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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Kallispell, Montana.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Dragnet. But

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before we get started, I do want to let you

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know that today's program is brought to you in part

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by the financial support of our listeners. You can support

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the show on a one time basis by mailing a

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donation to Adam Graham Peelbox one five nine one three.

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That's peel Box one five nine thirteen Boise, Idaho eight

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three seven one five, and you can become one of

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our ongoing Patreon supporters for as little as two dollars

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per month by going to Patreon dot Great Detectives dot net.

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But now, from October twenty six, nineteen fifty, here's the

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big mate.

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Speaker 2: The story you were about to hear is true, only

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the names have been changed to protect the innocent. Here,

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Detective Sergeant here, assigned to Narcotics detail. A gang of

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veteran dope peddlers moves into your city. They offer one

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hundred thousand dollars worth of heroin for sale. They make

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their contact. They're ready to do business. Your job stop them.

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Speaker 3: Drag Net the documented drama of an actual crime. While

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the next thirty minutes, in cooperation with the Los Angeles

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Police Department, you will travel step by step on the

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side of the law through an actual case transcribed from

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official police folence, from beginning to end, from crime to punishment.

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Drag Net is the story of your police force.

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Speaker 4: In action.

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Speaker 5: Was Wednesday, June twenty fourth with Psultry in Los Angeles.

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We were working the day watch out in arcotics. My

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partner's Ben Romero. The boss's Thad Brown, Chief of Detectives.

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My name is Friday. Was nine twenty seven am when

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I got to the Charing Cross apartments on Twelfth Streets,

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a side entrance.

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Speaker 4: Hi, Hi, anything doing nothing? How's the bug working better?

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Speaker 6: When of the fellas in the crime lap came out

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and faced it last night, went next door and replaced

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the microphone.

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Speaker 4: I'm getting real sour on this details. Joe. Well here,

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let me take over for a while.

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Speaker 6: Yeah, you bet you here my years She like a

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couple of big califlowers. Two solid weeks hold up in

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this place with a pair of earphones on.

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Speaker 4: Yeah, what do we got the show for? If?

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Speaker 6: Woman next door hasn't even mentioned narcotics in two weeks.

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All she does is eat, sleep, and play. Solidaire goes

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out for groceries once in a while. Hold it somebody

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ringing the buzzer next door? First visiting a week?

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Speaker 4: Yep, it's a minute.

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Speaker 7: Yep, that's right.

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Speaker 8: I talked with a friend of you, is George, So

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it might be a good idea if I let you.

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Speaker 7: What do you want to see mean about its business?

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Speaker 8: Miss Washburn? Could we were talking to?

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Speaker 9: All right?

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Speaker 8: Come on, you.

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Speaker 4: Let me plugging these airphones?

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Speaker 8: You know?

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Speaker 4: Yeah, go ahead.

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Speaker 8: I'd like to introduce myself in Washman. My name is

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Howard Scully. You and George were former as social statistuff

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and we worked together a little.

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Speaker 7: What can I do for you?

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Speaker 4: Oh?

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Speaker 8: George and I old friends. We're in business in Hong

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Kong before the war. It's a nice fellow, George.

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Speaker 7: Now I have a date down town. Happen now, I

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don't have much time to talk.

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Speaker 8: Sorry, I didn't realize you in such a way. I'll

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get right to the coins. Yeah. My business partners and I

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just came up in Mexicali a few days ago, and

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we had some merchandise it's ready for the marketer. It's

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good quality. I contacted George, thinking he might introduce me

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to some perspective Bias said he didn't want to handle

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any merchandise at this time. Why not, Oh, it's something

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about the police. I seem to be watching me. I

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just didn't want to take any part in any business

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in George.

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Speaker 7: Gave you a bump stair sending it to me.

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Speaker 8: I can't help you haven't heard my proposition.

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Speaker 7: I don't have to hear it. Count me out. I

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don't fool around with junk any of it.

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Speaker 8: It's a tough wrap out here. Well, you just listen

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to my propositions. I'm not please. I'm not asking you

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to be involved perfectly safe and legitimate transaction. In mind,

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you'll be well paid for your time and effort with

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no risk whatsoever.

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Speaker 7: Yeah, I know, all you big connections make it sound good.

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Speaker 8: George tells me you're acquainted to the right kind of people,

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people with money. That's kind of people. Because my partners

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and I want to meet you. All I'm asking you

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to do is introduce me to a show such persons

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for our mutual benefit, and then you just leave the

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rest of me.

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Speaker 7: Yeah, it's still too much. If I give you an

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office to a buyer and you were caught, they get

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me conspira. I seen too much of it's alway's no.

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Speaker 8: Say, well, you'll just have to believe me in this worseman,

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no one's going to be caught. I'll we work in

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an entirely different manner. But police haven't any idea of

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our method of opera. We've tested it in six big

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cities in the Orient and not once did it fail us.

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And I tell you it's not going to fail us

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here it's your story.

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Speaker 7: Well it's I'm not chancing a wrap.

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Speaker 8: To prove you're wrong. Boy. Yeah, do you want a cigarette?

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Speaker 4: Yes?

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Speaker 8: All right, that's right.

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Speaker 7: Thanks.

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Speaker 8: Now I'm only asking one thing, miss, was an introduction

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to the right party, and that sort. Now you know

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my reputation.

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Speaker 4: I'll make it well where you was.

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Speaker 8: If the connection is right. You can live on your

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take for the rest of the year.

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Speaker 7: I don't have many friends, just a few whom I

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guaranteed for my payoffs.

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Speaker 8: I like and deposit the money with George. You'll hold

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it until the deal is made. Be real rich, miss Washman.

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Come on, what do you say.

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Speaker 7: An introduction that's all.

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Speaker 8: That's all. We'll need product speaks for itself.

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Speaker 7: I know a fell out in Hollywood. His name's McMillan.

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I can call him, tell him to meet you.

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Speaker 4: I'll be fine.

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Speaker 7: I'm not going to introduce you. I'll set up a

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meat for you. That's all.

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Speaker 8: That's all we ask. Do you have this, mister McMillan. McMillan,

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you have meet tonight. I think that's fine. Now to night,

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at eleven thirty, I'll be at the corner of seventh

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and Alimea. Remember this now, one, yeah, corner of seventh

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and Alimeter at eleven thirty exactly. I'll have on a

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great coat and I'll be carrying a book. McMillan shouldn't

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have any trouble recognize you. Just tell him to walk

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right up to me, put out his name and say

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my name is McMillan. That's all I'll know if he's

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the right party, my name is mcmellan.

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Speaker 4: That's all.

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Speaker 8: Yes, all right, Well, I'll make arrangements with George so

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I as possible to take care of your fee. Thank

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you very much, not at all.

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Speaker 7: Just don't be too assured yourself.

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Speaker 8: The fuzziness.

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Speaker 7: Time to smell by three miles away.

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Speaker 8: Take care of the police. Miss Washburner system shure to

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teach him a few lessons. Well buy him, yeah a doctor,

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don't come here after day call me on the phone.

