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<v Speaker 1>Taboo science Science.

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<v Speaker 2>Hi, Taboo Science listeners. While we're in between new episodes

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<v Speaker 2>of the show, I wanted to introduce you to one

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<v Speaker 2>of my very favorite podcasts. It's called Sing for Science,

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<v Speaker 2>and it's what happens when you put a famous musician

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<v Speaker 2>with a nerdy streak in a room with a scientist

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<v Speaker 2>and record their conversation. Some of my favorite episodes have

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<v Speaker 2>been wilco's Jeff Tweety talking about consciousness with Cornell computational

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<v Speaker 2>psychologist doctor Shimon Edelman, Jose Gonzalez talking secular humanism with

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<v Speaker 2>physicist Brian Cox, and Casey Musgraves talking psilocybin with my

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<v Speaker 2>cologist Paul Stammetz. It was actually really hard to choose

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<v Speaker 2>just one episode to share, but because Halloween is approaching,

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<v Speaker 2>you are going to hear this fascinating conversation between Korn's

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<v Speaker 2>Jonathan Davis and my science writing idol Mary Roach, all

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<v Speaker 2>about mortuary science. It is taboo science, indeed, I hope

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<v Speaker 2>you enjoy.

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<v Speaker 3>Singh for Science is made possible in part by support

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<v Speaker 3>from Science Sandbox, an initiative of the Simons Foundation. Today's

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<v Speaker 3>episode was recorded remotely from Bakersfield, California, and Oakland, California,

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<v Speaker 3>and it contains content related to mortuary science that some

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<v Speaker 3>listeners may find disturbing. Be sure to check out our

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<v Speaker 3>other episodes, and please enjoy the show.

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<v Speaker 1>When I crack a brain a head open, it was decomposed,

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<v Speaker 1>the brain was liquefied with soup, and.

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<v Speaker 4>It comes out the ears. Someone told me sometimes it

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<v Speaker 4>kind of bubbles out the ears.

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<v Speaker 1>If you cut into the skull and you cracked the

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<v Speaker 1>skull cap off.

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<v Speaker 4>It's soup. Yeah. And then there's something called frothy purge,

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<v Speaker 4>which I love lingo. I love the lingo of science,

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<v Speaker 4>and there were some great ones.

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<v Speaker 1>Frothy per It just bubbles come out of there.

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<v Speaker 4>Yeah, right right, the bubble's coming out. You've got your

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<v Speaker 4>plane purge, your frothy purgey. Nun one one nine.

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<v Speaker 3>Welcome to Sing for Science, the show where musicians and

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<v Speaker 3>scientists talk about music and science. I'm your host, Matt White.

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<v Speaker 3>Each week we'll talk about a song by our guest

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<v Speaker 3>artist and how it connects with our guest scientists area

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<v Speaker 3>of expertise. Today, we'll be speaking with Jonathan Davis, frontman

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<v Speaker 3>of the pioneering metal band corn Korn's most commercially successful album,

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<v Speaker 3>was nineteen ninety eight's followed the Leader, having hit number

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<v Speaker 3>one across four charts and sold over fourteen million albums worldwide.

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<v Speaker 3>The album's fourth track is called Dead Bodies Everywhere and

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<v Speaker 3>was inspired in part by Jonathan's job working in a

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<v Speaker 3>morgue before his music career took off. Also joining us

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<v Speaker 3>is best selling popular science writer Mary Roach. Mary is

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<v Speaker 3>the author of a string of one word science books,

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<v Speaker 3>including Spook, Bonk, and Fuzz. The first in this series

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<v Speaker 3>is two thousand and three Stiff The Curious Lives of

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<v Speaker 3>Human Cadavers, and won Mary several awards and critical distinctions.

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<v Speaker 3>Her reporting not only details the unique scientific contributions of

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<v Speaker 3>the deceased, but also provides elaborate explanations into the process

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<v Speaker 3>of tissue decay and how mortuary science works to stall it.

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<v Speaker 3>The title of this week's episode on the podcast is

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<v Speaker 3>Dead Bodies Everywhere post Mortem Biology and Funerary Science. Hello,

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<v Speaker 3>Jonathan and Mary, thanks for coming on the show.

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<v Speaker 1>Hey, thanks for having us.

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<v Speaker 3>You know, I don't consider myself a morbid person, but

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<v Speaker 3>this is a dream come true. I gotta tell you.

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<v Speaker 3>I mean, I've been trying to find a reason to

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<v Speaker 3>have both of you on the show for a while,

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<v Speaker 3>and when I found out that you Jonathan used to

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<v Speaker 3>not only work in a morgue, but also wrote a

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<v Speaker 3>song related to that experience. So yeah, I mean the

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<v Speaker 3>whole thing practically writes itself.

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<v Speaker 1>For total songs about working there. What was the other one?

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<v Speaker 1>There's one? Uh, pretty Oh that was when I worked

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<v Speaker 1>a Uh it was an intense case. When I worked

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<v Speaker 1>at the corner's office. We can get in that later,

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<v Speaker 1>but there's that. And then the dead bodies was overflowing

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<v Speaker 1>the morg when I worked at the mortuary.

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<v Speaker 3>Okay, so dead bodies everywhere kind of spells out pretty

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<v Speaker 3>clearly what must have been like to work in a morgue.

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<v Speaker 3>But I know there's more to the song than just

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<v Speaker 3>about that, can you.

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<v Speaker 1>Yeah? Yeah, when I worked at the mortuary, my kitchen

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<v Speaker 1>was overflowed for the morg There's literally dead bodies were

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<v Speaker 1>everywhere when the morgue was fooled, and we would put

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<v Speaker 1>some more into my kitchen, which I had a little

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<v Speaker 1>apartment in the mortuary when we had too many, too

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<v Speaker 1>many bodies or too many you know, bodies were backed up.

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<v Speaker 1>We're waiting for funerals after we get done in bombing them.

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<v Speaker 1>They would have to put them on, you know, on

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<v Speaker 1>the tables, and they'd sit there waiting to get dressed

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<v Speaker 1>and put in the caskets and all this stuff like that.

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<v Speaker 1>So sometimes we get a lot of cases. And then

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<v Speaker 1>my overflow was my kitchen and literally I come out

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<v Speaker 1>of my bedroom when there's dead b everywhere. Holy shit.

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<v Speaker 4>So it's good that they were embombed already. That's good.

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<v Speaker 1>Yeah.

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<v Speaker 4>Yeah, you don't want to know, you know, because that

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<v Speaker 4>could be fragrant.

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<v Speaker 1>Desumps are not fun.

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<v Speaker 3>No, And so was this in Bakersfield? Yeah, because it's

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<v Speaker 3>hot there, so you don't want a message.

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<v Speaker 1>But they were bomb. What's here in bomb? They're fine?

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<v Speaker 3>Were you still a teenager when you had this job.

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<v Speaker 1>I first started doing posts when I was seventeen years old, Yes,

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<v Speaker 1>and that was at the corner's office. And then from

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<v Speaker 1>there I graduated high school and went directly to San

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<v Speaker 1>Francisco College Mortuary science.

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<v Speaker 4>Oh I went there was Mac there.

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<v Speaker 1>Mac was Mac was my my chemistry and a teacher. Yeah,

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<v Speaker 1>he was. He had this big kidney stone in his

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<v Speaker 1>class that he said he they took out or pat

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<v Speaker 1>It was ginormous. He was.

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<v Speaker 3>I knew that there was going to be a gazillion

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<v Speaker 3>points of connection that.

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<v Speaker 1>This is a small little clique, it's a small small industry.

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<v Speaker 3>So how did you get drawn into that world in

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<v Speaker 3>the first place.

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<v Speaker 1>I just always, since I think from I can remember,

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<v Speaker 1>I was always drawn towards darker things. Those things intrigued

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<v Speaker 1>me and still intrigue me. I mean, I'm going to

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<v Speaker 1>love happiness and light and all that stuff too, but

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<v Speaker 1>also there's the dark. And at that point in my mind,

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<v Speaker 1>I was like thinking, Oh, when I was in high school,

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<v Speaker 1>I went to this thing called Regional Occupation Program and

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<v Speaker 1>they had the Corner's Office is one of the things

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<v Speaker 1>you could go do. A lot of people were studying

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<v Speaker 1>to go be X ray text or respiratory therapists, but

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<v Speaker 1>I chose autopsy assistant. Wow, And it wasn't like a

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<v Speaker 1>oh school, go just jump in there. I had to

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<v Speaker 1>go through three different interviews and go through a psychological

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<v Speaker 1>back and they I did all this stuff, all these

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<v Speaker 1>different interviews and all this stuff to be able to

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<v Speaker 1>do that, and I passed all of them. And I

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<v Speaker 1>started my junior year of high school as an autopsy

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<v Speaker 1>assistant for the County Corner's Office.

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<v Speaker 3>And so do you remember your first autopsy, like yesterday.

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<v Speaker 1>I'll never forget that. It was like you came face

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<v Speaker 1>to face with mortality right there. It's like, and I

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<v Speaker 1>learned it in college that America is a death denying society.

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<v Speaker 1>We all think we're going to live forever, but when

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<v Speaker 1>you're staring death right in the face. And this wasn't

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<v Speaker 1>a very nice one. This was a car accident and

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<v Speaker 1>this person was pretty beat up. It really shocked me.

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<v Speaker 1>And I'll never forget the sound of a scalpel cutting flesh.

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<v Speaker 1>I'll never forget the first time I saw the viscera

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<v Speaker 1>lane opening up in a ye incision and seeing the

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<v Speaker 1>vispery all there. I'll never forget those thing's doctor going

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<v Speaker 1>there taking samples and then me having to sew them up.

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<v Speaker 1>Just like. It really affected me.

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<v Speaker 3>I mean, how could it not. It's just reality, Yeah,

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<v Speaker 3>but dead bodies everywhere. There's another component to it. It

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<v Speaker 3>seems like it addresses your relationship with your parents.

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<v Speaker 1>Yeah, yeah, because of it, Like they wanted me to

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<v Speaker 1>do this or that, like you need to get a

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<v Speaker 1>go real job. That kind of just the normal stuff

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<v Speaker 1>parents do. Because I'm a parent, I want my son

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<v Speaker 1>to be successful. My sons to be successful, and they

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<v Speaker 1>just wanted me to get a normal job, and I'm

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<v Speaker 1>not normal. I guess what they a't on those terms.

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<v Speaker 1>I chose to be a mortician or an autopsy assistant

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<v Speaker 1>because I'm really, in my heart I wanted to be

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<v Speaker 1>a musician, but they were pushing me, No, you can't.

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<v Speaker 1>You're not going to make it as a musician. You

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<v Speaker 1>need to have a real job. That kind of vine. Yeah,

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<v Speaker 1>they kind of like pushed me into that. And then

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<v Speaker 1>in turn, and I've always said this, I shouldn't have

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<v Speaker 1>been doing autopsies at seventeen years old. I shouldn't have

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<v Speaker 1>seen the things I saw at seventeen years old, because

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<v Speaker 1>it really missed me up. I had nightmares for a

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<v Speaker 1>long time. I had all kinds of stuff that I

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<v Speaker 1>had to work through because I was subjected to this

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<v Speaker 1>horrifying things that I saw at such an early age,

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<v Speaker 1>but no one knew at the time, and I was

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<v Speaker 1>really enjoyed it in the line on myself, but I

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<v Speaker 1>saw some really bad stuff I shouldn't have seen.

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<v Speaker 3>In the timeline of Korn's career. That was what five

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<v Speaker 3>years before your first record, So.

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<v Speaker 1>Yeah, I was I worked at the mortuary when you

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<v Speaker 1>see eighty nine went to Mortuary colleg ninety one ninety two,

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<v Speaker 1>ninety three. I was doing my apprenticeship at the mortuary

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<v Speaker 1>and I was a volunteer deputy corner and doing autopsies

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<v Speaker 1>sometimes when they needed my home. And then my apprenticeship

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<v Speaker 1>ended and I got the opportunity to go try out

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<v Speaker 1>for this band and was did turn out to be

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<v Speaker 1>Corn and I just left it all behind after that, Yeah,

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<v Speaker 1>to go with my heart. What I really really want.

