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Speaker 1: I want you to just for a second, close your eyes,

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picture yourself standing on a ridge. It's the middle of

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summer in the levant, so the heat is already just

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it's oppressive, shimmering off all the limestone. But when you

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look down into the valley below you, the heat gets

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more intense.

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Speaker 2: It's not just the sun you're feeling.

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Speaker 1: No, not at all. There are fires burning down there, yeah,

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a lot of them, and the air is thick with smoke.

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But it doesn't smell like a campfire, you know, it

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doesn't smell like a hearth. It smells acrid, greasy. And

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through all that haze you can hear the rhythmic beating

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of drums, loud drums, so loud, frantic almost, and you

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realize they're designed to drown something else out, something screaming.

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Speaker 2: That is a scene that feels like it should be

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from I don't know, Dante's Inferno or something. But you're

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talking about a very real place, a real coordinate on

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a map.

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Speaker 1: I am, This isn't some fantasy novel. This is a

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real place located just outside the walls of what was

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supposed to be the holiest city on the entire planet,

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and in the ancient world. This wasn't a tourist it

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wasn't a park. It was the absolute epicenter of what

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the prophets called unholy worship.

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Speaker 2: And it's such a jarring juxtaposition, isn't it. You have

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a holy city on the hill and then right there

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this pit of fire in the valley exactly.

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Speaker 1: This is the valley of Hinmham, right on the border

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of Jerusalem. And for centuries, the things that were done

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in this physical valley were so horrible, so scarred into

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the collective memory of the people, that the name of

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this location became the actual Hebrew word for hell.

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Speaker 2: It's really the ultimate example of how geography can become theology.

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A real place becomes an idea.

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Speaker 1: Welcome to thrilling threads. I'm your host, and today we

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are not just recounting history. We are pulling on the darkest,

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most tangled loose threads of folklore, religion, and the supernatural

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to see what unravels when you give them a really

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hard yank.

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Speaker 2: And I'm here to help sort through that tangle. It's

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great to be here. This is a big one.

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Speaker 1: Today's mission is frank, it's a little terrifying. We're looking

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at the concept of the devil. But before anyone listening

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rolls their eyes and thinks we're about to do a

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Sunday school lesson, let me just clarify what we're doing here.

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We're looking at the manifestations of this idea. We're tracking

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the devil through you know, physical geography, through mass sociological panics,

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and through the very specific rituals of exorcism that are

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still happening today.

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Speaker 2: Right wow. And we're using some really extensive investigations from

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the History Channel regarding the unexplained as our sort of

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roadmap for today. We're going to be bouncing from, like

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you said, the Iron Age levant all the way to

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the Vatican and then to the pine barrens of New Jersey,

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of all places.

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Speaker 1: It's a global tour of high strangeness. I'm so excited

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for this one. But we really have to start back

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in that valley, the Valley of Hinhem, because I think

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most people, myself included, kind of assume that Hell was

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always this abstract spiritual concept, you know, like a cloud

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of fire in another dimension. But you're saying it started

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as a literal piece of real estate.

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Speaker 2: And to really get the concept of hell, you have

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to understand the topography of ancient Jerusalem. You have the

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Temple mount that's the dwelling place of Yahweh, the god

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of order, the god of life. That's inside the city walls.

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Speaker 1: Okay, inside is safe, right.

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Speaker 2: But just outside, to the south and west, this deep

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ravine cuts through the landscape the valley of Hinham. In

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that ancient mindset, walls were everything. They were the demarcation

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between cosmos and chaos. Inside is order, safety, outside is

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the wild.

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Speaker 1: And the Book of Sharemaia, which we looked at in

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the source material, it just paints this horrific picture of

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what was actually happening in that wild space.

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Speaker 2: It does, it's incredibly graphic. We're looking specifically at the

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reign of kings like Manassa and Amah, and this is

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before the big reforms of King Josiah. And the text

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describes the Israelites, and this is the key part, not

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foreign invaders, but the people of Jerusalem themselves building these

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high places they call them tofit in the valley.

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Speaker 1: And what did they do there?

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Speaker 2: They burn their sons and daughters in the fire.

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Speaker 1: The cult of Moloch, that's what we're talking about.

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Speaker 2: Here, Molach or Bahal, the names kind of shift depending

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on the text in the era, but the ritual unfortunately

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remains pretty much the same. The source material describes it

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as a big pit of fire, and the ritual involve

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passing the child, specifically the firstborn male through that fire

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as a sacrifice.

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Speaker 1: I just I have to stop here because we see

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this in movies, right, and it's always portrayed as these

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villains in dark robes, cackling and being evil just for

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the sake of being evil. But human beings, I mean,

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generally speaking, we love our children. We're hardwired by evolution

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to protect our offspring, of course, So how does this

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society get to a place where where throwing your baby

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into a fire is considered a good or even a

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necessary idea? What is the logic there? I can't wrap

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my head around it.

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Speaker 2: You really hit the nail on the head with that

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word necessary. To understand this, we have to strip away

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all of our modern comforts. We live in a world

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with supermarkets, irrigation, global supply chains, antibiotics. If it doesn't

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rain here, we get wheat from somewhere else.

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Speaker 1: We're insulated from that kind of raw survival totally.

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Speaker 2: In the ancient Near East, you were living on a

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knife sedge every single day. If the rains didn't come,

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or if a swarm of locusts did, your entire village,

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your entire society died, not just you, everyone, your legacy,

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your family, your history gone.

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Speaker 1: So the mindset wasn't let's be evil today.

