WEBVTT

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<v Speaker 1>Dark Destinations may be end times Night's creature.

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<v Speaker 2>Why would a few more casually struggle.

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<v Speaker 1>Me because of their blood?

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<v Speaker 2>Will join yours a.

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<v Speaker 3>Radio drama anthology. You are wrong how you figure Every

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<v Speaker 3>mark on Mongo is hunting you down. Not you, your partner,

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<v Speaker 3>he said, I didn't have a ray gun. Full cast

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<v Speaker 3>performances set in the haunted corners of the globe. Darkness

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<v Speaker 3>is coming for you. That's the fear that taunts me.

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<v Speaker 1>Dark Destinations by fatherm Alone at Weirdingwaymedia dot.

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<v Speaker 3>Com weird Way.

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<v Speaker 1>Welcome back to Midnight Viewing, the horror anthology podcast, where

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<v Speaker 1>this season we're taking a look at George A. Romero's

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<v Speaker 1>nineteen eighties series Tales from the Dark Side. Sharing the

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<v Speaker 1>Midnight view with me are the Culture Cast, Chris Statue

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<v Speaker 1>he wasn't absent, Jay Landlord, and the projection booths. Mike White,

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<v Speaker 1>Hello Detroit, you're on the air. Hello, Hello tonight. We

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<v Speaker 1>are taking a look at two episodes from season one,

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<v Speaker 1>though I guess everyone wants to talk about one in particular.

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<v Speaker 1>Those are The Devil's Advocate and The Distant Signals. Now.

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<v Speaker 1>The Devil's Advocate is from season two. It is episode seven,

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<v Speaker 1>It originally aired on November tenth, nineteen eighty five. This

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<v Speaker 1>was written by George A. Ramero, So watch yourselves, gentlemen,

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<v Speaker 1>and it was directed by mister Mike Hornick. This one

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<v Speaker 1>stars Jerry Stiller. It's the tale of a late night

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<v Speaker 1>talk radio host who's bitterness and anger with humanity make

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<v Speaker 1>him the perfect mouthpiece for hell. All right, who wants

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<v Speaker 1>to go first? Have at it?

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<v Speaker 3>Chris, Go ahead, ladies and gentlemen, Mine is Luther Mandrake

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<v Speaker 3>And this is Infu Warphus Jesus Christ. This is I think,

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<v Speaker 3>so far for me, probably the best thing seen in

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<v Speaker 3>the show. Jerry Stiller is off the wall as one

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<v Speaker 3>of the worst people we've seen on this show, if

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<v Speaker 3>not the worst. Some of the things that he says

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<v Speaker 3>are beyond the pale. I like that we finally have,

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<v Speaker 3>by my approximation, the first good radio DJ bit on

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<v Speaker 3>any of these anthology shows that really I think works.

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<v Speaker 3>Is it a little on the nose what happens at

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<v Speaker 3>the end with the mo haha, I'm the devil and

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<v Speaker 3>Nevenman my best helper, Like, oh, Jesus fucking Christ show,

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<v Speaker 3>no shit, that's what was going on. So it feels

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<v Speaker 3>a little like the show thinks that we're dumb and

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<v Speaker 3>obvious with a name like the Devil's Advocate. But I

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<v Speaker 3>think Jerry Stiller is so good that I just enjoyed

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<v Speaker 3>this episode I mentally and I couldn't help but thinking

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<v Speaker 3>about all of the people that are like this now

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<v Speaker 3>un ironically as opposed to this character being written. I

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<v Speaker 3>guess ironically, I mean for a specific purpose to be

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<v Speaker 3>an asshole who gets his come uppance, but stake lutheriper

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<v Speaker 3>Mandre can put in any one of the Alex Jonesy

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<v Speaker 3>and friends and any one of those dudes, and it's like, look,

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<v Speaker 3>see this is what's gonna happen with them. In the end.

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<v Speaker 3>They're gonna be on the old is the old switchboard

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<v Speaker 3>in hell?

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<v Speaker 2>How about you, Mike, I'm going to peel back to

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<v Speaker 2>Burton a little bit here on MADI Viewing. When we

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<v Speaker 2>record these episodes, we actually record them back to back.

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<v Speaker 2>I won't say if this was the first one or

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<v Speaker 2>the second one. You're gonna have to figure that out.

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<v Speaker 2>But a few weeks ago I was telling you guys

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<v Speaker 2>that of these four episodes we watched, I really liked

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<v Speaker 2>three of them. This is the fourth. I did not

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<v Speaker 2>like this episode whatsoever. I just you were talking about

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<v Speaker 2>how George was dumbing it down for us. I didn't

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<v Speaker 2>understand what the hell was going on as far as

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<v Speaker 2>at the end. Okay, so I guess he's being tortured,

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<v Speaker 2>but yet he's the devil's advocate. So is he promoting

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<v Speaker 2>that like I don't understand, and that people are talking

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<v Speaker 2>to him without a radio. He's now like a DJ,

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<v Speaker 2>taking calls from all times in all centuries. I just

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<v Speaker 2>I didn't understand how it goes. I thought that the

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<v Speaker 2>makeup effects were pretty nice, especially the way that they

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<v Speaker 2>build on him as they're going along to a point

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<v Speaker 2>where I was like, oh, his face looks a little different,

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<v Speaker 2>and I thought that was nice and subtle. But otherwise

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<v Speaker 2>I just didn't jive with this one.

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<v Speaker 1>Okay, near as I can figure, what has happened is

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<v Speaker 1>this man who has spent the latter part of his

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<v Speaker 1>life spreading hate amongst the populace, is now dead and

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<v Speaker 1>has taken his place in hell as a voice in

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<v Speaker 1>people's heads telling them that they're hopeless. So these people

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<v Speaker 1>don't have radios. They're confused by the idea of radios.

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<v Speaker 1>In some cases, they just hear a voice talking to

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<v Speaker 1>them and they're talking back, So that part of it

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<v Speaker 1>is really really good and actually really scary.

