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Speaker 1: This is Spencer Young and West Monroe, Louisiana. I like

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long hair, Panama, Jack pac Man, the Beastie Boys, Transam,

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head to head football, calculator watches, flannel shirts, Doc Martin,

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and everything else eighties and nineties. Oh, and I absolutely

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love this yearly you can't be serious podcasts.

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Speaker 2: Welcome back, everybody. I'm Deaf Dave and if I'm guest

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hosting this show, then you know it must be time

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for another James Bond Fantasy Draft. This is the second

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installment of what we hope is an ongoing series. The

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first time we did this was about a year and

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a half where we met and did a fantasy draft

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on James Bond girls. Today we are back to do

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a fantasy draft on James Bond theme songs. And to

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help me with this mission, I've assembled a team of

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the world's best double agents, all of whom are currently

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doing undercover spy missions where they have infiltrated the podcasting world.

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But since that world is not enough, I've brought them

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back out of the field and we are going to

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discuss the best theme songs from the James Bond movies.

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I want to get right to the introductions, so we

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can dive right into this. First up, Amber Galore hashtag

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Team Amber, the Voice of Reason, Amber Lewis.

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Speaker 3: Hello, thank you for having me.

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Speaker 2: Tell us a little bit about you and the podcast

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you're on and what they're about.

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Speaker 4: This is my first time joining you guys, so I'm excited.

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Speaker 3: I'm a little nervous.

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Speaker 4: My home base is Docking Bay seventy seven with Dayton Johnson,

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where we talk all things pop culture, movies, music and books,

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and you'll hear me argue with Dayton on the regular

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and sometimes my bestie Robert and I agree and sometimes

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we try to kill each other. Then I also am

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part of the team over at a film buy with

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our own Jeff Johnson.

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Speaker 2: Very good. So next up, it's Hey, it's that podcaster.

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We have Bill Bant from the All Eighties podcast and

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I'm excited to have him on today because I'm a

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big fan of that show. Take it away, Bill Bann.

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Speaker 5: Yes, Bill Ben co hosts of the All Eighties Movies podcasts,

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the podcast where we talk about the plops, the blockbusters

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and everything in between from the greatest decade of movies

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in the nineteen eighties. So weekly episode. So it's me

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my co host Jason Massek, who went to film school

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together and you went forty years later, well fortyears, thirty

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years later, we started doing this podcast about the movies

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that made us filmmakers excellent.

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Speaker 2: Back with us once again representing the thirty something Movie Podcast,

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we have Pat Kentagello, Pat, what's up?

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Speaker 6: Not much? Guys, So great to be here. I'm a

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co host of the thirty something Movie Podcast. Each week

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we look at a new movie from thirty years ago.

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So currently we're working through nineteen ninety four. It's one

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movie each week, thirty years in the making. We just

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finished up with a whole bunch of Jim Carrey movies,

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The Mask, Dumb and Dumber, and of course Ace Ventura

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that all came out in ninety four, and we're currently

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in recording for October looking at a bunch of the

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horror classics they came out at nightteen. I love James Bond,

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and I mean, this is just man a dream come

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true to come back after a long day of work

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and just be able to talk about the James Bond

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themes and all the shared love that we have for

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the franchise. It's gonna be a lot of fun.

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Speaker 2: Excellent, and we have with us the Man behind the

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a film by podcast agent Jeff Johnson, Jeff, what's going on?

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Speaker 7: Hello, fellow Double O's Yeah You said It? A film

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by podcast, it's a great place to hear about Hollywood's

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directors with a focus on their underrated movies. We also

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have several fun limited series as well as our ongoing

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Star Trek theme series Phasers, Set the Stun, and we

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do the occasional reviews of what's new at the.

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Speaker 2: Box office excellent and rounding it out, we have from

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the Shirley You Can't Be Serious Podcast, Jason Colvin, Jason,

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tell us about your show.

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Speaker 8: Thanks, Dave, James D. Graves and I on the Shirley

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You Can't Be Serious Podcast, we call ourselves the podcast

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for the MTV generation. What we do is we compare

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movie to movie, album to album, TV show to TV show,

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just some favorites from the eighties and nineties and have

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a lot of fun doing that. I am so excited

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to do James Bond Themes with all of you. All

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all right, guys, I want to give a quick shout

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out to our buddy Van Allen Plexico who could not

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make it tonight. We'll see him down the road. He

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has a great James Bond podcast. If you never listen

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to it, it's called on Her Majesty's Secret Podcast. You

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definitely want to check that out.

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Speaker 9: Van.

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Speaker 8: We'll see you next time.

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Speaker 2: Very good. All right, Well, just if I can introduce

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myself real quick. My name is def Dave. My parents

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know me as David Wright. I have just completed my

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own podcast. I don't do this full time, but my

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son and I just had about a seven month run

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earlier this year where we in produced a show called

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Apples and Oranges where we step through the decade of

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the sixties and compare the albums of the Beatles and

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the Beach Boys against each other in a series of

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one v one matchups in a format that we totally

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stole from that surely you can't be serious podcasts. And

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we had a lot of fun doing that, and I

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got some interesting takes on that and just explore the

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discocked fees of both bands. Had a lot of fun,

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so you can check that out if you would like to.

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I'm also probably the least knowledgeable and most casual Bond

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fan on this panel, so I've been given the honor

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of being the moderator. That's kind of like all being

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the designated driver when you're the guy who doesn't drink.

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But that's okay. I am happy to be here. I'm

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excited to have all you with me, and I think

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we're ready to get started.

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Speaker 10: Now.

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Speaker 2: We're gonna do a fantasy draft where I've got the

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order picked out here, and we'll go one through five.

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Then we're gonna turn that around and have that fifth

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person do a second take in a row and go

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back down that way, so kind of in a snake format,

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and we will do four rounds, so we'll end up

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with each person here having four songs on their list.

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At the end of that, I will pick what I

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think is my favorite list out of the bunch, who

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I think the winner is. But then we're also wanting

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to hear from everybody out there if they agree with

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me or if they've got a different take on who

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actually ended up winning this draft. And after all of that,

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we have something very special, kind of a bonus segment

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at the end of all this that I want you

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to stick around for because it is pretty dang cool.

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But I'm not gonna say any more about it. You're

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just gonna have to stick around and listen. All ready,

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I think we're ready to jump right into this. Everybody

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ready to go. So first up, Amber, take it away

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for us. You are on the clock. The first pick

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in the James Bond theme song Fantasy Draft.

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Speaker 4: Okay, so I know that I've never done a fantasy

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draft or anything, but I know you're supposed to strategize.

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Speaker 7: But for the.

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Speaker 4: First one, I have to jump in with my personal favorite,

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which is GoldenEye, Golden Nine.

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Speaker 11: Bound is Weakness, Golden KNIGHTE.

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Speaker 12: You Do what I Please, Golden KNIGHTE Time plus Sweetness.

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Speaker 13: But a Bitter Will Bring You to is.

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Speaker 4: Written by Bono and the Edge from You two and

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recorded by Tina Turner.

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Speaker 3: It was a great reboot to start Pierce Brosnan as

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Bond and you just.

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Speaker 4: Can't get any sexier than Tina Turner. So that one

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is my absolute favorite theme.

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Speaker 3: So that had to be my first pick.

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Speaker 2: Love it maybe my favorite movie of the series.

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Speaker 9: Definitely my favorite movie of the Pierce Bronson films.

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Speaker 8: Oh yeah, not even close.

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Speaker 1: Man.

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Speaker 8: Gosh. By the way, I found this interesting, they originally

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asked Depeche Mode for a song for GoldenEye.

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Speaker 7: Really it would have been interesting.

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Speaker 3: Yeah, we definitely have been completely different.

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Speaker 8: Most people don't know that you two wrote that song.

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I think that's awesome.

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Speaker 4: Yes, it always hurts my heart a little bit because

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I would love to have a U two James Bond theme,

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but we kind of got one anyway. So and I

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guess they ended up using Tina Turner because Bono and

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the Edge did like a demo and it sucked. It's

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like terrible, So the producers were like, you know what,

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let's have Tina take a swipe at it.

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Speaker 2: All right, very good? So next up we have Bill Bant.

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Speaker 5: Okay, so I'm going with a song that basically started

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the formula for Bond. Our Gadgets, our cars are women.

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When you have a movie like that, you gotta have

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a kick ass song. So I'm going with Goldfinger from

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Shirley Bassy.

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Speaker 14: Gold Fingers the name, and this was John Barry, who

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composed most of the music for the Bond series up

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until The Living Daylights.

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Speaker 5: He wrote the song and a little help from Anthony

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Newley and Leslie Riscue and the theme was actually first

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sung by Newley as a demo. You can hear that

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one on the thirtieth anniversary Best of Bond release, so

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you can hear that one. But yeah, Vassie was a

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call from Kubby Brockley and Harry Saltzman and she knocked

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out the park and we're going to hear her name

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again later in this draft. So the one that that

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solidifies the Bond films and music is Goldfinger Shirley Bassie.

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Speaker 7: Fun fact about Miss Bassie, she famously had to remove

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her brawl in order to hit and carry that final

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note when she was in the recording studio.

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Speaker 8: That's awesome, a little a little constricted the express o

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Kady Okay, Hey, I've got a cool tidbit on Goldfinger.

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I found this fascinating. John Barry was good friends of

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Michael Kine Michael Caine from Jos of the Revenge right, Yes, yes, yes,

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And John Barry played Michael Caine Goldfinger and Michael Kaine said,

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what are you doing man? That's that's Moon River. It's

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the same song as Moon River, And so he came

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right behind it and added the big brassy horns to

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distinguish a Goldfinger from Moon River. And that's why you

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get those that huge brassy section there.

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Speaker 2: Wow you now that you say that, it's very obvious.

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I never think that this was a song that for

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me set the stand or set the expectation for me

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of what James Bond things songs are supposed to sound like.

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All right, third in line, we have Pat, You're on

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the clock? What you got Bud?

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Speaker 6: All right? Well, first of all, I'm just gonna say

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to everything Amber is said to introduce her tune, I'm

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gonna say the same thing. I don't do a lot

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of fantasy drafts and all that, and I know it's like,

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you know, you're not supposed to just draft the players

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from your favorite team and all this kind of thing,

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But I'm gonna throw all that out the window because

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I think like bad things would happen. Because not only

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is this movie my favorite Bond movie of all time,

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it's quite possibly my favorite movie of all time. And

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ad is Skyfall, this.

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Speaker 13: Guy together, this guy.

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Speaker 6: I love this movie. And I've got to be honest

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with you. Adele absolutely knocks it out of the park

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with this song. It's got little hints of the Bond

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themes in there as it plays. It Really for having

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a solo vocalist, it goes big, and that's what I

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love about a lot of the Bond themes is when

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it musically represents that whole idea of going to all

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these exotic locations around the world. And she not only

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sings with this real relaxed kind of swing style, but

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it's also it's pretty soulful, right, It's got a little

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funk up in there, it's relaxed, it's bluesy, it's melancholy,

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and it just sets the stage for what I think

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is an incredible movie. And I mean, she just has

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an amazing voice, what a talent.

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Speaker 5: I went with the award winner, I mean an Academy

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Award for Best Original Song, Critics Choice for Best Song,

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Golden Global Ward for Best Original Song, and a Grammy,

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So you're knocked out the park with the awards on

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that one.

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Speaker 4: Well, and for my money, that movie is so good.

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That's where the show stopped. Craig shouldn't have made it anymore.

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Speaker 7: Might disagree with that, Amber, but I'll tell you one thing.

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You got to give thanks to the president of Music

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for Sonny Pictures, because that's who specifically chose Adele for

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this film, and she had said that Adele's voice has

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a soulful, haunting, evocative quality that brings the classic Shirley

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Bassy feel of old Bond films back.

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Speaker 8: Rumor has it that when Daniel Craig heard this for

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the first time, he cried.

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Speaker 2: Okay, next up on the clock, we have Jeff Johnson. Jeff,

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what are you taking?

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Speaker 15: Hey?

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Speaker 7: There's been some some very soulful selections already made, but

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I think it's time to ratchet things up a little bit.

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I'm gonna go with the only Bond song to reach

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number one on the US Billboard Hot one hundred. Talking

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about the boys, Duran Duran with a View to a Kill?

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Me seeing you with.

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Speaker 13: The Views to a Kill?

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Speaker 2: These no arguments.

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Speaker 8: John Taylor of Deran Duran went up to Cobby Broccley

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at a party, was smashed drunk and said, when are

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you gonna get somebody good do one of your Bond themes?

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And Kebby Brockley is like, hey man, you want to

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do it? He's like yes, And that's how you get

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Duran Duran doing of You Do a Kill?

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Speaker 2: Awesome.

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Speaker 7: I read, I read, actually, Jason, I read that the

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the collaboration between them and John Barry went very smooth,

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like they got along famously. He handled the music, they

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handled the lyrics and it was like a match made

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in happened very good.

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Speaker 2: I have a question, does this does if you Do

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Kill represent the biggest gap between the quality of the

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song and the quality.

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Speaker 15: Of the movie.

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Speaker 8: Yes, I think so.

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Speaker 4: I think we could get into it, but it definitely

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makes a strong argument.

