 1>Silence for about ten seconds, then from the same direction,

401
00:22:20.119 --> 00:22:26.359
<v Speaker 1>Garrett over here, three words perfectly articulated in a voice

402
00:22:26.359 --> 00:22:30.279
<v Speaker 1>that was in every measurable quality I could assess my brothers.

403
00:22:30.920 --> 00:22:35.079
<v Speaker 1>The tambre, the resonance, the slight gravel that Wade's voice

404
00:22:35.119 --> 00:22:37.920
<v Speaker 1>picked up after two tours in desert climate and a

405
00:22:37.920 --> 00:22:40.880
<v Speaker 1>pacadat habit he'd kicked in his late twenties, but that

406
00:22:41.039 --> 00:22:42.519
<v Speaker 1>left a permanent texture in.

407
00:22:42.480 --> 00:22:45.480
<v Speaker 2>His lower register. Every detail was right.

408
00:22:45.920 --> 00:22:48.319
<v Speaker 1>If I'd been blindfolded and someone had played me a

409
00:22:48.359 --> 00:22:51.359
<v Speaker 1>recording of those three words, I would have identified the

410
00:22:51.359 --> 00:22:55.920
<v Speaker 1>speaker as Wade without hesitation. But I wasn't blindfolded. I

411
00:22:56.000 --> 00:22:58.480
<v Speaker 1>was standing in a ravine at the bottom of my property,

412
00:22:58.839 --> 00:23:01.279
<v Speaker 1>and whatever was producing the voice was hidden in a

413
00:23:01.279 --> 00:23:04.720
<v Speaker 1>thicket of evergreen brush on a hillside. I just descended,

414
00:23:05.480 --> 00:23:07.720
<v Speaker 1>and a feeling was building in my stomach that I

415
00:23:07.759 --> 00:23:10.200
<v Speaker 1>recognized from the night I'd seen the figure at the

416
00:23:10.240 --> 00:23:14.519
<v Speaker 1>meadow's edge, that low primal alarm that has nothing to

417
00:23:14.519 --> 00:23:17.160
<v Speaker 1>do with logic and everything to do with millions of

418
00:23:17.240 --> 00:23:20.880
<v Speaker 1>years of evolutionary programming telling you that something is wrong.

419
00:23:21.720 --> 00:23:25.319
<v Speaker 1>Bowie confirmed it. His hackles were up the ridge of

420
00:23:25.359 --> 00:23:28.079
<v Speaker 1>hair along his spine from his shoulder blades to the

421
00:23:28.079 --> 00:23:31.599
<v Speaker 1>base of his tail, was standing in a stiff line.

422
00:23:31.640 --> 00:23:34.480
<v Speaker 1>His ears were pinned flat against his head, which was

423
00:23:34.480 --> 00:23:37.480
<v Speaker 1>different from the forward alert position he'd held a moment earlier.

424
00:23:38.200 --> 00:23:43.039
<v Speaker 1>Forward ears mean interest. Pinned ears mean fear or aggression

425
00:23:43.720 --> 00:23:46.839
<v Speaker 1>or both. He pressed against my left leg and looked

426
00:23:46.880 --> 00:23:49.920
<v Speaker 1>up at me, and the expression on his face, if

427
00:23:49.920 --> 00:23:52.759
<v Speaker 1>I'm being honest, is what kept me from walking toward

428
00:23:52.839 --> 00:23:57.920
<v Speaker 1>the voice, because Bowie's face said no, not in words, obviously,

429
00:23:58.680 --> 00:24:00.680
<v Speaker 1>but in the way his eyes went wide, and his

430
00:24:00.759 --> 00:24:04.200
<v Speaker 1>body compressed itself against mine, and his tail tucked between

431
00:24:04.200 --> 00:24:06.559
<v Speaker 1>his legs in a motion so sudden it was like

432
00:24:06.599 --> 00:24:09.839
<v Speaker 1>someone had pulled a cord. Every other time I'd heard

433
00:24:09.839 --> 00:24:15.160
<v Speaker 1>something unusual on this property, Bowie had been watchful, cautious, tense,

434
00:24:15.799 --> 00:24:16.599
<v Speaker 1>but not afraid.

435
00:24:17.359 --> 00:24:18.920
<v Speaker 2>Not like this.

436
00:24:18.920 --> 00:24:21.240
<v Speaker 1>This was the first time I'd seen genuine terror in

437
00:24:21.279 --> 00:24:24.000
<v Speaker 1>my dog, and it hit me harder than any sound

438
00:24:24.000 --> 00:24:27.240
<v Speaker 1>from the woods ever could. I stood still and made

439
00:24:27.240 --> 00:24:30.160
<v Speaker 1>a decision. I wasn't going to walk toward the voice.

440
00:24:30.599 --> 00:24:32.680
<v Speaker 1>I was going to continue the boundary, walk in the

441
00:24:32.720 --> 00:24:35.839
<v Speaker 1>direction I'd been heading south and west, and get back

442
00:24:35.839 --> 00:24:39.000
<v Speaker 1>to the cabin by the planned route. The ravine wasn't

443
00:24:39.000 --> 00:24:41.799
<v Speaker 1>a place I wanted to stay. The terrain was steep,

444
00:24:42.160 --> 00:24:44.799
<v Speaker 1>the visibility was poor, and I was in a natural

445
00:24:44.799 --> 00:24:46.799
<v Speaker 1>bowl that would be difficult to get out of quickly

446
00:24:46.799 --> 00:24:50.039
<v Speaker 1>if I needed to. I turned south and started walking.

447
00:24:50.599 --> 00:24:53.960
<v Speaker 1>That's when the thing that changed everything happened. I turned

448
00:24:54.000 --> 00:24:57.359
<v Speaker 1>south and started walking along the creek bench, stepping over

449
00:24:57.440 --> 00:25:01.400
<v Speaker 1>exposed roots and moss covered stones, keeping a steady pace,

450
00:25:01.839 --> 00:25:06.640
<v Speaker 1>but not running. Running felt wrong. Running felt like prey behavior.

451
00:25:07.400 --> 00:25:10.440
<v Speaker 1>Some deep, instinctual part of me understood that running in

452
00:25:10.480 --> 00:25:14.079
<v Speaker 1>the presence of something predatory could trigger a pursuit response,

453
00:25:14.599 --> 00:25:16.480
<v Speaker 1>and even though I didn't know what I was dealing with,

454
00:25:16.839 --> 00:25:19.759
<v Speaker 1>I knew enough about predators to know that much. So

455
00:25:19.880 --> 00:25:26.000
<v Speaker 1>I walked purposefully, shoulders square, eyes forward, projecting a confidence

456
00:25:26.039 --> 00:25:29.839
<v Speaker 1>I absolutely did not feel. Bowie was at my left hip,

457
00:25:30.039 --> 00:25:33.200
<v Speaker 1>matching my pace. His body pressed against my legs so

458
00:25:33.319 --> 00:25:36.640
<v Speaker 1>tightly I could feel his rib cage expand and contract

459
00:25:36.880 --> 00:25:40.839
<v Speaker 1>with each breath. His tail was tucked, his ears were

460
00:25:40.880 --> 00:25:44.440
<v Speaker 1>still pinned, but he was moving. He was with me,

461
00:25:45.160 --> 00:25:48.920
<v Speaker 1>and that was enough. About forty five seconds into my walk,

462
00:25:49.160 --> 00:25:52.039
<v Speaker 1>maybe fifty yards south of where I'd been standing, the

463
00:25:52.119 --> 00:25:54.960
<v Speaker 1>voice came again, but this time it came from in

464
00:25:54.960 --> 00:26:00.680
<v Speaker 1>front of me, Garrett, same voice, same pitch, same Wade,

465
00:26:01.319 --> 00:26:04.559
<v Speaker 1>but from the south, from the direction I was walking toward,

466
00:26:05.359 --> 00:26:08.519
<v Speaker 1>maybe sixty yards ahead, somewhere in the dense laurel that

467
00:26:08.599 --> 00:26:10.720
<v Speaker 1>choked the lower end of the drainage, where the bench

468
00:26:10.839 --> 00:26:14.279
<v Speaker 1>narrowed and the ravine walls closed in. I stopped so

469
00:26:14.400 --> 00:26:18.920
<v Speaker 1>fast I nearly tripped over a route. Bowie stopped beside me, rigid.

470
00:26:19.599 --> 00:26:21.880
<v Speaker 1>His head swiveled toward the southern voice, and then back

471
00:26:21.920 --> 00:26:25.079
<v Speaker 1>toward the north, and then back south again, and the

472
00:26:25.079 --> 00:26:29.079
<v Speaker 1>confusion in his movement, the rapid oscillation between two threats,

473
00:26:29.359 --> 00:26:33.359
<v Speaker 1>reflected exactly what was happening inside my own head. Then,

474
00:26:33.400 --> 00:26:37.599
<v Speaker 1>immediately within two seconds of the southern call, another voice

475
00:26:38.119 --> 00:26:42.359
<v Speaker 1>over here from the northwest, from behind me, from the

476
00:26:42.400 --> 00:26:47.599
<v Speaker 1>same direction as before, same spot, same distance, same words,

477
00:26:48.440 --> 00:26:51.599
<v Speaker 1>Wade's voice saying the same phrase it had said earlier,

478
00:26:52.000 --> 00:26:55.240
<v Speaker 1>But now the context was entirely different, because now I

479
00:26:55.319 --> 00:26:58.359
<v Speaker 1>wasn't being called toward something. I was being boxed in

480
00:26:59.039 --> 00:27:02.079
<v Speaker 1>my name from the south. Wealth over here from the north.

481
00:27:02.799 --> 00:27:06.640
<v Speaker 1>Two calls, two directions separated by less than two seconds,

482
00:27:07.400 --> 00:27:10.119
<v Speaker 1>close enough together that the second one overlapped the fading

483
00:27:10.160 --> 00:27:13.920
<v Speaker 1>echo of the first, close enough that the acoustic signatures

484
00:27:13.920 --> 00:27:15.960
<v Speaker 1>of the two calls blended in the air of the

485
00:27:16.039 --> 00:27:20.559
<v Speaker 1>ravine for one brief, disorienting moment, and my brother's voice

486
00:27:20.599 --> 00:27:24.000
<v Speaker 1>was everywhere and nowhere at the same time. I'm going

487
00:27:24.039 --> 00:27:26.039
<v Speaker 1>to be very direct about what I was feeling at

488
00:27:26.079 --> 00:27:29.400
<v Speaker 1>that moment, because I think honesty matters more than bravery

489
00:27:29.440 --> 00:27:32.799
<v Speaker 1>when you're telling a story like this. I was terrified.

490
00:27:33.559 --> 00:27:36.720
<v Speaker 1>Not the gradual, creeping unease I'd felt during the garden

491
00:27:36.799 --> 00:27:41.400
<v Speaker 1>raids or the night at the cabin wall. This was acute, immediate,

492
00:27:42.079 --> 00:27:44.319
<v Speaker 1>the kind of terrified that roots you to the ground

493
00:27:44.400 --> 00:27:47.440
<v Speaker 1>and makes your vision narrow to a tunnel, the kind

494
00:27:47.440 --> 00:27:50.640
<v Speaker 1>that strips away every layer of adult composure and drops

495
00:27:50.640 --> 00:27:53.319
<v Speaker 1>you straight into the fear response of a child who's

496
00:27:53.359 --> 00:27:57.319
<v Speaker 1>heard something under the bed. My breathing went shallow, my

497
00:27:57.440 --> 00:28:00.400
<v Speaker 1>legs felt like they were filled with sand. My hands

498
00:28:00.400 --> 00:28:03.200
<v Speaker 1>were shaking so badly that the leash was vibrating between

499
00:28:03.240 --> 00:28:06.119
<v Speaker 1>my fingers. I could feel my pulse in my teeth

500
00:28:06.799 --> 00:28:10.440
<v Speaker 1>because I understood what had just happened. Whatever was doing this,

501
00:28:10.880 --> 00:28:14.359
<v Speaker 1>whatever was producing a perfect replica of my brother's voice.

502
00:28:14.440 --> 00:28:16.839
<v Speaker 1>There were two of them or one of them had

503
00:28:16.880 --> 00:28:20.480
<v Speaker 1>moved impossibly fast, covering one hundred and twenty yards of

504
00:28:20.519 --> 00:28:24.200
<v Speaker 1>steep laurel choked terrain in under two seconds, which was

505
00:28:24.240 --> 00:28:27.480
<v Speaker 1>not physically possible for anything that walked on legs.

506
00:28:27.839 --> 00:28:28.920
<v Speaker 2>Either way, I.