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<v Speaker 2>Now that makes a lot more sense. That might make

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<v Speaker 2>me reevaluate this episode. Thinking the whole voice inside their

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<v Speaker 2>heads thing that I did not connect with.

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<v Speaker 1>Yeah, I think there's a lot of cheese going on here.

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<v Speaker 1>You know, I sent you Fellows a link to what

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<v Speaker 1>Ben Stiller, son of Jerry Stiller, seemed to think of

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<v Speaker 1>this episode where he parodied it in on The Ben

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<v Speaker 1>Stiller Show. This five minute like late night, low budget horror.

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<v Speaker 1>I agree with you, Chris, however, that Jerry Stiller is

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<v Speaker 1>fucking going for it here and I love him. There's

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<v Speaker 1>a scene where he's just reacting to a caller where

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<v Speaker 1>he's just making fun of him by gyrating and like

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<v Speaker 1>making faces and stuff. It's fuckings, it's fucking hilarious. Like

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<v Speaker 1>it usually wouldn't work with most actors here, but he

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<v Speaker 1>made it great.

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<v Speaker 2>I mean, yeah, Jerry Stiller, he's gonna be Yeah, he's

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<v Speaker 2>always swinging for the fences. I mean, this is him

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<v Speaker 2>as George Costantz's dad at his most unhinged. I know

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<v Speaker 2>it's not his line. While he does say it eventually,

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<v Speaker 2>but while we were watching this episode, I was just

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<v Speaker 2>like spreadity down throughout so much of it.

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<v Speaker 1>This also reminded me of a Ninth Gallery episode, Flip

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<v Speaker 1>Side of Satan with Artie Shaw or already but Artie

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<v Speaker 1>Johnson from Yes.

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<v Speaker 3>Think that's what kind of yeah, that's what this When

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<v Speaker 3>I think of that episode, I think this is the

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<v Speaker 3>better version of that episode.

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<v Speaker 2>Of course, I was thinking, and I was curious as

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<v Speaker 2>far as when talk radio was out compared to this,

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<v Speaker 2>because it reminded me of that. And I know, I

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<v Speaker 2>mean that was a weird shift in America when radio

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<v Speaker 2>came back, and it came back as talk radio. I

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<v Speaker 2>mean it never left, I know, but just this whole

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<v Speaker 2>thing of like these evil DJs, and I think that's

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<v Speaker 2>what Bogosian was kind of, you know, talking about in

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<v Speaker 2>talk radio. But I mean this is well, I guess

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<v Speaker 2>Imus was on the air, though not what he eventually

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<v Speaker 2>became when he put on the c Span cameras or

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<v Speaker 2>whatever that was. But I mean this is prime Rush Limbaugh.

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<v Speaker 2>I mean, my gosh, both of these episodes. So this

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<v Speaker 2>week and last week I'm talking about us talking about

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<v Speaker 2>my stepdad, my stepdad listening to fucking rustling ball all

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<v Speaker 2>the time, which meant I had to listen to him.

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<v Speaker 2>Drove me up a fucking wall, and he just got

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<v Speaker 2>worse and worse as the years.

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<v Speaker 3>Why not.

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<v Speaker 1>Yeah, Romero himself had a bit of a fascination with

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<v Speaker 1>talk radio because it has been around forever and ever

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<v Speaker 1>and ever. Yeah, it plays a big part of his

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<v Speaker 1>nineteen seventy six film Martin. Like, the lead character of

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<v Speaker 1>Martin uses a talk radio show to call in and

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<v Speaker 1>you know, spill it his feelings and it's actually really

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<v Speaker 1>chilling at the end. Incidentally, that talk show host in

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<v Speaker 1>Martin was played by Mike Gornick, who directed this episode.

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<v Speaker 1>He's got a great Wow, he's got a really great

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<v Speaker 1>radio voice. In fact, at the end of this episode,

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<v Speaker 1>the voice of Satan telling Mandrake he was doing a

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<v Speaker 1>great job is also Mike Garnick.

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<v Speaker 2>Oh wow, Yeah, he does have a great radio voice.

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<v Speaker 2>It's been so long since I've seen Martin, but I

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<v Speaker 2>remember loving it.

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<v Speaker 1>Yeah, it's it's, no doubt Jeorge Ramiro's best movie. You know,

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<v Speaker 1>not my favorite, but like, but you can tell it's

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<v Speaker 1>obviously you know, it's best anyway, And yeah, I keep

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<v Speaker 1>talking about it. Lately, and somehow I keep not watching it.

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<v Speaker 1>I'm gonna have to do that later tonight.

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<v Speaker 3>Just coming soon to a culture Cast episode near you

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<v Speaker 3>in September.

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<v Speaker 1>Oh my god, that's right. Okay, yeah, that's why you

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<v Speaker 1>keep thinking.

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<v Speaker 3>That's why you've never seen September.

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<v Speaker 2>Find that lost cut that was being sold on ebed

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<v Speaker 2>and then somebody bought it and they won't release it.

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<v Speaker 1>Now, what's Yeah, I don't know what's up. I'm sure

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<v Speaker 1>we'll talk about that in the episode. But yeah, if

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<v Speaker 1>said print exists, and I please need to see it

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<v Speaker 1>before I die, for Christ's sake, somebody get the fuck

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<v Speaker 1>on that, like like three hours, four something.

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<v Speaker 2>I don't know, yeah, I think four hours.

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<v Speaker 1>Yeah, Okay. Here's a couple of things that I thought

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<v Speaker 1>about this episode. First of all, it's really interesting choice

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<v Speaker 1>to be eating a bowl of pea soup while you're

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<v Speaker 1>performing on a talk show that you're hungry, right, But soup,

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<v Speaker 1>I mean.

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<v Speaker 2>Well, what else is going to eat? Apple? Carrots?

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<v Speaker 3>Soap is very quiet if you know how to do

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<v Speaker 3>it right.

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<v Speaker 1>Okay, all right, all right, You've got.

