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<v Speaker 1>Welcome Friends, its podcast podcasting time show.

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<v Speaker 2>Jacky again Bryan. They're talking down moving down back. I

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<v Speaker 2>welcome to Movie Film.

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<v Speaker 3>It is episode three thirty six, brought you by Mister

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<v Speaker 3>Boy Productions. I'm Zaky you Son, I'm her with Brian Hall.

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<v Speaker 2>Hey, that's going, Zachi, it is going, It is going.

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<v Speaker 2>We're in February now.

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<v Speaker 3>I know we are one twelfth of the way through

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<v Speaker 3>twenty twenty six, and it sure feels like we are moving.

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<v Speaker 3>I don't know. It's it's hard to say. Honestly, it

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<v Speaker 3>is moving very quickly. But part of that is just,

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<v Speaker 3>you know, everything seems to be moving quicker, but also

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<v Speaker 3>like the pace of news makes it feels like at

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<v Speaker 3>times like things are going glacially.

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<v Speaker 2>Hm.

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<v Speaker 3>I don't know if that makes sense.

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<v Speaker 2>No, I think so, I think so so. I it

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<v Speaker 2>is always a strange thing. It's there's a lot of

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<v Speaker 2>build up, I feel like, to the holidays. Yeah, at

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<v Speaker 2>the end of every year, you got Thanksgiving and then everything,

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<v Speaker 2>you know, Christmas, New Year's whatever, and then January is

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<v Speaker 2>sort of a weird like hitting a wall a bit

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<v Speaker 2>and everything resets and you're like, oh, I guess we're

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<v Speaker 2>starting up again. Early that's the feeling that I get sometimes.

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<v Speaker 2>But then yeah, so I'm a little bit surprised that

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<v Speaker 2>we're January's already in the rear view.

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<v Speaker 3>We're in February, so we're done with our New Year's

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<v Speaker 3>resolutions we have, we've failed at those, and now we're

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<v Speaker 3>moving on.

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<v Speaker 2>That's true.

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<v Speaker 3>I did.

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<v Speaker 2>I did have a little bit of a like, well,

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<v Speaker 2>I can eat this now. I mean, it's the holidays,

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<v Speaker 2>and I'm still like thinking that way.

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<v Speaker 3>You know, as you sit eating a tub of butter

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<v Speaker 3>with a spoon, You're like, this, this should be fine,

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<v Speaker 3>just a little bit.

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<v Speaker 2>I'll be honest. I did kill a trader Joe's Tira

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<v Speaker 2>Massou last night, which was pretty good. Did you do it?

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<v Speaker 2>Did you do it joyfully or through tears? It is

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<v Speaker 2>completely joyfully. I felt no shame. I felt nothing but

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<v Speaker 2>joy in that case.

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<v Speaker 3>Uh, I think you're just fine, take take it for me,

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<v Speaker 3>the least healthy person, you know.

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<v Speaker 2>Well, and it's the Olympics have started, so I was

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<v Speaker 2>you know, I'm sitting watching all these athletes and I'm

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<v Speaker 2>just like eating my tear mis zoo on the couch

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<v Speaker 2>in a bathroom.

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<v Speaker 3>Did you, by the way, did you see that SNL

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<v Speaker 3>sketch about the Winter Olympics and the three the different

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<v Speaker 3>Apple Yes Yes, with Wicklineline as the loose. Oh my god,

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<v Speaker 3>that was That was brilliant. You know.

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<v Speaker 2>She is one of those people that I feel like

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<v Speaker 2>she's struggled to find her footing a little bit, you know,

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<v Speaker 2>in her first season. Although she when she does her

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<v Speaker 2>songs at the weekend update desk, I always think they're

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<v Speaker 2>really funny, but in sketches it feels like they haven't

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<v Speaker 2>quite forge.

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<v Speaker 3>She was finding more of her niche this season, though.

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<v Speaker 2>I was gonna say that was one of the ones

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<v Speaker 2>where I was like, that is perfect. That is perfect

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<v Speaker 2>for her. Her personality is perfect for that, and I

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<v Speaker 2>thought it was hilarious. I love what she didn't want

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<v Speaker 2>to do. The joke is that she doesn't want to

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<v Speaker 2>do the los That's right, because it's scary and dangerous,

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<v Speaker 2>and so she keeps telling her coach that she's sick.

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<v Speaker 3>Yeah, She's like, no, no, no, I'm sick.

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<v Speaker 2>I'm sick, and the coach like, no, no, no, just sit down,

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<v Speaker 2>it's fine.

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<v Speaker 3>Alexander scars Guard, by the way, he was really funny.

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<v Speaker 2>He was Yeah, he was a perfect home.

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<v Speaker 3>He was a game for just about everything game and capable.

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<v Speaker 2>Yeah, yep, you know he was able to play characters

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<v Speaker 2>and be funny and know how to calibrate. And then

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<v Speaker 2>his dad, you know, stelling scars Guard showing up was

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<v Speaker 2>always like really fun.

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<v Speaker 3>Yeah that's right.

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<v Speaker 2>Yeah, I thought it was. I thought that was like,

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<v Speaker 2>that was like the perfect episode you could hope for.

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<v Speaker 2>That's like, you know what I mean, Like it's not

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<v Speaker 2>like one of those Superstar episodes that's gonna go down

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<v Speaker 2>in history, but it's like, this is if you could

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<v Speaker 2>give me one of these each week, Like I think

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<v Speaker 2>everybody would be pretty happy.

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<v Speaker 3>I agree with that. Yeah. Yeah, speaking of Alexander Scar's Guard,

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<v Speaker 3>I recently, like in the couple of months, I revisited

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<v Speaker 3>the Legend of Tarzan.

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<v Speaker 2>Oh, which I still haven't seen.

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<v Speaker 3>Yeah. I was like, you know, I was a little

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<v Speaker 3>harsh on that movie.

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<v Speaker 2>Oh really, I thought you would like recommended it to me. Yeah,

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<v Speaker 2>I do you hate me? I may.

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<v Speaker 3>This whole show has been one very long bit where

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<v Speaker 3>I'm just screwing with you.

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<v Speaker 2>And it's finally coming together. Yeah. I think what I've said.

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<v Speaker 3>What I said was like it's like a good weekday

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<v Speaker 3>afternoon type movie.

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<v Speaker 2>Yeah, yeah, yeah, And I stand by that.

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<v Speaker 3>But I went back and I read my initial review

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<v Speaker 3>from ten years ago, and and I, you know, I

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<v Speaker 3>feel like I was a little harsh because I was like,

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<v Speaker 3>all this shows is that, you know, these characters like

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<v Speaker 3>this don't really matter anymore. And I don't know, I

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<v Speaker 3>think I was having a bad day. I guess that's

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<v Speaker 3>what I'm saying.

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<v Speaker 2>It happens. Yeah, I.

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<v Speaker 3>Will say, and I said this on the show before

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<v Speaker 3>War that you know, the movie casts Samuel Jackson as

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<v Speaker 3>a real life person.

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<v Speaker 2>Oh right, I remember that.

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<v Speaker 3>And and you know, a really impressive person, George Washington Williams,

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<v Speaker 3>who is a you know, a scientist and a diplomat

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<v Speaker 3>and just a really impressive person personality in American history.

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<v Speaker 3>And and it's like the only way history can be

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<v Speaker 3>depicted is as this as a supporting character in a

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<v Speaker 3>Tarzan movie, you know, and.

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<v Speaker 2>Just an average one at that and exactly.

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<v Speaker 3>You know. But but having revisited relatively recently, I'm like,

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<v Speaker 3>you know, this movie is fine. I think I think

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<v Speaker 3>maybe it's about the right state of mind. But but

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<v Speaker 3>I enjoyed it. Good cast, scars Guard is good, Margot Robbie,

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<v Speaker 3>Christoph Waltz. Sam Jackson like, you're gonna you know what

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<v Speaker 3>I mean, there's enough in there to enjoy it. Jamon HUNTSU, Wow,

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<v Speaker 3>it's pretty pretty stacked.

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<v Speaker 2>Well, you know, And sometimes movies I feel like have

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<v Speaker 2>a lot of pressure put on them when they're in

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<v Speaker 2>theaters because it's like, well, is this worth leaving your

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<v Speaker 2>house and plunking down eighteen dollars? And it's like, well,

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<v Speaker 2>so you're you're measuring it against something specific in that moment.

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<v Speaker 2>But then as time goes on and I am looking

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<v Speaker 2>for something on a Saturday afternoon, well then that's perfect

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<v Speaker 2>and you might appreciate it in a different way.

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<v Speaker 3>In a different way.

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<v Speaker 2>Yeah, you know what's funny. I wasn't going to bring

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<v Speaker 2>this up, so I'll try to make it brief. But

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<v Speaker 2>speaking of Samuel L. Jackson playing a real person in

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<v Speaker 2>a fictional movie. So I I had a really bad

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<v Speaker 2>headache the other day and it was, you know, seven PM,

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<v Speaker 2>and I was like, I just want to put something on,

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<v Speaker 2>but I don't want it to be anything I really

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<v Speaker 2>want to watch. I just want something on while I

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<v Speaker 2>take some Madville and try to chill out. And so

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<v Speaker 2>I turned on I have Apple TV so I turned

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<v Speaker 2>on the Apple TV and the trailer for fly Me

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<v Speaker 2>to the Moon Oka started playing, which is an Apple

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<v Speaker 2>movie with Channing, taj Scylet Johansson, and the plot is,

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<v Speaker 2>you know, it's about the Neil Armstrong, the launch for

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<v Speaker 2>the you know, send the First Man.

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<v Speaker 3>To the Moon.

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<v Speaker 2>But the plot is, you know, the government is nervous

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<v Speaker 2>that if things don't work out, they can't let the

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<v Speaker 2>world see that the United States didn't successfully make it.

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<v Speaker 2>So as a backup plan, they get this warehouse and

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<v Speaker 2>hire a director and build a moon set so they

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<v Speaker 2>can fake the moon landing if they need to, and

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<v Speaker 2>broadcast that instead so the world will think that the

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<v Speaker 2>US succeeded. Right now, I'd only seen the trailers, and

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<v Speaker 2>I was like, I, you know, it tries to look

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<v Speaker 2>like this fizzy sixties kind of romantic kind of thing

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<v Speaker 2>between Tatum and Scarlett Johansson, and I was like, yeah, yeah, okay,

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<v Speaker 2>let's do this now. I I think what bothered me

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<v Speaker 2>about it was I didn't know what was true and

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<v Speaker 2>what wasn't okay, And so part of me thought that

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<v Speaker 2>maybe this actually happened because the movie was presenting fact

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<v Speaker 2>with this a certain tone and this I guess fiction

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<v Speaker 2>with the same tone, and so you know, you think

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<v Speaker 2>of something like Inglorious Bastard's which spoiler for that movie.

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<v Speaker 2>You know, they kill Hitler at the end, you know,

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<v Speaker 2>our heroes. And I remember seeing it in the theater

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<v Speaker 2>and just laughing with glee because it was so funny

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<v Speaker 2>and audacious and ridiculous. And I'm in a ridiculous movie, right,

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<v Speaker 2>so I can continue to go with the ridiculousness right

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<v Speaker 2>right right. And with this one, I was like, wait,

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<v Speaker 2>so is this character real? Is she? Wait? Did this? So?

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<v Speaker 3>Wait? This?

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<v Speaker 2>This does feel like kind of far fit hold on,

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<v Speaker 2>And I gotta admit it was getting on my nerves

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<v Speaker 2>interesting the fact that I didn't know if it was

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<v Speaker 2>true or not. And at the end, they have this

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<v Speaker 2>whole thing where they like disable the camera that's going

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<v Speaker 2>to be on the module on the Moon just to

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<v Speaker 2>ensure that the fake moon landing has shown instead. So

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<v Speaker 2>Scarlett Johanson's character recruits these two NASA scientists right before

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<v Speaker 2>launch to go because they need a part from a

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<v Speaker 2>tube television to repair this TV. But they go to

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<v Speaker 2>the shop, but the shop is closed because everyone's watching

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<v Speaker 2>the launch, the rocket launch, So they take a garbage

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<v Speaker 2>can and throw it through the window and steal a

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<v Speaker 2>tube television and then these cops show up and are

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<v Speaker 2>going to arrest them, but she's such a smooth talker

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<v Speaker 2>that she talks to police into giving them a police

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<v Speaker 2>escort back to NASA so they can get the part

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<v Speaker 2>under the ship on time. And I was like, Okay, wait,

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<v Speaker 2>now I'm really annoyed because like, is this mait is

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<v Speaker 2>this real or not? Like if this is goofy and

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<v Speaker 2>fun and made up and like a fun fiction happening

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<v Speaker 2>in the background of something real, right, then that's cool.

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<v Speaker 2>But we're also dealing with like the real guy who

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<v Speaker 2>called out the launch, played by Tatum. So I was like,

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<v Speaker 2>this is confusing, Like I don't I don't know. It's

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<v Speaker 2>something about it just irked me as I was going

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<v Speaker 2>through it.

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<v Speaker 3>I don't know, interesting, Okay.

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<v Speaker 2>Anyway, so speaking of like real life thing and fictional things,

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<v Speaker 2>and like it's just.

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<v Speaker 3>When when you mix it together, it becomes kind of

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<v Speaker 3>a hodgepodge.

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<v Speaker 2>I get it. Yeah, like maybe take it a notch

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<v Speaker 2>up in the silliness or something.

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<v Speaker 3>Right so that it's more it's like nobody's gonna watch

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<v Speaker 3>that that that Jerry Seinfeld pop tarts movie. Right, well, period,

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<v Speaker 3>nobody's gonna watch that Jerry Seinfeld pop tarts movie. Period. No,

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<v Speaker 3>nobody's gonna watch it Comma and think it's it's real. Yeah,

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<v Speaker 3>that's a man amazing comp that I just completely forgot existed.

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<v Speaker 3>But yes, yeah, exactly.

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<v Speaker 2>I mean that one went pretty silly, right, But I

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<v Speaker 2>don't know, I don't know. Maybe I was in the

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<v Speaker 2>wrong mood. I like I said, I had a very

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<v Speaker 2>bad headache.

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<v Speaker 3>Maybe a legend of tarzan is is what what you

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<v Speaker 3>should tune in for next time?

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<v Speaker 2>You know what? That is exactly what I should have

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<v Speaker 2>watched instead.

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<v Speaker 3>There you go.

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<v Speaker 2>Anyway, Well what else? What else have you seen lately?

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<v Speaker 2>You know, it's seem quite a bit So I'll just

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<v Speaker 2>I'll rattle them off kind of quick. But I want

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<v Speaker 2>to ask, did you watch the I didn't put this

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<v Speaker 2>in the list, but did you see the Muppet Show

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<v Speaker 2>revival thing on Disney Plus?

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<v Speaker 3>Oh? Dude, I want to I had planned to watch

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<v Speaker 3>it last night, but life got in the way. But

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<v Speaker 3>I'm hearing good things.

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<v Speaker 2>Executive produced by Seth Rogan. Sabrina Carpenter is the guest star.

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<v Speaker 3>The One Thing I'll say, and this is just me.

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<v Speaker 3>Maybe maybe you've noticed this, But doesn't it seem like

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<v Speaker 3>Kermit's voice is a little off?

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<v Speaker 2>You know, I had not heard Apparently this guy has

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<v Speaker 2>been doing the voice for almost ten years now. Really,

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<v Speaker 2>that's what I'm reading, because I'm seeing a lot of

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<v Speaker 2>posts about people thrown off by the voice. I was

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<v Speaker 2>thrown off. Okay, good, so I'm not alone in this. Okay,

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<v Speaker 2>to my knowledge, I've not heard this guy.

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<v Speaker 1>I know.

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<v Speaker 2>I didn't watch that ABC series The Muppets, and I

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<v Speaker 2>guess he did that one. It's complicated because he is

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<v Speaker 2>he doing a bad job.

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<v Speaker 3>Not necessarily, no, it just doesn't sound like Jim Henson exactly.

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<v Speaker 2>Yeah, and so it did make me go back and

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<v Speaker 2>look at the I don't have the name in front

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<v Speaker 2>of me, but the person who took over for a

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<v Speaker 2>really long time afterwards, I was kind of curious because

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<v Speaker 2>I remember him sounding different too, of course inevitably, but

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<v Speaker 2>when you do hear him, you're like, wow, he is

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<v Speaker 2>pretty darn close and even just the spirit of Kermit,

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<v Speaker 2>like he really nailed nailed that. And this guy does

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<v Speaker 2>sound quite a bit different, and it takes you have

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<v Speaker 2>to make a choice in your mind to go with it.

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<v Speaker 2>I feel like, however, he sings Islands in the Stream

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<v Speaker 2>with Sabrina Carpenter, and I was like, well, he's got

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<v Speaker 2>a good voice, and I mean, that's a tricky thing

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<v Speaker 2>when you're doing a voice and having to sing in

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<v Speaker 2>that voice that isn't yours. See I saw.

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<v Speaker 3>I didn't see clips from it. I saw Kermit on

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<v Speaker 3>The Kimmel Show.

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<v Speaker 2>Okay, and this too, by the way.

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<v Speaker 3>I kind of love that, Like, at some point in

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<v Speaker 3>the distant past, it was decided that we will treat

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<v Speaker 3>the Muppets as if they are real, and just from now,

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<v Speaker 3>from then until the end of time, everyone has just

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<v Speaker 3>agreed that that's how it will be.

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<v Speaker 2>Yeah, right, Like I yeah, that's funny.

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<v Speaker 3>It's this tacit understanding. It's like, no, no, that's Kermit,

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<v Speaker 3>and we just you know, ignore the man underneath, you

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<v Speaker 3>know whatever.

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<v Speaker 2>Yeah, I love that we have kept that tradition alive.

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<v Speaker 3>It's been you know, more than fifty years. It's like, no,

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<v Speaker 3>this is what we do.

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<v Speaker 2>They're real.

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<v Speaker 3>The Muppets are real. You shut the hell up. They're real,

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<v Speaker 3>right right, We've just all decided that. But anyway, so

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<v Speaker 3>you had Kermit on with Kimmel, and that's when I

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<v Speaker 3>was like, huh, A little sounds a little different, you know,

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<v Speaker 3>you know, not not not worse, not worse than our

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<v Speaker 3>old froggy Yep, just different. Yep. Our mantra man ar mantra,

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<v Speaker 3>Joe PESHI leath the weapon for we live by it.

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<v Speaker 2>I mean truly, I think about it a lot. Yeah,

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<v Speaker 2>it's it's super fun. It's not anything unexpected. It's just

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<v Speaker 2>a new episode of the Muppet Show and in the

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<v Speaker 2>modern age with a modern star. And I think that

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<v Speaker 2>to me, that's that feels right. It feels nice, it's

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<v Speaker 2>comfort comfortable. I'm looking forward to watching it and hopefully

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<v Speaker 2>this weekend. Yeah, and then also real fast, I'll say.

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<v Speaker 2>Jeded Appatow did another profile documentary, this time with mel Brooks.

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<v Speaker 2>I think it's called The ninety nine year Old Man.

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<v Speaker 2>It's on HBO HBO Max. Two parts. I love that

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<v Speaker 2>they don't feel like, Okay, we got to make this

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<v Speaker 2>just two hours, you know, when we're profiling someone with

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<v Speaker 2>such a long, prolific career. It's two parts and they're

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<v Speaker 2>both feature length. But I really enjoyed it. I like

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<v Speaker 2>mel Brooks and you I didn't know a lot about

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<v Speaker 2>his life or his beginnings. So I recommend that to

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<v Speaker 2>anyone who's interested.

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<v Speaker 3>Did you I can't remember if we talked about did

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<v Speaker 3>you see the Chevy Chase documentary? No?

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<v Speaker 2>Okay, yes, that was a CNN thing, right, that's right.

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<v Speaker 3>I think it's gonna be. It should be streaming now.

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<v Speaker 3>I think, uh, you know, is it worth it? Well,

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<v Speaker 3>I haven't seen it. All I know I saw I

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<v Speaker 3>saw folks talking about it online. I saw one thing

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<v Speaker 3>that made me laugh where it's like I remember that

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<v Speaker 3>John Candy documentary where everybody was just lining up to

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<v Speaker 3>tell you how much they loved him and what a

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<v Speaker 3>great person he was. Well, this isn't that right, right?

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<v Speaker 2>Yeah?

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<v Speaker 3>That honestly.

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<v Speaker 2>Yeah. The only thing I had heard about it was

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<v Speaker 2>that it existed, and then a lot of people refused

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<v Speaker 2>to be in it, you.

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<v Speaker 3>Know Chevy's I recently, in the last few months, I

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<v Speaker 3>rewatched Saturday Night, you know, the movie Saturday Night, and

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<v Speaker 3>you have that scene where young, you know, upstart Chevy

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<v Speaker 3>Chase is is telling Milton Burrele what a piece of

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<v Speaker 3>shit he is, right, yeah, And I'm like, man, you

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<v Speaker 3>know you live long enough and you know you just oh, yeah,

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<v Speaker 3>you know what, you know, you either die the hero

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<v Speaker 3>you live long enough to become the villain. Wow.

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<v Speaker 2>That is yeah, strangely prophetic that that scene.

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<v Speaker 3>Right, And it made me think I was like, did

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<v Speaker 3>they They had to have known what they were doing

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<v Speaker 3>with that scene, you know, yeah.

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<v Speaker 2>Or not prophetic, but like like a funny vision of

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<v Speaker 2>things that could be.

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<v Speaker 3>Like like they had to they had to have known,

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00:16:34.919 --> 00:16:37.399
<v Speaker 3>like this is how it's going to read, you know.

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<v Speaker 2>Which's just so sad because you know, just last night

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00:16:42.000 --> 00:16:44.080
<v Speaker 2>I was with my brother and his wife and I

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00:16:44.120 --> 00:16:46.399
<v Speaker 2>was recommending the John Candy thing and and they're like,

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00:16:46.480 --> 00:16:47.919
<v Speaker 2>is it good? And I was like yes, I'm like no,

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<v Speaker 2>Look does it really dig into the details of his life?

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00:16:51.679 --> 00:16:54.279
<v Speaker 2>Not necessarily, but it's like hanging out with a bunch

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<v Speaker 2>of people who knew him reminiscing and they all loved him.

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<v Speaker 2>They all had nice things to say, and that's for

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00:17:02.799 --> 00:17:06.920
<v Speaker 2>me time well spent. Yeah, and it really says something

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00:17:06.960 --> 00:17:11.480
<v Speaker 2>about the man if that many people have all have

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<v Speaker 2>nice things to say, and like, what a lovely tribute

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<v Speaker 2>to that person. And it just makes me sad with

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<v Speaker 2>Chevy Chase because he's very talented, he's very very funny,

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<v Speaker 2>but not a lot of people have nice things to say,

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<v Speaker 2>and that's too bad.

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<v Speaker 3>Look, you piss off enough people on your way up,

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<v Speaker 3>you're gonna pass them on the way down and nobody's

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<v Speaker 3>going to reach their hand out to grab you. Yeah,

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<v Speaker 3>that's just that's that's a lesson everybody should should internalize

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<v Speaker 3>a little bit, you know, I think so.

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<v Speaker 2>Yeah, and maybe maybe people have. And that goes to

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<v Speaker 2>what we were talking about with Oh sorry, this was

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<v Speaker 2>in our bonus episode that you'll be able to find

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<v Speaker 2>over at the Patreon page. But we get into late

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<v Speaker 2>night talk show hosts and how it seems, you know,

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<v Speaker 2>there used to be more rivalries and cutthroat attitudes toward

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<v Speaker 2>one another in the past, but it's seems like now

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<v Speaker 2>it's interesting how they have become like a fraternity or

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<v Speaker 2>a brotherhood together, you know. Yeah, and maybe that's just

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<v Speaker 2>I don't know that that just seems to be what

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<v Speaker 2>what what people are like more these days than what

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<v Speaker 2>they used to be.

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<v Speaker 3>Well it is, you know, it's like in that that

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<v Speaker 3>the Late Shift, the movie, you know, the book slash movie.

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<v Speaker 2>You know you've seen it, right, yeah, oh yeah, you know,

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<v Speaker 2>and the.

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<v Speaker 3>Whole thing about Kathy Bates's character. She's Jay Leno's manager, right,

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<v Speaker 3>And the whole thing is like, if you come on

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<v Speaker 3>the Tonight Show, you can't appear on The Letterman Show

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<v Speaker 3>or Our Senni or whatever, you know, and like that's

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<v Speaker 3>that's just unsustainable in today's media economy. Yeah, because you

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<v Speaker 3>get this press to her and then they're everywhere, and

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00:18:47.839 --> 00:18:50.680
<v Speaker 3>that's just what it is, you know. So it's just

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00:18:50.720 --> 00:18:55.160
<v Speaker 3>the whole, the whole, the whole ecosystem has changed, you know. Yeah, anyway,

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<v Speaker 3>what else have you seen?

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<v Speaker 2>Well, le's just talk about two things real quick here.

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<v Speaker 2>Oh well, actually I'm gonna sneak one in here. The Burbs.

