WEBVTT

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<v Speaker 1>Ispet Archives has adult language and violence, and is not

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<v Speaker 1>suitable for children. Listener discretion is advised. Ispet Archives is

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<v Speaker 1>a Creative Typo entertainment production. If you enjoy this show,

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<v Speaker 1>we invite you to support us on Patreon at www

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<v Speaker 1>dot patreon dot com forward slash Creative Typo. All levels

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<v Speaker 1>of membership include ad free listening and our binge. Here

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<v Speaker 1>includes access to this complete season. Thank you for listening.

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<v Speaker 2>Chapter twenty six, The Blender.

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<v Speaker 3>The Ispet event began. Emily limped arm in arm with Marcus,

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<v Speaker 3>the Shifter behind, and the stairwell ahead. Flames surged, engulping

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<v Speaker 3>the floor, walls and ceiling. A metal rod sailed perilously close,

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<v Speaker 3>twirling end over end toward the building's core. They were

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<v Speaker 3>still on the fourth floor of Amber's apartment complex. Not

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<v Speaker 3>long ago. The buildings swarmed with contra agents and residents

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<v Speaker 3>who had all since fled both the blaze and the Shifter.

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<v Speaker 3>Emily's friends had also escaped, with the exception of Marcus,

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<v Speaker 3>who leaned against her for support as they edged toward

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<v Speaker 3>the stairs. She recalled the discussion with September about anomalies

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<v Speaker 3>and their unten consequences. In his example, he used a

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<v Speaker 3>skyscraper as the setting. He noted that her ispet would

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<v Speaker 3>not directly kill her, but if it caused a skyscraper

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<v Speaker 3>to collapse on top of her, she would not survive.

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<v Speaker 3>Fatal repercussions could occur indirectly. While not a skyscraper, this

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<v Speaker 3>ten story building was enough to get the job done

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<v Speaker 3>if they didn't escape. Soon, more metal objects hurtled past

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<v Speaker 3>her toward the center of the building, forcing her to

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<v Speaker 3>dodge to the side to avoid being a kit Reaching

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<v Speaker 3>the stairwell, she urged Marcus ahead and then risked a

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<v Speaker 3>look back. Her isfet stream poured from her well into

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<v Speaker 3>a metal vortex in the center of the hallway, drawing

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<v Speaker 3>metal from every direction. The debris didn't just collide, it fused,

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<v Speaker 3>forming a growing metallic sphere. A large metal desk tore

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<v Speaker 3>through a wall, driven by the magnetic pull, urgency propelled

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<v Speaker 3>her to the stairs. She checked on her carbinger from

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<v Speaker 3>the railing, injured but descending past the third floor. His

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<v Speaker 3>progress was steady but slow. She rushed after him. Pausing

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<v Speaker 3>on the third floor landing, she saw the metal sphere

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<v Speaker 3>had expanded massively, siphoning metals through walls and ceilings. The

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<v Speaker 3>sphere had torn its way through the fourth level floor

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<v Speaker 3>and was now grinding.

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<v Speaker 4>Through the third.

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<v Speaker 3>Emily continued down the stairwell, running to catch up with Marcus.

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<v Speaker 3>She did not stop at the second floor to steal

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<v Speaker 3>a third glance.

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<v Speaker 5>Two was enough.

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<v Speaker 3>The stairwell's metal railing started to detach. Drawn to the sphere,

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<v Speaker 3>that was all the confirmation she needed. Near the first floor,

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<v Speaker 3>she dodged a flying doorknob and lost her footing. She

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<v Speaker 3>stumbled down the last few steps, then burst through the

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<v Speaker 3>exit and into September's waiting arms. He guided her across

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<v Speaker 3>the street with safety, just as the apartment buildings succumbed,

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<v Speaker 3>collapsing inward. Breathless and weary, Emily sank to the ground

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<v Speaker 3>beside Marcus, watching the last ispet streams ev away.

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<v Speaker 6>It was over, Emily. Are you hurt?

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<v Speaker 7>I'm fine.

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<v Speaker 4>Good. Let's get you to the car.

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<v Speaker 8>Wait a second, I don't think anyone is going anywhere

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<v Speaker 8>until we sort.

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<v Speaker 6>This out, September. We can't stay here, Detective.

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<v Speaker 4>The building is burning, the contra are gone, the fire

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<v Speaker 4>department is already here, and the police are almost certainly

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<v Speaker 4>on the way.

