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<v Speaker 1>You're watching Chewing the Cud with Riverscott and Nikki Taylor.

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<v Speaker 2>So I just left the money on the bedside table

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<v Speaker 2>and legged it in the end. Hello, you're watching Chewing

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<v Speaker 2>the Cud, your lighthearted weekly look at the world through

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<v Speaker 2>a glittery the Kaleidoscope. I'm River Scott and back with

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<v Speaker 2>me this week, mostly because he thinks we're paying him.

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<v Speaker 2>It's the lovely Mickey Taylor. Hello, Mickey, how are you doing?

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<v Speaker 3>Oh good? How are you?

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<v Speaker 2>I'm very well. It's lovely to see you again. Thanks

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<v Speaker 2>for coming back after last time.

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<v Speaker 3>So many weeks and so long.

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<v Speaker 2>I've missed you so much.

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<v Speaker 3>It's like we live on the same road.

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<v Speaker 2>I know, the most showbiz road in all of wherever

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<v Speaker 2>we live.

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<v Speaker 3>Yeah, yeah, don't give it away.

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<v Speaker 2>Secret. Yeah, we live in a secure look at an

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<v Speaker 2>undisclosed compound that they need to be there anyway. What

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<v Speaker 2>have you got for us this week? NICKI?

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<v Speaker 1>Okay, So I'm bringing you a story about coming out,

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<v Speaker 1>and then we are going to play a game.

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<v Speaker 2>How exciting, and then we'll be solving clues in Treasure Trail.

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<v Speaker 2>But on screen now you can see our contact details.

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<v Speaker 2>It's at the Cud TV on all of the social

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<v Speaker 2>media's and if you want to catch up on previous episodes,

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<v Speaker 2>you just search Chewing the Could on the YouTube's.

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<v Speaker 1>Yes, you can see the names of people who have

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<v Speaker 1>reached out and touched our souls going along the bottom

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<v Speaker 1>of the screen.

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<v Speaker 3>But now it's time for River in the Buzz.

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<v Speaker 2>All right, So my first story for you this week.

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<v Speaker 2>How often do you need to have sex to not

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<v Speaker 2>be depressed?

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<v Speaker 3>H Once a week minimum, is it right?

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<v Speaker 2>I mean got to be at this point. I'm just

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<v Speaker 2>happy to be involved and it's not really a quota

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<v Speaker 2>thing for me being in the room. Yeah, it's just

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<v Speaker 2>nice that someone wants.

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<v Speaker 3>I sit in the corner with some snacks. Yeah.

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<v Speaker 2>Apparently, like saying things like oh this is fun is

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<v Speaker 2>not really what people think of as dirty talk. I'm

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<v Speaker 2>doing it wrong.

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<v Speaker 1>Well, don't you get like serotonin and orphins of it?

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<v Speaker 1>So obviously you need those for your depression.

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<v Speaker 2>Don't you never met the girl anyway? According to a

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<v Speaker 2>study involving nearly fifteen thousand US adults aged between twenty

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<v Speaker 2>and fifty nine, the link between frequency, the link of

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<v Speaker 2>frequency of sex and depression is a real thing, or

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<v Speaker 2>might be. There's certainly something there.

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<v Speaker 3>Well, it makes sense because I don't.

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<v Speaker 1>They say that, like loads of gen z are really depressed,

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<v Speaker 1>and it's because they're like the least the lowest like

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<v Speaker 1>sexually libidoed of all of us.

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<v Speaker 2>I thought they were more depressed because the world's on

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<v Speaker 2>fire and none of them are going to ever be

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<v Speaker 2>able to get real jobs or retire or own a

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<v Speaker 2>house or anything.

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<v Speaker 3>And also none of them drink either.

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<v Speaker 2>None of them, which is weird. You think with that

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<v Speaker 2>kind of shit going on, you'd be Yeah.

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<v Speaker 1>They find that most people, like the mean average like

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<v Speaker 1>young age of people drinking now is like twenty five

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<v Speaker 1>up because people youngins aren't drinking.

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<v Speaker 2>So what I'm hearing is we should alway shagging teenagers

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<v Speaker 2>just to cheer them up. Moving up, anyway, back to this,

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<v Speaker 2>Apparently weekly sexual activity shows a twenty four percent in

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<v Speaker 2>depression odds Okay, So yeah, like up to a quarter

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<v Speaker 2>of the people who had sex once a week were

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<v Speaker 2>less depressed.

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<v Speaker 3>But sex they're atonin.

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<v Speaker 2>Yeah. Yeah, Apparently optimal frequency because everyone loves a spreadsheets

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<v Speaker 2>or in sex is between fifty two and one hundred

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<v Speaker 2>and three times a year, So that's one, not once

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<v Speaker 2>or twice a week. Okay, which is all right. Yeah,

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<v Speaker 2>that gives me time to recharge and you know, change

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<v Speaker 2>the sheets.

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<v Speaker 3>Yeah yeah again, warm.

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<v Speaker 2>Up, stretch out a bit, yeah, all that stuff.

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<v Speaker 1>I mean that sounds about right, like good, I think, like, yeah.

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<v Speaker 2>There is a note here actually that says there's no

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<v Speaker 2>additional benefits observed if you're doing it more than twice

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<v Speaker 2>a week, so that's just on your own time and

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<v Speaker 2>it's just greedy. Yeah, that's like why, I mean, why

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<v Speaker 2>else would you have sex if not for the antidepress

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<v Speaker 2>of qualities?

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<v Speaker 3>Like who, I mean, that's all we have done it for,

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<v Speaker 3>not for the pleasure?

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<v Speaker 2>Pleasure anyways, should we crash onto the next not at

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<v Speaker 2>all related, but maybe slightly possibly of course. One Nearly

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<v Speaker 2>three hundred sex toys left on London busses, tube and taxis.

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<v Speaker 2>That's a busy day, that is where I left them.

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<v Speaker 2>Yeah that bag for they weren't even in a bag

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<v Speaker 2>where you were just dragging them, just carrying.

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<v Speaker 3>Them, dragging them from somewhere.

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<v Speaker 2>Yeah. Well this is between twenty fourteen and twenty twenty

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<v Speaker 2>four so I was in London for most of those years.

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<v Speaker 2>Nearly three hundred sex toys were found on London's public transport,

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<v Speaker 2>including the busses, the tube, the taxis and in all

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<v Speaker 2>the major train stations.

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<v Speaker 3>Like okay, so are they like falling out of bags.

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<v Speaker 2>Or I wonder where you were what you were going

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<v Speaker 2>to say? Then? Yeah, yeah they are? They are they clean?

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<v Speaker 2>Are they ready?

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<v Speaker 1>Are they are they nex toy? Is it like a

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<v Speaker 1>cucumber that's falling out of a Tesco bag?

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<v Speaker 3>Are they going a goop sex toy?

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<v Speaker 2>I mean, when when money is tight, one must do

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<v Speaker 2>what one must?

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<v Speaker 3>Are they saying they are closed peg and go set toy?

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<v Speaker 3>All right?

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<v Speaker 2>Yeah? I had to think about that one. Yeah, yeah, yeah,

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<v Speaker 2>I mean that's true. Like I I, I don't know.

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<v Speaker 2>Let's see, let's see most of them. Oh, would you

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<v Speaker 2>like to guess which tube line found had the most

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<v Speaker 2>on it? I don't. I can't give you any like

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<v Speaker 2>clues on this and.

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<v Speaker 1>The vauxall one because that's all the gays go, oh yeah,

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<v Speaker 1>that's the plugs down there, isn't there?

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<v Speaker 2>Apparently it was the circle line which goes that's kind

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<v Speaker 2>of funny, yeah, which just goes round and round the circles.

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<v Speaker 3>The hooped line all night.

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<v Speaker 2>Of the three hundred found, only forty were claimed by

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<v Speaker 2>their owners. Well it has owners. I don't know how

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<v Speaker 2>they'd say.

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<v Speaker 3>Why are you going back and claiming it?

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<v Speaker 2>But then thinking about it, there's like three undred, there's

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<v Speaker 2>three hundred. There's two hundred and sixty of them in

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<v Speaker 2>a box. Excuse me as my sex. So I've been

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<v Speaker 2>handed in and they go is it one of these?

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<v Speaker 2>And you go, no, have you got any more? You

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<v Speaker 2>just flick through one, yeah, yeah, run it through the

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<v Speaker 2>dishwasher a couple of times.

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<v Speaker 3>You'd be fine.

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<v Speaker 1>I mean I get that, like some sex toys are

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<v Speaker 1>really expensive, like you get those remote controlled love eggs

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<v Speaker 1>and stuff, but like that is nah, I wouldn't be

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<v Speaker 1>going back. That's a level of shame I didn't know existed.

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<v Speaker 1>Or you could put on yourself or maybe that's part

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<v Speaker 1>of it.

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<v Speaker 2>Maybe that's part.

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<v Speaker 3>Maybe that's the kink.

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<v Speaker 2>I mean that is where I get all my underwear from.