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<v Speaker 2>I rewatched The burbsh nice, the nineteen eighty nine Tom

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<v Speaker 2>Hanks Joe Dante movie, in anticipation of the series, Yep,

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00:19:10.119 --> 00:19:12.720
<v Speaker 2>The Urbs, which is going to be debuting on Peacock

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<v Speaker 2>Super Bowl Sunday. I'm very curious about that. And you know,

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<v Speaker 2>I know you're you're a fan. In r Pal, Sean

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<v Speaker 2>Coyle is a huge fan of Big Petty and I

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<v Speaker 2>don't remember how, but somehow he had two Blu rays

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00:19:25.279 --> 00:19:28.079
<v Speaker 2>of it, so he gave me one and i'd been

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<v Speaker 2>I had it on my shelf, like my two watch shelf,

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<v Speaker 2>and so I popped it in.

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<v Speaker 3>Blue ray or DVD, Blu ray. Wow, Okay, because and.

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<v Speaker 2>Man, what a fun friggin' movie Like that is just

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<v Speaker 2>just a delightful goof of a movie, you know what

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<v Speaker 2>I mean.

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<v Speaker 3>Yeah, it's been maybe twenty years since I've revisited it.

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<v Speaker 2>Yeah, yeah, I mean I think it's more a collection

399
00:19:54.839 --> 00:19:57.279
<v Speaker 2>of funny ideas than it is a great movie as

400
00:19:57.319 --> 00:20:01.680
<v Speaker 2>a whole, right, But those fun any moments are very funny. Yeah,

401
00:20:01.720 --> 00:20:05.240
<v Speaker 2>And like the tone is just so I don't know,

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00:20:05.319 --> 00:20:08.240
<v Speaker 2>I'm not sensing the same tone from the trailers for

403
00:20:08.319 --> 00:20:12.480
<v Speaker 2>the Burbs series. There's yeah, like there's just such a

404
00:20:12.480 --> 00:20:14.599
<v Speaker 2>fun I mean, right down to the scary pipe orbit

405
00:20:14.680 --> 00:20:19.440
<v Speaker 2>organ music that that you know, punches in over like

406
00:20:19.519 --> 00:20:25.400
<v Speaker 2>these funny little bits of darkness juxtaposed in the suburbs,

407
00:20:25.440 --> 00:20:28.039
<v Speaker 2>and just all the neighbors like who lives in that house? Yeah,

408
00:20:28.079 --> 00:20:29.960
<v Speaker 2>I heard they murdered a guy, you know, and just

409
00:20:30.000 --> 00:20:31.640
<v Speaker 2>like all that, and then they become like kind of

410
00:20:31.680 --> 00:20:34.400
<v Speaker 2>crazed themselves trying to get to the bottom of what's

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00:20:34.400 --> 00:20:36.519
<v Speaker 2>really going on in that house, and you get like

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<v Speaker 2>eighties manic energy. Tom Hanks.

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<v Speaker 3>I was about to say, that's that's Tom Hanks, like

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<v Speaker 3>on the cusp of of you know, the greatest living

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00:20:45.480 --> 00:20:50.599
<v Speaker 3>actor Tom Hanks. Yes, like he's still straddling uh, you know,

416
00:20:51.079 --> 00:20:55.400
<v Speaker 3>a bachelor party and yeah, you know Sleepless and Seattle.

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00:20:55.519 --> 00:20:56.720
<v Speaker 3>You know, he's kind of in the middle there.

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<v Speaker 2>Yeah, it's it's just really fun. And so I enjoyed watching.

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<v Speaker 2>It's like ninety minutes.

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<v Speaker 3>I'm gonna have to give her a look.

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00:21:03.240 --> 00:21:08.599
<v Speaker 2>It's so fun anyway. But the two newer things I

422
00:21:08.640 --> 00:21:12.480
<v Speaker 2>watched that I'll mention real quick is you know, with

423
00:21:12.559 --> 00:21:16.160
<v Speaker 2>Award season, you and I get a handful of links sometimes,

424
00:21:16.920 --> 00:21:18.920
<v Speaker 2>and so there's some movies I get put on my

425
00:21:19.000 --> 00:21:21.599
<v Speaker 2>radar that I hadn't really been aware of. And one

426
00:21:21.599 --> 00:21:25.000
<v Speaker 2>of them for me was this movie called Secret Mall Apartment.

427
00:21:25.839 --> 00:21:26.680
<v Speaker 2>Have you heard about this?

428
00:21:27.039 --> 00:21:28.559
<v Speaker 3>Yeah? Is it on Netflix?

429
00:21:29.359 --> 00:21:31.319
<v Speaker 2>It's on Netflix now. Yeah, So I'm.

430
00:21:31.160 --> 00:21:35.039
<v Speaker 3>Gonna was watching it this past week. You were watching,

431
00:21:35.119 --> 00:21:35.839
<v Speaker 3>I'm gonnas not?

432
00:21:35.960 --> 00:21:39.119
<v Speaker 2>I Oh, oh okay, well would she Well, I'll say

433
00:21:39.119 --> 00:21:42.039
<v Speaker 2>real quick to plot and it's true story documentary. In

434
00:21:42.079 --> 00:21:45.440
<v Speaker 2>two thousand and three, eight Rhode Islanders created a secret

435
00:21:45.480 --> 00:21:51.799
<v Speaker 2>apartment inside a busy mall and lived there for four years.

436
00:21:51.880 --> 00:21:54.759
<v Speaker 2>So what does she think. I'm curious she liked it.

437
00:21:54.799 --> 00:21:55.799
<v Speaker 3>She was fascinated by it.

438
00:21:55.799 --> 00:21:59.759
<v Speaker 2>Man, Yeah, you know, I really enjoyed it. It's a

439
00:21:59.759 --> 00:22:00.559
<v Speaker 2>bit of a trifle.

440
00:22:01.279 --> 00:22:01.480
<v Speaker 3>You know.

441
00:22:03.640 --> 00:22:07.960
<v Speaker 2>I could imagine some people watching this and going and right,

442
00:22:08.559 --> 00:22:12.359
<v Speaker 2>you know, but I I enjoyed the spirit of this.

443
00:22:13.519 --> 00:22:18.359
<v Speaker 2>It just these I wouldn't even call them Mary pranksters.

444
00:22:18.400 --> 00:22:20.960
<v Speaker 2>I mean, there are these this group of artists. It

445
00:22:20.960 --> 00:22:25.960
<v Speaker 2>does get into that location at the time, and you know,

446
00:22:26.000 --> 00:22:29.359
<v Speaker 2>they lived in this area that basically the city booted

447
00:22:29.400 --> 00:22:31.079
<v Speaker 2>them out of so they could turn it into a

448
00:22:31.119 --> 00:22:35.839
<v Speaker 2>shopping area, and they were feeling, you know, disenfranchised and

449
00:22:37.039 --> 00:22:39.240
<v Speaker 2>where can we live that we can afford? And they

450
00:22:39.319 --> 00:22:43.359
<v Speaker 2>also have these real artistic spirits, okay, and so it

451
00:22:43.480 --> 00:22:47.799
<v Speaker 2>just occurred to them, well they will Basically they explored

452
00:22:47.839 --> 00:22:50.279
<v Speaker 2>them all because they as it was being built, one

453
00:22:50.279 --> 00:22:52.680
<v Speaker 2>of them noticed like, what would they possibly put in

454
00:22:52.759 --> 00:22:54.400
<v Speaker 2>that space over there? It feels like it'd be this

455
00:22:54.400 --> 00:22:56.720
<v Speaker 2>empty space. So as a lark, they go in there.

456
00:22:56.839 --> 00:22:58.839
<v Speaker 2>They discover this empty space and they're like, what if

457
00:22:58.839 --> 00:22:59.680
<v Speaker 2>we put a couch in here?

458
00:22:59.680 --> 00:23:00.359
<v Speaker 3>And out?

459
00:23:00.599 --> 00:23:02.079
<v Speaker 2>And they're like, what if we bought a table in

460
00:23:02.160 --> 00:23:05.200
<v Speaker 2>a television and we could play video games, and let's

461
00:23:05.200 --> 00:23:08.039
<v Speaker 2>get a China hutch, you know, and then they start

462
00:23:08.079 --> 00:23:12.680
<v Speaker 2>getting dishware, and then they basically hang out and live

463
00:23:12.720 --> 00:23:16.559
<v Speaker 2>there and it becomes this kind of home, you know,

464
00:23:16.640 --> 00:23:19.279
<v Speaker 2>this alternate universe where they get to exist and make

465
00:23:19.279 --> 00:23:24.599
<v Speaker 2>it their own space. And I don't know, I found

466
00:23:24.599 --> 00:23:28.359
<v Speaker 2>myself the next day I felt thinking about it. I

467
00:23:28.400 --> 00:23:32.240
<v Speaker 2>felt this sort of strange longing inside myself for like

468
00:23:32.279 --> 00:23:36.559
<v Speaker 2>that feeling of freedom and like mischief, you know that

469
00:23:36.640 --> 00:23:39.720
<v Speaker 2>you have at a certain time of your life, you know,

470
00:23:39.759 --> 00:23:41.680
<v Speaker 2>with your friends and you go out and do these

471
00:23:41.759 --> 00:23:43.720
<v Speaker 2>kind of crazy things. And I realized that the movie

472
00:23:43.759 --> 00:23:46.160
<v Speaker 2>put that feeling inside of me. So I feel like

473
00:23:46.200 --> 00:23:49.720
<v Speaker 2>the movie did a great job of capturing the playful

474
00:23:49.759 --> 00:23:50.920
<v Speaker 2>spirit of what they were doing.

475
00:23:51.319 --> 00:23:53.519
<v Speaker 3>Right. If this is your way of asking me to

476
00:23:53.599 --> 00:23:56.799
<v Speaker 3>join you in building a secret mall apartment, buddy, I'm

477
00:23:56.839 --> 00:23:58.160
<v Speaker 3>already there. Man, let's get it.

478
00:23:58.200 --> 00:24:05.000
<v Speaker 2>Ah, I'm in. You had me at secret. Oh you

479
00:24:05.039 --> 00:24:09.960
<v Speaker 2>want to share a secret. But yeah, I just I

480
00:24:10.000 --> 00:24:13.400
<v Speaker 2>thought it was nice, And you know, it's it also

481
00:24:13.480 --> 00:24:17.440
<v Speaker 2>gets into them as artists, and we get to see

482
00:24:17.519 --> 00:24:22.039
<v Speaker 2>during that moment, you know, a couple of years post

483
00:24:22.119 --> 00:24:23.640
<v Speaker 2>nine to eleven and they go out and they do

484
00:24:23.720 --> 00:24:27.839
<v Speaker 2>these projects which are not commissioned, so they're basically going

485
00:24:27.880 --> 00:24:29.920
<v Speaker 2>out on the street and they do this thing with tape,

486
00:24:30.319 --> 00:24:33.279
<v Speaker 2>like tape art, and they had this thing where they

487
00:24:34.880 --> 00:24:38.440
<v Speaker 2>wanted to create silhouettes that represented every single person who

488
00:24:38.519 --> 00:24:43.000
<v Speaker 2>died in nine to eleven. Wow, and yeah, and it's

489
00:24:43.359 --> 00:24:46.279
<v Speaker 2>some people like it, and other people are like, get

490
00:24:46.279 --> 00:24:50.920
<v Speaker 2>the hell away from my property. But they're just not

491
00:24:51.400 --> 00:24:54.240
<v Speaker 2>Mary pranksters but just Marry artists. Yeah, just going out

492
00:24:54.319 --> 00:24:57.839
<v Speaker 2>and trying to put some artistic good into the world.

493
00:24:57.880 --> 00:25:00.240
<v Speaker 2>And some people might find that delightful. Some people might

494
00:25:00.240 --> 00:25:04.319
<v Speaker 2>find it kind of annoying. I don't know. But and again,

495
00:25:04.359 --> 00:25:06.039
<v Speaker 2>at the end of the day when it ends, you

496
00:25:06.160 --> 00:25:09.319
<v Speaker 2>might feel a little bit like, okay, and what about it.

497
00:25:09.920 --> 00:25:12.200
<v Speaker 2>But like for me, I just thought they did a

498
00:25:12.240 --> 00:25:15.039
<v Speaker 2>good job of capturing the spirit of what those guys

499
00:25:15.039 --> 00:25:17.680
<v Speaker 2>were trying to do and what that apartment represented to them,

500
00:25:18.240 --> 00:25:20.200
<v Speaker 2>and it made me feel something and I thought it

501
00:25:20.240 --> 00:25:23.920
<v Speaker 2>was delightful. So I enjoyed it. I enjoyed Secret Mall Apartment.

502
00:25:23.960 --> 00:25:25.279
<v Speaker 2>It's streaming on Netflix.

503
00:25:26.000 --> 00:25:29.119
<v Speaker 3>Well, based on the level of chaos in my house

504
00:25:29.200 --> 00:25:32.759
<v Speaker 3>last night when I came home. Secret Mall apartment sounds

505
00:25:32.759 --> 00:25:34.119
<v Speaker 3>pretty freaking awesome.

506
00:25:35.440 --> 00:25:38.400
<v Speaker 2>Right, I mean, doesn't that actually sound kind of nice?

507
00:25:39.240 --> 00:25:43.119
<v Speaker 3>Kind of I got six kids, Secret mall apartment, Sign

508
00:25:43.240 --> 00:25:43.519
<v Speaker 3>me up.

509
00:25:45.160 --> 00:25:47.519
<v Speaker 2>I mean there's a moment where they have this thing

510
00:25:47.599 --> 00:25:49.680
<v Speaker 2>and there, you know, this place, and a ladder leads

511
00:25:49.680 --> 00:25:52.839
<v Speaker 2>to it, and they're getting worried that they might get caught.

512
00:25:52.920 --> 00:25:54.079
<v Speaker 2>So they're like, you know what we need to do.

513
00:25:54.119 --> 00:25:56.519
<v Speaker 2>We need to build a wall. So they buy hundreds

514
00:25:56.559 --> 00:26:00.160
<v Speaker 2>of cinder blocks and they like, build this wall. Know

515
00:26:00.160 --> 00:26:01.079
<v Speaker 2>what I love about this?

516
00:26:01.079 --> 00:26:03.559
<v Speaker 3>This is like Dawn of the Dead minus the zombies,

517
00:26:04.839 --> 00:26:08.880
<v Speaker 3>right right right? You know, yeah, it's I don't know,

518
00:26:08.920 --> 00:26:12.200
<v Speaker 3>it's it's cute, not so cute.

519
00:26:12.759 --> 00:26:16.319
<v Speaker 2>I watched a movie called If I had legs, I

520
00:26:16.319 --> 00:26:19.519
<v Speaker 2>would kick you. Oh wow, And are you familiar with

521
00:26:19.599 --> 00:26:20.000
<v Speaker 2>this movie?

522
00:26:20.039 --> 00:26:25.480
<v Speaker 3>This is Rose Byrne, right, yes, and Conan and Conan O'Brien, Yes,

523
00:26:25.519 --> 00:26:25.960
<v Speaker 3>so I was.

524
00:26:27.319 --> 00:26:29.920
<v Speaker 2>I mean, I love Rose Byrne, and I was very

525
00:26:29.920 --> 00:26:32.519
<v Speaker 2>curious to see Conan actually acting in a movie. But

526
00:26:32.519 --> 00:26:34.599
<v Speaker 2>I had heard that this movie was a little intense,

527
00:26:35.839 --> 00:26:39.039
<v Speaker 2>and so this is a drama. This is very much

528
00:26:39.079 --> 00:26:42.599
<v Speaker 2>a drama. I had heard it called uncut Gems for Moms,

529
00:26:43.720 --> 00:26:47.359
<v Speaker 2>and I don't know if that's exactly right, but the

530
00:26:47.400 --> 00:26:50.759
<v Speaker 2>summary is, while trying to manage her own life and career,

531
00:26:50.799 --> 00:26:53.519
<v Speaker 2>a woman on the verge of a breakdown must cope

532
00:26:53.519 --> 00:26:57.200
<v Speaker 2>with her daughter's illness, my absent husband, a missing person,

533
00:26:57.599 --> 00:27:02.119
<v Speaker 2>and an unusual relationship with her therapist. And Conan is

534
00:27:02.119 --> 00:27:06.920
<v Speaker 2>the therapist. Conan is the therapist, and the daughter you

535
00:27:07.119 --> 00:27:11.400
<v Speaker 2>never see interesting. So basically the camera stays on Rose

536
00:27:11.440 --> 00:27:14.640
<v Speaker 2>Burn for the majority of the story. I mean, you

537
00:27:14.640 --> 00:27:17.359
<v Speaker 2>know other characters as well, but you're always hearing her

538
00:27:17.480 --> 00:27:21.279
<v Speaker 2>daughter off camera. I see does she sounds like, wow,

539
00:27:23.160 --> 00:27:27.920
<v Speaker 2>that would be really funny, but no. But basically, and

540
00:27:27.960 --> 00:27:31.720
<v Speaker 2>it's just, yeah, it's exactly you know what I just read.

541
00:27:31.759 --> 00:27:35.240
<v Speaker 2>I mean, it's just her trying to navigate. Basically, there's

542
00:27:35.279 --> 00:27:41.119
<v Speaker 2>this hole that appears in her ceiling, you know, like

543
00:27:41.160 --> 00:27:43.119
<v Speaker 2>through bad plumbing or whatever, and so she has to

544
00:27:43.200 --> 00:27:45.160
<v Speaker 2>leave and go live in a motel and there's the

545
00:27:45.160 --> 00:27:47.640
<v Speaker 2>stress of that. And the daughter has a health condition

546
00:27:48.240 --> 00:27:52.640
<v Speaker 2>where she has like an ivy kind of thing constantly

547
00:27:52.759 --> 00:27:56.720
<v Speaker 2>having to feed nutrients into her, and so there's this

548
00:27:56.920 --> 00:27:59.680
<v Speaker 2>constant beeping from that machine and in the middle of

549
00:27:59.680 --> 00:28:01.359
<v Speaker 2>the night if she forgets to put the stuff in

550
00:28:01.400 --> 00:28:04.480
<v Speaker 2>there on alarmoll go off and she's got to deal

551
00:28:04.519 --> 00:28:07.960
<v Speaker 2>with the whole in the apartment. And yeah, she has

552
00:28:08.000 --> 00:28:11.799
<v Speaker 2>like a patient that she's seeing who I'll just say

553
00:28:11.920 --> 00:28:15.000
<v Speaker 2>makes her life very stressful. And it's just stressor after

554
00:28:15.039 --> 00:28:20.039
<v Speaker 2>stressor after stressor. And it's funny because Rose Byrne is

555
00:28:20.240 --> 00:28:23.960
<v Speaker 2>incredible in this movie. I mean, for my money, she's

556
00:28:23.960 --> 00:28:28.680
<v Speaker 2>gonna win Best Actress for really, yes, because she's she's

557
00:28:28.759 --> 00:28:33.759
<v Speaker 2>doing something. She's doing a lot. I mean, she's playing

558
00:28:34.039 --> 00:28:44.160
<v Speaker 2>a sympathetic mother but also a very stressed out just person, mother, person, wife,

559
00:28:44.960 --> 00:28:51.480
<v Speaker 2>and she's doing very irresponsible things. But and we're aware

560
00:28:51.519 --> 00:28:53.759
<v Speaker 2>of it, but we're also I don't think she ever

561
00:28:53.839 --> 00:28:57.039
<v Speaker 2>loses us, you know what I mean, Like we're following

562
00:28:57.079 --> 00:29:02.559
<v Speaker 2>her as she makes maybe increasingly sort of confusing decisions.

563
00:29:03.359 --> 00:29:05.839
<v Speaker 2>And when I say confusing, what's interesting about this movie

564
00:29:05.880 --> 00:29:08.880
<v Speaker 2>is it plays as a bit of a fever dream, gotcha,

565
00:29:08.960 --> 00:29:12.079
<v Speaker 2>you know, where sometimes like occasionally she'll hallucinate a little

566
00:29:12.119 --> 00:29:13.839
<v Speaker 2>bit and we're like, is she dreaming right now?

567
00:29:13.920 --> 00:29:16.799
<v Speaker 3>Or And so I mean it sounds similar to the

568
00:29:16.839 --> 00:29:18.319
<v Speaker 3>movie we're discussing later.

569
00:29:19.480 --> 00:29:21.720
<v Speaker 2>Kind of yeah, yeah, And so I mean, and for

570
00:29:21.759 --> 00:29:23.200
<v Speaker 2>all these reasons I just said, I don't know that

571
00:29:23.240 --> 00:29:26.519
<v Speaker 2>I would just blindly recommend this movie to anyone like you.

572
00:29:26.519 --> 00:29:28.759
<v Speaker 2>You certainly have to be in the right mood, because

573
00:29:29.160 --> 00:29:31.400
<v Speaker 2>this is a very stressful movie and you're watching someone

574
00:29:31.440 --> 00:29:34.640
<v Speaker 2>be stressed out for two hours and she's filled with

575
00:29:34.720 --> 00:29:38.200
<v Speaker 2>dread and despair. But at the same time, it is

576
00:29:38.279 --> 00:29:45.079
<v Speaker 2>a remarkable performance and the craft is kind of amazing.

577
00:29:45.119 --> 00:29:48.039
<v Speaker 2>I mean, sometimes you think we talk about this like

578
00:29:48.079 --> 00:29:50.720
<v Speaker 2>it's every movie is made with the same instruments. You

579
00:29:50.759 --> 00:29:53.559
<v Speaker 2>have a camera and a boom mic, you know, in

580
00:29:53.599 --> 00:29:57.359
<v Speaker 2>the lights, and it's kind of amazing when they when

581
00:29:57.359 --> 00:29:59.519
<v Speaker 2>it doesn't work. And then you watch something like this

582
00:29:59.599 --> 00:30:03.960
<v Speaker 2>that feel so dreamlike and and it's the same instruments,

583
00:30:04.599 --> 00:30:06.200
<v Speaker 2>you know, and it's like, how did she capture that

584
00:30:06.240 --> 00:30:08.559
<v Speaker 2>sort of dreamy nature of this but also the stressful

585
00:30:08.640 --> 00:30:12.519
<v Speaker 2>nature of it? And it's the craft on display here

586
00:30:12.559 --> 00:30:14.960
<v Speaker 2>is amazing. The performance is amazing. And so I think

587
00:30:15.000 --> 00:30:17.160
<v Speaker 2>if you're interested in those things, like if you're in

588
00:30:17.160 --> 00:30:19.680
<v Speaker 2>the right mood and you want to see something that

589
00:30:19.799 --> 00:30:21.519
<v Speaker 2>is well done and you're willing to go on this

590
00:30:21.559 --> 00:30:25.720
<v Speaker 2>harrowing ride I think those people will find a lot

591
00:30:25.759 --> 00:30:29.480
<v Speaker 2>to appreciate in this movie. But like I said, I

592
00:30:29.480 --> 00:30:32.319
<v Speaker 2>wouldn't just blind recommend it for a Friday night gotcha,

593
00:30:33.359 --> 00:30:34.720
<v Speaker 2>And real quick, I'm mean I have to comment on

594
00:30:34.839 --> 00:30:37.960
<v Speaker 2>Corner O'Brien. I got admit it was a little distracting

595
00:30:38.000 --> 00:30:40.240
<v Speaker 2>for me, because how could it not be, you know,

596
00:30:40.799 --> 00:30:43.319
<v Speaker 2>thirty years of seeing this guy do like a string dance,

597
00:30:43.559 --> 00:30:47.319
<v Speaker 2>you know, and being a goofball and then suddenly he's

598
00:30:47.319 --> 00:30:52.680
<v Speaker 2>playing a very straight, kind of unpleasant character.

599
00:30:53.279 --> 00:30:55.160
<v Speaker 3>Okay, interesting, And so I.

600
00:30:55.119 --> 00:30:58.039
<v Speaker 2>Will admit it took me a second. I mean, right now,

601
00:30:58.039 --> 00:31:00.319
<v Speaker 2>I'm thinking of like Dick Cavitt appearing in Beatleed Juice,

602
00:31:00.319 --> 00:31:02.039
<v Speaker 2>you know, where it's like somebody, or like.

603
00:31:02.119 --> 00:31:04.000
<v Speaker 3>Kevin O'Leary in Marty Supreme.

604
00:31:05.000 --> 00:31:07.279
<v Speaker 2>There you go, yeah, yeah, yeah, you know. So you're like, well,

605
00:31:07.279 --> 00:31:09.880
<v Speaker 2>that's Dick Cavitt, that's you know, such and such, that's what.

606
00:31:10.359 --> 00:31:13.680
<v Speaker 2>And so I did have like, all that's Conan, Like okay, Brian,

607
00:31:13.839 --> 00:31:16.440
<v Speaker 2>turn it off, and just he's not Conan, He's this character.

608
00:31:16.559 --> 00:31:18.880
<v Speaker 2>He did take me a minute, but I do think

609
00:31:18.880 --> 00:31:22.559
<v Speaker 2>he does a good job and he is playing kind

610
00:31:22.559 --> 00:31:26.440
<v Speaker 2>of a jerk in these scenes. Opposite Rose Burne where

611
00:31:26.480 --> 00:31:30.839
<v Speaker 2>she is really acting okay, and so it's it's but

612
00:31:30.920 --> 00:31:33.839
<v Speaker 2>she doesn't blow him off with the screen. No, no,

613
00:31:34.680 --> 00:31:37.519
<v Speaker 2>So I like I said, I mean, the performances are amazing.

