WEBVTT

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<v Speaker 1>When a film has this many sequels, it becomes harder

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<v Speaker 1>to think about things to write in the introduction to

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<v Speaker 1>this podcast. So I'm just gonna say, here's Scream seven.

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<v Speaker 1>I'm Ronel Young Junior, and I'm leaving the theater. All right.

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<v Speaker 1>This is Ronald and I am leaving the theater after seeing

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<v Speaker 1>Scream seven. Scream seven written by Kevin Williamson and Guy Busick,

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<v Speaker 1>Directed by Kevin Williamson, starring Nev Campbell, Isabelle May, Jasmine

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<v Speaker 1>Savoy Brown, Mason Gooding and a camp McKenna Grace, Joel Michale,

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<v Speaker 1>and Courtney Cox And as usual, for complete listing of

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<v Speaker 1>the cast and crew, you can go to the link

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<v Speaker 1>in our show notes. It is just me today. Scream seven.

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<v Speaker 1>This is the seventh iteration of the popular Scream series,

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<v Speaker 1>which probably debuted in something like nineteen ninety seven through

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<v Speaker 1>nineteen ninety nine. I can look that up and tell

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<v Speaker 1>you right now it's funny. I looked it up and

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<v Speaker 1>immediately pulled up the twenty twenty two version of Scream,

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<v Speaker 1>which I I still don't understand why they named that

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<v Speaker 1>one Scream because it's the fifth Scream. A Scream franchise

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<v Speaker 1>started in nineteen ninety six. I was very close. These

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<v Speaker 1>movies started as a satirization of the slasher genre of film.

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<v Speaker 1>I believe they first were Wes Craven was somehow involved

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<v Speaker 1>in these movies to begin with. I don't know if

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<v Speaker 1>he wrote the first one, or if he was involved,

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<v Speaker 1>or if they were just spoofing his films specifically, but

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<v Speaker 1>I know what, Yeah, he directed the first one. Yes,

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<v Speaker 1>so he's been in around this franchise for a while.

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<v Speaker 1>They're satirizing of horror movies of the time, slasher films

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<v Speaker 1>in particular. So now we're seven films later and we

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<v Speaker 1>have now they've rebooted the series. I believe it was

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<v Speaker 1>Scream four that kind of reset the franchise, and this

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<v Speaker 1>iteration of the film was supposed to feature Melissa Herrera

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<v Speaker 1>and Jenna Ortega. Melissa Herrera was fired because she posted

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<v Speaker 1>some pro Palestine sentiment in her social media and it

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<v Speaker 1>was deemed to be anti Semitic by her boss, so

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<v Speaker 1>she was fired and Jenna Ortega walked after that. So

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<v Speaker 1>they're not in this franchise. They are not the youthful

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<v Speaker 1>burst of energy that we've had over the last couple

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<v Speaker 1>of films, and these films have been popular recently in

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<v Speaker 1>that they have made money. I know I'm watching this

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<v Speaker 1>one on Sunday evening. It is currently six fifty four,

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<v Speaker 1>and I already know that this one has broken the

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<v Speaker 1>records in terms of opening for a Scream film, which

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<v Speaker 1>means people are still going to see them. I'm not

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<v Speaker 1>going to recite the plot to you, because it's not important.

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<v Speaker 1>I think the question I have is, I don't know

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<v Speaker 1>why people are still going to see these. If you're

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<v Speaker 1>listening to this and you're a Scream fan, there's something

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<v Speaker 1>nostalgic about this. You could go see this film, But

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<v Speaker 1>for me, it is a mind numbingly terrible film. This

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<v Speaker 1>makes me feel the way I feel when I watch

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<v Speaker 1>Fast and the Furious, which I've committed to watching all

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<v Speaker 1>of them as they come out. But as someone who

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<v Speaker 1>really enjoyed the middle movies Fast and Furious, Fast five,

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<v Speaker 1>whatever the six to one is called, and then Furious seven.