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<v Speaker 3>You put the whole spooning your mouth and you just

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<v Speaker 3>turn it upside down. The soup falls under your tongue

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<v Speaker 3>and you pull it out and there's no sound.

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<v Speaker 1>Okay, here's the.

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<v Speaker 2>You're right, you want him to be eating ruffles once

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<v Speaker 2>you're scientifically accurate.

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<v Speaker 1>Here, I want him to be eating soft tacos. Okay,

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<v Speaker 1>oh all right, Man Drake is a prick, right, Like

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<v Speaker 1>everyone who calls in no matter what, he just slices

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<v Speaker 1>them down, right, which a couple things going on. His

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<v Speaker 1>show is called the Devil's Advocate, right, So by the

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<v Speaker 1>very nature of that title, he's going to be adversarial.

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<v Speaker 1>So what are these people calling in without hope hoping

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<v Speaker 1>to achieve He's literally doing his job by telling them

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<v Speaker 1>that they're wrong. You know, at least on the Night

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<v Speaker 1>Gallery there Ardie Johnson had an affair with like his

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<v Speaker 1>station manager's wife and it ended up with a suicide

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<v Speaker 1>or something like that. Right, Because here's this guy's crimes.

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<v Speaker 1>He's being a dick to people, right, but he kind

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<v Speaker 1>of has cut some legitimate beef. He rattles off a

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<v Speaker 1>list of things that have happened him recently or you know,

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<v Speaker 1>over the course of his life, where his mom died

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<v Speaker 1>in a plane crash because the crew sold like like

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<v Speaker 1>faulty lug nuts to them, and then his dad died

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<v Speaker 1>on a union picket line, and then his wife is

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<v Speaker 1>currently in a coma because of every yearesthetic snafu, and

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<v Speaker 1>then his son was killed by a drunk driver. You

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<v Speaker 1>know what, the fact that he's on his feet is

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<v Speaker 1>pretty okay by me, and the fact that he's just

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<v Speaker 1>being a dickhead on the radio doesn't mean he should

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<v Speaker 1>go straight to hell out out there. I think this

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<v Speaker 1>guy is he's doing okay, and he's.

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<v Speaker 3>Not crawling on the ground begging for mercy.

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<v Speaker 1>No, because this isn't you know, this isn't like talk radio.

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<v Speaker 1>This isn't like Barry Champlain, who is just a miserable,

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<v Speaker 1>fucking human being who you know, wants to harm other

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<v Speaker 1>people like because he's so like dissatisfied with himself. Like so,

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<v Speaker 1>I don't know. I mean, maybe this is just a

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<v Speaker 1>case of this being tells from the dark side, and

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<v Speaker 1>sometimes this is what you get, motherfuckers. That's the world

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<v Speaker 1>we live in. But you know, it was a little lopside.

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<v Speaker 3>I mean again with something like the last episode that

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<v Speaker 3>we did with Halloween candy and satanic panic or panic

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<v Speaker 3>satanic piano. I mean the first episode is pretty mean,

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<v Speaker 3>and then this episode's pretty mean. I mean, this is yeah,

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<v Speaker 3>it does he deserve to become like Satan's ghoulish radio DJ.

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<v Speaker 3>Probably not, but and it's also essentially implied. It's not

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<v Speaker 3>essentially implied. It is more or less said outright that

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<v Speaker 3>the devil is the one who did all of this

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<v Speaker 3>shit to him to make him like this. So it's like,

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<v Speaker 3>wait a second here, this isn't even you're not even

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<v Speaker 3>playing fair. I mean, who expects the devil to play

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<v Speaker 3>fair too?

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<v Speaker 1>By the way, nobody's calling in with any real problems.

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<v Speaker 1>Heady bullshit, right, so like who cares. It's not like

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<v Speaker 1>people are calling in and going like I don't know

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<v Speaker 1>what to do. My child is dying, and he's like,

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<v Speaker 1>fuck you and your child, Like I wytn't just smother him,

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<v Speaker 1>mother pillow.

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<v Speaker 3>It's not like that, right though. No, it's like you're

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<v Speaker 3>a watchman. You just like to sit and watch people,

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<v Speaker 3>like what the fuck is this guy's problem? Dude? I

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<v Speaker 3>mean but again, like you, like you said father moment,

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<v Speaker 3>like I understand what his problem is. This guy has

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<v Speaker 3>had like every bad thing happened to him. Ever, is

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<v Speaker 3>what it feels like like, this show's moral compass always

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<v Speaker 3>points in a very strange direction, and rarely does it

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<v Speaker 3>point the direction I would assume it's going to point.

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<v Speaker 3>And this is one of those episodes where it's like, sure,

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<v Speaker 3>he deserves to be damned to hell forever, You're right,

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<v Speaker 3>all right, Sure, I'll follow that.

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<v Speaker 1>This show has inherited a lot of the bitterness of

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<v Speaker 1>the original Twilight, so they are totally the kind where

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<v Speaker 1>that makes Burgess Meredith just for being a book where

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<v Speaker 1>I break his glasses like that, that that spirit lives

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<v Speaker 1>beating hard and strong hair and fails from the dark side.

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<v Speaker 3>But that would but this show would go one step

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<v Speaker 3>further and have Burgess Meredith be blinded.

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<v Speaker 1>That's true.

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<v Speaker 3>Yeah, yeah, he falls down and just blinds himself by accident.

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<v Speaker 3>That's how this show would go, because this show pushes

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<v Speaker 3>it just that little notch more, which I appreciate obviously.

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<v Speaker 3>Like for me, this show pulls the trigger when it

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<v Speaker 3>needs to and look, well, while Luther Mandrake doesn't maybe

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<v Speaker 3>deserve to be damn to hell in the context of

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<v Speaker 3>the story, this guy's kind of a piece of shit.

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<v Speaker 3>I mean, he's maybe not the biggest piece of shit,

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<v Speaker 3>and it turns out that the Devil was not playing fair.

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<v Speaker 1>But when does it ever right?

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<v Speaker 3>Exactly what I really want to Georgia.