614
00:31:38.079 --> 00:31:41.839
<v Speaker 2>I was really taken with the craft of the movie. Shoot,

615
00:31:41.880 --> 00:31:43.400
<v Speaker 2>I don't have it from me. Mary Bronstein, I think

616
00:31:43.440 --> 00:31:45.279
<v Speaker 2>her name is, who wrote and directed it. Yeah. Mary

617
00:31:45.279 --> 00:31:50.440
<v Speaker 2>Bronstein really did a great job of capturing a tone

618
00:31:50.480 --> 00:31:55.880
<v Speaker 2>in a mood and a dreamlike, stressful, dream like experience

619
00:31:56.119 --> 00:32:00.200
<v Speaker 2>that this woman is just drifting through. So if in

620
00:32:00.200 --> 00:32:02.720
<v Speaker 2>the mood and that sounds like something you might appreciate,

621
00:32:02.759 --> 00:32:03.720
<v Speaker 2>then I would recommend it.

622
00:32:04.279 --> 00:32:04.880
<v Speaker 3>Well there we go.

623
00:32:05.720 --> 00:32:07.759
<v Speaker 2>Yeah, yeah, how about yourself? What you been watching?

624
00:32:08.200 --> 00:32:10.559
<v Speaker 3>Well, I haven't seen a ton, but I did see

625
00:32:10.680 --> 00:32:12.400
<v Speaker 3>our our thing that we're going to be talking about

626
00:32:12.440 --> 00:32:15.720
<v Speaker 3>this week. So we'll talk about that in just a

627
00:32:15.720 --> 00:32:18.839
<v Speaker 3>little bit. Perfect In the meantime, we do have some

628
00:32:19.279 --> 00:32:20.440
<v Speaker 3>listener letters, Brian.

629
00:32:23.720 --> 00:32:28.119
<v Speaker 2>I believe you have been looking for me. Eighteen thousands,

630
00:32:28.240 --> 00:32:29.000
<v Speaker 2>all addressed.

631
00:32:34.880 --> 00:32:39.279
<v Speaker 3>You've got mail, alrighty, So here is an email we

632
00:32:39.319 --> 00:32:41.720
<v Speaker 3>got from Adam Ox and this is that movie Film

633
00:32:41.720 --> 00:32:45.599
<v Speaker 3>podcast at gmail dot com. And he says, recently you

634
00:32:45.640 --> 00:32:48.920
<v Speaker 3>guys were discussing how Stallone was never able to break

635
00:32:48.920 --> 00:32:51.599
<v Speaker 3>into comedic roles in the same way Arnold did. And

636
00:32:51.680 --> 00:32:54.119
<v Speaker 3>I agree that's mostly true. Do you remember when when

637
00:32:54.160 --> 00:32:56.319
<v Speaker 3>when that was Brian when we I can't remember it

638
00:32:56.359 --> 00:33:00.599
<v Speaker 3>was that. That was just one of our tangent probably.

639
00:33:00.359 --> 00:33:02.400
<v Speaker 2>Right, I know I was Was that a commentary or

640
00:33:02.480 --> 00:33:03.920
<v Speaker 2>was that an episode? I don't remember.

641
00:33:04.160 --> 00:33:05.640
<v Speaker 3>Yeah, it all kind of blurs the other I think

642
00:33:05.640 --> 00:33:05.880
<v Speaker 3>it was me.

643
00:33:06.000 --> 00:33:07.240
<v Speaker 2>Why were we talking about Stallone?

644
00:33:07.319 --> 00:33:12.400
<v Speaker 3>Right? Why wouldn't we be talking about I don't remember

645
00:33:12.400 --> 00:33:15.240
<v Speaker 3>how that came out? Yeah? Same it we were on

646
00:33:15.319 --> 00:33:15.720
<v Speaker 3>a hold on.

647
00:33:17.319 --> 00:33:18.240
<v Speaker 2>It was it was?

648
00:33:18.559 --> 00:33:23.160
<v Speaker 3>It was we were talking about rhyan Stone, yes, because

649
00:33:23.160 --> 00:33:25.720
<v Speaker 3>I was talking about the song Drinkenstein.

650
00:33:27.079 --> 00:33:27.599
<v Speaker 2>Of course.

651
00:33:28.880 --> 00:33:34.240
<v Speaker 3>Uh just sung in the dulcet tones of the Italian stallion,

652
00:33:35.119 --> 00:33:37.440
<v Speaker 3>right right. I don't remember how we got there anyway,

653
00:33:37.920 --> 00:33:42.079
<v Speaker 3>Adam says, But when Zaki dismissively said that the nineteen

654
00:33:42.160 --> 00:33:46.160
<v Speaker 3>ninety one movie Oscar was not good, that, sir, I

655
00:33:46.200 --> 00:33:49.319
<v Speaker 3>cannot stand for I may be the only I know

656
00:33:49.759 --> 00:33:51.440
<v Speaker 3>that son of a bitch Zachie.

657
00:33:52.160 --> 00:33:53.160
<v Speaker 2>Wait a minute, I'm Zaki.

658
00:33:53.359 --> 00:33:53.680
<v Speaker 3>That's me.

659
00:33:54.319 --> 00:33:57.240
<v Speaker 2>He's talking about me. Yeah, I hip that guy. You're like, yeah,

660
00:33:57.480 --> 00:34:00.799
<v Speaker 2>wait a minute.

661
00:34:00.079 --> 00:34:01.960
<v Speaker 3>I may be the only person who defends that movie,

662
00:34:02.000 --> 00:34:05.119
<v Speaker 3>but damn it defended. I will stallone actually was pretty

663
00:34:05.160 --> 00:34:07.000
<v Speaker 3>good as a gangster trying to go straight, and of

664
00:34:07.000 --> 00:34:10.320
<v Speaker 3>course circumstances arise to test that resolve. But really the

665
00:34:10.400 --> 00:34:13.199
<v Speaker 3>key is the amazing supporting cast, including a pre my

666
00:34:13.320 --> 00:34:16.800
<v Speaker 3>cousin Vinnie Marissa Tomei the start of my lifelong crush

667
00:34:16.840 --> 00:34:19.840
<v Speaker 3>on her. Oscar is a worthy pairing for a double

668
00:34:19.880 --> 00:34:22.880
<v Speaker 3>feature with Clue. Both movies have an ensemble cast of

669
00:34:22.960 --> 00:34:25.559
<v Speaker 3>quirky characters, and most of the plot takes place in

670
00:34:25.599 --> 00:34:27.880
<v Speaker 3>a single location that makes them feel like they could

671
00:34:27.920 --> 00:34:30.360
<v Speaker 3>be translated to a stage production without too much effort.

672
00:34:30.880 --> 00:34:32.599
<v Speaker 3>I also would like to point out that while the

673
00:34:32.639 --> 00:34:34.800
<v Speaker 3>movie didn't get great reviews, Ciskel and Ebert gave it

674
00:34:34.840 --> 00:34:37.320
<v Speaker 3>two thumbs up, so hopefully that would entice you to

675
00:34:37.320 --> 00:34:39.480
<v Speaker 3>give it another chance, if for no other reason than

676
00:34:39.519 --> 00:34:42.000
<v Speaker 3>to spend one hundred and nine minutes saying, Hey, it's

677
00:34:42.039 --> 00:34:45.519
<v Speaker 3>that guy at the cast. I'm going to cross my

678
00:34:45.519 --> 00:34:47.400
<v Speaker 3>fingers but not hold my brint that. I'll hear you

679
00:34:47.400 --> 00:34:50.559
<v Speaker 3>guys raving about it in a future episode. Best wishes,

680
00:34:50.599 --> 00:34:52.199
<v Speaker 3>as always, Adam.

681
00:34:53.000 --> 00:34:55.679
<v Speaker 2>I love that he knows like how to entice us.

682
00:34:55.679 --> 00:34:58.440
<v Speaker 2>It's like, well, ciskel Neemer gave a two thumbs up.

683
00:34:58.440 --> 00:35:01.519
<v Speaker 3>So I like that he knows this well enough to

684
00:35:01.519 --> 00:35:05.320
<v Speaker 3>be like, but not hold my breath because like we said, right,

685
00:35:06.880 --> 00:35:09.440
<v Speaker 3>that's the type of thing my kids do. So okay,

686
00:35:09.519 --> 00:35:14.440
<v Speaker 3>So I should say I don't remember exactly what I said. However,

687
00:35:15.719 --> 00:35:18.199
<v Speaker 3>the last time I saw Oscar was in the nineties,

688
00:35:18.400 --> 00:35:20.639
<v Speaker 3>and in the early part of the nineties at that,

689
00:35:20.960 --> 00:35:24.360
<v Speaker 3>so I don't have a strong memory. So if what

690
00:35:24.440 --> 00:35:26.920
<v Speaker 3>I should have said was it did not do well,

691
00:35:28.800 --> 00:35:31.679
<v Speaker 3>rather than specifically speak to the quality of the movie, which,

692
00:35:31.960 --> 00:35:35.760
<v Speaker 3>being honest, it's just it's been too long. So I'm

693
00:35:36.079 --> 00:35:38.159
<v Speaker 3>I don't remember liking it very much when I saw it,

694
00:35:38.199 --> 00:35:40.039
<v Speaker 3>but I mean that it's been a minute.

695
00:35:41.159 --> 00:35:43.239
<v Speaker 2>Yeah. The only thing I remember about it when I

696
00:35:43.280 --> 00:35:45.960
<v Speaker 2>was a kid, and I was always loved movies, and

697
00:35:46.039 --> 00:35:47.960
<v Speaker 2>so at the video store they'd have like a little

698
00:35:48.880 --> 00:35:51.440
<v Speaker 2>magazine booklet type of thing about the movies that were

699
00:35:51.440 --> 00:35:54.119
<v Speaker 2>going to come out next month, and so i'd always

700
00:35:54.119 --> 00:35:56.079
<v Speaker 2>take it because I like thumbing through it and looking

701
00:35:56.079 --> 00:35:58.880
<v Speaker 2>at the movie posters, and I remember the poster of

702
00:35:59.440 --> 00:36:01.119
<v Speaker 2>stallone hanging from a clock.

703
00:36:02.000 --> 00:36:02.960
<v Speaker 3>Okay, that's it.

704
00:36:03.039 --> 00:36:06.239
<v Speaker 2>That's like my only reference for this movie. And I

705
00:36:06.280 --> 00:36:09.239
<v Speaker 2>got to say, knowing that it's you know, just a

706
00:36:09.239 --> 00:36:12.880
<v Speaker 2>little over ninety minutes and Adam's recommendation, I wish I

707
00:36:12.880 --> 00:36:15.239
<v Speaker 2>had had this for my headache night. There you have

708
00:36:15.280 --> 00:36:17.239
<v Speaker 2>been a perfect like, Oh, let's just throw the song.

709
00:36:17.320 --> 00:36:19.159
<v Speaker 2>See what it is. It's probably light.

710
00:36:19.039 --> 00:36:23.159
<v Speaker 3>And easy, and I could see myself actually getting to this,

711
00:36:23.280 --> 00:36:26.000
<v Speaker 3>which probably all the people who have recommended newer things

712
00:36:26.000 --> 00:36:28.159
<v Speaker 3>to me recently are like, are you kidding me?

713
00:36:28.400 --> 00:36:32.159
<v Speaker 2>Like, but yeah, I could see myself being in the

714
00:36:32.159 --> 00:36:33.039
<v Speaker 2>mood for this one night.

715
00:36:33.519 --> 00:36:37.079
<v Speaker 3>You have to tackle you have to tackle your recommendations chronologically,

716
00:36:37.159 --> 00:36:38.880
<v Speaker 3>so by this one comes first.

717
00:36:39.159 --> 00:36:43.199
<v Speaker 2>Yes, okay, I'm googling it because I want to see

718
00:36:43.599 --> 00:36:50.960
<v Speaker 2>how to stream this. Oh it's it's directed by John Landis.

719
00:36:51.000 --> 00:36:53.960
<v Speaker 2>I didn't realize that a noted piece of shit, John

720
00:36:54.039 --> 00:37:00.519
<v Speaker 2>Landon just picturing him on a tree. I know, Like,

721
00:37:00.920 --> 00:37:05.000
<v Speaker 2>I wasn't expecting that this week, and it has a

722
00:37:05.039 --> 00:37:06.400
<v Speaker 2>twelve percent on Rotten Tomatoes.

723
00:37:06.480 --> 00:37:07.239
<v Speaker 3>I'm twelve person.

724
00:37:08.000 --> 00:37:11.000
<v Speaker 2>Just for sake of argument, we we will bring our

725
00:37:11.039 --> 00:37:13.199
<v Speaker 2>own opinions to the table after we check it out.

726
00:37:13.199 --> 00:37:18.280
<v Speaker 2>But if we check it out, but twelve percent? Whoof

727
00:37:18.960 --> 00:37:21.760
<v Speaker 2>But you know what, Adam, I believe you. What does

728
00:37:21.800 --> 00:37:22.679
<v Speaker 2>he look up?

729
00:37:22.679 --> 00:37:24.360
<v Speaker 3>Stopper? My mom will shoot? What does that have on

730
00:37:24.400 --> 00:37:25.199
<v Speaker 3>rotten tomatoes?

731
00:37:25.400 --> 00:37:29.719
<v Speaker 2>Okay, let's see stop orm comes up right away, star

732
00:37:31.280 --> 00:37:34.960
<v Speaker 2>seventeen percent. So that's better than oscar.

733
00:37:35.760 --> 00:37:37.039
<v Speaker 3>Yes, fascinating?

734
00:37:38.000 --> 00:37:40.320
<v Speaker 2>Uh yeah, interesting?

735
00:37:40.400 --> 00:37:43.199
<v Speaker 3>Okay hmm all right, well there you go. There's your

736
00:37:43.199 --> 00:37:51.320
<v Speaker 3>double features and Stopper. My mom willt shoot. We will

737
00:37:51.360 --> 00:37:55.679
<v Speaker 3>take that under advisement, Adam, Yes, cause because because uh

738
00:37:55.800 --> 00:37:59.480
<v Speaker 3>because we love you that much. M all right. Here's

739
00:37:59.519 --> 00:38:02.000
<v Speaker 3>a comment we got on YouTube, and this from Luke's

740
00:38:02.000 --> 00:38:06.199
<v Speaker 3>mail twenty four This is on our commentary track for

741
00:38:07.119 --> 00:38:10.280
<v Speaker 3>Robinhood Prince of Thieves. Oh wow, okay, which you may

742
00:38:10.320 --> 00:38:15.119
<v Speaker 3>recall we recorded that in twenty eighteen. Oh wow, right,

743
00:38:15.159 --> 00:38:18.519
<v Speaker 3>it was right around when when that that that no

744
00:38:18.880 --> 00:38:23.880
<v Speaker 3>Joel not Joel editing Taron Edgerton version. Remember that. At

745
00:38:23.880 --> 00:38:26.159
<v Speaker 3>the risk of saying oh wow three times in less

746
00:38:26.159 --> 00:38:29.400
<v Speaker 3>than a minute, oh wow, I think it's warranted. Frankly,

747
00:38:29.480 --> 00:38:33.480
<v Speaker 3>this is a triple wow. Yeah, he says, Isazachi. It's

748
00:38:33.559 --> 00:38:37.920
<v Speaker 3>Luke from eight years into the future. I can tell

749
00:38:37.960 --> 00:38:40.960
<v Speaker 3>you that shockingly, the Tarran Edgerton Robin Hood has not

750
00:38:41.079 --> 00:38:43.480
<v Speaker 3>had a sequel and has not become a cult classic.

751
00:38:44.400 --> 00:38:48.199
<v Speaker 2>Oh wait, by the way, when he said eighteen, it's like, wow,

752
00:38:48.239 --> 00:38:49.880
<v Speaker 2>that was a long time ago. And then when he

753
00:38:49.960 --> 00:38:53.400
<v Speaker 2>said eight years that was eight years ago. It's almost

754
00:38:53.440 --> 00:38:54.280
<v Speaker 2>a decade ago.

755
00:38:54.440 --> 00:38:59.280
<v Speaker 3>Yeah, yeah, okay, let's go what is going on. I'd

756
00:38:59.360 --> 00:39:01.440
<v Speaker 3>be I'm I'm kind of horrified to go back and

757
00:39:01.679 --> 00:39:04.119
<v Speaker 3>dip into some of those like super old commentary tracks

758
00:39:04.119 --> 00:39:07.679
<v Speaker 3>and see what kind of weird, horribly not aged at

759
00:39:07.679 --> 00:39:09.440
<v Speaker 3>all well things we said.

760
00:39:09.239 --> 00:39:12.159
<v Speaker 2>You know, And yeah, I'd be terrified, not just for that,

761
00:39:12.280 --> 00:39:14.079
<v Speaker 2>but I don't know, it'd be hard to hear eight

762
00:39:14.519 --> 00:39:16.760
<v Speaker 2>years ago. Me. I feel like it'd be strange.

763
00:39:17.000 --> 00:39:20.039
<v Speaker 3>Yeah. In fact, come to think of it, I think

764
00:39:20.119 --> 00:39:23.880
<v Speaker 3>that film's existence has been erased from history. But in

765
00:39:23.920 --> 00:39:26.679
<v Speaker 3>regards to Robinhood Prince of Thieves, my dad worked on

766
00:39:26.840 --> 00:39:28.480
<v Speaker 3>a bit of the merchandise from the movie, so it

767
00:39:28.519 --> 00:39:31.400
<v Speaker 3>has great message for me. I got four free showings

768
00:39:31.440 --> 00:39:34.360
<v Speaker 3>with my brother and we loved it. One thing that

769
00:39:34.440 --> 00:39:36.400
<v Speaker 3>has not come out, which he told us back then,

770
00:39:36.480 --> 00:39:39.440
<v Speaker 3>was that, prior to Brian Blessed being cast, he played

771
00:39:40.199 --> 00:39:44.079
<v Speaker 3>Lord Locksley. You may remember Sean Connery was considered to

772
00:39:44.079 --> 00:39:46.440
<v Speaker 3>play Robin's father first, but then the timing didn't add

773
00:39:46.519 --> 00:39:48.840
<v Speaker 3>up with whatever else he was doing, so all that

774
00:39:48.840 --> 00:39:50.840
<v Speaker 3>could be done was the cameo with him playing King

775
00:39:50.960 --> 00:39:54.639
<v Speaker 3>Richard late in the shoot. Speaking of Connore in regards

776
00:39:54.639 --> 00:39:56.679
<v Speaker 3>to what you were saying about the darker original ending

777
00:39:56.679 --> 00:39:58.760
<v Speaker 3>of the tale about Robin Hood, have you ever seen

778
00:39:58.800 --> 00:40:02.480
<v Speaker 3>Conrie's Robin and Mary and from the seventies. Personally, I

779
00:40:02.559 --> 00:40:04.760
<v Speaker 3>found it depressing as all hell, but it is worth

780
00:40:04.760 --> 00:40:06.519
<v Speaker 3>the look just to see that ending and to watch

781
00:40:06.559 --> 00:40:10.280
<v Speaker 3>them square off against Robert Shaw again. Robin and Marion

782
00:40:10.360 --> 00:40:13.440
<v Speaker 3>is good. Have you seen it? No? Yeah, it's you know,

783
00:40:13.480 --> 00:40:15.960
<v Speaker 3>it's that's to me, that's kind of the quintessential hero

784
00:40:16.079 --> 00:40:21.320
<v Speaker 3>in Twilight story, you know, huh? Like, did we talk

785
00:40:21.320 --> 00:40:23.239
<v Speaker 3>about the nude the Death of Robinhood the movie?

786
00:40:23.280 --> 00:40:26.159
<v Speaker 2>I was literally googling it to see what the title

787
00:40:26.320 --> 00:40:29.440
<v Speaker 2>was because it was making Yes, I know, we haven't

788
00:40:29.440 --> 00:40:32.920
<v Speaker 2>talked about it with Hugh Jackman. Yeah, coming out this

789
00:40:33.039 --> 00:40:35.400
<v Speaker 2>year and it's like a a twenty fourth thing yet

790
00:40:35.440 --> 00:40:38.320
<v Speaker 2>playing an older aged Robin Hood.

791
00:40:38.440 --> 00:40:41.079
<v Speaker 3>Yeah, but it's like the story you knew is wrong,

792
00:40:41.159 --> 00:40:43.039
<v Speaker 3>Like Robin Hood was actually a bad guy or something.

793
00:40:43.519 --> 00:40:44.000
<v Speaker 2>Yeah.

794
00:40:44.079 --> 00:40:47.639
<v Speaker 3>Yeah, well, hey, if ever we needed a reason to

795
00:40:47.679 --> 00:40:50.000
<v Speaker 3>do a commentary for the Taron Edgerton Robin Hood.

796
00:40:50.920 --> 00:40:53.840
<v Speaker 2>You know what, Honestly, I remember when that came out.

797
00:40:53.880 --> 00:40:57.599
<v Speaker 2>I had no interest. Yeah, but something about time, I mean,

798
00:40:57.840 --> 00:40:59.880
<v Speaker 2>you know, with the Tarzan thing too, I'm like, that's

799
00:41:00.199 --> 00:41:02.079
<v Speaker 2>like a fun when I don't know what to watch

800
00:41:02.079 --> 00:41:03.800
<v Speaker 2>on a Friday night, Like, why not let's watch a

801
00:41:04.039 --> 00:41:04.960
<v Speaker 2>Let's watch a Robin.

802
00:41:04.800 --> 00:41:09.519
<v Speaker 3>Hood that movie. I was the only person in the theater. Really,

803
00:41:09.760 --> 00:41:11.239
<v Speaker 3>I remember that very distinctly.

804
00:41:11.400 --> 00:41:11.679
<v Speaker 2>Wow.

805
00:41:13.800 --> 00:41:15.880
<v Speaker 3>He goes on in regards to the extended edition of

806
00:41:15.960 --> 00:41:18.039
<v Speaker 3>Robinhood Prince of Thieves. You should listen to the audio

807
00:41:18.119 --> 00:41:21.519
<v Speaker 3>commentary by Kevin Costner and Kevin Reynolds, which is pretty entertaining.

808
00:41:22.119 --> 00:41:24.360
<v Speaker 3>It's not them just like throwing shit at each other.

809
00:41:26.199 --> 00:41:30.800
<v Speaker 3>Them too, they're like the Hatfields McCoy's right, Yeah, which

810
00:41:30.840 --> 00:41:34.360
<v Speaker 3>is ironic because Kevin Reynolds directed Kevin Costner in The Hatfields.

811
00:41:34.639 --> 00:41:34.800
<v Speaker 1>Yeah.

812
00:41:34.800 --> 00:41:36.119
<v Speaker 2>I was just gooda. That's why I was like, oh,

813
00:41:36.199 --> 00:41:36.840
<v Speaker 2>that's really good.

814
00:41:39.360 --> 00:41:41.880
<v Speaker 3>Let's see. Reynolds is going for a slightly more gritty

815
00:41:41.920 --> 00:41:44.320
<v Speaker 3>fairy tale and the funniest thing is when Costner trashes

816
00:41:44.320 --> 00:41:47.519
<v Speaker 3>his own accent, saying, listen to me, Kevin, just listen

817
00:41:47.559 --> 00:41:54.280
<v Speaker 3>to me. Oh Kevin, we did uh, and Reynolds responds

818
00:41:54.320 --> 00:41:56.760
<v Speaker 3>to something like, well, look at the box office. I

819
00:41:56.760 --> 00:41:58.360
<v Speaker 3>should have told you people were fine with it. And

820
00:41:58.360 --> 00:42:00.920
<v Speaker 3>it has been years now. I would really like to

821
00:42:00.960 --> 00:42:04.199
<v Speaker 3>listen to that that commentary. Yeah, yeah, I've got the

822
00:42:04.920 --> 00:42:06.920
<v Speaker 3>I've got the I've got the movie on four K.

823
00:42:07.440 --> 00:42:10.280
<v Speaker 3>Oh wow, so I haven't checked. I'm pretty sure the

824
00:42:10.280 --> 00:42:13.559
<v Speaker 3>commentary is on there. That's the thing, man, Say what

825
00:42:13.599 --> 00:42:15.800
<v Speaker 3>you will about these movies. I got Water Worlled on

826
00:42:15.840 --> 00:42:18.719
<v Speaker 3>four K, I got I got Prince of Thieves on

827
00:42:18.760 --> 00:42:19.880
<v Speaker 3>four K. You know what I mean?

828
00:42:20.199 --> 00:42:22.719
<v Speaker 2>This is like a good update because you had mentioned

829
00:42:22.719 --> 00:42:25.679
<v Speaker 2>that you were starting to investigate in physical media, So yeah,

830
00:42:25.719 --> 00:42:26.440
<v Speaker 2>what what have you?

831
00:42:26.519 --> 00:42:29.559
<v Speaker 3>Well, No, but those movies I've had for a while, okay,

832
00:42:29.719 --> 00:42:32.679
<v Speaker 3>And they're like the swanky you know, specially like the

833
00:42:32.719 --> 00:42:36.639
<v Speaker 3>Shout Factory or whatever, arrow, like the the boutique stuff

834
00:42:37.559 --> 00:42:40.119
<v Speaker 3>that they that they go all in for, you know, right,

835
00:42:40.440 --> 00:42:44.519
<v Speaker 3>the water World, it's like the the.

836
00:42:43.239 --> 00:42:44.159
<v Speaker 2>The whatever cut.

837
00:42:44.239 --> 00:42:47.159
<v Speaker 3>There's like a different cut than the one than the

838
00:42:47.159 --> 00:42:48.079
<v Speaker 3>theatrical one that we.

839
00:42:48.039 --> 00:42:53.199
<v Speaker 2>Watched, okay, included like in addition to correct Yeah, that's cool.

