WEBVTT

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<v Speaker 1>Oh hey, it's those discount Halloween socks that you'll buy

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<v Speaker 1>November first and then wear all year ali ward back

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<v Speaker 1>with a spooktober October finale. That's honestly maybe gonna give

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<v Speaker 1>me nightmares. I've already had recurring night terrors about grave

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<v Speaker 1>sites and tombstones and cemeteries and burial grounds. Oh boy,

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<v Speaker 1>howdy shaver me timbers. Now, Halloween doesn't get much more

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<v Speaker 1>on the no's than this episode. Will it be goth?

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<v Speaker 1>Will you be surprised? Will you never think about some

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<v Speaker 1>things the same? Forever? All of those answers during this

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<v Speaker 1>delightful discourse with an ologist who got her bachelor's in

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<v Speaker 1>archaeology and a master's in historical archaeology, leading whole excavation

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<v Speaker 1>team for months looking for lost burial grounds from the

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<v Speaker 1>sixteen hundreds. And she also does ongoing research on gravestone

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<v Speaker 1>symbols and iconography and preserving historical burial sites. So this

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<v Speaker 1>woman digs graves. Don't have plans for Halloween, don't worry,

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<v Speaker 1>She's got you covered. But before we dig in quick

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<v Speaker 1>Thanks to patrons at patreon dot com slash ologies for

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<v Speaker 1>making the show possible. You can join them you can

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<v Speaker 1>hop in there for a buck a month. My love

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<v Speaker 1>is not expensive. And thanks to everyone who tells friends

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<v Speaker 1>about the show and rates and tweets and grams and

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<v Speaker 1>reviews of course, so I can snoop them each week

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<v Speaker 1>and then Dad barrass you by reading a fresh one

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<v Speaker 1>like this. Obix Benge wrote, Hey, pod Dad, that's me.

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<v Speaker 1>I had to listen to every last episode just to

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<v Speaker 1>be extra certain before rating ologies. Spoiler from Munkenology to

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<v Speaker 1>Kinetic Saltaicidology, it's been a solid five stars. What am

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<v Speaker 1>I supposed to do with the rest of my life

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<v Speaker 1>now in between Tuesdays? Obix Bene, I don't know. Re listen,

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<v Speaker 1>there you go and thank you. Also, okay tofology. Straight

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<v Speaker 1>up Greek word here tafos means funeral or grave or tomb.

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<v Speaker 1>So let's just get into this wonderful episode in which

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<v Speaker 1>we discuss trap saying, past tombs, the ethics of headstone cleaning,

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<v Speaker 1>picnics in the graveyard, poltergeists, Goths, the best epitaphs, coffins

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<v Speaker 1>and caskets, Puritans, witch trials, cemeteries versus graveyards. Is their difference?

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<v Speaker 2>What is it?

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<v Speaker 1>And why you'll want to spend Halloween font spotting among

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<v Speaker 1>the dead in an episode that I'll be honest, kind

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<v Speaker 1>of fuck me up a little bit in terms of

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<v Speaker 1>graveyard history, but I am richer for it. With archaeologist,

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<v Speaker 1>tombstone conservator, scholar, and tafologist Robin S. Lacy. Okay, first thing,

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<v Speaker 1>if you could pronounce your first and last name and

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<v Speaker 1>your pronounce.

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<v Speaker 2>Yeah, Robin Lacy.

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<v Speaker 1>She here awesome, Robin Lacy. Do you know that there

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<v Speaker 1>is a word and its tafology is the study of graves?

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<v Speaker 2>Yes? Yeah, I've heard of that one you have.

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<v Speaker 1>Okay, is this a commonly used word or is it

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<v Speaker 1>pretty obscure?

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<v Speaker 2>I see it a lot on like Instagram and stuff.

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<v Speaker 2>People will describe themselves as like a taffa file, but

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<v Speaker 2>I don't see it as much in like archaeology.

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<v Speaker 1>I would imagine as an archaeologist, you would be more

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<v Speaker 1>apt to describe yourself as a tafologist and a tapha file.

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<v Speaker 1>You're not just tripping about a cemetery taking photos, right.

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<v Speaker 2>I mean, I feel like that's half of my research,

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<v Speaker 2>just stumbling around the gravestones. I would more just describe

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<v Speaker 2>myself as an archaeologist though.

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<v Speaker 1>Right would are you a goth. No, I'm straight up

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<v Speaker 1>asked that question.

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<v Speaker 2>No, I'm like the least a goss graveyard person.

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<v Speaker 1>Basically, do you find that a lot of other archaeologists

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<v Speaker 1>who work in the burial space, both figuratively and academically,

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<v Speaker 1>do they tend to be more of the recreationally spooky

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<v Speaker 1>or are they history and arts?

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<v Speaker 2>I think definitely both. Everything we do in archaeology deals

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<v Speaker 2>with basically deals with death. Everyone that we study, for

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<v Speaker 2>the most part, unless you're dealing with the living community,

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<v Speaker 2>everything that comes out of the ground is from someone

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<v Speaker 2>who's already died. So even if you're doing archaeology and

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<v Speaker 2>you're not even looking at burials per se, you're still

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<v Speaker 2>in some way dealing with death as a theme.

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<v Speaker 1>Yeah, I guess archaeology is like one big est state sale,

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<v Speaker 1>you know what I mean? Like what they do with this?

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<v Speaker 1>What kind of a person were they? What narrative can

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<v Speaker 1>I try to understand based on these artifacts?

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<v Speaker 2>Right?

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<v Speaker 1>How did you end up in this space? Are you

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<v Speaker 1>from the Eastern Seaboard? Did you grow up around spooky cemeteries?

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<v Speaker 2>So I'm from Halifax, Nova Scotia originally, but I grew

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<v Speaker 2>up in BC. I wouldn't say, I grew up in cemeteries,

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<v Speaker 2>but during like family trips and stuff, my family would

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<v Speaker 2>always go to historic sites and if there was like

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<v Speaker 2>someone really interesting buried or somewhere, or people told us that,

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<v Speaker 2>like the monuments in a specific graveyard were very impressive,

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<v Speaker 2>we would go look at them. So it's definitely like

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<v Speaker 2>something I was comfortable going to and being interested in.

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<v Speaker 2>But initially I wanted to do either maritime archaeology, which

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<v Speaker 2>I know you talked about on the show before, or

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<v Speaker 2>archaeology in meso America. And then I did a field

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<v Speaker 2>school in my undergraduate degree through the University of Liverpool,

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<v Speaker 2>and we were doing the surveys of graveyards in Ireland

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<v Speaker 2>and it was like rainy and cold, and I sat

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<v Speaker 2>down and we started recording like everybody's names on the stone,

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<v Speaker 2>what styles headstones they were, and I was just like, well,

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<v Speaker 2>I think this is where I'm gonna be for the

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<v Speaker 2>rest of my life.

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<v Speaker 1>I asked Robin if she ever listened to the Smiths

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<v Speaker 1>cemetery gates like on repeat.

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<v Speaker 3>So we go inside and were grave stones all those

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<v Speaker 3>people below those lives were they know, oh the loves

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<v Speaker 3>just back none they were born.

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<v Speaker 2>And so.

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<v Speaker 1>Gone she was like, no, and I can't blame her.

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<v Speaker 1>I listened to Morrissey before he crumbled before our very eyes,

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<v Speaker 1>like ancient marble. So being sixteen watching her crushed smoke

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<v Speaker 1>clothes and complain about his dad in a cemetery was

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<v Speaker 1>not something that we had in common. That's fine. There

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<v Speaker 1>was a lot of recreational graveyard hanging in my own

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<v Speaker 1>particular youth, But straight off the gate. As someone who

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<v Speaker 1>studies burial grounds, cemeteries, graveyards, are they a good place

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<v Speaker 1>to picnic or is that very rude?

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<v Speaker 2>It definitely depends on the site. I know that some

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<v Speaker 2>larger sites like Mount Auburn and Cambridge don't let people

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<v Speaker 2>do that just because it is such a significant historic site,

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<v Speaker 2>and like you wouldn't go sit and have a picnic

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<v Speaker 2>in downtown Boston, other like rural sites, if you're going

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<v Speaker 2>there to visit family members, I think definitely you can

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<v Speaker 2>have a picnic in a cemetery. I've known that when

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<v Speaker 2>we're doing field work and graveyards, you are just going

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<v Speaker 2>to eat your lunch there. It's in the Victorian period

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<v Speaker 2>they would have they would go and have picnics and

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<v Speaker 2>can go for walks and graveyards very regularly, so kind

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<v Speaker 2>of doing it now is almost keeping in that tradition.

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<v Speaker 1>Okay, that makes me feel a little better because out

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<v Speaker 1>here in LA we have the Hollywood Forever Cemetery, which

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<v Speaker 1>is like a straight up night life than you. Like,

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<v Speaker 1>I saw a concert there a few weeks ago. They

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<v Speaker 1>have screenings and so cool, right, But it seems like

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<v Speaker 1>there's different schools of thoughts in terms of, hey, everyone

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<v Speaker 1>buried here would have wanted to go to a party,

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<v Speaker 1>so why not have a party. And this is very

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<v Speaker 1>very you know, sacred holed ground. But how does it

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<v Speaker 1>differ in different cultures, different parts of the world how

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<v Speaker 1>we dispose of bodies. Is it a very Western thing

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<v Speaker 1>to bury your whole skeleton and have like a plot

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<v Speaker 1>of land or is that pretty worldwide?

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<v Speaker 2>I mean definitely, everybody around the world has different burial

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<v Speaker 2>customs and funerary customs and even ideas about what dying

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<v Speaker 2>is and how it takes place when death happens. But

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<v Speaker 2>it's definitely a very like North American idea that when

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<v Speaker 2>you buy a plot of land and bury an entire

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<v Speaker 2>body in it, that that is something that you own

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<v Speaker 2>for all of eternity. Basically, we have so much space

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<v Speaker 2>in North America, and this idea of burial and perpetuity

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<v Speaker 2>and like your final resting place is sort of ingrained

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<v Speaker 2>into how we see a funeral and how we see

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<v Speaker 2>a burial space. But if you go to Luxembourg or

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<v Speaker 2>places in Europe that don't have as much space, the

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<v Speaker 2>burial space for the body itself is something that's temporary,

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<v Speaker 2>and after not too many years, like a decade or

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<v Speaker 2>so or twenty thirty years, they'll ask the family if

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<v Speaker 2>they want to renew basically a lease on that burial space,

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<v Speaker 2>and often the families don't want to anymore, so like

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<v Speaker 2>once the body's decomposed, they cremate them and then the

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<v Speaker 2>remains are put in a sort of like a mass

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<v Speaker 2>burial space for cremated remains.

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<v Speaker 1>Oh, I didn't know that that makes a lot of sense,

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<v Speaker 1>though it always seemed a little odd that were like,

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<v Speaker 1>this is my plot of land, because if everyone did

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<v Speaker 1>that for the last several million years, there wouldn't be

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<v Speaker 1>any space that wasn't a graveyard.

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<v Speaker 2>It seems exactly. I mean, I feel like a lot

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<v Speaker 2>of Europe there isn't a lot of space. It's not

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<v Speaker 2>a grave yard. But yeah, it's very like a North

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<v Speaker 2>American idea that that's a space you get to own,

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<v Speaker 2>or your corpse gets to own for hundreds of years

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<v Speaker 2>after you're no longer there.

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<v Speaker 4>M h.

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<v Speaker 1>And what's the difference between a graveyard and a cemetery

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<v Speaker 1>and a burial ground? Walk me through literally trapes me

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<v Speaker 1>through some of these different plots.

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<v Speaker 2>Yeah, So the terminology is like in some ways interchangeable

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<v Speaker 2>depending on what country you're in. But in my research,

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<v Speaker 2>a burial ground is a space that could like that

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<v Speaker 2>term could be used interchangeably, like in seventeenth century New England,

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<v Speaker 2>which is one of my study areas a burial ground,

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<v Speaker 2>that term was used by Puritan settlers specifically to mean

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<v Speaker 2>an unconsecrated space for burials, because that was something that

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<v Speaker 2>they did. But if it's space for graves that is

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<v Speaker 2>around a church, that would be the churchyard also the graveyard.

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<v Speaker 2>Graveyards can also be not attached to the church but

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<v Speaker 2>still directly associated with the church, whereas burial grounds and

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<v Speaker 2>cemeteries are often like municipally owned. That's not always it's

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<v Speaker 2>all murky. But cemeteries as a term is really interesting

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<v Speaker 2>because a cemetery is sort of comes from this like

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<v Speaker 2>rural garden burial space aesthetics, the rural garden cemetery movement,

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<v Speaker 2>and that didn't come to North America until eighteen thirty

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<v Speaker 2>one when Mount Auburn was constructed in Cambridge. So anything

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<v Speaker 2>older than that it is technically not a cemetery in

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<v Speaker 2>North America.

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<v Speaker 1>Oh fun fact, I am sitting between Cambridge and Watertown

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<v Speaker 1>outside of Boston. I just looked it up and I'm

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<v Speaker 1>one mile away from Mount Auburn Cemetery and it's dark out,

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<v Speaker 1>I'm not wearing pants, and the cemetery is closed. I'm

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<v Speaker 1>in a hotel recording this right now. I leave Boston tomorrow

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<v Speaker 1>and I'm a mile away from Mount Omborn Cemetery. There's

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<v Speaker 1>five thousand trees there and ten miles of winding roads

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<v Speaker 1>and bird watching. From what I gather, it is like

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<v Speaker 1>the Disneyland of old Coool cemeteries. Even the word cemetery

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<v Speaker 1>was a rebrand in this era and it means a

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<v Speaker 1>sleeping place in Greek.

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<v Speaker 2>Nice.

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<v Speaker 1>Yeah, what happened in the eighteen thirties where suddenly there

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<v Speaker 1>was this shift was were there like some bros that

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<v Speaker 1>were like, We're here to disrupt the graveyard industry I.

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<v Speaker 2>Feel like probably yes, you hear about like the changing

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<v Speaker 2>ideas of death in America and in Canada as well.

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<v Speaker 2>It was a lot of people being kind of freaked

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<v Speaker 2>out about bodies after a while. Whereas you used to

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<v Speaker 2>be buried a little bit closer to the areas that

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<v Speaker 2>you were like living in, when those spaces got full,

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<v Speaker 2>people got a little bit freaked out when they could

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<v Speaker 2>smell the bodies. Sometimes these burial grounds and there were

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<v Speaker 2>some in New York like this that got so overcrowded

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<v Speaker 2>that you could smell the decomposition. Oho, and when people

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<v Speaker 2>started getting sick, they were worried it was from with

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<v Speaker 2>air quotes, the miasma coming from the bodies. So they

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<v Speaker 2>were like, there are no more bodies allowed to be

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<v Speaker 2>buried inside of New York City. Let's move the graves.

