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<v Speaker 1>Welcome to Truth Time with doctor Cornell West and Nina Turner.

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<v Speaker 1>Per usual, we kind of all joy and I mean

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<v Speaker 1>all joy, and you are here with us on this

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<v Speaker 1>a day. Today is our teaching, the birthday day where

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<v Speaker 1>we go deep about events or personalities that have shaped, impacted,

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<v Speaker 1>shook up our world. And today we're talking about none

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<v Speaker 1>other than A Jack A. Johnson now john author. Johnson

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<v Speaker 1>was born on March thirty first, eighteen seventy eight, and

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<v Speaker 1>he passed away on June tenth, nineteen forty six. He

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<v Speaker 1>was nicknamed the Galveston Giant. He was an American boxer

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<v Speaker 1>and African American boxer to be specific, who was fighting

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<v Speaker 1>at the height of Jim Crow.

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<v Speaker 2>Who doc he really?

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<v Speaker 1>I mean, he messed up the minds of a whole

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<v Speaker 1>bunch of white folks during that Jim Crow era and

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<v Speaker 1>even beyond. I think even today he would be among

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<v Speaker 1>some of the great twentieth and twenty first century of boxers.

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<v Speaker 1>If he were alive today, he would have given many

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<v Speaker 1>of them a run for his a run for their money.

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<v Speaker 1>So he really became known as the first black man

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<v Speaker 1>to be a heavyweight champion, to really capture the imagination

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<v Speaker 1>more importantly of black people who really saw the battles

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<v Speaker 1>that he was fighting and the matches that he won

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<v Speaker 1>as really the black community overall, winning winning against Jim Crow,

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<v Speaker 1>winning against hatred, winning against bigotry, and to be honestly,

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<v Speaker 1>you know, just winning against white supremacy. So black people

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<v Speaker 1>really internalized Jack Johnson in a way that I don't

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<v Speaker 1>think many understand. He was not just a boxer in

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<v Speaker 1>a ring. He was boxing for the heart, to soul,

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<v Speaker 1>the respect, you know, giving black people something to really

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<v Speaker 1>be proud of in a way to say, we're sticking

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<v Speaker 1>it to the man.

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<v Speaker 3>Quite honestly, no, that's very, very real that.

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<v Speaker 4>Jack Johnson was one of the freest black men in

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<v Speaker 4>the shit of the country. And that freedom when hand

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<v Speaker 4>in hand with a dignity and respect that he was

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<v Speaker 4>fighting for not just on behalf of himself, but on

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<v Speaker 4>behalf of a black folk who terrorized and traumatized. And

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<v Speaker 4>so when he was knocking white brothers out, that was

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<v Speaker 4>a triumph of black dignity and black respect in a

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<v Speaker 4>context because you think of Jim Crow America. The only

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<v Speaker 4>space in America where black people were treated fairly, it

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<v Speaker 4>was the boxing ring.

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<v Speaker 3>But you got one set of rules, you got one referee.

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<v Speaker 4>Everybody can see it because it is a national and

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<v Speaker 4>internet national spectacle. So we finally have an opportunity for

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<v Speaker 4>what tavers of fundamental fairness. And let's see who wins.

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<v Speaker 4>And he knocks out the first Jeffries, then he knocks

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<v Speaker 4>out his brother, Jefferes, and when he knocks out the

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<v Speaker 4>old man Jefferies. In July fourth, nineteen ten, as you know,

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<v Speaker 4>ten black people were killed that night. They were riots

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<v Speaker 4>of the country of white folk just attacking black folk

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<v Speaker 4>because they could take the fact that a black man

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<v Speaker 4>had eaten a white man.

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<v Speaker 3>That's how deep and.

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<v Speaker 4>Sick the white supremacy was then and continues to be

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<v Speaker 4>in various ways. Now, Jack Johnson becomes symbol as well

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<v Speaker 4>as literal figure of dignity, respect and freedom and triumph

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<v Speaker 4>for black folk. And just like then and now, black

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<v Speaker 4>foolk hungry for dignity, hungry for respect, hungry for freedom.

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<v Speaker 1>Yeah, that'sdeed got the hungry for respect, hungry for dignity,

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<v Speaker 1>and hungry for freedom. So let us I want to

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<v Speaker 1>rest a little bit on the race riots. We know

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<v Speaker 1>that the bloody or the red summer, red summer of

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<v Speaker 1>nineteen nineteen or race riots broke out all over the

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<v Speaker 1>country at the hands of white people just randomly attacking

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<v Speaker 1>black people.

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<v Speaker 2>I mean, it was like a disease. It was almost

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<v Speaker 2>like the spreading of the flu or covid or something like.

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<v Speaker 5>It was a plague.

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<v Speaker 2>You know that that and.

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<v Speaker 1>This country does not reckon We have enough that that is.

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<v Speaker 1>That's domestic terrorism for you. I mean that that stuff

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<v Speaker 1>is real. We don't even have to go We should

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<v Speaker 1>always reference child of Slavery always. I really personally don't

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<v Speaker 1>care what anybody has to say it about it. You know,

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<v Speaker 1>I agree with the fact that you know, James Baldwin

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<v Speaker 1>once said, know from whence you came? If you know

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<v Speaker 1>from whence you can it's virtually nowhere that you cannot go.

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<v Speaker 1>And you can't say you love the tree if you

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<v Speaker 1>hate the root. That is our reference point. It's not

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<v Speaker 1>the only reference point in the great magnificence of black people,

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<v Speaker 1>but it is the seminal reference point in terms of

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<v Speaker 1>our souljourn in the United States of America. Now we

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<v Speaker 1>want to go back to the continent, the motherland where

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<v Speaker 1>our ancestors hail from. That's a whole nother glorious story

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<v Speaker 1>which I believe allowed us to bear the burden and

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<v Speaker 1>the beauty of being black, because it is both of

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<v Speaker 1>those things. But make no mistake, white supremacy and just

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<v Speaker 1>the literal deep seated hatred for us generally speaking, is

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<v Speaker 1>attached to that white supremacy and just hatred for no reason.

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<v Speaker 2>So the race riot. So I bring up bread.

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<v Speaker 1>Summer in nineteen nineteen just to remind you people of that,

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<v Speaker 1>and then let's talk about this race riot, the Johnson

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<v Speaker 1>Jefferson Jeffries riot, which I'm sure a lot of people

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<v Speaker 1>don't know about, probably have never heard of. But as

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<v Speaker 1>you laid out, doctor, series of race riots that occurred

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<v Speaker 1>throughout the United States. The African American boxer, the Galveston

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<v Speaker 1>Giant knocked out, defeated James J. Jeffries and a boxing

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<v Speaker 1>match termed the fight of the century. They actually called

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<v Speaker 1>that fight the fight of the century. Wow, that's heavy

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<v Speaker 1>to put all that on one black man.

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<v Speaker 2>When we come forward, we will continue our teach in

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<v Speaker 2>that Thursday.

