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<v Speaker 1>Hello, and welcome to Psychic Teachers. I'm your host Samantha

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<v Speaker 1>Fay and I'm Dad Bowen. We're so happy to have

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<v Speaker 1>you join us again. This week, we are continuing our

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<v Speaker 1>discussion of psychic tools, so we hope you listened last

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<v Speaker 1>week where we covered crystals, pendulums, psychometry, dreams. This week

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<v Speaker 1>we're going to be covering oracle cards to row Rune's

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<v Speaker 1>tea leaves and palmistry. Oracle cards, I think are probably

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<v Speaker 1>the most common psychic tool we think of when we

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<v Speaker 1>talk about ways to enhance your intuition. People have looked

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<v Speaker 1>to answers with the cards for centuries. The trou dates

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<v Speaker 1>back to well, we don't really know when. That's how

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<v Speaker 1>old it is. Noted psychologist Carl Jung use the tourou

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<v Speaker 1>to help get in touch with archetypes. He believes the

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<v Speaker 1>toureau was quote an intuitive method that has the purpose

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<v Speaker 1>of understanding the flow of life, possibly even predicting future events,

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<v Speaker 1>as all events lending itself to the reading of the

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<v Speaker 1>conditions of the present moment. Today, there are oracle cards

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<v Speaker 1>on everything from angels to animals and roomy to Jane Austen.

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<v Speaker 1>My kids got me in Jane Austin Turot deck over

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<v Speaker 1>the holidays, so you can find Touro cards on really anything.

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<v Speaker 1>Even a normal deca playing cards has its origins in

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<v Speaker 1>the tourou, with the suits representing the minor arcana cards

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<v Speaker 1>from the tourou. So the minor arconic cards of the

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<v Speaker 1>touau are broken into pentacles, swords, cups, and wands, and

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<v Speaker 1>in a deck of playing cards, the pentacles are diamonds,

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<v Speaker 1>wands or clubs, swords, spades, and cups or hearts. When

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<v Speaker 1>using oracle cards, there are several spreads to choose from,

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<v Speaker 1>such as the Tree of Life or the Celtic Cross.

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<v Speaker 1>One of the most simplest ones to begin with is

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<v Speaker 1>a past, Present, future reading, where you shuffle the deck

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<v Speaker 1>while thinking of your question and then pull three cards,

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<v Speaker 1>with the first representing the past, the second is the present,

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<v Speaker 1>and the third points to the future outcomes. It's a

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<v Speaker 1>really effective way to help us get out of our

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<v Speaker 1>own way in order to get in touch with our

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<v Speaker 1>higher self and inner guidance. A great way to learn

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<v Speaker 1>how to use the deck oracle cards is to simply

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<v Speaker 1>ask each morning, what do I need to know today

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<v Speaker 1>and pick a card to symbolize your day, deb Why

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<v Speaker 1>don't you tell us a little bit more about to

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<v Speaker 1>row in particular.

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<v Speaker 2>Absolutely, you know, I could go on and on and

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<v Speaker 2>on about this, but I'll try to condense some of it,

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<v Speaker 2>just to give some folks some general ideas. Oracle cards

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<v Speaker 2>don to row are different. To row is a kind

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<v Speaker 2>of oracle, but many oracles are not to row. The

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<v Speaker 2>difference has to do in the structure. Toro is structured with,

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<v Speaker 2>as Samantha has mentioned, the four suits of the minor arkana,

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<v Speaker 2>then the major arcana are cards with names that we

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<v Speaker 2>often think of when we think of Turo the fool,

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<v Speaker 2>the high Priest, is the Empress, Death, but Devil the

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<v Speaker 2>world cards, so forth and so on. We, as Samantha said,

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<v Speaker 2>don't know how old Touro is. One theory is that

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<v Speaker 2>it was brought out of India by the Romani people

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<v Speaker 2>and then went into Egypt and then across Europe. There

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<v Speaker 2>are many many versions of Toro over many centuries, beginning

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<v Speaker 2>before the Middle Ages. The most recent deck from the

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<v Speaker 2>Middle Ages that we still have parts of is the

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<v Speaker 2>Marseille deck. It's in a museum. The most famous to

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<v Speaker 2>Row deck and the one that is the foundation for

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<v Speaker 2>all other modern to Row decks, as far as I know,

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<v Speaker 2>is the way Rider deck created in the early nineteen hundreds. Fortunately,

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<v Speaker 2>the name of that deck is being changed by a

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<v Speaker 2>lot of practitioners and then to include the woman who

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<v Speaker 2>actually did the drawings, and her name was Pamela Coleman Smith,

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<v Speaker 2>better known as Pixie. So a lot of folks these

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<v Speaker 2>days are calling that the Weight Coleman Writer Deck. The

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<v Speaker 2>Writer comes basically from the name of the original publisher

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<v Speaker 2>that published the deck for a weight at the turn

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<v Speaker 2>of the nineteen hundreds. That deck today, the Weight Coleman

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<v Speaker 2>Writer Deck, is published by a company called US Games.

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<v Speaker 2>And the man who was the chairman of US Games

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<v Speaker 2>died last week and really was a strong proponent of

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<v Speaker 2>psychic work and psychic tools and to row, and Stuart

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<v Speaker 2>Kaplan really is somebody that I think wrote a lot

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<v Speaker 2>of books, and I think we need to honor the

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<v Speaker 2>work that he did to promote the use of to row.

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<v Speaker 1>In our world.

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<v Speaker 2>In any case, Toureau is a divination tool, and that's

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<v Speaker 2>what most folks think of when they think of Touro.

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<v Speaker 2>They think in terms of reading throw to answer questions

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<v Speaker 2>we don't know or why Toro works. I tell my

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<v Speaker 2>students that on the very first night of our class,

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<v Speaker 2>in my intro class, I hold up a card and

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<v Speaker 2>I say, what I am holding in my hand is

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<v Speaker 2>a piece of cardboard covered in plastic. That's what I

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<v Speaker 2>have in my hand. And yet it is so much

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<v Speaker 2>for and we don't know why, and we don't know

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<v Speaker 2>how it works, and we don't know and how those

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<v Speaker 2>symbols work. And that's one of the reasons that I

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<v Speaker 2>am so foam at the mouth pragmatic about insisting on

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<v Speaker 2>using the Way Home and Smith Wrider deck is because

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<v Speaker 2>the symbols on those cards come from so many world

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<v Speaker 2>cultures and bring together in such a beautiful way symbols

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<v Speaker 2>and beliefs and practices from world mythologies and religions and

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<v Speaker 2>cultures all on those cards. So there's Christian and Hebraic thought,

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<v Speaker 2>this Celtic thought, Roman and Egyptian mythology, one Hindu symbol

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<v Speaker 2>in the deck. And I love that. That's one of

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<v Speaker 2>the gifts for me that Toro gives us is it

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<v Speaker 2>brings so much information together from so many sources, and

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<v Speaker 2>I love the common ground that Terro helps us create

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<v Speaker 2>when we do a reading. However, there are also many

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<v Speaker 2>other ways that you can use to row. You can

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<v Speaker 2>use to row as a meditation tool. It's a great

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<v Speaker 2>meditation tool. That's one of the things again that I

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<v Speaker 2>really recommend my students do is meditate with the energy

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<v Speaker 2>of a key every day and see what comes up.

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<v Speaker 2>They're great writing prompts. They offer so many other resources

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<v Speaker 2>to us in addition to reading. I've had students who

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<v Speaker 2>took my course and thought that they wanted to do

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<v Speaker 2>readings and then realized that that's really not where their

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<v Speaker 2>interest was. They really were much more interested in the

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<v Speaker 2>history of too or in the other ways of working

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<v Speaker 2>with Toro. Toro also tells us stories. He gives us

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<v Speaker 2>the legend of the Holy is hidden in the Terureau,

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<v Speaker 2>for example. It tells us about our own journeys. The

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<v Speaker 2>hero's journey, for example, that Joseph Campbell writes about. You

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<v Speaker 2>can trace that through the major Arcana as the fool,

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<v Speaker 2>which is called Zero, works his way through the other

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<v Speaker 2>cards in the major Arcana to find himself at the

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<v Speaker 2>world at the end in a journey of emotional and

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<v Speaker 2>physical and spiritual trials and tribulations. I Lovetero. Can you

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<v Speaker 2>tell I love the gift that Tereu gives us as

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<v Speaker 2>a divination tool, as a psychic tool, I think it's

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<v Speaker 2>a great aid, but I also love some of the

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<v Speaker 2>other gifts that Tereu gives us.