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<v Speaker 1>As someone who enjoyed watching those middle movies, I now

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<v Speaker 1>walk into those films hoping that they take them seriously

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<v Speaker 1>and not just say well, we can literally do anything

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<v Speaker 1>and people are still going to come see it. And

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<v Speaker 1>I think Fast X or Fast ten was the biggest

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<v Speaker 1>mistake they made, because they made it with intentions of

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<v Speaker 1>having more and because it underperformed at the box office.

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<v Speaker 1>They did not get what they expected by just throwing

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<v Speaker 1>slop at the camera. I think the screen movies are

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<v Speaker 1>well beyond that. Now. They're not just throwing slop at

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<v Speaker 1>the camera. They are committed to just giving whoever is

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<v Speaker 1>into this franchise exactly what they think they want. I

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<v Speaker 1>just don't know if this is what we want anymore.

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<v Speaker 1>I don't want it. I don't want it. It's just

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<v Speaker 1>it's Scooby Do now. It's literally Scooby Do. Now. It's

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<v Speaker 1>just who's the killer? That's all we're asking every time,

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<v Speaker 1>who is the killer? And they're not doing much work

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<v Speaker 1>to conceal the killer anymore. It's just one massive game

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<v Speaker 1>of who's the killer? And it's not fun, it's not

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<v Speaker 1>clever anymore. The nostalgia and stuff that they're pointing to

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<v Speaker 1>is just it's gone. It's over. It was nineteen ninety

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<v Speaker 1>six and Scream was a film that we all saw,

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<v Speaker 1>wanted to see, or was just prominent in the culture

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<v Speaker 1>at the time. I understand why y'all want to mind

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<v Speaker 1>this over and over again and get as many pennies

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<v Speaker 1>that you can out of it. But for the love

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<v Speaker 1>of God, just try a little harder in the writing

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<v Speaker 1>and directing. The acting is fine, they show up and

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<v Speaker 1>do what's in the script. But other than that, oh

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<v Speaker 1>my god, I just I cannot watch another film in

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<v Speaker 1>which they are beating the absolute tar out of ghost Face.

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<v Speaker 1>In this film, ghost Face is shot, ghost Face is

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<v Speaker 1>hit in the head with a fire extinguisher. Ghost Face

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<v Speaker 1>is hit with a meat grinder. Ghost Face is thrown

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<v Speaker 1>down a flight of steps off of a balcony. Every

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<v Speaker 1>time ghost Face is getting back up. And that's what

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<v Speaker 1>bothers me about these films is the quasi supernatural element

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<v Speaker 1>to them. At some point, ghost Face has super strength.

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<v Speaker 1>At some point, ghost Face is beating people who are

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<v Speaker 1>twice their size, and whenever the killer is revealed, you

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<v Speaker 1>go back and start looking at these one on ones

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<v Speaker 1>between ghost Face and the person that they're up against.

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<v Speaker 1>There's no reason in the world ghost Face should be

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<v Speaker 1>winning unless they come out with Scream eight and say

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<v Speaker 1>the Mask has special supernatural powers or something. It's just

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<v Speaker 1>I can't there's nothing. There's nothing good about these movies anymore.

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<v Speaker 1>They're updating the technology. We have deep fake technology and

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<v Speaker 1>AI in this film. It doesn't do anything to help.

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<v Speaker 1>They added podcasting into these films, it doesn't do anything

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<v Speaker 1>to help. They're doing an examination of media. It doesn't

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<v Speaker 1>do anything to help. Let it go. We've got to stop.

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<v Speaker 1>We don't need to make these no more. They're not good.

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<v Speaker 1>I didn't have a good time watching it. And let

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<v Speaker 1>me just be honest. If you like Scream, I can't

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<v Speaker 1>guarantee that you'll like this movie. If you go in

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<v Speaker 1>there and you say, I just want to be brain

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<v Speaker 1>dead for the next hour and fifty four minutes, why

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<v Speaker 1>is it this long? You know you didn't need to

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<v Speaker 1>be no hour in fifty four minutes, you're not revealing nothing.

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<v Speaker 1>What are we talking about here? If you want to

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<v Speaker 1>be brain dead for an hour and fifty four minutes, yes,

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<v Speaker 1>go see Scream. Go see Scream. Other than that, what

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<v Speaker 1>a huge waste of time. It's a huge waste of time.

