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Speaker 1: You're listening to the Mind Over Murder podcast.

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Speaker 2: My name is Bill Thomas. I'm a writer, consulting, producer,

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and now podcaster. I am now trying to use my

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experience as the brother of a murder victim to help

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other victims of violent crime. I'm working on a book

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on the unsolved Colonial Parkway murders and I'm the co

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administrator of the Colonial Parkway Murders Facebook group together with

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Kristin Dilly.

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Speaker 3: My name is Kristin Dilly. I'm a writer, a researcher,

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a teacher, and a victim's advocate, as well as the

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social media manager and co administrator for the Colonial Parkway

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Murders Facebook page with my partner in crime, Bill Thomas.

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Welcome to Mind Ever Murder. I'm Kristin Dilly and I'm

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Bill Thomas, and we're joined today by author Bruce Goldfarbe,

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talking to us about his book Eighteen Tiny Deaths, The

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Untold Story of the Woman who invented modern forensics. Bruce,

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thank you so much for joining us today.

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Speaker 4: Thank you for having me. It's a pleasure to be

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talking about one of my favorite subjects.

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Speaker 3: Start by telling us a little bit about yourself and

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how you got involved in writing about true crime.

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Speaker 4: I started out as a young man as an EMT

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and a paramedic and a frustrated firefighter, and eased my

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way into freelance writing. I didn't really have an interest

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in true crime so much as I was writing about

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science and medicine. That's, in a very roundabout way got

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me working at the Office of the Chief Medical Examiner

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for the State of Maryland, where they had they located

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the nutshell studies of unexplained that. So I had this

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opportunity to spend time with the dioramas. I actually ended

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up being the curator of them, to learn more about

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them and other facts that were associated with them, like

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Francis Plistner Lee who created them, and how they were used.

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And I just I don't know what to say. It

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was the path of least resistance. And here I am.

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Speaker 2: Tell us, how many years back is it your original

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affiliation with the Office of the Medical Exacs.

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Speaker 4: Way back in the nineteen nineties, when I was an

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independent writer, a freelance writer, I was very mercenary, so

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I was strictly in it for the money. As a freelancer,

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you have to make money whenever you can. One of

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the publications I wrote for was American Medical News, which

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was the weekly newspaper of American Medical Association, and they

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paid really well for feature stories about doctors. They love

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stories about doctors who had vineyards through doctors who collected art.

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And I wrote about a gang, a motorcycle gang of doctors.

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And I wrote about a doctor who studied ancient Egyptian

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pyramid pyrit manuscripts. And I had heard about these diorromas

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that were at the Medical Examiner's office. This was in

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the early nineteen nineties, I believe ninety one ninety two,

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and I just did this one off story. I just

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did a feature story for America Medical News about these

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dioramas of death that were used to train death investigators,

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and that was it. I thought it was done with it.

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The story kept coming back to me. People asked me

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to arrange a visit, and I kept coming back to

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the Medical Examiner's office again and again. They got to

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know me there. In twenty twelve, I was working for

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as an editor for some hyper local news website and

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arranged for a tour at the Medical Examiner's office for

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a group of editors. And while we're on the tour,

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they mentioned that they had this position as an assistant

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for the chief who'll be working in the Chief's office,

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would be the public information officer for the OCME and

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would do troubleshooting. An ideal candidate would be a say,

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an EMT with the newswriting experience, and it was pretty

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much ideal for me. So I got the job, and

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that's when I began working much closer with the dioramas.

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It was actually because I was the low man in

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the total pole. I was the new guy, and they

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basically threw the keys at me, and they said, it's

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your problem. Now you can deal with it. You changed

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the light bulbs, and you deal with it. So great.

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It was an ordinary experience to look inside and to

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see how they were made, and to see details that

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were never captured on any images, and secrets that they held,

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and all kinds of things. It was an extraordinary experience.

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Speaker 2: Can you tell us a little bit more detail about

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what these dioramas look like and why they were referred

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to as nutshell studies?

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Speaker 4: Sure. Francis Klesner Lee, who created them, was affiliated with

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Harvard Medical School, where she had established a program up there,

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and she and the chairman of the department doctor Alan

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Moritz had. At the time, there were no real homicide detectives.

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The police were not necessarily the best in the brightest.

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A lot of them were functionally illiterate. They weren't high

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school graduates. There were big, strong brutes who could be

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didn't have to have interviewing skills or critical thinking skills

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if you could beat a confession out of somebody, and

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the cops were big dumb guys. She under took to

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train police and scientific methods of death investigation what we

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now know of as forensic science and forensic medicine, and

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she was the one to really introduce this in a

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systematic educational way. She began the seminar in nineteen forty five,

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and participants in this program would learn about sharp force

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injuries and blunt force injuries, and poisoning and drowning, all

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these death related topics, but the most important piece was

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the crime scene itself, because you only have one chance

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to do things right, and up until that time they weren't.

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They would move evidence, they would move the body, they

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would walk through blood, they would handle things. And she

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had this problem of how do you teach somebody to

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observe a crime scene. How do you teach somebody to

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look and they talked it through. You really couldn't do

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it by a moving picture. You'd have to zoom in,

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and what it is you want somebody to see, image

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doesn't really quite capture it. I could show you a

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picture of evidence, but that's really not the same thing

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as standing there and making you find it yourself. And

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that's the first step that you need to be able

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to recognize evidence so you can preserve it, so you

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can collect it, so you can process it properly, and

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then analyze it properly. But the very first thing is

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recognizing it preserving it. If you don't preserve it up front,

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everything else is the whole trajectory of everything is ruined.

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This was her solution, was to make little crime scenes.

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Because they were mainly the police were mostly men, adult men.

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She wanted to make sure that they were not toilet like,

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so she went to great lengths to make sure that

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these were as realistic as possible. She never used the

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expression to suspend disbelief, but she wanted somebody to get

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immersed in this little world. And so they're all built

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on a scale of one inch to one foot, which

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is a standard sized for miniatures, and they're mostly domestic

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scenes and residences. These are people of all walks of life.