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Speaker 9: It's a contender. I agree it's a contender.

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Speaker 3: Yeah, for sure.

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Speaker 7: I'll play the fifth because this was actually my first

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theatrical bond experience, so I know the nostalgia factor is

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weighing heavily on me, so I'll leave it at that.

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Speaker 2: Jeff, I'm in the same boat with you. I think

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I've shared with hell before. Jame's Bond was something that

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my dad and now bonded over. This was the first

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one he took me to. He probably would have taken

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me to a movie, you know, one film earlier. I

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think he was just uncomfortable with the title. He probably couldn't,

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you know, get my mom to agree to let him

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00:14:25,039 --> 00:14:26,559
take me to that one. So I had to wait

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for a view to Kill. But yeah, I don't hate

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this as much as most people do because it was

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my first one.

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Speaker 8: You who kills like your sixth grade girlfriend? She's not

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00:14:33,679 --> 00:14:35,480
all that pretty, but she's got a special place in

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her in your heart.

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Speaker 6: Well, and I think too. It's like it's one of

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00:14:39,000 --> 00:14:41,639
these things when you have a franchise that stretches that long,

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and it's different sensibilities and different you know, directions they

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go in. I tend to over use this quote, but

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00:14:47,080 --> 00:14:49,440
it's kind of like more Bond, more better. If you

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00:14:49,559 --> 00:14:52,639
really want to see the original to Sean Connery, nothing

300
00:14:52,679 --> 00:14:55,240
else will do. If you really want to see the latest,

301
00:14:55,279 --> 00:14:57,320
you know, the grittier kind of thay. Okay, well then

302
00:14:57,360 --> 00:15:00,279
did Daniel Craig. But there's a place for those Roger

303
00:15:00,320 --> 00:15:02,639
Moore films. You just can't you know, don't play a

304
00:15:02,639 --> 00:15:04,799
game of checkers expecting to get chests, you know, that

305
00:15:04,919 --> 00:15:07,360
kind of thing. And they're really good at what they do.

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And I mean so I hear what you guys are saying,

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and I think that's I mean, they're entertaining, and when

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it comes down to it, for me, you know, what

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00:15:14,399 --> 00:15:17,080
more can you ask for a movie? So I definitely

310
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think they've got their place.

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Speaker 7: I can't understand all the hate for a film where

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00:15:21,360 --> 00:15:23,679
Tanya Roberts is running around the whole hour and.

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Speaker 6: A half, I mean, right, plus r there it is.

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Speaker 5: Ye see them perform this live and they open it

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00:15:31,080 --> 00:15:32,840
up with if you do would kill that fatal kiss?

316
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If this is the instrumental and it just kind of

317
00:15:35,399 --> 00:15:37,759
lows it and then it just that and everyone just

318
00:15:37,759 --> 00:15:38,919
went freaking nuts.

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Speaker 8: That's awesome.

320
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Speaker 9: It was awesome.

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Speaker 2: All right. Well, here we go to wrap up round

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00:15:43,919 --> 00:15:47,279
number one. Bringing up the rear, we have Jason Colvin. Jason,

323
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what do you got for us?

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Speaker 8: Guys? I can't believe my number one overall pick fell

325
00:15:50,840 --> 00:15:53,200
to me at number five. I am so excited about this,

326
00:15:53,919 --> 00:15:58,559
my number one overall pick without a doubt. Paul McCartney

327
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Live in Lead Die.

328
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Speaker 13: What if the.

329
00:16:01,919 --> 00:16:07,840
Speaker 16: Seven changing world in which we living makes sup?

330
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Speaker 15: Lie?

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Speaker 2: You just want this? You just won the secret prize.

332
00:16:33,919 --> 00:16:35,000
That is the correct answer.

333
00:16:35,480 --> 00:16:37,080
Speaker 8: I don't know if you guys have heard the story,

334
00:16:37,279 --> 00:16:39,600
you know, Paul McCartney is asked to write a song

335
00:16:39,679 --> 00:16:42,320
for the movie Buys. The book sits down one Saturday,

336
00:16:42,399 --> 00:16:45,279
reads the whole thing, whips out the song, plays it

337
00:16:45,399 --> 00:16:48,320
for Harry Saltzman. They're like, wow, this is an amazing song.

338
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And Harry Saltzman's like, yeah, the song's awesome. Who are

339
00:16:50,759 --> 00:16:53,000
we gonna get to sing it? And the producers are like,

340
00:16:53,639 --> 00:16:56,799
you see, this is Paul McCartney, and I.

341
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Speaker 3: Think an actual Beatle, right.

342
00:16:59,360 --> 00:17:02,679
Speaker 8: He's like, yeah, but maybe like Aretha Franklin might sing

343
00:17:02,759 --> 00:17:07,240
it for us. They're like, we have Paul McCartney. And

344
00:17:07,319 --> 00:17:09,519
he finally had to say, look, if you don't tell

345
00:17:09,559 --> 00:17:12,000
Paul McCartney to sing this song way and getting this

346
00:17:12,119 --> 00:17:15,839
song and to me it's one of the greatest Bond

347
00:17:15,960 --> 00:17:17,000
songs of all time.

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00:17:17,480 --> 00:17:22,359
Speaker 2: So is my favorite Paul McCartney you know, post Beatles

349
00:17:22,519 --> 00:17:24,720
Paul McCartney song. And there's nothing else in his solo

350
00:17:24,880 --> 00:17:26,640
career that comes close to this in my mind.

351
00:17:27,200 --> 00:17:30,200
Speaker 3: Well, and I kind of like Bill's story seeing him

352
00:17:30,240 --> 00:17:33,160
do it live at the age of eighty. He still

353
00:17:33,319 --> 00:17:34,920
rocks it. It knocks your socks.

354
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Speaker 2: That's awesome.

355
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Speaker 7: Well, look, this one was way down on my list, Jason,

356
00:17:40,119 --> 00:17:43,599
and in an effort not to win any points with

357
00:17:43,759 --> 00:17:46,240
our moderator, I'm gonna give you up. My hot take

358
00:17:46,960 --> 00:17:48,759
is that the version Guns of Roses does on their

359
00:17:48,839 --> 00:17:52,839
usual Illusion album is superior to the Wings version. I'm

360
00:17:52,880 --> 00:17:53,279
there with it.

361
00:17:53,519 --> 00:17:58,519
Speaker 8: Sorry, no sorry, I'm not sorry. I like the under

362
00:17:58,559 --> 00:18:02,039
Rose version two as well. So, by the way, quick

363
00:18:02,319 --> 00:18:04,960
fun fact on Living Let Die. This spent three weeks

364
00:18:05,000 --> 00:18:06,880
at number two on the Hot one hundred and had

365
00:18:07,039 --> 00:18:10,480
three different number ones that kept it from the number

366
00:18:10,519 --> 00:18:13,799
one spot. All three number ones are songs I have

367
00:18:14,079 --> 00:18:17,119
never heard of. Now, granted I was an infant when

368
00:18:17,160 --> 00:18:20,319
this happened, but the morning after touched me in the

369
00:18:20,400 --> 00:18:21,839
morning and Brother.

370
00:18:21,759 --> 00:18:24,319
Speaker 2: Louis, Yeah, Brother Louis, yeah, you know that one.

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00:18:24,599 --> 00:18:24,759
Speaker 6: I do.

372
00:18:24,920 --> 00:18:26,960
Speaker 2: Okay, Yeah, if you heard it, you recognize that one.

373
00:18:27,000 --> 00:18:27,920
But I don't know about the others.

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00:18:28,519 --> 00:18:30,839
Speaker 7: Still Living, Let Die, Come liv and Let Die is.

375
00:18:30,799 --> 00:18:33,160
Speaker 2: Better than all I'm sure it's better, Brother Louis, I'm

376
00:18:33,160 --> 00:18:34,039
sure it's better than those others.

377
00:18:34,519 --> 00:18:35,640
Speaker 7: Okay, cool, all right.

378
00:18:35,839 --> 00:18:38,200
Speaker 2: So, because of our format, Jason, you're going to actually

379
00:18:38,200 --> 00:18:39,759
get two picks in a row. So why don't you

380
00:18:39,880 --> 00:18:42,319
kick off round number two for us? What do you got?

381
00:18:42,880 --> 00:18:45,279
Speaker 8: Okay? In my Heart of Hearts, I kind of believe

382
00:18:45,359 --> 00:18:48,000
this is the best Bond song of all, just because

383
00:18:48,400 --> 00:18:51,079
I love the creativity, the way they weave the title

384
00:18:51,240 --> 00:18:54,279
into the verses of this song. It's a tough title.

385
00:18:54,559 --> 00:18:57,319
It's one of the few songs that does not share

386
00:18:57,440 --> 00:19:00,960
the title of the movie. I'm going with Carly Simon's

387
00:19:01,640 --> 00:19:02,480
nobody does it better.

388
00:19:04,000 --> 00:19:18,640
Speaker 13: He as good ass you, Babby. I wasn't looking that

389
00:19:18,880 --> 00:19:24,559
somehow you found me. I found your head from your

390
00:19:29,519 --> 00:19:30,799
having above me.

391
00:19:32,839 --> 00:19:38,359
Speaker 12: Spine, love me, keep the secret.

392
00:19:38,079 --> 00:19:42,559
Speaker 7: Say man. I absolutely love that soft piano teakling Marvin

393
00:19:42,599 --> 00:19:45,200
Hamlish is doing while she's singing It's fantastic.

394
00:19:45,640 --> 00:19:45,839
Speaker 8: Yeah.

395
00:19:45,960 --> 00:19:48,000
Speaker 4: Well, and you gotta love a song that just leans

396
00:19:48,039 --> 00:19:50,960
in and says this guy is fantastic in bed and

397
00:19:50,960 --> 00:19:52,039
I'm gonna tell you all about it.

398
00:19:52,680 --> 00:19:56,880
Speaker 6: Thank you heart of his hashtag panties on part of

399
00:19:57,000 --> 00:19:58,799
this is such a great idea to make sure we

400
00:19:58,920 --> 00:20:01,119
have a female PERSPECTI on the podcast tonight.

401
00:20:01,160 --> 00:20:04,279
Speaker 2: I'm just saying that she was not on the Bond

402
00:20:04,359 --> 00:20:07,920
Girls Fantasy draft. Okay, So my wife is a huge

403
00:20:07,960 --> 00:20:10,400
Carly Timon fan. This is easily her favorite song out

404
00:20:10,400 --> 00:20:11,559
of the bunch, and she doesn't even know it as

405
00:20:11,559 --> 00:20:14,200
a James Bond theme. So I've heard this song many

406
00:20:14,319 --> 00:20:17,279
times in the last twenty years, and I agree it's awesome.

407
00:20:17,519 --> 00:20:19,039
I have a top four I don't know if I

408
00:20:19,119 --> 00:20:21,160
have any picks beyond that, but this one makes that

409
00:20:21,240 --> 00:20:23,519
top four cut for me. All Right. That's an excellent pick.

410
00:20:23,599 --> 00:20:26,640
I can't argue with that, So to continue with round two, Jeff,

411
00:20:26,680 --> 00:20:28,119
you're back on the clock. What do you got for us?

412
00:20:28,440 --> 00:20:31,240
Speaker 7: I am excited that I'm in round two and my

413
00:20:31,400 --> 00:20:33,880
number three overall pick is on the board. I'm gonna

414
00:20:33,880 --> 00:20:38,680
take for your eyes only by Sonny Crockett's girlfriend, Sheena east.

415
00:20:39,880 --> 00:20:43,519
Speaker 3: You come see so much in me, so much in me?

416
00:20:43,880 --> 00:20:44,319
Speaker 15: That's you.

417
00:21:06,359 --> 00:21:11,119
Speaker 7: Now you got to remember something Before Easton, Blondie was

418
00:21:11,200 --> 00:21:14,000
asked to do the theme, but it was rejected in

419
00:21:14,160 --> 00:21:16,640
favor of Easton's and if you want to hear that one,

420
00:21:17,039 --> 00:21:19,359
Blondie's version was released on their nineteen eight two album

421
00:21:19,440 --> 00:21:22,079
called The Hunter. Actually a pretty good song now, granted

422
00:21:22,160 --> 00:21:24,640
I'm going I'm definitely going for Sheena Easton on On

423
00:21:24,920 --> 00:21:26,880
between the two, but Blondie is still doing a good

424
00:21:26,920 --> 00:21:27,240
job there.

425
00:21:27,400 --> 00:21:28,799
Speaker 2: This is my fourth out of my top four, my

426
00:21:28,880 --> 00:21:30,359
top four of all being pig now when this one

427
00:21:30,400 --> 00:21:31,000
makes the cut too.

428
00:21:31,160 --> 00:21:33,480
Speaker 8: By the way, this song was written by Bill Kunti,

429
00:21:33,680 --> 00:21:37,480
the guy who wrote the rocky theme really nice, and

430
00:21:37,640 --> 00:21:41,640
he wanted Barbara Streiasan or Donna Summer to sing the song.