507
00:28:28.960 --> 00:28:32.599
<v Speaker 1>Was between them in a ravine at the bottom of

508
00:28:32.599 --> 00:28:36.039
<v Speaker 1>a slope. I couldn't climb quickly with limited visibility in

509
00:28:36.079 --> 00:28:39.279
<v Speaker 1>every direction, and whatever had been calling my name from

510
00:28:39.279 --> 00:28:42.279
<v Speaker 1>one direction was now calling it from two, and the

511
00:28:42.319 --> 00:28:46.319
<v Speaker 1>new position was blocking my escape route south. I've replayed

512
00:28:46.359 --> 00:28:50.119
<v Speaker 1>this moment a thousand times in the shower, driving to work,

513
00:28:50.640 --> 00:28:53.119
<v Speaker 1>lying in bed at three in the morning, and the

514
00:28:53.160 --> 00:28:55.799
<v Speaker 1>conclusion I keep arriving at is that the southern call

515
00:28:55.920 --> 00:28:59.160
<v Speaker 1>was deliberate positioning. The first set of calls from the

516
00:28:59.200 --> 00:29:02.839
<v Speaker 1>north had failed to bring me closer. I'd refuse to follow,

517
00:29:03.400 --> 00:29:06.799
<v Speaker 1>so the strategy changed. A second voice appeared on the

518
00:29:06.880 --> 00:29:10.119
<v Speaker 1>route I was using to escape. The message wasn't come

519
00:29:10.160 --> 00:29:14.799
<v Speaker 1>here anymore. The message was you can't leave. Whether that

520
00:29:14.880 --> 00:29:17.759
<v Speaker 1>message was a bluff or a genuine threat, I'll never

521
00:29:17.839 --> 00:29:21.079
<v Speaker 1>know because I didn't test it. I didn't walk south,

522
00:29:21.400 --> 00:29:23.960
<v Speaker 1>I didn't walk north. I did the only thing that

523
00:29:24.039 --> 00:29:27.680
<v Speaker 1>made tactical sense. The tactical part of my brain, the

524
00:29:27.720 --> 00:29:31.440
<v Speaker 1>part that still functioned despite the fear, assessed my options

525
00:29:31.480 --> 00:29:35.359
<v Speaker 1>in about five seconds. I couldn't go north. That's where

526
00:29:35.400 --> 00:29:38.039
<v Speaker 1>the voice had been coming from since the start. I

527
00:29:38.039 --> 00:29:42.039
<v Speaker 1>couldn't go south. It was there now too. Going east

528
00:29:42.039 --> 00:29:45.240
<v Speaker 1>would take me deeper into the ravine, further from the cabin,

529
00:29:45.559 --> 00:29:49.039
<v Speaker 1>and into terrain I didn't know as well. West meant

530
00:29:49.039 --> 00:29:51.960
<v Speaker 1>climbing the ravine wall on the opposite side from both

531
00:29:52.079 --> 00:29:55.839
<v Speaker 1>voice locations, gaining elevation, and working my way through the

532
00:29:55.880 --> 00:29:59.039
<v Speaker 1>forest back toward the meadow. Stay tuned for more Backwoods

533
00:29:59.119 --> 00:30:05.039
<v Speaker 1>Bigfoot story. We'll be back after these messages. I went west.

534
00:30:05.640 --> 00:30:09.599
<v Speaker 1>The decision was instinctive, but not impulsive. West meant climbing,

535
00:30:09.880 --> 00:30:14.000
<v Speaker 1>which meant effort, which meant slower movement. But West also

536
00:30:14.079 --> 00:30:17.200
<v Speaker 1>meant putting the ravine below me and gaining the high ground.

537
00:30:18.079 --> 00:30:20.480
<v Speaker 1>In the Marines, Wade used to say that the high

538
00:30:20.480 --> 00:30:23.519
<v Speaker 1>ground is the only ground. He said it so often

539
00:30:23.559 --> 00:30:26.960
<v Speaker 1>it became a family joke. Mom would ask who wanted

540
00:30:26.960 --> 00:30:30.480
<v Speaker 1>the last piece of pie, and Wade would say, high ground, Mom,

541
00:30:30.799 --> 00:30:34.240
<v Speaker 1>I'm taking it. But he was right, and the principle

542
00:30:34.279 --> 00:30:37.279
<v Speaker 1>applied here. If I could get above whatever was in

543
00:30:37.319 --> 00:30:40.559
<v Speaker 1>the ravine, I could see further, move faster, and navigate

544
00:30:40.599 --> 00:30:43.400
<v Speaker 1>by landmark instead of trying to orient myself at the

545
00:30:43.400 --> 00:30:46.400
<v Speaker 1>bottom of a drainage where every direction looked the same.

546
00:30:47.039 --> 00:30:50.079
<v Speaker 1>The climb was brutal. The ravine wall on the west

547
00:30:50.119 --> 00:30:52.519
<v Speaker 1>side was even steeper than the one I descended on

548
00:30:52.559 --> 00:30:55.880
<v Speaker 1>the north, maybe a forty five degree angle in places,

549
00:30:56.359 --> 00:30:58.440
<v Speaker 1>and it was thick with laurel that grabbed at my

550
00:30:58.559 --> 00:31:00.839
<v Speaker 1>legs and pack straps and slow lapped my face with

551
00:31:00.880 --> 00:31:04.920
<v Speaker 1>every step. The laurel along these ravine walls grows in

552
00:31:04.920 --> 00:31:09.519
<v Speaker 1>interlocking tangles, branches weaving through branches, and you can't walk

553
00:31:09.559 --> 00:31:12.240
<v Speaker 1>through it so much as wrestle through it. I was

554
00:31:12.240 --> 00:31:15.839
<v Speaker 1>hauling myself upward by grabbing branches and roots, digging my

555
00:31:15.880 --> 00:31:18.359
<v Speaker 1>boot toes into the leaf litter to find purchase on

556
00:31:18.400 --> 00:31:21.920
<v Speaker 1>the rock underneath. Twice my foot slipped and I slid

557
00:31:21.960 --> 00:31:24.640
<v Speaker 1>back three or four feet before catching myself on a

558
00:31:24.680 --> 00:31:28.279
<v Speaker 1>laurel trunk. My jeans were torn at the left knee,

559
00:31:28.319 --> 00:31:32.599
<v Speaker 1>my palms were scraped. Raw Bowie scrambled beside me, loaded

560
00:31:32.640 --> 00:31:35.880
<v Speaker 1>the ground, moving fast, not waiting for me like he

561
00:31:36.000 --> 00:31:40.480
<v Speaker 1>usually did, but driving upward with an urgency that mirrored mine,

562
00:31:40.519 --> 00:31:43.720
<v Speaker 1>his body language had changed from terrified to determined.

563
00:31:44.519 --> 00:31:46.079
<v Speaker 2>He wanted out of that ravine.

564
00:31:45.799 --> 00:31:48.960
<v Speaker 1>As badly as I did. Every few seconds, he'd glanced

565
00:31:48.960 --> 00:31:51.400
<v Speaker 1>back at me, not to check on me, but to

566
00:31:51.440 --> 00:31:55.400
<v Speaker 1>make sure I was still coming, still moving, still heading up.

567
00:31:56.240 --> 00:31:58.680
<v Speaker 1>I was maybe thirty yards up the slope, about halfway

568
00:31:58.720 --> 00:32:01.519
<v Speaker 1>to what I judged was the ridge line above when

569
00:32:01.519 --> 00:32:05.559
<v Speaker 1>the voice came again. This time it was different, Garrett,

570
00:32:05.880 --> 00:32:09.519
<v Speaker 1>come on from below from the bench I'd just left,

571
00:32:10.039 --> 00:32:14.680
<v Speaker 1>and the tone had shifted. The first calls had been neutral, conversational,

572
00:32:15.279 --> 00:32:17.839
<v Speaker 1>like Wade casually trying to get my attention across a

573
00:32:17.880 --> 00:32:22.599
<v Speaker 1>parking lot or a backyard. This one had emphasis, insistence,

574
00:32:23.400 --> 00:32:25.799
<v Speaker 1>a quality that felt less like a greeting and more

575
00:32:25.839 --> 00:32:30.319
<v Speaker 1>like a command. Come on, two words that in Wade's

576
00:32:30.319 --> 00:32:34.119
<v Speaker 1>actual voice usually mean hurry up or stop messing around

577
00:32:35.000 --> 00:32:37.039
<v Speaker 1>the way he'd say it when we were kids and

578
00:32:37.079 --> 00:32:40.119
<v Speaker 1>I was lagging behind on a trail, The way he'd

579
00:32:40.119 --> 00:32:42.079
<v Speaker 1>say it if he was standing twenty feet away and

580
00:32:42.119 --> 00:32:45.039
<v Speaker 1>watching me walk in the wrong direction and couldn't understand

581
00:32:45.079 --> 00:32:48.599
<v Speaker 1>why I wasn't coming toward him. The emotional precision of

582
00:32:48.640 --> 00:32:52.279
<v Speaker 1>it almost broke my resolve, because come on, in Wade's

583
00:32:52.319 --> 00:32:55.279
<v Speaker 1>voice is a sound that's wired directly into my childhood.

584
00:32:56.079 --> 00:32:59.680
<v Speaker 1>It bypasses every filter I have. It speaks to the

585
00:32:59.720 --> 00:33:02.480
<v Speaker 1>ten year old who followed his big brother up every trail,

586
00:33:02.880 --> 00:33:07.240
<v Speaker 1>across every creek, into every adventure without question. And for

587
00:33:07.319 --> 00:33:10.440
<v Speaker 1>one terrible moment, standing on that slope with my hands

588
00:33:10.440 --> 00:33:13.160
<v Speaker 1>bloody and my lungs burning, a part of me wanted

589
00:33:13.160 --> 00:33:16.200
<v Speaker 1>to turn around and go back down, wanted to believe

590
00:33:16.240 --> 00:33:19.480
<v Speaker 1>it was really weighed, wanted the comfort of that voice

591
00:33:19.519 --> 00:33:24.000
<v Speaker 1>being real. I didn't stop. I kept climbing. My hands

592
00:33:24.000 --> 00:33:27.920
<v Speaker 1>were bleeding from grabbing sharp rock edges, My breathing was ragged,

593
00:33:28.319 --> 00:33:31.240
<v Speaker 1>Sweat was running down my back despite the October chill.

594
00:33:32.119 --> 00:33:36.000
<v Speaker 1>Bowie was six feet above me, scrambling his nails, scraping

595
00:33:36.039 --> 00:33:42.160
<v Speaker 1>on stone. Garrett closer below and to my right, closer

596
00:33:42.160 --> 00:33:46.240
<v Speaker 1>than it had been moving. Whatever was making that sound

597
00:33:46.319 --> 00:33:51.319
<v Speaker 1>was moving toward me up the slope, following, not crashing

598
00:33:51.359 --> 00:33:54.319
<v Speaker 1>through brush the way a person would, not panting or

599
00:33:54.359 --> 00:33:59.240
<v Speaker 1>grunting from the exertion of a steep climb, just a voice, disembodied,

600
00:33:59.599 --> 00:34:02.279
<v Speaker 1>floating up through the laurel canopy like it was attached

601
00:34:02.279 --> 00:34:06.599
<v Speaker 1>to nothing like it existed independently of any body, A

602
00:34:06.720 --> 00:34:11.119
<v Speaker 1>sound without a source. Getting nearer, I couldn't see anything when.

603
00:34:10.960 --> 00:34:14.440
<v Speaker 2>I looked back. The laurel was too thick, the.

604
00:34:14.360 --> 00:34:18.000
<v Speaker 1>Canopy overhead blocked most of the sunlight, and the understory

605
00:34:18.079 --> 00:34:21.079
<v Speaker 1>was a maze of twisted branches and waxy leaves that

606
00:34:21.119 --> 00:34:23.800
<v Speaker 1>could have hidden a school bus at thirty feet. But

607
00:34:23.840 --> 00:34:26.480
<v Speaker 1>I could feel it, the same feeling from the night

608
00:34:26.519 --> 00:34:29.559
<v Speaker 1>at the meadow, the same feeling from the kitchen window,

609
00:34:30.280 --> 00:34:33.760
<v Speaker 1>that compression of the air, that tightening in the chest,

610
00:34:33.960 --> 00:34:37.320
<v Speaker 1>that primitive knowledge that something large and focused was nearby

611
00:34:37.800 --> 00:34:40.880
<v Speaker 1>and watching. I made the top of the ravine wall

612
00:34:40.920 --> 00:34:43.840
<v Speaker 1>in what felt like an eternity but was probably four

613
00:34:43.960 --> 00:34:47.199
<v Speaker 1>or five minutes of hard climbing. When I crested the

614
00:34:47.280 --> 00:34:51.039
<v Speaker 1>ridge and hit flat ground, I stopped, bent over, hands

615
00:34:51.039 --> 00:34:55.480
<v Speaker 1>on my knees, gasping. Bowie pressed against me, panting. I

616
00:34:55.480 --> 00:34:58.880
<v Speaker 1>could feel his ribs heaving against my calf. I looked

617
00:34:58.920 --> 00:35:01.679
<v Speaker 1>back down into the ravine. From up here I could

618
00:35:01.679 --> 00:35:05.119
<v Speaker 1>see the canopy of the drainage below, a continuous mat

619
00:35:05.119 --> 00:35:08.280
<v Speaker 1>of green, where the rhododendron and Laurel held their leaves

620
00:35:08.360 --> 00:35:12.559
<v Speaker 1>year round. The creek was invisible under the foliage. The

621
00:35:12.599 --> 00:35:16.119
<v Speaker 1>bench where I'd been standing was invisible. Everything was hidden.