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There are some sex workers, there's a lot of alcohol

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and violence, and there's some domestic violence, and it really

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does reflect, I think, lifestyles that were removed from her

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own life. She was very much a wealthy woman of

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society and memes, so that's what she did. I've described

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them as nineteen forties virtual reality, but I've had many

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homicide detectives tell me that it is about as close

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as you can get to a real crime scene.

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Speaker 3: It's interesting to me that Francis Klesner Lee is not

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your typical grandmotherly type of lady. We were saying off air.

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She's a badass, she's a force of nature, and she's

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certainly not your typical forensic scientist. Why was it so

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unusual for women to be involved in fields like medicine

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and forensics in the early part of the twentieth century.

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We've got people now, I'm sure who can't imagine a

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time in which one would not have been involved with this.

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Can you shed some light on that historical component?

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Speaker 4: There were some women in medicine at the time, Actually

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in an nineteenth century, I believe there was something like

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twelve or fourteen women's medical schools. It was not there. Granted,

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there were not as many women doctors then as there

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are now, but certainly in law enforcement was almost exclusively

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a men's club from the very beginning, back from the

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night watch days in the colonial times. And it really

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wasn't until right around the turn of the twentieth century

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that you start women were actually recruited in the police

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first to look for a juvenile delinquency and in the

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tenement it's almost like social work. It took a while

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for women to be given badges and the arrest powers

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and the uniform that came later on, but even in

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the nineteen there were women. I believe in nineteen twenty

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five there were actually women detectives in New York City,

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And to follow through on that point, even today in

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twenty twenty three, twenty twenty four, although there are quite

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a few women in the police force in uniformed police office,

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once you go up in the command into the officers

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and chiefs, there's not so many. So there's still quite

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a ways to go in terms of any sort of equality.

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But it always was a men's club, and it was

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just had always been that way, mainly because it involves violence.

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And there certainly was this belief that women who were

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too delicate constitution to be dealing with such shocking matters.

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It took some time for there to find their role,

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and she just totally broke through all of that. Francis

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Glestner Lee did.

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Speaker 3: That glass ceiling was definitely not there for her.

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Speaker 4: Because she had the money, because she could afford it.

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She had a very powerful personality, and when you're a millionairess,

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you can get people to pay attention to you.

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Speaker 3: That was actually going to be my next question, how

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did she use her wealth and her position in society

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to her advantage, because she clearly did, and I don't

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falter for that, Absolutely she should.

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Speaker 4: I wish there were more like her. She was born

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into wealth, it wasn't her fault. Her parents were wealthy,

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and she always felt that she hadn't earned her privilege

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and really felt unneed. In learning about her life, I

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found that she was dissatisfied. She was looking for something

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to do, something meaningful. Really, she could have spent her

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life going to cocktail receptions and collecting art and traveling

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and doing these things that wealthy people do, and nobody

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would have been a wiser and nobody would have blamed

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her for it. But she chose to use her money

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like a parrot and a stick, and she would dangle

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her money to manipulate others to do her bidding, and

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she got Harvard Medical School to do things for her

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and to begin this program by promising them boatloads of money.

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She had a very powerful personality. She was very difficult,

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she was strong willed, she was smart as a whip.

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She had been very wealthy, trained and tutored from an

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early age, and she was fluent in multiple languages, mathematics

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and sciences and arts and culture. You're raised like that,

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and then what you've got your life and you're going

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to go to another museum, opening another gallery, talk about

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decorative arts. She really was looking for something challenging to

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send her teeth into it, and she found it in forensic medicine.

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Speaker 2: Do you know why she was initially so attracted to

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this field, which is, let's face it pretty dark. There's

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blood and guts and gore and violence, and this just

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seems out of the norm for women at that time.

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What was it about this field that grabbed her? Attention.

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Speaker 4: She had a sense of justice. Really, if you read

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about Francis Clesderley online, she's depicted as this wealthy grandmother

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who had an interest in murder and solving murders, and

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it's absolutely not true. She never investigated the case herself,

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and just as we have the Innocence Project today, she

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was as concerned, if not more concerned about people who

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were wrongfully accused of crimes. It's just as important to

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clear the innocent as it is to convict the guilty.

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There are two sides of the same coin. It's about

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getting the right person. That was initially what got her interest.

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She had a friend, it was actually her brother's best

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friend who went to Harvard a doctor by the name

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of George Burgess McGrath. And doctor McGrath was the medical

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examiner in Suffolk County where Boston is, and he was

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the first pathologist to be appointed as a medical examiner,

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so he was literally's first forensic pathologist, and he was

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involved in a number of these high profile cases. The

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nineteen nineteen Boston molasses disaster was his case, the Saco

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and Venzetti case, and so he had really gained this

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reputation as a crime doctor really sherlocky, and it got

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this reputation as for applying these scientific principles to death investigation.

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And they spent some time together in nineteen twenty nine.

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They had been friends since she was a teenager, but

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it wasn't until nineteen twenty nine when they spent the

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summer together and he's talking about his work and the

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injustice of it, and how the country most of the

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countries on the coroner system, and the difference in corners

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of medical examiners, and it was literally like as though

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a switch was flipped in her brain. She was at

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that time in a pretty dark place in her own life.

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Her brother had died, her children had grown up and

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been married, and she was very much alone and adrift

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without anything to do really, and doctor McGrath came along

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and just threw this out here about we should have

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medical examiners from coast to coast, and she said, yeah,

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we should, and she just spent the rest of her

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life to try and act what he had envisioned.

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Speaker 3: It's so cool. F Scott Fitzgerald said, there are no

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second acts in American lives. And I feel like Francis

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Klosner Lee's greatest part of her life was her second

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act doing all of this amazing work for the criminal

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justice system. As you mentioned before, it wasn't just the

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Nutshell Studies and Harvard Medical. She was advocating for education

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for death investigators. And do you feel like we have

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done enough now to bring her dream to fruition or

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do we still have a long way to go in

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terms of reaching a point where she would look at

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us and go, you know what, you guys are doing great?

