WEBVTT

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<v Speaker 1>You are now listening to the Someone's Favorite Productions podcast network.

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<v Speaker 2>The audio commentary. It's a dying art form, but here

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<v Speaker 2>at one track, mind I your wonky at Affable host

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<v Speaker 2>Brian Luis Rodriguez analyze film through the prism of these

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<v Speaker 2>embryonic forms of podcasting, one audio commentary at a time. Masterpieces,

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<v Speaker 2>crapster pieces, live action, animation, cult classics, films literally no

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<v Speaker 2>one has ever heard of. No track is too small,

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<v Speaker 2>and no track is too big. Join me and my

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<v Speaker 2>guests from the entertainment world as we keep these features

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<v Speaker 2>alive every other Tuesday. Hey, who else is going to

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<v Speaker 2>discuss Bill and Ted's bogus Journey one week and Citizen

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<v Speaker 2>Kane the next us that's who Sure, you have to

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<v Speaker 2>put up with my voice, but there's a certain give

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<v Speaker 2>and take in this industry. That's one track mine, part

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<v Speaker 2>of the Someone's Favorite Productions family and available wherever you

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<v Speaker 2>get your podcasts.

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<v Speaker 3>Hello there, and welcome back.

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<v Speaker 4>What is this place? Is connected? Disconnected?

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<v Speaker 5>Disconnected, disconnected, disconnected, disconnected, disconnected, disconnected, disconnected, disconnected, disconnected, disconnected, disconnected, disconnected.

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<v Speaker 3>I'm sorry to feel disconnected.

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<v Speaker 6>Break the number that has been disconnected.

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<v Speaker 3>Hey, y'all, welcome to another live Thursday Night. I'm just

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<v Speaker 3>stoked to be back home with decent internet so that

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<v Speaker 3>these are not awful for you, And I'm also stoked

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<v Speaker 3>for another first time guests. Been doing a lot of

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<v Speaker 3>those lately, Mister Scott Saslow, Welcome, sir.

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<v Speaker 4>I'm great to finally be here.

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<v Speaker 3>You are getting to be quite prolific in the physical

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<v Speaker 3>media scene. Yet you can be us monest. Come on.

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<v Speaker 3>First off, you are a graphic designer. Can you name

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<v Speaker 3>ten or eighty seven of the titles that you've worked

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<v Speaker 3>on recently?

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<v Speaker 6>Recently and again mostly it's a packaging layout, booklet design. Actually,

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<v Speaker 6>why don't we just pull up just wrapped Mortal Kombat,

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<v Speaker 6>Bullet in the Head, Blue Thunder, the Dollars Trilogy Innerspace,

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<v Speaker 6>which we'll talk about later, The Killer Hard Boiled Spaceball's

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<v Speaker 6>Excalibur Westworld. That's just for Arrow, for fun City, fabulous stains.

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<v Speaker 6>They just announced it the other day. I designed the

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<v Speaker 6>box art for The Hills Have Eyes for Karlada Films.

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<v Speaker 3>That's right.

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<v Speaker 4>I don't do artwork that often. My first Arrow job

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<v Speaker 4>was the film noir set that they did, you know,

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<v Speaker 4>Salt Baths style they wanted. That's what they wanted, and

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<v Speaker 4>they let me do you know, volumes two and three

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<v Speaker 4>five years later. But it's fun.

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<v Speaker 6>I Hi, I enjoy doing it, you know, that's for sure,

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<v Speaker 6>and I'm working on some cool stuff as we speak.

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<v Speaker 3>You are a to put it modestly in my words

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<v Speaker 3>for you, you are a quite incredible graphic designer. The best

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<v Speaker 3>thing that I appreciate out of your camp is layout design,

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<v Speaker 3>and that is something that a lot of people don't

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<v Speaker 3>even think about the differences of They mostly just think

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<v Speaker 3>of the front cover art. How'd you get into layout

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<v Speaker 3>design because that's such a very different sort of skill.

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<v Speaker 6>I didn't get into its specific So I have a

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<v Speaker 6>film degree actually from years ago. I went to a

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<v Speaker 6>school in Orlando called Full Sale. You know, wanted to

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<v Speaker 6>direct like everyone else, and you know, of realized didn't

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<v Speaker 6>have the temperament for it. That ship sailed. Spent most

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<v Speaker 6>of my twenties just doing odd jobs and temp work.

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<v Speaker 6>I ended up going back to school at thirty, thank

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<v Speaker 6>you very much. Went back to school at thirty for

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<v Speaker 6>graphic design, and in my last semester that's when it

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<v Speaker 6>kind of hit me obvious in retrospect, like I could

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<v Speaker 6>combine both interests, the movies and the graphic design. And

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<v Speaker 6>my last semester I actually did a couple of my

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<v Speaker 6>own Blu rays. I came up with my own boutique label.

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<v Speaker 6>I called it Heliotrope Films, and I did Kronenberg's Crash

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<v Speaker 6>and the Parallax View. This was obviously after the Criteria

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<v Speaker 6>Laser disc of Crash, but before the Criterion Blu ray

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<v Speaker 6>of Parallax. But I came up with my own extras,

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<v Speaker 6>did booklets, discard you know, company.

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<v Speaker 4>Logo, everything, and.

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<v Speaker 6>You know, moved back to LA entered at one of

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<v Speaker 6>the big tent not temp agencies, one of the big

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<v Speaker 6>ad agencies doing movie posters. That ended January twenty seventeen,

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<v Speaker 6>and I've been freelancing ever since. One of my emails

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<v Speaker 6>got into Arrow and they liked what I had done

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<v Speaker 6>with this daily poster project where I was doing one

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<v Speaker 6>poster a day for a year. And I mean my

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<v Speaker 6>style such as it is, you know, pretty minimalist. When

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<v Speaker 6>you study graphic design or really anything, you kind of

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<v Speaker 6>you know, you see the designers, it's like, okay, I

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<v Speaker 6>can't do what Drew Strewsen does or Peek or any

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<v Speaker 6>of those guys, but I could kind of do what

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<v Speaker 6>these folks do. And you start learning about you know,

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<v Speaker 6>minimalism and the Swiss style, and you know, you find

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<v Speaker 6>designers like Brandon Schaeffer and Sam Smith who now I

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<v Speaker 6>actually can call collaborators and they're super talented, and so

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<v Speaker 6>it's like, Okay, maybe I can't sit at this table,

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<v Speaker 6>but there's room for me at this table.

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<v Speaker 4>And you know, I did a handful of things for Arrow.

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<v Speaker 6>This is when they still had the Academy line where

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<v Speaker 6>my sort of minimalist style kind of worked for that.

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<v Speaker 6>But it was ironically around the start of COVID early

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<v Speaker 6>twenty twenty.

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<v Speaker 4>Arrow brought me.

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<v Speaker 6>In to do the two hundred page book for the game,

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<v Speaker 6>and after that it was, you know, it's been NonStop

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<v Speaker 6>ever since. I've done a few art things, you know,

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<v Speaker 6>for Carl Outa films. I do some slipcovers for fun City.

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<v Speaker 6>You know, haven't done any art for Arrow lately. But

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<v Speaker 6>when it comes to the booklets and text and you know,

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<v Speaker 6>getting creative with that and trying to work within the limitations, and.

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<v Speaker 4>Yeah, I enjoy it. Every project is different.

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<v Speaker 6>I'm always looking to see in the artwork, you know,

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<v Speaker 6>what can I use elsewhere?

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<v Speaker 4>So everything is of a piece and looks good.

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<v Speaker 6>You don't want one component, you know, looking different from

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<v Speaker 6>the rest, or something that doesn't fit.

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<v Speaker 4>I know this is a long answer.

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<v Speaker 3>But oh this is exactly what people want to hear.

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<v Speaker 6>Yeah, So as far as that aspect of graphic design,

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<v Speaker 6>you know, kind of fell into it. If I wasn't

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<v Speaker 6>doing that, I could just as easily be doing something else.

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<v Speaker 6>But no, it's I enjoy it. And I'm sure we'll

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<v Speaker 6>talk ab more releases, you know, as we go.

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<v Speaker 3>Yeah, we will. But one thing I did want to

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<v Speaker 3>add this obviously is not in the works for right

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<v Speaker 3>now or anything like that, and I'm not naming titles,

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<v Speaker 3>but I really would only trust maybe two people with

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<v Speaker 3>layout design right now in the way that I've got it.

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<v Speaker 3>And so Scott, I can absolutely confirm will be hired

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<v Speaker 3>for Antenna stuff in the near future. Funny story that

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<v Speaker 3>I can't say much about, but Scott had been kind

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<v Speaker 3>of hired for one project for Antenna and that didn't

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<v Speaker 3>work out, not because of Scott, but because the movie

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<v Speaker 3>fell through. I was so excited for that because you

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<v Speaker 3>have such a unique attention to bringing in the pop

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<v Speaker 3>culture aspects of an era or an industry or something

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<v Speaker 3>like that. Where where does the passion for that come through?

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<v Speaker 3>Because for those that have not seen it, like all

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<v Speaker 3>of the stuff that you have done for Fun City

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<v Speaker 3>is kind of the best example of that. You you

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<v Speaker 3>really grab a hold of a style or a time

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<v Speaker 3>period and everything exactly align with what you you're envisioning.

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<v Speaker 6>It's I mean, I've always had this attention to detail. Yes,

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<v Speaker 6>I know things can slip through sometimes. I still have

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<v Speaker 6>nightmares about typos on Maul Rats. But you know, with

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<v Speaker 6>fun City, that all comes from my producer, Jonathan Hertzberg,

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<v Speaker 6>you know, well, and it's almost like no two releases

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<v Speaker 6>are the same. There's some that are similar. But you know,

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<v Speaker 6>I remember working on Paradise and he wanted the booklet

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<v Speaker 6>to look like the old like TV guide, but specifically

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<v Speaker 6>like the old cable channel guides in the early eighties

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<v Speaker 6>anyone who grew up in La Z channel. So he

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<v Speaker 6>wanted it to look like that, and he sent me

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<v Speaker 6>a bunch of reference material and it's kind of a

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<v Speaker 6>sadistic you know, I accept the challenge, you know kind

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<v Speaker 6>of thing, but also matching matching things textures and fonts

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<v Speaker 6>and you know, we're God, we're only nine minutes in.

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<v Speaker 6>We're talking about fonts already. But it actually the one

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<v Speaker 6>thing with Paradise, I fooled him. On the back of

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<v Speaker 6>the Paradise booklet is an ad for It's an advertisement

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<v Speaker 6>for the soundtrack or the Phoebe Kate single.

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<v Speaker 4>I guess.

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<v Speaker 6>And I sent that to him and he wrote back,

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<v Speaker 6>oh my god, where'd you get that? It's like I

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<v Speaker 6>made it. But he wanted that booklet to look like

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<v Speaker 6>an old you know, channel guide, and so in the

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<v Speaker 6>booklet those are real listings from whatever issue I had

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<v Speaker 6>to work with, but he wanted Fun City titles mixed in.

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<v Speaker 6>So then it was a matter of trying to match

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<v Speaker 6>the existing font, painting out you know movies, making sure

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<v Speaker 6>everything fit, you know, degrading the text so it looked

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<v Speaker 6>like scanned text from a forty year old paper, you know,

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<v Speaker 6>aging certain things.

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<v Speaker 4>And that one, yeah, Paradise. What was the other one?

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<v Speaker 7>You know?

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<v Speaker 6>We were doing one usually with Fun City. I'm working

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<v Speaker 6>on a couple at the same time, Paradise and Heavenly Bodies,

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<v Speaker 6>which actually got to see on the big screen in

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<v Speaker 6>Toronto with Tom rawlstdays. I went to artist and yeah,

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<v Speaker 6>just embracing that retro eighties style.

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<v Speaker 4>And I'm very big on authenticity.

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<v Speaker 6>One of my pet peeves is when this is a

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<v Speaker 6>first world problem, believe me, when older films are repackaged

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<v Speaker 6>but given sort of a modern flare, whether it's a

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<v Speaker 6>font or color whatever, and you know, the anachronistic you know,

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<v Speaker 6>part of that I don't like. So I'm trying to, okay,

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<v Speaker 6>what fonts were used in the eighties, what technology was

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<v Speaker 6>used in the eighties to make this stuff?

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<v Speaker 4>You know?

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<v Speaker 6>Again, just so everything is of a piece and you

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<v Speaker 6>could sort of, you know, if you lay everything out,

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<v Speaker 6>everything fits.

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<v Speaker 3>Yeah, we got a question from Paul. Paul wants to

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<v Speaker 3>know what software is do you use.

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<v Speaker 6>Primarily Photoshop and design illustrator when I need it?

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<v Speaker 4>But yeah, so much of the work is on in design.

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<v Speaker 6>And when I was as a student again I went

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<v Speaker 6>back to school at thirty, you know, it's like half

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<v Speaker 6>the class we're self taught in photoshop and we're intimidated

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<v Speaker 6>by illustrator. Half the class we're self taught and illustrator

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<v Speaker 6>and intimidated by photoshop. Yeah, but yeah, photoshop in design mainly,

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<v Speaker 6>and I do pay for the Creative Cloud subscription. We

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<v Speaker 6>won't get into any of that Adobe or whatever, but

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<v Speaker 6>you know, it's a nice write off this time of year, that's.

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<v Speaker 3>For sure, Ain't that the truth? Tonight, after announcements, we're

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<v Speaker 3>gonna be talking about five of our favorite audio commentaries.

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<v Speaker 3>So if you want to stay around for that after

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<v Speaker 3>the announcements, please do. We would love to hear some

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<v Speaker 3>thoughts on that as we go in. We're going to

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<v Speaker 3>talk about travel in just a few minutes, but let's

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<v Speaker 3>go into some of our normal segments. I think you've

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<v Speaker 3>got some criterions to show us. Was just the Criterion sale.

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<v Speaker 3>Let's going to pickups. What have you got recently, Scott,

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<v Speaker 3>Oh I have?

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<v Speaker 4>I don't have, Oh I have.

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<v Speaker 7>Let's see.

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<v Speaker 4>I literally just happened to have him right here.

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<v Speaker 6>A few of them anyway, Birth, which I have not

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<v Speaker 6>seen in a long time. So this one's going to

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<v Speaker 6>be an interesting one to revisit. Oh, thank you very much. Yeah,

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<v Speaker 6>this one's going to be an interesting one to revisit.

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<v Speaker 6>I haven't seen it in years. It is the movie

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<v Speaker 6>that put the composer Alexander Dasplat on the map for me,

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<v Speaker 6>because the music in this movie is beautiful. Yeah, and

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<v Speaker 6>it's going to be a fun one too well, to

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<v Speaker 6>the extent that this movie is fun, which it's not

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<v Speaker 6>an interesting experience. And it was shot by the late

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<v Speaker 6>DP Harris Sivitis, who also shot the game for Fincher.

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<v Speaker 6>And when we were real quick, when we were doing

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<v Speaker 6>the booklet, the booklet, the book for the game, there's

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<v Speaker 6>a section with sort of camera plot, you know, drawings

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<v Speaker 6>of his And it was at the start of COVID.

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<v Speaker 6>The BFI library was closed, the Academy library was closed,

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<v Speaker 6>and it's like, what are we going to do? But

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<v Speaker 6>some random Twitter account had just posted them. It's like

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<v Speaker 6>found them. Next Criterion pickup in my top ten. Nice

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<v Speaker 6>it literally actually just finished watching it before this great movie.

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<v Speaker 6>I'm certainly not the first to point out like this.

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<v Speaker 6>It could have been made today, you know. But oh

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<v Speaker 6>I'm a big fan of the and drama strained too,

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<v Speaker 6>but big network fan and as great as you know.

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<v Speaker 6>The big I'm mad as hell scene is the corporate

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<v Speaker 6>cosmology speech with net Baty is again it all works today,

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<v Speaker 6>but just the way it's filmed and staged, just with

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<v Speaker 6>the light shining on him. Love it and I had

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<v Speaker 6>five pickups. We'll just do one more. During COVID I

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<v Speaker 6>locked down. I watched this, Powell and Pressburger as I could,

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<v Speaker 6>and enjoyed all of them. My favorites were actually at

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<v Speaker 6>the time, my favorite was a Matter of Life and Death.

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<v Speaker 6>I think my favorite overall is Life and Death of

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<v Speaker 6>Colonel Blimp. But I'm slowly this is and I own

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<v Speaker 6>those I don't own, thank you. I have not owned this.

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<v Speaker 6>This was sort of a straight from DVD to four

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<v Speaker 6>K upgrade and it's a wonderful, magical movie. And I

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<v Speaker 6>wish more Americans knew who Roger Livesey was. He wasn't

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<v Speaker 6>in a ton of movies, and I know he's till

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<v Speaker 6>the Swinton's favorite actor. I think this is her favorite

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<v Speaker 6>movie actually, But just great actor, great voice. He was

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<v Speaker 6>in three Powell and Pressburger's I think he was Colonel

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<v Speaker 6>Candy and Colonel Blimp and just great. And I could

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<v Speaker 6>do a few more if you want, unless you want

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<v Speaker 6>to move on to you.

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<v Speaker 3>Are please, I've got five. You can match all.

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<v Speaker 4>I mean, I have to.

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<v Speaker 3>In fact, I think mine is within arm's reach because

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<v Speaker 3>I just recorded about that one.

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<v Speaker 4>Pretty cool.

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<v Speaker 6>Actually, this this arrived before. This wasn't part of the

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<v Speaker 6>recent five pickup, but it was in my hands, I

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<v Speaker 6>pulled it out of the closet. I mean, what more

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<v Speaker 6>is there to say? And I love I mean, I

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<v Speaker 6>guess I'm what they called an elder millennial. But I

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<v Speaker 6>do enjoy the videos on YouTube of gen Z kids

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<v Speaker 6>watching movies for the first time, and this one always

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<v Speaker 6>makes him laugh even after you know, forty years and

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<v Speaker 6>rest in peace rob Ryder of course too. And then

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<v Speaker 6>finally classic in art Head family, Pee Wee and sadly

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<v Speaker 6>he when he passed away. A friend and I we

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<v Speaker 6>had just watched Pee's Big Adventure that played at the

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<v Speaker 6>Hollywood Forever Cemetery in LA so got to see it

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<v Speaker 6>with an audience. People were dressed up. I think they

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<v Speaker 6>had the bike on display or a bike a bike classic.

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<v Speaker 6>I haven't watched the new Tim Burton, I haven't watched

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<v Speaker 6>any of the new extras yet, but looking forward to it.

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<v Speaker 7>And it's.

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<v Speaker 4>Yeah, that's great to see. Great to see this in

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<v Speaker 4>the collection of all things.

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<v Speaker 3>I am dying to see that one again. I was

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<v Speaker 3>shocked when they announced it when they announced it, but yeah,

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<v Speaker 3>glad to have it. So I've got five here. One

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<v Speaker 3>is a piece from Deaf Crocodile, and I feel bad

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<v Speaker 3>because I don't think anybody else has this yet. This

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<v Speaker 3>is the brand new DIFA Fairy Tales set that is

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<v Speaker 3>coming out right now. Love, I'm gonna take off this

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<v Speaker 3>Jake card because the whole art needs to be seen

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<v Speaker 3>to appreciate the incredible set they've got here. I've not

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<v Speaker 3>seen any of these in full yet. I edited a

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<v Speaker 3>couple of things on these, but yeah, eager to see

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<v Speaker 3>all of these because they are weird and wild and

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<v Speaker 3>classic in a way that is just unique. I am

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<v Speaker 3>stoked to be able to see the rest of those imprint.

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<v Speaker 3>While I was in Australia, We're sending me this came

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<v Speaker 3>home to five City on Fire on four K. This

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<v Speaker 3>is one of their hard box releases of the Golden

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<v Speaker 3>Princess titles for those that have not seen these yet.

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<v Speaker 3>On the inside, it is a steel book release and

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<v Speaker 3>a hardback book, and so the art that they are

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<v Speaker 3>doing on these are very much the original poster art

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<v Speaker 3>on the steel book, which really cool that they're doing

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<v Speaker 3>that on the steel. Normally these companies would not do

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<v Speaker 3>that on the steel like that. Two discs on the inside.

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<v Speaker 3>Really nice set and again pretty pretty nice box e

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<v Speaker 3>type book here hard back on both sides. It's probably

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<v Speaker 3>I don't know, forty ish pages just by judging it.

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<v Speaker 3>Lots of art on the inside, not a lot of

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<v Speaker 3>written essays. But I like that they're doing it like this.

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<v Speaker 3>It's a great looking set, pretty identical to the Arrow releases.

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<v Speaker 3>To my eye, it looks like all of the extras

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<v Speaker 3>are about the same. I know that there's been some

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<v Speaker 3>question on the differences after Shout works on them. It

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<v Speaker 3>looks like Aero and Imprint are getting about the same

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<v Speaker 3>sort of want to call it like restoration work, but

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<v Speaker 3>it's it's like touch up after Shout fixes theirs and goes, well,

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<v Speaker 3>we might have missed a couple things, and we were

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<v Speaker 3>quick to put ours out so Aero can fix it,

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<v Speaker 3>and here we are. I got too in from Moby

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<v Speaker 3>from last year, and I got to see both of

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<v Speaker 3>these in the theater. Like these quite a bit. Got

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<v Speaker 3>to check out Die My Love and Lurker. Lurker is

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<v Speaker 3>probably the one that I would recommend to most people.

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<v Speaker 3>It is very much in the modern not comedy, but

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<v Speaker 3>like cringe situation kind of situational awareness thriller in a way.

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<v Speaker 3>It's not like anything that's gonna be scary or anything,

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<v Speaker 3>but it's a situation where the whole time you're like, oh,

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<v Speaker 3>what are these people doing? Like I could see this

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<v Speaker 3>person immediately turning into somebody that's gonna go off on

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<v Speaker 3>the deep end and like bring a gun to a

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<v Speaker 3>music studio or something like that. The movie's great. Check

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<v Speaker 3>it out. It is fantastic. And then the last one

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<v Speaker 3>of the show. My wife didn't get to go see

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<v Speaker 3>this with me in the theater, but I loved Primate.

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<v Speaker 3>Everybody needs to go see this if you've not seen

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00:19:03.720 --> 00:19:06.880
<v Speaker 3>it yet. It is pretty wild. There's a couple of

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<v Speaker 3>deaths in that movie that I'm really glad that they

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<v Speaker 3>showed everything that they showed because they don't they don't

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00:19:12.720 --> 00:19:14.519
<v Speaker 3>hold back. They showed a guy falling off a cliff

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00:19:14.599 --> 00:19:21.599
<v Speaker 3>and hitting the bottom and that was that was pretty explicit. Yeah,

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00:19:21.720 --> 00:19:24.119
<v Speaker 3>that's my five have you I was?

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<v Speaker 4>How was Die?

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00:19:25.920 --> 00:19:29.799
<v Speaker 3>My Love Die? My Love is is really well acted.

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<v Speaker 3>It's Lynn Ramsey, So if you're a Lynn Ramsey fan,

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<v Speaker 3>you'll probably love it a lot. It is very Lynn Ramsey.

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00:19:36.839 --> 00:19:41.920
<v Speaker 3>Jennifer in That is great. She is just an incredible actress.

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<v Speaker 3>Robert Pattinson fantastic. He's in it a lot less than

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<v Speaker 3>she is, But I could see a lot of people

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<v Speaker 3>being frustrated. It's not super linear, normal narrative type of story.

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<v Speaker 3>But if you are a parent, if you're a new mother,

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<v Speaker 3>if you're somebody that struggled with like a very young marriage,

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<v Speaker 3>it's probably going to hit very home with you as

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<v Speaker 3>a viewer. Highly recommend checking it out at least once

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<v Speaker 3>if that's your type of film. Otherwise I could see

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<v Speaker 3>you walk away going like, oh, that was not even

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<v Speaker 3>fun to watch.

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<v Speaker 6>Yeah, that one's on the list. I have such a

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00:20:17.839 --> 00:20:21.359
<v Speaker 6>huge backlog of movies same watch.

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00:20:22.599 --> 00:20:24.680
<v Speaker 3>Well, speaking of that, what have you been checking out.

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00:20:26.079 --> 00:20:31.079
<v Speaker 4>Lately? God? What have I been checking out? Actually?

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<v Speaker 6>Even though I as far as older stuff, even though

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00:20:33.640 --> 00:20:35.519
<v Speaker 6>I've watched them a million times and most of my

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00:20:35.720 --> 00:20:38.880
<v Speaker 6>stuffs in storage at the moment. You know, the all

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<v Speaker 6>the Alien movies are back on HBO Max, including the

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<v Speaker 6>extended cuts. Yeah, for at least three of them, but

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<v Speaker 6>the assembly cut for Alien three being on HBO that's

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<v Speaker 6>actually been getting some traction online even though it's been

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<v Speaker 6>streaming before. And the Alien Anthology set's been available for

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<v Speaker 6>a decade now, at least you know, I'm sure there

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<v Speaker 6>are people getting turned onto it for the first time, and.

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<v Speaker 4>You know, great. You know, so I.

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<v Speaker 6>Rewatched that in Alien Resurrection, which I used to not

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<v Speaker 6>really be a fan of, but I've come around to it.

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<v Speaker 6>And also it's one of my favorite lines in the franchise,

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<v Speaker 6>right at the end, where you know, Sigourney Weaver says,

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<v Speaker 6>I'm a stranger here myself. I've also been rewatching news Radio,

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<v Speaker 6>which is on the Roku channel.

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<v Speaker 4>Again. My DVD set also in storage, but I recently.

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<v Speaker 6>There's a podcast called die Hard on a Blank and

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<v Speaker 6>where they talk about you know, they start with die

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<v Speaker 6>Hard and they work their way forward, you know, action

383
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<v Speaker 6>movies that mold, so I've been catching up on and

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00:21:50.960 --> 00:21:55.319
<v Speaker 6>they touch on other films action films too, So, you know,

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00:21:55.359 --> 00:21:56.960
<v Speaker 6>over the last several months, I've been catching up with

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00:21:56.960 --> 00:21:58.960
<v Speaker 6>a lot of eighties and nineties action films I missed

387
00:21:58.960 --> 00:22:02.960
<v Speaker 6>out on the first time. Not all great, but movies

388
00:22:03.039 --> 00:22:07.240
<v Speaker 6>like a Judgment Night, which they mentioned. They don't cover it.

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00:22:07.240 --> 00:22:09.319
<v Speaker 6>It's not a Diehard type of movie, but they mentioned

390
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<v Speaker 6>Judgment Night, which I quite enjoyed. Didn't know what to expect.

391
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<v Speaker 6>What else did I watch? Southern Comfort for the first

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<v Speaker 6>time good movie, which I at the last fifteen minutes,

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<v Speaker 6>I had no clue what to expect or you know,

394
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<v Speaker 6>what would happen. On the other hand, I was probably

395
00:22:24.519 --> 00:22:28.480
<v Speaker 6>the only person on the planet watching free Jack, which

396
00:22:28.599 --> 00:22:30.559
<v Speaker 6>again they didn't cover on the podcast, but they just

397
00:22:30.640 --> 00:22:34.400
<v Speaker 6>mentioned it in the conversation or a chill Factor with

398
00:22:34.440 --> 00:22:37.680
<v Speaker 6>Cuba Goodding Junior, which I was led to believe was

399
00:22:37.720 --> 00:22:39.720
<v Speaker 6>die Hard on an ice cream truck. They're in a

400
00:22:39.759 --> 00:22:42.200
<v Speaker 6>delivery truck with ice cream in it. They're not in

401
00:22:42.240 --> 00:22:46.279
<v Speaker 6>an ice cream truck, right, So just to show you

402
00:22:46.359 --> 00:22:50.759
<v Speaker 6>what I've been watching lately, And I'm probably the youngest

403
00:22:50.799 --> 00:22:53.680
<v Speaker 6>fan of the TV series Get Smart from the sixties,

404
00:22:54.279 --> 00:22:56.920
<v Speaker 6>and I might be ruining it by saying that, but

405
00:22:56.960 --> 00:22:59.720
<v Speaker 6>someone uploaded the entirety of the show to the Internet archive,

406
00:23:01.240 --> 00:23:03.559
<v Speaker 6>so I've had some of that playing in the background too,

407
00:23:03.640 --> 00:23:06.039
<v Speaker 6>And you know what still makes me laugh after all

408
00:23:06.079 --> 00:23:06.519
<v Speaker 6>this time.

409
00:23:07.799 --> 00:23:10.720
<v Speaker 3>I know I've seen a lot of the show, but

410
00:23:10.759 --> 00:23:12.799
<v Speaker 3>it's been so long it would be like a first

411
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<v Speaker 3>time watch if I went back to it. My grandparents

412
00:23:15.279 --> 00:23:18.160
<v Speaker 3>used to love it, and I mean I swear certain

413
00:23:18.160 --> 00:23:20.359
<v Speaker 3>episodes I could probably quote to this day. But God,

414
00:23:20.480 --> 00:23:24.759
<v Speaker 3>it's been decades, easily twenty five plus years.

415
00:23:24.880 --> 00:23:27.119
<v Speaker 6>Well, I had to look I was telling a friend

416
00:23:27.119 --> 00:23:29.279
<v Speaker 6>about it, and I had to look it up for

417
00:23:29.359 --> 00:23:31.599
<v Speaker 6>the date, and it was a week before my birthday,

418
00:23:31.640 --> 00:23:35.440
<v Speaker 6>actually January nineteen ninety one. When it first premiered on

419
00:23:35.519 --> 00:23:38.039
<v Speaker 6>Nick at Night, they did a marathon called Maximum Smart.

420
00:23:38.119 --> 00:23:42.079
<v Speaker 6>It was eight pm to six am, five days. And

421
00:23:42.440 --> 00:23:44.759
<v Speaker 6>I was already a fan of Inspector Gadget with voice

422
00:23:44.799 --> 00:23:48.119
<v Speaker 6>foul Don Adams. So all it took was about thirty

423
00:23:48.160 --> 00:23:54.319
<v Speaker 6>seconds agreed on the best title sequence. So I was

424
00:23:54.319 --> 00:23:56.960
<v Speaker 6>already fan of Don Adams. And it was one of

425
00:23:57.000 --> 00:24:00.559
<v Speaker 6>those shows, same with News Radio later where within five minutes,

426
00:24:00.759 --> 00:24:04.480
<v Speaker 6>I'm in. I'm a fan, Yeah, right or Die Dick

427
00:24:04.559 --> 00:24:10.920
<v Speaker 6>Gaudier played Timie the Robot. But again all this knowledge

428
00:24:10.920 --> 00:24:15.279
<v Speaker 6>in my head. But yeah, I haven't watched a ton

429
00:24:15.519 --> 00:24:21.519
<v Speaker 6>of new stuff lately. Unfortunately, did you see one battle

430
00:24:21.519 --> 00:24:24.759
<v Speaker 6>after another? I did watch, you know, basically I haven't

431
00:24:24.759 --> 00:24:29.559
<v Speaker 6>watched all the Oscar nominees. I enjoyed it. I think

432
00:24:29.559 --> 00:24:32.799
<v Speaker 6>my favorite PTA films are still Boogie Nights in Magnolia.

433
00:24:33.440 --> 00:24:37.079
<v Speaker 6>That makes sense every time, every so often, if I

434
00:24:37.079 --> 00:24:40.119
<v Speaker 6>watched Magnolia at the end. I'm just thinking, God, he

435
00:24:40.200 --> 00:24:41.759
<v Speaker 6>wasn't even thirty yet when.

436
00:24:41.559 --> 00:24:45.920
<v Speaker 3>He made it, and that wasn't even his first film

437
00:24:45.920 --> 00:24:50.839
<v Speaker 3>either that he did historic things before that. Yeah, crazy

438
00:24:50.880 --> 00:24:53.799
<v Speaker 3>timing for him. So I got to see two in

439
00:24:53.920 --> 00:24:57.599
<v Speaker 3>theaters since our last show, which was last Thursday. While

440
00:24:57.599 --> 00:24:59.640
<v Speaker 3>in New Zealand, and one day we went to see

441
00:25:00.160 --> 00:25:04.200
<v Speaker 3>They Will Kill You, the New Zazie Beats film, and

442
00:25:04.640 --> 00:25:08.759
<v Speaker 3>Tom Felton is also in that. Patricia Arcatt, a couple

443
00:25:08.799 --> 00:25:12.680
<v Speaker 3>other names that were pretty good. It is very violent.

444
00:25:12.799 --> 00:25:16.119
<v Speaker 3>It is it is essentially like a lot of people

445
00:25:16.160 --> 00:25:20.240
<v Speaker 3>are saying, it's basically kill Bill, like in an apartment building.

446
00:25:20.599 --> 00:25:23.920
<v Speaker 3>It's so different than that. It is very good. It

447
00:25:23.960 --> 00:25:26.839
<v Speaker 3>has acted well. The story. You got to suspend a

448
00:25:26.839 --> 00:25:31.119
<v Speaker 3>lot of belief to it. It's an over the top,

449
00:25:31.119 --> 00:25:33.359
<v Speaker 3>bloody violent film, so you just got to be like, oh, yeah,

450
00:25:33.480 --> 00:25:35.680
<v Speaker 3>this is the the universe that we're making this movie in,

451
00:25:35.759 --> 00:25:38.640
<v Speaker 3>which makes sense. On that note. It's entertaining, it's fun,

452
00:25:38.680 --> 00:25:42.119
<v Speaker 3>it's great. It's not like peak cinema or anything. The

453
00:25:42.160 --> 00:25:44.400
<v Speaker 3>next one though pretty close to that. I finally got

454
00:25:44.400 --> 00:25:47.000
<v Speaker 3>to see Project Hill Mary. I am quite happy I

455
00:25:47.039 --> 00:25:49.440
<v Speaker 3>got to see that on the big screen. It is great.

456
00:25:49.519 --> 00:25:53.759
<v Speaker 3>Ryan Gosling is great. Really happy with how they taught

457
00:25:53.839 --> 00:25:57.839
<v Speaker 3>a lot of very heady silence not silence science without

458
00:25:57.880 --> 00:26:00.359
<v Speaker 3>feeling like they were speaking down to the audience. It

459
00:26:00.440 --> 00:26:03.759
<v Speaker 3>was very much like step in with us, rather than

460
00:26:04.119 --> 00:26:06.319
<v Speaker 3>we're going to stand on a stage and speak down

461
00:26:06.319 --> 00:26:10.000
<v Speaker 3>to you. I thought it was quite great. I really

462
00:26:10.119 --> 00:26:12.519
<v Speaker 3>enjoyed the visuals in it. That's the big thing. Lord

463
00:26:12.519 --> 00:26:15.720
<v Speaker 3>and Miller are really great at capturing just like captivating

464
00:26:16.200 --> 00:26:21.160
<v Speaker 3>full throated beauty, essentially in very different situations. I thought

465
00:26:21.160 --> 00:26:25.599
<v Speaker 3>it was pretty incredible for a blockbuster. More people see it.

466
00:26:25.839 --> 00:26:28.200
<v Speaker 6>I haven't seen it yet. I did read the book

467
00:26:28.599 --> 00:26:30.759
<v Speaker 6>just last year. Actually nice.

468
00:26:31.160 --> 00:26:34.319
<v Speaker 4>I enjoyed it, got a you know, emotional at the end.

469
00:26:35.119 --> 00:26:36.039
<v Speaker 3>Yeah, but.

470
00:26:37.480 --> 00:26:39.799
<v Speaker 6>Yeah, it's certainly on the list, that's for sure. And yeah,

471
00:26:39.799 --> 00:26:44.480
<v Speaker 6>and props to Greg Frasier the DP on that one too.

472
00:26:45.240 --> 00:26:48.920
<v Speaker 3>Excellent. Excellent. And then the last thing I've talked about

473
00:26:48.920 --> 00:26:51.400
<v Speaker 3>on the show probably eight hundred times, one of my

474
00:26:51.400 --> 00:26:53.519
<v Speaker 3>favorite TV shows of all time, maybe my favorite TV

475
00:26:53.559 --> 00:26:55.799
<v Speaker 3>show of all time comes back this week task Master

476
00:26:55.920 --> 00:26:59.079
<v Speaker 3>over in the UK, And because of that, I showed

477
00:26:59.079 --> 00:27:01.480
<v Speaker 3>my wife the show last one laughing. If you've never

478
00:27:01.519 --> 00:27:03.839
<v Speaker 3>seen it. It is kind of similar to Task Master.

479
00:27:03.960 --> 00:27:07.279
<v Speaker 3>They get ten UK comedians together in one room and

480
00:27:07.480 --> 00:27:10.839
<v Speaker 3>the mission is to make everybody else laugh and you

481
00:27:10.880 --> 00:27:13.599
<v Speaker 3>can't laugh. If you laugh twice, you're out of the game,

482
00:27:13.960 --> 00:27:15.680
<v Speaker 3>and they go on a I think it's a six

483
00:27:15.759 --> 00:27:18.640
<v Speaker 3>episode season to go from ten comedians down to one.

484
00:27:18.759 --> 00:27:22.240
<v Speaker 3>It is some of the funniest but quiet humor that

485
00:27:22.240 --> 00:27:25.599
<v Speaker 3>you've ever seen because nobody is laughing. It is great.

486
00:27:25.759 --> 00:27:29.559
<v Speaker 3>It is witty. It is so hard to even hear

487
00:27:29.640 --> 00:27:32.240
<v Speaker 3>everything because there's so many jokes that you're dying laughing.

488
00:27:32.759 --> 00:27:34.880
<v Speaker 3>It's great. It's on an Amazon Prime. Check it out.

489
00:27:34.880 --> 00:27:39.759
<v Speaker 3>There's two seasons currently, both very very good. But we

490
00:27:40.160 --> 00:27:43.440
<v Speaker 3>should talk about travel. I'm gonna highlight some of the

491
00:27:43.440 --> 00:27:45.079
<v Speaker 3>things that I did while on my trip, but I

492
00:27:45.079 --> 00:27:47.279
<v Speaker 3>wanted to ask you, but the last handful of years

493
00:27:47.319 --> 00:27:49.480
<v Speaker 3>you've been a bit of a digital nomad. How did

494
00:27:49.519 --> 00:27:50.839
<v Speaker 3>that life come about for you?

495
00:27:51.640 --> 00:27:51.720
<v Speaker 4>So?

496
00:27:52.319 --> 00:27:55.200
<v Speaker 6>I mean, I suppose, deep down it was always something

497
00:27:55.240 --> 00:28:01.440
<v Speaker 6>I was thinking about.

498
00:27:59.240 --> 00:27:59.559
<v Speaker 4>But.

499
00:28:01.160 --> 00:28:03.240
<v Speaker 6>So in God, what are we in twenty twenty six,

500
00:28:03.359 --> 00:28:08.440
<v Speaker 6>twenty twenty three, I decided, you know what, got to

501
00:28:08.440 --> 00:28:10.920
<v Speaker 6>do this. I went to Dublin for the graphic designer

502
00:28:10.960 --> 00:28:14.359
<v Speaker 6>Annie Atkins's workshop. Annie Atkins is the graphic designer on

503
00:28:14.400 --> 00:28:17.279
<v Speaker 6>a lot of Wes Anderson's films. She's worked on some

504
00:28:17.279 --> 00:28:21.519
<v Speaker 6>Spielberg titles. You know, you don't know who Anny Atkins is.

505
00:28:21.759 --> 00:28:22.759
<v Speaker 6>Google her you'll.

506
00:28:22.559 --> 00:28:23.160
<v Speaker 4>Know her work.

507
00:28:23.960 --> 00:28:26.680
<v Speaker 6>But she has a two day workshop in Dublin. Each

508
00:28:26.759 --> 00:28:29.839
<v Speaker 6>day five hours and it's like, you know what I'm

509
00:28:29.880 --> 00:28:35.119
<v Speaker 6>doing this. I got a passport actually right before COVID lockdown,

510
00:28:35.440 --> 00:28:38.960
<v Speaker 6>before the world shut down, and I had never been

511
00:28:38.960 --> 00:28:41.119
<v Speaker 6>outside the United States. So I did a week in Dublin,

512
00:28:41.680 --> 00:28:45.079
<v Speaker 6>two in London, and then one in Edinburgh, and it

513
00:28:45.119 --> 00:28:48.279
<v Speaker 6>was during the Fringe festival, so it was insane. I

514
00:28:48.279 --> 00:28:50.279
<v Speaker 6>even ran into one of my old Win Droft classmates

515
00:28:50.400 --> 00:28:53.519
<v Speaker 6>who I hadn't seen in the mazes. And after that,

516
00:28:53.720 --> 00:28:56.599
<v Speaker 6>once I was on my connection back to la So

517
00:28:56.640 --> 00:29:01.000
<v Speaker 6>I'm in Calgary talking to my parents and they say, oh,

518
00:29:01.039 --> 00:29:03.839
<v Speaker 6>you're probably disappointed you're going back, and I told them,

519
00:29:03.960 --> 00:29:06.319
<v Speaker 6>without any hint of irony.

520
00:29:06.559 --> 00:29:08.440
<v Speaker 4>I got to keep this up. I don't want to

521
00:29:08.440 --> 00:29:09.519
<v Speaker 4>go back. I want to keep going.

522
00:29:10.079 --> 00:29:11.680
<v Speaker 6>And I realized I'm lucky enough to be in a

523
00:29:11.720 --> 00:29:15.119
<v Speaker 6>position where I can do this, so I slowly, you know,

524
00:29:15.160 --> 00:29:18.200
<v Speaker 6>put my stuff in storage, found someone.

525
00:29:18.039 --> 00:29:18.799
<v Speaker 4>To cover my.

526
00:29:20.559 --> 00:29:24.960
<v Speaker 6>Yeah, I found someone to take over my apartment, much

527
00:29:25.000 --> 00:29:27.079
<v Speaker 6>to the annoyance of my roommate.

528
00:29:27.319 --> 00:29:30.720
<v Speaker 4>That everything's okay. I was in a car accident, so

529
00:29:30.759 --> 00:29:33.359
<v Speaker 4>that took care of that. Not my fault.

530
00:29:34.519 --> 00:29:37.640
<v Speaker 6>It was a dui and hit and run of all kinds.

531
00:29:39.119 --> 00:29:40.720
<v Speaker 6>But I got a couple of bucks out of that.

532
00:29:41.519 --> 00:29:45.359
<v Speaker 6>And so twenty twenty four I did six months just

533
00:29:45.480 --> 00:29:48.400
<v Speaker 6>crisscrossing the UK. I've seen more of that country than

534
00:29:49.359 --> 00:29:50.880
<v Speaker 6>some of the people there. I got to meet up

535
00:29:50.880 --> 00:29:53.519
<v Speaker 6>with the folks from Marrow at the pub, I got

536
00:29:53.519 --> 00:29:55.440
<v Speaker 6>to meet with some fellow designers, got to go to

537
00:29:55.519 --> 00:30:01.559
<v Speaker 6>the Vice Press open house, nice and one. I'm waiting.