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<v Speaker 2>So yeah, it was like this movement to sort of

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<v Speaker 2>pastoralize I guess, the graveyards by making these more open,

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<v Speaker 2>like beautiful airy spaces. But at the same time it

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<v Speaker 2>came a little bit from people being scared of bodies.

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<v Speaker 1>Oh wow. So it was a little bit of a

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<v Speaker 1>column a column bee like we just are honoring you,

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<v Speaker 1>please turn into liquid and fungus elsewhere absolutely makes sense. Okay,

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<v Speaker 1>so you're getting your PhD right now. How did you

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<v Speaker 1>narrow down your studies.

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<v Speaker 2>With great difficulty? I'm going to say so I did

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<v Speaker 2>my masters at the same school that I'm at right now,

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<v Speaker 2>Memorial University of Newfoundlands and Lambrador. And for my masters,

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<v Speaker 2>I was looking at sort of seventeenth century burial landscape development,

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<v Speaker 2>as usually the short form of saying it, which is

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<v Speaker 2>like how burial spaces were organized in communities, and then

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<v Speaker 2>how that related to other communities, and if you can

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<v Speaker 2>take that information and see if there were overarching trends

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<v Speaker 2>like did everyone in the seventeenth century put all of

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<v Speaker 2>their bodies in the center of town? And for my PhD,

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<v Speaker 2>I was like what were other countries doing in North

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<v Speaker 2>America at the time, because I'd only really looked at

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<v Speaker 2>British sites at that point. But then also I was

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<v Speaker 2>really interested in sort of looking at ways that these

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<v Speaker 2>burial spaces that were established through colonialism, how you could

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<v Speaker 2>see bodies represented in them that weren't just of white sellars,

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<v Speaker 2>because that's sort of the narrative that we get fed

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<v Speaker 2>that all the sellers were white, which they clearly weren't,

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<v Speaker 2>and a lot of them were there against their will

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<v Speaker 2>and being buried in spaces that weren't traditional to them.

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<v Speaker 2>And how how visible that is m or not visible?

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<v Speaker 4>Right?

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<v Speaker 1>What kinds of facts and history and narratives have you

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<v Speaker 1>been learning about doing that.

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<v Speaker 2>I've been doing a lot of reading on the African

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<v Speaker 2>burial g found in New York City and the community

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<v Speaker 2>archaeology that was sounded like a little mismanage at the beginning,

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<v Speaker 2>and then they brought in a lot of community partners

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<v Speaker 2>to make it the National Park site that it is today.

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<v Speaker 1>Okay, this information is going to be rough, but it's

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<v Speaker 1>terrible that more people don't know this. So thirty feet

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<v Speaker 1>below Broadway in Manhattan, excavations uncovered a six acre burial

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<v Speaker 1>plot with, according to the National Park Service, fifteen thousand

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<v Speaker 1>intact skeletal remains of enslaved and free Africans who lived

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<v Speaker 1>and worked in colonial New York dating from the sixteen

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<v Speaker 1>thirties to seventeen ninety five. So, in nineteen ninety three

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<v Speaker 1>the remains were sent to Howard University in Washington, d C.

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<v Speaker 1>To be examined by archaeology teams, and in two thousand

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<v Speaker 1>and three they were reinterred in Manhattan in what was

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<v Speaker 1>called a ceremonial cradle moving event. So the discovery rocked

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<v Speaker 1>a lot of historical assumptions and it's caused historians to

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<v Speaker 1>rethink their understanding of enslavement in the area. So it's

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<v Speaker 1>a reminder of just how much history is covered up

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<v Speaker 1>and buried in many cases quite literally.

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<v Speaker 2>And so far it's been quite difficult to find any

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<v Speaker 2>evidence from the seventeenth century, which is the time period

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<v Speaker 2>I'm really interested in looking at showing black or indigenous

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<v Speaker 2>people being buried in these spaces because a lot of

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<v Speaker 2>times they didn't get grave markers, or they weren't the

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<v Speaker 2>ones writing the records, so they're not the records we have.

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<v Speaker 1>Yeah, how far back do a lot of records go?

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<v Speaker 1>How were they even kept? Are there books that have

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<v Speaker 1>survived in either municipal records or in churchyardyard records?

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<v Speaker 2>Yeah, so there definitely are books. It helps if people

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<v Speaker 2>were wealthy and had the money to record things properly,

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<v Speaker 2>Like there's a book that Samuel de Champlain wrote about

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<v Speaker 2>his trips to North America. It's just called I think Voyages.

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<v Speaker 1>So for those not well versed in their French colonists.

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<v Speaker 1>Samuel D. Champlain was a French colonist. There you go.

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<v Speaker 1>So he sailed across the Atlantic over or twenty times

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<v Speaker 1>and founded Quebec. He was like Bocher, he's very cold.

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<v Speaker 2>And from that we have maps of Quebec city and

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<v Speaker 2>we have maps of an island called Saint Croix from

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<v Speaker 2>like sixteen thirteen, so we know exactly where on that island.

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<v Speaker 2>In particular, they had a graveyard and they had a church,

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<v Speaker 2>which is amazing. And for other sites that I've worked on,

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<v Speaker 2>we have no records all from the time period talking

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<v Speaker 2>about that kind of thing, and yeah, if stuff survived

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<v Speaker 2>well enough in perfect circumstances and or if the people

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<v Speaker 2>were really important is often a good example of things

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<v Speaker 2>that will have been kept from the seventeenth century, because

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<v Speaker 2>that's four hundred years ago by this point. And one

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<v Speaker 2>of my favorite documents is the diary of Samuel Seawall,

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<v Speaker 2>who he was a judge and he was a participant

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<v Speaker 2>in the witch trials as well. But he kept a

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<v Speaker 2>diary from It's on my desk from sixteen seventy four

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<v Speaker 2>to seventeen twenty nine. He wrote about like all the

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<v Speaker 2>funerals he attended, which was like all of them apparently,

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<v Speaker 2>because there's hundreds of records in there. It's amazing.

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<v Speaker 1>Wow. What were the funerals like back then?

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<v Speaker 2>Well, Seawall was a Puritan, very very Puritan judge person,

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<v Speaker 2>so he writes not too much detail. They didn't really

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<v Speaker 2>have too much like pomp and ceremony in the earlier

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<v Speaker 2>seventeenth century with that religion, so they would be like

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<v Speaker 2>church bells, maybe people would like not even say a

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<v Speaker 2>prayer over the coffin. And then that started to change,

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<v Speaker 2>and you can tell in his writings that he doesn't

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<v Speaker 2>like that very much, and he'll be like, talking about

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<v Speaker 2>a coffin going in the ground, tod be like that

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<v Speaker 2>one had a cross on it, and I've never seen

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<v Speaker 2>that before. It's really funny, Okay.

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<v Speaker 1>So I found a passage of this, hoping for some

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<v Speaker 1>Darwin level emo laments, but rather it's stuff like October eleventh,

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<v Speaker 1>sixteen ninety two. Went to the funeral of missus Sarah

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<v Speaker 1>Oliver widow age seventy two years, buried in the New

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<v Speaker 1>Burying Place, a very good, modest humble plane, liberal matron

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<v Speaker 1>scarves and gloves. So I guess it was early October,

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<v Speaker 1>just under the falling golden leaves of a graveyard. And

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<v Speaker 1>you know he wanted to write like, holy shit is

329
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<v Speaker 1>pumpkin weather y'all, but he was like scarves and gloves,

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<v Speaker 1>keep it low key. Come on, When did coffins and

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<v Speaker 1>caskets get more and more elaborate.

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<v Speaker 2>That's not something that I study like specifically. I'm more

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<v Speaker 2>of a landscape above the surface in that respect, But

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<v Speaker 2>there are a lot of really interesting examples going back

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00:19:37.960 --> 00:19:42.079
<v Speaker 2>to like the sixteenth century of coffins. There's seventeenth century

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00:19:42.160 --> 00:19:45.200
<v Speaker 2>lead coffins that exist. I know. In the nineteenth century

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00:19:45.200 --> 00:19:49.079
<v Speaker 2>they started standardizing like coffin hardware, like the handles and

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<v Speaker 2>the little like filigrees you could nail on the top

339
00:19:51.960 --> 00:19:54.559
<v Speaker 2>to decorate it. There would be catalogs of them. So

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<v Speaker 2>it definitely went from a period where not everyone could

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<v Speaker 2>afford one, or they're even be a communal coffin that

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<v Speaker 2>would open up and put a person in the grave

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<v Speaker 2>and then they'd take this like store coffin. Wow, yeah,

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00:20:09.599 --> 00:20:11.759
<v Speaker 2>those there is like a parish coffin. It was amazing

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<v Speaker 2>you could borrow it. But like as the seventeenth and

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<v Speaker 2>eighteenth century happened, it became something that was more affordable

347
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<v Speaker 2>for everyone. So you thought, start seeing a lot more

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<v Speaker 2>like simple coffins or just like ornate coffins that have

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<v Speaker 2>these objects on the outsides that are like mass produced.

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<v Speaker 1>Basically okay, so some fun trivia caskets are four sided

351
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<v Speaker 1>and square, think of like a banana loaf, and coffins

352
00:20:36.960 --> 00:20:40.680
<v Speaker 1>are hexagonal and they fit your shoulders and then they

353
00:20:40.720 --> 00:20:43.799
<v Speaker 1>taper the feet and they look like, ah, scary. So

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<v Speaker 1>why the trend hopping? Well, the violence and all the

355
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<v Speaker 1>bloodshed of the Civil War changed the way that the

356
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<v Speaker 1>funeral businesses sold their goods. So embalming took off because

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00:20:55.799 --> 00:20:58.880
<v Speaker 1>soldiers' bodies needed to last the trip back home, and

358
00:20:59.039 --> 00:21:02.920
<v Speaker 1>coffins were deemed kind of creepily body shaped. Suddenly people

359
00:21:02.960 --> 00:21:05.839
<v Speaker 1>want to death to seem a little bit less deathy.

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<v Speaker 1>Speaking of horrors, how old were you when you saw Poltergeist?

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<v Speaker 2>I have never seen polter get.

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<v Speaker 1>What how is that possible?

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<v Speaker 2>I know, I don't like a horror movies. I'm a

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<v Speaker 2>very I think odd person who studies great.

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<v Speaker 1>I mean, do you know what it's about? Oh my god,

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<v Speaker 1>Oh my god, Robin. It's about a family in the

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<v Speaker 1>suburbs who buys a house and then they find out

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<v Speaker 1>that they didn't properly move the graveyard. Hence they get

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<v Speaker 1>Poulter goosted hardcore excellent, Like, how much of your work

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<v Speaker 1>deals with moving gravestones or moving cemeteries? How often do

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<v Speaker 1>they just move the gravestones and not the bodies A.

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<v Speaker 2>Lot of the time, Yeah, a lot of the time.

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<v Speaker 2>If you weren't wealthy, your grave just stayed right there

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<v Speaker 2>and they would just put some more dirt on top

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<v Speaker 2>of it to sort of level out the gibbots in

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<v Speaker 2>the ground. Often when you see records saying that they

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<v Speaker 2>moved a graveyard, they just moved the headstones.

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<v Speaker 4>Oh my god, the bodies, the bodies, and you only

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<v Speaker 4>move that sounds move that.

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<v Speaker 1>Okay. So that was from the film Poltergeist, co written

381
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<v Speaker 1>by Steven Spielberg. And yes, tiny spoiler, but y'all have

382
00:22:34.200 --> 00:22:37.400
<v Speaker 1>had thirty years to catch this flick, okay, so see

383
00:22:37.400 --> 00:22:41.079
<v Speaker 1>it at your own risk. It's the worst. It's so scary. Also,

384
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<v Speaker 1>they used real human skeletons in it, which the actors

385
00:22:44.880 --> 00:22:47.720
<v Speaker 1>who were working with the skeletons didn't know until after.

386
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<v Speaker 1>So zero out of ten do not like or support

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<v Speaker 1>that practice. But yes, gravestones way easier to move than graves.

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<v Speaker 1>No spoilers there, I mean.

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<v Speaker 2>Because most of the time.

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<v Speaker 1>So does that mean in certain parts of the world,

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<v Speaker 1>particularly this newly colonized continent we call Merca, that as

392
00:23:10.799 --> 00:23:14.000
<v Speaker 1>they were moving westward and maybe cities were getting more congested,

393
00:23:14.000 --> 00:23:16.440
<v Speaker 1>they just built right on frickin' top of stuff.

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<v Speaker 2>Oh yeah, definitely.

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<v Speaker 1>Do archaeologists ever Are they ever called to construction sites?

396
00:23:24.359 --> 00:23:27.000
<v Speaker 1>Is like a big oopsie. Definitely a lot of bodies

397
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<v Speaker 1>down here.

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<v Speaker 2>Yeah, So like in commercial archaeology, if if there's a

399
00:23:31.880 --> 00:23:35.079
<v Speaker 2>body found, we would get called for sure. That's not

400
00:23:35.160 --> 00:23:38.319
<v Speaker 2>what the construction people want to hear. So there's sometimes

401
00:23:38.440 --> 00:23:41.359
<v Speaker 2>you get stories of people like sort of cutting straight

402
00:23:41.400 --> 00:23:45.880
<v Speaker 2>through graves, which is really unfortunate. But typically, like if

403
00:23:45.920 --> 00:23:49.000
<v Speaker 2>a skull were to come out of a little bank

404
00:23:49.039 --> 00:23:51.839
<v Speaker 2>of a ditch someone was digging with an excavator, everything

405
00:23:51.880 --> 00:23:54.480
<v Speaker 2>would stop. The police would be called first, is usually

406
00:23:54.480 --> 00:23:58.440
<v Speaker 2>what happens, to make sure it's not homicide, and if

407
00:23:58.480 --> 00:24:01.559
<v Speaker 2>it's deemed to be archaela, then the archaeologist would be

408
00:24:01.559 --> 00:24:05.559
<v Speaker 2>called in and we would excavate out and make sure

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00:24:05.559 --> 00:24:08.279
<v Speaker 2>everybody was out of there before any more construction happened.