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<v Speaker 1>There's so much to look into with Tuo that it

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<v Speaker 1>can feel overwhelming and daunting at first, but if you

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<v Speaker 1>take it day by day, it can really be a

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<v Speaker 1>psychic tool that's with you for life.

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<v Speaker 2>Absolutely, and I say that to my students. Don't get overwhelmed.

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<v Speaker 2>It is a lifelong journey. It is a lifelong relation ship.

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<v Speaker 2>You don't have to, nor can you, in my humble opinion,

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<v Speaker 2>learn it all in one week. No. I say this too.

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<v Speaker 2>Every single time I teach a class, I learned something

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<v Speaker 2>new about to Row. I see something in a different

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<v Speaker 2>way because my students teach me and to Row is

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<v Speaker 2>always teaching me.

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<v Speaker 1>And that's what's so fun about it all of this

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<v Speaker 1>is there's always something new to learn.

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<v Speaker 2>True.

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<v Speaker 1>Before we dive into our next psychic tool ruins, we're

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<v Speaker 1>going to take our first break. We'll be right back.

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<v Speaker 2>Hi, everybody. I wanted to let you know that I

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<v Speaker 2>am working on some new courses coming up in the

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<v Speaker 2>near future. But in the meantime, I'm also offering some

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<v Speaker 2>other things that you might be interested in. For example,

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<v Speaker 2>on my website you can find links to numerology reports,

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<v Speaker 2>animal guide reports, and e booklets about guarding with the

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<v Speaker 2>Spirit of the Plant Kingdom, with working with Moon energy,

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<v Speaker 2>working with the major arcana and crystals. So take a

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<v Speaker 2>look my website Stepbowen dot com. And while you're there

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<v Speaker 2>on my website, i'd love it if you'd subscribe to

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<v Speaker 2>my free substack and visit. With Merlin's picture on my

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<v Speaker 2>website homepage, I think you'll like looking at him. Stepbowen

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<v Speaker 2>dot com. Thanks so much, everybody.

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<v Speaker 1>Now our next divination tool. We did a show on

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<v Speaker 1>last year, but we thought we'd review it since we're

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<v Speaker 1>doing our back to Basic series. The runes are a

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<v Speaker 1>really cool way to amplify and get to know your

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<v Speaker 1>intuition better. It's very ancient, just like to row. No

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<v Speaker 1>one really knows where, when, or how they originated. We

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<v Speaker 1>do know that there are cave drawings depicting runs that

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<v Speaker 1>go back to thirteen hundred BC. The word comes from

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<v Speaker 1>an old Norse word called runa, which means secret or mystery.

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<v Speaker 1>The practice of throwing runs dates back to the first

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<v Speaker 1>century Germanic tribes inscribed Italic alphabets on stones for divination purposes.

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<v Speaker 1>Some believe the ruins were given to the Norse by

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<v Speaker 1>their god Odin. The ruins themselves are very powerful symbols

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<v Speaker 1>of forces in the cosmos. The origin of the word

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<v Speaker 1>run is rooted in both letter and secret and mystery,

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<v Speaker 1>so you can consult the runs for insight into a

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<v Speaker 1>problem or to gain deeper understanding into your sole purpose.

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<v Speaker 1>Runes typically come in a velvet pouch. A common way

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<v Speaker 1>to use the ruins is to gently shake the bag

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<v Speaker 1>while thinking of your question, and then you simply pull

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<v Speaker 1>three ruins to represent past, present, in future. Alternately, you

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<v Speaker 1>can pull three runs to represent the problem, the challenge,

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<v Speaker 1>and the outcome. There are several types of runs to

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<v Speaker 1>choose from. The Elder Foth arch is the most common

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<v Speaker 1>set of ruins that you'll find in stores. It's a

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<v Speaker 1>really good beginner set, but there's also several other such

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<v Speaker 1>as the Hungarian runs and the Turkic runs. For the

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<v Speaker 1>creed person. You can make your own runs by carving

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<v Speaker 1>the symbols on stones, or even writing them on papers

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<v Speaker 1>or stones you find around your yard or on your walk.

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<v Speaker 2>My lovely friend Linda, who is an amazing stained glass

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<v Speaker 2>artist and an artist in her soul in so many

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<v Speaker 2>other ways, gathered us one evening for an INUK ritual

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<v Speaker 2>some years ago, and a craft's portion of the evening

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<v Speaker 2>which you always know you're going to have with Linda

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<v Speaker 2>and a ritual is she wanted us to create our

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<v Speaker 2>own set of runs using pumpkin seeds. I thought I

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<v Speaker 2>was going to lose my mind.

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<v Speaker 1>That's very tiny. That's a very tiny run.

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<v Speaker 2>Yeah, that just did not. But I'm just saying that

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<v Speaker 2>for some of our listeners out there who are thinking, golly,

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<v Speaker 2>I'd like to create my own set of runs, there

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<v Speaker 2>is the pumpkin seed method. I'm just saying, well.

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<v Speaker 1>There you go. I think it's good to note that

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<v Speaker 1>if you want to use the runes as a divination tool,

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<v Speaker 1>they're not really the best tool for put the future.

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<v Speaker 1>In the same way that Terro can't really tell time,

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<v Speaker 1>the runes don't necessarily tell you what's going to happen

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<v Speaker 1>in your life. They are a really good option to

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<v Speaker 1>turn to if you need clarity on a situation or

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<v Speaker 1>deeper insight into a problem. My favorite book on runs

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<v Speaker 1>is by Bob Oswald, it's called discovering runs, and he

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<v Speaker 1>says in there it is more effective to state an

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<v Speaker 1>issue and let the runes comment on it. This will

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<v Speaker 1>give you an appraisal of the whole issue and the

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<v Speaker 1>reason for the cast, rather than a simple yes or

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<v Speaker 1>no answer. So, for example, you might say, the issue

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<v Speaker 1>is my relationship with John Doe instead of asking does

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<v Speaker 1>John Doe like me? He also says, and I think

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<v Speaker 1>this is true for any divination tool you use. There

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<v Speaker 1>are occasions when the response made does not appear to

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<v Speaker 1>fit the issue raised. This can happen when the runes

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<v Speaker 1>have chosen to address a more serious issue than the

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<v Speaker 1>one you posed. This may be because the more serious

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<v Speaker 1>issue ultimately will control the lesser issue you raise. This

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<v Speaker 1>can be useful, he continues. If you cannot decide which

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<v Speaker 1>issue to focus on, the runes will decide for you.

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<v Speaker 1>Oswald also recommends that you use the runs with consistency,

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<v Speaker 1>meaning you consult them at the same time of the day,

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<v Speaker 1>or you always light a candle, or you only handle them,

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<v Speaker 1>allowing the runs to get comfortable with your energy. There

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<v Speaker 1>are two basic methods for consulting the runes, the Roun

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<v Speaker 1>spread and the rune cast. With a room spread, you

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<v Speaker 1>select the runs for the reading from a bag and

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<v Speaker 1>place them in a pattern to be read. In a

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<v Speaker 1>roune spread, it's common to read the runs based on

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<v Speaker 1>whether they fell right side up, reverse or converse, meaning

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<v Speaker 1>face down. In a rune cast, you toss the runes

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<v Speaker 1>onto a designated space like a cloth or a table,

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<v Speaker 1>and read them according to their location on this designated space.

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<v Speaker 1>In this method, you're just casting the runs across what

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<v Speaker 1>is called a field, but it's really just a table,

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<v Speaker 1>desk or altarcloth. Any rooms that fall outside this designated

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<v Speaker 1>field are not part of the reading. So runes can

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<v Speaker 1>be difficult to learn, like to row, because you have

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<v Speaker 1>to learn their meaning, their meaning when they're reversed, and

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<v Speaker 1>their meaning when it's converse. When runes are cast faced up,

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<v Speaker 1>it symbolizes that the matter is clear to you or

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<v Speaker 1>soon will be. When they appear converse, meaning face down,

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<v Speaker 1>it indicates that something is being withheld from you, being

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<v Speaker 1>kept secret hidden, or there's some dishonesty. If a roun

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<v Speaker 1>shows up in a reading upright, this is often positive,

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<v Speaker 1>whereas when they appear reversed, it can't indicate something negative

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<v Speaker 1>or unwise for example, the bur cannon ruine upright means growth,

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<v Speaker 1>reversed it means lack of growth or a decrease, and

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<v Speaker 1>face down it means hidden growth. If a ruin appears

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<v Speaker 1>face down and reverse, you have to take both interpretations

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<v Speaker 1>into account along with the meaning of the run. So

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<v Speaker 1>to continue our example with the bur cannon, and if

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<v Speaker 1>it appears face down and reversed, then this means reduced

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<v Speaker 1>growth that is being kept hidden, which could indicate someone

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<v Speaker 1>stealing from you or lying to you. So, as you

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<v Speaker 1>can see, there are many many layers to understanding the runes.