840
00:42:53.519 --> 00:42:56.760
<v Speaker 2>By the way, speaking of Watching the Burbs, you know,

841
00:42:56.800 --> 00:42:58.400
<v Speaker 2>I watched it on that Blu ray that Sean got me.

842
00:42:58.400 --> 00:43:00.119
<v Speaker 2>But I saw that I want to say.

843
00:43:00.320 --> 00:43:02.079
<v Speaker 3>Arrow maybe errow that's it.

844
00:43:02.400 --> 00:43:03.079
<v Speaker 2>Yeah, they had.

845
00:43:02.920 --> 00:43:08.280
<v Speaker 3>An addition that they put out and they included like a.

846
00:43:10.599 --> 00:43:12.039
<v Speaker 2>I was gonna say director's cut. I don't know if

847
00:43:12.039 --> 00:43:14.559
<v Speaker 2>that's exactly assembly cut or something like a really really

848
00:43:14.599 --> 00:43:17.800
<v Speaker 2>early cut that Joe Dante shared with them from some

849
00:43:17.960 --> 00:43:21.079
<v Speaker 2>old vhs that he had, And I was like, that's

850
00:43:21.280 --> 00:43:23.519
<v Speaker 2>pretty cool. I could be kind of curious to see,

851
00:43:23.719 --> 00:43:24.519
<v Speaker 2>you know what's changed.

852
00:43:24.599 --> 00:43:25.000
<v Speaker 3>I love that.

853
00:43:25.119 --> 00:43:30.760
<v Speaker 2>Yeah, these companies putting out gobs of extra features. Yeah,

854
00:43:31.000 --> 00:43:33.239
<v Speaker 2>you know, like things that you would be like, oh,

855
00:43:33.280 --> 00:43:36.320
<v Speaker 2>I've heard that there's these alternate cuts you could find

856
00:43:36.400 --> 00:43:39.480
<v Speaker 2>maybe somewhere in a closet, but that they actually go

857
00:43:39.519 --> 00:43:42.559
<v Speaker 2>through the work to attain those things and put them

858
00:43:42.559 --> 00:43:45.039
<v Speaker 2>out with the releases. That's I don't know, it feels

859
00:43:45.079 --> 00:43:48.280
<v Speaker 2>like back to the golden era of physical releases.

860
00:43:49.159 --> 00:43:51.559
<v Speaker 3>Well, you know what I got recently. I haven't watched

861
00:43:51.559 --> 00:43:57.519
<v Speaker 3>it yet, but it's it's the Albert Pune edit of

862
00:43:57.679 --> 00:44:03.320
<v Speaker 3>the nineteen ninety Captain America. Wow, right, you know that

863
00:44:03.320 --> 00:44:04.719
<v Speaker 3>that old, that shitty one, you.

864
00:44:04.639 --> 00:44:06.400
<v Speaker 2>Know, I remember that from the video store.

865
00:44:06.440 --> 00:44:11.239
<v Speaker 3>Actually, yeah, so so there is there was the director's cut.

866
00:44:11.280 --> 00:44:15.559
<v Speaker 3>The director passed away recently, but he had his own

867
00:44:15.719 --> 00:44:18.400
<v Speaker 3>edit of it that he had saved, and now that

868
00:44:18.440 --> 00:44:22.159
<v Speaker 3>he's gone, like that has been made available in limited quantities.

869
00:44:22.199 --> 00:44:25.199
<v Speaker 3>So when I saw that was I ordered it like

870
00:44:25.280 --> 00:44:26.519
<v Speaker 3>right away. I was like, oh, I just want to

871
00:44:26.559 --> 00:44:30.679
<v Speaker 3>I want to watch this h and it's just sitting

872
00:44:30.719 --> 00:44:32.840
<v Speaker 3>here and kind of to your point, like how fascinating.

873
00:44:34.280 --> 00:44:39.199
<v Speaker 2>Yeah, what I saw. Similarly with the Teenage Mutant Ninja Turtles.

874
00:44:39.400 --> 00:44:41.679
<v Speaker 2>I think Ero did a four K release of all

875
00:44:41.719 --> 00:44:45.760
<v Speaker 2>three movies, okay, and they have multiple versions, including versions

876
00:44:45.800 --> 00:44:47.679
<v Speaker 2>that are from different countries where you can't say the

877
00:44:47.679 --> 00:44:51.400
<v Speaker 2>word ninja, right, So it's like they call them here

878
00:44:51.480 --> 00:44:54.679
<v Speaker 2>like it's done differently, but it's they put the entire movie.

879
00:44:54.719 --> 00:44:56.719
<v Speaker 2>It's not like just the clips. It's like these different

880
00:44:56.800 --> 00:44:59.760
<v Speaker 2>cuts of the film from you know, and then Michael

881
00:44:59.800 --> 00:45:02.679
<v Speaker 2>Lan I think in the UK they have something about

882
00:45:02.840 --> 00:45:05.760
<v Speaker 2>you can't show nunchucks in movies, that's right, and so

883
00:45:05.920 --> 00:45:08.519
<v Speaker 2>they had to be edited differently those scenes and include

884
00:45:08.559 --> 00:45:12.280
<v Speaker 2>different angles and whatever, and so they that's like the

885
00:45:12.360 --> 00:45:15.000
<v Speaker 2>kind of stuff that you would read about and be like, oh,

886
00:45:15.039 --> 00:45:16.679
<v Speaker 2>I'd really love to see something like that, And it's

887
00:45:16.719 --> 00:45:19.000
<v Speaker 2>just cool that these companies are putting stuff out like that,

888
00:45:19.079 --> 00:45:21.519
<v Speaker 2>including all of those unique cuts.

889
00:45:21.840 --> 00:45:27.280
<v Speaker 3>Does it include the the better version of TMNT three

890
00:45:27.320 --> 00:45:30.639
<v Speaker 3>where it's just a blank screen for ninety minutes? A

891
00:45:30.639 --> 00:45:31.280
<v Speaker 3>blank screen?

892
00:45:31.639 --> 00:45:31.920
<v Speaker 2>Yeah?

893
00:45:32.079 --> 00:45:32.280
<v Speaker 3>That was.

894
00:45:32.480 --> 00:45:34.599
<v Speaker 2>You just sent me something funny about that yesterday.

895
00:45:35.760 --> 00:45:37.000
<v Speaker 3>That movie is shit.

896
00:45:37.800 --> 00:45:39.599
<v Speaker 2>I've only seen it once. I didn't see it when

897
00:45:39.639 --> 00:45:41.679
<v Speaker 2>I was a kid, and then years later I was like, Wow,

898
00:45:41.679 --> 00:45:44.639
<v Speaker 2>there's like a Ninja Turtles movie I've never seen, and

899
00:45:44.679 --> 00:45:48.440
<v Speaker 2>I know it's not good. I've heard this, but that's cool.

900
00:45:48.639 --> 00:45:50.239
<v Speaker 2>I want to check it out. And yeah, it's not

901
00:45:50.320 --> 00:45:50.679
<v Speaker 2>very good.

902
00:45:51.039 --> 00:45:52.880
<v Speaker 3>Afterwards you just turn it off and then just walk

903
00:45:52.960 --> 00:45:55.920
<v Speaker 3>silently out onto your deck and just look out.

904
00:45:57.639 --> 00:45:58.239
<v Speaker 2>And sneer.

905
00:45:58.639 --> 00:46:02.639
<v Speaker 3>Yeah. Anyway, so boutique.

906
00:46:02.760 --> 00:46:03.440
<v Speaker 2>Oh you know what else?

907
00:46:03.480 --> 00:46:06.760
<v Speaker 3>I just ordered the Keno Lurber has a four K

908
00:46:06.880 --> 00:46:07.599
<v Speaker 3>of The Phantom.

909
00:46:08.119 --> 00:46:09.239
<v Speaker 2>Oh oh perfect.

910
00:46:09.480 --> 00:46:11.800
<v Speaker 3>I like, here's a movie. I've owned it on VHS,

911
00:46:11.960 --> 00:46:14.400
<v Speaker 3>I've owned it on DVD, I've owned it on Blu Ray.

912
00:46:14.760 --> 00:46:18.519
<v Speaker 3>Here it comes the four K. Wow, I'm right or

913
00:46:18.559 --> 00:46:21.440
<v Speaker 3>die for the fandom. Yeah, I love it, celebrating its

914
00:46:21.440 --> 00:46:27.880
<v Speaker 3>thirtieth anniversary this year. By the way, Wow, Luke continues,

915
00:46:27.920 --> 00:46:30.239
<v Speaker 3>he says, regardless, I've seen many Robinhood films and this

916
00:46:30.280 --> 00:46:32.039
<v Speaker 3>is the one I come back to all the time.

917
00:46:32.360 --> 00:46:34.400
<v Speaker 3>Sometimes you just want to escape your troubles and have

918
00:46:34.440 --> 00:46:36.920
<v Speaker 3>an adventure. And yeah, warts and all, I love this movie.

919
00:46:37.079 --> 00:46:39.599
<v Speaker 3>I'm with you, Luke. It's freaking great, man.

920
00:46:39.960 --> 00:46:40.480
<v Speaker 2>I agree.

921
00:46:40.800 --> 00:46:42.280
<v Speaker 3>One of my friends used to drive through the toll

922
00:46:42.280 --> 00:46:44.320
<v Speaker 3>booth on one of the freeways here in Sydney, passing

923
00:46:44.440 --> 00:46:45.800
<v Speaker 3>change to the operator using.

924
00:46:45.599 --> 00:46:48.639
<v Speaker 2>Fire trucks and mortal words. Here's thirty pieces of silver

925
00:46:49.000 --> 00:46:51.639
<v Speaker 2>for you to give the devil on your way to hell.

926
00:46:52.159 --> 00:46:55.559
<v Speaker 3>Duck dude.

927
00:46:55.559 --> 00:46:58.840
<v Speaker 2>That would make my day, was that operator. I would

928
00:46:58.920 --> 00:47:01.519
<v Speaker 2>like laugh and laugh and never forget that.

929
00:47:02.199 --> 00:47:04.719
<v Speaker 3>Anyway, keep up the good work. And that Yellowstone you

930
00:47:04.800 --> 00:47:06.679
<v Speaker 3>mentioned in the commentary turned out to be a bit

931
00:47:06.719 --> 00:47:07.360
<v Speaker 3>of a big deal.

932
00:47:07.760 --> 00:47:10.280
<v Speaker 2>Ah funny. Maybe it would be kind of fun to

933
00:47:10.280 --> 00:47:11.440
<v Speaker 2>listen to an old episode.

934
00:47:11.559 --> 00:47:13.280
<v Speaker 3>I don't even know what we said, but that would

935
00:47:13.320 --> 00:47:14.800
<v Speaker 3>have been like right when that show started.

936
00:47:15.039 --> 00:47:16.920
<v Speaker 2>Well that makes sense because Kevin Costner, so we were

937
00:47:16.960 --> 00:47:18.960
<v Speaker 2>probably like, oh, he's getting into television.

938
00:47:19.039 --> 00:47:23.000
<v Speaker 3>Yeah, you're about to say a Yellowstone here show there.

939
00:47:22.960 --> 00:47:27.360
<v Speaker 2>Kevin, No, Jay, did you see this?

940
00:47:27.480 --> 00:47:29.239
<v Speaker 3>By the way, you know you got the they're doing

941
00:47:29.239 --> 00:47:31.800
<v Speaker 3>all these spinoffs now they have the Casey Dutton spinoff.

942
00:47:31.880 --> 00:47:34.440
<v Speaker 2>To see this, Yeah, it's gonna be like a CBS

943
00:47:34.480 --> 00:47:37.199
<v Speaker 2>procedural right right, I'm like, I love that.

944
00:47:37.199 --> 00:47:40.800
<v Speaker 3>They're just frankensteining Yellowstone DNA into everything.

945
00:47:41.039 --> 00:47:43.719
<v Speaker 2>Yeah, and there's gonna be the one with Michelle Pfeiffer

946
00:47:43.800 --> 00:47:48.480
<v Speaker 2>and someone and Kurt Russell. Yeah, Kurt Russell and but that's.

947
00:47:48.880 --> 00:47:53.559
<v Speaker 3>Like they were not characters on Yellowstone right, I'm not no, no, okay,

948
00:47:53.559 --> 00:47:55.559
<v Speaker 3>because I watched the show, but I don't remember seeing them,

949
00:47:55.559 --> 00:47:57.199
<v Speaker 3>so this is just sort of in the same universe.

950
00:47:57.679 --> 00:47:58.199
<v Speaker 2>I guess.

951
00:47:58.519 --> 00:48:01.400
<v Speaker 3>Yeah, I'm trying to I've said it before and I'll

952
00:48:01.400 --> 00:48:05.280
<v Speaker 3>say it again. I want the multi cameras Beth and

953
00:48:05.440 --> 00:48:06.239
<v Speaker 3>Riff sitcom.

954
00:48:06.400 --> 00:48:08.400
<v Speaker 2>I was just gonna say, well they are get well,

955
00:48:08.760 --> 00:48:10.599
<v Speaker 2>they set them up to have a show, and I

956
00:48:10.679 --> 00:48:12.320
<v Speaker 2>think there was talk of it. I haven't seen anything

957
00:48:12.360 --> 00:48:14.320
<v Speaker 2>about that, but yes, I would really yeah, I'd rather

958
00:48:14.320 --> 00:48:15.440
<v Speaker 2>see the three camera sitcom.

959
00:48:15.480 --> 00:48:18.000
<v Speaker 3>I want that. I want I want the Big Bang

960
00:48:18.079 --> 00:48:24.239
<v Speaker 3>theory to Yellowstones Young Sheldon. Right, that's that's what I do.

961
00:48:24.280 --> 00:48:26.239
<v Speaker 3>Want to watch this Casey Dutton show just because it

962
00:48:26.400 --> 00:48:28.760
<v Speaker 3>seems because I saw the trailer and I'm like, this

963
00:48:28.800 --> 00:48:32.840
<v Speaker 3>seems so completely incongruous with the other show, right right,

964
00:48:33.400 --> 00:48:35.079
<v Speaker 3>But you got you got rain Tree in there, you

965
00:48:35.079 --> 00:48:36.239
<v Speaker 3>got a few of the other characters.

966
00:48:36.440 --> 00:48:38.239
<v Speaker 2>I was happy to see him back. I liked that

967
00:48:38.320 --> 00:48:41.679
<v Speaker 2>they're all getting to keep keep working doing their thing.

968
00:48:41.920 --> 00:48:44.280
<v Speaker 3>Yeah, yeah, I'll watch it.

969
00:48:44.679 --> 00:48:47.719
<v Speaker 2>Yeah, report back, I'll let you know.

970
00:48:48.840 --> 00:48:59.440
<v Speaker 3>Hey, Brian, we got some headlines, well, a bit of

971
00:48:59.480 --> 00:49:02.559
<v Speaker 3>sad news just to start things off. I mean this hit,

972
00:49:03.239 --> 00:49:07.880
<v Speaker 3>this hit like a bolt. Catherine Harra passed away about

973
00:49:07.880 --> 00:49:11.440
<v Speaker 3>a week ago as recording this. Yeah, exactly right, age

974
00:49:11.480 --> 00:49:19.000
<v Speaker 3>seventy one. And you know, the one sort of commonality

975
00:49:19.079 --> 00:49:21.360
<v Speaker 3>I'm seeing in so many of the responses across the

976
00:49:21.360 --> 00:49:27.000
<v Speaker 3>board is this generational feeling like we lost a parent.

977
00:49:28.159 --> 00:49:34.719
<v Speaker 2>Right, am I right? Totally yep, Yeah, I mean this

978
00:49:34.800 --> 00:49:39.559
<v Speaker 2>one hits. Yeah. I was driving I guess when the

979
00:49:39.599 --> 00:49:43.880
<v Speaker 2>news broke and my phone just exploded. And that doesn't

980
00:49:43.920 --> 00:49:49.079
<v Speaker 2>always happen when you know someone notable passes away. Just

981
00:49:49.280 --> 00:49:52.199
<v Speaker 2>so many different people, like people who are my film friends,

982
00:49:52.239 --> 00:49:55.679
<v Speaker 2>people who don't concern themselves as entertainment as much as

983
00:49:55.719 --> 00:49:58.760
<v Speaker 2>we do. Like everybody seemed to feel this one and

984
00:49:58.920 --> 00:50:03.480
<v Speaker 2>was me the news and yeah, you know, it's It's interesting.

985
00:50:03.480 --> 00:50:06.280
<v Speaker 2>There's certain celebrities where you go, oh, oh, man, that's

986
00:50:06.400 --> 00:50:08.519
<v Speaker 2>so sad to lose them, and then there are certain

987
00:50:08.559 --> 00:50:10.519
<v Speaker 2>ones where you start to feel your eyes get a

988
00:50:10.559 --> 00:50:13.559
<v Speaker 2>little wet, you know. And with her, I was like, oh,

989
00:50:13.599 --> 00:50:17.119
<v Speaker 2>I'm like really kind of feeling this right now. And

990
00:50:19.079 --> 00:50:22.679
<v Speaker 2>you know, we've been watching her for a very long time.

991
00:50:22.719 --> 00:50:25.960
<v Speaker 2>I mean, for me, I didn't watch SCTV, but I

992
00:50:25.960 --> 00:50:28.599
<v Speaker 2>would say probably Beetlejuice, like an eighty eight certainly. I

993
00:50:28.639 --> 00:50:33.199
<v Speaker 2>mean Home Alone is the one right where I was

994
00:50:33.239 --> 00:50:36.400
<v Speaker 2>ten years old, and what I love about that movie

995
00:50:36.440 --> 00:50:38.760
<v Speaker 2>so much. I've talked about this because it was just

996
00:50:38.760 --> 00:50:41.039
<v Speaker 2>the holidays, but I find that I love that movie

997
00:50:41.039 --> 00:50:45.280
<v Speaker 2>more and more and more with every passing year and

998
00:50:45.360 --> 00:50:48.400
<v Speaker 2>thinking about Catherine O'Hara and what she really brings to

999
00:50:48.440 --> 00:50:51.960
<v Speaker 2>that movie. I think for a lot of people, when

1000
00:50:52.000 --> 00:50:54.360
<v Speaker 2>you say home Alone, they think like paint cans on

1001
00:50:54.360 --> 00:50:56.559
<v Speaker 2>a staircase, Like that's the first thing that might come

1002
00:50:56.559 --> 00:50:59.599
<v Speaker 2>to your mind. But that is the last fifteen minutes

1003
00:51:00.119 --> 00:51:03.920
<v Speaker 2>of the movie. Like, as I get older, what I

1004
00:51:03.920 --> 00:51:07.360
<v Speaker 2>really appreciate is it's about a boy who's kind of

1005
00:51:07.360 --> 00:51:11.800
<v Speaker 2>helpless and kind of a drain at the beginning, learning

1006
00:51:11.840 --> 00:51:15.679
<v Speaker 2>to grow up a little bit and become self sufficient.

1007
00:51:15.880 --> 00:51:21.719
<v Speaker 2>And and a key part of that is his mother. Yeah,

1008
00:51:21.760 --> 00:51:24.800
<v Speaker 2>you know, played so perfectly by Catherine O'Hara, because at

1009
00:51:24.800 --> 00:51:28.440
<v Speaker 2>the beginning, she's very stressed out and upset with him,

1010
00:51:28.480 --> 00:51:32.440
<v Speaker 2>and in a way that feels kind of harsh, but

1011
00:51:34.079 --> 00:51:37.960
<v Speaker 2>she's not just the ogre of a parent in a

1012
00:51:38.039 --> 00:51:38.960
<v Speaker 2>kid's movie.

1013
00:51:39.039 --> 00:51:45.480
<v Speaker 3>Like, yeah, if I can just interject one observation, when

1014
00:51:46.519 --> 00:51:49.559
<v Speaker 3>he says to her, I wish you all would just

1015
00:51:49.639 --> 00:51:54.519
<v Speaker 3>disappear or something to that effect, right, she says, very calmly,

1016
00:51:55.239 --> 00:51:58.360
<v Speaker 3>I know you don't mean that. And I think that's

1017
00:51:58.400 --> 00:52:00.679
<v Speaker 3>why we love Kate much in that movie.

1018
00:52:00.800 --> 00:52:04.440
<v Speaker 2>Yes, well, and so yeah, so at the beginning, I

1019
00:52:04.480 --> 00:52:06.639
<v Speaker 2>mean she's especially being a grown up. Now you can

1020
00:52:06.719 --> 00:52:09.880
<v Speaker 2>understand the stress she's under that night with all those people.

1021
00:52:10.239 --> 00:52:11.960
<v Speaker 2>But then the rest of the movie, as soon as

1022
00:52:11.960 --> 00:52:18.320
<v Speaker 2>she finds out he's gone, she becomes this determined, you

1023
00:52:18.360 --> 00:52:22.039
<v Speaker 2>know mama bear, who is willing to walk through hell

1024
00:52:23.000 --> 00:52:25.760
<v Speaker 2>and endure anything, and she goes through all of it.

1025
00:52:25.840 --> 00:52:29.360
<v Speaker 2>She gets really angry, she gets really scared and sad,

1026
00:52:30.320 --> 00:52:32.719
<v Speaker 2>you know, and she even shares like a nice moment

1027
00:52:32.719 --> 00:52:34.559
<v Speaker 2>with John Candy in the back of the van on

1028
00:52:34.599 --> 00:52:36.639
<v Speaker 2>the way over there, and then you get that beautiful

1029
00:52:36.639 --> 00:52:39.360
<v Speaker 2>moment at the end where they silently apologize to each

1030
00:52:39.360 --> 00:52:42.800
<v Speaker 2>other just through looks and then they hug. Like that's

1031
00:52:44.079 --> 00:52:47.480
<v Speaker 2>who else, who else could convey all of those things?

1032
00:52:47.800 --> 00:52:49.719
<v Speaker 2>She did it so perfectly, And like you said, I

1033
00:52:49.719 --> 00:52:52.880
<v Speaker 2>think for like, yeah, some generations, she felt like kind

1034
00:52:52.920 --> 00:52:54.719
<v Speaker 2>of a mom, a figure.

1035
00:52:54.800 --> 00:52:57.559
<v Speaker 3>The fact that she's thirty five in that movie. I know,

1036
00:52:58.079 --> 00:53:00.480
<v Speaker 3>it's crazy, you know, I know, But then you.

1037
00:53:00.480 --> 00:53:03.480
<v Speaker 2>Know what's amazing, isn't She never stopped, right, She had

1038
00:53:03.480 --> 00:53:06.679
<v Speaker 2>all the Christopher guest movies and then right up to

1039
00:53:06.840 --> 00:53:09.440
<v Speaker 2>recently with Shit's Creek doing some of the best work

1040
00:53:09.519 --> 00:53:13.000
<v Speaker 2>she's ever done and Beetle Juice, Beetlejuice and exactly yeah, so,

1041
00:53:13.119 --> 00:53:17.199
<v Speaker 2>I mean, just what an incredible career and seems to

1042
00:53:17.239 --> 00:53:18.920
<v Speaker 2>be beloved by all the people in her life, and

1043
00:53:19.039 --> 00:53:22.559
<v Speaker 2>definitely beloved by the generations that have been watching her

1044
00:53:23.119 --> 00:53:25.800
<v Speaker 2>over the years, and what a beautiful thing, you know.

1045
00:53:26.480 --> 00:53:29.760
<v Speaker 3>You know, I saw an archival interviewer of her from

1046
00:53:29.840 --> 00:53:32.039
<v Speaker 3>around the time Home Alone came out, and she says,

1047
00:53:32.079 --> 00:53:35.840
<v Speaker 3>you know, I hope this is a movie that that

1048
00:53:36.039 --> 00:53:38.280
<v Speaker 3>people will want to revisit and that you know, it

1049
00:53:38.280 --> 00:53:40.320
<v Speaker 3>wouldn't it be great if people just kept going back

1050
00:53:40.320 --> 00:53:45.840
<v Speaker 3>to this every Christmas? And I mean that's exactly what

1051
00:53:45.960 --> 00:53:48.519
<v Speaker 3>it became, you know. Yeah, and she lived.

1052
00:53:48.280 --> 00:53:50.480
<v Speaker 2>To see that, yeah, right.

1053
00:53:51.400 --> 00:53:54.119
<v Speaker 3>And then the other thought I had is that, you know, Beetle,

1054
00:53:54.239 --> 00:53:57.800
<v Speaker 3>just Beatle just ends with her character dying and she

1055
00:53:57.920 --> 00:54:00.519
<v Speaker 3>goes off into the afterlife. There's there's something extra poignant

1056
00:54:00.519 --> 00:54:00.880
<v Speaker 3>about that.

1057
00:54:01.320 --> 00:54:02.719
<v Speaker 2>I thought about that, yeah, right.

1058
00:54:02.840 --> 00:54:05.360
<v Speaker 3>And then you realize, like both of the Home Alone

1059
00:54:05.400 --> 00:54:10.000
<v Speaker 3>parents are gone, Yeah, just all these things, you know.

1060
00:54:10.039 --> 00:54:13.239
<v Speaker 3>I mean, it becomes you know, because we've grown up

1061
00:54:13.280 --> 00:54:17.360
<v Speaker 3>with her, you know, like it, you become acutely aware

1062
00:54:17.400 --> 00:54:18.880
<v Speaker 3>of just sort of the passage of time. You know.