410
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<v Speaker 1>Wow. If whoever's running that excavator, I hope they, I

411
00:24:14.119 --> 00:24:18.039
<v Speaker 1>don't know, burn some incense, get a lucky crystal, just

412
00:24:18.079 --> 00:24:22.440
<v Speaker 1>to be like, hell, did everybody know that underneath Washington

413
00:24:22.480 --> 00:24:26.839
<v Speaker 1>Square Park in Manhattan are twenty thousand unmoved bodies from

414
00:24:26.839 --> 00:24:29.480
<v Speaker 1>what was once a potter's field or a graveyard for

415
00:24:29.559 --> 00:24:33.400
<v Speaker 1>the impoverished. Nobody told me that. Nobody said anything. People

416
00:24:33.440 --> 00:24:35.759
<v Speaker 1>were just like, we've got the best bagels, and no

417
00:24:35.759 --> 00:24:38.160
<v Speaker 1>one can say shit about it because there are bodies

418
00:24:38.240 --> 00:24:41.279
<v Speaker 1>under our feet in like every city and it's just staggering.

419
00:24:41.319 --> 00:24:43.559
<v Speaker 1>And I guess there's nothing anyone can do. But I

420
00:24:43.599 --> 00:24:46.799
<v Speaker 1>hope that those people turned into fungus and worms and

421
00:24:46.920 --> 00:24:50.000
<v Speaker 1>frogs and leaves, and that their bones don't mind being

422
00:24:50.079 --> 00:24:53.839
<v Speaker 1>underneath all those sex in the city shoots and New

423
00:24:53.920 --> 00:24:56.279
<v Speaker 1>Yorkers being like, hey, I'm walking on your graves. Well,

424
00:24:57.079 --> 00:25:00.279
<v Speaker 1>I'm from the West coast. So when I went back east,

425
00:25:00.759 --> 00:25:04.119
<v Speaker 1>or if I've ever been to older cities where there

426
00:25:04.160 --> 00:25:09.359
<v Speaker 1>are gravestones that are tilted and covered in moss, the

427
00:25:09.359 --> 00:25:14.160
<v Speaker 1>one thing that really spooked me was this coffin sized

428
00:25:14.200 --> 00:25:16.599
<v Speaker 1>depression in the ground that I feel like I didn't

429
00:25:16.599 --> 00:25:19.599
<v Speaker 1>see so much on the west coast. Is that just

430
00:25:19.799 --> 00:25:24.000
<v Speaker 1>the wooden box collapsing on itself. Is that what's going on?

431
00:25:25.000 --> 00:25:27.680
<v Speaker 2>Yeah, there'd be a number of things. The coffin falling

432
00:25:27.720 --> 00:25:30.400
<v Speaker 2>it on itself definitely would cause some of the ground

433
00:25:30.440 --> 00:25:33.000
<v Speaker 2>to slump down. A lot of it also could be

434
00:25:33.200 --> 00:25:36.160
<v Speaker 2>from when they dug the grave, air gets mixed into

435
00:25:36.200 --> 00:25:37.960
<v Speaker 2>the dirt, and when you put it back in the hole,

436
00:25:37.960 --> 00:25:40.400
<v Speaker 2>as it sort of settles, it can definitely depress because

437
00:25:40.440 --> 00:25:42.279
<v Speaker 2>you can never get quite all of it back in there.

438
00:25:42.400 --> 00:25:46.680
<v Speaker 2>In more modern cemeteries, we don't see that same type

439
00:25:46.680 --> 00:25:50.200
<v Speaker 2>of depression because there's all these rules about having concrete

440
00:25:50.279 --> 00:25:53.200
<v Speaker 2>lined grave chef, which is basically a vault underground, and

441
00:25:53.359 --> 00:25:56.880
<v Speaker 2>its purpose is nothing to do with the burial itself.

442
00:25:56.960 --> 00:25:59.319
<v Speaker 2>It is literally so that we don't get drivets in

443
00:25:59.359 --> 00:26:02.440
<v Speaker 2>the grass, so that lawnmowers can have an easier time.

444
00:26:02.640 --> 00:26:05.759
<v Speaker 1>Oh my gosh, I didn't know burial vaults were even

445
00:26:05.799 --> 00:26:09.119
<v Speaker 1>a thing. So they put your casket in a concrete

446
00:26:09.160 --> 00:26:12.480
<v Speaker 1>casket so that your casket doesn't leave a casket shaped depression,

447
00:26:12.960 --> 00:26:16.079
<v Speaker 1>just double bagging your actual ass right into heaven.

448
00:26:16.200 --> 00:26:16.400
<v Speaker 2>You know.

449
00:26:17.559 --> 00:26:23.480
<v Speaker 1>How have gravestones changed over the last several hundred years.

450
00:26:23.880 --> 00:26:28.039
<v Speaker 1>I'm sure lawnmowers and John Deere mower tractors have changed

451
00:26:28.079 --> 00:26:30.519
<v Speaker 1>the way that we mark our graves, right.

452
00:26:30.839 --> 00:26:33.440
<v Speaker 2>They definitely have. They don't have old stones at all.

453
00:26:33.920 --> 00:26:38.440
<v Speaker 2>So in the seventeenth century in North American settlements, and

454
00:26:38.799 --> 00:26:43.079
<v Speaker 2>the oldest settlements in North America from the British were

455
00:26:43.720 --> 00:26:46.480
<v Speaker 2>like Jamestown and Plymouth. And then in Canada we have

456
00:26:47.000 --> 00:26:50.920
<v Speaker 2>Cupid's Plantation which was sixteen ten and Farlands from sixteen

457
00:26:50.960 --> 00:26:55.160
<v Speaker 2>twenty one, and we see at Farryland examples of the

458
00:26:55.200 --> 00:26:58.279
<v Speaker 2>oldest British gravestones in North America which were carved in

459
00:26:58.319 --> 00:27:01.400
<v Speaker 2>the sixteen twenties on site from local slate, and they

460
00:27:01.480 --> 00:27:03.920
<v Speaker 2>sort of reflect the style that was really common at

461
00:27:03.960 --> 00:27:06.079
<v Speaker 2>the period in the UK, which is sort of like

462
00:27:06.079 --> 00:27:09.759
<v Speaker 2>a curved top and like all capital letters. And then

463
00:27:09.920 --> 00:27:13.200
<v Speaker 2>as you go through the seventeenth century into the eighteenth century,

464
00:27:13.200 --> 00:27:16.240
<v Speaker 2>you see a lot of mortality symbols they're called, which

465
00:27:16.279 --> 00:27:18.599
<v Speaker 2>is like the skull with the wings and the hour

466
00:27:18.720 --> 00:27:22.079
<v Speaker 2>glass and that kind of imagery that sort of really

467
00:27:22.119 --> 00:27:25.960
<v Speaker 2>projects this idea of like your mortality to you, which

468
00:27:26.000 --> 00:27:28.519
<v Speaker 2>is exactly their point. They're supposed to remind the viewer

469
00:27:28.559 --> 00:27:31.720
<v Speaker 2>who's standing in front of the grave that the person

470
00:27:31.720 --> 00:27:33.880
<v Speaker 2>below them is dead and that they're going to die too,

471
00:27:33.920 --> 00:27:37.319
<v Speaker 2>and sometimes they literally say that on them helpful.

472
00:27:37.400 --> 00:27:39.839
<v Speaker 1>I mean, you know, live for today. I guess it's

473
00:27:39.839 --> 00:27:42.519
<v Speaker 1>saying like get in a claire, you know, tell the

474
00:27:42.519 --> 00:27:44.119
<v Speaker 1>neighbor you're in love with them, whatever.

475
00:27:45.640 --> 00:27:49.240
<v Speaker 2>Those really famous epitaphs that have lines like as I

476
00:27:49.279 --> 00:27:52.880
<v Speaker 2>am now, so shall you be kind of thing, which

477
00:27:52.920 --> 00:27:57.960
<v Speaker 2>are nice and spooky for spooky season. But then it's

478
00:27:57.960 --> 00:28:00.759
<v Speaker 2>sort of it's called like the softening of the ideas

479
00:28:00.759 --> 00:28:03.559
<v Speaker 2>of death. So you see these like the skulls become

480
00:28:03.640 --> 00:28:06.680
<v Speaker 2>sort of like cherubs, and sometimes they're like pictures of

481
00:28:06.720 --> 00:28:10.559
<v Speaker 2>the deceased themselves kind of represented with wings, and that's

482
00:28:10.559 --> 00:28:12.559
<v Speaker 2>supposed to be like the soul going to heaven, and

483
00:28:12.599 --> 00:28:15.799
<v Speaker 2>you get like more plant life on there and basically

484
00:28:15.880 --> 00:28:19.480
<v Speaker 2>less less morbid pictures. And then in the nineteenth century

485
00:28:19.480 --> 00:28:22.519
<v Speaker 2>there's like willow trees and urns and the sort of romanticizing.

486
00:28:23.000 --> 00:28:26.920
<v Speaker 1>I'm always so curious how long ago in Europe did

487
00:28:27.000 --> 00:28:29.000
<v Speaker 1>they start using two stones.

488
00:28:29.279 --> 00:28:30.920
<v Speaker 2>So I can really only answer this for the UK

489
00:28:31.960 --> 00:28:36.039
<v Speaker 2>in Ireland, but the use of grave markers definitely goes back.

490
00:28:36.200 --> 00:28:38.279
<v Speaker 2>I mean, what we think of as a gravestone today

491
00:28:38.359 --> 00:28:41.119
<v Speaker 2>probably came around in like the sixteenth and seventeenth century,

492
00:28:41.359 --> 00:28:43.559
<v Speaker 2>and it could have been earlier, but we don't really

493
00:28:43.599 --> 00:28:47.400
<v Speaker 2>have too much evidence from before the Reformation when it

494
00:28:47.519 --> 00:28:50.559
<v Speaker 2>changed from the Catholic to the Anglican Church, and lots

495
00:28:50.559 --> 00:28:54.440
<v Speaker 2>of stuff was wrecked, basically the monasteries were all shut

496
00:28:54.480 --> 00:28:58.480
<v Speaker 2>and smashed up, a lot of monuments were defaced and destroyed.

497
00:28:58.559 --> 00:29:01.559
<v Speaker 2>So there isn't the idea that there could be older

498
00:29:01.599 --> 00:29:04.440
<v Speaker 2>traditions of like what we expect to be a gravestone,

499
00:29:05.200 --> 00:29:08.519
<v Speaker 2>But before that there were like they're called effigies, like

500
00:29:08.559 --> 00:29:11.000
<v Speaker 2>a big carving of a person laying on the ground,

501
00:29:11.079 --> 00:29:13.839
<v Speaker 2>a big slabs that date to the medieval period called

502
00:29:13.920 --> 00:29:18.720
<v Speaker 2>ledgers that still exist today, and like larger monuments than crosses,

503
00:29:18.759 --> 00:29:22.000
<v Speaker 2>and like gesturing as the shape of it, like a

504
00:29:22.000 --> 00:29:25.440
<v Speaker 2>big mound burial and stuff. So it's definitely a tradition

505
00:29:25.680 --> 00:29:29.240
<v Speaker 2>marking where and in every country, marking where a grape

506
00:29:29.359 --> 00:29:31.720
<v Speaker 2>is is often quite common. But what we think of

507
00:29:32.039 --> 00:29:34.880
<v Speaker 2>as a gravestone today is sort of like a sixteen

508
00:29:34.960 --> 00:29:38.000
<v Speaker 2>seventeenth century thing, and of course.

509
00:29:37.799 --> 00:29:41.559
<v Speaker 1>This varies according to era and religious rights and even

510
00:29:41.720 --> 00:29:46.519
<v Speaker 1>soil temperature and composition, and some religious practices like Judaism,

511
00:29:46.599 --> 00:29:51.319
<v Speaker 1>traditionally call for a simple wooden coffin or casket. Other

512
00:29:51.480 --> 00:29:54.240
<v Speaker 1>rights forego the box and just go for a shroud.

513
00:29:54.759 --> 00:29:58.240
<v Speaker 1>In some Islamic burials, the grave site is traditionally marked

514
00:29:58.240 --> 00:30:00.400
<v Speaker 1>with a border so as to protect it for many

515
00:30:00.400 --> 00:30:04.839
<v Speaker 1>foot tread and then. Unlike historical Islamic and Jewish death rituals,

516
00:30:05.160 --> 00:30:09.640
<v Speaker 1>Hinduism typically involves cremation, although some sex favor burial and

517
00:30:09.680 --> 00:30:13.000
<v Speaker 1>sometimes sitting upright in a meditation pose, which I'll be honest,

518
00:30:13.319 --> 00:30:14.920
<v Speaker 1>I think that's kind of a neat way to do it.

519
00:30:15.000 --> 00:30:17.319
<v Speaker 1>Nobody asked me though, But this is all, of course

520
00:30:17.400 --> 00:30:21.000
<v Speaker 1>incredibly general. But my point is death care varies by

521
00:30:21.160 --> 00:30:24.559
<v Speaker 1>region and by history and by culture, and the more

522
00:30:24.599 --> 00:30:27.640
<v Speaker 1>we appreciate the meaning and the intention behind the customs,

523
00:30:27.839 --> 00:30:31.039
<v Speaker 1>maybe the more we'll just appreciate being on the flip

524
00:30:31.079 --> 00:30:33.799
<v Speaker 1>side of the grass, as my dad says, just where

525
00:30:33.799 --> 00:30:37.000
<v Speaker 1>we are today, just still living and breathing, making the

526
00:30:37.039 --> 00:30:39.880
<v Speaker 1>most things, telling the people that we love that we

527
00:30:39.960 --> 00:30:42.519
<v Speaker 1>love them. Now, before I start crying too much, let's

528
00:30:42.599 --> 00:30:46.720
<v Speaker 1>change the topic to typology. Were there specific fonts that

529
00:30:46.839 --> 00:30:52.440
<v Speaker 1>were just used or reserved for tombstones or was it

530
00:30:52.519 --> 00:30:54.440
<v Speaker 1>really standard back in the day.

531
00:30:55.920 --> 00:30:59.559
<v Speaker 2>I don't think any were reserved for the gravestunes themselves

532
00:30:59.640 --> 00:31:03.079
<v Speaker 2>that they're There were booklets that gravestone carvers use to

533
00:31:03.160 --> 00:31:05.400
<v Speaker 2>be like these are the scripts that I can do

534
00:31:05.519 --> 00:31:08.240
<v Speaker 2>kind of thing, And once they started printing stuff like that,

535
00:31:08.359 --> 00:31:10.920
<v Speaker 2>they were getting a little bit more standardized, and in

536
00:31:11.000 --> 00:31:13.400
<v Speaker 2>what you would see on the gravestone, like when you

537
00:31:13.440 --> 00:31:15.559
<v Speaker 2>see a script with saraffs on it, the way that

538
00:31:15.559 --> 00:31:17.640
<v Speaker 2>they would carve these letters was a little bit similar

539
00:31:17.680 --> 00:31:19.400
<v Speaker 2>to the way that you'd expect them to be written.