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<v Speaker 1>But I think, as with any of these tools we've mentioned,

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<v Speaker 1>once you start engaging with any tool, but especially the

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<v Speaker 1>runes in the Toureau, they seem to engage back with you.

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<v Speaker 1>When we first did research for a show on runes

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<v Speaker 1>last year, I remember reading a bunch of books on

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<v Speaker 1>the runes and consulting the ruins myself and really doing

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<v Speaker 1>a deep dive into it for about two weeks. And

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<v Speaker 1>I didn't think a whole lot of it. This isn't

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<v Speaker 1>my preferred divination tool. And I remember I was just

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<v Speaker 1>driving in the car and I looked up in the

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<v Speaker 1>sky and there were two exes, two white exes in

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<v Speaker 1>the clouds like clouds that you know, not clouds conrails

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<v Speaker 1>are they called debm okay and I thought, oh my gosh,

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<v Speaker 1>that's the ruin that means gift. And all week when

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<v Speaker 1>I looked up in the sky, I would see those

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<v Speaker 1>same markings, and sure enough, I had a gift come

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<v Speaker 1>to me that week. So I just find that fascinating

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<v Speaker 1>that when you start to dive into these tools, they

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<v Speaker 1>often will start to engage with you in different ways.

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<v Speaker 2>You know, Samantha, I think you're absolutely right, and I

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<v Speaker 2>think that's true, and how wonderful that you could remember

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<v Speaker 2>that those two ex's represented gifts, because I can't remember that,

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<v Speaker 2>and I know I've told the story before, so I

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<v Speaker 2>will not belabor it on this episode about my long

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<v Speaker 2>and convoluted tempt and relationship with Rune's and how I

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<v Speaker 2>finally passed them on to somebody to whom they did

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<v Speaker 2>speak And I think that's wonderful. But I think that

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<v Speaker 2>brings up a real important point I want to be

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<v Speaker 2>sure we share with our listeners, and that is that

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<v Speaker 2>when you are opening to your intuitive for gifts and

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<v Speaker 2>you're really if you were kind of like me, you

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00:16:50.600 --> 00:16:53.159
<v Speaker 2>were a kid in a candy store and look at

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<v Speaker 2>all the wonderful possibilities. Certainly ask your guides to help

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<v Speaker 2>you make the decision as to which one or ones

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<v Speaker 2>of these speak to you and resonate with you. Certainly

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<v Speaker 2>try them, try them, and when you find that one

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<v Speaker 2>or more does really, then dive very deeply into it.

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<v Speaker 2>And when one does not, put it aside. It may

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<v Speaker 2>not be for you ever, or it may be that

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<v Speaker 2>the time isn't right and you may come back to

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00:17:20.680 --> 00:17:25.880
<v Speaker 2>it later. But don't get discouraged, and don't just negate

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<v Speaker 2>something permanently. It may be that you may need to

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00:17:28.319 --> 00:17:31.400
<v Speaker 2>come back to it, or you may not. Here's an

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00:17:31.400 --> 00:17:35.400
<v Speaker 2>example from me many years ago. I really dived deeply

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<v Speaker 2>into the each ink, really wanting to learn and understand it.

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00:17:40.160 --> 00:17:42.680
<v Speaker 2>And I tried for years, and I got to a

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<v Speaker 2>point of feeling a basic level of comfortability with the

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00:17:46.640 --> 00:17:49.119
<v Speaker 2>eachingk but I realized it was not for me, it

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00:17:49.200 --> 00:17:51.759
<v Speaker 2>was not my tool. And by then I had really

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<v Speaker 2>begun to work extensively with Trope, and so I put

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<v Speaker 2>the eaching aside, and every once in a while I

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00:17:57.880 --> 00:18:00.319
<v Speaker 2>will go back and pull out my eaching books and

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<v Speaker 2>look at them again, usually around the first of the year,

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<v Speaker 2>just to see what might be going on. And it's

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<v Speaker 2>still not my tool.

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<v Speaker 1>And that's okay, now, I think that's a really good point.

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<v Speaker 1>It's really important to try these different tools to see

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<v Speaker 1>which resonate with you, and if they don't resonate with

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<v Speaker 1>you right away, don't necessarily give up on them. But

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<v Speaker 1>do know that one or two of these will always

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<v Speaker 1>call to you and will just feel to come naturally

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<v Speaker 1>to you as well. Hey guys, if you're going to

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<v Speaker 1>be near Long Island in July, I hope you'll come

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<v Speaker 1>see me at Amineville Apothecary Thursday night, July twenty third,

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<v Speaker 1>I'm going to be teaching my manifest Miracles class. It

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<v Speaker 1>will be a fun, interactive class. Will you learn how

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<v Speaker 1>to use crystals, feng shui, and powerful thought techniques to

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<v Speaker 1>truly master the art of manifesting. The class covers how

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<v Speaker 1>to identify and clear old patterns that are holding you back,

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<v Speaker 1>the science behind manifesting, and how to use imagery to

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<v Speaker 1>train your subconscious to manifest for you. Then an agus

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<v Speaker 1>I'll be teaching an Intuitive Development weekend hosted by the

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<v Speaker 1>Edgar Cacar will be at the Wild Acres Retreat Center

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<v Speaker 1>in Little Switzerland, North Carolina, from August twentieth to the

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<v Speaker 1>twenty third. Hope to see you this summer. Why don't

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00:19:17.400 --> 00:19:19.079
<v Speaker 1>you tell us about reading tea leaves?

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<v Speaker 2>Okay, because tea leaves are an interesting thing, you know. Come,

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00:19:22.880 --> 00:19:27.720
<v Speaker 2>I got the ones with the names that I can't pronounce. Okay,

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00:19:28.000 --> 00:19:33.160
<v Speaker 2>it means reading tea leaves, or coffee grounds or wine sediments.

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<v Speaker 2>I didn't know that when I started. This research comes

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00:19:36.359 --> 00:19:39.480
<v Speaker 2>from the French word cassie. I know I'm not pronouncing

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00:19:39.480 --> 00:19:42.519
<v Speaker 2>that right, which in turn derives from an Arabic word

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<v Speaker 2>and from a Greek word. So studying of tea leaves

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00:19:46.920 --> 00:19:49.960
<v Speaker 2>is really where this comes from. It can be traced

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<v Speaker 2>back to medieval Europe fortune tellers, who developed their readings

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<v Speaker 2>from splatters of wax, lead, and other molten subjects. This

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00:20:00.079 --> 00:20:04.359
<v Speaker 2>evolved into tea leaf reading in the seventeenth century, a

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00:20:04.440 --> 00:20:09.240
<v Speaker 2>short time after Dutch merchants introduced tea to Europe via

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00:20:09.359 --> 00:20:14.000
<v Speaker 2>their trade routes to China. As you might well imagine, Scotland, Ireland,

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00:20:14.039 --> 00:20:17.759
<v Speaker 2>Wales and England have produced a number of practitioners and

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00:20:17.839 --> 00:20:22.480
<v Speaker 2>authors on the subject, and English potteries have crafted many

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<v Speaker 2>elaborately beautiful teacup sets, especially designed and decorated to aid

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<v Speaker 2>in fortune telling. There's a great book called The Encyclopedia

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<v Speaker 2>of Alcoutism and Parapsychology by Jay Gordon Melton, and he

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<v Speaker 2>says that you should use loose tea that is cut

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<v Speaker 2>uniformly in shape and size, so he recommends oolong Earl

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<v Speaker 2>Gray de Jarling as best. Certainly not to use a

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<v Speaker 2>tea bag because you can't see the tea. Don't put

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<v Speaker 2>anything else in the cup, no sugar, cream or lemon.

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00:20:57.759 --> 00:21:01.400
<v Speaker 2>The point isn't good tasting tea. But clean wet leaves

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<v Speaker 2>for your reading, and use a white tea set, he says,

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00:21:05.799 --> 00:21:08.640
<v Speaker 2>although it's okay to use one of the tea leaf

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<v Speaker 2>reading cup and saucer sets on the market. So here's

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<v Speaker 2>what he says to do. After a cup of tea

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00:21:15.079 --> 00:21:19.359
<v Speaker 2>has been poured without using a tea strainer, the tea

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00:21:19.440 --> 00:21:22.480
<v Speaker 2>is drunk and poured away so that the cup can

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<v Speaker 2>be shaken well and any small amount of remaining liquid

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00:21:26.200 --> 00:21:28.880
<v Speaker 2>in the bottom can be drained off into the saucer.