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<v Speaker 8>Bullard and I are the police, and I would feel

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<v Speaker 8>much more comfortable if you stayed right where I can

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<v Speaker 8>see you. I need some time to think.

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<v Speaker 6>Do you intend to detain us, Detective.

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<v Speaker 9>I haven't decided yet.

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<v Speaker 5>No, we aren't. We aren't after what we just saw

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<v Speaker 5>in there.

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<v Speaker 4>No, thank you, Detective Bullard.

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<v Speaker 5>But that said, you're definitely not taking my car.

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<v Speaker 4>I didn't mean your car. I rented my own.

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<v Speaker 9>George Marcus is a criminal if we let him.

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<v Speaker 5>Walk, Mariano, we just saw a shape shifting monster in there.

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<v Speaker 5>I don't know what is going on with Marcus and Emily,

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<v Speaker 5>but they're into some very unnatural shit. You really think

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<v Speaker 5>the best solution is to bring Marcus in right now?

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<v Speaker 9>I I just think that we should know where they are.

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<v Speaker 9>They're dangerous.

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<v Speaker 4>They are dangerous, but only because they're untrained. We can

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<v Speaker 4>help them, help them how, we can show them how

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<v Speaker 4>to control their powers.

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<v Speaker 6>September. I don't think it's safe for Emily to be

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<v Speaker 6>in a city this size. I recommend we leave if

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<v Speaker 6>we can.

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<v Speaker 5>Let's see what Emily has to say.

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<v Speaker 7>Very well, Oh, Emily, I'm okay.

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<v Speaker 5>Your shirt's pretty bloody. Looks like your shoulder and your

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<v Speaker 5>stomach is that blood yours?

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<v Speaker 7>I guess some of it.

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<v Speaker 5>You want to see one of the paramedics over there.

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<v Speaker 7>No, Hastings can patch me up just fine.

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<v Speaker 5>I have a first aid kit in the car. I'll

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<v Speaker 5>give it to him before you leave. Thank you, Marcus.

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<v Speaker 5>How are you?

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<v Speaker 2>I'm just a little dizzy and tired and sore and cold.

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<v Speaker 7>You're always cold and whiny.

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<v Speaker 2>You think this is bad? You should hear me whant

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<v Speaker 2>to get sick?

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<v Speaker 5>Emily? What was that thing? That shape shifter?

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<v Speaker 6>Thing?

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<v Speaker 7>Just that, a shape shifter?

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<v Speaker 5>What did it want me?

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<v Speaker 7>I think? Although I don't know why?

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<v Speaker 5>Is it dead?

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<v Speaker 7>I think so? They're really hard to kill, but I'm

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<v Speaker 7>pretty sure were they more like it? Yeah? From what

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<v Speaker 7>Hasting tells me, at least.

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<v Speaker 5>They're going to be hunting you too.

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<v Speaker 7>I don't know.

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<v Speaker 5>Look, I'm not even gonna pretend to know what's going on.

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<v Speaker 5>This is all bizarre, but I know my instincts would

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<v Speaker 5>tell me to trust you on this. Can I trust you? Emily?

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<v Speaker 7>Trust me to do what?

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<v Speaker 5>I don't know the right thing?

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<v Speaker 2>I guess I'll try.

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<v Speaker 5>All right, That's good enough for me. Now the million

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<v Speaker 5>dollar question? Do you really want to go with them?

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<v Speaker 7>September and Hastings?

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<v Speaker 5>Yeah, can they really help you with all of this.

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<v Speaker 7>Yeah, I think so, Amber.

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<v Speaker 5>What about you?

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<v Speaker 10>No, I don't want to go with them.

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<v Speaker 7>Amber, You're not safe here. You should come with us.

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<v Speaker 11>No, I don't trust them, and you shouldn't either, Amber. Please, no, em,

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<v Speaker 11>I can't go with them. There's something not right about

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<v Speaker 11>those two.

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<v Speaker 5>Emi. I'll put Amber and Sam someplace safe as long

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<v Speaker 5>as as they're willing.

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<v Speaker 8>I've got just the spot where my family has some

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<v Speaker 8>property in Wisconsin.

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<v Speaker 12>God damn packers.

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<v Speaker 5>That's all we should tell you better? To keep things

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<v Speaker 5>separate for the time being.

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<v Speaker 7>I understand.

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<v Speaker 5>So here's how this is going to go down. Davis

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<v Speaker 5>and I will grab your camp and equipment and the

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<v Speaker 5>first aid kid out of my car and give it

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<v Speaker 5>to those two. After that, we'll take Amber over to

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<v Speaker 5>the paramedics to get checked out. She felt pretty hard

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<v Speaker 5>on that fire escape. In the meantime, I'd recommend saying

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<v Speaker 5>your goodbyes for the time being.

