Speaker 1: You're listening to macconnorton Unleashed on wm n H ninety
five point three.
Speaker 2: And now the American radio premiere of the new single
by three times seven.
Speaker 3: This is called dressing for the weather.
Speaker 4: Just a fall the weather I want, Oh, just a
model mother hour.
Speaker 5: Never mind the weather.
Speaker 6: I can make it back.
Speaker 5: I can make a.
Speaker 7: Shong shu shine.
Speaker 5: Like the weather I want.
Speaker 8: There ain't no stormy Monday gonna reade because I'm riching high.
Speaker 6: I stun an't o No, it only.
Speaker 3: Takes a little mom.
Speaker 6: It takes a little one. It takes a little I
only takes a little hop. It takes a little home.
Speaker 8: Now, if I didn't know any better, I play the weather.
Speaker 6: You now have me my favorite hits you You see,
I'm dressed by the water.
Speaker 4: I want, oh, dressed upon the weather.
Speaker 6: I never mind the weather. I can make it better.
Speaker 9: I can make a shine.
Speaker 6: Range sharp.
Speaker 8: Like the weather I want.
Speaker 6: I'm dressing for please guys, not the please. Oh, I'm
dressing for me. I'm dressing for me. I left the
diet the lever.
Speaker 5: You don't take just a minute, because I know.
Speaker 4: Now it only takes a little, It takes a little
let It takes a little up, only takes a lot.
Speaker 3: It takes a.
Speaker 8: Little shot out whatever the weather when making it better, gain.
Speaker 6: No hand in my favorite suit.
Speaker 5: I'm dressing my way.
Speaker 6: With our world. Oh dress up on the weather.
Speaker 4: Our world and pulling as count together.
Speaker 5: For the way the.
Speaker 8: Time can pray the side.
Speaker 6: Out every time. That's what I.
Speaker 4: Wild, That's what I need. What I need, It's time
that us sound about and a sound of me.
Speaker 10: This is Jesse Rutstein and Caleb Dyer.
Speaker 3: Oh, oh okay, we can let's do that one more time.
Speaker 10: This is Jesse Rutstein and Caleb Dyer.
Speaker 3: Oh crap, hold on, what do you want me to say?
Right after that? From Hatchet act from and then I'll say,
you're listening right? Sounds good.
Speaker 10: This is Jesse Rutstein and oh this is why I'm
the leader. This is Jesse Rutstein and Caleb Dyer from Hatchet,
Ax and Saw Records. You are listening to the Matt
Connerton Show on w m n H ninety five point
three Manchester.
Speaker 5: Actually, what did I say?
Speaker 3: Okay, all right, all right, let's do this again. Let's
do this again.
Speaker 10: This is Jesse Rutstein and Caleb Dyer. From Hatchet Axon
Saw Records. You are listening to Matt Connorton Unleashed on
five three w NAD. This is Jesse Rutstein and Caleb
Dyer from Hatchet Axon Saw Records. You are listening to
Matt Connorton Unleashed on ninety five point three w m
n H f M.
Speaker 3: Hey, here we go. Welcome everybody.
Speaker 2: It is that time again, Matt Connerton Unleashed and we
are live from the studios of w m n H
ninety five point three FM and Glorious of Manchester, New Hampshire.
Today is a Saturday, August sixteen, twenty twenty five, and
I am not alone.
Speaker 5: Jenny Jarland's show friend.
Speaker 3: Good morning, sunshine. Jenny is here at the news table.
I am a present. So we got a big you're
not accounted for. I'm not sure yet, okay, all right, well,
very good, very good.
Speaker 2: So welcome everybody. Oh we've got a great show for
you today. Each phonograph or is it phonograph or phonograph?
I guess phonograph is the more common. Well, the thing is, well,
they're not on a different side of the pond. True,
they are in Oregon, which I used to pronounce it Oregon,
but apparently it's it's Oregon or or Oregon or Oregon.
Speaker 3: I was told it was Oregon.
Speaker 2: I've heard it pronounced seven different ways. But anyway, that's
where they're from. And they're gonna be joining us in
a few minutes online, so u And then in the
second hour we have Superbug and then in the third
hour we have jam Demic.
Speaker 3: Uh. Both of those bands will be joining us in studio.
So uh. So we've got a great show for you today.
Speaker 2: And of course we opened with the American radio premiere
of three Times seven, another great band.
Speaker 3: We had them on. Was it last week or the
week before?
Speaker 2: It all becomes a blur three Time seven, But they
were on with us, a great act from the UK.
Speaker 11: Uh.
Speaker 3: They are.
Speaker 2: They perform in a couple of different configurations. Sometimes they're
a duo, sometimes they're foursome.
Speaker 3: It's it really cool.
Speaker 2: So I enjoyed us speaking with them quite a bit.
I think that was either last week or the week before.