538
00:30:01.920 --> 00:30:03.720
<v Speaker 6>I'm at the Vice Press open house. I'm waiting for

539
00:30:03.799 --> 00:30:06.960
<v Speaker 6>the they. I think it was a Japanese variant Star

540
00:30:07.000 --> 00:30:10.000
<v Speaker 6>Trek two poster that Matt had done, because once they

541
00:30:10.000 --> 00:30:12.960
<v Speaker 6>announced that deal with Paramount, it's like, oh God, and

542
00:30:13.039 --> 00:30:15.359
<v Speaker 6>now I have to buy them all. And someone comes

543
00:30:15.400 --> 00:30:17.960
<v Speaker 6>up to me while I'm waiting on the line, Scott,

544
00:30:17.960 --> 00:30:21.000
<v Speaker 6>it's you, who are you? But it was the it

545
00:30:21.039 --> 00:30:25.640
<v Speaker 6>was Lori Greasley, talented illustrator and we'd never met. And

546
00:30:25.960 --> 00:30:27.720
<v Speaker 6>you know, when you're online, no one knows what anyone

547
00:30:27.759 --> 00:30:33.359
<v Speaker 6>looks like. So that was pretty cool. And so that

548
00:30:33.440 --> 00:30:36.720
<v Speaker 6>was six months there, and then I did five months Australia,

549
00:30:36.759 --> 00:30:37.359
<v Speaker 6>New Zealand.

550
00:30:38.599 --> 00:30:41.519
<v Speaker 4>I just got back from eight months. I did three

551
00:30:41.519 --> 00:30:44.799
<v Speaker 4>in Europe and then another five in London, this time

552
00:30:45.000 --> 00:30:47.640
<v Speaker 4>just London, and I tell people I haven't missed one

553
00:30:47.680 --> 00:30:50.759
<v Speaker 4>day of work, got to meet the got to meet

554
00:30:50.839 --> 00:30:55.160
<v Speaker 4>up with the Arrow folks again. And although I don't

555
00:30:55.160 --> 00:30:56.279
<v Speaker 4>know if I'll be able to I don't know if

556
00:30:56.279 --> 00:30:57.400
<v Speaker 4>I'll be out of the.

557
00:30:57.319 --> 00:30:59.960
<v Speaker 6>Country as long as eight months, probably just between three

558
00:31:00.039 --> 00:31:03.160
<v Speaker 6>and six at this point. Not sure where I'm going next.

559
00:31:03.720 --> 00:31:08.119
<v Speaker 6>Have to take care of some stuff here at home. Yeah,

560
00:31:08.160 --> 00:31:11.039
<v Speaker 6>you know, I crash with family, you know, when I'm

561
00:31:11.079 --> 00:31:14.759
<v Speaker 6>back in the States, and yeah, it's.

562
00:31:16.119 --> 00:31:17.359
<v Speaker 4>It's an interesting way to live.

563
00:31:18.039 --> 00:31:20.759
<v Speaker 6>All my stuff's in storage and it'll be there, you

564
00:31:20.799 --> 00:31:23.519
<v Speaker 6>know when I'm I tell people I want to keep

565
00:31:23.559 --> 00:31:26.240
<v Speaker 6>doing this until I either run out of money, which

566
00:31:26.319 --> 00:31:29.359
<v Speaker 6>hopefully does not happen, get bored, which I don't think

567
00:31:29.359 --> 00:31:33.119
<v Speaker 6>will happen, or or meet someone, fall in love and

568
00:31:33.480 --> 00:31:37.519
<v Speaker 6>stay which if I don't, you know, if I can,

569
00:31:37.799 --> 00:31:40.519
<v Speaker 6>if I don't sabotage things, maybe that will happen one day,

570
00:31:40.759 --> 00:31:44.519
<v Speaker 6>but we won't get into that. You know, it's fun

571
00:31:44.759 --> 00:31:47.559
<v Speaker 6>and you know I tell my friends, you know I'm

572
00:31:47.680 --> 00:31:51.319
<v Speaker 6>still always there. You know you need me since you

573
00:31:51.359 --> 00:31:53.480
<v Speaker 6>know I can do this, but I'm always still trying to,

574
00:31:53.519 --> 00:31:56.039
<v Speaker 6>you know, pay it forward and be there for people.

575
00:31:57.440 --> 00:31:59.640
<v Speaker 3>And can a test you. You were pretty much always

576
00:31:59.720 --> 00:32:03.519
<v Speaker 3>very pick to respond. You were always on it. Obvious question.

577
00:32:03.640 --> 00:32:06.039
<v Speaker 3>But where are you hoping to go? Anywhere?

578
00:32:06.039 --> 00:32:09.759
<v Speaker 6>That's on the list, certainly more in Europe because I

579
00:32:09.799 --> 00:32:12.200
<v Speaker 6>think most Americans, if you're just on a regular visa,

580
00:32:12.240 --> 00:32:14.079
<v Speaker 6>you could only do three out of every six months.

581
00:32:14.799 --> 00:32:18.319
<v Speaker 6>So I was thinking something like Austria, where I actually

582
00:32:18.319 --> 00:32:24.880
<v Speaker 6>have some ancestry, Austria, Switzerland, Czech Republic. I really want

583
00:32:24.920 --> 00:32:29.039
<v Speaker 6>to do Iceland. I'd like to make it to Japan

584
00:32:29.119 --> 00:32:31.559
<v Speaker 6>at some point, but I can't sleep on planes. That's

585
00:32:31.599 --> 00:32:35.240
<v Speaker 6>a long flight, you know, flying from Auckland to la

586
00:32:36.599 --> 00:32:39.720
<v Speaker 6>you know, couldn't sleep a wink. And with you would

587
00:32:39.759 --> 00:32:42.319
<v Speaker 6>have just experienced with the international dateline, you actually arrived

588
00:32:42.319 --> 00:32:44.920
<v Speaker 6>before you leave, which is a trip, that's for sure.

589
00:32:45.880 --> 00:32:47.839
<v Speaker 3>Yeah, I was going to talk about that just a minute.

590
00:32:47.880 --> 00:32:52.200
<v Speaker 3>It was a very weird experience flying across the International Dateline.

591
00:32:53.079 --> 00:32:55.200
<v Speaker 3>I wasn't going to do this, but a lot of

592
00:32:55.240 --> 00:32:57.200
<v Speaker 3>people ask me to share some things, so I put

593
00:32:57.240 --> 00:32:59.279
<v Speaker 3>together some of the photos from everything, just to be

594
00:32:59.319 --> 00:33:01.920
<v Speaker 3>able to talk about what happened. Wanted to shout out

595
00:33:01.960 --> 00:33:04.400
<v Speaker 3>Tony and Natalie who Tony let us stay with him,

596
00:33:04.400 --> 00:33:06.920
<v Speaker 3>Tony Miechus, who's in the chat. Thank you Tony from

597
00:33:06.920 --> 00:33:09.200
<v Speaker 3>the Imprint cast. This is their little welcome to Australia

598
00:33:09.240 --> 00:33:12.039
<v Speaker 3>gift basket that they gave my wife and I. There's

599
00:33:12.440 --> 00:33:15.400
<v Speaker 3>our first immediate lunch with Tony and my wife talking

600
00:33:15.440 --> 00:33:18.440
<v Speaker 3>with Tony, and then we went down to see the beach.

601
00:33:18.559 --> 00:33:21.240
<v Speaker 3>This was literally three and a half hours after we

602
00:33:21.279 --> 00:33:24.240
<v Speaker 3>got to Australia. After I think that first flight was

603
00:33:25.119 --> 00:33:27.319
<v Speaker 3>I think it was sixteen and a half hours. We

604
00:33:27.400 --> 00:33:30.640
<v Speaker 3>flew from Dallas to Sydney this time, which that is

605
00:33:30.640 --> 00:33:34.039
<v Speaker 3>a long flight, and the whole thing was in the night,

606
00:33:34.240 --> 00:33:37.759
<v Speaker 3>so it was exhausting. I only slept about three hours

607
00:33:37.839 --> 00:33:40.640
<v Speaker 3>that time. Here we are on the beach, just my

608
00:33:40.680 --> 00:33:43.440
<v Speaker 3>wife and I and then we started going around town.

609
00:33:43.759 --> 00:33:46.400
<v Speaker 3>Tony took us to the Ritz Theater. This place was great.

610
00:33:46.480 --> 00:33:49.279
<v Speaker 3>Here's one of the old classic cameras they had for

611
00:33:49.359 --> 00:33:52.160
<v Speaker 3>display there. He of course had to take us to

612
00:33:52.279 --> 00:33:55.240
<v Speaker 3>some physical media shops. Here's one of his favorites top ten.

613
00:33:55.400 --> 00:33:58.279
<v Speaker 3>This is in downtown Sydney and it was glorious. They

614
00:33:58.319 --> 00:34:01.880
<v Speaker 3>had way more imports that I expected them to have.

615
00:34:02.319 --> 00:34:04.279
<v Speaker 3>Some of them a little over priced, but if you're there,

616
00:34:04.359 --> 00:34:06.359
<v Speaker 3>check it out. This place kind of hard to find.

617
00:34:06.480 --> 00:34:09.280
<v Speaker 3>It's like recessed off of the road, so it's very

618
00:34:09.320 --> 00:34:11.480
<v Speaker 3>easy to walk by and not see this. This is

619
00:34:11.480 --> 00:34:12.840
<v Speaker 3>standing right in front of it, but you had to

620
00:34:12.840 --> 00:34:16.039
<v Speaker 3>walk down I don't know, probably one hundred and twenty

621
00:34:16.039 --> 00:34:18.360
<v Speaker 3>feet of an alley before you get here, so it's

622
00:34:18.360 --> 00:34:21.440
<v Speaker 3>a little bit, a little bit hidden, but you're in Australia.

623
00:34:21.599 --> 00:34:23.920
<v Speaker 3>Had to go to JBA Hi Fi. Got a couple

624
00:34:24.000 --> 00:34:27.280
<v Speaker 3>titles here, show those on the show last week. Here's

625
00:34:27.519 --> 00:34:30.960
<v Speaker 3>John Matthews from a New Way video with the very

626
00:34:30.960 --> 00:34:33.559
<v Speaker 3>funny expression standing in front of Radio Free Alis. By

627
00:34:33.559 --> 00:34:35.639
<v Speaker 3>the way, Radio Free Alis in Sydney. You can now

628
00:34:35.639 --> 00:34:37.519
<v Speaker 3>pick up the Physical Media Advocate there. We're gonna be

629
00:34:37.519 --> 00:34:42.599
<v Speaker 3>talking about that more eventually. Next up, great food, lots

630
00:34:42.599 --> 00:34:45.320
<v Speaker 3>of Asian inspired dishes that we had loved it. There.

631
00:34:45.800 --> 00:34:47.960
<v Speaker 3>Where's the been the best country for food for you

632
00:34:48.039 --> 00:34:48.440
<v Speaker 3>so far.

633
00:34:48.360 --> 00:34:52.119
<v Speaker 6>Scott God, I'm so not a foodie, to be honest,

634
00:34:53.000 --> 00:34:56.559
<v Speaker 6>and usually, and I'm such an American, not that I

635
00:34:56.599 --> 00:34:58.880
<v Speaker 6>go to the American chains, but I will try to

636
00:34:58.920 --> 00:35:03.159
<v Speaker 6>find their version of it, like what's the what's the

637
00:35:03.159 --> 00:35:07.360
<v Speaker 6>best pizza in Sydney, what's the cool burger joint in London?

638
00:35:07.519 --> 00:35:09.800
<v Speaker 6>Or you know, things like that. But I'm so not

639
00:35:09.920 --> 00:35:16.159
<v Speaker 6>adventure adventurous with any of that. Plus too much, too

640
00:35:16.199 --> 00:35:19.239
<v Speaker 6>much junk food is always an issue with me too.

641
00:35:19.440 --> 00:35:22.239
<v Speaker 6>In London, they have these big candy stores, but it'll

642
00:35:22.280 --> 00:35:26.440
<v Speaker 6>literally say American candy store and it has everything, you know,

643
00:35:26.480 --> 00:35:30.480
<v Speaker 6>because Reese's Emergey stuff is not as common there. Although

644
00:35:30.519 --> 00:35:32.800
<v Speaker 6>then I read an article that said, like all the

645
00:35:32.800 --> 00:35:35.519
<v Speaker 6>people who run those stores know each other, and you know,

646
00:35:35.559 --> 00:35:38.360
<v Speaker 6>the articles speculated it's like one big money laundering scheme

647
00:35:38.480 --> 00:35:40.400
<v Speaker 6>or something. It's like I say that if you don't

648
00:35:40.440 --> 00:35:44.719
<v Speaker 6>have proof I spent money in these places, but I

649
00:35:44.800 --> 00:35:48.400
<v Speaker 6>do well. I you know, my Sydney. Just through my

650
00:35:48.480 --> 00:35:50.840
<v Speaker 6>Sydney trip, I was visiting a friend in Atlanta, so

651
00:35:50.840 --> 00:35:53.159
<v Speaker 6>it was going to be Atlanta to LA to Sydney.

652
00:35:53.760 --> 00:35:58.159
<v Speaker 6>Oh geez, the Atlanta trip. That flight was canceled like

653
00:35:58.360 --> 00:36:01.920
<v Speaker 6>just canceled. They'd already started and then it was just canceled.

654
00:36:02.519 --> 00:36:04.320
<v Speaker 6>And the airlines at this point, you know, they just

655
00:36:04.360 --> 00:36:08.079
<v Speaker 6>rebook you automatically, so you never really know until you check.

656
00:36:08.199 --> 00:36:12.679
<v Speaker 6>So my flight became Atlanta to Miami, which is nothing.

657
00:36:13.000 --> 00:36:19.679
<v Speaker 6>Miami to Santiago, Chile, Santiago to Sydney. Who And when

658
00:36:19.679 --> 00:36:22.400
<v Speaker 6>I got to my Airbnb, I had to download a

659
00:36:22.440 --> 00:36:26.679
<v Speaker 6>single five megabyte jpeg. It was after ten minutes. It

660
00:36:26.760 --> 00:36:28.760
<v Speaker 6>was like, this is gonna be a problem. So I

661
00:36:28.840 --> 00:36:31.679
<v Speaker 6>ended up working with the in the reading room at

662
00:36:31.679 --> 00:36:35.239
<v Speaker 6>the Central Library. So most of Dark City was.

663
00:36:37.000 --> 00:36:37.599
<v Speaker 4>Done there.

664
00:36:37.760 --> 00:36:42.360
<v Speaker 6>Ironically, since it was filmed in Australia, you know, I'm

665
00:36:42.360 --> 00:36:44.519
<v Speaker 6>trying to think, yeah, a few other It's like, now

666
00:36:44.519 --> 00:36:46.679
<v Speaker 6>when I look at the titles I've worked on, it's like,

667
00:36:46.800 --> 00:36:49.840
<v Speaker 6>oh that country and fabulous stains was worked on three

668
00:36:49.880 --> 00:36:54.320
<v Speaker 6>different continents at this point, that makes.

669
00:36:54.079 --> 00:36:56.599
<v Speaker 3>Sense, all right. So that's one of the photos of

670
00:36:56.639 --> 00:37:00.559
<v Speaker 3>the food. Here is the the Sydney Naval Harbor took

671
00:37:00.599 --> 00:37:03.199
<v Speaker 3>a fun picture of that at night, and then Tony

672
00:37:03.320 --> 00:37:07.119
<v Speaker 3>and everybody else threw a physical media get together barbecue.

673
00:37:07.960 --> 00:37:10.519
<v Speaker 3>This was at Tony's house. Here is everybody that was

674
00:37:10.519 --> 00:37:13.239
<v Speaker 3>there lots of names you'll recognize. We got Paul, who's

675
00:37:13.280 --> 00:37:15.039
<v Speaker 3>in the chat right now, Ki Ray who's in the chat,

676
00:37:15.079 --> 00:37:17.559
<v Speaker 3>Tony who's in the Chat. We got Brett. We've got

677
00:37:17.639 --> 00:37:19.719
<v Speaker 3>a handful of others that you'll hear about at some point,

678
00:37:19.760 --> 00:37:23.760
<v Speaker 3>I'm sure. But we also got visited by a Huntsman

679
00:37:23.880 --> 00:37:27.679
<v Speaker 3>spider that I was told this was very rare, and

680
00:37:27.719 --> 00:37:29.440
<v Speaker 3>I said, well, I see one while they I'm here.

681
00:37:29.480 --> 00:37:32.360
<v Speaker 3>They said, probably not, and then he showed up, So

682
00:37:32.400 --> 00:37:33.000
<v Speaker 3>that was funny.

683
00:37:34.239 --> 00:37:34.639
<v Speaker 4>I did not.

684
00:37:34.760 --> 00:37:37.480
<v Speaker 3>You don't thank to say you don't look like you

685
00:37:37.559 --> 00:37:43.639
<v Speaker 3>and Joy Spiders. Uh. This is a very fun store

686
00:37:43.679 --> 00:37:46.599
<v Speaker 3>owned by a friend of Tony's named Andrew This This

687
00:37:46.719 --> 00:37:49.920
<v Speaker 3>store just opened literally about a month before we got there.

688
00:37:50.159 --> 00:37:52.039
<v Speaker 3>Funny enough, you can now pick up the Physical Media

689
00:37:52.039 --> 00:37:53.920
<v Speaker 3>Advocate in this store as well. We're gonna be talking

690
00:37:53.920 --> 00:37:57.880
<v Speaker 3>about that soon. This is a great little store. If

691
00:37:57.880 --> 00:38:00.559
<v Speaker 3>you're there, go check it out. We'll give you more

692
00:38:00.559 --> 00:38:03.320
<v Speaker 3>details on that. But then my favorite part of the

693
00:38:03.360 --> 00:38:07.320
<v Speaker 3>trip maybe well that I can talk about. We went

694
00:38:07.400 --> 00:38:10.880
<v Speaker 3>to the Meg, which is the home of Nick Nikolau's

695
00:38:10.880 --> 00:38:14.440
<v Speaker 3>makeup effects group. He worked on tons of movies that

696
00:38:14.480 --> 00:38:17.360
<v Speaker 3>you've heard of lots of Aussi classics like cut which

697
00:38:17.400 --> 00:38:19.840
<v Speaker 3>I love. They worked on the matrix. We got to

698
00:38:19.880 --> 00:38:22.679
<v Speaker 3>see the baby from the Matrix, and we got to

699
00:38:22.719 --> 00:38:25.079
<v Speaker 3>see so many things that they've done in the past.

700
00:38:25.239 --> 00:38:31.559
<v Speaker 3>This is one of the burned up nuclear victims, we'll say,

701
00:38:32.679 --> 00:38:35.840
<v Speaker 3>just some incredible pieces in this essentially like a little

702
00:38:35.920 --> 00:38:39.400
<v Speaker 3>museum that they had. Then in the back room he

703
00:38:39.519 --> 00:38:43.159
<v Speaker 3>just has suddenly the biggest Star Wars collection I've ever seen.

704
00:38:44.239 --> 00:38:47.239
<v Speaker 3>This was insane what he's got so much of it

705
00:38:47.320 --> 00:38:50.320
<v Speaker 3>is like brand new inbox still but I know we

706
00:38:50.360 --> 00:38:51.920
<v Speaker 3>got a lot of Star Wars fans heres wanted to

707
00:38:51.920 --> 00:38:55.280
<v Speaker 3>share some of those, but then showed even more of

708
00:38:55.320 --> 00:38:58.599
<v Speaker 3>his art and pieces that they've worked on, stuff that

709
00:38:58.639 --> 00:39:02.639
<v Speaker 3>has been from way back when. This is an original

710
00:39:02.639 --> 00:39:06.039
<v Speaker 3>piece from Mary Poppins that was like a test piece

711
00:39:06.079 --> 00:39:08.000
<v Speaker 3>of the clothing I believe of what they were gonna do.

712
00:39:08.360 --> 00:39:10.800
<v Speaker 3>This was incredible. This is an original cell from the

713
00:39:10.800 --> 00:39:12.880
<v Speaker 3>Secret of Nim and Don Bluth is like one of

714
00:39:12.920 --> 00:39:15.000
<v Speaker 3>my heroes of all time, so I had to snap

715
00:39:15.039 --> 00:39:18.960
<v Speaker 3>a photo of that. Some incredible original pieces of art

716
00:39:19.199 --> 00:39:23.159
<v Speaker 3>in this entire thing. This was the one right before

717
00:39:23.199 --> 00:39:26.800
<v Speaker 3>the finalized painting visitor Q for Larry Cohen. So this

718
00:39:26.960 --> 00:39:29.239
<v Speaker 3>is not the painting, but one of the ones that

719
00:39:29.280 --> 00:39:31.360
<v Speaker 3>were almost there. Same with this, I don't believe this

720
00:39:31.440 --> 00:39:33.440
<v Speaker 3>is the final one. He did have quite a few

721
00:39:33.440 --> 00:39:35.320
<v Speaker 3>final ones. I don't know if I included Okay, this

722
00:39:35.440 --> 00:39:38.280
<v Speaker 3>is one, this is one that was final, and then

723
00:39:38.280 --> 00:39:41.679
<v Speaker 3>he also had I didn't include it. Maybe he's got Legend,

724
00:39:41.719 --> 00:39:45.400
<v Speaker 3>he's got the final painting. That is the actual painting

725
00:39:45.480 --> 00:39:48.199
<v Speaker 3>for the poster of Legend. This is stuff that was

726
00:39:48.280 --> 00:39:51.119
<v Speaker 3>used on Fury Road, and a couple other things. Original

727
00:39:51.199 --> 00:39:55.519
<v Speaker 3>storyboards here from the thing which is wild to see.

728
00:39:57.199 --> 00:40:01.559
<v Speaker 3>Here is an original Alex Ross which was mind blowing

729
00:40:01.599 --> 00:40:05.559
<v Speaker 3>to see in person. Just some modern art going around Sydney.

730
00:40:06.519 --> 00:40:09.480
<v Speaker 3>Classic and then just some of the views. We went

731
00:40:09.559 --> 00:40:13.760
<v Speaker 3>to Crawford, one of the biggest stations in all of Australia,

732
00:40:13.840 --> 00:40:15.960
<v Speaker 3>and Danny, who might be in the chat or will

733
00:40:15.960 --> 00:40:19.559
<v Speaker 3>be eventually probably It took us around this way. We

734
00:40:19.639 --> 00:40:21.480
<v Speaker 3>got to see quite a bit of this. Here's us

735
00:40:21.480 --> 00:40:24.639
<v Speaker 3>your server look in the ocean. And then we finally

736
00:40:24.679 --> 00:40:26.800
<v Speaker 3>got to where he gave us a tour of his

737
00:40:27.039 --> 00:40:30.679
<v Speaker 3>entire studio, looked at where they broadcast the news from

738
00:40:30.760 --> 00:40:33.920
<v Speaker 3>they do radio recordings. There's Danny in the picture at

739
00:40:33.960 --> 00:40:37.480
<v Speaker 3>the bottom. Danny was giving us the whole last sixty

740
00:40:37.559 --> 00:40:41.800
<v Speaker 3>years history of broadcasting in Australia, which was just amazing

741
00:40:41.840 --> 00:40:44.960
<v Speaker 3>to see. Here's the front of the studio, the wind network.

742
00:40:45.480 --> 00:40:47.360
<v Speaker 3>And then the next day we went to the National

743
00:40:47.400 --> 00:40:50.880
<v Speaker 3>Film and Sound Archive in Australia. This is in Canberra,

744
00:40:51.280 --> 00:40:54.159
<v Speaker 3>and as much as I wanted to love this, we

745
00:40:54.280 --> 00:40:57.559
<v Speaker 3>drove three hours to Canberra out of Sydney and we

746
00:40:57.599 --> 00:40:59.639
<v Speaker 3>saw everything we needed to see in about less than

747
00:40:59.679 --> 00:41:02.199
<v Speaker 3>twenty five minutes. Not very much there.

748
00:41:03.159 --> 00:41:07.360
<v Speaker 6>When I was in Sydney working on Dark City, Arrow

749
00:41:07.440 --> 00:41:11.119
<v Speaker 6>wanted to include a reproduction of the postcard and I

750
00:41:11.119 --> 00:41:13.480
<v Speaker 6>did a little homework and I swear the original prop

751
00:41:13.519 --> 00:41:18.760
<v Speaker 6>postcard is in that building, and I mentioned it, you know,

752
00:41:18.960 --> 00:41:21.719
<v Speaker 6>I'm in Sydney. I'll take the train, I'll pay for it.

753
00:41:22.000 --> 00:41:24.880
<v Speaker 6>But it would have required too much paperwork. You know,

754
00:41:24.920 --> 00:41:26.800
<v Speaker 6>I couldn't just walk in and get a scan of it.

755
00:41:27.280 --> 00:41:29.360
<v Speaker 6>You know, I even spoke to someone from there. We

756
00:41:29.519 --> 00:41:30.440
<v Speaker 6>emailed back and forth.

757
00:41:30.559 --> 00:41:31.000
<v Speaker 4>Nice guy.

758
00:41:31.079 --> 00:41:33.760
<v Speaker 6>But you know, we would have needed written permission from

759
00:41:33.760 --> 00:41:35.920
<v Speaker 6>Warner Brothers and it would have become a whole thing.

760
00:41:36.079 --> 00:41:38.639
<v Speaker 6>So that's why I had to recreate it from scratch.

761
00:41:39.800 --> 00:41:43.880
<v Speaker 6>It's like the real ones just over there the well.

762
00:41:44.239 --> 00:41:46.239
<v Speaker 3>I tried to go there for some stuff for antenna

763
00:41:46.320 --> 00:41:48.159
<v Speaker 3>and the timing just didn't work out right. Gonna be

764
00:41:48.199 --> 00:41:51.119
<v Speaker 3>working on some stuff with them soon. But they did

765
00:41:51.519 --> 00:41:55.960
<v Speaker 3>get to show us the actual knife from Crocodile Dundee

766
00:41:56.039 --> 00:41:59.039
<v Speaker 3>and yes, that is a knife. We had to go

767
00:41:59.079 --> 00:42:03.360
<v Speaker 3>to some more physical media stores. This is one again

768
00:42:03.480 --> 00:42:07.480
<v Speaker 3>downtown Sydney. Really nice place. This is called hum. It

769
00:42:07.679 --> 00:42:11.039
<v Speaker 3>was pretty nice, a little overpriced, but not too terrible.

770
00:42:11.599 --> 00:42:14.840
<v Speaker 3>While we were walking to HUM, uh, just a random

771
00:42:14.840 --> 00:42:16.960
<v Speaker 3>funny story because I'm a fricking giant if you didn't

772
00:42:17.000 --> 00:42:21.039
<v Speaker 3>notice from the picture so far, Tony was walking us

773
00:42:21.079 --> 00:42:24.159
<v Speaker 3>into a used bookstore and I was wearing my sunglasses

774
00:42:24.159 --> 00:42:26.920
<v Speaker 3>because it was so bright outside. Walk in and I

775
00:42:26.920 --> 00:42:29.760
<v Speaker 3>immediately go to take off my sunglasses because I was blinded.

776
00:42:30.119 --> 00:42:32.400
<v Speaker 3>And as soon as I take them off, I'm one

777
00:42:32.440 --> 00:42:34.159
<v Speaker 3>step in the building that had an exit sign, and

778
00:42:34.159 --> 00:42:36.440
<v Speaker 3>I was so tall I bashed my head on the

779
00:42:36.440 --> 00:42:40.599
<v Speaker 3>exit sign and so hard that the exit sign fell

780
00:42:40.639 --> 00:42:45.800
<v Speaker 3>off of the roof or ceiling. Hilarious, absolutely terrible. My

781
00:42:45.840 --> 00:42:49.599
<v Speaker 3>head started bleeding. That was fun. This is where we

782
00:42:49.840 --> 00:42:52.920
<v Speaker 3>visited Bondai Beach and if you pay attention to world events,

783
00:42:53.480 --> 00:42:55.800
<v Speaker 3>this was the site of a tragedy just a few

784
00:42:55.800 --> 00:42:58.039
<v Speaker 3>months ago, and to be this close to it and

785
00:42:58.079 --> 00:43:04.519
<v Speaker 3>see everything that happened was just absolutely wild. It's humbling

786
00:43:04.599 --> 00:43:07.400
<v Speaker 3>in a way that is sad, especially coming from America,

787
00:43:07.440 --> 00:43:10.679
<v Speaker 3>where it's such a common thing. Could say a lot

788
00:43:10.719 --> 00:43:12.679
<v Speaker 3>about how safe we felt in Australia, but I'll let

789
00:43:12.679 --> 00:43:16.119
<v Speaker 3>it go. Some of our big views of Australia. As

790
00:43:16.119 --> 00:43:20.159
<v Speaker 3>we left Bondai, Tony took us to this beautiful little

791
00:43:20.199 --> 00:43:23.159
<v Speaker 3>alcove where it's just crazy the views that people. This

792
00:43:23.280 --> 00:43:25.920
<v Speaker 3>is like next to somebody's apartment. They just hang out here,

793
00:43:25.960 --> 00:43:28.079
<v Speaker 3>and I was so jealous. You just wake up and

794
00:43:28.119 --> 00:43:31.079
<v Speaker 3>look outside and then I look down and their steers

795
00:43:31.480 --> 00:43:37.519
<v Speaker 3>carved into this cliff. It's just crazy. I love this life.

796
00:43:37.559 --> 00:43:40.159
<v Speaker 3>Going on to some other stuff. Had to get the

797
00:43:40.159 --> 00:43:43.800
<v Speaker 3>classic opera house shot. This is, of course, Luna Park.

798
00:43:43.800 --> 00:43:45.880
<v Speaker 3>You've probably seen photos of this quite a few times

799
00:43:45.880 --> 00:43:49.440
<v Speaker 3>online under the Harbor Bridge. Looking at that, we got

800
00:43:49.440 --> 00:43:52.679
<v Speaker 3>some wonderful gelato. This was incredible. I didn't realize they

801
00:43:52.679 --> 00:43:54.519
<v Speaker 3>put cherries in the bottom of this cone and I

802
00:43:54.559 --> 00:43:56.360
<v Speaker 3>went to take a bite and the whole bottom part

803
00:43:56.480 --> 00:43:58.880
<v Speaker 3>kind of exploded all over my pants and shirt. Thanks Sydney,

804
00:43:58.920 --> 00:44:02.880
<v Speaker 3>that was wonderful. This is the Tyra Banks brand new

805
00:44:02.920 --> 00:44:05.480
<v Speaker 3>ice cream shops she just opened called Smiles and Dream.

806
00:44:05.880 --> 00:44:07.880
<v Speaker 3>Don't know why that's her new dream, but it is.

807
00:44:08.360 --> 00:44:10.519
<v Speaker 3>There's us in front of the Opera House. And then

808
00:44:10.719 --> 00:44:14.000
<v Speaker 3>Tony took us to one last theater called the Hayden Orpheum.

809
00:44:14.280 --> 00:44:17.000
<v Speaker 3>Looks really nice inside. And then we went to the

810
00:44:17.000 --> 00:44:20.119
<v Speaker 3>beach one last time. But finally this was some of

811
00:44:20.119 --> 00:44:25.360
<v Speaker 3>my favorite photos. We got really nice late night view

812
00:44:25.400 --> 00:44:28.519
<v Speaker 3>of the harbor and the Opera House. Then we flew

813
00:44:28.599 --> 00:44:31.199
<v Speaker 3>to New Zealand. Yes we're only like three quarters of

814
00:44:31.199 --> 00:44:33.559
<v Speaker 3>the way done with this trip. Flying into New Zealand

815
00:44:33.639 --> 00:44:38.079
<v Speaker 3>was a gorgeous never seen nature like this Auckland. I

816
00:44:38.079 --> 00:44:41.360
<v Speaker 3>mean you've been there, it's just stupendous to fly into there, right.

817
00:44:41.679 --> 00:44:45.320
<v Speaker 4>Well, I flew in. I flew from Melbourne to Wellington

818
00:44:46.119 --> 00:44:51.320
<v Speaker 4>and that's even better. Landing I was I think cross

819
00:44:51.360 --> 00:44:54.159
<v Speaker 4>winds in the mountains. I was just gripping my seat,

820
00:44:54.280 --> 00:44:57.239
<v Speaker 4>but I did do the wet workshop nice. Well that's

821
00:44:57.239 --> 00:44:58.880
<v Speaker 4>actually where the shirt comes from.

822
00:44:59.239 --> 00:45:05.840
<v Speaker 6>Very nice, and then from Wellington to Auckland, which was lovely.

823
00:45:05.880 --> 00:45:07.840
<v Speaker 6>Did you make it to There's a New York style

824
00:45:07.880 --> 00:45:10.719
<v Speaker 6>pizza pizza chain there called sALS. You didn't make it

825
00:45:10.719 --> 00:45:14.000
<v Speaker 6>there at all, did you? We did, But when I

826
00:45:14.039 --> 00:45:15.960
<v Speaker 6>saw that, I made like a B line for it,

827
00:45:16.000 --> 00:45:19.280
<v Speaker 6>and it's like they got it right. Not everyone does.

828
00:45:20.280 --> 00:45:22.280
<v Speaker 3>Well, if they got it right, I will say I've

829
00:45:22.320 --> 00:45:24.360
<v Speaker 3>I've never been to New York, even though I've now

830
00:45:24.400 --> 00:45:26.519
<v Speaker 3>been to Auckland. If they got it right, man, I'm

831
00:45:26.519 --> 00:45:28.480
<v Speaker 3>not gonna like New York pizza because I did not

832
00:45:28.639 --> 00:45:29.800
<v Speaker 3>like so well.

833
00:45:29.840 --> 00:45:32.960
<v Speaker 6>When I was in London. There's no offense to it

834
00:45:33.000 --> 00:45:35.719
<v Speaker 6>because it was a cool place. There's a there's a

835
00:45:35.800 --> 00:45:40.280
<v Speaker 6>Quentin Tarantino themed pizza restaurant in London called True Romance,

836
00:45:41.119 --> 00:45:42.639
<v Speaker 6>which they have a lot of cool stuff from his

837
00:45:42.719 --> 00:45:45.320
<v Speaker 6>movies there. But it's like Tarantino, A he's not from

838
00:45:45.360 --> 00:45:47.920
<v Speaker 6>New York and B he's not really associated with pizza.

839
00:45:48.400 --> 00:45:50.800
<v Speaker 6>And it builds itself as New York style pizza and

840
00:45:50.840 --> 00:45:56.320
<v Speaker 6>I went there tried it and not nope, not even close. Sorry,

841
00:45:56.599 --> 00:45:59.159
<v Speaker 6>But when I saw this place in Australia, New Zealand,

842
00:45:59.159 --> 00:46:00.280
<v Speaker 6>I had to try it and then I went to

843
00:46:00.320 --> 00:46:03.880
<v Speaker 6>a New York style. I went to a deli and

844
00:46:04.000 --> 00:46:06.239
<v Speaker 6>had like a p Astromi sandwich because I'm always on

845
00:46:06.280 --> 00:46:09.079
<v Speaker 6>the hunt for a good one of those, and it.

846
00:46:09.079 --> 00:46:14.239
<v Speaker 3>Was good, but so salty I couldn't finish. Too salty, understandable.

847
00:46:14.840 --> 00:46:17.360
<v Speaker 3>So yeah, that's flying into Auckland. This is right before

848
00:46:17.360 --> 00:46:19.760
<v Speaker 3>we landed. This is how they welcome you in at

849
00:46:19.800 --> 00:46:24.320
<v Speaker 3>the Auckland airport. And then the day after this, I

850
00:46:24.360 --> 00:46:27.360
<v Speaker 3>spent on a film set signed an NBA. So I

851
00:46:27.360 --> 00:46:29.039
<v Speaker 3>can't say much about it, but if you know much

852
00:46:29.039 --> 00:46:31.280
<v Speaker 3>about what I'm doing with my company and who else

853
00:46:31.360 --> 00:46:34.119
<v Speaker 3>owns it, you should be able to guess what film

854
00:46:34.159 --> 00:46:36.119
<v Speaker 3>set I was on. That's as much as I can say.

855
00:46:37.119 --> 00:46:40.159
<v Speaker 3>More stories about that when I can next summer, I believe.

856
00:46:40.920 --> 00:46:45.400
<v Speaker 3>But this is right before we went in to Hobbiton.

857
00:46:45.920 --> 00:46:47.760
<v Speaker 3>If you're in New Zealand, you pretty much have to

858
00:46:47.760 --> 00:46:50.719
<v Speaker 3>do it. So the wife and I went to the Shire,

859
00:46:51.239 --> 00:46:53.920
<v Speaker 3>and I did not want to show all of the

860
00:46:53.960 --> 00:46:56.440
<v Speaker 3>photos because there's so many that look very similar. But

861
00:46:56.880 --> 00:47:00.360
<v Speaker 3>this place was magical. After spending the last five or

862
00:47:00.360 --> 00:47:03.119
<v Speaker 3>six weeks showing both of our kids, all three of

863
00:47:03.159 --> 00:47:05.800
<v Speaker 3>the Lord of the Rings films. This was wild to

864
00:47:05.840 --> 00:47:10.360
<v Speaker 3>see in person, completely completely loved all of the attention

865
00:47:10.440 --> 00:47:13.480
<v Speaker 3>to detail. It is kind of crazy how much they

866
00:47:13.599 --> 00:47:17.119
<v Speaker 3>paid attention to everything, the sheer size of everything. This

867
00:47:17.400 --> 00:47:19.920
<v Speaker 3>was a very fun photo. My wife making fun of

868
00:47:19.920 --> 00:47:23.920
<v Speaker 3>me because I'm a giant. It was not oops, it

869
00:47:24.000 --> 00:47:26.599
<v Speaker 3>was not that small. You should be able to be

870
00:47:26.639 --> 00:47:30.079
<v Speaker 3>seen if you're normal size, but I am not. Just

871
00:47:31.079 --> 00:47:35.079
<v Speaker 3>gorgeous landscape. It is so crazy how green and lush

872
00:47:35.199 --> 00:47:38.199
<v Speaker 3>everything is. Absolutely loved it. We got to go into

873
00:47:38.199 --> 00:47:43.880
<v Speaker 3>one of the Hobbit houses, just a great time. Loved

874
00:47:43.880 --> 00:47:46.559
<v Speaker 3>it there, and then afterwards we had a tour through

875
00:47:46.599 --> 00:47:50.320
<v Speaker 3>the Waitomo gl glowworm caves. For those that have not

876
00:47:50.360 --> 00:47:53.960
<v Speaker 3>heard of it. These are dark, deep caves in the

877
00:47:54.000 --> 00:47:58.320
<v Speaker 3>side of a mountain basically that glowworms. They hang down

878
00:47:58.360 --> 00:48:01.800
<v Speaker 3>these little tails to attract insects, kind of like spiderwebs,

879
00:48:02.159 --> 00:48:04.400
<v Speaker 3>and they glow to attract them. And you go in

880
00:48:04.519 --> 00:48:06.000
<v Speaker 3>and all the lights are off and you can see

881
00:48:06.039 --> 00:48:08.880
<v Speaker 3>what looks like little fiber optic lights and they're just worms.

882
00:48:09.719 --> 00:48:12.679
<v Speaker 3>Couldn't take any photos of that inside, but you come

883
00:48:12.719 --> 00:48:14.800
<v Speaker 3>out on a little boat ride at the end of it.

884
00:48:14.800 --> 00:48:18.039
<v Speaker 3>It is a really fun time. Just beautiful to see,

885
00:48:19.400 --> 00:48:22.280
<v Speaker 3>had a great time. That's pretty much everything that made

886
00:48:22.320 --> 00:48:25.719
<v Speaker 3>sense to show pictures of. Loved it though. That was

887
00:48:25.760 --> 00:48:28.280
<v Speaker 3>my first time ever out of the country. I cannot

888
00:48:28.320 --> 00:48:31.400
<v Speaker 3>wait to do something like that again. I am very poor,

889
00:48:31.480 --> 00:48:33.639
<v Speaker 3>so it will not be able to happen, probably for

890
00:48:33.679 --> 00:48:34.400
<v Speaker 3>a long time.

891
00:48:37.719 --> 00:48:40.840
<v Speaker 6>Yeah, well, hopefully you make it to you know, make

892
00:48:40.840 --> 00:48:42.760
<v Speaker 6>it to London at some point. There's certainly enough there

893
00:48:42.800 --> 00:48:46.719
<v Speaker 6>to keep you busy. And every time I either every

894
00:48:46.719 --> 00:48:49.280
<v Speaker 6>time with me and the UK, I've either just missed

895
00:48:49.320 --> 00:48:52.199
<v Speaker 6>something or I leave and I'm about to miss something.

896
00:48:52.239 --> 00:48:57.320
<v Speaker 6>The week before, literally the week before I left London

897
00:48:57.360 --> 00:49:00.559
<v Speaker 6>this last time. Yeah, well, the Sciences seems doing a

898
00:49:00.599 --> 00:49:04.159
<v Speaker 6>Star Trek exhibit for the anniversary and they're showing the

899
00:49:04.239 --> 00:49:08.159
<v Speaker 6>ten films. It's like, yeah, literally starting the two days

900
00:49:08.159 --> 00:49:11.320
<v Speaker 6>after I left. Oh, the first time I was there,

901
00:49:11.360 --> 00:49:13.199
<v Speaker 6>I left and then they were doing the Powell and

902
00:49:13.239 --> 00:49:17.159
<v Speaker 6>Presburg are big retrospective there, so I just missed that too,

903
00:49:17.440 --> 00:49:18.760
<v Speaker 6>So I got to time this better.

904
00:49:20.400 --> 00:49:22.039
<v Speaker 3>I think it's the BFI. They're about to do a

905
00:49:22.039 --> 00:49:25.599
<v Speaker 3>big Germmel del Toro retrospective showing I think everything he's

906
00:49:25.639 --> 00:49:27.480
<v Speaker 3>done and that that would be a blast to see.

907
00:49:27.519 --> 00:49:30.320
<v Speaker 3>I don't think I've only seen maybe one or two

908
00:49:30.320 --> 00:49:32.000
<v Speaker 3>on the big screen ever, so see all of them

909
00:49:32.039 --> 00:49:36.800
<v Speaker 3>would be crazy. I would love that, all right. So

910
00:49:37.239 --> 00:49:40.719
<v Speaker 3>tonight after announcements, we were talking about audio commentaries. Last

911
00:49:40.719 --> 00:49:42.079
<v Speaker 3>thing I wanted to bring up before we go into

912
00:49:42.079 --> 00:49:46.440
<v Speaker 3>the announcements writing. You have your first bit of writing

913
00:49:46.440 --> 00:49:48.719
<v Speaker 3>about to come out in one of these releases, tell

914
00:49:48.800 --> 00:49:49.320
<v Speaker 3>us about it.