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Speaker 4: Unfortunately, very little has changed since her death in nineteen

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sixty two when she got in. When Francis presently got

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involved in nineteen twenty nine, medical examiners existed in three

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places in the entire United States. They were Boston was

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first in eighteen seventy seven, New York City was second

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in nineteen seventeen, nineteen eighteen, and New Jersey, which was

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like nineteen twenty five, twenty six, something like that, and

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that was it. The rest of the country was still

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on the corner system, which is literally from the Middle Ages,

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not terribly signed, typic not reliable, corrupt and competent. And she,

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Francis single handedly, not only she spent literally millions to

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establish a training program at Harvard Medical School to train

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doctors the first clinical program what was then called legal medicine.

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We now call it forensic medicine. But she created a

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field of medical practice from scratch, from the ground up.

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She also lobbied at state lawmakers and governors to change

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the law. It's a complicated process to move from corners

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to medical examiners. In some cases, you have to change

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the state constitution. You have to abolish the office, abolish

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corners in quest change the law to authorize a medical examiner.

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And this takes time. There's a lot of special interests

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against it. The corners obviously funeral homes tradition. When she

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died in nineteen sixty two, she left about half the

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country still on the corner system. Today have coroners. There

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are medical examiners in I believe twenty eight states coroners exclusively.

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I believe in fourteen states, and the other states have

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a combination of medical examiners and coroners. Illinois, for example,

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there's what one hundred counties. There are medical examiners in

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Cook County and Chicago, but the rest of the state

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is covered by these corners of various qualifications and experience.

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Speaker 2: We had talked to doctor Michael Bodden a couple of

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months ago on mind Over Murder, and he was very

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critical of the coroner system and said how antiquated it

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was and that many of these people that are coroners

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have really little to know qualifications to make determinations about

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how people have died or to determine whether crimes had

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been committed. Is that how you think Francis saw it

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as well?

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Speaker 4: It's still true, Yes, that's exactly it. And she was

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particularly critical of local sheriffs, who she had absolutely no

295
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time for whatsoever. She had a lot regard for state

296
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police because they often had college degrees, they're disciplined, and

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we're good at taking orders. She thought that state police

298
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would be the ones that would be investigating debt, so

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she focused on state police the corner situation. Of the

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twenty eight states that have corners, only a third have

301
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any sort of requirement at all for any counter call

302
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educational requirement, and those that do require any sort of education,

303
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where typically it's forty to eighty hours one to two

304
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weeks of training. Not to pick on Missouri, this is

305
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true in Missouri, Indiana, Colorado, New York. Places that elect

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corners to office in the state of Missouri. To be

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a corner, you have to live in the state for

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one year. You have to live in that county where

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you want to practice for at least six months. You

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have to be of legal age. To hold public office,

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you have to be twenty one or older, and you

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have to get more votes than anybody else. That's it.

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It's it.

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Speaker 2: No medical requirements whatsoever.

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Speaker 4: Now out to be a licensed barber in the state

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of Missouri, and to legally cut hair, you have to

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have fifteen hundred hours of training and pass a test.

318
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To be a manicurist and legally give a manicure, you

319
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have to have five hundred hours of training and pass

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the test. But if you're elected corner, you can crack

321
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open a beer and start signing cause met or death

322
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and desertificuess you're good to go.

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Speaker 2: So now, the person that cuts your hair or styles

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your nails has a significantly higher level of training and

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expertise than does the person who tells your relatives how

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you died and by what method, and whether or not

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perhaps a crime was committed.

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Speaker 4: Vast parts of the country today are covered by that

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very system.

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Speaker 3: That's insane.

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Speaker 2: It really is. There's no other word for it.

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Speaker 4: I can't argue with you. It is insane. There should

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be you would think in this day and age, people

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love these TV shows, They watch the sea shows, and

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they have the belief that anytime somebody dies, there is

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a group of well trained professionals who come to the

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scene and they scrub and they find evidence, and they

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test all these things in the laboratory. That does not

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happen in most parts of the country. That's not the

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way it works. You're lucky if you get somebody to

341
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come to the house and look around.

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Speaker 2: You're listening to Mind over Murder. We'll be right back

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after this word from our sponsors. We're back here at

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mindover Murder. How does Francis Lesnarley get the idea that

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she's going to use what I thought of when I

346
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saw the photographs. They're almost like dollhouses, the rooms within

347
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a dollhouse, but with extremely sad and often violent outcomes

348
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portrayed an incredible detail. How did she dream up this idea?

349
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I'm going to use use these little dioramas to train

350
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these people who clearly need all the training they can get.

351
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How did she dream up this idea?

352
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Speaker 4: If you read the book. There's actually an evolution towards

353
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the models. I believe it was the nineteen thirty six

354
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World's Fair that was the first time that legal medicine

355
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for forensic medicine was presented to the public, and they did.

356
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There was a very small exhibit, and this was their

357
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idea was to have the photograph of a car crash

358
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and to ask the questions was this an accident or

359
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was it murdered? So that had that idea had been tried,

360
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presenting a case and asking questions about it, and it

361
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got more and more evolved, apparently issues having a discussion

362
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with the doctor McGrath at one point, he's talking about

363
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a difficult case that he had and the difficulties that

364
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in the courtroom in expressing to the jury exactly how

365
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things were were, the way things were positioned and their

366
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location and their relation to each other. And she suggested

367
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at the time, what if we just made a little

368
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model and presented that in court. So they actually do

369
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that in cases today. It's not uncommon for a complicated scene,

370
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they'll make a little model and they'll show that to

371
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the jury as to where everything was. Having the need

372
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you want to teach somebody to observe a crime scene.

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There just weren't crime scenes when you needed them. You

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just you know, and you can't take a whole class

375
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of people walking through a crime scene. Logistically, there's just

376
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all these problems. And it was really she had this

377
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background in the decroot of arts. Miniatures are much more

378
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of a thing back and when she was a child,

379
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and she had been trained since she was very little

380
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in knitting and sewing and all these domestic arts. And

381
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once again it was just she had the skill set

382
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to apply to this problem of how do you teach

383
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all just make little miniatures perfect? That's the answer. And

384
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it worked. And not only did it work, then there's

385
00:22:01,680 --> 00:22:05,680
still nothing better for that. There's still use today, there's

386
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still relevant, and there's still a model part and the

387
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pun for other similar training. There are other programs that

388
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have returned to miniatures for the purposes of teaching forensic

389
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death investigation.

