Speaker 1: The National Broadcasting Company presents Radio City Playhouse Attraction three
Speaker 1: of Unsound Mine stars the lovely and talented young American
Speaker 1: actress Gene Tatum as Myra. The script was written by
Speaker 1: Harry W. Jenkins, who also directs the production. Here is
Speaker 1: Radio City Playhouse Attraction three of Unsound Mine.
Speaker 2: I tell you, Jeff, I won't do it. I won't
Speaker 2: live with a man who's insane.
Speaker 3: He isn't insane. You married to him, and you will
Speaker 3: live with him for a while at any rate.
Speaker 2: Can I tell you I can't. I can't bear living
Speaker 2: with him any longer.
Speaker 3: Oh, reputations in this town are pretty well shot. Myra.
Speaker 3: If you leave Caleb. Now I care about public opinion,
Speaker 3: well I do. It means my bread and butter.
Speaker 1: Just just see.
Speaker 2: It makes me sick.
Speaker 3: Now.
Speaker 4: Look, he's been four years in the Air Force, two
Speaker 4: years in this nut house.
Speaker 3: Now he's cured. Six years. You've been spending his money
Speaker 3: and having yourself quite a happy time with it.
Speaker 5: Well, now you're going to turn into a sweet, devoted,
Speaker 5: little Baltimore housewife.
Speaker 3: You'll go to Wendy Hill and get him, and you'll
Speaker 3: bring him home and live with him. Jeff, he's crazy,
Speaker 3: he's nothing at a sort of Doctor Hamilton wouldn't let
Speaker 3: him come home. And Hamilton's one of the leading psychiatric Manamcotlay.
Speaker 2: I can't stand it that fall. I can't live with
Speaker 2: a man that's insane.
Speaker 3: He's not insane and York.
Speaker 6: Go up to Wendy Hill and get him.
Speaker 2: Doctor Hamilton before I take Caleb home from here? Is
Speaker 2: there anything else I should know?
Speaker 7: I don't think so. He's completely cured. Just be kind
Speaker 7: to him, that's all.
Speaker 2: Oh, I will, I will. I've waited so long for
Speaker 2: this day. I've been pretty lone to doctor Hamilton.
Speaker 7: I'm sure you are. Caleb's a fine man.
Speaker 2: There's no danger of a relax.
Speaker 7: It's so remote missus Hunt that I'd say there's no
Speaker 7: danger at all. Two or three things still bother him.
Speaker 7: A fire, for instance, and traffic. He shouldn't drive a
Speaker 7: car for a few months.
Speaker 2: We've tried a little motor trip in New York. Shouldn't
Speaker 2: let him drive.
Speaker 7: No, positively, no driving. He got excited or if something
Speaker 7: startled him, he might freeze to the wheel. Just try
Speaker 7: to keep him as relaxed as possible mentally and physically.
Speaker 2: Yes, of course, I will tell me doctor Hamilton, Just
Speaker 2: what did you do to Caleb?
Speaker 7: You picked him up on We've done a great deal,
Speaker 7: missus hunt. He put a tantulum plate in his head,
Speaker 7: you see, when his plane crashed. The wound in his
Speaker 7: head resulted in an actual breakdown of brain tissue. That
Speaker 7: part is healed now he needs some rest and a
Speaker 7: lot of happiness.
Speaker 2: And you does it hurt this place? There?
Speaker 7: Not of bed and he is cured.
Speaker 2: Oh, completely, will owe you a great deal, doctor Hamm.
Speaker 7: Nonsense, my dear, nonsense. Oh tell me what are your plans?
Speaker 7: And yes, where we live.
Speaker 2: Right here in Baltimore. We're driving from New York. Sort
Speaker 2: of a second honeymoon. Oh, I see, then we'll come
Speaker 2: back here.
Speaker 7: Good trip will do him good er, Let him make
Speaker 7: the decisions where to eat and what to do.
Speaker 3: You know it'll er give him.
Speaker 8: Confidence in himself.
Speaker 2: I'll do everything I can. Good.
Speaker 7: Now, you'd better go and find him. He's waiting for
Speaker 7: you in the reception room on the first floor. I've
Speaker 7: already said my good byes to him. So go on
Speaker 7: your motor trip to New York and never think of
Speaker 7: Windy Hill again.