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<v Speaker 1>Today, doctor West and I are talking about the one

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<v Speaker 1>and only Jack Johnson, the first African American evyweight champion

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<v Speaker 1>of the world, who did his thing at the time

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<v Speaker 1>where wow, it was even more dangerous to do there

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<v Speaker 1>to do something that he did it. Oh when we

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<v Speaker 1>continue here with us today on this teaching Thursday, we

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<v Speaker 1>all know that on Thursdays, doctors and myself we go

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<v Speaker 1>really deep talking about a luminary of people who did

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<v Speaker 1>not liking themselves to be luminaries. Man, they ain't set

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<v Speaker 1>out to be luminaries, but baby, did they shake in

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<v Speaker 1>shape of the world. Or we talk about events, and

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<v Speaker 1>this gives us the opportunity.

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<v Speaker 2>With you to go a little deeper.

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<v Speaker 1>Today we are talking about the heavyweight champion Jack Johnson,

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<v Speaker 1>who fought back boxing matches during the height of Jim Krow.

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<v Speaker 1>He really set this country on fire. And so doctors,

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<v Speaker 1>we as we were now that we've come forward, we

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<v Speaker 1>were talking about those Johnson Jeffreys race riots and the

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<v Speaker 1>fact that this that riot, you know, it was set

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<v Speaker 1>off only because Johnson beat a white man fair and

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<v Speaker 1>square in a boxing match that had rules set up

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<v Speaker 1>and he beat him fair and square and the white

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<v Speaker 1>psyche could not take it.

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<v Speaker 2>And I'm just we wrestled with a lot on this show.

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<v Speaker 1>I'm wrestling with the fact that they got so upset

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<v Speaker 1>that they started rioting by being white people against black people,

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<v Speaker 1>because this black man fair and square. This wasn't no

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<v Speaker 1>street brawl, this was in a boxing ring and he

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<v Speaker 1>beat Jeffrey's fair and square, and that set white people off.

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<v Speaker 1>And not only did it set them off, they felt

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<v Speaker 1>as though, and they acted in this way, that they

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<v Speaker 1>had car Blanche to just randomly start just beating up

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<v Speaker 1>black people so that they felt a sense of entitlement, right,

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<v Speaker 1>that they're always supposed to be on top, that they're

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<v Speaker 1>always supposed to win, so much so that they go

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<v Speaker 1>out and stoke violence against black people.

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<v Speaker 3>That's exactly ray, that's exactly right. I mean the.

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<v Speaker 4>Depth of the hatred rooted in a depth of insecurity.

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<v Speaker 4>I mean there's a story right here in New York,

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<v Speaker 4>right after the white right after the fight, where people

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<v Speaker 4>were looking at black folks, thinking, our hustle, you think

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<v Speaker 4>you're gonna be out.

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<v Speaker 3>Beyond your position?

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<v Speaker 4>Now now that black doubt.

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<v Speaker 3>Old brother Jeffreys.

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<v Speaker 4>And in a way I wouldn't even call it riot.

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<v Speaker 4>It was a massacre of black.

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<v Speaker 2>People, Yeah, be right down, that's really was.

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<v Speaker 3>And it was a massive one, and I mean fascinating

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<v Speaker 3>to me.

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<v Speaker 4>You know, I'm gonna r Lee of course, always viewed

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<v Speaker 4>himself as an extension of Jackson, and so did so

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<v Speaker 4>did Miles Davis.

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<v Speaker 3>You know my great album nineteen seventy one on Jack Johnson.

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<v Speaker 3>He said it's one of his greatest albums.

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<v Speaker 4>That he was a boxer too, but he always felt

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<v Speaker 4>so close to Jack Johnson. When I asked Prince who

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<v Speaker 4>his grand American hero was, he said Jack Johnson. No, well, yeah,

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<v Speaker 4>he said Jack Johnson. This brother's in the most hate

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<v Speaker 4>the history of the country, and he's a free man.

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<v Speaker 4>He does what he wants to do. Of course, he

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<v Speaker 4>got in out of trouble in his personal life, you know,

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<v Speaker 4>messing with the white sisters.

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<v Speaker 3>And of course what did they do.

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<v Speaker 4>They criminalized him, to incarcerated him, to Levin, spent time

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<v Speaker 4>in Leavenworth for doing what well, for being a free man.

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<v Speaker 3>It was like it was unbelievable.

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<v Speaker 4>That level self confidence, that level of willingness to do

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<v Speaker 4>what one wants to do in light of one's conception

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<v Speaker 4>of oneself is something always had a deep appeal to

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<v Speaker 4>the Muhammad Ali's and princes and uh uh uh uh

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<v Speaker 4>and and and and other black men.

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<v Speaker 3>In fact, also Ralph Ellison, Ralph Ellison his hero.

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<v Speaker 4>Oh yeah, and his and his letters with with the

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<v Speaker 4>with the great u uh uh. What's the brother's name,

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<v Speaker 4>the American I can't even remember his name right now.

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<v Speaker 4>But but in their letters they talk about how Jack

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<v Speaker 4>Johnson was their hero.

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<v Speaker 2>Definitely, that's amazing. That yeah, that is something.

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<v Speaker 1>And to hear that Prince, I mean Prince and Jack

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<v Speaker 1>Johnson spoken of in the same voice that or breath, Wow,

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<v Speaker 1>that is amade. I don't know that little muggy is

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<v Speaker 1>gonna have everybody like saying.

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<v Speaker 4>What I'll be murray if anybody murray Ralph Ellison, that

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<v Speaker 4>Jack Johnson is one of the heroes in that in

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<v Speaker 4>the letters and.

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<v Speaker 1>Their letters and did you you know in your conversation

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<v Speaker 1>with the Purple One, did he did.

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<v Speaker 2>He go deeper about it or just kind of put

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<v Speaker 2>it out there?

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<v Speaker 3>Oh?

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<v Speaker 4>No, Shoot, he talked about the books that he read.

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<v Speaker 4>He talked about the inspiration he felt. Anytime he was

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<v Speaker 4>down and out and felt as if he there was

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<v Speaker 4>no way that he could make it, he would go

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<v Speaker 4>back and read about Jack Dohnson and how it was

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<v Speaker 4>that his brother could sustain his sense of self in

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<v Speaker 4>the face of unbelievable attack and assault.

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<v Speaker 3>It's the freedom. And of course in some way, you know,

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<v Speaker 3>the black folk too were very hard on Jack Johnson once.

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<v Speaker 1>Yeah, then Booker T. Washington was one of his biggest critics,

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<v Speaker 1>most well known critics.

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<v Speaker 5>I believe.

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<v Speaker 3>I could.

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<v Speaker 4>I could imagine he looked much too much for Booker T.

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<v Speaker 4>More respectability. You know, I'm not gonna be spending time

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<v Speaker 4>out the club with all this swagger. And of course

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<v Speaker 4>he got his cigar and he got his his new

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<v Speaker 4>car every two weeks. And man, the sad thing is,

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<v Speaker 4>you know, even when he did get married to the

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<v Speaker 4>white sister, she committed suicide because it was too much pressure.