431
00:21:42,240 --> 00:21:45,680
Speaker 7: He was wrong. No, There's just there's something about Sheena

432
00:21:45,720 --> 00:21:48,279
Easton's voice on this one. There's a longing. I mean,

433
00:21:48,359 --> 00:21:50,720
you just you fall in love with her when you're

434
00:21:50,759 --> 00:21:53,119
when you're listening to it, and that just that that wishing.

435
00:21:53,359 --> 00:21:55,400
I don't know if we're underwater, if we're in the clouds.

436
00:21:55,640 --> 00:21:58,000
How it opens with that heartbeat. I'm surprised I didn't

437
00:21:58,000 --> 00:21:59,640
put it higher on my list, but it was. It

438
00:21:59,759 --> 00:22:02,000
was my my number three overall pick, so I'm happy

439
00:22:02,039 --> 00:22:03,559
to get it on my list. Love it.

440
00:22:03,880 --> 00:22:06,160
Speaker 9: She's the first artist appear in the opening credits.

441
00:22:06,160 --> 00:22:09,400
Speaker 7: Also, Bill Bant is correct. Yeah, they the producers actually

442
00:22:09,400 --> 00:22:12,759
they actually liked her look. But Bill, according to she Easton,

443
00:22:12,799 --> 00:22:15,759
she did not enjoy filming that because they actually tied

444
00:22:15,799 --> 00:22:17,960
her to a chair so that she would not move

445
00:22:18,000 --> 00:22:20,599
when they had to do the slow pan close up

446
00:22:20,720 --> 00:22:23,119
of her lips. She said it was one of the

447
00:22:23,160 --> 00:22:25,319
most unglamorous shoots she's ever been a part of.

448
00:22:25,720 --> 00:22:27,480
Speaker 9: Better than being tied up and dragged through the quarrel

449
00:22:27,559 --> 00:22:27,960
in that one.

450
00:22:28,079 --> 00:22:31,079
Speaker 2: True When you say tied to a chair in a

451
00:22:31,160 --> 00:22:33,799
Jane's Bond conversation, I'm thinking of Casino Roy.

452
00:22:36,400 --> 00:22:36,599
Speaker 6: Yeah.

453
00:22:37,200 --> 00:22:39,599
Speaker 2: All right, so moving on from that, Hey, you're on

454
00:22:39,680 --> 00:22:40,759
the clock. What you got for us?

455
00:22:40,960 --> 00:22:41,279
Speaker 15: Okay?

456
00:22:41,359 --> 00:22:44,240
Speaker 6: Well, I'm pretty thrilled here because this was my number

457
00:22:44,279 --> 00:22:46,920
two overall pick. Grew up loving this movie. I believe

458
00:22:46,960 --> 00:22:49,559
this was one of my dad's favorite Bond soundtracks, and

459
00:22:49,720 --> 00:22:51,519
that is from Thunderball.

460
00:23:03,759 --> 00:23:16,240
Speaker 13: You always run will of those walls, Yes, love them.

461
00:23:17,519 --> 00:23:23,119
Speaker 6: Just And I have to say that some of the

462
00:23:23,160 --> 00:23:26,559
comments earlier for the earlier drafts about Goldfinger, I'm going

463
00:23:26,640 --> 00:23:29,200
to echo a lot of those comments to me. What's

464
00:23:29,279 --> 00:23:32,200
captured with the John Barry music, to me, captures what

465
00:23:32,319 --> 00:23:34,759
I think of with James Bond against the going big

466
00:23:35,000 --> 00:23:38,000
and you get these big, open, you know, low brass

467
00:23:38,079 --> 00:23:41,359
chords as do not. I have a hoarse voice, I

468
00:23:41,359 --> 00:23:44,720
shouldn't be singing, but she's these big, sweeping lines and

469
00:23:45,119 --> 00:23:49,039
as a trumpet player, the absolutely screaming brass. I mean,

470
00:23:49,240 --> 00:23:51,839
it is incredible to listen to, even if you're not

471
00:23:51,880 --> 00:23:54,240
about to watch an amazing movie. It just makes your

472
00:23:54,240 --> 00:23:56,640
hair stand up, the goosebump stand up. And I think

473
00:23:56,759 --> 00:23:59,799
all of those elements are in Thunderball. It's Tom Jones,

474
00:24:00,480 --> 00:24:03,160
and I love the way it's just that big presence,

475
00:24:03,319 --> 00:24:06,720
upfront singing style. A big fan of jazz music, so

476
00:24:06,759 --> 00:24:09,519
when you hear elements of jazz music being worked in there.

477
00:24:10,000 --> 00:24:12,599
It just knocks it out of the park. That's my pick.

478
00:24:12,680 --> 00:24:14,720
Speaker 7: I love it all, Pat, This would have been my

479
00:24:14,839 --> 00:24:17,519
next pick on my list. But I'm curious what you

480
00:24:17,640 --> 00:24:21,160
think of the original version of the theme for Thunderball.

481
00:24:21,880 --> 00:24:22,519
Have you ever heard that?

482
00:24:22,799 --> 00:24:23,079
Speaker 13: You know what?

483
00:24:24,000 --> 00:24:26,519
Speaker 6: Well, I'm actually making a note of what I need

484
00:24:26,599 --> 00:24:28,960
to go listen to after the podcast. Tell me about it.

485
00:24:29,000 --> 00:24:31,200
What are your thoughts? What should I prepare for so.

486
00:24:31,279 --> 00:24:33,359
Speaker 7: I see Bill not his head knows where he knows

487
00:24:33,400 --> 00:24:37,519
where I'm going. Originally the theme was titled mister Kiss Kiss,

488
00:24:37,759 --> 00:24:40,240
Bang Bang, and it was sung by Shirley Basey and

489
00:24:40,319 --> 00:24:43,240
it's actually a really good track, I'll be fair. It's

490
00:24:43,319 --> 00:24:45,279
not as good as Tom Jones Thunderball though, the only

491
00:24:45,319 --> 00:24:47,119
reason we don't have it in a Bond movie today

492
00:24:47,359 --> 00:24:50,440
is because the word thunderball was not in the song,

493
00:24:50,680 --> 00:24:53,279
so they can it really wow.

494
00:24:53,519 --> 00:24:55,440
Speaker 5: And then they were supposed to put it during the

495
00:24:55,599 --> 00:25:00,400
end credits, and Shirley sued because Deon Warwick actually recorded

496
00:25:00,400 --> 00:25:02,160
it also and they were gonna use her version.

497
00:25:02,319 --> 00:25:05,279
Speaker 9: YEP, was like, no, thanks, happened.

498
00:25:05,039 --> 00:25:06,839
Speaker 6: Well, And now I wonder if I listened to it

499
00:25:06,880 --> 00:25:08,880
and go, oh, that song I didn't know that was

500
00:25:09,279 --> 00:25:10,920
but I'm gonna I'm gonna check that out, Thank you

501
00:25:11,079 --> 00:25:11,440
very much.

502
00:25:11,839 --> 00:25:14,400
Speaker 2: All right, we'll moving right along, Bill Bant. You're on

503
00:25:14,480 --> 00:25:15,720
the clock from round two.

504
00:25:16,559 --> 00:25:18,759
Speaker 5: Man, there's so many I have left that I thought

505
00:25:18,759 --> 00:25:20,960
would be picked by no So I'm not sure where

506
00:25:21,000 --> 00:25:24,160
to go, but I have to go with one from

507
00:25:24,240 --> 00:25:26,759
A Jay's Bond. He only got to portray Bond once

508
00:25:26,839 --> 00:25:29,880
and that's George Lassanbie And we're talking about your magic

509
00:25:30,000 --> 00:25:30,640
Secret Service.

510
00:25:30,720 --> 00:25:33,480
Speaker 9: But the song sung by Louis Armstrong all the time

511
00:25:33,559 --> 00:25:34,279
in the world.

512
00:25:35,319 --> 00:25:37,079
Speaker 17: We have all.

513
00:25:38,839 --> 00:25:39,759
Speaker 16: The dime.

514
00:25:41,519 --> 00:25:53,000
Speaker 15: In Dime night to one fold, Oh the Brish is

515
00:25:53,200 --> 00:25:54,759
thing love.

516
00:25:57,720 --> 00:26:02,039
Speaker 5: We have all present re introduced in the final Jeans

517
00:26:02,119 --> 00:26:05,319
Bond No Time to Die basically shadow what was going

518
00:26:05,359 --> 00:26:07,519
to happen end of that movie, unfortunately, but the way

519
00:26:07,559 --> 00:26:11,839
it's used in Nika Service just works great. Interesting fact

520
00:26:11,880 --> 00:26:15,319
because Louis Armstrong there is trumpet playing in that song,

521
00:26:15,440 --> 00:26:17,799
and you would assume that it was him, but unfortunately,

522
00:26:17,960 --> 00:26:20,119
because of his agent illness, he was not able to

523
00:26:20,200 --> 00:26:24,440
play on that track, and it's really unknown who did

524
00:26:24,519 --> 00:26:25,359
do the trumpet playing.

525
00:26:25,599 --> 00:26:27,559
Speaker 9: There's ideas out there, but they're not one hundred percent.

526
00:26:28,039 --> 00:26:30,759
Speaker 8: I just love that song. This was his last recording session, right,

527
00:26:30,960 --> 00:26:31,599
I believe it was.

528
00:26:31,680 --> 00:26:34,960
Speaker 2: Yeah, all right. So to round out roil number two,

529
00:26:35,160 --> 00:26:37,640
we have Amber Lewis Amber What you Got for Us?

530
00:26:37,839 --> 00:26:39,880
Speaker 4: Oh my god, I don't know how you guys do

531
00:26:40,079 --> 00:26:43,880
these drafts. Like my list is a bloodbath the stress.

532
00:26:44,680 --> 00:26:49,680
So my number two is another reboot of the franchise.

533
00:26:50,200 --> 00:26:52,680
The number of times I have listened to the song,

534
00:26:52,839 --> 00:26:56,880
I absolutely love it. I love any Bond song that

535
00:26:57,000 --> 00:26:59,319
goes really hard from Casino Royale.

536
00:26:59,599 --> 00:27:00,599
Speaker 13: You Know my Name.

537
00:27:11,240 --> 00:27:14,720
Speaker 4: Written and performed by Chris Cornell from Soundgarden, and it

538
00:27:14,920 --> 00:27:18,440
is just the perfect gritty tongue in cheek. I love

539
00:27:18,559 --> 00:27:22,119
the double nande of you Know my Name. The lyrics

540
00:27:22,160 --> 00:27:25,759
are great and it just bangs. That's my number two.

541
00:27:26,119 --> 00:27:28,640
Speaker 7: These are some of the best lyrics you're gonna hear

542
00:27:29,079 --> 00:27:31,920
for a Bond theme because the incredible thing here, and

543
00:27:32,000 --> 00:27:34,400
this is coming from Chris Cornonell. This song is a

544
00:27:34,480 --> 00:27:38,119
conversation between m and Bond. You know, she's asking him

545
00:27:38,279 --> 00:27:40,160
if he's ready to be a double oh, but she's

546
00:27:40,200 --> 00:27:43,880
being very transparent about his longevity, saying, you're just next

547
00:27:43,920 --> 00:27:46,359
in line arm yourself because no one else will save you,

548
00:27:46,960 --> 00:27:49,079
the odds will betray you, and I will replace you.

549
00:27:49,680 --> 00:27:51,759
Are you willing to die? And then you've got Daniel

550
00:27:51,799 --> 00:27:56,119
Craig's brash bond replying in the chorus, the coldest blood

551
00:27:56,200 --> 00:27:57,279
runs through my veins.

552
00:27:57,599 --> 00:27:58,359
Speaker 6: You know my name.

553
00:28:15,680 --> 00:28:17,240
Speaker 7: This one was high on my list and I was

554
00:28:17,599 --> 00:28:19,240
ready to snagg it. But that's off too.

555
00:28:20,119 --> 00:28:21,599
Speaker 3: I love it so much because Dan.

556
00:28:21,799 --> 00:28:25,720
Speaker 4: I loved Daniel Craig from Layer Cake, and he took

557
00:28:26,039 --> 00:28:30,440
so much garbage from the press, and nobody had seen

558
00:28:30,559 --> 00:28:33,319
any footage of the movie, and they were teasing him

559
00:28:33,359 --> 00:28:36,000
for the blonde bond, you know, saying he couldn't do

560
00:28:36,079 --> 00:28:37,000
it and all this stuff.

561
00:28:37,119 --> 00:28:40,319
Speaker 3: And like that movie started and the song came on.

562
00:28:40,400 --> 00:28:42,039
Speaker 9: And I was like, oh my god, I'm so in

563
00:28:43,359 --> 00:28:43,880
the same as you.

564
00:28:44,200 --> 00:28:46,160
Speaker 5: I just happen to see Layer Cake when they made

565
00:28:46,160 --> 00:28:48,359
the announcement and everyone was poopoo in it.

566
00:28:48,440 --> 00:28:49,759
Speaker 9: I'm like, go see Layer Cake.

567
00:28:49,880 --> 00:28:50,440
Speaker 3: You'll know why.