Like I said, it all becomes a blur. But so
we've got a lot to do today on the program,
So welcome everybody, and I think in a moment what
we'll do is We're gonna play a song from New
Age Phonograph, and that's a pronunciation. I'm going with Phonograph.
I have not decided. I've not decided how to pronounce
the name of their state. We'll see how they pronounce it.
Speaker 3: I think they're the official.
Speaker 2: They would be the official arbiters of that in this uh,
in this particular debate. But I think we should play.
I really like their sound a lot. I think we
should open with a long one. This is track called
Out in the Valley. It's about five minutes, but it's
his really good. I love their sound and they're you know,
they're fancy.
Speaker 3: They play.
Speaker 2: They each play multiple instruments, So I think we should
start with that. And then they're going to be joining
us online via restream.
Speaker 3: You know, we don't have Skype anymore. Skype went away,
so we have all these other options that were using.
Speaker 2: Oh yeah, dial up. Yeah, remember what you used to
be able to get those discs. You'd walk into a
store and you could get a free AOL disc and
then uh. I remember trying to get online at uh
you know, like around five six o'clock during the daytime,
and it would take forever because it was like it
could only handle so many people online at once, and
then nobody could call you and then right right because
the phone would be tied up.
Speaker 3: Yeah, and phones, those were the days. Well, there were
cell phones by that.
Speaker 12: Cell phones.
Speaker 3: Oh, cell phones definitely came first. Yeah, I mean sure,
I don't know. Yeah, it might not seem like it
because I had the cell phone before I had the internet.
Speaker 2: Well, so in the early days of when we still
had when we still had dial up. Not everyone had
a cell phone at that point necessarily, and everyone still
had their landline. But but yeah, dial up is finally
being discontinued.
Speaker 3: I don't know.
Speaker 2: I don't know if it's the case now, but I
remember about ten years ago there were still parts of
New Hampshire, like way up North where they were still
using dial up internet.
Speaker 3: So I assume that's all been fixed by now.
Speaker 2: But yeah, as little as ten years ago, maybe even
more recent, maybe they're still our places and they're just screwed.
I don't know, but we really don't know. Yeah, I
don't know. We'll have to look that up. We'll have
to look that up. But let's give this track a spin.
This is called Out in the Valley. This is a
great track from New Age Phonograph, and then we're going
to speak with the members of New Age Phonograph at
the end of the song. So stick around plenty more
to come check this out.
Speaker 3: This is really good.
Speaker 10: M hmm.
Speaker 7: Out in the valley where the west wind blood, I
gotta place and nobody no.
Speaker 3: See it.
Speaker 7: Now you drinking by myself, dringing on my life and
drinking on my health. Lord to mine, ain't gonna come
and shine a lot of speed. I was raised on
the Colorado sand group of the.
Speaker 5: Small town trying to be on mad.
Speaker 7: Me and my friend calls of red rock track over
just a stall and nickel candy shack. Lord to mine
ain't gonna come and shine a lot on speed.
Speaker 9: Who out telling I was seven years old? Um to
the north Whens called wind don.
Speaker 5: And on friend and toll me. His guitar kept up
beats of ghettle though we didn't gave fall.
Speaker 13: Lord mine is on a collar shining lot of speed.
Speaker 9: Hurry around crazy like a dog.
Speaker 5: Couldn't see too. The fig head of smile spriens snot
say the dog.
Speaker 9: The jail that surprise your pain when you're raising little tail.
Speaker 5: Lord of night and on a color, shining lot of be.
Speaker 7: What I want to say?
Speaker 5: What I want to know? What I want to say.
I can't help my soul. What you want to feel?
We can make it real what you wanna feel, can't
I countee?
Speaker 7: How in the fallow in the west wind blow, I
gotta place, and nobody all.
Speaker 11: Saying?
Speaker 7: Now you thinking about myself, thinking about my life, thinking
about my health. Lot of mind, ain't gonna come and
shining lot of me, fair and of rude, fan of hamm,
keep all things my grandma say, hair, my heart and
a hamm and me.
Speaker 5: That's a whole lot of wealth.
Speaker 13: Lord of mind, ain't gonna come and shine a lot
of me?
Speaker 5: What I wanna say? What I don't want to know,
what I wanna say?
Speaker 6: So what you wanna fel?
Speaker 7: We can make it real what you wanna feel?
Speaker 14: Caussie, Oh, that is so good.
Speaker 2: The song is out in the valley and that is
New Age phonograph. And we have them on the line
with us. Let's hopefully we can hear them.
Speaker 3: Hello, are you there, Hey, Matt how's it going?
Speaker 2: Oh awesome? Sounded great? Yes, welcome to the program, of course.
So we have Matthew and Randy How are you both
doing today?
Speaker 11: Doing all right?
Speaker 3: Can't complain good? Good?