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<v Speaker 1>That's when what I really liked in the episode is

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<v Speaker 1>it begins with Mandrake arriving and he's complaining. He's apologizing

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<v Speaker 1>for being late and complaining for the reason, which is

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<v Speaker 1>there was a dead guy outside his apartment, and it's

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<v Speaker 1>him like in the end, Like I just thought that

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<v Speaker 1>was like and nice, Yeah, but I also see all

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<v Speaker 1>of the cheese that was involved in the episode with

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<v Speaker 1>him just sort of railing against the problems of America

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<v Speaker 1>and you know that switchboard, that glowing thing that ugh,

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<v Speaker 1>that was not great, you know. And here I wrote

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<v Speaker 1>in my notes to things, these makeup changes are not subtle.

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<v Speaker 1>And then I also hear it, Ah wolf Man wolf

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<v Speaker 1>Man Stiller baby, Yep, he was. He was gotten pretty

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<v Speaker 1>wolfy pretty quickly. Like it's, like I said, not a

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<v Speaker 1>subtle effect. But I don't know. Ultimately, I like this episode.

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<v Speaker 3>I like that this show has spent a lot of

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<v Speaker 3>time getting these like old school actors into like ugly makeup,

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<v Speaker 3>like Jerry Stiller, Eddie Bracken, Like let's just get these

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<v Speaker 3>like classic comedic actors and make them look gross and

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<v Speaker 3>fucking weird, Like all right, sure, why not? Who cares?

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<v Speaker 1>What I love is all these old school actors are game?

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<v Speaker 3>Yeah, oh totally yeah. Fuck yah Chuck McCann talking to

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<v Speaker 3>some aliens. The best one still, Frankly, that one will

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<v Speaker 3>stick with me forever.

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<v Speaker 2>As it should.

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<v Speaker 3>Right, that was the.

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<v Speaker 1>Point, all right? Moving on? Our next episode is Distant Signals.

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<v Speaker 1>This is season two, episode eight. It aired originally on

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<v Speaker 1>November the seventeenth, nineteen eighty five. Written by Ted Gershooni.

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<v Speaker 1>Written by Ted Gershooni from a story by Andrew Wiener,

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<v Speaker 1>directed by Bill Travis. This one's starring a trio of spooksters,

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<v Speaker 1>Colchak and X Files and Millennium Darren McGavin and Twin

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<v Speaker 1>Peaks is Lenny von Dollen and the Ghostbusters mayor David Margallies.

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<v Speaker 1>This is about a mysterious businessman who reunites the creator

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<v Speaker 1>and actor from a fifties detective series that was canceled

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<v Speaker 1>mid season to film a new ending for an audience

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<v Speaker 1>not from around here. What do you think of this one?

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<v Speaker 3>Chris so Galaxy quis right, That's what this reminded me of.

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<v Speaker 3>I mean one, I mean, yeah, yeah, well, I mean

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<v Speaker 3>it's this. When I realized where this was going, I

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<v Speaker 3>was like, oh my god, that's what this is. Huh.

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<v Speaker 3>And look what's funny is on top of everything else,

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<v Speaker 3>it's oddly prescient about legacy sequels and the return of

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<v Speaker 3>like TV shows from twenty or thirty years ago. What

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00:16:55.919 --> 00:16:59.559
<v Speaker 3>can you let me? Wan Dolan literally from Twin Peaks.

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<v Speaker 2>I think it was by the time the return.

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<v Speaker 3>Yeah right, But I mean if he had been alive,

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<v Speaker 3>he totally would have been in it, right, I mean,

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<v Speaker 3>I mean everybody else was literally Everett McGill showed back

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<v Speaker 3>up and he hadn't done shit for what the lolling time.

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<v Speaker 2>Missing an action. I remember David Lynch putting out a

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00:17:15.559 --> 00:17:17.960
<v Speaker 2>call at the same way. Know where ever McGill is

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<v Speaker 2>he alive.

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<v Speaker 3>But you know, with something like this, there's a lot

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<v Speaker 3>going on here that feels very contemporary in a way

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<v Speaker 3>that I was not expecting. But it does feel like

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<v Speaker 3>other things that have come out since that are I mean,

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<v Speaker 3>for me, Galaxy Quest is the top of the pile

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<v Speaker 3>of these kinds of things for a lot of reasons.

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<v Speaker 3>But actually really liked this and I think it was

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<v Speaker 3>really good. In Luck Dade. We had to talk about

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<v Speaker 3>Dearren McGavin. Mike, what's up with that? I know, so

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<v Speaker 3>excited we go dear McGavin again just for a little bit.

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<v Speaker 2>Didn't even realize it was him at first, and then

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<v Speaker 2>I was like, oh, holy shit. As soon he started talking,

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00:17:53.400 --> 00:17:56.359
<v Speaker 2>I was like, oh wow, this is great. Yeah. I

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<v Speaker 2>was just already tickled pink just to see Harold from

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<v Speaker 2>Twin Peaks come back or whatever his character's name was

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<v Speaker 2>in Electric Dreams. I mean, he plays that creepy alien

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<v Speaker 2>so perfectly, and he always has that other world that

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<v Speaker 2>they look with those like light blue eyes and the

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00:18:13.839 --> 00:18:16.680
<v Speaker 2>dark hair. I thought that he was perfect in that role.

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<v Speaker 2>And I really liked just this whole thing. Yes, even

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<v Speaker 2>though I'm a big fan of Galaxy Quest and I

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<v Speaker 2>know this is coming much earlier, and I kind of

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<v Speaker 2>want to track down the Andrew Weener Distance Signals story

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<v Speaker 2>to read it and see how much that is, you know,

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<v Speaker 2>how close it is to this is and how close

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<v Speaker 2>it is to Galaxy Quest, because yeah, this just felt

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<v Speaker 2>so much like that and I appreciated it though, and

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<v Speaker 2>I'd like this whole idea of like, you know, nobody

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<v Speaker 2>is ever going to see this other than the people

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<v Speaker 2>on my home planet Sea Pouci.