568
00:28:51,160 --> 00:28:53,680
Speaker 6: The haters definitely got it wrong. I remember that when

569
00:28:53,720 --> 00:28:56,160
everyone was upset because he was had blue eyes and

570
00:28:56,200 --> 00:28:57,680
all that kind of stuff, and it was like, you

571
00:28:57,720 --> 00:28:59,599
guys missed the boat on that one. This this thing

572
00:28:59,680 --> 00:29:02,119
is le and like you said, you realize it within

573
00:29:02,200 --> 00:29:04,599
the first minute of the movie. What You're in for

574
00:29:05,119 --> 00:29:05,480
very good?

575
00:29:05,559 --> 00:29:08,559
Speaker 2: All right, Well that concludes round two, so let's pick

576
00:29:08,640 --> 00:29:12,400
it right back up to begin round three. Amber you

577
00:29:12,519 --> 00:29:13,240
get to go again.

578
00:29:13,480 --> 00:29:16,240
Speaker 7: Oh, welcome to the snake format.

579
00:29:16,880 --> 00:29:19,319
Speaker 4: Well, I'm kind of excited because, like now I get

580
00:29:19,359 --> 00:29:22,039
to like be ensured that one of my good ones

581
00:29:22,319 --> 00:29:22,920
gets picked.

582
00:29:23,400 --> 00:29:27,240
Speaker 3: All right, So this one for me along with Goldfinger.

583
00:29:27,400 --> 00:29:30,000
Speaker 4: When you say Bond theme, like, those are the two

584
00:29:30,119 --> 00:29:32,960
songs I immediately think of the movie's kind of meh,

585
00:29:33,079 --> 00:29:58,720
but I love You Only Live Twice by Nancy Sinatra Twice,

586
00:30:00,359 --> 00:30:03,319
like you're kind of floating through the clouds. You're in

587
00:30:03,519 --> 00:30:07,759
like this kind of dream and the orchestra and her voice.

588
00:30:08,160 --> 00:30:10,039
Speaker 3: I just love it.

589
00:30:10,200 --> 00:30:13,640
Speaker 4: And the movie is absolutely bonker, so like I'm fine

590
00:30:13,680 --> 00:30:17,720
with watching it anyway, but that opening, like with him

591
00:30:17,759 --> 00:30:20,680
getting killed and you're like, what, it's the cold open,

592
00:30:20,759 --> 00:30:23,000
how can he die? And then the song kicks in

593
00:30:23,400 --> 00:30:27,440
like my goodness? So that is that is my next choice.

594
00:30:27,839 --> 00:30:31,000
Speaker 8: That's my number four overall pick I love that song.

595
00:30:31,279 --> 00:30:35,079
The orchestra is so beautiful and it's it has that

596
00:30:35,279 --> 00:30:39,119
sort of Japanese feel, you know, just a little hints. Yeah,

597
00:30:39,319 --> 00:30:41,880
and you're right. The the open of that movie, when

598
00:30:41,920 --> 00:30:43,279
I saw it for the first time, I was like,

599
00:30:43,480 --> 00:30:44,759
Bond gets killed?

600
00:30:44,920 --> 00:30:46,799
Speaker 6: What right?

601
00:30:46,880 --> 00:30:49,000
Speaker 3: There was a funeral, Like I saw the body.

602
00:30:49,920 --> 00:30:51,039
Speaker 7: There was blood in the bed.

603
00:30:51,880 --> 00:30:53,960
Speaker 8: So I'm a big fan of you only live twice.

604
00:30:55,920 --> 00:30:56,880
Speaker 3: Oh, I'm so sorry.

605
00:30:58,400 --> 00:31:01,079
Speaker 9: That's what it's all about, of Chris crossing out.

606
00:31:01,160 --> 00:31:03,359
Speaker 3: I've been doing this whole time. It's the stress.

607
00:31:03,839 --> 00:31:05,599
Speaker 2: All right, Well, Bill Bett, you're on the clock. What

608
00:31:05,680 --> 00:31:06,839
do you have left after that?

609
00:31:07,079 --> 00:31:07,400
Speaker 9: Let's see?

610
00:31:07,480 --> 00:31:09,559
Speaker 5: I got it Dount, So I don't. I don't want

611
00:31:09,599 --> 00:31:11,720
to go Shirley Bassie again. So I'm gonna go with

612
00:31:11,920 --> 00:31:15,720
my next one. I gotta go with No Time to Die?

613
00:31:16,119 --> 00:31:29,160
Speaker 17: Who New Wash twice higher the Kay, There's just no

614
00:31:29,519 --> 00:31:30,440
time to time?

615
00:31:42,119 --> 00:31:42,519
Speaker 8: Good one.

616
00:31:42,680 --> 00:31:46,279
Speaker 5: And Phillie Alish was our youngest Bond singer Ripe old

617
00:31:46,319 --> 00:31:49,559
age of eighteen. Song was released almost a year before

618
00:31:49,599 --> 00:31:52,400
the movie came out because of COVID. But you did

619
00:31:52,480 --> 00:31:54,480
win a Oscar for bet song.

620
00:31:54,480 --> 00:31:56,920
Speaker 7: I think this was the third one to win the Oscar, right,

621
00:31:57,559 --> 00:32:01,079
third Bond theme after after sky On that that terrible one.

622
00:32:01,680 --> 00:32:03,359
I won't name because maybe someone's gonna draft it. I

623
00:32:03,400 --> 00:32:04,400
don't want to be a I don't want to.

624
00:32:07,680 --> 00:32:07,920
Speaker 2: Geez.

625
00:32:08,079 --> 00:32:10,559
Speaker 7: Yeah, I gotta be honest. I was surprised that No

626
00:32:10,680 --> 00:32:12,960
Time to Die was still on the board this late

627
00:32:13,000 --> 00:32:15,519
in the game, because the last time we all got together,

628
00:32:15,720 --> 00:32:19,880
Pat had drafted everyone up into like the person doing

629
00:32:19,920 --> 00:32:23,880
craft services for on his list. His list was fantastic,

630
00:32:24,599 --> 00:32:27,279
it was there were no bad choices, Pat. But I

631
00:32:27,400 --> 00:32:29,200
was like, he's definitely gonna go Time to Die.

632
00:32:29,440 --> 00:32:32,279
Speaker 6: Well, I think I stole Michelle Yo from someone and

633
00:32:32,519 --> 00:32:34,000
I like, still feel bad?

634
00:32:34,119 --> 00:32:36,400
Speaker 15: Was that you, ye man?

635
00:32:37,039 --> 00:32:37,240
Speaker 14: Yeah?

636
00:32:38,160 --> 00:32:41,720
Speaker 7: Yeah, good point to mention. Like, I think Amber and

637
00:32:41,880 --> 00:32:44,640
Pat are maybe the kindest people I've ever been in

638
00:32:44,759 --> 00:32:48,680
a draft with. They're just I'm so sorry, like twenty

639
00:32:48,759 --> 00:32:51,319
years of fantasy football. I'm like, go afterself.

640
00:32:51,920 --> 00:32:55,319
Speaker 2: So so Pat is a very polite, very good But Pat,

641
00:32:55,400 --> 00:32:57,359
while I'm talking to you, I guess what You're on

642
00:32:57,440 --> 00:32:57,759
the clock.

643
00:32:58,920 --> 00:33:01,119
Speaker 6: So I'm gonna go with the next one again. It's

644
00:33:01,240 --> 00:33:03,559
it's going to go back to the Sean Connery era,

645
00:33:04,079 --> 00:33:06,359
and I'm going with From Russia with Love.

646
00:33:14,079 --> 00:33:15,759
Speaker 13: From Russia.

647
00:33:17,119 --> 00:33:22,920
Speaker 9: With Love, I've love to You.

648
00:33:25,880 --> 00:33:28,720
Speaker 6: I love the sweep of the song. I love it's

649
00:33:28,759 --> 00:33:30,920
got a little bit of romance wrapped up into it.

650
00:33:31,000 --> 00:33:32,799
It's got a little bit of urgency wrapped into it,

651
00:33:32,920 --> 00:33:36,440
but it's just it's fun. It represents the movie so well,

652
00:33:36,920 --> 00:33:38,759
and again I've got a special place in my heart

653
00:33:38,880 --> 00:33:42,400
for that, the very early version of Bond. So I

654
00:33:42,559 --> 00:33:44,480
am going with from Russia.

655
00:33:44,319 --> 00:33:47,160
Speaker 8: With Love, Love It Love the old school there, the

656
00:33:47,279 --> 00:33:51,319
second James Bond movie. Talking earlier about how picking these

657
00:33:51,359 --> 00:33:53,480
songs you almost have to pick an era. So the

658
00:33:53,599 --> 00:33:57,119
sixties era is so different from the nineties era. But

659
00:33:57,599 --> 00:33:59,559
it's fun to kind of talk through these and break

660
00:33:59,559 --> 00:33:59,880
them down.

661
00:34:00,079 --> 00:34:00,279
Speaker 4: It is.

662
00:34:00,440 --> 00:34:02,839
Speaker 6: And it's fun because not only is the music different

663
00:34:02,920 --> 00:34:04,720
and the look of the movie and the special effects,

664
00:34:05,000 --> 00:34:07,680
but even kind of we're saying, you know, Sean Connery's

665
00:34:07,720 --> 00:34:10,599
Bond is different than Roger Moore's Bond is different than

666
00:34:10,679 --> 00:34:14,760
Timothy Dalton's. And I'll tell you the documentary that came out,

667
00:34:14,920 --> 00:34:16,880
and I'm totally blanking on the name, but it was

668
00:34:16,920 --> 00:34:19,960
on Amazon Prime. But they had a documentary come back

669
00:34:20,079 --> 00:34:22,639
years some years back. I think it's called for All

670
00:34:22,800 --> 00:34:26,000
or for Nothing or as you know, everything or nothing,

671
00:34:26,840 --> 00:34:29,920
Everything or nothing, thank you, Okay, sorry about that. But

672
00:34:30,079 --> 00:34:33,159
they interview all of the actors that played Bond and

673
00:34:33,239 --> 00:34:35,599
I want to It was so insightful when they were

674
00:34:36,119 --> 00:34:38,679
interviewing these guys and how they perceived the character and

675
00:34:38,800 --> 00:34:41,559
how they brought something different. And Roger Moore, I thought

676
00:34:41,719 --> 00:34:44,519
was one of the most intriguing characters because he knew

677
00:34:44,639 --> 00:34:46,960
exactly what he was trying to play and he just

678
00:34:47,079 --> 00:34:49,840
described it and just broke it down how each was different.

679
00:34:50,039 --> 00:34:52,079
So I don't want to get If you haven't seen it,

680
00:34:52,480 --> 00:34:55,360
it's it's worth a watch. It's especially for those actors

681
00:34:55,760 --> 00:34:58,599
just describing the different infections and time periods of Bond.

682
00:34:58,719 --> 00:35:01,239
Speaker 2: So we're moving right along, continue with Brown. Three. We

683
00:35:01,440 --> 00:35:03,840
have Jeff Johnson back on the clock. What do you got, Jeff?

684
00:35:04,119 --> 00:35:05,920
Speaker 7: You know the great thing about a draft, you gotta

685
00:35:05,920 --> 00:35:08,360
go with the strategy, and sometimes you're quick to go

686
00:35:08,599 --> 00:35:10,480
that movie is not that good. I'm not picking that song.

687
00:35:10,800 --> 00:35:13,639
But sometimes when you double back, you listen to the lyrics,

688
00:35:13,679 --> 00:35:16,079
you listen to the performance, it shoots it right up

689
00:35:16,159 --> 00:35:16,840
the list.

690
00:35:16,920 --> 00:35:17,079
Speaker 9: Here.

691
00:35:17,480 --> 00:35:19,599
Speaker 7: My next pick is gonna be one I did not

692
00:35:19,840 --> 00:35:22,400
ever expect to have on my list until I re listened,

693
00:35:22,480 --> 00:35:24,599
but it was nominated for Best Song at the Grammys

694
00:35:24,679 --> 00:35:27,719
and the Golden Globes. Probably would have won if that

695
00:35:27,840 --> 00:35:30,159
James Cameron Boat movie hadn't come out because of My

696
00:35:30,199 --> 00:35:32,039
Heart Will Go On beat It. But I'm talking about

697
00:35:32,159 --> 00:35:34,440
Tomorrow Never Dies by Sheryl Crowe.

698
00:35:54,199 --> 00:35:56,079
Speaker 3: I just wish anybody else had sung it.

699
00:35:56,679 --> 00:35:59,760
Speaker 7: Not a Crow fan, apparently I am, but I just.

700
00:36:00,039 --> 00:36:02,800
Speaker 3: Don't like her singing this song. Like the lyrics are fabulous,

701
00:36:03,199 --> 00:36:05,719
but I just want somebody else well.

702
00:36:06,119 --> 00:36:09,599
Speaker 7: And it's not so much her voice, it's the music itself.

703
00:36:10,280 --> 00:36:12,480
I feel like Tomorrow Never Dies. The theme kind of

704
00:36:12,559 --> 00:36:16,559
harkens back to that sixties, mid to late sixties Bond era.

705
00:36:17,199 --> 00:36:20,440
The music just feels like, oh, CHERRYL. Crow did it,

706
00:36:20,480 --> 00:36:22,880
and then Chirley Bassey did one. It just it feels

707
00:36:23,119 --> 00:36:25,000
like it's in the sixties and it doesn't feel like

708
00:36:25,039 --> 00:36:27,920
it came out as late as it did. So I

709
00:36:28,000 --> 00:36:28,440
love it though.