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Speaker 2: Not at all. The mindset was transactional. It was agricultural

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anxiety ramped up to the absolute maximum level of terror.

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They weren't being cruel, they thought they were being practical.

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Speaker 1: So it's like a grim economic calculation.

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Speaker 2: In the grimmest sense imaginable. Yes, they believed these deities,

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these spirits and gods, controlled the rain and the harvest,

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and the greater you're ask the greater the payment that

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was required. You could offer a goat or a dove

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for a small favor, you know, for a safe journey

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or something right, but for the survival of the entire community,

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for the rain that will save everyone from starvation. The

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gods demanded the most precious thing you possess.

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Speaker 1: The future of your bloodline, the.

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Speaker 2: Future of your bloodline, your firstborn son.

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Speaker 1: That is just it's chilling. It's fear masquerading as piety.

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Speaker 2: And that's exactly why the biblical reaction, specifically from the

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monotheistic prophets like Jeremiah, is so visceral, It's so full

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of rage. In Jeremiah, God says something really fascinating. He says,

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and I'm paraphrasing, I never asked you to do this,

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and never even entered my mind. It's this total horrified

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rejection of that transactional relationship with the divine.

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Speaker 1: But the memory of those fires it stuck.

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Speaker 2: Oh, it's stuck hard. Even after King Josiah came in

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and destroyed the tofit and defiled all the shrines to

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try and stop the sacrifices, the valley remained a place

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of death. It became essentially the city's garbage.

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Speaker 1: Dump, so still a place you'd want to avoid.

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Speaker 2: Absolutely. Tradition says, the bodies of executed criminals, dead animals,

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all the city's refuse was just dumped there, and to

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deal with the smell and the disease, fires were kept

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burning constantly to consume all the filth.

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Speaker 1: Okay, I see where this is going. So if you're

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a parent in Jerusalem in say the year thirty a d.

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And you want to warn your kid about what happens

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if they live a bad life. You just point to the.

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Speaker 2: Valley precisely, you point to the smoke constantly rising from

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the trash heap, and you say, that is where you

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will end up in Gahinam.

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Speaker 1: And over time Gahinam.

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Speaker 2: It gets hellenized, it gets Greekified into Gehenna. The physical

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location becomes the metaphor for spiritual destruction. The lake of

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Fire from the New Testament isn't some new radical invention.

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It's a direct memory of the smoldering garbage dump in

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the valley of Hinnam.

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Speaker 1: Wow. That just grounds the theology in such a gritty,

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tangible way. It's not just a ghost story. It's history

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repurposing collective trauma. But okay, this brings us to the

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entity itself. We have the place hell. Now we need

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the Landlord, the devil.

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Speaker 2: The figure with a thousand faces.

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Speaker 1: Yeah, no kidding. The source material lists so many names, Beelzebub, Lucifer,

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the Prince, Darkness, the evil One, and then you get

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the folksy ones like old Nick. Why is the branding

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sewing con? I mean, why do we need twenty names

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for one bad guy?

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Speaker 2: That's a great question, And it's because the devil isn't

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just a character, He's a function, and that function is

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seen as being ubiquitous. It's everywhere. If you believe there

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is an active, malevolent force working against you, tripping you up,

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tempting you, causing disease, you're going to encounter that force

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in many different contexts.

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Speaker 1: So he gets different names based on the different jobs

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he's doing at that moment.

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Speaker 2: That's a perfect way to put it. The Elzebub, for example,

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is often translated as lord of the flies. It's a

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name associated with decay, filth, disease. It's the devil with

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the trash heap.

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Speaker 1: We were just talking here, whereas Lucifer is totally different.

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Speaker 2: Completely. Lucifer means light bearer or morning star. That name

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refers to the fallen angel aspect, the story of the

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most beautiful and powerful angel whose pride caused him to rebel.

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That's the devil of tragedy and arrogance and satan itself.

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And Hebrew just means the adversary or the accuser, like

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a prosecutor in a heavenly court.

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Speaker 1: It's interesting you mention the utility of fear. The source

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makes a really strong point that this figure, this Satan

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serves a very real social purpose.

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Speaker 2: Oh absolutely it does. If you are a medieval cleric

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or even a modern pastor. The devil is an incredibly

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useful concept. The fear of eternal damnation, of going to

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that Gehenno we talked about, is a powerful, powerful motivator

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for compliance, keeps people online, It keeps people in line

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with the established social and moral order. It's the ultimate

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stick to go along with the carat of heaven. If

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you take away the consequence, the eternal consequence, you remove

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a lot of the urgency from the morality for some people.

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Speaker 1: Right, But it's not just a Christian narrative, is it.

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I was really glad the source widened the lens here

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because this isn't just a Western obsession, not at all.

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Speaker 2: They brought up Buddhism and Islam, which I think is crucial.

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In Buddhism, you have the figure of Mara, and Mara

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is a fascinating parallel to the devil. He's often called

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the Lord of the senses.

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Speaker 1: What does that mean?

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Speaker 2: Well, when the Buddha is sitting under the body tree

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trying to achieve enlightenment, Mara doesn't just attack him with

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monsters and demons, though he does that too. His primary

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attack is to assault the Buddha with desire, with doubt,

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with lust, with sensory overload.

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Speaker 1: So he's trying to keep you tethered to the physical

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world to prevent spiritual transcendence.

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Speaker 2: Exactly. He represents the attachments that keep you trapped in

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the cycle of suffering. And then in Islam you have

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the figure of Iblis. The story there is that when

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God created Adam, he commanded all the angels to bow

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down to this new.