915
00:49:49.440 --> 00:49:51.920
<v Speaker 6>I mean, I don't consider myself a writer, but when

916
00:49:52.280 --> 00:49:55.039
<v Speaker 6>I was working so I found out Arrow got Innerspace,

917
00:49:55.840 --> 00:49:58.320
<v Speaker 6>and I told them I want in I want to

918
00:49:58.320 --> 00:50:00.360
<v Speaker 6>do that one and one other title they have that

919
00:50:00.440 --> 00:50:04.840
<v Speaker 6>I requested to work on, which hopefully I do. I said,

920
00:50:04.880 --> 00:50:07.599
<v Speaker 6>it's my favorite Jodante film. It's one of my favorite

921
00:50:07.639 --> 00:50:12.599
<v Speaker 6>Ambulance films. And I believe Doug John Miller did the

922
00:50:12.639 --> 00:50:16.760
<v Speaker 6>new artwork I just wanted. Yep, Doug John Miller did

923
00:50:16.800 --> 00:50:18.559
<v Speaker 6>the new art which is on the wrap and the

924
00:50:18.599 --> 00:50:21.360
<v Speaker 6>booklet cover in the disc. I took care of the

925
00:50:21.360 --> 00:50:24.199
<v Speaker 6>rest and I'm doing the booklet. I have three pages

926
00:50:24.280 --> 00:50:28.119
<v Speaker 6>left over, and it's like, you know, I'm a fan.

927
00:50:28.360 --> 00:50:30.559
<v Speaker 6>I know this movie top to bottom. I've seen all

928
00:50:30.599 --> 00:50:34.880
<v Speaker 6>of Dante's stuff, so I just speculatively. Over a weekend,

929
00:50:35.000 --> 00:50:38.679
<v Speaker 6>wrote did a little write up on his stock company.

930
00:50:39.599 --> 00:50:42.159
<v Speaker 6>So you know, it's no deep insight. It's just a

931
00:50:42.199 --> 00:50:45.360
<v Speaker 6>series of nerdy lists. But I mean, I could have

932
00:50:45.400 --> 00:50:47.760
<v Speaker 6>done three pages just on Dick Miller, but I literally

933
00:50:47.760 --> 00:50:51.840
<v Speaker 6>only have the three pages. You know, So Dick Miller,

934
00:50:51.920 --> 00:50:55.519
<v Speaker 6>Robert Riccardo, you know, Kevin McCarthy, William Shaler, et cetera.

935
00:50:57.199 --> 00:51:00.000
<v Speaker 6>You know, I found some cool quotes on the inner

936
00:51:00.039 --> 00:51:02.440
<v Speaker 6>at archive. There's a book on the making of Invasion

937
00:51:02.440 --> 00:51:04.679
<v Speaker 6>of the Body Snatchers that I think Kevin McCarthy even

938
00:51:05.199 --> 00:51:10.000
<v Speaker 6>co wrote. It's mainly the original, but touches on the

939
00:51:10.000 --> 00:51:14.840
<v Speaker 6>Philip Kaufman version two. I found some tweets from old archive,

940
00:51:14.880 --> 00:51:16.840
<v Speaker 6>tweets from Joe Dante, you know, when some of these

941
00:51:16.880 --> 00:51:22.159
<v Speaker 6>actors had passed away, and he pay tribute. Piccardo did

942
00:51:22.199 --> 00:51:24.800
<v Speaker 6>an interview with the A. B Club, so I found

943
00:51:24.800 --> 00:51:27.320
<v Speaker 6>a couple quotes from there. Not as much on some

944
00:51:27.360 --> 00:51:31.079
<v Speaker 6>of the others, like Wendy Shawl or Archie Hahn, although

945
00:51:31.079 --> 00:51:33.599
<v Speaker 6>I did mention his. I had mentioned his role in

946
00:51:33.679 --> 00:51:37.760
<v Speaker 6>meat Balls two just because but no, I had fun

947
00:51:37.760 --> 00:51:40.400
<v Speaker 6>with it. I took the screenshots and when I emailed

948
00:51:40.400 --> 00:51:42.480
<v Speaker 6>them a pass of the booklet. I said, oh, by

949
00:51:42.519 --> 00:51:45.440
<v Speaker 6>the way, check this out. If you like it, great,

950
00:51:45.480 --> 00:51:47.440
<v Speaker 6>If not, no big deal, and they came back, you

951
00:51:47.480 --> 00:51:50.199
<v Speaker 6>know sure, yeah, we'll use it. So then I had

952
00:51:50.239 --> 00:51:52.440
<v Speaker 6>to change the blurb on the back so my name

953
00:51:52.480 --> 00:51:56.840
<v Speaker 6>would be in it. But I even got you know,

954
00:51:57.119 --> 00:51:59.960
<v Speaker 6>the Joe Dante's TV stuff, which I hope I got

955
00:52:00.199 --> 00:52:02.719
<v Speaker 6>it all right, like you know who you know, people

956
00:52:02.719 --> 00:52:06.679
<v Speaker 6>who were in Irie, Indiana or the episode Dick Miller

957
00:52:06.719 --> 00:52:08.760
<v Speaker 6>was in one of the two episodes of Police Squad

958
00:52:08.800 --> 00:52:09.840
<v Speaker 6>that Dante directed.

959
00:52:10.599 --> 00:52:12.280
<v Speaker 4>He directed one third of that show.

960
00:52:14.079 --> 00:52:16.599
<v Speaker 6>And you know, I'm a big Star Trek fan, so

961
00:52:16.679 --> 00:52:18.239
<v Speaker 6>I had to get in a Trek reference in there,

962
00:52:18.239 --> 00:52:22.519
<v Speaker 6>since Wendy shall Gets started a Voyager episode and had

963
00:52:22.519 --> 00:52:26.559
<v Speaker 6>scenes with the Cardo. So yeah, hopefully there's I know

964
00:52:26.559 --> 00:52:28.639
<v Speaker 6>there's one other movie that I'm I would love to

965
00:52:28.679 --> 00:52:29.760
<v Speaker 6>do something like this with.

966
00:52:29.960 --> 00:52:30.679
<v Speaker 4>I won't mention it.

967
00:52:30.719 --> 00:52:32.840
<v Speaker 6>I don't know if Arrow has it or not, but

968
00:52:33.599 --> 00:52:36.000
<v Speaker 6>an eighties action movie with a big cast of.

969
00:52:37.559 --> 00:52:39.800
<v Speaker 4>You know, hey, it's that guy names.

970
00:52:40.000 --> 00:52:41.519
<v Speaker 6>So I don't know if Arrow has it or not,

971
00:52:41.599 --> 00:52:43.360
<v Speaker 6>but if they do, and if I get to work

972
00:52:43.400 --> 00:52:45.440
<v Speaker 6>on it, I would love to do something like this again.

973
00:52:46.719 --> 00:52:49.840
<v Speaker 3>Well, I adore Interspace. When we first talked about the

974
00:52:49.840 --> 00:52:52.199
<v Speaker 3>announcement here, I gushed on it for a handful of minutes.

975
00:52:52.480 --> 00:52:55.599
<v Speaker 3>For those that have never seen it, pitched them the

976
00:52:55.599 --> 00:52:57.239
<v Speaker 3>film Interspace, why should they buy it?

977
00:52:59.000 --> 00:53:00.840
<v Speaker 6>I mean, I could pitch it the way Joe Dante

978
00:53:00.840 --> 00:53:05.199
<v Speaker 6>describes it, which is, it's fantastic. It's fantastic voyage crossed

979
00:53:05.199 --> 00:53:09.599
<v Speaker 6>with a Martin and Lewis comedy. But it's a Martin

980
00:53:09.719 --> 00:53:13.440
<v Speaker 6>Martin short. Or Dennis Quid's a test pilot. He gets miniaturized.

981
00:53:13.519 --> 00:53:17.079
<v Speaker 6>He's part of this experiment miniaturization. He gets miniaturized and

982
00:53:17.159 --> 00:53:18.519
<v Speaker 6>injected into Martin short.

983
00:53:19.239 --> 00:53:19.920
<v Speaker 7>Uh.

984
00:53:20.079 --> 00:53:23.679
<v Speaker 6>And they have to you know, beat the bad guys

985
00:53:23.719 --> 00:53:26.320
<v Speaker 6>and you know, re enlarged Dennis Quaid before he runs

986
00:53:26.360 --> 00:53:26.960
<v Speaker 6>out of air.

987
00:53:27.360 --> 00:53:28.559
<v Speaker 4>Meg Ryan's the love interest.

988
00:53:29.400 --> 00:53:29.800
<v Speaker 7>Uh.

989
00:53:29.920 --> 00:53:32.320
<v Speaker 4>You know you got the usual Joe Dante stock players

990
00:53:32.360 --> 00:53:32.840
<v Speaker 4>in it.

991
00:53:33.159 --> 00:53:36.880
<v Speaker 6>Oscar winning visual effects by Industrial Light and Magic, gorgeous,

992
00:53:37.119 --> 00:53:41.280
<v Speaker 6>a fun score by Jerry Goldsmith and Robert Riccardo. At

993
00:53:41.320 --> 00:53:45.000
<v Speaker 6>the Orlando Mega Con, he autographed my DVD. Years later

994
00:53:45.039 --> 00:53:49.400
<v Speaker 6>at Monster Palooza in Pasadena, he autographed my Blue Rays

995
00:53:49.440 --> 00:53:51.039
<v Speaker 6>and now I got to meet him one more time

996
00:53:51.079 --> 00:53:52.760
<v Speaker 6>so we could autograph the four K and this time

997
00:53:52.800 --> 00:53:57.719
<v Speaker 6>I can actually I worked on it. But yeah, it

998
00:53:57.800 --> 00:53:59.159
<v Speaker 6>was just one of those you know. It was also

999
00:53:59.199 --> 00:54:02.079
<v Speaker 6>one of those movies that was always on TV. Yeah,

1000
00:54:02.079 --> 00:54:04.360
<v Speaker 6>and you know, it was the last generation to kind

1001
00:54:04.360 --> 00:54:07.239
<v Speaker 6>of grow up late eighties, early nineties. If a cool

1002
00:54:07.280 --> 00:54:09.119
<v Speaker 6>movie was on TV, you watched it because it was

1003
00:54:09.159 --> 00:54:11.960
<v Speaker 6>on and there was nothing else to do. But no

1004
00:54:12.039 --> 00:54:15.679
<v Speaker 6>big fan and I had fun working on it, you know,

1005
00:54:15.719 --> 00:54:18.960
<v Speaker 6>a couple of cool you know. There's one poster that

1006
00:54:19.000 --> 00:54:20.760
<v Speaker 6>I used for the back of the booklet cover that

1007
00:54:20.760 --> 00:54:22.760
<v Speaker 6>I'd never actually seen before. I think it was for

1008
00:54:22.840 --> 00:54:27.199
<v Speaker 6>the home video release, you know, again and trying to

1009
00:54:27.800 --> 00:54:31.280
<v Speaker 6>you know, with fonts and you know, you know again

1010
00:54:31.360 --> 00:54:33.559
<v Speaker 6>trying to make everything of a piece, and you know,

1011
00:54:33.639 --> 00:54:36.440
<v Speaker 6>with the booklets, readability is the most important thing.

1012
00:54:36.599 --> 00:54:39.679
<v Speaker 4>Plus Arrow has their own sort of house style, but you.

1013
00:54:39.559 --> 00:54:42.360
<v Speaker 6>Know, throwing in some cool tech little patterns and things

1014
00:54:42.400 --> 00:54:44.440
<v Speaker 6>like that, just to just to have fun with it

1015
00:54:44.480 --> 00:54:46.639
<v Speaker 6>and give it some visual interest.

1016
00:54:47.920 --> 00:54:51.840
<v Speaker 3>Of course, I'm always happy to see that, especially in

1017
00:54:51.880 --> 00:54:55.239
<v Speaker 3>your stuff. Yeah, Interspace, check it out if you've never

1018
00:54:55.280 --> 00:54:58.400
<v Speaker 3>seen it. It is fantastic. It's one of those that

1019
00:54:59.400 --> 00:55:01.480
<v Speaker 3>I think it was. Adam in the chat said it's

1020
00:55:01.559 --> 00:55:04.440
<v Speaker 3>kind of like Peter Jackson's Frighteners, and that it's it's

1021
00:55:04.480 --> 00:55:06.840
<v Speaker 3>like one of their best, but overlooked in a way

1022
00:55:07.199 --> 00:55:10.559
<v Speaker 3>that shouldn't be. In Jackson's uber that not the film

1023
00:55:10.639 --> 00:55:14.480
<v Speaker 3>is not like the Frighteners, but in their ubra it

1024
00:55:14.599 --> 00:55:18.159
<v Speaker 3>is similarly overlooked, which it shouldn't be. Innerspace is fantastic,

1025
00:55:18.199 --> 00:55:22.360
<v Speaker 3>although it's difficult when you're Dante because he's got like, oops,

1026
00:55:22.360 --> 00:55:26.960
<v Speaker 3>all bangers in his resume, and when when you're comparing

1027
00:55:27.000 --> 00:55:31.119
<v Speaker 3>to the Burbs and Gremlins and Mattinee and everything else,

1028
00:55:31.159 --> 00:55:33.559
<v Speaker 3>it's very easy to say, oh, yeah, we watched all

1029
00:55:33.599 --> 00:55:35.519
<v Speaker 3>those in this other one that we just forget about

1030
00:55:35.519 --> 00:55:37.519
<v Speaker 3>that one but deserves a shot.

1031
00:55:38.039 --> 00:55:41.239
<v Speaker 4>Also, I think if you ask Dante he'd say, also

1032
00:55:41.400 --> 00:55:45.800
<v Speaker 4>a you know, genre hybrids are hard sci fi, yeah,

1033
00:55:45.960 --> 00:55:50.280
<v Speaker 4>or sci fi action comedy even And it's two hours,

1034
00:55:50.360 --> 00:55:52.320
<v Speaker 4>and I'm sure the studio would have preferred it maybe

1035
00:55:52.360 --> 00:55:54.440
<v Speaker 4>fifteen minutes less to get one more screening in.

1036
00:55:54.559 --> 00:55:57.079
<v Speaker 6>But yeah, I mean, I can't think of anything you

1037
00:55:57.079 --> 00:55:58.679
<v Speaker 6>could cut.

1038
00:55:59.519 --> 00:56:02.800
<v Speaker 3>No, it's worth the entire watch. It is great, super

1039
00:56:02.800 --> 00:56:06.559
<v Speaker 3>well done. I understand where Terry's coming from in the

1040
00:56:06.599 --> 00:56:10.199
<v Speaker 3>chat talking about Martin Short overacting. But just like Adam said,

1041
00:56:10.960 --> 00:56:12.760
<v Speaker 3>or just like Spooky said, that is kind of why

1042
00:56:12.760 --> 00:56:15.519
<v Speaker 3>you watch Martin Short. That's that's what he always does.

1043
00:56:15.639 --> 00:56:17.280
<v Speaker 3>So either way, he.

1044
00:56:17.960 --> 00:56:20.599
<v Speaker 6>Hadn't done I think he had done Three Amigos, and

1045
00:56:20.800 --> 00:56:23.840
<v Speaker 6>I don't think he'd really done much many movies actually

1046
00:56:23.880 --> 00:56:25.920
<v Speaker 6>before not much.

1047
00:56:26.000 --> 00:56:29.000
<v Speaker 3>No, that's true. God, yeah, I need to go look

1048
00:56:29.039 --> 00:56:31.199
<v Speaker 3>at his resume around that time. I'd love to learn

1049
00:56:31.199 --> 00:56:34.639
<v Speaker 3>more about that. All right, we're ready for announcements. Anything

1050
00:56:34.639 --> 00:56:36.639
<v Speaker 3>else that you want to hype up before we go

1051
00:56:36.719 --> 00:56:38.960
<v Speaker 3>into this, anything other than Interspace coming out the next

1052
00:56:39.000 --> 00:56:40.199
<v Speaker 3>month or two. That's already been.

1053
00:56:40.400 --> 00:56:43.440
<v Speaker 6>Working on a few titles for Arrow right now, and

1054
00:56:44.719 --> 00:56:46.280
<v Speaker 6>you know, a couple for you know, a few for

1055
00:56:46.320 --> 00:56:50.800
<v Speaker 6>fun City in various stages. But yeah, nothing else I

1056
00:56:50.800 --> 00:56:53.320
<v Speaker 6>can really talk about right now. But there will be more.

1057
00:56:54.760 --> 00:56:56.960
<v Speaker 3>There will be more. And speaking of more, let's talk

1058
00:56:57.000 --> 00:57:01.159
<v Speaker 3>about some animation as it comes through Warner Arc. So

1059
00:57:01.280 --> 00:57:06.880
<v Speaker 3>these are all a big batch of more archive titles

1060
00:57:06.880 --> 00:57:10.440
<v Speaker 3>that came out late last week. I do want. I

1061
00:57:10.480 --> 00:57:11.519
<v Speaker 3>know a lot of people are gonna be like, you

1062
00:57:11.559 --> 00:57:13.039
<v Speaker 3>don't need to apologize for this you were out of

1063
00:57:13.079 --> 00:57:16.159
<v Speaker 3>the country. I do want to apologize I was very

1064
00:57:16.199 --> 00:57:18.559
<v Speaker 3>late on many of these announcements. It was such a

1065
00:57:18.599 --> 00:57:23.039
<v Speaker 3>weird week. I literally right before the show just got

1066
00:57:23.039 --> 00:57:24.559
<v Speaker 3>caught up with what I had been waiting to be

1067
00:57:24.559 --> 00:57:26.480
<v Speaker 3>able to post. Over the last two weeks, every single

1068
00:57:26.519 --> 00:57:29.599
<v Speaker 3>day has been wild. You were talking about going over

1069
00:57:29.639 --> 00:57:32.519
<v Speaker 3>the international date line. I woke up early on Monday

1070
00:57:32.519 --> 00:57:35.920
<v Speaker 3>morning to fly out of Auckland, left on Monday afternoon

1071
00:57:36.039 --> 00:57:39.239
<v Speaker 3>out of Auckland, flew twelve hours to LA and when

1072
00:57:39.280 --> 00:57:42.559
<v Speaker 3>we landed in LA it was again Monday morning. And

1073
00:57:42.599 --> 00:57:45.039
<v Speaker 3>that sort of thing is so jarring in a weird

1074
00:57:45.079 --> 00:57:47.599
<v Speaker 3>way that you are just not prepared for. When we

1075
00:57:47.639 --> 00:57:50.719
<v Speaker 3>finally landed in Kansas City, it was technically only an

1076
00:57:50.800 --> 00:57:53.320
<v Speaker 3>hour on the clock after when we left Auckland, which,

1077
00:57:53.960 --> 00:57:56.960
<v Speaker 3>holy hell, what a weird life that is in that day.

1078
00:57:58.719 --> 00:58:00.440
<v Speaker 3>All right, So we got maynight. If we get a

1079
00:58:00.440 --> 00:58:03.119
<v Speaker 3>Blu Ray coming of Looney Tunes cartoons, this is the

1080
00:58:03.280 --> 00:58:06.119
<v Speaker 3>HBO Max series coming to Blu Ray. Now, this one's

1081
00:58:06.159 --> 00:58:09.039
<v Speaker 3>interesting because it had been discussed on this show last

1082
00:58:09.039 --> 00:58:11.360
<v Speaker 3>week or the week before. Is coming on DVD only,

1083
00:58:11.880 --> 00:58:14.960
<v Speaker 3>and it seems like the outcry of everybody wanting this

1084
00:58:15.079 --> 00:58:17.840
<v Speaker 3>got them to say, hold up, let's get the Archive

1085
00:58:17.880 --> 00:58:19.599
<v Speaker 3>to put this out on Blu Ray, which is always

1086
00:58:19.639 --> 00:58:22.760
<v Speaker 3>a win. This is going to be a six disc

1087
00:58:22.840 --> 00:58:26.360
<v Speaker 3>Blu Ray collection. They're going to have the sports shorts

1088
00:58:26.360 --> 00:58:28.840
<v Speaker 3>with it as well. You can check this out. Total

1089
00:58:28.920 --> 00:58:31.320
<v Speaker 3>runtime on this just over a thousand minutes, which is

1090
00:58:31.920 --> 00:58:34.119
<v Speaker 3>very worth it to me. I'm a big animation header

1091
00:58:34.159 --> 00:58:35.239
<v Speaker 3>und the animation Scott.

1092
00:58:36.559 --> 00:58:38.079
<v Speaker 4>I've always been a Looney Tunes fan.

1093
00:58:39.079 --> 00:58:41.039
<v Speaker 6>I haven't watched this, but I have been buying the

1094
00:58:41.280 --> 00:58:46.119
<v Speaker 6>collections and I've kind of lost count between you know.

1095
00:58:46.639 --> 00:58:48.559
<v Speaker 6>You know, I have the Golden Collections from DVD than

1096
00:58:48.599 --> 00:58:50.760
<v Speaker 6>with Blu Ray. They did a few Latinum collections, and

1097
00:58:50.760 --> 00:58:55.119
<v Speaker 6>they've done some DVD compilations over the years. But you know,

1098
00:58:55.159 --> 00:58:57.920
<v Speaker 6>some of the cartoons are new and some are old,

1099
00:58:58.000 --> 00:59:00.400
<v Speaker 6>and some have been remastered and some haven't. But you know,

1100
00:59:00.440 --> 00:59:04.039
<v Speaker 6>whatever the Archives releasing Looney Tunes wise, I'm more than

1101
00:59:04.159 --> 00:59:06.320
<v Speaker 6>likely going to pick up same.

1102
00:59:06.679 --> 00:59:10.960
<v Speaker 3>I will get this absolutely. Next up is seven Faces

1103
00:59:11.000 --> 00:59:13.320
<v Speaker 3>of Doctor Laud from nineteen sixty four. This is coming

1104
00:59:13.360 --> 00:59:16.480
<v Speaker 3>on May twenty sixth. This is a Tony Randall film.

1105
00:59:16.519 --> 00:59:18.519
<v Speaker 3>This will have a vintage featurette on here called King

1106
00:59:18.519 --> 00:59:20.920
<v Speaker 3>of the Duplicators, and then Tom and Jerry cartoon the

1107
00:59:20.960 --> 00:59:23.639
<v Speaker 3>Cat above and the Mouse below and the original trailer.

1108
00:59:24.400 --> 00:59:26.199
<v Speaker 3>Are you the classics like this?

1109
00:59:28.000 --> 00:59:29.519
<v Speaker 4>I've not seen this one.

1110
00:59:29.920 --> 00:59:33.400
<v Speaker 6>I know, I'm certainly aware, but actually most of the

1111
00:59:33.440 --> 00:59:35.880
<v Speaker 6>rest of the archive titles I think you're going to announce,

1112
00:59:36.400 --> 00:59:41.360
<v Speaker 6>I have not seen, unfortunately, but I'm always open, you know,

1113
00:59:41.440 --> 00:59:44.719
<v Speaker 6>so I'll yeah, you know, they'll get on my radar

1114
00:59:44.760 --> 00:59:45.280
<v Speaker 6>at some point.

1115
00:59:47.039 --> 00:59:50.519
<v Speaker 3>We've got a question from Explosive Action, what's going on

1116
00:59:50.599 --> 00:59:52.320
<v Speaker 3>losing track? What's different to this compared to the last

1117
00:59:52.320 --> 00:59:54.800
<v Speaker 3>couple of Warner Archive Looney Tunes Bugs Bunny, This is

1118
00:59:55.000 --> 00:59:57.239
<v Speaker 3>entirely different the one we just talked about. This is

1119
00:59:57.280 --> 01:00:01.719
<v Speaker 3>the HBO Max series that's very contemporary. It was being

1120
01:00:03.000 --> 01:00:05.119
<v Speaker 3>it was coming out between twenty twenty to twenty twenty four.

1121
01:00:05.159 --> 01:00:07.480
<v Speaker 3>It is not classic Looney Tunes, but it is done

1122
01:00:07.519 --> 01:00:09.880
<v Speaker 3>in the classic Looney Tunes style. I've never seen them,

1123
01:00:09.880 --> 01:00:12.599
<v Speaker 3>but I hear they're actually like shockingly faithful to the

1124
01:00:12.639 --> 01:00:15.679
<v Speaker 3>original style and the comedy and everything. So I need

1125
01:00:15.719 --> 01:00:19.320
<v Speaker 3>it for sure. Next up, one that I've heard about

1126
01:00:19.320 --> 01:00:20.920
<v Speaker 3>for a long time, never got a chance to see

1127
01:00:20.920 --> 01:00:23.760
<v Speaker 3>This has follow Me Quietly from nineteen forty nine, also

1128
01:00:23.760 --> 01:00:26.559
<v Speaker 3>coming on May twenty six from more Archive. This says,

1129
01:00:26.880 --> 01:00:29.760
<v Speaker 3>this is the film that, above all increased my knowledge

1130
01:00:29.800 --> 01:00:31.920
<v Speaker 3>of the trade. I learned how to organize a film.

1131
01:00:31.960 --> 01:00:35.119
<v Speaker 3>Director Richard Fleischer said about follow Me Quietly, the filmmaker

1132
01:00:35.199 --> 01:00:38.039
<v Speaker 3>learned well. His subsequent career included the film Noir Gem,

1133
01:00:38.079 --> 01:00:40.760
<v Speaker 3>The Narrow Margin, the family favorite Twenty Thousand Leagues Under

1134
01:00:40.760 --> 01:00:44.119
<v Speaker 3>the Sea, and the sci fi milestone Soilent Green. William

1135
01:00:44.159 --> 01:00:46.159
<v Speaker 3>Lund again stars as a cop on the trail of

1136
01:00:46.199 --> 01:00:49.559
<v Speaker 3>an elusive serial killer who strikes when darkness and rainfall.

1137
01:00:50.000 --> 01:00:52.559
<v Speaker 3>Anthony Man shares credit for the story, a take similar

1138
01:00:52.559 --> 01:00:55.360
<v Speaker 3>to his work uncredited on the previous years he walked

1139
01:00:55.360 --> 01:00:58.519
<v Speaker 3>by Night. This will have Crime does not pay shorts

1140
01:00:58.519 --> 01:01:01.679
<v Speaker 3>on this called Dark Shadows and the last installment plus

1141
01:01:01.800 --> 01:01:05.800
<v Speaker 3>the trailer feels a little noir ish? Are you into

1142
01:01:05.840 --> 01:01:06.400
<v Speaker 3>film noir?

1143
01:01:07.239 --> 01:01:11.519
<v Speaker 6>I do? I am. I don't know why I said

1144
01:01:11.559 --> 01:01:15.360
<v Speaker 6>I do. I am, But I have that weird problem

1145
01:01:15.400 --> 01:01:18.599
<v Speaker 6>where you know, and obviously some are better than others,

1146
01:01:18.639 --> 01:01:20.320
<v Speaker 6>but you know, some of these movies the plots are

1147
01:01:20.360 --> 01:01:23.599
<v Speaker 6>so labyrinth you know, you blank and all of a

1148
01:01:23.639 --> 01:01:25.519
<v Speaker 6>sudden it's wait, where are we again?

1149
01:01:25.599 --> 01:01:26.519
<v Speaker 4>And who's that guy?

1150
01:01:27.199 --> 01:01:27.440
<v Speaker 7>I love?

1151
01:01:27.440 --> 01:01:30.360
<v Speaker 6>There's trappings of it, you know, just the you know,

1152
01:01:30.559 --> 01:01:33.039
<v Speaker 6>the sort of archetype characters and the femme fatale and

1153
01:01:33.679 --> 01:01:37.360
<v Speaker 6>you know, the lighting and just that post war gloom

1154
01:01:37.360 --> 01:01:38.280
<v Speaker 6>and doom feeling.

1155
01:01:38.960 --> 01:01:40.800
<v Speaker 4>Yeah, you know, this is definitely something I would watch

1156
01:01:41.559 --> 01:01:42.639
<v Speaker 4>at some point.

1157
01:01:43.320 --> 01:01:45.559
<v Speaker 3>Yeah, this sounds great. I definitely need to see this one.

1158
01:01:46.360 --> 01:01:49.000
<v Speaker 3>Next up one that a lot of the people I

1159
01:01:49.039 --> 01:01:51.519
<v Speaker 3>know and trust on film seem to be very excited,

1160
01:01:51.559 --> 01:01:54.519
<v Speaker 3>So I am keen for this one. Nineteen sixty Nine's

1161
01:01:54.639 --> 01:01:58.000
<v Speaker 3>the Five Man Army. This says where the army leads.

1162
01:01:58.000 --> 01:02:01.480
<v Speaker 3>Action fans, especially spaghetti western fans, will want to follow.

1163
01:02:01.840 --> 01:02:03.719
<v Speaker 3>This has a brand new four case scan of the

1164
01:02:03.760 --> 01:02:07.360
<v Speaker 3>original camera negative. We've got no other extras on this,

1165
01:02:07.480 --> 01:02:10.559
<v Speaker 3>but the cast. The cast on this, Bud Spencer, Peter Graves,

1166
01:02:10.639 --> 01:02:14.719
<v Speaker 3>James Daily, Tetsuro Tamba, directed by Don Taylor. Are you

1167
01:02:14.760 --> 01:02:16.440
<v Speaker 3>into spaghetti westerns at all?

1168
01:02:17.119 --> 01:02:20.480
<v Speaker 6>Also a big gap in my hell of a lineup

1169
01:02:20.480 --> 01:02:22.760
<v Speaker 6>here for me, but no, also more of a gap

1170
01:02:22.760 --> 01:02:29.239
<v Speaker 6>in my you know, movie going thank you, unfortunately, But

1171
01:02:29.320 --> 01:02:34.400
<v Speaker 6>again I'm always open, and I think Don Taylor, Yeah

1172
01:02:34.440 --> 01:02:38.079
<v Speaker 6>he did. I think he did the second Omen film.

1173
01:02:38.159 --> 01:02:40.840
<v Speaker 6>He directed that, and I think he directed so one

1174
01:02:40.880 --> 01:02:44.159
<v Speaker 6>of the Planet of the Ape sequels. I just don't

1175
01:02:44.199 --> 01:02:44.920
<v Speaker 6>remember which one.

1176
01:02:45.599 --> 01:02:48.599
<v Speaker 3>Yeah, that sounds right. Yeah, definitely want to check this

1177
01:02:48.679 --> 01:02:50.760
<v Speaker 3>one out. I have been watching more and more spaghetti

1178
01:02:50.760 --> 01:02:53.719
<v Speaker 3>Western of the last few years, and yeah, sounds sounds

1179
01:02:53.760 --> 01:02:54.840
<v Speaker 3>really interesting.

1180
01:02:54.679 --> 01:02:57.599
<v Speaker 6>As a graphic designer. As a graphic designer, I do

1181
01:02:57.679 --> 01:03:01.280
<v Speaker 6>appreciate their continued commitment to using the artwork.

1182
01:03:01.360 --> 01:03:05.719
<v Speaker 3>The same, same, same, even on something like this, which

1183
01:03:05.800 --> 01:03:09.079
<v Speaker 3>is Monogram Mattine Volume three coming out that same day,

1184
01:03:09.119 --> 01:03:11.800
<v Speaker 3>May twenty sixth, and they've got two films here, both

1185
01:03:11.840 --> 01:03:15.679
<v Speaker 3>of them with the original posters shuffled onto this cover,

1186
01:03:15.719 --> 01:03:17.639
<v Speaker 3>which is really nice to keep them. So we've got

1187
01:03:17.719 --> 01:03:22.280
<v Speaker 3>Under Arizona Skies and Range Justice from nineteen forty six

1188
01:03:22.280 --> 01:03:25.079
<v Speaker 3>and nineteen forty nine, respectively. These are brand new four

1189
01:03:25.159 --> 01:03:27.719
<v Speaker 3>K scans of the best preservation elements on both of these.

1190
01:03:28.800 --> 01:03:31.599
<v Speaker 3>Both of these are an hour or just under an

1191
01:03:31.599 --> 01:03:34.280
<v Speaker 3>hour runtime, so that's why they're both on the same disc.

1192
01:03:34.880 --> 01:03:37.360
<v Speaker 3>No extras on these, but it's a double feature. I'm

1193
01:03:37.360 --> 01:03:39.039
<v Speaker 3>not much of a Western, guys. This is something that

1194
01:03:39.079 --> 01:03:40.480
<v Speaker 3>you would be immediate to.

1195
01:03:40.440 --> 01:03:41.639
<v Speaker 4>Pick up same.

1196
01:03:41.840 --> 01:03:44.480
<v Speaker 6>But you know what I'm so, I mean, I'm glad

1197
01:03:44.480 --> 01:03:48.800
<v Speaker 6>when anything is released like this. I'm happy that they're

1198
01:03:48.840 --> 01:03:52.079
<v Speaker 6>doing these, you know that they're clearly committing to, you know,

1199
01:03:52.239 --> 01:03:55.239
<v Speaker 6>volume three. Maybe we'll get volume four hopefully at some

1200
01:03:55.320 --> 01:03:55.960
<v Speaker 6>point too.

1201
01:03:56.639 --> 01:04:00.519
<v Speaker 3>If the sells more than fourteen copies maybe yeah. Next up,

1202
01:04:00.639 --> 01:04:03.960
<v Speaker 3>another big one, May twenty sixth. It's a Wise Child

1203
01:04:04.000 --> 01:04:07.679
<v Speaker 3>from nineteen thirty one with Mary and Davies this one,

1204
01:04:07.719 --> 01:04:10.280
<v Speaker 3>and Marian delivers one of her finest comedic performances in

1205
01:04:10.280 --> 01:04:13.760
<v Speaker 3>this smart early talkie farce that delights in mistaken impressions

1206
01:04:13.800 --> 01:04:18.039
<v Speaker 3>and social pretenses. When Joyce Stanton becomes the unsuspecting subject

1207
01:04:18.079 --> 01:04:21.599
<v Speaker 3>of scandal after being wrongfully assumed pregnant, she finds the

1208
01:04:21.639 --> 01:04:25.480
<v Speaker 3>gossip oddly useful, particularly as it helps her sidestep an

1209
01:04:25.519 --> 01:04:31.039
<v Speaker 3>unwonted marriage to a wealthy suitor. I absolutely need this one.

1210
01:04:31.679 --> 01:04:35.880
<v Speaker 3>Pre Code films are always at least interesting and quite

1211
01:04:35.880 --> 01:04:39.840
<v Speaker 3>often fantastic. This will have classic cartoons on here Bosco's

1212
01:04:39.840 --> 01:04:43.280
<v Speaker 3>Fox Hunt and Bosco's Soda Fountain, and then two NGM shorts,

1213
01:04:43.320 --> 01:04:47.719
<v Speaker 3>Crazy House and the Rounder. Any thoughts on pre Code films.

1214
01:04:48.119 --> 01:04:50.440
<v Speaker 6>I did watch? I don't have a ton of experience

1215
01:04:50.519 --> 01:04:54.079
<v Speaker 6>with them. But I'm a big I like Barbara Stanwick,

1216
01:04:54.159 --> 01:04:55.880
<v Speaker 6>and I know she did a bunch of pre code

1217
01:04:55.920 --> 01:04:59.360
<v Speaker 6>films and maybe it was the Criterion Channel or I

1218
01:04:59.360 --> 01:05:00.960
<v Speaker 6>don't know where I I have seen him at this point,

1219
01:05:00.960 --> 01:05:04.239
<v Speaker 6>but you know, I watched a bunch of hers, you know,

1220
01:05:04.280 --> 01:05:08.000
<v Speaker 6>from then, and you know, on one, you know, certainly

1221
01:05:08.039 --> 01:05:10.199
<v Speaker 6>tame compared to you know now, but at the same

1222
01:05:10.199 --> 01:05:11.559
<v Speaker 6>time you can kind of see where it might have

1223
01:05:11.639 --> 01:05:16.039
<v Speaker 6>bothered some people that there's one where she literally no

1224
01:05:16.079 --> 01:05:20.119
<v Speaker 6>I'm Philly blanking on the name. One where you know,

1225
01:05:20.159 --> 01:05:22.360
<v Speaker 6>she gets a job at a company and she literally,

1226
01:05:22.440 --> 01:05:24.000
<v Speaker 6>like you know, sleeps her. You know, the whole movie

1227
01:05:24.039 --> 01:05:27.239
<v Speaker 6>is about her sleeping away to the top, which you

1228
01:05:27.440 --> 01:05:29.360
<v Speaker 6>couldn't do, you know a few years later in a movie.

1229
01:05:29.440 --> 01:05:33.079
<v Speaker 3>Yeah. Yeah. I always love watching pre code movies and

1230
01:05:33.119 --> 01:05:36.320
<v Speaker 3>thinking about my grandparents and going they were scandalized by

1231
01:05:36.360 --> 01:05:40.800
<v Speaker 3>so much less than her in pre code films, all right.

1232
01:05:40.920 --> 01:05:44.679
<v Speaker 3>Next up Joan Crawford in Possessed, No, not that Possessed.

1233
01:05:44.719 --> 01:05:47.719
<v Speaker 3>This is nineteen thirty one's Possessed, also coming on May

1234
01:05:47.719 --> 01:05:50.719
<v Speaker 3>twenty sixth from More Archive. This is Joan Crawford and

1235
01:05:50.840 --> 01:05:53.159
<v Speaker 3>Clark Gable in this one. We got a four K

1236
01:05:53.239 --> 01:05:55.679
<v Speaker 3>scan of the original night rate negative. This will have

1237
01:05:55.800 --> 01:05:59.119
<v Speaker 3>the MGM Dogville comedy short Love Tales of Morocco, and

1238
01:05:59.159 --> 01:06:03.480
<v Speaker 3>a classic cartoon Bosco the dough Boy, which I'm just

1239
01:06:03.519 --> 01:06:05.440
<v Speaker 3>glad that they're putting shorts on these. I'm glad that

1240
01:06:05.440 --> 01:06:07.760
<v Speaker 3>we're getting all of this archived. It's Clark Gable and

1241
01:06:07.880 --> 01:06:10.159
<v Speaker 3>Joan Crawford, Like, I got to watch this at some point.

1242
01:06:10.199 --> 01:06:11.159
<v Speaker 3>This sounds fantastic.

1243
01:06:11.400 --> 01:06:13.800
<v Speaker 6>And my one of my old roommates in La Nora,

1244
01:06:14.400 --> 01:06:17.480
<v Speaker 6>who writes about classic film. She actually writes one of

1245
01:06:17.519 --> 01:06:20.280
<v Speaker 6>the essays and arrows I think in Vollow You three

1246
01:06:20.280 --> 01:06:23.199
<v Speaker 6>in the film war set. Huge fan of Betty Davis

1247
01:06:23.199 --> 01:06:25.440
<v Speaker 6>and Joan Crawford. You know, this is a woman in

1248
01:06:25.480 --> 01:06:31.079
<v Speaker 6>her twenties. She has tattoos of them, you know, magnets

1249
01:06:31.079 --> 01:06:34.400
<v Speaker 6>on the fridge. I think she said her favorite movie

1250
01:06:34.440 --> 01:06:36.920
<v Speaker 6>was humor Esque. So when one archive released that, I

1251
01:06:36.960 --> 01:06:39.000
<v Speaker 6>had to tager in the announcement you know you might

1252
01:06:39.039 --> 01:06:42.679
<v Speaker 6>want to buy this, So yeah, yeah, as long as

1253
01:06:43.239 --> 01:06:46.719
<v Speaker 6>you know, again there's always a new audience for movies

1254
01:06:46.760 --> 01:06:47.039
<v Speaker 6>like this.

1255
01:06:48.639 --> 01:06:52.320
<v Speaker 3>I agree. Yeah, And then maybe the biggest one of

1256
01:06:52.320 --> 01:06:54.239
<v Speaker 3>the month for a lot of people. As we get

1257
01:06:54.400 --> 01:06:56.760
<v Speaker 3>the Late Show from nineteen seventy seven with Ark Carney

1258
01:06:56.800 --> 01:07:00.480
<v Speaker 3>and Lily Tomlin. This is of course a big one

1259
01:07:00.519 --> 01:07:02.679
<v Speaker 3>because it is one that people have wanted on HD

1260
01:07:02.880 --> 01:07:05.920
<v Speaker 3>for quite some time. You've got Robert Benton also in

1261
01:07:05.960 --> 01:07:09.880
<v Speaker 3>this one. This is let's see, there was one more

1262
01:07:09.960 --> 01:07:12.320
<v Speaker 3>thing that I wanted to shout out four case gaining

1263
01:07:12.360 --> 01:07:15.159
<v Speaker 3>the original camera negative excerpt from Dinah from nineteen seventy

1264
01:07:15.199 --> 01:07:18.679
<v Speaker 3>seven Talk show with Lily Tomlin and Dinah Shore. Just

1265
01:07:19.039 --> 01:07:21.800
<v Speaker 3>absolutely great that this is coming out on HD finally,

1266
01:07:22.239 --> 01:07:24.599
<v Speaker 3>any Art Carney or Lily Tomlin.

1267
01:07:24.239 --> 01:07:28.159
<v Speaker 6>Thoughts, not really except I think I looked it up

1268
01:07:28.199 --> 01:07:30.719
<v Speaker 6>once and I'm pretty sure I think Lily Tomlin was

1269
01:07:30.760 --> 01:07:35.760
<v Speaker 6>the host of SNL the weekend I was born. I

1270
01:07:35.800 --> 01:07:37.840
<v Speaker 6>was born on a Sunday morning, and I think if

1271
01:07:37.840 --> 01:07:39.519
<v Speaker 6>she was hosting SNL the night before.

1272
01:07:40.519 --> 01:07:40.760
<v Speaker 7>Nice.

1273
01:07:41.199 --> 01:07:43.039
<v Speaker 4>But this reminds though. I think in the.

1274
01:07:43.079 --> 01:07:48.800
<v Speaker 6>Last month's announcement, one was Private Benjamin. And you know

1275
01:07:48.840 --> 01:07:51.800
<v Speaker 6>some of these titles, I'm shocked like they haven't either

1276
01:07:51.840 --> 01:07:55.400
<v Speaker 6>they got old archive releases on DVD or something like

1277
01:07:55.440 --> 01:07:58.400
<v Speaker 6>Private Benjamin probably got a DVD release In a snapper

1278
01:07:58.440 --> 01:08:04.239
<v Speaker 6>case twenty five years ago, and that's extra better treatment

1279
01:08:04.599 --> 01:08:08.559
<v Speaker 6>until now, you know so. But again I'm glad, you know,

1280
01:08:08.800 --> 01:08:11.320
<v Speaker 6>glad to see something like this out and available and

1281
01:08:11.400 --> 01:08:12.920
<v Speaker 6>with the original art and everything.