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<v Speaker 1>Out excellent comparison there, because this reminds me of an

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<v Speaker 1>episode of Futurama called When Aliens Attack, where Aliens are

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<v Speaker 1>going to destroy Earth unless they get the final episode

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00:18:58.880 --> 00:19:02.039
<v Speaker 1>of Single Female, which is a parody of Ali McBeal

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<v Speaker 1>a character named mc neil. It's one of the best

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<v Speaker 1>episodes of Futurama. It is this exact lot.

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<v Speaker 2>Wow, that's funny.

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00:19:12.359 --> 00:19:14.400
<v Speaker 3>Who would want to watch a show in black and white?

355
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<v Speaker 2>Really?

356
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<v Speaker 3>Who would know a network would ever air such a thing?

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<v Speaker 3>The funniest just like.

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<v Speaker 2>The articles about the Ripley series that.

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<v Speaker 1>Was just oh yeah, right, that put That did put

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<v Speaker 1>off a lot of people. Actually, yeah, what's funny is

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<v Speaker 1>that the Twin Peaks the Return thing like immediately sprang

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<v Speaker 1>to mind. Thanks to Lenny von Dolan's involvement here, this

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<v Speaker 1>in fact, could be a documentary of how that show

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<v Speaker 1>got made. Twin Peaks yeps, you know, I could totally

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<v Speaker 1>see they send some fucking total weirdo. We're just like,

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<v Speaker 1>I've got gold bars everybody, you know.

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<v Speaker 3>The people that I represent have lots more gold bars.

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<v Speaker 1>Where that came from?

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<v Speaker 3>As well. What did you say about gold Bars. Yeah,

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<v Speaker 3>if it's a little.

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<v Speaker 1>Weird that the show that they end up producing doesn't

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<v Speaker 1>take place in the seventies, Like I know that they

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<v Speaker 1>try and age everybody down and everything, but like if

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<v Speaker 1>you're on that planet waiting for the next episode and

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<v Speaker 1>suddenly you get this Darren McGavin, you'd be like, wait,

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00:20:15.200 --> 00:20:18.319
<v Speaker 1>what happened? Did they falter a time warp? Like? And

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<v Speaker 1>I'm sure those questions are valid on that planet, like

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00:20:21.039 --> 00:20:22.559
<v Speaker 1>what happened? Like why?

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<v Speaker 2>Well? And I imagine they have to be kind of

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<v Speaker 2>speaking to Darren McGavin as Mike camer when you with him,

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00:20:29.759 --> 00:20:33.039
<v Speaker 2>you know, years before Colechak. I'm sure that they I

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00:20:33.039 --> 00:20:34.839
<v Speaker 2>wouldn't be surprised as if I went back and watched

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00:20:35.000 --> 00:20:36.799
<v Speaker 2>Mike camera if it was kind of cripping from the

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00:20:36.799 --> 00:20:40.480
<v Speaker 2>dialogue and stuff, just very typical Gribby stuff. And I

385
00:20:40.680 --> 00:20:44.000
<v Speaker 2>like that they finally solved the mystery. I thought that

386
00:20:44.079 --> 00:20:45.960
<v Speaker 2>was kind of nice that we actually get to see it.

387
00:20:46.000 --> 00:20:47.839
<v Speaker 2>I thought that they were going to keep that from us.

388
00:20:48.200 --> 00:20:51.279
<v Speaker 1>Yeah, I thought we did spend a lot of time

389
00:20:51.319 --> 00:20:54.000
<v Speaker 1>at the end with the actual episode of the series

390
00:20:54.079 --> 00:20:57.160
<v Speaker 1>a little too long, maybe because that it's not great.

391
00:20:57.160 --> 00:21:00.359
<v Speaker 1>It is very cliche The long whilest Brother, And although

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00:21:00.359 --> 00:21:04.240
<v Speaker 1>I did enjoy McGavin pirouetting before he shot his brother,

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<v Speaker 1>and then I also loved by the way, how fucking

394
00:21:07.519 --> 00:21:10.599
<v Speaker 1>blaise Like he's like, I'm your long lost older brother,

395
00:21:10.880 --> 00:21:14.640
<v Speaker 1>pirowett bang sayya, just like saunters off into the sunset.

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00:21:14.680 --> 00:21:18.920
<v Speaker 1>That's the end. I hope you enjoy that, Aliens, I.

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<v Speaker 3>Got to see the end of the series of the

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00:21:20.559 --> 00:21:21.680
<v Speaker 3>historical documents.

399
00:21:21.960 --> 00:21:24.599
<v Speaker 1>Yes, you know, it's kind of a silly episode in

400
00:21:24.640 --> 00:21:28.039
<v Speaker 1>some ways, but in other ways it feels like, you know,

401
00:21:28.599 --> 00:21:31.599
<v Speaker 1>I love that it forces in this episode, and I

402
00:21:31.599 --> 00:21:34.640
<v Speaker 1>think this is just true in general, where creators are

403
00:21:34.680 --> 00:21:37.839
<v Speaker 1>forced to reevaluate their past work, the kind that they've

404
00:21:37.839 --> 00:21:41.640
<v Speaker 1>shrugged off like that it's insignificant because it started that

405
00:21:41.640 --> 00:21:43.880
<v Speaker 1>they did it in like an early portion of their life.

406
00:21:43.920 --> 00:21:46.359
<v Speaker 1>But this might as well be called comic con circuit

407
00:21:46.559 --> 00:21:49.599
<v Speaker 1>as far as an episode goes, because actors and creators

408
00:21:49.640 --> 00:21:51.880
<v Speaker 1>are so dismissive of genre work for so long, and

409
00:21:51.880 --> 00:21:54.000
<v Speaker 1>then they realized, like that's where the money is, but

410
00:21:54.079 --> 00:21:56.440
<v Speaker 1>not only that, like that's where the genuine affection for

411
00:21:56.559 --> 00:21:59.839
<v Speaker 1>them is. And I thought that like really came across

412
00:22:00.119 --> 00:22:03.880
<v Speaker 1>in this episode, even with the bullshit psycho ending where

413
00:22:04.000 --> 00:22:07.319
<v Speaker 1>McGavin wonders aloud if they were really aliens or not,

414
00:22:07.359 --> 00:22:10.359
<v Speaker 1>It's like we already know, man. I mean, it was

415
00:22:10.440 --> 00:22:12.759
<v Speaker 1>nice to see. It was nice to see the Empire

416
00:22:12.799 --> 00:22:15.319
<v Speaker 1>State Building making a cameo in the background here, but

417
00:22:16.039 --> 00:22:18.279
<v Speaker 1>I don't know that we needed that at the very end.