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<v Speaker 3>To do is be a musician, right, And I was

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<v Speaker 3>just looking at your last tour. I mean, you guys

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<v Speaker 3>are still doing arenas. I mean, not many people get

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<v Speaker 3>to do that besides Stones. Yeah, I don't know. It's

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<v Speaker 3>just amazing.

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<v Speaker 1>I'm very lucky to be just twenty eight years and

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<v Speaker 1>I'm still playing amphitheaters and arenas, and I'm very very lucky.

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<v Speaker 1>I know this.

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<v Speaker 3>It's incredible. And what's interesting is it seems like you

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<v Speaker 3>acknowledge that you've always kind of been drawn to the

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<v Speaker 3>darker elements. And I dug up this profile of you guys,

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<v Speaker 3>or maybe it was just a view from Melody Maker

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<v Speaker 3>maybe late nineties, and they call you a quote an

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<v Speaker 3>icon for the disturbed and dispossessed, you know, which kind

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<v Speaker 3>of tracks with someone who might have had a job

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<v Speaker 3>in a morgue. But they also they talk about your performance,

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<v Speaker 3>and it was talking about the way that you were

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<v Speaker 3>on stage and you were kicking, and it was kind

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<v Speaker 3>of a withdrawn way of processing emotions. And I I

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<v Speaker 3>watched a recent show of you guys, there was something

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<v Speaker 3>so incredibly life affirming about it and open and positive,

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<v Speaker 3>and not to say that the former maybe didn't have

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<v Speaker 3>those elements, and I realized that was a much different

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<v Speaker 3>chapter in your life. But I think it's worth remarking

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<v Speaker 3>on that you're able to kind of combine those elements

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<v Speaker 3>and you're still singing songs called dead Bodies everywhere.

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<v Speaker 1>Yeah. Man, it's the way I've dealt with everything I've

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<v Speaker 1>been through in my life. I've had a very happy

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<v Speaker 1>life and now it's amazing. I mean, but I think

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<v Speaker 1>it's like everybody. We have our ups and downs, and

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<v Speaker 1>I choose to do my art on the darker stuff

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<v Speaker 1>in my life and it really moves me. So when

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<v Speaker 1>I get up there and sing those songs, I'm just

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<v Speaker 1>letting loose. I let loose, I just go somewhere else,

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<v Speaker 1>I let all the emotions come out, and then when

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<v Speaker 1>I'm done, I just kick back and I'm happy because

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<v Speaker 1>I don't have any of this stuff built up inside me. Yeah,

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<v Speaker 1>it's just how I've figured out how to get through

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<v Speaker 1>my life.

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<v Speaker 3>It's a beautiful thing to see, you know.

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<v Speaker 1>Yeah.

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<v Speaker 3>So it sounds like maybe just some degree, you're able

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<v Speaker 3>to compartmentalize a lot of these interests. I mean, do

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<v Speaker 3>you still have some interest in mortuary science.

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<v Speaker 1>I mean I collect all kinds of stuff. I still

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<v Speaker 1>love mortuary science. I have a bunch of of old

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<v Speaker 1>mortuary equipment and stuff like that. I love medical preparations.

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<v Speaker 1>I collect those old ones, old quack medicine stuff. There's

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<v Speaker 1>all these different ones. There's these it's stupid, but I

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<v Speaker 1>got like these just quack medicine stuff. This is a

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<v Speaker 1>perfect one. These crazy box of rectal plugs are supposed

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<v Speaker 1>to help you cure asthma and insomnia. Just funny, just

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<v Speaker 1>I love that old quack medicine stuff.

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<v Speaker 4>Bougies they call them bougies.

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<v Speaker 3>Bougies is that those.

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<v Speaker 4>Are the real dilators. And they would sell them in kits,

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<v Speaker 4>like they'd get bigger and bigger, like you could have

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<v Speaker 4>the advanced rectal dilator.

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<v Speaker 1>Yeah, which should be like you graduate, wow after so long? Yeah,

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<v Speaker 1>just stuff like that I like to collect. I have

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<v Speaker 1>a bunch of of like haunted artifacts and all kinds

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<v Speaker 1>of stuff, more of the Macob stuff. That's just it

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<v Speaker 1>inspires me and I love being around it.

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<v Speaker 3>What's your source? Like? Is it an eBay? Do you

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<v Speaker 3>look for that kind of thing?

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<v Speaker 1>Just stuff finds me? Man, I swear yeah, I'm it

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<v Speaker 1>really does. I don't actively go looking, but most of

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<v Speaker 1>the stuff I founding my hunted doll stuff like that.

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<v Speaker 1>It's because I go around like town and when I'm

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<v Speaker 1>on tour, I'm gonna ask what is one thing in

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<v Speaker 1>here that makes you feel the most uneasy? And there's

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<v Speaker 1>always something. Oh, come here and not buy that.

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<v Speaker 3>Were you familiar with Mary's book? Had that ever come

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<v Speaker 3>across your desk?

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<v Speaker 1>No? But I definitely want to check some of your

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<v Speaker 1>books out. Well.

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<v Speaker 3>This one is an amazing book. I got it for

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<v Speaker 3>Christmas when it came out in two thousand and three

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<v Speaker 3>or four, and it's still, not surprisingly, one of the

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<v Speaker 3>most memorable books I've ever read. I can still retell

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<v Speaker 3>certain passages. So, Mary, what stands out in your mind

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<v Speaker 3>because exhaustive research went into this. You're visiting morgues, you're

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<v Speaker 3>visiting crash tests with cadavers, you're visiting this body farm,

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<v Speaker 3>which is insane. What stands out in your memory twenty

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<v Speaker 3>years later, I.

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<v Speaker 4>Think the I guess the body farm. But I was

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<v Speaker 4>gonna say the very first chapter I reported was at

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<v Speaker 4>the mortuary college that Jonathan went to, and it was

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<v Speaker 4>the first time I'd seen a body other than I

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<v Speaker 4>had a job as a janitor at college where I

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<v Speaker 4>grew up in high school. I was a cleaner, but

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<v Speaker 4>one time I got assigned to the morgue. But those

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<v Speaker 4>bodies were all under these kind of clear plastic tarps,

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<v Speaker 4>so it was which was kind of creepier in a

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<v Speaker 4>way because it was dark, it was after hours, and

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<v Speaker 4>I was like with my broom. So that's actually technically

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<v Speaker 4>the first dead bodies I've seen. But the one that

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<v Speaker 4>I saw, okay, the one that they were being trained

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<v Speaker 4>on was a body. It was a reject. You know,

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<v Speaker 4>this guy had donated himself to medical science, but he

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<v Speaker 4>was rejected because he had an autopsy. So he's got

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<v Speaker 4>this See he's like his torso is just like a

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<v Speaker 4>gaping red hole, and I'm not prepared for that. And

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<v Speaker 4>I'm like, heay, you know, with the viscera bag, but

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<v Speaker 4>without the organs, you know, they're in the bag, and

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<v Speaker 4>it's this just this blood red shell. And I realized

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00:14:21.960 --> 00:14:24.120
<v Speaker 4>years later because for a few days after that, that

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<v Speaker 4>image kept popping into my head and I was thinking,

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<v Speaker 4>maybe this book wasn't such a smart maybe I'm not

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<v Speaker 4>okay with this.

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<v Speaker 1>But again two.

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<v Speaker 4>Days, three days later, the images started going away. But

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<v Speaker 4>that is I realized much later. That's something people with

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<v Speaker 4>PTSD have that, or these really gruesome things like that

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<v Speaker 4>they've seen pop into their head. I don't know if

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<v Speaker 4>you ever had.

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<v Speaker 1>That, Jonathan, Yeah, a lot, because I did autopsy babies,

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<v Speaker 1>oh Man, and toddlers in five and six year old children.

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<v Speaker 1>I did autopsy on this little boy and we opened

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<v Speaker 1>up this stomach. Can found a bag of rock cocaine

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<v Speaker 1>in it that he ingested.

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<v Speaker 4>Yeah.

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<v Speaker 1>I saw just things like I said that. Oh, it

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<v Speaker 1>still gets to me. I have children that just like. Oh,

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<v Speaker 1>I became such a hard I had no feeling and

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<v Speaker 1>I hated that I had to have no feelings. I

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00:15:15.919 --> 00:15:16.720
<v Speaker 1>want to insane.

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<v Speaker 4>Yeah, I know this woman I met years later she's

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<v Speaker 4>the medical examiner for Oakland, California. We have a lot

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<v Speaker 4>of pretty grizzly crime here in Oakland. Yeah, and she

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<v Speaker 4>she said, Okay, you know, I think she made it

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<v Speaker 4>a personal goal to make me gag, which I had

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<v Speaker 4>never you know, people would say, did this book, did

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<v Speaker 4>you ever throw up? I'm like, nah, you know, I'm pretty,

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<v Speaker 4>I'm not squeamish. But she brought me in and there

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<v Speaker 4>were these I don't I don't know why I'm telling

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<v Speaker 4>you this. That really wasn't the question. But there was

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<v Speaker 4>these two people who had been found in an apartment

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<v Speaker 4>after I don't know. They were very bloated. They were

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<v Speaker 4>big people to begin with, and they were in that

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<v Speaker 4>bloat stage and she cut them open, and the smell

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<v Speaker 4>the world. Oh my god. I mean, I gaged. I've

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<v Speaker 4>never gagged in my life. I think of myself as

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<v Speaker 4>somebody pretty macho when it comes to things that are gross.

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<v Speaker 4>I left the room and she was like, what's the

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<v Speaker 4>big deal. It's just like changing a diaper.

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<v Speaker 1>I'm like, no, it's not diapers. Smell that smell. It's horrible.

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<v Speaker 3>And in your book you describe what is it the

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<v Speaker 3>root of that smell? I've never smelled anything beyond like

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<v Speaker 3>a dead road kill. Yeah, but could you talk a

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<v Speaker 3>little bit about that. What's what's going on there?

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<v Speaker 4>Well, what's going on basically is that when you die,

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<v Speaker 4>your cells have these enzymes and they you know, they

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<v Speaker 4>need to break things down so they can use them.

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<v Speaker 4>And when you die, they start these enzymes sort of

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00:16:46.919 --> 00:16:49.279
<v Speaker 4>break down the cells themselves, so all the liquid in

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00:16:49.320 --> 00:16:51.200
<v Speaker 4>all your cells kind of leaks out and you get

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00:16:51.399 --> 00:16:53.440
<v Speaker 4>sort of gushy and there's a lot of fluid going

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00:16:53.480 --> 00:16:57.200
<v Speaker 4>everywhere and bacteria love that. So the bacteria are going

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00:16:57.279 --> 00:16:59.759
<v Speaker 4>crazy and the fluids making its way to the parts

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00:16:59.759 --> 00:17:02.799
<v Speaker 4>of the where there's a lot of bacteria. The guts.

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<v Speaker 4>You know, once the guts open up in the there's

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<v Speaker 4>just this crazy bacterial feast. And bacteria when they're eating, uh,

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00:17:12.200 --> 00:17:16.359
<v Speaker 4>they're like you. They break things down and a fart. Basically,

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<v Speaker 4>they they produce gas as you do when you eat

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<v Speaker 4>and digest. So they're digesting and they're releasing tons of gas,

347
00:17:23.759 --> 00:17:28.079
<v Speaker 4>which builds up and at some point your interior organs

348
00:17:28.640 --> 00:17:31.519
<v Speaker 4>may burst and so there's just a lot of room

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<v Speaker 4>for the gas to be going everywhere. So the things

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<v Speaker 4>that tend to be bloating. Are places where there's a

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<v Speaker 4>lot of bacteria, like the scrotum and the mouth and

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<v Speaker 4>the guts, so there's you know, I haven't discussed this

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<v Speaker 4>in a long time. I've like I just reread it.