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Speaker 1: Creation, and the abolie refused.

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Speaker 2: He refused, He said, I am made of smokeless fire,

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and he is made of clay. Why should I bow

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to him? It's that exact same sin of pride that

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we see in the Miltonic Lucifer story. It's a refusal

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to accept one's place in the cosmic order.

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Speaker 1: It really seems like humanity just across the board has

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this deep psychological need to identify a boss for all

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the bad things. We can't just accept that chaos is random,

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that things happen. We need a manager to blame.

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Speaker 2: Or to look at it in another way, an antagonist

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to define ourselves against. You can't be a hero without

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a villain. The devil in all these forms provides the

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resistance that is seen as necessary for spiritual growth. You

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have to overcome temptation to prove your virtue.

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Speaker 1: Let's talk about the visuals, though, because if I asked

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anyone listening right now to draw the devil, I bet

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ninety nine percent of them would draw out the red tights,

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the horns, the little goateee, the pitchfork. But that's a

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pretty recent invention, isn't it.

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Speaker 2: Oh, it's very recent, relatively speeding. In the early biblical texts,

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Satan doesn't have a physical description at all. He's a

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spirit and adversary. The imagery we have now is a

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complete hodgepodge of later folklore and really art history.

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Speaker 1: Okay, so where did the horns and the goat legs

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come from that seem so specific?

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Speaker 2: Mostly from the Greek god Pan. When Christianity was spreading

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through Europe. It had to contend with all the old

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pagan guides. Pan was a nature god, He had goat legs, horns,

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he was very earthy, very sexuld. To the early Church,

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this kind of nature worship was the absolute opposite of

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the spirit of heaven. So they demonized the imagery.

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Speaker 1: So they just took the face of the old god

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and pasted it onto their new devil.

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Speaker 2: It's basically a hostile takeover of branding, and it's a

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very effective marketing. If you want people to stop worshiping

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the old gods, you tell them those gods are actually

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demons in disguise.

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Speaker 1: And the wings they're always bat wings, not angel wings.

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Speaker 2: Ray they're leathery and dark, and that's not an accident.

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Birds belong to the day, to the sky, bats belong

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to the night, to caves. It's all symbolic language designed

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to trigger a sense of revulsion and otherness. Everything about

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the classic depiction is meant to be an inversion of

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the Holy.

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Speaker 1: Okay, so we've established the history, the names, the art.

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Now I want to get into the trenches because for

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a lot of people around the world, this is not

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abstract art history. It's a literal, physical battle that's being waged.

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We need to talk about exorcism.

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Speaker 2: And this is where a lot of modern skepticism hits

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a hard wall against personal experience.

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Speaker 1: The source material opened this thread with that viral video

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of Pope Francis in Saint Peter Square. He lays his

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hands on a man in a wheelchair, then convulses and

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slumps down, and the Internet just exploded screaming the Pope

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dead and exorcism live on camera.

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Speaker 2: And the Vatican, of course gave a very diplomatic no comment. Essentially,

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they said it was just a prayer for the sick.

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But the experts in our source material, including theologians and priests,

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they point out that Pope Francis is actually very traditional

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when it comes to this idea of spiritual warfare.

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Speaker 1: More so than other recent.

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Speaker 2: Popes, much more so, he mentions the devil by name

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far more often than his immediate predecessors Benedict and John Pauli.

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He views Satan as a real, active personal entity, not

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just a metaphor for bad behavior or societal ills.

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Speaker 1: It feels so weirdly anachronistic, doesn't it. I mean, we

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have iPhones and mars rovers and gene editing, but the

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Catholic Church still have a dedicated core of priests whose

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official job is to yell demons.

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Speaker 2: It does feel medieval, but the practice isn't just surviving,

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it's actually growing. The demand for exorcists is reportedly higher

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now than it has been in decades. And what I

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found really compelling in our research was the procedure.

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Speaker 1: It is not like the movies, not just a priest

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kicking down the door and splashing holy water everywhere. Not

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at all.

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Speaker 2: It's a highly bureaucratic, almost medical process. And this is

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the part that usually surprises people. Before an official exorcist

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will even agree to see you, you generally have to

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be cleared by a medical doctor and a psychiatrist.

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Speaker 1: Wait, really a psychiatrist. Yes.

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Speaker 2: They call it the dual track approach. The church is

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frankly terrified of the pr disaster of performing an exorcism

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on someone who is actually suffering from schizophrenia or epilepsy

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or dissociative identity disorder. They want to rule out every

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possible natural explanation before they even consider the supernatural.

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Speaker 1: So the psychiatrists and the priest are basically coworkers on

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a case.

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Speaker 2: In a sense. Yes, they are looking for the gap.

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They're looking for the symptoms that medicine and psycholog you

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can't explain.

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Speaker 1: And what are those symptoms? What separates a tragic mental

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health crisis from something else? In their view?

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Speaker 2: The ritual Romanum that's the official Roman ritual for exorcism,

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lists very specific signs. One is what they call hidden

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knowledge or clairvoyance, meaning one meaning the person knows things

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they couldn't possibly know, details about the priest's life, secret

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sins of people in the room speaking in languages the

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person has never studied or been.

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Speaker 1: Exposed to, like ancient languages Aramaic or Latin exactly.

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Speaker 2: Another sign is a profound, often violent, aversion to the sacred.