710
00:36:28,559 --> 00:36:31,840
Speaker 2: All right, So now to wrap up round three, Jason,

711
00:36:32,000 --> 00:36:32,639
your only clock?

712
00:36:32,679 --> 00:36:33,039
Speaker 14: What do you have?

713
00:36:33,719 --> 00:36:36,559
Speaker 8: Okay, I'm kind of going with Jeff's logic here. When

714
00:36:36,599 --> 00:36:39,000
you look at the quality of the movie, sometimes you

715
00:36:39,079 --> 00:36:40,800
write off the song. You kind of threw out the

716
00:36:40,840 --> 00:36:43,480
baby with the bathwater. This is not a great Bond movie.

717
00:36:43,679 --> 00:36:47,559
In fact, in my estimation, it's the biggest drop between

718
00:36:47,639 --> 00:36:50,639
its predecessor and this current one. Right, But the song

719
00:36:50,760 --> 00:36:52,800
is great, and it's the first time we get a duet.

720
00:36:52,960 --> 00:36:55,880
And I'm going with Prince on this one. Prince doubled

721
00:36:55,920 --> 00:36:58,519
down on this one and was a huge fan of

722
00:36:58,639 --> 00:37:02,159
this particular Bond song. The movie is Quantum of Solace

723
00:37:02,480 --> 00:37:04,960
and the song is Another Way to Die by Jack

724
00:37:05,039 --> 00:37:06,239
White and Alicia Keys.

725
00:37:08,079 --> 00:37:27,000
Speaker 11: Yes, love that one.

726
00:37:27,119 --> 00:37:29,119
Speaker 3: That's my son's favorite. He's gonna be pissed.

727
00:37:29,679 --> 00:37:32,800
Speaker 6: That's a fantastic tune. My gosh, what a great tune

728
00:37:32,800 --> 00:37:33,079
that is.

729
00:37:33,760 --> 00:37:36,679
Speaker 8: Yeah, I love that one. Interesting that it's a it's

730
00:37:36,679 --> 00:37:39,679
a duet, you know, you get two great artists instead

731
00:37:39,679 --> 00:37:40,159
of just one.

732
00:37:40,360 --> 00:37:42,199
Speaker 3: Well, and I love that Jack.

733
00:37:42,000 --> 00:37:44,599
Speaker 4: White is playing all the instruments. You got Alicia Keys

734
00:37:44,679 --> 00:37:46,079
right there, and she's not playing the piano.

735
00:37:46,280 --> 00:37:48,559
Speaker 7: How is Alicia Keys not playing the piano on this.

736
00:37:48,920 --> 00:37:50,519
Speaker 3: Because Jack White can play them off?

737
00:37:50,880 --> 00:37:53,480
Speaker 7: Share your toys, Jack, because she's a hell of a

738
00:37:53,519 --> 00:37:55,920
piano player, is all I'm saying. And more interesting, Jason,

739
00:37:56,000 --> 00:37:58,679
is you've picked up another theme that isn't the title

740
00:37:58,800 --> 00:37:59,239
of the movie.

741
00:37:59,559 --> 00:38:01,000
Speaker 8: Oh wow, well that is that's true.

742
00:38:01,159 --> 00:38:03,199
Speaker 7: Yeah, I thought I thought I was uncovering a strategy

743
00:38:03,239 --> 00:38:05,440
that you're pulling off of. I was looking down the list.

744
00:38:05,519 --> 00:38:07,880
Speaker 2: Now, well, Jason, you get to in a row here

745
00:38:07,960 --> 00:38:11,280
because we are now entering the final round of this draft.

746
00:38:11,679 --> 00:38:14,000
What do you got for us to kick off round four?

747
00:38:14,360 --> 00:38:18,039
Speaker 8: Okay, so very interestingly, this is my last pick, and

748
00:38:18,199 --> 00:38:20,920
I thought I'd be dredging the bottom of the barrel here.

749
00:38:21,039 --> 00:38:23,320
But I actually have a few songs that I really

750
00:38:23,519 --> 00:38:26,400
like still available to me. But I'm probably gonna get

751
00:38:26,440 --> 00:38:28,679
ridiculed for this pick because most people hate this song.

752
00:38:28,800 --> 00:38:30,719
But I can't escape it. It goes back to the

753
00:38:30,760 --> 00:38:33,679
ABC Sunday Night movie me watching it on this little kid.

754
00:38:34,320 --> 00:38:34,760
Speaker 7: Don't do it.

755
00:38:35,119 --> 00:38:39,159
Speaker 8: I'm doing it. I doing it. I'm going with the

756
00:38:39,280 --> 00:38:44,800
Man with the Golden Guns.

757
00:38:51,760 --> 00:38:58,760
Speaker 13: The man. I love that.

758
00:38:59,159 --> 00:39:01,559
Speaker 8: It's it's like a thank you, Jason.

759
00:39:01,639 --> 00:39:03,280
Speaker 9: We could have went a sixth round. It would still

760
00:39:03,280 --> 00:39:03,840
be available.

761
00:39:04,320 --> 00:39:05,519
Speaker 7: I don't care.

762
00:39:05,719 --> 00:39:06,639
Speaker 13: I love this one.

763
00:39:06,960 --> 00:39:10,239
Speaker 8: I love the I mean the the lyrics are pornographic.

764
00:39:10,360 --> 00:39:13,880
I mean love is required. Whenever he's hired, he comes

765
00:39:13,960 --> 00:39:17,440
before the kill. I mean, so anyway, I love the

766
00:39:17,480 --> 00:39:19,880
Big Brass, I love I love the Man with the

767
00:39:19,880 --> 00:39:22,159
Golden Gun. I'm more of a fan of this movie

768
00:39:22,239 --> 00:39:24,800
than most people. So it goes back to my childhood.

769
00:39:25,519 --> 00:39:28,519
Mark me down, Lulu the Man with.

770
00:39:28,800 --> 00:39:29,719
Speaker 2: A y song.

771
00:39:29,840 --> 00:39:30,360
Speaker 9: I'll give you that.

772
00:39:30,920 --> 00:39:31,199
Speaker 8: Thank you.

773
00:39:31,639 --> 00:39:33,480
Speaker 7: I told you off Mike. We were talking before we

774
00:39:33,559 --> 00:39:36,320
started recording. I said that I didn't even bother after

775
00:39:36,400 --> 00:39:39,480
twenty because there's some trash that I'm not gonna bother with.

776
00:39:40,159 --> 00:39:42,280
But Jason, you'll be happy to know that Lulu's the

777
00:39:42,360 --> 00:39:44,960
Man with the Golden Gun was was cracking the top

778
00:39:45,039 --> 00:39:46,880
twenty for me right there at twenty.

779
00:39:47,119 --> 00:39:47,639
Speaker 8: Okay, if I.

780
00:39:47,719 --> 00:39:49,719
Speaker 7: Had to make a pick, I would have. I would have.

781
00:39:49,960 --> 00:39:51,679
I would have done it. But thank you for for

782
00:39:52,119 --> 00:39:52,800
for saving me.

783
00:39:53,519 --> 00:39:56,280
Speaker 2: Very good. Well, Jeff, what is your final pick here

784
00:39:56,320 --> 00:39:57,000
in the fourth round?

785
00:39:57,039 --> 00:39:59,960
Speaker 7: I gotta be honest with you, guys. I'm pleasantly surprised

786
00:40:00,199 --> 00:40:02,719
by these choices because I did not expect to have

787
00:40:03,280 --> 00:40:05,559
a couple of these on my lists still out there.

788
00:40:05,760 --> 00:40:09,360
While I have a certain song ranked higher, I feel

789
00:40:09,960 --> 00:40:11,920
obligated that I have to have at least one Shirley

790
00:40:11,920 --> 00:40:14,400
Bassi song. So I'm gonna go with Diamonds Are Forever.

791
00:40:15,559 --> 00:40:19,159
Speaker 11: They leave in the night. I have no fear of

792
00:40:19,280 --> 00:40:22,079
that name. Mine desut.

793
00:40:26,199 --> 00:40:28,440
Speaker 3: Diamonds zup forever.

794
00:40:31,360 --> 00:40:36,920
Speaker 15: One of them dress it, stroke it and.

795
00:40:40,440 --> 00:40:43,639
Speaker 7: I and you know not to And I guess this

796
00:40:43,800 --> 00:40:46,400
is the perfect timing to make this pick after Jason's

797
00:40:46,639 --> 00:40:48,880
commentary on the on the lyrics to the Man with

798
00:40:48,920 --> 00:40:52,199
the Golden Gun, because there is a another great documentary

799
00:40:52,280 --> 00:40:54,119
called The Sound of Double O seven, but you can

800
00:40:54,159 --> 00:40:57,000
see it on Prime where she kind of revealed that

801
00:40:57,159 --> 00:40:59,719
when she's singing about diamonds are forever, she's actually singing

802
00:40:59,719 --> 00:41:02,960
about specific part of the male anatomy. And when the

803
00:41:03,119 --> 00:41:07,159
producers found this out, they were livid, but Kubby said, nope,

804
00:41:07,199 --> 00:41:08,400
I like the song and we're keeping it.

805
00:41:08,519 --> 00:41:09,519
Speaker 8: So there you go.

806
00:41:10,920 --> 00:41:14,400
Speaker 7: I was cracking up Amber, go, but just listen all

807
00:41:14,440 --> 00:41:16,000
you got. I'm not gonna I'm not gonna I'm gonna

808
00:41:16,119 --> 00:41:17,920
repeat the lyrics. I'm just gonna say, go listen to

809
00:41:17,960 --> 00:41:20,159
the lyrics and you'll you'll figure out pretty quick.

810
00:41:20,760 --> 00:41:24,000
Speaker 3: I was not paying attention the first time, clearly, all right.

811
00:41:24,079 --> 00:41:26,880
Speaker 2: So continuing with round number four, next up on the

812
00:41:27,079 --> 00:41:30,039
clock is Pat, Pat, what do you have for us

813
00:41:30,079 --> 00:41:32,000
for your final pick in this fantasy draft?

814
00:41:32,519 --> 00:41:34,559
Speaker 6: So I'm looking at my list here, you know, and

815
00:41:34,639 --> 00:41:36,800
I went with some of the more of the traditionals.

816
00:41:36,960 --> 00:41:41,280
I got Adele singing the Skyfall, and I'm like, you know,

817
00:41:41,320 --> 00:41:43,280
I got to have a little bit of contrast in here.

818
00:41:43,480 --> 00:41:45,719
I gotta have something, you know, something a little bit

819
00:41:45,760 --> 00:41:48,559
more rock or pop or put that in which that's

820
00:41:48,559 --> 00:41:50,400
such a loose term because you know what I say,

821
00:41:50,519 --> 00:41:52,360
pop is today. I mean, that's kind of what that

822
00:41:52,599 --> 00:41:55,159
that big band john Berry sound was considered back in

823
00:41:55,199 --> 00:41:56,800
the sixties and all that kind of stuff. So I

824
00:41:56,920 --> 00:42:00,079
use those terms loosely. Jason, the quantum of Solas me

825
00:42:00,320 --> 00:42:02,440
that was like, I'm like, I don't think that one's

826
00:42:02,440 --> 00:42:04,800
gonna last, but it hung on as far. But then

827
00:42:04,840 --> 00:42:07,000
you you snap that one up, and I mean, what

828
00:42:07,119 --> 00:42:09,639
a great song that was. And I'm not sure. I'm

829
00:42:09,679 --> 00:42:11,320
not sure what the groups think is going to be

830
00:42:11,400 --> 00:42:14,400
on this one, but for like a great pop rock

831
00:42:14,519 --> 00:42:16,320
tune Bond theme, I'm gonna have to go with the

832
00:42:16,440 --> 00:42:40,480
material girl and go with Die Another Day, Doc, and I.

833
00:42:43,639 --> 00:42:46,840
Speaker 3: So much with my whole heart. But that song is terrible.

834
00:42:47,800 --> 00:42:52,679
Speaker 2: Okay, it's okay, you know what.