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<v Speaker 4>So yeah, yeah, anyway, that's what's going on, and putre

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<v Speaker 4>faction is just more breaking down and liquefying. And at

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<v Speaker 4>the body farm, you would see in the advanced ages

357
00:18:00.519 --> 00:18:03.559
<v Speaker 4>of putre faction, it's kind of like a puddle all

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<v Speaker 4>around you kind of compared it to like in the

359
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<v Speaker 4>Wizard of Oz, the bad which is melting. You know,

360
00:18:10.480 --> 00:18:15.119
<v Speaker 4>this is becoming this pool. Yeah, so you're just becoming liquid,

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<v Speaker 4>except for of course you're depending on the how dry

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00:18:18.839 --> 00:18:20.960
<v Speaker 4>it is. You know, your skin and bones take longer.

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<v Speaker 4>You're that's the last thing to go, you know. The

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<v Speaker 4>wetter stuff is like the brain goes, the eyes go fat.

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<v Speaker 4>The wet stuff goes first, and then the harder stuff

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<v Speaker 4>takes longer time to break down. And there's bugs that

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<v Speaker 4>help with that and sometimes rodents, so you know, the

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<v Speaker 4>whole thing ends up getting broken down though, one way

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<v Speaker 4>or another.

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<v Speaker 3>Could you tell Jonathan about the body farm what the

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<v Speaker 3>body farm was?

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<v Speaker 4>Oh? Sure, sure. The body Farm. There's a place at

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<v Speaker 4>University of Tennessee. Was the original That's where I went,

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<v Speaker 4>and Stiff there's now there's like everywhere. They have them

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<v Speaker 4>in different environments because it's a place to study the

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<v Speaker 4>forensics of human decay, and that is something that is

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<v Speaker 4>used to try to solve crimes, like say you have

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<v Speaker 4>a body and you want to figure out how long

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<v Speaker 4>has this person been dead? How long have they been

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<v Speaker 4>lying there? In order to understand that, you've got to

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00:19:11.480 --> 00:19:15.880
<v Speaker 4>factor in the temperature. Was the body wet, is it dries?

382
00:19:16.079 --> 00:19:19.240
<v Speaker 4>Is a very humid place or a very arid place.

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00:19:19.400 --> 00:19:22.319
<v Speaker 4>Was the body clothed? Was it naked? Was it in water?

384
00:19:22.960 --> 00:19:26.359
<v Speaker 4>All of these things affect the timeline of decay. So

385
00:19:27.559 --> 00:19:33.359
<v Speaker 4>they study that and that information informs the criminal forensics process,

386
00:19:33.440 --> 00:19:36.200
<v Speaker 4>the process of figuring out how long this person has

387
00:19:36.240 --> 00:19:39.079
<v Speaker 4>been dead. So the body farm is the place where

388
00:19:39.119 --> 00:19:41.240
<v Speaker 4>they study that, and they've been doing that for years

389
00:19:41.880 --> 00:19:44.240
<v Speaker 4>because it used to be, you know, sometimes they were

390
00:19:44.319 --> 00:19:46.200
<v Speaker 4>way off and then they'd be a body would be

391
00:19:46.200 --> 00:19:48.559
<v Speaker 4>discovered and they'd say, yeah, this looks like six weeks,

392
00:19:48.559 --> 00:19:50.599
<v Speaker 4>and it would be like twenty five years, because it

393
00:19:50.680 --> 00:19:55.559
<v Speaker 4>just depends on Sometimes bodies are naturally preserved by the environment.

394
00:19:55.799 --> 00:19:57.799
<v Speaker 4>You know, if it's very air, they kind of mummify

395
00:19:57.839 --> 00:20:01.759
<v Speaker 4>and they don't look soupy and they don't you know,

396
00:20:01.799 --> 00:20:06.279
<v Speaker 4>break down completely. So anyway, that's the Body Farm. But

397
00:20:06.359 --> 00:20:10.839
<v Speaker 4>what I loved about it is that it's this beautiful

398
00:20:10.839 --> 00:20:14.440
<v Speaker 4>little patch of land, like off beyond beyond the medical center.

399
00:20:14.640 --> 00:20:17.640
<v Speaker 4>It's got hickory trees and squirrels, and it's really like

400
00:20:17.720 --> 00:20:19.720
<v Speaker 4>you walk in and you're like, Oh, this doesn't seem

401
00:20:19.759 --> 00:20:22.319
<v Speaker 4>that bad, you know, and then then they're like, oh,

402
00:20:22.319 --> 00:20:25.160
<v Speaker 4>there's a guy taking a nap over there under a tree,

403
00:20:25.839 --> 00:20:28.319
<v Speaker 4>and they're just placed here and there kind of like

404
00:20:29.480 --> 00:20:32.039
<v Speaker 4>it doesn't look like a scientific facility. Like there's a

405
00:20:32.079 --> 00:20:34.440
<v Speaker 4>guy lying under a tree and they were studying the

406
00:20:34.480 --> 00:20:37.920
<v Speaker 4>effect of clothing that day, so he's wearing like sweatpants

407
00:20:37.920 --> 00:20:40.240
<v Speaker 4>and a sweatshirt and it really just sort of looked

408
00:20:40.279 --> 00:20:42.920
<v Speaker 4>like a guy napping, except that weird stillness that dead

409
00:20:42.960 --> 00:20:43.359
<v Speaker 4>people have.

410
00:20:43.839 --> 00:20:47.519
<v Speaker 3>And so were they kind of grouped by where they're

411
00:20:47.559 --> 00:20:49.559
<v Speaker 3>at in the process of decay? Was that right?

412
00:20:49.720 --> 00:20:51.920
<v Speaker 4>Well, it depends on what they're studying. Like there's a

413
00:20:51.960 --> 00:20:56.599
<v Speaker 4>section where they have domestic beetles. They clean bones, so there.

414
00:20:56.720 --> 00:21:00.359
<v Speaker 4>I'm not sure if they were processing just clear cleaning

415
00:21:00.359 --> 00:21:04.400
<v Speaker 4>skeletons for some reason. There's like the neighborhood of skeletons,

416
00:21:04.440 --> 00:21:06.319
<v Speaker 4>and then the other ones they were you know, like

417
00:21:06.400 --> 00:21:08.640
<v Speaker 4>the clothed guy was under a tree and then there

418
00:21:08.720 --> 00:21:10.720
<v Speaker 4>was a woman that you would kind of walk through

419
00:21:11.079 --> 00:21:15.240
<v Speaker 4>the They weren't arranged in any It was like, what what,

420
00:21:15.240 --> 00:21:18.200
<v Speaker 4>what's your project? You know, kind of stake out your land.

421
00:21:18.240 --> 00:21:21.119
<v Speaker 4>And some of them had a covering to keep scavengers out,

422
00:21:21.119 --> 00:21:22.680
<v Speaker 4>but most of them were just kind of lie and

423
00:21:22.759 --> 00:21:25.920
<v Speaker 4>they're dead. Jonathan, you would love it.

424
00:21:26.279 --> 00:21:29.000
<v Speaker 1>I would actually, And there's one now.

425
00:21:29.039 --> 00:21:31.400
<v Speaker 4>There's one in California. There's one in the Central Valley.

426
00:21:31.400 --> 00:21:33.839
<v Speaker 4>Because they want them in different like they would want

427
00:21:34.680 --> 00:21:38.559
<v Speaker 4>like a dry, arid place and then some a humid place,

428
00:21:38.920 --> 00:21:40.799
<v Speaker 4>you know. So there's one in the Midwest. There's one

429
00:21:40.799 --> 00:21:45.720
<v Speaker 4>in New England now, but the original was in Knoxville, Tennessee.

430
00:21:45.720 --> 00:21:45.920
<v Speaker 1>Wow.

431
00:21:46.440 --> 00:21:48.920
<v Speaker 3>Earlier you mentioned that the brain and the eyes, that

432
00:21:49.000 --> 00:21:52.079
<v Speaker 3>those go pretty fast because they're so liquidity, and so

433
00:21:52.279 --> 00:21:56.279
<v Speaker 3>what happens the there's just a vacant spot where the

434
00:21:56.319 --> 00:21:59.880
<v Speaker 3>eye once was. You describe them as X's in the book.

435
00:22:00.160 --> 00:22:03.559
<v Speaker 4>Yeah, they the eye does have that kind of the

436
00:22:03.599 --> 00:22:06.200
<v Speaker 4>pupil because it kind of collapses, so they don't have

437
00:22:06.240 --> 00:22:09.400
<v Speaker 4>that dark black area. They kind of just look it's

438
00:22:09.440 --> 00:22:11.880
<v Speaker 4>they're very it's very weird. I asked this guy at

439
00:22:11.880 --> 00:22:15.759
<v Speaker 4>the mortuary college, I'm like, how did you decide to

440
00:22:15.799 --> 00:22:18.799
<v Speaker 4>get into this? And he said, well, this is back

441
00:22:18.839 --> 00:22:22.440
<v Speaker 4>before pagers and cell phones. He said, you know, you

442
00:22:22.440 --> 00:22:26.119
<v Speaker 4>could have a free apartment upstairs from the mortuary because

443
00:22:26.119 --> 00:22:28.039
<v Speaker 4>you had to be there on call when the body

444
00:22:28.079 --> 00:22:30.000
<v Speaker 4>came in. It was like free room and board.

445
00:22:30.359 --> 00:22:32.759
<v Speaker 1>When I went to college, is like, I got free

446
00:22:32.839 --> 00:22:35.039
<v Speaker 1>room and board. Well I had I had to buy food,

447
00:22:35.079 --> 00:22:37.920
<v Speaker 1>but I got a free room and woke up and

448
00:22:37.960 --> 00:22:39.759
<v Speaker 1>went to school. Well, they came back and I just

449
00:22:39.759 --> 00:22:41.680
<v Speaker 1>had to do removals at night. We were on call,

450
00:22:41.759 --> 00:22:43.160
<v Speaker 1>so we stayed and lived in the mortuary.

451
00:22:43.440 --> 00:22:45.039
<v Speaker 3>What was the process of removals?

452
00:22:45.119 --> 00:22:47.759
<v Speaker 1>Like, well, you just you get a call, you'd get

453
00:22:47.799 --> 00:22:50.559
<v Speaker 1>the address and you'd go pick someone up who passed away.

454
00:22:50.839 --> 00:22:53.480
<v Speaker 1>It was it's tricky, especially in some of the places

455
00:22:53.480 --> 00:22:56.000
<v Speaker 1>in San Francisco and the Mission and all that. I

456
00:22:56.039 --> 00:22:58.000
<v Speaker 1>got a call and I went and this was a

457
00:22:58.279 --> 00:23:01.160
<v Speaker 1>really big person too, through hundred pounds and I couldn't

458
00:23:01.359 --> 00:23:03.119
<v Speaker 1>get them, and then we had to go down a

459
00:23:03.160 --> 00:23:05.640
<v Speaker 1>spiral staircase because there was no way out because those

460
00:23:05.640 --> 00:23:07.960
<v Speaker 1>old buildings away they were built, so we had to

461
00:23:07.960 --> 00:23:09.759
<v Speaker 1>strap them on there and we had to get family

462
00:23:09.799 --> 00:23:13.359
<v Speaker 1>members and other people in the building just to help. Well.

463
00:23:13.359 --> 00:23:15.359
<v Speaker 1>I think one time we called the fire department just

464
00:23:15.400 --> 00:23:16.960
<v Speaker 1>to help get them out and get them into the car,

465
00:23:17.000 --> 00:23:18.880
<v Speaker 1>and then once I got them to the removal van,

466
00:23:19.680 --> 00:23:21.960
<v Speaker 1>take them to the mortuary. How am I going to get this?