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<v Speaker 2>I nick it off the off the hot guys when

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<v Speaker 2>they're in the showers in the gym. You rot ski,

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<v Speaker 2>oh no, it's good, and wants the flavor starts to

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<v Speaker 2>go up them in the washer and then I can

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<v Speaker 2>mind them. Jobs are good.

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<v Speaker 3>Okay.

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<v Speaker 2>Anyway, this story apparently one one device is what it

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<v Speaker 2>says here was even handed in at the London Transport Museum,

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<v Speaker 2>which is interesting, like did they did they find it

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<v Speaker 2>on one of the on one of the museum pieces.

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<v Speaker 2>Was it just lost under under a chair on an

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<v Speaker 2>old Victorian horse drawn bus?

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<v Speaker 1>Or I instantly saw like a butt plug with wheels

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<v Speaker 1>a butt plug?

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<v Speaker 3>Why would you take it?

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<v Speaker 2>The transport is around on it.

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<v Speaker 3>Yeah, like little scoot scoop like skateboard. Yeah, Mario car.

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<v Speaker 2>Oh wow, good lord. Apparently after three months, so wedn't

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<v Speaker 2>have done any of that anyway, because after three months

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<v Speaker 2>unclaimed items, what do you think they do with them?

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<v Speaker 1>They've got to be melting them down or recycling them.

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<v Speaker 2>Send them off to Madame two Swords to become the

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<v Speaker 2>next version.

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<v Speaker 3>Of Memil, Give them to the homeless, make them happy.

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<v Speaker 2>Apparently, after after three months, all unclaimed items are auctioned

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<v Speaker 2>or donated to charity. So you were not wrong.

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<v Speaker 3>Oh I hate being right. That's so bad.

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<v Speaker 2>And it's to offset operational costs, which I thought was

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<v Speaker 2>the point of the ridiculously expensive.

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<v Speaker 3>I love the idea for the operational cost of a dildo.

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<v Speaker 3>I love that. That's so great.

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<v Speaker 2>But yeah, they are they are auctioned on donated, auctioned

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<v Speaker 2>or donated, presumably the ones that get donated the ones

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<v Speaker 2>no one wants to pay for.

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<v Speaker 3>Fair.

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<v Speaker 1>I like the idea of it, not like going to

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<v Speaker 1>a good home like a stray dog, like take it

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<v Speaker 1>to a new owner.

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<v Speaker 2>Yeah, and I suppose if it was like still in

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<v Speaker 2>the box and the box was sealed, so it was

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<v Speaker 2>like someone who bought it prowler.

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<v Speaker 3>And left it on the trailer, then that makes more sense.

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<v Speaker 2>Yeah, you could, you could. You could bid for one

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<v Speaker 2>of them, and it would just be like getting cheaper one,

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<v Speaker 2>but it'd still be just as clean and new because

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<v Speaker 2>it was still in the wrapper as it were.

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<v Speaker 1>Could you imagine if you've got one of the repurposed

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<v Speaker 1>ones and you get pregnant.

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<v Speaker 2>I mean I've I've never got pregnant. I keep trying,

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<v Speaker 2>but no one not just not yet. And on that note,

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<v Speaker 2>if you want to share something with us, whatever, you

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<v Speaker 2>can tag us. We are at the could TV on

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<v Speaker 2>all of your socials. And now story three, okay you're ready.

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<v Speaker 2>M A couple have been caught having sex on a

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<v Speaker 2>on a gravestone in Oh good lord, in Florida.

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<v Speaker 1>Now this could be for different reasons. This could be

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<v Speaker 1>a ritual, that's true. It could be that they were

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<v Speaker 1>in a freeway and the partner died and they just

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<v Speaker 1>wanted to get them involved again.

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<v Speaker 2>The police discovered them while taking a K nine unit

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<v Speaker 2>break which means the dog needed a WII. Oh right,

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<v Speaker 2>and their car was parked outside the locked cemetery gates.

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<v Speaker 2>The officer observed the couple engaged in sexual activity on

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<v Speaker 2>top of grave number forty three.

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<v Speaker 3>It gives a whole new reference to the song Friller,

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<v Speaker 3>doesn't it really?

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<v Speaker 2>Oh yeah, that kind of thing.

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<v Speaker 3>But it was legs this time, legs up in the air.

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<v Speaker 2>The good lord, and you'll be you'll be shocked to

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<v Speaker 2>hear that they found meth in their car as well.

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<v Speaker 2>Looking at them, you wouldn't think it, would you. Oh

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<v Speaker 2>and also prescription xanax and oxy codone.

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<v Speaker 3>What a night?

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<v Speaker 2>Yeah? And oh the car was registered to the woman's husband,

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<v Speaker 2>who is not the gentleman the dead one. Oh, I

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<v Speaker 2>hadn't thought that.

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<v Speaker 3>I told you it was a freeway.

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<v Speaker 2>Wouldn't that be nice? Like after after I die, I

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<v Speaker 2>want you to move on, but I want you to

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<v Speaker 2>come on my grave, dead body.

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<v Speaker 3>What hope they were doing it? To abracadabra.

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<v Speaker 2>It's fun occasionally to take it outside, don't you think,

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<v Speaker 2>as George Michael would say, like it's part of our culture.

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<v Speaker 1>Like I'm I'm not here to yuck anyone, yam, So

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<v Speaker 1>I mean, go for it. But if you're not hurting anyone,

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<v Speaker 1>I mean they're already.

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<v Speaker 2>Dead, I don't. I mean, yeah, I'm alright with doing

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<v Speaker 2>it outside. I don't know if I do it in

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<v Speaker 2>a graveyard, just because I think it will creep me

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<v Speaker 2>out a little bit more than any kind of respect

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<v Speaker 2>for dead people because they're dead, they don't care. But

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<v Speaker 2>like up against a tree and stuff like that, Yeah,

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<v Speaker 2>why not? You need someone to hang on too, So

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<v Speaker 2>I suppose the headsperons are good for that kind of thing.

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<v Speaker 2>You need something to brace yourself.

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<v Speaker 3>Again, I have so many conflicting thoughts about this. I

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<v Speaker 3>don't know what to say.

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<v Speaker 1>I'm like, well, you're not hurting anyone, but you are

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<v Speaker 1>dishonoring a grave.

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<v Speaker 2>But then the person in it doesn't care because they're dead.

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<v Speaker 3>So it's like, you're not hurting anyone. Yeah, go for it,

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<v Speaker 3>just do it? Why not?

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<v Speaker 2>Yeah? Why not? It's all good fun, everyone's having a

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<v Speaker 2>good time. Why not And that's all from the buzz

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<v Speaker 2>this week.

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<v Speaker 1>Thanks River, Thank you for illuminating and educating me there

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<v Speaker 1>at the end.

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<v Speaker 2>You are more than welcome. I've got so many stories.

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<v Speaker 2>Just wait for the next commercial break and stay right there.

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<v Speaker 2>As coming up after We've had a little explanation of

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<v Speaker 2>what I've been up to in public, We're doing the

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<v Speaker 2>celebrity news in Showbiz. Welcome back. You are watching Chewing

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<v Speaker 2>the Cood. This is the part of the show where

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<v Speaker 2>we look into the sparkly and glamorous world of celebrity

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<v Speaker 2>and media in the showbiz with Mickey, our very own

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<v Speaker 2>sparkly and glamorous person.

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<v Speaker 1>So the first bit I've got from you is, do

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<v Speaker 1>you know who Lux Pascal is?

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<v Speaker 3>No?

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<v Speaker 1>Okay, next, no, So Lux Pascal is the sister of

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<v Speaker 1>Petro Pascal.

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<v Speaker 3>Do you know that is?

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<v Speaker 2>Yes, he was the guy with the book on his head.

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<v Speaker 1>Game of Thrones, Mandalorian and mister Fantastic.

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<v Speaker 2>Yeah, my mum really found him and Mandalorian until he

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<v Speaker 2>took his helmet off, which says stuff about my mum

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<v Speaker 2>that I don't need to know. She didn't fancy him

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<v Speaker 2>when she could see his face.

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<v Speaker 3>Fun fact for you.

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<v Speaker 1>You get your kinks from your mother's side anyway. So

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<v Speaker 1>Lut's Pascal stars in the Spanish language drama Miss Carbon.

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<v Speaker 3>She's going to.

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<v Speaker 2>She's wearing a very transpride Transpride jumper there. That's quite a.

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<v Speaker 1>Oh yeah blue, I mean white? Oh my god, how

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<v Speaker 1>did I get that wrong? I'm going blind me. So

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<v Speaker 1>the film portrays Carlita, the first female at My Night,

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<v Speaker 1>in a region of Argentina where women were traditionally forbidden

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<v Speaker 1>from working in mines.

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<v Speaker 2>Why would you want to work in the mine?

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<v Speaker 3>But money? They make so fun fat few.

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<v Speaker 1>My uncle and my cousin work in the Australian mines

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<v Speaker 1>and they do one week on, one week off, and

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<v Speaker 1>they have got so much money, like it's disgusting. But

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<v Speaker 1>they've both just bought plots of land to have in

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<v Speaker 1>their houses, just built from scratch that Honestly, there's more

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<v Speaker 1>money than sense in some of the mining in Australia.