540
00:31:20.720 --> 00:31:23.880
<v Speaker 1>So my wonderful friend Colin Perry of the Fanatology episode

541
00:31:23.920 --> 00:31:27.720
<v Speaker 1>about Death and Dying also studied typography and she created

542
00:31:27.759 --> 00:31:30.799
<v Speaker 1>her own font called Mausoleum, and she sells pens that

543
00:31:30.880 --> 00:31:33.519
<v Speaker 1>say in that font, I don't have time for bullshit,

544
00:31:33.599 --> 00:31:36.839
<v Speaker 1>because really none of us do. So Cole echoes her

545
00:31:36.880 --> 00:31:38.680
<v Speaker 1>love of cemeteries, and she told me or text that

546
00:31:38.920 --> 00:31:41.559
<v Speaker 1>when people visit a cemetery they often feel more present

547
00:31:41.920 --> 00:31:46.319
<v Speaker 1>and thoughtful about life. So stroll through one and listen

548
00:31:46.359 --> 00:31:49.920
<v Speaker 1>to a bird and enjoy the breeze, or get nerdy

549
00:31:50.000 --> 00:31:53.519
<v Speaker 1>about San Serah lettering, And if you want to fall

550
00:31:53.799 --> 00:31:58.079
<v Speaker 1>headfirst into a post mortem font hole, check out Monument

551
00:31:58.200 --> 00:32:03.240
<v Speaker 1>Letteringcenter dot com, which studies and preserves monument typography so

552
00:32:03.440 --> 00:32:06.920
<v Speaker 1>many type faces. It's a wealth of information on how

553
00:32:07.359 --> 00:32:11.400
<v Speaker 1>type and lettering has evolved as our technology has. Also

554
00:32:11.480 --> 00:32:13.559
<v Speaker 1>real sad that there's a cool cemeterium all away from

555
00:32:13.559 --> 00:32:18.160
<v Speaker 1>you right now. And you know, when let's say colonizers

556
00:32:18.240 --> 00:32:22.640
<v Speaker 1>go into a new place, are they doing anything in

557
00:32:22.759 --> 00:32:27.599
<v Speaker 1>terms of indigenous burial grounds or practices, any adoptions of it,

558
00:32:27.759 --> 00:32:32.880
<v Speaker 1>any kind of respectful hands off. Has your work uncovered

559
00:32:32.880 --> 00:32:39.880
<v Speaker 1>anything about that intersection of colonists and indigenous burials.

560
00:32:40.440 --> 00:32:42.519
<v Speaker 2>I wouldn't say they were very respectful.

561
00:32:42.759 --> 00:32:44.480
<v Speaker 1>Unfortunately, that was going to be my guest.

562
00:32:45.200 --> 00:32:48.839
<v Speaker 2>Yeah, So a lot of the time there'd be like

563
00:32:49.079 --> 00:32:52.680
<v Speaker 2>missionaries going in and sort of trying to eradicate a

564
00:32:52.720 --> 00:32:57.160
<v Speaker 2>lot of indigenous traditions in Labrador. The Moravian missionaries arrived

565
00:32:57.279 --> 00:33:00.119
<v Speaker 2>in the seven seventeenth and eighteenth century, I believe, and

566
00:33:00.160 --> 00:33:02.519
<v Speaker 2>they were sort of changing a lot of burial practices,

567
00:33:02.759 --> 00:33:05.440
<v Speaker 2>and I don't believe they were adopting any of the

568
00:33:05.480 --> 00:33:09.599
<v Speaker 2>indigenous practices themselves. There's a mission a Jesuit mission near

569
00:33:10.039 --> 00:33:16.119
<v Speaker 2>Quebec City that was established specifically to christianize the Indigenous people,

570
00:33:16.119 --> 00:33:18.759
<v Speaker 2>and they had within the palisade of their site a

571
00:33:18.799 --> 00:33:24.000
<v Speaker 2>burial ground for converted Indigenous people, which is something I'm

572
00:33:24.000 --> 00:33:25.960
<v Speaker 2>going to be looking at in more detail because that's

573
00:33:26.000 --> 00:33:29.079
<v Speaker 2>a space that was separating them in depth and sort

574
00:33:29.119 --> 00:33:32.319
<v Speaker 2>of like marking these people that that wasn't their burial

575
00:33:32.319 --> 00:33:36.720
<v Speaker 2>tradition as a separate group now whether or not that's

576
00:33:36.799 --> 00:33:37.519
<v Speaker 2>something they wanted.

577
00:33:38.519 --> 00:33:43.880
<v Speaker 1>How is the techology community? Do you share resources or

578
00:33:44.440 --> 00:33:47.160
<v Speaker 1>do you take rubbings? Do you take extensive photos? Are

579
00:33:47.200 --> 00:33:50.000
<v Speaker 1>there databases where someone's looking for, Hey, I'm looking to

580
00:33:50.039 --> 00:33:52.480
<v Speaker 1>find out a little bit more about this person or

581
00:33:52.519 --> 00:33:55.200
<v Speaker 1>this site where you share information.

582
00:33:55.079 --> 00:33:58.960
<v Speaker 2>Cemetery Twitter as we call it, is a really great community.

583
00:34:00.640 --> 00:34:03.279
<v Speaker 2>I was like, one thing that COVID has been good

584
00:34:03.279 --> 00:34:05.720
<v Speaker 2>for and the Internet has been good for overall, is

585
00:34:05.799 --> 00:34:08.760
<v Speaker 2>networking online. Like a lot of people that study graveyard

586
00:34:08.800 --> 00:34:11.960
<v Speaker 2>stuff aren't anywhere near me, so being able to connect

587
00:34:11.960 --> 00:34:14.679
<v Speaker 2>with them over the internet has been great. So like

588
00:34:14.719 --> 00:34:16.880
<v Speaker 2>people will be like, oh, I'm looking for other examples

589
00:34:16.920 --> 00:34:19.599
<v Speaker 2>of this type of gravestone. But there's also databases like

590
00:34:19.639 --> 00:34:22.480
<v Speaker 2>find a Grave and billion graves that are all online,

591
00:34:22.480 --> 00:34:25.639
<v Speaker 2>and those are sort of like community driven uploading that

592
00:34:26.119 --> 00:34:28.960
<v Speaker 2>we don't take rubbings. Rubbings are very bad for the

593
00:34:28.960 --> 00:34:30.559
<v Speaker 2>conservation of historic stones.

594
00:34:30.760 --> 00:34:33.199
<v Speaker 1>Oh, tell me more about I had no idea.

595
00:34:33.480 --> 00:34:36.559
<v Speaker 2>Yeah, So it used to be super common. It was

596
00:34:36.599 --> 00:34:39.519
<v Speaker 2>like something that people did all the time. But after

597
00:34:39.599 --> 00:34:42.159
<v Speaker 2>a while, when you push on the stone that much,

598
00:34:42.239 --> 00:34:45.800
<v Speaker 2>it is actually physically wearing away pieces of the stone,

599
00:34:45.880 --> 00:34:49.119
<v Speaker 2>especially when it's something really soft and a couple hundred

600
00:34:49.199 --> 00:34:52.119
<v Speaker 2>years old, like a marble or a limestone or a sandstone.

601
00:34:52.400 --> 00:34:55.360
<v Speaker 2>There's an example in Sleepy Hollow, New York, at the

602
00:34:55.639 --> 00:34:59.119
<v Speaker 2>old Dutch Reform Church. I think it's called the grave

603
00:34:59.159 --> 00:35:02.039
<v Speaker 2>of Katerine vent Keel, who was possibly the inspiration for

604
00:35:02.079 --> 00:35:03.559
<v Speaker 2>the character in the Sleepy Hollow book.

605
00:35:03.800 --> 00:35:04.360
<v Speaker 1>Oh wow.

606
00:35:04.400 --> 00:35:08.199
<v Speaker 2>Her grave used to be pretty legible. It's sandstone, so

607
00:35:08.280 --> 00:35:11.440
<v Speaker 2>people would go because it's possibly like this literary connection

608
00:35:11.519 --> 00:35:13.280
<v Speaker 2>and take rubbings of it. And the state of the

609
00:35:13.280 --> 00:35:15.360
<v Speaker 2>gravestone if you look it up now it is almost

610
00:35:15.400 --> 00:35:19.400
<v Speaker 2>completely illegible, literally just from rubbings, which is really unfortunate.

611
00:35:19.960 --> 00:35:20.440
<v Speaker 1>I had no.

612
00:35:20.400 --> 00:35:25.559
<v Speaker 2>Idea, yeah, As I always encourage people to like understand

613
00:35:25.599 --> 00:35:27.679
<v Speaker 2>that pushing on it couldn't do damage, and that's something

614
00:35:27.719 --> 00:35:30.039
<v Speaker 2>we want to avoid, like going forward as a as

615
00:35:30.039 --> 00:35:31.039
<v Speaker 2>a graveyard community.

616
00:35:32.039 --> 00:35:34.760
<v Speaker 1>Now I have done or I had a rubbing done

617
00:35:35.199 --> 00:35:39.280
<v Speaker 1>of an ancestor's gravestone that was hard to find for

618
00:35:39.440 --> 00:35:43.480
<v Speaker 1>my dad. Do family members ever do like a one off?

619
00:35:43.559 --> 00:35:47.679
<v Speaker 1>Is it kind of is it discouraged for really noteworthy

620
00:35:47.840 --> 00:35:52.400
<v Speaker 1>touristy type of attractions or if you've got one of

621
00:35:52.440 --> 00:35:57.079
<v Speaker 1>like a family member, is that okay?

622
00:35:59.360 --> 00:36:02.760
<v Speaker 2>It's okay, already have it, of course, but I wouldn't recommend,

623
00:36:03.119 --> 00:36:06.559
<v Speaker 2>like going forwards, that people do that for any gravestones.

624
00:36:07.320 --> 00:36:09.960
<v Speaker 2>Some stones will weather much better than other ones. Like

625
00:36:10.000 --> 00:36:12.159
<v Speaker 2>if the gravestone is granite, it's not going to be

626
00:36:12.159 --> 00:36:14.039
<v Speaker 2>too much of an issue, but it's more for like

627
00:36:14.079 --> 00:36:18.880
<v Speaker 2>these old historic ones. Pushing on marble headstones too hard

628
00:36:18.960 --> 00:36:22.239
<v Speaker 2>can break them in half unfortunately, so doing a rubbing

629
00:36:22.239 --> 00:36:25.320
<v Speaker 2>on it can do some significant damage, which sucks because

630
00:36:25.320 --> 00:36:26.440
<v Speaker 2>I look really cool.

631
00:36:26.559 --> 00:36:31.320
<v Speaker 1>Right Well, okay, in old cemeteries, how come a lot

632
00:36:31.519 --> 00:36:36.920
<v Speaker 1>of the gravestones are like crooked teeth going every which way?

633
00:36:37.719 --> 00:36:43.480
<v Speaker 1>Are they sinking into the ground? Are raccoons vandalizing them?

634
00:36:43.559 --> 00:36:44.199
<v Speaker 1>What's happening?

635
00:36:45.239 --> 00:36:47.000
<v Speaker 2>It would be much cuter. If it was a raccoon,

636
00:36:47.000 --> 00:36:49.360
<v Speaker 2>I would love that. So some of them are literally

637
00:36:49.360 --> 00:36:52.800
<v Speaker 2>sinking straight down. Some are because the coffin has collapsed

638
00:36:52.920 --> 00:36:55.639
<v Speaker 2>or because the body has decomposed, the ground shifts, they

639
00:36:55.679 --> 00:36:57.840
<v Speaker 2>start falling over. A lot of it depends on the

640
00:36:57.880 --> 00:37:01.480
<v Speaker 2>style of gravestone as well. Where these older styles that

641
00:37:01.760 --> 00:37:03.840
<v Speaker 2>went they were quite long, like what you see on

642
00:37:03.880 --> 00:37:06.119
<v Speaker 2>the surface, goes down into the ground like two feet.

643
00:37:06.519 --> 00:37:10.000
<v Speaker 2>I find those ones to hold up a lot better actually,

644
00:37:10.079 --> 00:37:13.119
<v Speaker 2>and more modern styles will be like stuck in sort

645
00:37:13.119 --> 00:37:15.000
<v Speaker 2>of a key we call it, like they go in

646
00:37:15.039 --> 00:37:17.599
<v Speaker 2>a couple inches and it's just this little base. And

647
00:37:17.679 --> 00:37:21.039
<v Speaker 2>those are often set on big blocks of concrete underground,

648
00:37:21.119 --> 00:37:23.760
<v Speaker 2>and the problem with that is it's so heavy the

649
00:37:23.760 --> 00:37:26.360
<v Speaker 2>dirt underneath it isn't going to support it forever, and

650
00:37:26.440 --> 00:37:28.960
<v Speaker 2>then that starts to sink, and then the whole stone

651
00:37:29.039 --> 00:37:31.280
<v Speaker 2>goes down, and then people like me have to come

652
00:37:31.320 --> 00:37:33.360
<v Speaker 2>in and dig a gigantic lot of concrete out of

653
00:37:33.400 --> 00:37:36.000
<v Speaker 2>the ground and replace it with something that's actually going

654
00:37:36.039 --> 00:37:38.239
<v Speaker 2>to hold the gravestone up for more than like fifty years.

655
00:37:38.519 --> 00:37:42.480
<v Speaker 1>Oh wow, Yeah. Have you ever been in a cemetery

656
00:37:42.559 --> 00:37:47.039
<v Speaker 1>or graverard doing the work and just been at all

657
00:37:47.079 --> 00:37:52.519
<v Speaker 1>overwhelmed by mortality or by history or by a particular

658
00:37:52.599 --> 00:37:55.480
<v Speaker 1>person's story. Does the work ever get to on a

659
00:37:55.519 --> 00:37:56.239
<v Speaker 1>personal level.