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<v Speaker 13>Okay.

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<v Speaker 5>I'm also going to drop my phone number into the

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<v Speaker 5>first aid kit in case you ever need someone to

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<v Speaker 5>talk to.

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<v Speaker 7>Thanks, George.

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<v Speaker 5>Yeah, well you'll be careful, okay.

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<v Speaker 14>Yeah, so hey, I think I'm going to see if

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<v Speaker 14>Hastings will walk me to the car. Give you guys a.

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<v Speaker 7>Moment, okay, Marcus.

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<v Speaker 2>Amber, it was nice to meet you. Sure, all right,

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<v Speaker 2>I'll see ya.

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<v Speaker 7>Hey, Amber, are you all right?

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<v Speaker 5>No?

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<v Speaker 7>Are you kidding me?

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<v Speaker 5>Right now?

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<v Speaker 11>You have been gone for months. I haven't heard from

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<v Speaker 11>you in months.

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<v Speaker 7>Emily, Yeah, I know.

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<v Speaker 11>And then you call to say there are assassins after me,

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<v Speaker 11>which I thought was bullshit anyway, I thought you were brainwashed.

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<v Speaker 7>I'm sorry.

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<v Speaker 11>And then and then you show up to my apartment

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<v Speaker 11>with your friends, the assassins and a goddamn monster.

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<v Speaker 7>Amber.

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<v Speaker 10>So no, em I am not fucking all right.

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<v Speaker 7>I didn't mean for you to get caught up in

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<v Speaker 7>all of this.

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<v Speaker 11>How the hell did you get caught up in all this?

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<v Speaker 7>Why don't you come with me and then I can

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<v Speaker 7>explain everything.

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<v Speaker 13>Go with you, m You should.

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<v Speaker 10>Stay here where the detectives can keep you safe.

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<v Speaker 7>Amber, be realistic. Do you think those two detectives could

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<v Speaker 7>handle something like that shifter back there or trained assassins.

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<v Speaker 7>They were barely surviving themselves.

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<v Speaker 11>But maybe if you got away from September and Hastings,

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<v Speaker 11>those others would leave you alone.

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<v Speaker 7>No, they wouldn't. They want me just as bad as

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<v Speaker 7>they want them. I know you don't believe me yet,

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<v Speaker 7>but September and Hastings are trying to protect me.

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<v Speaker 11>This makes no sense.

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<v Speaker 7>I know. I promise I'll explain everything.

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<v Speaker 5>I'm sorry to interrupt. Amber. It's time to go, Amber.

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<v Speaker 11>I love you, em, but I can't go with you.

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<v Speaker 10>I'm gonna stay with Bullard.

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<v Speaker 7>Okay, you had.

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<v Speaker 11>Better call me. I will and call Sam too.

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<v Speaker 7>I can do that.

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<v Speaker 10>Do you want triple back?

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<v Speaker 7>Would you mind hanging on to it for a little

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<v Speaker 7>bit longer?

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<v Speaker 11>Of course I don't mind. Sam and I have been

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<v Speaker 11>splitting time with her anyway.

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<v Speaker 7>I saw that. Thank you.

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<v Speaker 11>I love you, em Please please be careful.

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<v Speaker 10>I will.

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<v Speaker 7>I love you too.

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<v Speaker 5>Wiswonson, George, I expect you to call me as well.

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<v Speaker 5>I want better tabs on you and your friends. Do

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<v Speaker 5>you understand?

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<v Speaker 7>Yeah? Of course?

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<v Speaker 5>All right, come on, Amber, let's get you patched up.

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<v Speaker 7>Hi, Emily, Detective Davis, right, yeah, it's nice to meet you.

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<v Speaker 8>You as well. What you did back there was nothing

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<v Speaker 8>short of incredible.

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<v Speaker 7>Incredible. I think you mean horrific.

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<v Speaker 9>I said what I meant. Oh, all right, Escaping a

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<v Speaker 9>shifter is no easy feat, and three times it's impressive.

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<v Speaker 7>Thank you.

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<v Speaker 9>I'll be seeing you around.

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<v Speaker 4>Emily. Are you ready to go?

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<v Speaker 7>Yeah? I'm ready.

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<v Speaker 4>Is everything okay?

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<v Speaker 7>I really don't know.