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<v Speaker 2>Out of the cup and into the saucer. So basically

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<v Speaker 2>what you want is wet leaves with no liquid. The

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<v Speaker 2>person who's doing the reading looks at the pattern of

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<v Speaker 2>tea leaves in the cup and allows the imagination to

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<v Speaker 2>play around with the shapes suggested by the The shapes

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<v Speaker 2>of the tea leaves as in the bottom of the

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<v Speaker 2>cup may look like a letter, or a heart, or

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<v Speaker 2>a ring or lots of other things. And these shapes

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<v Speaker 2>are interpreted intuitively by a fairly common set ofism in

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<v Speaker 2>order to figure out what the message is from the leaves. So,

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<v Speaker 2>for example, I, as the tea leaf reader, may look

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<v Speaker 2>at your cup, Samantha, and look at the tea leaves,

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<v Speaker 2>and I may see the shape of a dog's head,

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<v Speaker 2>for example, in the cup, and that may mean something

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00:22:17.200 --> 00:22:20.039
<v Speaker 2>to me intuitively that I need to tell you about,

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00:22:20.559 --> 00:22:23.240
<v Speaker 2>either symbolically for yourself or about one of your dogs.

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<v Speaker 2>And then he also says that it is traditional to

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<v Speaker 2>read a cup from the present to the future by

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<v Speaker 2>starting along the rim at the handle of the cup

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00:22:34.680 --> 00:22:38.279
<v Speaker 2>and following the symbols down in a spiraling manner until

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00:22:38.279 --> 00:22:41.960
<v Speaker 2>you reach the bottom, which symbolizes the future. In the

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00:22:42.200 --> 00:22:46.440
<v Speaker 2>distant future, most readers see images only in the dark.

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00:22:46.519 --> 00:22:50.480
<v Speaker 2>Tea leaves against a white or neutral background, So we'll

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<v Speaker 2>also read the reverse images formed by seeing the symbols

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00:22:53.519 --> 00:22:56.759
<v Speaker 2>that form in the white negative spaces with a clump

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00:22:56.839 --> 00:22:59.880
<v Speaker 2>of dark leaves forming in the background. So really basically

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00:23:00.319 --> 00:23:02.960
<v Speaker 2>this is saying is that there are ways in which

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<v Speaker 2>you can examine the symbols looking from the top of

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00:23:06.920 --> 00:23:09.759
<v Speaker 2>the cup down into the bottom. As the further deeper

397
00:23:09.759 --> 00:23:12.319
<v Speaker 2>into the cup you go and look at the leaves,

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00:23:12.359 --> 00:23:15.160
<v Speaker 2>you may see more into the distant future. And you

399
00:23:15.200 --> 00:23:20.559
<v Speaker 2>can also see not only images in the leaves on

400
00:23:20.640 --> 00:23:23.640
<v Speaker 2>the white background of the cup, but the reverse may

401
00:23:23.680 --> 00:23:27.279
<v Speaker 2>be true. The images in the white around the tea

402
00:23:27.359 --> 00:23:31.680
<v Speaker 2>leaves may also be important. And in conclusion, he says

403
00:23:31.720 --> 00:23:35.960
<v Speaker 2>that certain Western circles need to remember that one should

404
00:23:36.039 --> 00:23:40.559
<v Speaker 2>not use tea that has been taken from a tea bag,

405
00:23:40.920 --> 00:23:44.359
<v Speaker 2>or one should not use a symbol dictionary, and the

406
00:23:44.440 --> 00:23:47.359
<v Speaker 2>reason for this is that the tea and tea bags

407
00:23:47.440 --> 00:23:50.839
<v Speaker 2>is cut too finely to form recognizable figures in the

408
00:23:50.880 --> 00:23:54.559
<v Speaker 2>cup and tea leaf reading has its own historic set

409
00:23:54.640 --> 00:24:00.920
<v Speaker 2>of symbolism that doesn't necessarily correspond with other symbols other systems,

410
00:24:01.400 --> 00:24:03.680
<v Speaker 2>So you might want to find a really good book

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00:24:03.720 --> 00:24:07.400
<v Speaker 2>on tea leaf reading. I find it interesting that if

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00:24:07.440 --> 00:24:12.359
<v Speaker 2>you go to the Twining Tea Leaf Tea Company's website,

413
00:24:12.640 --> 00:24:15.119
<v Speaker 2>they have a section on their website on tea leaf reading.

414
00:24:15.240 --> 00:24:17.200
<v Speaker 2>And I'm sitting here right now with a cup of

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00:24:17.279 --> 00:24:19.400
<v Speaker 2>Earl Gray tea from the Twining Company.

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00:24:19.680 --> 00:24:23.440
<v Speaker 1>That is so cool. Have you ever tried it? No?

417
00:24:23.640 --> 00:24:25.319
<v Speaker 2>And I have to tell you that you're gonna laugh

418
00:24:25.319 --> 00:24:27.039
<v Speaker 2>at why I have it if you're a Harry Potter

419
00:24:27.079 --> 00:24:31.240
<v Speaker 2>fan and you have watched Harry's response to trying to

420
00:24:31.319 --> 00:24:35.279
<v Speaker 2>learn the tea leaf reading mechanism, and I think it's

421
00:24:35.319 --> 00:24:37.920
<v Speaker 2>in the order of Phoenix, and he and Ron have

422
00:24:38.079 --> 00:24:40.599
<v Speaker 2>such a hard time so they just make stuff up.

423
00:24:41.319 --> 00:24:43.359
<v Speaker 2>I think that it's just not meant for me. I

424
00:24:43.359 --> 00:24:45.359
<v Speaker 2>don't think I can see the symbols. That's the way

425
00:24:45.440 --> 00:24:48.599
<v Speaker 2>perhaps you're supposed to in a really serious manner.

426
00:24:48.839 --> 00:24:51.839
<v Speaker 1>Well, I think it would be neat because, similar to

427
00:24:51.880 --> 00:24:54.440
<v Speaker 1>what we were talking about with pendulums or doing a

428
00:24:54.480 --> 00:24:58.720
<v Speaker 1>crystal reading or a scrying with a crystal, it allows

429
00:24:58.759 --> 00:25:02.319
<v Speaker 1>your intuition to really wander, because if that looks like

430
00:25:02.359 --> 00:25:05.559
<v Speaker 1>a dog to you, then that might be your intuition

431
00:25:05.960 --> 00:25:08.839
<v Speaker 1>telling you something. And if that looks like a mountain

432
00:25:08.880 --> 00:25:11.640
<v Speaker 1>to you, Well, then that might mean the person is

433
00:25:11.799 --> 00:25:15.160
<v Speaker 1>coming up against some challenges. So it's kind of nice

434
00:25:15.200 --> 00:25:18.039
<v Speaker 1>that it's open ended that way. But I've never tried

435
00:25:18.039 --> 00:25:20.680
<v Speaker 1>it either. All I can think of as you're talking

436
00:25:20.799 --> 00:25:23.839
<v Speaker 1>is that scene from Outlander or she gets her tea

437
00:25:23.920 --> 00:25:25.960
<v Speaker 1>leaves red before she goes through the stones.

438
00:25:27.759 --> 00:25:30.000
<v Speaker 2>Well, you know, I don't mean to make light of it,

439
00:25:30.039 --> 00:25:33.119
<v Speaker 2>because I think it can be a legitimate divination tool.

440
00:25:33.480 --> 00:25:34.880
<v Speaker 2>I can do this thing, and I bet you do

441
00:25:34.920 --> 00:25:38.000
<v Speaker 2>it too. If I look at a picture of a tree,

442
00:25:38.039 --> 00:25:40.960
<v Speaker 2>for example, I can see faces in the leaves, and

443
00:25:41.000 --> 00:25:43.279
<v Speaker 2>then you look away and you look back and the

444
00:25:43.319 --> 00:25:46.039
<v Speaker 2>face is gone. Has that ever happened to you?

445
00:25:46.359 --> 00:25:48.039
<v Speaker 1>Yeah? I think I know what you're talking about.