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Speaker 4: Yo, Wait a minute, she's going for the phone.

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Speaker 7: Come on, just a manner.

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Speaker 4: Try the doors locked.

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Speaker 7: What do you want?

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Speaker 4: Police officers? Alright? What's the pitch like to talk to

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you downtown about? What? Howard Scully? What about him? We

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know why I was here.

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Speaker 6: I haven't done anything, lady, let's go.

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Speaker 7: I told Sully I didn't want any He made the proposition,

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but I didn't buy it.

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Speaker 4: You know that I didn't buy a word of it.

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Speaker 6: We did.

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Speaker 5: Before the suspect was taken downtown, we informed her landlady

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to tell anyone that she'd be out of town for

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a week. That information was to be passed on any

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of her friends or acquaintances who might try to contact it.

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After that, we took May washburn back to the office

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after being questioned thoroughly. She was detained for further investigation.

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At two pm, Ben and I met with Captain Kearney,

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sent for Narcotics and Inspector Virgil Beckner, State Narcotics Bureau

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Southern Division one.

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Speaker 6: Hundred thousand dollars buy?

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Speaker 4: Is that what they have in mind?

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Speaker 6: That's the word around Tom's gipper. Washburn girl told us

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the same thing washburon the one was the approach for an office.

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Speaker 5: Huh, yes, that's right, Beck. She was ready to go

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when we picked her up. Pusher's Howard Scully. You remember

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him about nine years ago, wasn't it? The two want to.

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Speaker 4: Do eight or nine years?

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Speaker 5: Yeah, that big heroin by They tagged every one of

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the gang, but Scully.

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Speaker 9: Yeah, he's no Amazon. He's got every narcotic law on

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the book memorized. He sets the deals, takes the gravy,

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but he never gets tagged. How about the federal narcotics

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men and Romara. They've been briefed on this deal.

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Speaker 6: I called Harry Steono that this morning. They've been following

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it too, so he'd be over this afternoon. The setup

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with this PC Millan guy, What do you think? Clear

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sailing their Beck? As far as I can see, Scully

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set up to meet with May Washburn, Ben and Joe

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grabbed her before she could contact with Milan. As Scully's

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got ouiji board, he still must figure everything's Jake.

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Speaker 9: And then we could have a man meet with Scully

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tonight and pass himself off as McMillan.

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Speaker 5: There shouldn't be too much trouble. From the way he talks.

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Scully's never seen McMillan, has no idea what he looks like.

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Speaker 4: It's just a guess. Neither one of you are known

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to Scully, are you? I never met him or his friends.

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Speaker 6: I worked that case last February of when we grat

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Ray Mardick. He used to be a meal for Scully.

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That's suppose I've been. I'm afraid that's too close. You

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know how many high friends Murdoch.

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Speaker 4: Has in this town.

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Speaker 6: If any of them spots him passed the words the Scully,

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the whole deal's choked off. Joe, you think you could

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pass yourself off as McMillan for a couple of days,

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Like to give it a try back.

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Speaker 4: What do you think? Good? As me? We can help

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with the tailing. Only one possible hitch, I can see.

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You know.

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Speaker 9: We're not positive this guy McMillan is a total stranger

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the Scully.

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Speaker 4: And sure sounded like it didn't in Joe Westcully and

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the Wissman girl would talk.

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Speaker 9: It's possible Scully, he might have seen a picture of McMillan.

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Maybe he knows something on his background, his habits, how

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he does business as possible. Yeah, suppose Scully starts asking

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the questions, Joe, how are you gonna come it?

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Speaker 4: Well, we could talk to the Washburne girl again. She

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might brief us.

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Speaker 6: Now if we the guy's life history, let's pick it

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up firsthand. Honeyman ket mc millan.

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Speaker 5: Late that afternoon, Stanley McMillan was located at a small

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restaurant out in the valley and quietly placed under arrest.

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He was booked at one of the outlying stations on

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suspicion of violating the State Narcotics Act. We questioned him

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and got all the necessary information on his background that

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we needed. He told us that he had never seen

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or had any dealings before with Howard Scully. Seven thirty

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p m. I went home, changed my clothes, put away

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my gun, ID card and the rest of my identification.

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An hour later, I checked in at a small hotel

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near Fifth and Main Streets.

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Speaker 4: Eleven fifteen p m.

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Speaker 5: I left the hotel and started for Seventh in Alameda Streets,

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where the scheduled meet with Howard Scully was to take place.

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As in most cases, there was one all important rule

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that I had to work by. If the suspects were

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to be arrested and successfully prosecuted, we had to get

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them with narcotics in their possession or under their control.

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And one of the first things that the working detective

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learns is the dealers such as Scully, rarely do the

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actual handling of narcotics except at the actual moment of sale.

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If the officer fails to make an arrest at that moment,

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the odds are stacked heavily against the conviction.

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Speaker 4: Of the narcotics criminal.

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Speaker 5: Eleven thirty PM, I got to the corner of Seventh

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and Alameda Streets. I walked up to a man standing

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by the lamppost with short, heavily built, dark haired, dark eyes,

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and the small scar in his chin. He had on

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a gray coat and he carried a book under one arm.

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I put out my hand. Yes, my name's McMillan.

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Speaker 8: Oh, glad name, miss mc millan. My name is Scully.

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Quiet understand we have a Mitchell friends, Is that Craig.

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Speaker 4: That's what I'm told.

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Speaker 8: You're from Louisiana originally New Orleans.

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Speaker 4: No Oh, it's so. I thought you were from Louisiana

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or Missouri Saint Louis. Oh, I see, I suppose we

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go for drive. My hotel's down on fifth. We could

256
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talk there. Oh, I think my cow would be better

257
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when I can't afford to waste time, I get customers waiting.

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Speaker 8: Oh, you can believe me, this won't be a waste

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of time. I'm prepared to do business.

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Speaker 4: I must go.

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Speaker 8: Fine, O, correat, thanks. How will you raise a handling

262
00:13:10,200 --> 00:13:10,600
the other side?

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Speaker 4: So I get yeah, sure, fine, thank you. You can't

264
00:13:19,919 --> 00:13:22,600
be too careful in la, I hear. Yeah, that's right.

265
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There's a lot of heat. Oh, I hope now that's on.

266
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You don't worry. I'm clean now tumbles. Would I be

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here for there were? I got customers to protect, good customers. Fine,

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you know right, we can do business. How much can

269
00:13:40,120 --> 00:13:43,200
you handle it? How much you got? How about ten

270
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thousand worths? Standard? Right for measure on the cut of

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the sounds fair.

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Speaker 5: We drove three more blocks, and then Scully pulled the

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kit of a stop underneath the road of spreading palm

274
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trees on a deserted street. He pulled the emergency brake

275
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on and he turned to me, clamped my arms to

276
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my side, shook me down.

277
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Speaker 4: What's the pitch here?

278
00:14:02,799 --> 00:14:07,399
Speaker 8: What's the idea? No offense, Collen, simple precaution in case

279
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you had a gun.