467
00:23:22.200 --> 00:23:23.640
<v Speaker 1>There was always this how am I going to get

468
00:23:23.640 --> 00:23:26.200
<v Speaker 1>this person out? But then there was other ones where

469
00:23:26.200 --> 00:23:28.519
<v Speaker 1>it's really simple. You'd go and in it was just an

470
00:23:28.680 --> 00:23:31.279
<v Speaker 1>easy removal and bring them in, to take them into

471
00:23:31.319 --> 00:23:34.240
<v Speaker 1>the embombing room and leave them for the embalmer to come.

472
00:23:34.279 --> 00:23:36.480
<v Speaker 1>Because I couldn't embomb then it was just an apprentice.

473
00:23:37.000 --> 00:23:39.079
<v Speaker 1>I was just going to school. I wasn't even apprentice yet.

474
00:23:39.640 --> 00:23:41.119
<v Speaker 1>But when I worked at the other mortuary, when I

475
00:23:41.160 --> 00:23:43.400
<v Speaker 1>was an apprentice, I have to always when I was

476
00:23:43.480 --> 00:23:45.160
<v Speaker 1>in bombing, I had to have the embommer there with

477
00:23:45.160 --> 00:23:45.720
<v Speaker 1>me to watch me.

478
00:23:45.839 --> 00:23:49.319
<v Speaker 3>Okay, I used to live by this park in Brooklyn

479
00:23:49.480 --> 00:23:53.279
<v Speaker 3>and there were a lot of alcoholics who would expire

480
00:23:53.480 --> 00:23:55.640
<v Speaker 3>in the park. It would happen from time to time.

481
00:23:55.720 --> 00:23:58.880
<v Speaker 3>And one time I went out for a walk and

482
00:23:59.039 --> 00:24:03.079
<v Speaker 3>there was a guy who was clearly late stages of alcoholism,

483
00:24:03.119 --> 00:24:05.839
<v Speaker 3>and he was kind of looked like he was lying

484
00:24:05.920 --> 00:24:08.880
<v Speaker 3>down across the street from my apartment. I went up

485
00:24:08.920 --> 00:24:10.920
<v Speaker 3>to ask if he was okay, and he kind of

486
00:24:10.960 --> 00:24:14.519
<v Speaker 3>grunted at me, and I went off to the park,

487
00:24:14.559 --> 00:24:16.240
<v Speaker 3>and as I was walking away, I just like my

488
00:24:16.359 --> 00:24:18.720
<v Speaker 3>mind was putting together what I just seen. I was

489
00:24:18.799 --> 00:24:21.720
<v Speaker 3>just like, that did not make sense. So I went

490
00:24:21.880 --> 00:24:25.039
<v Speaker 3>back and literally in three minutes he was dead right.

491
00:24:25.519 --> 00:24:28.920
<v Speaker 3>But because it wasn't a crime, and because he had

492
00:24:28.960 --> 00:24:32.480
<v Speaker 3>no family, it fell into this weird pocket in New

493
00:24:32.559 --> 00:24:35.599
<v Speaker 3>York City where it was just only the coroner could

494
00:24:35.640 --> 00:24:38.880
<v Speaker 3>remove the body, not an ambulance, not a cop, And

495
00:24:38.960 --> 00:24:41.880
<v Speaker 3>so the corner in New York City, as you can imagine,

496
00:24:41.960 --> 00:24:44.599
<v Speaker 3>was very backed up. So what they had to do

497
00:24:45.160 --> 00:24:47.960
<v Speaker 3>was just have a cop sit in a car just

498
00:24:48.119 --> 00:24:50.640
<v Speaker 3>next to the body until the coroner could come pick

499
00:24:50.680 --> 00:24:52.960
<v Speaker 3>it up. And so it was just laying there all

500
00:24:53.079 --> 00:24:55.119
<v Speaker 3>day long under a sheet.

501
00:24:55.000 --> 00:24:55.640
<v Speaker 1>I believe it.

502
00:24:56.200 --> 00:24:59.359
<v Speaker 3>So you started to talk about embalming, which is one

503
00:24:59.359 --> 00:25:01.240
<v Speaker 3>of the other things that that I'd like to talk

504
00:25:01.240 --> 00:25:04.559
<v Speaker 3>about here. So you what do you remember about that process.

505
00:25:04.880 --> 00:25:09.160
<v Speaker 1>It's just like you're replacing the blood in the body

506
00:25:09.200 --> 00:25:12.359
<v Speaker 1>with embombing fluid, which is from aldehyde and the chemical.

507
00:25:12.680 --> 00:25:13.960
<v Speaker 4>They look so much better.

508
00:25:14.359 --> 00:25:15.119
<v Speaker 1>They look way better.

509
00:25:15.160 --> 00:25:16.680
<v Speaker 4>Once I want to be bombed.

510
00:25:16.759 --> 00:25:20.559
<v Speaker 1>Once you plumps, once you put the fluid in, you

511
00:25:20.680 --> 00:25:23.519
<v Speaker 1>just like yeah, and it makes it gives you color.

512
00:25:23.720 --> 00:25:25.960
<v Speaker 1>Got color in it, right, Yeah, it's got coloring.

513
00:25:25.960 --> 00:25:27.920
<v Speaker 4>It's like an amazing transformation.

514
00:25:28.799 --> 00:25:31.519
<v Speaker 1>It makes everything, It freezes everything, so when you touch

515
00:25:31.559 --> 00:25:34.440
<v Speaker 1>the skin, there's none of this. Right, it's just like

516
00:25:34.680 --> 00:25:36.920
<v Speaker 1>hard as a rock if you do it right. And

517
00:25:37.440 --> 00:25:39.480
<v Speaker 1>how it depends on the pressure, how much you're you're

518
00:25:39.480 --> 00:25:42.160
<v Speaker 1>getting into the capillaries and the tissue, how much you massage.

519
00:25:42.559 --> 00:25:46.359
<v Speaker 1>So basically real short, if it's normal, if it's not

520
00:25:46.400 --> 00:25:48.759
<v Speaker 1>an autopsy, you make an decision right here on your

521
00:25:48.799 --> 00:25:51.680
<v Speaker 1>on your the bone right here, and you dissect and

522
00:25:51.720 --> 00:25:54.400
<v Speaker 1>you get the jugular and the carotid army, right, you'll

523
00:25:54.440 --> 00:25:57.559
<v Speaker 1>inject into there using an em bombing machine which acts

524
00:25:57.599 --> 00:26:01.119
<v Speaker 1>like a heart, and you're gonna pump that fluid into

525
00:26:01.160 --> 00:26:03.000
<v Speaker 1>the body and use the jugular vein. You have a

526
00:26:03.039 --> 00:26:05.200
<v Speaker 1>pair of foresteps and have a pair of amroun here somewhere,

527
00:26:05.559 --> 00:26:07.559
<v Speaker 1>and you go down the jugular into the heart kind

528
00:26:07.640 --> 00:26:09.720
<v Speaker 1>area and you're pulling the cloths out. You just sit

529
00:26:09.759 --> 00:26:12.680
<v Speaker 1>there and leave that vein open and you let the

530
00:26:12.680 --> 00:26:15.559
<v Speaker 1>embombing machine do its work. It's gonna pump the embombing

531
00:26:15.559 --> 00:26:18.279
<v Speaker 1>fluid in and push the blood out, and while that's

532
00:26:18.279 --> 00:26:20.559
<v Speaker 1>going on, you cover the body and soap and you

533
00:26:20.599 --> 00:26:22.720
<v Speaker 1>start massaging. So if you're shooting down on the blue,

534
00:26:22.720 --> 00:26:25.039
<v Speaker 1>you're gonna start massaging up from the hands because you

535
00:26:25.039 --> 00:26:27.720
<v Speaker 1>want to get the blood out, So you're gonna massage

536
00:26:27.720 --> 00:26:29.279
<v Speaker 1>the entire body. You're going to try and get the

537
00:26:29.279 --> 00:26:31.160
<v Speaker 1>blood out of the body and get the fluid in

538
00:26:31.319 --> 00:26:34.640
<v Speaker 1>so it gets into the capillaries and it totally gets

539
00:26:34.680 --> 00:26:37.880
<v Speaker 1>in saturates the tissue with this from aldehyde, which then

540
00:26:38.119 --> 00:26:42.079
<v Speaker 1>like it sanitizes the body and totally preserves it.

541
00:26:42.200 --> 00:26:45.880
<v Speaker 4>Kind of an amazing idea to use the human circulatory

542
00:26:46.000 --> 00:26:51.759
<v Speaker 4>system to get that fluid everywhere to all your cells.

543
00:26:51.839 --> 00:26:53.720
<v Speaker 4>I mean, it's brilliant, you know, because I don't know

544
00:26:53.759 --> 00:26:56.920
<v Speaker 4>the early the mummification is kind of like, you know,

545
00:26:57.039 --> 00:26:59.759
<v Speaker 4>you pack the body in something and you maybe stuff

546
00:26:59.799 --> 00:27:02.680
<v Speaker 4>so down the mouth. But this like this to have

547
00:27:02.759 --> 00:27:06.519
<v Speaker 4>that idea to pump like a heart, Like Jonathan said,

548
00:27:06.559 --> 00:27:10.640
<v Speaker 4>you're you know, replacing the blood with this preservative that

549
00:27:11.200 --> 00:27:14.519
<v Speaker 4>kind of links the proteins together. It just basically keeps

550
00:27:14.559 --> 00:27:18.160
<v Speaker 4>bacteria from being able to break the cells down the

551
00:27:18.200 --> 00:27:21.559
<v Speaker 4>way they normally would. It also kills them. But that's

552
00:27:21.599 --> 00:27:22.559
<v Speaker 4>a brilliant idea.

553
00:27:22.960 --> 00:27:23.559
<v Speaker 1>Yeah. Right.

554
00:27:24.400 --> 00:27:26.920
<v Speaker 3>The jugular is that the same thing as the a order.

555
00:27:27.119 --> 00:27:30.920
<v Speaker 4>No, that's your heart, the big in your ches heart artery.

556
00:27:31.640 --> 00:27:33.039
<v Speaker 1>It goes all the way down into your.

557
00:27:33.079 --> 00:27:35.319
<v Speaker 3>What's the jugular? This is a vein that's.

558
00:27:35.119 --> 00:27:35.680
<v Speaker 4>In your neck.

559
00:27:36.039 --> 00:27:38.440
<v Speaker 1>So yeah, the jugglars are vein, so your arteries is

560
00:27:38.519 --> 00:27:42.279
<v Speaker 1>oxygenated blood. And then the jugular is when the part's

561
00:27:42.279 --> 00:27:45.920
<v Speaker 1>pumping the the carbon dioxide blood. I call it out.

562
00:27:46.839 --> 00:27:50.119
<v Speaker 1>So you're going in do they crotted and out through

563
00:27:50.160 --> 00:27:50.680
<v Speaker 1>the jugular?

564
00:27:50.880 --> 00:27:53.400
<v Speaker 3>And Mary in your book you talk about it looked

565
00:27:53.480 --> 00:27:56.240
<v Speaker 3>like the end of a whoopee cushion, Right, It was

566
00:27:56.319 --> 00:27:56.839
<v Speaker 3>that wide.

567
00:27:56.839 --> 00:27:59.000
<v Speaker 4>It did to me, like the guy THEO if you

568
00:27:59.119 --> 00:28:00.920
<v Speaker 4>raise the artery, I think it was the artery.

569
00:28:01.079 --> 00:28:03.759
<v Speaker 1>Yeah, the crodit Yeah, they're connected together like that.

570
00:28:03.839 --> 00:28:07.160
<v Speaker 4>Yeah. The end of it to me looked like what

571
00:28:07.240 --> 00:28:09.519
<v Speaker 4>you blow on a whoopee cushion. I mean it's big.

572
00:28:09.839 --> 00:28:13.559
<v Speaker 4>It's like a gronken big tube.

573
00:28:14.000 --> 00:28:16.720
<v Speaker 1>Yeah, there's there two twos. It's hard. You gotta dissect

574
00:28:16.720 --> 00:28:19.680
<v Speaker 1>them apart. But and that's if they haven't been autopsy. Now,

575
00:28:19.680 --> 00:28:22.200
<v Speaker 1>if their autopsy is a total different thing, because the

576
00:28:22.200 --> 00:28:24.519
<v Speaker 1>pathology has gone on there and just ripped everything out.