660
00:37:56.960 --> 00:38:00.760
<v Speaker 2>Definitely. Sometimes. The first excavation I was involved with where

661
00:38:00.760 --> 00:38:03.960
<v Speaker 2>we were exhooming human remains because there was a development

662
00:38:04.039 --> 00:38:07.320
<v Speaker 2>going in. I had a dream that night about the

663
00:38:07.320 --> 00:38:10.440
<v Speaker 2>skull that I had exzoomed that day, and that took

664
00:38:10.800 --> 00:38:13.760
<v Speaker 2>a minute to like consider and stop and remember that

665
00:38:13.800 --> 00:38:17.159
<v Speaker 2>these are people, and they have ancestors in the area probably,

666
00:38:17.239 --> 00:38:19.519
<v Speaker 2>and that's like something you need to be really aware

667
00:38:19.519 --> 00:38:21.519
<v Speaker 2>of when you're working with burials, for sure.

668
00:38:23.559 --> 00:38:27.440
<v Speaker 1>Have you ever gotten creeped out at all? Or is

669
00:38:27.440 --> 00:38:30.320
<v Speaker 1>it just purely science and history for you? Are you

670
00:38:30.360 --> 00:38:34.480
<v Speaker 1>able to walk through a cemetery after dark and be like,

671
00:38:35.000 --> 00:38:35.760
<v Speaker 1>it's just a place.

672
00:38:37.039 --> 00:38:39.719
<v Speaker 2>I feel like it's just a place because it's something

673
00:38:39.760 --> 00:38:41.920
<v Speaker 2>that like everybody is going to end up in a

674
00:38:41.960 --> 00:38:44.679
<v Speaker 2>place like this, So to me, it feels like a

675
00:38:44.719 --> 00:38:48.039
<v Speaker 2>really natural place to go hang out, I guess, but

676
00:38:48.519 --> 00:38:50.679
<v Speaker 2>I probably wouldn't walk through it after dark because I'm

677
00:38:50.719 --> 00:38:52.880
<v Speaker 2>definitely a whim right, yeah.

678
00:38:53.159 --> 00:38:54.920
<v Speaker 1>Same, Do you think you're going to be buried in

679
00:38:54.960 --> 00:38:58.000
<v Speaker 1>a cemetery or do you want to be ashes, they

680
00:38:58.079 --> 00:39:02.599
<v Speaker 1>get launched into space. Your plan, my plan.

681
00:39:02.760 --> 00:39:06.239
<v Speaker 2>I remember hearing in elementary school, which really just tells

682
00:39:06.320 --> 00:39:08.480
<v Speaker 2>you that this is exactly what kind of job I

683
00:39:08.519 --> 00:39:12.440
<v Speaker 2>needed to be doing. Someone said that your ashes could

684
00:39:12.440 --> 00:39:14.599
<v Speaker 2>be put in a concrete block and it could be

685
00:39:14.639 --> 00:39:17.360
<v Speaker 2>put in the ocean to help grow coral reefs, and

686
00:39:17.440 --> 00:39:19.760
<v Speaker 2>I thought that was the coolest idea ever. And I

687
00:39:19.800 --> 00:39:21.199
<v Speaker 2>was like, I want to be in like a blue

688
00:39:21.400 --> 00:39:25.159
<v Speaker 2>orb in the ocean, So I probably want to be cremated.

689
00:39:25.199 --> 00:39:26.920
<v Speaker 2>And I keep telling my husband I want to be

690
00:39:27.000 --> 00:39:29.320
<v Speaker 2>cremated in an open air pyre on a beach, but

691
00:39:29.360 --> 00:39:31.320
<v Speaker 2>that is not legal, so I guess that's not going

692
00:39:31.360 --> 00:39:31.800
<v Speaker 2>to happen.

693
00:39:31.920 --> 00:39:32.320
<v Speaker 4>Think it.

694
00:39:34.039 --> 00:39:38.039
<v Speaker 2>But there is a process called acquamation or alkaline hydrolysis,

695
00:39:38.079 --> 00:39:40.880
<v Speaker 2>which is also known as water cremation, which is a

696
00:39:40.920 --> 00:39:44.679
<v Speaker 2>little more environmentally friendly than fire cremation, and it is

697
00:39:44.960 --> 00:39:47.880
<v Speaker 2>legal in a couple provinces and a couple of states now,

698
00:39:47.960 --> 00:39:50.000
<v Speaker 2>so I think, like, that's probably the route I would

699
00:39:50.039 --> 00:39:50.320
<v Speaker 2>want to go.

700
00:39:50.920 --> 00:39:53.480
<v Speaker 1>Okay, I discussed this in the Santatology episode, but the

701
00:39:53.480 --> 00:39:58.519
<v Speaker 1>TLDR short version too long didn't read of alkaline hydrolysis

702
00:39:58.639 --> 00:40:02.719
<v Speaker 1>is a metal the cylindrical chamber is slashing full of

703
00:40:02.760 --> 00:40:07.559
<v Speaker 1>warm water an alkaline lie and you you're in there too,

704
00:40:07.760 --> 00:40:11.639
<v Speaker 1>and then you kind of dissolve into a syrupy liquid

705
00:40:11.760 --> 00:40:13.840
<v Speaker 1>and then you get flushed down the sewer system, which

706
00:40:13.880 --> 00:40:17.079
<v Speaker 1>is the same place your blood goes if you get embalmed, no, biggie,

707
00:40:17.119 --> 00:40:19.679
<v Speaker 1>same place your burrito goes. Five minutes ago. It was

708
00:40:19.719 --> 00:40:21.360
<v Speaker 1>part of your body. It's not a big deal. So

709
00:40:21.480 --> 00:40:25.159
<v Speaker 1>after hydrolysis, some of your bones, though, might remain in

710
00:40:25.199 --> 00:40:27.800
<v Speaker 1>the chamber, and then those are ground up into dust.

711
00:40:28.119 --> 00:40:29.960
<v Speaker 1>So think of it as kind of like a final

712
00:40:30.599 --> 00:40:35.360
<v Speaker 1>worm bath as you tuck into your eternal bedtime. Maybe

713
00:40:35.519 --> 00:40:38.079
<v Speaker 1>grow some sea polyps on yourself after I don't know,

714
00:40:38.199 --> 00:40:40.760
<v Speaker 1>it's your life, and by life I mean death. If

715
00:40:40.760 --> 00:40:43.000
<v Speaker 1>you had a concrete block in the ocean, would you

716
00:40:43.119 --> 00:40:45.519
<v Speaker 1>want it etched with like your name and like a

717
00:40:45.559 --> 00:40:46.519
<v Speaker 1>pithy epitaph.

718
00:40:47.039 --> 00:40:49.079
<v Speaker 2>I hadn't actually thought about that, but I feel like

719
00:40:49.119 --> 00:40:50.159
<v Speaker 2>that would be an awesome idea.

720
00:40:50.440 --> 00:40:52.800
<v Speaker 1>Yeah, I mean, just in case anyone ever for some

721
00:40:52.880 --> 00:40:55.159
<v Speaker 1>reason is studying coral and they're like, oh my god,

722
00:40:55.920 --> 00:40:57.119
<v Speaker 1>this is rob and lacys.

723
00:40:57.199 --> 00:40:59.280
<v Speaker 2>Yeah, throwing that's awesome.

724
00:41:01.320 --> 00:41:03.719
<v Speaker 1>How do you feel around Halloween when people set up

725
00:41:03.840 --> 00:41:07.880
<v Speaker 1>prop graveyards on their lawns, does it ever make you

726
00:41:07.920 --> 00:41:10.119
<v Speaker 1>do double takes? Like oh, what's that cemetery? And then

727
00:41:10.159 --> 00:41:13.440
<v Speaker 1>you're like, oh, man, that's just the Robertson's front lawn.

728
00:41:13.760 --> 00:41:15.599
<v Speaker 2>I mean, I love it, but I'll definitely be the

729
00:41:15.599 --> 00:41:18.239
<v Speaker 2>person walking around being like that's not accurate.

730
00:41:19.760 --> 00:41:24.119
<v Speaker 1>What kind of what is it? What's a Halloween amateur

731
00:41:24.400 --> 00:41:27.400
<v Speaker 1>our mistake when we're putting up fake graveyards.

732
00:41:27.960 --> 00:41:30.599
<v Speaker 2>Well, just like when it says like just rip across

733
00:41:30.599 --> 00:41:32.719
<v Speaker 2>the stone or something, I'll be like that that would

734
00:41:32.760 --> 00:41:34.280
<v Speaker 2>just be in the top, where like that would be

735
00:41:34.559 --> 00:41:36.920
<v Speaker 2>only on the bottom. And I've actually seen very few

736
00:41:36.920 --> 00:41:40.360
<v Speaker 2>gravestones that actually have rip on them. Really, I'm like

737
00:41:40.400 --> 00:41:41.679
<v Speaker 2>it should say this other thing.

738
00:41:42.639 --> 00:41:47.599
<v Speaker 1>What are some things that you've seen in historical maybe

739
00:41:47.639 --> 00:41:49.840
<v Speaker 1>a little bit creepy tombstones.

740
00:41:50.840 --> 00:41:54.159
<v Speaker 2>Anything that says like here lieth the body of or

741
00:41:54.239 --> 00:41:58.480
<v Speaker 2>like beneath the stone lies the mortal remains. Anyone's like

742
00:41:58.559 --> 00:41:59.000
<v Speaker 2>that or.

743
00:41:58.960 --> 00:42:03.239
<v Speaker 1>My favorite, Yeah, that's already that's pretty dark and spooky.

744
00:42:03.440 --> 00:42:07.800
<v Speaker 1>That immediately makes me think of a corpse for sure,

745
00:42:07.920 --> 00:42:11.280
<v Speaker 1>But in the respectful way, is there a graveyard that

746
00:42:11.320 --> 00:42:13.440
<v Speaker 1>you really really want to go to it's on your

747
00:42:13.480 --> 00:42:14.280
<v Speaker 1>own bucket list.

748
00:42:14.559 --> 00:42:17.280
<v Speaker 2>Oh yes, I would love to go. I'm going to

749
00:42:17.320 --> 00:42:19.360
<v Speaker 2>butcher the name because I don't know any French at all.

750
00:42:19.400 --> 00:42:24.639
<v Speaker 2>I'm a terrible Canadian. Pierre Lechez. I think beer luses, Okay,

751
00:42:24.679 --> 00:42:25.320
<v Speaker 2>something like that.

752
00:42:25.480 --> 00:42:26.280
<v Speaker 1>Beer lush is.

753
00:42:27.119 --> 00:42:31.440
<v Speaker 2>It's in Paris and it is technically the first garden

754
00:42:31.480 --> 00:42:36.119
<v Speaker 2>cemetery in the world, and it's supposed to be amazing.

755
00:42:36.239 --> 00:42:39.039
<v Speaker 2>Lots of important people are buried there, but it's like

756
00:42:39.159 --> 00:42:42.880
<v Speaker 2>the start of the rural cemetery movement globally, so it'd

757
00:42:42.920 --> 00:42:44.239
<v Speaker 2>be really exciting to see that.

758
00:42:44.280 --> 00:42:47.840
<v Speaker 1>One for sure got to go there. Can I ask

759
00:42:47.880 --> 00:42:49.159
<v Speaker 1>you questions from listeners?

760
00:42:49.679 --> 00:42:50.320
<v Speaker 2>Absolutely?

761
00:42:50.519 --> 00:42:53.760
<v Speaker 1>Okay, they know you're coming on. They've submitted hundreds of questions.

762
00:42:54.559 --> 00:42:57.440
<v Speaker 1>So before that, some words from ology sponsors who make

763
00:42:57.440 --> 00:42:59.880
<v Speaker 1>it possible to donate to a charity of Robin Stores,

764
00:43:00.079 --> 00:43:04.239
<v Speaker 1>which is in unis F Canada's COVID nineteen vaccine initiative

765
00:43:04.559 --> 00:43:07.239
<v Speaker 1>to provide vaccines to countries that haven't been able to

766
00:43:07.239 --> 00:43:10.840
<v Speaker 1>get enough for their citizens. So let's get those burial

767
00:43:10.920 --> 00:43:14.719
<v Speaker 1>rates down by getting some vaccine rates up. Literally life

768
00:43:14.719 --> 00:43:17.440
<v Speaker 1>saving work. So there'll be a link to that in

769
00:43:17.440 --> 00:43:21.800
<v Speaker 1>the show notes, and that donation was made possible by sponsors. Okay,

770
00:43:22.000 --> 00:43:24.880
<v Speaker 1>let's dig deep, let's dish the dirt as we answer

771
00:43:25.079 --> 00:43:29.960
<v Speaker 1>your tafyological questions. Okay, Paul Smith wants to know what's

772
00:43:30.000 --> 00:43:32.760
<v Speaker 1>the funniest epitaph you've ever seen? Have you ever seen

773
00:43:32.760 --> 00:43:33.679
<v Speaker 1>one that made you chuckle?

774
00:43:34.920 --> 00:43:36.760
<v Speaker 2>I didn't see it in person. I read it in

775
00:43:36.800 --> 00:43:38.840
<v Speaker 2>a book and I wish I had a copy of

776
00:43:38.880 --> 00:43:42.559
<v Speaker 2>it exactly here I can try and remember the whole thing.

777
00:43:43.400 --> 00:43:46.920
<v Speaker 2>It was a joke about these gravestones that would be

778
00:43:47.039 --> 00:43:51.440
<v Speaker 2>like basically being kind of pompous about the burial space.

779
00:43:52.719 --> 00:43:57.039
<v Speaker 2>And there was one that was like, oh, I remember

780
00:43:57.079 --> 00:44:01.800
<v Speaker 2>the whole thing. Here lie the chancel door. Here lie

781
00:44:01.800 --> 00:44:05.000
<v Speaker 2>I because I'm poor. The further in the more you pay.

782
00:44:05.199 --> 00:44:11.000
<v Speaker 2>But here Lie I as warm as they nice.

783
00:44:11.000 --> 00:44:14.920
<v Speaker 1>That's a that's a really beautifully thought out fuck you

784
00:44:15.519 --> 00:44:16.440
<v Speaker 1>to classism.

785
00:44:16.920 --> 00:44:17.920
<v Speaker 2>Yeah, it's amazing.

786
00:44:18.119 --> 00:44:21.760
<v Speaker 1>Yeah, like a post mortem treatise on the ills of

787
00:44:21.800 --> 00:44:27.960
<v Speaker 1>classism and death is the great equalizer. So some patrons

788
00:44:28.000 --> 00:44:32.519
<v Speaker 1>had durability questions, including Meghan McLean, Margaret ibaccher Rini, Carol

789
00:44:32.519 --> 00:44:36.079
<v Speaker 1>Wolf from Olivia, Flick, Asia Yeager Lung, Ox, Grace Robischow,

790
00:44:36.280 --> 00:44:40.239
<v Speaker 1>Mary Liby, and Meghan Stinkle wants to know what kinds

791
00:44:40.280 --> 00:44:44.960
<v Speaker 1>of stones are air quotes best for longevity of a gravestone.