418
00:22:18.680 --> 00:22:20.400
<v Speaker 3>I love that monologue at the end. It was so

419
00:22:20.640 --> 00:22:22.599
<v Speaker 3>on the nose. He punched me in the face over

420
00:22:22.640 --> 00:22:25.160
<v Speaker 3>and over again, just like, well, yeah, imagine, if you

421
00:22:25.200 --> 00:22:26.960
<v Speaker 3>will they were aliens.

422
00:22:27.480 --> 00:22:30.240
<v Speaker 2>It's so my body of coal check though you know,

423
00:22:30.559 --> 00:22:33.440
<v Speaker 2>he would posit stuff like yeah, perhaps this is a

424
00:22:33.720 --> 00:22:36.279
<v Speaker 2>you know, but it was so much happier than any

425
00:22:36.279 --> 00:22:37.920
<v Speaker 2>of the cases Colechack was on.

426
00:22:38.680 --> 00:22:40.359
<v Speaker 3>I'll pull a red letter media and say that it

427
00:22:40.400 --> 00:22:43.240
<v Speaker 3>reminds me specifically of the end of the alien Autopsy

428
00:22:43.319 --> 00:22:46.880
<v Speaker 3>video hosted by Jonathan Fraakes, where he goes, listen, if

429
00:22:46.920 --> 00:22:49.160
<v Speaker 3>you will, if this was a real alien. It's like,

430
00:22:49.200 --> 00:22:52.240
<v Speaker 3>where is this coming from, Darren McGavin. Oh, is this

431
00:22:52.279 --> 00:22:55.480
<v Speaker 3>because he was given that pill? Is that one that's.

432
00:22:55.799 --> 00:23:00.240
<v Speaker 1>In this bill? Because I hate in that next scene, no.

433
00:23:00.359 --> 00:23:04.599
<v Speaker 3>Bots or I heard possibly if he wasn't alien, there

434
00:23:04.640 --> 00:23:08.720
<v Speaker 3>was some black goo out there that might have helped him.

435
00:23:09.440 --> 00:23:12.279
<v Speaker 3>You become a better human because of it's the Prometheus strain,

436
00:23:12.319 --> 00:23:13.839
<v Speaker 3>I think is what it was called. I don't know,

437
00:23:13.920 --> 00:23:19.039
<v Speaker 3>maybe maybe you guys have heard about that. Yeah, it's

438
00:23:19.079 --> 00:23:22.519
<v Speaker 3>part of the life just drains from your face because

439
00:23:22.519 --> 00:23:24.440
<v Speaker 3>I just refuse to acknowledge any of this.

440
00:23:24.880 --> 00:23:30.359
<v Speaker 1>No, I'm exhaling. Well, uh, speaking of Gavin and like

441
00:23:30.519 --> 00:23:32.240
<v Speaker 1>how good he looks here. It was great to see

442
00:23:32.240 --> 00:23:34.200
<v Speaker 1>that shock of red hair again. I don't know, I'm

443
00:23:34.240 --> 00:23:36.440
<v Speaker 1>so used to seeing him from the eighties on where

444
00:23:36.440 --> 00:23:38.960
<v Speaker 1>it was kind of a little more faded here, but

445
00:23:39.039 --> 00:23:42.279
<v Speaker 1>here it's like whoa, yeah, that's that's an irishman right there.

446
00:23:44.799 --> 00:23:44.960
<v Speaker 2>Yeah.

447
00:23:45.000 --> 00:23:46.880
<v Speaker 1>I wrote down what was in those pills because I

448
00:23:46.920 --> 00:23:49.359
<v Speaker 1>want them. This is John Harrison directing the episode, so

449
00:23:49.400 --> 00:23:51.880
<v Speaker 1>it's really cinematic. It's really well shot. Actually, on top

450
00:23:51.960 --> 00:23:54.319
<v Speaker 1>of everything else, including the recreation of the of the

451
00:23:54.359 --> 00:23:57.839
<v Speaker 1>fifties television series, the high marks all around the writing

452
00:23:57.920 --> 00:24:00.680
<v Speaker 1>and the direction this episode and the acting like overorld

453
00:24:01.000 --> 00:24:02.759
<v Speaker 1>like that. I don't know why we've hit such a

454
00:24:02.759 --> 00:24:05.680
<v Speaker 1>fucking hot streak with Tails from the Dark Side lately.

455
00:24:05.759 --> 00:24:07.559
<v Speaker 1>I don't want to look this fucking gift to us

456
00:24:07.559 --> 00:24:10.640
<v Speaker 1>in the mouth or anything, but like second season about now,

457
00:24:10.680 --> 00:24:13.319
<v Speaker 1>we'd be going, oh, I don't feel so good in

458
00:24:13.359 --> 00:24:15.519
<v Speaker 1>any other series. So this is a bit heartening.

459
00:24:16.400 --> 00:24:19.680
<v Speaker 3>It's a lot hardening. Yeah. No, I'm very glad that

460
00:24:19.720 --> 00:24:23.799
<v Speaker 3>we are having good experiences with this show because I'm

461
00:24:23.880 --> 00:24:27.519
<v Speaker 3>coming especially for you and I father alone where you know,

462
00:24:27.559 --> 00:24:31.160
<v Speaker 3>the original version of this show, like you know, once

463
00:24:31.200 --> 00:24:32.920
<v Speaker 3>we did Tales from the Crypt, it was like, we

464
00:24:33.000 --> 00:24:35.599
<v Speaker 3>really like that show was just a slog in a

465
00:24:35.640 --> 00:24:37.759
<v Speaker 3>lot of ways towards the end, and like we have

466
00:24:37.839 --> 00:24:40.960
<v Speaker 3>never experienced that, the three of us, thankfully, but we

467
00:24:41.039 --> 00:24:44.599
<v Speaker 3>got close with some of them mercifully.