Speaker 2: You are right, Caleb, I'm fine, I hope you didn't
Speaker 2: mind my suggesting your draw Really, I was exhausty.
Speaker 1: No, I'm fine.
Speaker 3: It's good for me.
Speaker 1: I've got to get over these crazy notions.
Speaker 2: We just to doctor Hamilton said that you shouldn't do
Speaker 2: any driving. I should never have suggested it.
Speaker 1: I don't know how to forget it. I'm fine, Really,
Speaker 1: don't go do that. I relax, Myra, I'm fine. Get it.
Speaker 9: Take your hands off a wheel, you know, pen stations,
Speaker 9: parloc our reservations.
Speaker 1: Please, Who on earth are you phoning at seven o'clock
Speaker 1: in the morning our reservation?
Speaker 2: This is missus Caleb Haunt. We made fifteen Walter Victoria.
Speaker 2: Could i'd possibly get two chairs in a parlor car
Speaker 2: to Baltimore this morning?
Speaker 3: Wi?
Speaker 1: What are you?
Speaker 2: I can't hear. Yes to Baltimore. Yes, my husband isn't
Speaker 2: well and I want to get him home as quickly
Speaker 2: as possible.
Speaker 10: What do you mean I'm not well?
Speaker 2: What time does it leave? Oh well, how about eleven thirty?
Speaker 3: Why?
Speaker 1: Ral?
Speaker 2: That's very kind of you. Could we pick them up
Speaker 2: at the station?
Speaker 1: Goodness?
Speaker 2: Thank you very much, Hunt. That's right, right, c h
Speaker 2: eight fifteen wald up a historian. That's right, Thank you
Speaker 2: very much.
Speaker 1: Myra. I don't want to go home.
Speaker 2: Darling, go back to sleep.
Speaker 8: You need me?
Speaker 2: It up for an How are you?
Speaker 1: There's nothing the matter with me? And this is simply ridiculous.
Speaker 1: Why shouldn't we stay in New York and I have
Speaker 1: some fun? After all, neither of us was hurt.
Speaker 2: We might have been, Caleb, and then I didn't like that?
Speaker 1: Will I just shocked your nerves a shock to yours too.
Speaker 2: Isn't it not the same thing, Caleb? After all you've
Speaker 2: been ill, very ill.
Speaker 10: Nonsense?
Speaker 2: It isn't nonsense at all. I just want to take
Speaker 2: care of you, that's all.
Speaker 1: I don't need taking care of your own.
Speaker 2: Good darling.
Speaker 1: There's nothing the matter with me.
Speaker 10: I tell you.
Speaker 2: We do have to be careful, though, but.
Speaker 1: You don't have to whisk me back to Baltimore after
Speaker 1: one day in New York. Why we haven't seen a
Speaker 1: thing yet anyhow? How we get the car back, it'll
Speaker 1: take him at least a week to fix it.
Speaker 2: The car isn't as important to me as you are
Speaker 2: doing well.
Speaker 10: I'm not going.
Speaker 2: I love you so much that I'd never forgive myself
Speaker 2: if anything happened to you. I should never have let
Speaker 2: you drive. I feel personally responsible for the accident.
Speaker 1: If you kept your hands off the wheel, we wouldn't
Speaker 1: have had the accident. Oh, I'm sorry, Mara. I just
Speaker 1: wish you'd stop worrying about me.
Speaker 2: I'm not worrying about you, Caleb. I want to go.
Speaker 1: Home, all right. I'll go pick up the tickets myself.
Speaker 1: What times the train go every.
Speaker 2: Hour on the half hour, and we've chairs on the
Speaker 2: one at eleven thirty.
Speaker 11: Waiter?
Speaker 2: Are you sure you understand what you're supposed to do?
Speaker 1: Oh?
Speaker 3: What?
Speaker 8: But not?
Speaker 3: Why?
Speaker 2: My husband isn't well and I want to bring that
Speaker 2: home to it.
Speaker 1: I want him to.
Speaker 2: Realize that he's not normal. You see, he won't listen
Speaker 2: to me. My husband is back in the chair car.
Speaker 2: I'm going back now to get it. I'll be coming
Speaker 2: back to the diner in a few moments for lunch.