390
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Speaker 3: When did she get an inkling that, oh, this is working.

391
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Was it immediate or did it take a couple of

392
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years before it became a parent that Okay, teaching news

393
00:22:28,680 --> 00:22:31,200
in the miniatures, this is actually helping, this is doing

394
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some good.

395
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Speaker 4: The feedback really from the miniatures was right from the

396
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get go. These guys. She did basically a little focus group.

397
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She invited some few detectives to her home. Take a

398
00:22:42,799 --> 00:22:44,920
look at these What do you think? And right off

399
00:22:44,920 --> 00:22:48,880
the bed, this is just amazing, It's mind blowing, just great.

400
00:22:49,079 --> 00:22:52,160
It was very useful. I've had many I've talked with

401
00:22:52,279 --> 00:22:55,720
many homicide detectives over the years, and I've had them

402
00:22:55,759 --> 00:22:59,000
tell me that even if you're an experienced cop, you

403
00:22:59,039 --> 00:23:01,799
can be doing bby, you can be doing other things

404
00:23:01,799 --> 00:23:04,680
for years and years. Once you get to a homicide scene,

405
00:23:04,839 --> 00:23:09,200
it's a whole different ballgame. Everything you know it's totally

406
00:23:09,200 --> 00:23:11,960
out the window. A homicide scene is different, a death

407
00:23:12,000 --> 00:23:15,359
scene is different than anything else, and you really don't

408
00:23:15,359 --> 00:23:19,440
want to learn on your first actual scene. It's great

409
00:23:19,599 --> 00:23:23,640
experience having this little practice and the fact that they

410
00:23:23,680 --> 00:23:26,920
are so detailed. It's very useful, and so at least

411
00:23:26,920 --> 00:23:30,920
you have that a little bit more confidence, a systematical

412
00:23:30,960 --> 00:23:33,559
way of going about your search. You learn these ways.

413
00:23:33,920 --> 00:23:36,640
It's not just an exercise and looking at these toys.

414
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But she had a very purposeful way that you should

415
00:23:39,680 --> 00:23:42,119
approach a crime scene. And she had a methodical way.

416
00:23:42,240 --> 00:23:44,400
Should start with the left and you lurk and you

417
00:23:44,480 --> 00:23:47,079
go in a counterclockwise way from the perfery towards the

418
00:23:47,119 --> 00:23:49,480
middle of the room. So she had this whole system

419
00:23:49,799 --> 00:23:52,319
for looking at a scene. And it was quite clear

420
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that not only was that a useful way of teaching,

421
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but that the courses themselves paid off quite quickly in

422
00:23:59,079 --> 00:24:05,400
terms of identifying missteps that were avoided, improving investigation, solving cases.

423
00:24:05,680 --> 00:24:07,720
But there was no question if this was a it

424
00:24:07,759 --> 00:24:10,920
was a useful approach and that was valuable.

425
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Speaker 2: Where were the dioramas originally located.

426
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Speaker 4: They were located at Harvard Medical School in Boston. She

427
00:24:18,960 --> 00:24:22,759
had a room built for her to her specifications to

428
00:24:22,839 --> 00:24:26,960
locate them, and when she died in nineteen sixty two.

429
00:24:27,960 --> 00:24:30,920
Over the course of the nineteen fifties, the relationship between

430
00:24:31,000 --> 00:24:35,440
Francis personally and Harvard Medical Schools soured. She ended up

431
00:24:35,640 --> 00:24:38,519
not leaving any money to Harvard at all. She didn't

432
00:24:38,519 --> 00:24:41,559
want Harvard to have the nutshells. She died in nineteen

433
00:24:41,599 --> 00:24:45,000
sixty two and Harvard lost interest in the whole program

434
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and they pulled the plug and the legal medicine department

435
00:24:48,359 --> 00:24:50,920
and to this day they don't have a forensic pathologist

436
00:24:51,000 --> 00:24:54,400
on the faculty of Harvard Medical School. I heard that

437
00:24:54,519 --> 00:24:57,799
the dioramas were actually headed towards the dumpster by the

438
00:24:57,880 --> 00:25:02,319
nineteen sixties. They were decades old, dusty artifacts that nobody

439
00:25:02,359 --> 00:25:05,720
really wanted. And the guy who is the chief medical

440
00:25:05,799 --> 00:25:08,839
examiner in Maryland, Russell Fisher, who was quite a prominent

441
00:25:08,960 --> 00:25:11,759
forensic pathologist and he was chief here, had been through

442
00:25:11,799 --> 00:25:14,960
the Harvard program, and Francis knew him. She recommended for

443
00:25:15,079 --> 00:25:18,440
the job here. So Fisher went to Harvard and said,

444
00:25:18,680 --> 00:25:20,839
how about we pick up the homicide seminar. We'll do

445
00:25:20,880 --> 00:25:23,680
it in Baltimore. And Harvard said, great, you can do it.

446
00:25:23,960 --> 00:25:26,440
You take these things and they brought them down to

447
00:25:26,559 --> 00:25:29,839
Baltimore in nineteen sixty eight and they've been here ever since.

448
00:25:30,440 --> 00:25:33,200
Speaker 3: Okay, the sixty four thousand dollars question that I'm really

449
00:25:33,279 --> 00:25:35,759
hoping you're going to say yes to. Can people go

450
00:25:35,920 --> 00:25:40,480
to visit the nutshell studies who are not homicide investigators?

451
00:25:40,519 --> 00:25:42,839
I really want to see these things so bad.

452
00:25:43,559 --> 00:25:46,279
Speaker 4: They were close to the public for quite a while.