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Speaker 5: What do you take me for, mister, I'm not used

281
00:14:09,919 --> 00:14:12,399
to doing business this way. That might go real great

282
00:14:12,440 --> 00:14:13,720
and these but it's nothing out here.

283
00:14:14,480 --> 00:14:16,440
Speaker 8: I said, no offense. It's a hot town. You could

284
00:14:16,440 --> 00:14:18,759
be a fuzz. You can't be too careful, you know that.

285
00:14:18,960 --> 00:14:22,639
Speaker 5: Yeah, you don't have to pull that careful stuff with me.

286
00:14:22,919 --> 00:14:24,720
Who set up this meat anyway?

287
00:14:24,759 --> 00:14:27,080
Speaker 4: May all right? If you can't trust her, you can't

288
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trust me, or maybe I'm not in the mood business.

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Speaker 6: Come on, take it easy, Mac, work this right, and

290
00:14:33,360 --> 00:14:35,360
we both got a good deal. Let's get to the point.

291
00:14:35,360 --> 00:14:36,159
Where's this stuff?

292
00:14:36,720 --> 00:14:38,879
Speaker 4: You bring the money, we'll bring the merchant. Wait a minute,

293
00:14:39,200 --> 00:14:41,080
a car that pulled up behind this. Let's get out

294
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of here.

295
00:14:41,720 --> 00:14:44,360
Speaker 8: Get a nervous Mac. That acs that's my partner. Come on,

296
00:14:44,399 --> 00:14:54,879
I'll in addition, all right, huh Jim, Jim, This is

297
00:14:54,960 --> 00:14:57,320
mcmello Mac, my partner.

298
00:14:57,399 --> 00:15:02,879
Speaker 6: Jim Rhoads, all right, yeah, do we do business hard guys?

299
00:15:02,919 --> 00:15:05,639
All right, Jim, he's ready to score how much does

300
00:15:05,639 --> 00:15:09,360
you want? Old bundle, Let's start with ten Can you

301
00:15:09,360 --> 00:15:09,679
handle it?

302
00:15:10,320 --> 00:15:12,440
Speaker 4: I'd say so If I couldn't, I don't give it away.

303
00:15:12,879 --> 00:15:15,639
Speaker 6: You get the money, you get the stuff. When ten

304
00:15:15,720 --> 00:15:17,440
g's worth tonight, the rest next week?

305
00:15:17,879 --> 00:15:20,559
Speaker 4: Well midnight. Now, what do you expect me to do?

306
00:15:20,600 --> 00:15:22,480
Bring the money with me hour to pick you up

307
00:15:22,480 --> 00:15:25,399
at three am the same corner. Sure, it doesn't give

308
00:15:25,440 --> 00:15:25,960
me much time.

309
00:15:26,480 --> 00:15:28,399
Speaker 6: It's enough of time if you're really looking, If you're

310
00:15:28,480 --> 00:15:30,279
just shopping, we forget about it right now.

311
00:15:30,799 --> 00:15:32,519
Speaker 4: A lot of my customers live out of town.

312
00:15:32,679 --> 00:15:33,399
Speaker 6: That's interesting.

313
00:15:34,080 --> 00:15:35,320
Speaker 4: Ten grand is no geezer.

314
00:15:35,320 --> 00:15:37,759
Speaker 5: Suppose I can't get all the money together, then don't

315
00:15:37,759 --> 00:15:38,919
show up all or nothing.

316
00:15:49,320 --> 00:15:53,159
Speaker 3: You are listening to dragnet authentic stories of your police

317
00:15:53,200 --> 00:15:53,919
force in action.

318
00:16:02,320 --> 00:16:05,279
Speaker 5: June twenty fifth, Thursday, twelve thirty am. I had two

319
00:16:05,320 --> 00:16:07,720
and a half hours to raise ten thousand dollars the

320
00:16:07,840 --> 00:16:08,799
narcotics dealers.

321
00:16:08,879 --> 00:16:09,720
Speaker 4: Howard Scully and.

322
00:16:09,679 --> 00:16:11,720
Speaker 5: His partner Jim Rhodes had laid it out for me.

323
00:16:12,200 --> 00:16:14,000
Either I had the money by three am or there

324
00:16:14,039 --> 00:16:16,320
was no deal. If it failed to come off, our

325
00:16:16,360 --> 00:16:18,559
plan to trap the narcotics gang would be worth nothing.

326
00:16:19,919 --> 00:16:22,879
Roads in Scully could possibly find another buyer without our knowledge,

327
00:16:22,879 --> 00:16:24,679
make a deal and flood the market with their store

328
00:16:24,720 --> 00:16:27,600
of narcotics. I knew it'd be impossible to get the

329
00:16:27,639 --> 00:16:31,360
ten thousand dollars together. Had only one alternative, fake our

330
00:16:31,399 --> 00:16:34,039
way as best we could. I went back to the hotel,

331
00:16:34,080 --> 00:16:35,879
put a call through to Captain Kearney at the office

332
00:16:35,919 --> 00:16:37,039
and told him what had happened.

333
00:16:37,360 --> 00:16:38,200
Speaker 4: He went to work on it.

334
00:16:38,759 --> 00:16:42,000
Speaker 5: From the narcotic Details emergency fund set up for such purposes,

335
00:16:42,320 --> 00:16:45,200
we got together six hundred dollars from Chief of Detective's

336
00:16:45,240 --> 00:16:48,480
Thad Brown, Deputy Chief White State Narcotics Bureau, and anyone

337
00:16:48,480 --> 00:16:50,799
else available by phone. We succeeded in rounding up another

338
00:16:50,799 --> 00:16:54,600
three hundred and fifty dollars two thirty am. The money

339
00:16:54,639 --> 00:16:57,320
was tied in two small bundles with hundreds, fifties and

340
00:16:57,320 --> 00:17:00,480
twenties on top. One dollar bills were sandwiched in between.

341
00:17:01,399 --> 00:17:03,480
The two bundles were placed in a briefcase and delivered

342
00:17:03,480 --> 00:17:05,799
to me at the hotel on Fifth Street. The gun

343
00:17:05,839 --> 00:17:08,240
was also in the briefcase. I took it out, put

344
00:17:08,240 --> 00:17:12,039
it in my pocket, closed the briefcase. Two forty five am.

345
00:17:12,119 --> 00:17:13,799
I left the hotel with the money and started for

346
00:17:13,839 --> 00:17:17,400
the big meat. Three am, seventh and Alimeter.

347
00:17:21,680 --> 00:17:27,039
Speaker 8: Like Mela Scully, We're down this way.

348
00:17:28,440 --> 00:17:30,160
Speaker 4: You have the money, your.

349
00:17:30,119 --> 00:17:34,359
Speaker 5: Pal said, all or nothing? I got it, said a look,

350
00:17:35,000 --> 00:17:35,880
how about the merchandise.

351
00:17:35,920 --> 00:17:37,920
Speaker 4: You can check at the cards right down here.

352
00:17:41,799 --> 00:17:47,079
Speaker 6: Roads. Hi got the money.