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<v Speaker 4>Her family turned, yeah, turned the owner. And he wasn't

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<v Speaker 4>acting right all the time either, but it was he

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<v Speaker 4>really had a heavy, heavy, heavy birden even though he

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<v Speaker 4>was making a lot, making the whole.

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<v Speaker 2>Yeah, I'm still to endure.

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<v Speaker 3>In the white box.

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<v Speaker 4>When he was down in Australia and beat Tommy Burns

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<v Speaker 4>the first time he became champion. Tommy Burns got thirty thousand,

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<v Speaker 4>he got five thousand. He's still making less money, but

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<v Speaker 4>it was making a lot of money for that average

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<v Speaker 4>person was making about eight hundred dollars a year. But

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<v Speaker 4>still he get five thousand, and the white cat ten

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<v Speaker 4>thirty thousand, and he's supposed to be satisfied and have

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<v Speaker 4>with his position, and he's.

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<v Speaker 1>The champ, right, So they paid Jack Johnson the champ,

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<v Speaker 1>the heavyweight champion of the world, of the United States,

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<v Speaker 1>of the world and the world. And he gets five thousand,

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<v Speaker 1>and then his white probalyague term loosely received thirty thousand.

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<v Speaker 1>I mean, doct that is a micro column of how

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<v Speaker 1>black people are treated in this society, continue to get

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<v Speaker 1>less compared to their white counterparts. That is happening today

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<v Speaker 1>in the twenty first century. Quite telling the pattern of

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<v Speaker 1>white supremacy. We can predict the pattern. It's the same

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<v Speaker 1>pattern decade after decade, century after century, year after year.

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<v Speaker 1>Is the same pattern. So Jack Johnson, so the white

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<v Speaker 1>community of that time. So he won the championship in

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<v Speaker 1>nineteen oh nine, I believe, I think I'm right about that.

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<v Speaker 1>But the early nineteen hundreds he wins his champion was

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<v Speaker 1>it was nineteen oh eight, was it nineteen oh eight?

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<v Speaker 1>Nineteen oh eight, he wins the championship, right.

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<v Speaker 4>I thought, okay, six nineteen oh eight, nineteen oh eight.

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<v Speaker 1>White people lose their mind, even though he's in the

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<v Speaker 1>boxing ring, fighting fair and square.

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<v Speaker 2>They lost their mind. So massacre and all that kind

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<v Speaker 2>of stuff.

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<v Speaker 1>Because Jeffries was considered what the Great White Hope or

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<v Speaker 1>something like that.

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<v Speaker 3>That's eight.

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<v Speaker 4>They convinced Jefferies to come out of retirement and not

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<v Speaker 4>yet Negro, to reaffirm their sense of white supremacy. He

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<v Speaker 4>goes back into training, gets into the ring July fourth,

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<v Speaker 4>nineteen ten, and this Great White Hope. And remember remember

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<v Speaker 4>the play, and I think they made a movie out

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<v Speaker 4>of it too.

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<v Speaker 2>They did. I thought it was called Yeah, Yes, was

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<v Speaker 2>Samuel Ellen that doc. I don't know why I see

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<v Speaker 2>Samuel Ol in my mind for that movie.

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<v Speaker 4>Don't remember. That's a good question. Jones was the main character,

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<v Speaker 4>well he played okay Johnson.

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<v Speaker 1>Okay, yeah, maybe I'm mixing up movies on that one.

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<v Speaker 1>But yeah, So the white society goes crazy and they

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<v Speaker 1>want to punish random black people and rain or terror

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<v Speaker 1>as you said. So Jack Johnson, being the free black

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<v Speaker 1>man that he was, decided that you know, hey, any

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<v Speaker 1>woman from any background.

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<v Speaker 3>That's true, that's true.

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<v Speaker 2>Willing and Abel, you know, I might rock that way.

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<v Speaker 6>And he didn't rock that way, committing the ultimate and

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<v Speaker 6>I mean the ultimate transgression against white men.

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<v Speaker 3>This is exactly.

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<v Speaker 2>That is still true today.

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<v Speaker 1>I want to recommend our audience reads a doctor Francis Crest. Uh.

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<v Speaker 1>Oh my god, welles and yes, thank you, DoD, Oh

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<v Speaker 1>my god.

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<v Speaker 2>The book the book.

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<v Speaker 1>Uh, I have lost the book, doc, but she wrote

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<v Speaker 1>a magnificent book and I'm gonna look it up about

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<v Speaker 1>the white psychology and uh and and and and and

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<v Speaker 1>and black maleness and how in the white man's psyche

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<v Speaker 1>he can never ever get over the attributes of black men.

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<v Speaker 1>And the audience know who I'm going for. So it's

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<v Speaker 1>always that fight. That is why when black men were

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<v Speaker 1>lynched by and large, they were castrated at the same time.

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<v Speaker 1>That is, and Francis quest well, then she welles ling,

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<v Speaker 1>she goes deep into the psychology of that that is

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<v Speaker 1>still very much in the white psyche to this very day.

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<v Speaker 1>So they go after Jack Johnson because he created the

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<v Speaker 1>ultimate sin was to be in relationship with a white woman.

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<v Speaker 1>Notwithstanding they can rape black women at will, they did

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<v Speaker 1>rape a black woman, particularly during enslavement. Black women were

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<v Speaker 1>always vulnerable, their daughters, their granddaughters, their nieces, always vulnerable.

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<v Speaker 2>We don't talk a lot.

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<v Speaker 1>About the sexual exploitation of black men. Black men were

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<v Speaker 1>sexually exploited too, because they had absolutely.

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<v Speaker 2>No control male or female or person.

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<v Speaker 1>Black persons had no control over their bodies whatsoever. So

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<v Speaker 1>you got the physical abuse, the raw physical abuse in

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<v Speaker 1>that you're working them hard and killing them off, working

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<v Speaker 1>them hard, killing them off, working them or killing them off.

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<v Speaker 1>So you got that kind of physical you got that

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<v Speaker 1>physical you got the psychological abuse, and then you got

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<v Speaker 1>the sexual abuse black men and black women. And because

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<v Speaker 1>of the kind of male psyche of.

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<v Speaker 2>Not really talking about it in this country, we don't.

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<v Speaker 1>Talk about that a lot about how black men are violated.

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<v Speaker 1>They have been violated, they continue to be violated. They

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<v Speaker 1>were really violated during that time, black women especially, so

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<v Speaker 1>so I'm thinking, Doc, you know, is it that guilt

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<v Speaker 1>that drives them crazy. I mean, they put they put

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<v Speaker 1>white women on a pedestal, and they a lot of

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<v Speaker 1>the lynchings, A lot of excuses for the lynchions was

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00:19:43.039 --> 00:19:46.519
<v Speaker 1>they made black men to be out to be stark, raving,

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<v Speaker 1>that sexual beast and I'm using exact words, and so

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<v Speaker 1>they violated the precious.

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<v Speaker 2>Womanhood of white women. Meanwhile, it is white men.