1282
01:08:13.639 --> 01:08:17.000
<v Speaker 3>Yeah, big deal. Definitely wanting this one. This looks fantastic.

1283
01:08:17.960 --> 01:08:20.840
<v Speaker 3>And then we got a big boy. We had heard

1284
01:08:20.880 --> 01:08:24.079
<v Speaker 3>that this was coming seven announced the titles. We've got

1285
01:08:24.119 --> 01:08:27.239
<v Speaker 3>a four K blu ray box set coming of Sinster

1286
01:08:27.439 --> 01:08:31.159
<v Speaker 3>Directs Hammer box Set. This is seven discs. In this

1287
01:08:31.199 --> 01:08:33.760
<v Speaker 3>box set, We've got the Horror of Frankenstein, Lust for

1288
01:08:33.800 --> 01:08:36.560
<v Speaker 3>a Vampire, and Fear in the Night. This is going

1289
01:08:36.600 --> 01:08:38.920
<v Speaker 3>to be three films on seven discs, with an all

1290
01:08:39.000 --> 01:08:43.239
<v Speaker 3>new three hundred and twelve page book and nineteen hours

1291
01:08:43.239 --> 01:08:46.119
<v Speaker 3>of special features before we go into some of the details.

1292
01:08:46.439 --> 01:08:48.199
<v Speaker 3>Any thoughts on these seven box sets? Do you pick

1293
01:08:48.279 --> 01:08:49.359
<v Speaker 3>up any of the box sets from them?

1294
01:08:50.119 --> 01:08:51.880
<v Speaker 4>No? I haven't, although I will say.

1295
01:08:53.560 --> 01:08:53.840
<v Speaker 7>I did.

1296
01:08:54.159 --> 01:08:56.760
<v Speaker 6>I worked on The Wild Geese for severin which I

1297
01:08:56.960 --> 01:09:00.560
<v Speaker 6>think our booklet I think is four pages longer. Not

1298
01:09:00.600 --> 01:09:04.520
<v Speaker 6>that it's a contest or anything, but no, I haven't.

1299
01:09:06.000 --> 01:09:13.000
<v Speaker 6>Definitely looks cool though, and yeah, just I know I'm

1300
01:09:13.039 --> 01:09:15.600
<v Speaker 6>kind of a bit a broken record here, but again,

1301
01:09:15.600 --> 01:09:17.640
<v Speaker 6>I'm just happy that any of these are out and

1302
01:09:17.880 --> 01:09:21.479
<v Speaker 6>with you know, awesome artwork and everything.

1303
01:09:22.399 --> 01:09:25.680
<v Speaker 3>Yeah, they kind of crushed this one. This is going

1304
01:09:25.720 --> 01:09:28.760
<v Speaker 3>to be shipping on or around June thirtieth, maybe slightly

1305
01:09:28.800 --> 01:09:31.960
<v Speaker 3>before if you order from their website. Some of the

1306
01:09:31.960 --> 01:09:35.079
<v Speaker 3>details on here though, get really deep on this. So

1307
01:09:35.359 --> 01:09:38.119
<v Speaker 3>the Horror of Frankenstein, We've got a commentary Sankster and

1308
01:09:38.199 --> 01:09:41.159
<v Speaker 3>Marcus Hearn. We got a commentary by Tim Lucas on

1309
01:09:41.199 --> 01:09:43.199
<v Speaker 3>the Blu Ray. We've got all of those things, and

1310
01:09:43.239 --> 01:09:47.079
<v Speaker 3>then an archival interview and then we continue on. We've

1311
01:09:47.119 --> 01:09:51.199
<v Speaker 3>got all kinds of other archival interviews, featurettes on literally

1312
01:09:51.279 --> 01:09:54.680
<v Speaker 3>every single film that is in this box set, Lots

1313
01:09:54.720 --> 01:09:57.000
<v Speaker 3>and lots of stuff. If you do have the UK

1314
01:09:57.199 --> 01:09:59.279
<v Speaker 3>releases of these films, a lot of these are the

1315
01:09:59.279 --> 01:10:02.319
<v Speaker 3>same supplement that are on those. But this is crazy.

1316
01:10:02.319 --> 01:10:04.520
<v Speaker 3>To get all three of these in one box set together.

1317
01:10:05.359 --> 01:10:09.560
<v Speaker 3>Looks like a just absolutely fantastic release. The seventh disc,

1318
01:10:09.640 --> 01:10:11.560
<v Speaker 3>by the way, it's three films, so you would think

1319
01:10:11.600 --> 01:10:13.119
<v Speaker 3>a four K and a Blu Ray for each film.

1320
01:10:13.119 --> 01:10:16.560
<v Speaker 3>Why is there's seven discs. The seventh one just even

1321
01:10:16.680 --> 01:10:20.840
<v Speaker 3>more bonus features. There is legacy documentaries, on here. There's

1322
01:10:20.920 --> 01:10:23.199
<v Speaker 3>a brand new documentary called Hammer and Beyond the Jimmy

1323
01:10:23.199 --> 01:10:26.680
<v Speaker 3>Sinkster Legacy from twenty twenty six by Marcus Hearn. There

1324
01:10:26.800 --> 01:10:32.119
<v Speaker 3>is just so much in here, interviews, visual essays, appreciations,

1325
01:10:32.800 --> 01:10:35.680
<v Speaker 3>introductions to the films, so much on here. This is

1326
01:10:36.359 --> 01:10:44.000
<v Speaker 3>an abundance of riches if you're a Hammer fan. Terry says,

1327
01:10:44.039 --> 01:10:45.359
<v Speaker 3>the artwork is a little bad.

1328
01:10:46.680 --> 01:10:48.359
<v Speaker 6>I'm just looking at the box and it looks like

1329
01:10:48.399 --> 01:10:50.520
<v Speaker 6>it's split in the middle where you take the top

1330
01:10:50.560 --> 01:10:53.479
<v Speaker 6>off and yep. Working on a few of those for arrow,

1331
01:10:54.359 --> 01:10:57.840
<v Speaker 6>you know, getting that to align properly is more often

1332
01:10:57.840 --> 01:11:00.640
<v Speaker 6>than not a pain, Especially with DIF printers. There's usually

1333
01:11:00.680 --> 01:11:03.479
<v Speaker 6>a one or two millimeter variant. So if you get

1334
01:11:03.479 --> 01:11:08.640
<v Speaker 6>one that line set great. If not, sorry, you know,

1335
01:11:08.680 --> 01:11:10.000
<v Speaker 6>we do the best we can with these.

1336
01:11:10.720 --> 01:11:13.640
<v Speaker 3>Yeah, I completely understand that that is a lot of

1337
01:11:13.640 --> 01:11:17.199
<v Speaker 3>work guaranteed to go with this, They are also releasing

1338
01:11:17.399 --> 01:11:19.840
<v Speaker 3>Children of the Wicker Man. This is coming on the

1339
01:11:19.840 --> 01:11:23.720
<v Speaker 3>same day. This is a twenty twenty four film. This

1340
01:11:23.760 --> 01:11:25.600
<v Speaker 3>is the first time it's been on disc anywhere in

1341
01:11:25.600 --> 01:11:28.800
<v Speaker 3>the world. And this is let's see with this seventy

1342
01:11:28.800 --> 01:11:31.399
<v Speaker 3>three directorial debut. Robin Hardy fought to kraft what would

1343
01:11:31.399 --> 01:11:33.760
<v Speaker 3>eventually be recognized as one of the greatest horror movies

1344
01:11:33.800 --> 01:11:36.479
<v Speaker 3>ever made. But for his loved ones, Hardy created a

1345
01:11:36.600 --> 01:11:39.800
<v Speaker 3>very different kind of nightmare. Now. Art historian Dominic Hardy

1346
01:11:39.800 --> 01:11:43.359
<v Speaker 3>and filmmaker Justin Hardy, half brothers and self described far

1347
01:11:43.479 --> 01:11:47.159
<v Speaker 3>flung spawn, explore their late father's complicated legacy and this

1348
01:11:47.239 --> 01:11:50.239
<v Speaker 3>incredibly brave and touching documentary that will take you on

1349
01:11:50.279 --> 01:11:53.439
<v Speaker 3>a journey unlike any you've been on before. This will

1350
01:11:53.439 --> 01:11:57.439
<v Speaker 3>have interviews with the filmmakers, It will have Q and

1351
01:11:57.439 --> 01:12:00.359
<v Speaker 3>A with a excuse me the filmmakers as well making

1352
01:12:00.399 --> 01:12:03.600
<v Speaker 3>a featurette and a trailer. I love The Wickerman or

1353
01:12:03.760 --> 01:12:04.800
<v Speaker 3>are you a Wickerman fan?

1354
01:12:05.359 --> 01:12:08.840
<v Speaker 6>It's been a while, that's for sure. Although this this

1355
01:12:08.920 --> 01:12:10.760
<v Speaker 6>is a documentary, it is.

1356
01:12:10.680 --> 01:12:12.600
<v Speaker 3>A documentary about the director of The Wickerman.

1357
01:12:12.880 --> 01:12:15.199
<v Speaker 6>But I always find it interesting when document you know,

1358
01:12:15.199 --> 01:12:19.279
<v Speaker 6>when documentaries have extras, because it's almost like documenting the

1359
01:12:19.319 --> 01:12:22.199
<v Speaker 6>documentary and there's like an extra level of meta sort

1360
01:12:22.199 --> 01:12:23.520
<v Speaker 6>of involved, you know.

1361
01:12:23.520 --> 01:12:26.319
<v Speaker 3>You know what I mean. Yeah, working on that myself

1362
01:12:26.399 --> 01:12:29.039
<v Speaker 3>right now. We uh not to go too far behind

1363
01:12:29.039 --> 01:12:31.119
<v Speaker 3>the scenes, but a lot of people were interested that

1364
01:12:31.399 --> 01:12:34.239
<v Speaker 3>Antenna's first title that we announced was a documentary, because

1365
01:12:34.239 --> 01:12:37.760
<v Speaker 3>a lot of physical media companies do not do any documentaries.

1366
01:12:38.359 --> 01:12:42.319
<v Speaker 3>I can flatly say right now we have signed many documentaries,

1367
01:12:42.439 --> 01:12:44.960
<v Speaker 3>at least four or five, and all of them will

1368
01:12:44.960 --> 01:12:48.199
<v Speaker 3>be getting physical releases. I think there's one that is

1369
01:12:48.279 --> 01:12:50.880
<v Speaker 3>up in the air, but they will each come with

1370
01:12:50.920 --> 01:12:54.359
<v Speaker 3>a wide, wide breadth of extras. I can guarantee that.

1371
01:12:54.439 --> 01:12:54.680
<v Speaker 7>Now.

1372
01:12:55.680 --> 01:12:58.920
<v Speaker 3>To round out the month for Severn, this is maybe

1373
01:12:59.000 --> 01:13:02.560
<v Speaker 3>my most exciting release of this entire slate. Here they

1374
01:13:02.880 --> 01:13:06.039
<v Speaker 3>partnered with Yellow Veil, who is now also a partner

1375
01:13:06.159 --> 01:13:08.760
<v Speaker 3>label of seven. Don't worry, they're still a partner label

1376
01:13:08.760 --> 01:13:11.840
<v Speaker 3>of OCN. Who knows why they had to go for

1377
01:13:11.880 --> 01:13:15.039
<v Speaker 3>Severn for this one. Maybe just to put out a

1378
01:13:15.079 --> 01:13:17.359
<v Speaker 3>box set because not a lot of partner labels get

1379
01:13:17.359 --> 01:13:19.720
<v Speaker 3>to do that. For OCN, Maybe they just have too

1380
01:13:19.720 --> 01:13:23.039
<v Speaker 3>many films. Maybe it was just a Severn co production. Well,

1381
01:13:23.119 --> 01:13:27.199
<v Speaker 3>we'll probably never find out, but they're putting out a

1382
01:13:27.239 --> 01:13:30.600
<v Speaker 3>box set of films for a filmmaker that I'm going

1383
01:13:30.640 --> 01:13:34.239
<v Speaker 3>to butcher the name here, and I apologize. Adam is

1384
01:13:34.279 --> 01:13:36.880
<v Speaker 3>already waiting for me to say the name. I believe

1385
01:13:36.920 --> 01:13:40.600
<v Speaker 3>it's Lucille Hadja lev I had it the first time,

1386
01:13:40.840 --> 01:13:46.520
<v Speaker 3>Hadja Halivovich. I believe that's pretty close. Hadja Halivovich, Hala Lovich.

1387
01:13:46.640 --> 01:13:50.359
<v Speaker 3>There it is Hadja Hadja Halilovich, is I believe the

1388
01:13:50.399 --> 01:13:52.479
<v Speaker 3>right way to say it. This is a four disc

1389
01:13:52.600 --> 01:13:55.319
<v Speaker 3>set with four hours of special features in a sixty

1390
01:13:55.359 --> 01:13:59.560
<v Speaker 3>page companion book. In this set we've got Innocence, Evolution,

1391
01:13:59.840 --> 01:14:03.439
<v Speaker 3>the Ice Tower, and Earwig. If you've been paying attention

1392
01:14:03.560 --> 01:14:07.880
<v Speaker 3>to releases overseas, you'll probably recognize Earwig that was released

1393
01:14:07.880 --> 01:14:10.279
<v Speaker 3>by the company Anti World so over in the UK.

1394
01:14:10.399 --> 01:14:13.880
<v Speaker 3>They are like a sister label of Indicator, and all

1395
01:14:13.920 --> 01:14:17.760
<v Speaker 3>of these are filled with extras. I think we've got

1396
01:14:17.800 --> 01:14:20.279
<v Speaker 3>one or two that are brand new releases in the

1397
01:14:20.319 --> 01:14:23.479
<v Speaker 3>North American side. So Innocence this is a North American

1398
01:14:23.520 --> 01:14:27.880
<v Speaker 3>Blu Ray premiere, sounds like a great film. The Evolution

1399
01:14:28.199 --> 01:14:30.840
<v Speaker 3>is not for the first time, but it's got some

1400
01:14:30.920 --> 01:14:33.119
<v Speaker 3>extras on there as well. Earwig is first time in

1401
01:14:33.159 --> 01:14:36.239
<v Speaker 3>North America, and that's got a bunch of extras, including

1402
01:14:36.279 --> 01:14:39.319
<v Speaker 3>short films on a few of these. And they've also

1403
01:14:39.479 --> 01:14:43.199
<v Speaker 3>got at the bottom there there it is the Ice Tower,

1404
01:14:43.720 --> 01:14:46.279
<v Speaker 3>a bunch of extras as well, Q and a's introduction.

1405
01:14:46.520 --> 01:14:50.319
<v Speaker 3>Everything this looks fantastic.

1406
01:14:51.000 --> 01:14:54.840
<v Speaker 6>And with artwork by my friend Beth Morris, who actually

1407
01:14:54.920 --> 01:14:57.479
<v Speaker 6>met when I was in the UK for six months.

1408
01:14:57.520 --> 01:15:00.239
<v Speaker 6>I spent a month in Cardiff and we met a

1409
01:15:00.239 --> 01:15:03.720
<v Speaker 6>couple times at the community space I was working out of,

1410
01:15:03.760 --> 01:15:05.279
<v Speaker 6>called the Chapter Art Center.

1411
01:15:05.760 --> 01:15:08.439
<v Speaker 4>And always fund to talk shop.

1412
01:15:08.520 --> 01:15:11.319
<v Speaker 6>And then he's certainly getting a ton of work too,

1413
01:15:11.479 --> 01:15:13.760
<v Speaker 6>so always happy to see that.

1414
01:15:14.359 --> 01:15:16.720
<v Speaker 3>Beth is incredible. We'll talk about her later tonight for

1415
01:15:16.800 --> 01:15:21.960
<v Speaker 3>something special for me. They have a bunch of so

1416
01:15:22.039 --> 01:15:24.760
<v Speaker 3>many bundles to choose from this month, almost too many,

1417
01:15:25.239 --> 01:15:27.159
<v Speaker 3>but let's talk about these real quick. So we've got

1418
01:15:27.239 --> 01:15:29.680
<v Speaker 3>the Wicker Basket, which has the Children of the Wickerman

1419
01:15:30.159 --> 01:15:32.159
<v Speaker 3>and then a book with it that is a two

1420
01:15:32.239 --> 01:15:35.159
<v Speaker 3>hundred and thirty two page hardcover book. That bundle forty

1421
01:15:35.199 --> 01:15:37.800
<v Speaker 3>one bucks to me, not a terrible price. You get

1422
01:15:37.840 --> 01:15:40.800
<v Speaker 3>a documentary, you get a pretty decent hardcover book. Forty

1423
01:15:40.840 --> 01:15:45.000
<v Speaker 3>bucks not too bad. Second bundle, they've got the Sinster

1424
01:15:45.159 --> 01:15:49.079
<v Speaker 3>Celebration Bundle. This thing gets you the Sangster box set.

1425
01:15:49.119 --> 01:15:53.199
<v Speaker 3>You've got a lust for a Vampire novelization nineteen seventy

1426
01:15:53.199 --> 01:15:56.279
<v Speaker 3>one reissue. You've got two seven Hall of Fame pins,

1427
01:15:56.279 --> 01:15:58.880
<v Speaker 3>one with Ralph Bates, one with Jimmy Sangster. You've got

1428
01:15:58.920 --> 01:16:01.680
<v Speaker 3>a ute Stends guard enamel pins. So you've got three pins,

1429
01:16:01.720 --> 01:16:04.359
<v Speaker 3>a book, and a box set, all in one hundred

1430
01:16:04.359 --> 01:16:09.479
<v Speaker 3>and sixty two bucks. Not terrible. Again, seven been pretty

1431
01:16:09.479 --> 01:16:13.199
<v Speaker 3>reasonable with their prices lately. Then you've got the Sangster

1432
01:16:13.439 --> 01:16:16.239
<v Speaker 3>Wicker Bundle. This gets you both of the children of

1433
01:16:16.239 --> 01:16:19.800
<v Speaker 3>the Wickerman items and all of the Sangster Directs Hammer

1434
01:16:19.920 --> 01:16:24.720
<v Speaker 3>items all together one n two hundred bucks. Not too

1435
01:16:24.840 --> 01:16:28.359
<v Speaker 3>too bad either. Or you can go all in on

1436
01:16:28.479 --> 01:16:34.159
<v Speaker 3>Sangster and the Hadja Hella Loovich box. This is pretty crazy.

1437
01:16:34.199 --> 01:16:35.800
<v Speaker 3>It will get you the box sets, it will get

1438
01:16:35.840 --> 01:16:37.399
<v Speaker 3>you the book, it will get you the three pins.

1439
01:16:37.479 --> 01:16:42.159
<v Speaker 3>All of that two hundred and twenty five dollars. Anything

1440
01:16:42.199 --> 01:16:44.840
<v Speaker 3>in these announcements from seven that you're like, Man, I

1441
01:16:44.880 --> 01:16:46.760
<v Speaker 3>am very keen on that one.

1442
01:16:48.640 --> 01:16:52.760
<v Speaker 4>Certainly some stuff I'd like to watch, but.

1443
01:16:55.560 --> 01:16:59.680
<v Speaker 6>Not at the moment understandable it again, you know, never

1444
01:16:59.720 --> 01:17:04.680
<v Speaker 6>saying and you know it's every move, you know, it's

1445
01:17:04.840 --> 01:17:06.520
<v Speaker 6>you know, it's like if you haven't seen it, it's new.

1446
01:17:06.359 --> 01:17:12.359
<v Speaker 3>For you, so exactly exactly. Next up, very interesting. I

1447
01:17:12.840 --> 01:17:16.520
<v Speaker 3>never expected to see this. June second, Universal and SDS

1448
01:17:16.560 --> 01:17:22.199
<v Speaker 3>Studio Distribution Services, they're releasing the Office super Fan extended episodes. Now,

1449
01:17:22.319 --> 01:17:25.279
<v Speaker 3>what is been a little bit confusing for people is

1450
01:17:25.359 --> 01:17:28.119
<v Speaker 3>this is the complete series of The Office. This is

1451
01:17:28.159 --> 01:17:31.760
<v Speaker 3>getting the extended episodes that were on Peacock. Every single

1452
01:17:31.760 --> 01:17:34.520
<v Speaker 3>episode in the series has been extended, and so you

1453
01:17:34.600 --> 01:17:38.159
<v Speaker 3>get all of those. It's more than twenty five extra

1454
01:17:38.319 --> 01:17:41.680
<v Speaker 3>hours compared to the original release of the complete series.

1455
01:17:42.039 --> 01:17:43.439
<v Speaker 3>Are you an Office fan?

1456
01:17:44.199 --> 01:17:46.399
<v Speaker 6>I haven't watched it since it aired, but yeah, I

1457
01:17:46.479 --> 01:17:50.439
<v Speaker 6>was a big Office fan, and I remember, you know,

1458
01:17:50.479 --> 01:17:53.600
<v Speaker 6>if you remember those first few episodes, you know, he

1459
01:17:53.640 --> 01:17:57.439
<v Speaker 6>played Michael a little differently, he had the hair slip back.

1460
01:17:57.479 --> 01:17:59.760
<v Speaker 6>But I was already a fan of the British version,

1461
01:18:00.279 --> 01:18:02.079
<v Speaker 6>and I remember there was a report on one of

1462
01:18:02.079 --> 01:18:06.159
<v Speaker 6>the geek websites about a test screening for this one,

1463
01:18:06.680 --> 01:18:08.960
<v Speaker 6>and apparently people thought it was too depressing. And when

1464
01:18:08.960 --> 01:18:11.760
<v Speaker 6>I read that, I thought they got it. It'll work.

1465
01:18:12.279 --> 01:18:14.319
<v Speaker 6>If people think it's people who don't know think it's

1466
01:18:14.319 --> 01:18:16.479
<v Speaker 6>too depressing, then they got it right.

1467
01:18:16.800 --> 01:18:18.560
<v Speaker 4>But I have not seen the extended ones.

1468
01:18:19.319 --> 01:18:22.199
<v Speaker 3>Though I've not seen any of them either. I hear

1469
01:18:22.279 --> 01:18:24.840
<v Speaker 3>they're very interesting. Just keep in mind you likely will

1470
01:18:24.880 --> 01:18:26.319
<v Speaker 3>not get all the extras that are on the old

1471
01:18:26.319 --> 01:18:30.159
<v Speaker 3>box set. Here, Stan is saying it looks prohibitively expensive.

1472
01:18:30.560 --> 01:18:32.600
<v Speaker 3>I gotta be honest, I'm kind of shocked this thing

1473
01:18:32.640 --> 01:18:34.960
<v Speaker 3>is on Amazon right now for less than seventy five bucks,

1474
01:18:35.560 --> 01:18:38.680
<v Speaker 3>and for a release day release of a complete series

1475
01:18:38.720 --> 01:18:42.880
<v Speaker 3>with twenty five extra hours of content. That seems pretty

1476
01:18:42.880 --> 01:18:45.560
<v Speaker 3>inexpensive for a studio release for me. I mean, it's

1477
01:18:45.560 --> 01:18:48.159
<v Speaker 3>still granted, it's twenty twenty six seventy five bucks, still

1478
01:18:48.199 --> 01:18:51.520
<v Speaker 3>a lot of money, but that seems fairly inexpensive compared

1479
01:18:51.520 --> 01:18:56.239
<v Speaker 3>to what I expected. All right, Next up, speaking of expensive,

1480
01:18:56.960 --> 01:19:01.439
<v Speaker 3>May twenty sixth, Lionsgate is releasing this Amazon exclusive Rambo

1481
01:19:01.680 --> 01:19:06.000
<v Speaker 3>four K collection. Now, this is going to be interesting.

1482
01:19:06.039 --> 01:19:08.840
<v Speaker 3>If you picked up the last big Rambo four K

1483
01:19:08.880 --> 01:19:11.840
<v Speaker 3>steel book set that had come out, and the reason

1484
01:19:11.880 --> 01:19:15.560
<v Speaker 3>here is because they fixed kind of everything that was

1485
01:19:15.600 --> 01:19:17.560
<v Speaker 3>wrong with that set. And if you're a big Rambo fan,

1486
01:19:17.640 --> 01:19:20.399
<v Speaker 3>which I am not, and you were anal about everything

1487
01:19:20.399 --> 01:19:22.079
<v Speaker 3>that was wrong about that set, you're going to be

1488
01:19:22.159 --> 01:19:24.399
<v Speaker 3>quite frustrated because that thing costs like one hundred and

1489
01:19:24.399 --> 01:19:27.239
<v Speaker 3>twenty five bucks. This thing is around one hundred. It's

1490
01:19:27.239 --> 01:19:29.439
<v Speaker 3>not the steel books and all that stuff, but they

1491
01:19:29.560 --> 01:19:31.520
<v Speaker 3>fixed so much so I'm gonna go through some of

1492
01:19:31.560 --> 01:19:34.560
<v Speaker 3>these that's brand new. There's a brand new bonus disc

1493
01:19:34.640 --> 01:19:37.800
<v Speaker 3>that's brand new on this. It's got reflections on First

1494
01:19:37.800 --> 01:19:41.439
<v Speaker 3>Blood with Ted Katchief storyboarding First Blood, the Art of Rambo,

1495
01:19:41.560 --> 01:19:49.159
<v Speaker 3>Rambo auction poster gallery. Then on the second disc, everything

1496
01:19:49.239 --> 01:19:51.439
<v Speaker 3>is the same on that. We're going to get into

1497
01:19:51.479 --> 01:19:53.760
<v Speaker 3>the actual audio fixes and stuff like that in just

1498
01:19:53.800 --> 01:19:57.039
<v Speaker 3>a minute, but it's got all of the Rambo films.

1499
01:19:57.800 --> 01:20:00.359
<v Speaker 3>I've heard everybody laugh about there only being three and

1500
01:20:00.840 --> 01:20:02.680
<v Speaker 3>four and depending on how many you love and all that.

1501
01:20:03.159 --> 01:20:07.439
<v Speaker 3>But this is where it gets super interesting because we've

1502
01:20:07.439 --> 01:20:11.239
<v Speaker 3>got the theatrical and Sylvester Sloan's extended edition on Last Blood.

1503
01:20:11.479 --> 01:20:15.680
<v Speaker 3>There's a brand new Dolby Atmost cut on Last Blood

1504
01:20:15.720 --> 01:20:18.039
<v Speaker 3>that was not in the original one. We've got Dolby

1505
01:20:18.039 --> 01:20:21.560
<v Speaker 3>Atmost on Rambo three. We've got Dolby Vision on all

1506
01:20:21.600 --> 01:20:24.079
<v Speaker 3>of these that was not on the previous releases. We've

1507
01:20:24.079 --> 01:20:26.359
<v Speaker 3>got like the original laser disc audio on a couple

1508
01:20:26.439 --> 01:20:31.039
<v Speaker 3>of these that are brand new, we've got let's see

1509
01:20:31.239 --> 01:20:33.960
<v Speaker 3>Dolby True HD five point one from the newly discovered

1510
01:20:33.960 --> 01:20:37.439
<v Speaker 3>seventy millimeters six track magnetic soundtrack on Rambow First Blood

1511
01:20:37.479 --> 01:20:40.960
<v Speaker 3>Part two, like lots of stuff that they went in

1512
01:20:41.039 --> 01:20:43.359
<v Speaker 3>and found after the first set was kind of botched,

1513
01:20:43.960 --> 01:20:46.520
<v Speaker 3>and this looks like it's gonna be pretty solid if

1514
01:20:46.520 --> 01:20:49.920
<v Speaker 3>you are a Rainbow fan. Are you a Rambow fan, sir?

1515
01:20:50.840 --> 01:20:55.920
<v Speaker 4>I not a hardcore fan. I love the first film.

1516
01:20:56.399 --> 01:20:59.119
<v Speaker 6>Yeah, but the first film, of course, is completely different

1517
01:20:59.159 --> 01:20:59.760
<v Speaker 6>from the rest.

1518
01:21:00.079 --> 01:21:03.119
<v Speaker 4>Enjoy two and three. I like the fourth one.

1519
01:21:03.119 --> 01:21:05.800
<v Speaker 6>I still haven't seen the last one, actually, the Last Blood,

1520
01:21:06.640 --> 01:21:09.560
<v Speaker 6>and I still can't believe. You know, Ted Kachef, who

1521
01:21:09.560 --> 01:21:12.520
<v Speaker 6>directed First Blood, also did we get at Bernie's. You know,

1522
01:21:12.640 --> 01:21:17.079
<v Speaker 6>that's versatility. But I saw this and it was like, yeah,

1523
01:21:17.159 --> 01:21:18.800
<v Speaker 6>I'm gonna have to pick it up. I've only ever

1524
01:21:18.800 --> 01:21:20.279
<v Speaker 6>owned the first one, and I think I got it

1525
01:21:20.279 --> 01:21:23.840
<v Speaker 6>at best Buy for eight bucks, so you know, I'll

1526
01:21:24.159 --> 01:21:25.560
<v Speaker 6>go with this. But I do have to give a

1527
01:21:25.560 --> 01:21:30.039
<v Speaker 6>shout out to the folks that at Trata the record label,

1528
01:21:30.920 --> 01:21:34.720
<v Speaker 6>they've released the complete remastered scores over the years for

1529
01:21:34.760 --> 01:21:38.520
<v Speaker 6>the first three films. In fact, First Blood just got

1530
01:21:38.520 --> 01:21:42.600
<v Speaker 6>a new release. But to you know, Fix's previous errors

1531
01:21:42.600 --> 01:21:46.760
<v Speaker 6>and yeah, things like that. And I believe their release

1532
01:21:46.800 --> 01:21:50.119
<v Speaker 6>of Rambow of Part two, which came out I think

1533
01:21:50.119 --> 01:21:55.439
<v Speaker 6>in twenty sixteen, there's an alternate entitle piece that Jerry

1534
01:21:55.439 --> 01:21:58.279
<v Speaker 6>Goldsmith did which I think they salvaged from a tape

1535
01:21:58.279 --> 01:22:02.560
<v Speaker 6>cassette or something, you know, so they're still discovering things

1536
01:22:02.560 --> 01:22:06.399
<v Speaker 6>from these movies. But yeah, I'm definitely gonna have to

1537
01:22:06.439 --> 01:22:07.079
<v Speaker 6>pick this up.

1538
01:22:08.479 --> 01:22:11.359
<v Speaker 3>This is This is gonna be tough because it has

1539
01:22:11.439 --> 01:22:13.600
<v Speaker 3>sold out multiple times already. So if you're keen on

1540
01:22:13.640 --> 01:22:15.760
<v Speaker 3>this one, you might want to get it sooner than

1541
01:22:15.800 --> 01:22:16.680
<v Speaker 3>later if you can.

1542
01:22:16.840 --> 01:22:22.039
<v Speaker 6>Even well, I learned that lesson. Funny enough, if it's

1543
01:22:22.079 --> 01:22:26.039
<v Speaker 6>something i'm thinking about, I just order it because I

1544
01:22:26.079 --> 01:22:28.760
<v Speaker 6>remember when I ordered the they've reprinted it. But when

1545
01:22:28.800 --> 01:22:32.000
<v Speaker 6>Sony did their Lawrence of Arabia steel book, it's the

1546
01:22:32.039 --> 01:22:35.319
<v Speaker 6>only time I had an Amazon order canceled, like they

1547
01:22:35.359 --> 01:22:36.600
<v Speaker 6>literally rain out where.

1548
01:22:36.479 --> 01:22:37.199
<v Speaker 4>They got to mine.

1549
01:22:37.239 --> 01:22:39.520
<v Speaker 6>I ended up ordering it from Target, of all places,

1550
01:22:40.439 --> 01:22:45.039
<v Speaker 6>you know, they had it, you know, again first world problems,

1551
01:22:45.079 --> 01:22:47.760
<v Speaker 6>but you know at the time it was like no

1552
01:22:48.079 --> 01:22:50.960
<v Speaker 6>but Target, who knew for.

1553
01:22:51.279 --> 01:22:54.359
<v Speaker 3>Those that weren't following that saga. Closely shortly after that

1554
01:22:54.399 --> 01:22:56.279
<v Speaker 3>thing sold out it was going for over two hundred

1555
01:22:56.279 --> 01:23:01.359
<v Speaker 3>dollars on eBay, which is just insanity, all right. Next up,

1556
01:23:01.600 --> 01:23:03.359
<v Speaker 3>June sixteenth, we get a four K blu ray and

1557
01:23:03.439 --> 01:23:08.039
<v Speaker 3>DVD coming of Boz Luhrman's epic Elvis Presley in Concert

1558
01:23:08.079 --> 01:23:11.439
<v Speaker 3>from last year. They also had part of the press release.

1559
01:23:11.800 --> 01:23:13.760
<v Speaker 3>This is the second time in the last year that

1560
01:23:13.880 --> 01:23:17.279
<v Speaker 3>a brand new studio film says a special edition steel

1561
01:23:17.319 --> 01:23:20.560
<v Speaker 3>book will also follow later this year. So if you

1562
01:23:20.600 --> 01:23:23.159
<v Speaker 3>want a special edition of this, that's not saying it'll

1563
01:23:23.159 --> 01:23:25.880
<v Speaker 3>have special features, but to me, that's what special edition

1564
01:23:25.920 --> 01:23:28.279
<v Speaker 3>would mean. Also, they're obviously doing a steel book, so

1565
01:23:28.279 --> 01:23:29.560
<v Speaker 3>if you're a stee book fan, you might want to

1566
01:23:29.560 --> 01:23:32.199
<v Speaker 3>wait on that. But there's nothing on this disc other

1567
01:23:32.279 --> 01:23:34.479
<v Speaker 3>than the film. If you're an Elvis person or a

1568
01:23:34.479 --> 01:23:37.199
<v Speaker 3>bos Lehman person, that might be enough, But if you

1569
01:23:37.319 --> 01:23:39.199
<v Speaker 3>really love it and you want extras, you might want

1570
01:23:39.199 --> 01:23:42.960
<v Speaker 3>to wait. All I know is that I've heard so

1571
01:23:43.039 --> 01:23:45.760
<v Speaker 3>many varied opinions on this sort of thing. A lot

1572
01:23:45.760 --> 01:23:47.479
<v Speaker 3>of people that love it, a lot of people that

1573
01:23:47.520 --> 01:23:51.720
<v Speaker 3>are pissed off because Boz Lherman kind of like shook

1574
01:23:51.760 --> 01:23:55.479
<v Speaker 3>things up, didn't credit even like the band members sort

1575
01:23:55.520 --> 01:23:59.079
<v Speaker 3>of made some of the performances be disjointed and not

1576
01:23:59.119 --> 01:24:03.399
<v Speaker 3>properly done. Are you an Elvis guy.

1577
01:24:03.560 --> 01:24:06.439
<v Speaker 6>I mean I am to the extent that everyone else is.

1578
01:24:06.760 --> 01:24:11.279
<v Speaker 6>I mean, I'm certainly no expert. I enjoy I went

1579
01:24:11.319 --> 01:24:14.479
<v Speaker 6>to the Neon Museum in Vegas where they have all

1580
01:24:14.479 --> 01:24:17.479
<v Speaker 6>the old signs. And I'm not a Vegas I'm not

1581
01:24:17.479 --> 01:24:20.199
<v Speaker 6>an expert on Vegas's history, but they were you know,

1582
01:24:20.239 --> 01:24:22.079
<v Speaker 6>some people there who were looking at it. It's like, oh,

1583
01:24:22.119 --> 01:24:25.840
<v Speaker 6>that's the marquee from where Elvis performed in nineteen you know,

1584
01:24:25.880 --> 01:24:30.439
<v Speaker 6>they were naming all that stuff. Yeah, they are definitely

1585
01:24:30.439 --> 01:24:32.199
<v Speaker 6>people who are bigger fans than I am.

1586
01:24:33.800 --> 01:24:36.640
<v Speaker 3>I get it. I'm not super high up on it either,

1587
01:24:36.800 --> 01:24:40.039
<v Speaker 3>but yeah, I'm very curious what a giant Elvis fan

1588
01:24:40.079 --> 01:24:43.720
<v Speaker 3>thinks of this thing, as you sure. Next up one

1589
01:24:43.920 --> 01:24:46.159
<v Speaker 3>that I loved from last year. May twelfth, we are

1590
01:24:46.199 --> 01:24:49.439
<v Speaker 3>finally getting news about a blu ray release from Lionsgate

1591
01:24:49.600 --> 01:24:52.159
<v Speaker 3>of Twinless from last year. Did you get see this one?

1592
01:24:52.399 --> 01:24:52.960
<v Speaker 4>No? I didn't.

1593
01:24:54.079 --> 01:24:56.520
<v Speaker 3>This is starring Dylan O'Brien and James Sweeney, The Gentleman

1594
01:24:56.560 --> 01:24:58.840
<v Speaker 3>on the Right. James Sweeney is also the director of

1595
01:24:58.840 --> 01:25:01.800
<v Speaker 3>the film I believe the right as well. This is

1596
01:25:01.840 --> 01:25:04.159
<v Speaker 3>a movie that I can't really say much about. You

1597
01:25:04.239 --> 01:25:07.640
<v Speaker 3>kinda shouldn't know anything about it, just going too a blind.

1598
01:25:07.680 --> 01:25:09.359
<v Speaker 3>I think it's up on Hulu right now. But this

1599
01:25:09.560 --> 01:25:12.119
<v Speaker 3>is one of the best films of the year and

1600
01:25:12.239 --> 01:25:15.680
<v Speaker 3>hardly anybody got to see it. Please give this a watch.

1601
01:25:15.880 --> 01:25:18.239
<v Speaker 3>I am very very much going to be picking this

1602
01:25:18.319 --> 01:25:23.000
<v Speaker 3>disc up. It's one of my favorites. Next one that

1603
01:25:23.079 --> 01:25:25.279
<v Speaker 3>I'm quite excited about as well. We got some details

1604
01:25:25.319 --> 01:25:26.680
<v Speaker 3>on this. We talked about this, I think about a

1605
01:25:26.680 --> 01:25:28.840
<v Speaker 3>month ago, but June twenty third, we are getting a

1606
01:25:28.880 --> 01:25:31.520
<v Speaker 3>Blu Raine DVD release here in the US from cult

1607
01:25:31.600 --> 01:25:35.279
<v Speaker 3>epics of Don't Play with Fire. Now, what is that movie?

1608
01:25:35.359 --> 01:25:37.520
<v Speaker 3>You probably know it more if you know this type

1609
01:25:37.520 --> 01:25:40.319
<v Speaker 3>of film as Dangerous Encounters of the first kind. This

1610
01:25:40.439 --> 01:25:44.680
<v Speaker 3>is from Troy Hart from nineteen eighty. Not sure why

1611
01:25:44.720 --> 01:25:46.640
<v Speaker 3>they went with the dopp Play with Fire title when

1612
01:25:46.680 --> 01:25:48.560
<v Speaker 3>so many people know the other title, but oh well,

1613
01:25:48.600 --> 01:25:51.399
<v Speaker 3>here we are. This is one that I'm dying to see.

1614
01:25:51.560 --> 01:25:56.039
<v Speaker 3>The trailer for this looks incredible. On the bonus extras,

1615
01:25:56.079 --> 01:25:59.920
<v Speaker 3>we've got the uncensored international version, brand new two K restoration.

1616
01:26:00.159 --> 01:26:03.399
<v Speaker 3>We've got an audio commentary by Frankie Belbo and branded strusnig.

1617
01:26:03.560 --> 01:26:05.600
<v Speaker 3>We got an interview with the actor Paul Cha, interview

1618
01:26:05.600 --> 01:26:08.239
<v Speaker 3>with the actor albert Ao, interview with the screenwriter Jato

1619
01:26:08.359 --> 01:26:11.680
<v Speaker 3>chuck On, interview with the assistant director O Sing Pui,

1620
01:26:12.000 --> 01:26:15.079
<v Speaker 3>and then the second disc has the banned Chinese version.

1621
01:26:15.600 --> 01:26:18.079
<v Speaker 3>There's an English dubbed version as well. The English dub

1622
01:26:18.159 --> 01:26:21.840
<v Speaker 3>is only an SD And then we've got the original

1623
01:26:21.880 --> 01:26:25.079
<v Speaker 3>trailer and you know, brand new subtitles and all that

1624
01:26:25.359 --> 01:26:30.119
<v Speaker 3>new art by Tony Stella, which how Great's Tony Stello there, Scott.

1625
01:26:30.760 --> 01:26:34.439
<v Speaker 4>He's great and I've.

1626
01:26:34.039 --> 01:26:38.199
<v Speaker 6>Worked with his art many times with the Arrow and ironically,

1627
01:26:38.800 --> 01:26:41.119
<v Speaker 6>I mean I was doing layout work for cult epics

1628
01:26:41.159 --> 01:26:43.560
<v Speaker 6>for a year or so. Yeah, but my last one

1629
01:26:43.560 --> 01:26:46.079
<v Speaker 6>was The Girl who Left Through Time with Sam Smith's art,

1630
01:26:46.119 --> 01:26:49.439
<v Speaker 6>so I did not work on this one. But you know,

1631
01:26:49.479 --> 01:26:52.840
<v Speaker 6>whoever gets Tony's art, you know, just treat it well,

1632
01:26:53.680 --> 01:26:55.600
<v Speaker 6>same with anyone's art, really, you know.

1633
01:26:56.840 --> 01:27:00.319
<v Speaker 3>Agreed, And yeah, I agree, Terry this one. Adiah Heart

1634
01:27:00.319 --> 01:27:04.560
<v Speaker 3>completely agreed and yeah, Gentry, this is dangerous encounters of

1635
01:27:04.600 --> 01:27:06.079
<v Speaker 3>the first kind. This is one that people have been

1636
01:27:06.079 --> 01:27:09.239
<v Speaker 3>talking about getting for a long time. So please look

1637
01:27:09.239 --> 01:27:14.439
<v Speaker 3>out for it. Next up, the remake of When a

1638
01:27:14.560 --> 01:27:16.840
<v Speaker 3>Stranger Calls from two thousand and six is getting a

1639
01:27:16.960 --> 01:27:19.680
<v Speaker 3>via Vision release on May twenty seventh on Blu Ray.