622
00:35:16.800 --> 00:35:18.880
<v Speaker 1>The forest had closed over it like it had never

623
00:35:18.920 --> 00:35:22.679
<v Speaker 1>been there. Nothing followed us to the top. No sound,

624
00:35:23.159 --> 00:35:27.159
<v Speaker 1>no voice, no movement in the brush below. Whatever had

625
00:35:27.159 --> 00:35:30.280
<v Speaker 1>been calling my name had stayed in the ravine. But

626
00:35:30.360 --> 00:35:33.159
<v Speaker 1>I was disoriented. I need to explain this because it's

627
00:35:33.199 --> 00:35:35.559
<v Speaker 1>the part that scares me more than the voice itself,

628
00:35:36.039 --> 00:35:38.000
<v Speaker 1>and it's the part I think about every time I

629
00:35:38.079 --> 00:35:40.880
<v Speaker 1>go into the woods. To this day, I didn't know

630
00:35:40.920 --> 00:35:43.440
<v Speaker 1>where I was. I've been hiking since I could walk.

631
00:35:43.960 --> 00:35:47.679
<v Speaker 1>I've navigated back country in six states. I've never in

632
00:35:47.760 --> 00:35:50.199
<v Speaker 1>my entire life been lost on a piece of land

633
00:35:50.239 --> 00:35:53.480
<v Speaker 1>I owned. But standing on top of that ravine wall,

634
00:35:53.800 --> 00:35:56.639
<v Speaker 1>looking around at the forest in every direction, I couldn't

635
00:35:56.639 --> 00:35:59.440
<v Speaker 1>figure out which way was home. The compass was in

636
00:35:59.480 --> 00:36:02.679
<v Speaker 1>my pack, I pulled it out and checked it. West

637
00:36:02.760 --> 00:36:05.800
<v Speaker 1>was behind me. East was the ravine i'd just climbed

638
00:36:05.800 --> 00:36:09.039
<v Speaker 1>out of. North and south were forests that looked identical

639
00:36:09.079 --> 00:36:14.079
<v Speaker 1>in every direction, mature hardwood, brown leaf litter, occasional outcrops

640
00:36:14.119 --> 00:36:18.760
<v Speaker 1>of gray granite, no landmarks I recognized, no flagging tape,

641
00:36:19.159 --> 00:36:22.559
<v Speaker 1>no old blazes on the trees. This didn't make sense.

642
00:36:23.239 --> 00:36:26.920
<v Speaker 1>I was on my own property, forty seven acres. I'd

643
00:36:26.960 --> 00:36:30.119
<v Speaker 1>walked it dozens of times. I knew the terrain the way,

644
00:36:30.159 --> 00:36:33.400
<v Speaker 1>I knew the layout of the cabin. But nothing looked familiar.

645
00:36:34.000 --> 00:36:37.519
<v Speaker 1>The trees, the slope, the angle of the light. None

646
00:36:37.559 --> 00:36:40.360
<v Speaker 1>of it aligned with my mental map. It was as

647
00:36:40.360 --> 00:36:43.360
<v Speaker 1>if the Ravine climb had deposited me on an entirely

648
00:36:43.400 --> 00:36:47.800
<v Speaker 1>different mountain. I checked the compass again. The needle was steady.

649
00:36:48.440 --> 00:36:52.119
<v Speaker 1>West was west, but the terrain didn't match what I

650
00:36:52.199 --> 00:36:54.639
<v Speaker 1>expected to find. On the western side of my property,

651
00:36:55.400 --> 00:36:58.559
<v Speaker 1>the slope should have been dropping toward the meadow. Instead

652
00:36:58.880 --> 00:37:03.599
<v Speaker 1>it was climbing gradually, but unmistakably. The ground was rising

653
00:37:03.639 --> 00:37:07.280
<v Speaker 1>in a direction it shouldn't have been. I started walking west,

654
00:37:07.639 --> 00:37:11.960
<v Speaker 1>trusting the compass over my instincts. Bowie stayed close within

655
00:37:12.119 --> 00:37:15.880
<v Speaker 1>arm's reach, which was unlike him on a hike. Usually

656
00:37:15.880 --> 00:37:18.920
<v Speaker 1>he ranged ahead. Now he was pressed to my hip

657
00:37:19.199 --> 00:37:23.000
<v Speaker 1>like a shadow. After about ten minutes of walking, I

658
00:37:23.039 --> 00:37:27.199
<v Speaker 1>still hadn't found anything familiar. No flagging tape, no old

659
00:37:27.239 --> 00:37:30.320
<v Speaker 1>boundary blazes, no view of the meadow or the cabin

660
00:37:30.440 --> 00:37:36.079
<v Speaker 1>or the workshop. Just more forest, more identical hardwood, more silence.

661
00:37:36.800 --> 00:37:39.920
<v Speaker 1>And the silence was wrong. I hadn't noticed it during

662
00:37:40.000 --> 00:37:42.159
<v Speaker 1>the climb because I'd been too focused on getting out

663
00:37:42.199 --> 00:37:45.920
<v Speaker 1>of the ravine. But now standing still on the ridgetop,

664
00:37:46.239 --> 00:37:49.760
<v Speaker 1>I realized the forest was quiet, not the normal quiet

665
00:37:49.760 --> 00:37:54.440
<v Speaker 1>of an autumn afternoon, the pressurized quiet, the kind I'd

666
00:37:54.440 --> 00:37:56.760
<v Speaker 1>first encountered when I walked toward the knocking during my

667
00:37:56.800 --> 00:38:01.960
<v Speaker 1>first summer. No bird song, no squirrel chatter, no insect noise.

668
00:38:02.760 --> 00:38:04.960
<v Speaker 1>The only sound was my own breathing and the blood

669
00:38:05.000 --> 00:38:08.320
<v Speaker 1>rushing in my ears, and the barely perceptible whisper of

670
00:38:08.400 --> 00:38:11.800
<v Speaker 1>dry leaves shifting in a breeze. I couldn't feel. My

671
00:38:11.920 --> 00:38:17.199
<v Speaker 1>orientation was gone, not my compass orientation. The compass still worked.

672
00:38:17.800 --> 00:38:21.719
<v Speaker 1>My spatial orientation, the internal map that tells you where

673
00:38:21.719 --> 00:38:25.320
<v Speaker 1>you are relative to places you know, the one that

674
00:38:25.400 --> 00:38:29.320
<v Speaker 1>operates below conscious thought, built from thousands of repetitions of

675
00:38:29.360 --> 00:38:34.000
<v Speaker 1>the same roots, the same views, the same landmarks. That

676
00:38:34.039 --> 00:38:36.760
<v Speaker 1>map was blank, as if someone had wiped it clean

677
00:38:36.800 --> 00:38:39.079
<v Speaker 1>and left me standing in a forest I'd never visited.

678
00:38:40.000 --> 00:38:43.239
<v Speaker 1>I've since learned that this is a reported phenomenon associated

679
00:38:43.280 --> 00:38:49.920
<v Speaker 1>with sasquatch encounters. Witnesses describe sudden, inexplicable disorientation on familiar ground,

680
00:38:50.719 --> 00:38:53.480
<v Speaker 1>an inability to find their way on trails they've walked

681
00:38:53.559 --> 00:38:57.880
<v Speaker 1>hundreds of times, a feeling of being turned around, redirected,

682
00:38:58.239 --> 00:39:02.280
<v Speaker 1>lost in places where being lost should be impossible. Some

683
00:39:02.360 --> 00:39:06.880
<v Speaker 1>researchers attribute it to infrasound, low frequency sound waves below

684
00:39:06.920 --> 00:39:09.719
<v Speaker 1>the threshold of human hearing that can affect the vestibular

685
00:39:09.760 --> 00:39:14.079
<v Speaker 1>system and disrupt spatial processing. Others think it simply the

686
00:39:14.119 --> 00:39:18.280
<v Speaker 1>neurological effect of extreme fear on the hippocampus, which is

687
00:39:18.320 --> 00:39:21.760
<v Speaker 1>the part of the brain responsible for spatial memory. I

688
00:39:21.760 --> 00:39:24.719
<v Speaker 1>don't know which explanation is correct. I just know what

689
00:39:24.760 --> 00:39:28.320
<v Speaker 1>I experienced. I was lost on my own land, and

690
00:39:28.360 --> 00:39:31.639
<v Speaker 1>the feeling was unlike anything I've encountered before or since.

691
00:39:32.440 --> 00:39:36.039
<v Speaker 1>It wasn't confusion, it was a rasure, like the part

692
00:39:36.079 --> 00:39:38.119
<v Speaker 1>of my brain that knew where home was had been

693
00:39:38.159 --> 00:39:42.400
<v Speaker 1>temporarily shut down. I stood there for several minutes, breathing,

694
00:39:42.920 --> 00:39:45.920
<v Speaker 1>trying to get my bearings, trying to force my internal

695
00:39:45.920 --> 00:39:49.800
<v Speaker 1>compass to reset. Bowie sat at my feet, looking up

696
00:39:49.800 --> 00:39:52.880
<v Speaker 1>at me with an expression. I read as concern, not

697
00:39:53.000 --> 00:39:56.880
<v Speaker 1>fear anymore, concern like he could tell I was struggling

698
00:39:56.920 --> 00:39:59.559
<v Speaker 1>and didn't know how to help. Then I did something

699
00:39:59.599 --> 00:40:03.599
<v Speaker 1>that in retrospect was either brilliant or lucky. I stopped

700
00:40:03.599 --> 00:40:07.079
<v Speaker 1>trying to navigate and started trying to listen. The mountain

701
00:40:07.079 --> 00:40:10.079
<v Speaker 1>has its own sounds, even when the birds are quiet

702
00:40:10.119 --> 00:40:15.840
<v Speaker 1>and the insects are silent, The land itself makes noise. Water, wind,

703
00:40:16.679 --> 00:40:20.000
<v Speaker 1>the creak of old trees adjusting their weight, and if

704
00:40:20.039 --> 00:40:22.519
<v Speaker 1>you're within earshot of a creek, you can use it.

705
00:40:23.199 --> 00:40:27.760
<v Speaker 1>Water always runs downhill. Downhill on my property meant the meadow.

706
00:40:28.360 --> 00:40:32.480
<v Speaker 1>The meadow meant the cabin. I closed my eyes and listened.

707
00:40:33.239 --> 00:40:35.199
<v Speaker 1>At first, all I could hear was my own heart

708
00:40:35.199 --> 00:40:38.920
<v Speaker 1>beat and the blood noise in my ears. But gradually,

709
00:40:39.159 --> 00:40:43.559
<v Speaker 1>underneath that I picked up something faint, a murmur, not

710
00:40:43.679 --> 00:40:49.639
<v Speaker 1>a voice, water moving water, distant but detectable, coming from

711
00:40:49.719 --> 00:40:54.440
<v Speaker 1>somewhere to my left, south southwest. I opened my eyes,

712
00:40:54.800 --> 00:40:59.760
<v Speaker 1>checked the compass, south southwest, toward Bishop Creek. I walked

713
00:40:59.760 --> 00:41:03.719
<v Speaker 1>toward the sound. Five minutes in, the terrain began to drop.

714
00:41:04.360 --> 00:41:06.800
<v Speaker 1>The slope angle matched what I expected. On the western

715
00:41:06.840 --> 00:41:11.440
<v Speaker 1>side of the property, trees I recognized started appearing. A

716
00:41:11.519 --> 00:41:14.159
<v Speaker 1>massive red oak with a double trunk that I'd marked

717
00:41:14.159 --> 00:41:17.800
<v Speaker 1>on my first boundary walk. A shelf of exposed granite

718
00:41:17.800 --> 00:41:21.880
<v Speaker 1>with lichen patterns I'd photographed for no particular reason. Flagging

719
00:41:21.920 --> 00:41:27.079
<v Speaker 1>tape orange faded exactly where I'd tied it two years earlier.