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<v Speaker 4>Let's get out of here.

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<v Speaker 3>Rubble fell away as Denali stood, shaking off the remains

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<v Speaker 3>of the collapsed apartment complex. This marked the second instance

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<v Speaker 3>Emily had dropped a building upon them, and the third

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<v Speaker 3>time she eluded them, events sure to enrage their patron. Previously,

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<v Speaker 3>Denali had been trapped against the hallway wall, immobilized by

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<v Speaker 3>several metal pipes with flames searing beneath. Had it not

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<v Speaker 3>been for the anomaly's summoning of a magnetic sphere that

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<v Speaker 3>tore the pipes away, Denali might have perished in the fire.

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<v Speaker 3>Although they could withstand brief encounters with fire, prolonged exposure

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<v Speaker 3>threatened through life. Navigating cautiously through the wreckage, Dnali avoided

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<v Speaker 3>any areas where the floor seemed unstable. Hearing human activity outside,

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<v Speaker 3>they decided to adopt a disguise, morphing into the familiar

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<v Speaker 3>guise of a grocery delivery boy from Montana, a precaution

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<v Speaker 3>in case they encountered any bystanders during their exit. Plushed

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<v Speaker 3>in their left hand was a piece of fabric torn

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<v Speaker 3>and stained with Emily's blood, which Donali had seized when

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<v Speaker 3>their grip on the anomaly's shoulder had slipped. The impending

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<v Speaker 3>conversation with Donali's current patron promised to be challenging, but

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<v Speaker 3>this bloodied remnant might temper their dissatisfaction. Returning with such

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<v Speaker 3>a token was surely advantageous, and what better gift for

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<v Speaker 3>a blood born than the blood of an anomaly. After

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<v Speaker 3>placing the fabric into a plastic sandwich bag retreated from

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<v Speaker 3>the debris, then Aali's next steps were to return to

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<v Speaker 3>the Bloodborn, deliver the report, and then find Emily. This

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<v Speaker 3>was the way things were, This was the contract made,

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<v Speaker 3>This was the code, and the code could not be broken.

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<v Speaker 3>Agent Natalie White fumbled her cell phone and swore as

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<v Speaker 3>it fell to the floorboard of the Enterprise rental car.

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<v Speaker 3>The pain in her wrist had dulled from the level

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<v Speaker 3>of excruciating blaze to a more manageable, agonizing throb. Her

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<v Speaker 3>partner took a sharp turn, forcing Natalie to steady herself

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<v Speaker 3>by gripping the seat, sending a jolt of sharp pain

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<v Speaker 3>through her arm.

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<v Speaker 12>It's not too much to ask, could you maybe not

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<v Speaker 12>drive like a jackass.

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<v Speaker 2>Oh, I can call you an uber if you prefer.

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<v Speaker 12>No, maybe just a little less speed racer if you

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<v Speaker 12>don't mind.

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<v Speaker 3>I am trying to get you to the hospital.

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<v Speaker 12>I'm not dying, Victor. We're not in a huge rush.

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<v Speaker 4>Look, with the amount of people that were just injured

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<v Speaker 4>in that apartment building, the hospital is going to be flooded.

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<v Speaker 1>I want to get us in and out before anyone

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<v Speaker 1>thinks to start paying attention.

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<v Speaker 10>Okay, you're right, that's smart.

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<v Speaker 4>Oh, now I'm smart. You must have hit your head

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<v Speaker 4>pretty hard.

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<v Speaker 10>Funny, got it?

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<v Speaker 4>Are you good?

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<v Speaker 13>Yeah?

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<v Speaker 10>Drop the phone. I need to call the operator.

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<v Speaker 3>Oh, I'm sure this is gonna go well calling.

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<v Speaker 13>Do you see a cleaning supplies? How may I direct

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<v Speaker 13>your call operator?

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<v Speaker 10>It's White and Brown.

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<v Speaker 13>Good morning, Agent White. I hope you are contacting me

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<v Speaker 13>with good news.

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<v Speaker 12>Unfortunately, no, the whole party showed up for the meeting,

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<v Speaker 12>and we had more guests than intended and the meeting

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<v Speaker 12>went up in flames. HM.

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00:16:14.799 --> 00:16:16.080
<v Speaker 13>That is unfortunate.

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00:16:16.360 --> 00:16:18.080
<v Speaker 10>There is definitely another player at the.

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<v Speaker 13>Table, Detective Davies employer.

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00:16:21.440 --> 00:16:24.159
<v Speaker 10>Seems like is Davies.