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<v Speaker 2>Like they do also have a lot of space, so

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<v Speaker 2>you can you can build a big buy a big

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<v Speaker 2>plot of land for next to nothing.

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<v Speaker 3>True, I mean like it used to be a lot

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<v Speaker 3>more extortionate.

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<v Speaker 1>I mean obviously we had the minor strike here and

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<v Speaker 1>then the gaze all rallied around that, but which was fun.

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<v Speaker 3>I always like that bit of history.

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<v Speaker 2>Actually, yeah.

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<v Speaker 1>So it's directed by Augustina Marchi. The story is based

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<v Speaker 1>on the real life experiences of Carla Rodriguez, a transgender

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<v Speaker 1>woman who challenged ginger norms and workplace discrimination.

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<v Speaker 2>So she is trans.

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<v Speaker 1>Yes, well, Pedro has come out a lot of times

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<v Speaker 1>recently wearing like the Protect the Dolls T shirt, and

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<v Speaker 1>he's always vocal online about immigration and.

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<v Speaker 3>Trans rites because obviously his sister is trans.

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<v Speaker 2>So his sister actually trans playing woman. She looks quite

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<v Speaker 2>a lot like Anne Hathaway there as well.

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<v Speaker 1>It's very pretty she is, so yeah, he's been a

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<v Speaker 1>very very big supporter of her, and honestly like, good

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<v Speaker 1>on them. And I actually think this sounds quite good.

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<v Speaker 1>I like a good like historical pick. I don't care,

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<v Speaker 1>but oh no, I love a good history flick.

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<v Speaker 2>I love them so good.

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<v Speaker 1>It showcases the importance of representation and media with a

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<v Speaker 1>transactress portraying at trans character.

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<v Speaker 2>Which is nice. Makes a nice change, don't it.

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<v Speaker 1>Yes, And anything's got to be better than that movie

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<v Speaker 1>that came out.

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<v Speaker 3>On Netflix recently.

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<v Speaker 1>You'll have to narrow it Emilia Perez. We shan't go

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<v Speaker 1>into it because we'll be here all day.

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<v Speaker 3>But it's terrible.

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<v Speaker 2>I'm it and won't we'll keep away, but no.

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<v Speaker 3>I think it sounds very very good. So the next

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<v Speaker 3>piece I have for you? Are you ready? Are you

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<v Speaker 3>all a tither? I hang on now you're tithered?

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<v Speaker 2>My tits are good and did so Callum Scott?

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<v Speaker 3>You know who that is?

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<v Speaker 2>Nam Ings Belle, you're doing well here.

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<v Speaker 1>Two for two, British singer songwriter Callum Scott revealed that

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<v Speaker 1>he was a band buy some friends after coming out

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<v Speaker 1>as gay.

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<v Speaker 2>Abandoned by friends and they went like we don't want

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<v Speaker 2>to be in this bar with you, or like they

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<v Speaker 2>just never spoke to him again because I think they.

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<v Speaker 1>Just abandoned him more because he doesn't add agreements be properly.

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<v Speaker 3>I mean, you're gay, Like if you came out as gay,

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<v Speaker 3>you had that beard.

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<v Speaker 2>They're like noy not and just the hair as well,

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<v Speaker 2>like do something with it, man, come on, or maybe.

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<v Speaker 3>He's new gay. Okay them gay?

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<v Speaker 2>He needs to do a fac Melian with him.

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<v Speaker 3>Found a TONI and guy apparently he's been out for

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<v Speaker 3>a while.

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<v Speaker 1>Okay, Well, then there's no fair enough, we apologize, Calim

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<v Speaker 1>were only teasing.

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<v Speaker 2>I don't get apologized together.

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<v Speaker 1>So recently, he had his experience to highlight the challenges

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<v Speaker 1>faced by LGBTQ plus people's in so essentially, he was

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<v Speaker 1>trying to shed the light on some personal trolling and

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<v Speaker 1>coming out about the potential loss of social connections.

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<v Speaker 2>Yeah, but why would you want to hang out with

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<v Speaker 2>straight people anyway? I'm so boring.

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<v Speaker 1>They've all got kids. Well I want to do is

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00:16:02.799 --> 00:16:06.279
<v Speaker 1>talk about their kids. They won't let you touch their penis,

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<v Speaker 1>and they're do when they're drunk. Yeah, but no, I

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<v Speaker 1>mean I get it. I get what you're saying, and

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<v Speaker 1>like it's something that you should address, Like, yeah, it

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<v Speaker 1>just I always think I always worry when people talk

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<v Speaker 1>about things like this because it's just like, don't go

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<v Speaker 1>too deep and too personal, because I don't feel like

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<v Speaker 1>the world needs to know the ins and outs of

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<v Speaker 1>your life. But obviously, to an extent, it's also very helpful. Yeah,

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<v Speaker 1>So I think he's like delivered the right.

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<v Speaker 3>Amount of information.

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<v Speaker 1>It's not like sharing personal stories about one friend that

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00:16:36.240 --> 00:16:38.519
<v Speaker 1>did him wrong or something. It's more like just friends,

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<v Speaker 1>stop talking to me.

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00:16:40.279 --> 00:16:42.240
<v Speaker 2>I'd like to hear some stories about him getting did

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<v Speaker 2>but that's another No.

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<v Speaker 3>You wait for the book to come out and sell it.

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<v Speaker 3>You make money off it.

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<v Speaker 2>Yeah, I mean, like if your mates, your mates should

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<v Speaker 2>be your mate, shouldn't they like, don't hang out with

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<v Speaker 2>you because you're gay. That seems disappointing. Find a better

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<v Speaker 2>reason to not hang out with someone. There's plenty of them. Yeah.

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<v Speaker 3>I mean it's always important to like find acceptance and stuff.

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<v Speaker 3>So I mean, good on him to talking about it.

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<v Speaker 2>Yeah, and he's got better friends now because gay friends friends.

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<v Speaker 3>Are you ready for my last story?

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<v Speaker 2>I suppose all good things should it must end eventually?

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<v Speaker 2>Please hit me?

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<v Speaker 3>So Live Shreiblood, do you know this one? Or is

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<v Speaker 3>this going to be free?

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<v Speaker 2>I heard that name. Could not pick them out of

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<v Speaker 2>a lineup. I was guessing she was the one on

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<v Speaker 2>the left, all right, you know the dad? No, mister Shrever.

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<v Speaker 1>He played Sabertooth in X Men with ut I didn't

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00:17:35.519 --> 00:17:36.759
<v Speaker 1>watch the Wolverine Origin.

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00:17:36.680 --> 00:17:38.279
<v Speaker 3>One rubbiship media.

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<v Speaker 1>Okay, So Live Shriver spoke about his daughter Kai's journey

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<v Speaker 1>on Coming Live.

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<v Speaker 2>Is the dude on the right then?

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<v Speaker 3>Yeah? So it's all it's all trans news today. I

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<v Speaker 3>quite like it.

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00:17:50.200 --> 00:17:52.519
<v Speaker 1>So they've been coming out recently and just kind of

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<v Speaker 1>in full support of their daughter and just saying like,

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<v Speaker 1>that's nice you find out I'm not treating my daughter disrespectful.

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<v Speaker 2>And his doughter looks really happy to be there, doesn't she.

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00:18:03.519 --> 00:18:04.640
<v Speaker 3>It's like to stop talking about me.

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<v Speaker 1>So he said that he expressed that the transition didn't

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00:18:11.559 --> 00:18:13.319
<v Speaker 1>feel like a big deal to him and emphasized the

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00:18:13.359 --> 00:18:14.799
<v Speaker 1>importance of acceptance and support.

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00:18:14.920 --> 00:18:16.559
<v Speaker 3>But of course weren't a big deal for him. Anyone

405
00:18:16.640 --> 00:18:20.039
<v Speaker 3>doing a surtary chickenbugger, but it's only a little deal

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00:18:20.119 --> 00:18:22.480
<v Speaker 3>for you. But no, I think good on him.

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00:18:22.519 --> 00:18:25.799
<v Speaker 1>Like, there's actually quite a lot of like celebrities all

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00:18:25.880 --> 00:18:28.960
<v Speaker 1>coming out and support like their trans daughters, trans brothers

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00:18:29.000 --> 00:18:33.359
<v Speaker 1>and sisters as and like it's actually been quite refreshing.

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<v Speaker 1>I think because of the political climate in Americas, a

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<v Speaker 1>lot of it's mainly Americans.

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00:18:38.799 --> 00:18:40.559
<v Speaker 3>I think it's quite good at the moment.

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<v Speaker 1>Because you've got a kind if you've got people that

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<v Speaker 1>are like the pinnacle of social climaxing.

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00:18:50.240 --> 00:18:53.039
<v Speaker 2>We're outside again social climaxing, but.

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00:18:53.079 --> 00:18:55.079
<v Speaker 1>Like having people like that, it's quite important. It's like

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<v Speaker 1>the lady from What's Her name, Sex and the City.