835
00:42:53,079 --> 00:42:55,440
Speaker 6: That's okay. And I tend to like I like tend

836
00:42:55,519 --> 00:42:58,639
to like the underdogs, like like the underdogs. Anyway, the

837
00:42:58,719 --> 00:43:01,679
thing that gets me with that song is just the

838
00:43:01,760 --> 00:43:03,960
way that groove sets where it's got a little bit

839
00:43:04,000 --> 00:43:06,199
of that stop time in there, and it kind of

840
00:43:06,239 --> 00:43:09,960
comes in with that montage of Bond being tortured. At

841
00:43:10,000 --> 00:43:12,599
the beginning of the film. I almost said, I can't

842
00:43:12,599 --> 00:43:14,880
remember what the movie was called, but at the beginning

843
00:43:14,920 --> 00:43:17,480
of the film, for me, it doesn't quite have the

844
00:43:17,519 --> 00:43:20,400
same standalone character maybe that some of the other tunes have,

845
00:43:20,679 --> 00:43:22,880
but for me, what really just kind of brought me

846
00:43:22,960 --> 00:43:25,920
into the story and oh wow, he's being captured, he's

847
00:43:25,960 --> 00:43:29,000
being tortured. I haven't quite seen this book. I mean, sure,

848
00:43:29,079 --> 00:43:31,039
back in the sixties he got in that weird machine

849
00:43:31,079 --> 00:43:33,079
and it was shaking back and forth, but this is

850
00:43:33,199 --> 00:43:35,519
this is pretty intense. And like I said, there's something

851
00:43:35,519 --> 00:43:37,280
about the groove and that too, and the way she

852
00:43:37,400 --> 00:43:39,519
sings it and the way the vocal lines just matched

853
00:43:39,559 --> 00:43:41,840
with the groove. It brought me into the movie. So

854
00:43:42,199 --> 00:43:45,280
I'm thank you for telling me to be bold. But no,

855
00:43:45,400 --> 00:43:47,320
I'm gonna I'm gonna stick with it, and I'm gonna

856
00:43:47,320 --> 00:43:49,599
go with but I'm gonna go with Madonna and buy

857
00:43:49,679 --> 00:43:50,159
another day.

858
00:43:50,519 --> 00:43:52,559
Speaker 9: I'm in the club with the glow sticks That's That's

859
00:43:52,559 --> 00:43:53,000
what I'd like.

860
00:43:53,039 --> 00:43:56,280
Speaker 7: That Kat you talked about. You mentioned torture, and I

861
00:43:56,360 --> 00:43:58,920
think that goes hand in hand with Madonna's attempt at

862
00:43:59,119 --> 00:44:02,119
that Bond theme. Listen, we all know Madonna has a

863
00:44:02,199 --> 00:44:04,679
beautiful voice. Take a Bow for example. That is an

864
00:44:04,679 --> 00:44:07,199
amazing song and it's a beauty. She's got a beautiful voice.

865
00:44:07,239 --> 00:44:10,159
But this auto tuned thing that she's doing, you know,

866
00:44:10,400 --> 00:44:12,519
and clearly she I don't know if she read the

867
00:44:12,559 --> 00:44:15,159
wholessignment because she she just left out a chorus, she

868
00:44:15,159 --> 00:44:16,920
didn't put one in the in the song at all.

869
00:44:17,119 --> 00:44:21,159
Speaker 3: So like going on what she wants, Jeff, Well, it

870
00:44:21,239 --> 00:44:21,960
doesn't mean that she.

871
00:44:22,039 --> 00:44:27,760
Speaker 7: Should, but you know, I'm gonna say no to both. Bill,

872
00:44:28,360 --> 00:44:29,920
have you seen have you seen the video where there's

873
00:44:29,960 --> 00:44:34,760
three Madonnas. Yeah, I'm not recommending it. I'm just like,

874
00:44:35,960 --> 00:44:38,199
there's a good Madonna in white leather, finding a bad

875
00:44:38,280 --> 00:44:40,800
Madonna in black leather, and then there's another, a third

876
00:44:40,840 --> 00:44:42,800
Madonna that's chained up and getting the hell beat out

877
00:44:42,800 --> 00:44:43,000
of her.

878
00:44:43,239 --> 00:44:45,920
Speaker 2: All Right, So we're rounding the corner here. Next up,

879
00:44:46,199 --> 00:44:48,320
Bill Bant, what do you have for your final pick

880
00:44:48,360 --> 00:44:48,920
in this draft?

881
00:44:49,079 --> 00:44:52,000
Speaker 5: This one's a little tough because I actually have two

882
00:44:52,119 --> 00:44:54,599
choices from one movie. I gotta get an ap song

883
00:44:54,639 --> 00:44:57,000
in here, and I gotta give my man Smithew Dalton

884
00:44:57,079 --> 00:44:57,480
some love.

885
00:44:57,800 --> 00:45:00,760
Speaker 3: Yes, somebody else loves that's my guy.

886
00:45:02,719 --> 00:45:03,000
Speaker 13: Bond.

887
00:45:03,760 --> 00:45:05,800
Speaker 5: I think I'm actually gonna have this song in the

888
00:45:05,880 --> 00:45:08,360
closing credits, A license a kill, which is if you

889
00:45:08,480 --> 00:45:28,960
asked me to buy Patti LaBelle I Just, I Just,

890
00:45:31,440 --> 00:45:33,880
which is one of my all time favorite Bond songs

891
00:45:34,519 --> 00:45:37,199
until of course Selean Dion had to cover it and

892
00:45:37,280 --> 00:45:37,960
totally ruin it.

893
00:45:38,440 --> 00:45:39,599
Speaker 9: But I just love that song.

894
00:45:39,800 --> 00:45:42,480
Speaker 5: It's just it's just a great ending credit song to

895
00:45:42,599 --> 00:45:45,119
a to a Bond film, and a Bond film that's

896
00:45:45,280 --> 00:45:48,920
finally starting to get appreciated, especially after the Daniel Craig error, like,

897
00:45:49,079 --> 00:45:50,960
oh yeah, Jimsy don't used to do this, and he

898
00:45:51,079 --> 00:45:53,199
did this really well too. When I first heard that song,

899
00:45:53,199 --> 00:45:54,559
I was like, you know what, if I ever get married,

900
00:45:54,599 --> 00:45:56,320
that's what I want my wedding song to be. But

901
00:45:56,400 --> 00:45:58,760
then again sling Geon ruined it, so I will forever

902
00:45:58,880 --> 00:46:03,239
curse our name. But Patila bell I mean amazing and

903
00:46:03,360 --> 00:46:05,320
that it was a top ten song and then a

904
00:46:05,360 --> 00:46:06,400
contemporary chart.

905
00:46:06,800 --> 00:46:07,639
Speaker 9: It just didn't do well.

906
00:46:07,719 --> 00:46:11,440
Speaker 5: In the Billboard Billboard chart and for some reason, when

907
00:46:11,480 --> 00:46:14,079
Sleem Dude did it, it totally took off. And I

908
00:46:14,119 --> 00:46:16,400
think it was in nineteen ninety three, was the most

909
00:46:16,639 --> 00:46:18,239
played song live of that year.

910
00:46:18,519 --> 00:46:21,559
Speaker 9: So how impact. But Leane used to thank Patty lebel.

911
00:46:21,480 --> 00:46:24,519
Speaker 3: Yeah, the Patti la Belle version is so much better.

912
00:46:24,920 --> 00:46:25,400
Speaker 9: Oh yeah.

913
00:46:25,639 --> 00:46:27,880
Speaker 8: This summer, I spent a week in Key West and

914
00:46:28,320 --> 00:46:30,440
while my wife was at the swimming pool, I got

915
00:46:30,519 --> 00:46:33,679
an electric bike and went to about ten licensed to

916
00:46:33,760 --> 00:46:38,840
kill shooting locations. Oh nice, and same last doing that.

917
00:46:39,159 --> 00:46:42,079
So I feel a connection to that movie because of that.

918
00:46:42,239 --> 00:46:44,199
Speaker 7: Well, Bill Bant mentioned that this movie kind of has

919
00:46:44,320 --> 00:46:46,920
gotten a resurgence of love. I thought I thought that

920
00:46:47,039 --> 00:46:50,880
started after you guys released that that on location video. Jason,

921
00:46:51,719 --> 00:46:55,639
thanks serious, Yeah, right YouTube channel. I loved it. I

922
00:46:55,760 --> 00:46:59,239
was like, Oh, he's tell me more, tell me more, and.

923
00:46:59,320 --> 00:47:01,559
Speaker 2: I brough you up on Dalton. I don't know if

924
00:47:01,559 --> 00:47:03,760
I'm ready to say he's my favorite Bond, but I do.

925
00:47:04,000 --> 00:47:06,920
I genuinely enjoy both of his movies, and they both

926
00:47:06,920 --> 00:47:08,239
came out in my high school years and I have

927
00:47:08,280 --> 00:47:10,559
a tremendous amount of nostalgia for those, so I don't

928
00:47:10,559 --> 00:47:12,840
get the hate for those I love both of them. Yes,

929
00:47:13,559 --> 00:47:16,559
but guess what, You're on the clock. You're in the

930
00:47:16,679 --> 00:47:19,480
final pick of the entire draft. What are you going

931
00:47:19,559 --> 00:47:20,599
to take to wrap all this up?

932
00:47:20,719 --> 00:47:24,079
Speaker 4: Well, I'm so excited because the one that I really

933
00:47:24,119 --> 00:47:26,880
really wanted was still there, and Bill was making me

934
00:47:27,000 --> 00:47:29,840
sweat a little bit because I'm picking the other song

935
00:47:29,960 --> 00:47:33,599
from License to Kel the theme song like Gladys Knight,

936
00:47:52,880 --> 00:47:55,840
I feel like it stitches together all of the best

937
00:47:55,920 --> 00:48:00,199
things of like the sixties era Bond songs into one,

938
00:48:00,400 --> 00:48:04,000
like great theme song. And yeah, I love Timothy Dalton

939
00:48:04,079 --> 00:48:06,880
his Bond. He is my favorite Bond, even though I

940
00:48:07,039 --> 00:48:10,400
love Sean Connery, I love Daniel Craig, but I really

941
00:48:10,559 --> 00:48:11,599
enjoy his two movies.

942
00:48:11,800 --> 00:48:13,920
Speaker 3: And I'm so excited that this one was.

943
00:48:13,920 --> 00:48:15,480
Speaker 8: Still available at the time.

944
00:48:15,559 --> 00:48:19,480
Speaker 5: I think it was the longest Bond song. It's five yeah,

945
00:48:19,599 --> 00:48:20,760
five minutes fifteen seconds.

946
00:48:21,119 --> 00:48:21,360
Speaker 17: Wow.

947
00:48:21,519 --> 00:48:24,920
Speaker 4: Well, and in my like way over thinking of everything,

948
00:48:25,159 --> 00:48:28,239
I had like all these different lists of criteria that

949
00:48:28,760 --> 00:48:31,199
a song had to meet, and part of it is

950
00:48:31,599 --> 00:48:36,079
those opening credit sequences. Those title sequences are so iconic,

951
00:48:36,360 --> 00:48:39,559
but sometimes the song works with them and sometimes it doesn't.

952
00:48:39,719 --> 00:48:42,679
And this one is one of those where they work

953
00:48:42,760 --> 00:48:43,599
really well together.

954
00:48:43,960 --> 00:48:46,400
Speaker 8: I got a fun fact about this song. Eric Clapton

955
00:48:46,679 --> 00:48:49,320
turned in the first attempt for this movie and it

956
00:48:49,400 --> 00:48:52,639
was rejected, which I'm like, I'm dying to hear that song.

957
00:48:52,840 --> 00:48:56,239
But it's so similar to Goldfinger that they had to

958
00:48:56,280 --> 00:49:00,480
pay royalties to the writers of the song Goldfinger. You listen,

959
00:49:00,559 --> 00:49:03,039
go back and listen to it, and then in your

960
00:49:03,119 --> 00:49:04,119
head think Goldfinger.

961
00:49:04,719 --> 00:49:06,880
Speaker 3: Oh, I'm gonna have to well pay more attention.

962
00:49:07,159 --> 00:49:08,480
Speaker 2: I want to know who made the phone call to

963
00:49:08,599 --> 00:49:12,280
Eric Clapton said no, we're not gonna use right, He's

964
00:49:12,320 --> 00:49:15,000
gonna say that, all right. Well, that wraps up the

965
00:49:15,039 --> 00:49:17,440
fantasy draft. So I'm gonna have each of you just

966
00:49:17,559 --> 00:49:20,719
real quick go around and just list for us without

967
00:49:20,760 --> 00:49:23,159
any commentary, Just list for us the four songs you

968
00:49:23,320 --> 00:49:26,000
ended up drafting. Just before we do that, though, since

969
00:49:26,039 --> 00:49:28,079
there's not a lot of songs left, I want to

970
00:49:28,320 --> 00:49:32,239
just mention which ones did not get drafted. There's only

971
00:49:32,599 --> 00:49:35,599
i'd say five plus one here the ones that did

972
00:49:35,639 --> 00:49:39,320
not get picked. Moonraker, All Time High, which I believe

973
00:49:39,480 --> 00:49:43,719
was octopusy right, yep, Living Daylights, The World is Not Enough,

974
00:49:44,480 --> 00:49:48,159
and writings on the wall, and we had never say

975
00:49:48,199 --> 00:49:51,679
never again available to be picked. It was not taken.

976
00:49:51,840 --> 00:49:53,519
So those are the only six that I have here

977
00:49:53,599 --> 00:49:56,519
as showing as eligible that did not get drafted today.

978
00:49:57,440 --> 00:49:59,440
Just to put that out there so real quick, just

979
00:49:59,519 --> 00:50:02,039
run down your list for us, Amber, what we were

980
00:50:02,079 --> 00:50:03,039
the songs you ended up with?

981
00:50:03,239 --> 00:50:07,400
Speaker 3: GoldenEye, you know my name, you only live twice and

982
00:50:07,519 --> 00:50:08,559
licensed to kill.