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A person who is otherwise non religious might suddenly recoil

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in agony at the sight of a crucifix or the

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touch of holy water. But the one that is most

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often cited and is frankly the most disturbing, is the

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anomalous physical strength.

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Speaker 1: The source mentioned that anecdote about a one hundred and

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ten pound woman.

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Speaker 2: Right, And this is a story you hear over and

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over from exorcists, a small, frail woman who during an

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episode was able to physically throw so three large strong

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men across the room. Now we know about hysterical strength.

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You hear stories of mothers lifting cars off their children.

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Speaker 1: Adrenaline.

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Speaker 2: It's a massive burst of adrenaline, but that's usually a

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single brief action. This is described as sustained, directed force

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that seems to defy the actual muscle mass of the individual.

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Speaker 1: Okay, we have to address the floating elephant in the

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room levitation.

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Speaker 2: Test chuckles, the levitation. Yes, this is where the host

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in the documentary was understandably very skeptical, and I don't

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blame him. Gravity is a law and not a friendly suggestion.

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Speaker 1: But the exorcist they interviewed, Father Vincent Thomas, I believe

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he was pretty candid about it. He said he personally

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hadn't seen a full on head spinning, floating to the

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ceiling levitation, right, but that his colleagues have and he

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mentioned them seeing it with what he called salt of

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the earth witnesses, normal credible people.

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Speaker 2: That's the exact phrase he used. And he said something like,

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I believe in gravity, but I also believe dark forces

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can violate the laws of nature. At right, there is

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the fundamental clash of worldviews. If you believe in a

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spiritual realm that is superior to and can influence the

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physical realm, then the suspension of physical laws is at

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least theoretically possible.

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Speaker 1: But if you're a materialist, it's impossible. By definition. There's

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no room for me.

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Speaker 2: There's no real middle ground on that one. But you

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know what struck me the most. It wasn't the supernatural

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special effects. It was the psychology of who supposedly gets

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possessed me too.

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Speaker 1: I was assumed there must be people who are dabbling

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in dark stuff, using Ouiji boards, joining cults, whatever. But

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the expert in the source that it's often psychologically balanced people.

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They mentioned lawyers, military personnel, teachers.

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Speaker 2: That is the truly frightening part, isn't it. It suggests

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that anyone is potentially vulnerable. But there is a crucial caveat.

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They mentioned the entry point, the wound. Yes, the theory

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that exorcists work with is that demons don't just jump

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into random people who are walking down the street. They

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attach themselves to trauma, to deep, unresolved spiritual wounds, unforgiveness,

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profound anger, childhood abuse, a major betrayal.

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Speaker 1: So these things create like a crack in your spiritual defenses.

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Speaker 2: That's the idea. They create these spiritual wounds that fester,

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and the demon or the negative entity feeds on that negativity.

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It draws strength from the anger, the bitterness, the despair.

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Speaker 1: So the exorcism is into a priest yelling the power

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of Christ compels you. It's actually a form of therapy.

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Speaker 2: It's deep spiritual therapy. The most effective exorcists say, you

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can't just cast out the darkness. You have to heal

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the wound that let the darkness in. You have to

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lead the person to a place of forgiveness, of healing. Otherwise,

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even if you get the demon out, the door is

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still wide open for it or another one to come

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right back in.

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Speaker 1: That is That's a really profound point. Yeah, because whether

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you believe in actual demons or not, the metaphor holds

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up perfectly. You can't cure a self destructive behavior without

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addressing the underlying trauma that causes it.

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Speaker 2: Precisely, the ritual works in a psychological sense because it

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forces the person to confront and heal the darkest spots

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of their own history and their own soul.

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Speaker 1: Wow, Okay, let's pivot. Now. This is a big shift.

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We've looked at the devil in the valley, in our

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theology and in the human body. Now I want to

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look at the devil in the landscape of America itself.

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We're moving a thread four geological mysteries, specifically a place

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that actually bears his name, Devil's.

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Speaker 2: Tower, Wyoming, a truly truly alien landscape If you've.

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Speaker 1: Ever seen the movie Close Encounters of the Third Kind,

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you know this silhouette instantly. It's that massive, flat topped,

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stump like mountain with the deep vertical grooves running down

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its sides.

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Speaker 2: It rises almost nine hundred feet straight up out of

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the rolling sedimentary planes. It is a complete geological non sequitor.

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It makes no sense being there. It looks like it

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was either dropped from.

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Speaker 1: The sky or pushed up from Hell.

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Speaker 2: That's the implication of the name, isn't it Geologically It's

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made of something called phonolite porphyry, which is a type

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of volcanic rock. But there isn't a volcano anywhere nearby.

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There's no other volcanic activity in the region. Geologists are

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still debating exactly how it formed.

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Speaker 1: It's a genuine mystery.

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Speaker 2: It's a genuine mystery. Was it a magma plug from

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an ancient, long eroded volcano. Was it a different kind

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of geological intrusion. There's no final consensus. It's a miracle

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of nature.

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Speaker 1: And as we've seen, wherever science leaves a gap, folklore

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rushes into poor the cement. But the name Devil's Tower,

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that's actually a mistake, right wasn't it original name?

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Speaker 2: It's a tragic mistranslation. This site is incredibly sacred to

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numerous indigenous peoples, particularly the Lakota, the Kioa, and the Cheyenne.

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The Lakota call it Matho Fhippola, which means bear lodge.

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There are several beautiful legends associated with it, most involving

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a giant bear whose claws scraped the sides of the

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rock as it tried to reach children who had magically

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been lifted to the summit for safety. It's a place

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of refuge and spiritual power.