468
00:24:45.000 --> 00:24:47.680
<v Speaker 1>The series that we've been handling since Tails from the

469
00:24:47.720 --> 00:24:51.920
<v Speaker 1>Crypt only run about three to four season eight seasons.

470
00:24:52.000 --> 00:24:54.359
<v Speaker 1>Yeah exactly that Tails from the Crypt is a beast

471
00:24:54.440 --> 00:24:55.240
<v Speaker 1>of a series.

472
00:24:55.519 --> 00:24:57.279
<v Speaker 3>You lucked out, Mike, He looked out by.

473
00:24:57.200 --> 00:24:58.640
<v Speaker 1>Not having that you fucking did.

474
00:24:58.759 --> 00:25:03.039
<v Speaker 3>Man, Hey, I did that show fucking twice. No, I

475
00:25:03.240 --> 00:25:05.400
<v Speaker 3>really know, I'm the pun it. I'm the sucker for

476
00:25:05.480 --> 00:25:09.920
<v Speaker 3>punishment is the reality on this one. Yeah, yeah, yeah, yeah, yeah, yeah.

477
00:25:10.079 --> 00:25:13.160
<v Speaker 2>I was just looking up distant signals the story, and

478
00:25:13.559 --> 00:25:15.480
<v Speaker 2>I know father alone. I think I gave you a

479
00:25:15.480 --> 00:25:19.200
<v Speaker 2>whole collection of twilight Zone magazine and something that I'm

480
00:25:19.200 --> 00:25:21.160
<v Speaker 2>going to have to try to find those again because

481
00:25:21.200 --> 00:25:24.799
<v Speaker 2>I think it was published initially in that, which is

482
00:25:24.839 --> 00:25:29.240
<v Speaker 2>ironic since we're talking about twilight Zone nineteen eighty four

483
00:25:29.400 --> 00:25:33.119
<v Speaker 2>in the May June episode or sorry issue, and then

484
00:25:33.559 --> 00:25:36.519
<v Speaker 2>looks like it's also in the Tales from the Dark

485
00:25:36.519 --> 00:25:40.279
<v Speaker 2>Side book that was edited by Tom Allen, so those

486
00:25:40.279 --> 00:25:42.200
<v Speaker 2>are at least two places where you can get it.

487
00:25:42.240 --> 00:25:45.519
<v Speaker 2>I was looking at a collection of his stories, Distant

488
00:25:45.599 --> 00:25:49.240
<v Speaker 2>Signals and other stories, and that is cost prohibitive right

489
00:25:49.279 --> 00:25:51.799
<v Speaker 2>now every place you look. So I had that going

490
00:25:51.839 --> 00:25:53.400
<v Speaker 2>to start at thirty dollars.

491
00:25:54.079 --> 00:25:55.799
<v Speaker 1>I had the book as a kid, that tell Us

492
00:25:55.799 --> 00:25:57.240
<v Speaker 1>from the dark Side book, so I know I've read

493
00:25:57.240 --> 00:25:58.759
<v Speaker 1>the short story, but I could not tell you what

494
00:25:58.799 --> 00:26:02.440
<v Speaker 1>the differences are like at this point, I'm loath to

495
00:26:02.519 --> 00:26:04.319
<v Speaker 1>think that I actually still have it and it's in

496
00:26:04.480 --> 00:26:08.599
<v Speaker 1>storage right now, but it's actually a fucking distinct possibility

497
00:26:08.640 --> 00:26:11.359
<v Speaker 1>because I can imagining the cover in my mind right now.

498
00:26:12.839 --> 00:26:14.960
<v Speaker 3>But I made an impact. We're talking about the show

499
00:26:14.960 --> 00:26:17.519
<v Speaker 3>in twenty twenty four for a fucking reason, aren't we.

500
00:26:17.799 --> 00:26:19.599
<v Speaker 3>I don't think anybody else is talking about this show

501
00:26:19.680 --> 00:26:24.599
<v Speaker 3>right now, so the fools, I like you guys have

502
00:26:24.680 --> 00:26:26.720
<v Speaker 3>both said I've been enjoying this show more than I

503
00:26:26.720 --> 00:26:29.400
<v Speaker 3>think I've enjoyed anything else we've talked about, because everything

504
00:26:29.480 --> 00:26:32.400
<v Speaker 3>has been pretty good, And even the episodes of this

505
00:26:32.440 --> 00:26:35.519
<v Speaker 3>show that have not been great, I think are still

506
00:26:35.599 --> 00:26:38.359
<v Speaker 3>better than a lot of the middle of the road

507
00:26:38.400 --> 00:26:39.839
<v Speaker 3>stuff we saw on a lot of the things we

508
00:26:39.920 --> 00:26:41.920
<v Speaker 3>watched up to this point. I mean, this show, I

509
00:26:41.920 --> 00:26:44.720
<v Speaker 3>think is just consistently good, too great. I mean, there

510
00:26:44.759 --> 00:26:46.920
<v Speaker 3>have been a couple of clunkers, but a couple of

511
00:26:47.000 --> 00:26:50.640
<v Speaker 3>clunkers is not much compared to clunker after clunker after

512
00:26:50.680 --> 00:26:52.920
<v Speaker 3>a clunker, like Tails from the crypt Or. I mean,

513
00:26:53.799 --> 00:26:56.079
<v Speaker 3>I want to say night and that wasn't Night Gallery,

514
00:26:56.200 --> 00:27:00.359
<v Speaker 3>it was Twilet's one eighty five had some rough us

515
00:27:00.400 --> 00:27:02.160
<v Speaker 3>towards the end of that show, some that are like,

516
00:27:02.200 --> 00:27:05.000
<v Speaker 3>we don't even remember recording those episodes because they were

517
00:27:05.000 --> 00:27:06.480
<v Speaker 3>so unbelievably bad.