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<v Speaker 1>Who were doing what they claimed that black men were doing,

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<v Speaker 1>the wonderful, truly magnificent. I'd have be well. Did all

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00:20:10.759 --> 00:20:14.200
<v Speaker 1>our research on this, and most of the time it

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<v Speaker 1>had nothing to do with black men raping white women

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<v Speaker 1>and had everything to do with black men and black

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<v Speaker 1>people being successful and uppity and getting out of their station.

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<v Speaker 2>As to why they would lynched them. But they lynched

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<v Speaker 2>and castrated them.

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<v Speaker 3>Don oh, lord lord.

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<v Speaker 2>Almost every time they sold.

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<v Speaker 4>Their parts, they sold their parts, and the private parts

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<v Speaker 4>were the parts that they gained most money.

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<v Speaker 3>They profited most from that.

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<v Speaker 4>One the boys about Sam Holes when he's walking down

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<v Speaker 4>the street and they see Sam Holes's knuckles are being

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<v Speaker 4>told and does his research and he sees, of course

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<v Speaker 4>that the private parts are the parts that made the

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00:21:00.599 --> 00:21:04.079
<v Speaker 4>most money of And it was a public spectacle. Over

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00:21:04.160 --> 00:21:07.440
<v Speaker 4>fifteen thousand and sick folks were out there to watch

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<v Speaker 4>the lynching as they then cut up his body and

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<v Speaker 4>sold various parts of his body. And that kind of

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<v Speaker 4>thing was not abnormal. See we're talking about levels of

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<v Speaker 4>sickness here and levels of pathology.

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<v Speaker 3>The great E.

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<v Speaker 4>Franklin Fraser wrote an essay called white supremacy as Social

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<v Speaker 4>Pathology came out in nineteen twenty seven. They ran him

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<v Speaker 4>out of town. It was in Atlanta, Atlanta University. Came

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00:21:37.480 --> 00:21:39.799
<v Speaker 4>out and they ran him out of town. This is

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<v Speaker 4>in an academic journal, and they lynching folk. And he

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<v Speaker 4>just calls it pathology and can tell the truth that

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<v Speaker 4>he's the one to get run.

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<v Speaker 3>Out of town. See, this is.

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<v Speaker 4>Part of the scope and breadth of the sickness and pathology.

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<v Speaker 4>And somebody got to tell about it. Somebody got to

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<v Speaker 4>be candid about it. Somebody got to be courageous enough

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<v Speaker 4>to say, this is beyond sickness, y'all.

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<v Speaker 2>And and this is probably some of the reasons.

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<v Speaker 1>I mean, we could fast forward to today, the twenty

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<v Speaker 1>first century real quick, because we go in and out

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<v Speaker 1>of history because we want people to understand the relevance.

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<v Speaker 1>If you want to understand why the criminal, the legal

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00:22:18.799 --> 00:22:22.240
<v Speaker 1>system treats black people differently, all we got to do

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<v Speaker 1>is go back to the root. You know, all of

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<v Speaker 1>these things are not happening in isolation. And that's what

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00:22:28.440 --> 00:22:33.960
<v Speaker 1>we need people to know. Is connected, all intricately connected, unfortunately,

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<v Speaker 1>So it is a pathology. It is a sickness. You know,

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<v Speaker 1>even when black people were being lynched I mean they

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<v Speaker 1>would bring out the whole community then and take pictures

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<v Speaker 1>and take the photograph.

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<v Speaker 2>They were posed with the bodies. They would even have

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<v Speaker 2>their babies out there, Doc, they have their little kids

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<v Speaker 2>out there. Oh pose. It was like a community gathering.

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<v Speaker 3>Oh yeah, the picture.

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<v Speaker 2>That's just you know, when we come forward.

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<v Speaker 1>When we come forward, we will continue this conversation. This

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00:23:04.359 --> 00:23:07.759
<v Speaker 1>discussion is teaching really about the great the first black

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<v Speaker 1>heavyweight champion of the world, the one and only Jack Johnson.

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<v Speaker 1>He was heavyweight champion from nineteen oh eight to nineteen fifteen.

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<v Speaker 1>He gave black people so much pride, and he shook

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<v Speaker 1>the world.

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<v Speaker 2>Yes he did. When we continue, we are so.

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<v Speaker 1>Happy that you've come forward with us on this teach Thursday.

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<v Speaker 2>Doc, and I got a lot of stuff going on.

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<v Speaker 1>But the most important thing is we are here to

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<v Speaker 1>lift up the life, the legacy, the incredible sacrifice in

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<v Speaker 1>the personage of the one and only Nina some moan.

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<v Speaker 1>She really was all of.

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<v Speaker 5>That, you know, Doc.

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<v Speaker 1>For a brief time, she started teaching music to survive,

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00:23:49.240 --> 00:23:54.039
<v Speaker 1>you know, to make money before you know, I don't

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00:23:54.079 --> 00:23:56.319
<v Speaker 1>know if it quite was it before she started doing

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00:23:56.359 --> 00:23:58.440
<v Speaker 1>the club work, but she taught for a while, she

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00:23:58.519 --> 00:23:59.720
<v Speaker 1>gave lessons to people.

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<v Speaker 4>Oh okay, yeah, yeah, yoh no, yeah, I'm not either.

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<v Speaker 1>I mean just anybody that actually got trained by Nina Simone. God, God,

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00:24:12.839 --> 00:24:15.720
<v Speaker 1>bless you so much talking about her. She was born

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00:24:15.720 --> 00:24:20.519
<v Speaker 1>in North Carolina on February twenty first, nineteen thirty three.

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00:24:20.880 --> 00:24:23.680
<v Speaker 1>Nina Simone passed away in two thousand and three. But

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00:24:23.799 --> 00:24:26.960
<v Speaker 1>that dash, that dash made all the difference. So yeah,

400
00:24:27.160 --> 00:24:30.000
<v Speaker 1>according to the Sight, again please encouraging you to go

401
00:24:30.039 --> 00:24:32.480
<v Speaker 1>to Nina Simone dot com. They've done a wonderful job

402
00:24:32.920 --> 00:24:36.240
<v Speaker 1>in trying to capture her life. One of the quotes,

403
00:24:36.319 --> 00:24:39.400
<v Speaker 1>this is the world you have made for yourself. Now

404
00:24:39.440 --> 00:24:42.720
<v Speaker 1>you have to live in it. She was just unapologetically

405
00:24:42.799 --> 00:24:45.279
<v Speaker 1>her doc and I love that about her.

406
00:24:45.319 --> 00:24:47.359
<v Speaker 2>She was a I'm an introvert.

407
00:24:47.440 --> 00:24:51.359
<v Speaker 1>She was the opposite of me, and so I take

408
00:24:51.480 --> 00:24:54.039
<v Speaker 1>great pride in looking at her and listening to her

409
00:24:54.079 --> 00:24:57.200
<v Speaker 1>and her boldness. And in some ways, you know, when

410
00:24:57.240 --> 00:24:59.519
<v Speaker 1>I'm on my assignment in terms of fighting for people,

411
00:25:00.000 --> 00:25:01.960
<v Speaker 1>I think my boldness comes out in that way.