446
00:25:48.319 --> 00:25:50.960
<v Speaker 2>So I wonder if that would not also be the

447
00:25:50.960 --> 00:25:53.680
<v Speaker 2>same for tea leaf reading. If, for example, I were

448
00:25:53.720 --> 00:25:56.319
<v Speaker 2>to try it, and I might see some kind of

449
00:25:56.359 --> 00:25:59.119
<v Speaker 2>symbol for me that resonates for me personally. I do

450
00:25:59.279 --> 00:26:02.559
<v Speaker 2>like the idea that the symbology in tea leaf reading

451
00:26:02.720 --> 00:26:06.240
<v Speaker 2>is separate and distinct for itself as a divination tool,

452
00:26:06.279 --> 00:26:09.240
<v Speaker 2>And I don't know what those are. So it may

453
00:26:09.279 --> 00:26:11.839
<v Speaker 2>be that if I'm good at seeing faces and pictures

454
00:26:11.839 --> 00:26:13.960
<v Speaker 2>of trees. I might do fairly well at tea leaf

455
00:26:13.960 --> 00:26:16.519
<v Speaker 2>reading at some point I do have some loose tea.

456
00:26:16.559 --> 00:26:17.279
<v Speaker 2>I may try it.

457
00:26:17.960 --> 00:26:20.880
<v Speaker 1>You know. I can see faces and images in crystals

458
00:26:20.960 --> 00:26:24.839
<v Speaker 1>and stones much more easily. And something that popped up.

459
00:26:24.839 --> 00:26:26.359
<v Speaker 1>I don't know if it was my pinterst or my

460
00:26:26.440 --> 00:26:30.000
<v Speaker 1>Instagram feed, but there's a rock museum in Japan that

461
00:26:30.160 --> 00:26:34.160
<v Speaker 1>is just rocks of faces and like naturally forming rocks

462
00:26:34.160 --> 00:26:37.079
<v Speaker 1>and nature that look like people. Isn't that crazy? I

463
00:26:37.079 --> 00:26:38.480
<v Speaker 1>would love to see that museum.

464
00:26:39.079 --> 00:26:40.880
<v Speaker 2>Wouldn't that be interesting? I know?

465
00:26:41.160 --> 00:26:44.759
<v Speaker 1>Okay, okay, Let's talk about palmistry, which I am just

466
00:26:45.400 --> 00:26:48.319
<v Speaker 1>so fascinated by, and I've been doing a huge deep

467
00:26:48.359 --> 00:26:52.000
<v Speaker 1>dive into palmistry lately. I recently got a book called

468
00:26:52.000 --> 00:26:56.240
<v Speaker 1>The Art and Science of Handreading by Ellen Goldberg. Highly

469
00:26:56.279 --> 00:26:59.440
<v Speaker 1>recommend it. It's just super in depth, and that book

470
00:26:59.480 --> 00:27:02.799
<v Speaker 1>teaches you how to tell time on the palm lines

471
00:27:02.839 --> 00:27:07.559
<v Speaker 1>as well. Many believe palmistry began in India, but there's

472
00:27:07.680 --> 00:27:11.880
<v Speaker 1>even an ancient document of Aristotle where he described in

473
00:27:11.920 --> 00:27:16.319
<v Speaker 1>detail a palm reading in his History of Animal's book. Palmistry,

474
00:27:16.440 --> 00:27:19.200
<v Speaker 1>also called chiromancy, is simply the art of learning to

475
00:27:19.240 --> 00:27:22.480
<v Speaker 1>read the lines in are palm. There are four main lines,

476
00:27:22.680 --> 00:27:25.920
<v Speaker 1>the heart, life, head, and fate lines that are said

477
00:27:25.960 --> 00:27:31.200
<v Speaker 1>to indicate marriage, children, career, family, even travel. In addition

478
00:27:31.240 --> 00:27:33.839
<v Speaker 1>to learning the meetings of the lines, palmist will also

479
00:27:33.880 --> 00:27:36.880
<v Speaker 1>look at the shape of the hand and fingers, and

480
00:27:36.920 --> 00:27:39.480
<v Speaker 1>this is usually where you should begin a palm reading

481
00:27:39.599 --> 00:27:44.079
<v Speaker 1>is first examine the person's hand shape. A solid, square

482
00:27:44.119 --> 00:27:47.279
<v Speaker 1>shaped hand with short fingers is associated with the element

483
00:27:47.359 --> 00:27:51.079
<v Speaker 1>earth and tends to represent someone who is solid, logical, practical,

484
00:27:51.119 --> 00:27:55.559
<v Speaker 1>and grounded. Someone with long, thin fingers and a square

485
00:27:55.599 --> 00:27:59.400
<v Speaker 1>palm is associated with air. They will go through life

486
00:27:59.400 --> 00:28:03.279
<v Speaker 1>as intellectual seekers of wisdom. If you have a long

487
00:28:03.400 --> 00:28:07.079
<v Speaker 1>palm and short fingers, you have a fire hand, indicating

488
00:28:07.119 --> 00:28:11.200
<v Speaker 1>someone with a passionate, emotional, confident temperament. If you have

489
00:28:11.279 --> 00:28:14.960
<v Speaker 1>a long palm and long fingers, you have a water hand,

490
00:28:15.480 --> 00:28:20.160
<v Speaker 1>indicating that you are compassionate, intuitive, and empathic. There are

491
00:28:20.200 --> 00:28:24.640
<v Speaker 1>also mounds that need to be learned, so each finger

492
00:28:24.759 --> 00:28:28.480
<v Speaker 1>corresponds to a planet. For example, the pinky finger is

493
00:28:28.519 --> 00:28:32.480
<v Speaker 1>the mercury finger, and the fleshy pads under these fingers

494
00:28:32.519 --> 00:28:36.759
<v Speaker 1>are called mounds. So under your pinky finger is the

495
00:28:36.799 --> 00:28:40.519
<v Speaker 1>mound of mercury. The mound under your index finger is

496
00:28:40.559 --> 00:28:44.240
<v Speaker 1>called the Jupiter mound. The fleshy part under your thumb,

497
00:28:44.400 --> 00:28:48.039
<v Speaker 1>that's the Mount of Venus. If yours is big and squishy,

498
00:28:48.119 --> 00:28:52.799
<v Speaker 1>it can indicate a passionate person. If it's flat or nonexistent,

499
00:28:53.000 --> 00:28:54.920
<v Speaker 1>it can mean that the person is a bit out

500
00:28:54.920 --> 00:28:57.559
<v Speaker 1>of a touch with their emotions and the sensual side

501
00:28:57.559 --> 00:29:00.880
<v Speaker 1>of life. Opposite the mount of Venus is the Mount

502
00:29:00.920 --> 00:29:03.680
<v Speaker 1>of Luna. If you have a fleshy mound here, you

503
00:29:03.720 --> 00:29:07.519
<v Speaker 1>are naturally intuitive, and the center of our palm is

504
00:29:07.559 --> 00:29:11.519
<v Speaker 1>called the plane of Mars. The main line running under

505
00:29:11.519 --> 00:29:15.519
<v Speaker 1>your fingers across your palm is called the heart line.

506
00:29:15.640 --> 00:29:18.519
<v Speaker 1>It's concerned with all relationships of the heart and also

507
00:29:18.599 --> 00:29:23.000
<v Speaker 1>reveals how we deal with intimacy and connection. A long

508
00:29:23.079 --> 00:29:26.200
<v Speaker 1>heart line indicates an open, generous heart, grounded in the

509
00:29:26.240 --> 00:29:29.680
<v Speaker 1>here and now. Breaks on the heart line that often

510
00:29:29.720 --> 00:29:32.519
<v Speaker 1>look like circles or islands or dots on the line

511
00:29:32.599 --> 00:29:37.079
<v Speaker 1>can indicate heartache. Short thin lines running across the heart

512
00:29:37.119 --> 00:29:41.200
<v Speaker 1>line can also indicate painful times. If the heart line

513
00:29:41.279 --> 00:29:44.039
<v Speaker 1>is connected to the headline, which is just below it,

514
00:29:44.400 --> 00:29:47.279
<v Speaker 1>this can indicate someone who's very sensitive and tends to

515
00:29:47.400 --> 00:29:50.319
<v Speaker 1>rule by the heart and not the mind. If it's

516
00:29:50.359 --> 00:29:53.000
<v Speaker 1>straight and parallel with the headline, it shows someone who

517
00:29:53.039 --> 00:29:56.599
<v Speaker 1>is balanced and in control of their emotions. Under the

518
00:29:56.640 --> 00:29:59.400
<v Speaker 1>heart line, as I said, we have the headline, which

519
00:29:59.440 --> 00:30:03.079
<v Speaker 1>indicates how we think, process and relate to life's challenges.