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<v Speaker 13>Connected to the other unexpected guest.

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<v Speaker 10>I don't know for sure, right, Do.

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<v Speaker 13>You have anything else to report?

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00:16:31.679 --> 00:16:34.159
<v Speaker 12>No, I will submit a report in a few hours.

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<v Speaker 12>I'm on the way to the doctor for a checkup.

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<v Speaker 13>Do take care of your health. We need all our

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<v Speaker 13>field agents and tiptop shape.

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<v Speaker 10>How would you like us to proceed from there?

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<v Speaker 13>Agent White? This deal is deemed irregular. We would like

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<v Speaker 13>you to preturn to England to discuss next steps directly

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<v Speaker 13>with management.

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<v Speaker 10>I understand.

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<v Speaker 13>Goodbye, Agent White.

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<v Speaker 4>All right, what's a good word?

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<v Speaker 10>We're heading to HQ.

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<v Speaker 3>Emily sat next to Marcus in the back seat of

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<v Speaker 3>Hastings rental car, her gaze fixed on the passing landscape

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00:17:29.920 --> 00:17:33.920
<v Speaker 3>as the vehicle merged onto the highway. September drove the

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00:17:33.960 --> 00:17:37.599
<v Speaker 3>car while Hastings examined the contents of the controfile Emily

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00:17:37.640 --> 00:17:41.839
<v Speaker 3>had given them. The quartet was once again departing Chicago,

302
00:17:42.480 --> 00:17:48.160
<v Speaker 3>the city shrinking behind them. A blender, that's what Marcus

303
00:17:48.200 --> 00:17:52.000
<v Speaker 3>had told her, would destroy the apartment building. How many

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00:17:52.039 --> 00:17:57.440
<v Speaker 3>people survived? That ispet event? Her ispet event. No, that

305
00:17:57.519 --> 00:18:00.319
<v Speaker 3>wasn't the right question. The real question that was haunting

306
00:18:00.400 --> 00:18:05.319
<v Speaker 3>her was how many innocent people died from her is event.

307
00:18:06.880 --> 00:18:10.240
<v Speaker 3>The weight of this thought made her nauseous. She couldn't

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00:18:10.279 --> 00:18:13.839
<v Speaker 3>think about it, not right now. She was too exhausted

309
00:18:13.880 --> 00:18:14.519
<v Speaker 3>to confront it.

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00:18:14.599 --> 00:18:15.039
<v Speaker 6>Right now.

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00:18:17.079 --> 00:18:19.680
<v Speaker 3>Her physical wounds had been tended to thanks to the

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00:18:19.680 --> 00:18:23.640
<v Speaker 3>first aid supplies from Bullard and Hastings medical knowledge, Yet

313
00:18:23.640 --> 00:18:25.440
<v Speaker 3>she still felt as if she had been hit by

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00:18:25.440 --> 00:18:29.839
<v Speaker 3>a mack truck. She already missed Amber and regretted not

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00:18:29.920 --> 00:18:33.680
<v Speaker 3>seeing Sam. She resolved to maintain better contact with her

316
00:18:33.680 --> 00:18:38.319
<v Speaker 3>friends this time. Her previous attempts at isolation hadn't safeguarded them.

317
00:18:38.519 --> 00:18:43.039
<v Speaker 3>Perhaps keeping them informed could. The sound of a page

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00:18:43.039 --> 00:18:47.240
<v Speaker 3>turning pulled her attention to the front seat, catching September's eyes.

319
00:18:46.920 --> 00:18:51.359
<v Speaker 4>In the rearview mirror. How are you holding up?

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00:18:51.799 --> 00:18:54.799
<v Speaker 6>Oh? I'm well, Well, this file is interesting.

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00:18:55.079 --> 00:18:57.319
<v Speaker 4>Not you, Hastings. I'm talking to Emily.

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00:18:57.559 --> 00:19:01.000
<v Speaker 7>Oh right, I'm fine, just a little sore.

323
00:19:01.640 --> 00:19:03.839
<v Speaker 4>It seems like you and Marcus had a bit of

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00:19:03.880 --> 00:19:05.920
<v Speaker 4>an adventure while we were gone.

325
00:19:05.920 --> 00:19:08.920
<v Speaker 7>Between the Contra and the Shifter. I would say that's

326
00:19:08.960 --> 00:19:10.680
<v Speaker 7>the understatement.

327
00:19:10.079 --> 00:19:10.480
<v Speaker 10>Of the year.