Speaker 2: You're to watch for us, and to be sure it's
Speaker 2: you who serves us. Is that cleary?
Speaker 3: Is, ma'am? Fifty dollars enough, y is, ma'am?
Speaker 2: You would handled properly. I'll give you fifty more. After all,
Speaker 2: for one hundred dollars. You shouldn't be two fucks, no, ma'am,
Speaker 2: and don't let him write out his order. You understand that. Yes,
Speaker 2: we'll let me look at the menu. You'll probably have
Speaker 2: the chickens or bring in something else, anything else, not
Speaker 2: so long as you bring him something different to what
Speaker 2: he ordered. You understand, yes, ma'am. All right, we'll be
Speaker 2: back in a few moments. Seeve if I've been up
Speaker 2: to the diner. There's a lineup. But I explained the
Speaker 2: situation to the waiter, and he said, he's see us
Speaker 2: right away.
Speaker 1: What situation it's time for?
Speaker 2: Lune kalen?
Speaker 3: What situation?
Speaker 2: Lunch? Darling?
Speaker 12: Come along the diners this way.
Speaker 1: You said you'd explain the situation to the waiter. What situation?
Speaker 11: We were hungry?
Speaker 1: I was being hungry a situation.
Speaker 2: Lelly said, you weren't awfully Well, that's all. Now, what's
Speaker 2: wrong with that? Would you prefer to stand in line
Speaker 2: for an hour?
Speaker 1: Okay, darling, let's see.
Speaker 2: Wait a minute. Here we are. Pardon, thank you? Excuse me,
Speaker 2: come calb, pardon, thank you? There we are. Now you
Speaker 2: sit down there, Caleb. You shouldn't ride at your back.
Speaker 3: To the engine. I'll hold your chair.
Speaker 2: Nineteen darling, sit down, eh, and now isn't that comfortable?
Speaker 2: I'm better than standing online.
Speaker 1: I'd feel better in line than on a leash. Myra, Calyb.
Speaker 1: You drag me along like a little lap dog.
Speaker 2: It's a very cruel thing to say.
Speaker 10: Kidd Oh, all right, I'm sorry.
Speaker 3: Let's order waiter.
Speaker 2: No, not you the other man.
Speaker 1: What difference does it.
Speaker 3: Make, Caleb?
Speaker 2: I gave him a tip together this table.
Speaker 1: He might as well service to good man.
Speaker 3: What'll you have?
Speaker 1: Myra, You've got a pencil waiting and beg you plunge.
Speaker 1: Don't we have to write our orders out?
Speaker 8: It's a haul riser.
Speaker 1: I'll take it down, but it'll it be Mara chilled.
Speaker 8: Guns's very nice, ma'am.
Speaker 2: All right, lamb chop and lionaise potatoes, small salad, and
Speaker 2: I guess the ice cream cake.
Speaker 8: Coffee, ma'am.
Speaker 2: Thank you.
Speaker 1: And for user, I'll have the chicken.
Speaker 10: No no, I think I'll have the roast lamb. Is
Speaker 10: it nice?
Speaker 3: Very nice? All right?
Speaker 1: Roast lamb, No soup, green peas, mashed potatoes, ice cream.
Speaker 13: Coffee, thank you, Lamb chopser for you, ma'am, thank you?
Speaker 8: And chicken for user.
Speaker 10: No, I ordered the lamb roast Lamb.
Speaker 2: It was chicken darling.
Speaker 1: No roast lamb will you change it please?
Speaker 8: I have chicken on my.
Speaker 2: Slip, Sir, it was chicken, darling.
Speaker 1: You said chicken, I said roast lamb. And I don't
Speaker 1: care what you've got on your slip. I want roast
Speaker 1: lam I'll get it, yes, right away.
Speaker 2: It was chicken dot It was not looking at us.
Speaker 8: I ordered roast lamb.
Speaker 12: All right, you're all right.
Speaker 1: Why do you say all right, dear like that? You
Speaker 1: know perfectly well I ordered the roast lamb. Let's not
Speaker 1: get excited. I'm excited to persist in treating me as
Speaker 1: though I were feeble minded.
Speaker 2: I suppose he's a pawn broker. You make quite a
Speaker 2: lot of money.