520
00:30:04.240 --> 00:30:07.200
<v Speaker 1>A solid, straight line indicates a person with a good

521
00:30:07.240 --> 00:30:10.880
<v Speaker 1>head on their shoulders. A broken, chained, or wavy line

522
00:30:10.960 --> 00:30:15.160
<v Speaker 1>can indicate challenges. When it's chained with the lifeline at

523
00:30:15.200 --> 00:30:18.799
<v Speaker 1>the start, it can point to a difficult childhood. If

524
00:30:18.839 --> 00:30:22.839
<v Speaker 1>the headline has an arc, it indicates creativity. If it's

525
00:30:22.880 --> 00:30:26.119
<v Speaker 1>a faint line or cut in two, it can point

526
00:30:26.119 --> 00:30:30.759
<v Speaker 1>to someone who's emotionally weak or fragile. A wavy headline

527
00:30:30.759 --> 00:30:34.039
<v Speaker 1>points to someone who can't focus very well. If the

528
00:30:34.039 --> 00:30:37.480
<v Speaker 1>headline is separate and parallel to the lifeline, this shows

529
00:30:37.480 --> 00:30:42.319
<v Speaker 1>an outgoing, confident person. The lifeline is under the headline.

530
00:30:42.920 --> 00:30:45.480
<v Speaker 1>Now keep in mind this line does not reveal the

531
00:30:45.559 --> 00:30:47.559
<v Speaker 1>length of your life, so if you have a short

532
00:30:47.599 --> 00:30:49.240
<v Speaker 1>life line, it doesn't mean you're going to have a

533
00:30:49.240 --> 00:30:54.000
<v Speaker 1>short life. Instead, it indicates your vitality and energy levels,

534
00:30:54.000 --> 00:30:57.319
<v Speaker 1>your zest for life. So a small lifeline points to

535
00:30:57.359 --> 00:31:00.440
<v Speaker 1>someone who gets tired easily, a long lifeline and shows

536
00:31:00.480 --> 00:31:03.880
<v Speaker 1>someone who's full of life, passion, and ideas. If you

537
00:31:03.960 --> 00:31:07.519
<v Speaker 1>have a light lifeline one that isn't clearly marked, it

538
00:31:07.599 --> 00:31:11.839
<v Speaker 1>indicates someone who's timid and shy. Circles or islands on

539
00:31:11.839 --> 00:31:16.200
<v Speaker 1>the lifeline can indicate health issues. The fate line typically

540
00:31:16.240 --> 00:31:19.960
<v Speaker 1>goes from the center of your palm and travels straight

541
00:31:20.119 --> 00:31:23.640
<v Speaker 1>up to your fingers, traversing the other three main lines

542
00:31:23.680 --> 00:31:27.079
<v Speaker 1>we've just talked about. The fate line points to career

543
00:31:27.160 --> 00:31:30.400
<v Speaker 1>opportunities and can indicate how much of a follower you

544
00:31:30.480 --> 00:31:34.319
<v Speaker 1>are in terms of traditions and expectations, because a missing

545
00:31:34.359 --> 00:31:37.000
<v Speaker 1>fate line indicates you tend to march to your own drum.

546
00:31:37.880 --> 00:31:40.319
<v Speaker 1>A strong fate line often points to someone who's had

547
00:31:40.359 --> 00:31:43.160
<v Speaker 1>their whole life mapped out, either for them or from

548
00:31:43.200 --> 00:31:45.319
<v Speaker 1>an early age they just always knew what they wanted

549
00:31:45.359 --> 00:31:49.880
<v Speaker 1>to do. A broken fate line indicates job changes. Two

550
00:31:49.960 --> 00:31:54.599
<v Speaker 1>fate lines can indicate two separate careers at the same time. Now,

551
00:31:54.599 --> 00:31:57.640
<v Speaker 1>we also have the Sun or Mercury line, which travels

552
00:31:58.039 --> 00:32:01.000
<v Speaker 1>up towards your pinky or mercury fingers, and it's said

553
00:32:01.039 --> 00:32:02.799
<v Speaker 1>to be on the palms of people who will be

554
00:32:02.839 --> 00:32:05.640
<v Speaker 1>known in their career. It's often called the line of success.

555
00:32:06.759 --> 00:32:10.559
<v Speaker 1>The marriage line. This is a short line that's above

556
00:32:10.599 --> 00:32:14.519
<v Speaker 1>your heart line and under your pinky finger. If this

557
00:32:14.640 --> 00:32:19.000
<v Speaker 1>line branches, it can indicate a separation. Two strong marriage

558
00:32:19.000 --> 00:32:23.160
<v Speaker 1>lines can indicate two marriages. Breaks or islands on this

559
00:32:23.200 --> 00:32:27.359
<v Speaker 1>little marriage line can point to separations or troubles. Grills

560
00:32:27.440 --> 00:32:31.319
<v Speaker 1>on the marriage line indicate many ups and downs. Double

561
00:32:31.359 --> 00:32:34.240
<v Speaker 1>marriage lines can indicate two loves in your life, not

562
00:32:34.359 --> 00:32:37.759
<v Speaker 1>at the same time. Many marriage lines can point to

563
00:32:37.799 --> 00:32:41.119
<v Speaker 1>a complicated love life. If the marriage line is close

564
00:32:41.160 --> 00:32:43.559
<v Speaker 1>to your heartline, it's said to indicate that you will

565
00:32:43.559 --> 00:32:47.039
<v Speaker 1>marry younger in life. If it's closer to the pinky finger,

566
00:32:47.160 --> 00:32:50.279
<v Speaker 1>it can indicate marriage later in life. So are you

567
00:32:50.359 --> 00:32:52.200
<v Speaker 1>following me so far down? I feel like I threw

568
00:32:52.240 --> 00:32:52.880
<v Speaker 1>a lot out there.

569
00:32:53.440 --> 00:32:55.039
<v Speaker 2>I am sitting here looking at both of my hands

570
00:32:55.079 --> 00:32:59.599
<v Speaker 2>as you're talking, and I'm saying, oh, wait, it just

571
00:32:59.799 --> 00:33:03.240
<v Speaker 2>it is that right, Oh look at that. Yes, I

572
00:33:03.240 --> 00:33:05.880
<v Speaker 2>guess I'm following you, and well do I have a

573
00:33:05.920 --> 00:33:07.839
<v Speaker 2>lot of stuff? But all you're doing is bringing up

574
00:33:07.839 --> 00:33:12.160
<v Speaker 2>more questions for me? Really? I mean, well, it's fascinating.

575
00:33:11.640 --> 00:33:15.400
<v Speaker 1>It is fascinating. And it's really interesting to make a

576
00:33:15.400 --> 00:33:19.720
<v Speaker 1>study of your palms. I for anyone over forty, I

577
00:33:19.839 --> 00:33:23.200
<v Speaker 1>recommend you get a magnifying glass with a light on it.

578
00:33:23.279 --> 00:33:25.920
<v Speaker 1>That has really helped me a lot to identify some

579
00:33:25.960 --> 00:33:28.839
<v Speaker 1>of these lesser known lines. But it's neat to study

580
00:33:28.880 --> 00:33:32.720
<v Speaker 1>because your dominant hand, the hand you write with, the

581
00:33:32.720 --> 00:33:35.160
<v Speaker 1>hands you throw a ball with, that's the hand that

582
00:33:35.279 --> 00:33:39.079
<v Speaker 1>shows the here and now your non dominant hand shows

583
00:33:39.160 --> 00:33:42.200
<v Speaker 1>kind of the blueprint, like with the possibility, the potential,

584
00:33:43.240 --> 00:33:46.759
<v Speaker 1>And it's fascinating to study both palms and look at

585
00:33:46.839 --> 00:33:47.559
<v Speaker 1>the difference.

586
00:33:48.240 --> 00:33:51.240
<v Speaker 2>And two boy are different. I was doing that as

587
00:33:51.240 --> 00:33:53.559
<v Speaker 2>you were talking, and I had known that from having

588
00:33:53.599 --> 00:33:56.440
<v Speaker 2>had so many readings with Jane. I see and know

589
00:33:56.519 --> 00:34:00.680
<v Speaker 2>the difference in what you're saying and my two palms.

590
00:34:01.279 --> 00:34:04.720
<v Speaker 2>While the major lines are very similar, the criss crosses

591
00:34:04.759 --> 00:34:07.720
<v Speaker 2>and the depths and the hatch marks around them are

592
00:34:07.839 --> 00:34:09.199
<v Speaker 2>very different in the two poems.