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Speaker 1: So where in the world did devil come from?

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Speaker 2: The name was likely given by a Colonel Richard Dodge

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during an expedition in eighteen seventy five. The most common

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theory is that his interpreter simply mistranslated a native word.

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Perhaps they used a word for a bad god or

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an evil spirit in a different context and he just

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ran with it. Or maybe they just saw the natives

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treating the site with such awe and reverence, and through

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a colonial lens, assumed it must be some form of

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devil worship that's infuriating it is. It's the classic colonial error.

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If it's strange and powerful, and I don't understand it.

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Speaker 1: It must be demonic, because the indigenous view is the

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complete opposite of that. The source of material says they

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view it as a place of positive energy, a place

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you go to recharge, to pray.

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Speaker 2: Exactly. It's an altar, not a fortress of evil. But

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once you slap the name devil onto an official map,

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it primes every visitor. You go there expecting something ominous,

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something dark. Language shapes perception.

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Speaker 1: But then in the nineteen seventies the folklore around it

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shifted again dramatically. We traded demons for aliens.

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Speaker 2: The Spielberg effect. It's impossible to overstate the impact of

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close encounters of the third kind. After Steven Spielberg used

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the tower as the climactic landing site for the Mothership,

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Tourism there literally doubled overnight and has never dropped.

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Speaker 1: Back down, and the whole narrative changed completely.

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Speaker 2: People don't look at it now and think geology or

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native alter or even to devil. They look at it

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and they think UFO parking lot. It's become the focal

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point for a whole new mythology.

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Speaker 1: It just shows how malleable our myths are, doesn't it,

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we update them based on whatever our current cultural obsessions are.

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In eighteen seventy five, we were obsessed with the Devil

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and conquering the Savage Wilderness. In nineteen seventy seven, we

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were obsessed with space and the possibility of extraterrestrial contact.

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Speaker 2: And in both cases, the tower serves as a perfect

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vessel for the other, the unexplained. There's a great quote

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in the source material from one of the experts. He

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says something like, we like to walk around with the

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confidence that we know this planet, but there seems to

470
00:22:48,559 --> 00:22:49,640
be nothing but mystery.

471
00:22:50,240 --> 00:22:50,799
Speaker 1: I love that.

472
00:22:51,079 --> 00:22:54,000
Speaker 2: And the tower just stands there. It's this nine hundred

473
00:22:54,039 --> 00:22:57,599
foot tall stone, cold reminder that we are very small

474
00:22:57,960 --> 00:23:00,200
and the world is very, very weird.

475
00:23:00,640 --> 00:23:04,359
Speaker 1: Speaking of the world being weird and genuinely scary, we

476
00:23:04,440 --> 00:23:07,039
are now leaving the wide open plains of Wyoming and

477
00:23:07,079 --> 00:23:10,000
heading to the east coast to a place that honestly

478
00:23:10,039 --> 00:23:12,759
scares me more than the tower. The Pine barrens of

479
00:23:12,799 --> 00:23:14,000
southern New Jersey.

480
00:23:14,200 --> 00:23:18,319
Speaker 2: A million acres of dense, near impenetrable forest sandwiched right

481
00:23:18,319 --> 00:23:20,880
in the middle of the most densely populated part of America.

482
00:23:21,200 --> 00:23:23,799
Speaker 1: It's so true people think of New Jersey, and they

483
00:23:23,799 --> 00:23:26,759
think of turnpikes and industrial zones, you know, the sopranos,

484
00:23:27,359 --> 00:23:30,680
But the pine barrens are they're different. The soil is

485
00:23:30,680 --> 00:23:33,400
acidic and sandy. The water in the streams is this

486
00:23:33,519 --> 00:23:35,920
strange tea color from all the cedar trees and the

487
00:23:35,960 --> 00:23:39,440
iron in the ground. And it's quiet, too quiet. Yes,

488
00:23:39,799 --> 00:23:42,039
it's the perfect incubator for a monster.

489
00:23:42,279 --> 00:23:43,799
Speaker 2: And they have one of the most famous ones in

490
00:23:43,839 --> 00:23:45,880
American history, the Jersey Devil.

491
00:23:46,000 --> 00:23:49,279
Speaker 1: This is my absolute favorite cryptid because the description is

492
00:23:49,359 --> 00:23:52,759
just so wonderfully chaotic. It makes no biological sense.

493
00:23:52,880 --> 00:23:56,279
Speaker 2: It's a total chimera. The witnesses over the centuries describe

494
00:23:56,319 --> 00:23:59,680
a creature with a horse's head, large bat like wings,

495
00:24:00,079 --> 00:24:02,880
a long body that sometimes described as being like a kangaroo's,

496
00:24:03,480 --> 00:24:07,079
thin bird like legs, with hoofs, a forked tail, and horns.

497
00:24:07,279 --> 00:24:09,400
Speaker 1: This sounds like a child's drawing of a monster that

498
00:24:09,480 --> 00:24:10,680
just came to life.

499
00:24:10,480 --> 00:24:12,440
Speaker 2: Or, as one of the experts in the source called it,

500
00:24:12,559 --> 00:24:16,400
a product of doctor Frankenstein's lab. But more than the look,

501
00:24:16,519 --> 00:24:20,079
it's the sound. The blood curdling screech or roar is

502
00:24:20,079 --> 00:24:22,640
what people really focus on. That's the thing that terrifies

503
00:24:22,680 --> 00:24:23,319
them in the dark.