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<v Speaker 1>And I'm realizing the more I talk, the more I realize.

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<v Speaker 1>I there was at one point watching it where I said, okay,

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<v Speaker 1>you know it's it's good enough. It's probably a two

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<v Speaker 1>point five star movie. It's definitely not gonna get the three.

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<v Speaker 1>And then the further it went, the lower the score got,

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<v Speaker 1>and then it ends up getting into a range where

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<v Speaker 1>I just feel disrespected. I feel disrespected as a movie

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<v Speaker 1>watcher going in and seeing this because it's okay if

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<v Speaker 1>it's bad, because sometimes it's bad and I still like it.

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<v Speaker 1>But when it's bad and I feel insulted, disoriented and

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<v Speaker 1>walk out saying, man, I could have done something else

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<v Speaker 1>with my time, or it makes me regret starting leaving

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<v Speaker 1>the theater because I'm forced to have to watch films

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<v Speaker 1>like this. That's when I know you just don't deserve anything.

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<v Speaker 1>You don't. You don't and count your money, go to

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<v Speaker 1>the bank, sure the movie's doing well for the studio

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<v Speaker 1>or whoever produced this absolute garbage of a film. And

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<v Speaker 1>that's the thing. It's it's I'm torn because when I

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<v Speaker 1>say bad, I just mean bad in the sense of

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<v Speaker 1>it's It reminds me. It frustrates me the way pro

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<v Speaker 1>wrestling FROs frustrates me. I just want to see the

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<v Speaker 1>Rock do the people's elbow. I know y'all gotta fill time,

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<v Speaker 1>but don't make me watch the Rock get beat up

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<v Speaker 1>like and beat all the way from this side to

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<v Speaker 1>that side and like it just I just I just

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<v Speaker 1>want to see the rock do to people's elbow. I

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<v Speaker 1>just want to see the rock do the rock bottom.

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<v Speaker 1>Now I gotta watch for ninety minutes of y'all jumping

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<v Speaker 1>off the cage and we can't just come on, man, oh,

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<v Speaker 1>here comes stone Cold. And if y'all are wrestling fans,

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<v Speaker 1>y'all might be like, but that's part of the theater

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<v Speaker 1>in the build. I'm like, yes, But if we know

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<v Speaker 1>what the outcome is going to be, which in most

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<v Speaker 1>cases we do when it comes to the screen films,

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<v Speaker 1>then I just don't want to watch them beat these

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<v Speaker 1>people up and do these graphic deaths all I don't.

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<v Speaker 1>I have more fun watching Final Destination. I feel like

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<v Speaker 1>that's something repetitive because it's it's it's a Rupe Goldberg

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<v Speaker 1>Rube Goldberg machine of deaths. This is not that, it's

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<v Speaker 1>just the killer. Like every time they run and the

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<v Speaker 1>killer slaps their legs so that they trip. It just

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<v Speaker 1>reminds me of watching someone get pinned in WWE and

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<v Speaker 1>they pull their shoulder up at the last minute, and

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<v Speaker 1>you just like, I don't want to keep I remember

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<v Speaker 1>as a kid, I'm like I just I said, why

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<v Speaker 1>do they always do this over and over again? And

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<v Speaker 1>that's when I was like, wait, is this not real?

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<v Speaker 1>You know? And so I feel like, please bring someone

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<v Speaker 1>smart in and let them reboot this franchise. Let them

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<v Speaker 1>breathe new life into this franchise. Let it be a

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<v Speaker 1>spoof of something new. Let it be a satire of

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<v Speaker 1>something new. We don't have to keep going backwards here.

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<v Speaker 1>I just, with all of that being said, this is

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<v Speaker 1>a one of five star movie. This is a one

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<v Speaker 1>of five star movie. It gets one star, one very

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<v Speaker 1>very lonely star. I barely want to give it that one.

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<v Speaker 1>It is a film, and the actors I just don't

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<v Speaker 1>think did anything wrong. They showed up and did their job.