720
00:41:27.880 --> 00:41:32.400
<v Speaker 1>The relief was physical. My shoulders dropped, my breathing normalized,

721
00:41:33.079 --> 00:41:36.280
<v Speaker 1>the tunnel vision eased. I was back on my map.

722
00:41:36.639 --> 00:41:39.800
<v Speaker 1>I was back in territory. I knew the cabin was

723
00:41:39.840 --> 00:41:42.480
<v Speaker 1>below me, maybe a quarter mile through the trees and

724
00:41:42.519 --> 00:41:45.760
<v Speaker 1>down the slope to the meadow. Bowie's tail came up.

725
00:41:46.079 --> 00:41:49.599
<v Speaker 1>His pace quickened. He knew where we were too. We

726
00:41:49.679 --> 00:41:52.239
<v Speaker 1>made it back to the cabin by twelve thirty. I'd

727
00:41:52.239 --> 00:41:54.559
<v Speaker 1>been gone three hours, which was about normal for a

728
00:41:54.599 --> 00:41:57.559
<v Speaker 1>boundary walk, except I'd only covered maybe two thirds of

729
00:41:57.599 --> 00:42:00.000
<v Speaker 1>the route before the ravine encounter had cut the trips sharpe.

730
00:42:00.960 --> 00:42:01.960
<v Speaker 1>The meadow had never.

731
00:42:01.800 --> 00:42:02.519
<v Speaker 2>Looked so good.

732
00:42:03.119 --> 00:42:07.280
<v Speaker 1>The open grass, the clear sky overhead, the familiar shape

733
00:42:07.320 --> 00:42:10.840
<v Speaker 1>of the cabin with its green metal roof and stone chimney.

734
00:42:10.960 --> 00:42:13.159
<v Speaker 1>All of it was exactly where it was supposed to be.

735
00:42:13.960 --> 00:42:17.440
<v Speaker 1>The world made sense again. I unlocked the front door,

736
00:42:17.679 --> 00:42:20.519
<v Speaker 1>went inside, and sat on the couch without taking off

737
00:42:20.559 --> 00:42:24.039
<v Speaker 1>my boots or my pack. Bowie jumped up beside me,

738
00:42:24.400 --> 00:42:27.280
<v Speaker 1>which he wasn't technically allowed to do, and I didn't

739
00:42:27.280 --> 00:42:30.199
<v Speaker 1>say a word about it. He curled against my thigh

740
00:42:30.199 --> 00:42:32.320
<v Speaker 1>and put his head on my lap, and we sat

741
00:42:32.360 --> 00:42:34.719
<v Speaker 1>there in the dim quiet of the cabin while the

742
00:42:34.719 --> 00:42:37.280
<v Speaker 1>morning's events replayed in my head on a loop I

743
00:42:37.320 --> 00:42:40.719
<v Speaker 1>couldn't stop. My hands were still bleeding where I'd grabbed

744
00:42:40.800 --> 00:42:44.280
<v Speaker 1>rock edges during the climb. I noticed this only because

745
00:42:44.320 --> 00:42:47.639
<v Speaker 1>Bowie started licking the cuts on my left palm gently,

746
00:42:48.159 --> 00:42:50.920
<v Speaker 1>the way he licked everything, like it was his job

747
00:42:50.960 --> 00:42:52.159
<v Speaker 1>to fix what was broken.

748
00:42:52.960 --> 00:42:54.000
<v Speaker 2>I let him.

749
00:42:54.239 --> 00:42:56.559
<v Speaker 1>I sat there and let my dog nurse my wounds,

750
00:42:56.559 --> 00:42:58.679
<v Speaker 1>and stared at the back wall of the cabin and

751
00:42:58.760 --> 00:43:00.679
<v Speaker 1>tried to make sense of what it did, just happened.

752
00:43:01.480 --> 00:43:04.880
<v Speaker 1>The thing that kept surfacing, the detail I couldn't push down,

753
00:43:05.559 --> 00:43:09.039
<v Speaker 1>wasn't the fear, or the disorientation, or even the tactical

754
00:43:09.079 --> 00:43:12.880
<v Speaker 1>implications of being called from multiple directions. It was the

755
00:43:12.920 --> 00:43:16.960
<v Speaker 1>emotional manipulation. That's what it was. I can call it

756
00:43:17.000 --> 00:43:20.559
<v Speaker 1>what it is now, ten years later. It was manipulation.

757
00:43:21.480 --> 00:43:24.239
<v Speaker 1>Something had identified the voice most likely to make me

758
00:43:24.320 --> 00:43:27.199
<v Speaker 1>drop my guard, the voice most likely to draw me

759
00:43:27.239 --> 00:43:30.400
<v Speaker 1>toward it instead of a way, and it had deployed

760
00:43:30.400 --> 00:43:33.920
<v Speaker 1>that voice with enough fidelity to fool me. Not for long,

761
00:43:34.480 --> 00:43:37.840
<v Speaker 1>not completely, but for those first few seconds before my

762
00:43:37.920 --> 00:43:41.320
<v Speaker 1>brain caught up to my gut, I'd believed it. I'd

763
00:43:41.320 --> 00:43:44.840
<v Speaker 1>felt the relief. I'd wanted it to be real, And

764
00:43:44.880 --> 00:43:47.719
<v Speaker 1>that wanting that half second of hope before the fear

765
00:43:47.800 --> 00:43:51.280
<v Speaker 1>set in is the part that hurts the most, because

766
00:43:51.320 --> 00:43:53.760
<v Speaker 1>it means the thing in the woods understood something about

767
00:43:53.800 --> 00:43:57.639
<v Speaker 1>me that I barely understood about myself. It understood that

768
00:43:57.679 --> 00:44:00.880
<v Speaker 1>I missed my brother, that the sound of Wade's voice

769
00:44:00.920 --> 00:44:04.679
<v Speaker 1>calling my name was at its core the sound of safety,

770
00:44:05.360 --> 00:44:08.719
<v Speaker 1>of home, of being ten years old at a waterfall

771
00:44:08.760 --> 00:44:11.920
<v Speaker 1>with someone who said I was all right. Whatever was

772
00:44:11.920 --> 00:44:14.039
<v Speaker 1>on that ridge had read me well enough to find

773
00:44:14.039 --> 00:44:17.000
<v Speaker 1>that thread and pull it. I'm going to try to

774
00:44:17.079 --> 00:44:19.440
<v Speaker 1>lay this out as clearly as I can, because I've

775
00:44:19.440 --> 00:44:21.800
<v Speaker 1>had ten years to think about it, and I've never

776
00:44:21.920 --> 00:44:25.239
<v Speaker 1>arrived at an explanation that satisfies the rational part of

777
00:44:25.280 --> 00:44:28.519
<v Speaker 1>my brain. Something in the woods called my name in

778
00:44:28.559 --> 00:44:33.519
<v Speaker 1>my brother's voice, not a rough approximation, not a vague similarity,

779
00:44:34.079 --> 00:44:39.400
<v Speaker 1>an exact reproduction, the pitch, the timbre, the inflection, the

780
00:44:39.400 --> 00:44:44.039
<v Speaker 1>subtle rasp, every acoustic fingerprint that makes Wade's voice. Wade's

781
00:44:44.119 --> 00:44:47.000
<v Speaker 1>voice was present in what I heard, and it wasn't

782
00:44:47.039 --> 00:44:48.519
<v Speaker 1>a single isolated call.

783
00:44:49.119 --> 00:44:50.400
<v Speaker 2>It was repeated.

784
00:44:50.559 --> 00:44:56.360
<v Speaker 1>Multiple times from multiple directions, with contextual phrasing over here,

785
00:44:57.000 --> 00:45:00.800
<v Speaker 1>come on, stay tuned for more Backwoods Bigfoot store. We'll

786
00:45:00.800 --> 00:45:06.519
<v Speaker 1>be back after these messages. Those aren't random vocalizations. Those

787
00:45:06.559 --> 00:45:11.519
<v Speaker 1>are directives, instructions, language, or at least an imitation of language,

788
00:45:11.519 --> 00:45:15.440
<v Speaker 1>deployed with apparent intent. And the intent appeared to be luring.

789
00:45:16.039 --> 00:45:18.840
<v Speaker 1>I don't use that word casually, but I can't find

790
00:45:18.880 --> 00:45:22.320
<v Speaker 1>a better one. The initial calls came from above me,

791
00:45:22.719 --> 00:45:24.920
<v Speaker 1>from a direction that would have required me to climb

792
00:45:24.960 --> 00:45:28.440
<v Speaker 1>back up the slope I just descended. If I'd followed them,

793
00:45:28.679 --> 00:45:31.679
<v Speaker 1>I would have been moving uphill into dense cover, away

794
00:45:31.679 --> 00:45:35.480
<v Speaker 1>from the creek, away from the cabin. The later call

795
00:45:35.559 --> 00:45:38.320
<v Speaker 1>came from ahead of me, from the direction I was walking,

796
00:45:38.800 --> 00:45:42.119
<v Speaker 1>which would have stopped my progress along the logical exit route,

797
00:45:42.440 --> 00:45:46.079
<v Speaker 1>and the final calls came from below from behind, as

798
00:45:46.119 --> 00:45:48.559
<v Speaker 1>if the thing had repositioned to follow me up the

799
00:45:48.639 --> 00:45:53.880
<v Speaker 1>ravine wall. Every call directed me toward a position of disadvantage.

800
00:45:53.920 --> 00:45:56.719
<v Speaker 1>Every call tried to get me to stop moving towards safety.

801
00:45:57.400 --> 00:45:59.760
<v Speaker 1>If I'd responded the way most people would respond to

802
00:45:59.800 --> 00:46:02.559
<v Speaker 1>hear hearing their brother's voice in the woods, if I'd

803
00:46:02.559 --> 00:46:05.000
<v Speaker 1>walked toward it instead of a way, I would have

804
00:46:05.079 --> 00:46:08.079
<v Speaker 1>ended up deeper in that ravine, further from the cabin,

805
00:46:08.440 --> 00:46:11.519
<v Speaker 1>in terrain that was steep and tangled and hard to navigate.

806
00:46:12.320 --> 00:46:14.559
<v Speaker 2>I don't know what would have happened then. I don't

807
00:46:14.559 --> 00:46:15.000
<v Speaker 2>want to know.

808
00:46:15.679 --> 00:46:18.119
<v Speaker 1>What I do know is that whatever produced that voice

809
00:46:18.119 --> 00:46:21.840
<v Speaker 1>had been listening to me, not just that day, for months,

810
00:46:22.400 --> 00:46:26.000
<v Speaker 1>maybe longer. It had heard me talk on the phone.

811
00:46:26.079 --> 00:46:28.400
<v Speaker 1>It had heard me at some point talking to Wade,

812
00:46:28.960 --> 00:46:32.079
<v Speaker 1>maybe during one of his visits, and it had cataloged

813
00:46:32.079 --> 00:46:36.079
<v Speaker 1>his voice, stored it learned it well enough to fool me,

814
00:46:36.719 --> 00:46:39.960
<v Speaker 1>at least initially, in the very environment where I should

815
00:46:39.960 --> 00:46:43.599
<v Speaker 1>have been most skeptical. That implies a level of observation

816
00:46:43.719 --> 00:46:47.800
<v Speaker 1>that goes beyond watching from the ridge. That implies proximity,

817
00:46:47.800 --> 00:46:52.880
<v Speaker 1>over time, sustained, patient, close range surveillance of my life,

818
00:46:53.239 --> 00:46:57.599
<v Speaker 1>my relationships, and my daily patterns. It knew Wade's voice,

819
00:46:58.159 --> 00:47:01.440
<v Speaker 1>it knew my name. It deployed both together in a

820
00:47:01.480 --> 00:47:05.400
<v Speaker 1>way that was calculated to provoke the strongest possible emotional response.

821
00:47:06.280 --> 00:47:08.960
<v Speaker 1>I called Cliff that evening. I told him what happened.

822
00:47:09.440 --> 00:47:14.000
<v Speaker 1>He listened without interrupting, which was unusual for Cliff. Normally,

823
00:47:14.039 --> 00:47:16.400
<v Speaker 1>he jump in with a joke or a question, or

824
00:47:16.440 --> 00:47:19.719
<v Speaker 1>some piece of unsolicited advice that was half helpful and

825
00:47:19.800 --> 00:47:22.960
<v Speaker 1>half annoying. But this time he was silent through the

826
00:47:22.960 --> 00:47:26.119
<v Speaker 1>whole thing. I could hear him breathing. On the other end,

827
00:47:26.639 --> 00:47:29.079
<v Speaker 1>I could hear the television on low in his living room,

828
00:47:29.599 --> 00:47:32.679
<v Speaker 1>some kind of game on, crowd noise in the background.