577
00:28:24.839 --> 00:28:26.759
<v Speaker 1>So there's no surety exactly.

578
00:28:26.920 --> 00:28:27.720
<v Speaker 4>It's a mess.

579
00:28:28.119 --> 00:28:30.039
<v Speaker 1>So now you got to do. If you can find

580
00:28:30.039 --> 00:28:32.359
<v Speaker 1>the karate, you'll shoot up just for this side of

581
00:28:32.359 --> 00:28:35.160
<v Speaker 1>the head. You'll shoot down here and these arteries here

582
00:28:35.200 --> 00:28:37.480
<v Speaker 1>just to do the arm, and you'll shoot down the

583
00:28:37.559 --> 00:28:40.839
<v Speaker 1>arteries of the legs to get that. So you're doing one, two, three, four,

584
00:28:41.240 --> 00:28:43.039
<v Speaker 1>six points of injectory.

585
00:28:42.559 --> 00:28:44.519
<v Speaker 4>Because you don't have a closed system anymore.

586
00:28:44.880 --> 00:28:46.799
<v Speaker 1>You don't have a closed system. Oh and also once

587
00:28:46.839 --> 00:28:49.559
<v Speaker 1>you get done embalming, then you have to go in

588
00:28:50.039 --> 00:28:53.240
<v Speaker 1>with this stuff called cavity fluid. Use this giant troll

589
00:28:53.240 --> 00:28:56.200
<v Speaker 1>cards called the troll car. It's a giant spike and

590
00:28:56.279 --> 00:28:58.759
<v Speaker 1>you have aspiration to so it's sucking. It's like a suction.

591
00:28:59.480 --> 00:29:01.039
<v Speaker 1>And you go there and you just try to make

592
00:29:01.119 --> 00:29:03.160
<v Speaker 1>mince meat of all the organs in there so they

593
00:29:03.160 --> 00:29:04.960
<v Speaker 1>can't blow up, Like you said, when they start to

594
00:29:05.000 --> 00:29:06.640
<v Speaker 1>come down, they'll start to fill up full of air.

595
00:29:06.720 --> 00:29:09.200
<v Speaker 1>So you poke everything and you just make it all

596
00:29:09.240 --> 00:29:12.039
<v Speaker 1>mince meat in there, and then you stick it in there,

597
00:29:12.160 --> 00:29:14.000
<v Speaker 1>and you take the suction tube off and you put

598
00:29:14.039 --> 00:29:17.599
<v Speaker 1>cavity fluid, which is like even more intense from aldehyde,

599
00:29:17.799 --> 00:29:21.000
<v Speaker 1>and that preserves that in there. And then the autopsy,

600
00:29:21.039 --> 00:29:22.720
<v Speaker 1>you just take cavity fluid and you open up the

601
00:29:22.720 --> 00:29:24.440
<v Speaker 1>plastic bag and you just dump it in there.

602
00:29:24.839 --> 00:29:27.319
<v Speaker 3>Well, So then do you ever like rupture a vein

603
00:29:27.559 --> 00:29:29.799
<v Speaker 3>when it's being pumped in and end up just in

604
00:29:29.839 --> 00:29:30.599
<v Speaker 3>the entire.

605
00:29:30.640 --> 00:29:32.240
<v Speaker 1>I mean, you can do what happens if you're not

606
00:29:32.279 --> 00:29:35.319
<v Speaker 1>paying attention. Sometimes there's clots that get in there or something.

607
00:29:35.359 --> 00:29:37.480
<v Speaker 1>You got to watch the pressure. You can just stend.

608
00:29:37.599 --> 00:29:41.160
<v Speaker 1>You can blow someone's face up really big, or they'll

609
00:29:41.160 --> 00:29:43.000
<v Speaker 1>start to swell, and then what do you do. So

610
00:29:43.039 --> 00:29:45.599
<v Speaker 1>you got to really watch that. You got to watch

611
00:29:45.640 --> 00:29:47.079
<v Speaker 1>and you can see it start to happen, and then

612
00:29:47.079 --> 00:29:49.519
<v Speaker 1>you stop, okay, and you try to get out there

613
00:29:49.640 --> 00:29:52.079
<v Speaker 1>and pull the clot out, or you just stop there

614
00:29:52.079 --> 00:29:54.160
<v Speaker 1>because you don't want to stand a person's face this big.

615
00:29:54.319 --> 00:29:56.920
<v Speaker 1>Like if you do a cadaverter cadavers are like I

616
00:29:56.920 --> 00:29:59.079
<v Speaker 1>don't know how many. I think it's like double the

617
00:29:59.119 --> 00:30:01.839
<v Speaker 1>amount of fluid you would use or tripled the amount

618
00:30:01.839 --> 00:30:04.480
<v Speaker 1>of fluid you would use on a normal embombing. But

619
00:30:04.519 --> 00:30:07.519
<v Speaker 1>there's no drainage. You just blow them full up.

620
00:30:07.799 --> 00:30:10.359
<v Speaker 3>Wait, what's the difference between a cadaver and I mean,

621
00:30:10.359 --> 00:30:11.960
<v Speaker 3>what distinguishes a cadaver.

622
00:30:11.680 --> 00:30:15.759
<v Speaker 4>From a research Like for anatomy lab, you're basically like

623
00:30:15.880 --> 00:30:19.519
<v Speaker 4>mummifying those suckers to keep them for a lot longer,

624
00:30:19.559 --> 00:30:23.119
<v Speaker 4>like normally, correct me if I'm wrong, Jonathan. Embombing is

625
00:30:23.160 --> 00:30:27.039
<v Speaker 4>to keep the body looking decent for like an open casket,

626
00:30:27.119 --> 00:30:29.480
<v Speaker 4>Like it doesn't have to look good for a very

627
00:30:29.519 --> 00:30:31.839
<v Speaker 4>long a couple of days. But if you're gonna have

628
00:30:31.880 --> 00:30:35.000
<v Speaker 4>an anatomy class, that's a whole semester that you just

629
00:30:35.640 --> 00:30:39.240
<v Speaker 4>mummify that sucker a lot of formaldehyde.

630
00:30:39.119 --> 00:30:41.039
<v Speaker 1>Really intense and formal the hide.

631
00:30:40.960 --> 00:30:43.880
<v Speaker 4>You're changing the formula. I was at the anatomy lab

632
00:30:43.920 --> 00:30:45.440
<v Speaker 4>at UCSF.

633
00:30:45.200 --> 00:30:47.799
<v Speaker 3>And what was that experience, Like, what do you recall

634
00:30:47.839 --> 00:30:48.160
<v Speaker 3>from that?

635
00:30:49.759 --> 00:30:53.799
<v Speaker 4>The stench of formaldehyde, I mean really strong and it's

636
00:30:53.799 --> 00:30:56.000
<v Speaker 4>pretty toxic stuff. So at a certain point in the

637
00:30:56.000 --> 00:31:00.240
<v Speaker 4>semester they would cut the legs off because they were

638
00:31:00.240 --> 00:31:03.440
<v Speaker 4>done partly but also to lower the amount of exposure

639
00:31:04.240 --> 00:31:06.839
<v Speaker 4>from aldehyde, you know, because it's not a pleasant smell.

640
00:31:07.400 --> 00:31:10.519
<v Speaker 4>But the other thing was what was I found kind

641
00:31:10.519 --> 00:31:12.720
<v Speaker 4>of fascinating was not something in the lab, but the

642
00:31:12.759 --> 00:31:14.720
<v Speaker 4>fact that, and this is much more common now than

643
00:31:14.720 --> 00:31:16.680
<v Speaker 4>it was back then, they were just one of the

644
00:31:16.720 --> 00:31:21.079
<v Speaker 4>earlier schools that actually did a memorial service for those cadavers.

645
00:31:21.519 --> 00:31:24.680
<v Speaker 4>Like all the students they got together and the i

646
00:31:24.720 --> 00:31:28.039
<v Speaker 4>think family members of the cadavers and the students read

647
00:31:28.039 --> 00:31:30.480
<v Speaker 4>these tributes. And it was kind of moving, you know

648
00:31:30.519 --> 00:31:33.279
<v Speaker 4>because initially I heard, oh, they're doing a memorial service

649
00:31:33.640 --> 00:31:37.480
<v Speaker 4>for the cadavers, and I was picturing like what caskets

650
00:31:37.960 --> 00:31:39.599
<v Speaker 4>with the bodies, and I was kind of like, I

651
00:31:39.640 --> 00:31:41.960
<v Speaker 4>got to see this, But it was in fact just

652
00:31:42.640 --> 00:31:45.799
<v Speaker 4>the students and they had They was very touching. They

653
00:31:45.799 --> 00:31:48.839
<v Speaker 4>were very kind of grateful, and you know, the things

654
00:31:48.880 --> 00:31:52.799
<v Speaker 4>that they wrote were pretty moving as opposed to back

655
00:31:52.839 --> 00:31:56.319
<v Speaker 4>in the very early days of teaching anatomy, where you

656
00:31:56.319 --> 00:31:59.720
<v Speaker 4>were encouraged to make jokes and to like pose the

657
00:31:59.720 --> 00:32:02.519
<v Speaker 4>box with a cigarette and with your arm around him.

658
00:32:02.559 --> 00:32:04.720
<v Speaker 4>You know, that was kind of like a way of

659
00:32:04.759 --> 00:32:08.680
<v Speaker 4>coping back then. Yeah, I mean, humor is a way

660
00:32:08.720 --> 00:32:13.240
<v Speaker 4>of coping, and that was kind of the standard practice.

661
00:32:13.279 --> 00:32:16.119
<v Speaker 4>These days, it's there's a much more of an emphasis

662
00:32:16.160 --> 00:32:19.680
<v Speaker 4>on respecting the gift of the donor, et cetera. And

663
00:32:19.680 --> 00:32:21.359
<v Speaker 4>they did a good job of doing that. You know,

664
00:32:22.279 --> 00:32:25.200
<v Speaker 4>the day I was there, people seem very respectful. Who knows,

665
00:32:25.240 --> 00:32:27.640
<v Speaker 4>you know, when I'm I'm there with a notebook, so

666
00:32:27.720 --> 00:32:31.640
<v Speaker 4>nobody's going to be, you know, jousting with legs or whatever.

667
00:32:32.039 --> 00:32:34.839
<v Speaker 3>But you very effectively at the beginning of the book.

668
00:32:34.880 --> 00:32:36.400
<v Speaker 3>I don't know if you're able to recall any of

669
00:32:36.440 --> 00:32:39.480
<v Speaker 3>it right now, but you set a tone because you know,

670
00:32:39.519 --> 00:32:44.200
<v Speaker 3>I realized that, like you, you fuse humor in popular science,

671
00:32:44.279 --> 00:32:47.920
<v Speaker 3>and that's the tone you use. But I think you

672
00:32:47.920 --> 00:32:50.960
<v Speaker 3>you really kind of you establish a tone of respect

673
00:32:50.960 --> 00:32:52.559
<v Speaker 3>at the very beginning of the book.

674
00:32:52.599 --> 00:32:53.599
<v Speaker 4>Oh that doesn't sound like me.

675
00:32:55.119 --> 00:33:00.000
<v Speaker 3>Really, it doesn't ring any better. No, here it is.