Speaker 8: I do all right. Old Moore's good town for pawn brokers.
Speaker 2: Well, I guess that's all. I'm sure you understand what
Speaker 2: to do.
Speaker 8: Yes, I know. Say listen, lady, what are you up to?
Speaker 2: That's none of your business. There's fifty dollars in it
Speaker 2: for you. Here's twenty five. I'll give you another twenty
Speaker 2: five if you do it properly. I'll take a good
Speaker 2: look at his picture.
Speaker 8: Yes, he's alone.
Speaker 2: And then when he comes in, what do you say?
Speaker 8: I say, hello, mister bank for your risk what.
Speaker 2: You're not very convincing.
Speaker 8: Look, lady, I'm a pawnbroker, not an actor.
Speaker 2: Once more.
Speaker 8: Okay, hello, mister, thank for yourrish watch.
Speaker 2: Better, here's the watch you. Remember you've never seen or
Speaker 2: heard of me. Remember you've never seen or heard of me.
Speaker 1: Okay, I'm coming.
Speaker 10: Myra. You forget your keys.
Speaker 1: Yes, as began to wonder where you were you been shopping? Yes,
Speaker 1: you buy anything exciting, haleebe.
Speaker 2: I'm very upset. Why did you pawn your watch? What?
Speaker 1: Your watch?
Speaker 2: The one you lost? Why did you pawn it?
Speaker 1: Heaven?
Speaker 2: Notice plenty of money. If you need any, you can
Speaker 2: go to the bank and get it.
Speaker 1: What are you talking about the watch?
Speaker 2: You said you lost?
Speaker 1: What do you mean said I lost? I did lose it.
Speaker 1: I left it on the wash basin, but I washed
Speaker 1: my hand.
Speaker 2: It just vanished into thin air.
Speaker 1: It wasn't there when I went back.
Speaker 2: Do you think somebody stole it?
Speaker 1: I think it'll turn up somewhere and around the house.
Speaker 2: I saw it in a pawn shop this afternoon in
Speaker 2: an I went in and looked at it. It had
Speaker 2: your initials on the back.
Speaker 1: Well, then, missus Archibald must have taken it and pawned it.
Speaker 1: I can't believe it.
Speaker 3: She's been with us for.
Speaker 2: Years, Caleb, don't I asked the man in the porn shop.
Speaker 2: He described the man who brought it in, and the
Speaker 2: description fitted you.
Speaker 1: Mirah.
Speaker 2: I did not pawn that watch, and somebody's lying somewhere.
Speaker 1: Who do you prefer to believe me or some character
Speaker 1: who runs a pawn shop? Are you implying that I
Speaker 1: pawned that watch without knowing it?
Speaker 2: Darling, Darling, Caleb, I'm implying nothing. I'm sorry I mentioned it.
Speaker 1: What's the name of the ponn don't forget it.
Speaker 2: I shouldn't have told you about.
Speaker 1: What's the name of that pawnshop?
Speaker 2: Mara the Royal Caley? Please don't go. It's no good, Caleb.
Speaker 2: I'll tell you it's no good. You don't upset yourself, Caleb.
Speaker 8: Please, did you see it?
Speaker 10: Yes?
Speaker 3: Is it yours? Yes?
Speaker 2: Did you get it back? Did he say you've got
Speaker 2: it in?
Speaker 1: Yes?
Speaker 12: Yes?
Speaker 1: Yes?
Speaker 3: Leave me alone?
Speaker 11: Leave me alone, really, Jeff, it was quite amusing. Pod
Speaker 11: Caleby was so befuddled.
Speaker 3: I don't like it, Myron.
Speaker 4: I mean that I don't like it's rotten trick, but
Speaker 4: I don't like it.
Speaker 2: Oh, don't be foolish, Jeff. We can't just go on
Speaker 2: like this. Somebody who's got to do something. Put your
Speaker 2: cigarette out, Jeff, your cigarette out? Kiss me?
Speaker 1: Yes, so strong, Jeff, so tough.
Speaker 2: Jeff, I love you. Kendel's flowers jump. You must have
Speaker 2: the wrong house.
Speaker 1: Missus Hunt.
Speaker 2: Yes, and Missus hunts and they're for you, lady, all right,
Speaker 2: thank you, thanks lady. Who is that your flowers arrived?