829
00:47:33.199 --> 00:47:35.480
<v Speaker 1>But Cliff didn't say a word until I was finished.

830
00:47:36.199 --> 00:47:39.760
<v Speaker 1>When I stopped talking, there was a long silence, long

831
00:47:39.880 --> 00:47:41.639
<v Speaker 1>enough that I checked my phone to make sure the

832
00:47:41.679 --> 00:47:46.280
<v Speaker 1>call hadn't dropped. That's new, he said finally. I told him, Yeah,

833
00:47:46.880 --> 00:47:51.480
<v Speaker 1>you said it sounded exactly like Wade, exactly, not close,

834
00:47:52.159 --> 00:47:57.199
<v Speaker 1>not similar, exactly. He let out a slow breath. Have

835
00:47:57.280 --> 00:48:00.880
<v Speaker 1>you told Wade? I said no. I said, I didn't

836
00:48:00.960 --> 00:48:03.360
<v Speaker 1>know how. I said, I couldn't figure out a way

837
00:48:03.400 --> 00:48:05.719
<v Speaker 1>to tell my brother that something in the woods had

838
00:48:05.800 --> 00:48:07.800
<v Speaker 1>used his voice to try to lure me into a

839
00:48:07.920 --> 00:48:10.920
<v Speaker 1>ravine that didn't end with Wade either thinking I'd lost

840
00:48:10.960 --> 00:48:13.519
<v Speaker 1>my mind or loading a deer rifle and driving south

841
00:48:13.559 --> 00:48:16.880
<v Speaker 1>at ninety miles an hour. Neither of those outcomes would

842
00:48:16.880 --> 00:48:21.079
<v Speaker 1>help anybody. Cliff was quiet for another few seconds. Then

843
00:48:21.119 --> 00:48:24.760
<v Speaker 1>he said something that stuck with me. He said, whatever

844
00:48:24.800 --> 00:48:27.159
<v Speaker 1>this thing is, Garrett, it's not just watching you.

845
00:48:27.679 --> 00:48:28.239
<v Speaker 2>It knows you.

846
00:48:28.840 --> 00:48:32.599
<v Speaker 1>There's a difference. He was right, there's a big difference.

847
00:48:33.400 --> 00:48:38.400
<v Speaker 1>Watching is passive. It's surveillance. It's data collection. A deer

848
00:48:38.440 --> 00:48:44.039
<v Speaker 1>camera watches, a satellite watches. Knowing is intimate. Knowing is

849
00:48:44.079 --> 00:48:46.519
<v Speaker 1>what happens when the watching goes on long enough and

850
00:48:46.559 --> 00:48:49.960
<v Speaker 1>gets close enough that the watcher begins to understand the watched,

851
00:48:50.559 --> 00:48:56.800
<v Speaker 1>their habits, their relationships, their vulnerabilities, their soft spots, and

852
00:48:56.880 --> 00:48:59.559
<v Speaker 1>whatever was on that ridge had crossed that line sometime

853
00:48:59.559 --> 00:49:02.480
<v Speaker 1>between the first wood knock in June of twenty fourteen

854
00:49:02.960 --> 00:49:05.159
<v Speaker 1>and the moment it spoke my name in my brother's

855
00:49:05.280 --> 00:49:09.679
<v Speaker 1>voice in October of twenty fifteen. In sixteen months, it

856
00:49:09.719 --> 00:49:14.440
<v Speaker 1>had gone from distant percussion to personal impersonation, from announcing

857
00:49:14.480 --> 00:49:18.360
<v Speaker 1>its presence to demonstrating its knowledge of mine. I asked

858
00:49:18.360 --> 00:49:20.840
<v Speaker 1>Cliff if he thought I should leave the property. He

859
00:49:20.920 --> 00:49:23.719
<v Speaker 1>was quiet for a beat and then said, do you

860
00:49:23.760 --> 00:49:27.400
<v Speaker 1>want to leave? I thought about it, honestly. I thought

861
00:49:27.400 --> 00:49:31.199
<v Speaker 1>about the cabin earl's hands in every joint, and beam

862
00:49:31.559 --> 00:49:35.400
<v Speaker 1>rebazinias pushing up through the soil without anyone planting them.

863
00:49:35.800 --> 00:49:38.519
<v Speaker 1>The stone chimney Frank had built, the view of the

864
00:49:38.599 --> 00:49:41.519
<v Speaker 1>ridge from the porch at sunset, the way the mountain

865
00:49:41.559 --> 00:49:44.760
<v Speaker 1>breathed at night, the way Bowie slept deeper there than

866
00:49:44.800 --> 00:49:48.559
<v Speaker 1>he'd ever slept anywhere else. Even now, even with the

867
00:49:48.559 --> 00:49:51.599
<v Speaker 1>hallway posting and the flat ears and the stiff legged

868
00:49:51.679 --> 00:49:55.039
<v Speaker 1>vigils at the tree line. I told Cliff no, I

869
00:49:55.039 --> 00:49:58.639
<v Speaker 1>didn't want to leave. He said, then don't, but start

870
00:49:58.639 --> 00:50:01.159
<v Speaker 1>carrying a radio when you hide, and stop going to

871
00:50:01.199 --> 00:50:04.880
<v Speaker 1>the back acreage alone. That was good advice. I took

872
00:50:04.880 --> 00:50:07.719
<v Speaker 1>half of it. I bought a handheld two way radio

873
00:50:07.800 --> 00:50:10.519
<v Speaker 1>the following week, even though there was nobody in range

874
00:50:10.559 --> 00:50:13.239
<v Speaker 1>to talk to. It made me feel better having it

875
00:50:13.280 --> 00:50:16.719
<v Speaker 1>clipped to my pack. A connection to the human world,

876
00:50:17.079 --> 00:50:21.159
<v Speaker 1>even a theoretical one. But I kept hiking alone. I

877
00:50:21.159 --> 00:50:24.000
<v Speaker 1>couldn't explain why except that bringing someone else into those

878
00:50:24.039 --> 00:50:28.000
<v Speaker 1>woods felt wrong, like introducing a stranger to a conversation

879
00:50:28.119 --> 00:50:30.119
<v Speaker 1>that had been building between me and the mountain for

880
00:50:30.159 --> 00:50:32.679
<v Speaker 1>a year and a half. I know that doesn't make

881
00:50:32.719 --> 00:50:36.880
<v Speaker 1>logical sense. Not much about this does. I spent the

882
00:50:36.880 --> 00:50:39.119
<v Speaker 1>rest of that evening on the porch, which I know

883
00:50:39.239 --> 00:50:43.519
<v Speaker 1>sounds crazy given what had happened. But the porch felt safe.

884
00:50:43.599 --> 00:50:46.440
<v Speaker 1>The meadow was open, the site lines were clear in

885
00:50:46.480 --> 00:50:47.119
<v Speaker 1>every direction.

886
00:50:48.000 --> 00:50:48.639
<v Speaker 2>I could see the.

887
00:50:48.599 --> 00:50:51.719
<v Speaker 1>Tree line on all sides, and nothing could approach without

888
00:50:51.719 --> 00:50:55.559
<v Speaker 1>crossing fifty or sixty yards of open grass first. And

889
00:50:55.599 --> 00:50:58.000
<v Speaker 1>I needed to sit with what I'd experienced before I

890
00:50:58.039 --> 00:51:00.320
<v Speaker 1>sealed it up in a compartment, and I had to

891
00:51:00.360 --> 00:51:03.480
<v Speaker 1>pretend it hadn't happened, because I'd done that with the

892
00:51:03.519 --> 00:51:06.480
<v Speaker 1>meadow siding and it hadn't worked. I'd done it with

893
00:51:06.559 --> 00:51:09.840
<v Speaker 1>the garden raids, and it hadn't worked. Every time I

894
00:51:09.840 --> 00:51:12.000
<v Speaker 1>tried to put a lid on what was happening, the

895
00:51:12.039 --> 00:51:15.320
<v Speaker 1>lid got blown off by something new and stranger. The

896
00:51:15.400 --> 00:51:17.920
<v Speaker 1>only approach that seemed honest was to sit with it,

897
00:51:18.559 --> 00:51:21.840
<v Speaker 1>let it breathe, let the fear run its course, until

898
00:51:21.880 --> 00:51:25.719
<v Speaker 1>what was left underneath was something I could actually examine.

899
00:51:25.840 --> 00:51:28.440
<v Speaker 1>Bowie sat beside my chair, the way he did every evening,

900
00:51:28.840 --> 00:51:32.000
<v Speaker 1>but closer than usual. His chin was on my boot

901
00:51:32.239 --> 00:51:35.760
<v Speaker 1>and his eyes were half closed, that drowsy contentment that

902
00:51:35.880 --> 00:51:38.880
<v Speaker 1>dogs slip into when they've decided the danger has passed

903
00:51:38.880 --> 00:51:42.000
<v Speaker 1>for the day. I envied his ability to do that,

904
00:51:42.719 --> 00:51:46.559
<v Speaker 1>to transition from rigid pin deer terror to peaceful dozing

905
00:51:46.599 --> 00:51:49.920
<v Speaker 1>in the span of a few hours. Humans don't reset

906
00:51:49.960 --> 00:51:53.639
<v Speaker 1>that cleanly. We carry the residue. It sits in our

907
00:51:53.679 --> 00:51:57.039
<v Speaker 1>shoulders and our stomachs and our dreams, and it doesn't dissipate,

908
00:51:57.599 --> 00:52:01.480
<v Speaker 1>It just settles around some un set The knocking came

909
00:52:02.159 --> 00:52:05.360
<v Speaker 1>two strikes from the ridge, the first I'd heard in weeks,

910
00:52:05.920 --> 00:52:09.320
<v Speaker 1>sharp and clean and distant, cutting through the still evening

911
00:52:09.320 --> 00:52:13.320
<v Speaker 1>air with that familiar percussive authority. They came at seven

912
00:52:13.440 --> 00:52:16.239
<v Speaker 1>forty eight, about twelve minutes after the sun dropped behind

913
00:52:16.239 --> 00:52:21.920
<v Speaker 1>the ridge line, right in the window where they'd always appeared, consistent, punctual,

914
00:52:22.599 --> 00:52:26.000
<v Speaker 1>as if nothing unusual had happened that day, And for

915
00:52:26.039 --> 00:52:29.000
<v Speaker 1>the first time since they'd started, the sound didn't feel

916
00:52:29.000 --> 00:52:31.840
<v Speaker 1>like a mystery. It felt like a conversation. I'd been

917
00:52:31.920 --> 00:52:35.239
<v Speaker 1>dropped into the middle of without being told the language.

918
00:52:35.280 --> 00:52:39.480
<v Speaker 1>The knocking wasn't random, it never had been. It was communication,

919
00:52:40.360 --> 00:52:44.159
<v Speaker 1>and the mimicry, and the ravine, the use of Wade's voice,

920
00:52:44.199 --> 00:52:47.760
<v Speaker 1>my name spoken from two directions. That was communication too,

921
00:52:48.599 --> 00:52:52.960
<v Speaker 1>a different dialect of the same language, louder, more direct,

922
00:52:53.519 --> 00:52:58.400
<v Speaker 1>more personal, and infinitely more disturbing. There was no vocalization

923
00:52:58.519 --> 00:53:03.119
<v Speaker 1>that night, no voice, no mimicry, just the knocks, and

924
00:53:03.119 --> 00:53:06.800
<v Speaker 1>then the long, deep quiet of the mountain settling into darkness.

925
00:53:07.280 --> 00:53:09.880
<v Speaker 1>The stars came out, thick and silent above the meadow.

926
00:53:10.519 --> 00:53:13.599
<v Speaker 1>A barred owl called from somewhere down near Bishop Creek,

927
00:53:14.079 --> 00:53:16.719
<v Speaker 1>its eight note song drifting up through the hollow like

928
00:53:16.760 --> 00:53:20.880
<v Speaker 1>a question. Nobody answered. The temperature dropped. I pulled my

929
00:53:21.000 --> 00:53:23.480
<v Speaker 1>jacket tighter and stayed on the porch until my coffee

930
00:53:23.559 --> 00:53:27.239
<v Speaker 1>was gone and my toes were numb. Before I went inside,

931
00:53:27.239 --> 00:53:28.960
<v Speaker 1>I stood at the edge of the porch and looked

932
00:53:28.960 --> 00:53:32.199
<v Speaker 1>at the tree line one more time. The darkness beyond

933
00:53:32.239 --> 00:53:35.840
<v Speaker 1>the meadow was absolute. The forest was a solid wall

934
00:53:35.880 --> 00:53:40.159
<v Speaker 1>of black, featureless and deep, and somewhere inside it something

935
00:53:40.199 --> 00:53:42.840
<v Speaker 1>that knew my brother's voice was settling in for the night.