328
00:19:11.799 --> 00:19:15.079
<v Speaker 4>I'm sorry that we left you unprotected like that. I

329
00:19:15.119 --> 00:19:17.599
<v Speaker 4>will do my best never to leave you again.

330
00:19:18.119 --> 00:19:20.799
<v Speaker 7>It wasn't your fault. You didn't know this would happen.

331
00:19:21.440 --> 00:19:24.119
<v Speaker 4>I should have better anticipated something like this.

332
00:19:24.400 --> 00:19:26.880
<v Speaker 7>It's okay, September. Was your trip worth it?

333
00:19:26.880 --> 00:19:28.319
<v Speaker 6>At least very much?

334
00:19:28.319 --> 00:19:28.400
<v Speaker 1>So?

335
00:19:29.039 --> 00:19:32.160
<v Speaker 6>We were given access to the restricted archives. I read

336
00:19:32.240 --> 00:19:35.559
<v Speaker 6>quite a few interesting texts, including several that were originally

337
00:19:35.559 --> 00:19:39.720
<v Speaker 6>authored by dragons chronicler Dean believes anomalies are responsible for

338
00:19:39.799 --> 00:19:43.480
<v Speaker 6>the extinction of the Dragons. He also removed me from

339
00:19:43.519 --> 00:19:47.240
<v Speaker 6>my current position and intends to reassign me. The archives

340
00:19:47.240 --> 00:19:50.440
<v Speaker 6>were attacked by Contra agents, and I stole some information

341
00:19:50.519 --> 00:19:52.599
<v Speaker 6>that may lead us to other anomalies.

342
00:19:53.039 --> 00:19:53.920
<v Speaker 7>Are you serious?

343
00:19:54.359 --> 00:19:57.519
<v Speaker 6>Yes, Emily, none of those statements would make a good joke.

344
00:19:58.000 --> 00:19:59.680
<v Speaker 7>You know where other anomalies are.

345
00:20:00.680 --> 00:20:04.200
<v Speaker 4>Maybe we have some leads. I'll explain it all to

346
00:20:04.240 --> 00:20:06.160
<v Speaker 4>you after we find a place to settle down and

347
00:20:06.200 --> 00:20:07.599
<v Speaker 4>recover for a couple of days.

348
00:20:08.279 --> 00:20:09.279
<v Speaker 7>That's amazing.

349
00:20:10.000 --> 00:20:11.599
<v Speaker 6>I told you the trip was worth it.

350
00:20:12.680 --> 00:20:14.920
<v Speaker 7>You said the archives were attacked.

351
00:20:15.200 --> 00:20:17.119
<v Speaker 4>Yeah, but I don't think it was anything to do

352
00:20:17.160 --> 00:20:21.160
<v Speaker 4>with us specifically. It probably had taken the Contra quite

353
00:20:21.160 --> 00:20:23.000
<v Speaker 4>a bit of time to set up a full scale

354
00:20:23.039 --> 00:20:23.880
<v Speaker 4>assault like that.

355
00:20:24.440 --> 00:20:25.920
<v Speaker 7>Well, I'm glad You're okay.

356
00:20:26.599 --> 00:20:27.559
<v Speaker 6>I'm glad as well.

357
00:20:27.920 --> 00:20:29.799
<v Speaker 4>We left as soon as the attack.

358
00:20:29.559 --> 00:20:33.279
<v Speaker 7>Began, so the contract could have taken the archives.

359
00:20:33.799 --> 00:20:37.400
<v Speaker 4>It's possible, but I doubt it. There were plenty of

360
00:20:37.400 --> 00:20:39.480
<v Speaker 4>guides and chroniclers to guard the facility.

361
00:20:39.799 --> 00:20:42.640
<v Speaker 6>The chroniclers employ highly skilled security guards as well.

362
00:20:43.000 --> 00:20:43.160
<v Speaker 1>Well.

363
00:20:43.160 --> 00:20:46.319
<v Speaker 7>I guess that's good. So you said Dean blames the

364
00:20:46.359 --> 00:20:49.519
<v Speaker 7>anomalies for the death of dragons? Did he say why?

365
00:20:50.279 --> 00:20:52.559
<v Speaker 6>I still need to do some research into that topic.

366
00:20:53.079 --> 00:20:55.319
<v Speaker 6>He suggests that I take a similar branch of study

367
00:20:55.319 --> 00:20:57.720
<v Speaker 6>as him and hopes that I might discover what happened.