504
00:24:23,599 --> 00:24:27,480
Speaker 1: So the origin story here is incredibly specific. It's not

505
00:24:27,680 --> 00:24:30,400
just some vague legend. We have a time and a place.

506
00:24:30,599 --> 00:24:33,759
Seventeen thirty five. Mother leads right a.

507
00:24:33,720 --> 00:24:35,720
Speaker 2: Woman named Jane Leeds who lived at a place called

508
00:24:35,799 --> 00:24:38,079
Leeds Point, right on the edge of the barns. The

509
00:24:38,160 --> 00:24:42,440
story goes she was pregnant with her thirteenth child, thirteenth Wow,

510
00:24:42,640 --> 00:24:45,880
and she was impoverished. She was exhausted, probably dealing with

511
00:24:45,920 --> 00:24:48,240
a husband who wasn't much help, and in a moment

512
00:24:48,279 --> 00:24:52,839
of pure despair, she cursed the unborn child. She cried out,

513
00:24:52,880 --> 00:24:55,839
I'm tired of having children. The devil can take this one.

514
00:24:56,200 --> 00:24:58,519
Speaker 1: Which you know, as far as parenting strategies go.

515
00:24:58,680 --> 00:25:03,920
Speaker 2: Is poor, not generally recommended. No, But according to the legend,

516
00:25:04,000 --> 00:25:07,240
the curse took. The baby was born on a stormy night,

517
00:25:07,319 --> 00:25:09,319
and at first it seemed like a normal, healthy boy.

518
00:25:09,599 --> 00:25:11,400
But then within minutes it began.

519
00:25:11,200 --> 00:25:12,359
Speaker 1: To change transform.

520
00:25:12,480 --> 00:25:15,279
Speaker 2: It elongated, the wings sprouted from its back, the head

521
00:25:15,319 --> 00:25:18,079
became horse like. It thrashed around the room, attacked the

522
00:25:18,079 --> 00:25:20,440
family and the midwife, and then shot at the chimney

523
00:25:20,440 --> 00:25:23,240
and flew off into the darkness of the pines screeching.

524
00:25:23,599 --> 00:25:26,279
Speaker 1: What I love about this story is that it didn't

525
00:25:26,319 --> 00:25:28,880
just stay a local folk tale told around a campfire.

526
00:25:29,279 --> 00:25:32,720
It almost immediately entered the historical record. Yeah, you have

527
00:25:33,119 --> 00:25:35,480
very prominent, credible people claiming to see it.

528
00:25:35,559 --> 00:25:38,599
Speaker 2: Commodore Stephen Decatur. I mean, we're talking about a genuine

529
00:25:38,759 --> 00:25:41,759
American naval hero, the guy who fought the Barbary Pirates,

530
00:25:42,039 --> 00:25:44,440
famous for the line our country right or wrong.

531
00:25:44,640 --> 00:25:47,200
Speaker 1: A serious guy, yeah, not a fantasist at all.

532
00:25:47,400 --> 00:25:49,960
Speaker 2: And he's at the Hanover Ironworks in the pine barrens,

533
00:25:50,000 --> 00:25:55,200
testing out cannonballs. He sees this strange flying creature, and

534
00:25:55,240 --> 00:25:58,000
being a military man, his first reaction isn't too hide

535
00:25:58,079 --> 00:25:58,640
or run away.

536
00:25:58,759 --> 00:25:59,519
Speaker 1: He shoots at it.

537
00:25:59,559 --> 00:26:01,200
Speaker 2: He shoots with a cannon.

538
00:26:01,319 --> 00:26:03,039
Speaker 1: He fired a cannon at a cryptid.

539
00:26:03,079 --> 00:26:07,240
Speaker 2: That's amazing, allegedly, and the story that's passed down claims

540
00:26:07,240 --> 00:26:09,559
he actually hit it, blew a hole right through one

541
00:26:09,559 --> 00:26:11,839
of its wings. But the creature didn't drop. It didn't

542
00:26:11,839 --> 00:26:13,839
even seem to notice. It just kept on flying.

543
00:26:13,960 --> 00:26:16,559
Speaker 1: Now, look, if a drunk guy at a tavern tells

544
00:26:16,559 --> 00:26:19,480
you he saw a dragon, you can probably ignore him.

545
00:26:19,720 --> 00:26:22,160
But if a decorated naval commodore tells you he shot

546
00:26:22,160 --> 00:26:24,880
a cannon at a dragon and it just shrugged off

547
00:26:24,880 --> 00:26:27,039
and kept flying. You kind of have to listen.

548
00:26:27,319 --> 00:26:30,680
Speaker 2: It lends an air of credibility that most folklore doesn't have.

549
00:26:31,480 --> 00:26:34,440
Or it tells you that maybe Dicatur missed his target

550
00:26:34,480 --> 00:26:38,039
and needed a really, really spectacular excuse for his superiors.

551
00:26:38,079 --> 00:26:40,640
Speaker 1: Sorry about the ways that ammunitions here, there was a

552
00:26:40,720 --> 00:26:44,319
dragon classic. But the real meat of this story, for me,

553
00:26:44,440 --> 00:26:47,000
the part that elevates it, is the year nineteen oh nine,

554
00:26:47,119 --> 00:26:49,240
because this is where the monster moves from just being

555
00:26:49,279 --> 00:26:53,039
a legend to being a full blown sociological event.

556
00:26:53,279 --> 00:26:56,680
Speaker 2: The Great Panic of January nineteen oh nine. This is

557
00:26:56,720 --> 00:26:59,480
one of the most fascinating case studies in mass hysteria

558
00:26:59,480 --> 00:27:00,480
in America history.