792
00:44:46.039 --> 00:44:49.119
<v Speaker 2>Definitely granite, which is like the most common thing you

793
00:44:49.159 --> 00:44:53.280
<v Speaker 2>see in North America today. It weather is very slowly.

794
00:44:53.880 --> 00:44:56.159
<v Speaker 2>That's what the Egyptians use for a lot of statues.

795
00:44:56.280 --> 00:45:00.159
<v Speaker 2>They look great. Your gravestone will look great too. I

796
00:45:00.199 --> 00:45:03.840
<v Speaker 2>also really like Welsh plate that is very durable material

797
00:45:03.920 --> 00:45:06.559
<v Speaker 2>and it's very clean looking. I don't like all the

798
00:45:06.599 --> 00:45:10.280
<v Speaker 2>speckles in granite. Sometimes the Welsh plate is also really good.

799
00:45:10.639 --> 00:45:12.360
<v Speaker 1>Yeah, good to know. I love that. You're just like,

800
00:45:12.559 --> 00:45:13.440
<v Speaker 1>here's the answer you.

801
00:45:14.840 --> 00:45:15.840
<v Speaker 2>I've thought about that one.

802
00:45:17.360 --> 00:45:20.679
<v Speaker 1>Heathcliff the Cat wrote in to say history of Zinky's

803
00:45:20.920 --> 00:45:23.960
<v Speaker 1>When did zinc headstones first become popular and how prevalent

804
00:45:24.000 --> 00:45:27.679
<v Speaker 1>are they today? Do people still use them?

805
00:45:28.079 --> 00:45:30.840
<v Speaker 2>I don't actually know when they started being used specifically.

806
00:45:30.920 --> 00:45:33.239
<v Speaker 2>I know it was in the nineteenth century and they

807
00:45:33.239 --> 00:45:35.320
<v Speaker 2>were mostly made on the Eastern Sea board.

808
00:45:35.719 --> 00:45:37.960
<v Speaker 1>Okay, I looked up and yes, you can still spot

809
00:45:38.199 --> 00:45:43.119
<v Speaker 1>zinc tombstones by this really characteristic bluish white color, kind

810
00:45:43.159 --> 00:45:47.360
<v Speaker 1>of like the light sapphire tones of a glacier. Think

811
00:45:47.400 --> 00:45:51.000
<v Speaker 1>of that and according to the Tomb Tone a better

812
00:45:51.039 --> 00:45:55.159
<v Speaker 1>place Death and Burial in nineteenth century Ontario by Susan Smart,

813
00:45:55.519 --> 00:45:58.880
<v Speaker 1>the main zinc headstone producer in North America was Monumental

814
00:45:58.920 --> 00:46:02.559
<v Speaker 1>Bronze Company, Bridge Park, Connecticut. Shout out to I guess

815
00:46:02.639 --> 00:46:05.519
<v Speaker 1>Bridge Park, Connecticut, and that company opened up in eighteen

816
00:46:05.599 --> 00:46:06.159
<v Speaker 1>seventy four.

817
00:46:06.519 --> 00:46:11.519
<v Speaker 2>They had a secondary factory in Saint Thomas, Ontario, which

818
00:46:11.559 --> 00:46:17.400
<v Speaker 2>is near London, Ontario. For a while they were it's

819
00:46:17.400 --> 00:46:22.480
<v Speaker 2>been moderately popular. You do see one or two in graveyards,

820
00:46:23.000 --> 00:46:25.360
<v Speaker 2>sometimes a couple more than that, but like I can

821
00:46:25.400 --> 00:46:27.920
<v Speaker 2>think of one in all of Saint John's, Newfoundland where

822
00:46:27.960 --> 00:46:32.440
<v Speaker 2>I live. So they were like things that happened, but

823
00:46:32.480 --> 00:46:36.280
<v Speaker 2>they aren't the most prevalent type of gravestone from that period.

824
00:46:36.480 --> 00:46:40.719
<v Speaker 2>But they do hold up beautifully there. They just look stunning. Wow.

825
00:46:41.440 --> 00:46:43.679
<v Speaker 1>Do you call them zinkies or is that just a

826
00:46:43.719 --> 00:46:44.559
<v Speaker 1>heathcliff the cat.

827
00:46:45.440 --> 00:46:47.440
<v Speaker 2>No, people, I don't call them that because I think

828
00:46:47.440 --> 00:46:51.199
<v Speaker 2>it's it sounds funny, but that's like one of the

829
00:46:51.280 --> 00:46:54.639
<v Speaker 2>nicknames for it. They're like zinc is the material they're

830
00:46:54.679 --> 00:46:57.679
<v Speaker 2>made of. But historically they were called white bronze because

831
00:46:57.679 --> 00:46:59.920
<v Speaker 2>they were trying to make them sound very like high

832
00:47:00.079 --> 00:47:03.119
<v Speaker 2>lass and fancy, but they are made of think that's

833
00:47:03.119 --> 00:47:04.159
<v Speaker 2>where think You's come from.

834
00:47:04.239 --> 00:47:07.039
<v Speaker 1>Oh, I think it's I think it sounds kind of cute.

835
00:47:07.400 --> 00:47:09.360
<v Speaker 1>It also sounds like a party drug. I'm not gonna

836
00:47:09.440 --> 00:47:10.159
<v Speaker 1>I'm not gonna lie to you.

837
00:47:10.679 --> 00:47:11.360
<v Speaker 2>It does a little bit.

838
00:47:11.440 --> 00:47:14.519
<v Speaker 1>Yea, yeah, like dude, he was rolling on Zankees and

839
00:47:14.679 --> 00:47:20.119
<v Speaker 1>uh anyway, Emma Fitzpatrick, I thought this was an awesome question.

840
00:47:20.800 --> 00:47:23.079
<v Speaker 1>So awesome it was on a lot of mine, such

841
00:47:23.079 --> 00:47:26.320
<v Speaker 1>as Earl of Gramulkin, Leanna Schuster, Jessica Ward, Polly Roberts,

842
00:47:26.360 --> 00:47:29.719
<v Speaker 1>first time question asker Lydia, Katie Coast, Hannah Dent, Racial Kasha,

843
00:47:29.800 --> 00:47:32.400
<v Speaker 1>and Casey Kenton, many of whom wanted to know about

844
00:47:32.639 --> 00:47:35.920
<v Speaker 1>grave makeovers, or they were referencing someone on TikTok named

845
00:47:36.000 --> 00:47:39.519
<v Speaker 1>Lady Taffo's. So yes, Emma Fitzpatrick asked, have you seen

846
00:47:39.760 --> 00:47:42.639
<v Speaker 1>the gravestone cleaning tiktoks? If so, how do you feel

847
00:47:42.639 --> 00:47:44.800
<v Speaker 1>about them? I've heard people say they're bad because of

848
00:47:44.880 --> 00:47:47.800
<v Speaker 1>chemicals and increased weathering, but what's the truth.

849
00:47:48.639 --> 00:47:51.920
<v Speaker 2>So I actually recently gave a conference paper about the

850
00:47:52.199 --> 00:47:53.679
<v Speaker 2>Gristi cleaning TikTok.

851
00:47:53.639 --> 00:47:54.679
<v Speaker 1>You came to the right person.

852
00:47:56.239 --> 00:47:58.880
<v Speaker 2>So the lot of people that are doing it are

853
00:47:58.920 --> 00:48:02.679
<v Speaker 2>doing it correctly. They're using what looks like a chemical

854
00:48:02.840 --> 00:48:06.159
<v Speaker 2>the non ionic biological solution, the main one in North

855
00:48:06.159 --> 00:48:09.440
<v Speaker 2>America is called D two biological solutions. So what that

856
00:48:09.639 --> 00:48:13.480
<v Speaker 2>is is a THH neutral cleaner that won't introduce any

857
00:48:13.480 --> 00:48:17.480
<v Speaker 2>salts or acids to the stone while safely removing environmental

858
00:48:17.519 --> 00:48:20.119
<v Speaker 2>staining and stuff like like in growth. And then it

859
00:48:20.159 --> 00:48:23.239
<v Speaker 2>also sits in the stone and inhibits further like in

860
00:48:23.280 --> 00:48:25.960
<v Speaker 2>growth and staining for like several years after you use it.

861
00:48:26.039 --> 00:48:28.159
<v Speaker 2>But what I think the problem with the TikTok videos

862
00:48:28.400 --> 00:48:31.119
<v Speaker 2>is that they're so short and a lot of the

863
00:48:31.159 --> 00:48:33.559
<v Speaker 2>times they don't have words in them, or they don't

864
00:48:33.599 --> 00:48:36.280
<v Speaker 2>have enough time or space in the caption. I think

865
00:48:36.320 --> 00:48:40.000
<v Speaker 2>the TikTok caption length is quite short. They aren't able

866
00:48:40.039 --> 00:48:43.639
<v Speaker 2>to really explain what it is they're doing and what

867
00:48:43.679 --> 00:48:47.639
<v Speaker 2>they're using and how they're using it safely. And we've noticed,

868
00:48:47.679 --> 00:48:50.800
<v Speaker 2>like me and other people in sort of history and

869
00:48:50.880 --> 00:48:54.880
<v Speaker 2>cemetery archaeology have noticed that throughout like the lockdown, people

870
00:48:54.920 --> 00:48:56.920
<v Speaker 2>have been seeing videos like that and being like, that's

871
00:48:56.960 --> 00:48:58.840
<v Speaker 2>a cool thing I can do while we're all trapped

872
00:48:58.880 --> 00:49:02.320
<v Speaker 2>at home and maybe not knowing exactly what they're doing

873
00:49:02.440 --> 00:49:07.320
<v Speaker 2>going out and causing some damage, unfortunately to gravestones. So

874
00:49:07.719 --> 00:49:10.159
<v Speaker 2>I think I would want to say, like, those videos

875
00:49:10.159 --> 00:49:13.360
<v Speaker 2>are cool, they're really good. I've done a couple of

876
00:49:13.400 --> 00:49:16.000
<v Speaker 2>HI talks. I'm not very good at it, but it's

877
00:49:16.039 --> 00:49:18.679
<v Speaker 2>so difficult to explain exactly what you're doing. So I

878
00:49:18.679 --> 00:49:21.519
<v Speaker 2>would definitely say, like, if you want to go clean gravestones,

879
00:49:21.599 --> 00:49:24.440
<v Speaker 2>get training from someone who is a grave stone conservator.

880
00:49:24.719 --> 00:49:29.079
<v Speaker 2>Email me I'm a gravestone conservator, and get the information

881
00:49:29.280 --> 00:49:31.719
<v Speaker 2>and then get permission from the fight that you want

882
00:49:31.760 --> 00:49:33.960
<v Speaker 2>to clean up. Because if you don't have permission from

883
00:49:34.000 --> 00:49:36.559
<v Speaker 2>the people that are managing that graveyard, you should not

884
00:49:36.639 --> 00:49:37.599
<v Speaker 2>be there, got it.

885
00:49:38.000 --> 00:49:40.960
<v Speaker 1>So don't like roll up with an sospad in a

886
00:49:41.000 --> 00:49:42.639
<v Speaker 1>bucket of place. You should just go to town.

887
00:49:43.239 --> 00:49:44.840
<v Speaker 2>Absolutely, do not do either of those.

888
00:49:45.599 --> 00:49:46.079
<v Speaker 1>Don't do that.

889
00:49:46.840 --> 00:49:47.760
<v Speaker 2>It's made me cringe.

890
00:49:47.960 --> 00:49:51.920
<v Speaker 1>Yeah, I had a feeling. Speaking of dos and don'ts

891
00:49:52.039 --> 00:49:54.079
<v Speaker 1>of the dead. Cosmo wants to know is there any

892
00:49:54.119 --> 00:49:58.639
<v Speaker 1>graveyard etiquette most people don't know, Like if you're walking

893
00:49:58.719 --> 00:50:01.320
<v Speaker 1>through a cemetery should you try to walk on perimeters,

894
00:50:01.360 --> 00:50:03.039
<v Speaker 1>so not over the graves.

895
00:50:03.400 --> 00:50:06.599
<v Speaker 2>I don't personally see a problem with walking over graves,

896
00:50:06.639 --> 00:50:08.719
<v Speaker 2>but I know a lot of people find that for

897
00:50:08.800 --> 00:50:12.559
<v Speaker 2>themselves is very disrespectful. I know people that will apologize

898
00:50:12.559 --> 00:50:14.280
<v Speaker 2>if they step on a grave. I do try to

899
00:50:14.320 --> 00:50:18.400
<v Speaker 2>avoid walking through lots that have like gravel and sort

900
00:50:18.440 --> 00:50:20.760
<v Speaker 2>of the curbing around them. On those ones, I typically,

901
00:50:20.800 --> 00:50:22.519
<v Speaker 2>unless I have to go look at the gravestone, will

902
00:50:22.559 --> 00:50:24.960
<v Speaker 2>walk around them. But if it's a grass lawn area,

903
00:50:25.119 --> 00:50:27.960
<v Speaker 2>it's really difficult to avoid stepping on a grave occasionally.

904
00:50:28.039 --> 00:50:30.599
<v Speaker 2>So just be respectful while you're in the space as

905
00:50:30.639 --> 00:50:31.199
<v Speaker 2>best you can.

906
00:50:31.320 --> 00:50:36.320
<v Speaker 1>Basically mm hm Okay, good to know. Don't pee on

907
00:50:36.320 --> 00:50:39.280
<v Speaker 1>one unless you have a personal vendetta, in which case

908
00:50:39.320 --> 00:50:42.079
<v Speaker 1>that's between you and the dead. Probably don't pe in idea,

909
00:50:42.360 --> 00:50:45.920
<v Speaker 1>it's probably talk to therapists. Okay. So long Ox wants

910
00:50:46.000 --> 00:50:48.559
<v Speaker 1>to know, is there a go to source for decoding

911
00:50:48.639 --> 00:50:52.079
<v Speaker 1>the symbology of Victorian gravestones all those vases and dogs

912
00:50:52.400 --> 00:50:55.760
<v Speaker 1>o coachant and lamps and plants. Long ooc says that

913
00:50:55.840 --> 00:50:58.960
<v Speaker 1>they need a website or a pamphlet or a decoder ring.