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<v Speaker 1>I really enjoyed seeing Nev Campbell. She looks great, and

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<v Speaker 1>I put her in some other stuff, put her in

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<v Speaker 1>something else. She obviously she plays a mom. Now put

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<v Speaker 1>her in some other stuff. Let her be a mom.

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<v Speaker 1>I just, yeah, it's frustrating, and with that leaving the

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<v Speaker 1>theater is a production of Oh It's Big Ron Studios.

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<v Speaker 1>I mixed this episode, and this is one of those

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<v Speaker 1>days where I have to record the episode, go home

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<v Speaker 1>and immediately edit it. And post it because it's just

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<v Speaker 1>been so busy. Last week, I was in New York

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<v Speaker 1>for on AirFest. I immediately went to my friend's birthday party,

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<v Speaker 1>which was away. We shared a house and he made

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<v Speaker 1>a bunch of pasta. It was amazing. It's actually DeAndre

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<v Speaker 1>who's been on the show. It was his birthday. We

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<v Speaker 1>had a great time a house full of twenty people.

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<v Speaker 1>It was wonderful. And then I came home and did

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<v Speaker 1>Sunday school, and I took a four hour nap and

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<v Speaker 1>then I had to get up come watch this movie

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<v Speaker 1>and I'm going to go home and edit it. This week,

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<v Speaker 1>I have to do some updates for Heartbreaker, edit the

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<v Speaker 1>show a little bit more, and post some social media

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<v Speaker 1>videos and those clips will only be exclusive on the Patreon.

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<v Speaker 1>I have to do on the Couch because I missed

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<v Speaker 1>it in February, even though we provided some extra content

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<v Speaker 1>for the Wait for It audience. I have to keep

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<v Speaker 1>on going with on the Couch because that was the

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<v Speaker 1>commitment that I made. I'm saying all this to you

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<v Speaker 1>to say doing a lot for Old's big Ron Studios.

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<v Speaker 1>I'm doing a lot. There's a lot of extra content

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<v Speaker 1>out there, and we missed two episodes of Leaving the

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<v Speaker 1>Theater in February, which the movies were a little bit

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<v Speaker 1>sparse and I didn't want to have to force a

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<v Speaker 1>movie into the feed. But we're about to head into

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<v Speaker 1>busy season. March we get more movies, April's we get

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<v Speaker 1>even more movies, and then in May we're firmly in

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<v Speaker 1>blockbuster season. So a lot of work coming up for me,

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<v Speaker 1>a lot of labor. I enjoy doing this. I love

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<v Speaker 1>doing Leaving the Theater. I love being able to have

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<v Speaker 1>a weekly podcast that is just something that I'm really

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<v Speaker 1>passionate about, and that is movies. If you like listening

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<v Speaker 1>to this show, if you enjoy it, know that joining

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<v Speaker 1>the Patreon helps this show and other Old's Big Ron

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<v Speaker 1>Studios work exist. All of the work that I do

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<v Speaker 1>is a labor of love. I love doing it, but

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<v Speaker 1>it is still labor. If that means something to you,

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<v Speaker 1>pop on over to the Patreon and become a member

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<v Speaker 1>of patreon dot com slash oh It's big Ron, or

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<v Speaker 1>go to the link in our show notes. Show art

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<v Speaker 1>from Heather Wilder, theme music by the mysterious Breakmaster Cylinder.

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<v Speaker 1>For more information about Scream seven, check out our show

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<v Speaker 1>notes You can follow me on Instagram, Blue Sky, TikTok, threads,

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<v Speaker 1>or letterboxed at owitz Big Ron. That's at O H

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<v Speaker 1>I T S b I g R O N. You

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<v Speaker 1>can find out more about this show and other ODES

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<v Speaker 1>Big Ron Studio shows by following us on Instagram at

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<v Speaker 1>ODS Big Ron Studios leaving the theater. We'll be back soon.

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<v Speaker 1>Thanks for listening. I'm Ronald Young Junior and I'm beating

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<v Speaker 1>the absolute tar out of ghost Face