Speaker 10: Flowers?
Speaker 1: Caleb?
Speaker 2: They're gorgeous or you were always wonderful adming flowers?
Speaker 1: I didn't send you any flowers, Myra, who didn't? There's
Speaker 1: a card with them. Let me see it, Caleb.
Speaker 2: Doesn't matter, really, does it?
Speaker 1: Let me see that card? Caleb?
Speaker 2: Please?
Speaker 1: Who are they addressed to?
Speaker 2: Missus James c Hunt?
Speaker 3: Mother?
Speaker 1: But myrah mother's been dead for fifteen years.
Speaker 3: How could I.
Speaker 2: Doesn't matter, Darling. They're lovely and we'll pretend that.
Speaker 10: Let me see that.
Speaker 2: No, it doesn't matter, please please, Darling, don't worry about it.
Speaker 1: I think I'd better lie down, just lie down for.
Speaker 10: A little while.
Speaker 2: He was really there her music, Jeff, he couldn't believe it.
Speaker 2: Flowers to his mother after all these years.
Speaker 3: It's certainly not overburdened with conscience?
Speaker 2: Are you? I hate him, Jeff, him and his calm,
Speaker 2: handsome suffering.
Speaker 13: It's not like you.
Speaker 2: He's not not tough, not strong. It wasn't so stupid.
Speaker 2: He'd see through me. Really, The flowers stunned him addressed
Speaker 2: to his mother. She's been dead for years?
Speaker 3: How's he taking it?
Speaker 2: Just give me time, Mara.
Speaker 3: I don't like it. It's too vicious, too cruel.
Speaker 2: What's the matter with you, Jim?
Speaker 3: I don't like to see this in You're such a
Speaker 3: rotten trick.
Speaker 2: Yes, yes, don't you love me?
Speaker 3: You know I love you. It's well, I hate to
Speaker 3: see you acting like this, Jeff.
Speaker 1: That's better.
Speaker 2: Now, don't worry about Caleb. Just leave everything to me.
Speaker 3: It's getting like Mara. You better go. Somebody might see
Speaker 3: you leaving the apartment building. We've got to be very careful.
Speaker 2: I don't understand you, Jeff. Well, maybe i'd better be going.
Speaker 2: We have a late night tomorrow night. Caleb and I
Speaker 2: are going to the theater. Theyday's the marvel fun getting
Speaker 2: all dressed up, isn't the kilib Oh?
Speaker 10: Where the heck of those tickets?
Speaker 2: I put them in your pocket? Down?
Speaker 1: Oh oh, yeah, here I am, thank you.
Speaker 2: Tickets.
Speaker 10: Yeah, it is fun being in a white tie game.
Speaker 1: Oh here you are, thank you sir.
Speaker 10: Maybe after the show.
Speaker 3: Excuse me, sir, these.
Speaker 1: Tickets they're yes, they're for Friday the twenty second. That
Speaker 1: was last night, sir. What are you talking about? There
Speaker 1: for last night?
Speaker 11: Sir?
Speaker 1: This is the twenty third. But that's impossible. I know
Speaker 1: there for the night. Here here, let me see him
Speaker 1: what somebody's made a mistake. The box office gave me
Speaker 1: the wrong Sorry, so you're holding up the line. If
Speaker 1: you'd like to talk to the manager just to the
Speaker 1: right of the box office.
Speaker 12: Lives can't wake up, they live?
Speaker 2: Can missus dodgeball on her clothes?
Speaker 11: Everything she left us, she's gone, can't try to remember
Speaker 11: you've done something this time.
Speaker 1: I'm afraid afraid of what what are you talking about me?
Speaker 2: I got up this morning, Missus Archibald wasn't down. I
Speaker 2: went up to waker. I thought you must have go overslept.
Speaker 2: Her room was empty, the bed had been slept in,
Speaker 2: but she's gone. And then when I came downstairs again,
Speaker 2: I found your bedroom. Slip is in the hall, covered
Speaker 2: with mudgin No, Caleb, please try to remember you were
Speaker 2: outside the house sometime during the night. Can't you remember anything?
Speaker 10: Oh, I'm afraid.