936
00:53:43.639 --> 00:53:46.440
<v Speaker 1>I couldn't see it, but I could feel it, the

937
00:53:46.480 --> 00:53:49.440
<v Speaker 1>way you feel someone watching you through a window, the

938
00:53:49.480 --> 00:53:52.599
<v Speaker 1>way you know without looking that you're not alone in

939
00:53:52.639 --> 00:53:56.440
<v Speaker 1>a room. I said, out loud to no one and

940
00:53:56.480 --> 00:54:01.400
<v Speaker 1>to everything, I'm not leaving the mountain. Didn't answer, but

941
00:54:01.480 --> 00:54:04.760
<v Speaker 1>I think it heard me. Bowie slept in the hallway again.

942
00:54:04.800 --> 00:54:05.239
<v Speaker 2>That night.

943
00:54:05.760 --> 00:54:07.679
<v Speaker 1>I slept on the couch, with every light in the

944
00:54:07.719 --> 00:54:10.639
<v Speaker 1>cabin off, and the spiral notebook open on the coffee table,

945
00:54:11.199 --> 00:54:14.679
<v Speaker 1>three fresh pages of notes drying in the dark. I

946
00:54:14.679 --> 00:54:17.559
<v Speaker 1>don't think I slept more than ninety minutes. Every time

947
00:54:17.559 --> 00:54:20.159
<v Speaker 1>i'd start to drift off, i'd hear Wade's voice in

948
00:54:20.199 --> 00:54:23.559
<v Speaker 1>my head, saying my name, and I'd snap awake with

949
00:54:23.639 --> 00:54:27.079
<v Speaker 1>my heart hammering. It wasn't the sound itself that kept

950
00:54:27.159 --> 00:54:30.719
<v Speaker 1>me up. It was the precision of it, the perfection

951
00:54:31.559 --> 00:54:35.119
<v Speaker 1>that something could listen closely enough for long enough to

952
00:54:35.239 --> 00:54:38.119
<v Speaker 1>capture a specific human voice and play it back with

953
00:54:38.199 --> 00:54:41.400
<v Speaker 1>that kind of accuracy. It wasn't mimicry, the way a

954
00:54:41.480 --> 00:54:45.920
<v Speaker 1>parrot mimics a parrot reproduces sounds. What I heard in

955
00:54:45.960 --> 00:54:49.519
<v Speaker 1>the ravine reproduced a person. The difference is the difference

956
00:54:49.559 --> 00:54:52.639
<v Speaker 1>between a photocopy and a portrait painted by someone who

957
00:54:52.719 --> 00:54:57.320
<v Speaker 1>knew the subject. There was nuance in it, character, identity,

958
00:54:58.000 --> 00:55:00.800
<v Speaker 1>and underneath the fear buried so so deep I almost

959
00:55:00.800 --> 00:55:05.599
<v Speaker 1>didn't recognize it. There was something else, grief, because the

960
00:55:05.639 --> 00:55:08.199
<v Speaker 1>thing in the woods had given me my brother's voice.

961
00:55:08.239 --> 00:55:10.639
<v Speaker 1>And for two or three seconds before the fear kicked in,

962
00:55:11.159 --> 00:55:13.639
<v Speaker 1>I'd felt the warmth of hearing Wade call my name

963
00:55:14.400 --> 00:55:16.760
<v Speaker 1>the way he called it when I was ten, standing

964
00:55:16.800 --> 00:55:19.480
<v Speaker 1>at a waterfall, the way he called it at every

965
00:55:19.519 --> 00:55:22.599
<v Speaker 1>family dinner and every holiday gathering and every phone call

966
00:55:22.679 --> 00:55:25.840
<v Speaker 1>for the past thirty six years. And then the warmth

967
00:55:25.840 --> 00:55:30.400
<v Speaker 1>had curdled into something cold and wrong because it wasn't Wade.

968
00:55:30.480 --> 00:55:33.760
<v Speaker 1>It was something wearing Wade's voice like a mask. And

969
00:55:33.840 --> 00:55:36.440
<v Speaker 1>the loss of that warmth, the way it was offered

970
00:55:36.440 --> 00:55:39.960
<v Speaker 1>and then taken away, felt like a small death, like

971
00:55:40.000 --> 00:55:43.199
<v Speaker 1>something precious had been counterfeited and would never quite sound

972
00:55:43.239 --> 00:55:46.599
<v Speaker 1>the same again. I didn't call Wade for two weeks

973
00:55:46.679 --> 00:55:47.480
<v Speaker 1>after the encounter.

974
00:55:48.039 --> 00:55:48.519
<v Speaker 2>I couldn't.

975
00:55:49.320 --> 00:55:51.559
<v Speaker 1>Every time I picked up the phone, I thought about

976
00:55:51.559 --> 00:55:53.239
<v Speaker 1>hearing his voice and not being sure.

977
00:55:53.079 --> 00:55:53.800
<v Speaker 2>If it was real.

978
00:55:54.599 --> 00:55:57.119
<v Speaker 1>The phone would be in my hand, his name right

979
00:55:57.119 --> 00:56:00.760
<v Speaker 1>there in the contacts, and I'd freeze because what if

980
00:56:00.760 --> 00:56:03.400
<v Speaker 1>I called and the voice that answered wasn't quite right?

981
00:56:04.239 --> 00:56:06.199
<v Speaker 2>What if whatever was in the woods.

982
00:56:05.800 --> 00:56:09.280
<v Speaker 1>Had changed something in my brain, some calibration that let

983
00:56:09.320 --> 00:56:12.760
<v Speaker 1>me distinguish the real from the replicated, And now I'd

984
00:56:12.760 --> 00:56:16.480
<v Speaker 1>never be sure again. It was an irrational fear. I

985
00:56:16.519 --> 00:56:20.360
<v Speaker 1>knew that Wade was in Winston Salem. Whatever answered his

986
00:56:20.440 --> 00:56:24.360
<v Speaker 1>phone would be him, But irrationality is the permanent tax

987
00:56:24.440 --> 00:56:28.880
<v Speaker 1>that these experiences charge you. Once something impossible happens, the

988
00:56:28.920 --> 00:56:32.119
<v Speaker 1>boundaries of what you consider possible shift and they don't

989
00:56:32.119 --> 00:56:35.639
<v Speaker 1>shift back. I finally called him on a Sunday afternoon,

990
00:56:35.920 --> 00:56:38.519
<v Speaker 1>sitting on the porch with Bowie at my feet, the

991
00:56:38.559 --> 00:56:41.760
<v Speaker 1>meadow gold and quiet in front of me. The phone

992
00:56:41.840 --> 00:56:45.239
<v Speaker 1>rang twice, and when he answered with his usual Hey brother,

993
00:56:45.719 --> 00:56:47.840
<v Speaker 1>I had to sit down because my legs went soft.

994
00:56:48.559 --> 00:56:53.199
<v Speaker 1>It was him, really him, warm and gravel voiced and alive,

995
00:56:53.280 --> 00:56:56.440
<v Speaker 1>and two hundred miles away in Winston Salem, asking me

996
00:56:56.480 --> 00:56:59.639
<v Speaker 1>if I'd watched the Panthers game. The relief was so

997
00:56:59.719 --> 00:57:03.280
<v Speaker 1>intense it almost hurt, like blood returning to a limb

998
00:57:03.320 --> 00:57:06.920
<v Speaker 1>that's been asleep. Every cell in my body recognized that

999
00:57:07.039 --> 00:57:10.960
<v Speaker 1>voice as real, as authentic as the original that Something

1000
00:57:10.960 --> 00:57:14.000
<v Speaker 1>in the woods had copied, and the recognition came with

1001
00:57:14.039 --> 00:57:17.039
<v Speaker 1>a secondary wave of anger that caught me off guard,

1002
00:57:17.840 --> 00:57:20.119
<v Speaker 1>anger at the thing on the ridge for taking something

1003
00:57:20.119 --> 00:57:24.679
<v Speaker 1>that was mine, that was ours, the specific acoustic signature

1004
00:57:24.719 --> 00:57:28.599
<v Speaker 1>of my brother's love, and using it as a tool, allure,

1005
00:57:29.119 --> 00:57:33.440
<v Speaker 1>a manipulation. Wade's voice wasn't a commodity. It was the

1006
00:57:33.480 --> 00:57:36.880
<v Speaker 1>sound of every Thanksgiving dinner, every late night phone call

1007
00:57:36.960 --> 00:57:40.760
<v Speaker 1>after Dad died, every hey brother across thirty six years

1008
00:57:40.800 --> 00:57:44.039
<v Speaker 1>of shared history, and something had taken a recording of it,

1009
00:57:44.559 --> 00:57:47.760
<v Speaker 1>or a memory of it, or whatever the biological equivalent

1010
00:57:47.800 --> 00:57:50.239
<v Speaker 1>of those things is, and played it back to me

1011
00:57:50.519 --> 00:57:53.880
<v Speaker 1>in a ravine while I was alone and vulnerable. I

1012
00:57:53.880 --> 00:57:56.440
<v Speaker 1>told him I hadn't watched the game. We talked about

1013
00:57:56.480 --> 00:57:59.840
<v Speaker 1>the kids. Owen had made the travel baseball team and

1014
00:58:00.079 --> 00:58:03.880
<v Speaker 1>Wade was coaching on weekends. Maggie had started piano lessons

1015
00:58:03.920 --> 00:58:07.119
<v Speaker 1>and was already picking out melodies by ear, which Wade

1016
00:58:07.119 --> 00:58:10.320
<v Speaker 1>attributed to Colleen's side of the family, because lord knows

1017
00:58:10.360 --> 00:58:13.760
<v Speaker 1>it didn't come from us. We talked about Colleen's promotion

1018
00:58:13.880 --> 00:58:16.880
<v Speaker 1>at the hospital where she worked as an administrative coordinator

1019
00:58:17.559 --> 00:58:19.639
<v Speaker 1>about a deck Wade was building on the back of

1020
00:58:19.679 --> 00:58:22.559
<v Speaker 1>his house and whether he should use cedar or composite.

1021
00:58:23.400 --> 00:58:26.480
<v Speaker 1>I told him cedar, always cedar, and he said he

1022
00:58:26.559 --> 00:58:29.199
<v Speaker 1>knew I'd say that because I was a traditionalist who

1023
00:58:29.280 --> 00:58:32.239
<v Speaker 1>refused to accept that technology had improved on wood.

1024
00:58:32.760 --> 00:58:33.360
<v Speaker 2>He was right.

1025
00:58:33.880 --> 00:58:38.519
<v Speaker 1>I was normal things, safe things, the kind of conversation

1026
00:58:38.639 --> 00:58:41.280
<v Speaker 1>that rebuilds the walls after something has tried to knock

1027
00:58:41.320 --> 00:58:44.440
<v Speaker 1>them down. He asked me how the mountain was treating me.

1028
00:58:45.039 --> 00:58:47.280
<v Speaker 1>I told him it was good. I told him the

1029
00:58:47.320 --> 00:58:50.760
<v Speaker 1>leaves were past peak but still pretty. I told him

1030
00:58:50.800 --> 00:58:53.679
<v Speaker 1>Bowie was fat and happy. I told him I'd been

1031
00:58:53.679 --> 00:58:56.119
<v Speaker 1>doing some work on Earl's old workshop and that the

1032
00:58:56.159 --> 00:58:59.280
<v Speaker 1>table saw needed a new fence. I didn't tell him

1033
00:58:59.280 --> 00:59:01.719
<v Speaker 1>that something in the worst had stolen his voice and.

1034
00:59:01.719 --> 00:59:02.639
<v Speaker 2>Used it like bait.