1063
00:54:18.920 --> 00:54:20.639
<v Speaker 3>I think that's why it does hit the way it does.

1064
00:54:21.800 --> 00:54:23.840
<v Speaker 2>Yeah, and for what it's worth, I mean I worked

1065
00:54:23.880 --> 00:54:26.679
<v Speaker 2>on the movie for your Consideration, Christopher Guest movie which

1066
00:54:26.679 --> 00:54:29.880
<v Speaker 2>she was in, and had a handful of interactions with her,

1067
00:54:29.880 --> 00:54:33.400
<v Speaker 2>and she was just I was definitely starstruck, and she

1068
00:54:33.559 --> 00:54:38.800
<v Speaker 2>just couldn't have been more just sweet and very down

1069
00:54:38.840 --> 00:54:41.280
<v Speaker 2>to earth. I remember I had this one moment where

1070
00:54:41.320 --> 00:54:44.559
<v Speaker 2>I was in we were in a building that we

1071
00:54:44.559 --> 00:54:46.079
<v Speaker 2>were shooting in and I was in a room doing

1072
00:54:46.079 --> 00:54:48.119
<v Speaker 2>whatever work I was doing, and she needed to come

1073
00:54:48.159 --> 00:54:50.800
<v Speaker 2>in and rehearse something. And so I immediately, just like

1074
00:54:50.840 --> 00:54:52.719
<v Speaker 2>when like the talent enters, I was like, oh, you know,

1075
00:54:52.800 --> 00:54:54.480
<v Speaker 2>just kind of get up. She goes, oh no, no, no,

1076
00:54:54.559 --> 00:54:56.159
<v Speaker 2>like kind of sat me down. She's like, I'll just

1077
00:54:56.239 --> 00:54:58.400
<v Speaker 2>do my thing. You keep please, you know. And then

1078
00:54:58.400 --> 00:55:00.119
<v Speaker 2>she was over in the corner and she I had

1079
00:55:00.159 --> 00:55:03.840
<v Speaker 2>to do this long monologue and she just started like

1080
00:55:04.239 --> 00:55:06.599
<v Speaker 2>doing it under her breath to herself in the corner.

1081
00:55:06.760 --> 00:55:09.440
<v Speaker 2>I remember there was part of me that just I

1082
00:55:09.519 --> 00:55:12.039
<v Speaker 2>just wanted to observe it and just watch her like

1083
00:55:12.119 --> 00:55:15.559
<v Speaker 2>oh like kind of working through what she was going

1084
00:55:15.639 --> 00:55:18.079
<v Speaker 2>to do. And then I realized, like I shouldn't be

1085
00:55:18.119 --> 00:55:22.599
<v Speaker 2>watching this, Like she should be allowed to work on

1086
00:55:22.639 --> 00:55:24.079
<v Speaker 2>this in private, so she can go out there and

1087
00:55:24.079 --> 00:55:25.840
<v Speaker 2>do whatever she needs to do. So it was very

1088
00:55:26.320 --> 00:55:28.840
<v Speaker 2>That's what I remember about it is just how kind

1089
00:55:28.880 --> 00:55:31.400
<v Speaker 2>and sweet and warm she was about like leave, why

1090
00:55:31.400 --> 00:55:33.440
<v Speaker 2>would you leave, you know, kind of a feeling, but

1091
00:55:33.559 --> 00:55:37.280
<v Speaker 2>then I slowly left, and yeah, it was then I

1092
00:55:37.320 --> 00:55:38.800
<v Speaker 2>get to see what she did in the movie, and

1093
00:55:38.840 --> 00:55:42.199
<v Speaker 2>it's I'm thankful for that experience and it's a special

1094
00:55:42.239 --> 00:55:43.960
<v Speaker 2>memory for you, definitely.

1095
00:55:45.360 --> 00:55:47.400
<v Speaker 3>I just wanted to share. This was the post that

1096
00:55:47.760 --> 00:55:51.079
<v Speaker 3>Macaulay Culkin put on social media after she passed away,

1097
00:55:51.079 --> 00:55:53.079
<v Speaker 3>and of course it got a fair amount of play,

1098
00:55:53.119 --> 00:55:57.519
<v Speaker 3>but I think it really hit a lot of us,

1099
00:55:57.559 --> 00:55:59.400
<v Speaker 3>you know, as soon as we saw it, and he says, Mama,

1100
00:56:00.079 --> 00:56:03.480
<v Speaker 3>I thought we had time. I wanted more. I wanted

1101
00:56:03.480 --> 00:56:05.760
<v Speaker 3>to sit in a chair next to you. I heard you,

1102
00:56:06.480 --> 00:56:08.800
<v Speaker 3>but I had so much more to say. I love you,

1103
00:56:09.440 --> 00:56:13.760
<v Speaker 3>I'll see you later. And you know, he shared a

1104
00:56:13.800 --> 00:56:16.119
<v Speaker 3>picture of the two of them from home alone, and

1105
00:56:16.159 --> 00:56:17.519
<v Speaker 3>then the two of them from just a couple of

1106
00:56:17.599 --> 00:56:21.400
<v Speaker 3>years ago, and you realize, like for him especially, I mean,

1107
00:56:22.079 --> 00:56:26.400
<v Speaker 3>we remember all the stories about his difficult childhood and

1108
00:56:26.440 --> 00:56:28.000
<v Speaker 3>everything he went through with his parents, and so you

1109
00:56:28.039 --> 00:56:31.840
<v Speaker 3>have to imagine that that she very much served a

1110
00:56:31.920 --> 00:56:35.480
<v Speaker 3>very important role in his life growing up, right, and

1111
00:56:35.639 --> 00:56:37.639
<v Speaker 3>you know the fact that he seems to be a

1112
00:56:37.679 --> 00:56:41.079
<v Speaker 3>well adjusted adult. You know, I would imagine she has

1113
00:56:41.119 --> 00:56:43.440
<v Speaker 3>at least some some hand in that, you know.

1114
00:56:44.199 --> 00:56:50.519
<v Speaker 2>Yeah, Yeah, it was very uh, I guess poignant seeing

1115
00:56:50.519 --> 00:56:53.400
<v Speaker 2>those two pictures that he posted side by side, right,

1116
00:56:53.679 --> 00:56:56.760
<v Speaker 2>because there basically it's like the same pose them almost

1117
00:56:56.840 --> 00:56:59.519
<v Speaker 2>post knows looking at one another, and it's just I

1118
00:56:59.559 --> 00:57:06.960
<v Speaker 2>just think of like you're saying time, the passage of time. Yeah, wow, Hey.

1119
00:57:06.800 --> 00:57:10.000
<v Speaker 3>The Oscars were an Oscar nominations. I should say, we're

1120
00:57:10.039 --> 00:57:11.519
<v Speaker 3>announced a little while ago.

1121
00:57:12.559 --> 00:57:16.639
<v Speaker 2>Yeah. Do you pay much attention to them anymore? Or

1122
00:57:16.719 --> 00:57:19.000
<v Speaker 2>is that sort of a thing that you just I'll

1123
00:57:19.000 --> 00:57:22.320
<v Speaker 2>see it when you know they air, or do you

1124
00:57:22.360 --> 00:57:24.559
<v Speaker 2>even watch them live anymore? Kind of I don't.

1125
00:57:24.360 --> 00:57:27.440
<v Speaker 3>Because I don't have I don't have TV live TV.

1126
00:57:28.519 --> 00:57:31.280
<v Speaker 2>Well, I mean I've talked about it often. I've cut recently,

1127
00:57:31.280 --> 00:57:32.760
<v Speaker 2>and this will be the first year I don't have

1128
00:57:32.800 --> 00:57:35.639
<v Speaker 2>it for the Oscars. So most things it's pretty easy.

1129
00:57:35.679 --> 00:57:37.800
<v Speaker 2>You know, you go in peacock for US now or

1130
00:57:37.920 --> 00:57:41.480
<v Speaker 2>that kind of thing. Yeah, the Super Bowl, the Oscars,

1131
00:57:42.039 --> 00:57:45.320
<v Speaker 2>I'm like, oh, I gotta figure this out. And people

1132
00:57:45.440 --> 00:57:47.519
<v Speaker 2>used to come over to my place for the Oscars.

1133
00:57:47.760 --> 00:57:49.679
<v Speaker 2>It's like we make a party out of it. But

1134
00:57:49.760 --> 00:57:53.559
<v Speaker 2>now that I can't pause and rewind and do everything

1135
00:57:53.599 --> 00:57:54.960
<v Speaker 2>that we've grown accustomed to.

1136
00:57:55.000 --> 00:57:58.599
<v Speaker 3>I'm like, I guess you'll have to go somewhere else.

1137
00:57:58.679 --> 00:57:59.559
<v Speaker 2>Maybe go somewhere else.

1138
00:57:59.639 --> 00:58:03.000
<v Speaker 3>Yeah, yeah, I mean I pay attention to the extent

1139
00:58:03.079 --> 00:58:05.440
<v Speaker 3>that just knowing, you know, I mean, obviously it's something

1140
00:58:05.480 --> 00:58:09.000
<v Speaker 3>that we talk about on here, but you know, so

1141
00:58:09.119 --> 00:58:16.039
<v Speaker 3>much of this it's like it doesn't really matter. You know, Yeah,

1142
00:58:16.679 --> 00:58:18.719
<v Speaker 3>it's interesting as a data point.

1143
00:58:18.480 --> 00:58:21.960
<v Speaker 2>But what you realize is so.

1144
00:58:22.000 --> 00:58:24.039
<v Speaker 3>Much of the online discourse will be like, why did

1145
00:58:24.039 --> 00:58:25.000
<v Speaker 3>this get nominated?

1146
00:58:25.199 --> 00:58:26.039
<v Speaker 2>Why didn't this?

1147
00:58:26.159 --> 00:58:28.599
<v Speaker 3>And you realize, look, the stuff that's meant to live

1148
00:58:28.639 --> 00:58:31.519
<v Speaker 3>on is going to live on regardless of weather or

1149
00:58:31.559 --> 00:58:37.599
<v Speaker 3>how many nominations it has, right, you know, but I

1150
00:58:37.679 --> 00:58:43.480
<v Speaker 3>think it's worth acknowledging that Sinners has sixteen nominations, the

1151
00:58:43.559 --> 00:58:45.519
<v Speaker 3>most of all time and the most of all time.

1152
00:58:45.599 --> 00:58:48.840
<v Speaker 3>And this shows how broken the discourse is, by the way,

1153
00:58:49.000 --> 00:58:52.400
<v Speaker 3>because you got your usual mouth breathing idiots, the knuckle

1154
00:58:52.480 --> 00:58:56.800
<v Speaker 3>dragging sort who are saying, oh, look at this DEI Pick.

1155
00:58:58.320 --> 00:59:02.239
<v Speaker 3>And I'm like, if you're a view of Sinners, is

1156
00:59:02.280 --> 00:59:04.880
<v Speaker 3>that it's a quote de I Pick? Boy, you have

1157
00:59:05.039 --> 00:59:05.880
<v Speaker 3>lost the script.

1158
00:59:07.159 --> 00:59:10.239
<v Speaker 2>It's making me realize I'm so glad I'm not in

1159
00:59:10.840 --> 00:59:12.400
<v Speaker 2>online in those ways.

1160
00:59:12.440 --> 00:59:12.760
<v Speaker 3>I am.

1161
00:59:12.840 --> 00:59:16.519
<v Speaker 2>Man, you got the right idea. Yeah, not that I

1162
00:59:16.559 --> 00:59:19.079
<v Speaker 2>want to be out of the conversation sometimes for certain

1163
00:59:19.119 --> 00:59:21.559
<v Speaker 2>things that matter. But man, I'm glad I'm missing a

1164
00:59:21.559 --> 00:59:22.079
<v Speaker 2>lot of I.

1165
00:59:22.000 --> 00:59:23.559
<v Speaker 3>Mean, this is this is this is like you don't

1166
00:59:23.559 --> 00:59:27.199
<v Speaker 3>even know what you're upset about, you know, Right, Everything

1167
00:59:27.199 --> 00:59:30.920
<v Speaker 3>I don't like is woke. That's basically the takeaway, right, right.

1168
00:59:31.000 --> 00:59:33.159
<v Speaker 2>And and again the Sinners.

1169
00:59:33.159 --> 00:59:36.280
<v Speaker 3>This is a movie that you and I both as

1170
00:59:36.320 --> 00:59:38.079
<v Speaker 3>soon as we saw it, we were like, this is

1171
00:59:39.159 --> 00:59:40.280
<v Speaker 3>one of the best movies of the year.

1172
00:59:40.360 --> 00:59:43.159
<v Speaker 2>Yeah, it was special, it really is, you know.

1173
00:59:43.679 --> 00:59:47.960
<v Speaker 3>And and so again, like there's that aspect of the discourse.

1174
00:59:48.440 --> 00:59:48.880
<v Speaker 2>Uh.

1175
00:59:49.079 --> 00:59:52.280
<v Speaker 3>For me, I'm I'm very happy to see it acknowledged

1176
00:59:52.320 --> 00:59:56.000
<v Speaker 3>in this way. I'm very curious. I what are what

1177
00:59:56.079 --> 00:59:57.920
<v Speaker 3>are what are the nominations? What are the big ones?

1178
00:59:58.960 --> 01:00:01.960
<v Speaker 2>Begonia okay, which I was a little surprised but happy

1179
01:00:02.000 --> 01:00:07.079
<v Speaker 2>to see F one guest picture. Yeah, I'm sorry, I'm

1180
01:00:07.079 --> 01:00:08.639
<v Speaker 2>listening to the nominations.

1181
01:00:08.159 --> 01:00:09.360
<v Speaker 3>For that's a that's a surprise.

1182
01:00:09.679 --> 01:00:12.239
<v Speaker 2>Yeah. So yeah, Bagonia F one. It feels like now

1183
01:00:12.239 --> 01:00:14.719
<v Speaker 2>that they've expanded to the ten. Yeah, they kind of

1184
01:00:14.760 --> 01:00:18.199
<v Speaker 2>put like a popular one in there. Good F one

1185
01:00:18.239 --> 01:00:19.840
<v Speaker 2>is a good movie, but you know, it's like now

1186
01:00:19.840 --> 01:00:22.400
<v Speaker 2>they have more space, so they can put something like

1187
01:00:22.840 --> 01:00:28.440
<v Speaker 2>that for F one. The nomination is the prize, absolutely right.

1188
01:00:29.239 --> 01:00:34.079
<v Speaker 2>Then you got Frankenstein, Hamnet, Marty Supreme, One Battle after another,

1189
01:00:34.280 --> 01:00:36.400
<v Speaker 2>The Secret Agent, which is the only one I haven't

1190
01:00:36.400 --> 01:00:41.920
<v Speaker 2>seen yet, Sentimental Value, Sinners, and Train Dreams. Okay, so

1191
01:00:42.440 --> 01:00:45.559
<v Speaker 2>that's a good list, I think. Yeah.

1192
01:00:45.599 --> 01:00:48.400
<v Speaker 3>I mean, if if I were to place money, I

1193
01:00:48.400 --> 01:00:50.440
<v Speaker 3>would probably put it on Sinners.

1194
01:00:51.199 --> 01:00:55.119
<v Speaker 2>Sinners are one battle. I mean, that's a I really

1195
01:00:55.159 --> 01:00:57.360
<v Speaker 2>actually don't know. It's a kind of a coin toss

1196
01:00:57.360 --> 01:00:59.440
<v Speaker 2>for me. Right now. There's a little bit of I

1197
01:00:59.440 --> 01:01:02.239
<v Speaker 2>think giving ptas flowers thing happening.

1198
01:01:03.280 --> 01:01:05.519
<v Speaker 3>Oh sure, that's a good point, but.

1199
01:01:07.079 --> 01:01:11.639
<v Speaker 2>I mean I wouldn't I would agree with both, honestly.

1200
01:01:12.639 --> 01:01:15.000
<v Speaker 2>You know, I haven't mentioned this to you, but I'm

1201
01:01:15.039 --> 01:01:19.280
<v Speaker 2>going to a thing at the DGA tomorrow my friend Anna,

1202
01:01:19.360 --> 01:01:21.920
<v Speaker 2>she's in the DGA, and they are having a panel

1203
01:01:22.119 --> 01:01:27.360
<v Speaker 2>with all of the nominated directors. Wow. So yeah, I'm excited.

1204
01:01:27.400 --> 01:01:29.599
<v Speaker 2>It's going to be sort of like a moderated discussion

1205
01:01:29.599 --> 01:01:30.000
<v Speaker 2>with them.

1206
01:01:30.079 --> 01:01:31.119
<v Speaker 3>So oh that sounds fun.

1207
01:01:31.159 --> 01:01:34.039
<v Speaker 2>Looking forward to checking that out. But well, so the

1208
01:01:34.079 --> 01:01:37.199
<v Speaker 2>best directors who are nominated Chloe Jiao for Hamnet, Josh

1209
01:01:37.320 --> 01:01:41.000
<v Speaker 2>Safty for Marty Supreme, Paul Thomas Anderson won Battle Ran

1210
01:01:41.079 --> 01:01:45.119
<v Speaker 2>Coogler Sinners, and Brady Corbett for the brutalist stupid AI.

1211
01:01:47.119 --> 01:01:49.480
<v Speaker 2>Actually I'm not kidding. This is the Google answer and

1212
01:01:49.519 --> 01:01:53.320
<v Speaker 2>it has Brady Corbett from last year for the Brutalist.

1213
01:01:53.440 --> 01:01:59.599
<v Speaker 2>So I don't know, egg on Google's face or my face.

1214
01:01:59.639 --> 01:02:03.599
<v Speaker 2>I don't know. That's really funny. There you go.

1215
01:02:03.679 --> 01:02:06.760
<v Speaker 3>You have a real time example of why we shouldn't

1216
01:02:06.880 --> 01:02:10.079
<v Speaker 3>be relying on AIA.

1217
01:02:10.239 --> 01:02:12.599
<v Speaker 2>So who is it really? You just wasted. You just

1218
01:02:12.679 --> 01:02:15.159
<v Speaker 2>wasted a whole bunch of water for what Brian for.

1219
01:02:16.239 --> 01:02:17.760
<v Speaker 2>I didn't choose it. I just googled it.

1220
01:02:17.840 --> 01:02:18.199
<v Speaker 3>Damn it.

1221
01:02:18.280 --> 01:02:22.440
<v Speaker 2>Like why did they like insist on this AI? But okay,

1222
01:02:22.519 --> 01:02:27.920
<v Speaker 2>so because I joaqum Trier for sentimental value is the

1223
01:02:27.920 --> 01:02:31.960
<v Speaker 2>one that Google is not recognizing. So there you go.

1224
01:02:32.159 --> 01:02:32.639
<v Speaker 3>There we go.

1225
01:02:35.159 --> 01:02:38.159
<v Speaker 2>But I'm I'm looking forward to it. I I it's

1226
01:02:38.199 --> 01:02:40.360
<v Speaker 2>an event. It's an event I look forward to. I

1227
01:02:40.400 --> 01:02:43.960
<v Speaker 2>don't know that I think as seriously about them as

1228
01:02:43.960 --> 01:02:46.400
<v Speaker 2>I maybe did in the past, But it's still a

1229
01:02:46.440 --> 01:02:49.840
<v Speaker 2>fun I agree with that viewing party and just something

1230
01:02:49.880 --> 01:02:52.119
<v Speaker 2>you know, we do the uh you know, we each

1231
01:02:52.159 --> 01:02:55.079
<v Speaker 2>get ballots and see who gets the most right, and

1232
01:02:55.199 --> 01:03:00.000
<v Speaker 2>it's fun. So the ceremony is when uh about them?

1233
01:03:00.239 --> 01:03:06.039
<v Speaker 3>Let's see do the fifteenth Sunday, March fifteenth. Okay, what

1234
01:03:06.159 --> 01:03:06.719
<v Speaker 3>else we got?

1235
01:03:07.800 --> 01:03:11.599
<v Speaker 2>Well, speaking of the Super Bowl, have you seen this

1236
01:03:11.719 --> 01:03:15.719
<v Speaker 2>ad for Infinity that is basically a return to the

1237
01:03:15.760 --> 01:03:17.760
<v Speaker 2>original nineteen ninety three Jurassic Park.

1238
01:03:18.119 --> 01:03:21.000
<v Speaker 3>I did? I saw it once you once you brought

1239
01:03:21.000 --> 01:03:27.280
<v Speaker 3>it to my attention. Some wonderful corporate synergy happening here.

1240
01:03:28.320 --> 01:03:31.760
<v Speaker 2>Yeah, well, so tell this is a common thing, right,

1241
01:03:31.760 --> 01:03:33.639
<v Speaker 2>You get the Super Bowl ads and they usually stuff

1242
01:03:33.639 --> 01:03:36.480
<v Speaker 2>them either with like celebrities. Usually it's so funny. They're

1243
01:03:36.559 --> 01:03:42.639
<v Speaker 2>so like like TikTok fever dreams these days, right, you know,

1244
01:03:42.719 --> 01:03:44.719
<v Speaker 2>they always used to be kind of funny and zany

1245
01:03:44.760 --> 01:03:47.239
<v Speaker 2>and feature celebrities. But I feel like now they were like,

1246
01:03:47.239 --> 01:03:49.280
<v Speaker 2>well that's not enough. Why have one celebrity, Let's have

1247
01:03:49.639 --> 01:03:53.360
<v Speaker 2>four unrelated celebrities, and let's have a story that's like

1248
01:03:53.639 --> 01:03:55.480
<v Speaker 2>two minutes long, but try to get it done in

1249
01:03:55.519 --> 01:03:58.599
<v Speaker 2>thirty seconds. And it's just doesn't even make any sense

1250
01:03:58.639 --> 01:04:01.280
<v Speaker 2>by the time it ends, and then you're like Doritos,

1251
01:04:01.400 --> 01:04:04.800
<v Speaker 2>you know, like, I don't know, maybe it's me, but

1252
01:04:05.280 --> 01:04:10.159
<v Speaker 2>I just feel like I they don't feel as memorable

1253
01:04:10.159 --> 01:04:13.199
<v Speaker 2>and special as they used to. Sure feel very very

1254
01:04:13.239 --> 01:04:18.840
<v Speaker 2>desperate and expensive. Yeah, but something that they do sometimes

1255
01:04:18.960 --> 01:04:21.039
<v Speaker 2>is they'll revisit like a movie and then they'll get

1256
01:04:21.039 --> 01:04:24.679
<v Speaker 2>that celebrity back, right and you know, show a famous

1257
01:04:24.679 --> 01:04:26.280
<v Speaker 2>part from a movie from a different angle, which is

1258
01:04:26.320 --> 01:04:29.199
<v Speaker 2>what they did for Jurassic Park. And sometimes it works,

1259
01:04:29.280 --> 01:04:33.000
<v Speaker 2>sometimes it doesn't. What did you think for this? Did this?

1260
01:04:33.119 --> 01:04:33.480
<v Speaker 3>Honestly?

1261
01:04:33.719 --> 01:04:37.519
<v Speaker 2>I was absolutely tickled by this me too. I thought

1262
01:04:37.519 --> 01:04:38.960
<v Speaker 2>this was one of the better ones I've seen in

1263
01:04:39.000 --> 01:04:39.840
<v Speaker 2>a really long time.

1264
01:04:39.920 --> 01:04:43.760
<v Speaker 3>Oh yeah, I to me, to me, this is what

1265
01:04:43.800 --> 01:04:46.440
<v Speaker 3>you do? And again, I mean, it's it. It is

1266
01:04:46.719 --> 01:04:51.400
<v Speaker 3>very much like playing the nostalogic notes, you know. But

1267
01:04:51.599 --> 01:04:54.000
<v Speaker 3>the fact that they got Sam Neil and Laura Durn,

1268
01:04:54.079 --> 01:04:57.480
<v Speaker 3>Jeff Goeblum back, the fact that it's relying on our

1269
01:04:57.559 --> 01:04:59.679
<v Speaker 3>familiarity with this movie that so many of us are

1270
01:04:59.679 --> 01:05:04.440
<v Speaker 3>famili you're with, all of that stuff worked for me.

1271
01:05:04.480 --> 01:05:06.440
<v Speaker 3>And it's directed by Taika white Tt By the.

1272
01:05:06.360 --> 01:05:10.480
<v Speaker 2>Way, I saw that. Yeah, and maybe that's part of it.

1273
01:05:10.559 --> 01:05:13.599
<v Speaker 2>You know, he has a good comedic sense, right, Yeah.

1274
01:05:13.639 --> 01:05:15.880
<v Speaker 2>But what I loved about it, so the whole conceit is,

1275
01:05:16.199 --> 01:05:20.719
<v Speaker 2>you know, Jurassic Park, its infrastructure is failing, but then

1276
01:05:20.760 --> 01:05:23.920
<v Speaker 2>an Exfinity guy shows up with whatever Exfinity does and

1277
01:05:23.960 --> 01:05:28.920
<v Speaker 2>then fixes all the problems, right, and so then you know,

1278
01:05:29.320 --> 01:05:31.800
<v Speaker 2>instead of everything going wrong like it does in the movie,

1279
01:05:31.880 --> 01:05:36.199
<v Speaker 2>we get to see our heroes enjoying Jurassic Park working

1280
01:05:36.280 --> 01:05:40.280
<v Speaker 2>like it's supposed to. And I was like, that's really fun,

1281
01:05:40.599 --> 01:05:43.400
<v Speaker 2>that's really clever. And they recreate a bunch of specific

1282
01:05:43.519 --> 01:05:47.800
<v Speaker 2>shots and moments from the film, right and just have funny,

1283
01:05:48.320 --> 01:05:51.039
<v Speaker 2>genuinely funny twists on them that made me laugh, you know,

1284
01:05:51.079 --> 01:05:52.440
<v Speaker 2>like the one big pile of shrimp.