353
00:17:48,000 --> 00:17:50,440
Speaker 5: Yeah, that's right, I got the money. How about a

354
00:17:50,440 --> 00:17:52,000
look at this stuff. I like to know what I'm buying.

355
00:17:52,480 --> 00:17:55,359
Speaker 6: We can stop on the way for a sample. Okay,

356
00:17:55,400 --> 00:18:04,240
hard care, have some mcmont.

357
00:18:05,039 --> 00:18:06,440
Speaker 4: What do you got cash?

358
00:18:06,440 --> 00:18:06,799
Speaker 6: Your nuts?

359
00:18:06,839 --> 00:18:07,079
Speaker 8: Have some?

360
00:18:07,839 --> 00:18:08,200
Speaker 4: Thank you.

361
00:18:11,319 --> 00:18:14,440
Speaker 6: There's lots of heat in this town, cops, I think

362
00:18:14,519 --> 00:18:14,920
us flies.

363
00:18:15,559 --> 00:18:18,559
Speaker 4: Yeah, that's rights. Rough time. I gotta be careful.

364
00:18:18,839 --> 00:18:20,400
Speaker 6: That's raising anyway, when to start?

365
00:18:22,400 --> 00:18:25,440
Speaker 5: About six weeks ago, bulls tagged some high school kids

366
00:18:26,119 --> 00:18:30,279
half that number, huh or for Raley were regular hypes.

367
00:18:30,680 --> 00:18:32,799
Speaker 4: Just punks, eighteen year olds, A couple of them or seventy.

368
00:18:33,000 --> 00:18:34,720
You squirtch gay in.

369
00:18:34,759 --> 00:18:36,839
Speaker 5: The heat's gonna get worse. One of the punks cash

370
00:18:36,920 --> 00:18:38,960
in yesterday, read it in the paper overdose.

371
00:18:39,799 --> 00:18:42,319
Speaker 4: I gonna help business. Well, I'll tell you one thing.

372
00:18:42,480 --> 00:18:44,599
I'm playing close. I got good customers, and I'm not

373
00:18:44,640 --> 00:18:45,359
gonna risk my neck.

374
00:18:46,119 --> 00:18:49,400
Speaker 6: How much stuff do you think you can handle a month? McMillan, no, thanks,

375
00:18:49,400 --> 00:18:49,720
no more.

376
00:18:49,920 --> 00:18:51,440
Speaker 4: Oh I got about thirty main rinners.

377
00:18:52,039 --> 00:18:55,240
Speaker 5: They're regular and they're sure eight ten ounces a week,

378
00:18:55,279 --> 00:18:56,200
but they like good stuff.

379
00:18:56,240 --> 00:18:59,720
Speaker 4: No Alley, hype jump Howard Massatodia's alway handle good stuff?

380
00:19:00,240 --> 00:19:00,680
Goes right.

381
00:19:00,720 --> 00:19:02,440
Speaker 6: We could make it a permanent connection with you.

382
00:19:02,920 --> 00:19:04,680
Speaker 4: Well, like to see what you're offering first.

383
00:19:04,519 --> 00:19:06,799
Speaker 6: I'll have a good look, all right. How are you

384
00:19:06,839 --> 00:19:07,559
know where to pull up?

385
00:19:07,839 --> 00:19:15,680
Speaker 4: Yeah?

386
00:19:16,039 --> 00:19:17,200
Speaker 6: You stand a comic mountain?

387
00:19:17,839 --> 00:19:26,240
Speaker 4: All right, what do you want to take? Any want.

388
00:19:27,680 --> 00:19:28,119
Speaker 9: You heard?

389
00:19:33,640 --> 00:19:41,000
Speaker 6: All right, Mike, you can get out. Yep, there you go.

390
00:19:42,039 --> 00:19:43,559
Some of the best white stuff you've seen in a

391
00:19:43,559 --> 00:19:53,680
long time. Satisfy yourself. Oh all right, okay, standard, it's

392
00:19:53,720 --> 00:19:55,640
all good, not just that sample.

393
00:19:56,640 --> 00:20:01,720
Speaker 4: Okay, I'll go okay, now how about the money? All right?

394
00:20:01,839 --> 00:20:05,039
Have a look. You are.

395
00:20:06,359 --> 00:20:10,680
Speaker 5: One stack, two stacks, hundred and twenty tens, few five's

396
00:20:10,680 --> 00:20:14,079
in there. It's ten grand satisfying.

397
00:20:13,920 --> 00:20:20,319
Speaker 8: Okay, Jim, right, or excuse me, Mac just a minute,

398
00:20:20,720 --> 00:20:21,559
I'm just checking.

399
00:20:21,599 --> 00:20:23,359
Speaker 4: What do you think you're doing? Get your lousy hands

400
00:20:23,400 --> 00:20:25,599
off of me. No, no offense. Mc millan needs a

401
00:20:25,599 --> 00:20:27,160
simple precaution precautions. Nothing.

402
00:20:27,160 --> 00:20:29,400
Speaker 5: We're doing business, aren't we. You shook me down once tonight?

403
00:20:29,400 --> 00:20:30,480
Now how many times are gonna.

404
00:20:30,279 --> 00:20:32,519
Speaker 4: Take you offense? Mac Us? Just check him? That's all? Well?

405
00:20:32,599 --> 00:20:32,680
Speaker 9: Right?

406
00:20:32,720 --> 00:20:35,480
Speaker 4: Then suppose I fan you two down? I got the dough.

407
00:20:35,480 --> 00:20:37,200
How do I know this isn't a hijack deal? Now?

408
00:20:37,200 --> 00:20:39,000
Speaker 5: Come on, this business works both ways. Either we have

409
00:20:39,039 --> 00:20:41,759
a dealer, we don't, we play ball on both sides,

410
00:20:41,799 --> 00:20:43,319
or not at all. I'm getting second tied of taking

411
00:20:43,359 --> 00:20:43,880
second place.

412
00:20:43,920 --> 00:20:47,119
Speaker 6: Okay, mac Okay, take it easy, forget it. How let's

413
00:20:47,160 --> 00:20:49,279
all go back to the car. Sure, I'm sorry back

414
00:20:49,319 --> 00:20:49,759
no offense?

415
00:20:49,799 --> 00:21:00,680
Speaker 4: Yeah, okay, let's close the deal. Where are were gonna go?

416
00:21:01,079 --> 00:21:08,960
Speaker 6: Don't worry, it's a safe place, okay. Three point thirty

417
00:21:08,960 --> 00:21:12,400
five am. In another hour, it'd start getting light. I

418
00:21:12,440 --> 00:21:14,640
knew they'd planned to have the by take place before then.

419
00:21:15,039 --> 00:21:17,519
According to our plan, Ben and Sergeant Hunt, along with

420
00:21:17,559 --> 00:21:19,599
the other team of men from the State Narcotics Bureau,

421
00:21:20,039 --> 00:21:21,400
they were to tail us to the place of the

422
00:21:21,440 --> 00:21:23,240
meet and move in on a signal from me when

423
00:21:23,240 --> 00:21:24,599
the by was actually in progress.