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<v Speaker 2>Yes, the lesbian one, Cynthia Nixon.

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<v Speaker 1>Yeah, they've just been talking about their trans child as well.

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<v Speaker 1>So like I think there's like almost like a mecha

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00:19:09.160 --> 00:19:11.359
<v Speaker 1>of speaking out at the moment, which is quite nice.

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00:19:11.519 --> 00:19:13.319
<v Speaker 2>Yeah, I mean it's it's nice and it's kind of

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<v Speaker 2>contra to how like the government and all of that's

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00:19:16.279 --> 00:19:18.240
<v Speaker 2>going over there as well and over here a bit

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00:19:18.279 --> 00:19:20.240
<v Speaker 2>as well. It's all a bit disappointing. So it's nice

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00:19:20.279 --> 00:19:22.240
<v Speaker 2>when we get stories like this. It's joyous stories. That's

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00:19:22.279 --> 00:19:22.720
<v Speaker 2>what we want.

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00:19:23.279 --> 00:19:23.559
<v Speaker 1>It is.

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<v Speaker 3>It's nice.

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00:19:24.519 --> 00:19:28.519
<v Speaker 2>Joyous is out and queer and being supported by her

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00:19:28.559 --> 00:19:31.000
<v Speaker 2>dad who's got very twinkling eyes. It's quite just just

432
00:19:31.599 --> 00:19:32.640
<v Speaker 2>speaking a look uncomfortable.

433
00:19:32.680 --> 00:19:34.160
<v Speaker 3>It's that like rugged heart in it.

434
00:19:35.119 --> 00:19:38.599
<v Speaker 2>I mean he's not really might you can have him?

435
00:19:38.920 --> 00:19:40.680
<v Speaker 2>I'll let you. Yeah, he's all yours.

436
00:19:40.920 --> 00:19:44.559
<v Speaker 1>He doesn't have to remember my name. So yeah, I

437
00:19:44.640 --> 00:19:46.559
<v Speaker 1>think it's a really nice point. I think it's just

438
00:19:47.680 --> 00:19:50.000
<v Speaker 1>keep doing it, keep pushing forward, Like I'm not.

439
00:19:50.359 --> 00:19:53.359
<v Speaker 2>Back to everyone though, don't you keeping forward? Pushing forward?

440
00:19:53.519 --> 00:19:55.319
<v Speaker 1>But no, it's like you're seeing them protect the Dolls

441
00:19:55.359 --> 00:19:57.039
<v Speaker 1>T shirt at the moment and whenever you buy one

442
00:19:57.039 --> 00:19:59.200
<v Speaker 1>they're seventy five pounds and it all goes like trans

443
00:19:59.279 --> 00:20:01.319
<v Speaker 1>right at the moment, I've pre ordered when actually funny enough,

444
00:20:02.519 --> 00:20:06.440
<v Speaker 1>I shall get on that on Payday. It's something that

445
00:20:07.720 --> 00:20:10.799
<v Speaker 1>I feel like it was lesser than years prior, and

446
00:20:10.920 --> 00:20:13.440
<v Speaker 1>it's really getting heavy at the moment, and I think

447
00:20:14.039 --> 00:20:16.400
<v Speaker 1>it's so necessary, especially with the way that they're treating

448
00:20:16.440 --> 00:20:18.400
<v Speaker 1>them in America at the moment. And obviously we've just

449
00:20:18.559 --> 00:20:23.640
<v Speaker 1>had the law change here regarding women, which is stupid.

450
00:20:24.160 --> 00:20:28.000
<v Speaker 3>As someone who is like non Binari, non French.

451
00:20:28.720 --> 00:20:32.319
<v Speaker 2>How do you nono is the Australian, how do you feel.

452
00:20:32.119 --> 00:20:34.680
<v Speaker 3>In like almost like the middle of the spectrums in

453
00:20:34.720 --> 00:20:35.119
<v Speaker 3>a way.

454
00:20:35.000 --> 00:20:35.599
<v Speaker 2>I'm not in them.

455
00:20:35.720 --> 00:20:37.480
<v Speaker 3>That's very bad what I mean.

456
00:20:38.680 --> 00:20:40.880
<v Speaker 2>Girls, you got me in the middle, which wouldn't be

457
00:20:40.920 --> 00:20:44.680
<v Speaker 2>the first time my birthday, but now well I'm a

458
00:20:44.799 --> 00:20:46.680
<v Speaker 2>I'm a non of the above, thank you, kind of

459
00:20:46.839 --> 00:20:49.240
<v Speaker 2>non binary, not between the two, but somewhere else entirely

460
00:20:49.319 --> 00:20:51.400
<v Speaker 2>doing my own thing. How do I feel about what.

461
00:20:52.960 --> 00:20:53.880
<v Speaker 3>All of the outspts?

462
00:20:55.119 --> 00:20:57.319
<v Speaker 1>I can speak on it as like a pan sexual person,

463
00:20:57.400 --> 00:21:00.559
<v Speaker 1>but it's not as prowned upon right now hours say

464
00:21:00.640 --> 00:21:04.119
<v Speaker 1>like non binary trans like yeah.

465
00:21:04.039 --> 00:21:09.039
<v Speaker 2>It's it's it's it's a pain, but you know, frowning

466
00:21:09.119 --> 00:21:11.039
<v Speaker 2>on it doesn't change anything. You might as well just

467
00:21:11.519 --> 00:21:16.079
<v Speaker 2>they might as well just accept it, like what nice, proper,

468
00:21:16.200 --> 00:21:18.440
<v Speaker 2>good decent human beings and yourself.

469
00:21:18.599 --> 00:21:20.720
<v Speaker 1>I think we just have to like push back in

470
00:21:20.880 --> 00:21:24.160
<v Speaker 1>the smartest way possible, but also like in a very

471
00:21:24.240 --> 00:21:28.400
<v Speaker 1>tactile w like not like the aggressive protesting and things

472
00:21:28.440 --> 00:21:29.759
<v Speaker 1>like this, Like there's no need for any of.

473
00:21:29.799 --> 00:21:31.000
<v Speaker 3>Us to get violent with them.

474
00:21:31.039 --> 00:21:34.079
<v Speaker 2>That's what they do want. I think we should get vialent.

475
00:21:34.279 --> 00:21:34.839
<v Speaker 3>We should just be.

476
00:21:34.960 --> 00:21:37.240
<v Speaker 1>Removing them from our prides like we have done and

477
00:21:37.359 --> 00:21:40.240
<v Speaker 1>things like this, like we find very clever, tactile ways

478
00:21:40.279 --> 00:21:42.839
<v Speaker 1>to kind of give them an f you and then

479
00:21:42.960 --> 00:21:43.759
<v Speaker 1>kind of push back.

480
00:21:43.839 --> 00:21:46.359
<v Speaker 3>So I like the movement at the moment. It's good.

481
00:21:46.960 --> 00:21:49.359
<v Speaker 2>No, I want to blow it up. I want to

482
00:21:49.440 --> 00:21:51.920
<v Speaker 2>I want to like see some blood. I'm all about

483
00:21:51.960 --> 00:21:52.279
<v Speaker 2>that shit.

484
00:21:52.759 --> 00:22:00.240
<v Speaker 1>Please don't blow anyone up now, before you do blow anyone.

485
00:22:01.640 --> 00:22:03.480
<v Speaker 3>And that's all from the show biz this week.

486
00:22:04.960 --> 00:22:08.599
<v Speaker 2>Thanks for that, Mickey, You're welcome. I've really enjoyed the

487
00:22:09.240 --> 00:22:13.200
<v Speaker 2>positive transness of this week's news stories.

488
00:22:13.359 --> 00:22:16.240
<v Speaker 1>So don't go anywhere. As coming up, we have a

489
00:22:16.400 --> 00:22:18.680
<v Speaker 1>game for you to play. Along with in our game.

490
00:22:18.519 --> 00:22:24.759
<v Speaker 2>Of the week, either of us are I think we'll Oh,

491
00:22:29.799 --> 00:22:32.960
<v Speaker 2>welcome back to Chewing the Cud with me, River Scott

492
00:22:33.079 --> 00:22:37.359
<v Speaker 2>and my close personal friend and astrologer Mickey Taylor. This

493
00:22:37.640 --> 00:22:40.079
<v Speaker 2>is the part of the show where we play a game,

494
00:22:40.200 --> 00:22:42.359
<v Speaker 2>and this one is for the person who loves a

495
00:22:42.440 --> 00:22:46.839
<v Speaker 2>close up. It's Mickey, so off you pop pop eye

496
00:22:46.880 --> 00:22:47.880
<v Speaker 2>off yes.

497
00:22:51.160 --> 00:22:53.160
<v Speaker 4>Day of the week.