1285
01:05:54.239 --> 01:05:59.679
<v Speaker 3>I like, Wi Fi finds a way Yeah yeah, yeah, yeah,

1286
01:05:59.679 --> 01:06:02.320
<v Speaker 3>I mean in that little bunker and it's like, I

1287
01:06:02.320 --> 01:06:02.880
<v Speaker 3>think we're.

1288
01:06:02.760 --> 01:06:03.440
<v Speaker 2>Back in business.

1289
01:06:03.519 --> 01:06:07.360
<v Speaker 3>Yeah, and then Grant at the end being like, I

1290
01:06:07.519 --> 01:06:08.800
<v Speaker 3>will endorse your park.

1291
01:06:10.320 --> 01:06:12.920
<v Speaker 2>It was very funny, and it looks like the movie

1292
01:06:13.159 --> 01:06:15.320
<v Speaker 2>like they did a really great job of recreating it.

1293
01:06:16.400 --> 01:06:18.000
<v Speaker 2>So I thought it was really fun.

1294
01:06:18.079 --> 01:06:20.880
<v Speaker 3>I was. I was absolutely charmed by it, and and

1295
01:06:20.920 --> 01:06:24.559
<v Speaker 3>it absolutely it is it is Memba Barry Palooza.

1296
01:06:24.880 --> 01:06:29.599
<v Speaker 2>Definitely, but done well, done, but done well and yeah,

1297
01:06:29.599 --> 01:06:30.880
<v Speaker 2>clever twists on all of it.

1298
01:06:31.320 --> 01:06:34.360
<v Speaker 3>Yeah, and and you know you see in the behind

1299
01:06:34.400 --> 01:06:36.639
<v Speaker 3>the scenes footage, you know, you've got the three of

1300
01:06:37.320 --> 01:06:42.480
<v Speaker 3>the three jp OG's just sitting and talking to each other,

1301
01:06:42.480 --> 01:06:46.639
<v Speaker 3>and it seems like they genuinely enjoy this shared legacy

1302
01:06:46.679 --> 01:06:48.840
<v Speaker 3>that they have, you know, hm and the fact that

1303
01:06:48.880 --> 01:06:50.480
<v Speaker 3>they get to every once in a while hang out

1304
01:06:50.519 --> 01:06:52.599
<v Speaker 3>again together, I don't know, made me happy just to

1305
01:06:52.599 --> 01:06:52.920
<v Speaker 3>see that.

1306
01:06:53.440 --> 01:06:56.400
<v Speaker 2>Yeah. And I went on the Infinity Instagram page, which

1307
01:06:56.400 --> 01:07:01.199
<v Speaker 2>I'm sure they're like, whoa, but there is a video

1308
01:07:01.480 --> 01:07:06.159
<v Speaker 2>of Sam Neil doing like a selfie video with Jeff

1309
01:07:06.159 --> 01:07:08.519
<v Speaker 2>Goldblum in the background, and he's like trying to find

1310
01:07:09.519 --> 01:07:12.480
<v Speaker 2>the right angle to show the drink in Jeff goldblumsand

1311
01:07:12.480 --> 01:07:15.159
<v Speaker 2>he's like higher left right, Like what I was like,

1312
01:07:15.199 --> 01:07:16.280
<v Speaker 2>this is delightful.

1313
01:07:17.440 --> 01:07:22.639
<v Speaker 3>That's just Malcolm and Grant exactly exactly. But hey, there's

1314
01:07:22.639 --> 01:07:29.360
<v Speaker 3>a big release out in theaters right now, Brian. No,

1315
01:07:30.679 --> 01:07:34.159
<v Speaker 3>and now we're pleased to bring you our feature.

1316
01:07:33.360 --> 01:07:39.840
<v Speaker 2>Present and we are back and you know who else

1317
01:07:39.920 --> 01:07:40.199
<v Speaker 2>is back?

1318
01:07:40.239 --> 01:07:40.519
<v Speaker 3>Brian?

1319
01:07:40.719 --> 01:07:42.039
<v Speaker 2>Who's that? Why?

1320
01:07:42.119 --> 01:07:47.199
<v Speaker 3>It's Evil Dead director Sam Ramie. Yeah, be confused with

1321
01:07:47.320 --> 01:07:49.239
<v Speaker 3>Spider Man director Sam Raimi, who.

1322
01:07:49.119 --> 01:07:50.159
<v Speaker 2>Is just as delightful.

1323
01:07:50.840 --> 01:07:55.920
<v Speaker 3>Right right, Send Help is in theaters right now, and

1324
01:07:55.960 --> 01:07:58.039
<v Speaker 3>it seems to be doing okay.

1325
01:07:59.159 --> 01:08:00.800
<v Speaker 2>Yeah, I think it over performed, didn't it.

1326
01:08:01.719 --> 01:08:04.480
<v Speaker 3>Yeah, and you know it didn't cost that much either. Yeah,

1327
01:08:04.880 --> 01:08:05.639
<v Speaker 3>definitely helps.

1328
01:08:06.239 --> 01:08:09.880
<v Speaker 2>So this is this is the new thriller slash. Is

1329
01:08:09.880 --> 01:08:10.440
<v Speaker 2>it horror?

1330
01:08:12.039 --> 01:08:15.599
<v Speaker 3>I wouldn't call it a horror movie, but label horror,

1331
01:08:15.679 --> 01:08:17.000
<v Speaker 3>But I don't know. It seems like it seems like

1332
01:08:17.039 --> 01:08:17.760
<v Speaker 3>a tweeter to me.

1333
01:08:18.119 --> 01:08:18.800
<v Speaker 2>Yeah, exactly.

1334
01:08:18.920 --> 01:08:23.880
<v Speaker 3>Yeah, but from twentyth century Fox, twenty excuse me, twenty

1335
01:08:23.920 --> 01:08:26.239
<v Speaker 3>century Studios, Fox, Am I what am I doing? It

1336
01:08:27.520 --> 01:08:31.079
<v Speaker 3>cost forty million dollars and it has made a thirty

1337
01:08:31.119 --> 01:08:33.279
<v Speaker 3>two million thus far. So I didn't end up doing okay,

1338
01:08:33.640 --> 01:08:40.079
<v Speaker 3>starring Rachel McAdams and Dylan O'Brien, and uh yeah, what

1339
01:08:40.119 --> 01:08:41.399
<v Speaker 3>do we got here? We got we got kind of

1340
01:08:41.399 --> 01:08:47.600
<v Speaker 3>a it's like Castaway meets meets something Falling here.

1341
01:08:48.079 --> 01:08:50.359
<v Speaker 2>I don't know, not exactly, but.

1342
01:08:52.840 --> 01:08:56.840
<v Speaker 3>So I just watched this last night. Yeah, and I'll

1343
01:08:56.840 --> 01:08:57.960
<v Speaker 3>tell you it's this.

1344
01:08:58.199 --> 01:08:58.279
<v Speaker 2>This.

1345
01:08:58.800 --> 01:09:03.399
<v Speaker 3>I went in knowing nothing other than it's Rachel McAdams

1346
01:09:03.399 --> 01:09:05.359
<v Speaker 3>on an island with the Maze Runner. Guy.

1347
01:09:06.239 --> 01:09:08.920
<v Speaker 2>Oh, you didn't even know the premise, that's all I knew.

1348
01:09:09.079 --> 01:09:10.640
<v Speaker 2>Oh wow, okay, you know.

1349
01:09:10.840 --> 01:09:13.319
<v Speaker 3>I mean I suspected it's Sam Raimi, so I figured

1350
01:09:13.319 --> 01:09:17.159
<v Speaker 3>it wasn't gonna be you know, I didn't think it

1351
01:09:17.199 --> 01:09:21.760
<v Speaker 3>was gonna be like a like a romance. But I

1352
01:09:21.800 --> 01:09:25.279
<v Speaker 3>didn't know tonally what to expect. So I was, I was,

1353
01:09:26.920 --> 01:09:31.000
<v Speaker 3>I was disgusted and fascinated in equal measure.

1354
01:09:32.159 --> 01:09:35.439
<v Speaker 2>Yeah, well, we should say. The plot an employee and

1355
01:09:35.600 --> 01:09:39.079
<v Speaker 2>her insufferable boss becomes stranded on a deserted island. The

1356
01:09:39.119 --> 01:09:41.840
<v Speaker 2>only survivors of a plane crash. Here, they must overcome

1357
01:09:41.920 --> 01:09:45.560
<v Speaker 2>past grievances and work together to make it out alive.

1358
01:09:47.439 --> 01:09:48.039
<v Speaker 3>Good stuff.

1359
01:09:48.800 --> 01:09:52.640
<v Speaker 2>Yeah, I mean when I saw this trailer, I thought

1360
01:09:52.840 --> 01:09:54.920
<v Speaker 2>this is great. I mean, you have an employee who

1361
01:09:54.960 --> 01:09:57.840
<v Speaker 2>was picked on by her boss and he just seems

1362
01:09:57.840 --> 01:09:59.720
<v Speaker 2>like this kind of broie jerk, and then all of

1363
01:09:59.720 --> 01:10:01.600
<v Speaker 2>a sudd and they're put on a desert island and

1364
01:10:01.640 --> 01:10:03.600
<v Speaker 2>she's the one who has the skills to survive on

1365
01:10:03.640 --> 01:10:08.039
<v Speaker 2>the island, and I mean, what does she do? Is

1366
01:10:08.079 --> 01:10:12.279
<v Speaker 2>she is she kind and helpful? Or is this an

1367
01:10:12.279 --> 01:10:15.520
<v Speaker 2>opportunity to take out everything that she's been experiencing from

1368
01:10:15.600 --> 01:10:18.279
<v Speaker 2>him and make him suffer, right, you know, and so

1369
01:10:18.319 --> 01:10:21.039
<v Speaker 2>that's like, that's a delicious premise. And then you know

1370
01:10:21.079 --> 01:10:22.920
<v Speaker 2>it comes from Sam Raimi, so you know it's gonna

1371
01:10:22.920 --> 01:10:25.920
<v Speaker 2>be kind of quirky and fun and a little little

1372
01:10:25.920 --> 01:10:26.800
<v Speaker 2>horror twinged.

1373
01:10:27.159 --> 01:10:27.640
<v Speaker 3>Yeah.

1374
01:10:28.520 --> 01:10:30.720
<v Speaker 2>So but it sounds like it worked for you.

1375
01:10:31.479 --> 01:10:34.680
<v Speaker 3>Oh dude, Yeah, I mean I think this is the

1376
01:10:34.760 --> 01:10:38.880
<v Speaker 3>best kind of movie in that you're you're you're leaning

1377
01:10:38.920 --> 01:10:41.600
<v Speaker 3>forward at every step because you just don't know what's

1378
01:10:41.600 --> 01:10:42.600
<v Speaker 3>going to happen next.

1379
01:10:43.079 --> 01:10:46.319
<v Speaker 2>Isn't that the best? Like that's that was the same

1380
01:10:46.359 --> 01:10:49.239
<v Speaker 2>experience I had. It's like, I mean, that's an incredible setup.

1381
01:10:49.279 --> 01:10:52.680
<v Speaker 2>But then what that's right? And the movie I thought

1382
01:10:52.720 --> 01:10:57.680
<v Speaker 2>was very successful in making me I didn't know what

1383
01:10:57.720 --> 01:10:59.720
<v Speaker 2>was going to happen next consistently.

1384
01:11:00.159 --> 01:11:03.199
<v Speaker 3>There was there was one element of the plot that

1385
01:11:03.239 --> 01:11:07.359
<v Speaker 3>I that I pegged early on, which I won't talk

1386
01:11:07.399 --> 01:11:10.479
<v Speaker 3>about just yet. Yeah, and so to some extent I

1387
01:11:10.520 --> 01:11:14.319
<v Speaker 3>was waiting to be proven right about what I had pegged.

1388
01:11:14.640 --> 01:11:16.279
<v Speaker 2>Yeah, I'm pretty sure I know what you're talking about.

1389
01:11:16.359 --> 01:11:21.880
<v Speaker 3>Yeah, but what struck me well, first of all, Rachel

1390
01:11:21.920 --> 01:11:28.800
<v Speaker 3>McAdams Regina George, right, Like if you would have told

1391
01:11:28.840 --> 01:11:34.279
<v Speaker 3>me twenty two years ago that, oh yeah, Regina George

1392
01:11:34.359 --> 01:11:37.680
<v Speaker 3>is going to be just like one of the best

1393
01:11:37.760 --> 01:11:40.239
<v Speaker 3>actresses we have out there right right, you know what

1394
01:11:40.319 --> 01:11:41.760
<v Speaker 3>I mean, Like not to say she was bad and

1395
01:11:41.840 --> 01:11:44.319
<v Speaker 3>mean girls, I don't even mean that, yeah, but like

1396
01:11:44.399 --> 01:11:49.720
<v Speaker 3>she has such range just in this movie, m there

1397
01:11:49.720 --> 01:11:55.239
<v Speaker 3>are there are so many layers to a fascinating character.

1398
01:11:55.359 --> 01:11:56.479
<v Speaker 2>I mean, the fact is.

1399
01:11:59.439 --> 01:12:02.159
<v Speaker 3>The movie and you don't know what you're supposed to

1400
01:12:02.159 --> 01:12:02.840
<v Speaker 3>feel about her.

1401
01:12:03.359 --> 01:12:05.720
<v Speaker 2>That's what I love. And that's the thing, right when

1402
01:12:05.720 --> 01:12:08.560
<v Speaker 2>you have the person who's been picked on and then

1403
01:12:08.600 --> 01:12:10.680
<v Speaker 2>she has a moment where she can have the upper hand,

1404
01:12:11.079 --> 01:12:13.279
<v Speaker 2>that seems pretty simple and almost like you could have

1405
01:12:13.319 --> 01:12:17.319
<v Speaker 2>this sort of revenge y comedy where we enjoy it's

1406
01:12:17.359 --> 01:12:19.800
<v Speaker 2>like a wish fulfillment thing, like getting to watch someone

1407
01:12:20.359 --> 01:12:22.960
<v Speaker 2>take it out on their boss. But the movie isn't

1408
01:12:22.960 --> 01:12:25.720
<v Speaker 2>that simple, right, you know what I mean? Like they're

1409
01:12:25.760 --> 01:12:29.680
<v Speaker 2>both kind of shades of gray, you know, I mean,

1410
01:12:29.720 --> 01:12:33.159
<v Speaker 2>he veers mostly in jerkland.

1411
01:12:34.000 --> 01:12:36.239
<v Speaker 3>He's just really pretty terrible, yes, but.

1412
01:12:36.279 --> 01:12:39.039
<v Speaker 2>Like they at least take the time for him to

1413
01:12:39.079 --> 01:12:42.560
<v Speaker 2>talk about what crappy parents he had, So there's like

1414
01:12:42.560 --> 01:12:44.920
<v Speaker 2>a moment where he feels like a three dimensional human

1415
01:12:45.000 --> 01:12:47.840
<v Speaker 2>being to me, even if he remains mostly kind of

1416
01:12:47.840 --> 01:12:50.560
<v Speaker 2>a jerk, which I appreciated. And there are moments where

1417
01:12:50.600 --> 01:12:52.880
<v Speaker 2>he's put in situations where I felt a little bad

1418
01:12:52.920 --> 01:12:56.279
<v Speaker 2>for him, you know, which was unexpected. And then with her,

1419
01:12:56.600 --> 01:13:00.560
<v Speaker 2>she's not just this victim and like a a righteous

1420
01:13:00.600 --> 01:13:05.840
<v Speaker 2>person who's just like she has kind of like murkier moments,

1421
01:13:06.279 --> 01:13:08.640
<v Speaker 2>which I really appreciated. It was throwing me off balance

1422
01:13:08.960 --> 01:13:11.640
<v Speaker 2>the whole time, and that's what makes it as good

1423
01:13:11.680 --> 01:13:12.159
<v Speaker 2>as it is.

1424
01:13:12.159 --> 01:13:17.680
<v Speaker 3>I think, right, I think that the broad outlines of

1425
01:13:17.720 --> 01:13:24.640
<v Speaker 3>this type of story you could imagine the romance version, sure,

1426
01:13:25.760 --> 01:13:28.960
<v Speaker 3>and and not knowing going in what to expect, I

1427
01:13:29.000 --> 01:13:31.880
<v Speaker 3>was like, please don't let this be that. Oh that's

1428
01:13:31.880 --> 01:13:34.119
<v Speaker 3>so interesting that yeah, if you hadn't seen the trailer,

1429
01:13:34.199 --> 01:13:39.720
<v Speaker 3>yeah right, so I was. I was absolutely, you know,

1430
01:13:40.279 --> 01:13:43.600
<v Speaker 3>delighted that it was very much the opposite of that.

1431
01:13:43.840 --> 01:13:49.279
<v Speaker 3>You know, Uh, there's there's plenty of ripped scalps and

1432
01:13:49.319 --> 01:13:54.159
<v Speaker 3>gouged eyes. Let's just still without that's not even a spoiler.

1433
01:13:54.199 --> 01:13:55.840
<v Speaker 3>But this is not a romance, is what I'm saying.

1434
01:13:56.279 --> 01:13:59.479
<v Speaker 2>You know, it's so funny because yes, I still wouldn't

1435
01:13:59.479 --> 01:14:02.560
<v Speaker 2>classify this is a horror movie, but it's certainly made

1436
01:14:02.640 --> 01:14:05.800
<v Speaker 2>by a horror director, and so yes, you do get

1437
01:14:05.800 --> 01:14:10.199
<v Speaker 2>a lot more fluids and gore in this movie than

1438
01:14:10.239 --> 01:14:13.680
<v Speaker 2>you might from someone else. But what I think it

1439
01:14:13.840 --> 01:14:16.760
<v Speaker 2>showcases is what a master of tone Sam Raimi is

1440
01:14:17.680 --> 01:14:21.079
<v Speaker 2>because those disgusting moments in any other movie might have

1441
01:14:21.159 --> 01:14:23.720
<v Speaker 2>had me turning away and going like gross, dude, like

1442
01:14:24.399 --> 01:14:27.319
<v Speaker 2>what's the matter with you? But in this they kind

1443
01:14:27.319 --> 01:14:30.319
<v Speaker 2>of had me laughing. Yeah, exactly, Like they struck the

1444
01:14:30.399 --> 01:14:34.840
<v Speaker 2>perfect balance, Like there's a moment with a bore that

1445
01:14:35.000 --> 01:14:38.560
<v Speaker 2>is just really really gross, but I was laughing so

1446
01:14:38.760 --> 01:14:42.279
<v Speaker 2>hard at the same time. It was that perfect magical thing,

1447
01:14:42.359 --> 01:14:43.960
<v Speaker 2>right where a gross thing is like, but you can't

1448
01:14:43.960 --> 01:14:46.840
<v Speaker 2>help but laugh because of it's so intense and kind

1449
01:14:46.840 --> 01:14:49.840
<v Speaker 2>of funny but also gross, you know. Yeah.

1450
01:14:49.880 --> 01:14:51.680
<v Speaker 3>You know. One thing I always point to when it

1451
01:14:51.720 --> 01:14:56.880
<v Speaker 3>comes to Sam Raimie is like the horror moments in

1452
01:14:57.039 --> 01:15:03.680
<v Speaker 3>non horror movies, like in Dark Man, you know the

1453
01:15:03.800 --> 01:15:10.479
<v Speaker 3>scene when when Liam Neesen is first turned into dark Man,

1454
01:15:11.680 --> 01:15:13.960
<v Speaker 3>or in Spider Man two, you know when Doc OK's

1455
01:15:14.119 --> 01:15:17.239
<v Speaker 3>arms first come alive, you know, yes, and you realize,

1456
01:15:17.279 --> 01:15:20.720
<v Speaker 3>like this is where Raymy's having the most fun. And

1457
01:15:20.760 --> 01:15:23.039
<v Speaker 3>so that's what I was thinking about in this, Like

1458
01:15:23.079 --> 01:15:26.479
<v Speaker 3>you can tell he's he's enjoying the fact that he

1459
01:15:26.520 --> 01:15:29.960
<v Speaker 3>doesn't have to confine those instincts to just like a scene.

1460
01:15:30.000 --> 01:15:33.079
<v Speaker 3>He can spread it out over over two hours.

1461
01:15:33.399 --> 01:15:33.680
<v Speaker 2>Yep.

1462
01:15:34.600 --> 01:15:36.880
<v Speaker 3>But I like how it's there's this slow build up,

1463
01:15:36.920 --> 01:15:41.600
<v Speaker 3>right because because essentially you have you know, kind of

1464
01:15:41.680 --> 01:15:45.319
<v Speaker 3>use it's a falling down esque story for like the

1465
01:15:45.359 --> 01:15:48.399
<v Speaker 3>first twenty minutes or whatever. Right, Yeah, someone who's had

1466
01:15:48.560 --> 01:15:53.319
<v Speaker 3>enough exactly and has an opportunity to maybe lash out

1467
01:15:53.800 --> 01:15:58.159
<v Speaker 3>and then and then the plane hits turbulence and at

1468
01:15:58.159 --> 01:16:03.279
<v Speaker 3>that point we like crossover into the horror realm with

1469
01:16:03.399 --> 01:16:04.479
<v Speaker 3>all the.

1470
01:16:04.439 --> 01:16:05.600
<v Speaker 2>With all that implies.

1471
01:16:05.840 --> 01:16:10.880
<v Speaker 3>You know, there's there's forks being stabbed, there's there's people

1472
01:16:10.880 --> 01:16:14.319
<v Speaker 3>being pulled into engines, there's all the all the fixens.

1473
01:16:14.359 --> 01:16:17.520
<v Speaker 2>You know. I don't want to spoil it, but there

1474
01:16:17.560 --> 01:16:19.880
<v Speaker 2>was a moment that made me really laugh with the

1475
01:16:19.920 --> 01:16:23.359
<v Speaker 2>with the window the window thing, Yeah, where she pulls

1476
01:16:23.359 --> 01:16:24.000
<v Speaker 2>the shade down.

1477
01:16:30.399 --> 01:16:32.960
<v Speaker 3>Yeah, So we just end up going on a journey. Man,

1478
01:16:33.000 --> 01:16:36.920
<v Speaker 3>I'm telling like this, this is this is This was

1479
01:16:37.000 --> 01:16:41.479
<v Speaker 3>my thought. Literally halfway through, I'm watching in the theater

1480
01:16:42.359 --> 01:16:45.760
<v Speaker 3>and I'm I'm not even like I love this, I'm like,

1481
01:16:45.880 --> 01:16:49.520
<v Speaker 3>I love movies. That was my thought. I'm sitting in

1482
01:16:49.640 --> 01:16:52.920
<v Speaker 3>this absolutely dark theater and I'm just letting this movie happen.

1483
01:16:52.960 --> 01:16:54.760
<v Speaker 3>I have no idea what's going on, And that was

1484
01:16:54.840 --> 01:16:58.479
<v Speaker 3>my thought. I love the movies, dude.

1485
01:16:58.560 --> 01:17:01.800
<v Speaker 2>I had something kind of sil where I thought I

1486
01:17:01.960 --> 01:17:05.520
<v Speaker 2>miss this. Yeah, like, this is a movie back in

1487
01:17:05.560 --> 01:17:07.880
<v Speaker 2>the day, you just give a shot on a Friday

1488
01:17:07.960 --> 01:17:10.800
<v Speaker 2>night exactly, and it's got a great hook. You don't

1489
01:17:10.800 --> 01:17:13.159
<v Speaker 2>know where it's going. It's not trying to be anything

1490
01:17:13.199 --> 01:17:17.319
<v Speaker 2>more than entertaining for two hours and you're out.

1491
01:17:16.600 --> 01:17:17.119
<v Speaker 3>You know what I mean.

1492
01:17:17.279 --> 01:17:19.600
<v Speaker 2>Or like it's a great rental at Blockbuster where you go, hey,

1493
01:17:19.600 --> 01:17:21.760
<v Speaker 2>that was really fun, and then you return it. It's

1494
01:17:21.880 --> 01:17:25.239
<v Speaker 2>it's a delightful distraction, you know, like it's it's just

1495
01:17:26.439 --> 01:17:30.560
<v Speaker 2>and and also I feel like so many movies I

1496
01:17:30.600 --> 01:17:32.600
<v Speaker 2>talk about this, like you don't see a lot of

1497
01:17:32.640 --> 01:17:35.720
<v Speaker 2>pushings anymore in movies like that used to be a

1498
01:17:35.840 --> 01:17:39.279
<v Speaker 2>visual language. You know, the character's thinking something, the characters

1499
01:17:39.319 --> 01:17:41.279
<v Speaker 2>realizing something. You push in the camera a little bit

1500
01:17:41.600 --> 01:17:44.119
<v Speaker 2>like things are just more captured now and the care

1501
01:17:44.600 --> 01:17:47.880
<v Speaker 2>the camera isn't as much of a narrator. But watching

1502
01:17:47.920 --> 01:17:51.560
<v Speaker 2>this because Raymie's a little bit more old school, I

1503
01:17:51.640 --> 01:17:57.079
<v Speaker 2>actually was like wow, blocking you know, like motivated camera

1504
01:17:57.119 --> 01:18:01.359
<v Speaker 2>movement style and score. That doesn't sound like it came

1505
01:18:01.359 --> 01:18:04.840
<v Speaker 2>from a royalty free collection. You know, it's Danny Elfman.