676
00:33:00.440 --> 00:33:03.480
<v Speaker 3>This book is not about death as in dying. Death

677
00:33:03.519 --> 00:33:06.680
<v Speaker 3>as in dying is sad and profound. There's nothing funny

678
00:33:06.680 --> 00:33:09.240
<v Speaker 3>about losing someone you love or about being the person

679
00:33:09.319 --> 00:33:12.440
<v Speaker 3>about to be lost. This book is about the already dead,

680
00:33:12.519 --> 00:33:15.400
<v Speaker 3>the anonymous behind the scenes dead. The cadavers I have

681
00:33:15.480 --> 00:33:19.200
<v Speaker 3>seen were not depressing or heart wrenching or repulsive. They

682
00:33:19.240 --> 00:33:24.240
<v Speaker 3>seemed sweet and well intentioned, sometimes sad, occasionally amusing. Some

683
00:33:24.279 --> 00:33:27.720
<v Speaker 3>were beautiful, some monsters. Some were sweatpants and some were naked,

684
00:33:27.839 --> 00:33:32.319
<v Speaker 3>some in pieces, others whole. I think that that was

685
00:33:32.440 --> 00:33:36.000
<v Speaker 3>very artfully done, being able to tie all those things together.

686
00:33:36.440 --> 00:33:40.079
<v Speaker 4>You know, people would say, oh, you write about death,

687
00:33:40.119 --> 00:33:42.599
<v Speaker 4>you know, could Sometimes you want like, oh, we're doing

688
00:33:42.880 --> 00:33:45.480
<v Speaker 4>We're doing some show about death. I'm like, I don't,

689
00:33:45.680 --> 00:33:48.079
<v Speaker 4>and I don't know anything about death. I didn't write

690
00:33:48.079 --> 00:33:53.240
<v Speaker 4>about death. That's totally different to me. The world of cadavers,

691
00:33:53.279 --> 00:33:56.799
<v Speaker 4>that they look like people, but they're not. They're dead.

692
00:33:56.799 --> 00:33:59.119
<v Speaker 4>They're equally interesting, but just a whole different thing. I

693
00:33:59.200 --> 00:34:03.319
<v Speaker 4>couldn't really write it about death. Or maybe I could,

694
00:34:03.319 --> 00:34:06.079
<v Speaker 4>but I don't really want to. But it's a very

695
00:34:06.079 --> 00:34:08.159
<v Speaker 4>different thing. I mean, the dead and there is humor.

696
00:34:08.159 --> 00:34:12.239
<v Speaker 4>I mean, I would spent time at the school where

697
00:34:12.320 --> 00:34:14.480
<v Speaker 4>it's in Michigan, in Detroit. What's the name of the

698
00:34:14.519 --> 00:34:17.920
<v Speaker 4>university anyway, they do a lot of automotive safety testing.

699
00:34:17.960 --> 00:34:22.320
<v Speaker 4>They use cadavers to calibrate crash test dummies. They were

700
00:34:22.320 --> 00:34:24.599
<v Speaker 4>coming up with a new like a side impact dummy,

701
00:34:25.159 --> 00:34:27.199
<v Speaker 4>and I was there when they were they were doing

702
00:34:27.239 --> 00:34:29.719
<v Speaker 4>one of the impact tests with the cadaver and they

703
00:34:29.719 --> 00:34:33.320
<v Speaker 4>had to get this guy as dead guy who had

704
00:34:33.320 --> 00:34:37.159
<v Speaker 4>a number um O six I think University of Michigan,

705
00:34:37.239 --> 00:34:40.559
<v Speaker 4>this might have been. Anyway, they had to he had

706
00:34:40.559 --> 00:34:43.079
<v Speaker 4>to sit in a in a car seat and then

707
00:34:43.119 --> 00:34:45.000
<v Speaker 4>the impactor would hit him on the shoulder because it

708
00:34:45.039 --> 00:34:46.840
<v Speaker 4>was you know, they were doing trying to calibrate a

709
00:34:46.880 --> 00:34:49.519
<v Speaker 4>side impact dummy. So he's sitting and they had him

710
00:34:49.719 --> 00:34:53.199
<v Speaker 4>you know, he's a dead guy, so he can't sit up,

711
00:34:53.320 --> 00:34:55.719
<v Speaker 4>and they put him in the car seat and he

712
00:34:55.840 --> 00:34:59.400
<v Speaker 4>kind of slump, you know, and then they'd like tape

713
00:34:59.480 --> 00:35:01.760
<v Speaker 4>him up, and then they'd be all set and they'd

714
00:35:01.760 --> 00:35:03.440
<v Speaker 4>have a lot of you know, the strain gauges were

715
00:35:03.480 --> 00:35:05.679
<v Speaker 4>all set and they've got the camera set, the video that,

716
00:35:05.800 --> 00:35:08.400
<v Speaker 4>you know, the to to get the slow motion footage

717
00:35:08.400 --> 00:35:11.559
<v Speaker 4>and everything's ready to go, and then he'd slump again

718
00:35:11.599 --> 00:35:13.800
<v Speaker 4>and it was hilarious. I mean it was late at night,

719
00:35:13.920 --> 00:35:16.880
<v Speaker 4>you know, everybody'd been there a long time. He really

720
00:35:16.920 --> 00:35:19.599
<v Speaker 4>had comic timing this dead guy, you know, and he's

721
00:35:19.599 --> 00:35:24.159
<v Speaker 4>wearing like a leotard, which looks bizarre, and it was

722
00:35:24.199 --> 00:35:26.280
<v Speaker 4>just it was funny, not at his expense. You know,

723
00:35:26.320 --> 00:35:28.960
<v Speaker 4>it's lovely that he donated his body. It was kind

724
00:35:28.960 --> 00:35:32.639
<v Speaker 4>of heroic of him. But there is humor in being dead.

725
00:35:32.679 --> 00:35:35.519
<v Speaker 4>You're like, you're useless, you know, your limbs are flopping

726
00:35:35.559 --> 00:35:38.920
<v Speaker 4>all over, your bubbles coming out of your ears. I

727
00:35:38.920 --> 00:35:43.800
<v Speaker 4>don't know. Just why not laugh about it? That's all

728
00:35:43.800 --> 00:35:44.400
<v Speaker 4>you can do.

729
00:35:44.480 --> 00:35:47.760
<v Speaker 3>And Jonathan, do you make any in your attraction to

730
00:35:48.119 --> 00:35:53.039
<v Speaker 3>darkness or the macabre? Do you make that distinction between

731
00:35:53.119 --> 00:35:55.039
<v Speaker 3>like what we've been talking about with your interest in

732
00:35:55.119 --> 00:35:59.800
<v Speaker 3>mortuary techniques and science and actual death and the loss

733
00:35:59.800 --> 00:36:02.000
<v Speaker 3>of life and end of life things like this.

734
00:36:02.519 --> 00:36:04.719
<v Speaker 1>I guess it's like two different things. It's an art

735
00:36:04.760 --> 00:36:09.360
<v Speaker 1>to what we did with mortuary science basically artists. Yeah,

736
00:36:09.400 --> 00:36:12.679
<v Speaker 1>but also if you're just an a bomber, which there

737
00:36:12.679 --> 00:36:14.719
<v Speaker 1>are some just straight and bombers just all they do

738
00:36:14.840 --> 00:36:17.440
<v Speaker 1>all day. But I worked at the funeral home where

739
00:36:17.480 --> 00:36:19.079
<v Speaker 1>you were in a bomber and field direct, so you

740
00:36:19.079 --> 00:36:20.760
<v Speaker 1>had to deal with the family and then you had

741
00:36:20.800 --> 00:36:22.679
<v Speaker 1>to go and bomb them and then we'll do the

742
00:36:22.679 --> 00:36:25.320
<v Speaker 1>funeral and everything and doing that all the time. Dealing

743
00:36:25.360 --> 00:36:29.719
<v Speaker 1>with death is very depressing. It's not fun waking up

744
00:36:29.719 --> 00:36:35.119
<v Speaker 1>every morning to family after family grieving over someone they lost.

745
00:36:35.920 --> 00:36:37.760
<v Speaker 1>Because when you're in when you're in the when you're

746
00:36:37.800 --> 00:36:40.360
<v Speaker 1>in the morgue embombing somebody, you totally respect a body.

747
00:36:40.360 --> 00:36:42.239
<v Speaker 1>It with someone's mom or dad, but you don't know

748
00:36:42.280 --> 00:36:44.119
<v Speaker 1>their story, you don't see their family, you don't see

749
00:36:44.119 --> 00:36:46.599
<v Speaker 1>any of that stuff. So you're like, Okay, just look

750
00:36:46.639 --> 00:36:48.360
<v Speaker 1>at this older person at a great life for it's a

751
00:36:48.400 --> 00:36:50.960
<v Speaker 1>young kid. Oh, this is a this is horrible that

752
00:36:51.039 --> 00:36:53.639
<v Speaker 1>this happened. And I go about my business and bomba

753
00:36:53.800 --> 00:36:55.800
<v Speaker 1>do my job. But when I see the family, like,

754
00:36:55.840 --> 00:37:00.000
<v Speaker 1>say the kid it's in there, I say, their parents distraught, crime,

755
00:37:00.159 --> 00:37:03.039
<v Speaker 1>they just lost their son, their grandparents, all their friends

756
00:37:03.119 --> 00:37:07.159
<v Speaker 1>just crying and grieving on this person. It wears on you. Man.

757
00:37:07.440 --> 00:37:10.000
<v Speaker 4>Yeah, that's got to be the hardest part, for sure.

758
00:37:10.519 --> 00:37:13.239
<v Speaker 1>That's a totally different thing. Yeah, But I mean I

759
00:37:13.280 --> 00:37:15.440
<v Speaker 1>wanted to be an embomber, but the funeral home I

760
00:37:15.480 --> 00:37:17.599
<v Speaker 1>worked at, I had to be everything. I was the apprentice.

761
00:37:17.760 --> 00:37:21.679
<v Speaker 1>So I'm out there mowing the lawn, digging ditches for sprinklers.

762
00:37:22.360 --> 00:37:24.400
<v Speaker 1>Oh go and bomb this person, go do this. I

763
00:37:24.440 --> 00:37:27.159
<v Speaker 1>was doing everything, so I saw everything. What I really

764
00:37:27.159 --> 00:37:28.639
<v Speaker 1>wanted to do is just be left alone and let

765
00:37:28.679 --> 00:37:30.119
<v Speaker 1>me do my gig in the back of the Morgan.

766
00:37:30.159 --> 00:37:31.840
<v Speaker 1>I didn't have to see no one or do anything.

767
00:37:32.039 --> 00:37:33.000
<v Speaker 1>That would have been perfect.

768
00:37:33.039 --> 00:37:36.000
<v Speaker 4>But did you have to deal with the families, like

769
00:37:36.280 --> 00:37:38.760
<v Speaker 4>did you have to do the whole conversation about them?

770
00:37:38.920 --> 00:37:40.639
<v Speaker 1>Yeah? I would sit in they were teaching me that

771
00:37:40.679 --> 00:37:42.840
<v Speaker 1>to be a funeral director, and how they you know,

772
00:37:42.920 --> 00:37:45.239
<v Speaker 1>the whole thing is how their wishes, how which which

773
00:37:45.239 --> 00:37:47.480
<v Speaker 1>cassket there they're going to pick, and how they wanted

774
00:37:47.480 --> 00:37:50.199
<v Speaker 1>to do. What the religion was, either a priest or

775
00:37:50.239 --> 00:37:52.320
<v Speaker 1>a pastor. I mean, there's so many different things.

776
00:37:52.400 --> 00:37:55.159
<v Speaker 4>Did you do preparation? Did I do what you know,

777
00:37:55.320 --> 00:37:58.079
<v Speaker 4>like preparation, like you know, sewing the mouth shut and

778
00:37:58.079 --> 00:38:00.519
<v Speaker 4>putting the you know, eye things in the eye and

779
00:38:00.519 --> 00:38:01.440
<v Speaker 4>all that to make them.

780
00:38:01.599 --> 00:38:05.119
<v Speaker 1>Yeah? Oh everything I caps, Yeah, yeah, I caps the

781
00:38:05.119 --> 00:38:07.800
<v Speaker 1>eye caps. And if you were you either use the

782
00:38:07.840 --> 00:38:10.599
<v Speaker 1>staple gun where they wire the josh shut. I was

783
00:38:10.639 --> 00:38:12.519
<v Speaker 1>an old school guy. I would just susure it and

784
00:38:12.559 --> 00:38:13.800
<v Speaker 1>that's just going up through the lip.