559
00:27:00,559 --> 00:27:02,000
Speaker 1: Walk us through it. What happened?

560
00:27:02,039 --> 00:27:04,519
Speaker 2: It started in the Hiddle of January, a few scattered

561
00:27:04,559 --> 00:27:07,359
sightings here and there. Then the local newspapers picked up

562
00:27:07,400 --> 00:27:11,079
the stories, and suddenly the flood grates just opened. Over

563
00:27:11,119 --> 00:27:13,759
the course of one week, there were literally thousands of

564
00:27:13,799 --> 00:27:16,640
reports from across the entire Delaware Valley, not just in

565
00:27:16,680 --> 00:27:19,640
the pine barrens, but in Philadelphia, in Trenton, all over.

566
00:27:19,759 --> 00:27:21,400
Speaker 1: Thousands. Yeah, in one week.

567
00:27:21,559 --> 00:27:24,200
Speaker 2: Thousands people were seeing it in their backyards. They were

568
00:27:24,200 --> 00:27:28,240
finding strange, cloven hoof prints on the rooftops, which, by

569
00:27:28,279 --> 00:27:31,599
the way, is physically impossible for any known animal. A

570
00:27:31,720 --> 00:27:34,559
trolley car full of people and Hadden Heights was reportedly

571
00:27:34,640 --> 00:27:37,279
dive bombed by the creature, causing mass panic.

572
00:27:37,440 --> 00:27:40,200
Speaker 1: A trolley car that is pure cinema. I can just

573
00:27:40,279 --> 00:27:40,680
picture it.

574
00:27:40,920 --> 00:27:44,319
Speaker 2: And the panic was genuine and widespread. It wasn't a joke.

575
00:27:44,640 --> 00:27:48,599
Schools closed down, mills and factories shut down because workers

576
00:27:48,599 --> 00:27:50,759
were too afraid to walk to work in the dark.

577
00:27:51,000 --> 00:27:53,720
People were barricading themselves in their homes.

578
00:27:53,480 --> 00:27:55,440
Speaker 1: And didn't the Philadelphia Zoo get involved.

579
00:27:55,519 --> 00:27:58,119
Speaker 2: They did. They offered a ten thousand dollars reward for

580
00:27:58,160 --> 00:28:01,400
the creature, dead or alive, which in nineteen oh nine

581
00:28:01,519 --> 00:28:05,160
was an absolute fortune. Pauses were formed, Groups of men

582
00:28:05,160 --> 00:28:08,240
were roaming the woods with shotguns hunting for it. It

583
00:28:08,279 --> 00:28:08,920
was chaos.

584
00:28:09,119 --> 00:28:11,240
Speaker 1: This is what I find so fascinating. We could sid

585
00:28:11,240 --> 00:28:14,039
he and laugh at the description of the horseback kangaroo monster,

586
00:28:14,559 --> 00:28:17,160
but the fear was real. The economic impact of the

587
00:28:17,160 --> 00:28:19,720
shutdowns was real. The social panic was real.

588
00:28:19,920 --> 00:28:23,319
Speaker 2: It's a perfect example of a social contagion. One person

589
00:28:23,319 --> 00:28:25,000
sees a shadow in the dark and calls it the

590
00:28:25,079 --> 00:28:28,400
Jersey Devil. The next person reads that story in the paper,

591
00:28:28,880 --> 00:28:32,599
and now their brain is primed. Now every rustle in

592
00:28:32,640 --> 00:28:35,440
the leaves, every screech of a fox and red foxes

593
00:28:35,640 --> 00:28:38,480
makes some truly terrifying sounds at night. By the way,

594
00:28:38,839 --> 00:28:41,480
it all gets filtered through that lens and becomes the monster.

595
00:28:41,680 --> 00:28:44,839
Speaker 1: But even the skeptics in the source material admit something

596
00:28:44,920 --> 00:28:47,799
must have triggered it. You don't get thousands of reports

597
00:28:47,839 --> 00:28:49,720
from zero something was out there.

598
00:28:49,799 --> 00:28:53,039
Speaker 2: No, you don't. And interestingly, this is where the indigenous

599
00:28:53,079 --> 00:28:56,720
history comes back into play yet again. The local Lenape

600
00:28:56,759 --> 00:28:59,200
people had a name for that area long before the

601
00:28:59,240 --> 00:29:03,799
colonists arrived. If they called it the place of the Dragon, seriously, seriously,

602
00:29:03,839 --> 00:29:06,440
it was a place they largely avoided. They felt the

603
00:29:06,519 --> 00:29:09,279
land itself was wrong, unsettling.

604
00:29:09,440 --> 00:29:12,039
Speaker 1: So maybe the mother Leads story was just the colonist's

605
00:29:12,039 --> 00:29:14,920
way of putting a narrative to a vibe and energy

606
00:29:15,079 --> 00:29:16,839
that was already there in the land itself.

607
00:29:16,960 --> 00:29:20,519
Speaker 2: Exactly. The land is a personality, and sometimes that personality

608
00:29:20,519 --> 00:29:23,000
feels ancient and hostile, and we give it a name

609
00:29:23,279 --> 00:29:27,160
Jersey Devil, spirit, dragon, satan, so that we can process.

610
00:29:26,680 --> 00:29:29,640
Speaker 1: That fear, and that really brings us full circle, doesn't it.