1035
00:59:03.440 --> 00:59:05.360
<v Speaker 1>I didn't tell him that his name had been spoken

1036
00:59:05.400 --> 00:59:08.000
<v Speaker 1>by something that wasn't human in a ravine a quarter

1037
00:59:08.079 --> 00:59:10.760
<v Speaker 1>mile from my cabin. I didn't tell him that I'd

1038
00:59:10.760 --> 00:59:13.280
<v Speaker 1>spent two weeks afraid to call him because I wasn't

1039
00:59:13.320 --> 00:59:16.719
<v Speaker 1>sure I could trust my own ears anymore. I still haven't,

1040
00:59:17.320 --> 00:59:19.920
<v Speaker 1>and I don't know if I ever will. Some things

1041
00:59:19.960 --> 00:59:22.440
<v Speaker 1>you carry alone because the weight of sharing them would

1042
00:59:22.440 --> 00:59:25.800
<v Speaker 1>break something in the person you're sharing with. Wade would

1043
00:59:25.840 --> 00:59:28.719
<v Speaker 1>want to help, he'd want to fix it, and there

1044
00:59:28.760 --> 00:59:32.440
<v Speaker 1>is no fixing this. There's only living with it. There's

1045
00:59:32.440 --> 00:59:35.079
<v Speaker 1>one more detail about that day that I haven't mentioned yet,

1046
00:59:35.360 --> 00:59:37.400
<v Speaker 1>and I've saved it for last because it's the part

1047
00:59:37.440 --> 00:59:40.719
<v Speaker 1>that made me realize fully and finally that what I

1048
00:59:40.760 --> 00:59:43.519
<v Speaker 1>was dealing with wasn't just an animal with an unusual

1049
00:59:43.679 --> 00:59:46.800
<v Speaker 1>vocal ability. When I got back to the cabin after

1050
00:59:46.800 --> 00:59:50.360
<v Speaker 1>the ravine encounter, before I went inside, I walked around

1051
00:59:50.360 --> 00:59:52.960
<v Speaker 1>to the back of the house to check something. Call

1052
00:59:53.000 --> 00:59:57.119
<v Speaker 1>it paranoia, Call it due diligence. Call it the new

1053
00:59:57.199 --> 00:59:59.599
<v Speaker 1>habit of a man who'd come home to scratch marks

1054
00:59:59.599 --> 01:00:02.760
<v Speaker 1>on his wall and smudges on his windows, and couldn't

1055
01:00:02.800 --> 01:00:05.800
<v Speaker 1>go inside anymore without making sure nothing had visited while

1056
01:00:05.840 --> 01:00:09.079
<v Speaker 1>he was gone. Stay tuned for more Backwoods Bigfoot stories.

1057
01:00:09.360 --> 01:00:14.119
<v Speaker 1>We'll be back after these messages. I walked the perimeter

1058
01:00:14.199 --> 01:00:16.280
<v Speaker 1>of the cabin the way I'd been doing since the night.

1059
01:00:16.360 --> 01:00:18.880
<v Speaker 1>The thing had breathed against the wall and tapped the window.

1060
01:00:19.679 --> 01:00:23.199
<v Speaker 1>The north side was fine, The logs were unmarked. The

1061
01:00:23.239 --> 01:00:28.000
<v Speaker 1>ground undisturbed. The south side was fine. The zinias along

1062
01:00:28.039 --> 01:00:30.920
<v Speaker 1>the foundation were starting to brown with the season, but

1063
01:00:31.000 --> 01:00:34.519
<v Speaker 1>nothing had been trampled or pushed aside. The west side

1064
01:00:34.559 --> 01:00:38.320
<v Speaker 1>facing the meadow was fine. The porch was empty. The

1065
01:00:38.400 --> 01:00:41.400
<v Speaker 1>chairs were where I'd left them. On the east side,

1066
01:00:41.480 --> 01:00:44.480
<v Speaker 1>near the back door, I found it. There's a patch

1067
01:00:44.519 --> 01:00:46.519
<v Speaker 1>of bare ground on the east side of the cabin

1068
01:00:46.719 --> 01:00:48.679
<v Speaker 1>where the rain run off from the gutter has kept

1069
01:00:48.719 --> 01:00:52.480
<v Speaker 1>the soil exposed and damp for decades. Earl had talked

1070
01:00:52.519 --> 01:00:54.920
<v Speaker 1>about putting in a drainage channel there but never got

1071
01:00:54.960 --> 01:00:57.800
<v Speaker 1>around to it. The soil in that spot is a

1072
01:00:57.840 --> 01:01:00.880
<v Speaker 1>reddish clay, the same type i'd the first set of

1073
01:01:00.920 --> 01:01:04.079
<v Speaker 1>tracks in on the game trail the previous summer. When

1074
01:01:04.079 --> 01:01:08.079
<v Speaker 1>it's wet, which it usually is, it holds impressions beautifully

1075
01:01:08.880 --> 01:01:11.559
<v Speaker 1>pressed into that patch. Centered in the bare ground, like

1076
01:01:11.639 --> 01:01:16.039
<v Speaker 1>it had been placed there intentionally, was a footprint, one

1077
01:01:16.280 --> 01:01:20.920
<v Speaker 1>single alone. It was facing the back door. The toes

1078
01:01:20.960 --> 01:01:24.159
<v Speaker 1>pointed straight at the threshold, which was maybe three feet away.

1079
01:01:24.920 --> 01:01:28.400
<v Speaker 1>The heel was toward the forest. The positioning was so deliberate,

1080
01:01:28.760 --> 01:01:31.440
<v Speaker 1>so perfectly aligned with the door, that it looked like

1081
01:01:31.519 --> 01:01:33.960
<v Speaker 1>someone had stood there facing the cabin and held the

1082
01:01:33.960 --> 01:01:37.280
<v Speaker 1>pose long enough to leave a full weight impression. I

1083
01:01:37.320 --> 01:01:40.800
<v Speaker 1>crouched down and examined it. Then I went inside, got

1084
01:01:40.880 --> 01:01:44.039
<v Speaker 1>my tape measure and the spiral notebook, came back out

1085
01:01:44.360 --> 01:01:48.840
<v Speaker 1>and documented everything. Sixteen and three quarter inches long heel

1086
01:01:48.920 --> 01:01:52.000
<v Speaker 1>to toe, slightly smaller than the tracks I'd found on

1087
01:01:52.039 --> 01:01:54.559
<v Speaker 1>the game trail after the rainstorm in my first summer,

1088
01:01:54.960 --> 01:01:58.519
<v Speaker 1>which had measured seventeen and a quarter I'd wondered about

1089
01:01:58.519 --> 01:02:01.719
<v Speaker 1>that discrepancy, since it could mean the footprints were from

1090
01:02:01.800 --> 01:02:06.639
<v Speaker 1>different individuals, one larger one slightly smaller, or it could

1091
01:02:06.719 --> 01:02:10.119
<v Speaker 1>mean the same individual had been walking differently, striking the

1092
01:02:10.119 --> 01:02:13.559
<v Speaker 1>ground at a different angle, leaving a slightly shorter impression,

1093
01:02:13.599 --> 01:02:17.159
<v Speaker 1>depending on gait and speed and the softness of the substrate,

1094
01:02:18.000 --> 01:02:20.519
<v Speaker 1>I didn't know enough about foot morphology to say which

1095
01:02:20.559 --> 01:02:23.960
<v Speaker 1>explanation was more likely. The width of the ball of

1096
01:02:24.000 --> 01:02:26.440
<v Speaker 1>the foot was about six and a half inches, which

1097
01:02:26.519 --> 01:02:30.079
<v Speaker 1>was also slightly narrower than the game trail prints. The

1098
01:02:30.119 --> 01:02:34.119
<v Speaker 1>toes were clearly defined, five of them, individually, pressed into

1099
01:02:34.119 --> 01:02:38.000
<v Speaker 1>the clay, with visible separation between each one. The big

1100
01:02:38.039 --> 01:02:40.960
<v Speaker 1>toe was offset inward in the same way I'd seen before,

1101
01:02:41.480 --> 01:02:44.679
<v Speaker 1>and the second and third toes were the deepest, suggesting

1102
01:02:44.719 --> 01:02:47.960
<v Speaker 1>they bore the most weight. During the stands, there was

1103
01:02:48.000 --> 01:02:50.960
<v Speaker 1>a defined arch, higher than you'd expect in a flat

1104
01:02:50.960 --> 01:02:54.360
<v Speaker 1>footed animal, and the heel impression was round and deep,

1105
01:02:54.760 --> 01:02:57.000
<v Speaker 1>about an inch and a half at its lowest point.

1106
01:02:57.960 --> 01:03:01.840
<v Speaker 1>That depth told me something in that particular soil, at

1107
01:03:01.920 --> 01:03:05.039
<v Speaker 1>that moisture level. I tested my own weight by standing

1108
01:03:05.119 --> 01:03:07.559
<v Speaker 1>in the same patch and measuring the depth of my

1109
01:03:07.599 --> 01:03:11.559
<v Speaker 1>boot print. My print, at one hundred and ninety pounds,

1110
01:03:11.760 --> 01:03:14.880
<v Speaker 1>went about half an inch into the clay. This print

1111
01:03:14.960 --> 01:03:18.079
<v Speaker 1>was three times deeper, which meant the thing that left

1112
01:03:18.079 --> 01:03:22.880
<v Speaker 1>it was conservatively three times heavier than me five hundred

1113
01:03:22.880 --> 01:03:27.840
<v Speaker 1>pounds maybe more. Standing on one foot motionless at my

1114
01:03:27.920 --> 01:03:32.000
<v Speaker 1>back door, I measured everything twice. I wrote it all down,

1115
01:03:32.480 --> 01:03:35.719
<v Speaker 1>and this time I took photographs. I pulled out my

1116
01:03:35.800 --> 01:03:38.000
<v Speaker 1>phone and shot the print from every angle I could

1117
01:03:38.000 --> 01:03:42.679
<v Speaker 1>think of, directly overhead, from the side, at an oblique

1118
01:03:42.719 --> 01:03:45.760
<v Speaker 1>angle that showed the depth relative to the surrounding soil,

1119
01:03:46.480 --> 01:03:49.440
<v Speaker 1>with the tape measure beside it for scale, with my

1120
01:03:49.519 --> 01:03:51.639
<v Speaker 1>own bootprint next to it for comparison.

1121
01:03:52.559 --> 01:03:55.079
<v Speaker 2>I took seventeen photographs. I still have.

1122
01:03:55.079 --> 01:03:59.599
<v Speaker 1>Every single one one print facing the door, made while

1123
01:03:59.599 --> 01:04:02.039
<v Speaker 1>I was gone on It hadn't tried to get in,

1124
01:04:02.639 --> 01:04:05.599
<v Speaker 1>It hadn't tested the handle or pushed the frame. It

1125
01:04:05.639 --> 01:04:08.159
<v Speaker 1>had walked to my back door, stood there long enough

1126
01:04:08.159 --> 01:04:11.440
<v Speaker 1>to leave a full weight impression in saturated clay, and

1127
01:04:11.480 --> 01:04:15.239
<v Speaker 1>then walked away. I scanned the surrounding ground for a trail,

1128
01:04:15.639 --> 01:04:18.880
<v Speaker 1>additional prints, a direction of approach or departure.

1129
01:04:19.480 --> 01:04:19.840
<v Speaker 2>Nothing.

1130
01:04:20.639 --> 01:04:23.039
<v Speaker 1>The grass around the cabin was thick enough to absorb

1131
01:04:23.079 --> 01:04:27.559
<v Speaker 1>footfalls without recording them. The single print existed in isolation,

1132
01:04:28.159 --> 01:04:30.960
<v Speaker 1>a solitary statement in the only patch of ground soft

1133
01:04:31.039 --> 01:04:34.199
<v Speaker 1>enough to capture it. I crouched beside that print for

1134
01:04:34.280 --> 01:04:37.280
<v Speaker 1>a long time, long enough that Bowie came around the

1135
01:04:37.320 --> 01:04:39.440
<v Speaker 1>corner to check on me and sat down a few

1136
01:04:39.480 --> 01:04:43.199
<v Speaker 1>feet away, watching me look at the ground. He sniffed

1137
01:04:43.199 --> 01:04:46.280
<v Speaker 1>in the direction of the print once briefly, and then

1138
01:04:46.320 --> 01:04:50.519
<v Speaker 1>turned away. Whatever scent was there, he'd already cataloged it.

1139
01:04:51.079 --> 01:04:53.960
<v Speaker 1>He knew what had made it. He just didn't seem surprised.

1140
01:04:54.760 --> 01:04:57.320
<v Speaker 1>And I thought about what Cliff had said, that this

1141
01:04:57.400 --> 01:05:00.719
<v Speaker 1>thing didn't just watch me. It knew me, It knew

1142
01:05:00.760 --> 01:05:03.840
<v Speaker 1>my brother's voice, it knew I'd be gone that morning.

1143
01:05:03.880 --> 01:05:07.559
<v Speaker 1>Walking the back acreage. It knew which door I used most,

1144
01:05:07.880 --> 01:05:10.480
<v Speaker 1>because I used the back door ninety percent of the time,

1145
01:05:10.960 --> 01:05:14.320
<v Speaker 1>coming and going from the workshop, the garden plot, the

1146
01:05:14.360 --> 01:05:17.719
<v Speaker 1>firewood pile. And while I was in the ravine, stumbling

1147
01:05:17.800 --> 01:05:20.119
<v Speaker 1>up a slope in a panic because something was calling

1148
01:05:20.159 --> 01:05:22.599
<v Speaker 1>my name in a voice i'd trusted.