498
00:22:55.599 --> 00:22:59.240
<v Speaker 2>So we're going to play Uza kazoo because Mickey, you

499
00:22:59.440 --> 00:23:03.039
<v Speaker 2>being a musician, and that we thought it best for

500
00:23:03.160 --> 00:23:08.599
<v Speaker 2>you to be the one with the technical equipment while

501
00:23:08.640 --> 00:23:10.759
<v Speaker 2>I sit here and try and guess the songs. What

502
00:23:10.920 --> 00:23:14.440
<v Speaker 2>you play on your lovely new kazoo. What you have

503
00:23:14.599 --> 00:23:15.759
<v Speaker 2>got in your hand?

504
00:23:16.200 --> 00:23:18.279
<v Speaker 3>I do like that it's color coordinating. Oh yeah, that's

505
00:23:18.319 --> 00:23:25.839
<v Speaker 3>clever done, Thank you, prop guy. Okay, so I'm not

506
00:23:25.920 --> 00:23:27.880
<v Speaker 3>very good at playing instruments, so we'll try this.

507
00:23:28.240 --> 00:23:30.440
<v Speaker 2>Oh good. Well, as we've covered, I don't know anything

508
00:23:30.480 --> 00:23:31.960
<v Speaker 2>about media, so I'm not gonna able to guess. And

509
00:23:32.039 --> 00:23:33.799
<v Speaker 2>this is gonna be a really fun segment for everyone.

510
00:23:36.000 --> 00:23:37.839
<v Speaker 2>Let's see what Let's see what I can get.

511
00:23:37.920 --> 00:23:40.400
<v Speaker 3>Okay, I'll go with a musical first.

512
00:23:40.480 --> 00:23:43.519
<v Speaker 2>That might be easier, all right, it's going to be

513
00:23:43.559 --> 00:23:44.680
<v Speaker 2>popular from Wicked, isn't it?

514
00:23:45.559 --> 00:23:45.720
<v Speaker 1>Oh?

515
00:23:46.000 --> 00:23:46.319
<v Speaker 3>Okay?

516
00:23:53.440 --> 00:24:02.319
<v Speaker 2>Oh that's don't crack me Argentina. Buy it's in Ebita. Yeah, okay,

517
00:24:03.440 --> 00:24:05.640
<v Speaker 2>is it popular from Wicked? Okay?

518
00:24:05.759 --> 00:24:08.279
<v Speaker 3>This one's a pop song from the naughties.

519
00:24:08.480 --> 00:24:16.559
<v Speaker 2>Okay, I remember them. That was like last week It's

520
00:24:16.599 --> 00:24:18.200
<v Speaker 2>getting all your clothes?

521
00:24:20.839 --> 00:24:21.000
<v Speaker 3>Oh?

522
00:24:21.200 --> 00:24:24.000
<v Speaker 2>But who was it who sang that one? Because I

523
00:24:24.079 --> 00:24:26.279
<v Speaker 2>want to say, but I don't think it was No,

524
00:24:27.079 --> 00:24:30.920
<v Speaker 2>It's getting in here. No, it was getting's getting hot

525
00:24:30.920 --> 00:24:31.880
<v Speaker 2>in heirs to take off all your clothes.

526
00:24:31.880 --> 00:24:35.839
<v Speaker 3>He did a song with Kelly Rowland and she text

527
00:24:35.920 --> 00:24:36.559
<v Speaker 3>on ed XL.

528
00:24:37.359 --> 00:24:44.880
<v Speaker 2>Yes Nelly, Yes, yes it was Nelly Nelly. Okay, wondering

529
00:24:44.880 --> 00:24:47.319
<v Speaker 2>why shouldn't get this one's a theme song? A theme song?

530
00:24:47.400 --> 00:24:47.680
<v Speaker 2>All right?

531
00:24:58.240 --> 00:24:58.920
<v Speaker 3>That's hard that one?

532
00:24:58.960 --> 00:25:00.559
<v Speaker 2>Actually? Yeah?

533
00:25:02.160 --> 00:25:02.200
<v Speaker 3>No?

534
00:25:04.039 --> 00:25:05.039
<v Speaker 2>Could I hear it one more time?

535
00:25:05.279 --> 00:25:12.480
<v Speaker 3>Oh?

536
00:25:12.720 --> 00:25:16.240
<v Speaker 2>I think what you're going for? There? Where's the Golden

537
00:25:16.279 --> 00:25:16.720
<v Speaker 2>Girls theme?

538
00:25:18.839 --> 00:25:21.680
<v Speaker 3>See, we've got this, okay, right, just have to go

539
00:25:21.839 --> 00:25:22.640
<v Speaker 3>for everything.

540
00:25:22.359 --> 00:25:25.000
<v Speaker 2>Between the late eighties and the early noughties. Right, I'm there.

541
00:25:25.359 --> 00:25:26.599
<v Speaker 3>I'm going to give you a model one now, just

542
00:25:26.640 --> 00:25:27.160
<v Speaker 3>to make it harder.

543
00:25:27.359 --> 00:25:30.000
<v Speaker 1>Although you know the song, because I love the song

544
00:25:30.039 --> 00:25:30.279
<v Speaker 1>as well.

545
00:25:31.160 --> 00:25:32.240
<v Speaker 2>Is it popular from Wicked?

546
00:25:32.559 --> 00:25:34.960
<v Speaker 3>No, it's not popular from wi It.

547
00:26:01.359 --> 00:26:02.599
<v Speaker 2>I feel like I would have got it by now.

548
00:26:04.240 --> 00:26:06.039
<v Speaker 2>Nothing is jump into mind.

549
00:26:06.079 --> 00:26:09.400
<v Speaker 3>It's from a film, all right, and it's about girls

550
00:26:09.440 --> 00:26:10.039
<v Speaker 3>that like to sing.

551
00:26:13.119 --> 00:26:20.279
<v Speaker 2>And it's not from Wicked. No. Yeah, oh, then it's

552
00:26:20.319 --> 00:26:23.519
<v Speaker 2>from It's not Mean Girls. It's Pitch Perfect.

553
00:26:23.640 --> 00:26:23.839
<v Speaker 3>Yeah.

554
00:26:24.039 --> 00:26:28.240
<v Speaker 2>And the singer is again please oh the girl fromming

555
00:26:28.279 --> 00:26:29.920
<v Speaker 2>girl from from Pitch Perfect.

556
00:26:31.079 --> 00:26:41.319
<v Speaker 3>And her name is no, it's Anna Kendrew. Yeah right, sorry, Actually,

557
00:26:41.519 --> 00:26:42.559
<v Speaker 3>I have got one that I can do.

558
00:26:43.119 --> 00:26:45.599
<v Speaker 2>I'm gonna do a song, but you tell me it's

559
00:26:45.640 --> 00:26:46.720
<v Speaker 2>cheating that that doesn't work.

560
00:26:46.799 --> 00:26:48.440
<v Speaker 3>It's also a nursery rhyme as well.

561
00:26:48.640 --> 00:27:00.960
<v Speaker 2>Oh okay, so not popular from Wicked. Okay. I feel

562
00:27:01.079 --> 00:27:06.440
<v Speaker 2>like this is a bluff cuz that's a nursery rhyme.

563
00:27:06.559 --> 00:27:09.119
<v Speaker 2>But I know for a fact, because I'm a big

564
00:27:09.240 --> 00:27:12.079
<v Speaker 2>fan of your work that you use that on one

565
00:27:12.160 --> 00:27:14.240
<v Speaker 2>of your songs. So I'm going to say that that

566
00:27:14.400 --> 00:27:19.000
<v Speaker 2>is a Mickey Taylor sampling of a nursery rhyme. How

567
00:27:19.000 --> 00:27:19.480
<v Speaker 2>am I doing?

568
00:27:19.839 --> 00:27:23.119
<v Speaker 3>I'm sampling a sample. Yeah, it's like sampling inception. Yes,

569
00:27:23.319 --> 00:27:26.599
<v Speaker 3>is my song ring and the song ringering roses.

570
00:27:27.400 --> 00:27:28.599
<v Speaker 2>And the Doorbell from Amazon.

571
00:27:28.920 --> 00:27:31.039
<v Speaker 1>Yeah, I took a really happy well it's actually not

572
00:27:31.119 --> 00:27:33.200
<v Speaker 1>happy song at all. It's actually about the plague, isn't it.

573
00:27:34.480 --> 00:27:37.160
<v Speaker 2>I've not heard your version yet, but yeah, the ringer

574
00:27:37.200 --> 00:27:37.440
<v Speaker 2>ring a.

575
00:27:37.440 --> 00:27:39.920
<v Speaker 3>Ros is about a plague. My one's about an x

576
00:27:40.319 --> 00:27:40.799
<v Speaker 3>A plague.

577
00:27:41.039 --> 00:27:44.920
<v Speaker 2>Yeah, a tissue, a tissue, we all fall down?

578
00:27:45.119 --> 00:27:50.119
<v Speaker 3>Yes, okay, right, hmm okay, I'm gonna do another theme song.

579
00:27:50.680 --> 00:28:10.440
<v Speaker 2>Okay, the A team now he said it, Come on.

580
00:28:12.640 --> 00:28:16.039
<v Speaker 2>That last bit has really tickled a brain cell, but

581
00:28:16.160 --> 00:28:18.359
<v Speaker 2>I can't. Can I have it one more time? Can

582
00:28:18.400 --> 00:28:19.920
<v Speaker 2>you give it to me once more? Please? Daddy?