424
00:21:25,759 --> 00:21:28,119
Speaker 4: Three forty five am, Scully drove.

425
00:21:27,920 --> 00:21:30,160
Speaker 5: Out north figure Row on to Pasadena, Avenue and turned

426
00:21:30,200 --> 00:21:31,680
right onto Avenue forty three.

427
00:21:32,079 --> 00:21:36,039
Speaker 4: We headed up Montecito Drive. The area became more deserted.

428
00:21:36,440 --> 00:21:38,759
Speaker 5: There were no homes around, no buildings of any kind

429
00:21:38,759 --> 00:21:42,640
to provide cover for anybody that might be following. Somewhere below,

430
00:21:42,680 --> 00:21:44,160
we could hear the rattle of a freight train on

431
00:21:44,160 --> 00:21:47,079
its way to the Southern Pacific. Yards off in the distance,

432
00:21:47,119 --> 00:21:48,720
I could see the lights of the city. I looked

433
00:21:48,720 --> 00:21:51,640
pretty far away. Scully finally pulled the car to a

434
00:21:51,720 --> 00:21:53,799
stop on the crest of the highest hill in the area.

435
00:21:53,920 --> 00:22:01,920
Speaker 6: When we got out, what do you think make.

436
00:22:03,599 --> 00:22:04,319
Speaker 4: A nice view?

437
00:22:04,480 --> 00:22:06,759
Speaker 6: Yeah, spend a long time finding this spot.

438
00:22:07,119 --> 00:22:08,559
Speaker 4: We'll prove Yeah.

439
00:22:08,839 --> 00:22:10,279
Speaker 8: Bring him all ahead, jam let's shot it.

440
00:22:10,640 --> 00:22:14,759
Speaker 4: Huh.

441
00:22:15,400 --> 00:22:18,640
Speaker 6: You see there, clear view of everything down below, at

442
00:22:18,759 --> 00:22:20,880
least half a mile in every direction. No chance getting

443
00:22:20,920 --> 00:22:21,720
trapped up here.

444
00:22:22,640 --> 00:22:25,200
Speaker 4: Pretty smart. This is the way I like to deal.

445
00:22:25,400 --> 00:22:27,240
Speaker 8: There's any cops following us, we can see the lights

446
00:22:27,240 --> 00:22:30,119
before they get here. Ony time cover up any evidence.

447
00:22:30,920 --> 00:22:33,359
Cops ask questions, We tell them we're just looking at

448
00:22:33,440 --> 00:22:35,319
railer stayed up here. It's pretty good.

449
00:22:35,359 --> 00:22:38,279
Speaker 4: Huh. Well, I got a hand it to you. You

450
00:22:38,359 --> 00:22:41,279
can't be too careful what you do for lookouts.

451
00:22:41,519 --> 00:22:49,400
Speaker 6: Let me show you sway I swayed. Who's that friend? Yeah, Jim,

452
00:22:49,640 --> 00:22:51,680
Well what's the pitch? Who is this guy? Business?

453
00:22:51,720 --> 00:22:52,039
Speaker 4: Power?

454
00:22:52,039 --> 00:22:54,799
Speaker 6: Howerd me sway does Mister McMullan.

455
00:22:54,640 --> 00:22:58,599
Speaker 4: What do you say? How I do? But how many

456
00:22:58,599 --> 00:23:00,559
people do you need to make a buyer roads? Huh?

457
00:23:00,799 --> 00:23:04,000
Sweets all? Look at it's a big fellow. We got

458
00:23:04,119 --> 00:23:05,680
enough people here for a Sunday picnic.

459
00:23:05,759 --> 00:23:07,759
Speaker 6: We need to look out. You just got finished saying it.

460
00:23:07,960 --> 00:23:10,640
We can't be too careful. Well, come on, let's wrap

461
00:23:10,640 --> 00:23:12,920
it up. Whards this stuff, Sweeten, you want to go?

462
00:23:13,400 --> 00:23:17,880
Speaker 4: Okay? How far does you have to go?

463
00:23:18,079 --> 00:23:21,039
Speaker 6: Close by? Stuff was put away down the tall grass,

464
00:23:21,279 --> 00:23:25,039
nobody ever found it. It's a good idea. I like

465
00:23:25,039 --> 00:23:27,000
the way you operate. Sweet'll have this stuff for you

466
00:23:27,000 --> 00:23:30,160
in a minute. How about the money? Should we count

467
00:23:30,160 --> 00:23:32,279
it rather wait till Swede gets back?

468
00:23:32,480 --> 00:23:34,960
Speaker 4: Okay, sweet for the car?

469
00:23:35,799 --> 00:23:39,599
Speaker 6: Can't beat this spot? Ken you mcmony, No, it's good.

470
00:23:40,200 --> 00:23:40,839
Speaker 8: You had no idea.

471
00:23:40,839 --> 00:23:43,200
Speaker 4: How much time we spent looking for it? He did?

472
00:23:43,240 --> 00:23:51,400
Real good? Yeah? Yeah, though, okay, thanks? Not the money? Huh?

473
00:23:52,880 --> 00:23:55,079
Speaker 5: Well, how about counting it out here? I'd feel better

474
00:23:55,160 --> 00:23:56,720
keeping an eye on that road down below.

475
00:23:57,079 --> 00:24:02,079
Speaker 4: Okay, good idea. Oh, let's kind of mac. Huh yeah,

476
00:24:02,240 --> 00:24:08,319
all right, there you go. There's one bundle and there's

477
00:24:08,359 --> 00:24:10,640
the other kind of jim Yeah, snap it up.

478
00:24:10,640 --> 00:24:11,400
Speaker 6: We've been here long enough.

479
00:24:11,480 --> 00:24:20,200
Speaker 8: Ready cool. And there's quite a few one dollar bills here.

480
00:24:20,279 --> 00:24:22,599
Speaker 4: Huh. Well, there's a few of them, but it's all there.

481
00:24:23,240 --> 00:24:24,599
How it could be with all these ones?

482
00:24:25,000 --> 00:24:27,880
Speaker 6: And let me see, don't bother the roads? Yeah, what

483
00:24:27,920 --> 00:24:28,480
are you trying to fall?

484
00:24:28,599 --> 00:24:30,240
Speaker 4: Get away from the car's colors? You too sweet?

485
00:24:30,400 --> 00:24:32,400
Speaker 6: Put the gun down, Mac. You won't get away with your.

486
00:24:32,319 --> 00:24:34,200
Speaker 4: Hands behind your head. That means you two roads. Nobody's

487
00:24:34,240 --> 00:24:36,039
hijacked usmc collin. You're not going to be the first one.

488
00:24:36,119 --> 00:24:39,000
There's no hijack, mister. This is the pinch, he said, fight,

489
00:24:39,200 --> 00:24:41,880
he said, he said lousy first. I know we should

490
00:24:41,880 --> 00:24:42,640
have fund him again.