Speaker 2: Surely you couldn't get up out of bed and go
Speaker 2: outside without remembering.
Speaker 3: Some cha.
Speaker 1: I can't remember. I am so afraid.
Speaker 2: We went to bed as soon as we got home
Speaker 2: from from not going to the theater. You were asleep
Speaker 2: when I came up. Try to remember you remember that
Speaker 2: it was raining when you went to bed. Yes, I
Speaker 2: don't know.
Speaker 1: I don't know what to say, kay Myrah. Do you
Speaker 1: think I ought to go back to Windy Hill or
Speaker 1: not for long?
Speaker 10: Maybe just for a month or so.
Speaker 1: All these things I've been doing, mistakes I make every day.
Speaker 1: I do something so hard on you, But I can't
Speaker 1: go on like it.
Speaker 2: Telling nothing has happened to missus Archibald. I'll probably find
Speaker 2: her with a couple of sound call.
Speaker 3: Ye.
Speaker 2: You couldn't have hurt her very sadly, or she wouldn't
Speaker 2: have been able to pack on her clothes and leave.
Speaker 2: I'll found h mcgoga's made. She might.
Speaker 1: Help me help me.
Speaker 2: It's like.
Speaker 4: Night the night, Jeff very you're liable to get your
Speaker 4: throat slit.
Speaker 3: Have you heard from the Archibald woman?
Speaker 2: I think. They said that Caleb couldn't stand her around
Speaker 2: the house another moment. Every six months salary and brought
Speaker 2: her ticket for OKNS Brotherless.
Speaker 3: All I can say, myri is that I hope you
Speaker 3: never get it in for me.
Speaker 2: Don't be mean, Jeff.
Speaker 3: I may as well tell you I don't like it.
Speaker 2: You don't like it? How I see?
Speaker 3: That's so horrible. He's no one suspecting he trusts you.
Speaker 2: There's no time to go remorseful, Jeff. Anyway, after night
Speaker 2: it'll be all over.
Speaker 3: What are you going to do when need asleep.
Speaker 2: I'll put the knife in his hand and then I'll
Speaker 2: tear my knife dress and scream. He suggested twice that
Speaker 2: I let him go back to Windy Hill to night.
Speaker 2: I'll finishing. I'll phone doctor Hamil as soon as they
Speaker 2: come for him. Come over. Probably need a drink.
Speaker 3: Anyway, Myra, you can't do it.
Speaker 2: I don't want to quarrel about it now, Jeff. It's
Speaker 2: tonight or never that I'm pulling out What do you mean?
Speaker 2: I mean, I'm proving I'll say that, Jeff. I'll phone
Speaker 2: you as soon as they've taping him away. Ral don't
Speaker 2: kill me then?
Speaker 3: Oh no, you.
Speaker 1: Look let's call me.
Speaker 2: All right, let's go me h, let's go.
Speaker 12: Hell up t side.
Speaker 8: You can't go outside your pajamas.
Speaker 2: Tennis tennis Doctor Hamilton clues. Oh, yes, but what do
Speaker 2: you call missus Caleb Hunt? The moment comes in. Yes,
Speaker 2: it's very urgent. Yes, he has my number, thank you.
Speaker 6: No, wait a minute, Jim, you can't go rubbing around
Speaker 6: the pajamas through people's hedges.
Speaker 3: Let me go. You're Caleb.
Speaker 2: Mother me go.
Speaker 3: Look I'm Jeff Fence, and remember me. Listen. If you
Speaker 3: go romping around through hedges near pajamas, people think you're crazy.
Speaker 3: I am, I am crazy. No you're not.
Speaker 1: It's Myra that's.
Speaker 3: Crazy, myral.
Speaker 10: How do you know Myra.
Speaker 5: That's what's been bothering me, Caleb. That's why I came
Speaker 5: over here in the middle of the night. Look, you know,
Speaker 5: I've got to have a good long talk. My car's
Speaker 5: over there. Come back to my apartment getting some clothes.
Speaker 5: I got a few things to tell you.
Speaker 3: You're not gonna like them much, but I'm gonna tell
Speaker 3: you anyway. Oh that's the story. Halo is pretty rotten,
Speaker 3: but it's true. Too filthy a trick for an apology.
Speaker 4: So I'm not going to say I'm sorry, thanks for
Speaker 4: the clothes.