412
00:25:01.960 --> 00:25:03.119
<v Speaker 5>But I'm really an introvert.

413
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<v Speaker 4>But I think you all are very very mild because

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<v Speaker 4>I think so, yes, very much so, because when I

415
00:25:10.720 --> 00:25:13.400
<v Speaker 4>was walking with her, you could tell that she was

416
00:25:13.599 --> 00:25:18.799
<v Speaker 4>very introverted. She was inside of her world, and she

417
00:25:18.920 --> 00:25:23.599
<v Speaker 4>was really in many ways at ease by being in

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00:25:23.640 --> 00:25:27.559
<v Speaker 4>her world. But when I'm alone, and of course they

419
00:25:27.640 --> 00:25:31.799
<v Speaker 4>recognized she was very extroverted, so she was able to

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00:25:31.839 --> 00:25:36.079
<v Speaker 4>shift smoothly from intro extrovertin.

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<v Speaker 2>Yeah, I guess I shift too, absolutely.

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<v Speaker 1>Yeah, so going back, so they said. To survive, she

423
00:25:47.160 --> 00:25:50.680
<v Speaker 1>began teaching music to local students. One faithful day in

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<v Speaker 1>nineteen fifty four, looking to supplement her income, Unice Aka

425
00:25:57.440 --> 00:26:01.240
<v Speaker 1>needed some own audition to play piano at the Midtown

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00:26:01.359 --> 00:26:06.000
<v Speaker 1>Bar and Grill on Pacific Avenue in Atlantic City, New Jersey.

427
00:26:06.359 --> 00:26:09.519
<v Speaker 1>The owner informed her that not only would she be

428
00:26:09.720 --> 00:26:14.200
<v Speaker 1>hired to play, but she was also required to sing.

429
00:26:14.920 --> 00:26:18.279
<v Speaker 1>Despite her dreams and plans to become the first black

430
00:26:18.359 --> 00:26:25.440
<v Speaker 1>female classical pianist, Unie Aka Needa Small needed the income

431
00:26:25.480 --> 00:26:29.440
<v Speaker 1>and accepted the job. Doc the universe has a way

432
00:26:31.000 --> 00:26:34.200
<v Speaker 1>of making a way for you that you did not see.

433
00:26:34.880 --> 00:26:35.799
<v Speaker 3>Is it that something?

434
00:26:35.799 --> 00:26:41.160
<v Speaker 4>Because she specialized in bach as a class, Yes it was.

435
00:26:41.200 --> 00:26:45.759
<v Speaker 4>She was a major and grand player of box music.

436
00:26:45.920 --> 00:26:50.839
<v Speaker 4>And she shifts right there in Atlantic City and starts

437
00:26:50.839 --> 00:26:53.799
<v Speaker 4>playing jazz and blues, and then she thought she was

438
00:26:53.880 --> 00:26:56.599
<v Speaker 4>just gonna play. They said, no, you got to sing. Well,

439
00:26:56.680 --> 00:26:58.880
<v Speaker 4>let's get in a compliment. Now you got to company

440
00:26:58.920 --> 00:27:03.240
<v Speaker 4>your sin and she starts singing to her own music.

441
00:27:03.279 --> 00:27:04.720
<v Speaker 4>Next thing, you know, I love.

442
00:27:04.599 --> 00:27:08.160
<v Speaker 3>You Porkyo, yeah.

443
00:27:07.799 --> 00:27:12.119
<v Speaker 4>Budge Gershwin classic, that thing hit and it's at the

444
00:27:12.160 --> 00:27:14.880
<v Speaker 4>top of the list, and everybody thinking, like dang.

445
00:27:14.640 --> 00:27:15.720
<v Speaker 3>Who is his sister?

446
00:27:16.640 --> 00:27:21.880
<v Speaker 4>Sure Gershwin like this, Well, she's classically trained but playing

447
00:27:22.160 --> 00:27:22.480
<v Speaker 4>on the.

448
00:27:24.240 --> 00:27:30.000
<v Speaker 3>Strip in the casino, the casino bar in atlet.

449
00:27:31.240 --> 00:27:33.880
<v Speaker 1>And I mean again, her gifts made room for her,

450
00:27:33.960 --> 00:27:37.240
<v Speaker 1>so it spread. The words spread about this new pianist,

451
00:27:37.319 --> 00:27:41.440
<v Speaker 1>this new and unique style who was dripping through the

452
00:27:41.480 --> 00:27:44.240
<v Speaker 1>song books of Gershwin as you named out.

453
00:27:44.240 --> 00:27:46.079
<v Speaker 5>So they land it all out doctors.

454
00:27:45.799 --> 00:27:49.200
<v Speaker 1>As you are, and her gifts made room for her.

455
00:27:49.519 --> 00:27:52.119
<v Speaker 1>At the age of twenty four, Nina came to the

456
00:27:52.119 --> 00:27:56.440
<v Speaker 1>attention of the record industry after submitting a demo of

457
00:27:56.519 --> 00:27:59.720
<v Speaker 1>songs she had recorded doing a performance in New.

458
00:27:59.519 --> 00:28:00.559
<v Speaker 2>Hope, Sabinia.

459
00:28:01.240 --> 00:28:04.640
<v Speaker 1>She was signed by Sid Nathan, owner of the Ohio

460
00:28:04.759 --> 00:28:09.440
<v Speaker 1>based King Records, home to James Brown, God doc take

461
00:28:09.519 --> 00:28:11.279
<v Speaker 1>it from There, Take it from there.

462
00:28:15.440 --> 00:28:19.559
<v Speaker 4>Oh no, well that's what Bootsie the great Bouchie College,

463
00:28:19.599 --> 00:28:23.480
<v Speaker 4>another giant and genius and his brother catch that's what

464
00:28:23.599 --> 00:28:27.359
<v Speaker 4>they They met James Brown there at King's Studio.

465
00:28:29.000 --> 00:28:32.839
<v Speaker 1>Absolutely yeah, that part right there and then and so

466
00:28:32.960 --> 00:28:36.279
<v Speaker 1>I take a pride that Ohio has some had dipped

467
00:28:36.279 --> 00:28:37.640
<v Speaker 1>into this as well.

468
00:28:37.960 --> 00:28:38.880
<v Speaker 5>And then they go on.

469
00:28:38.880 --> 00:28:43.640
<v Speaker 1>One of Nina's stated musical influences was, and this probably

470
00:28:43.640 --> 00:28:47.680
<v Speaker 1>will not surprise our audience much Billy Holiday.

471
00:28:48.359 --> 00:28:56.000
<v Speaker 4>Yes, yes, yes, m one listening to another. One giant

472
00:28:57.359 --> 00:28:58.519
<v Speaker 4>listening to another.

473
00:28:59.359 --> 00:29:01.480
<v Speaker 2>Come on, come on with it, Come on with it.