491
00:24:42,519 --> 00:24:45,039
Speaker 6: Shut up, powered, you know we can square this with

492
00:24:45,160 --> 00:24:47,880
your mac. Five grand cold cash, no questions.

493
00:24:48,000 --> 00:24:49,240
Speaker 4: You're talking to yourself, roads.

494
00:24:49,319 --> 00:24:52,160
Speaker 6: I'll make a ten ten grand cash now. You can't

495
00:24:52,160 --> 00:24:53,039
afford to pass that up.

496
00:24:54,119 --> 00:24:56,000
Speaker 4: Come on, how about it, Mac, human just like we are,

497
00:24:56,000 --> 00:24:57,799
you use it. You keep your hands behind your head.

498
00:24:57,839 --> 00:25:00,039
Speaker 6: Miss, here's some sense copper sweets as strong as a

499
00:25:00,480 --> 00:25:01,920
I could put him on you, he'd break every bone

500
00:25:01,960 --> 00:25:02,480
in your body.

501
00:25:02,519 --> 00:25:04,039
Speaker 4: You'll have to get past this gun first.

502
00:25:04,039 --> 00:25:06,359
Speaker 8: You're not gonna stop all three of us. How do

503
00:25:06,400 --> 00:25:07,559
you think you're gonna get back to town?

504
00:25:07,839 --> 00:25:09,119
Speaker 4: I'll worry. You won't have to walk.

505
00:25:09,160 --> 00:25:11,440
Speaker 6: I'll never get us downtown. Swee will break you in happy,

506
00:25:11,440 --> 00:25:14,480
I'll kill you. You just give me an idea of roads. Huh,

507
00:25:14,680 --> 00:25:17,599
you're pretty tough. Shouldn't bother you. I'll kill the Swede

508
00:25:17,680 --> 00:25:19,480
right now. You and Scully can carry his body in

509
00:25:19,559 --> 00:25:21,640
front of me. We'll start walking down that road. We

510
00:25:21,640 --> 00:25:24,160
get the nearest place with the phone. I think that'll take.

511
00:25:24,079 --> 00:25:27,400
Speaker 4: Care of it. Won it? He doesn't got the guts, Jim, turn.

512
00:25:27,240 --> 00:25:30,160
Speaker 6: Around, Swede, Well, don't kill me.

513
00:25:30,160 --> 00:25:32,680
Speaker 4: Messed out, I'll go away. Don't shoot turn around, Stay

514
00:25:32,720 --> 00:25:35,920
where you are, Scully, don't don't killing Copper, don't kill Swede.

515
00:25:35,960 --> 00:25:40,240
We'll do anything you say. Somebody coming. Look, Mac will

516
00:25:40,279 --> 00:25:42,240
give you every time. We own fifty thousand bucks. They

517
00:25:42,240 --> 00:25:42,519
tell him.

518
00:25:42,519 --> 00:25:46,079
Speaker 6: Nothing's happened. Ben over here, fifty grand Mac.

519
00:25:46,119 --> 00:25:49,400
Speaker 4: You can't lose alright, Joe, Bye bye, Hollo.

520
00:25:49,480 --> 00:25:49,759
Speaker 7: That what.

521
00:25:51,759 --> 00:25:52,359
Speaker 4: For three of them?

522
00:25:52,400 --> 00:25:57,680
Speaker 6: Ben okay, all right, behind your back, come on, couldn't

523
00:25:57,680 --> 00:25:59,400
get here any sooner, Joe, I had to park at

524
00:25:59,400 --> 00:26:02,039
the bottom of the head well stand stillness yea. He

525
00:26:02,119 --> 00:26:04,160
circled around on foot, climbed up through the grass.

526
00:26:04,279 --> 00:26:06,039
Speaker 4: That's beginning to think I lost you. All right? You

527
00:26:06,160 --> 00:26:09,839
two get him behind your back? Back, Hi, go, there's

528
00:26:09,880 --> 00:26:13,680
the jump right here, these two packages. Yes, I let

529
00:26:13,720 --> 00:26:16,400
us sew it up. Look, talk it all over your partner.

530
00:26:16,480 --> 00:26:17,680
Is that fifty thousand bucks?

531
00:26:17,759 --> 00:26:18,400
Speaker 6: You do the right thing.

532
00:26:18,480 --> 00:26:20,599
Speaker 4: It's all yours. How about it? Fifty grands? You can't

533
00:26:20,680 --> 00:26:23,440
lose what they're talking about, Jill. But they got a

534
00:26:23,480 --> 00:26:25,319
big deal. They'll give us fifty thousand if we let

535
00:26:25,359 --> 00:26:26,440
them go. How about it? Text?

536
00:26:26,480 --> 00:26:29,119
Speaker 6: You could use the do new car, new house? Just

537
00:26:29,160 --> 00:26:30,880
forget you ever saw us? He's he is a fifty

538
00:26:30,920 --> 00:26:31,599
thousand cash.

539
00:26:31,920 --> 00:26:34,079
Speaker 4: What do you say? Text? Huh, sorry, you got the

540
00:26:34,119 --> 00:26:36,440
wrong man? What my name ain't text?

541
00:26:43,720 --> 00:26:46,880
Speaker 2: The story you have just heard was true, only the

542
00:26:47,000 --> 00:26:48,960
names were changed to protect the innocent.

543
00:26:49,799 --> 00:26:52,480
Speaker 4: In a moment, the results of their trial. Now here

544
00:26:52,599 --> 00:26:54,599
is our star, Jack Webb, thank you.

545
00:26:55,759 --> 00:26:58,440
Speaker 5: In his training, the working detective has taught the importance

546
00:26:58,519 --> 00:27:02,279
of thoroughness is learn never to overlook even the smallest detail.

547
00:27:03,039 --> 00:27:05,559
What may seem unimportant to the novice may well be

548
00:27:05,680 --> 00:27:08,640
the one thing to help the working detective successfully culminate

549
00:27:08,720 --> 00:27:09,119
his case.

550
00:27:17,880 --> 00:27:20,880
Speaker 3: May Washburn, Howard Lewis, Kelly, James Henry Rhodes, and John

551
00:27:20,920 --> 00:27:23,960
Swede Nelson were tried and convicted. They receive their sentences

552
00:27:24,039 --> 00:27:26,279
as prescribed by law and are now serving their term

553
00:27:26,319 --> 00:27:30,160
in the state penitentiary. You have just heard Dragnet, a

554
00:27:30,200 --> 00:27:33,480
series of authentic cases portions transcribed from official files.

555
00:27:34,960 --> 00:27:38,000
Speaker 2: This is NBC, the National Broadcasting Company.