Speaker 2: No, yeah, no, I'm excited to talk to you. I
love your sound. That is just so so good. I
love not only not only you're playing on that, but
the production is great. We're gonna play another song, of course,
at the end of our conversation.
Speaker 3: But so I'm bummed we don't get.
Speaker 2: To meet you in person because I know originally you
were on a tour and you had some trouble. How
are things going now.
Speaker 11: Oh, well, the van's in the shop right now, so
we're hoping to hear some good news back here in
the next week or so.
Speaker 15: Yeah.
Speaker 3: Yeah, that's that's that's stressful. So what were you You
were out on You're out on tour and the van
broke down. Is that what happened?
Speaker 11: Yeah, we were actually in New Mexico and Arizona area
when we started having a little trouble with it, and
then we when we got into our Colorado section, that's
when we were like, no, we got to take it home,
got to get it looked at. Definitely something up with it.
So there was no way we were going to go
any further east. We were actually supposed to be on
the East coast.
Speaker 16: Up in where it was not Quebec Nova Scotia before
we came down and saw you guys, So we were
kind of bummed that we couldn't go hit that whole
area on this leg.
Speaker 3: Of the tour.
Speaker 11: Yeah, we were able to come over the East coast
on the first leg and we were just lucky to
be able to do that.
Speaker 2: So yeah, yeah, well, you know, there's there's always the
future when you get when you get back at it.
Now are you in the meantime? Are you playing shows
locally or what's kind of the situation there?
Speaker 11: Yeah, we have access, we have an alternate car, so
we've and uh planning on doing other shows here. We
have one coming up locally in Roseberg in October that's
at a really nice venue called the Rosebud Theater. And
then we have a couple of little ones in between
there that are just fill in things and we're trying
to pick up as many as we can along the way,
but it's always hard filling in stuff last minute.
Speaker 3: Really Oh yeah, oh absolutely. And where where are you located?
Speaker 2: You're in uh, and we were debating it's it's it's Oregon, right,
but we were debating what is the correct way to
say the name of your state?
Speaker 12: Oregon?
Speaker 11: Yeah, Oregon, Oregon. And we're in Umquaw Valley. We're just
a little south. Uh would you call it southwest?
Speaker 3: Yes?
Speaker 11: Southwest Oregon. Were we're right around the little place called Roseburg.
Speaker 3: Okay.
Speaker 12: Uh yeah, so about our hour and a half north
of the California border.
Speaker 3: Okay, so yeah, south south. Yeah.
Speaker 2: I've never been there, but I've heard that it's it's
a beautiful state, but I've never I've not personally visited there.
Speaker 11: Yeah, definitely. I moved here a few years ago or
and now is a few years well. When I first
moved here, I was like, Nope, it doesn't get any
better than this. You don't have the the reign of
the normal Northwest, and you don't have the heat of
the south. So it's kind of a perfect moderate temperature
right in the valley.
Speaker 2: Right, No, that makes sense. And what's the music scene
like there? Because you know what you're doing to me
when I listened to a new age phonograph and and
well we'll talk more about the music in a moment,
but but to me, it's it's uh, you know, not
not terribly common like when I listened to it, I
don't think, Oh, they sound exactly like so and so
you know, so, I don't know.
Speaker 3: I'm curious if where.
Speaker 2: You are, where you're located, are there other artists that
sound like you or do you really kind of stand
out in the scene there?
Speaker 11: Uh well, uh, there wasn't much of a scene not
that long ago, but lately the Roseberg scenes picked up
a little bit. And there's there's a few bands that
I would say are like the top competing bands in
the area, but nobody really sounds like each other. There's
a local band called Widespread Haze. They have their own
hippie jam vibe going on. There's James and the Lost Dogs.
They have more of a classic rock like electric guitar feel.
And then with us, the way it evolved with the
foot drums that we play or that I play, that
whole that whole thing gives us a real retro vibe
and we just have kind of our own thing going
on due to the limitations.
Speaker 2: M Yeah, and that's something that too, I think is
really interesting because it's so it's just the two of you, right,
There's there's no one else, or maybe you have guest musicians,
join you sometimes. I don't know, but New Age Photographs
as an entity is just the two of you.
Speaker 11: Correct, Yeah, it's it's pretty much been me and Randy
since we started it up. I play the foot drums
to round it out. And then this last record has
harmonica Ron Ron the Hartman Perkins. He's featured on the
whole thing. He featured on our first record, but we
put him on this whole thing because they had a
real good blues rock vibe. This this whole new album
called The Old Ball and Chain. That one's that one
was all kind of new new material. Yes, the old one,
the old record or the first record we put out,
had a mix of some new stuff and some old stuff.
But the latest record, the Old Ball and Chain, it
it really has evolved to where that's kind of our vibe.
That's kind of what we sound like if we're in
a room, and we just tried to capture what we
sound like in a room.