914
00:50:59.280 --> 00:51:01.559
<v Speaker 2>A decoder ring would be sick. I would love that

915
00:51:02.119 --> 00:51:04.360
<v Speaker 2>there are a lot of resources online, and there's a

916
00:51:04.400 --> 00:51:07.000
<v Speaker 2>lot of different books that will talk about the different

917
00:51:07.079 --> 00:51:10.880
<v Speaker 2>sort of iconography and stuff. A lot of it you

918
00:51:11.000 --> 00:51:13.760
<v Speaker 2>sort of get from reading these older books like Henrietta

919
00:51:13.800 --> 00:51:16.039
<v Speaker 2>Forbes Gravestones of New England and the Men Who Made

920
00:51:16.079 --> 00:51:18.639
<v Speaker 2>Them is like literally the start of a lot of

921
00:51:18.719 --> 00:51:21.840
<v Speaker 2>graveyard scholarship in North America. And she does talk about

922
00:51:21.840 --> 00:51:23.840
<v Speaker 2>the symbology a little bit, but yeah, I can't think

923
00:51:23.880 --> 00:51:26.880
<v Speaker 2>of a specific resource online. I would avoid ones that

924
00:51:27.000 --> 00:51:30.480
<v Speaker 2>talk about Puritan gravestone art because that's not a thing.

925
00:51:31.280 --> 00:51:34.360
<v Speaker 1>Oh yeah, they were very very minimalist, right.

926
00:51:35.400 --> 00:51:39.079
<v Speaker 2>Yeah, they were either minimalists or you hear that terminology

927
00:51:39.199 --> 00:51:42.400
<v Speaker 2>applied to like the skulls and stuff specifically. But it's

928
00:51:42.440 --> 00:51:45.639
<v Speaker 2>been disproven that was like a theory in like the seventies,

929
00:51:45.880 --> 00:51:49.800
<v Speaker 2>but it's been disproven that that mortality like symbology is

930
00:51:50.000 --> 00:51:52.280
<v Speaker 2>directly related to the Puritans. And it comes up a

931
00:51:52.360 --> 00:51:54.599
<v Speaker 2>lot because of this like old study that was done

932
00:51:54.639 --> 00:51:58.079
<v Speaker 2>and popularized it. So you see it a lot online

933
00:51:58.119 --> 00:52:02.239
<v Speaker 2>and I have a personal pandetic and it's.

934
00:52:01.199 --> 00:52:05.800
<v Speaker 1>Good to know and speaking of that kind of symbology,

935
00:52:06.320 --> 00:52:08.719
<v Speaker 1>jess One had the question, are there any trends in

936
00:52:08.880 --> 00:52:11.840
<v Speaker 1>gravestone imagery in the last decade? Are there jokes about

937
00:52:11.880 --> 00:52:14.719
<v Speaker 1>millennials putting QR codes on their gravestones or having little

938
00:52:14.760 --> 00:52:17.639
<v Speaker 1>TVs with memes playing, But is there anything real in

939
00:52:17.760 --> 00:52:19.320
<v Speaker 1>terms of changing styles.

940
00:52:20.960 --> 00:52:24.679
<v Speaker 2>Yeah. So a lot of graveyards and cemeteries will have

941
00:52:25.119 --> 00:52:28.239
<v Speaker 2>rules about the style of headstone you can have. They'll

942
00:52:28.280 --> 00:52:30.079
<v Speaker 2>be like, you can only have these materials or it

943
00:52:30.159 --> 00:52:32.079
<v Speaker 2>has to be one of these specific shapes because they're

944
00:52:32.119 --> 00:52:35.039
<v Speaker 2>trying to like keep it looking cohesive. But what that

945
00:52:35.239 --> 00:52:37.960
<v Speaker 2>allows is people to do a lot more creative things

946
00:52:38.000 --> 00:52:41.119
<v Speaker 2>with like laser etching pictures that are more personal to

947
00:52:41.239 --> 00:52:43.639
<v Speaker 2>them than this like stock set of images that they

948
00:52:43.719 --> 00:52:46.199
<v Speaker 2>used to get like a couple hundred years ago. So

949
00:52:46.320 --> 00:52:48.880
<v Speaker 2>we get to see a lot more like portraits of

950
00:52:49.000 --> 00:52:53.159
<v Speaker 2>people photos. I saw one recently that was like someone's

951
00:52:53.239 --> 00:52:55.679
<v Speaker 2>cabin definitely, and there was like a boat in the water,

952
00:52:55.760 --> 00:52:57.639
<v Speaker 2>and you could tell that that was probably a place

953
00:52:57.679 --> 00:53:00.199
<v Speaker 2>that was really important to them. So that's I think

954
00:53:00.280 --> 00:53:03.760
<v Speaker 2>the biggest trend that you see on the last decade

955
00:53:03.840 --> 00:53:07.119
<v Speaker 2>or two is like a lot more personalization in the headstones.

956
00:53:07.519 --> 00:53:10.920
<v Speaker 1>I have seen more pictures and it really does personalize

957
00:53:10.920 --> 00:53:13.599
<v Speaker 1>it and make you reflect on your own life as well.

958
00:53:14.400 --> 00:53:15.039
<v Speaker 2>It's beautiful.

959
00:53:15.360 --> 00:53:18.719
<v Speaker 1>Victrona wants to know what's the most interesting ritual you've

960
00:53:18.760 --> 00:53:21.480
<v Speaker 1>come across. Example, placing a small polished stone on top

961
00:53:21.519 --> 00:53:24.519
<v Speaker 1>of the headstone is popular in Judaism. Anything like that.

962
00:53:25.239 --> 00:53:27.199
<v Speaker 2>Hmm, that's a tougher one.

963
00:53:27.719 --> 00:53:27.960
<v Speaker 3>Yeah.

964
00:53:28.159 --> 00:53:30.760
<v Speaker 1>How do you feel about fake flowers on gravestones? I

965
00:53:30.840 --> 00:53:31.760
<v Speaker 1>have mixed feelings.

966
00:53:32.800 --> 00:53:35.639
<v Speaker 2>I don't mind them. They do last a bit longer,

967
00:53:36.000 --> 00:53:37.320
<v Speaker 2>but also plastic.

968
00:53:38.119 --> 00:53:40.679
<v Speaker 1>I know that's how I feel too. And of course

969
00:53:40.800 --> 00:53:43.639
<v Speaker 1>Cole and Perry, herself a death worker and president of

970
00:53:43.760 --> 00:53:47.599
<v Speaker 1>the Board of Overseers at historic Lynden Grove Cemetery in Covington, Kentucky,

971
00:53:48.000 --> 00:53:50.920
<v Speaker 1>wanted to toss in a question Cole and Perry death

972
00:53:51.000 --> 00:53:56.480
<v Speaker 1>expert panatologists. She says, Okay, gravestones at her cemetery, which

973
00:53:56.519 --> 00:53:59.199
<v Speaker 1>she works as like a conservator up two, only about

974
00:53:59.280 --> 00:54:03.760
<v Speaker 1>five thousand of our twenty thousand permanent residents have headstones.

975
00:54:03.920 --> 00:54:07.119
<v Speaker 1>Some of the people without headstones today likely had wooden headstones.

976
00:54:07.559 --> 00:54:09.599
<v Speaker 1>Was that actually a thing? Wooden headstones?

977
00:54:09.880 --> 00:54:11.960
<v Speaker 2>Yeah, so a lot of like and we can see

978
00:54:11.960 --> 00:54:14.280
<v Speaker 2>this archaeologically. A lot of the time, people would be

979
00:54:14.480 --> 00:54:17.519
<v Speaker 2>marked with maybe a cross or just a little tablet

980
00:54:17.639 --> 00:54:21.039
<v Speaker 2>or something, and what that shows up as in the

981
00:54:21.159 --> 00:54:24.280
<v Speaker 2>archaeological record is a post pole. So where that piece

982
00:54:24.320 --> 00:54:27.679
<v Speaker 2>of wood has decomposed in place, that changes the composition

983
00:54:27.880 --> 00:54:29.639
<v Speaker 2>of the sediment that it's in a lot of the

984
00:54:29.679 --> 00:54:33.000
<v Speaker 2>time when there's unmarked graves, maybe they were unmarked originally.

985
00:54:33.079 --> 00:54:36.880
<v Speaker 2>Maybe they had a marker that was biodegradable and has

986
00:54:37.000 --> 00:54:38.760
<v Speaker 2>gone for like one hundred years or more.

987
00:54:40.199 --> 00:54:42.639
<v Speaker 1>That's interesting. I mean, if you think about how many

988
00:54:42.679 --> 00:54:48.199
<v Speaker 1>people probably also just dealt with surprise deaths and did

989
00:54:48.280 --> 00:54:51.639
<v Speaker 1>something kind of just with whatever they had. I'm sure

990
00:54:51.679 --> 00:54:54.840
<v Speaker 1>that there are a lot of unmarked out there as well.

991
00:54:55.599 --> 00:54:59.559
<v Speaker 2>Absolutely, gravestones are very expensive. They weren't and they weren't

992
00:54:59.639 --> 00:55:01.239
<v Speaker 2>cheap too hundred years ago as well.

993
00:55:01.639 --> 00:55:05.159
<v Speaker 1>That was actually going to be my final listener question.

994
00:55:06.119 --> 00:55:11.000
<v Speaker 1>Several people, including Val McKelvey, Alisa Williams Pears, Rachel Phelps,

995
00:55:11.119 --> 00:55:15.280
<v Speaker 1>Julie McDonald, and Alia Myers all wanted to know how

996
00:55:15.480 --> 00:55:18.480
<v Speaker 1>much have things changed in terms of cost. Why are

997
00:55:18.559 --> 00:55:21.800
<v Speaker 1>they so expensive? Rachel asked, are there any stats on

998
00:55:21.880 --> 00:55:26.320
<v Speaker 1>how many families opt out of burial marking or plaques

999
00:55:26.840 --> 00:55:30.800
<v Speaker 1>for reasons, including costs or besides costs. So, yeah, tell

1000
00:55:30.880 --> 00:55:35.760
<v Speaker 1>me a little bit about how class and expense comes

1001
00:55:35.960 --> 00:55:40.880
<v Speaker 1>into play when it involves your final resting place. If

1002
00:55:40.920 --> 00:55:42.320
<v Speaker 1>no one built a condo on top of you.

1003
00:55:43.880 --> 00:55:48.519
<v Speaker 2>That's the goal. Yeah, So it definitely is something that

1004
00:55:48.639 --> 00:55:53.039
<v Speaker 2>you can see was based on your economic status. When

1005
00:55:53.079 --> 00:55:55.599
<v Speaker 2>you have an unmarked grave or an unmarked burial ground,

1006
00:55:56.000 --> 00:55:58.280
<v Speaker 2>a pauper's grave, they would be unmarked, they would be

1007
00:55:58.360 --> 00:56:00.960
<v Speaker 2>marked with something like a cross, or wouldn't wooden board

1008
00:56:01.039 --> 00:56:04.800
<v Speaker 2>or something. And then the fancier a monument is the

1009
00:56:04.880 --> 00:56:07.559
<v Speaker 2>more money either the person had who died or the

1010
00:56:07.639 --> 00:56:10.800
<v Speaker 2>family or whoever their benefactor was they put this monument up.

1011
00:56:11.159 --> 00:56:14.599
<v Speaker 2>So that goes from like the little tiny like tablet

1012
00:56:14.639 --> 00:56:17.079
<v Speaker 2>ones with just a couple of lines on them. The

1013
00:56:17.199 --> 00:56:19.599
<v Speaker 2>more types of fronts you had on a gravestone, the

1014
00:56:19.679 --> 00:56:20.760
<v Speaker 2>more expensive it was.

1015
00:56:21.000 --> 00:56:25.760
<v Speaker 3>Oh it costs more because of the parent, Yeah, rightfully.

1016
00:56:25.960 --> 00:56:32.719
<v Speaker 2>So when the bigger, like the more pieces went into it.

1017
00:56:33.000 --> 00:56:34.880
<v Speaker 2>If it was a ledger, which is like the big

1018
00:56:35.039 --> 00:56:37.480
<v Speaker 2>flat thing on the ground, or a table tomb which

1019
00:56:37.519 --> 00:56:40.719
<v Speaker 2>had legs, or a chest tomb which had walls as

1020
00:56:40.800 --> 00:56:43.800
<v Speaker 2>well as a liam, you can just tell how much

1021
00:56:44.280 --> 00:56:47.000
<v Speaker 2>money people were putting into it, and a lot of

1022
00:56:47.079 --> 00:56:50.480
<v Speaker 2>that was because people wanted to show how much like

1023
00:56:50.960 --> 00:56:54.800
<v Speaker 2>look at our material care for our deceased loved ones.

1024
00:56:55.039 --> 00:56:57.559
<v Speaker 2>It was like almost a way of showing off. And

1025
00:56:57.639 --> 00:56:59.880
<v Speaker 2>you can kind of people do that today as well.

1026
00:57:00.400 --> 00:57:03.760
<v Speaker 2>And some aspects of the funit the funeral industry, you're

1027
00:57:03.840 --> 00:57:07.000
<v Speaker 2>kind of predatory, unfortunately, and people get told like, oh,

1028
00:57:07.119 --> 00:57:09.719
<v Speaker 2>but like you would want to honor this person this way,

1029
00:57:09.920 --> 00:57:12.440
<v Speaker 2>so you should splash out and pay like five thousand

1030
00:57:12.480 --> 00:57:16.480
<v Speaker 2>dollars for this gigantic granite, thaying that maybe you can't afford.

1031
00:57:17.719 --> 00:57:22.760
<v Speaker 1>Yeah, Gracie Zurin phrased it are elaborate gravestones, a power

1032
00:57:22.840 --> 00:57:26.760
<v Speaker 1>play of wealthy families. Well yeah, but it might also

1033
00:57:26.880 --> 00:57:30.840
<v Speaker 1>be just the industry pulling at your very raw open

1034
00:57:30.960 --> 00:57:37.679
<v Speaker 1>heart strings too. Yeah. And last questions, I are actually

1035
00:57:37.679 --> 00:57:40.679
<v Speaker 1>I'm going to ask this one super quick. Case I

1036
00:57:40.760 --> 00:57:44.159
<v Speaker 1>just saw Casey Wendy's longtime listener. First time question asker says,

1037
00:57:44.559 --> 00:57:47.159
<v Speaker 1>my husband showed me a gravestone locally that's actually a

1038
00:57:47.280 --> 00:57:50.039
<v Speaker 1>hidden chamber. You flip it over and it holds I

1039
00:57:50.119 --> 00:57:53.159
<v Speaker 1>guess contraband have you ever seen a gravestone.