556
00:27:47,319 --> 00:27:50,759
Speaker 1: Welcome back. This is one of my all time favorite

557
00:27:50,960 --> 00:27:56,480
Dragnet episodes. The whole subgenre of Dragnet episodes where Joe

558
00:27:56,599 --> 00:28:00,839
Friday goes undercover to make a narcotics is one I

559
00:28:00,960 --> 00:28:04,640
really enjoy, but this one particular is just brilliant because

560
00:28:04,720 --> 00:28:10,359
Friday is operating in a very high risk situation and

561
00:28:10,599 --> 00:28:14,279
is able to manipulate the criminals and overcome they're carefully

562
00:28:14,400 --> 00:28:17,759
well thought out pre cautions. There's also a lot of

563
00:28:17,960 --> 00:28:21,440
nerve with going into the drug buy with so little

564
00:28:21,599 --> 00:28:25,359
of the money that's required. It's such a ticklish operation,

565
00:28:25,960 --> 00:28:28,799
but he manages to make it work out by never

566
00:28:28,960 --> 00:28:32,720
breaking character and always making subtle moves in a way

567
00:28:32,799 --> 00:28:35,480
that the bad guys weren't going to get suspicious about.

568
00:28:36,039 --> 00:28:38,440
It's just such a great story and such a great

569
00:28:39,039 --> 00:28:44,559
undercover operation. Well, now we turn to listener comments and feedback,

570
00:28:44,640 --> 00:28:47,640
and we have a really good question from YouTube, and

571
00:28:48,240 --> 00:28:51,160
the listener writes, Adam, do you have any idea why

572
00:28:51,599 --> 00:28:54,920
so many episodes of the original Dragon At TV series

573
00:28:55,000 --> 00:28:57,759
are lost or missing? For me, it doesn't make sense.

574
00:28:58,319 --> 00:29:02,119
The show was popular in syndication well into the seventies.

575
00:29:02,640 --> 00:29:05,480
I might understand if the original films would go missing

576
00:29:05,640 --> 00:29:08,480
and you're left with bad copies, or if only short

577
00:29:08,519 --> 00:29:11,839
and syndicated edits are the only available ones, which would

578
00:29:11,920 --> 00:29:15,559
rk me to know end, But perhaps half the series

579
00:29:15,680 --> 00:29:19,519
vanished what happened. By comparison, Superman had a similar run,

580
00:29:20,079 --> 00:29:23,039
and all but one episode from the first season had

581
00:29:23,079 --> 00:29:26,880
their original masters accounted for, So for that one episode,

582
00:29:26,920 --> 00:29:29,000
the names escaped me at the moment, were left with

583
00:29:29,119 --> 00:29:31,799
a less than desirable copy, but at least we have

584
00:29:32,000 --> 00:29:35,759
it in some form. Well, thanks so much. Now the answer,

585
00:29:36,640 --> 00:29:39,960
and this is the best information I've been able to find,

586
00:29:40,400 --> 00:29:45,480
comes back to syndication, and in many ways, the nineteen

587
00:29:45,599 --> 00:29:50,480
fifties Dragnet TV series was a victim of the success

588
00:29:50,559 --> 00:29:54,880
of the nineteen sixties TV series because, according to Hayde,

589
00:29:55,039 --> 00:30:01,119
in the seventies, after Dragnet not to sixty seven through

590
00:30:01,279 --> 00:30:05,319
seventy went off the air, it began to replace the

591
00:30:05,480 --> 00:30:10,359
nineteen fifties TV series in syndication, which makes sense that

592
00:30:10,720 --> 00:30:15,759
viewers would want to see the newer series. And there's

593
00:30:15,960 --> 00:30:18,200
a reason for that as well, given that one of

594
00:30:18,279 --> 00:30:23,079
the appeals of Dragnet originally was that it dealt with

595
00:30:23,759 --> 00:30:27,400
the way police actually worked, and so in that regards,

596
00:30:27,680 --> 00:30:33,200
it would be more interesting to see programs that were

597
00:30:33,279 --> 00:30:37,519
recorded three or four years ago as opposed to programs

598
00:30:37,599 --> 00:30:42,359
that were recorded fifteen or twenty years ago. And I

599
00:30:42,440 --> 00:30:46,839
think to a lot of people, the nineteen sixties Dragnet

600
00:30:47,160 --> 00:30:52,839
became Dragnet. It became the product that was really sold,

601
00:30:52,960 --> 00:30:56,319
and the nineteen fifties series wasn't, And it was so

602
00:30:56,720 --> 00:31:04,559
neglected that NBCU Universal neglected to renew the copyrights on

603
00:31:04,759 --> 00:31:09,279
the entirety of the first three seasons of Dragnet, as

604
00:31:09,440 --> 00:31:13,119
well as about a third of the fourth season, The

605
00:31:13,319 --> 00:31:18,400
copyrights to most of season four and all of seasons

606
00:31:18,519 --> 00:31:23,039
five and six would be renewed, but season seven wouldn't

607
00:31:23,039 --> 00:31:28,119
be renewed, nor would most of season eight, And so

608
00:31:28,400 --> 00:31:32,759
today it's safe to say that Dragnet as a property

609
00:31:33,559 --> 00:31:39,160
is not particularly commercially viable. And that's an important distinction

610
00:31:39,519 --> 00:31:45,480
with a Superman. The Adventures of Superman TV series was

611
00:31:45,880 --> 00:31:51,039
often being re syndicated. There was no real later series

612
00:31:51,240 --> 00:31:55,440
that took its place until arguably the nineties with Lewis

613
00:31:55,519 --> 00:32:00,400
and Clark, the New Adventures of Superman. With Dragnet of

614
00:32:00,480 --> 00:32:05,839
the nineteen fifties, you're dealing with something that essentially became

615
00:32:06,119 --> 00:32:10,319
obsolete to what the copyright owners were doing, and which

616
00:32:10,480 --> 00:32:14,240
is not particularly commercially profitable. Now.

617
00:32:14,319 --> 00:32:15,680
Speaker 8: Of course, there are all.

618
00:32:15,640 --> 00:32:19,839
Speaker 1: Kinds of stories out there about what happened to Dragnet

619
00:32:20,200 --> 00:32:23,880
tapes and transfers. As far as I know, there's not

620
00:32:24,160 --> 00:32:27,839
a large official archive of all the episodes, and there's

621
00:32:27,920 --> 00:32:32,119
no incentive for NBAC to maintain those. And when we

622
00:32:32,319 --> 00:32:37,720
talk about episodes of the nineteen fifties Dragnet TV series

623
00:32:38,079 --> 00:32:40,799
that are out there, we're talking about those which are

624
00:32:40,880 --> 00:32:45,359
known to be easily available to collectors, which numbers are

625
00:32:45,400 --> 00:32:50,359
around sixty odd episodes of the two hundred and seventy

626
00:32:50,519 --> 00:32:54,000
six that were produced during the series eight year run.

627
00:32:54,519 --> 00:32:57,960
There are a number of episodes that are not publicly

628
00:32:58,039 --> 00:33:03,640
available that are of or in existence elsewhere. If you

629
00:33:03,799 --> 00:33:08,519
go to the Pailey Center at UCLA, the news ZIM

630
00:33:08,720 --> 00:33:14,960
of Broadcasting in Chicago, or the Library of Congress in Washington,

631
00:33:15,079 --> 00:33:19,079
d C. Or a wide variety of different other places

632
00:33:19,359 --> 00:33:26,039
that hold individual episodes, you'll find more than is circulating.