Speaker 3: Okay.
Speaker 2: You know what else I like too is listening to
the studio tracks so it sounds like a full band.
And again, I know you're both multi instrumentalists, and obviously
you know when you've got the foot drum going, you
can you can do that while while playing something else.
Speaker 3: But but it's.
Speaker 2: Interesting that are people ever surprised when they listen to
your music and they don't know anything else about you
and then they find out it's just the two of you?
Speaker 3: Does that surprise people?
Speaker 2: Or maybe they go see you live and they're surprised
at how big a sound you're able to create with
just the two of you.
Speaker 3: It is, it is.
Speaker 11: It is an interesting thing because it's a kind of
hard to market because there are places who say duo oh,
and they think this acoustic duo is going to show up,
and we're like, well, we can do that if that's
what you guys want for the evening, But if you
really want a rock band, we can really kick it off. Yeah, exactly. Yeah,
It's definitely been something where a lot of people are
surprised when they hear us. They're just, oh my gosh,
you guys are amazing. How do you even do that?
Because it's just the two of you. But it's this
weird little custom foot drum that I came up with
that has a little high hat on top of it,
and because of the symbol and the back beat of
the bass drum and the snare. I mean, the only
thing you're missing is the fills from the Toms, and
we don't do anything too complicated. It's all straight back beat.
It's all blues, right right.
Speaker 2: I remember the first time I ever saw somebody do
something like that live, and it was just Jesus was
more than twenty years ago, but John Hyatt was on
tour and he was in the area and I went
to see him at the For people in area who
know the Capitol Theater or Capitol Center, I think back
then it was the Capitol Theater and now it's the
Capitol Center. Maybe it's the other way around, but anyway,
he was doing this. It was a solo acoustic thing.
But he comes out and he's, you know, he's As
he starts to play, it was a surprise. He starts
stapping his foot and it was obvious that I didn't
see a drama on the stage. It was like it
was like he just had a mic like on the
floor there and he's just tappened. But it sounded really good,
and it you know, and just that one little thing
changes everything, like it's it's like I remember thinking he
opened I don't remember what song he opened with, but
which I'm embarrassed about because I love John Hyatt. But
although he played everything that night that I really wanted
to hear, which was great. But I just remember he
starts playing and he's strung, and I'm thinking it's just
gonna be him and his guitar, and then he starts
tapping and it just changed the whole vibe. Like it
was this energy burst immediately in the room and it
was so cool. But that must be that must be
one of the most fun things about doing what you
do right when you're playing and people are surprised and
you can see they're surprised, or they come up to
you afterward and say, wow, that was that was more
than I expected.
Speaker 3: That was great. You know, that must be really cool
for both of you.
Speaker 11: Yeah. I told my little brother. I said, uh, I
think we've been we've been looking around for a drummer,
and he goes, you know what, I'm almost more impressed
when I see you just doing what you're doing and
it's just the two of you, and I'm like, yeah,
that you're You're right, I guess as far as a
musician seeing see another musicians play, yeah, And also, well,
basically we have to rely on each other.
Speaker 12: We show up for the gigs, you know, we have to.
We're married.
Speaker 3: So yeah, right, it's hard.
Speaker 11: To keep a drummer around, right, right, right, Randy. Actually,
she uh wasn't uh wanting to do a She didn't
have aspirations to be a musician. It was just something
kind of like my little brother and I started the band,
but then before we even got anything going, he moved
up to Washington, Okay, and uh, Randy was like, well, uh,
we got the drum set. Do you wanna do you
wanna me to learn how to play drums? And I said, well,
we have a bass sitting around. You want to just
play single note based stuff? And she was like, well yeah,
I could do that. And then I showed her a
blues scale and now you can't stop her. She writes
her own bass parts. Yeah, just based off of the
blues rock scale that I showed her. Yeah, and uh,
we played cover stuff. She's like, oh, I'm not playing
roots and fifts. I'm going to just play this. I'm
going to jam out and feel my way around it
and then write their own bass parts for everything.
Speaker 2: That's cool, that's awesome. Well, Randy, as a bass player myself,
I respect that. That's really good, that's really cool.
Speaker 11: Awesome, And then yeah, we also we met doing karaoke,
so yeah, she actually had to kind of be pushed
into singing a little bit, oh because uh when we
first when we did our first record, it was definitely
a lot of well all just singing backup and I
was like, no, no, you can do full stuff. And
I think it was my mom who was like, make
her do more songs.
Speaker 12: Yeah, So definitely her on the album next time.
Speaker 3: Definitely.
Speaker 11: When we came up to the latest record, we actually
we wrote a few of the songs together and tell
them tell him how you came up with with the
the main songs that you wrote.
Speaker 12: Oh, well, two of them. I woke up late night
and it was like half an hour forty five minutes.