785
00:38:14.440 --> 00:38:15.719
<v Speaker 4>That's what I saw. The suturing.

786
00:38:15.800 --> 00:38:17.840
<v Speaker 1>Yet you're just suturing. You tie it up like that

787
00:38:17.960 --> 00:38:19.079
<v Speaker 1>and then you just use icaps.

788
00:38:19.119 --> 00:38:19.960
<v Speaker 4>I have an eye cap.

789
00:38:20.639 --> 00:38:22.079
<v Speaker 1>Oh yeah, I got a couple of those. I even

790
00:38:22.159 --> 00:38:25.480
<v Speaker 1>actually have some screwing, like for troke cars, right, you

791
00:38:25.519 --> 00:38:28.000
<v Speaker 1>get a Troe car button, that's where they would steal that.

792
00:38:28.039 --> 00:38:30.239
<v Speaker 1>But I have a rectl one. Oh my god that

793
00:38:32.119 --> 00:38:34.280
<v Speaker 1>I wish they had those because I had to manually

794
00:38:34.320 --> 00:38:36.000
<v Speaker 1>sew up a couple buttles in my day.

795
00:38:36.079 --> 00:38:38.239
<v Speaker 3>Well you talk about that in your book, Mary, because

796
00:38:38.239 --> 00:38:38.880
<v Speaker 3>there's leakage.

797
00:38:38.880 --> 00:38:40.920
<v Speaker 1>That's right, because there's leakage today.

798
00:38:40.920 --> 00:38:43.960
<v Speaker 4>I was there, they were doing the demonstration and they're like, well,

799
00:38:44.000 --> 00:38:47.000
<v Speaker 4>for this guy, we probably don't need to suture the anus,

800
00:38:47.559 --> 00:38:50.079
<v Speaker 4>and they go they look at me like unless the visitor,

801
00:38:50.840 --> 00:38:53.239
<v Speaker 4>the visitor would like to see it. I'm like, I'm good. No,

802
00:38:55.039 --> 00:38:56.559
<v Speaker 4>you don't want a leacoln in the casket.

803
00:38:57.079 --> 00:38:59.079
<v Speaker 1>No you don't. But I used to use this restorative

804
00:38:59.119 --> 00:39:02.159
<v Speaker 1>clay or they call it tamponing, and you use four

805
00:39:02.199 --> 00:39:04.440
<v Speaker 1>steps and cotton and then you seal it up with

806
00:39:04.480 --> 00:39:07.639
<v Speaker 1>this club. But yeah, it was kind of like an

807
00:39:07.679 --> 00:39:10.519
<v Speaker 1>old school. Now it's this plastic troke card.

808
00:39:10.480 --> 00:39:13.039
<v Speaker 3>Plastic we what's it called? Plastic wet.

809
00:39:13.440 --> 00:39:15.239
<v Speaker 1>These are little trill card was worth, these little buttons,

810
00:39:15.239 --> 00:39:17.079
<v Speaker 1>and that you'd screw them into where the hole was

811
00:39:17.119 --> 00:39:19.239
<v Speaker 1>where you stuck the troke car in and it would

812
00:39:19.280 --> 00:39:20.880
<v Speaker 1>seal it up so nothing would leaked.

813
00:39:20.960 --> 00:39:25.159
<v Speaker 3>But they made them for anuses in what nineteenth century?

814
00:39:25.880 --> 00:39:30.280
<v Speaker 1>No, I mean it's now they're new work and they

815
00:39:30.320 --> 00:39:32.920
<v Speaker 1>didn't have them. Yeah, they didn't have them at all.

816
00:39:33.000 --> 00:39:35.480
<v Speaker 1>Now you just screw that thing in and it's like Scott,

817
00:39:35.559 --> 00:39:38.079
<v Speaker 1>it's threaded and it just threads like a screw and

818
00:39:38.840 --> 00:39:41.519
<v Speaker 1>it's totally sealed. I wish I had that back then.

819
00:39:41.760 --> 00:39:42.039
<v Speaker 3>Wow.

820
00:39:42.280 --> 00:39:44.760
<v Speaker 1>And if we use vaginally anal.

821
00:39:44.639 --> 00:39:46.519
<v Speaker 4>Yeah, they didn't have that. The day I was there,

822
00:39:46.639 --> 00:39:49.400
<v Speaker 4>they were talking about just needle and thread like they

823
00:39:49.480 --> 00:39:50.280
<v Speaker 4>did with the mouth.

824
00:39:50.639 --> 00:39:53.119
<v Speaker 1>Yeah, you'd sew the things up. But things I wish

825
00:39:53.159 --> 00:39:55.880
<v Speaker 1>I had back then. But things worked out different. Glady

826
00:39:55.920 --> 00:39:59.559
<v Speaker 1>a rockstar. I didn't have to do that, did they.

827
00:39:59.639 --> 00:40:01.960
<v Speaker 3>Did they have a crematorium at the funeral home you

828
00:40:02.000 --> 00:40:03.119
<v Speaker 3>worked at, Jonathan.

829
00:40:03.000 --> 00:40:04.679
<v Speaker 1>No, but I'd have to take bodies all the time

830
00:40:04.760 --> 00:40:07.800
<v Speaker 1>to the crematorium. It was another mortuary, okay who had

831
00:40:07.840 --> 00:40:10.800
<v Speaker 1>a crematorium. So they'd be put in a plastic we'd

832
00:40:10.800 --> 00:40:14.719
<v Speaker 1>make these plastic like coffins, not plastic, I'm sorry, cardboard, yep.

833
00:40:15.199 --> 00:40:17.280
<v Speaker 1>And place them there and then put them in the

834
00:40:17.320 --> 00:40:21.960
<v Speaker 1>hearts and take them to the crematory and we pay

835
00:40:22.000 --> 00:40:24.280
<v Speaker 1>them for their service. And then I'd pick them up

836
00:40:24.280 --> 00:40:27.159
<v Speaker 1>in a plastic box, take them back to the mortuary

837
00:40:27.159 --> 00:40:29.400
<v Speaker 1>and then they'd be transferred into their urn that they bought.

838
00:40:29.880 --> 00:40:33.679
<v Speaker 3>Okay, well that also Mary goes into the process in

839
00:40:33.719 --> 00:40:37.079
<v Speaker 3>the book about cremation, which was pretty wild, and it

840
00:40:37.119 --> 00:40:40.360
<v Speaker 3>includes that bodies sometimes sit up. Do you remember that?

841
00:40:40.480 --> 00:40:42.480
<v Speaker 1>Oh, they sit up. It's like a straw. If you

842
00:40:42.519 --> 00:40:44.039
<v Speaker 1>put a flame to a straw, you're gonna see it

843
00:40:44.039 --> 00:40:47.400
<v Speaker 1>do all this weird creakily the it's the heat. They'll

844
00:40:47.440 --> 00:40:49.079
<v Speaker 1>pop right out of the box, sit up, and used

845
00:40:49.079 --> 00:40:50.320
<v Speaker 1>to see them start breaking off.

846
00:40:50.679 --> 00:40:53.119
<v Speaker 3>It's weird because you could look into the oven while

847
00:40:53.159 --> 00:40:53.760
<v Speaker 3>it was happening.

848
00:40:53.880 --> 00:40:55.400
<v Speaker 1>Yeah, you can see there's a little hole. If you

849
00:40:55.440 --> 00:40:56.440
<v Speaker 1>open it up, you can see it.

850
00:40:56.840 --> 00:40:59.320
<v Speaker 4>They have to have the viewing window for is it

851
00:40:59.400 --> 00:41:03.039
<v Speaker 4>Hindu fan or there's some religion where you have to

852
00:41:03.159 --> 00:41:06.360
<v Speaker 4>observe the body as it's being cremated.

853
00:41:06.679 --> 00:41:07.880
<v Speaker 1>Wow, yeah, I know that.

854
00:41:08.079 --> 00:41:08.639
<v Speaker 4>I'm not sure.

855
00:41:08.719 --> 00:41:12.280
<v Speaker 3>I forget which speaking of Eastern religions. Mary, you bring

856
00:41:12.360 --> 00:41:18.400
<v Speaker 3>up something in the decomposition. It was the Nine Cemetery contemplations,

857
00:41:18.440 --> 00:41:20.119
<v Speaker 3>the Buddhist cutra on mindfulness.

858
00:41:20.119 --> 00:41:23.199
<v Speaker 4>Do you recall, Well, I do remember bringing that up,

859
00:41:23.239 --> 00:41:25.480
<v Speaker 4>and I don't remember the words to it, but it

860
00:41:25.599 --> 00:41:30.039
<v Speaker 4>was a it's a meditation. You're supposed to meditate on

861
00:41:30.559 --> 00:41:32.920
<v Speaker 4>the Charnel house or something. We're supposed to go to it.

862
00:41:33.000 --> 00:41:35.039
<v Speaker 4>I forget where you're supposed to go. But you're supposed

863
00:41:35.039 --> 00:41:40.239
<v Speaker 4>to meditate on the decomposing body, the process of death.

864
00:41:40.719 --> 00:41:40.880
<v Speaker 1>You know.

865
00:41:40.920 --> 00:41:46.519
<v Speaker 4>It's a Buddhist kind of way of teaching oneself that

866
00:41:46.880 --> 00:41:50.079
<v Speaker 4>the body is not what matters, and you know the

867
00:41:50.119 --> 00:41:54.480
<v Speaker 4>impermanence of the body, and anyway, I don't know, I

868
00:41:54.480 --> 00:41:54.960
<v Speaker 4>don't have.

869
00:41:56.119 --> 00:42:01.199
<v Speaker 3>I do you say? Apprentice monks are instructed to meditate

870
00:42:01.199 --> 00:42:04.039
<v Speaker 3>on a series of decomposing bodies in the Charnel ground,

871
00:42:04.079 --> 00:42:07.360
<v Speaker 3>starting with a body quote swollen and blue and festering,

872
00:42:07.840 --> 00:42:11.280
<v Speaker 3>progressing to one quote being eaten by different kinds of worms,

873
00:42:11.599 --> 00:42:14.519
<v Speaker 3>then moving on to a skeleton without flesh and blood,

874
00:42:14.599 --> 00:42:17.559
<v Speaker 3>held together by tendons. The monks were told to keep

875
00:42:17.639 --> 00:42:21.639
<v Speaker 3>meditating until they were calm and a smile appeared on

876
00:42:21.719 --> 00:42:22.360
<v Speaker 3>their faces.

877
00:42:22.639 --> 00:42:24.320
<v Speaker 4>Oh it sounds like the body Farm.

878
00:42:24.679 --> 00:42:25.599
<v Speaker 1>Body Farm.

879
00:42:25.960 --> 00:42:29.039
<v Speaker 3>Yeah, I know. So we've just got a few more

880
00:42:29.079 --> 00:42:31.800
<v Speaker 3>minutes here. Is there anything else that we should cover?

881
00:42:31.920 --> 00:42:35.119
<v Speaker 3>I mean, this has been the most unique recording that

882
00:42:35.159 --> 00:42:37.360
<v Speaker 3>I've ever done in the dozens that I've done on

883
00:42:37.519 --> 00:42:37.840
<v Speaker 3>the shore.

884
00:42:38.000 --> 00:42:39.480
<v Speaker 4>I can't believe it's almost over.

885
00:42:42.639 --> 00:42:45.199
<v Speaker 3>The one thing that when I mentioned at the very beginning,

886
00:42:45.239 --> 00:42:47.679
<v Speaker 3>the thing that always sticks with me that I remembered

887
00:42:47.920 --> 00:42:50.400
<v Speaker 3>from when I first opened this book on Christmas morning,

888
00:42:51.000 --> 00:42:54.199
<v Speaker 3>was you talk about some of the earlier recorded research

889
00:42:54.480 --> 00:42:57.880
<v Speaker 3>on dead bodies, and it was in the French Revolution,

890
00:42:58.119 --> 00:43:01.159
<v Speaker 3>those that were beheaded in the gilt latine, and that

891
00:43:01.320 --> 00:43:03.679
<v Speaker 3>there's some guy that was like running the heads down

892
00:43:03.679 --> 00:43:05.440
<v Speaker 3>to his lab to see if he could Frankenstein.