1640
01:27:20.359 --> 01:27:21.920
<v Speaker 3>This is one that you can pre order starting on

1641
01:27:21.920 --> 01:27:24.840
<v Speaker 3>April fifteenth. This is going to be an individually numbered

1642
01:27:25.000 --> 01:27:28.479
<v Speaker 3>three D lenticular herd case with six art cards. Bonus

1643
01:27:28.520 --> 01:27:30.960
<v Speaker 3>features on this are all archival, but we've got an

1644
01:27:30.960 --> 01:27:33.720
<v Speaker 3>audio commentary with the director, Simon West and Camilla Bell,

1645
01:27:34.039 --> 01:27:37.520
<v Speaker 3>audio commentary by Jake Wade Wall, some deleted scenes making

1646
01:27:37.560 --> 01:27:39.840
<v Speaker 3>of and that's about it, although I did want to

1647
01:27:39.880 --> 01:27:41.880
<v Speaker 3>point out I had lots of people comment that the

1648
01:27:42.000 --> 01:27:45.239
<v Speaker 3>aspect ratio here is wrong. I know that's a big

1649
01:27:45.239 --> 01:27:48.600
<v Speaker 3>thing for a lot of people, and as it should be. Obviously,

1650
01:27:48.680 --> 01:27:52.359
<v Speaker 3>you want it framed properly, but not sure. Via Vision

1651
01:27:52.399 --> 01:27:56.279
<v Speaker 3>Slash Imprint has misprinted that Wanter thrice before, so you

1652
01:27:56.399 --> 01:27:59.319
<v Speaker 3>might want to check out. If you like are a

1653
01:27:59.399 --> 01:28:01.359
<v Speaker 3>huge fan of the movie, you might want to wait

1654
01:28:01.359 --> 01:28:03.359
<v Speaker 3>for some reviews because this is not selling out day

1655
01:28:03.359 --> 01:28:09.399
<v Speaker 3>one guaranteed. Yep YEP. Via Vision seems to be making

1656
01:28:09.439 --> 01:28:11.680
<v Speaker 3>a thing at a releasing remakes of eighties horror movies

1657
01:28:11.720 --> 01:28:13.439
<v Speaker 3>and they sell well, mister a fat man, I mean

1658
01:28:13.520 --> 01:28:17.520
<v Speaker 3>they're gonna keep selling, all right, move in to our

1659
01:28:17.640 --> 01:28:21.760
<v Speaker 3>next one. Speaking of eighties horror movies, Imprint is re

1660
01:28:21.760 --> 01:28:25.520
<v Speaker 3>releasing life Force. They had the giant, bigger than a

1661
01:28:25.520 --> 01:28:28.119
<v Speaker 3>serial box sized Life Force that they'd put out previously.

1662
01:28:28.600 --> 01:28:30.960
<v Speaker 3>This is a pared down version of that release. It

1663
01:28:31.000 --> 01:28:33.359
<v Speaker 3>has the exact same four discs, all of the extras

1664
01:28:33.359 --> 01:28:35.359
<v Speaker 3>are the same. It's got a booklet with it in

1665
01:28:35.399 --> 01:28:38.840
<v Speaker 3>a hard box release. It doesn't have the posters, it

1666
01:28:38.880 --> 01:28:41.680
<v Speaker 3>doesn't have all of the other stuff that they had

1667
01:28:41.680 --> 01:28:43.159
<v Speaker 3>with it, Like I think they had the script in

1668
01:28:43.199 --> 01:28:46.199
<v Speaker 3>the first release. But this is gonna be significantly cheaper

1669
01:28:46.279 --> 01:28:48.279
<v Speaker 3>and it's still in print, and that's a good thing.

1670
01:28:48.680 --> 01:28:53.399
<v Speaker 3>Life Force rules obviously. This is like the fourth limited

1671
01:28:53.520 --> 01:28:55.920
<v Speaker 3>edition release of life Force, which is a little overkilled.

1672
01:28:55.960 --> 01:28:58.520
<v Speaker 3>Just keep in mind, territories are a thing. If you've

1673
01:28:58.520 --> 01:29:00.800
<v Speaker 3>never seen Life Force, is a best time to watch it.

1674
01:29:00.800 --> 01:29:02.720
<v Speaker 3>It's a great movie. You should watch it.

1675
01:29:04.680 --> 01:29:09.039
<v Speaker 6>I kind of still want the big box. Yeah, yeah,

1676
01:29:09.079 --> 01:29:15.119
<v Speaker 6>this movie is bonkers. I kind of love it. And

1677
01:29:15.159 --> 01:29:20.520
<v Speaker 6>what's funny, So this is so friend So a friend

1678
01:29:20.520 --> 01:29:22.319
<v Speaker 6>of mine and his family they went to the Caribbean

1679
01:29:22.800 --> 01:29:25.560
<v Speaker 6>and I just had to google it. In Saint Martin,

1680
01:29:27.079 --> 01:29:30.479
<v Speaker 6>Nick Malley, who did a lot of the makeup and creature.

1681
01:29:30.239 --> 01:29:31.119
<v Speaker 4>Effects for this.

1682
01:29:31.159 --> 01:29:32.960
<v Speaker 6>I think he's on one of the audio commentaries. He

1683
01:29:33.000 --> 01:29:36.760
<v Speaker 6>has a little museum with his collection, so if you're

1684
01:29:36.760 --> 01:29:39.520
<v Speaker 6>ever in the Caribbean, checkout. It's literally called the Yoda

1685
01:29:39.680 --> 01:29:43.199
<v Speaker 6>Guy Movie Experience because he worked on Empire. And my

1686
01:29:43.239 --> 01:29:45.800
<v Speaker 6>friend told me that, and it's like, I'm pretty sure

1687
01:29:45.800 --> 01:29:48.760
<v Speaker 6>there were several Yoda guys, but he's one of them.

1688
01:29:49.039 --> 01:29:51.439
<v Speaker 6>And he has a little shop with props and things

1689
01:29:51.439 --> 01:29:53.520
<v Speaker 6>on display. Just if you google it, you'll find the

1690
01:29:53.560 --> 01:29:55.760
<v Speaker 6>page on trip Advisor. You know, it looks pretty cool,

1691
01:29:57.000 --> 01:30:01.560
<v Speaker 6>but yeah, this movie's insane. And yeah, I know, and

1692
01:30:01.720 --> 01:30:04.159
<v Speaker 6>you know, I know Screen Factory they didn't I think

1693
01:30:04.199 --> 01:30:06.159
<v Speaker 6>only the theatrical cuts in four K, but all the

1694
01:30:06.199 --> 01:30:07.039
<v Speaker 6>other labels.

1695
01:30:07.399 --> 01:30:09.800
<v Speaker 4>And I asked Arrow about that, and I.

1696
01:30:09.760 --> 01:30:12.640
<v Speaker 6>Think it was like, yeah, that took a lot of

1697
01:30:12.640 --> 01:30:15.960
<v Speaker 6>work to get the the longer cut, you know, up

1698
01:30:16.000 --> 01:30:16.880
<v Speaker 6>the spec for four K.

1699
01:30:17.119 --> 01:30:18.199
<v Speaker 4>But glad they did it.

1700
01:30:18.880 --> 01:30:21.680
<v Speaker 3>Glad they did it, and now Imprint has it as well.

1701
01:30:22.239 --> 01:30:24.000
<v Speaker 3>I didn't want to shout out. Paul Berrman says the

1702
01:30:24.000 --> 01:30:26.600
<v Speaker 3>episode on Imprint cast about Life Forces up now. Glad

1703
01:30:26.600 --> 01:30:29.239
<v Speaker 3>to be a part of that. Howard s Berger is

1704
01:30:29.239 --> 01:30:32.119
<v Speaker 3>also on that episode, and it's a long one. They

1705
01:30:32.159 --> 01:30:34.399
<v Speaker 3>talk about the history of cannon films. Go give it

1706
01:30:34.439 --> 01:30:38.960
<v Speaker 3>a listen for sure. Stan in our chat says Life

1707
01:30:39.000 --> 01:30:41.720
<v Speaker 3>Forces very special to me. I don't want to spoil anything,

1708
01:30:41.760 --> 01:30:44.479
<v Speaker 3>but we'll talk about Life Force later this year. In

1709
01:30:44.479 --> 01:30:49.319
<v Speaker 3>regards to Stan, at some point, I believe let's carry on.

1710
01:30:50.760 --> 01:30:54.199
<v Speaker 3>This one's a little frustrating. May nineteenth, here in the

1711
01:30:54.279 --> 01:30:56.640
<v Speaker 3>US we are getting a BLU ray from Decal of

1712
01:30:56.760 --> 01:30:59.479
<v Speaker 3>Sarat from last year. Which did you happen to see

1713
01:30:59.520 --> 01:31:03.560
<v Speaker 3>Serat No? I have not. This is a very wild movie,

1714
01:31:03.640 --> 01:31:06.279
<v Speaker 3>kind of hard to explain. It's a very sound, heavy movie.

1715
01:31:06.399 --> 01:31:08.199
<v Speaker 3>But as you can see from the picture, they're only

1716
01:31:08.199 --> 01:31:10.600
<v Speaker 3>putting this out on a BDR. It's a made on

1717
01:31:10.640 --> 01:31:14.520
<v Speaker 3>demand burned disc. It's not gonna be up to par

1718
01:31:14.760 --> 01:31:16.960
<v Speaker 3>with the quality of what you're expecting. It's not gonna

1719
01:31:16.960 --> 01:31:18.680
<v Speaker 3>be a great disc. Decal's doing it so it was

1720
01:31:18.720 --> 01:31:20.880
<v Speaker 3>already not gonna be a great disc. But let's be honest.

1721
01:31:21.520 --> 01:31:24.000
<v Speaker 3>But the bigger thing here is this is being released

1722
01:31:24.039 --> 01:31:26.840
<v Speaker 3>on four K over in the UK and They're giving

1723
01:31:26.880 --> 01:31:31.000
<v Speaker 3>it as much attention as they can, and you're not

1724
01:31:31.079 --> 01:31:32.479
<v Speaker 3>going to get that here in the US. So if

1725
01:31:32.520 --> 01:31:34.800
<v Speaker 3>you want the best release of this, you can check

1726
01:31:34.840 --> 01:31:37.439
<v Speaker 3>that out from the UK. I believe that comes out soon.

1727
01:31:37.479 --> 01:31:39.319
<v Speaker 3>I've got it on pre order because I definitely wanted

1728
01:31:39.319 --> 01:31:42.159
<v Speaker 3>the best release of that one good movie. Recommend it.

1729
01:31:42.239 --> 01:31:44.920
<v Speaker 3>I know it's kind of a divisive film. It's a

1730
01:31:45.399 --> 01:31:47.960
<v Speaker 3>I won't say plotless, but you just kind of have

1731
01:31:48.000 --> 01:31:49.840
<v Speaker 3>to go. It's very much like a journey film. You

1732
01:31:50.159 --> 01:31:52.039
<v Speaker 3>got to go on the journey with this one, for sure.

1733
01:31:53.960 --> 01:31:58.399
<v Speaker 3>All right. Going to our next title, speaking of four K,

1734
01:31:58.560 --> 01:32:01.000
<v Speaker 3>this is a big deal. In fifth we are getting

1735
01:32:01.039 --> 01:32:03.239
<v Speaker 3>a four K and Blu ray dual format released from

1736
01:32:03.319 --> 01:32:08.800
<v Speaker 3>Disney of Alice in Wonderland from nineteen fifty one. This

1737
01:32:09.319 --> 01:32:13.119
<v Speaker 3>is a beautiful movie and it has never looked as

1738
01:32:13.119 --> 01:32:16.159
<v Speaker 3>good as this restoration is about to look. I've got

1739
01:32:16.279 --> 01:32:19.520
<v Speaker 3>linked in the original announcement post of this a restoration

1740
01:32:19.640 --> 01:32:23.239
<v Speaker 3>demonstration that's on YouTube. Open that up later and go

1741
01:32:23.279 --> 01:32:25.439
<v Speaker 3>give it a watch. The way that Disney shows what

1742
01:32:25.439 --> 01:32:28.039
<v Speaker 3>they've done to the animation for this movie, it is

1743
01:32:28.640 --> 01:32:31.479
<v Speaker 3>just striking what this is about to look like on

1744
01:32:31.520 --> 01:32:33.960
<v Speaker 3>four K cannot wait to be able to see this.

1745
01:32:35.479 --> 01:32:36.760
<v Speaker 3>I hope my kids can fall in love with it

1746
01:32:36.800 --> 01:32:39.279
<v Speaker 3>because it looks beautiful. I've always loved this movie. Are

1747
01:32:39.319 --> 01:32:41.600
<v Speaker 3>you a Disney animation or Alice in Wonderland fan?

1748
01:32:42.479 --> 01:32:44.680
<v Speaker 6>You know what, we were never a big Disney household

1749
01:32:44.680 --> 01:32:48.600
<v Speaker 6>growing up, to be honest, And it wasn't you know,

1750
01:32:48.640 --> 01:32:51.800
<v Speaker 6>it wasn't a political or religious or.

1751
01:32:51.720 --> 01:32:52.520
<v Speaker 4>Anything like that.

1752
01:32:52.560 --> 01:32:55.439
<v Speaker 6>We just ye know, it's more Warner Brothers than Disney.

1753
01:32:55.439 --> 01:32:57.800
<v Speaker 6>I didn't even see The Lion King, you know, like

1754
01:32:57.880 --> 01:33:01.640
<v Speaker 6>until I was in college, to be honest. But I mean,

1755
01:33:01.680 --> 01:33:06.199
<v Speaker 6>anytime Disney reaches into the catalog is cause for celebration.

1756
01:33:07.039 --> 01:33:09.560
<v Speaker 6>A great you know, I can go on about that,

1757
01:33:09.720 --> 01:33:14.359
<v Speaker 6>but well, you know, but but no, this looks beautiful.

1758
01:33:15.000 --> 01:33:19.119
<v Speaker 3>We can keep those thoughts locked up on the vault. Yeah,

1759
01:33:19.119 --> 01:33:21.720
<v Speaker 3>this looks great. The only thing I will say, I

1760
01:33:22.159 --> 01:33:25.000
<v Speaker 3>I don't know the best way to say that. Like,

1761
01:33:25.079 --> 01:33:27.399
<v Speaker 3>I don't hate the cover art that they're going with

1762
01:33:27.439 --> 01:33:30.359
<v Speaker 3>on these newer Disney four k's. I do just kind

1763
01:33:30.359 --> 01:33:33.039
<v Speaker 3>of wish we had the original poster art and this

1764
01:33:33.239 --> 01:33:36.840
<v Speaker 3>sort of abstract encapsulation of everything in the film. But

1765
01:33:37.319 --> 01:33:39.760
<v Speaker 3>this is going to be gorgeous. Again, go check out

1766
01:33:39.760 --> 01:33:43.279
<v Speaker 3>the restoration demonstration. At some point it looks just beautiful.

1767
01:33:45.159 --> 01:33:48.880
<v Speaker 3>Next up, man, this is pretty cool. So, speaking of antenna,

1768
01:33:49.680 --> 01:33:52.239
<v Speaker 3>we are putting on a screening at the Woodstock Film

1769
01:33:52.279 --> 01:33:55.600
<v Speaker 3>Festival on June twelfth. If you are anywhere near Kingston,

1770
01:33:55.640 --> 01:33:58.199
<v Speaker 3>New York, please go check this out. We are showing

1771
01:33:58.399 --> 01:34:02.920
<v Speaker 3>Ferris Buehler the four K Ressation to celebrate the fortieth

1772
01:34:02.960 --> 01:34:06.000
<v Speaker 3>anniversary of Faris Bueler's Day Off, and to make it special,

1773
01:34:06.039 --> 01:34:10.479
<v Speaker 3>we are showing the short documentary before this called Oh Yeah.

1774
01:34:10.560 --> 01:34:14.199
<v Speaker 3>This is about yellow and the very pop culture defining

1775
01:34:14.640 --> 01:34:18.119
<v Speaker 3>song Oh Yeah from Ferris Bueler's Day Off. It is

1776
01:34:18.119 --> 01:34:21.079
<v Speaker 3>by Nick Canfield and Nick will be live in person

1777
01:34:21.319 --> 01:34:23.880
<v Speaker 3>at this film festival to talk about it. There's gonna

1778
01:34:23.880 --> 01:34:27.840
<v Speaker 3>be an eighties dance party, costume contest, photo booth abe Frohman,

1779
01:34:27.920 --> 01:34:30.600
<v Speaker 3>the Sausage King will be there. Beyond all of that,

1780
01:34:30.640 --> 01:34:32.640
<v Speaker 3>we are going to be taking Ferris Bueler's Day Off

1781
01:34:32.800 --> 01:34:36.279
<v Speaker 3>and the short Oh Yeah across the country to quite

1782
01:34:36.319 --> 01:34:38.880
<v Speaker 3>a few theaters this June, so be on the lookout

1783
01:34:38.920 --> 01:34:41.399
<v Speaker 3>for more of these coming. I love that we got

1784
01:34:41.399 --> 01:34:48.439
<v Speaker 3>to work on this next up coming soon on Blu

1785
01:34:48.560 --> 01:34:50.800
<v Speaker 3>Ray in the US from Keno Is Till We Meet

1786
01:34:50.800 --> 01:34:54.199
<v Speaker 3>Again from nineteen forty four with Ray Milland and Barbara Britton,

1787
01:34:54.760 --> 01:34:57.479
<v Speaker 3>done by Frank PORZEGI never seen this, never heard of this?

1788
01:34:57.680 --> 01:34:59.119
<v Speaker 3>Is this your type of movie? There, Scott?

1789
01:35:00.159 --> 01:35:06.760
<v Speaker 6>Not really, but having seen him, you know, first time

1790
01:35:06.760 --> 01:35:10.239
<v Speaker 6>I watched dial m for Murder Rayma Land, It's like, Okay,

1791
01:35:10.319 --> 01:35:12.760
<v Speaker 6>I get to see more of this guy's movies. Yeah,

1792
01:35:12.760 --> 01:35:15.880
<v Speaker 6>and then The Big Clock, which he's also in, but yeah,

1793
01:35:15.880 --> 01:35:16.920
<v Speaker 6>I've not seen this one.

1794
01:35:18.720 --> 01:35:22.560
<v Speaker 3>And yeah, maybe more to your taste. They're doing a

1795
01:35:22.560 --> 01:35:25.960
<v Speaker 3>four K soon of Orgasmo from nineteen ninety seven. This

1796
01:35:26.119 --> 01:35:29.960
<v Speaker 3>is the Trey Parker and Matt Stone film. Any thoughts

1797
01:35:29.960 --> 01:35:31.720
<v Speaker 3>on Orgasmo not?

1798
01:35:31.960 --> 01:35:32.319
<v Speaker 7>You know what.

1799
01:35:32.439 --> 01:35:34.439
<v Speaker 6>I probably saw bits and pieces of it when it

1800
01:35:34.479 --> 01:35:40.199
<v Speaker 6>aired on like late on HBO one night in the nineties. Yeah,

1801
01:35:40.239 --> 01:35:43.039
<v Speaker 6>although I might be in the minority. Maybe Kino will

1802
01:35:43.039 --> 01:35:45.399
<v Speaker 6>do it. If there was ever a four K of

1803
01:35:45.439 --> 01:35:48.439
<v Speaker 6>basketball that I would pick up on day one.

1804
01:35:49.479 --> 01:35:51.600
<v Speaker 3>I have a feeling they're likely going to follow this

1805
01:35:51.760 --> 01:35:56.399
<v Speaker 3>up with basketball here soon. I remember liking Orgasmo quite

1806
01:35:56.399 --> 01:36:00.800
<v Speaker 3>a bit, it being very very nineties cheesy, very Matt

1807
01:36:00.840 --> 01:36:05.760
<v Speaker 3>Parker or sorry, Trey and Matt comedy if that's your

1808
01:36:05.760 --> 01:36:08.680
<v Speaker 3>sort of thing. But it also I mean it led

1809
01:36:08.680 --> 01:36:10.079
<v Speaker 3>to the Book of Mormon. It led to so many

1810
01:36:10.079 --> 01:36:13.800
<v Speaker 3>other things that we see nowadays. So yeah, very keen.

1811
01:36:13.920 --> 01:36:15.920
<v Speaker 3>I hope that they do this four K right, because

1812
01:36:15.960 --> 01:36:18.359
<v Speaker 3>Keino is very hit or miss, especially lately.

1813
01:36:20.079 --> 01:36:20.439
<v Speaker 5>All right.

1814
01:36:21.239 --> 01:36:24.239
<v Speaker 3>Next up, Jury from nineteen seventy three is coming to

1815
01:36:24.279 --> 01:36:27.600
<v Speaker 3>Blu Ray from Keno on June sixteenth. This is a

1816
01:36:27.600 --> 01:36:30.560
<v Speaker 3>new interview with Robbie Benson, who plays Jury in this film.

1817
01:36:30.960 --> 01:36:33.439
<v Speaker 3>We already talked about Westerns. Any thoughts on Robbie Benson

1818
01:36:33.520 --> 01:36:33.960
<v Speaker 3>or Jeurry?

1819
01:36:34.720 --> 01:36:36.359
<v Speaker 4>No, No, not really.

1820
01:36:37.239 --> 01:36:40.520
<v Speaker 3>Nice, same here except I clicked away. Let's go through

1821
01:36:40.560 --> 01:36:44.239
<v Speaker 3>a whole bunch of Kino things. We've got twenty twenty

1822
01:36:44.239 --> 01:36:48.079
<v Speaker 3>four Suburban Fury coming on DVD. This sounds incredible and

1823
01:36:48.119 --> 01:36:50.920
<v Speaker 3>it's only coming on DVD. This is coming on June ninth,

1824
01:36:50.960 --> 01:36:52.520
<v Speaker 3>by the way, So this says it is a gripping

1825
01:36:52.560 --> 01:36:55.199
<v Speaker 3>portrait of Sarah Jane Moore, a single mother from suburban

1826
01:36:55.239 --> 01:36:58.880
<v Speaker 3>San Francisco who in nineteen seventy five attempted to assassinate

1827
01:36:58.880 --> 01:37:02.319
<v Speaker 3>President Gerald four More than a historical retailing, the film

1828
01:37:02.359 --> 01:37:04.560
<v Speaker 3>is an intimate character study and a chilling mirror of

1829
01:37:04.600 --> 01:37:08.479
<v Speaker 3>America's ideological divide. Yeah, this sounds great. I kind of

1830
01:37:08.520 --> 01:37:10.399
<v Speaker 3>feel like I need to see this. I really wish

1831
01:37:10.399 --> 01:37:11.439
<v Speaker 3>it wasn't DVD only.

1832
01:37:12.039 --> 01:37:13.439
<v Speaker 4>I would totally watch this.

1833
01:37:13.439 --> 01:37:15.119
<v Speaker 6>This is something that would probably you know, in a

1834
01:37:15.119 --> 01:37:19.479
<v Speaker 6>few months, might be streaming on Canopy. But I also

1835
01:37:19.520 --> 01:37:23.800
<v Speaker 6>recognized the great Midnight Marauders post artwork being used as well,

1836
01:37:25.399 --> 01:37:27.680
<v Speaker 6>which's great, absine, I would watch this.

1837
01:37:29.319 --> 01:37:32.199
<v Speaker 3>Next up is twenty twenty six is film Fantasy Life,

1838
01:37:32.199 --> 01:37:35.039
<v Speaker 3>getting a DVD only released from Keno on June ninth

1839
01:37:35.039 --> 01:37:38.159
<v Speaker 3>as well, This one with Amanda Pete and it's got

1840
01:37:38.239 --> 01:37:41.239
<v Speaker 3>Judd Hirsh and Bob Balaban in this one. Matthew Shear

1841
01:37:41.319 --> 01:37:43.560
<v Speaker 3>is the other star. I'm sure this is not one

1842
01:37:43.560 --> 01:37:45.680
<v Speaker 3>that you've had a chance to see already this year.

1843
01:37:47.079 --> 01:37:53.520
<v Speaker 6>No, I no, I haven't, but I actually did. This

1844
01:37:53.560 --> 01:37:56.439
<v Speaker 6>is literally coming back to me right now. I don't

1845
01:37:56.479 --> 01:37:58.600
<v Speaker 6>even know if they're being used. I actually worked on

1846
01:37:58.680 --> 01:38:03.960
<v Speaker 6>streaming thumbnails for this movie a year ago, you know, nice,

1847
01:38:04.079 --> 01:38:05.600
<v Speaker 6>and I have no idea if they're being used or not.

1848
01:38:05.640 --> 01:38:08.560
<v Speaker 6>But I'm looking at this still like I've seen this before.

1849
01:38:11.680 --> 01:38:15.000
<v Speaker 3>Yeah, I first off a little side thing. I know

1850
01:38:15.039 --> 01:38:17.159
<v Speaker 3>we talked about like the paradox of the crossing the

1851
01:38:17.199 --> 01:38:20.960
<v Speaker 3>international dateline earlier. It is really weird being contributors and

1852
01:38:21.800 --> 01:38:24.680
<v Speaker 3>working on all these releases and trying to keep track

1853
01:38:24.680 --> 01:38:26.680
<v Speaker 3>of the timeline of when did I work on something

1854
01:38:26.720 --> 01:38:29.359
<v Speaker 3>for this it got announced, when is it coming out?

1855
01:38:29.399 --> 01:38:30.840
<v Speaker 3>Why don't I have it in my hands yet? And

1856
01:38:30.880 --> 01:38:32.880
<v Speaker 3>then you realize I worked on this thing two and

1857
01:38:32.880 --> 01:38:34.840
<v Speaker 3>a half years ago, still hasn't been announced. That's why

1858
01:38:34.840 --> 01:38:37.079
<v Speaker 3>I don't have it yet or something. It's always crazy

1859
01:38:37.119 --> 01:38:43.479
<v Speaker 3>when that happens. All right, go ahead, Scott, Oh.

1860
01:38:43.359 --> 01:38:47.199
<v Speaker 6>No, I was just gonna say, you know, I literally

1861
01:38:47.199 --> 01:38:50.640
<v Speaker 6>still have it all on my external hard drive and yeah,

1862
01:38:50.800 --> 01:38:53.800
<v Speaker 6>whatever the thumbnails I did aren't that, but you know,

1863
01:38:54.199 --> 01:38:56.560
<v Speaker 6>different context and have to be designed differently.

1864
01:38:56.920 --> 01:39:00.800
<v Speaker 3>Yeah, of course. June thirtieth, we're getting a DVD only

1865
01:39:00.840 --> 01:39:04.039
<v Speaker 3>from Keno of Amram from twenty twenty five as well.

1866
01:39:04.119 --> 01:39:07.159
<v Speaker 3>It's a Spring of nineteen forty five film, which means,

1867
01:39:07.159 --> 01:39:10.640
<v Speaker 3>you know, it's got to be about Germany, so yeah,

1868
01:39:10.800 --> 01:39:12.600
<v Speaker 3>check that out if you're into it. There's a trailer

1869
01:39:12.680 --> 01:39:17.520
<v Speaker 3>on the disc as well. Next up is Yes, also

1870
01:39:17.600 --> 01:39:21.640
<v Speaker 3>getting a DVD only release from June ninth. This is

1871
01:39:21.760 --> 01:39:25.319
<v Speaker 3>a one of international cinema's most fearless and provocative filmmakers.

1872
01:39:25.319 --> 01:39:29.720
<v Speaker 3>Supposedly that's Nadav Lapid. Never heard of him, so if

1873
01:39:29.720 --> 01:39:32.000
<v Speaker 3>he's one of the most fearless and provocative, he probably

1874
01:39:32.000 --> 01:39:35.000
<v Speaker 3>needs better marketing. Check out Yes on TVD on June

1875
01:39:35.039 --> 01:39:39.199
<v Speaker 3>ninth if you're into that from Keno. Next up last

1876
01:39:39.279 --> 01:39:41.920
<v Speaker 3>year's Kiss of the Spider Woman. Are you Are you

1877
01:39:42.159 --> 01:39:44.039
<v Speaker 3>into musicals?

1878
01:39:45.039 --> 01:39:45.439
<v Speaker 5>I can be.

1879
01:39:45.600 --> 01:39:48.920
<v Speaker 6>I'm against them, you know, I mean, I'll watch them,

1880
01:39:48.960 --> 01:39:52.439
<v Speaker 6>but I don't you know, I don't automatically seek them out,

1881
01:39:52.439 --> 01:39:53.560
<v Speaker 6>but I don't avoid them either.

1882
01:39:54.760 --> 01:39:57.239
<v Speaker 3>Yeah. I saw this one last year. This is coming

1883
01:39:57.239 --> 01:40:00.199
<v Speaker 3>on June thirtieth on four K from Keno. This was

1884
01:40:00.239 --> 01:40:01.880
<v Speaker 3>kind of a shock that they announced this one. Did

1885
01:40:01.920 --> 01:40:04.920
<v Speaker 3>not expect it. This will have Dolby Vision and it

1886
01:40:04.960 --> 01:40:07.680
<v Speaker 3>will have Dolby Atmos audio. We'll have a commentary by

1887
01:40:07.680 --> 01:40:10.880
<v Speaker 3>Bill Condon, the director. Deleted scene and a teaser and trailer.

1888
01:40:11.239 --> 01:40:14.159
<v Speaker 3>Fairly good movie. I thought it was really well acted,

1889
01:40:14.319 --> 01:40:18.359
<v Speaker 3>especially by Diego Luna and Tona Tuya who's also in this.

1890
01:40:19.960 --> 01:40:23.760
<v Speaker 3>Jennifer Lopez taking a leaver not big for me, but

1891
01:40:24.039 --> 01:40:25.800
<v Speaker 3>it was a fairly decent movie. I still have not

1892
01:40:25.840 --> 01:40:27.760
<v Speaker 3>seen the original, so I can't really speak much on

1893
01:40:27.800 --> 01:40:33.279
<v Speaker 3>that next up one that I am dying to see.

1894
01:40:33.319 --> 01:40:37.319
<v Speaker 3>In HD June twenty third, we're getting number fifty, number

1895
01:40:37.399 --> 01:40:40.479
<v Speaker 3>fifty and the Keno cult line already, and that's Hell's Highway,

1896
01:40:40.520 --> 01:40:44.640
<v Speaker 3>The True Story of Highway Safety Films. I cannot wait

1897
01:40:44.680 --> 01:40:46.640
<v Speaker 3>because I feel like this is right up your alley, Scott,

1898
01:40:46.680 --> 01:40:47.880
<v Speaker 3>is this something you're interested in?

1899
01:40:48.359 --> 01:40:48.479
<v Speaker 4>This?

1900
01:40:48.640 --> 01:40:51.960
<v Speaker 6>I would totally I think I just saw this yesterday,

1901
01:40:52.239 --> 01:40:54.279
<v Speaker 6>but yeah, this is definitely something I would check out too.

1902
01:40:56.680 --> 01:40:59.640
<v Speaker 3>So this has the two thousand and three documentary Hell's

1903
01:40:59.680 --> 01:41:01.960
<v Speaker 3>Highway The True Story of Highway Safety Films. But for

1904
01:41:02.039 --> 01:41:04.560
<v Speaker 3>a lot of people, the reason to get this is

1905
01:41:04.880 --> 01:41:10.319
<v Speaker 3>to a company that they also have three three different

1906
01:41:10.399 --> 01:41:13.319
<v Speaker 3>drivers ed films here that have all been restored. They've

1907
01:41:13.319 --> 01:41:16.880
<v Speaker 3>got mechanized death, wheels of tragedy and highways of agony.

1908
01:41:17.960 --> 01:41:20.560
<v Speaker 3>Love that they're doing this the documentary as a commentary

1909
01:41:20.600 --> 01:41:23.159
<v Speaker 3>with writer director Brett Wood. We've got the complete two

1910
01:41:23.199 --> 01:41:27.000
<v Speaker 3>thousand and three pre restoration version, trailers, deleted scenes, lots

1911
01:41:27.039 --> 01:41:30.960
<v Speaker 3>of stuff here. I love that somebody other than AGFA

1912
01:41:31.159 --> 01:41:33.600
<v Speaker 3>is putting time and energy into stuff like this, and

1913
01:41:33.680 --> 01:41:39.920
<v Speaker 3>I've only ever heard complete like adoration for the people

1914
01:41:39.960 --> 01:41:40.760
<v Speaker 3>that love these.

1915
01:41:40.600 --> 01:41:44.880
<v Speaker 6>Things on The Simpsons when Phil Hartman played Troy McClure

1916
01:41:44.960 --> 01:41:48.159
<v Speaker 6>in one of his appearances, was you might remember me

1917
01:41:48.199 --> 01:41:52.600
<v Speaker 6>from such educational videos as Alice's Adventures through the Windshield Glass.

1918
01:41:52.880 --> 01:41:55.119
<v Speaker 4>Yep, that was one of them.

1919
01:41:55.640 --> 01:41:58.720
<v Speaker 3>Absolutely perfect. Yeah, cannot wait to get this. This sounds

1920
01:41:59.000 --> 01:42:02.119
<v Speaker 3>very exciting. Glad it's coming out June twenty third Blu

1921
01:42:02.239 --> 01:42:05.600
<v Speaker 3>Ray and then the next one June thirtieth. We are

1922
01:42:05.600 --> 01:42:08.359
<v Speaker 3>getting number fifty one in the Keno cult line. And

1923
01:42:08.439 --> 01:42:14.039
<v Speaker 3>this is nineteen eighty nine's Matinee. No, not Joe Dante's Mattinee.

1924
01:42:14.079 --> 01:42:17.000
<v Speaker 3>This one is very interesting. I don't believe this has

1925
01:42:17.039 --> 01:42:20.239
<v Speaker 3>had any release in the US, let alone HD or

1926
01:42:20.279 --> 01:42:22.960
<v Speaker 3>anything like that. This is a nineteen eighty nine meta

1927
01:42:23.000 --> 01:42:25.560
<v Speaker 3>slasher on the tradition of Fade to Black and popcorn.

1928
01:42:25.840 --> 01:42:28.600
<v Speaker 3>Mattinee opens with a savage stabbing at a small town cinema,

1929
01:42:28.640 --> 01:42:31.359
<v Speaker 3>forcing its closure. After two years, the case has gone

1930
01:42:31.399 --> 01:42:34.119
<v Speaker 3>cold and the Paramount Theater is allowed to reopen, but

1931
01:42:34.159 --> 01:42:36.640
<v Speaker 3>as the lights go down, tensions rise and the Houston

1932
01:42:36.760 --> 01:42:40.520
<v Speaker 3>Horror Film Festival once again becomes a deranged Killers cinematic

1933
01:42:40.720 --> 01:42:44.000
<v Speaker 3>stocking ground. Let's have an audio commentary by Jason Bachonsky

1934
01:42:44.039 --> 01:42:47.920
<v Speaker 3>and Paul Carupe, which means it's a connexploitation film. Very

1935
01:42:47.920 --> 01:42:50.680
<v Speaker 3>eager to see this one. Love that they're doing this.

1936
01:42:50.760 --> 01:42:52.880
<v Speaker 3>We've got Don S. Davis from Twin Peaks in this.

1937
01:42:53.600 --> 01:42:57.239
<v Speaker 3>We've got William B. Davis from X Files, he played

1938
01:42:57.359 --> 01:43:01.079
<v Speaker 3>the smoking Man. Yeah, die to see this. This sounds

1939
01:43:01.119 --> 01:43:06.960
<v Speaker 3>pretty dang fun. Next up, a name you will recognize,

1940
01:43:07.039 --> 01:43:10.920
<v Speaker 3>Rugierio Dia Dado's Waves of Lust from nineteen seventy five

1941
01:43:10.960 --> 01:43:14.079
<v Speaker 3>gets its first Blu ray release from Rarero Video on

1942
01:43:14.199 --> 01:43:20.079
<v Speaker 3>June sixteenth. This will have an audio commentary by Adrian

1943
01:43:20.119 --> 01:43:22.680
<v Speaker 3>Smith and Rod Barnett, deleted scenes making of doc called

1944
01:43:22.760 --> 01:43:26.319
<v Speaker 3>Irotic Tsunami, and TV commercials directed buying commented on by

1945
01:43:26.399 --> 01:43:29.199
<v Speaker 3>Rugerio Diadado. Are you a Dia Dado fan at all?

1946
01:43:31.239 --> 01:43:34.920
<v Speaker 4>It's again also a big gap in my movie going.

1947
01:43:35.079 --> 01:43:38.399
<v Speaker 6>But I've but I've actually been doing the layout for

1948
01:43:38.439 --> 01:43:40.640
<v Speaker 6>all the RaRo titles, so this is actually one of mine.

1949
01:43:41.159 --> 01:43:41.760
<v Speaker 3>Oh wow.

1950
01:43:42.079 --> 01:43:44.159
<v Speaker 6>I just will say the image was very low res

1951
01:43:44.199 --> 01:43:47.560
<v Speaker 6>and required a lot of work, and the title I

1952
01:43:47.600 --> 01:43:51.039
<v Speaker 6>always try to match the original font when I can.

1953
01:43:51.720 --> 01:43:53.560
<v Speaker 6>But the yeah, this one's one of mine. They're all

1954
01:43:53.600 --> 01:43:55.720
<v Speaker 6>pretty I actually just got a new RaRo title today

1955
01:43:55.720 --> 01:43:58.600
<v Speaker 6>to work on. But yeah, they're all pretty simple. They

1956
01:43:58.720 --> 01:44:05.159
<v Speaker 6>kind of come in on a semi regular basis, I bet. Yeah,

1957
01:44:05.159 --> 01:44:08.359
<v Speaker 6>a lot of most of the titles though, were again

1958
01:44:08.520 --> 01:44:11.399
<v Speaker 6>just another but again it's i'll watch it one days,

1959
01:44:11.600 --> 01:44:12.319
<v Speaker 6>it'll be new to me.

1960
01:44:13.119 --> 01:44:16.520
<v Speaker 3>Yeah, I got to ask, and maybe you don't want

1961
01:44:16.560 --> 01:44:17.640
<v Speaker 3>to say publicly.

1962
01:44:18.600 --> 01:44:18.880
<v Speaker 5>They do.

1963
01:44:18.960 --> 01:44:21.079
<v Speaker 3>They give you contributor copies when you do layout for

1964
01:44:21.119 --> 01:44:22.720
<v Speaker 3>something like this for Keto and Rero.

1965
01:44:24.319 --> 01:44:27.560
<v Speaker 4>I haven't gotten any of these. Some labels do, some don't.

1966
01:44:28.560 --> 01:44:33.199
<v Speaker 6>I don't complain, you know, it is what it is

1967
01:44:33.279 --> 01:44:35.039
<v Speaker 6>that No, I haven't received any of these.

1968
01:44:35.119 --> 01:44:40.119
<v Speaker 3>Actually understandable. I wish they would all right. Next up

1969
01:44:40.119 --> 01:44:43.119
<v Speaker 3>from Cohen Media Group Eagles of the Republic from twenty

1970
01:44:43.159 --> 01:44:45.520
<v Speaker 3>twenty five, getting a Blu ray on June twenty third.

1971
01:44:46.159 --> 01:44:50.680
<v Speaker 3>This says Egypt's most adored actor, George Fami is pressured

1972
01:44:50.720 --> 01:44:53.000
<v Speaker 3>to star in a film commission by the highest authorities.

1973
01:44:53.159 --> 01:44:55.600
<v Speaker 3>He reluctantly accepts the role and finds himself thrown in

1974
01:44:55.680 --> 01:44:58.039
<v Speaker 3>the inner circle of power like a moth. Drawn to

1975
01:44:58.039 --> 01:44:59.920
<v Speaker 3>the flame, he begins an affair with the mysterious why

1976
01:45:00.119 --> 01:45:03.239
<v Speaker 3>for the general overseeing the film Cohen Media Group. For

1977
01:45:03.279 --> 01:45:06.079
<v Speaker 3>those that have never checked out anything from them, quite often,

1978
01:45:06.359 --> 01:45:09.680
<v Speaker 3>they're they're pretty great. They kind of quietly just release

1979
01:45:09.800 --> 01:45:13.560
<v Speaker 3>a lot of really good movies. I am always pretty impressed.

1980
01:45:14.239 --> 01:45:18.119
<v Speaker 3>This one sounds kind of interesting. Definitely an international film

1981
01:45:18.119 --> 01:45:19.399
<v Speaker 3>I'd love to see.

1982
01:45:19.560 --> 01:45:21.920
<v Speaker 6>I did a couple posters for Cohen actually a couple

1983
01:45:22.159 --> 01:45:25.840
<v Speaker 6>years ago, but I think one they didn't use, and

1984
01:45:25.880 --> 01:45:29.159
<v Speaker 6>then the other I sent them my files, and you know,

1985
01:45:29.159 --> 01:45:31.079
<v Speaker 6>they were great to work with, but I don't know

1986
01:45:31.079 --> 01:45:32.000
<v Speaker 6>what happened with the movie.

1987
01:45:32.039 --> 01:45:33.239
<v Speaker 4>And then I'm in Barnes and.

1988
01:45:33.159 --> 01:45:35.319
<v Speaker 6>Noble one day and it's like, oh, there it is,

1989
01:45:36.239 --> 01:45:41.000
<v Speaker 6>so you know, both international shelms. But you know, like

1990
01:45:41.039 --> 01:45:42.960
<v Speaker 6>you said, you know, sometimes these things take a while

1991
01:45:43.079 --> 01:45:45.159
<v Speaker 6>or they just disappear and then suddenly reappear.

1992
01:45:45.880 --> 01:45:50.600
<v Speaker 3>Yeah, completely agreed there. Then next Cohen Media putting out

1993
01:45:50.600 --> 01:45:54.359
<v Speaker 3>their second four K and this is the film Maurice

1994
01:45:54.439 --> 01:45:58.720
<v Speaker 3>from nineteen eighty seven. This is another merchant Ivory film.

1995
01:45:58.760 --> 01:46:01.800
<v Speaker 3>It's got an audio commentary by Wade Major and Joseph Bristow,

1996
01:46:02.039 --> 01:46:06.079
<v Speaker 3>Distinguished Professor of English from UCLA. This is also going

1997
01:46:06.119 --> 01:46:08.880
<v Speaker 3>to have James Ivory and Pierre Lom on the making

1998
01:46:08.920 --> 01:46:10.640
<v Speaker 3>of Maurice, Q and A with James Ivory and Pierre

1999
01:46:10.640 --> 01:46:12.880
<v Speaker 3>lom We got a conversation between James Ivory and the

2000
01:46:12.920 --> 01:46:16.439
<v Speaker 3>director Tom McCarthy, story of Maurice, conversation with the filmmakers,

2001
01:46:17.039 --> 01:46:19.479
<v Speaker 3>all kinds of stuff on here. I've not seen this one.

2002
01:46:19.520 --> 01:46:22.520
<v Speaker 3>It's a James Wilby and Hugh Grant starred films. I've

2003
01:46:22.520 --> 01:46:24.479
<v Speaker 3>heard this is beautiful. Have you seen this one?