I had both of them mostly written down now, not music,
just lyrics, and so I took him to him.
Speaker 11: I was like, put music to this, please, yeah, yeah, yeah,
And literally the songs pretty much wrote themselves. She came
to me with lyrics. The lyrics were in a structure
where it was like, oh, okay, this is perfect. And
then of course there's only one song on the record
that she wrote that she didn't sing. That had to
do with times constraints. Okay, So mostly the stuff she
wrote she sings now.
Speaker 2: Yeah, excellent, excellent, and it's nice to you know, you
know you've really got something when it comes together easily
like that, right, you know, when you don't have to
whant to I mean, you know people talk about you know,
it's a lot of work writing songs and everything and
get in recorded the way you want them, and it
is a lot of work, right, But when when you
have something that you know, okay, here's the lyrics, Oh, okay,
I can work with that, here's here's an idea for
the melody and everything, when it comes together fast, then
you know you've really you've really got something when it's
when it's easy, you know what I mean. So I'm
sure that was.
Speaker 11: Yeah, Yeah, for sure. Almost all the best songs that
that I think we've done just came came to us.
They weren't really difficult to write. We only struggled with
uh with uh Bruce, with our comedy song Bruce. Yeah,
And that's because Randy came to me with the concept
in most of the lyrics, and then we tried to
fish it out and make it funny with that one.
But my my songwriting method is literally come up with
the chord structure and then ones I come up with
the chord structure, like the stuff just drops out of
the ether. It's I sometimes like those are even my songs.
I'm just like the caretaker of them because they're just
they just come out of nowhere, and you know it's
probably a subconscious thing, sure, but but nothing's too I've
been I've been writing songs since I was fourteen, and
so it's like, oh, here's the basic structure, verse coorse verse,
let's throw it in a solo here, Let's make sure
we come up with an intro an outro if we can.
But other than that, the song structure is the framework,
and then the lyrics, if they're difficult to work on,
those usually don't make the records.
Speaker 3: Okay, that makes sense, Yeah, makes sense.
Speaker 2: I'm really curious too about recording because you know, sometimes,
at least this is my observation, sometimes you'll hear an
artist who's doing something like what you're doing, or well,
like I said, nobody sounds exactly like you, but but
but kind of a kind of a similar vibe where
you know you wish. You don't want it to be
too you don't want the production to be too clean,
you don't want it to be too slick. And sometimes
you might hear something that you know, you wish the
production was a little grittier, you know. But when I
listen to these tracks, I think the production matches what
you're doing in the sense that the production is great.
It's it's totally pro It sounds amazing, the mix is
great and everything, but it's not but it's not overly slick,
which is what I hear a lot of sometimes where
where it's like, Okay, this is too slick for what
this vibe and the sound is that this band is making.
Speaker 3: But I love the production.
Speaker 2: On on this on this album, can you tell me
about that? How did you record Old Ball and Chain
that's the newest one? Yeah, yeah, how did you record that?
Speaker 12: So, once we had what tracks who were going to
put on the album, we actually recorded here at the house.
We invited Ron over for a couple of days.
Speaker 17: Uh.
Speaker 12: He gave him some input on what he wanted to
do on each track, and then we recorded him probably
three or four takes each probably, and then after that
we took them to a local place way back recording
and they we listened with them and kind of you know,
we you know, we told them, you know, we're recording
them at home. We want to have that kind of
live feel, you know, so when you listen to him,
you know it's what you're gonna get basically, you know,
nothing to like you said, overproduced or anything like that.
So uh yeah, and then they you know, put a
little extra on it, which you know, it worked out
pretty well.
Speaker 11: Yeah, uh definitely. When when we were recording this one,
we knew we were kind of setting up this tour
and it was a big tour, and uh, in order
to do that, you know, you gotta you gotta kind
of give people a sound. You don't want to overproduce it.
I wanted it to sound just like we do if
we're sitting in a room together. We don't play to
a click track ever, and so it was like, this
is what we sound like, this is our vibe. We
want to be able to sell ourselves, like, hey, if
you come to see us, this is what you're going
to get. Is you're going to get this. If we
if we added too many overdubs or we did too
much fancy production, on it. It just wouldn't sound like
us in a room, right, And I mean not to
toot my own horn, but I think we we sound
really good. We've been working on this a while and
it's evolved to the point where it's some really good
blues rock and we've got a good dynamic. We we
we're comfortable on stage now. It's just quite a while
to get comfortable on stage. And now that's where we
work out all our marital issues.
Speaker 3: There you go, oh, that's perfect.
Speaker 11: On the whole tour, I was side seat driving Randy
because I'm a control freak, and so it became a
thing where like one day I was like, I just
don't know how you put up with all my sides
seet driving and she was like, oh, yeah, well you know,
and it just became like a thing where that's where
we work out all our issues.