893
00:43:06.199 --> 00:43:09.119
<v Speaker 1>Yeah, there was no one's just guy there, Paris. His

894
00:43:09.199 --> 00:43:10.440
<v Speaker 1>name is because the guy.

895
00:43:11.320 --> 00:43:14.639
<v Speaker 4>So the there's also Jean Baptiste Vincent Labon.

896
00:43:14.760 --> 00:43:18.039
<v Speaker 1>And so I've held one. There's a whole museum in France,

897
00:43:18.440 --> 00:43:22.199
<v Speaker 1>and nobody knows how he preserved them, but he would

898
00:43:22.320 --> 00:43:25.400
<v Speaker 1>diicycle right down the middle and they're perfectly preserved. They're

899
00:43:25.440 --> 00:43:29.039
<v Speaker 1>like mummified and you can just see and hold one

900
00:43:29.199 --> 00:43:32.239
<v Speaker 1>and see just a perfect, you know, side of view

901
00:43:32.400 --> 00:43:32.880
<v Speaker 1>of the.

902
00:43:32.800 --> 00:43:34.840
<v Speaker 3>Heads, like the bodies exhibit.

903
00:43:34.639 --> 00:43:36.719
<v Speaker 1>Like the body exhibited by gun thro von Hagen, I

904
00:43:36.760 --> 00:43:40.280
<v Speaker 1>think his name. I think Fred was doing this fascination,

905
00:43:40.320 --> 00:43:42.719
<v Speaker 1>that's what it's called. Wow, he was doing this way

906
00:43:42.760 --> 00:43:45.800
<v Speaker 1>back before all that, during the Guilletine time. So, like

907
00:43:45.840 --> 00:43:48.400
<v Speaker 1>I said, I love medical preparations. I collect him. I

908
00:43:48.480 --> 00:43:52.599
<v Speaker 1>love just like the the Uh. There's a place in Philly.

909
00:43:52.400 --> 00:43:54.119
<v Speaker 4>Oh, my Lutar Museum.

910
00:43:54.559 --> 00:43:56.559
<v Speaker 1>Ammut Museum is one of my favorite places.

911
00:43:57.239 --> 00:44:00.760
<v Speaker 4>I know the curator and the director, so anytime you

912
00:44:00.800 --> 00:44:02.719
<v Speaker 4>want to behind the city, they got some good stuff

913
00:44:02.760 --> 00:44:07.280
<v Speaker 4>behind the scenes. I knew that lady Gretchen Warden. Yeah,

914
00:44:07.360 --> 00:44:10.800
<v Speaker 4>Gretchen worms she died around two thousand and four. Yeah,

915
00:44:10.840 --> 00:44:13.519
<v Speaker 4>she would bring preparations on the Johnny Carson Show.

916
00:44:14.599 --> 00:44:15.960
<v Speaker 1>Would let me go in there. I don't know the

917
00:44:16.039 --> 00:44:18.280
<v Speaker 1>new people yet, so I got to meet the new

918
00:44:18.280 --> 00:44:19.559
<v Speaker 1>people because I love that place.

919
00:44:19.599 --> 00:44:21.400
<v Speaker 4>Oh yeah, well we should go together sometimes.

920
00:44:21.639 --> 00:44:22.719
<v Speaker 1>Yeah, that would be amazing.

921
00:44:23.239 --> 00:44:26.119
<v Speaker 4>Anna Dotie is the woman who's running it now, who's

922
00:44:26.159 --> 00:44:29.159
<v Speaker 4>got a real taste for the macrob.

923
00:44:29.079 --> 00:44:33.599
<v Speaker 3>Wow, that's the thing that's got like the distended colon

924
00:44:33.639 --> 00:44:35.800
<v Speaker 3>wrapping around several mega.

925
00:44:35.880 --> 00:44:38.159
<v Speaker 4>Yeah, it's in this beautiful case, you know, and it's

926
00:44:38.239 --> 00:44:40.679
<v Speaker 4>very quiet and there because if you go on a weekday,

927
00:44:40.719 --> 00:44:42.119
<v Speaker 4>there's nobody in there and you just sort of it's

928
00:44:42.159 --> 00:44:44.519
<v Speaker 4>kind of meditative. There's the colon and it's as big

929
00:44:44.559 --> 00:44:47.280
<v Speaker 4>around as I am. That is a big ass colon.

930
00:44:48.119 --> 00:44:52.039
<v Speaker 1>It's huge. And they got twins. Yeah, yeah, Chang and

931
00:44:52.119 --> 00:44:54.840
<v Speaker 1>Eng changing their bodies and then they'll be.

932
00:44:54.840 --> 00:44:57.400
<v Speaker 4>Like just the weirdest, Like this is a jar of

933
00:44:58.199 --> 00:45:00.679
<v Speaker 4>skin that this woman would pick off her body and

934
00:45:00.719 --> 00:45:03.000
<v Speaker 4>she sent it to them. I thought you might want this,

935
00:45:03.159 --> 00:45:07.719
<v Speaker 4>that would people like send them. There's a necklace made

936
00:45:07.760 --> 00:45:11.760
<v Speaker 4>of hemorrhoids that might be not on display, that might

937
00:45:11.760 --> 00:45:15.320
<v Speaker 4>be in the back, but I mean it's just you gotta.

938
00:45:15.079 --> 00:45:17.480
<v Speaker 1>Go on the back. There's some crazy you.

939
00:45:17.480 --> 00:45:20.440
<v Speaker 3>Gotta go on the back. You know. This makes me

940
00:45:20.519 --> 00:45:25.039
<v Speaker 3>think of an out of print book about the investigation

941
00:45:25.159 --> 00:45:31.519
<v Speaker 3>into Elvis's death, and there's seriously detailed descriptions about the

942
00:45:31.559 --> 00:45:36.000
<v Speaker 3>autopsy and specifically is Colin and which you know had

943
00:45:36.039 --> 00:45:37.119
<v Speaker 3>a lot of pharmaceutic you know.

944
00:45:37.119 --> 00:45:38.239
<v Speaker 4>I had a chapter on that.

945
00:45:38.480 --> 00:45:41.400
<v Speaker 3>On Elvis's body, I interviewed his doctor.

946
00:45:41.800 --> 00:45:44.960
<v Speaker 4>I have a chapter on mega cool and an extreme constipation,

947
00:45:45.400 --> 00:45:47.360
<v Speaker 4>and I went to see Needles Nick before he.

948
00:45:47.360 --> 00:45:48.719
<v Speaker 3>Died Doctor Nicopolis.

949
00:45:48.920 --> 00:45:51.599
<v Speaker 4>Yeah, yeah, I hung out with doctor Nick. I tried

950
00:45:51.679 --> 00:45:56.440
<v Speaker 4>on the Hamburger ring that Elvis had made for Missus Nicopolis,

951
00:45:56.960 --> 00:45:59.559
<v Speaker 4>which has diamonds in all the colors of like a

952
00:45:59.599 --> 00:46:03.679
<v Speaker 4>hamber her and the bond and the pickles. Anyway, Yeah,

953
00:46:03.679 --> 00:46:06.079
<v Speaker 4>I know, I had chapter on the megical Elvis had

954
00:46:06.119 --> 00:46:08.159
<v Speaker 4>mega hirschsprungs. He had hirsprungs.

955
00:46:08.480 --> 00:46:10.519
<v Speaker 3>Oh yeah, it was like something like six feet of

956
00:46:10.800 --> 00:46:13.000
<v Speaker 3>undigested pills or something like that.

957
00:46:13.199 --> 00:46:13.559
<v Speaker 1>It was.

958
00:46:13.719 --> 00:46:16.039
<v Speaker 4>It was rock hard. And when Nick told me this,

959
00:46:16.519 --> 00:46:19.039
<v Speaker 4>he like knocked on the stone of the fireplace, goes

960
00:46:19.039 --> 00:46:20.480
<v Speaker 4>it was rock hard like this.

961
00:46:21.960 --> 00:46:23.599
<v Speaker 3>Nick was allowed at the autopsy.

962
00:46:23.719 --> 00:46:26.800
<v Speaker 4>Well, I don't know if Nick was at the autopsy

963
00:46:26.880 --> 00:46:28.880
<v Speaker 4>or he heard about it. I don't he probably, I

964
00:46:28.920 --> 00:46:31.639
<v Speaker 4>don't know, but probably he was his doctors his personal doctor,

965
00:46:31.679 --> 00:46:35.440
<v Speaker 4>so probably he was there. Well, that's crazy, Sorry I

966
00:46:35.480 --> 00:46:36.639
<v Speaker 4>was I interrupted you.

967
00:46:37.000 --> 00:46:37.719
<v Speaker 1>No, that's cool.

968
00:46:37.760 --> 00:46:40.760
<v Speaker 3>I talked talk about doctor Nick all day. Well that

969
00:46:40.800 --> 00:46:42.880
<v Speaker 3>that was an interesting book and it goes all into

970
00:46:42.960 --> 00:46:44.880
<v Speaker 3>the investigation in the autopsy.

971
00:46:45.000 --> 00:46:46.280
<v Speaker 4>I've read that. I've read that book.

972
00:46:46.400 --> 00:46:51.800
<v Speaker 3>Yeah, yeah, I think Heraldo Rivera is involved for some reason. Anyway,

973
00:46:51.800 --> 00:46:55.199
<v Speaker 3>this has been so incredible. I really appreciate this.

974
00:46:55.239 --> 00:46:57.599
<v Speaker 1>This is awesome. I love you know what I have

975
00:46:57.639 --> 00:46:59.320
<v Speaker 1>to go through. This was really cool.

976
00:46:59.400 --> 00:47:02.159
<v Speaker 4>This was a bit. It was great to meet you, John, very.

977
00:47:02.079 --> 00:47:04.360
<v Speaker 1>Nice to meet you. Mary hopefully would crosspaths sometime.

978
00:47:04.800 --> 00:47:08.400
<v Speaker 3>Check out Korn's line of freakon Aleish pet accessories at

979
00:47:08.440 --> 00:47:12.199
<v Speaker 3>freakondleish dot com and they're here to slay hot sauce

980
00:47:12.400 --> 00:47:16.000
<v Speaker 3>at Heatoness dot com. A new edition of Mary's book

981
00:47:16.039 --> 00:47:19.360
<v Speaker 3>Stiff was just released, as was the paperback version of

982
00:47:19.400 --> 00:47:23.440
<v Speaker 3>her book Fuzz. For excerpts and more information, please visit

983
00:47:23.559 --> 00:47:27.719
<v Speaker 3>Maryroach dot net. Sing for Science is co produced by

984
00:47:27.760 --> 00:47:30.760
<v Speaker 3>Talkhouse and made possible in part by a grant from

985
00:47:30.840 --> 00:47:35.360
<v Speaker 3>Science Sandbox, an initiative of the Simons Foundation. Our music

986
00:47:35.440 --> 00:47:39.400
<v Speaker 3>is by Panoram. Social media manager is Bailey Constance and

987
00:47:39.519 --> 00:47:43.559
<v Speaker 3>digital producer is Keenan Cush. If you liked today's episode,

988
00:47:43.639 --> 00:47:45.800
<v Speaker 3>please tell a friend about the show and give us

989
00:47:45.800 --> 00:47:48.920
<v Speaker 3>a review in some Stars. For more information, go to

990
00:47:48.960 --> 00:47:51.800
<v Speaker 3>Sing for Science dot org and follow us on social

991
00:47:51.920 --> 00:47:55.920
<v Speaker 3>media at sing for Science. Thanks for listening.

992
00:48:00.639 --> 00:48:01.000
<v Speaker 1>I f