593
00:34:10.079 --> 00:34:12.519
<v Speaker 1>Now, if you have an itchy palm, it can mean

594
00:34:12.559 --> 00:34:15.360
<v Speaker 1>that things are getting ready to change for you. So

595
00:34:15.760 --> 00:34:18.440
<v Speaker 1>I think that's fascinating because if you do start to

596
00:34:18.480 --> 00:34:20.599
<v Speaker 1>study the lines in your palm, even if you don't

597
00:34:20.599 --> 00:34:22.760
<v Speaker 1>know what they mean right now, if you just start

598
00:34:22.800 --> 00:34:25.679
<v Speaker 1>to make note of them on both hands. You'll see

599
00:34:25.800 --> 00:34:29.559
<v Speaker 1>that the non dominant hand doesn't change a whole lot,

600
00:34:29.719 --> 00:34:34.039
<v Speaker 1>but your dominant hand those lines will change. If you

601
00:34:34.119 --> 00:34:37.239
<v Speaker 1>have a lot of lines extending into your palm under

602
00:34:37.400 --> 00:34:41.360
<v Speaker 1>the pinky finger, between the heart and headline, you will

603
00:34:41.360 --> 00:34:44.559
<v Speaker 1>be well liked in life. These are called popularity lines.

604
00:34:44.800 --> 00:34:47.800
<v Speaker 1>I think it's fascinating to really study these lesser known lines.

605
00:34:48.440 --> 00:34:52.079
<v Speaker 1>If you have two parallel little vertical lines just below

606
00:34:52.199 --> 00:34:55.920
<v Speaker 1>and between your pinky and middle fingers, this can indicate

607
00:34:56.000 --> 00:34:59.880
<v Speaker 1>talent in the creative arts. For or more vertical lines

608
00:35:00.119 --> 00:35:03.280
<v Speaker 1>directly under the pinky finger is called the healer's mark

609
00:35:03.599 --> 00:35:07.119
<v Speaker 1>and reveals a natural talent toward healing others. Now, the

610
00:35:07.159 --> 00:35:12.320
<v Speaker 1>Mystics Cross. I've seen this misrepresented so much online. The

611
00:35:12.360 --> 00:35:15.679
<v Speaker 1>Mystics cross is a separate cross, meaning it is not

612
00:35:15.840 --> 00:35:18.519
<v Speaker 1>a cross made by the fate line crossing the other

613
00:35:18.599 --> 00:35:22.280
<v Speaker 1>major lines. So many people make that mistake. It is

614
00:35:22.320 --> 00:35:26.639
<v Speaker 1>a separate cross all to itself between the heart and headline,

615
00:35:27.159 --> 00:35:30.599
<v Speaker 1>and this indicates psychic ability. And you can have more

616
00:35:30.639 --> 00:35:33.679
<v Speaker 1>than one. So if you have the Mystics cross, it's

617
00:35:33.800 --> 00:35:38.199
<v Speaker 1>between the heart and headlines and it's not part of

618
00:35:38.320 --> 00:35:42.400
<v Speaker 1>any other lines. It's its own separate thing. Now, if

619
00:35:42.480 --> 00:35:44.599
<v Speaker 1>you have a mystics cross, as I said, it does

620
00:35:44.679 --> 00:35:49.920
<v Speaker 1>indicate natural psychic ability or an interest in studying esoteric pursuits.

621
00:35:49.920 --> 00:35:52.639
<v Speaker 1>So if you are talking to someone who's a total

622
00:35:52.679 --> 00:35:56.360
<v Speaker 1>skeptic or something, it doesn't mean that they are necessarily psychic,

623
00:35:56.400 --> 00:35:59.880
<v Speaker 1>but they will be interested in something on the fringe,

624
00:36:00.039 --> 00:36:02.679
<v Speaker 1>which I have found to be really true. Do you

625
00:36:02.760 --> 00:36:06.039
<v Speaker 1>have a star under your amount of apollo, which would

626
00:36:06.079 --> 00:36:09.400
<v Speaker 1>be right under your ring finger? So if the lines,

627
00:36:09.760 --> 00:36:13.199
<v Speaker 1>tiny little lines all cross to make a star shape,

628
00:36:13.280 --> 00:36:16.519
<v Speaker 1>that can indicate that you're destined for wealth and fame.

629
00:36:17.039 --> 00:36:22.079
<v Speaker 2>I'd like to think that's what that is. Let me

630
00:36:22.119 --> 00:36:24.519
<v Speaker 2>look at my other hand. Hold on a minute.

631
00:36:25.800 --> 00:36:26.920
<v Speaker 1>It got a little toothpick.

632
00:36:26.960 --> 00:36:27.119
<v Speaker 2>Yeah.

633
00:36:27.119 --> 00:36:28.639
<v Speaker 1>I was just gonna say, we can just carve it

634
00:36:28.679 --> 00:36:29.159
<v Speaker 1>in their dumb.

635
00:36:30.719 --> 00:36:32.480
<v Speaker 2>But you know that does bring up a point. Is

636
00:36:32.519 --> 00:36:34.440
<v Speaker 2>that one of the when you talk about the magnifying

637
00:36:34.480 --> 00:36:37.239
<v Speaker 2>glass and the light, which is a great idea, but

638
00:36:37.360 --> 00:36:39.880
<v Speaker 2>we used to put our palms on the glass of

639
00:36:39.880 --> 00:36:41.639
<v Speaker 2>a Xerox machine.

640
00:36:42.119 --> 00:36:47.119
<v Speaker 1>Oh yeah, I make a photocopy. So if you have stars, triangles,

641
00:36:47.199 --> 00:36:51.800
<v Speaker 1>and squares on your palm, these are good signs. They

642
00:36:51.880 --> 00:36:57.199
<v Speaker 1>represent either success or support or help. Breaks in the line,

643
00:36:57.360 --> 00:37:02.920
<v Speaker 1>islands or circles can indicate challenges. So I just think

644
00:37:02.960 --> 00:37:06.079
<v Speaker 1>it's so cool to really look at the lines on

645
00:37:06.119 --> 00:37:09.920
<v Speaker 1>your palm and see what they mean for you. And

646
00:37:09.960 --> 00:37:12.159
<v Speaker 1>now that I'm learning how to tell time, it's really

647
00:37:12.199 --> 00:37:15.880
<v Speaker 1>cool because my fate line is very faint, and I

648
00:37:15.920 --> 00:37:20.039
<v Speaker 1>think that's because I don't like to follow rules and expectations,

649
00:37:20.079 --> 00:37:24.119
<v Speaker 1>but I will. And my fate line breaks right at

650
00:37:24.159 --> 00:37:29.039
<v Speaker 1>my headline at the age of thirty, and then it

651
00:37:29.119 --> 00:37:35.280
<v Speaker 1>starts again. And that's exactly when I started leaving traditional

652
00:37:35.320 --> 00:37:36.679
<v Speaker 1>teaching and doing this work.

653
00:37:37.119 --> 00:37:40.960
<v Speaker 2>Isn't that fascinating? Tell me again what that star is.

654
00:37:41.159 --> 00:37:46.679
<v Speaker 1>You're still looking for your star. It's under your ring finger.

655
00:37:47.159 --> 00:37:51.079
<v Speaker 1>And so if you have, like food, five lines that

656
00:37:51.199 --> 00:37:52.719
<v Speaker 1>criss crossed to make a star.

657
00:37:53.199 --> 00:37:55.760
<v Speaker 2>Okay, So here's a question, because I'm comparing again my

658
00:37:55.800 --> 00:37:58.599
<v Speaker 2>two palms and my left palm. I'm right handed, so

659
00:37:58.639 --> 00:38:02.000
<v Speaker 2>my left palm the Paul came in took this lifetime

660
00:38:02.039 --> 00:38:04.360
<v Speaker 2>with the blueprint. While the major lines, as I said,

661
00:38:04.400 --> 00:38:08.159
<v Speaker 2>are the same, I don't have nearly the depth of

662
00:38:08.320 --> 00:38:12.039
<v Speaker 2>the little catch marks and crisscrosses. And stars and so

663
00:38:12.079 --> 00:38:14.360
<v Speaker 2>forth in my left hand that I have in my

664
00:38:14.559 --> 00:38:18.280
<v Speaker 2>right hand. So does that indicate that I have worked

665
00:38:18.519 --> 00:38:21.880
<v Speaker 2>harder at making some of those things happen in this

666
00:38:22.039 --> 00:38:25.320
<v Speaker 2>lifetime because they've shown up in my dominant hand or not.