Speaker 3: We just do it in front of people.
Speaker 12: People just kind of love the dynamic of your husband
versus wife type of thing.
Speaker 11: You know.
Speaker 12: Yeah, usually on my side, they're always on your side.
Speaker 2: They should take the bass player's side if you ask me.
There you go, I support that. I support that.
Speaker 11: Well, well, it helps me too, because I got to
keep my ego in check, right because you know, I'm
just doing all this stuff over here, and then I
think it's the Matt Show. But it's it's not the
Matt Show. It's the Matt and Randy Show.
Speaker 3: Right.
Speaker 12: Well, I mean it's crazy because you know, and I'll think,
you know, he he's lead, singing, guitar and drums. You know,
I'm we're playing and sometimes singing. So I'm like, you know,
but yeah, I do have to keep him in check.
Speaker 2: Yeah. Oh, by the way, the obvious question, where does
the name come from? New age photograph?
Speaker 11: Oh man, So me and my little brother worked for
quite a while trying to figure out how to how
to give the vibe because both of us like old music,
both of us like new music, and we'll cover everything
from old lead belly stuff from the nineteen thirties, Howling
Wolf's stuff from the thirties and forties, all the way
up to uh we were working on flowers from uh
that some What's is that the newest song?
Speaker 18: We do?
Speaker 11: No stuff new? Yeah, K Jellison, Yeah, We've just got
stuff that goes all through. We're nineties kids, eighties nineties kids,
so we've got a bunch of eighties, nineties stuff that
we'll do and then all the way up to modern stuff.
And so we're trying to say, how how do you
say that we're new but we also have love old stuff,
and the phonograph part is the old part, and then
the new age is like, well, you know, hippie crystals
and stuff. So we were like, how do we associate
the two that sounds that sounds right and the vibe
with just the alliteration.
Speaker 12: Yeah, and then also with just just the two of
us and having our you know, being a kind of
broke down sound. You know, we try to say we
take songs back to.
Speaker 11: Their bluesy roots.
Speaker 12: So when we're playing some of these songs, it's not
exactly how you're you know, cover songs, not how you're
going to hear them on the radio. So we're trying
to you know, we're trying to figure out that point,
you know, what matches that vibe as well, so you know,
hopefully people have an idea well, okay, so there's something
new and old going on here, and maybe peaks are interesting.
Speaker 11: We never do a straight cover song. We do a
cover song. However we play a cover.
Speaker 3: Song, yeah, yeah, So it never comes out.
Speaker 11: Quite like, oh, play me that that Hank Williams tune,
and it's like, oh, so, but we can do that,
but it's not gonna be as country as you want it.
Speaker 2: Do you do you ever run into a situation like
does anyone ever complain you like, oh, you played that wrong?
Speaker 3: Or have you ever run into that?
Speaker 11: No, actually we haven't. That's we haven't really had anyone
complain that we played anything wrong. And I think that
is when we do cover songs, we just don't play
any of them right. There you go, they're all They're
all the way we do it right. We were talking
the other day about a CCR song that we did
and we're like, man, when we hear it on the radio,
it's like, man, that's so slow. Now to hear that song,
we play it fast, and it's just how like I
used to bust around a lot, so a lot of
these songs I wouldn't like listen the radio version and
then play it. I was just looking at the chord
chart trying to flip to the next song and play
the song. And I grew up with a lot of
these songs that we play, and I would just play
them that way on the side of the road and
then they I brought him to Randy and I was like, oh,
so I got this what was it? The Tom Waits?
I got this Tom Waits song and we play it
like this, and then we play it and then she
hears it on the radio and she's like, nothing like
how we play it, and I was like, well, that's
just how I play it.
Speaker 3: I get. Yeah. See, I think that's cool.
Speaker 2: I think that's much more interesting anyway, because for me,
I know a lot of people don't feel this way.
A lot of people like if they're if they're somewhere
and they hear a band playing a cover, they want
to hear it, especially if it's a cover band quote unquote,
and that's like their mission, so to speak.
Speaker 3: You know.
Speaker 2: They want to hear things exactly the way the original sounds.
And it's like, to me, it's always been, well, what's
the point, Like, I already know how the original sounds.
I can listen to the original. I can go, you know,
listen to the radio or listen to it online. If
I really want to hear the original, I want to
hear your interpretation of it, you know, because otherwise otherwise
what's the point. I know, a lot of people don't
feel that way, but that's always been my My feeling
is I want to hear your interpretation. I want to
hear how it sounds from your perspective, and I just
think that's so much more interesting.
Speaker 11: Yeah, I never I never would have heard of Holan Wolf.
It wasn't if it wasn't for the Doors playing back
Door Man.
Speaker 3: Good point.
Speaker 11: And if you've ever heard the Doors play back Door
Man and then Howland Wolf's back Door Man, they're completely different.