453
00:25:47,079 --> 00:25:52,079
I have been fighting for open more open access since

454
00:25:52,200 --> 00:25:57,359
leaving there. The OCME has finally broken down and they

455
00:25:57,400 --> 00:26:02,000
have allowed visits for one hour. Is it an hour

456
00:26:02,119 --> 00:26:04,799
two hours, one day a month, the first Tuesday of

457
00:26:04,799 --> 00:26:06,559
East month. You can have to call in advance to

458
00:26:06,559 --> 00:26:10,079
get a reservation, but they are open to the public

459
00:26:10,160 --> 00:26:11,240
on a limited basis.

460
00:26:11,920 --> 00:26:13,759
Speaker 3: Yes, I'm putting it on the calendar.

461
00:26:13,880 --> 00:26:14,359
Speaker 4: Ye.

462
00:26:15,039 --> 00:26:20,000
Speaker 2: Now, several years ago the Smithsonian had an exhibit. We're

463
00:26:20,079 --> 00:26:23,839
all eighteen or nineteen. I see two different numbers of

464
00:26:23,880 --> 00:26:27,440
the dioramas on display at that Smithsonian exhibit.

465
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Speaker 4: Yes, they actually had nineteen. There were originally twenty. They're

466
00:26:32,240 --> 00:26:35,200
actually more than twenty one. There were twenty that were completed.

467
00:26:35,759 --> 00:26:39,480
One of them got sidetracked and was up in the

468
00:26:39,559 --> 00:26:42,799
rafters in New Hampshire and was never used for teaching.

469
00:26:43,279 --> 00:26:46,039
One of them, unfortunately, got destroyed. So we're left with

470
00:26:46,119 --> 00:26:48,799
eighteen of them that were used for teaching in Baltimore.

471
00:26:49,000 --> 00:26:52,359
And when I started in twenty twelve and had the

472
00:26:52,400 --> 00:26:56,160
opportunity to look more closely inside the cabinets, I noticed

473
00:26:56,160 --> 00:26:59,200
some things. I'm a lay person, but I found what

474
00:26:59,279 --> 00:27:04,240
I thought asbestos. Cute, tiny little asbestos, but there was

475
00:27:04,240 --> 00:27:08,279
crumbling asbestos. And some of them had as bestis wrapped

476
00:27:08,319 --> 00:27:12,319
around light fixtures and that was crumbling, and there were

477
00:27:12,559 --> 00:27:16,119
materials that were cracking they were old. These were with

478
00:27:16,200 --> 00:27:19,160
seventy year old, eighty year old artifacts. They'd never really

479
00:27:19,200 --> 00:27:22,039
been conserved. They've been cleaned, but never really been looked over.

480
00:27:22,720 --> 00:27:26,440
And I guess it was twenty sixteen. I got a

481
00:27:26,480 --> 00:27:30,680
call from Nora Atkinson, who is the curator the Smithsonian's

482
00:27:30,720 --> 00:27:35,599
Renwick Gallery and the Runwick does crafts. It's located literally

483
00:27:35,720 --> 00:27:38,680
right across the street from the White House on Pennsylvania Avenue,

484
00:27:38,799 --> 00:27:41,119
and she came up to look at them and just

485
00:27:41,279 --> 00:27:44,519
thinking out loud, and she said, what if we didn't exhibit,

486
00:27:44,759 --> 00:27:46,799
what would you think of that? And of course we

487
00:27:46,839 --> 00:27:49,680
would do that. They'd have to be conserved and fixed

488
00:27:49,720 --> 00:27:52,400
before they could be moved. They were very delicate, and

489
00:27:52,440 --> 00:27:55,480
so they basically offered to do. It ended up being

490
00:27:55,599 --> 00:27:58,160
I don't know, a quarter million or more worth of

491
00:27:58,359 --> 00:28:01,599
work on the diorama. And they replaced all the light

492
00:28:01,599 --> 00:28:05,160
bulbs and they all the cracked painting. They just did amazing,

493
00:28:05,319 --> 00:28:09,200
extraordinary work. And that was the tradeoff, was that they

494
00:28:09,200 --> 00:28:11,559
would have them all on exhibit. They even got the

495
00:28:11,559 --> 00:28:13,640
one down from New Hampshire. It was the first time

496
00:28:13,680 --> 00:28:17,680
all nineteen were together since they were created. It was

497
00:28:17,759 --> 00:28:21,559
the second most popular exhibit at the Renwick Gallery up

498
00:28:21,640 --> 00:28:24,240
until that time had one hundred thousand people go through

499
00:28:24,240 --> 00:28:28,200
the gallery. It was extraordinary. When they came back from

500
00:28:28,200 --> 00:28:31,319
the Smithsonian and back in their cabinets, they were all

501
00:28:31,559 --> 00:28:36,039
repaired and fixed and they're good for generations now. They're

502
00:28:36,119 --> 00:28:38,759
in great shape nowns. So I feel very good about that.

503
00:28:39,480 --> 00:28:43,480
Speaker 2: We've got a lobby lobby the OCME in Maryland to

504
00:28:43,599 --> 00:28:47,680
open this up beyond one hour a month, because if

505
00:28:47,680 --> 00:28:51,599
one hundred thousand people came to see these incredible dioramas,

506
00:28:51,640 --> 00:28:55,559
with these amazingly detailed and we'll include some links in

507
00:28:55,559 --> 00:28:59,480
our show notes here death scenes, you would think that

508
00:28:59,519 --> 00:29:02,400
there'd be a real interest in this, even if they

509
00:29:02,519 --> 00:29:05,759
charged ten bucks or whatever to come in and take

510
00:29:05,799 --> 00:29:06,559
a look at them.

511
00:29:06,960 --> 00:29:12,119
Speaker 4: Unfortunately, they can't charge for one thing. But I appreciate

512
00:29:12,279 --> 00:29:15,119
that they're going to suit through some things. At the moment,

513
00:29:15,200 --> 00:29:17,960
they've had an acting chief since for the past couple

514
00:29:18,000 --> 00:29:22,400
of years. They've just had a very bad manpower shortage.