667
00:38:25.719 --> 00:38:29.679
<v Speaker 1>I've read different things on that, and what I think is, take,

668
00:38:29.719 --> 00:38:32.039
<v Speaker 1>for example, if you were building a house and you

669
00:38:32.119 --> 00:38:34.679
<v Speaker 1>had a blueprint for the house, how clean would that

670
00:38:34.719 --> 00:38:38.320
<v Speaker 1>blueprint look? There would just be the lines outlining the

671
00:38:38.360 --> 00:38:40.239
<v Speaker 1>house and you could see it and off you go.

672
00:38:40.599 --> 00:38:43.599
<v Speaker 1>And then if you drew an actual representation of what

673
00:38:43.639 --> 00:38:45.559
<v Speaker 1>the house looked like when it was finished building, it

674
00:38:45.559 --> 00:38:48.719
<v Speaker 1>would be much more complicated and detailed. That's how I

675
00:38:48.760 --> 00:38:52.280
<v Speaker 1>think the different palms of our non dominant and dominant

676
00:38:52.280 --> 00:38:57.320
<v Speaker 1>hand appear, because the non dominant is just here's your potential,

677
00:38:57.719 --> 00:39:00.679
<v Speaker 1>here's what's supposed to happen. And then you're dominant hand

678
00:39:00.800 --> 00:39:03.039
<v Speaker 1>is whoa, here's what happened. Like a lot more stuff

679
00:39:03.239 --> 00:39:03.719
<v Speaker 1>was filled in.

680
00:39:04.440 --> 00:39:06.159
<v Speaker 2>Okay, that makes a whole lot of sense.

681
00:39:06.880 --> 00:39:09.639
<v Speaker 1>I think it is really cool to study, and it's

682
00:39:09.679 --> 00:39:12.360
<v Speaker 1>a wonderful way to get to know yourself a little

683
00:39:12.360 --> 00:39:14.719
<v Speaker 1>bit better. And you know now that I'm learning to

684
00:39:14.719 --> 00:39:17.920
<v Speaker 1>tell time on the line, it's so cool to be

685
00:39:18.000 --> 00:39:22.039
<v Speaker 1>able to use it even to predict things. Ellen Goldberg

686
00:39:22.079 --> 00:39:25.559
<v Speaker 1>has a wonderful YouTube channel where she talks about palmistry

687
00:39:25.599 --> 00:39:28.280
<v Speaker 1>and gives a lot of tips as well. And I've

688
00:39:28.320 --> 00:39:31.840
<v Speaker 1>just I've learned so much from her book and so

689
00:39:32.000 --> 00:39:34.800
<v Speaker 1>many other wonderful palmistry books that are out there. It's

690
00:39:34.840 --> 00:39:37.519
<v Speaker 1>just it's great. And every different book I read or

691
00:39:37.760 --> 00:39:41.440
<v Speaker 1>person I study under presents a different tip or something

692
00:39:41.480 --> 00:39:44.400
<v Speaker 1>I didn't know. I just think it's it's really fun.

693
00:39:44.440 --> 00:39:48.239
<v Speaker 1>And you know, I've always used palm reading as just

694
00:39:48.400 --> 00:39:51.039
<v Speaker 1>kind of I don't know. If I'm out somewhere, very

695
00:39:51.079 --> 00:39:53.719
<v Speaker 1>often people will say to me, oh, I hear that

696
00:39:53.760 --> 00:39:56.320
<v Speaker 1>you're a reader, that you're intuitive. Can you read me?

697
00:39:57.000 --> 00:39:59.159
<v Speaker 1>And if I'm in like a crowded group with people

698
00:39:59.239 --> 00:40:02.280
<v Speaker 1>out and about, I don't. I can't, you know, because

699
00:40:02.719 --> 00:40:05.360
<v Speaker 1>students who have taken my classes, No, it takes me

700
00:40:05.440 --> 00:40:08.280
<v Speaker 1>so long to ground my energy, open my chakras, bin

701
00:40:08.360 --> 00:40:10.719
<v Speaker 1>my chakras. So it's always been nice for me to

702
00:40:10.760 --> 00:40:13.039
<v Speaker 1>have this, Oh well, let me look at your palm.

703
00:40:13.360 --> 00:40:16.239
<v Speaker 1>And what I always really was doing was holding their

704
00:40:16.280 --> 00:40:19.920
<v Speaker 1>palm and using psychometry to tune in and try to

705
00:40:19.960 --> 00:40:22.960
<v Speaker 1>get some messages for them. But now I can use

706
00:40:22.960 --> 00:40:24.599
<v Speaker 1>psychometry and palmistry.

707
00:40:25.199 --> 00:40:28.760
<v Speaker 2>Yeah, it is. It's a fascinating, fascinating tool. Absolutely.

708
00:40:29.480 --> 00:40:31.519
<v Speaker 1>Okay, So before we wrap up, we just want to

709
00:40:31.559 --> 00:40:35.119
<v Speaker 1>mention that when using divination tools, it's very important to

710
00:40:35.159 --> 00:40:38.039
<v Speaker 1>say a prayer or affirmation of intent before you do

711
00:40:38.159 --> 00:40:41.440
<v Speaker 1>this work, so you can protect your energy, set your boundaries,

712
00:40:41.480 --> 00:40:45.400
<v Speaker 1>and assure that you're only working with positive energy. An

713
00:40:45.400 --> 00:40:47.920
<v Speaker 1>example would be I pray and intend that only positive

714
00:40:48.000 --> 00:40:50.480
<v Speaker 1>energy surrounds us work so that I am led to

715
00:40:50.519 --> 00:40:53.519
<v Speaker 1>answers meant for my highest good at this time, or

716
00:40:53.639 --> 00:40:55.800
<v Speaker 1>I call on my guardian angels and highest guides to

717
00:40:55.880 --> 00:40:59.000
<v Speaker 1>assist me in seeking answers and inspiration and the light

718
00:40:59.039 --> 00:41:01.960
<v Speaker 1>of love. Because the key with all these divination tools

719
00:41:02.039 --> 00:41:04.639
<v Speaker 1>is that you're using them to access your unconscious, your

720
00:41:04.679 --> 00:41:07.320
<v Speaker 1>higher self, the calling of your heart, which is where

721
00:41:07.360 --> 00:41:10.719
<v Speaker 1>all answers truly exist. As you begin to work with

722
00:41:10.760 --> 00:41:13.199
<v Speaker 1>these tools, you will learn to trust yourself and your

723
00:41:13.199 --> 00:41:17.079
<v Speaker 1>inner guidance. It is this inner trust, not the tools themselves,

724
00:41:17.360 --> 00:41:21.159
<v Speaker 1>that will help you awaken and develop your intuition. These

725
00:41:21.199 --> 00:41:24.320
<v Speaker 1>tools can help you ignite the seeker within and help

726
00:41:24.400 --> 00:41:27.760
<v Speaker 1>you realize that you can be your own psychic and

727
00:41:27.840 --> 00:41:30.000
<v Speaker 1>as we close out, we just want to remind you

728
00:41:30.159 --> 00:41:33.559
<v Speaker 1>to please check out our websites and join our newsletters.

729
00:41:33.599 --> 00:41:37.079
<v Speaker 1>I met Samantha Fay dot com and deb Is Debbowen

730
00:41:37.199 --> 00:41:40.400
<v Speaker 1>dot com. We hope you have enjoyed this and learned

731
00:41:40.440 --> 00:41:42.960
<v Speaker 1>a lot. We look forward to hearing from you and

732
00:41:43.000 --> 00:41:45.880
<v Speaker 1>hope you have a beautiful, happy, blessed week filled with

733
00:41:45.960 --> 00:41:50.039
<v Speaker 1>magic and miracles. Be the light for yourself and others.

734
00:41:50.559 --> 00:41:51.599
<v Speaker 2>Take care everyone.

735
00:41:58.280 --> 00:42:01.920
<v Speaker 1>Thank you for listening to Psychic Tea your podcasts for seekers,

736
00:42:02.039 --> 00:42:05.599
<v Speaker 1>light workers, mystics, and magical thinkers. If you like the show,

737
00:42:05.639 --> 00:42:07.840
<v Speaker 1>please tell a friend or leave us a review wherever

738
00:42:07.880 --> 00:42:11.000
<v Speaker 1>you listen to your podcast. For more information, check out

739
00:42:11.000 --> 00:42:15.000
<v Speaker 1>our Facebook page Psychic Teachers, or our websites Samantha Fay

740
00:42:15.039 --> 00:42:18.360
<v Speaker 1>dot com and Debbowen dot com. Thanks for listening and

741
00:42:18.440 --> 00:42:19.360
<v Speaker 1>have a great week.