368
00:20:58.440 --> 00:21:02.119
<v Speaker 6>Are you going to in a sense at this moment,

369
00:21:02.319 --> 00:21:04.599
<v Speaker 6>I intend to split my time studying the past with

370
00:21:04.680 --> 00:21:06.680
<v Speaker 6>studying you, Hastings.

371
00:21:06.839 --> 00:21:08.720
<v Speaker 4>You've got to work on your delivery.

372
00:21:09.480 --> 00:21:11.039
<v Speaker 7>It's okay, I'm used to it.

373
00:21:11.640 --> 00:21:12.880
<v Speaker 6>I didn't mean to offend.

374
00:21:13.440 --> 00:21:17.039
<v Speaker 7>Yeah, you never do. So what did the books say?

375
00:21:17.880 --> 00:21:18.519
<v Speaker 4>Not a lot?

376
00:21:18.640 --> 00:21:22.240
<v Speaker 7>Unfortunately, was there anything in there about different color ispet

377
00:21:22.279 --> 00:21:23.799
<v Speaker 7>lines or harbingers.

378
00:21:24.480 --> 00:21:27.799
<v Speaker 4>They seem to lack accurate information about the lines, and

379
00:21:28.359 --> 00:21:30.599
<v Speaker 4>we have theories about harbingers.

380
00:21:30.920 --> 00:21:34.200
<v Speaker 7>What about why there are eighty one anomalies born every year?

381
00:21:35.160 --> 00:21:37.839
<v Speaker 7>That still seems very unlike chaos.

382
00:21:38.519 --> 00:21:41.160
<v Speaker 4>I'm sorry, but nothing about that yet either.

383
00:21:41.799 --> 00:21:44.079
<v Speaker 7>This doesn't seem like a very successful visit.

384
00:21:44.880 --> 00:21:47.720
<v Speaker 6>Emily, While I was there. I had my laptop and

385
00:21:47.799 --> 00:21:50.880
<v Speaker 6>four external hard drives with a capacity of three terabytes each.

386
00:21:51.200 --> 00:21:54.279
<v Speaker 6>While September and I studied in the restricted archives, my

387
00:21:54.519 --> 00:21:57.319
<v Speaker 6>laptop downloaded as many digital files as the hard drives

388
00:21:57.359 --> 00:22:01.039
<v Speaker 6>could hold, and considering most of those are scanned images

389
00:22:01.119 --> 00:22:03.839
<v Speaker 6>and text documents, that is a lot of content.

390
00:22:04.559 --> 00:22:07.960
<v Speaker 7>Oh, I didn't realize you had digital versions. Why couldn't

391
00:22:07.960 --> 00:22:09.000
<v Speaker 7>you download them from here?

392
00:22:09.480 --> 00:22:13.079
<v Speaker 6>The files are housed in private, secured servers. We had

393
00:22:13.079 --> 00:22:14.319
<v Speaker 6>to go there to access them.

394
00:22:14.960 --> 00:22:16.519
<v Speaker 7>Ah, okay, that makes sense.

395
00:22:17.079 --> 00:22:18.960
<v Speaker 6>It will take time, but it gives me a lot

396
00:22:18.960 --> 00:22:20.079
<v Speaker 6>of information to work with.

397
00:22:20.960 --> 00:22:24.559
<v Speaker 7>One last question about the books, what is it? Did

398
00:22:24.599 --> 00:22:29.319
<v Speaker 7>any of them mention anything about dreams or being able

399
00:22:29.359 --> 00:22:31.759
<v Speaker 7>to speak with other anomalies through dreams?

400
00:22:32.359 --> 00:22:34.359
<v Speaker 4>Speaking with other anomalies and.

401
00:22:34.400 --> 00:22:38.960
<v Speaker 7>Dreams, Yeah, communicating while one anomaly is dreaming and the

402
00:22:39.000 --> 00:22:39.640
<v Speaker 7>other is awake.

403
00:22:40.279 --> 00:22:42.839
<v Speaker 6>I didn't see anything about that, neither did I.

404
00:22:43.480 --> 00:22:49.400
<v Speaker 7>Oh, okay, well, I've started talking to another anomaly named Cricket.

405
00:22:49.799 --> 00:22:53.319
<v Speaker 4>Cricket, you can talk to them while you dream.

406
00:22:53.720 --> 00:22:56.720
<v Speaker 7>No, he talks to me while he dreams and I'm awake.

407
00:22:57.240 --> 00:23:01.119
<v Speaker 6>Emily, please tell me everything you know about Give me

408
00:23:01.160 --> 00:23:02.680
<v Speaker 6>as much information as you can.