583
00:28:37.519 --> 00:28:39.160
<v Speaker 3>If I give the other bit, you'll give it away, sir.

584
00:28:40.799 --> 00:28:42.839
<v Speaker 2>This is a bit because I'm I'm struggling. I'll give

585
00:28:42.839 --> 00:28:43.240
<v Speaker 2>you a clue.

586
00:28:44.160 --> 00:28:51.880
<v Speaker 3>They live in balls and you prom not and not

587
00:28:52.680 --> 00:28:53.400
<v Speaker 3>not hamsters.

588
00:28:55.680 --> 00:29:00.240
<v Speaker 2>Oh it's going to be Pokemon them all there. That

589
00:29:00.319 --> 00:29:03.640
<v Speaker 2>took me far too, laugh Please let it that down

590
00:29:03.720 --> 00:29:05.039
<v Speaker 2>so I look like I know what we're on about

591
00:29:05.079 --> 00:29:10.039
<v Speaker 2>a little bit quicker, all right, fine, don't then you're

592
00:29:10.079 --> 00:29:22.039
<v Speaker 2>gonna get it right away. Okay. I was enjoying that. Yeah,

593
00:29:22.480 --> 00:29:25.880
<v Speaker 2>that was theme. Yeah, yeah, you could keep going. That

594
00:29:25.880 --> 00:29:26.519
<v Speaker 2>would have been fine.

595
00:29:28.039 --> 00:29:31.359
<v Speaker 1>Okay, I see, I'm just going for theme songs at

596
00:29:31.359 --> 00:29:33.559
<v Speaker 1>the moment, like my movies.

597
00:29:33.599 --> 00:29:34.279
<v Speaker 3>I like my movies.

598
00:29:34.319 --> 00:29:36.039
<v Speaker 2>I'm more likely to have seen it if it's a thing. Yes,

599
00:29:36.119 --> 00:29:36.519
<v Speaker 2>it's true.

600
00:29:49.440 --> 00:29:50.359
<v Speaker 3>I can't remember the next.

601
00:29:54.000 --> 00:29:58.200
<v Speaker 2>That that was almost certainly popular, but from Wicked.

602
00:29:58.720 --> 00:30:03.279
<v Speaker 3>W it was popular like Arian and Grande. And there's

603
00:30:03.319 --> 00:30:04.960
<v Speaker 3>another version I just got catch up.

604
00:30:07.039 --> 00:30:08.039
<v Speaker 2>No, you're right, is that.

605
00:30:08.079 --> 00:30:08.599
<v Speaker 3>One as well?

606
00:30:09.279 --> 00:30:13.200
<v Speaker 2>And your eyes look so pretty?

607
00:30:13.920 --> 00:30:15.599
<v Speaker 3>Can you start flirting with me? We're trying to work.

608
00:30:16.039 --> 00:30:47.839
<v Speaker 2>I'm sorry, I'm not sorry, Okay, I this is that

609
00:30:47.960 --> 00:30:49.920
<v Speaker 2>one of them songs that you play around your house

610
00:30:49.960 --> 00:30:52.880
<v Speaker 2>a lot. I've heard it several times and I like it,

611
00:30:53.200 --> 00:30:55.759
<v Speaker 2>and it's gonna bug me because I can't remember what

612
00:30:55.880 --> 00:30:59.240
<v Speaker 2>it's called. Who is by So? But yeah, it's that

613
00:30:59.319 --> 00:31:00.079
<v Speaker 2>one What you play.

614
00:31:01.720 --> 00:31:02.000
<v Speaker 3>Messy?

615
00:31:02.480 --> 00:31:05.880
<v Speaker 2>That's it. Yeah, it's the girl kicking the cake a

616
00:31:05.920 --> 00:31:09.440
<v Speaker 2>part in the in her living room or the Yeah,

617
00:31:09.839 --> 00:31:11.920
<v Speaker 2>that's right. I really like it and I remember that. Yeah,

618
00:31:11.960 --> 00:31:13.240
<v Speaker 2>I knew it. I just didn't know what it's called.

619
00:31:13.839 --> 00:31:15.279
<v Speaker 3>Okay, I ran on them.

620
00:31:26.319 --> 00:31:32.240
<v Speaker 2>It's another one, what you play a Lot? But that's

621
00:31:32.240 --> 00:31:34.599
<v Speaker 2>all I've got. I don't know the names. And usually

622
00:31:34.640 --> 00:31:36.240
<v Speaker 2>when they're on I'm like chatting to you over the

623
00:31:36.279 --> 00:31:37.839
<v Speaker 2>top of them and not listening to them properly. So

624
00:31:37.920 --> 00:31:38.400
<v Speaker 2>I'm sorry.

625
00:31:38.839 --> 00:31:40.920
<v Speaker 1>We I literally just tried to do a couple of

626
00:31:41.039 --> 00:31:44.079
<v Speaker 1>songs that were like near to the twenty twenties, and

627
00:31:44.119 --> 00:31:44.880
<v Speaker 1>you've had a gay panic.

628
00:31:44.960 --> 00:31:45.319
<v Speaker 3>I love it.

629
00:31:46.039 --> 00:31:50.319
<v Speaker 1>It was Expresso Both Espresso by Sabrina Carpenter.

630
00:31:51.799 --> 00:31:54.440
<v Speaker 3>Okay, yeah, should we go back to an easier one

631
00:31:54.480 --> 00:31:55.079
<v Speaker 3>for you? All right?

632
00:31:55.119 --> 00:32:07.480
<v Speaker 2>Please? Yeah? That's an easy one, is it? Yeah, now

633
00:32:07.599 --> 00:32:08.119
<v Speaker 2>you've lost me.

634
00:32:08.839 --> 00:32:10.960
<v Speaker 3>I'm blue dud dubbade.

635
00:32:12.400 --> 00:32:19.319
<v Speaker 2>I didn't get that at all, how do you? Okay,

636
00:32:19.480 --> 00:32:21.880
<v Speaker 2>that's enough for now. Coming up after this short break,

637
00:32:22.000 --> 00:32:35.240
<v Speaker 2>we get to some sleuthin in Treasure Trail. Welcome back.

638
00:32:35.400 --> 00:32:38.200
<v Speaker 2>You are still watching River and Mickey, and why wouldn't you?

639
00:32:38.440 --> 00:32:41.039
<v Speaker 2>We are a delight. This is chewing the could and

640
00:32:41.240 --> 00:32:44.200
<v Speaker 2>now we're going to explore a city using our human

641
00:32:44.319 --> 00:32:46.440
<v Speaker 2>puppet in Treasure Trail.

642
00:32:54.599 --> 00:32:59.400
<v Speaker 3>So you said human puppet, it's actually Mike, Benny and Rowe. Hello, Mike,

643
00:32:59.480 --> 00:33:01.200
<v Speaker 3>can you hear hello?

644
00:33:01.279 --> 00:33:01.640
<v Speaker 2>Studio?

645
00:33:01.720 --> 00:33:05.519
<v Speaker 3>Can you hear me? Yeah, hello, darling, I can hear

646
00:33:05.640 --> 00:33:06.640
<v Speaker 3>loud and clear, which is good.

647
00:33:07.599 --> 00:33:10.759
<v Speaker 4>I am here in Istanbul. It twas Constantinople. I've been

648
00:33:10.799 --> 00:33:14.519
<v Speaker 4>making that joke a lot. So i am here in Istanbul.

649
00:33:14.559 --> 00:33:16.359
<v Speaker 4>You've got a list of things for me to discover.

650
00:33:16.920 --> 00:33:17.799
<v Speaker 3>What am I doing? First?

651
00:33:19.000 --> 00:33:21.759
<v Speaker 2>Oh? That was very business like. Okay, Mike, here's your

652
00:33:21.880 --> 00:33:25.160
<v Speaker 2>first clue. It was a gift from a kaiser domed

653
00:33:25.200 --> 00:33:28.759
<v Speaker 2>in green where sultan's strolled and sights are seen.

654
00:33:29.440 --> 00:33:32.559
<v Speaker 4>Okay, on that, I'm just gonna prep I'm gonna take

655
00:33:32.559 --> 00:33:33.680
<v Speaker 4>another hoodie with me, just in case.

656
00:33:33.720 --> 00:33:37.000
<v Speaker 3>This one's a bit of bit thin. Whether it's bitten

657
00:33:37.240 --> 00:33:37.640
<v Speaker 3>not sure.

658
00:33:38.240 --> 00:33:40.400
<v Speaker 4>So I've got my camera, I've got my microphone, I've

659
00:33:40.400 --> 00:33:42.559
<v Speaker 4>got my little backpack. I've got my bottle of water

660
00:33:42.759 --> 00:33:47.079
<v Speaker 4>as well, So let's keep going. I've not made house keeping.

661
00:33:47.079 --> 00:33:48.960
<v Speaker 3>This from dirty animal.