611
00:29:29,680 --> 00:29:31,960
From the sacrificial fires of the Valley of Hindhem and

612
00:29:32,039 --> 00:29:36,039
Jerusalem to the dark, cedar choked woods of New Jersey.

613
00:29:35,759 --> 00:29:38,759
Speaker 2: It's all part of the same thread. Humanity is small.

614
00:29:39,240 --> 00:29:43,000
The world is large and dangerous and often completely random.

615
00:29:43,319 --> 00:29:45,839
And we don't like random. We don't like unexplained. It

616
00:29:45,880 --> 00:29:47,400
makes us feel powerless.

617
00:29:47,640 --> 00:29:50,079
Speaker 1: So we create a box to put the chaos in.

618
00:29:50,319 --> 00:29:52,160
Speaker 2: Create a box and we write a label on it,

619
00:29:52,319 --> 00:29:56,759
evil or devil or monster. If we can name the darkness,

620
00:29:56,799 --> 00:29:59,160
we feel like we have some small measure of power

621
00:29:59,200 --> 00:30:01,960
over it. If the crop fails, it's not just bad

622
00:30:02,079 --> 00:30:04,279
luck with the weather. It's a demon that I can

623
00:30:04,279 --> 00:30:05,880
try to appease with a sacrifice.

624
00:30:05,960 --> 00:30:08,960
Speaker 1: If I have a profound mental breakdown, it's not just

625
00:30:09,000 --> 00:30:12,440
my neurons misfiring. It's a spirit that a priest can

626
00:30:12,440 --> 00:30:13,359
try to exercise.

627
00:30:13,880 --> 00:30:15,880
Speaker 2: If there's a terrifying noise in the woods at night,

628
00:30:15,960 --> 00:30:17,680
it's not just the wind or a fox, it's the

629
00:30:17,759 --> 00:30:21,559
Jersey Devil, a known entity with a backstory. The monster

630
00:30:21,720 --> 00:30:24,720
serves a purpose. It localizes the fear. It gives us

631
00:30:24,759 --> 00:30:26,680
a target for our anxiety.

632
00:30:26,279 --> 00:30:29,519
Speaker 1: And in a very weird, roundabout way, it keeps us safe.

633
00:30:30,079 --> 00:30:32,480
The fear of hell keeps you moral and in line

634
00:30:32,519 --> 00:30:35,279
with your community. The fear of the Jersey Devil keeps

635
00:30:35,279 --> 00:30:38,440
you from wandering into a dangerous, disorienting swamp in the

636
00:30:38,440 --> 00:30:39,160
middle of the night.

637
00:30:39,279 --> 00:30:42,599
Speaker 2: The devil, in all his forms, is the ultimate cautionary tale.

638
00:30:42,920 --> 00:30:44,640
Speaker 1: So I guess we have to turn this over to you,

639
00:30:44,720 --> 00:30:47,440
the listener. We've thrown a lot of really heavy stuff

640
00:30:47,480 --> 00:30:52,000
at you today, child sacrifice, theology, exorcism, aliens and cryptids,

641
00:30:52,640 --> 00:30:55,200
but the core question running through all of it remains

642
00:30:55,240 --> 00:30:55,640
the same.

643
00:30:55,759 --> 00:30:58,160
Speaker 2: Are we seeing real monsters out there in the world

644
00:30:58,400 --> 00:31:00,960
or are we just seeing our own shit reflected back

645
00:31:01,000 --> 00:31:01,720
at us in the dark.

646
00:31:01,799 --> 00:31:04,559
Speaker 1: What is your stand on these thrilling threads. Do you

647
00:31:04,599 --> 00:31:08,559
believe these things are manifestations of a genuine spiritual war,

648
00:31:08,599 --> 00:31:12,880
real entities, real demons that exist independently of us, or

649
00:31:13,000 --> 00:31:16,119
is this all just the powerful human imagination filling in

650
00:31:16,200 --> 00:31:18,519
the planks that science hasn't gotten to yet because we're

651
00:31:18,519 --> 00:31:20,279
too afraid to sit in the dark alone.

652
00:31:20,319 --> 00:31:22,920
Speaker 2: I am genuinely curious to see where our audience lands

653
00:31:22,920 --> 00:31:24,960
on this one. Is the Devil real or is he

654
00:31:25,079 --> 00:31:28,440
simply the most successful and enduring literary character of all time?

655
00:31:28,799 --> 00:31:31,319
Speaker 1: Leave us a comment. We really want to know your theory.

656
00:31:31,680 --> 00:31:34,240
And hey, if you have a local legend or a

657
00:31:34,279 --> 00:31:38,480
spooky spot in your own hometown that just feels off,

658
00:31:38,759 --> 00:31:39,759
tell us about that too.

659
00:31:39,920 --> 00:31:41,920
Speaker 2: We would love to investigate those threads.

660
00:31:42,240 --> 00:31:45,599
Speaker 1: Thanks for joining us on this particularly dark journey.

661
00:31:45,720 --> 00:31:47,799
Speaker 2: I'm your host and I'm the expert.

662
00:31:47,440 --> 00:31:50,960
Speaker 1: And this has been thrilling threads. Keep pulling on those strings.

663
00:31:51,640 --> 00:31:54,440
You never ever know what might be waiting at the

664
00:31:54,480 --> 00:31:54,920
other end.

665
00:31:55,119 --> 00:31:56,759
Speaker 2: Just maybe don't look up the chimney.

666
00:31:56,799 --> 00:31:58,720
Speaker 1: You definitely don't do that. See you next time.