2004
01:46:24.800 --> 01:46:25.439
<v Speaker 4>No, I haven't.

2005
01:46:26.720 --> 01:46:28.439
<v Speaker 3>I need to see it. From what I hear it, it

2006
01:46:28.439 --> 01:46:32.960
<v Speaker 3>will look amazing in four K. This one another one

2007
01:46:33.000 --> 01:46:36.119
<v Speaker 3>I'm dying to see. Milestone on June sixteenth, releasing Queen

2008
01:46:36.239 --> 01:46:39.760
<v Speaker 3>Kelly from nineteen twenty nine. Now, this one is a

2009
01:46:39.800 --> 01:46:43.800
<v Speaker 3>fascinating till because this was commissioned for nineteen twenty nine,

2010
01:46:43.880 --> 01:46:47.640
<v Speaker 3>and I am dying to see this one because while

2011
01:46:47.640 --> 01:46:49.840
<v Speaker 3>it was commissioned for nineteen twenty nine, it was never

2012
01:46:49.960 --> 01:46:54.199
<v Speaker 3>finished and then later on it has been reconstructed, and

2013
01:46:54.279 --> 01:46:58.199
<v Speaker 3>the whole story of that just sounds fascinating. Technically, I

2014
01:46:58.239 --> 01:47:02.079
<v Speaker 3>believe it is nineteen twenty nine, but also a nineteen

2015
01:47:02.159 --> 01:47:07.279
<v Speaker 3>thirty two film because of how they had to rebuild

2016
01:47:07.359 --> 01:47:09.760
<v Speaker 3>everything essentially after they weren't able to do the ending

2017
01:47:09.800 --> 01:47:12.359
<v Speaker 3>on this one. There's multiple audio comment or sorry, one

2018
01:47:12.399 --> 01:47:14.600
<v Speaker 3>audio commentary on here. Audio clips from a couple of

2019
01:47:14.600 --> 01:47:17.520
<v Speaker 3>people involved with it. Outtakes, with optional commentary by the

2020
01:47:17.520 --> 01:47:20.279
<v Speaker 3>film history in Richard Kazarski, and then an intro by

2021
01:47:20.319 --> 01:47:22.920
<v Speaker 3>Glorious Swanson. Do you know anything about Queen Kelly?

2022
01:47:23.640 --> 01:47:24.359
<v Speaker 4>No, I don't.

2023
01:47:25.159 --> 01:47:29.720
<v Speaker 6>I've actually worked on a couple of Milestone titles for Keino,

2024
01:47:30.039 --> 01:47:33.760
<v Speaker 6>not this one, but yeah, I am not familiar.

2025
01:47:34.159 --> 01:47:37.199
<v Speaker 4>I am big in this art nouveau style artwork.

2026
01:47:37.039 --> 01:47:40.840
<v Speaker 3>Though, Yeah, very classic type of poster. What titles have

2027
01:47:40.880 --> 01:47:42.520
<v Speaker 3>you worked on for Milestone? They do a lot of

2028
01:47:42.560 --> 01:47:43.279
<v Speaker 3>really good stuff.

2029
01:47:44.399 --> 01:47:48.039
<v Speaker 4>Well, I just did not. Oh, the double feature of

2030
01:47:48.119 --> 01:47:49.159
<v Speaker 4>Grass and Chang.

2031
01:47:49.920 --> 01:47:51.720
<v Speaker 3>That's when I had my eyes on Nice.

2032
01:47:51.840 --> 01:47:53.800
<v Speaker 6>Worked on that one, and I think I only did

2033
01:47:53.800 --> 01:48:01.079
<v Speaker 6>one more South, a documentary about the Shackleton Expedition. Yeah, okay,

2034
01:48:01.079 --> 01:48:03.039
<v Speaker 6>it looks like those are the only two for now.

2035
01:48:03.960 --> 01:48:07.960
<v Speaker 3>That makes sense. To go on from merchant Ivory in

2036
01:48:08.039 --> 01:48:11.720
<v Speaker 3>nineteen twenty nine to the cinematic classic of Leprechaun from

2037
01:48:11.800 --> 01:48:13.920
<v Speaker 3>nineteen ninety two or three depending on where you saw it.

2038
01:48:14.680 --> 01:48:17.199
<v Speaker 3>Lionsgate Limited is putting out a replacement disc for the

2039
01:48:17.199 --> 01:48:21.359
<v Speaker 3>four K, now that in itself is not super uncommon,

2040
01:48:21.399 --> 01:48:24.960
<v Speaker 3>but really just wanted to highlight the saga of what

2041
01:48:25.039 --> 01:48:28.079
<v Speaker 3>happened on this replacement disc. We had some people complain

2042
01:48:28.359 --> 01:48:30.680
<v Speaker 3>that a lot of the tinting in the film on

2043
01:48:30.720 --> 01:48:34.840
<v Speaker 3>their four K release was bad, just playing yellow. Jennifer

2044
01:48:34.880 --> 01:48:37.960
<v Speaker 3>Aniston supposedly looked very jaundiced. I didn't purchase this, so

2045
01:48:38.119 --> 01:48:42.239
<v Speaker 3>I have not seen the disc, But Lionsgate updated their

2046
01:48:42.319 --> 01:48:45.880
<v Speaker 3>listing for that and said, well, this was approved by

2047
01:48:45.920 --> 01:48:49.079
<v Speaker 3>the director late last fall, and of course if you

2048
01:48:49.079 --> 01:48:52.239
<v Speaker 3>pay attention to this, Mark Jones, the director passed away

2049
01:48:52.399 --> 01:48:54.560
<v Speaker 3>just a few months ago, so there was no way

2050
01:48:54.560 --> 01:48:57.359
<v Speaker 3>that we could argue with that because Mark is now gone.

2051
01:48:57.880 --> 01:49:00.560
<v Speaker 3>And then after a lot more feedback, they came back

2052
01:49:00.560 --> 01:49:03.279
<v Speaker 3>and said, Okay, it's actually wrong. Now we're going to

2053
01:49:03.279 --> 01:49:06.800
<v Speaker 3>do a replacement disk. So just kind of a weird,

2054
01:49:06.920 --> 01:49:10.439
<v Speaker 3>messed up situation to essentially blame a dead guy for

2055
01:49:10.520 --> 01:49:13.439
<v Speaker 3>a mistake and then go back on it. They are

2056
01:49:13.479 --> 01:49:15.720
<v Speaker 3>sending it automatically for everybody. You don't need to worry

2057
01:49:15.760 --> 01:49:18.720
<v Speaker 3>about ordering a replacement disk because it was a side exclusive.

2058
01:49:18.760 --> 01:49:20.800
<v Speaker 3>They know everybody that bought it, So just keep an

2059
01:49:20.840 --> 01:49:23.119
<v Speaker 3>eye on your mailbox. There will be one coming. Are

2060
01:49:23.119 --> 01:49:24.600
<v Speaker 3>you Are you a big Leprechaun fan?

2061
01:49:26.279 --> 01:49:31.600
<v Speaker 4>I haven't watched them yet. One day when it's fixed.

2062
01:49:32.800 --> 01:49:34.880
<v Speaker 3>How do you feel, I'm just as an art designer.

2063
01:49:34.920 --> 01:49:36.800
<v Speaker 3>How do you feel about this cover? Do you see

2064
01:49:36.800 --> 01:49:39.119
<v Speaker 3>what they were going for here? Because the Leprechaun's behind it,

2065
01:49:39.159 --> 01:49:42.319
<v Speaker 3>and the coins is meant to look like a face smiling,

2066
01:49:42.800 --> 01:49:45.439
<v Speaker 3>and it's not like unless you squint and close one eye,

2067
01:49:46.000 --> 01:49:47.560
<v Speaker 3>it's kind of rough to even see the shape of

2068
01:49:47.560 --> 01:49:47.960
<v Speaker 3>the face.

2069
01:49:48.520 --> 01:49:52.479
<v Speaker 6>I mean, I see it right, I mean it's even

2070
01:49:52.479 --> 01:49:55.159
<v Speaker 6>actually more prominent in the smaller thumbnail than the corner

2071
01:49:55.199 --> 01:49:55.760
<v Speaker 6>of the screen.

2072
01:50:00.039 --> 01:50:01.560
<v Speaker 4>You know. I never want to bad mouth you know,

2073
01:50:01.640 --> 01:50:02.359
<v Speaker 4>I mean I don't.

2074
01:50:02.640 --> 01:50:06.439
<v Speaker 6>It's fine. And again I haven't seen the film. I'm

2075
01:50:06.439 --> 01:50:09.720
<v Speaker 6>always more of a stickler. I always try to avoid

2076
01:50:09.800 --> 01:50:12.840
<v Speaker 6>drop shadows when I can, so seeing the shadow with

2077
01:50:13.319 --> 01:50:15.800
<v Speaker 6>like under the title, it's like that's something that always

2078
01:50:15.880 --> 01:50:21.359
<v Speaker 6>gets me. Not specific here, but.

2079
01:50:19.560 --> 01:50:23.000
<v Speaker 4>No, I get I see what they were doing. You know.

2080
01:50:23.039 --> 01:50:24.960
<v Speaker 6>It's also the kind of thing where someone might say, oh,

2081
01:50:25.000 --> 01:50:29.640
<v Speaker 6>it's not obvious enough, you know, keep going and then

2082
01:50:30.319 --> 01:50:34.039
<v Speaker 6>pull back and again, no offense to anyone, you know,

2083
01:50:34.079 --> 01:50:40.640
<v Speaker 6>I like it, but yeah, it's you know, but you

2084
01:50:40.640 --> 01:50:42.680
<v Speaker 6>you know, fans of the film would probably have a better,

2085
01:50:43.479 --> 01:50:45.359
<v Speaker 6>better thoughts or an opinion.

2086
01:50:45.439 --> 01:50:48.359
<v Speaker 3>I'm that, yeah, and I agree with you. Like when

2087
01:50:48.359 --> 01:50:50.199
<v Speaker 3>I look down the corner of my screen for what

2088
01:50:50.239 --> 01:50:53.359
<v Speaker 3>I'm sharing, it does look like it looks like a mask, genuinely,

2089
01:50:53.399 --> 01:50:56.119
<v Speaker 3>But when it's just big in the screen like that

2090
01:50:56.239 --> 01:50:58.560
<v Speaker 3>and you see the whole thing, good gosh, it's not

2091
01:50:58.640 --> 01:50:59.760
<v Speaker 3>super apparent anyways.

2092
01:51:00.319 --> 01:51:02.760
<v Speaker 6>But I also get and this isn't specific to this,

2093
01:51:04.920 --> 01:51:07.039
<v Speaker 6>you know, it's like too many gags in one image.

2094
01:51:07.199 --> 01:51:10.039
<v Speaker 6>So you have the coins in the foreground making a

2095
01:51:10.119 --> 01:51:14.079
<v Speaker 6>leprechaun face, but then you have the character in the background,

2096
01:51:14.319 --> 01:51:17.239
<v Speaker 6>and I'm wondering if at some point someone asked, is

2097
01:51:17.279 --> 01:51:17.960
<v Speaker 6>that too much?

2098
01:51:18.119 --> 01:51:18.800
<v Speaker 4>Is it like a joke?

2099
01:51:19.680 --> 01:51:21.920
<v Speaker 6>Like a joke on a joke almost? And can we

2100
01:51:21.920 --> 01:51:25.600
<v Speaker 6>get away with just one thing instead of both? Since

2101
01:51:25.640 --> 01:51:28.920
<v Speaker 6>that's something I always deal with, like, well, we have

2102
01:51:29.000 --> 01:51:30.720
<v Speaker 6>the skimni key here and this, you know, just when

2103
01:51:30.800 --> 01:51:33.560
<v Speaker 6>doesn't become too much? And you know, where does the

2104
01:51:33.680 --> 01:51:34.680
<v Speaker 6>person's attention go?

2105
01:51:34.920 --> 01:51:38.119
<v Speaker 3>And all that The big thing is Lion's Gate is

2106
01:51:38.119 --> 01:51:40.760
<v Speaker 3>big on their gimmicks, and this is the slip cover

2107
01:51:40.880 --> 01:51:42.920
<v Speaker 3>for the steel book, so you slip off the gold

2108
01:51:43.039 --> 01:51:45.600
<v Speaker 3>and the Leprechaun behind it is left on the steel book.

2109
01:51:45.680 --> 01:51:48.159
<v Speaker 6>So I mean, I mean, I would love to work

2110
01:51:48.239 --> 01:51:50.319
<v Speaker 6>for lion you know, designed for lions Gate at some

2111
01:51:50.399 --> 01:51:55.079
<v Speaker 6>point too. But having actually now hearing having you said that,

2112
01:51:55.600 --> 01:51:58.319
<v Speaker 6>hearing you say that, it's like, Okay, I get it,

2113
01:51:58.520 --> 01:51:59.560
<v Speaker 6>you know, I get what.

2114
01:51:59.520 --> 01:52:03.840
<v Speaker 3>They were going for. Oh yeah, next up, not really

2115
01:52:03.880 --> 01:52:07.479
<v Speaker 3>my thing, but Sailor Moon Crystal Collection is coming out

2116
01:52:07.479 --> 01:52:10.439
<v Speaker 3>on June ninth on Blu Ray. Now, as far as

2117
01:52:10.479 --> 01:52:12.800
<v Speaker 3>I'm aware, this is not the complete collection because it

2118
01:52:12.800 --> 01:52:15.439
<v Speaker 3>doesn't have I think the movies if I'm remembering right,

2119
01:52:15.560 --> 01:52:17.600
<v Speaker 3>I don't know much about Sailor Moon. Are you a

2120
01:52:17.640 --> 01:52:18.800
<v Speaker 3>diehard Sailor Moon fan?

2121
01:52:19.359 --> 01:52:21.159
<v Speaker 4>The girl I had a crush on in high school?

2122
01:52:21.199 --> 01:52:28.319
<v Speaker 3>Wise, full circle, Glad that you had that experience. Hey,

2123
01:52:28.439 --> 01:52:30.960
<v Speaker 3>the brand new issue of my magazine, The Physical Media

2124
01:52:31.000 --> 01:52:33.079
<v Speaker 3>Advocate is out now. You can check this out on

2125
01:52:33.119 --> 01:52:37.239
<v Speaker 3>Amazon or in gosh, like twenty plus stores now and

2126
01:52:37.960 --> 01:52:39.960
<v Speaker 3>we're in four countries, which is weird to say that

2127
01:52:40.000 --> 01:52:41.880
<v Speaker 3>you can pick it up in store in four different countries.

2128
01:52:42.199 --> 01:52:45.039
<v Speaker 3>Frank Zapp on the cover. It's a great issue. I

2129
01:52:45.520 --> 01:52:48.880
<v Speaker 3>recapp True Falls Film Festival. We talked about Massia of Evil,

2130
01:52:49.119 --> 01:52:52.159
<v Speaker 3>big piece from Justin beam On, George buck Flower in here.

2131
01:52:52.560 --> 01:52:58.680
<v Speaker 3>Check it out. It's a great one. Wow, there's a

2132
01:52:58.720 --> 01:53:01.399
<v Speaker 3>lot of self promotion. I was also on an Issue

2133
01:53:01.520 --> 01:53:03.560
<v Speaker 3>or Not an Issue, an episode of the Vegan Satanist

2134
01:53:03.640 --> 01:53:08.239
<v Speaker 3>podcast this week with Laurent Omanzike from Germany. Normally I

2135
01:53:08.279 --> 01:53:10.960
<v Speaker 3>wouldn't promote just a little podcast appearance all that much,

2136
01:53:11.000 --> 01:53:13.600
<v Speaker 3>but I'm gotten. I've gotten a lot of messages saying

2137
01:53:13.600 --> 01:53:15.560
<v Speaker 3>this was kind of an important episode, so check it

2138
01:53:15.560 --> 01:53:17.840
<v Speaker 3>out if you're keen on it. We go into a

2139
01:53:17.880 --> 01:53:23.079
<v Speaker 3>lot about like the the therapeutic sides of physical media

2140
01:53:23.119 --> 01:53:25.560
<v Speaker 3>and collecting and finding a community in this sort of thing,

2141
01:53:25.600 --> 01:53:29.479
<v Speaker 3>which is why I am really kind of doing everything

2142
01:53:29.520 --> 01:53:31.199
<v Speaker 3>that I'm doing. So check this out if it's something

2143
01:53:31.239 --> 01:53:34.119
<v Speaker 3>that you'd like to hear about. Laurent is incredible, and

2144
01:53:34.279 --> 01:53:37.920
<v Speaker 3>his work with like tracking down films to take them

2145
01:53:37.960 --> 01:53:41.239
<v Speaker 3>to literally the top portions of the government in Germany

2146
01:53:41.239 --> 01:53:43.199
<v Speaker 3>to petition them to be able to play in Germany

2147
01:53:43.760 --> 01:53:45.760
<v Speaker 3>is to be commended far more than I can ever

2148
01:53:45.760 --> 01:53:47.680
<v Speaker 3>give him credit for but check it out. It's a

2149
01:53:47.680 --> 01:53:50.479
<v Speaker 3>great issue. I said issue again talking about a magazine.

2150
01:53:50.479 --> 01:53:54.920
<v Speaker 3>It's an episode. It's fantastic. Will Go USA is putting

2151
01:53:54.920 --> 01:53:57.079
<v Speaker 3>out a film called The Ugly from last year on

2152
01:53:57.079 --> 01:53:59.920
<v Speaker 3>May twenty sixth on Blu Ray DVD, and I've heard this.

2153
01:54:00.000 --> 01:54:02.520
<v Speaker 3>This is rather good. I'm dying to see this one.

2154
01:54:03.159 --> 01:54:06.159
<v Speaker 3>This has a trailer on there and it says from

2155
01:54:06.239 --> 01:54:08.840
<v Speaker 3>director Yong Saying Ho, who also did Train to Busan

2156
01:54:09.159 --> 01:54:12.319
<v Speaker 3>comes a story of generational grief and guilt. While overseeing

2157
01:54:12.359 --> 01:54:15.159
<v Speaker 3>a documentary crew filming his blind father at work in

2158
01:54:15.359 --> 01:54:18.239
<v Speaker 3>Don Juan gets a phone call that is missing mother's

2159
01:54:18.279 --> 01:54:21.319
<v Speaker 3>remains have been found after forty years. Determined to find

2160
01:54:21.319 --> 01:54:24.119
<v Speaker 3>the truth of her disappearance, Don Juan embarks on a

2161
01:54:24.199 --> 01:54:28.119
<v Speaker 3>twisted odyssey through his family's traumatic past, uncovering dark secrets

2162
01:54:28.199 --> 01:54:31.680
<v Speaker 3>along the way. Are you are you paying attention to

2163
01:54:31.720 --> 01:54:33.560
<v Speaker 3>any modern Asian films like this?

2164
01:54:33.920 --> 01:54:37.640
<v Speaker 6>I'm not really I am digging this cover art though,

2165
01:54:37.680 --> 01:54:41.520
<v Speaker 6>like that's the kind of stark minimalism that I strive for.

2166
01:54:43.479 --> 01:54:44.159
<v Speaker 4>I must confess.

2167
01:54:44.199 --> 01:54:49.239
<v Speaker 3>I'm really not, though understandable completely get it. I need

2168
01:54:49.279 --> 01:54:50.920
<v Speaker 3>to see this. I really love Training to Bussan. Did

2169
01:54:50.960 --> 01:54:51.680
<v Speaker 3>you ever see that one?

2170
01:54:52.800 --> 01:54:53.560
<v Speaker 4>I still haven't.

2171
01:54:53.640 --> 01:54:56.840
<v Speaker 3>I'm sorry, got to check it out. It's pretty great,

2172
01:54:58.760 --> 01:55:03.000
<v Speaker 3>all right. The weekend we got new releases from Air

2173
01:55:03.159 --> 01:55:06.560
<v Speaker 3>forty four forty four. These are gonna be shipping in

2174
01:55:06.600 --> 01:55:10.520
<v Speaker 3>either June or July. This first one is City Warriors

2175
01:55:10.520 --> 01:55:12.880
<v Speaker 3>from nineteen eighty eight, and it says an ex soldier

2176
01:55:12.880 --> 01:55:15.640
<v Speaker 3>from mainland China arrives in Hong Kong and uses the

2177
01:55:15.680 --> 01:55:18.239
<v Speaker 3>cover of a tour bus led by a cheerful tour

2178
01:55:18.319 --> 01:55:21.039
<v Speaker 3>guide to look for as a strange sister. Little does

2179
01:55:21.079 --> 01:55:23.439
<v Speaker 3>he know his sister has been forced into prostitution by

2180
01:55:23.439 --> 01:55:26.239
<v Speaker 3>the very man she married. This will have a brand

2181
01:55:26.239 --> 01:55:28.319
<v Speaker 3>new two K restoration. It will have the two K

2182
01:55:28.520 --> 01:55:32.560
<v Speaker 3>uncut Cantonese with SD shot inserts, two K Mandarin cut

2183
01:55:32.600 --> 01:55:35.600
<v Speaker 3>with alternate sequences, new interview with the action director, new

2184
01:55:35.680 --> 01:55:38.880
<v Speaker 3>visual essay by Invincible Asia. New audio commentary with Kenneth

2185
01:55:39.439 --> 01:55:42.680
<v Speaker 3>Brorson and Phil Gillen of the podcast on Fire Network.

2186
01:55:42.920 --> 01:55:45.520
<v Speaker 3>It will have the Cantonese and Mandarin dub audio and

2187
01:55:45.600 --> 01:55:49.439
<v Speaker 3>English and Chinese subtitles. Limited to two thousand units. We

2188
01:55:49.520 --> 01:55:52.079
<v Speaker 3>got a double sided slipcover a book with an essay

2189
01:55:52.079 --> 01:55:54.720
<v Speaker 3>by Tom Cunliffe and three stickers with new art by

2190
01:55:54.840 --> 01:55:59.000
<v Speaker 3>Justin Coffee. Have you checked out anything from Air forty four.

2191
01:56:00.079 --> 01:56:02.640
<v Speaker 6>I haven't, although every time they make an announcement, it's

2192
01:56:02.720 --> 01:56:05.079
<v Speaker 6>just God. I want to work for these people when

2193
01:56:05.159 --> 01:56:08.479
<v Speaker 6>they design something. I mean, I can't do this, but

2194
01:56:10.079 --> 01:56:11.640
<v Speaker 6>you know, I'm sure I could be of service to them.

2195
01:56:11.760 --> 01:56:14.319
<v Speaker 6>But yeah, I'm always whenever I do a shameless self

2196
01:56:14.359 --> 01:56:17.479
<v Speaker 6>promotion post on social media, which I hate doing, I

2197
01:56:17.520 --> 01:56:19.640
<v Speaker 6>always try to tag them.

2198
01:56:20.479 --> 01:56:25.399
<v Speaker 3>Yeah, I can try to nudge them towards you. They

2199
01:56:25.439 --> 01:56:28.960
<v Speaker 3>are great people. I really appreciate what they're doing. And

2200
01:56:29.000 --> 01:56:31.119
<v Speaker 3>speaking of that, this next one also is in line

2201
01:56:31.119 --> 01:56:34.039
<v Speaker 3>with that Kung Fu Student from nineteen eighty nine. This

2202
01:56:34.079 --> 01:56:40.159
<v Speaker 3>one looks just crazy. I believe this is the first

2203
01:56:40.239 --> 01:56:43.880
<v Speaker 3>time any of these directors' films have been on Blu

2204
01:56:44.000 --> 01:56:46.760
<v Speaker 3>Ray anywhere in the world. If I think I'm right

2205
01:56:46.800 --> 01:56:49.000
<v Speaker 3>on that, I need to look it up again. But

2206
01:56:49.079 --> 01:56:51.159
<v Speaker 3>this is about a down under luck college student with

2207
01:56:51.239 --> 01:56:54.159
<v Speaker 3>dreams of becoming a as bad ass as Arlod Schwarzenegger

2208
01:56:54.159 --> 01:56:57.479
<v Speaker 3>and the Terminator or Servester Stallone and Rambo. Soon, her

2209
01:56:57.479 --> 01:56:59.920
<v Speaker 3>life takes a turn when she inadvertently blocks the reenc

2210
01:57:00.159 --> 01:57:03.760
<v Speaker 3>nation attempt of a ghostly gangster. Taiwanese action star Alexander

2211
01:57:03.800 --> 01:57:06.800
<v Speaker 3>low Ray is that gangster. Now stuck together, they must

2212
01:57:06.880 --> 01:57:08.520
<v Speaker 3>learn to work as one to kick ass and get

2213
01:57:08.560 --> 01:57:11.720
<v Speaker 3>revenge on the gang members who murdered him. This is

2214
01:57:11.760 --> 01:57:14.920
<v Speaker 3>a Taiwanese action comedy gem. This will have a new

2215
01:57:14.960 --> 01:57:17.399
<v Speaker 3>two K restoration, new interview with the actress from it,

2216
01:57:17.600 --> 01:57:20.159
<v Speaker 3>new visual essay by a friend of the show, Michelle Kisner.

2217
01:57:20.359 --> 01:57:23.800
<v Speaker 3>The audio commentary with Justin d'clue and Dylan Chung. We

2218
01:57:23.880 --> 01:57:26.840
<v Speaker 3>got Mandarin, audio, English and Chinese subtitles on this one.

2219
01:57:26.960 --> 01:57:29.319
<v Speaker 3>A double sided slipcover, a book with an essay by

2220
01:57:29.319 --> 01:57:33.119
<v Speaker 3>doctor Mighe Ronsley, three stickers with new art by Michael Deforge.

2221
01:57:33.439 --> 01:57:37.680
<v Speaker 3>And yeah, this looks really fun. I'm very curious to

2222
01:57:37.680 --> 01:57:40.640
<v Speaker 3>see this one. The art on here is going to

2223
01:57:40.680 --> 01:57:43.680
<v Speaker 3>be divisive. I can just tell right now a lot

2224
01:57:43.720 --> 01:57:46.399
<v Speaker 3>of people don't like that style. It looks fun. I'm

2225
01:57:46.399 --> 01:57:48.760
<v Speaker 3>into it.

2226
01:57:48.760 --> 01:57:50.640
<v Speaker 4>It's definitely the kind of release where.

2227
01:57:52.840 --> 01:57:54.479
<v Speaker 6>You know, if I got a title like this from

2228
01:57:54.560 --> 01:57:58.039
<v Speaker 6>Arrow to work on where the essay, you know, reading

2229
01:57:58.039 --> 01:58:02.079
<v Speaker 6>the essays like is an educationational experience because you know,

2230
01:58:02.119 --> 01:58:03.720
<v Speaker 6>because a lot of it. You know, a lot of

2231
01:58:03.760 --> 01:58:07.960
<v Speaker 6>gaps in my film watching experience, so you know when

2232
01:58:07.960 --> 01:58:10.279
<v Speaker 6>I get you know, like certain Asian titles for instance,

2233
01:58:10.319 --> 01:58:14.960
<v Speaker 6>from Arrow, you know, I devour those essays just as

2234
01:58:14.960 --> 01:58:17.079
<v Speaker 6>a perspective fan, you know, you learn something.

2235
01:58:18.439 --> 01:58:20.359
<v Speaker 3>Of course, I am all about it.

2236
01:58:21.359 --> 01:58:21.560
<v Speaker 7>God.

2237
01:58:21.640 --> 01:58:24.359
<v Speaker 3>Yeah, we probably could just gone over like favorite booklets

2238
01:58:24.359 --> 01:58:26.279
<v Speaker 3>instead of audio commentaries, but maybe next time.

2239
01:58:26.720 --> 01:58:29.399
<v Speaker 6>Well, my I will say real quick, my favorite one

2240
01:58:29.439 --> 01:58:31.920
<v Speaker 6>of my favorite essays for that I've done with Arrow

2241
01:58:32.079 --> 01:58:35.000
<v Speaker 6>is for Warning from Space. There's an essay in that

2242
01:58:35.039 --> 01:58:38.359
<v Speaker 6>booklet about the dubbing process, which is just the kind

2243
01:58:38.399 --> 01:58:42.119
<v Speaker 6>of degree that I'm into. Like, that's still I mean

2244
01:58:42.279 --> 01:58:43.960
<v Speaker 6>that one came out like five years ago and it's

2245
01:58:44.000 --> 01:58:46.399
<v Speaker 6>still when I talk about, like, you know, we need

2246
01:58:46.439 --> 01:58:47.479
<v Speaker 6>to strive for this.

2247
01:58:48.479 --> 01:58:51.840
<v Speaker 3>Absolutely all right, I said I was gonna be talking

2248
01:58:51.840 --> 01:58:56.680
<v Speaker 3>about Beth Morris again. This is the official reveal of

2249
01:58:56.800 --> 01:59:00.399
<v Speaker 3>a Beth Morris design poster for Antenna. This is our film,

2250
01:59:00.439 --> 01:59:02.800
<v Speaker 3>The Man Whom the Trees Loved. It is going to

2251
01:59:02.800 --> 01:59:04.760
<v Speaker 3>be premiering at the Florida Film Festival here in the

2252
01:59:04.760 --> 01:59:08.000
<v Speaker 3>next couple of weeks. The trailer was just revealed on

2253
01:59:08.039 --> 01:59:10.479
<v Speaker 3>YouTube as well. I'm gonna pull that up and play

2254
01:59:10.479 --> 01:59:12.560
<v Speaker 3>that as part of the show later on tonight, because

2255
01:59:12.640 --> 01:59:14.640
<v Speaker 3>I think more people should see it. It is a

2256
01:59:14.720 --> 01:59:18.479
<v Speaker 3>really great trailer. Beth crushed it with this cover. I

2257
01:59:18.520 --> 01:59:20.760
<v Speaker 3>am so stoked on this. For those that have not

2258
01:59:21.119 --> 01:59:23.600
<v Speaker 3>heard me talk about this before, this is based on

2259
01:59:23.640 --> 01:59:26.000
<v Speaker 3>the Algren On Blackwood short story called The Man Whom

2260
01:59:26.039 --> 01:59:28.960
<v Speaker 3>the Trees Loved And with the design, we really wanted

2261
01:59:28.960 --> 01:59:30.840
<v Speaker 3>this to look like it was popping off of a

2262
01:59:30.920 --> 01:59:33.399
<v Speaker 3>page of a book, so the border of it is

2263
01:59:33.439 --> 01:59:35.920
<v Speaker 3>meant to look like it's actually from a novel. It

2264
01:59:36.039 --> 01:59:39.039
<v Speaker 3>is such a really great design, and when you see

2265
01:59:39.039 --> 01:59:41.399
<v Speaker 3>the trailer, hopefully you get the feeling that the film

2266
01:59:41.479 --> 01:59:43.079
<v Speaker 3>is really trying to capture a little bit more.

2267
01:59:43.560 --> 01:59:43.640
<v Speaker 4>So.

2268
01:59:43.720 --> 01:59:45.439
<v Speaker 3>Yeah, I'll show that trailer in a little bit, but

2269
01:59:45.479 --> 01:59:48.479
<v Speaker 3>if you're in Florida, please consider going to see the premiere.

2270
01:59:48.479 --> 01:59:51.920
<v Speaker 3>It looks like a great time. I don't want to

2271
01:59:52.279 --> 01:59:54.439
<v Speaker 3>put you on the spot, but any thoughts on this

2272
01:59:54.439 --> 01:59:56.199
<v Speaker 3>Beth Morris poster. I'd love to hear what you think.

2273
01:59:56.800 --> 01:59:57.399
<v Speaker 4>I like it.

2274
01:59:57.800 --> 02:00:02.039
<v Speaker 6>I you know when I saw you know, because you

2275
02:00:02.039 --> 02:00:04.720
<v Speaker 6>know you hired me to do a poster that you

2276
02:00:04.720 --> 02:00:07.640
<v Speaker 6>know we're not doing that documentary. You know, it's kind

2277
02:00:07.640 --> 02:00:09.600
<v Speaker 6>of wondering, you know, what's going to be first out

2278
02:00:09.600 --> 02:00:11.399
<v Speaker 6>of the gate, so to speak. And you know it's

2279
02:00:11.439 --> 02:00:15.720
<v Speaker 6>always nice when always nice to see it, you know, friend,

2280
02:00:15.760 --> 02:00:18.720
<v Speaker 6>get you know the gig and no, that does good work.

2281
02:00:19.920 --> 02:00:24.920
<v Speaker 3>I agree, she does just excellent work. Next, this is

2282
02:00:24.960 --> 02:00:28.079
<v Speaker 3>another one of those frustrating situations. Warner Brothers at some

2283
02:00:28.239 --> 02:00:31.399
<v Speaker 3>point this year is releasing Mars Attacks on four K.

2284
02:00:32.239 --> 02:00:34.760
<v Speaker 3>You're expected if you really want this to pre order

2285
02:00:34.840 --> 02:00:36.920
<v Speaker 3>the steel book even though there's no art. You can

2286
02:00:36.960 --> 02:00:39.199
<v Speaker 3>pre order a collector's edition from the UK, even though

2287
02:00:39.199 --> 02:00:41.920
<v Speaker 3>there's no art and no thoughts on special features. Who

2288
02:00:41.960 --> 02:00:45.119
<v Speaker 3>knows what it's going to have with it, but check

2289
02:00:45.159 --> 02:00:47.239
<v Speaker 3>it out if you want to spend anywhere from fifty

2290
02:00:47.279 --> 02:00:51.399
<v Speaker 3>to seventy dollars on a collector's edition. I'm sure that

2291
02:00:51.439 --> 02:00:53.119
<v Speaker 3>you feel the same as me. Any thoughts on why

2292
02:00:53.159 --> 02:00:55.079
<v Speaker 3>they wouldn't release art super soon.

2293
02:00:55.439 --> 02:00:56.079
<v Speaker 4>Well I assume.

2294
02:00:56.439 --> 02:00:58.319
<v Speaker 6>I mean they've been doing this, you know, for the

2295
02:00:58.399 --> 02:01:02.640
<v Speaker 6>last year, just with this Placehold art and with Warner Brothers,

2296
02:01:03.920 --> 02:01:06.319
<v Speaker 6>you know, artwork wise, it could go either way, to

2297
02:01:06.359 --> 02:01:11.079
<v Speaker 6>be honest, but I'm just genuinely surprised they're doing this

2298
02:01:11.159 --> 02:01:14.640
<v Speaker 6>themselves instead of licensing it to Arrow so I can

2299
02:01:14.680 --> 02:01:17.880
<v Speaker 6>work on it. But it's and it's definitely I'm a

2300
02:01:17.920 --> 02:01:21.199
<v Speaker 6>huge Burton fan, but it's definitely a movie I wish

2301
02:01:21.279 --> 02:01:23.760
<v Speaker 6>I liked more than I do.

2302
02:01:24.920 --> 02:01:26.319
<v Speaker 3>I just wish we were able to get a four

2303
02:01:26.359 --> 02:01:31.399
<v Speaker 3>kividwood instead, but that will likely never happen, all right.

2304
02:01:31.680 --> 02:01:35.800
<v Speaker 3>Next up, Unearthed Films on July fourteenth is releasing Tetsuo

2305
02:01:35.960 --> 02:01:39.359
<v Speaker 3>the Bullet Man, not Tetsuoo the Iron Man. This I

2306
02:01:39.399 --> 02:01:43.119
<v Speaker 3>believe is the third film in the Tetsuo saga. This

2307
02:01:43.199 --> 02:01:45.640
<v Speaker 3>is the first English friendly Blu Ray release of this,

2308
02:01:45.720 --> 02:01:48.159
<v Speaker 3>I believe. We got an audio commentary on here with

2309
02:01:48.199 --> 02:01:50.920
<v Speaker 3>the actor Eric Bossik and Japanese cinema expert Tom mess

2310
02:01:51.239 --> 02:01:54.239
<v Speaker 3>We got a multi material version of Tetsweel the Bullet Man,

2311
02:01:54.359 --> 02:01:57.920
<v Speaker 3>photo gallery and trailers. You have you ever seen Tetsweel

2312
02:01:57.920 --> 02:01:58.439
<v Speaker 3>the Iron Man?

2313
02:02:00.560 --> 02:02:00.640
<v Speaker 7>No?

2314
02:02:01.439 --> 02:02:05.039
<v Speaker 3>I have not understandable. I think a lot of people

2315
02:02:05.039 --> 02:02:08.960
<v Speaker 3>have not seen it. Totally fine. Next up is a

2316
02:02:09.640 --> 02:02:12.840
<v Speaker 3>Xiangya Mao film that is Red Sorghum coming to Blue

2317
02:02:12.840 --> 02:02:17.159
<v Speaker 3>Fray Blu Ray from Media OCD Officials Whole Grain Pictures Line.

2318
02:02:17.279 --> 02:02:19.119
<v Speaker 3>This is from nineteen eighty eight. This is the gong

2319
02:02:19.239 --> 02:02:21.960
<v Speaker 3>Lee film. This will have a visual essay by Jonathan

2320
02:02:22.000 --> 02:02:25.359
<v Speaker 3>Clement's interview with Tony Rains and a trailer. I still

2321
02:02:25.359 --> 02:02:28.800
<v Speaker 3>think it's quite odd that they are releasing this. I

2322
02:02:29.119 --> 02:02:33.880
<v Speaker 3>really expected somebody like Criterion or even like a Cohen

2323
02:02:34.000 --> 02:02:37.439
<v Speaker 3>Media to pick up the Jenga Mao films in the US.

2324
02:02:37.479 --> 02:02:42.000
<v Speaker 6>But yeah, I'm I'm just looking at the artwork and

2325
02:02:42.800 --> 02:02:46.239
<v Speaker 6>again might drop shadows my pet pee for some reason.

2326
02:02:46.239 --> 02:02:48.439
<v Speaker 6>And it looks like a screenshot. And as someone who

2327
02:02:49.159 --> 02:02:51.640
<v Speaker 6>does this a lot, often you only have screenshots to

2328
02:02:51.680 --> 02:02:54.399
<v Speaker 6>work with, so it's always a case of, you know,

2329
02:02:54.800 --> 02:02:57.000
<v Speaker 6>making it look good and what can you add to it?

2330
02:02:57.079 --> 02:02:59.319
<v Speaker 6>And I mean, I think this one looks fine, but

2331
02:02:59.760 --> 02:03:02.199
<v Speaker 6>you know that's always you know, the work I do

2332
02:03:02.279 --> 02:03:06.439
<v Speaker 6>for shameless films. That's often the challenges here, the pin

2333
02:03:06.479 --> 02:03:11.680
<v Speaker 6>ADP screenshots go and do the mis you can, just

2334
02:03:11.720 --> 02:03:14.000
<v Speaker 6>trying to make them look as good and appealing as

2335
02:03:14.039 --> 02:03:14.399
<v Speaker 6>you can.

2336
02:03:14.560 --> 02:03:16.159
<v Speaker 4>But I'm digging this.

2337
02:03:17.159 --> 02:03:22.079
<v Speaker 3>Yeah, uh, I love that we're following up Jangya Mao

2338
02:03:22.159 --> 02:03:27.199
<v Speaker 3>with Rise of the Super Trummets. July fourteenth, Work Trauma

2339
02:03:27.279 --> 02:03:29.479
<v Speaker 3>is releasing Rise of the Super Trumets. This is from

2340
02:03:29.520 --> 02:03:32.199
<v Speaker 3>twenty twenty five and it says a mysterious virus is

2341
02:03:32.239 --> 02:03:34.640
<v Speaker 3>infecting the men of Trumaville. It's up to the female

2342
02:03:34.640 --> 02:03:36.760
<v Speaker 3>of the Gelante team known as the Super Trumets, to

2343
02:03:37.000 --> 02:03:40.520
<v Speaker 3>unite and tackle this threat. This is going already for

2344
02:03:40.640 --> 02:03:42.960
<v Speaker 3>like thirteen dollars on Blu Ray or something like that,

2345
02:03:43.079 --> 02:03:48.359
<v Speaker 3>so it's got to be a Trauma masterpiece from Trauma.

2346
02:03:48.439 --> 02:03:51.359
<v Speaker 3>They are also releasing Sugar Cookies on Blu Ray, which

2347
02:03:51.399 --> 02:03:53.920
<v Speaker 3>is kind of odd because the Vinegar Syndrome Blu ray

2348
02:03:53.960 --> 02:03:55.720
<v Speaker 3>is still available on their site. I believe it is

2349
02:03:55.800 --> 02:03:58.960
<v Speaker 3>going out of print, but this is coming on July fourteenth.

2350
02:03:59.079 --> 02:04:02.039
<v Speaker 3>You can check that out now. I don't believe any

2351
02:04:02.079 --> 02:04:04.279
<v Speaker 3>of these are new extras. They're all from the Vinegar

2352
02:04:04.319 --> 02:04:07.880
<v Speaker 3>Cinerama release or even earlier. But glad the movie will

2353
02:04:07.920 --> 02:04:10.319
<v Speaker 3>still be available for everybody and inexpensive, so that's a

2354
02:04:10.359 --> 02:04:17.359
<v Speaker 3>good thing. Next up, VCI releasing Poverty Row Classics Volume two. Now.

2355
02:04:17.439 --> 02:04:19.000
<v Speaker 3>A few months ago we had talked about this, but

2356
02:04:19.039 --> 02:04:21.279
<v Speaker 3>they have since updated the release of this. It was

2357
02:04:21.279 --> 02:04:23.199
<v Speaker 3>supposed to come out in May. Now it comes out

2358
02:04:23.239 --> 02:04:26.520
<v Speaker 3>on July fourteenth, and now they've changed the second film,

2359
02:04:26.760 --> 02:04:29.399
<v Speaker 3>so they're putting out East Side Kids from nineteen forty

2360
02:04:29.399 --> 02:04:32.239
<v Speaker 3>and now they're putting out Let's Get Tough, also from

2361
02:04:32.319 --> 02:04:36.239
<v Speaker 3>nineteen forty. They switched out the second title there. Not

2362
02:04:36.279 --> 02:04:39.760
<v Speaker 3>sure why, but hey, something must have happened and here

2363
02:04:39.800 --> 02:04:44.479
<v Speaker 3>we are. Next up Filmmasters on July fourteenth, they're putting

2364
02:04:44.479 --> 02:04:47.359
<v Speaker 3>out nineteen fifties Destination Moon as part of their special

2365
02:04:47.479 --> 02:04:51.359
<v Speaker 3>edition line. This is produced by George Pale and it's

2366
02:04:51.399 --> 02:04:53.920
<v Speaker 3>got restored trailer from a four K scan at full

2367
02:04:54.000 --> 02:04:57.520
<v Speaker 3>length commentary by Justin Humphries. Making of Destination Moon, a

2368
02:04:57.640 --> 02:05:01.800
<v Speaker 3>new documentary by Ballyhoo Motion Pictures. Flight to Mars restored trailer,

2369
02:05:01.960 --> 02:05:06.319
<v Speaker 3>new documentary by bally Who again called Interstellar Travelogs Extended Edition.