1506
01:18:04.960 --> 01:18:08.640
<v Speaker 2>And I was like, yay, I had too.

1507
01:18:08.720 --> 01:18:08.920
<v Speaker 1>Yeah.

1508
01:18:09.119 --> 01:18:11.520
<v Speaker 3>I was like, man, I'm glad that Danny Elfman and

1509
01:18:11.560 --> 01:18:14.279
<v Speaker 3>Sam Raimy got over whatever like tif they had.

1510
01:18:14.600 --> 01:18:16.000
<v Speaker 2>Yep, they're back together.

1511
01:18:16.119 --> 01:18:17.359
<v Speaker 3>That's good. This is how it should be.

1512
01:18:17.920 --> 01:18:20.199
<v Speaker 2>Yeah, Like this isn't like something that's gonna be on

1513
01:18:20.239 --> 01:18:22.279
<v Speaker 2>everyone's top tens at the end of the year or whatever.

1514
01:18:22.319 --> 01:18:22.760
<v Speaker 2>But it doesn't.

1515
01:18:22.760 --> 01:18:25.159
<v Speaker 3>It's not meant to be, Like this is just what

1516
01:18:25.159 --> 01:18:27.479
<v Speaker 3>we used to get at the end of the day,

1517
01:18:27.560 --> 01:18:32.279
<v Speaker 3>like a good Friday night movie made well and you're

1518
01:18:32.279 --> 01:18:34.520
<v Speaker 3>gonna have a good time. And and I will say

1519
01:18:34.720 --> 01:18:37.960
<v Speaker 3>to whatever extent there's there's a shagginess to the story

1520
01:18:40.640 --> 01:18:42.920
<v Speaker 3>where you maybe have to squint past certain things. Actually,

1521
01:18:43.039 --> 01:18:45.840
<v Speaker 3>this is a rock star performance by Rachel Like Adams,

1522
01:18:46.039 --> 01:18:50.720
<v Speaker 3>she is absolutely magnetic in this movie. You cannot look

1523
01:18:50.760 --> 01:18:51.479
<v Speaker 3>away from her.

1524
01:18:52.079 --> 01:18:55.520
<v Speaker 2>Yeah, I'll probably mention this moment again later because I

1525
01:18:55.560 --> 01:18:58.880
<v Speaker 2>want to spoil something. But at the beginning, she's sort

1526
01:18:58.920 --> 01:19:03.119
<v Speaker 2>of frumpy, and it's a very she's all that frumpy

1527
01:19:01.600 --> 01:19:05.520
<v Speaker 2>because like, you can't make rich and make out on scrumpy.

1528
01:19:06.880 --> 01:19:07.000
<v Speaker 3>You know.

1529
01:19:07.079 --> 01:19:08.960
<v Speaker 2>It's funny because you know, there's one moment where she

1530
01:19:08.960 --> 01:19:10.399
<v Speaker 2>has a little bit of tuna salad on the side

1531
01:19:10.439 --> 01:19:12.439
<v Speaker 2>of her mouth, like repulse and I was like, I

1532
01:19:12.520 --> 01:19:19.520
<v Speaker 2>don't care, I don't mind. But then once she gets

1533
01:19:19.560 --> 01:19:21.199
<v Speaker 2>on the island, there's this moment where she's kind of

1534
01:19:21.239 --> 01:19:26.960
<v Speaker 2>bathing in this waterfall and she's just feeling herself like

1535
01:19:27.000 --> 01:19:29.720
<v Speaker 2>she is just like this is who she truly is

1536
01:19:29.760 --> 01:19:33.039
<v Speaker 2>on the inside now on the outside, and she looks

1537
01:19:33.079 --> 01:19:36.279
<v Speaker 2>different and whatever, and I was like, what a it's

1538
01:19:36.279 --> 01:19:38.399
<v Speaker 2>hard to try to make her feel awkward at the beginning,

1539
01:19:38.439 --> 01:19:40.000
<v Speaker 2>but they do. They do make her. You know, she

1540
01:19:40.079 --> 01:19:42.840
<v Speaker 2>makes a lot of awkward decisions and has a lot

1541
01:19:42.840 --> 01:19:46.079
<v Speaker 2>of awkward interactions, and it was like a real great yeah,

1542
01:19:46.680 --> 01:19:51.079
<v Speaker 2>her performance where she kind of grows more comfortable, right,

1543
01:19:51.279 --> 01:19:53.520
<v Speaker 2>and you know, and when she's able to weave hats

1544
01:19:53.640 --> 01:19:58.119
<v Speaker 2>and I enjoyed seeing that transformation. I thought she did

1545
01:19:58.119 --> 01:20:00.920
<v Speaker 2>a good job of that, and then you can understand

1546
01:20:00.920 --> 01:20:03.920
<v Speaker 2>why maybe it's for her. It's not so bad being there, right,

1547
01:20:04.039 --> 01:20:06.439
<v Speaker 2>she's kind of in her element. Yeah.

1548
01:20:06.479 --> 01:20:09.479
<v Speaker 3>Well, and and we should talking about Dylan O'Brien. Oh dude,

1549
01:20:09.479 --> 01:20:13.520
<v Speaker 3>he's so good in this You know this guy, I mean,

1550
01:20:13.640 --> 01:20:18.880
<v Speaker 3>like I I know him primarily from from uh May's Runner.

1551
01:20:19.399 --> 01:20:22.039
<v Speaker 2>Oh see, I have not. I haven't seen him in anything. Yeah,

1552
01:20:22.079 --> 01:20:23.880
<v Speaker 2>I knew him from that. And then and then the

1553
01:20:24.199 --> 01:20:25.359
<v Speaker 2>only other thing I saw.

1554
01:20:25.239 --> 01:20:30.760
<v Speaker 3>Him in was was that Shoot American Assassin.

1555
01:20:32.520 --> 01:20:34.359
<v Speaker 2>Oh, the Kevin Costner thing.

1556
01:20:34.760 --> 01:20:36.640
<v Speaker 3>No, No, Michael Keaton was in that.

1557
01:20:36.760 --> 01:20:40.159
<v Speaker 2>Oh Michael Keaton that's right, that's right. Costner played a serial.

1558
01:20:39.920 --> 01:20:43.079
<v Speaker 3>Killer in some movie in something, and mister mister Brooks,

1559
01:20:43.159 --> 01:20:46.960
<v Speaker 3>mister Brooks. Yeah, And so you know, like I, I

1560
01:20:47.039 --> 01:20:49.920
<v Speaker 3>just he hasn't ever really impressed me. Not to say

1561
01:20:50.800 --> 01:20:51.399
<v Speaker 3>that sounds bad.

1562
01:20:51.439 --> 01:20:53.479
<v Speaker 2>I like, I just.

1563
01:20:55.000 --> 01:20:56.680
<v Speaker 3>You know, I was just like, oh, it's it's that guy,

1564
01:20:56.720 --> 01:21:00.319
<v Speaker 3>and he's fine, you know, but I really like I

1565
01:21:00.359 --> 01:21:03.880
<v Speaker 3>think the he found this this wavelength in this movie

1566
01:21:03.920 --> 01:21:08.319
<v Speaker 3>where he has to be weasley and pretty terrible, but

1567
01:21:09.199 --> 01:21:11.800
<v Speaker 3>he can't lean too far into that direction.

1568
01:21:12.119 --> 01:21:12.399
<v Speaker 2>Yep.

1569
01:21:13.600 --> 01:21:16.079
<v Speaker 3>And and again, remember I'm going and thinking, so are

1570
01:21:16.119 --> 01:21:18.439
<v Speaker 3>they doing like a like a mismatched romance thing.

1571
01:21:19.359 --> 01:21:22.119
<v Speaker 2>Mm hmm, yeah, they tease that a little bit, they.

1572
01:21:22.000 --> 01:21:23.960
<v Speaker 3>Tease, right, so so that's like you can't make him

1573
01:21:23.960 --> 01:21:29.640
<v Speaker 3>too vile, but they make him pretty vile. Yes, And

1574
01:21:29.680 --> 01:21:31.560
<v Speaker 3>I think that's see, that's what That's what made it

1575
01:21:31.600 --> 01:21:34.239
<v Speaker 3>interesting to me is that really this is this is

1576
01:21:34.239 --> 01:21:44.760
<v Speaker 3>a movie about like the sort of the the the

1577
01:21:44.880 --> 01:21:46.920
<v Speaker 3>vileness that we all carry inside of us.

1578
01:21:48.039 --> 01:21:50.000
<v Speaker 2>Yeah, yeah, it really is, isn't it right?

1579
01:21:50.079 --> 01:21:54.159
<v Speaker 3>And like how much do we let that define us?

1580
01:21:55.399 --> 01:21:59.000
<v Speaker 3>You know? And and I think that comes to bear

1581
01:21:59.039 --> 01:22:00.880
<v Speaker 3>in a lot of interesting ways, you know, I think,

1582
01:22:00.920 --> 01:22:02.439
<v Speaker 3>I think I think, like I said at the start

1583
01:22:02.479 --> 01:22:07.800
<v Speaker 3>of this conversation, I mean, I don't know how we're

1584
01:22:07.800 --> 01:22:10.920
<v Speaker 3>supposed to feel at the end of it, which.

1585
01:22:10.720 --> 01:22:13.720
<v Speaker 2>I kind of enjoy And I saw it with a

1586
01:22:13.760 --> 01:22:18.560
<v Speaker 2>couple people, and one person did not enjoy it as

1587
01:22:18.640 --> 01:22:21.840
<v Speaker 2>much because he was sort of like, well, what was

1588
01:22:21.840 --> 01:22:27.239
<v Speaker 2>that like about? Hmm? And I think the ending especially

1589
01:22:27.279 --> 01:22:30.520
<v Speaker 2>kind of made him him feel that, And I I

1590
01:22:30.920 --> 01:22:31.800
<v Speaker 2>can appreciate that.

1591
01:22:32.279 --> 01:22:35.479
<v Speaker 3>I actually appreciate that he had that response because I

1592
01:22:35.479 --> 01:22:37.199
<v Speaker 3>think it's a healthy response to be honest.

1593
01:22:38.039 --> 01:22:43.960
<v Speaker 2>Actually, yes, yes, right, but it didn't bother me as much. Right,

1594
01:22:44.159 --> 01:22:45.640
<v Speaker 2>I don't know, we can get into it, but.

1595
01:22:45.680 --> 01:22:47.720
<v Speaker 3>Yeah, well do we want to want to talk spoilers?

1596
01:22:47.760 --> 01:22:49.600
<v Speaker 2>Well, I want to say something real fast. Last thing

1597
01:22:49.600 --> 01:22:53.720
<v Speaker 2>I'll say before spoilers is I noticed something. A character

1598
01:22:53.800 --> 01:22:57.560
<v Speaker 2>looks into the camera twice in this movie, which I

1599
01:22:57.760 --> 01:23:00.800
<v Speaker 2>freaking love. I don't know what it is about that,

1600
01:23:00.840 --> 01:23:03.359
<v Speaker 2>but I love it, and you can't do it and everything.

1601
01:23:04.239 --> 01:23:08.079
<v Speaker 2>But when it's used right, and it's not even like

1602
01:23:08.079 --> 01:23:10.880
<v Speaker 2>an A fairs Bueller type movie where they are serving

1603
01:23:10.920 --> 01:23:13.720
<v Speaker 2>as a narrator or talking to the camera, like just

1604
01:23:14.439 --> 01:23:16.600
<v Speaker 2>the whole movie isn't like that, but then for some reason,

1605
01:23:16.760 --> 01:23:18.600
<v Speaker 2>in one moment, the character will just look at you.

1606
01:23:19.199 --> 01:23:19.399
<v Speaker 3>Yeah.

1607
01:23:19.439 --> 01:23:22.359
<v Speaker 2>I always find that so impactful. And then watching The Burbs,

1608
01:23:22.960 --> 01:23:25.640
<v Speaker 2>Corey Feldman talks to the camera at the end of

1609
01:23:25.680 --> 01:23:29.760
<v Speaker 2>that and I was like, oh interesting. And then I

1610
01:23:29.880 --> 01:23:31.800
<v Speaker 2>was like, oh, this is kind of like a horror

1611
01:23:31.840 --> 01:23:37.000
<v Speaker 2>comedy director thing. So like John Landis, you know what

1612
01:23:37.039 --> 01:23:41.279
<v Speaker 2>I mean, Like he was American Werewolf in London or whatever,

1613
01:23:41.319 --> 01:23:43.760
<v Speaker 2>and he has his characters and almost all his movies

1614
01:23:43.800 --> 01:23:46.800
<v Speaker 2>they look at the camera. Sam Raimi here, Joe Dante

1615
01:23:46.880 --> 01:23:47.479
<v Speaker 2>and the burbs.

1616
01:23:47.520 --> 01:23:47.600
<v Speaker 1>Like.

1617
01:23:47.880 --> 01:23:49.640
<v Speaker 2>I just thought that was like a funny, weird little

1618
01:23:50.479 --> 01:23:53.239
<v Speaker 2>connection with like horror comedy directors. How often they have

1619
01:23:54.079 --> 01:23:55.920
<v Speaker 2>their actors actually look into the camera.

1620
01:23:56.159 --> 01:23:57.039
<v Speaker 3>That is interesting.

1621
01:23:57.319 --> 01:24:00.520
<v Speaker 2>Eh, anyway, I just had to point that outright, bring

1622
01:24:00.520 --> 01:24:06.039
<v Speaker 2>on the spoilers. Spoiler.

1623
01:24:11.199 --> 01:24:16.399
<v Speaker 3>So the one thing that I clocked early on was

1624
01:24:16.479 --> 01:24:20.000
<v Speaker 3>when she's giving Dylan O'Brien the tour of the island

1625
01:24:20.039 --> 01:24:23.319
<v Speaker 3>and she's like, Hey, those rocks that are like an

1626
01:24:23.359 --> 01:24:26.720
<v Speaker 3>ex don't go past them because there's like thorns or whatever.

1627
01:24:26.800 --> 01:24:27.680
<v Speaker 2>Right, yeah, totally.

1628
01:24:27.920 --> 01:24:30.079
<v Speaker 3>And I was like, there's gonna be like a resort

1629
01:24:30.239 --> 01:24:30.720
<v Speaker 3>or something.

1630
01:24:31.119 --> 01:24:32.840
<v Speaker 2>That's what I thought was gonna happen a resort.

1631
01:24:33.159 --> 01:24:36.800
<v Speaker 3>Yeah, So so I kept I had that kind of

1632
01:24:36.840 --> 01:24:38.560
<v Speaker 3>like a stick pin in my mind. So every time,

1633
01:24:39.520 --> 01:24:42.760
<v Speaker 3>you know, he was like, oh, I'm gonna go exploring,

1634
01:24:42.840 --> 01:24:44.880
<v Speaker 3>She's like, oh, but well remember the thorns.

1635
01:24:44.880 --> 01:24:45.920
<v Speaker 2>Oh you know what, I'll just go with you.

1636
01:24:45.960 --> 01:24:51.560
<v Speaker 3>I was like, okay, you know so that was fun,

1637
01:24:51.680 --> 01:24:53.479
<v Speaker 3>Like that wasn't I don't even say that was like

1638
01:24:53.479 --> 01:24:55.720
<v Speaker 3>a it was too obvious. It was like that you're

1639
01:24:55.760 --> 01:24:59.600
<v Speaker 3>like waiting for that that thread to get pulled, you know, yes, right,

1640
01:25:01.800 --> 01:25:05.479
<v Speaker 3>but how how how do you feel about about Rachel's

1641
01:25:05.560 --> 01:25:07.560
<v Speaker 3>character Linda. By the end of the movie.

1642
01:25:08.880 --> 01:25:12.279
<v Speaker 2>I mean, are you saying a few, Linda? Are you saying,

1643
01:25:12.359 --> 01:25:16.920
<v Speaker 2>my gosh, that was a few brad dude. When he

1644
01:25:17.920 --> 01:25:21.319
<v Speaker 2>poisons her and then he just has this janky raft

1645
01:25:21.800 --> 01:25:24.640
<v Speaker 2>raft like he pulls out of the bushes. Yeah, afew, Linda,

1646
01:25:26.399 --> 01:25:28.079
<v Speaker 2>I was cracking. And then I love that she gets

1647
01:25:28.079 --> 01:25:30.079
<v Speaker 2>to do it again later, like if you Bradley.

1648
01:25:32.239 --> 01:25:35.800
<v Speaker 3>Oh and she just she just barfs NonStop onto his face.

1649
01:25:36.039 --> 01:25:39.039
<v Speaker 2>Oh and he and it's because of him. Yeah, he

1650
01:25:39.079 --> 01:25:42.800
<v Speaker 2>did it. He poisoned her, which was disgusting, by the way.

1651
01:25:42.840 --> 01:25:44.720
<v Speaker 2>You know what, I almost missed it because for some

1652
01:25:44.800 --> 01:25:47.039
<v Speaker 2>reason I turned to my neighbor and was saying something

1653
01:25:47.119 --> 01:25:49.880
<v Speaker 2>real quickly, We're like, oh, And then I looked over

1654
01:25:49.920 --> 01:25:51.159
<v Speaker 2>and I caught the end of the puking.

1655
01:25:51.199 --> 01:25:51.840
<v Speaker 3>I was like, what what?

1656
01:25:51.840 --> 01:25:52.840
<v Speaker 2>What did I going on?

1657
01:25:53.359 --> 01:25:53.560
<v Speaker 3>No?

1658
01:25:57.800 --> 01:26:00.479
<v Speaker 2>But yes, no, I mean what I like about the

1659
01:26:00.680 --> 01:26:03.960
<v Speaker 2>ending is that I don't feel great about it, you

1660
01:26:03.960 --> 01:26:06.960
<v Speaker 2>know what I mean, Like, she basically gets away, well

1661
01:26:08.319 --> 01:26:12.159
<v Speaker 2>even earlier than that, we're in spoilers here. So when

1662
01:26:12.239 --> 01:26:14.920
<v Speaker 2>she lets the fiance die, now, she doesn't let them die.

1663
01:26:15.000 --> 01:26:18.359
<v Speaker 2>She makes sure that they die, she kills them, and

1664
01:26:18.399 --> 01:26:20.479
<v Speaker 2>the fiance is completely innocent.

1665
01:26:20.680 --> 01:26:21.479
<v Speaker 3>That's exactly right.

1666
01:26:21.520 --> 01:26:24.119
<v Speaker 2>Like when she showed up, I was like, what an

1667
01:26:24.159 --> 01:26:26.680
<v Speaker 2>incredible human, you know what I mean?

1668
01:26:27.000 --> 01:26:31.960
<v Speaker 4>Right, She's like everybody else gave up, but I never did, yes,

1669
01:26:32.079 --> 01:26:34.199
<v Speaker 4>because I mean, at the beginning of the movie, you're

1670
01:26:34.239 --> 01:26:38.039
<v Speaker 4>seeing a lot of almost stereotypes of certain types of

1671
01:26:38.119 --> 01:26:41.760
<v Speaker 4>like you know, bosses or wealthy people or whatever, and

1672
01:26:41.800 --> 01:26:44.000
<v Speaker 4>she's just this gorgeous.

1673
01:26:43.560 --> 01:26:46.319
<v Speaker 2>You know, looks like a model, and she's with this

1674
01:26:46.479 --> 01:26:48.560
<v Speaker 2>jerk of a guy, so you just maybe assume they're

1675
01:26:48.600 --> 01:26:50.399
<v Speaker 2>like birds of a feather or something. But then when

1676
01:26:50.479 --> 01:26:53.880
<v Speaker 2>she shows up and she went through, you know, all

1677
01:26:53.920 --> 01:26:56.239
<v Speaker 2>this work to find her fiance, You're like, what an

1678
01:26:56.279 --> 01:27:03.239
<v Speaker 2>amazing persons And then Linda, you know, makes her walk

1679
01:27:03.319 --> 01:27:06.960
<v Speaker 2>past a path that she is counting on her falling from,

1680
01:27:07.520 --> 01:27:10.960
<v Speaker 2>and when she doesn't fall, she makes sure that she falls,

1681
01:27:11.159 --> 01:27:13.119
<v Speaker 2>and not just her, but the poor guide who has

1682
01:27:13.159 --> 01:27:15.560
<v Speaker 2>nothing to do with anything. Yeah, I mean, she she

1683
01:27:16.600 --> 01:27:18.920
<v Speaker 2>bashes him in the head with the rock with the rock. Yeah.

1684
01:27:18.960 --> 01:27:23.560
<v Speaker 2>And so I'm glad that I got thrown off balanced

1685
01:27:23.560 --> 01:27:27.279
<v Speaker 2>that early, I guess, yeah, because then I don't know

1686
01:27:27.439 --> 01:27:30.039
<v Speaker 2>who I'm rooting for exactly, you know what I mean,

1687
01:27:30.119 --> 01:27:31.800
<v Speaker 2>And it's not as jarring at the end when she

1688
01:27:32.560 --> 01:27:34.920
<v Speaker 2>kind of succeeds, but like are we happy about it

1689
01:27:34.960 --> 01:27:37.520
<v Speaker 2>because it involved murder? And see as.

1690
01:27:37.359 --> 01:27:41.680
<v Speaker 3>Soon as the first time she sees that boat and

1691
01:27:41.720 --> 01:27:43.920
<v Speaker 3>she's like not yet.

1692
01:27:43.560 --> 01:27:45.079
<v Speaker 2>Which, by the way, so I just want to say

1693
01:27:45.119 --> 01:27:47.079
<v Speaker 2>that that was that moment where you know, she's got

1694
01:27:47.159 --> 01:27:49.239
<v Speaker 2>at the beginning of the movie, her hair's stringing in

1695
01:27:49.359 --> 01:27:51.680
<v Speaker 2>her head. Right after that, right, she's wearing fronty clothes,

1696
01:27:51.880 --> 01:27:53.680
<v Speaker 2>and then she has that moment where she's like taking

1697
01:27:53.760 --> 01:27:56.199
<v Speaker 2>kind of like a bath, like you just need sixpence

1698
01:27:56.199 --> 01:27:58.720
<v Speaker 2>down the Richard to start playing yes, but yeah, that's

1699
01:27:58.760 --> 01:28:00.640
<v Speaker 2>the thing I mean. Then they're like showing you like

1700
01:28:01.600 --> 01:28:06.359
<v Speaker 2>gorgeous Rachel McAdams, just like she's in like a shampoo commercial,

1701
01:28:06.399 --> 01:28:12.560
<v Speaker 2>like she is in heaven, is so happy experiencing her

1702
01:28:12.600 --> 01:28:16.319
<v Speaker 2>true self and true happiness, and then she sees a

1703
01:28:16.359 --> 01:28:20.079
<v Speaker 2>boat yep, and it's like that first moment of peace

1704
01:28:20.119 --> 01:28:25.199
<v Speaker 2>we've ever seen her experience. And then there's a possible

1705
01:28:25.359 --> 01:28:27.600
<v Speaker 2>end to it appearing right right.

1706
01:28:28.720 --> 01:28:32.199
<v Speaker 3>So for me, that's the first moment where I'm like, oh,

1707
01:28:32.319 --> 01:28:37.439
<v Speaker 3>she's she's not like one hundred percent like a good guy,

1708
01:28:38.520 --> 01:28:42.239
<v Speaker 3>and so that allowed me room to encompass everything else

1709
01:28:42.279 --> 01:28:43.239
<v Speaker 3>that ends up happening.

1710
01:28:44.479 --> 01:28:47.960
<v Speaker 2>Same, You're right, it calibrated me. So I didn't get

1711
01:28:47.960 --> 01:28:50.239
<v Speaker 2>his thrown and I didn't even mind the kind of

1712
01:28:50.960 --> 01:28:52.920
<v Speaker 2>possibly not happy ending.

1713
01:28:53.319 --> 01:28:55.359
<v Speaker 3>Yeah. Well, and we have that, and then you know,

1714
01:28:55.399 --> 01:28:57.960
<v Speaker 3>when she reveals she gets a little she gets a

1715
01:28:57.960 --> 01:29:01.399
<v Speaker 3>little tipsy, and yeah, talk about how her husband died.

1716
01:29:01.880 --> 01:29:04.560
<v Speaker 2>Yes, And you're like, okay, well she's not like.

1717
01:29:04.479 --> 01:29:06.680
<v Speaker 3>One hundred percent good person, but.

1718
01:29:06.720 --> 01:29:10.159
<v Speaker 2>It's interesting because that story could like skew one way

1719
01:29:10.239 --> 01:29:13.199
<v Speaker 2>or the other. You know, it is, it's not great

1720
01:29:13.560 --> 01:29:14.439
<v Speaker 2>like she did.

1721
01:29:15.560 --> 01:29:18.680
<v Speaker 3>She's talking correctly responsible for him dying.

1722
01:29:21.079 --> 01:29:23.880
<v Speaker 2>It's almost like the way I took it is she's

1723
01:29:23.920 --> 01:29:29.479
<v Speaker 2>not necessarily directly responsible, but she allowed it. Right, Well,

1724
01:29:29.479 --> 01:29:30.079
<v Speaker 2>what does she say?

1725
01:29:30.199 --> 01:29:32.840
<v Speaker 3>Right? I would hide his keys so that he couldn't drive.