633
00:33:26,400 --> 00:33:29,640
And then of course you have private collectors who may

634
00:33:29,759 --> 00:33:33,599
have an episode or two or three and could be

635
00:33:33,720 --> 00:33:38,240
spread throughout the entire country. And I think in all

636
00:33:38,279 --> 00:33:43,400
those cases the programs exist, but it doesn't actually get

637
00:33:43,480 --> 00:33:46,039
to all the people out there. In the case of

638
00:33:46,119 --> 00:33:49,680
those that are held by institutions, they're not in the

639
00:33:49,799 --> 00:33:56,359
business of publishing publicly or television programs, and of course

640
00:33:56,400 --> 00:33:59,359
there are liability issues if they're dealing with the non

641
00:33:59,519 --> 00:34:05,200
public main episodes. And for private collectors, there's really not

642
00:34:05,839 --> 00:34:09,960
a potential for profit, and they did not get into

643
00:34:10,119 --> 00:34:14,239
collecting these episodes, the most of them with the goal

644
00:34:14,519 --> 00:34:20,519
of publishing them, and there's rarely money in selling the

645
00:34:20,639 --> 00:34:25,800
episodes they have in their collections. There are exceptions, for example,

646
00:34:26,000 --> 00:34:31,360
when the nineteen sixties Dragnet episodes were being released on DVD.

647
00:34:32,000 --> 00:34:37,159
A gentleman who was making the DVD extras actually got

648
00:34:37,440 --> 00:34:41,760
a collector who owned a copy of the Dragnet episode

649
00:34:41,840 --> 00:34:45,280
The Big Smoke to sell them a copy to include

650
00:34:45,320 --> 00:34:48,800
as a DVD extras. Now, of course, there aren't any

651
00:34:48,920 --> 00:34:54,239
new Dragnet nineteen sixties DVD releases being made, so there's

652
00:34:54,360 --> 00:34:58,320
really not a commercial opportunity for most collectors. So we're

653
00:34:58,360 --> 00:35:02,519
left with a situation where where if new Dragnet episodes

654
00:35:02,760 --> 00:35:06,199
come into circulation, it's going to be in drips and drops.

655
00:35:06,679 --> 00:35:10,119
For example, there's a company that has a YouTube channel

656
00:35:10,280 --> 00:35:17,599
that came across three rare season seven episodes, I think

657
00:35:17,639 --> 00:35:20,679
about a year ago, and so there will be those

658
00:35:20,800 --> 00:35:24,280
little random editions. But I think the status of the

659
00:35:24,360 --> 00:35:29,800
whole series makes it very commercially difficult to assemble a

660
00:35:29,880 --> 00:35:32,800
complete set, and there's just not the incentive to do that.

661
00:35:33,480 --> 00:35:35,719
All right, well, thank you so much. Now it is

662
00:35:35,920 --> 00:35:38,280
time to thank our Patreon supporter of the day, and

663
00:35:38,360 --> 00:35:40,599
I want to thank Vincent. Vincent's been one of our

664
00:35:40,639 --> 00:35:45,119
Patreon supporters since June twenty nineteen, currently supporting the podcast

665
00:35:45,199 --> 00:35:47,519
at the rookie level. Of two dollars or more per month.

666
00:35:47,920 --> 00:35:50,719
Thanks so much for your support, Vincent, and that will

667
00:35:50,800 --> 00:35:53,880
do it for today. If you're enjoying the podcast, please

668
00:35:53,920 --> 00:35:58,079
follow us using your favorite podcast software and be sure

669
00:35:58,159 --> 00:36:00,719
to rate and review the podcast where where you download

670
00:36:00,760 --> 00:36:04,360
it from. We'll be back next Saturday with another episode

671
00:36:04,519 --> 00:36:08,360
of Dragging at and next Tuesday we'll be bringing you

672
00:36:09,119 --> 00:36:12,599
Martin Kine. But join us back here on Monday as

673
00:36:12,679 --> 00:36:18,320
we began our whole line up again with an episode

674
00:36:18,440 --> 00:36:20,880
of the Adventures of the Fault and where I.

675
00:36:20,880 --> 00:36:22,880
Speaker 6: Wouldn't bother you, but there's nobody else I can turn

676
00:36:22,960 --> 00:36:25,199
to love forever in your debt.

677
00:36:26,199 --> 00:36:28,840
Speaker 4: Well, I don't think you're going to afford my prices.

678
00:36:29,239 --> 00:36:30,840
Speaker 8: Ty, ain't no waiting.

679
00:36:33,760 --> 00:36:37,239
Speaker 4: What do you think? I think you've been seeing too

680
00:36:37,320 --> 00:36:38,320
many B movies?

681
00:36:39,519 --> 00:36:41,400
Speaker 5: Where'd you get the idea you could bribe a private

682
00:36:41,440 --> 00:36:42,400
detective with a kiss?

683
00:36:42,480 --> 00:36:43,880
Speaker 8: I'm sorry I lost my head.

684
00:36:44,760 --> 00:36:48,519
Speaker 4: That's a very pretty one. And what's the problem and

685
00:36:48,639 --> 00:36:52,360
you will help? Well, actually it's really very simple.

686
00:36:52,880 --> 00:36:54,800
Speaker 7: Did the man register here at the hotel in.

687
00:36:54,920 --> 00:36:58,119
Speaker 4: Raymond Spence, Raymond Spence. Didn't the room clerk mention something

688
00:36:58,119 --> 00:36:59,039
about him? I don't know?

689
00:36:59,159 --> 00:37:00,599
Speaker 6: Did he yes he did.

690
00:37:00,679 --> 00:37:02,800
Speaker 9: Seems a Spencer character is cleaning a gun this PM

691
00:37:02,840 --> 00:37:04,480
and next time they shut himself on the shoulder.

692
00:37:04,920 --> 00:37:09,079
Speaker 7: Oh well, Ray works for a man named Rathio Hernandos.

693
00:37:09,480 --> 00:37:12,000
Hernandos is due here tonight. I want you to meet

694
00:37:12,079 --> 00:37:12,760
him at the airport.

695
00:37:13,159 --> 00:37:13,639
Speaker 4: What four?

696
00:37:14,360 --> 00:37:15,559
Speaker 7: Well, how as can you kill him?

697
00:37:16,679 --> 00:37:17,519
Speaker 4: It can be difficult.

698
00:37:17,880 --> 00:37:20,320
Speaker 1: I hope you'll be with us then in the meantime.

699
00:37:20,599 --> 00:37:25,039
Send your comments to Box thirteen at Greatdetectives dot net,

700
00:37:25,119 --> 00:37:28,800
follow us on Twitter at Radio Detectives, and check us

701
00:37:28,800 --> 00:37:33,079
out on Instagram, Instagram, dot com, slash Great Detectives from

702
00:37:33,320 --> 00:37:37,320
Boise ATAHOL. This is your host, Adam Graham signing off.