Speaker 3: Songs, right right?
Speaker 11: You say Bob Dylan's version of All Along the watch Tower, Yep.
I feel like I showed that to Randy the other
day and she's like, oh, I like that's cool. But
that harmonica, you know? Okay, Yeah, definitely the interpretation of
that song is definitely better than the original. But at
the same time, if you're a huge Bob Dylan fan,
you don't want to hear Knocking on Heaven's Door by
Guns n' Roses. You want to hear Bob sing knocking
on Heaven's Door. So it just depends on what you're
in for for the night. A lot of people, especially
the places we go, uh, they just want to have
a good time, and so that was kind of the
thing we tried to evolve to be was first of all,
not to just do cover songs. We got our own stuff,
And so if people aren't coming up just to see
a cover band, you know, like if we were called
the Petties or something and all we played was Tom Petty,
then yeah, you'd want it to sound like Tom Petty.
But when when you're coming to see us, we play
original stuff. So then when we pepper in the the
cover songs, it's like we give them our own little twists.
Speaker 3: Yeah definitely, yeah, yeah, no, that's that's excellent.
Speaker 2: So what's so what's kind of the future trajectory? I mean,
do you have do you have more things that you're
gonna be recording or the new album hasn't been out
for that long, right, so you're probably focused on on
promoting the current album largely, I would imagine, right.
Speaker 11: Definitely go pick up the new album. No, watch the
new album. I'm sorry, you'll watch the latest video on YouTube.
Speaker 3: Oh yeah, we have a.
Speaker 11: We did our our album release party. Okay, we recorded
a video there that we just got edited after we
got back from the well, after we had to come
back from the tour. Yeah, we threw that up and
uh so messing Around is one of the I would
call it a single if we had singles. Yeah, off
that record and we made a video for that. Go
check that out. There's a Wolf Allan at My Doors
another one that we did from the first record that
we had a little video and we produced all the
videos ourselves. It's the age where you can shoot your
own stuff yeh, super cheap and edit it yourself, and
so they aren't high production thing. But we're just trying
to push the latest record. As soon as we get
the van fixed, we're gonna see what we can salvage
from this tour and start setting up for the next tour.
We're just gonna try to keep going as much as
we can while we got a little momentum going. And
we do have a bunch of songs that either are
sitting on the back burner and we have them written
or when we talk about doing another album, we've been
talking about, well, you know, if we're gonna write some
new stuff, then we might work together a little bit
on some new stuff. But all that stuff just kind
of evolves on its own. When we came up with
the first record, We put a lot of singer songwriter
stuff that I had written before on there, but then
there was stuff like call Me the Wolf. That was
one where I was just while we were even talking
about writing the record, I came up with the baseline
and wrote all the lyrics down, and then that song
just kind of evolved on its own while we were
writing that record. Okay, so we gave ourselves. We said
we're going to tour on this one for two years.
So next year we'll be the second year, and we'll
start working on the record next year for whatever we're
going to release in twenty twenty seven.
Speaker 2: Yeah, So okay, okay, very good, very good. Well, in
a moment, we're going to play that track messing Around.
We'll play that at the end of our conversation. I
think that'll be and I might even sneak in another
one after that because I love what you're doing, really
really good stuff. So Matt and Randy, thank you both
so much before we let you go. So what should
people know about where to find you online? To keep
up with everything that you're doing, everything, all things New
age phonograph? Where is the best place to go?
Speaker 12: Okay, So we're very active on Facebook and Instagram, you know,
a new ageonograph. We keep it simple, so if you
search for Newinograph, you'll find us. H YouTube as well.
We always joke we have not really a big presence
on TikTok. We are on there, and then we're on
all streaming you know, Spotify, Apple Music, all that kind
of stuff as well. We have band Camp. We're kind
of all over the place.
Speaker 11: If you need to be directed anywhere, new Age phonograph
dot Com has has all the links to everywhere that
you want to go. And as long as people are
looking after us and trying to find us, we're pretty
easy to find. We were super excited when we typed
it into Google and we were the first hit that
came up. Yep, so there's no other.
Speaker 12: It actually had like an artist like our ages and
all the different information.
Speaker 11: I'm like, wow, good, there's no there's no other New
Age phone graphs out there. We find that in our
area there's several bands that have the same name, and
it's like when we that was another thing coming up
with the name. Wanted us to be something that nobody
else has exactly.
Speaker 2: Yeah, yeah, now that's very important, absolutely absolutely. Okay, So
we're gonna let you go and we'll hit that track again.
Thank you both so much, Randy and Matt, thank you
so much for joining us this morning. And have absolutely
you two. Okay, take care, bye bye bye, all right, wonderful.