409
00:23:02.559 --> 00:23:06.079
<v Speaker 7>Recall, well, he first showed up when we were back

410
00:23:06.079 --> 00:23:06.920
<v Speaker 7>in Montana.

411
00:23:07.000 --> 00:23:11.720
<v Speaker 14>Guys, please can we talk about cricket later? I need

412
00:23:11.759 --> 00:23:13.960
<v Speaker 14>to know what is the shifter going to show up again?

413
00:23:14.720 --> 00:23:18.079
<v Speaker 14>Because I don't think I can keep doing this.

414
00:23:18.640 --> 00:23:21.160
<v Speaker 4>If it shows up, we will be here to help.

415
00:23:21.640 --> 00:23:24.920
<v Speaker 7>I think I killed it. I pinned it to a

416
00:23:24.960 --> 00:23:28.000
<v Speaker 7>wall and set it on fire, then turned the building

417
00:23:28.000 --> 00:23:28.759
<v Speaker 7>into a blender.

418
00:23:29.079 --> 00:23:32.920
<v Speaker 4>A blender, so it's for sure.

419
00:23:33.240 --> 00:23:34.920
<v Speaker 5>Dead, I think so.

420
00:23:35.920 --> 00:23:39.839
<v Speaker 7>I think everyone that was left in that building is dead.

421
00:23:39.400 --> 00:23:41.319
<v Speaker 7>I killed them all.

422
00:23:42.240 --> 00:23:45.640
<v Speaker 4>Emily, you did not kill them, and if you killed

423
00:23:45.680 --> 00:23:47.440
<v Speaker 4>the shifter, that was self defense.

424
00:23:47.880 --> 00:23:50.400
<v Speaker 7>I don't want to talk about this, not right now.

425
00:23:51.319 --> 00:23:52.039
<v Speaker 7>I need time.

426
00:23:52.599 --> 00:23:56.720
<v Speaker 6>Okay, so about cricket.

427
00:23:58.119 --> 00:24:00.359
<v Speaker 7>I'll catch you up on the details later. But he

428
00:24:00.440 --> 00:24:02.200
<v Speaker 7>said that anomalies have any.

429
00:24:02.000 --> 00:24:06.359
<v Speaker 6>Ads, any ads and any ad as a group of nine.

430
00:24:06.599 --> 00:24:08.519
<v Speaker 7>Yeah, he said that they work together.

431
00:24:08.920 --> 00:24:10.400
<v Speaker 6>Nine groups of nine.

432
00:24:11.000 --> 00:24:11.640
<v Speaker 4>What was that?

433
00:24:12.680 --> 00:24:15.759
<v Speaker 6>Eighty one anomalies are born every year, all in groups

434
00:24:15.799 --> 00:24:17.880
<v Speaker 6>of nine, nine groups of nine.

435
00:24:18.920 --> 00:24:21.400
<v Speaker 7>Do you think one of the anomalies you found could

436
00:24:21.440 --> 00:24:22.799
<v Speaker 7>be part of mienniad?

437
00:24:23.799 --> 00:24:27.160
<v Speaker 4>There's only one way to find out. We are going

438
00:24:27.200 --> 00:24:31.279
<v Speaker 4>to find them.

439
00:24:31.440 --> 00:24:35.559
<v Speaker 3>Emily Swanson is voiced by Tisha Zaying. Hastings is voiced

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<v Speaker 3>by Adam Culbertson. September is voiced by Richard Collins. Detective

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<v Speaker 3>Bullard is voiced by Tony Kinney. Detective Mariano Davis is

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<v Speaker 3>voiced by Glenn Michael Saxton. Marcus Baker is voiced by

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<v Speaker 3>Nico Rodriguez. Amber Lang is voiced by Nari Quack. Agent

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<v Speaker 3>Victor Brown is voiced by t Alexander Saxton. Agent Natalie

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<v Speaker 3>White is voiced by Sarah Callahan. The Operator is voiced

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<v Speaker 3>by Helen Edgar and narrated by Michael Cole. Isfet Archives

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<v Speaker 3>was written by Nico Rodriguez in collaboration with Titia Zang.

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<v Speaker 3>Espett Archives is a Creative Typo entertainment production. Find out

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<v Speaker 3>more about our show at www dot creative typo dot com.

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<v Speaker 2>A very special thank you to our executive producers from Patreon,

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<v Speaker 2>Nick Mead and Patrick t Arsenal