515
00:29:22,440 --> 00:29:26,039
They're very severely short of staff, and they had a

516
00:29:26,119 --> 00:29:30,440
backlog of autopsison. They have some problems and honestly, entertaining

517
00:29:30,440 --> 00:29:34,240
the public's morbid curiosity is really not within their main

518
00:29:34,279 --> 00:29:37,920
mission and I totally get that. Yeah, I understood, but

519
00:29:38,640 --> 00:29:43,160
their value as teaching tools is still valid. I still

520
00:29:43,200 --> 00:29:48,720
get contacted from death investigators, from people with the legitimate, real,

521
00:29:49,200 --> 00:29:54,240
genuine instructional professional interest, and they can't get in. Hopefully,

522
00:29:54,440 --> 00:29:56,240
maybe in time we'll see I don't know.

523
00:29:56,799 --> 00:30:00,599
Speaker 2: And your point about the Chief Medical Examiners Office and

524
00:30:00,640 --> 00:30:03,000
the challenges they were facing, we don't mean to make

525
00:30:03,079 --> 00:30:06,000
light of that. When you've got autopsies that aren't being

526
00:30:06,039 --> 00:30:11,839
conducted and staff shortages, and I'm sure their challenges are significant.

527
00:30:11,880 --> 00:30:15,400
This probably would fall further down on the to do list.

528
00:30:16,039 --> 00:30:16,440
Speaker 4: It does.

529
00:30:16,759 --> 00:30:20,279
Speaker 3: Yeah, so our listeners know that I am a big

530
00:30:20,319 --> 00:30:22,640
fan of CSI, and I realized that some people may

531
00:30:22,759 --> 00:30:25,079
view that was a little bit of chagrin, but it's

532
00:30:25,160 --> 00:30:27,519
what actually got me very much interested in true crime.

533
00:30:28,039 --> 00:30:30,759
When did you learn that CSI had written an arc

534
00:30:30,880 --> 00:30:33,960
about the Miniature Killer which was based on the Nutshell studies?

535
00:30:34,559 --> 00:30:39,480
Speaker 4: Probably from day one. People love even people who didn't

536
00:30:39,519 --> 00:30:43,079
know about her, they knew about her in popular culture.

537
00:30:43,359 --> 00:30:47,119
They knew about the dioramas. People even online. I don't

538
00:30:47,160 --> 00:30:48,839
know where they hear about it, but they knew about

539
00:30:48,880 --> 00:30:51,480
the nutshells before they even know who she was or

540
00:30:51,519 --> 00:30:54,279
the whole context or anything else. And they still ask

541
00:30:54,880 --> 00:30:56,880
and read it in places where we talk about the

542
00:30:56,920 --> 00:31:00,519
dioramas and somebody say, is that the inspiration for the

543
00:31:01,240 --> 00:31:05,279
miniatures killers? Yes? That was. Yes, they came and visited,

544
00:31:05,319 --> 00:31:08,200
they looked at them. And what was the other in CIS?

545
00:31:08,319 --> 00:31:12,079
So what David McCallum, They played Ducky. He also apparently

546
00:31:12,160 --> 00:31:14,880
was a fan of Francis. And my phone just lit up.

547
00:31:14,880 --> 00:31:18,359
There was that episode you mentioned Francis and the dioramas,

548
00:31:18,359 --> 00:31:22,680
and boom, I just get bombarded with emails and everybody

549
00:31:22,680 --> 00:31:24,160
told me she was mentioned again.

550
00:31:24,640 --> 00:31:27,480
Speaker 3: How do you think she would feel about being now

551
00:31:27,559 --> 00:31:31,400
part of this massive pop culture phenomenon that is CSI

552
00:31:31,480 --> 00:31:33,319
and and CIS. Would she be cool with that or

553
00:31:33,319 --> 00:31:34,799
would she be like you guys, settle down.

554
00:31:35,400 --> 00:31:39,519
Speaker 4: Personally, she was quite reserved. She really didn't want the

555
00:31:39,559 --> 00:31:43,559
attention and actually was her choice to stay in the background.

556
00:31:43,799 --> 00:31:47,640
And very early on in the nineteen forties nineteen fifties,

557
00:31:48,160 --> 00:31:50,640
the program in what she was doing at Harvard, they

558
00:31:50,720 --> 00:31:54,319
got covered in Life magazine and Saturday Evening Post and

559
00:31:54,400 --> 00:31:58,599
Popular Mechanics and all these magazines and the bust and chlobe,

560
00:31:59,000 --> 00:32:01,240
and it got to the point where I think she

561
00:32:01,319 --> 00:32:05,000
got a little tired of being portrayed as this wealthy

562
00:32:05,559 --> 00:32:09,160
model maker who is sort of sitting on the sidelines

563
00:32:09,200 --> 00:32:11,960
and just I don't know, helping the boys do their work,

564
00:32:12,359 --> 00:32:14,720
and she just got tired of it. Just leave me

565
00:32:14,759 --> 00:32:17,720
out of it all together. It's not about me. If

566
00:32:17,720 --> 00:32:22,039
you were alive today, she would be astonished, maybe amused

567
00:32:22,400 --> 00:32:25,880
at all the popular culture things about her. I think

568
00:32:25,920 --> 00:32:28,440
that she would be very thrilled that people are so

569
00:32:28,599 --> 00:32:32,839
knowledgeable about forensic investigation and so interested. I talked to

570
00:32:32,960 --> 00:32:37,880
kids all over the country, and these courses are very popular,

571
00:32:38,119 --> 00:32:41,359
and it's very good science. You learn the critical thinking,

572
00:32:41,400 --> 00:32:43,400
you learn all these things that they want to be,

573
00:32:43,720 --> 00:32:45,880
they would like to work in the field. All these

574
00:32:45,880 --> 00:32:48,279
things are all very good. But what we don't have

575
00:32:48,839 --> 00:32:53,039
is the means to have medical examiners from coast to coast.

576
00:32:53,079 --> 00:32:55,440
And I think that would disappoint her and send her

577
00:32:55,440 --> 00:32:57,799
that we have not made any progress in the past

578
00:32:57,960 --> 00:32:58,680
six decades.