1040
00:57:52.679 --> 00:57:59.760
<v Speaker 2>Like this, I require photos. That's amazing. I've never seen

1041
00:57:59.800 --> 00:58:02.199
<v Speaker 2>one like that that. I have heard that the that

1042
00:58:02.320 --> 00:58:06.679
<v Speaker 2>the zinkies were used during Prohibition era to hide alcohol

1043
00:58:06.960 --> 00:58:09.079
<v Speaker 2>and then like as a drop point to sell it

1044
00:58:09.159 --> 00:58:12.960
<v Speaker 2>to people, And I would die to find one unintended.

1045
00:58:15.199 --> 00:58:18.280
<v Speaker 1>Maybe, I mean my assessment that it sounds like a

1046
00:58:18.320 --> 00:58:24.199
<v Speaker 1>party drug not that far off. Now, something's got to

1047
00:58:24.280 --> 00:58:27.800
<v Speaker 1>suck about what you do. What is the worst part

1048
00:58:28.039 --> 00:58:32.760
<v Speaker 1>of your job or being a tofologist tathologist. What's the

1049
00:58:32.880 --> 00:58:36.079
<v Speaker 1>most annoying or bummer thing about your work?

1050
00:58:37.880 --> 00:58:40.880
<v Speaker 2>I mean, it's not like it's not super cheery. Everyone

1051
00:58:40.960 --> 00:58:43.360
<v Speaker 2>we work with is dead. I have a good time

1052
00:58:43.639 --> 00:58:46.639
<v Speaker 2>usually with that, but sometimes you're like, wow, this is

1053
00:58:46.880 --> 00:58:49.960
<v Speaker 2>like especially with stories like Robert, but really like takes

1054
00:58:50.000 --> 00:58:52.639
<v Speaker 2>you back a step and consider the type of work

1055
00:58:52.679 --> 00:58:55.320
<v Speaker 2>you're doing, just like what it means to people. But

1056
00:58:55.480 --> 00:58:59.639
<v Speaker 2>also when we're doing Graystone conservation, it's a lot of unglamorous,

1057
00:58:59.679 --> 00:59:02.400
<v Speaker 2>heavy listing of really heavy rops that don't want to

1058
00:59:02.400 --> 00:59:04.760
<v Speaker 2>come out of the ground. And I mean a lot

1059
00:59:04.800 --> 00:59:07.960
<v Speaker 2>of archaeology is digging holes and this is no different

1060
00:59:08.039 --> 00:59:09.320
<v Speaker 2>and it's incredibly tiring.

1061
00:59:09.400 --> 00:59:13.880
<v Speaker 1>Sometimes I bet do you bother with manicures or are

1062
00:59:13.920 --> 00:59:15.920
<v Speaker 1>you like, you know what that's.

1063
00:59:15.840 --> 00:59:20.760
<v Speaker 2>Not so nail polish can come off if you scratch

1064
00:59:20.800 --> 00:59:23.239
<v Speaker 2>it on marble. It can stand the marble. So no

1065
00:59:23.480 --> 00:59:25.239
<v Speaker 2>nail paint during the field season.

1066
00:59:25.480 --> 00:59:29.159
<v Speaker 1>Oh good too. What about your favorite thing? What do

1067
00:59:29.199 --> 00:59:32.719
<v Speaker 1>you love about? Gravestones, cemeteries, all of that.

1068
00:59:33.079 --> 00:59:33.840
<v Speaker 4>All of it.

1069
00:59:35.559 --> 00:59:38.519
<v Speaker 2>Being able to work in these sites that have so

1070
00:59:38.679 --> 00:59:43.119
<v Speaker 2>much history, especially in smaller communities, people are so invested

1071
00:59:43.320 --> 00:59:46.920
<v Speaker 2>in their local heritage and being able to sort of

1072
00:59:47.039 --> 00:59:52.079
<v Speaker 2>contribute to the knowledge that people have about a community's history,

1073
00:59:52.280 --> 00:59:56.679
<v Speaker 2>about individuals, and just like being able to be involved

1074
00:59:56.840 --> 00:59:59.960
<v Speaker 2>in the continuation of protecting that heritage for the future.

1075
01:00:00.239 --> 01:00:03.320
<v Speaker 2>And when we repair gravestones, they're often stones that have

1076
01:00:03.480 --> 01:00:06.800
<v Speaker 2>been neglected, they've fallen over, no one has seen the

1077
01:00:06.920 --> 01:00:10.039
<v Speaker 2>names on them for ages. So being able to sort

1078
01:00:10.079 --> 01:00:11.880
<v Speaker 2>of clean them and put them back up and have

1079
01:00:12.039 --> 01:00:14.840
<v Speaker 2>them back in the public eye like they were supposed

1080
01:00:14.840 --> 01:00:17.039
<v Speaker 2>to be originally is a really nice feeling.

1081
01:00:17.760 --> 01:00:17.960
<v Speaker 4>Yeah.

1082
01:00:18.920 --> 01:00:20.000
<v Speaker 1>What are your Halloween plans?

1083
01:00:21.199 --> 01:00:21.360
<v Speaker 4>Ooh?

1084
01:00:22.119 --> 01:00:25.639
<v Speaker 2>My husband and I are currently making Tuscan raider masks

1085
01:00:26.079 --> 01:00:30.840
<v Speaker 2>nice out of cardboard and three D printed their spiky

1086
01:00:30.880 --> 01:00:33.039
<v Speaker 2>things that come out of their heads. And my friend

1087
01:00:33.159 --> 01:00:35.880
<v Speaker 2>is having a pumpkin carving party, so lovely.

1088
01:00:36.599 --> 01:00:37.679
<v Speaker 1>No graveyards though, huh.

1089
01:00:39.480 --> 01:00:44.559
<v Speaker 2>Actually the Talk Death, which is a Canadian death positive group,

1090
01:00:44.920 --> 01:00:48.599
<v Speaker 2>they do a online scavenger hunt in cemetery, so you

1091
01:00:48.719 --> 01:00:50.639
<v Speaker 2>like go to a cemetery and then at a certain

1092
01:00:50.719 --> 01:00:53.880
<v Speaker 2>time they release a bunch of like scavenger hunt things.

1093
01:00:53.960 --> 01:00:55.840
<v Speaker 2>You have to send them photos and then there's prize

1094
01:00:55.880 --> 01:00:57.679
<v Speaker 2>packs that we'll probably be doing that as well, and

1095
01:00:57.800 --> 01:01:00.880
<v Speaker 2>like everybody should participate in that too, because it's oh.

1096
01:01:00.920 --> 01:01:03.000
<v Speaker 1>That's great. I'm sure you just gave a lot of

1097
01:01:03.039 --> 01:01:04.800
<v Speaker 1>people ideas of what they're doing this Halloween.

1098
01:01:05.039 --> 01:01:07.119
<v Speaker 2>I hope so so I won it last year, so.

1099
01:01:07.280 --> 01:01:11.519
<v Speaker 1>Like, whoa, watch out, watch out, you're going down. You're

1100
01:01:11.519 --> 01:01:15.920
<v Speaker 1>going six feet under. Also, uh, step up people, step

1101
01:01:16.000 --> 01:01:19.679
<v Speaker 1>up your cardboard headstone game in your front yard this year.

1102
01:01:19.960 --> 01:01:24.360
<v Speaker 1>Step it up. Spoiler bigger words GTFO with the rip.

1103
01:01:26.920 --> 01:01:28.840
<v Speaker 1>Thank you so much for doing this. I love that

1104
01:01:28.920 --> 01:01:30.119
<v Speaker 1>I now know a techologist.

1105
01:01:31.360 --> 01:01:32.960
<v Speaker 2>Yeah, no problem, Thank you for having me.

1106
01:01:33.760 --> 01:01:37.679
<v Speaker 1>So ask smart folks simpleton questions because they are just

1107
01:01:38.199 --> 01:01:41.920
<v Speaker 1>faults of information. And you can follow Robin at Graveyard

1108
01:01:42.000 --> 01:01:45.960
<v Speaker 1>Underscore Arch on Twitter and Instagram. Her website is Spade

1109
01:01:46.000 --> 01:01:48.079
<v Speaker 1>inthegrave dot com, and she and her husband Ian Petty

1110
01:01:48.119 --> 01:01:53.280
<v Speaker 1>have a gravestone conservation website at Blackcatseemeterypreservation dot WordPress dot com.

1111
01:01:53.760 --> 01:01:56.320
<v Speaker 1>So those links will be up at my site alliwarn

1112
01:01:56.320 --> 01:01:59.679
<v Speaker 1>dot com, slash Ology, slash Tefology, and we are at

1113
01:01:59.719 --> 01:02:01.800
<v Speaker 1>all Je's on Twitter at Instagram. I'm Ali word with

1114
01:02:01.880 --> 01:02:03.960
<v Speaker 1>one L on both. Thank you to Aaron Talbert who

1115
01:02:04.000 --> 01:02:06.800
<v Speaker 1>admins the Ologies podcast Facebook group, with help from Bonnie

1116
01:02:06.840 --> 01:02:09.000
<v Speaker 1>Dutch and Shannon Faltis of the podcast You Are That.

1117
01:02:09.480 --> 01:02:12.039
<v Speaker 1>They also help with merch. Emily White of the Wordery

1118
01:02:12.199 --> 01:02:15.519
<v Speaker 1>makes our transcripts and Caleb Patten bleeps him. Noel Dilworth

1119
01:02:15.519 --> 01:02:18.079
<v Speaker 1>handles scheduling and so much more. Susan Hale is on

1120
01:02:18.119 --> 01:02:20.519
<v Speaker 1>the other side of some merch emails and ologies business.

1121
01:02:20.840 --> 01:02:24.079
<v Speaker 1>Stephen Ray Morris and Sigurodriguez Thomas are working on newsmologies

1122
01:02:24.199 --> 01:02:27.159
<v Speaker 1>for your kiddos coming out very soon. Nick Norburn made

1123
01:02:27.159 --> 01:02:30.360
<v Speaker 1>the theme music. Right hand man Hunk Jarrett Sleeper of

1124
01:02:30.400 --> 01:02:32.639
<v Speaker 1>mind Jam Media put it all together while I am

1125
01:02:32.719 --> 01:02:35.239
<v Speaker 1>on the other side of a continent in this case

1126
01:02:35.480 --> 01:02:37.800
<v Speaker 1>this hotel in Boston for a few days shooting for CBS.

1127
01:02:37.960 --> 01:02:41.280
<v Speaker 1>Oddly also not very far from where my ward ancestors

1128
01:02:41.320 --> 01:02:43.760
<v Speaker 1>were buried in the seventeen hundreds, will be shooting two

1129
01:02:43.840 --> 01:02:47.000
<v Speaker 1>miles away from them tomorrow. Bananas. Now, if you stick

1130
01:02:47.039 --> 01:02:50.000
<v Speaker 1>around through the credits, I tell you something spooky. Two things,

1131
01:02:50.039 --> 01:02:52.840
<v Speaker 1>all right, Okay, Jarrett and I drove past Forest Lawn

1132
01:02:52.840 --> 01:02:55.719
<v Speaker 1>Cemetery in Burbank last week and we both spotted a

1133
01:02:55.800 --> 01:03:01.440
<v Speaker 1>frickin' casket abandon mid burial with the top off on

1134
01:03:01.639 --> 01:03:04.280
<v Speaker 1>the lawn, just strewn about the lawn ten feet away.

1135
01:03:04.480 --> 01:03:06.280
<v Speaker 1>It was almost dark out, there was no one working

1136
01:03:06.360 --> 01:03:08.880
<v Speaker 1>on it. We freaked out. We were driving past, Really

1137
01:03:09.000 --> 01:03:09.440
<v Speaker 1>did you see that?

1138
01:03:09.519 --> 01:03:10.000
<v Speaker 2>Did you see that?

1139
01:03:10.320 --> 01:03:11.840
<v Speaker 1>We wanted to go back, but we were late to

1140
01:03:11.880 --> 01:03:15.199
<v Speaker 1>see dune. Anyway, we agreed, the one thing you don't

1141
01:03:15.239 --> 01:03:18.079
<v Speaker 1>want to take its own top off is a coffin. Then,

1142
01:03:18.280 --> 01:03:21.559
<v Speaker 1>in researching this, I realized it was probably the burial

1143
01:03:21.679 --> 01:03:24.880
<v Speaker 1>vault being put in place the day before a funeral.

1144
01:03:25.559 --> 01:03:27.840
<v Speaker 1>That way a casket could be placed in it the

1145
01:03:27.920 --> 01:03:31.440
<v Speaker 1>next day, which then became not creepy but sad. Also,

1146
01:03:31.599 --> 01:03:34.079
<v Speaker 1>when I was a kid, I had these recurring cemetery nightmares,

1147
01:03:34.079 --> 01:03:37.119
<v Speaker 1>and I would have these anxiety attacks just driving past graveyards,

1148
01:03:37.400 --> 01:03:42.559
<v Speaker 1>and my dreams sometimes involved caskets flying open. Somehow I

1149
01:03:42.679 --> 01:03:44.480
<v Speaker 1>got over it. I think I had to go to

1150
01:03:44.559 --> 01:03:46.480
<v Speaker 1>like an open casket funeral of a relative, and I

1151
01:03:46.599 --> 01:03:49.880
<v Speaker 1>just realized everyone in a cemetery is just someone's relative.

1152
01:03:50.199 --> 01:03:52.159
<v Speaker 1>But that being said, I've watched a lot of I

1153
01:03:52.199 --> 01:03:54.000
<v Speaker 1>think you should leave in the last few months, and

1154
01:03:54.239 --> 01:03:56.159
<v Speaker 1>I don't know if I've ever left harder than the

1155
01:03:56.239 --> 01:04:00.440
<v Speaker 1>coffin flop sketch. It was everything my brain fears. Uh

1156
01:04:00.760 --> 01:04:06.119
<v Speaker 1>and wow, the catharsis anyway. Happy Halloween, exund spoop to Ober,

1157
01:04:06.280 --> 01:04:15.400
<v Speaker 1>Bye bye hacadermatology, hobiology, ordo zoology, lithology, new technology, meteorology,

1158
01:04:15.880 --> 01:04:20.880
<v Speaker 1>people of paratology, nathology, seriology, selenology.

1159
01:04:27.039 --> 01:04:29.000
<v Speaker 2>What do you want on your two stone?

1160
01:04:31.280 --> 01:04:32.360
<v Speaker 3>Pepperoni and cheese,