2370
02:05:06.720 --> 02:05:09.000
<v Speaker 3>There's an archival doc by bally Who. This is now

2371
02:05:09.199 --> 02:05:12.640
<v Speaker 3>multiple times that they've worked on this film. There's a

2372
02:05:12.680 --> 02:05:14.720
<v Speaker 3>lot here, plus a full color inserted a booklet with

2373
02:05:14.760 --> 02:05:17.359
<v Speaker 3>the new essay by Sloan to Forest. Have you checked

2374
02:05:17.399 --> 02:05:20.000
<v Speaker 3>out much from Filmmasters or seen anything from them?

2375
02:05:20.600 --> 02:05:22.760
<v Speaker 4>No? I haven't, but I'm reading the specs and I

2376
02:05:22.800 --> 02:05:23.600
<v Speaker 4>haven't seen the name.

2377
02:05:24.359 --> 02:05:27.199
<v Speaker 6>The name James van Hyes brings back memories back when

2378
02:05:27.239 --> 02:05:30.439
<v Speaker 6>they used to do all these unauthorized Star Trek like

2379
02:05:30.479 --> 02:05:33.680
<v Speaker 6>episode guides and encyclopedias and things like that, and he

2380
02:05:33.760 --> 02:05:35.920
<v Speaker 6>was all over assuming it's the same guy, like he

2381
02:05:36.039 --> 02:05:38.640
<v Speaker 6>was all over those. I think before Paramount, I think

2382
02:05:38.640 --> 02:05:42.760
<v Speaker 6>they cracked down on them at some point. But no,

2383
02:05:42.840 --> 02:05:45.640
<v Speaker 6>it's definitely this is something I would definitely check out.

2384
02:05:46.720 --> 02:05:49.760
<v Speaker 3>Yeap and explosive Action. You are right they did put

2385
02:05:49.760 --> 02:05:51.279
<v Speaker 3>out Flight to Mars. I believe that was when they

2386
02:05:51.319 --> 02:05:54.079
<v Speaker 3>were still the film detective and became the filmmasters. So

2387
02:05:54.439 --> 02:05:57.079
<v Speaker 3>this is more of like a cobbling together sort of things.

2388
02:05:57.119 --> 02:05:59.880
<v Speaker 3>But it's a double feed here. It'll be reasonably reasonably

2389
02:06:00.439 --> 02:06:03.479
<v Speaker 3>so that's a good thing. Next up, a film I

2390
02:06:03.479 --> 02:06:05.880
<v Speaker 3>had heard is great. I need to see this than

2391
02:06:05.960 --> 02:06:08.319
<v Speaker 3>Napa Boys from last year's Coming to Blu Ray from

2392
02:06:08.319 --> 02:06:11.479
<v Speaker 3>Magnolia on May nineteenth. Is supposed to be pretty damn funny.

2393
02:06:11.840 --> 02:06:14.600
<v Speaker 3>It has no extras on the disc, but looks like

2394
02:06:14.680 --> 02:06:17.279
<v Speaker 3>a great time. Check out the trailer to see if

2395
02:06:17.279 --> 02:06:22.800
<v Speaker 3>it's your type of comedy. Next, Invasion USA from nineteen

2396
02:06:22.840 --> 02:06:25.479
<v Speaker 3>eighty five. This already has a four K in the US,

2397
02:06:25.560 --> 02:06:28.479
<v Speaker 3>but it is getting a re released Blu ray over

2398
02:06:28.520 --> 02:06:31.880
<v Speaker 3>in the UK on June twenty ninth. From Final Cut Entertainment.

2399
02:06:32.199 --> 02:06:34.800
<v Speaker 3>Is that good news? Well, it'll be in print, sure,

2400
02:06:35.520 --> 02:06:38.079
<v Speaker 3>but this was previously done by eighty eight Films in

2401
02:06:38.079 --> 02:06:40.920
<v Speaker 3>the UK, and this is not going to be an

2402
02:06:40.960 --> 02:06:43.960
<v Speaker 3>upgrade in any way. In fact, Final Cut is known

2403
02:06:44.000 --> 02:06:47.600
<v Speaker 3>for pretty bad discs, so just more more awareness. I

2404
02:06:47.640 --> 02:06:50.319
<v Speaker 3>guess that they're releasing this, I would hardly recommend. If

2405
02:06:50.319 --> 02:06:53.319
<v Speaker 3>you love this or Chuck Norris, I definitely recommend the

2406
02:06:53.399 --> 02:06:55.720
<v Speaker 3>Vinegar SYONDRM release of this film.

2407
02:06:56.600 --> 02:06:58.520
<v Speaker 6>I just hear Chuck Norris's name and I think of

2408
02:06:58.600 --> 02:07:03.920
<v Speaker 6>Joe Piscopo and Sidecar Chuck Norris.

2409
02:07:04.359 --> 02:07:09.920
<v Speaker 3>And yeah, this cover is not super appealing either. All right,

2410
02:07:10.479 --> 02:07:14.159
<v Speaker 3>next up, this is funny enough, a very small film

2411
02:07:14.199 --> 02:07:16.399
<v Speaker 3>in the grand scheme of things this week, but a

2412
02:07:16.399 --> 02:07:18.600
<v Speaker 3>fairly large deal for people that love this sort of thing.

2413
02:07:18.960 --> 02:07:21.960
<v Speaker 3>May twenty sixth, Cape Light and MPI are releasing The

2414
02:07:22.079 --> 02:07:26.279
<v Speaker 3>Round Up Outlaws from twenty seventeen. If you recognize this

2415
02:07:26.319 --> 02:07:28.640
<v Speaker 3>guy on the cover, that is Don Lee. And this

2416
02:07:28.720 --> 02:07:31.159
<v Speaker 3>is a big deal because this is the first of

2417
02:07:31.199 --> 02:07:34.079
<v Speaker 3>the round Up films. Technically, when this was released, it

2418
02:07:34.159 --> 02:07:35.680
<v Speaker 3>was not called The round Up. I believe it was

2419
02:07:35.720 --> 02:07:38.600
<v Speaker 3>just called The Outlaws. But this has never had a

2420
02:07:38.760 --> 02:07:42.600
<v Speaker 3>US Blu Ray release. So this is a big deal.

2421
02:07:43.600 --> 02:07:45.840
<v Speaker 3>This is one. I believe they've made four of these

2422
02:07:45.880 --> 02:07:48.840
<v Speaker 3>films now, and this is the first time that the

2423
02:07:48.840 --> 02:07:52.039
<v Speaker 3>first one is being released on HD here in the US.

2424
02:07:52.279 --> 02:07:55.720
<v Speaker 3>So check this out if you are keen on Asian action.

2425
02:07:56.680 --> 02:07:58.760
<v Speaker 3>I'm dying to pick this up. Glad that they're doing

2426
02:07:58.840 --> 02:08:01.560
<v Speaker 3>it here. I need this. Josh fact check me if

2427
02:08:01.600 --> 02:08:03.920
<v Speaker 3>you need to. I hope everything I just said was right.

2428
02:08:03.960 --> 02:08:05.840
<v Speaker 3>I believe that there are four and I believe this

2429
02:08:05.920 --> 02:08:08.560
<v Speaker 3>is the first time US has gotten a Blu Ray

2430
02:08:08.600 --> 02:08:12.239
<v Speaker 3>release of this, So check it out. Josh said he

2431
02:08:12.279 --> 02:08:15.840
<v Speaker 3>had to import a Korean Blu ray of this film. Yikes.

2432
02:08:16.520 --> 02:08:18.520
<v Speaker 3>Now it is here and you can probably get it

2433
02:08:18.560 --> 02:08:24.560
<v Speaker 3>for less than twenty three dollars. Next, Magnolia on May

2434
02:08:24.640 --> 02:08:28.880
<v Speaker 3>twenty sixth is releasing Heal from last year. Now what's

2435
02:08:28.920 --> 02:08:31.800
<v Speaker 3>interesting is over in the UK. This was previously titled

2436
02:08:31.840 --> 02:08:36.680
<v Speaker 3>good Boy, and of course the pov Dog horror film

2437
02:08:36.720 --> 02:08:39.319
<v Speaker 3>from last year was also called good Boy, so they

2438
02:08:39.439 --> 02:08:43.199
<v Speaker 3>changed the title of this film to Heal. This is

2439
02:08:43.279 --> 02:08:46.960
<v Speaker 3>from Jan Kamasa. It's a twisted thriller that follows nineteen

2440
02:08:47.000 --> 02:08:49.840
<v Speaker 3>year old hooligan Tommy played by Anson Boone, who revels

2441
02:08:49.840 --> 02:08:52.800
<v Speaker 3>in a life of drugs, parties, and violence. One night,

2442
02:08:53.319 --> 02:08:55.560
<v Speaker 3>on a bender with his reckless friends, he becomes separated

2443
02:08:55.600 --> 02:08:57.840
<v Speaker 3>from the group and is abducted by an unknown figure

2444
02:08:58.119 --> 02:09:00.680
<v Speaker 3>played by Stephen Graham. I've heard this great. I need

2445
02:09:00.720 --> 02:09:03.319
<v Speaker 3>to see this movie. No extras on here. It also

2446
02:09:03.399 --> 02:09:06.279
<v Speaker 3>has Andrea Risebro who's kind of amazing and everything that

2447
02:09:06.319 --> 02:09:09.239
<v Speaker 3>she does. Yeah, he'll have you seen this one?

2448
02:09:09.760 --> 02:09:11.680
<v Speaker 4>No? I haven't.

2449
02:09:12.560 --> 02:09:17.560
<v Speaker 3>Me neither dying too. This looks so fun, all right.

2450
02:09:18.399 --> 02:09:21.520
<v Speaker 3>The show Dark Wind season four is getting an AMC

2451
02:09:21.800 --> 02:09:24.600
<v Speaker 3>Blu ray on June sixteenth. This will have a handful

2452
02:09:24.600 --> 02:09:28.680
<v Speaker 3>of special features, just some small featurettes. I have never

2453
02:09:28.720 --> 02:09:32.039
<v Speaker 3>seen even a second of this film or this show.

2454
02:09:32.399 --> 02:09:34.199
<v Speaker 3>If you're into it, I'm glad it's still getting Blu

2455
02:09:34.279 --> 02:09:34.760
<v Speaker 3>ray release.

2456
02:09:35.239 --> 02:09:39.239
<v Speaker 6>My dad watches it, actually nice, nice. It's one of

2457
02:09:39.319 --> 02:09:42.720
<v Speaker 6>the few new shows he does watch. But no, he's

2458
02:09:42.760 --> 02:09:43.119
<v Speaker 6>a fan.

2459
02:09:44.600 --> 02:09:47.159
<v Speaker 3>I have heard from people that love it that they

2460
02:09:47.279 --> 02:09:49.159
<v Speaker 3>really love it, so they must have a very strong

2461
02:09:49.199 --> 02:09:54.359
<v Speaker 3>fan base of this one, all right. Next up, wanted

2462
02:09:54.399 --> 02:09:58.600
<v Speaker 3>to shout out an event coming up. Silk Screams is

2463
02:09:58.600 --> 02:10:02.000
<v Speaker 3>presenting the Buffalo Oh Horror Garage Sale May thirtieth and

2464
02:10:02.039 --> 02:10:05.359
<v Speaker 3>thirty first in Buffalo, New York. Two days all horror.

2465
02:10:05.359 --> 02:10:09.520
<v Speaker 3>There's gonna be celebrities, vendors, panels, and movies. They've got

2466
02:10:09.560 --> 02:10:12.359
<v Speaker 3>eighty plus vendors selling nothing but horror items, and they

2467
02:10:12.359 --> 02:10:15.920
<v Speaker 3>have cast members from movies like Franken Hooker, Basket Case,

2468
02:10:15.960 --> 02:10:19.239
<v Speaker 3>Brain Damage, The Stepfather, Popcorn, Class of eighty four, Deadly Eyes,

2469
02:10:19.239 --> 02:10:22.640
<v Speaker 3>and more. Lots of free parking here. The best part

2470
02:10:22.680 --> 02:10:25.199
<v Speaker 3>about this entire event. If you go for one day

2471
02:10:25.399 --> 02:10:28.279
<v Speaker 3>ticket to get in only five bucks. If you get

2472
02:10:28.279 --> 02:10:31.039
<v Speaker 3>a ticket for the whole weekend, it's a whole eight dollars.

2473
02:10:31.439 --> 02:10:33.600
<v Speaker 3>What kind of event is only charging five or eight

2474
02:10:33.600 --> 02:10:37.079
<v Speaker 3>dollars in twenty twenty six to get in. Pretty decent

2475
02:10:37.159 --> 02:10:39.479
<v Speaker 3>names here too. We got Frank Cannon, Lauder, Patty Mullen,

2476
02:10:40.039 --> 02:10:44.720
<v Speaker 3>Jill Sholin, Chris la Martin, La Martina from WNUF Halloween.

2477
02:10:44.760 --> 02:10:47.000
<v Speaker 3>The director is going to be there. If you're into

2478
02:10:47.319 --> 02:10:49.840
<v Speaker 3>Blu Rays, like pretty much everybody watching this is, you

2479
02:10:49.840 --> 02:10:52.399
<v Speaker 3>can check out Art Eddinger, who's really great at what

2480
02:10:52.399 --> 02:10:55.159
<v Speaker 3>he does. Even Michael Felscher's gonna be in there. Check

2481
02:10:55.199 --> 02:10:57.760
<v Speaker 3>it out. Go up there if you are anywhere close

2482
02:10:58.399 --> 02:11:00.000
<v Speaker 3>it seems like a good time and for five bucks,

2483
02:11:00.479 --> 02:11:05.079
<v Speaker 3>I mean, can't really go wrong there. We got some

2484
02:11:05.199 --> 02:11:08.199
<v Speaker 3>details on eighty eight film's release of Rounders. This is

2485
02:11:08.239 --> 02:11:10.560
<v Speaker 3>coming to Blu ray on May eleventh. This is still

2486
02:11:10.640 --> 02:11:12.840
<v Speaker 3>only a Blu ray. A lot of people complaining this

2487
02:11:12.960 --> 02:11:16.000
<v Speaker 3>is not four K, but all the extras on here.

2488
02:11:16.039 --> 02:11:18.039
<v Speaker 3>We get an audio commentary with John Dall and some

2489
02:11:18.079 --> 02:11:21.520
<v Speaker 3>of the screenwriters, and Edward Norton commentary with a handful

2490
02:11:21.560 --> 02:11:24.600
<v Speaker 3>of professional poker players including Johnny Chan, Phil Hellmuth and

2491
02:11:24.680 --> 02:11:28.800
<v Speaker 3>Chris Moneymaker and Chris Ferguson. An interview with David Levin

2492
02:11:28.960 --> 02:11:33.479
<v Speaker 3>and Brian Kopeleman. Buying the Scenes featurette Inside Professional Poker featurette.

2493
02:11:33.800 --> 02:11:37.279
<v Speaker 3>Are you a Rounders fan again? This one?

2494
02:11:37.319 --> 02:11:39.720
<v Speaker 6>It's been a long time, but I certainly recognize. I

2495
02:11:39.800 --> 02:11:44.520
<v Speaker 6>think that's Tommy Pocket's artwork, which I recognized from a

2496
02:11:44.560 --> 02:11:45.159
<v Speaker 6>mile away.

2497
02:11:47.439 --> 02:11:50.000
<v Speaker 3>I really like this art and I got a lot

2498
02:11:50.079 --> 02:11:52.279
<v Speaker 3>of complaints when I posted this today. I don't know

2499
02:11:52.319 --> 02:11:53.800
<v Speaker 3>something about it just appeals to me.

2500
02:11:55.800 --> 02:11:59.239
<v Speaker 6>Oh yeah, yeah, Thomas Walker. No, I'm thinking it too.

2501
02:11:59.239 --> 02:12:01.640
<v Speaker 6>I like the color scheme. But yes, for the movie,

2502
02:12:02.359 --> 02:12:03.319
<v Speaker 6>it's been a long time.

2503
02:12:04.319 --> 02:12:09.720
<v Speaker 3>Same I've not seen it in ages. Then we've got

2504
02:12:09.920 --> 02:12:12.600
<v Speaker 3>he Man and She Rah the Ultimate Collection, coming to

2505
02:12:13.119 --> 02:12:16.920
<v Speaker 3>DVD only on May twenty sixth. I believe this has

2506
02:12:17.000 --> 02:12:18.960
<v Speaker 3>all of the legacy features that were on the previous

2507
02:12:19.000 --> 02:12:22.319
<v Speaker 3>releases and really not much of anything else. I think

2508
02:12:22.359 --> 02:12:24.800
<v Speaker 3>the biggest thing is that they are all bundled together,

2509
02:12:25.439 --> 02:12:29.000
<v Speaker 3>and I don't think that had happened previously. And so

2510
02:12:29.279 --> 02:12:31.399
<v Speaker 3>if you're into these or you want to be able

2511
02:12:31.399 --> 02:12:33.880
<v Speaker 3>to capture them in the biggest collection, this might be

2512
02:12:33.920 --> 02:12:36.560
<v Speaker 3>the way to do that. They're clearly timing this to

2513
02:12:36.560 --> 02:12:39.239
<v Speaker 3>come out with the Masters of the Universe remake that's

2514
02:12:39.239 --> 02:12:42.279
<v Speaker 3>coming out later this year. Are you, I mean, knowing

2515
02:12:42.319 --> 02:12:44.399
<v Speaker 3>your age, I feel like these would be tailor made

2516
02:12:44.399 --> 02:12:45.319
<v Speaker 3>for you or you into.

2517
02:12:45.079 --> 02:12:47.680
<v Speaker 4>This, you know, I'm sure I see.

2518
02:12:47.760 --> 02:12:50.239
<v Speaker 6>I watched a few, but it wasn't part of my regular,

2519
02:12:50.960 --> 02:12:54.279
<v Speaker 6>you know, Saturday morning, which is why I also always

2520
02:12:54.359 --> 02:12:58.119
<v Speaker 6>laugh when I watch Ghostbusters two, the opening party scene

2521
02:12:58.119 --> 02:12:59.880
<v Speaker 6>when the kids, like I thought it was going to

2522
02:12:59.920 --> 02:13:03.119
<v Speaker 6>be he Man, Yeah, I would have been teen Ghostbusters,

2523
02:13:04.760 --> 02:13:05.800
<v Speaker 6>but yeah, I would have seen a few.

2524
02:13:05.800 --> 02:13:09.600
<v Speaker 4>It just wasn't, yep, really that big part of my childhood.

2525
02:13:10.439 --> 02:13:13.800
<v Speaker 3>I agree, And yeah, that's that's it. For announcements for

2526
02:13:13.840 --> 02:13:15.920
<v Speaker 3>this week, just a reminder of what's coming out next

2527
02:13:15.960 --> 02:13:18.600
<v Speaker 3>week in case you forgot. We've got the Life of

2528
02:13:18.600 --> 02:13:22.279
<v Speaker 3>Brian four K from Criterion, The Phantom four K from Keno,

2529
02:13:22.319 --> 02:13:25.399
<v Speaker 3>Lrber Runaway Train four K from Keno, Trouble in Paradise

2530
02:13:25.439 --> 02:13:29.640
<v Speaker 3>four K from Criterion, Remo Williams on four K from Keno,

2531
02:13:30.079 --> 02:13:32.920
<v Speaker 3>That Becoming led Zeppelin four K, Steel Book is coming out,

2532
02:13:33.159 --> 02:13:35.600
<v Speaker 3>Hearts of Darkness, the Making of the Final Friday coming

2533
02:13:35.600 --> 02:13:39.960
<v Speaker 3>from Red Shirt Pictures, Meet the Fokkers four K, Death

2534
02:13:40.000 --> 02:13:43.199
<v Speaker 3>Ship four K from Keno, Euphoria four K from Keno

2535
02:13:43.239 --> 02:13:46.439
<v Speaker 3>as well, Groove from two thousand getting a four K.

2536
02:13:47.239 --> 02:13:50.560
<v Speaker 3>We've got a couple other smaller titles, like a Traveler's

2537
02:13:50.600 --> 02:13:52.760
<v Speaker 3>Needs from Cinema Guild. I've heard that I need to

2538
02:13:52.760 --> 02:13:56.000
<v Speaker 3>see that one team in from I believe that one

2539
02:13:56.039 --> 02:13:59.479
<v Speaker 3>is a Kenot release. We've got Midwinter Break coming next

2540
02:13:59.479 --> 02:14:02.279
<v Speaker 3>week as well. Well. And that's about it. Any of

2541
02:14:02.319 --> 02:14:05.560
<v Speaker 3>these titles that you're after soon. I know I need

2542
02:14:05.600 --> 02:14:06.640
<v Speaker 3>a Life of Brian.

2543
02:14:06.479 --> 02:14:12.159
<v Speaker 6>Soon, maybe Remo Williams definitely not Fokker's, that's for sure.

2544
02:14:13.039 --> 02:14:13.359
<v Speaker 7>Same.

2545
02:14:14.279 --> 02:14:17.399
<v Speaker 3>I've never even meet the parents. I've never been into

2546
02:14:17.439 --> 02:14:19.159
<v Speaker 3>any of those for some reason.

2547
02:14:19.199 --> 02:14:21.720
<v Speaker 4>I like the first one didn't finish, the second one

2548
02:14:21.760 --> 02:14:22.840
<v Speaker 4>never watched. The third one.

2549
02:14:24.039 --> 02:14:26.640
<v Speaker 3>I keep forgetting that there was what was that little

2550
02:14:26.720 --> 02:14:31.399
<v Speaker 3>Foker's was that the third one? Yikes? All right, before

2551
02:14:31.720 --> 02:14:37.800
<v Speaker 3>we go into our audio commentary conversation, here is really

2552
02:14:37.880 --> 02:14:41.239
<v Speaker 3>quick that trailer for the Man Whom the Trees Loved.

2553
02:14:41.319 --> 02:14:44.640
<v Speaker 3>Let me make this full screen for everybody, gonna play

2554
02:14:44.680 --> 02:14:47.159
<v Speaker 3>the audio with it and everything. Here we go.

2555
02:15:00.039 --> 02:15:00.399
<v Speaker 5>M hm.

2556
02:15:09.319 --> 02:15:09.439
<v Speaker 7>Hm.

2557
02:15:10.520 --> 02:15:10.880
<v Speaker 8>How was.

2558
02:15:15.359 --> 02:15:16.680
<v Speaker 7>I for walking the wits?

2559
02:15:18.840 --> 02:15:19.199
<v Speaker 3>It was?

2560
02:15:23.720 --> 02:15:25.399
<v Speaker 5>I don't really know how to scrap it. It's like

2561
02:15:25.479 --> 02:15:32.119
<v Speaker 5>I felt like you will dancy that one feeling more magical.

2562
02:15:33.159 --> 02:15:33.600
<v Speaker 7>Feeling.

2563
02:15:35.640 --> 02:15:41.680
<v Speaker 5>All the trees are like connected and interlace and that

2564
02:15:41.800 --> 02:15:43.520
<v Speaker 5>sounds kind of funny, but it's kind of like they're

2565
02:15:43.520 --> 02:15:44.399
<v Speaker 5>all talking to you.

2566
02:15:52.279 --> 02:15:53.119
<v Speaker 7>So fol.

2567
02:15:59.760 --> 02:15:59.960
<v Speaker 5>Hmm.

2568
02:16:04.199 --> 02:16:18.560
<v Speaker 7>Yeah, I remember last time I felt that inspired. That

2569
02:16:18.720 --> 02:16:19.680
<v Speaker 7>sounds wonder.

2570
02:16:24.640 --> 02:16:42.639
<v Speaker 3>Yeah, all right, check that out at Florida Film Festival

2571
02:16:42.639 --> 02:16:44.680
<v Speaker 3>the next couple of weeks. It will be a handful

2572
02:16:44.719 --> 02:16:46.639
<v Speaker 3>of other festivals this year, and then it will come

2573
02:16:46.639 --> 02:16:50.159
<v Speaker 3>to theaters early twenty twenty seven. That's The Man Whom

2574
02:16:50.159 --> 02:16:55.079
<v Speaker 3>the Trees Loved by Tevin Dean and Woodra Flapputka. Great film.

2575
02:16:55.239 --> 02:16:59.079
<v Speaker 3>I hope people love it all right.

2576
02:16:59.479 --> 02:17:05.319
<v Speaker 6>Looks interesting and you know atmosphere, love a movie with atmosphere.

2577
02:17:04.959 --> 02:17:07.520
<v Speaker 3>Lots of atmosphere. And it's a very Florida movie, which

2578
02:17:07.520 --> 02:17:09.639
<v Speaker 3>is why we premiered at the Florida Film Festival. It

2579
02:17:09.680 --> 02:17:12.000
<v Speaker 3>was all shot in Florida. And yeah, I hope people

2580
02:17:12.000 --> 02:17:17.639
<v Speaker 3>love it all right tonight. Audio commentaries, Why why do

2581
02:17:17.680 --> 02:17:19.040
<v Speaker 3>you like audio commentary? Scott?

2582
02:17:20.239 --> 02:17:22.799
<v Speaker 4>Well, you know, to be fair, they're not all created equal.

2583
02:17:23.920 --> 02:17:24.479
<v Speaker 7>So true.

2584
02:17:25.319 --> 02:17:28.000
<v Speaker 4>You know, when I.

2585
02:17:27.239 --> 02:17:30.200
<v Speaker 6>First started buying DVDs, I think I bought my first

2586
02:17:30.200 --> 02:17:34.239
<v Speaker 6>player in ninety eight, it just seemed it was something

2587
02:17:34.280 --> 02:17:35.879
<v Speaker 6>i'd only read about and I was too young to

2588
02:17:35.920 --> 02:17:38.639
<v Speaker 6>get into laser disc and it was like just the

2589
02:17:38.719 --> 02:17:42.600
<v Speaker 6>idea of hearing someone talk over a film about how

2590
02:17:42.600 --> 02:17:45.680
<v Speaker 6>it was made. In fact, it's on the Criterion channel,

2591
02:17:46.000 --> 02:17:47.600
<v Speaker 6>you know, the out of print stuff. I still need

2592
02:17:47.639 --> 02:17:50.559
<v Speaker 6>to check out the King Kong commentary, which was I

2593
02:17:50.559 --> 02:17:55.360
<v Speaker 6>think the first one ever recorded. But yeah, it just

2594
02:17:55.360 --> 02:18:00.799
<v Speaker 6>seemed like one of those cool things. And you know,

2595
02:18:02.079 --> 02:18:04.639
<v Speaker 6>you know, and having always been interested in how movies

2596
02:18:04.680 --> 02:18:07.200
<v Speaker 6>are made, you know, why not.

2597
02:18:07.280 --> 02:18:09.159
<v Speaker 4>But again, some commentaries are.

2598
02:18:09.040 --> 02:18:12.159
<v Speaker 6>Better than others, and the ones that earn my you know,

2599
02:18:12.159 --> 02:18:15.680
<v Speaker 6>it's kind of a mix of informative and funny ones.

2600
02:18:16.399 --> 02:18:20.120
<v Speaker 3>Right. I chose five because we're doing on five of

2601
02:18:20.159 --> 02:18:23.520
<v Speaker 3>our favorites, and I chose five all for different reasons.

2602
02:18:23.559 --> 02:18:26.360
<v Speaker 3>So one of them is specifically because they're super informative,

2603
02:18:26.559 --> 02:18:28.479
<v Speaker 3>but I've got reasons for all of them. I can't

2604
02:18:28.520 --> 02:18:31.920
<v Speaker 3>wait to go into it. Let's hear, what is your

2605
02:18:31.959 --> 02:18:33.200
<v Speaker 3>first one you want to bring up tonight?

2606
02:18:33.479 --> 02:18:35.920
<v Speaker 6>Okay, these are in no particular order, by the way,

2607
02:18:36.280 --> 02:18:40.079
<v Speaker 6>but I will say Star Trek Generations with Ron Moore

2608
02:18:40.120 --> 02:18:43.920
<v Speaker 6>and Brannan Baga, which I think there are a couple

2609
02:18:43.959 --> 02:18:47.159
<v Speaker 6>of bits that were edited on the DVD special edition,

2610
02:18:47.200 --> 02:18:48.520
<v Speaker 6>but if you have the Blu ray and the four K,

2611
02:18:48.600 --> 02:18:53.920
<v Speaker 6>everything's accounted for. But having been a Trek fan since

2612
02:18:53.920 --> 02:18:57.959
<v Speaker 6>I was a kid, since nineteen ninety two, with Next

2613
02:18:58.000 --> 02:19:02.479
<v Speaker 6>Generation and then Deep Space nine, Voyager, et cetera, the

2614
02:19:02.520 --> 02:19:07.639
<v Speaker 6>modern shows some more than others. But this one it's

2615
02:19:07.680 --> 02:19:13.120
<v Speaker 6>super informative, super candid, which I'm surprised, you know some

2616
02:19:13.159 --> 02:19:15.840
<v Speaker 6>of them, you know, not that they say anything horrible,

2617
02:19:15.920 --> 02:19:19.959
<v Speaker 6>but yeah, they talk about not just writing the movie

2618
02:19:20.520 --> 02:19:23.399
<v Speaker 6>but also working on the show, and I think more

2619
02:19:23.520 --> 02:19:28.319
<v Speaker 6>started in season three Braga and four and they were

2620
02:19:28.319 --> 02:19:31.239
<v Speaker 6>writing the series finale all good things kind of at

2621
02:19:31.239 --> 02:19:32.760
<v Speaker 6>the same time as they were writing the movie, and

2622
02:19:32.799 --> 02:19:35.600
<v Speaker 6>they both kind of come to the realization, you know,

2623
02:19:35.719 --> 02:19:38.639
<v Speaker 6>damn it, the finale was better because it was their

2624
02:19:38.680 --> 02:19:39.280
<v Speaker 6>first movie.

2625
02:19:39.319 --> 02:19:41.559
<v Speaker 4>They had all these rules from the studio.

2626
02:19:42.520 --> 02:19:45.760
<v Speaker 6>You know, the original crew can only appear in the opening,

2627
02:19:45.840 --> 02:19:48.159
<v Speaker 6>and you know, I have to have Klingons in it,

2628
02:19:48.239 --> 02:19:51.040
<v Speaker 6>and you know, have some data comic relief and so on.

2629
02:19:52.840 --> 02:19:55.120
<v Speaker 4>They were like, yeah, we spent a year on this movie.

2630
02:19:55.159 --> 02:19:57.360
<v Speaker 4>The finale for the show we wrote in three weeks.

2631
02:19:58.520 --> 02:19:58.680
<v Speaker 4>You know.

2632
02:19:58.680 --> 02:20:00.639
<v Speaker 6>They talk about some stuff that they were able to do.

2633
02:20:02.840 --> 02:20:06.200
<v Speaker 6>You know, they talk about just you know, certain sci

2634
02:20:06.239 --> 02:20:08.840
<v Speaker 6>fi and Star Trek cliches. You know, how come everyone's

2635
02:20:08.920 --> 02:20:11.280
<v Speaker 6>room on the ship has pictures of space when there's

2636
02:20:11.280 --> 02:20:14.680
<v Speaker 6>a window right there. You know, the idea of having

2637
02:20:14.680 --> 02:20:20.120
<v Speaker 6>a counselor on the bridge, and you know, certain things

2638
02:20:20.159 --> 02:20:22.879
<v Speaker 6>that might they feared would date the show as sort

2639
02:20:22.920 --> 02:20:26.639
<v Speaker 6>of an eighties relic, you know, talking about working with Shatner,

2640
02:20:27.200 --> 02:20:30.280
<v Speaker 6>which was very humbling, I guess, and you know the

2641
02:20:30.280 --> 02:20:32.959
<v Speaker 6>rest of the cast. But no, it's great, very informative,

2642
02:20:34.600 --> 02:20:37.000
<v Speaker 6>and they also did a commentary for First Contact, but

2643
02:20:37.159 --> 02:20:39.479
<v Speaker 6>you know, because Generations had so many more issues with that.

2644
02:20:39.479 --> 02:20:41.079
<v Speaker 4>The one for First Contact.

2645
02:20:40.680 --> 02:20:44.079
<v Speaker 6>Was like, yeah, the movie turned out pretty well. Generations

2646
02:20:44.159 --> 02:20:46.920
<v Speaker 6>is a little more Yeah, we kind of wish we

2647
02:20:46.959 --> 02:20:49.760
<v Speaker 6>could do this again, or you have another.

2648
02:20:49.520 --> 02:20:50.040
<v Speaker 7>Go at it.

2649
02:20:52.559 --> 02:20:55.000
<v Speaker 3>I've not listened to any Star Trek commentaries, but I

2650
02:20:55.040 --> 02:20:57.520
<v Speaker 3>can see why they would. I mean, there's, first off,

2651
02:20:57.559 --> 02:21:00.920
<v Speaker 3>it's one of the most like storiediz as ever. There's

2652
02:21:00.920 --> 02:21:03.360
<v Speaker 3>so much that's been done, so much legacy to talk about,

2653
02:21:03.399 --> 02:21:06.879
<v Speaker 3>so much incredible writing. I imagine a lot of them

2654
02:21:06.920 --> 02:21:08.120
<v Speaker 3>would probably be pretty great.

2655
02:21:09.799 --> 02:21:12.479
<v Speaker 4>Some theres are good, and then the ones with Nicholas Meyer,

2656
02:21:13.479 --> 02:21:14.479
<v Speaker 4>those are pretty good too.

2657
02:21:15.799 --> 02:21:19.079
<v Speaker 3>Sounds fantastic. The first one I wanted to talk about

2658
02:21:20.040 --> 02:21:22.000
<v Speaker 3>is the first one that got me into audio commentaries.

2659
02:21:22.000 --> 02:21:24.079
<v Speaker 3>I feel like that's pretty apt for me. And this

2660
02:21:24.200 --> 02:21:25.680
<v Speaker 3>is not the first one I heard. I had heard

2661
02:21:25.680 --> 02:21:27.399
<v Speaker 3>a few and I was like, yeah, I mean, I

2662
02:21:27.680 --> 02:21:30.719
<v Speaker 3>get the appeal, it's just not my thing. And then

2663
02:21:30.760 --> 02:21:34.200
<v Speaker 3>I heard this one and it went into overdrive for me.

2664
02:21:34.719 --> 02:21:38.440
<v Speaker 3>And this is kind of a full circle moment because

2665
02:21:38.479 --> 02:21:41.760
<v Speaker 3>it's somebody that I truly appreciate and admire in the Field.

2666
02:21:42.440 --> 02:21:45.280
<v Speaker 3>It's Bill Ackerman and Amanda Reaes on Last House on

2667
02:21:45.319 --> 02:21:49.120
<v Speaker 3>the Left that was released on Arrow. And this is

2668
02:21:49.120 --> 02:21:52.479
<v Speaker 3>one of those things where it's not a filmmaker that

2669
02:21:52.559 --> 02:21:57.239
<v Speaker 3>was involved in the film, but Bill specifically has worshiped

2670
02:21:57.360 --> 02:21:59.559
<v Speaker 3>Last House on the Left for so long of his life,

2671
02:22:00.319 --> 02:22:03.319
<v Speaker 3>and it was the title that was lived up to

2672
02:22:04.040 --> 02:22:05.959
<v Speaker 3>in multiple ways because when he was a child, he

2673
02:22:06.000 --> 02:22:07.879
<v Speaker 3>wasn't allowed to see it and he was told like, no,

2674
02:22:07.879 --> 02:22:10.399
<v Speaker 3>you're not allowed to see this one specifically, and eventually

2675
02:22:10.399 --> 02:22:11.920
<v Speaker 3>got to see it, and then it became this big thing.

2676
02:22:11.959 --> 02:22:14.719
<v Speaker 3>Then Arrow hired him for this with Amanda, and it

2677
02:22:14.840 --> 02:22:17.319
<v Speaker 3>is so great. It's just one of those things where

2678
02:22:17.360 --> 02:22:20.520
<v Speaker 3>it's like somebody that knows almost as much as you

2679
02:22:20.559 --> 02:22:23.959
<v Speaker 3>could without being directly involved with the film about a film,

2680
02:22:24.440 --> 02:22:28.799
<v Speaker 3>and it's just a complete encyclopedia of what to know

2681
02:22:28.879 --> 02:22:31.680
<v Speaker 3>about it, what to feel about it, the critical analysis

2682
02:22:31.680 --> 02:22:34.840
<v Speaker 3>of it, and it's made so perfectly that it is.

2683
02:22:35.319 --> 02:22:38.840
<v Speaker 3>It's one of those things that was genuinely inspiring for commentaries.

2684
02:22:39.159 --> 02:22:42.120
<v Speaker 3>If you've not heard it, it's quite good. I think

2685
02:22:42.200 --> 02:22:45.520
<v Speaker 3>most people would appreciate it, especially considering what Wes Craven

2686
02:22:45.600 --> 02:22:48.559
<v Speaker 3>became and what that film was at the time and

2687
02:22:48.559 --> 02:22:51.319
<v Speaker 3>what he eventually got into after that. It's still wild

2688
02:22:51.360 --> 02:22:52.920
<v Speaker 3>to me that we get somebody who did Last House

2689
02:22:52.959 --> 02:22:55.840
<v Speaker 3>on the Left, that did things even like Knightmaron Elstree

2690
02:22:55.959 --> 02:23:00.120
<v Speaker 3>like you don't really think crazy, like close to being

2691
02:23:00.200 --> 02:23:04.360
<v Speaker 3>band film to doing like a fairly mainstream slasher and

2692
02:23:04.399 --> 02:23:08.840
<v Speaker 3>starting a franchise, and those together are just so interesting.

2693
02:23:09.440 --> 02:23:15.879
<v Speaker 3>It's obviously it's a very I don't want to say

2694
02:23:15.879 --> 02:23:17.799
<v Speaker 3>troubled film, but it's one of those movies that it's

2695
02:23:17.879 --> 02:23:20.280
<v Speaker 3>it's sensitive for a lot of people. It's got scenes

2696
02:23:20.280 --> 02:23:23.239
<v Speaker 3>in that movie that are hard to watch, and the

2697
02:23:23.280 --> 02:23:25.520
<v Speaker 3>commentary does a really good job in navigating it, and

2698
02:23:25.639 --> 02:23:29.520
<v Speaker 3>I think it did perfectly to balance the education, the

2699
02:23:29.639 --> 02:23:33.280
<v Speaker 3>entertainment and the actual critical analysis which it needed. I mean,

2700
02:23:33.319 --> 02:23:35.000
<v Speaker 3>it's it's that type of movie that calls.

2701
02:23:34.799 --> 02:23:37.079
<v Speaker 7>For it cool. Yeah.

2702
02:23:37.079 --> 02:23:43.319
<v Speaker 6>I have not seen it or listened to it. But

2703
02:23:43.680 --> 02:23:47.719
<v Speaker 6>my next one, the total opposite of that, Mall Rats

2704
02:23:47.959 --> 02:23:52.920
<v Speaker 6>with Kevin, which I've been a Kevin Smith fan since

2705
02:23:53.000 --> 02:23:54.959
<v Speaker 6>high school a friend of when a friend of mine

2706
02:23:55.000 --> 02:23:56.440
<v Speaker 6>came up to me in the Halloway and said, Hey,

2707
02:23:56.440 --> 02:23:58.840
<v Speaker 6>there's this movie out called Dogma. I think you'd like it.

2708
02:23:59.159 --> 02:24:01.719
<v Speaker 6>And I think Clerks had already been on my radar,

2709
02:24:02.319 --> 02:24:04.120
<v Speaker 6>but you know, watched all of his movies.

2710
02:24:04.200 --> 02:24:05.000
<v Speaker 4>I'm still a fan.

2711
02:24:07.440 --> 02:24:13.120
<v Speaker 6>And yeah, it's just it's Kevin Smith, his producer at

2712
02:24:13.120 --> 02:24:16.000
<v Speaker 6>the time, Scott Moser, Ben Affleck, Jason Lee, Jason mus

2713
02:24:16.079 --> 02:24:19.120
<v Speaker 6>and Vincent Pereira, who was sort of their in house

2714
02:24:19.920 --> 02:24:25.520
<v Speaker 6>historian geek expert, you know, actually, of all those people, like,

2715
02:24:25.559 --> 02:24:27.000
<v Speaker 6>he's the one where it was like, how does one

2716
02:24:27.040 --> 02:24:29.440
<v Speaker 6>get to be like him? Like the guy behind the

2717
02:24:29.479 --> 02:24:33.799
<v Speaker 6>guy almost but it's a riot, you know, between making

2718
02:24:33.840 --> 02:24:37.079
<v Speaker 6>fun of Kevin Smith's wade at the time or all

2719
02:24:37.159 --> 02:24:42.079
<v Speaker 6>things Affleck or you know, or a Jeremy London, you know,

2720
02:24:42.159 --> 02:24:44.719
<v Speaker 6>his his performance they kind of mock now and then

2721
02:24:44.799 --> 02:24:47.959
<v Speaker 6>in the old the original DVD had a video option

2722
02:24:48.079 --> 02:24:51.399
<v Speaker 6>as well, which I think it worked with the I

2723
02:24:51.440 --> 02:24:53.559
<v Speaker 6>think it was seamless branching, so you didn't have to

2724
02:24:53.600 --> 02:24:56.120
<v Speaker 6>do anything because Dogma had a video commentary, but you

2725
02:24:56.159 --> 02:24:58.600
<v Speaker 6>had to there would be an icon on the screen

2726
02:24:58.639 --> 02:25:01.000
<v Speaker 6>and you had to catch it, pressed the button and

2727
02:25:01.040 --> 02:25:05.000
<v Speaker 6>it was just implemented very awkwardly. But No, Malrats is

2728
02:25:05.040 --> 02:25:08.399
<v Speaker 6>like one of the classic funny commentaries and they're just

2729
02:25:08.440 --> 02:25:12.159
<v Speaker 6>giving each other crap for much of it, but Smith,

2730
02:25:12.799 --> 02:25:16.879
<v Speaker 6>you know, he's still a great grunt contour. And even

2731
02:25:16.920 --> 02:25:18.559
<v Speaker 6>though I wish Arrow had gotten it so I could

2732
02:25:18.840 --> 02:25:21.959
<v Speaker 6>work on it, I'm glad Dogmas finally back.

2733
02:25:23.200 --> 02:25:24.639
<v Speaker 4>Saying out purgatory.

2734
02:25:26.920 --> 02:25:29.799
<v Speaker 3>It is one of those that has been I don't

2735
02:25:29.799 --> 02:25:31.319
<v Speaker 3>remember when that first Blue ray came out. It was

2736
02:25:31.319 --> 02:25:33.360
<v Speaker 3>like twenty eleven and it went out of print. I

2737
02:25:33.399 --> 02:25:35.680
<v Speaker 3>don't even think it was in print for like three years.