1726
01:29:32.920 --> 01:29:34.920
<v Speaker 3>And then this one time I was like, here's your keys.

1727
01:29:35.600 --> 01:29:36.439
<v Speaker 2>No, you're right, I.

1728
01:29:36.359 --> 01:29:38.399
<v Speaker 3>Mean, well she knew it was going to happen. Yeah,

1729
01:29:38.439 --> 01:29:39.960
<v Speaker 3>Like I took my keys out of my person, I

1730
01:29:39.960 --> 01:29:40.680
<v Speaker 3>handled them to him.

1731
01:29:40.920 --> 01:29:44.399
<v Speaker 2>And my first thought actually was like, well, that's terrible

1732
01:29:44.439 --> 01:29:47.920
<v Speaker 2>because who could he kill? Right, and not even just

1733
01:29:47.960 --> 01:29:48.800
<v Speaker 2>thinking of the husband.

1734
01:29:48.840 --> 01:29:50.359
<v Speaker 3>Oh yeah, exactly.

1735
01:29:50.399 --> 01:29:52.600
<v Speaker 2>Yeah, someone driving drunk on the street. Who knows who

1736
01:29:52.640 --> 01:29:55.600
<v Speaker 2>the innocent person they could hurt, you know, right, But yeah,

1737
01:29:55.640 --> 01:29:57.319
<v Speaker 2>it's it's one of those things where and even in

1738
01:29:57.399 --> 01:29:58.840
<v Speaker 2>that moment, and maybe it's just me, but like the

1739
01:29:58.840 --> 01:30:01.840
<v Speaker 2>way that it played was that's not good. But like

1740
01:30:01.920 --> 01:30:04.159
<v Speaker 2>that's like a moment where a person had a dark

1741
01:30:04.279 --> 01:30:06.319
<v Speaker 2>moment and they still think about it to this day.

1742
01:30:06.520 --> 01:30:09.239
<v Speaker 3>Well just look at the range of emotions on her face.

1743
01:30:09.800 --> 01:30:12.840
<v Speaker 2>It's incredible. I don't even remember much cuts. Yeah, yeah, yeah,

1744
01:30:12.840 --> 01:30:13.399
<v Speaker 2>she's alone.

1745
01:30:13.439 --> 01:30:15.520
<v Speaker 3>No, it was it was done in one day. It

1746
01:30:15.560 --> 01:30:21.920
<v Speaker 3>reminded me of of of you know, Pearl hmm, you

1747
01:30:21.960 --> 01:30:23.319
<v Speaker 3>know the shot at the end.

1748
01:30:23.760 --> 01:30:25.479
<v Speaker 2>Yeah, oh interesting, yeah, yeah.

1749
01:30:25.359 --> 01:30:27.960
<v Speaker 3>Yeah, you know, it's kind of a similar character to

1750
01:30:28.000 --> 01:30:29.399
<v Speaker 3>be honest.

1751
01:30:29.840 --> 01:30:31.479
<v Speaker 2>Yeah, But like I guess what I'm trying to say

1752
01:30:31.479 --> 01:30:33.920
<v Speaker 2>is I can imagine a character who's done something like

1753
01:30:33.960 --> 01:30:36.399
<v Speaker 2>that and like, oh, that's not good. Yeah, but they

1754
01:30:36.439 --> 01:30:39.239
<v Speaker 2>could They're not so far gone from me that I

1755
01:30:39.279 --> 01:30:41.119
<v Speaker 2>don't think they could be like redeemed or something. Right,

1756
01:30:41.720 --> 01:30:43.880
<v Speaker 2>But then now we've got a little bit of a

1757
01:30:43.960 --> 01:30:48.159
<v Speaker 2>murkiness to her. But then she then she goes and

1758
01:30:48.239 --> 01:30:50.359
<v Speaker 2>shows that maybe that darkness is a bigger part of

1759
01:30:50.399 --> 01:30:53.760
<v Speaker 2>her than we first realized, exactly, right.

1760
01:30:53.800 --> 01:30:56.880
<v Speaker 3>And I think that's that's what made it interesting to me. Yeah,

1761
01:30:57.399 --> 01:31:01.239
<v Speaker 3>was you know, the fact that this is this is

1762
01:31:01.319 --> 01:31:12.000
<v Speaker 3>a complicated story, a gross complicated story, you know. And

1763
01:31:12.039 --> 01:31:15.279
<v Speaker 3>then man, I'm telling you that the the business see

1764
01:31:15.279 --> 01:31:17.039
<v Speaker 3>here's here's what I mean about, like you sort of

1765
01:31:17.079 --> 01:31:20.439
<v Speaker 3>look past some of the shagginess. Like to me, when

1766
01:31:20.720 --> 01:31:24.520
<v Speaker 3>Bradley finds the body of his fiance, that.

1767
01:31:24.520 --> 01:31:30.159
<v Speaker 2>Was I was like, come on really, and it's almost

1768
01:31:30.159 --> 01:31:33.920
<v Speaker 2>comical the way the hand is just propped in the

1769
01:31:33.960 --> 01:31:34.680
<v Speaker 2>sand like that.

1770
01:31:34.760 --> 01:31:37.680
<v Speaker 3>Yeah, Like there's like I was like, oh, did like

1771
01:31:37.760 --> 01:31:41.680
<v Speaker 3>the pig pull that out or something? But you know,

1772
01:31:41.840 --> 01:31:44.720
<v Speaker 3>like I was like, it doesn't make sense to me

1773
01:31:44.840 --> 01:31:49.199
<v Speaker 3>that Linda would like what she found the body she

1774
01:31:49.800 --> 01:31:52.479
<v Speaker 3>why would she if if why would she bury it

1775
01:31:52.560 --> 01:31:53.119
<v Speaker 3>so shallow?

1776
01:31:53.159 --> 01:31:53.319
<v Speaker 2>You know?

1777
01:31:53.359 --> 01:31:56.039
<v Speaker 3>I had all those thoughts, And it's like a necessity

1778
01:31:56.079 --> 01:31:57.479
<v Speaker 3>of the plot because it's like, Okay, we got to

1779
01:31:57.520 --> 01:32:00.439
<v Speaker 3>wrap this ship up, you know, But you go with

1780
01:32:00.520 --> 01:32:03.520
<v Speaker 3>it because by then you're so invested in everything else

1781
01:32:03.520 --> 01:32:08.199
<v Speaker 3>that's happened, right, And yeah, I mean I think the

1782
01:32:08.199 --> 01:32:10.520
<v Speaker 3>beauty of it is by the by the time they're

1783
01:32:10.600 --> 01:32:13.760
<v Speaker 3>they're just tearing pieces out of each other. Literally, Yeah,

1784
01:32:13.800 --> 01:32:15.119
<v Speaker 3>you're kind of like I don't know who to root

1785
01:32:15.159 --> 01:32:15.640
<v Speaker 3>for here.

1786
01:32:15.520 --> 01:32:17.640
<v Speaker 2>You know, I know, and it just the way he

1787
01:32:17.680 --> 01:32:19.359
<v Speaker 2>sticks is like thumb in her eyes.

1788
01:32:19.560 --> 01:32:19.840
<v Speaker 3>Jeez.

1789
01:32:20.000 --> 01:32:24.239
<v Speaker 2>I was like, oh, Sam Raimi exactly exactly. But like

1790
01:32:24.319 --> 01:32:28.159
<v Speaker 2>he does again being the master of this tone, like

1791
01:32:28.239 --> 01:32:33.319
<v Speaker 2>it's like this grounded cartoonishness almost yeah, with these sort

1792
01:32:33.359 --> 01:32:37.079
<v Speaker 2>of icky occasional moments, but he keeps us on the

1793
01:32:37.159 --> 01:32:40.239
<v Speaker 2>right side of kind of chuckling and turning our eyes

1794
01:32:40.640 --> 01:32:43.960
<v Speaker 2>versus actually being repulsed. I love that tone.

1795
01:32:44.079 --> 01:32:47.279
<v Speaker 3>It helps that Rachel McAdams is having the time of

1796
01:32:47.319 --> 01:32:51.359
<v Speaker 3>her life, totally laying to see when she swallows the

1797
01:32:51.439 --> 01:32:55.840
<v Speaker 3>ring and she's like, ah, I'm like, oh, yes, oh, Rachel,

1798
01:32:56.000 --> 01:32:57.640
<v Speaker 3>is this is this she's in heaven?

1799
01:32:58.119 --> 01:33:02.199
<v Speaker 2>Yes, yes, you know well and then now I can

1800
01:33:02.199 --> 01:33:04.840
<v Speaker 2>get more into detail. But when she's hunting that boar, ye,

1801
01:33:05.520 --> 01:33:08.359
<v Speaker 2>and she's does like that brave heart move where it's

1802
01:33:08.439 --> 01:33:10.399
<v Speaker 2>charging at her and then she holds up that spear

1803
01:33:10.399 --> 01:33:13.000
<v Speaker 2>and it goes in his chest but it's still not dead,

1804
01:33:13.039 --> 01:33:16.000
<v Speaker 2>so it's still slowly coming at her, but it's spewing

1805
01:33:16.039 --> 01:33:19.199
<v Speaker 2>a geyser of blood into her eyes. It won't stop.

1806
01:33:19.239 --> 01:33:19.880
<v Speaker 3>It's like.

1807
01:33:22.560 --> 01:33:24.520
<v Speaker 2>It's so grow. In any other movie, they would do

1808
01:33:24.560 --> 01:33:26.920
<v Speaker 2>it wrong and I'd be like, oh what are you doing?

1809
01:33:27.199 --> 01:33:31.760
<v Speaker 2>But like this, I'm like repulsed and laughing, you know.

1810
01:33:31.960 --> 01:33:35.199
<v Speaker 2>And then you get her just looking like Carrie, you know,

1811
01:33:35.319 --> 01:33:37.600
<v Speaker 2>dust in blood, and she'd be like, have you ever

1812
01:33:37.680 --> 01:33:42.479
<v Speaker 2>hunted before? I like it? It's so fun.

1813
01:33:44.960 --> 01:33:47.399
<v Speaker 3>So what do you think about about the ending?

1814
01:33:50.880 --> 01:33:56.039
<v Speaker 2>I mean, I guess the bad guy won, you know

1815
01:33:56.079 --> 01:34:00.560
<v Speaker 2>what I mean, through multiple murders. Now now she's living

1816
01:34:00.560 --> 01:34:03.760
<v Speaker 2>her best life and she's playing the game, you know,

1817
01:34:04.039 --> 01:34:06.439
<v Speaker 2>the game of golf, which at the beginning was seen

1818
01:34:06.479 --> 01:34:09.600
<v Speaker 2>as the thing that the elites or the other people

1819
01:34:10.520 --> 01:34:13.439
<v Speaker 2>play versus the have nots, you know. But now she's

1820
01:34:13.479 --> 01:34:16.319
<v Speaker 2>playing their game and she's living her best self and

1821
01:34:16.359 --> 01:34:20.239
<v Speaker 2>she looks freaking gorgeous, and everybody's interviewing her on the

1822
01:34:20.279 --> 01:34:22.479
<v Speaker 2>news and saying like, oh, you're the You're the hero

1823
01:34:22.640 --> 01:34:25.680
<v Speaker 2>who survived. What an amazing thing. You're a superstar, and

1824
01:34:25.720 --> 01:34:29.520
<v Speaker 2>she's loving it. Yeah, right, and and we know that,

1825
01:34:29.800 --> 01:34:33.800
<v Speaker 2>you know, it all came from bad things and and

1826
01:34:34.000 --> 01:34:36.399
<v Speaker 2>I love that shot. Then you know, she's all smiles

1827
01:34:36.399 --> 01:34:37.920
<v Speaker 2>for the cameras, but then when she's in the car

1828
01:34:37.960 --> 01:34:40.880
<v Speaker 2>with her parakeet, and then she looks at the camera,

1829
01:34:41.720 --> 01:34:43.880
<v Speaker 2>but she doesn't like wink. She kind of gives us

1830
01:34:43.920 --> 01:34:46.640
<v Speaker 2>this like weird, sinister look, like I know, we know

1831
01:34:46.800 --> 01:34:50.720
<v Speaker 2>what we know, and don't you dare tell anybody exactly.

1832
01:34:50.800 --> 01:34:52.840
<v Speaker 2>It's kind of the look she gives you. And I'm like, oh,

1833
01:34:52.840 --> 01:34:53.560
<v Speaker 2>I love it.

1834
01:34:54.720 --> 01:34:57.159
<v Speaker 3>Well, you know what else, I what I really liked

1835
01:34:57.279 --> 01:34:59.760
<v Speaker 3>is that we go from her swinging the golf club

1836
01:34:59.880 --> 01:35:00.880
<v Speaker 3>is at his face.

1837
01:35:01.239 --> 01:35:01.920
<v Speaker 2>What a cut?

1838
01:35:02.199 --> 01:35:05.079
<v Speaker 3>What a cut? Right? And they leave it up to

1839
01:35:05.119 --> 01:35:07.880
<v Speaker 3>you to figure out what what.

1840
01:35:07.840 --> 01:35:10.680
<v Speaker 2>She did in the aftermath of that. You know, they

1841
01:35:10.680 --> 01:35:11.920
<v Speaker 2>don't explain it at all.

1842
01:35:12.000 --> 01:35:14.039
<v Speaker 3>They're just like, she was found in the middle of

1843
01:35:14.039 --> 01:35:19.000
<v Speaker 3>the ocean, yep, and so that means she cleaned that

1844
01:35:19.159 --> 01:35:19.720
<v Speaker 3>joint up.

1845
01:35:19.800 --> 01:35:21.520
<v Speaker 2>She like, you know, all the stuff that she had

1846
01:35:21.600 --> 01:35:24.760
<v Speaker 2>to do. Point evidence, right, and clearly she has not

1847
01:35:24.840 --> 01:35:27.640
<v Speaker 2>been found out so exactly, so she's straight up nuts,

1848
01:35:27.920 --> 01:35:30.640
<v Speaker 2>you know. Right, that's a good point, you know what

1849
01:35:30.640 --> 01:35:33.319
<v Speaker 2>I mean? You know, and I like to this is

1850
01:35:33.359 --> 01:35:37.159
<v Speaker 2>like when a story is done well, when she has

1851
01:35:37.159 --> 01:35:38.560
<v Speaker 2>that knife and he's like, where'd you get that? And

1852
01:35:38.600 --> 01:35:39.880
<v Speaker 2>she's like, oh, washed up on shore.

1853
01:35:40.439 --> 01:35:40.640
<v Speaker 3>Yeap.

1854
01:35:40.960 --> 01:35:43.960
<v Speaker 2>In my head, I was like, that doesn't make sense, right,

1855
01:35:44.159 --> 01:35:47.319
<v Speaker 2>and you're like, oh, okay, bias. She said it. Yeah,

1856
01:35:47.800 --> 01:35:50.279
<v Speaker 2>this is the movie is saying yeah, and she at

1857
01:35:50.279 --> 01:35:52.800
<v Speaker 2>that point she seems like kind of like she knows

1858
01:35:52.880 --> 01:35:54.720
<v Speaker 2>what she's doing. So I just believed it. And then

1859
01:35:54.800 --> 01:35:57.079
<v Speaker 2>later when you know, yeah, you reveal there's not a

1860
01:35:57.159 --> 01:35:58.760
<v Speaker 2>resort on the other side of the island, but there's

1861
01:35:58.760 --> 01:36:01.640
<v Speaker 2>this you know, rich per since like vacation home or something,

1862
01:36:01.800 --> 01:36:04.159
<v Speaker 2>and she's been going in there and drinking all the

1863
01:36:04.199 --> 01:36:07.479
<v Speaker 2>water and enjoying all the fruit, and she took the

1864
01:36:07.560 --> 01:36:12.520
<v Speaker 2>knife from there. I loved that because I believed her, yep,

1865
01:36:12.800 --> 01:36:18.920
<v Speaker 2>you know. And then fun to see her secret, yeah, yep, yep.

1866
01:36:20.520 --> 01:36:23.279
<v Speaker 2>Yeah that was And I was just laughing too. And

1867
01:36:23.399 --> 01:36:27.359
<v Speaker 2>I mean, she's got these backpacks that she's woven, you know.

1868
01:36:27.399 --> 01:36:30.000
<v Speaker 2>And then the other guy he can't even like keep

1869
01:36:30.039 --> 01:36:33.920
<v Speaker 2>himself hydrated, and he's like watching her like serve herself

1870
01:36:33.960 --> 01:36:37.079
<v Speaker 2>sushi on these little plates that she's made out of

1871
01:36:37.159 --> 01:36:42.319
<v Speaker 2>like you know, like leaves, Like I don't know, that's

1872
01:36:42.319 --> 01:36:44.800
<v Speaker 2>that's the thing, right, It's got all the tones and

1873
01:36:44.880 --> 01:36:49.439
<v Speaker 2>somehow they don't cancel each other out like they all

1874
01:36:49.479 --> 01:36:50.880
<v Speaker 2>exist perfectly.

1875
01:36:51.800 --> 01:36:54.840
<v Speaker 3>I think that in the hands of another director, this

1876
01:36:54.840 --> 01:36:56.640
<v Speaker 3>could have gone any number of ways. But I think

1877
01:36:56.680 --> 01:36:59.960
<v Speaker 3>I think Sam Raimi he plays us like a harp.

1878
01:37:00.520 --> 01:37:05.159
<v Speaker 3>I agree, like a harp from hell. One might say yes, yeah,

1879
01:37:05.760 --> 01:37:08.600
<v Speaker 3>uh yeah, so hey, thumbs up for for send.

1880
01:37:08.399 --> 01:37:11.520
<v Speaker 2>Help, thumbs up. This is a great lark.

1881
01:37:12.159 --> 01:37:15.840
<v Speaker 3>But know what you're getting, like, you're gonna get some

1882
01:37:15.880 --> 01:37:20.039
<v Speaker 3>gore in here, yes, so, uh, just know that going

1883
01:37:20.119 --> 01:37:24.479
<v Speaker 3>in agreed, Agreed, This isn't what is that swept away

1884
01:37:24.720 --> 01:37:26.800
<v Speaker 3>that that movie with Madonna? Donna?

1885
01:37:27.079 --> 01:37:33.840
<v Speaker 2>Yeah, this ain't that. Yeah, just be aware. Yeah, but

1886
01:37:33.840 --> 01:37:36.880
<v Speaker 2>but not full on horror either. No, you know, I mean,

1887
01:37:36.960 --> 01:37:38.359
<v Speaker 2>just know you're gonna get some gross mood.

1888
01:37:38.399 --> 01:37:42.119
<v Speaker 3>You're gonna get some some gore. Yeah, all right, but hey,

1889
01:37:42.439 --> 01:37:44.319
<v Speaker 3>let us know your thoughts on sand To help, you

1890
01:37:44.319 --> 01:37:46.760
<v Speaker 3>can email us at Movie Film Podcast at gmail dot com.

1891
01:37:46.800 --> 01:37:49.079
<v Speaker 3>You can also hit like on our Facebook page Facebook

1892
01:37:49.079 --> 01:37:51.880
<v Speaker 3>dot com slash movie film Podcast and message us there.

1893
01:37:52.000 --> 01:37:54.319
<v Speaker 3>As always, please go to Apple Podcasts and leave a review,

1894
01:37:54.359 --> 01:37:56.600
<v Speaker 3>leave a star rating. Every little bit helps. Also on

1895
01:37:56.640 --> 01:37:59.520
<v Speaker 3>Spotify and hey, if you're listening to this show on YouTube,

1896
01:37:59.560 --> 01:38:02.319
<v Speaker 3>please it's subscribe and hit like that stuff actually does

1897
01:38:02.359 --> 01:38:06.399
<v Speaker 3>matter and so you know, those subscription numbers actually do

1898
01:38:06.520 --> 01:38:08.199
<v Speaker 3>end up being important. So please if you could support

1899
01:38:08.239 --> 01:38:10.119
<v Speaker 3>us that way, and of course leave comments there, we

1900
01:38:10.159 --> 01:38:12.239
<v Speaker 3>do read those on the show. Oh, we also have

1901
01:38:12.319 --> 01:38:13.279
<v Speaker 3>a Patreon ran.

1902
01:38:13.720 --> 01:38:16.479
<v Speaker 2>Yes, if you head over to patreon dot com slash

1903
01:38:16.600 --> 01:38:19.680
<v Speaker 2>Movie Film Podcast and hit subscribe for only five dollars

1904
01:38:19.720 --> 01:38:22.560
<v Speaker 2>a month, you'll find every commentary we've ever done in

1905
01:38:22.600 --> 01:38:26.800
<v Speaker 2>every episode moving forward, absolutely ad free, and beginning this year,

1906
01:38:26.840 --> 01:38:30.319
<v Speaker 2>we are now dropping bonus conversations over there, things that

1907
01:38:30.359 --> 01:38:32.760
<v Speaker 2>we just didn't have time to fit into a regular episode.

1908
01:38:32.800 --> 01:38:34.720
<v Speaker 2>We'll be doing that about twice a month, and as

1909
01:38:34.720 --> 01:38:37.199
<v Speaker 2>we mentioned earlier, we have a conversation over there going

1910
01:38:37.279 --> 01:38:40.159
<v Speaker 2>up either today or very soon where we were talking

1911
01:38:40.199 --> 01:38:42.760
<v Speaker 2>about late night talk show hosts that was a lot

1912
01:38:42.760 --> 01:38:46.119
<v Speaker 2>of fun. Our free feed, of course, will always be available,

1913
01:38:46.159 --> 01:38:48.279
<v Speaker 2>but this is our way of providing what we believe

1914
01:38:48.319 --> 01:38:51.119
<v Speaker 2>is the most satisfying way to enjoy the show, which

1915
01:38:51.199 --> 01:38:54.640
<v Speaker 2>is without ads and interruptions, butting into the conversation. Plus,

1916
01:38:54.680 --> 01:38:56.760
<v Speaker 2>your subscription goes a long way and helping to support

1917
01:38:56.880 --> 01:39:00.479
<v Speaker 2>us and helping to sustain producing the show. If you're

1918
01:39:00.520 --> 01:39:02.680
<v Speaker 2>interested in able, please head over to patreon dot com

1919
01:39:02.680 --> 01:39:06.239
<v Speaker 2>slash Movie Film Podcast and subscribe. We'd be very grateful.

1920
01:39:07.119 --> 01:39:08.880
<v Speaker 3>There we go, and if you're looking for me online,

1921
01:39:08.880 --> 01:39:10.920
<v Speaker 3>you can find me on social media at Zachie's Corner.

1922
01:39:10.920 --> 01:39:13.399
<v Speaker 3>That's the Aki S Corner. You can also read my

1923
01:39:13.520 --> 01:39:17.039
<v Speaker 3>reviews and other articles at the San Francisco Chronicle, also

1924
01:39:17.039 --> 01:39:20.479
<v Speaker 3>at IGN and The Rap. Also there's a brand new

1925
01:39:20.840 --> 01:39:24.359
<v Speaker 3>interview up at the Nostalgia Theater podcast, so if you

1926
01:39:24.439 --> 01:39:26.880
<v Speaker 3>have that show, subscribe check that out. I spoke with

1927
01:39:27.039 --> 01:39:29.159
<v Speaker 3>Kenneth Johnson just from a couple of years ago. He

1928
01:39:29.239 --> 01:39:32.439
<v Speaker 3>created the mini series V as well as TV's Incredible

1929
01:39:32.520 --> 01:39:36.560
<v Speaker 3>Hulk and TV's Alien Nation. And it's a fun discussion,

1930
01:39:36.600 --> 01:39:38.840
<v Speaker 3>so that's worth listen if that's the type of thing

1931
01:39:38.840 --> 01:39:39.159
<v Speaker 3>you like.

1932
01:39:39.279 --> 01:39:43.039
<v Speaker 2>What about you, Brian, And he directed Short Circuit too,

1933
01:39:43.640 --> 01:39:47.840
<v Speaker 2>he did. That's right, that's right. Yeah, I haven't bookmarked,

1934
01:39:47.880 --> 01:39:49.800
<v Speaker 2>I haven't heard it yet, but I haven't set aside

1935
01:39:49.800 --> 01:39:52.079
<v Speaker 2>to listen to this weekend, so I got nice. Yeah,

1936
01:39:52.119 --> 01:39:54.880
<v Speaker 2>and yeah, you can check out episodes I've written of

1937
01:39:56.039 --> 01:39:59.399
<v Speaker 2>Puppy Dog Pals and Young Jedi Adventures over on Disney Plus.

1938
01:40:00.199 --> 01:40:02.399
<v Speaker 3>And with that on behalf of my partner Brian Hall.

1939
01:40:02.479 --> 01:40:03.279
<v Speaker 3>My name is Zachisa.

1940
01:40:03.439 --> 01:40:06.159
<v Speaker 2>This has been Movie Film three point thirty six.

1941
01:40:06.399 --> 01:40:07.159
<v Speaker 3>We'll catch next time.

1942
01:40:07.159 --> 01:40:14.239
<v Speaker 1>Thanks everybody, welcome friends with the Movie podcast again podcasts

1943
01:40:14.279 --> 01:40:17.359
<v Speaker 1>and joying the show Jack again, Bryan.

1944
01:40:17.600 --> 01:40:20.720
<v Speaker 2>They're talking about the movie's Mommy Now podcast

1945
01:40:20.760 --> 01:40:21.760
<v Speaker 3>On the video