474
00:29:01.880 --> 00:29:05.200
<v Speaker 1>One of nina stated musical influences, Billy Holliday and her

475
00:29:05.279 --> 00:29:09.400
<v Speaker 1>inspired reading of Porky from Porky and Bess heralded the

476
00:29:09.720 --> 00:29:13.400
<v Speaker 1>arrival of a new talent on the national scene. At

477
00:29:13.400 --> 00:29:16.839
<v Speaker 1>the same time mamm at thirteen Hour Session in nineteen

478
00:29:16.920 --> 00:29:20.880
<v Speaker 1>fifty seven, recorded in New York City, Nina also cut

479
00:29:21.160 --> 00:29:25.880
<v Speaker 1>My Baby Just Cares for Me, previously recorded by that

480
00:29:26.240 --> 00:29:29.119
<v Speaker 1>great great soloist.

481
00:29:30.519 --> 00:29:31.680
<v Speaker 5>Nat King, Cole.

482
00:29:33.400 --> 00:29:36.400
<v Speaker 2>Whooa, Count Basie, and Woody Herman.

483
00:29:36.839 --> 00:29:40.240
<v Speaker 1>The song was used by Channel in a perf or

484
00:29:40.240 --> 00:29:43.920
<v Speaker 1>Excuse Me by Chanell in a perfume commercial in Europe

485
00:29:44.359 --> 00:29:47.640
<v Speaker 1>in the nineteen eighties and it became a massive hit

486
00:29:47.720 --> 00:29:51.599
<v Speaker 1>for Nina, a British chart topper at number five and

487
00:29:51.720 --> 00:29:53.319
<v Speaker 1>thus a staple.

488
00:29:53.000 --> 00:29:56.160
<v Speaker 5>Of her repertoire for the rest of her career.

489
00:29:56.559 --> 00:30:00.599
<v Speaker 1>Doc you talking about being able to morph and move

490
00:30:00.680 --> 00:30:02.720
<v Speaker 1>them gifts anywhere that they were needed.

491
00:30:02.720 --> 00:30:06.880
<v Speaker 4>That's Nina Simon, That's Nina Simon, I'm telling you. But

492
00:30:07.039 --> 00:30:14.000
<v Speaker 4>her genius had a versatility. Yeah, she could move, she

493
00:30:14.079 --> 00:30:18.920
<v Speaker 4>could improvise, take it to the highest level, shift when

494
00:30:18.960 --> 00:30:23.480
<v Speaker 4>she wanted to. But the bob always was she was

495
00:30:23.759 --> 00:30:27.000
<v Speaker 4>always ever herself.

496
00:30:27.839 --> 00:30:30.839
<v Speaker 1>And that's really what I admire the most about her.

497
00:30:30.960 --> 00:30:33.359
<v Speaker 1>I mean, you and I have definitely talked about colorism

498
00:30:33.359 --> 00:30:35.000
<v Speaker 1>from time to time and we will continue to talk

499
00:30:35.000 --> 00:30:39.039
<v Speaker 1>about it. It is part of anti blackness. And to

500
00:30:39.119 --> 00:30:41.119
<v Speaker 1>see this chocolate beauty.

501
00:30:41.359 --> 00:30:43.799
<v Speaker 5>Oh, in all of her glory.

502
00:30:43.319 --> 00:30:47.000
<v Speaker 1>And people would just look upon that beauty of hers.

503
00:30:47.400 --> 00:30:51.200
<v Speaker 1>But for her to own her beauty knowing that she

504
00:30:51.359 --> 00:30:56.119
<v Speaker 1>was impacted by colorism as well. But she just had

505
00:30:56.119 --> 00:31:00.599
<v Speaker 1>a boldness and a confidence about her that I'm act

506
00:31:01.039 --> 00:31:01.720
<v Speaker 1>I really do.

507
00:31:02.839 --> 00:31:08.160
<v Speaker 4>Oh, But she she had that confidence, she had a determination,

508
00:31:08.440 --> 00:31:11.400
<v Speaker 4>she had a genius, she had a beauty, she had

509
00:31:11.440 --> 00:31:18.680
<v Speaker 4>a beauty outside external term in terms, she handled herself

510
00:31:19.079 --> 00:31:22.720
<v Speaker 4>and she's on the inside. All you had to do

511
00:31:22.839 --> 00:31:26.799
<v Speaker 4>was just talk to her, and you knew you was

512
00:31:26.920 --> 00:31:33.039
<v Speaker 4>talking to somebody who has spirit and a special annoying man.

513
00:31:34.079 --> 00:31:37.480
<v Speaker 2>Yes, yes, yes, yes, I mean she moves like liquid

514
00:31:37.519 --> 00:31:37.759
<v Speaker 2>to me.

515
00:31:37.839 --> 00:31:39.720
<v Speaker 1>I don't know, that's just coming to mind. I mean

516
00:31:39.759 --> 00:31:44.119
<v Speaker 1>she was ooh, we she was very necessary, like water

517
00:31:44.240 --> 00:31:46.839
<v Speaker 1>is necessary. We can't live like with our water, air

518
00:31:47.240 --> 00:31:51.200
<v Speaker 1>and food. Oh my Nina, so my home was necessary

519
00:31:51.400 --> 00:31:52.920
<v Speaker 1>to come into this world.

520
00:31:52.960 --> 00:31:55.920
<v Speaker 2>And do all that she has done.

521
00:31:56.039 --> 00:31:58.519
<v Speaker 1>And we're still talking about her to this day, and

522
00:31:58.559 --> 00:32:01.359
<v Speaker 1>we will be talking about her for many generations to come.

523
00:32:01.599 --> 00:32:04.400
<v Speaker 1>You're listening to Truth Time with doctor Cornell West and

524
00:32:04.480 --> 00:32:07.920
<v Speaker 1>Nina Turner on our fantastic, if I must say so

525
00:32:08.039 --> 00:32:13.759
<v Speaker 1>myself teaching Thursday, lifting up the life, the incredible life

526
00:32:13.920 --> 00:32:15.279
<v Speaker 1>of Nina Samon.

527
00:32:15.720 --> 00:32:18.640
<v Speaker 5>When we come forward, we will continue this conversation.

528
00:32:18.839 --> 00:32:21.640
<v Speaker 1>Well, thank you all so much for joining us today

529
00:32:21.680 --> 00:32:24.599
<v Speaker 1>on our teaching Thursday with doctor West and myself, we

530
00:32:24.680 --> 00:32:28.920
<v Speaker 1>go deep with either issues or personalities. Today we're talking

531
00:32:28.920 --> 00:32:33.400
<v Speaker 1>about Nina Samon, the great classical pianists, the singer, the

532
00:32:33.400 --> 00:32:37.039
<v Speaker 1>civil rights activists, just pure liquid cool.

533
00:32:36.839 --> 00:32:37.880
<v Speaker 5>That was Nina Samon.