2738
02:25:35.840 --> 02:25:38.559
<v Speaker 3>It had to have been maybe like two years that

2739
02:25:38.559 --> 02:25:41.040
<v Speaker 3>it was available, and so we've been waiting a long

2740
02:25:41.120 --> 02:25:43.559
<v Speaker 3>time to have it out there again. It is great.

2741
02:25:44.920 --> 02:25:46.799
<v Speaker 3>Since you did a funny one, I'm gonna go to

2742
02:25:46.799 --> 02:25:49.319
<v Speaker 3>mine that I chose for funny, and to me, the

2743
02:25:49.319 --> 02:25:52.280
<v Speaker 3>funniest audio commentary of all time is one of my favorites.

2744
02:25:52.600 --> 02:25:55.399
<v Speaker 3>Had to go for Tropic Thunder. We got Robert Downey

2745
02:25:55.479 --> 02:26:01.639
<v Speaker 3>Junior doing an in character commentary and it is I mean,

2746
02:26:02.879 --> 02:26:06.280
<v Speaker 3>his work in Tropic Thunder is so good, and then

2747
02:26:06.520 --> 02:26:10.000
<v Speaker 3>it mostly carries over like there's very little downtime that

2748
02:26:10.120 --> 02:26:15.239
<v Speaker 3>isn't just uproariously funny on this commentary. He nails it.

2749
02:26:15.879 --> 02:26:19.840
<v Speaker 3>I don't even know what else to say about it.

2750
02:26:19.840 --> 02:26:22.040
<v Speaker 3>It's just one of those things where it's you know,

2751
02:26:22.239 --> 02:26:24.920
<v Speaker 3>there's some commentaries that have been legendary for people being

2752
02:26:24.959 --> 02:26:27.799
<v Speaker 3>in character. I mean, we both showed Spinal Tap earlier.

2753
02:26:27.879 --> 02:26:29.159
<v Speaker 3>That's got one of the best ones of all time.

2754
02:26:29.200 --> 02:26:32.200
<v Speaker 3>It's got the whole band doing in character commentary. It's great.

2755
02:26:32.239 --> 02:26:34.879
<v Speaker 3>It's a very good commentary. I just listened to that

2756
02:26:34.879 --> 02:26:40.479
<v Speaker 3>one again recently, actually. But Tropic Thunder for funniness, I

2757
02:26:40.520 --> 02:26:44.280
<v Speaker 3>think it is the best funny commentary maybe ever made.

2758
02:26:44.319 --> 02:26:45.600
<v Speaker 3>It is so good. Check it out.

2759
02:26:46.200 --> 02:26:48.799
<v Speaker 6>I do have two that I'm calling the funniest, and

2760
02:26:48.840 --> 02:26:50.600
<v Speaker 6>I haven't listened to that one in so long. I

2761
02:26:50.639 --> 02:26:52.399
<v Speaker 6>don't even think I did the whole thing, but it

2762
02:26:52.479 --> 02:26:54.239
<v Speaker 6>works because they mentioned it in the movie.

2763
02:26:54.719 --> 02:26:56.920
<v Speaker 4>I don't have that line. I don't break character till

2764
02:26:56.920 --> 02:27:00.639
<v Speaker 4>the DVD commentary or something was going to pull up.

2765
02:27:00.639 --> 02:27:01.559
<v Speaker 4>It would take me too long.

2766
02:27:01.639 --> 02:27:04.040
<v Speaker 6>A photo of me and Kevin Smith at the Orlando

2767
02:27:04.120 --> 02:27:08.479
<v Speaker 6>Mega Con in two thousand and two. Nice, but I yeah,

2768
02:27:08.520 --> 02:27:13.399
<v Speaker 6>but I'll do. I'll do a funny one then, and

2769
02:27:13.399 --> 02:27:16.200
<v Speaker 6>then I've got a serious one and then a funny one.

2770
02:27:16.879 --> 02:27:20.399
<v Speaker 4>The Kentucky Fried movie good one. I don't know if

2771
02:27:20.399 --> 02:27:22.639
<v Speaker 4>it's still on there now. It was actually on to

2772
02:27:22.840 --> 02:27:24.399
<v Speaker 4>be streaming the commentary.

2773
02:27:24.840 --> 02:27:25.520
<v Speaker 3>Oh nice.

2774
02:27:25.719 --> 02:27:27.879
<v Speaker 4>So you have John Landis, Robert K.

2775
02:27:28.000 --> 02:27:32.079
<v Speaker 6>Wise, the producer, David and Jerry Zucker and Jim Abrams

2776
02:27:32.200 --> 02:27:35.200
<v Speaker 6>Rest in Peace. And I think the old Anchor Bay

2777
02:27:35.280 --> 02:27:37.680
<v Speaker 6>DVD even had a photo of the recording session where

2778
02:27:37.719 --> 02:27:39.959
<v Speaker 6>it's just the five five of them, you know, sitting

2779
02:27:39.959 --> 02:27:45.079
<v Speaker 6>on a couch. It's a riot from the beginning. And

2780
02:27:45.319 --> 02:27:47.920
<v Speaker 6>you know, Landis has only done a couple of commentaries himself,

2781
02:27:49.440 --> 02:27:51.239
<v Speaker 6>but it's funny, you know, they kind of all give

2782
02:27:51.280 --> 02:27:54.920
<v Speaker 6>their origin stories. You know, Landis had Doun Schlock, The

2783
02:27:54.920 --> 02:27:58.360
<v Speaker 6>Suckers had Kentucky Fry Theater, first in Wisconsin and then

2784
02:27:58.440 --> 02:28:03.840
<v Speaker 6>in la. You know, at some point, you know, you know,

2785
02:28:04.200 --> 02:28:07.920
<v Speaker 6>they're like, okay, movies halfway done, can we go home now?

2786
02:28:09.399 --> 02:28:10.079
<v Speaker 4>And Robert K.

2787
02:28:10.200 --> 02:28:13.559
<v Speaker 6>Weiss tells a story of there's the segment in the

2788
02:28:13.559 --> 02:28:16.760
<v Speaker 6>movie a fist full of yen and Weiss tells a

2789
02:28:16.799 --> 02:28:18.600
<v Speaker 6>story you know, the lawyer. We showed this to the

2790
02:28:18.639 --> 02:28:20.959
<v Speaker 6>lawyer who said it was unreleasable, and then we asked

2791
02:28:20.959 --> 02:28:22.559
<v Speaker 6>the financial guy what do we do when he said,

2792
02:28:22.600 --> 02:28:28.159
<v Speaker 6>get different lawyers. But yeah, that one, that one makes

2793
02:28:28.200 --> 02:28:29.319
<v Speaker 6>me laugh this day.

2794
02:28:29.360 --> 02:28:32.440
<v Speaker 3>It's up there. It's a very very good one. Not

2795
02:28:32.520 --> 02:28:34.840
<v Speaker 3>enough people talk about Kentucky Fried movie in twenty twenty six.

2796
02:28:34.959 --> 02:28:35.600
<v Speaker 3>It's still great.

2797
02:28:37.719 --> 02:28:39.760
<v Speaker 6>Some of the segments are better than others. It does

2798
02:28:40.319 --> 02:28:42.920
<v Speaker 6>take its time a little bit. In fact, even they

2799
02:28:43.000 --> 02:28:45.120
<v Speaker 6>even make fun of it. Twenty minutes in they're like,

2800
02:28:45.239 --> 02:28:46.799
<v Speaker 6>is there a point where the movie kicked in.

2801
02:28:48.440 --> 02:28:50.840
<v Speaker 4>At all? And Robert Weiss is like, did we scare

2802
02:28:50.840 --> 02:28:52.559
<v Speaker 4>away the profit participation yet?

2803
02:28:52.719 --> 02:28:57.559
<v Speaker 3>And well, you mentioned them hanging out sitting on a couch,

2804
02:28:57.600 --> 02:29:00.840
<v Speaker 3>So I'm gonna do my hangout choice, which a lot

2805
02:29:00.879 --> 02:29:03.399
<v Speaker 3>of times these are really great because it feels like

2806
02:29:03.440 --> 02:29:06.040
<v Speaker 3>one of those commentaries where you're like welcomed into the

2807
02:29:06.079 --> 02:29:08.399
<v Speaker 3>fold in a way. It's just sort of you just

2808
02:29:08.520 --> 02:29:10.840
<v Speaker 3>chilling with a bunch of friends. And my go to

2809
02:29:10.959 --> 02:29:14.280
<v Speaker 3>for this is any John Carpenter or Kurt Russell joint,

2810
02:29:14.360 --> 02:29:16.719
<v Speaker 3>which I was very close to choosing Big Trouble in

2811
02:29:16.719 --> 02:29:18.440
<v Speaker 3>Little China because it's a really good one as well,

2812
02:29:18.799 --> 02:29:20.559
<v Speaker 3>but I kind of had to go for the cliche

2813
02:29:20.600 --> 02:29:23.000
<v Speaker 3>answer and say I think the thing is the best one.

2814
02:29:23.079 --> 02:29:27.680
<v Speaker 3>With them, it's literally just them chilling on a couch together.

2815
02:29:27.879 --> 02:29:30.120
<v Speaker 3>They both have some beers during the whole time, and

2816
02:29:30.159 --> 02:29:32.799
<v Speaker 3>it's just like, h man, you remember this and it

2817
02:29:33.000 --> 02:29:35.319
<v Speaker 3>just hanging out like talking about shit in a way

2818
02:29:35.360 --> 02:29:40.319
<v Speaker 3>that is just so again like welcoming, Like you could

2819
02:29:40.360 --> 02:29:42.799
<v Speaker 3>just see you and three other friends sitting on the

2820
02:29:42.840 --> 02:29:45.959
<v Speaker 3>couch and do this exact same thing. It is absolutely

2821
02:29:45.959 --> 02:29:51.040
<v Speaker 3>worth it. The film itself is not getting super analyzed.

2822
02:29:51.120 --> 02:29:52.959
<v Speaker 3>It's not going to give you all kinds of deep insight,

2823
02:29:53.360 --> 02:29:55.959
<v Speaker 3>but it's John fricking Carpenter and Kurt Russell and it's

2824
02:29:56.040 --> 02:29:59.159
<v Speaker 3>just a blast to be able to listen to. I

2825
02:29:59.200 --> 02:30:02.799
<v Speaker 3>really hope more people we'll have listened to it now

2826
02:30:02.799 --> 02:30:05.159
<v Speaker 3>that it's been around for so long. I also, like,

2827
02:30:05.159 --> 02:30:06.680
<v Speaker 3>I know he's getting old, but I'd love to get

2828
02:30:06.719 --> 02:30:09.520
<v Speaker 3>some updated John Carpenter thoughts on some of these things. Sure,

2829
02:30:09.680 --> 02:30:11.520
<v Speaker 3>I know you just want to smoke weed and play

2830
02:30:11.559 --> 02:30:13.840
<v Speaker 3>video games, but come on, man, we all still worship

2831
02:30:13.879 --> 02:30:16.280
<v Speaker 3>you the thing. Check it out if you haven't. It's

2832
02:30:16.719 --> 02:30:17.639
<v Speaker 3>it's a great commentary.

2833
02:30:18.200 --> 02:30:20.200
<v Speaker 4>And I almost went I went from like zero to

2834
02:30:20.239 --> 02:30:21.879
<v Speaker 4>one hundred with Carpenter. I'd already.

2835
02:30:22.559 --> 02:30:24.280
<v Speaker 6>I mean, we all love Big Trouble in Little China,

2836
02:30:24.360 --> 02:30:26.440
<v Speaker 6>but a lot of his films I watched only for

2837
02:30:26.479 --> 02:30:29.600
<v Speaker 6>the first or maybe second time during COVID lockdown, which

2838
02:30:29.639 --> 02:30:31.879
<v Speaker 6>is why for Arrow, when I got in the Mouth

2839
02:30:31.920 --> 02:30:35.440
<v Speaker 6>of Madness. You know, that one's kind to become my favorite. Yeah,

2840
02:30:35.559 --> 02:30:37.520
<v Speaker 6>so that was a treat, you know, to be able

2841
02:30:37.520 --> 02:30:40.079
<v Speaker 6>to work on that one. And we'll be talking about

2842
02:30:40.719 --> 02:30:43.680
<v Speaker 6>how very cool. We'll be talking about Kurt Russell again

2843
02:30:43.840 --> 02:30:46.479
<v Speaker 6>in a few minutes. But I want to mention Terry

2844
02:30:46.479 --> 02:30:52.000
<v Speaker 6>Gilliams Brazil commentary. Oh nice now, And I remember when

2845
02:30:52.000 --> 02:30:54.920
<v Speaker 6>I was younger reading about this legendary laser disc boxet

2846
02:30:54.959 --> 02:30:58.479
<v Speaker 6>that Criterion released, and then to get into this stuff later.

2847
02:30:58.959 --> 02:31:00.959
<v Speaker 6>And by the way, I should out in my family,

2848
02:31:01.040 --> 02:31:04.520
<v Speaker 6>we rarely have ever bought movies. My parents didn't see

2849
02:31:04.520 --> 02:31:08.440
<v Speaker 6>the point. It'll just be on TV. Ironic considering what

2850
02:31:08.520 --> 02:31:11.920
<v Speaker 6>I do now. But you know I had the three

2851
02:31:12.000 --> 02:31:14.040
<v Speaker 6>disc you know, the DVD set, and then the Blu ray,

2852
02:31:14.079 --> 02:31:14.879
<v Speaker 6>now the four K.

2853
02:31:16.479 --> 02:31:16.680
<v Speaker 7>But no.

2854
02:31:16.760 --> 02:31:22.600
<v Speaker 6>Gilliam's commentary beginning to end, talks about everything and Brazil.

2855
02:31:22.639 --> 02:31:24.079
<v Speaker 6>It's one of those movies where if I'm in a

2856
02:31:24.079 --> 02:31:26.479
<v Speaker 6>bit of a creative rut, like I'll just watch that

2857
02:31:26.600 --> 02:31:29.319
<v Speaker 6>movie or behind the scenes or whatever, and like that

2858
02:31:29.399 --> 02:31:31.639
<v Speaker 6>will inspire me that and I think Blade Runner is

2859
02:31:31.680 --> 02:31:35.920
<v Speaker 6>probably the other one where even though I'm making movies,

2860
02:31:36.799 --> 02:31:39.600
<v Speaker 6>just seeing it and taking in the craft and artistry,

2861
02:31:39.719 --> 02:31:41.680
<v Speaker 6>it's like, yeah, you know, it helps.

2862
02:31:43.440 --> 02:31:46.479
<v Speaker 3>Shamefully, I'm still very behind on watching a lot of

2863
02:31:46.520 --> 02:31:49.360
<v Speaker 3>Gilliam's things, let alone, I've never heard any of his commentaries.

2864
02:31:49.360 --> 02:31:53.280
<v Speaker 3>I definitely need to. That sounds fantastic and Brazil just

2865
02:31:53.319 --> 02:31:57.040
<v Speaker 3>beautiful obviously to look at it. That's the big thing. Yeah,

2866
02:31:57.319 --> 02:32:01.920
<v Speaker 3>all right, my uh my next one, I'm gonna talk

2867
02:32:01.920 --> 02:32:05.600
<v Speaker 3>about one that is gonna sound maybe slightly masturbatory. It's

2868
02:32:06.159 --> 02:32:08.600
<v Speaker 3>not my commentary, but I hired the two guys to

2869
02:32:08.639 --> 02:32:10.680
<v Speaker 3>do this and it has become one of my favorites.

2870
02:32:10.799 --> 02:32:13.520
<v Speaker 3>And I got to talk about a deaf crocodile release

2871
02:32:13.760 --> 02:32:16.680
<v Speaker 3>because Inflatable Sex do all of the Wastelands that came

2872
02:32:16.719 --> 02:32:19.840
<v Speaker 3>out last year. I really loved this commentary. It's Mike

2873
02:32:19.920 --> 02:32:22.000
<v Speaker 3>Leader in art of Venema, And the main reason I

2874
02:32:22.000 --> 02:32:24.959
<v Speaker 3>loved it is because when I saw what the film

2875
02:32:25.000 --> 02:32:27.280
<v Speaker 3>was gonna be and that Craig and Dennis were looking

2876
02:32:27.280 --> 02:32:29.760
<v Speaker 3>for a commentary, I felt like they would be perfect

2877
02:32:29.799 --> 02:32:31.600
<v Speaker 3>for it, which is odd because they really only ever

2878
02:32:31.639 --> 02:32:35.239
<v Speaker 3>talked about action films and like martial arts films and

2879
02:32:35.719 --> 02:32:37.559
<v Speaker 3>a lot of Hong Kong films, and so they've not

2880
02:32:37.680 --> 02:32:39.399
<v Speaker 3>had a chance with a lot of things like this.

2881
02:32:40.040 --> 02:32:44.879
<v Speaker 3>And it is such a dense commentary that it's it's

2882
02:32:45.000 --> 02:32:47.319
<v Speaker 3>one of those that's kind of hard to even ingest

2883
02:32:47.440 --> 02:32:51.520
<v Speaker 3>everything that's a part of it. Like while editing a

2884
02:32:51.559 --> 02:32:53.879
<v Speaker 3>portion of the transcript and all that, I had to

2885
02:32:53.920 --> 02:32:56.159
<v Speaker 3>pause just to catch up with what was being said,

2886
02:32:56.200 --> 02:32:58.680
<v Speaker 3>like if I was genuinely going through it. The notes

2887
02:32:58.719 --> 02:33:01.399
<v Speaker 3>that you can get from this commentary it is crazy.

2888
02:33:02.200 --> 02:33:05.040
<v Speaker 3>It's kind of an example of just finding the right

2889
02:33:05.159 --> 02:33:07.520
<v Speaker 3>person for a commentary, which is why I wanted to

2890
02:33:07.600 --> 02:33:10.200
<v Speaker 3>choose this one, because you wouldn't think to hire these

2891
02:33:10.200 --> 02:33:13.479
<v Speaker 3>guys for it. But I knew that Arna Venima specifically

2892
02:33:13.520 --> 02:33:16.319
<v Speaker 3>wanted to branch out from the action things and this

2893
02:33:16.360 --> 02:33:19.440
<v Speaker 3>one was perfect for him and inflatable sex. All the

2894
02:33:19.479 --> 02:33:22.600
<v Speaker 3>Wastelands is so odd because the title is in the

2895
02:33:22.639 --> 02:33:24.959
<v Speaker 3>original title in English is Dutch Wife of the Desert,

2896
02:33:25.079 --> 02:33:30.120
<v Speaker 3>and Arna I believe is Dutch himself. But the the

2897
02:33:30.399 --> 02:33:34.360
<v Speaker 3>pink film aspect of this film is so overblown that

2898
02:33:34.399 --> 02:33:36.639
<v Speaker 3>people have stayed away from this movie. And I knew

2899
02:33:36.639 --> 02:33:38.959
<v Speaker 3>that he was going to crush this commentary, and it's

2900
02:33:39.040 --> 02:33:43.639
<v Speaker 3>just so it's so educational through and through and Arna

2901
02:33:43.920 --> 02:33:46.559
<v Speaker 3>and Mike and like Frank Jang and a couple of

2902
02:33:46.559 --> 02:33:49.479
<v Speaker 3>these others that are doing these modern Asian releases specifically

2903
02:33:49.840 --> 02:33:55.159
<v Speaker 3>are really great at like spiderwebbing these connections across all

2904
02:33:55.200 --> 02:33:59.040
<v Speaker 3>of Asian film history, and this commentary specifically is just

2905
02:33:59.159 --> 02:34:01.680
<v Speaker 3>a massive cop web of they did this and this

2906
02:34:01.719 --> 02:34:03.760
<v Speaker 3>and this together and because of their connections here, they

2907
02:34:03.760 --> 02:34:06.120
<v Speaker 3>were able to do that. And it's it's just it's

2908
02:34:06.200 --> 02:34:09.280
<v Speaker 3>mystifying how much they know about it. It's so properly researched.

2909
02:34:09.360 --> 02:34:13.159
<v Speaker 3>It is great. It is dense, though it is very

2910
02:34:13.200 --> 02:34:15.719
<v Speaker 3>hard to even grasp everything. You might want to pause

2911
02:34:15.760 --> 02:34:18.000
<v Speaker 3>a couple times, especially if you're taking notes. Check it out.

2912
02:34:18.000 --> 02:34:20.159
<v Speaker 3>It's a killer commentary.

2913
02:34:20.600 --> 02:34:25.399
<v Speaker 6>And finally, yeah, I did four for five. Speaking of

2914
02:34:25.440 --> 02:34:28.840
<v Speaker 6>Kurt Russell, for me, the funniest commentary used cars.

2915
02:34:29.559 --> 02:34:30.639
<v Speaker 3>Oh, it's a great one.

2916
02:34:30.840 --> 02:34:35.520
<v Speaker 6>It's him, Bob, Gail, Robert Zemeckis. I mean, the commentary

2917
02:34:35.600 --> 02:34:39.760
<v Speaker 6>literally starts with Kurt Russell just laughing, yeah, and we

2918
02:34:39.920 --> 02:34:42.680
<v Speaker 6>go from there. It's a riot. You know, they talk

2919
02:34:42.719 --> 02:34:45.319
<v Speaker 6>about the actors, they talk about you know, Spielberg and

2920
02:34:45.399 --> 02:34:48.959
<v Speaker 6>Millius and you know, roads not taken and you know,

2921
02:34:48.959 --> 02:34:53.479
<v Speaker 6>and it's weird to hear like people like your heroes

2922
02:34:53.959 --> 02:34:57.079
<v Speaker 6>not you know, like Zamechas and like people like them

2923
02:34:57.079 --> 02:34:59.360
<v Speaker 6>cursing because you know, at least you know for a

2924
02:34:59.399 --> 02:35:02.879
<v Speaker 6>while like were you know, Back to the Future. You know,

2925
02:35:02.959 --> 02:35:06.120
<v Speaker 6>which are more or less you know, family movies, but

2926
02:35:07.120 --> 02:35:08.840
<v Speaker 6>you know, just to hear these guys like drop f

2927
02:35:08.920 --> 02:35:10.040
<v Speaker 6>bombs and things like that.

2928
02:35:11.479 --> 02:35:15.040
<v Speaker 4>But it's a riot. Kurt Russell's laughter is infectious. You know,

2929
02:35:15.079 --> 02:35:18.360
<v Speaker 4>there's some bits where you know they can't stop laughing.

2930
02:35:18.920 --> 02:35:22.639
<v Speaker 4>Bob Gail did a home theater forum chat years ago,

2931
02:35:22.799 --> 02:35:25.079
<v Speaker 4>probably for the DVD release it Back to the Future,

2932
02:35:25.079 --> 02:35:28.079
<v Speaker 4>and I just mentioned whatever my question was, and I

2933
02:35:28.159 --> 02:35:31.639
<v Speaker 4>mentioned this commentary to him and he said, you know that, Yeah,

2934
02:35:31.680 --> 02:35:32.200
<v Speaker 4>that was fun.

2935
02:35:32.319 --> 02:35:36.799
<v Speaker 6>As John Millius might say, we achieved critical mass. But

2936
02:35:37.159 --> 02:35:39.920
<v Speaker 6>they talk about the crazy stunt with Garrett Graham where

2937
02:35:39.959 --> 02:35:43.040
<v Speaker 6>he's walking backwards and a car passes within a.

2938
02:35:43.000 --> 02:35:43.559
<v Speaker 4>Photo of him.

2939
02:35:44.159 --> 02:35:46.959
<v Speaker 6>Yeah, Mecas is like, you know, I could feel my

2940
02:35:47.000 --> 02:35:48.399
<v Speaker 6>scrotum shriveling up when.

2941
02:35:48.319 --> 02:35:50.079
<v Speaker 4>I see this shot. You know.

2942
02:35:50.239 --> 02:35:52.479
<v Speaker 6>Of course, he points out, today so much stuff would

2943
02:35:52.479 --> 02:35:56.360
<v Speaker 6>be done you know, with computer with the CGI. But

2944
02:35:56.440 --> 02:35:59.239
<v Speaker 6>there's a bit you know, when I lived in La

2945
02:36:00.040 --> 02:36:02.319
<v Speaker 6>on the regular, when I was getting the design career

2946
02:36:02.360 --> 02:36:05.120
<v Speaker 6>go and I worked as an extra on TV. I'm

2947
02:36:05.120 --> 02:36:09.239
<v Speaker 6>actually sag eligible and you know, it's like, you need

2948
02:36:09.239 --> 02:36:11.479
<v Speaker 6>to populate a scene. If you don't, then it looks

2949
02:36:11.559 --> 02:36:14.479
<v Speaker 6>empty or cheap or whatever. And there's a trial scene

2950
02:36:14.479 --> 02:36:17.719
<v Speaker 6>at the end of Used Cars where I think, you know,

2951
02:36:17.840 --> 02:36:21.479
<v Speaker 6>she's Debrah Harmon's character is getting sued because you know,

2952
02:36:21.639 --> 02:36:23.559
<v Speaker 6>she promised a certain number of cars on the lot

2953
02:36:23.639 --> 02:36:26.360
<v Speaker 6>or something. And then Kurt Russell shows up and on

2954
02:36:26.399 --> 02:36:29.239
<v Speaker 6>the commentary, Kurt Russell's like, I love, I love how

2955
02:36:29.280 --> 02:36:33.639
<v Speaker 6>the courthouse is packed for this nothing case, and it's like, well,

2956
02:36:33.639 --> 02:36:35.920
<v Speaker 6>you have to. If you didn't, it would look incomplete.

2957
02:36:35.959 --> 02:36:39.680
<v Speaker 6>It's just one of those movie things, you know. That

2958
02:36:39.719 --> 02:36:45.799
<v Speaker 6>commentary is an absolute riot, And yeah it's and actually

2959
02:36:45.799 --> 02:36:47.079
<v Speaker 6>the one for I Want to Hold your Hand that

2960
02:36:47.280 --> 02:36:51.680
<v Speaker 6>Gallon's and Mechas and that one's pretty funny too. But yeah,

2961
02:36:51.680 --> 02:36:54.959
<v Speaker 6>I'm always usually the commentary is that the commentary is

2962
02:36:55.000 --> 02:36:57.159
<v Speaker 6>the one feature where I'm disappointed when there isn't one.

2963
02:36:58.000 --> 02:37:00.840
<v Speaker 4>Yeah, but then again, you know, some better than others.

2964
02:37:03.040 --> 02:37:06.879
<v Speaker 6>You know, not everyone suited for a commentary, but you know,

2965
02:37:06.879 --> 02:37:09.040
<v Speaker 6>if it's a good one, it's you know, I go

2966
02:37:09.120 --> 02:37:11.280
<v Speaker 6>back to these things. And plus is someone who works

2967
02:37:12.479 --> 02:37:14.559
<v Speaker 6>you know, I work remotely, but you know I'm sitting

2968
02:37:14.559 --> 02:37:16.799
<v Speaker 6>in a room. It's always nice, you know, have background

2969
02:37:16.840 --> 02:37:20.440
<v Speaker 6>noise too. Yeah, I always need something playing in the background.

2970
02:37:21.319 --> 02:37:24.000
<v Speaker 3>Used Cars is great and so few people have even

2971
02:37:24.040 --> 02:37:26.399
<v Speaker 3>seen it nowadays. Please go watch Use Cars if you've

2972
02:37:26.440 --> 02:37:31.040
<v Speaker 3>not seen it, It's fantastic. This is such a funny

2973
02:37:31.040 --> 02:37:34.920
<v Speaker 3>one to end this episode on. So I've been working

2974
02:37:34.920 --> 02:37:37.399
<v Speaker 3>on a release for the last couple of years with

2975
02:37:37.479 --> 02:37:42.280
<v Speaker 3>will on a lot. I don't even know when it's

2976
02:37:42.280 --> 02:37:44.920
<v Speaker 3>gonna announced, hopefully later this year or early next year

2977
02:37:44.959 --> 02:37:48.200
<v Speaker 3>at some point. But as part of that we got

2978
02:37:48.239 --> 02:37:52.760
<v Speaker 3>to work with kind of legendary producer, director, writer fred

2979
02:37:52.799 --> 02:37:57.040
<v Speaker 3>Olin Ray. And while thinking about our topic this week,

2980
02:37:57.159 --> 02:37:59.680
<v Speaker 3>I went, you know, one of my favorite things ever

2981
02:37:59.879 --> 02:38:03.639
<v Speaker 3>is the Fred Olinray commentary on Jacko. Have you ever

2982
02:38:03.639 --> 02:38:04.159
<v Speaker 3>heard about this?

2983
02:38:04.200 --> 02:38:07.879
<v Speaker 4>Scut No, I haven't so.

2984
02:38:08.639 --> 02:38:13.680
<v Speaker 3>Jacko is a wild, low budget horror movie and the

2985
02:38:13.719 --> 02:38:16.840
<v Speaker 3>director of this one is a guy named Steve Latshaw,

2986
02:38:17.120 --> 02:38:23.639
<v Speaker 3>and this commentary is like cringe comedy at the highest.

2987
02:38:24.200 --> 02:38:28.600
<v Speaker 3>So basically the commentary is the director and executive producer

2988
02:38:28.680 --> 02:38:33.120
<v Speaker 3>Fred ollen Ray is starting off what sounds like sort

2989
02:38:33.159 --> 02:38:36.559
<v Speaker 3>of contentious. They're already not on the same page. There's

2990
02:38:36.600 --> 02:38:40.239
<v Speaker 3>disagreements on who has done what, on what was altered,

2991
02:38:40.399 --> 02:38:43.760
<v Speaker 3>on why things were poorly executed, And I don't even

2992
02:38:43.799 --> 02:38:46.719
<v Speaker 3>think We're halfway through the commentary and there's like a

2993
02:38:46.719 --> 02:38:49.600
<v Speaker 3>full blown fight and one of them stands up and

2994
02:38:49.719 --> 02:38:54.120
<v Speaker 3>walks out, and it is awkward. It's like, first off,

2995
02:38:54.159 --> 02:38:56.840
<v Speaker 3>how did this get to the disc But second it

2996
02:38:56.920 --> 02:38:59.239
<v Speaker 3>is just one of those things where you're like, man,

2997
02:38:59.559 --> 02:39:02.799
<v Speaker 3>I like, it's really great that this is archived in

2998
02:39:02.840 --> 02:39:05.520
<v Speaker 3>a way that we can hear the things that happen

2999
02:39:05.600 --> 02:39:09.200
<v Speaker 3>behind the scenes for these things. It is a fun film.

3000
02:39:09.520 --> 02:39:12.319
<v Speaker 3>It's a it's not a great movie, but it's it's

3001
02:39:12.319 --> 02:39:15.680
<v Speaker 3>a very fun movie. It's an entertaining movie. The commentary though,

3002
02:39:16.120 --> 02:39:18.520
<v Speaker 3>very entertaining. If you've never heard it, go give it

3003
02:39:18.520 --> 02:39:20.440
<v Speaker 3>a listen. I think there are clips of like the

3004
02:39:20.440 --> 02:39:25.440
<v Speaker 3>most contentious parts on YouTube. Jacko is Wild and if

3005
02:39:25.440 --> 02:39:29.760
<v Speaker 3>you've never seen it, it is such a B movie,

3006
02:39:29.799 --> 02:39:32.479
<v Speaker 3>classic type of moment that everybody should hear it.

3007
02:39:32.479 --> 02:39:33.079
<v Speaker 7>At least once.

3008
02:39:34.280 --> 02:39:37.520
<v Speaker 6>Well, isn't there Oh, I haven't listened to it, the

3009
02:39:37.559 --> 02:39:41.079
<v Speaker 6>Soderberg Lemon Hobs, Climber and Limey. Isn't that kind of

3010
02:39:42.079 --> 02:39:45.040
<v Speaker 6>you know? And also wasn't there a isn't there a

3011
02:39:45.040 --> 02:39:48.000
<v Speaker 6>Mickey Rooney commentary one on a Twilight Zone where like

3012
02:39:48.040 --> 02:39:51.559
<v Speaker 6>he just doesn't say anything, or the moderators asking questions,

3013
02:39:51.559 --> 02:39:54.559
<v Speaker 6>he's not giving them anything, something like something like that.

3014
02:39:55.959 --> 02:39:56.920
<v Speaker 3>Would not surprise me.

3015
02:39:57.159 --> 02:40:01.440
<v Speaker 6>I uh good, No, just I remember when when Keno

3016
02:40:02.520 --> 02:40:05.399
<v Speaker 6>having talking about Get Smart now coming full circle when

3017
02:40:05.440 --> 02:40:08.680
<v Speaker 6>Keno announced the Nude Bomb, everyone in the comments was like,

3018
02:40:08.719 --> 02:40:10.680
<v Speaker 6>you got to get Alan Spencer, and then they actually

3019
02:40:10.719 --> 02:40:13.600
<v Speaker 6>delayed the release and brought an Alan Spencer. And his

3020
02:40:13.719 --> 02:40:17.719
<v Speaker 6>commentary is excellent. He does not miss a beat. It's

3021
02:40:17.840 --> 02:40:22.200
<v Speaker 6>ninety minutes straight. It's like a Get Smart film school. Almost. Yeah,

3022
02:40:22.840 --> 02:40:24.840
<v Speaker 6>and highly recommend it even if you're not a fan

3023
02:40:24.920 --> 02:40:27.479
<v Speaker 6>of Get Smart or the Nude Bomb, which is not

3024
02:40:27.600 --> 02:40:32.760
<v Speaker 6>a great movie. But Spencer, he almost liked the movie

3025
02:40:32.760 --> 02:40:34.079
<v Speaker 6>more because he talks about it.

3026
02:40:34.760 --> 02:40:39.440
<v Speaker 3>Right. I'm moderate, well not moderated. I helped facilitate a

3027
02:40:39.440 --> 02:40:43.000
<v Speaker 3>commentary fairly recently for a pretty long film and what

3028
02:40:43.040 --> 02:40:49.479
<v Speaker 3>was crazy to me is the director. I don't know

3029
02:40:49.520 --> 02:40:53.479
<v Speaker 3>if he forgot things because he seemed so knowledgeable about

3030
02:40:53.479 --> 02:40:57.319
<v Speaker 3>certain things, but he would go long stretches like twenty

3031
02:40:57.360 --> 02:40:59.440
<v Speaker 3>five minutes, and all you hear on the track is

3032
02:40:59.520 --> 02:41:04.479
<v Speaker 3>just brief think Anyways, I'm still kind of curious to

3033
02:41:04.479 --> 02:41:06.600
<v Speaker 3>see how that goes to disc. If it goes to disc,

3034
02:41:06.959 --> 02:41:09.399
<v Speaker 3>like optional scene commentary would make sense for that one.

3035
02:41:10.319 --> 02:41:13.200
<v Speaker 3>I'm not sure what they're gonna do anyways. That is

3036
02:41:13.239 --> 02:41:15.680
<v Speaker 3>it the big like moral of the story tonight. Go

3037
02:41:15.680 --> 02:41:19.959
<v Speaker 3>listen to audio commentaries. They are really great. They're really valuable.

3038
02:41:20.639 --> 02:41:22.799
<v Speaker 3>Many of the ones that we have not talked about

3039
02:41:22.879 --> 02:41:28.200
<v Speaker 3>are big ones like Bogdanovic commentaries are film school literally.

3040
02:41:28.639 --> 02:41:31.280
<v Speaker 6>I also would have mentioned the James Cameron and Company

3041
02:41:31.280 --> 02:41:34.280
<v Speaker 6>on Aliens as a great commentary, but that's one where

3042
02:41:34.920 --> 02:41:38.319
<v Speaker 6>you know, I almost wish I would love to hear

3043
02:41:38.360 --> 02:41:42.959
<v Speaker 6>the separate track with just Cameron himself solo talking about it.

3044
02:41:45.000 --> 02:41:49.000
<v Speaker 3>I will say it was kind of poignant. I just

3045
02:41:49.000 --> 02:41:51.120
<v Speaker 3>did a podcast episode recently. That's why I had spinal

3046
02:41:51.159 --> 02:41:54.159
<v Speaker 3>Tap close by. We did a podcast episode on the

3047
02:41:54.520 --> 02:41:57.159
<v Speaker 3>other commentary on spinal Tap, not the in character one,

3048
02:41:57.239 --> 02:42:00.840
<v Speaker 3>but talking about Rob Reiner and a couple ofcers and stuff.

3049
02:42:01.719 --> 02:42:06.159
<v Speaker 3>So many of these commentaries are important for reasons that

3050
02:42:06.239 --> 02:42:09.559
<v Speaker 3>I really kind of captured with because we don't know

3051
02:42:09.600 --> 02:42:11.479
<v Speaker 3>when we're going to lose Rob Reiner, we don't know

3052
02:42:11.520 --> 02:42:13.920
<v Speaker 3>when we're going to lose fred Olin Ray. Even though

3053
02:42:13.959 --> 02:42:15.959
<v Speaker 3>it's a silly kind of cringe moment, so many of

3054
02:42:16.040 --> 02:42:19.399
<v Speaker 3>these things are capturing filmmaker's voices that you won't get

3055
02:42:19.399 --> 02:42:24.040
<v Speaker 3>a chance to hear this way, so personal, so sort

3056
02:42:24.079 --> 02:42:27.000
<v Speaker 3>of sort of vulnerable. A lot of these commentaries are like, yeah,

3057
02:42:27.079 --> 02:42:29.479
<v Speaker 3>I did this wrong. I would have done this this

3058
02:42:29.559 --> 02:42:31.319
<v Speaker 3>way if I had known at the time, or something

3059
02:42:31.399 --> 02:42:36.200
<v Speaker 3>like that. And listening to Rob Reiner talk about spinal

3060
02:42:36.239 --> 02:42:39.680
<v Speaker 3>tap just a couple months after his passing, it was tough.

3061
02:42:40.000 --> 02:42:43.159
<v Speaker 3>I mean, he is a legend in so many different ways.

3062
02:42:43.239 --> 02:42:48.440
<v Speaker 3>And yeah, I adore that commentary. Adore Rob Reiner. Yeah,

3063
02:42:48.520 --> 02:42:54.079
<v Speaker 3>listen to commentaries, They're important. Scott, this has been amazing.

3064
02:42:54.079 --> 02:42:55.120
<v Speaker 3>Thanks for having out tonight.

3065
02:42:55.799 --> 02:42:58.200
<v Speaker 6>Yeah, I'm happy to hope to get to do it again.

3066
02:42:58.239 --> 02:43:00.399
<v Speaker 6>And I just have to think of another topic to cover,

3067
02:43:01.399 --> 02:43:04.680
<v Speaker 6>but no, it's been a blast. Hope folks have enjoyed this.

3068
02:43:05.959 --> 02:43:11.639
<v Speaker 6>It's a quarter after midnight, so probably going to bed soon. No,

3069
02:43:11.760 --> 02:43:14.399
<v Speaker 6>this was a blast and I look forward to working

3070
02:43:14.440 --> 02:43:15.239
<v Speaker 6>with you again soon.

3071
02:43:16.399 --> 02:43:19.319
<v Speaker 3>We can't wait to get it done either. I am dying.

3072
02:43:19.959 --> 02:43:21.280
<v Speaker 3>In fact, I got a couple things that we can

3073
02:43:21.319 --> 02:43:23.920
<v Speaker 3>probably meet on here soon. On that note, thank you

3074
02:43:24.000 --> 02:43:26.440
<v Speaker 3>all for hanging out this week. Next week we got

3075
02:43:26.440 --> 02:43:29.200
<v Speaker 3>a fun show planned, gonna be a good one. Excited

3076
02:43:29.200 --> 02:43:30.959
<v Speaker 3>to be homes that I got good internet for this

3077
02:43:31.079 --> 02:43:34.680
<v Speaker 3>every time, Scott jrmench and we'll talk sooner. Everybody see you.

3078
02:43:36.239 --> 02:43:38.840
<v Speaker 3>Thank you for watching The Disconnected. On the way out,

3079
02:43:38.959 --> 02:43:41.120
<v Speaker 3>make sure that you are subscribed to the channel, that

3080
02:43:41.159 --> 02:43:43.399
<v Speaker 3>you've liked the video, and that you've copied the link

3081
02:43:43.440 --> 02:43:44.959
<v Speaker 3>to be able to share with someone else that may

3082
02:43:45.000 --> 02:43:45.639
<v Speaker 3>appreciate this.

3083
02:44:17.879 --> 02:44:18.239
<v Speaker 4>Hello.

3084
02:44:19.079 --> 02:44:23.120
<v Speaker 9>This is Matt and Emily from Scarecrow Video in Seattle, Washington.

3085
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<v Speaker 9>Did you know that we have the largest video collection

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<v Speaker 9>in the world. We have over one hundred and forty

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<v Speaker 9>six thousand titles and growing. That's over three times more

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<v Speaker 9>than Netflix, Amazon Max, and Hulu combined.

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<v Speaker 3>Plus a.

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<v Speaker 8>Scarecrow now offers rent by mail service throughout the US,

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<v Speaker 8>so check out Scarecrow Video dot org for details. You

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<v Speaker 8>can catch Emily and I or Matt and I if

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<v Speaker 8>that was going to be you saying that on our

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<v Speaker 8>biweekly YouTube show Viva Physical Media for video recommendations and

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<v Speaker 8>so much more See Yah Bye.

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<v Speaker 3>Hello.

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<v Speaker 10>My name is Kevin Tutor, and I'm one of the

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<v Speaker 10>three hosts of Almost Major Film podcast, dissecting many major

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<v Speaker 10>indie studio and the films they release. Every week, Myself,

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<v Speaker 10>Charlie Nash, and Brydon Doyle discuss overlooked, forgotten or bona

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<v Speaker 10>fide classic indie films via studio specific mini series. We've

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<v Speaker 10>previously covered numerous films from Artists and Entertainment, Lionsgate films

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<v Speaker 10>and New Line Cinema titles, including The Blair Witch Project,

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<v Speaker 10>American Psycho, Dogville, But I'm a Cheerleader, Saw Recording for

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<v Speaker 10>a Dream, and Ring Master you know, the Jerry Springer film. Anyways,

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<v Speaker 10>we have a fun time every week and we hope

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<v Speaker 10>you will join us. Subscribe to Almost Major wherever you

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<v Speaker 10>get your podcasts now proudly a part of the Someone's

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<v Speaker 10>Favorite Productions Podcast Network.

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<v Speaker 1>Thank you for listening to hear more shows from the

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<v Speaker 1>Someone's Favorite Productions Podcast Network. Please select the link in

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<v Speaker 1>the description