518
00:27:06.920 --> 00:27:10.680
<v Speaker 1>Yeah, mercifully, that's not going on here, hopefully. No, that's like, oh,

519
00:27:11.039 --> 00:27:13.400
<v Speaker 1>knock on wood, I guess.

520
00:27:12.680 --> 00:27:15.480
<v Speaker 3>Marrow Baby, Yeah, de Ramire, it's the Romero of it.

521
00:27:15.519 --> 00:27:18.799
<v Speaker 1>All yeah, Well, speaking of episodes of this show, on

522
00:27:18.839 --> 00:27:21.039
<v Speaker 1>the next episode of Midnight View, we'll be taking a

523
00:27:21.039 --> 00:27:23.440
<v Speaker 1>look at the next two episodes of season two of

524
00:27:23.480 --> 00:27:25.960
<v Speaker 1>Tales from the dark Side. Those are The Trouble with

525
00:27:26.079 --> 00:27:30.400
<v Speaker 1>Mary Jane and ursa minor Midnight Viewing. The Horror Anthology

526
00:27:30.440 --> 00:27:33.079
<v Speaker 1>podcast is a proud member of weirding Way Media group.

527
00:27:33.119 --> 00:27:35.920
<v Speaker 1>Our theme song was composed by HP with an assist

528
00:27:35.920 --> 00:27:38.960
<v Speaker 1>by Donald Rubinstein. Until next time. What are you working

529
00:27:38.960 --> 00:27:41.480
<v Speaker 1>on and where can people find it? Chris Stasher.

530
00:27:42.599 --> 00:27:44.839
<v Speaker 3>Culture Cast is the podcast that I do and can

531
00:27:44.920 --> 00:27:47.160
<v Speaker 3>be found over weirding Way Media along with all the

532
00:27:47.200 --> 00:27:49.079
<v Speaker 3>other things that I do. But that's the weekly show

533
00:27:49.079 --> 00:27:51.400
<v Speaker 3>that I do, and I do it once a week,

534
00:27:51.559 --> 00:27:53.680
<v Speaker 3>and that's and I'm sticking to it, and I'm about

535
00:27:53.720 --> 00:27:57.119
<v Speaker 3>to release episode six hundred and sixty six, Signed the Beast,

536
00:27:57.359 --> 00:28:00.880
<v Speaker 3>so y, yeah, there you go. I'm not seven hundred yet,

537
00:28:00.920 --> 00:28:03.480
<v Speaker 3>We're getting close. It'll take another, you know, year, but

538
00:28:03.680 --> 00:28:06.960
<v Speaker 3>you know, congratulations to the man here with seven hundred episodes,

539
00:28:07.039 --> 00:28:09.400
<v Speaker 3>because he's he's the one charting the course for the

540
00:28:09.400 --> 00:28:11.400
<v Speaker 3>rest of us. But where you can find my stuff

541
00:28:11.440 --> 00:28:16.160
<v Speaker 3>is Weirdingwaymedia dot com. What about you, Mike Waite, I got.

542
00:28:15.960 --> 00:28:21.839
<v Speaker 2>No problem with Marya Jane. You know what I'm saying. Anybody, Yeah,

543
00:28:21.960 --> 00:28:25.079
<v Speaker 2>as for me? Yeah, Also, we need calm where you

544
00:28:25.079 --> 00:28:27.039
<v Speaker 2>can find all the stuff that I work on, except

545
00:28:27.079 --> 00:28:29.400
<v Speaker 2>for one thing that Chris and I work on with

546
00:28:29.400 --> 00:28:33.039
<v Speaker 2>our friend Richard shirt Adam that is ranking on bond

547
00:28:33.039 --> 00:28:35.680
<v Speaker 2>and you can get that over at our patreons patreon

548
00:28:35.720 --> 00:28:39.240
<v Speaker 2>dot com slash Production Booth or patreon dot com slash

549
00:28:39.319 --> 00:28:42.480
<v Speaker 2>Culture Cast. That's Culture with K and cast with the C.

550
00:28:43.319 --> 00:28:46.640
<v Speaker 2>That's right, baby, you want to stay away from having

551
00:28:46.640 --> 00:28:47.440
<v Speaker 2>too many keys in.

552
00:28:47.400 --> 00:28:49.440
<v Speaker 3>That name, boy, don't we yes?

553
00:28:49.839 --> 00:28:51.200
<v Speaker 2>And how about you find them alone?

554
00:28:51.400 --> 00:28:51.599
<v Speaker 3>Oh?

555
00:28:51.759 --> 00:28:54.680
<v Speaker 1>Same thing. Listen to midnine Viewing, Listen to my show

556
00:28:54.799 --> 00:28:59.720
<v Speaker 1>Dark Destinations, Listen to HP show Night Mister Walton is

557
00:28:59.759 --> 00:29:02.799
<v Speaker 1>a t podcast I co host over there, and you know,

558
00:29:03.039 --> 00:29:05.400
<v Speaker 1>like Projection Booth and the Culture Cast, I'm a guest

559
00:29:05.440 --> 00:29:07.000
<v Speaker 1>over there a bunch of things, so look look those

560
00:29:07.079 --> 00:29:09.160
<v Speaker 1>up too. Anyway, Thank you all for joining us here

561
00:29:09.160 --> 00:29:14.160
<v Speaker 1>at midnight viewing. Until next time, try to enjoy the daylight. Sorry,

562
00:29:14.200 --> 00:29:15.759
<v Speaker 1>I have a dog looking my feet.

563
00:29:17.119 --> 00:29:18.960
<v Speaker 3>We hear from that, I used it. End the episode.

564
00:30:01.079 --> 00:30:03.720
<v Speaker 3>Stop st