534
00:32:38.000 --> 00:32:41.279
<v Speaker 1>Her very existence made a statement, a statement of liberation,

535
00:32:41.359 --> 00:32:43.599
<v Speaker 1>a statement of power. And she is one of those

536
00:32:43.720 --> 00:32:49.319
<v Speaker 1>very rare celebrities that was unafraid to use her celebrity

537
00:32:49.359 --> 00:32:52.720
<v Speaker 1>to use her power to indict this nation and also

538
00:32:52.799 --> 00:32:55.599
<v Speaker 1>to lift up the black community in particular.

539
00:32:55.880 --> 00:32:59.000
<v Speaker 5>People loved her all over the world.

540
00:32:58.599 --> 00:33:01.759
<v Speaker 1>Because she's the one and only Nina Some Mom, Doc,

541
00:33:02.160 --> 00:33:04.160
<v Speaker 1>What do you what are some of your thoughts about

542
00:33:04.880 --> 00:33:07.440
<v Speaker 1>what she was willing to sacrifice and what that means

543
00:33:07.480 --> 00:33:09.279
<v Speaker 1>for each and every one of us today. I mean,

544
00:33:09.319 --> 00:33:12.160
<v Speaker 1>you don't have to have a fancy title to be

545
00:33:12.200 --> 00:33:13.400
<v Speaker 1>able to make sacrifices.

546
00:33:13.400 --> 00:33:13.759
<v Speaker 5>Everyday.

547
00:33:13.759 --> 00:33:16.880
<v Speaker 1>People make sacrifices for justice all the time. But when

548
00:33:16.920 --> 00:33:23.519
<v Speaker 1>you do have the extraordinary gift the international renowned it's

549
00:33:23.559 --> 00:33:26.240
<v Speaker 1>a Nina some Mom. But yet it was all in

550
00:33:26.279 --> 00:33:29.920
<v Speaker 1>her and through her to stand up, through her songs,

551
00:33:30.119 --> 00:33:32.839
<v Speaker 1>through the words that she would say for her people.

552
00:33:33.960 --> 00:33:38.039
<v Speaker 1>That's that's incredible. It was incredible then, it's incredible today.

553
00:33:38.359 --> 00:33:40.279
<v Speaker 1>But what do you think that her what is hurt

554
00:33:40.319 --> 00:33:42.559
<v Speaker 1>the message of her life to the rest of us.

555
00:33:43.720 --> 00:33:46.720
<v Speaker 4>I think it is is that when you are a

556
00:33:47.039 --> 00:33:53.279
<v Speaker 4>genuine truth seeker and truth teller and justice motor that

557
00:33:53.400 --> 00:33:58.559
<v Speaker 4>you will bad tremendous burdens and have to pay major costs.

558
00:33:58.920 --> 00:34:02.759
<v Speaker 4>And in her life, her personal life, her political life,

559
00:34:02.799 --> 00:34:04.839
<v Speaker 4>her social life, in many ways.

560
00:34:04.920 --> 00:34:05.680
<v Speaker 3>You know, she was.

561
00:34:05.640 --> 00:34:09.000
<v Speaker 4>Chased out of the United States and ended up spending

562
00:34:09.719 --> 00:34:17.119
<v Speaker 4>many many years in Africa, many years Europe, and she persisted.

563
00:34:17.159 --> 00:34:18.000
<v Speaker 3>Now, it was tough.

564
00:34:18.119 --> 00:34:20.280
<v Speaker 4>It was up and down, and of course you know

565
00:34:20.320 --> 00:34:23.760
<v Speaker 4>the troubles and challenges she had with her precious daughter,

566
00:34:23.800 --> 00:34:27.960
<v Speaker 4>who was the god it was Lorraine Hansbury. It was

567
00:34:28.000 --> 00:34:30.920
<v Speaker 4>a very very difficult one and it was hard to

568
00:34:30.960 --> 00:34:34.559
<v Speaker 4>get the kind of companion that she really deserved. That

569
00:34:34.719 --> 00:34:39.280
<v Speaker 4>was a whole another thing. That's another major cost. That

570
00:34:41.000 --> 00:34:43.679
<v Speaker 4>it was true to herself. She was true to her music.

571
00:34:44.320 --> 00:34:47.480
<v Speaker 4>And I'm just trying to think of somebody today who

572
00:34:47.559 --> 00:34:50.920
<v Speaker 4>was part of her legacy in an exemplary manner.

573
00:34:52.119 --> 00:34:54.199
<v Speaker 3>Uh I tell.

574
00:34:54.000 --> 00:34:55.840
<v Speaker 4>You Eric about it. It was the only one that

575
00:34:55.960 --> 00:35:02.480
<v Speaker 4>comes to mind. And she in her own distinctively Dallas,

576
00:35:02.559 --> 00:35:03.360
<v Speaker 4>Texas way.

577
00:35:04.239 --> 00:35:06.119
<v Speaker 3>Yeah, genius.

578
00:35:06.239 --> 00:35:10.079
<v Speaker 4>Now you notice that when Beyonce made her documentary, she

579
00:35:10.199 --> 00:35:14.119
<v Speaker 4>made that big tribute to Nina Simone. Yeah, beautiful.

580
00:35:14.159 --> 00:35:15.239
<v Speaker 3>I'm so glad she did.

581
00:35:15.760 --> 00:35:19.159
<v Speaker 4>But being on to first one to say, even giving

582
00:35:19.159 --> 00:35:23.880
<v Speaker 4>her genius and being a giant, that Nina is in

583
00:35:23.960 --> 00:35:26.400
<v Speaker 4>a whole different league when it comes to.

584
00:35:27.880 --> 00:35:29.119
<v Speaker 3>A sacrifice.

585
00:35:30.000 --> 00:35:32.719
<v Speaker 1>Yeah, and she always I mean she always will be.

586
00:35:32.920 --> 00:35:37.280
<v Speaker 1>But she left tremendous footprints for people to be able

587
00:35:37.320 --> 00:35:43.320
<v Speaker 1>to trace. Rule Truth Time Teaching Thursday with doctor Cornell

588
00:35:43.320 --> 00:35:46.920
<v Speaker 1>Weston Nina Turner just amazing, lifting up the life and

589
00:35:46.960 --> 00:35:49.800
<v Speaker 1>the legacy and telling stories that you can only hear

590
00:35:50.480 --> 00:35:53.519
<v Speaker 1>here here on KBLA Talk fifteen eighty.

591
00:35:54.119 --> 00:35:56.079
<v Speaker 5>Doctor west fhaired his airport story.

592
00:35:56.360 --> 00:35:59.239
<v Speaker 1>If you missed it, baby, you want to go back

593
00:35:59.280 --> 00:36:01.760
<v Speaker 1>and check that out, make sure you download the app.

594
00:36:02.280 --> 00:36:04.159
<v Speaker 5>This is truth Time when we come.

595
00:36:04.000 --> 00:36:09.320
<v Speaker 1>Forward our remaining four minutes lifting up Nina Simon. Thank

596
00:36:09.360 --> 00:36:11.400
<v Speaker 1>you so much for coming forward with us on this

597
00:36:11.599 --> 00:36:14.480
<v Speaker 1>teaching in Thursday. We're talking about Nina Simons.