Speaker 10: I'm going now where where do you think?
Speaker 3: Look, Caleb, don't do anything that's sorry for you? What
Speaker 3: were you?
Speaker 10: What would you do in my place? Well, I'm asking
Speaker 10: you what would you do?
Speaker 1: Kid?
Speaker 7: Is that you can?
Speaker 4: Oh?
Speaker 11: Kid?
Speaker 9: If you had me so word?
Speaker 10: Did I frushing out of you like like a maniac?
Speaker 2: Terribly said?
Speaker 10: I'm touched, Mara, deeply touched.
Speaker 2: You got to come to bed.
Speaker 1: Jeff Benson gave me this jacket. Did you give it
Speaker 1: to him before I was reported missing?
Speaker 10: Or after?
Speaker 2: What are you talking about?
Speaker 10: You had quite a chat, Benson. I got the whole story.
Speaker 1: Pawnbroker at Florest Theater box office, Missus Archibald, a waiter
Speaker 1: on the train half the city must have been working
Speaker 1: for you, trying to put me back in Windy Hill. Incidentally,
Speaker 1: Bentson sick of you. Took seven or eight drinks to
Speaker 1: make him realize just how sick. But right now he
Speaker 1: fairly shakes with nausea at the mere mention of your name.
Speaker 2: I haven't the strangest idea of what you're talking about.
Speaker 10: I should jo I'm crazy.
Speaker 3: I am.
Speaker 10: You've driven me crazy. Myra, crazy.
Speaker 2: You know so much as a singer on me, I
Speaker 2: yellow house down.
Speaker 10: Go ahead, yell, don't get out of bed, Myra.
Speaker 1: Insane men always murdered the defenseless woman in bed. You
Speaker 1: are man, you are crazy, sure crazy. You make a
Speaker 1: pretty picture, Myra, sitting up in bed with the sheets
Speaker 1: drawn merely around you. It's not crook. I do love you, really,
Speaker 1: I do.
Speaker 2: I love you wearing.
Speaker 1: I'll choke you slowly, my insane men always do, and
Speaker 1: I am insane. I have the most wonderful alibi too.
Speaker 1: You see, I'm crazy.
Speaker 10: You convinced every one of that.
Speaker 1: So they'll just send me back to Windy Hill. That's
Speaker 1: all they can do to me.
Speaker 8: Does that hurt?
Speaker 2: Now?
Speaker 3: Get up?
Speaker 8: Get up?
Speaker 1: Wonderful when you try, isn't Admira?
Speaker 3: Dirty little.
Speaker 1: I kill you. I'm free, I'm well, and I feel wonderful.
Speaker 10: I want you to live.
Speaker 1: I want you to live a long long time with yourself,
Speaker 1: all alone, you and your twisted, moldy little mind.
Speaker 10: Myra.
Speaker 1: I hope you live to be ninety. You have just
Speaker 1: heard of Unsound Mind. Attraction three of Radio City Playhouse,
Speaker 1: as written and directed by Harry W. Duncan Gene Tatum
Speaker 1: was heard as Myra, Casey Allen as Caleb, and Phil
Speaker 1: Sterling as Death. The music was composed and conducted by
Speaker 1: doctor Roy Shield. Radio City Playhouse is supervised for the
Speaker 1: National Broadcasting Company by Richard P.
Speaker 10: McDonough.
Speaker 1: As you noticed tonight, that favorite program of yours, Grand
Speaker 1: Old Opry, comes to you half an hour earlier during
Speaker 1: the summer months. So tuney in one half hour earlier
Speaker 1: next week for Grand Old Opry. Then stay with us
Speaker 1: for Radio City Playhouse. Next week we present a comedy,
Speaker 1: a comedy which we hope will do more than just
Speaker 1: make you smile. We hope, in fact, we're almost sure
Speaker 1: it'll make you laugh. It's called Whistle Daughter Whistle and
Speaker 1: is written by Ernest Cannoy. We sincerely hope you will
Speaker 1: join us next Saturday for Whistle Daughter Whistle Next Saturday,
Speaker 1: Attraction four, Radio City Playhouse. Bob war I'm speaking. This
Speaker 1: is NBC, the National Broadcasting Company,