579
00:32:59,160 --> 00:33:01,480
Speaker 2: Yeah, I think when we take a look at the

580
00:33:01,519 --> 00:33:06,559
potential versus the actual progress, we do fall short as

581
00:33:06,599 --> 00:33:10,079
a country. And when you hear about just how archaic.

582
00:33:10,960 --> 00:33:13,680
Our system is currently and I've said this on the

583
00:33:13,680 --> 00:33:18,279
podcast before, as much as I enjoy those procedur rules

584
00:33:18,440 --> 00:33:21,319
that show us how it can be done, that's not

585
00:33:21,599 --> 00:33:25,640
actually how it's done in so many places around the country.

586
00:33:26,000 --> 00:33:29,000
Speaker 4: That is true, and it's interesting. There is what they

587
00:33:29,039 --> 00:33:32,559
call the CSI effect, and that people have become so

588
00:33:32,720 --> 00:33:37,200
much more sophisticated on juries and they know about DNA evidence,

589
00:33:37,400 --> 00:33:39,640
And in a way that's a double edged sword, because

590
00:33:39,880 --> 00:33:43,839
I think people's expectations are too high. They expect that

591
00:33:43,880 --> 00:33:47,000
you're going to find DNA on any scene, that you're

592
00:33:47,000 --> 00:33:49,599
going to have the identity of who that DNA belongs to,

593
00:33:49,799 --> 00:33:53,480
the next day, that things are solved, that you'll find fingerprints.

594
00:33:53,720 --> 00:33:56,400
I don't think people have a concept of how difficult

595
00:33:56,519 --> 00:33:59,200
it actually is to get a good fingerprint, because the

596
00:33:59,240 --> 00:34:02,240
surfaces all kinds of reasons. People don't pick up a

597
00:34:02,759 --> 00:34:05,599
glass very carefully and to leave a nice neat print,

598
00:34:05,960 --> 00:34:08,960
and so their expectations are very high. There is that,

599
00:34:09,199 --> 00:34:13,039
but on juris they if you don't juries have come

600
00:34:13,119 --> 00:34:16,360
to expect the science and they want the DNA, and

601
00:34:16,400 --> 00:34:18,760
if you don't deliver it, then they wonder maybe there's

602
00:34:18,760 --> 00:34:21,519
something going around there, and that respect is really very good.

603
00:34:21,880 --> 00:34:24,639
There is that expectation that you know, if I'm living

604
00:34:24,639 --> 00:34:28,320
in West Virginia in some small town and that my

605
00:34:28,400 --> 00:34:31,159
sibling my parents are found dead, that's going to happen.

606
00:34:31,400 --> 00:34:34,480
And it's not. It won't be anything like that. It's

607
00:34:34,519 --> 00:34:37,039
not going to happen there. Even in a place like Baltimore,

608
00:34:37,159 --> 00:34:40,039
a big city, the full bore whole thing with the

609
00:34:40,119 --> 00:34:43,480
cameras and all that, it's maybe five to ten percent

610
00:34:43,559 --> 00:34:46,679
of the homicides. They just don't do that. You can't

611
00:34:46,719 --> 00:34:47,880
do that in every case.

612
00:34:48,400 --> 00:34:50,519
Speaker 3: Before we wrap up, I do want to get you

613
00:34:50,599 --> 00:34:54,800
to talk about your most recent book, Ocme tell us

614
00:34:54,800 --> 00:34:56,960
a little bit about that, and then tell us where

615
00:34:56,960 --> 00:34:58,480
we can find all of your books.

616
00:34:58,760 --> 00:35:01,280
Speaker 4: When I started at the OSA and I'd known a

617
00:35:01,280 --> 00:35:04,679
good bit about it, the Ocume of Maryland was at

618
00:35:04,760 --> 00:35:08,400
one time really celebrated as one of the best in

619
00:35:08,400 --> 00:35:11,719
the United States. It was a legendary as a place

620
00:35:11,800 --> 00:35:16,039
for training and research and education and service. It was

621
00:35:16,079 --> 00:35:19,719
just really truly extraordinary in terms of how quickly things

622
00:35:19,760 --> 00:35:22,000
were done, how thoroughly things were done. Everything was done

623
00:35:22,000 --> 00:35:25,079
by consensus, so that it wasn't just one person's opinion,

624
00:35:25,400 --> 00:35:28,880
and over the course of my I was there for

625
00:35:28,920 --> 00:35:32,039
ten years. Over the course of my time there, I

626
00:35:32,079 --> 00:35:35,400
saw this sort of tumble into crisis. A lot of

627
00:35:35,440 --> 00:35:39,719
it was driven by the opioid epidemic. The caseload just

628
00:35:39,960 --> 00:35:43,079
went up dramatically, just it nearly doubled, and a lot

629
00:35:43,119 --> 00:35:46,400
of that was driven by the opiate overdose intoxication desk,

630
00:35:46,599 --> 00:35:50,519
and the caseload per doctor was just going higher and higher,

631
00:35:50,599 --> 00:35:53,000
and so people were leaving the field, which would make

632
00:35:53,039 --> 00:35:55,800
things worse, and it ended up in a very bad

633
00:35:55,880 --> 00:35:58,079
place where we had there was at one point a

634
00:35:58,119 --> 00:36:01,880
backlog of autopsies that approached two hundred and forty some

635
00:36:02,440 --> 00:36:05,840
people waiting for autopsies up to two weeks, and it

636
00:36:05,880 --> 00:36:08,639
was really horrible. My first book was a biography of

637
00:36:08,679 --> 00:36:12,880
a woman. It really does documents this transition from the

638
00:36:12,960 --> 00:36:16,440
coigner system to the medical examiner system and ocm ME

639
00:36:17,000 --> 00:36:20,880
is there's like bookends and this is the modern story

640
00:36:20,880 --> 00:36:24,119
of what's going on today in forensic medicine. And the

641
00:36:24,199 --> 00:36:28,000
problems that occurred in Maryland are not unique to Maryland.