1149
01:05:22.159 --> 01:05:23.199
<v Speaker 2>My entire life.

1150
01:05:23.679 --> 01:05:25.519
<v Speaker 1>The thing or one of the things, had come to

1151
01:05:25.599 --> 01:05:28.480
<v Speaker 1>my cabin, stood at my door and left a single

1152
01:05:28.519 --> 01:05:32.360
<v Speaker 1>calling card in the mud. Not a threat, not a warning,

1153
01:05:32.920 --> 01:05:36.960
<v Speaker 1>a statement, I was here while you were there, and

1154
01:05:37.039 --> 01:05:39.920
<v Speaker 1>the door was this close. I thought about that for

1155
01:05:39.960 --> 01:05:42.639
<v Speaker 1>a long time, about what it meant to stand at

1156
01:05:42.679 --> 01:05:46.039
<v Speaker 1>someone's door while they were away. In the human world,

1157
01:05:46.320 --> 01:05:49.440
<v Speaker 1>that's a message. It's the locked car with a note

1158
01:05:49.440 --> 01:05:52.639
<v Speaker 1>on the windshield, the empty chair pulled out at the

1159
01:05:52.639 --> 01:05:56.800
<v Speaker 1>dinner table, the business card slipped under the door. It says,

1160
01:05:57.480 --> 01:06:00.679
<v Speaker 1>I found you, I know where you live. I chose

1161
01:06:00.719 --> 01:06:04.480
<v Speaker 1>not to go further. It occupies the space between visit

1162
01:06:04.559 --> 01:06:08.719
<v Speaker 1>and violation, and it does so deliberately. Whatever left that

1163
01:06:08.800 --> 01:06:12.400
<v Speaker 1>print understood that space. It understood that the print would

1164
01:06:12.400 --> 01:06:16.239
<v Speaker 1>be found. It understood that I would measure it, photograph it,

1165
01:06:16.559 --> 01:06:20.039
<v Speaker 1>think about it, and it left it anyway, on the

1166
01:06:20.079 --> 01:06:23.000
<v Speaker 1>one surface around the cabin that would hold the impression,

1167
01:06:23.760 --> 01:06:27.039
<v Speaker 1>in the one spot I would check before going inside.

1168
01:06:27.119 --> 01:06:29.119
<v Speaker 1>I covered the print with a piece of plywood and

1169
01:06:29.199 --> 01:06:31.760
<v Speaker 1>left it. I wanted to preserve it in case I

1170
01:06:31.840 --> 01:06:34.480
<v Speaker 1>changed my mind about keeping all of this to myself.

1171
01:06:35.199 --> 01:06:36.800
<v Speaker 1>I checked on it the next morning and it was

1172
01:06:36.840 --> 01:06:39.199
<v Speaker 1>still sharp, still holding its shape.

1173
01:06:39.000 --> 01:06:39.599
<v Speaker 2>Under the wood.

1174
01:06:40.440 --> 01:06:43.880
<v Speaker 1>But two days later, after an afternoon thunderstorm blew through

1175
01:06:43.920 --> 01:06:46.480
<v Speaker 1>and dumped an inch of rain in an hour, I

1176
01:06:46.559 --> 01:06:50.440
<v Speaker 1>lifted the plywood and found the edges softened, the toes blurred,

1177
01:06:50.880 --> 01:06:54.800
<v Speaker 1>the heel shallow and indistinct, another piece of evidence that

1178
01:06:54.840 --> 01:06:57.920
<v Speaker 1>the mountain gave me and then took back. But this

1179
01:06:58.039 --> 01:07:02.239
<v Speaker 1>time I had the photographs, seventeen of them on a

1180
01:07:02.280 --> 01:07:05.320
<v Speaker 1>phone I still own, in a folder I've never deleted.

1181
01:07:06.079 --> 01:07:09.679
<v Speaker 1>That's where I'll leave story three. There's more coming, a

1182
01:07:09.679 --> 01:07:13.400
<v Speaker 1>lot more. The winter tracks, the night the dogs wouldn't

1183
01:07:13.400 --> 01:07:16.320
<v Speaker 1>come back, the woman across the creek who knew things

1184
01:07:16.320 --> 01:07:17.159
<v Speaker 1>she shouldn't have known.

1185
01:07:17.960 --> 01:07:19.280
<v Speaker 2>But those are for another time.

1186
01:07:20.000 --> 01:07:23.199
<v Speaker 1>Right now, I need to stop, because talking about Wade's voice,

1187
01:07:23.679 --> 01:07:27.480
<v Speaker 1>even in writing, brings it all back. And some nights

1188
01:07:27.800 --> 01:07:30.199
<v Speaker 1>when the wind hits the cabin from the east, and

1189
01:07:30.280 --> 01:07:33.280
<v Speaker 1>the trees sound like they're whispering. I can still hear

1190
01:07:33.320 --> 01:07:37.840
<v Speaker 1>it my name in his voice, coming from somewhere I

1191
01:07:37.880 --> 01:07:42.599
<v Speaker 1>can't see Garrett. That was story three from Garrett, and

1192
01:07:42.639 --> 01:07:44.239
<v Speaker 1>I want to take a moment here to talk about

1193
01:07:44.239 --> 01:07:47.039
<v Speaker 1>what he described, because vocal mimicry is one of the

1194
01:07:47.079 --> 01:07:50.480
<v Speaker 1>most controversial and for me, one of the most compelling

1195
01:07:50.519 --> 01:07:54.480
<v Speaker 1>aspects of Sasquatch and counter reports. I've received accounts of

1196
01:07:54.519 --> 01:07:58.039
<v Speaker 1>mimicry from witnesses all over the Appalachian Range and beyond.

1197
01:07:58.840 --> 01:08:01.639
<v Speaker 1>People hearing their spouses voice called them from the woods,

1198
01:08:02.280 --> 01:08:05.199
<v Speaker 1>people hearing a child crying in areas where no children

1199
01:08:05.239 --> 01:08:08.639
<v Speaker 1>should be, people hearing their own name spoken by something

1200
01:08:08.639 --> 01:08:12.199
<v Speaker 1>that sounded like a family member, a coworker, a friend.

1201
01:08:13.119 --> 01:08:16.960
<v Speaker 1>The reports are remarkably consistent in their details. The voice

1202
01:08:17.039 --> 01:08:21.119
<v Speaker 1>is always someone the witness knows intimately, the accuracy is

1203
01:08:21.159 --> 01:08:26.079
<v Speaker 1>always described as uncanny, not approximate, and the apparent purpose

1204
01:08:26.199 --> 01:08:30.039
<v Speaker 1>is always the same to draw the witness closer, to

1205
01:08:30.159 --> 01:08:33.279
<v Speaker 1>lure them off a trail, away from a cabin, into

1206
01:08:33.399 --> 01:08:37.359
<v Speaker 1>terrain where they'd be at a disadvantage. That word lure

1207
01:08:37.720 --> 01:08:40.880
<v Speaker 1>comes up in report after report, and it raises a

1208
01:08:40.920 --> 01:08:44.079
<v Speaker 1>question I don't think we fully reckoned with. If these

1209
01:08:44.119 --> 01:08:47.399
<v Speaker 1>things can replicate a specific human voice, that means they've

1210
01:08:47.439 --> 01:08:50.880
<v Speaker 1>listened to that voice enough to learn its characteristics. That

1211
01:08:51.000 --> 01:08:55.640
<v Speaker 1>means sustained observation, and sustained observation means they're paying attention

1212
01:08:55.760 --> 01:08:59.439
<v Speaker 1>to us in a way that goes far beyond territorial awareness.

1213
01:09:00.079 --> 01:09:04.800
<v Speaker 1>They're studying us, cataloging us, learning the specific sounds that

1214
01:09:04.840 --> 01:09:07.000
<v Speaker 1>would make a specific person drop their guard.

1215
01:09:07.880 --> 01:09:08.960
<v Speaker 2>A few years back.

1216
01:09:08.760 --> 01:09:10.840
<v Speaker 1>I interviewed a hunter who heard wood knocks while he

1217
01:09:10.880 --> 01:09:13.399
<v Speaker 1>was out hunting. He felt drawn to walk in the

1218
01:09:13.439 --> 01:09:16.640
<v Speaker 1>direction of the knox. When he would stop, the knox

1219
01:09:16.680 --> 01:09:19.920
<v Speaker 1>would start again. This went on for almost an hour.

1220
01:09:20.439 --> 01:09:23.119
<v Speaker 1>He ended up face to face with a massive sasquatch.

1221
01:09:23.920 --> 01:09:26.760
<v Speaker 1>It wasn't a voice like Garrett experienced, but the hunter

1222
01:09:26.800 --> 01:09:29.159
<v Speaker 1>felt that the creature was luring him further into the

1223
01:09:29.159 --> 01:09:32.800
<v Speaker 1>woods for what. He's not sure, but he felt that

1224
01:09:32.800 --> 01:09:35.079
<v Speaker 1>if he didn't have the rifle in his hands, he

1225
01:09:35.119 --> 01:09:37.039
<v Speaker 1>may not have made it out to share his encounter

1226
01:09:37.119 --> 01:09:41.079
<v Speaker 1>with me. The disorientation Garrett described is the other piece

1227
01:09:41.079 --> 01:09:44.479
<v Speaker 1>that lines up with a body of existing research. In

1228
01:09:44.560 --> 01:09:47.760
<v Speaker 1>my nearly forty years of looking into this subject, I've

1229
01:09:47.760 --> 01:09:51.359
<v Speaker 1>heard dozens of accounts from experienced outdoorsmen who suddenly couldn't

1230
01:09:51.359 --> 01:09:53.640
<v Speaker 1>find their way on land they knew like the back

1231
01:09:53.680 --> 01:09:57.079
<v Speaker 1>of their hand, always in the context of a close encounter.

1232
01:09:57.840 --> 01:10:02.199
<v Speaker 1>Whether that's infrasound, fear respond or something else entirely, I

1233
01:10:02.199 --> 01:10:05.560
<v Speaker 1>don't claim to know, but the pattern is there, and

1234
01:10:05.600 --> 01:10:08.119
<v Speaker 1>Garrett's description of it, the way he called it e

1235
01:10:08.239 --> 01:10:11.520
<v Speaker 1>rasure rather than confusion, is one of the most precise

1236
01:10:11.640 --> 01:10:15.000
<v Speaker 1>articulations of it I've ever heard. And then there's the

1237
01:10:15.039 --> 01:10:19.479
<v Speaker 1>footprint by the back door, one print facing the threshold,

1238
01:10:20.199 --> 01:10:23.800
<v Speaker 1>made while Garrett was in the ravine hearing his brother's voice.

1239
01:10:23.840 --> 01:10:25.960
<v Speaker 1>That detail landed on me like a weight when I

1240
01:10:25.960 --> 01:10:28.680
<v Speaker 1>first read it, and it hasn't gotten any lighter since.

1241
01:10:29.439 --> 01:10:31.960
<v Speaker 1>Because if you take Garrett at his word, and I do,

1242
01:10:32.680 --> 01:10:35.920
<v Speaker 1>then what happened on October eleventh wasn't just a single encounter.

1243
01:10:36.439 --> 01:10:39.800
<v Speaker 1>It was a coordinated event. Something drew him to the

1244
01:10:39.920 --> 01:10:43.119
<v Speaker 1>ravine with his brother's voice, while something else, or the

1245
01:10:43.159 --> 01:10:46.359
<v Speaker 1>same something at a different time, visited his cabin and

1246
01:10:46.439 --> 01:10:47.239
<v Speaker 1>left a mark.

1247
01:10:47.000 --> 01:10:47.560
<v Speaker 2>At the door.

1248
01:10:48.239 --> 01:10:52.359
<v Speaker 1>That's planning, that's strategy, and that's a level of cognitive

1249
01:10:52.359 --> 01:10:55.239
<v Speaker 1>complexity that should give every one of us something to

1250
01:10:55.239 --> 01:10:58.800
<v Speaker 1>think about. Next time. Garrett's going to tell us about

1251
01:10:58.800 --> 01:11:02.479
<v Speaker 1>story four, the Winter Tracks, what he found in the

1252
01:11:02.479 --> 01:11:06.000
<v Speaker 1>snow around his cabin after a heavy January storm, and

1253
01:11:06.079 --> 01:11:08.600
<v Speaker 1>what those tracks told him about how often the Thing

1254
01:11:08.680 --> 01:11:10.840
<v Speaker 1>on the ridge was visiting when he thought it was gone.

1255
01:11:11.680 --> 01:14:22.039
<v Speaker 1>Stay safe, stay curious, and I'll talk to you next time.

1256
01:12:12.880 --> 01:12:12.920
<v Speaker 1>Di