That was Matt and Randy from New Age Phonograph and
we're gonna play this track. This is called a Mess
and Round and after that coming up in the second
hour Superbug. Is they are in the building, yes, Jenny says, yes,
very good. H So we've got a lot more to go,
so please stay with us on this Saturday morning if
you are listening live, but here it is. This is
called Mess and Round and this is New Age Phonograph.
Speaker 6: When we first met you.
Speaker 18: If you call it backstage so we could help you
leave your.
Speaker 6: Glory days, it's too bad. Then we can see through
your lives, your.
Speaker 18: Chest a ship bed, worls disguise or why.
Speaker 6: Don't you try that's surround with men, the lad what
you think you're doing talking out a line you think
with your sins? Mesten with my mind.
Speaker 19: I'm didn't there to tell you to put you in
your place now the same.
Speaker 6: You would never dance? We try that's around with me?
Speaker 19: Man, try to take a song like dot you less
speed sat I heard way worse than you, then said
to me, got to spread those rumors.
Speaker 18: And your donation wid the tread of the four.
Speaker 5: Words.
Speaker 17: Check listen to me, man, your black worms said in reading.
Speaker 20: By the time I'm be getting jealous while I'm out
here making bad.
Speaker 3: You'll like what I'm doing.
Speaker 5: You don't like it, well.
Speaker 6: You don't want to know.
Speaker 5: What you trying to mess with me?
Speaker 14: Mad fool.
Speaker 5: Oh what chrysten.
Speaker 20: My I wasn't ready, but the chance was My son
took it quickcause I saw the signs new and then.
Speaker 21: Then we will mentor anyway for love spoored.
Speaker 5: Everyone can see that. Thank God for finning you.
Speaker 6: Thank you for love to too. Shout it from the rooftop.
Spreads the water love like gods.
Speaker 3: It's got to be heard.
Speaker 6: It's with you and ever staw me face and your
so of problems a moon the case for.
Speaker 4: Show those I be BYO decided to homie time.
Speaker 6: Then I need to cry and that Thank God for
finding you. Thank you for loving to too. Shout it
from the rooftop. Spread the word love like gods. Scottuls
the other hop.
Speaker 18: For in it together fall long word when it comes
to last for a second in the distruing the minity
in time, love each old.
Speaker 6: It's our only pine.
Speaker 5: And thank God for finny you.
Speaker 6: Thank you for loving me too. Shouting from the rooftop.
Speaker 21: Spread the words, I love my God, it's got to
be other. Thank God for funny you don't. Thank you
for loving me too. Shouting from the rooftop, Spread the word.
Speaker 6: N Gods, it's got to be Gods, God for funny you.
Speaker 14: Thank you.
Speaker 6: Love there me two, shouting from the road top, Span the.
Speaker 14: Road, and now it's got to be hurt.
Speaker 18: Thank God for.
Speaker 17: The funny you.
Speaker 21: Thank you for loving me too, shouting from the rooftop,
Span the road.
Speaker 6: No, my God, it's got to be herd. Shout it
on the road top. Spread the world, shout God, you've
gotta be got to be.
Speaker 5: One, two, three am.
Speaker 22: Go on, get up in a money hit out high ware.
Speaker 5: He's sixty one. Good morning, Get up in a morning
hid out highway. He's sixty one. You know me and
my beat, take up my being nothing on.
Speaker 9: Run Yeah, gone down that grocery store, gonna find myself.
Speaker 5: Gun going down the grocery store. Gone, I find myself
on gun.
Speaker 9: Yeah, me and my baby always have lots of fun. Yeah,
we're going down our highway. We ride us hell down.
Speaker 5: Here, we're going down the highway.
Speaker 9: We ride us hell down.
Speaker 17: You know we rocket to the night.
Speaker 5: Baby, We're comen the morning comes.
Speaker 22: Go on, get up here, moone him here Halloway sixty one.
Speaker 5: I'm gonna get up in a.
Speaker 6: Moon now here.
Speaker 5: No highway sixty one.
Speaker 22: You know me and my thing I take, I love
you on the run. Yeah, get up in a morning
here a highways sixty one.
Speaker 3: You wanna get up in a moon now here.
Speaker 5: That highways sixty one. You know, me and my th
always have lots of fun.
Speaker 22: Yeah, you're calling out of Halloway Hallways six and one.
We're going down at highway that hallway sixty time.
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Speaker 1: Behold the harmony of airwaves as you immerse yourself in
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Enrich your auditory journey with the depth of our license
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Speaker 5: Won dude, w m n H rips them, we're.
Speaker 3: Back from the brain.
Speaker 5: Well, go for my day.
Speaker 27: I put the wreck it on it.
Speaker 5: So that not stop dead. I'm before wrecking it all.
Speaker 6: I thought the Friday.
Speaker 5: I thought a Friday were not stoppad.
Speaker 6: They call me twisted, They called me cra sad.
Speaker 18: They go, that was not dead.
Speaker 5: I don't call you. I thought a Friday