983
00:50:08,960 --> 00:50:12,840
Speaker 9: Excellent Bill a goldfinger, no time to die all the

984
00:50:12,920 --> 00:50:16,400
time in the world. And if you ask you to pat.

985
00:50:16,760 --> 00:50:20,960
Speaker 6: A fall thunderball from Russia with loves and die another day.

986
00:50:21,480 --> 00:50:24,039
Speaker 7: Jeff, what'd you get a view to a kill for

987
00:50:24,239 --> 00:50:30,239
your eyes only? Tomorrow never dies, diamonds are forever, and Jason.

988
00:50:30,360 --> 00:50:33,480
Speaker 8: Live and let die. Nobody does it better? Another way

989
00:50:33,559 --> 00:50:35,440
to die the man with the golden gun.

990
00:50:36,000 --> 00:50:39,440
Speaker 2: All right. So, despite the fact that I am probably

991
00:50:39,440 --> 00:50:42,239
the least qualified Bond fan here, it falls on me

992
00:50:42,360 --> 00:50:45,280
to pick the winner of this. So this is entirely subjective,

993
00:50:45,400 --> 00:50:47,280
and I want to put it out there up front

994
00:50:47,679 --> 00:50:50,280
that I want everybody listening to this to leave a

995
00:50:50,360 --> 00:50:53,480
comment or engage with social media and you let us

996
00:50:53,599 --> 00:50:56,800
know who you think won this draft. But for me,

997
00:50:57,079 --> 00:50:59,920
for whatever, my opinion is worth This quickly comes down

998
00:51:00,079 --> 00:51:02,639
to just two people because of what I know my

999
00:51:02,880 --> 00:51:06,280
top four songs are, and both of them each ended

1000
00:51:06,360 --> 00:51:09,559
up with two of them. Jeff drafted both A View

1001
00:51:09,599 --> 00:51:13,000
to a Kill and for your eyes only, those were

1002
00:51:13,039 --> 00:51:15,440
in my top four. I love both of those, how

1003
00:51:15,519 --> 00:51:18,760
can I not? And then Jason he picked Live and

1004
00:51:18,840 --> 00:51:22,440
Let Die, and nobody does it better. Those round out

1005
00:51:22,559 --> 00:51:24,480
my top four, and so it really comes down to

1006
00:51:24,599 --> 00:51:28,199
just those two guys. And I feel like Jason's got

1007
00:51:28,280 --> 00:51:30,199
the top and the bottom there, and Jeff's got the

1008
00:51:30,239 --> 00:51:32,320
two in the middle ground. So it's tough. It all

1009
00:51:32,400 --> 00:51:34,880
kind of averages out to the same. So in the end,

1010
00:51:35,280 --> 00:51:38,320
I'm just gonna lean toward the guy who drafted my

1011
00:51:38,480 --> 00:51:43,280
number one favorite song, Paul McCartney The Beatle, Live and

1012
00:51:43,360 --> 00:51:46,719
Let Die. Jason Colvin, congratulations, Thank you.

1013
00:51:46,840 --> 00:51:47,000
Speaker 4: Mike.

1014
00:51:47,280 --> 00:51:52,960
Speaker 2: Entirely scientifically derived conclusion to all of that. But this

1015
00:51:53,280 --> 00:51:54,960
was tons of fun and I love hearing all the

1016
00:51:55,000 --> 00:51:57,679
commentary and everybody listening to this let us know if

1017
00:51:57,719 --> 00:51:59,159
I got it right or if I got it wrong,

1018
00:51:59,440 --> 00:52:03,239
which a here ended up with the best lineup of songs,

1019
00:52:04,000 --> 00:52:08,039
And now we have our bonus segment that I teas

1020
00:52:08,039 --> 00:52:10,760
at the beginning of the episode, and this is something

1021
00:52:10,880 --> 00:52:12,480
I am so excited about.

1022
00:52:13,400 --> 00:52:14,280
Speaker 13: No more song play.

1023
00:52:15,760 --> 00:52:18,400
Speaker 2: Before we got started, we sent out a request to

1024
00:52:18,480 --> 00:52:21,840
each of these agents here today to give us their

1025
00:52:22,039 --> 00:52:26,599
choice to come up with an original James Bond movie title,

1026
00:52:26,840 --> 00:52:30,119
to give us the name of the artist who would

1027
00:52:30,199 --> 00:52:34,360
sing that song, and provide for us a summary of

1028
00:52:34,480 --> 00:52:37,400
the plot of what that movie would be about. And

1029
00:52:37,639 --> 00:52:39,440
so I want to get started with that right now,

1030
00:52:39,599 --> 00:52:42,880
because I've seen these and they're all awesome. So we're

1031
00:52:42,920 --> 00:52:45,199
going to start when I come to you first. Just

1032
00:52:45,360 --> 00:52:48,360
give me your title and your artist and we'll go

1033
00:52:48,480 --> 00:52:52,079
from there. Amber, tell us the name of your original

1034
00:52:52,440 --> 00:52:56,320
James Bond movie slash theme song and who is singing it.

1035
00:52:57,119 --> 00:53:06,039
Speaker 3: Led on the Crown by Hosier, who.

1036
00:53:15,199 --> 00:53:20,000
Speaker 18: From the emerald the tail and folds of the Crown

1037
00:53:20,079 --> 00:53:24,400
of Jewel, and she creates some tols in things whispers,

1038
00:53:25,119 --> 00:53:30,559
the rebels cry, a heist of jewels, the reason you die,

1039
00:53:32,119 --> 00:53:32,679
Blood on.

1040
00:53:32,760 --> 00:53:36,880
Speaker 13: The crown, a royal disgrace.

1041
00:53:36,480 --> 00:53:42,960
Speaker 16: The diamonds gleams, the Trader's Emperor, several Old seven are constant,

1042
00:53:43,079 --> 00:53:51,320
the knights to right, the laws, to make things rym.

1043
00:53:50,079 --> 00:53:53,639
Speaker 4: Is that, Oh my gosh, I was so excited when

1044
00:53:53,639 --> 00:53:54,280
he sent it to me.

1045
00:53:55,480 --> 00:53:56,440
Speaker 3: It turned out so good.

1046
00:53:58,239 --> 00:54:00,320
Speaker 2: Yeah, he does such a good job with all of

1047
00:54:00,360 --> 00:54:02,639
these that he puts on your show. So real quick,

1048
00:54:02,679 --> 00:54:04,840
before we move on, tell us what is Blood on

1049
00:54:04,920 --> 00:54:05,280
the Crown?

1050
00:54:05,440 --> 00:54:09,440
Speaker 4: All about Bond discovers that a series of thefts of

1051
00:54:09,679 --> 00:54:15,199
royal jewels are connected to supposed shin Fein bombings around London.

1052
00:54:15,760 --> 00:54:18,480
Speaker 3: Are the Irish to blame or are they being set up?

1053
00:54:19,800 --> 00:54:20,159
Speaker 8: Awesome?

1054
00:54:20,559 --> 00:54:20,840
Speaker 6: Nice?

1055
00:54:21,280 --> 00:54:25,320
Speaker 2: Love it all right, Blood on the Crown? Next up,

1056
00:54:25,880 --> 00:54:29,559
Bill Bant, tell us the name of your original James

1057
00:54:29,639 --> 00:54:31,519
Bond movie and who is singing the theme song?

1058
00:54:31,960 --> 00:54:32,280
Speaker 13: All right?

1059
00:54:32,320 --> 00:54:34,840
Speaker 5: I was thinking eighties when I came up with this concept.

1060
00:54:35,079 --> 00:54:38,559
So the title of my film is the Depth of

1061
00:54:38,840 --> 00:54:42,599
Deception and eighties. I figured I got to go British,

1062
00:54:42,960 --> 00:54:46,119
gotta go cool and swamp. So I want Robert Palmer.

1063
00:54:46,840 --> 00:54:49,760
Speaker 2: Robert Palmer, all right, all right, I'm going to throw

1064
00:54:49,840 --> 00:54:51,599
it back to d and the short lead can't be

1065
00:54:51,679 --> 00:54:52,719
serious band, let's hear it.

1066
00:55:03,280 --> 00:55:09,519
Speaker 10: Steps of the Ocean, a good takes hold a villain scheme,

1067
00:55:10,719 --> 00:55:16,119
dark and bowl with a plan to drown the world and.

1068
00:55:16,280 --> 00:55:21,039
Speaker 15: See a sinister game for all two.

1069
00:55:21,280 --> 00:55:25,159
Speaker 6: See The Depth of Deception.

1070
00:55:25,920 --> 00:55:31,880
Speaker 3: The same for the Mad massk In Man.

1071
00:55:34,159 --> 00:55:37,280
Speaker 2: I love it, I love every one of these. All right, excellent,

1072
00:55:37,400 --> 00:55:40,039
So Bill, tell us what is your movie about?

1073
00:55:40,679 --> 00:55:43,639
Speaker 5: The World's top naval commanders have gone missing. Now new

1074
00:55:43,679 --> 00:55:46,400
maple fleets and commercial boats throughout the world are running aground,

1075
00:55:46,719 --> 00:55:49,719
stopping shipping lanes and bringing the global economy into chaos.

1076
00:55:50,159 --> 00:55:52,000
James Bond is ordered by m I six to head

1077
00:55:52,079 --> 00:55:55,320
to Greece to learn more about Roger Galactus. Here, he

1078
00:55:55,440 --> 00:55:59,360
must meet ancient Hydra Colofkus of the National Intelligence Service,

1079
00:55:59,679 --> 00:56:04,000
where she believes the Oceana Preservation Marine Foundation is the

1080
00:56:04,079 --> 00:56:07,199
front for a radical organization. Plans are to melt the

1081
00:56:07,239 --> 00:56:10,440
polar ice caps, plunging most of the Earth underwater and

1082
00:56:10,559 --> 00:56:14,239
creating a new society within its depths. Bondinarida must travel

1083
00:56:14,280 --> 00:56:16,320
to China and Greenland to find clues that will help

1084
00:56:16,360 --> 00:56:20,599
them locate the organization's secret underwater base before it's too late.

1085
00:56:21,239 --> 00:56:22,559
Speaker 2: The Depths of Deception.

1086
00:56:23,000 --> 00:56:26,239
Speaker 8: That sounds incredible and I'm on the hook for that one.

1087
00:56:26,400 --> 00:56:31,199
Speaker 7: Yeah, man, Okay, definitely, you went big.

1088
00:56:31,360 --> 00:56:37,039
Speaker 2: That's that's impressive. Okay, awesome, all right, So Pat you're

1089
00:56:37,079 --> 00:56:38,960
gonna have to You're gonna have to top that, but

1090
00:56:39,840 --> 00:56:41,360
give us that.

1091
00:56:42,199 --> 00:56:45,880
Speaker 6: I don't think that's happening spoiler alert, but I'll give

1092
00:56:45,920 --> 00:56:49,920
it a go here, all right, give us your title artist. Okay,

1093
00:56:50,039 --> 00:56:53,320
So James Bond will return in for a King or

1094
00:56:53,519 --> 00:56:58,280
Country sung by a duet of Bruno Mars and Lady Gaga.

1095
00:56:59,079 --> 00:57:01,400
Speaker 9: Oh that interesting?

1096
00:57:02,039 --> 00:57:05,599
Speaker 6: Yeah, absolutely that, And I'm just I'm going to throw

1097
00:57:05,679 --> 00:57:09,320
this out here. I was just casting about, trying to

1098
00:57:09,400 --> 00:57:11,079
find like who I would want the artist to be,

1099
00:57:11,599 --> 00:57:14,480
and I happened upon the fact that Bruno Mars and

1100
00:57:14,599 --> 00:57:17,760
Lady Gaga just released a tune called Die with a Smile.

1101
00:57:18,039 --> 00:57:20,840
It's amazing and if you have not heard it, I

1102
00:57:21,000 --> 00:57:24,239
cannot recommend it enough. It's amazing. And when I when

1103
00:57:24,239 --> 00:57:26,599
I heard this, I was like, this is this is

1104
00:57:26,800 --> 00:57:29,239
this is it? This is it right here? Even and

1105
00:57:29,360 --> 00:57:31,360
I don't want to steal it, but even the title

1106
00:57:31,400 --> 00:57:33,840
of the tune, die with a Smile, would fit in

1107
00:57:33,920 --> 00:57:36,280
a Bond thing. So I'm not going to claim complete

1108
00:57:36,320 --> 00:57:38,960
credit because those two artists have already done it and

1109
00:57:39,039 --> 00:57:41,920
it's an amazing song that they put together. So hopefully

1110
00:57:42,000 --> 00:57:43,800
I can throw large sums of money at them and

1111
00:57:43,880 --> 00:57:45,079
get them to sing my song.

1112
00:57:45,000 --> 00:57:45,480
Speaker 13: In my movie.

1113
00:57:46,119 --> 00:57:47,800
Speaker 2: All right, well, let's see what the Shirley get me

1114
00:57:47,840 --> 00:57:49,679
A serious band came up with. Let's listen to it

1115
00:57:49,920 --> 00:57:50,320
right now.

1116
00:57:51,760 --> 00:57:54,360
Speaker 15: Any challenge, no fear will it in.