642
00:36:28,440 --> 00:36:32,719
There are shortages, manpower shortages coast to coast. There are

643
00:36:32,760 --> 00:36:37,079
backlogs in autopsies and autopsy reports from the West coast

644
00:36:37,119 --> 00:36:40,320
and down South Ohio, Mississippi, you name it. There are

645
00:36:40,400 --> 00:36:44,119
problems all over and I had this opportunity to document

646
00:36:44,320 --> 00:36:47,519
but was basically a biography of an organization, tracing their

647
00:36:47,599 --> 00:36:50,559
rise in the fall of this once great institution and

648
00:36:50,599 --> 00:36:53,039
the implications that it has not to spend the people

649
00:36:53,039 --> 00:36:56,119
of Maryland, but throughout the country. Both of those books,

650
00:36:56,119 --> 00:36:59,400
I think they do go together. Well. They're available wherever

651
00:36:59,480 --> 00:37:03,079
you've books, hopefully pay for them, but they're also at libraries.

652
00:37:03,320 --> 00:37:05,199
You can check them out you want to.

653
00:37:05,159 --> 00:37:07,719
Speaker 2: Pay you with the library route as well.

654
00:37:08,400 --> 00:37:10,800
Speaker 4: It was in my contract to give it to libraries

655
00:37:10,840 --> 00:37:13,239
for free. I actually left money on the table and

656
00:37:13,320 --> 00:37:16,119
gave up money to make sure that it's available at

657
00:37:16,159 --> 00:37:17,159
libraries for free.

658
00:37:17,480 --> 00:37:21,599
Speaker 2: Do you think the production, particularly of your new book OCME,

659
00:37:21,880 --> 00:37:26,199
will help highlight the issues that you wanted to What

660
00:37:26,199 --> 00:37:30,320
would it take to fix the challenges facing the Medical

661
00:37:30,320 --> 00:37:31,920
Examiner's Office in Maryland.

662
00:37:32,519 --> 00:37:37,079
Speaker 4: That's a good question, and there isn't really an easy answer.

663
00:37:37,840 --> 00:37:41,559
You can't just hire more doctors because the doctors simply

664
00:37:41,599 --> 00:37:45,840
don't exist. Every year, Medical School's producer around twenty eight

665
00:37:45,920 --> 00:37:51,320
thousand doctors. Of that twenty eight thousand doctors, only about

666
00:37:51,519 --> 00:37:54,400
five hundred and fifty or so choose to do a

667
00:37:54,480 --> 00:37:58,239
residency in pathology. And of those people who do a

668
00:37:58,280 --> 00:38:02,800
residency in pathology, more than forty end up doing forensic pathology.

669
00:38:03,159 --> 00:38:07,280
They produce every year throughout the country. We produce thirty

670
00:38:07,320 --> 00:38:10,800
seven thirty eight forensic pathologists every year, which is not

671
00:38:10,960 --> 00:38:14,440
enough to replace those who are retiring leaving the field.

672
00:38:15,000 --> 00:38:19,199
The National Association of Medical Examiners National Student Justice they

673
00:38:19,280 --> 00:38:23,360
say that right now today there are about four hundred,

674
00:38:23,400 --> 00:38:27,440
five hundred forensic pathologists in the entire country who are practicing.

675
00:38:27,840 --> 00:38:30,960
We need right now on thy twelve hundred French of

676
00:38:31,000 --> 00:38:34,599
pathologists right now. Even if we decided today that we're

677
00:38:34,639 --> 00:38:36,840
going to do this and we're going to train all

678
00:38:36,840 --> 00:38:40,400
these people, it would take thirteen years to get them

679
00:38:40,400 --> 00:38:43,679
through pre med medical school, training and working. There is

680
00:38:43,719 --> 00:38:46,880
no really easy answer and no way out of this hole.

681
00:38:47,920 --> 00:38:52,119
Speaker 3: Bruce, this has been an amazing conversation. The book is

682
00:38:52,280 --> 00:38:55,760
eighteen Tiny Deaths, The Untold Story of the Woman who

683
00:38:55,800 --> 00:38:59,840
invented Modern Forensics. Available wherever books are sold, although we

684
00:38:59,840 --> 00:39:04,960
do encourage you to shop local and indie bookstores whenever possible. Chris,

685
00:39:04,960 --> 00:39:06,599
thank you so much for joining us today. We really

686
00:39:06,639 --> 00:39:07,639
appreciated talking to you.

687
00:39:08,360 --> 00:39:10,639
Speaker 4: Thank you for having me christ and Bill. It's been

688
00:39:10,679 --> 00:39:13,519
a pleasure. I really enjoyed this. Thank you so much.

689
00:39:14,159 --> 00:39:16,239
Speaker 3: Gonna do it for this episode of mind Over Murder.

690
00:39:16,639 --> 00:39:19,480
Thank you so much for listening. We'll see you next time.

691
00:39:29,719 --> 00:39:33,280
Speaker 1: Mind Over Murder is a production of Absolute Zero and

692
00:39:33,320 --> 00:39:34,760
Another Dog Productions.

693
00:39:35,320 --> 00:39:38,639
Speaker 2: Our executive producers are Bill Thomas and Kristin Dilley.

694
00:39:39,000 --> 00:39:41,440
Speaker 1: Our logo art is by Pamela Arnois.

695
00:39:42,079 --> 00:39:44,159
Speaker 2: Our theme music is by Kevin McLoud.

696
00:39:44,679 --> 00:39:48,679
Speaker 1: Mind Over Murder is distributed in partnership with Coral Space Media.

697
00:39:49,360 --> 00:39:52,519
Speaker 2: You can follow us on Facebook, Twitter, or Instagram.

698
00:39:52,719 --> 00:39:55,320
Speaker 1: You can also follow our page on the Colonial Parkway

699
00:39:55,400 --> 00:39:57,280
Murders on Facebook.

700
00:39:56,960 --> 00:39:59,920
Speaker 2: And finally, you can follow Bill Thomas on Twitter at

701
00:40:00,079 --> 00:40:01,599
Bill Thomas five six.

702
00:40:02,119 --> 00:40:05,079
Speaker 1: Thank you for listening to mind Over Murder.