598
00:36:14.519 --> 00:36:15.320
<v Speaker 5>She was gifted.

599
00:36:15.760 --> 00:36:18.960
<v Speaker 1>There was nobody like her, and she had no problem

600
00:36:19.039 --> 00:36:23.159
<v Speaker 1>with telling the truth, telling it like as my grandmother

601
00:36:23.199 --> 00:36:26.559
<v Speaker 1>would say, like it is, you know, Doc, Nina Simone

602
00:36:26.559 --> 00:36:30.760
<v Speaker 1>came into contact with really other great people in their

603
00:36:30.800 --> 00:36:32.360
<v Speaker 1>own right that were.

604
00:36:32.239 --> 00:36:33.920
<v Speaker 5>Outside the music industry.

605
00:36:34.199 --> 00:36:37.000
<v Speaker 1>I remember seeing a picture of her and James Baldwin,

606
00:36:37.320 --> 00:36:40.320
<v Speaker 1>one of the greatest novelists of the twentieth century, one

607
00:36:40.360 --> 00:36:44.840
<v Speaker 1>of my favorite novelists. I'm sure that had to be surreal.

608
00:36:45.519 --> 00:36:46.960
<v Speaker 3>Oh that's the truth.

609
00:36:47.599 --> 00:36:49.920
<v Speaker 4>I think Balwin was the one who was getting down

610
00:36:49.960 --> 00:36:57.639
<v Speaker 4>on his knee because certainly the great greatest writer, especially

611
00:36:57.639 --> 00:37:00.920
<v Speaker 4>of essays, but the novels are powerful too. But he

612
00:37:02.280 --> 00:37:05.760
<v Speaker 4>modeled himself on the Bessie Smiths and the Wreatha Franklin's

613
00:37:05.840 --> 00:37:11.039
<v Speaker 4>and Nina Simone. So music was always the standard his

614
00:37:11.280 --> 00:37:14.440
<v Speaker 4>his history, right to the condition of music. So when

615
00:37:14.480 --> 00:37:20.480
<v Speaker 4>he met at Nina Simone, o, Lord have mercy.

616
00:37:20.559 --> 00:37:22.320
<v Speaker 3>Yeah, he had to.

617
00:37:23.920 --> 00:37:27.199
<v Speaker 4>He had to get down on his knees and rightly so.

618
00:37:27.760 --> 00:37:30.000
<v Speaker 4>But she was down on her knees too because she

619
00:37:30.079 --> 00:37:34.639
<v Speaker 4>knew his genius was something that was that was beyond description.

620
00:37:35.360 --> 00:37:39.920
<v Speaker 1>Come on, game, recognize game, doc I'm gonna go back

621
00:37:39.920 --> 00:37:42.840
<v Speaker 1>to Nina's ninasimon dot com, which I encourage people. So

622
00:37:42.880 --> 00:37:46.360
<v Speaker 1>she had those two marriages, as doculaid out, she passed away.

623
00:37:46.159 --> 00:37:47.480
<v Speaker 5>In France, you know.

624
00:37:47.519 --> 00:37:50.880
<v Speaker 1>In her autobiography, Nina Simone writes that her function as

625
00:37:50.880 --> 00:37:55.159
<v Speaker 1>an artist is quote to make people feel on a

626
00:37:55.199 --> 00:37:59.440
<v Speaker 1>deep level. It's difficult to describe because it's not something

627
00:37:59.440 --> 00:38:02.280
<v Speaker 1>you can add lives to get near what it's about

628
00:38:02.360 --> 00:38:05.199
<v Speaker 1>you to play, you have to play it. When it's

629
00:38:05.199 --> 00:38:07.800
<v Speaker 1>about you, you have to play it. And when you've

630
00:38:08.079 --> 00:38:12.400
<v Speaker 1>caught it, when you've got the audience hook, you always know.

631
00:38:12.559 --> 00:38:17.480
<v Speaker 1>Because it's like electricity hanging in the air. End quote.

632
00:38:18.280 --> 00:38:23.519
<v Speaker 1>Everything about her, Doc was like electricity hanging in the air.

633
00:38:24.559 --> 00:38:29.280
<v Speaker 4>My god, Oh lord, I felt that electricity carrying her.

634
00:38:29.159 --> 00:38:36.239
<v Speaker 1>Bags, Oh, Doc, I certainly believe that.

635
00:38:36.360 --> 00:38:37.159
<v Speaker 2>You know, it's so funny.

636
00:38:37.159 --> 00:38:39.239
<v Speaker 5>I'm chuckling when you sall carry her back.

637
00:38:39.480 --> 00:38:43.519
<v Speaker 2>Because I got so many bags, it's insane. So you

638
00:38:43.559 --> 00:38:46.440
<v Speaker 2>would probably feel it the same way. Oh. I tried

639
00:38:46.440 --> 00:38:50.400
<v Speaker 2>to channel Nina some all all the time in my.

640
00:38:50.440 --> 00:38:53.599
<v Speaker 5>Work, in you know, in public spaces.

641
00:38:53.679 --> 00:38:57.480
<v Speaker 1>I just really love her so very much, and I

642
00:38:57.559 --> 00:39:00.599
<v Speaker 1>just hope that our audience has a better feel for her.

643
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<v Speaker 1>A final thoughts, Doc, and are about a sixty seconds

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<v Speaker 1>or so that we have left.

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<v Speaker 4>Well, it's just amazing how wise your precious mom was

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<v Speaker 4>to name you a simone.

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<v Speaker 1>I'm telling maybe she saw something in me. I counted

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<v Speaker 1>all joy I'm honored.

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<v Speaker 3>Now.

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<v Speaker 1>My mom gave me a different middle name, but I'm

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<v Speaker 1>almost tempted to change it.

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<v Speaker 5>To Simon, but I don't want to dishonor my mama.

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<v Speaker 5>She made a decision and I'm staying with it.

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<v Speaker 1>I'm gonna stick with it, Doc, Wow, this has been

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<v Speaker 1>a pleasure to lift up the life and the legacy

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<v Speaker 1>of the One in Only Nina Simon again one of

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<v Speaker 1>her famous quotes. I tell you what freedom is to me.

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00:39:43.960 --> 00:39:46.920
<v Speaker 1>It is no fear. And that is exactly what we

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<v Speaker 1>need in this moment in time.

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<v Speaker 5>Doc.

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<v Speaker 1>We talk about that all the time on Truth Time,

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00:39:51.280 --> 00:39:55.239
<v Speaker 1>that people have to live fearless lives no fear.

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<v Speaker 5>That is what freedom is to me. We want you

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<v Speaker 5>to live.

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00:39:59.440 --> 00:40:03.119
<v Speaker 1>On purpose, live out your purpose, and above all, understand

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<v Speaker 1>this that titles are good, they really really are.

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<v Speaker 5>For purpose is better Until next time.