1117
00:57:54,599 --> 00:58:05,519
Speaker 12: They bye through the storm and the shadows will come fide.

1118
00:58:06,880 --> 00:58:06,920
Speaker 8: A.

1119
00:58:07,119 --> 00:58:10,800
Speaker 13: Love is a weapon, the force to be reckon.

1120
00:58:12,000 --> 00:58:17,440
Speaker 17: We'll fight for the fallar and never surrender, from the

1121
00:58:17,800 --> 00:58:20,480
icy peaks of the Apps to the sands of the Nile.

1122
00:58:20,679 --> 00:58:23,000
Speaker 2: So pat tell us what is for king or country

1123
00:58:23,039 --> 00:58:23,440
all about?

1124
00:58:24,079 --> 00:58:29,480
Speaker 6: So Spector has infiltrated every level of government, including I six,

1125
00:58:29,920 --> 00:58:33,719
Trusting no one find will be tested as never before. Well,

1126
00:58:33,800 --> 00:58:37,199
he races to uncover Spector's treachery or deadly plan.

1127
00:58:38,079 --> 00:58:42,800
Speaker 8: Dangm awesome. Any movie, any James Bond movie with Spector.

1128
00:58:43,039 --> 00:58:44,239
I'm I'm in man.

1129
00:58:44,880 --> 00:58:50,039
Speaker 2: We need all of these movies to exist. That sounds amazing. Jeff,

1130
00:58:50,039 --> 00:58:51,480
I don't know if you can talk that. But tell

1131
00:58:51,559 --> 00:58:53,960
us what is your title and your artist?

1132
00:58:54,639 --> 00:59:01,480
Speaker 7: The title is with Reckless Abandon making his return to music.

1133
00:59:01,760 --> 00:59:03,719
It is sung by L. L.

1134
00:59:03,840 --> 00:59:04,239
Speaker 8: Cool j.

1135
00:59:10,000 --> 00:59:14,800
Speaker 6: Yo check it, Ah, check it.

1136
00:59:14,920 --> 00:59:15,599
Speaker 3: I'm No.

1137
00:59:15,760 --> 00:59:20,440
Speaker 15: Seven the Ultimate Spy too. That's my life, No life.

1138
00:59:20,360 --> 00:59:24,760
Speaker 18: From the London from Moscow, I'm always on the flylea style.

1139
00:59:25,039 --> 00:59:28,840
Speaker 5: Why I'm a Montini man, shake him not, sir, soon

1140
00:59:29,039 --> 00:59:34,079
signed James, that's my name, you heard from the penthouse

1141
00:59:34,119 --> 00:59:34,840
in the streets.

1142
00:59:35,079 --> 00:59:35,559
Speaker 6: A beard.

1143
00:59:35,760 --> 00:59:38,079
Speaker 8: I'm a Romanizer, a heart breaker.

1144
00:59:38,480 --> 00:59:41,599
Speaker 10: I'm always on the edge, a danger seca from the

1145
00:59:41,679 --> 00:59:43,400
casino to the underground mayor.

1146
00:59:43,480 --> 00:59:44,039
Speaker 7: I'm the man.

1147
00:59:44,239 --> 00:59:45,320
Speaker 15: There's no one to compare.

1148
00:59:45,800 --> 00:59:51,840
Speaker 10: I'm that type of guy, reckless sabandon from the city

1149
00:59:52,079 --> 00:59:53,599
lights to the desert sand.

1150
00:59:54,280 --> 00:59:59,480
Speaker 2: Wow, I'm an eighties rap guy. I'm gonna lead toward

1151
00:59:59,559 --> 01:00:02,079
Hello cool Jay, except when you tell me he's going

1152
01:00:02,159 --> 01:00:05,159
to be singing a James Bond theme that I'm like, No,

1153
01:00:05,320 --> 01:00:08,760
that's not gonna work. But holy crap, that works. Well.

1154
01:00:09,159 --> 01:00:11,440
Speaker 7: You wouldn't think it works, but manned does it hit?

1155
01:00:11,719 --> 01:00:16,199
Speaker 2: It hits totally works. Okay, So tell us what is

1156
01:00:16,400 --> 01:00:17,840
with reckless abandon all about?

1157
01:00:18,360 --> 01:00:21,880
Speaker 7: Following a wave of terrorist attacks on the CIA and

1158
01:00:22,159 --> 01:00:26,840
MI six made to look retaliatory at one another, relations

1159
01:00:26,880 --> 01:00:30,599
between the US and Great Britain collapse as tensions rise

1160
01:00:31,400 --> 01:00:34,320
with the real threat of World War three looming, Double

1161
01:00:34,360 --> 01:00:37,280
O seven will break the rules, betray his allies, and

1162
01:00:37,480 --> 01:00:42,000
stop it nothing to expose the charismatic architect behind the attacks.

1163
01:00:42,800 --> 01:00:47,639
It's bond with Reckless, abandoned, damn dig it sounds great.

1164
01:00:47,760 --> 01:00:50,440
Speaker 9: Man smell a little Felix later cameo in this one.

1165
01:00:50,519 --> 01:00:50,880
I hope.

1166
01:00:51,239 --> 01:00:53,119
Speaker 7: Oh, there's a lot of Felix Lader in this one.

1167
01:00:53,280 --> 01:00:59,519
Speaker 2: Here we go, excellent. This sounds incredible. I feel so outclassed.

1168
01:00:59,800 --> 01:01:01,880
There's no way I could come up with any any

1169
01:01:01,960 --> 01:01:04,880
idea close to any of these. Jason, the pressure is

1170
01:01:04,880 --> 01:01:07,880
all on you. We've got four excellent ideas. What do

1171
01:01:07,960 --> 01:01:09,760
you have for us? What's your title and your artist?

1172
01:01:10,880 --> 01:01:14,079
Speaker 8: The title of my Bond thriller is Beauty and the

1173
01:01:14,199 --> 01:01:17,679
bullet sung by the Food Fighters.

1174
01:01:18,440 --> 01:01:20,719
Speaker 2: The Food Fighters, and I think we got them in

1175
01:01:20,800 --> 01:01:23,960
the studio. Let's hear from d and the Shirley Camp

1176
01:01:24,000 --> 01:01:27,039
be serious band with Beauty and the Bullet.

1177
01:01:36,760 --> 01:01:44,199
Speaker 16: In showshost Duty's christ beds in.

1178
01:01:44,400 --> 01:01:52,920
Speaker 15: This star Place, Beauty of the Danger Line, jer.

1179
01:01:54,280 --> 01:01:58,039
Speaker 13: And the Danger Refineo.

1180
01:01:58,360 --> 01:01:59,199
Speaker 2: Jason, what do you think?

1181
01:02:00,280 --> 01:02:02,679
Speaker 8: I think De and the Shirley Band did a great

1182
01:02:02,760 --> 01:02:04,840
job with this one. I'm happy with the song. I

1183
01:02:05,400 --> 01:02:06,079
think it's awesome.

1184
01:02:06,159 --> 01:02:08,840
Speaker 2: I'm happy it already sounds like the Food Fighters to me.

1185
01:02:09,159 --> 01:02:11,519
I'm ready to just plug it right in. So, Jason,

1186
01:02:11,760 --> 01:02:15,119
tell us what is Beauty in the Bullet all about.

1187
01:02:15,639 --> 01:02:18,039
Speaker 8: In the latest James Bond thriller, Beauty in the Bullet

1188
01:02:18,360 --> 01:02:22,079
a stunning and lethal Korean assassin code named Swan has

1189
01:02:22,159 --> 01:02:24,960
her sights set on I six is elite. As Doublo

1190
01:02:25,039 --> 01:02:28,000
agents fall one by one, her ultimate target becomes clear

1191
01:02:28,440 --> 01:02:32,199
Double O seven himself. To draw him out, she orchestrates

1192
01:02:32,239 --> 01:02:35,480
an audacious plot to assassinate King Charles, hoping to take

1193
01:02:35,519 --> 01:02:38,559
Britain's greatest spy and the monarch in one deadly strike.

1194
01:02:39,000 --> 01:02:41,800
As the clock ticks, Bond must navigate a web of deception,

1195
01:02:42,360 --> 01:02:46,000
seductive danger, and high stakes espionage to stop her before

1196
01:02:46,039 --> 01:02:46,559
it's too late.

1197
01:02:46,840 --> 01:02:48,679
Speaker 2: That sounds so much like a Bond movie. I can

1198
01:02:48,800 --> 01:02:53,119
visualize the North Korean assassin code named Swan very easily.

1199
01:02:53,400 --> 01:02:57,000
I could tell she'd already be a compelling character. I

1200
01:02:57,079 --> 01:02:58,920
love it, I love it, I love it, I love

1201
01:02:59,000 --> 01:02:59,320
all these.

1202
01:02:59,559 --> 01:03:03,199
Speaker 7: Jason, question, is this the film that we get the

1203
01:03:03,320 --> 01:03:04,760
character Ophelia Melons?

1204
01:03:05,599 --> 01:03:08,800
Speaker 8: Of course Aphelia Melons is gonna show up in this one.

1205
01:03:08,880 --> 01:03:10,639
Of course I wouldn't.

1206
01:03:10,760 --> 01:03:12,559
Speaker 7: I would hope, So, man, and I gotta tell you

1207
01:03:12,679 --> 01:03:15,440
that song. I just saw The Food Fighters three weeks ago,

1208
01:03:15,880 --> 01:03:18,639
and I wish they would have played that a.

1209
01:03:19,599 --> 01:03:22,599
Speaker 2: Very good all right. I am so impressed with all

1210
01:03:22,679 --> 01:03:25,159
these Every single one of these plots is something I

1211
01:03:25,280 --> 01:03:27,440
want to go see. Interesting that four of them dealt

1212
01:03:27,480 --> 01:03:30,400
with threats to my six, but each of them were

1213
01:03:30,480 --> 01:03:33,280
unique and I want to see all of them. I

1214
01:03:33,360 --> 01:03:35,800
am not gonna try to pick a winner here, but

1215
01:03:36,079 --> 01:03:39,039
I'll put it out to the listeners again. After hearing

1216
01:03:39,239 --> 01:03:43,480
these ideas for James Bond movies, theme songs, artists and plots,

1217
01:03:43,960 --> 01:03:46,280
tell us who do you think had the best idea

1218
01:03:46,320 --> 01:03:48,280
and you can separate that. Maybe somebody's got the best

1219
01:03:48,400 --> 01:03:50,800
song and artists, maybe somebody else has the best plot.

1220
01:03:51,000 --> 01:03:52,400
Just let us know what you think we want to

1221
01:03:52,400 --> 01:03:55,000
hear about it. I want to thank de Graves and

1222
01:03:55,159 --> 01:03:58,400
the Shirley Band forgiving us all those incredible songs, and

1223
01:03:58,559 --> 01:04:00,119
I think that's gonna do it for us today. I

1224
01:04:00,239 --> 01:04:01,840
want to thank all of my Double O agents for

1225
01:04:02,119 --> 01:04:04,800
reporting the duty today. You can go check out all

1226
01:04:04,880 --> 01:04:06,760
of their shows. We're going to put every single one

1227
01:04:06,880 --> 01:04:09,639
of their podcast that links all the contact info in

1228
01:04:09,760 --> 01:04:13,559
the description of this episode. No matter where you are

1229
01:04:13,679 --> 01:04:16,039
finding it. I hope you enjoyed this as much as

1230
01:04:16,079 --> 01:04:18,559
we did, and we will see you next time.

1231
01:04:22,239 --> 01:04:24,400
Speaker 6: Okay, I need a quick I don't want to break

1232
01:04:24,400 --> 01:04:27,079
the rules, so i'd have a quick question. Someone mentioned

1233
01:04:27,199 --> 01:04:30,239
on Her Majesty's Secret Service and the theme from that

1234
01:04:30,639 --> 01:04:33,719
I was gonna select. Does that mean Jason you're shaking?

1235
01:04:33,840 --> 01:04:34,360
Is it Sean?

1236
01:04:35,039 --> 01:04:35,880
Speaker 7: No instrumentals?

1237
01:04:36,960 --> 01:04:37,840
Speaker 6: No instrumentals.

1238
01:04:38,320 --> 01:04:43,960
Speaker 8: We call that the path and the song is Another

1239
01:04:44,039 --> 01:04:46,119
Way to Die by Jack Black and Alicia Keys.

1240
01:04:46,320 --> 01:04:47,039
Speaker 7: You mean Jack White?

1241
01:04:47,119 --> 01:04:48,679
Speaker 8: Sorry, Jack Black?

1242
01:04:49,199 --> 01:04:49,639
Speaker 7: Do that again?

1243
01:04:49,679 --> 01:04:52,719
Speaker 9: It's I want to hear that song.

1244
01:04:53,079 --> 01:05:02,400
Speaker 8: By Jack White and Alicia dang it. Yeah, no, I'm

1245
01:05:02,480 --> 01:05:04,400
just trying to figure out. I've never heard of Hoosier before.

1246
01:05:04,519 --> 01:05:06,800
Speaker 7: Who's that? It's Hosier, Hosier.

1247
01:05:07,960 --> 01:05:13,800
Speaker 3: It's from Indiana. Hoosier is a is a singer from Ireland.