662
00:33:50.279 --> 00:33:52.880
<v Speaker 2>Okay. So a gift from a sultan where sights are seen,

663
00:33:53.039 --> 00:33:57.279
<v Speaker 2>it sounds it sounds posh, it sounds high up. Yeah,

664
00:33:57.440 --> 00:33:58.079
<v Speaker 2>you want to be seen.

665
00:33:58.119 --> 00:34:00.640
<v Speaker 1>You want to be quite high, or.

666
00:34:02.160 --> 00:34:03.920
<v Speaker 3>It'd be like you know when you go like appear

667
00:34:03.960 --> 00:34:05.000
<v Speaker 3>and you get the glasses thing.

668
00:34:05.960 --> 00:34:08.719
<v Speaker 2>So from far away, something quite big. It's gonna be ostentatious,

669
00:34:08.760 --> 00:34:10.719
<v Speaker 2>isn't it. Like a gift from a sultan, you expect

670
00:34:10.760 --> 00:34:11.719
<v Speaker 2>it to be showy.

671
00:34:11.800 --> 00:34:16.519
<v Speaker 3>I'm not ah, yes, wait, it's got to be the fountain.

672
00:34:16.239 --> 00:34:20.000
<v Speaker 2>Isn't It could be which the fountain? There is probably

673
00:34:20.039 --> 00:34:26.239
<v Speaker 2>quite a few German apparently German SATs where the next

674
00:34:26.320 --> 00:34:26.840
<v Speaker 2>four place.

675
00:34:28.039 --> 00:34:32.360
<v Speaker 1>So your clue is a sugar dusted chewy square and

676
00:34:32.480 --> 00:34:35.840
<v Speaker 1>it is a sweet from Istanbul beyond compare.

677
00:34:37.719 --> 00:34:39.159
<v Speaker 4>That is durable, that is doable.

678
00:34:39.199 --> 00:34:46.199
<v Speaker 2>Let's go sound love there. I mean a sugar dusted

679
00:34:46.320 --> 00:34:47.039
<v Speaker 2>chewy square.

680
00:34:50.119 --> 00:34:52.559
<v Speaker 3>So it's not a jelly baby. They're dusted too, but.

681
00:34:52.599 --> 00:34:56.960
<v Speaker 2>They're not square. Nople fruits are square, sorry, star burst,

682
00:35:00.159 --> 00:35:02.000
<v Speaker 2>what do you the gift from Istanbul?

683
00:35:02.599 --> 00:35:06.199
<v Speaker 3>But not Constantinople? So I did make the joke, damn it.

684
00:35:06.760 --> 00:35:10.039
<v Speaker 2>I would die intimate that joke as well. But yeah,

685
00:35:10.079 --> 00:35:13.880
<v Speaker 2>so this one seems pretty straightforward. Is it in fact?

686
00:35:14.159 --> 00:35:21.360
<v Speaker 2>Some Turkish delight? And that's the recess though, see I meet,

687
00:35:21.760 --> 00:35:25.079
<v Speaker 2>I'm going to win, do you yes? Please?

688
00:35:25.199 --> 00:35:26.400
<v Speaker 3>Yeah?

689
00:35:28.079 --> 00:35:28.280
<v Speaker 1>Yeah?

690
00:35:31.239 --> 00:35:36.800
<v Speaker 2>It's okay, smoky, spiced and wrapped with care, a meal

691
00:35:36.840 --> 00:35:49.800
<v Speaker 2>on wheels found everywhere. Okay, see, I like the classic

692
00:35:49.880 --> 00:35:51.480
<v Speaker 2>stuff for me. I don't want to know when it's

693
00:35:51.519 --> 00:35:53.760
<v Speaker 2>too When it's too like that, I'm you're ever doing it.

694
00:35:53.840 --> 00:35:56.840
<v Speaker 3>It doesn't like I like my stuff fancy sometimes because

695
00:35:56.840 --> 00:35:57.559
<v Speaker 3>I'm common as.

696
00:35:57.519 --> 00:36:02.920
<v Speaker 2>Mac is goodly, classy, good your moments through the magic

697
00:36:03.039 --> 00:36:05.559
<v Speaker 2>of television. I've got some right here in my little,

698
00:36:06.039 --> 00:36:11.199
<v Speaker 2>my little hole. So okay, would you like would you

699
00:36:11.320 --> 00:36:13.840
<v Speaker 2>like a nibble? I don't know.

700
00:36:13.920 --> 00:36:15.760
<v Speaker 3>It would be a bad day for an allergy, wouldn't it.

701
00:36:16.800 --> 00:36:19.239
<v Speaker 2>I don't know what's in them other than various nuts.

702
00:36:19.320 --> 00:36:21.519
<v Speaker 2>But you're used to a mouthful of various nuts, babes.

703
00:36:21.800 --> 00:36:24.679
<v Speaker 2>Yet I didn't hear a no.

704
00:36:25.639 --> 00:36:31.599
<v Speaker 1>That show really good, but with about the middle bit

705
00:36:32.559 --> 00:36:35.679
<v Speaker 1>that it's more not nowga like a perrero now gar.

706
00:36:37.760 --> 00:36:39.239
<v Speaker 3>I've never had Turkish before.

707
00:36:39.800 --> 00:36:40.320
<v Speaker 1>This is a bit.

708
00:36:41.679 --> 00:36:44.639
<v Speaker 2>It's like chewy and crunch at the same time. I

709
00:36:44.760 --> 00:36:45.559
<v Speaker 2>prefer one or the other.

710
00:36:45.599 --> 00:36:49.840
<v Speaker 3>I think, no, no, no, need to be over stimulated.

711
00:36:51.840 --> 00:36:53.719
<v Speaker 2>Even your food is ADHD compliant.

712
00:36:53.840 --> 00:36:56.800
<v Speaker 3>Absolutely okay, I'm.

713
00:36:56.639 --> 00:36:59.119
<v Speaker 2>Gonna eat my thing. You you you you think? Where

714
00:36:59.159 --> 00:36:59.960
<v Speaker 2>do you think he's going.

715
00:37:00.039 --> 00:37:01.320
<v Speaker 3>Wrapped or something? Smoky?

716
00:37:02.480 --> 00:37:02.920
<v Speaker 2>Hm hm.

717
00:37:05.719 --> 00:37:06.039
<v Speaker 3>Kebab?

718
00:37:07.559 --> 00:37:10.320
<v Speaker 2>Yes, of course, I mean we've had have you got?

719
00:37:10.360 --> 00:37:11.079
<v Speaker 2>We haven't got kebabs?

720
00:37:11.199 --> 00:37:12.480
<v Speaker 3>Not going to rapped smoky?

721
00:37:14.039 --> 00:37:18.760
<v Speaker 2>That does sound good many in my charm. I mean

722
00:37:20.400 --> 00:37:23.519
<v Speaker 2>I've checked little cupboard and there's no kebabs in there. Ah.

723
00:37:23.719 --> 00:37:30.920
<v Speaker 1>Yes, the answer the question, so steam and stone in

724
00:37:31.000 --> 00:37:33.840
<v Speaker 1>a sacred hall where stress and soap together a fall.

725
00:37:34.639 --> 00:37:37.800
<v Speaker 2>Mm. That one sounds a little bit familiar, you know,

726
00:37:38.480 --> 00:37:42.159
<v Speaker 2>steam and stone like and get getting going somewhere, steaming

727
00:37:42.199 --> 00:37:46.519
<v Speaker 2>and getting de stressed. That sounds like one of those

728
00:37:46.719 --> 00:37:49.679
<v Speaker 2>gentlemen's facilities that we hear so much about. Of course

729
00:37:49.760 --> 00:37:52.079
<v Speaker 2>we've never been to, but we are aware of them,

730
00:37:52.079 --> 00:37:52.440
<v Speaker 2>of course.

731
00:37:54.360 --> 00:37:58.000
<v Speaker 3>Would you agree? Yeah, i'd so, isn't it.

732
00:38:00.480 --> 00:38:02.679
<v Speaker 2>Thomas her mom?

733
00:38:03.679 --> 00:38:04.079
<v Speaker 1>Her man?

734
00:38:04.679 --> 00:38:12.320
<v Speaker 2>Who's man hard man, who's man hands man like?

735
00:38:13.519 --> 00:38:14.440
<v Speaker 1>Okay, So here I am.

736
00:38:14.599 --> 00:38:18.119
<v Speaker 4>I have answered to the next clue, which is I'm

737
00:38:18.159 --> 00:38:18.639
<v Speaker 4>going to go in.

738
00:38:21.079 --> 00:38:23.559
<v Speaker 3>Next? I'm true. You can probably get a cup of tea.

739
00:38:26.000 --> 00:38:27.480
<v Speaker 2>Shall have to rang on a minute, Mike. I've still

740
00:38:27.480 --> 00:38:29.360
<v Speaker 2>got a mouth full of Turkish to light. I can

741
00:38:29.440 --> 00:38:30.280
<v Speaker 2>do it all right.

742
00:38:31.119 --> 00:38:34.000
<v Speaker 1>A church and mosque in layers, grand faith in history

743
00:38:34.159 --> 00:38:34.840
<v Speaker 1>hand in hand.

744
00:38:35.159 --> 00:38:39.719
<v Speaker 2>Oh get you well.

745
00:38:39.760 --> 00:38:40.800
<v Speaker 3>I feel very refreshed.

746
00:38:41.039 --> 00:38:43.559
<v Speaker 4>So next clue because I wasn't listening.

747
00:38:44.039 --> 00:38:46.840
<v Speaker 3>Mm hm, So church and mosque in layers, grand faith

748
00:38:46.920 --> 00:38:48.280
<v Speaker 3>in history hand in hand.

749
00:38:48.360 --> 00:38:50.239
<v Speaker 2>It's like one of those multi faith prayer rooms at

750
00:38:50.280 --> 00:38:50.920
<v Speaker 2>the airport m.

751
00:38:54.840 --> 00:39:03.280
<v Speaker 3>Oh wait, there we go. Hey, your Sophia, so don't.

752
00:39:03.159 --> 00:39:06.320
<v Speaker 2>Go it's behind you go. Well, yes, a corn stop.

753
00:39:08.800 --> 00:39:12.159
<v Speaker 2>So next thing, give me some petals, spice and rain

754
00:39:12.599 --> 00:39:16.599
<v Speaker 2>captured in a glass to This feels almost like we're

755
00:39:16.800 --> 00:39:19.920
<v Speaker 2>casting spells, you know. Okay, so let me let me

756
00:39:20.000 --> 00:39:21.280
<v Speaker 2>do that again because I want to do it with

757
00:39:21.400 --> 00:39:22.920
<v Speaker 2>like a bit more of a witchy vibe to it.

758
00:39:23.480 --> 00:39:31.039
<v Speaker 2>M scents of petals, spice and rain captured in a

759
00:39:31.119 --> 00:39:34.360
<v Speaker 2>glass to Maine. No, no, I went a bit to

760
00:39:34.400 --> 00:39:34.920
<v Speaker 2>a camp, isn't it.

761
00:39:35.000 --> 00:39:36.880
<v Speaker 3>Well that's got to be a cologne or a perfume,

762
00:39:37.000 --> 00:39:37.239
<v Speaker 3>isn't it.

763
00:39:37.280 --> 00:39:40.280
<v Speaker 2>Sually, Yeah, something like that. You see why I didn't

764
00:39:40.280 --> 00:39:42.119
<v Speaker 2>get a callback for Agatha all along?

765
00:39:42.199 --> 00:39:43.480
<v Speaker 3>Can't you all the chanel? Add?

766
00:39:45.960 --> 00:39:47.679
<v Speaker 2>I mean, I've made plenty of smells in my time,

767
00:39:47.719 --> 00:39:48.800
<v Speaker 2>but none of them perfumed.

768
00:39:50.400 --> 00:39:54.840
<v Speaker 3>And I found it it was perfumering, So it's got all.

769
00:40:00.320 --> 00:40:08.039
<v Speaker 3>So this is the one he was making, Willows that

770
00:40:08.719 --> 00:40:14.480
<v Speaker 3>shouldered it is. You don't get any none for you.

771
00:40:15.119 --> 00:40:15.880
<v Speaker 3>It's very nice.

772
00:40:16.280 --> 00:40:19.039
<v Speaker 1>It has top notes of orange and jasmine and rose,

773
00:40:19.159 --> 00:40:23.000
<v Speaker 1>with a heart of cashmere tobacco and a yang yellang,

774
00:40:23.519 --> 00:40:26.079
<v Speaker 1>and base notes of petuli and sandal.

775
00:40:26.119 --> 00:40:28.840
<v Speaker 3>Would they only give me the hard words? They're so mean?

776
00:40:31.039 --> 00:40:34.639
<v Speaker 2>It smell nice? Oh it does?

777
00:40:36.239 --> 00:40:37.800
<v Speaker 3>Oh? Going in you.

778
00:40:40.119 --> 00:40:43.360
<v Speaker 2>An ancient tail in stone and so tall from nile

779
00:40:43.440 --> 00:40:45.079
<v Speaker 2>to track where racers fall.

780
00:40:46.199 --> 00:40:47.079
<v Speaker 3>You must know this one.

781
00:40:47.960 --> 00:40:51.440
<v Speaker 2>Yeah, then sounds like moron. Sounds like something to do

782
00:40:51.559 --> 00:40:52.320
<v Speaker 2>with plumbing.

783
00:40:52.639 --> 00:40:58.280
<v Speaker 3>You call me a moron? Yea anser. The next club,

784
00:40:58.280 --> 00:41:02.880
<v Speaker 3>which is obelisks. So I am ready for the next.

785
00:41:02.719 --> 00:41:06.599
<v Speaker 1>Clue, please, okay, am well beneath the city street where

786
00:41:06.679 --> 00:41:08.679
<v Speaker 1>water flows and shadows meet.

787
00:41:11.599 --> 00:41:12.000
<v Speaker 3>I'm on that.

788
00:41:12.400 --> 00:41:13.440
<v Speaker 4>Let's get away face.

789
00:41:13.480 --> 00:41:14.519
<v Speaker 2>Wait is that a sewer?

790
00:41:17.039 --> 00:41:18.400
<v Speaker 3>It's got to be the basilica?

791
00:41:21.440 --> 00:41:22.719
<v Speaker 2>You say it if I know what it is.

792
00:41:23.599 --> 00:41:28.880
<v Speaker 4>Okay, I've made it into the Stott system, which is

793
00:41:29.320 --> 00:41:32.400
<v Speaker 4>ground very dark, very very cool.

794
00:41:34.239 --> 00:41:34.639
<v Speaker 3>I'm here.

795
00:41:34.840 --> 00:41:38.360
<v Speaker 2>I mean the next clue is high above the city's

796
00:41:38.440 --> 00:41:44.559
<v Speaker 2>hum feathers flat well coffee come no, yeah, that'll do.

797
00:41:45.000 --> 00:41:47.119
<v Speaker 3>Okay. I have found the answer to that one, and

798
00:41:47.280 --> 00:41:47.639
<v Speaker 3>it's here.

799
00:41:48.440 --> 00:41:59.079
<v Speaker 1>Okay, birds can get the next clues. So tiles of blue,

800
00:41:59.199 --> 00:42:08.079
<v Speaker 1>oh tram noisey trap, Yeah, lovely tram though tiles are

801
00:42:08.119 --> 00:42:11.440
<v Speaker 1>blue and towers six cooled to prayer in a sacred

802
00:42:11.559 --> 00:42:12.840
<v Speaker 1>mix is where you end.

803
00:42:12.840 --> 00:42:13.679
<v Speaker 2>Your treasure trail.

804
00:42:14.760 --> 00:42:19.119
<v Speaker 1>That is also thats good, crack out the sat nad

805
00:42:19.159 --> 00:42:25.320
<v Speaker 1>and get moving. M So you thought mask right, I've

806
00:42:25.360 --> 00:42:26.599
<v Speaker 1>said church with pick a mix.

807
00:42:28.199 --> 00:42:29.679
<v Speaker 2>I'm the more on it, but I'm going to say

808
00:42:29.800 --> 00:42:32.719
<v Speaker 2>a mosque because towers are called to prayer from that.

809
00:42:33.480 --> 00:42:35.079
<v Speaker 3>And I'm just less cultured, so I don't know the

810
00:42:37.719 --> 00:42:42.400
<v Speaker 3>Oh wow, that is gorgeous, really pretty?

811
00:42:42.760 --> 00:42:49.079
<v Speaker 1>I did say grandiose? Oh yes, m it says Nana's

812
00:42:49.119 --> 00:42:50.559
<v Speaker 1>plates more than it love.

813
00:42:53.320 --> 00:42:59.000
<v Speaker 3>That is actually really pretty, really know? And then we're

814
00:42:59.079 --> 00:43:00.000
<v Speaker 3>just stuck in the studio.

815
00:43:01.920 --> 00:43:04.239
<v Speaker 2>Did you know the towers are called minarets?

816
00:43:05.519 --> 00:43:06.840
<v Speaker 3>God damn, look at you.

817
00:43:07.320 --> 00:43:09.119
<v Speaker 2>Just trying to show that I do know some shit

818
00:43:09.920 --> 00:43:11.360
<v Speaker 2>still anyway.

819
00:43:11.239 --> 00:43:13.719
<v Speaker 3>So that's almost the end of the show for now.

820
00:43:13.880 --> 00:43:16.840
<v Speaker 1>But on screen now you can see our contact details

821
00:43:17.599 --> 00:43:20.440
<v Speaker 1>at the cud TV, at your social media, and if

822
00:43:20.480 --> 00:43:23.079
<v Speaker 1>you want to catch up with the previous episodes you

823
00:43:23.199 --> 00:43:26.079
<v Speaker 1>can always bring just on YouTube look for Chewing the CUD.

824
00:43:28.079 --> 00:43:30.880
<v Speaker 2>Thank you for watching and we will see you next week.

825
00:43:32.119 --> 00:43:32.400
<v Speaker 3>Bye.
