1
00:00:00,800 --> 00:00:03,359
Speaker 1: W M n H will rips the novels.

2
00:00:04,040 --> 00:00:07,160
Speaker 2: When Matso wakes up in the morning, he gets into

3
00:00:07,240 --> 00:00:12,560
the shower and to the top of his lungs, he sings, I.

4
00:00:15,759 --> 00:00:17,079
Speaker 3: Do what I want.

5
00:00:17,160 --> 00:00:21,079
Speaker 1: Because I can't hear it all right. Back to the

6
00:00:21,199 --> 00:00:25,359
radio show, now all the best Jerry.

7
00:00:28,280 --> 00:00:30,160
Speaker 3: No like cruise.

8
00:00:32,159 --> 00:00:45,520
Speaker 4: Through the broken glass around two bills, A few husband behind,

9
00:00:47,600 --> 00:00:50,719
Blackouts and house shot, bloods.

10
00:00:51,560 --> 00:00:53,600
Speaker 5: And home as were the top.

11
00:00:55,079 --> 00:00:55,479
Speaker 6: Sighs.

12
00:00:57,719 --> 00:00:59,079
Speaker 1: Rescarbies.

13
00:01:00,079 --> 00:01:02,280
Speaker 6: But if black.

14
00:01:02,119 --> 00:01:04,000
Speaker 3: Says away, list this.

15
00:01:04,599 --> 00:01:16,159
Speaker 7: Strad shot, I actually telling now.

16
00:01:20,599 --> 00:01:32,599
Speaker 3: Way, let's say way Bray said, no one.

17
00:01:32,640 --> 00:01:34,439
Speaker 8: Go my go.

18
00:01:56,719 --> 00:02:04,400
Speaker 4: Home first, apply jobs, steal doors and fall out. I

19
00:02:04,560 --> 00:02:06,400
saw the same O the light so.

20
00:02:12,199 --> 00:02:14,639
Speaker 6: So real, a side by side.

21
00:02:16,400 --> 00:02:18,439
Speaker 3: Susan all eyes so.

22
00:02:20,120 --> 00:02:28,800
Speaker 6: The way come to falling skies still found by angel us.

23
00:02:29,919 --> 00:02:44,879
I'll just steal in to us, pray tell down.

24
00:02:49,120 --> 00:02:53,400
Speaker 3: Way and lass by.

25
00:02:56,479 --> 00:03:02,479
Speaker 6: Some ways, bab No, I can't have that.

26
00:03:02,879 --> 00:03:47,280
Speaker 5: Ca the mercy of virtual.

27
00:03:52,080 --> 00:04:08,639
Speaker 3: Presents, cos.

28
00:04:34,480 --> 00:04:38,040
Speaker 9: I love it. That is portals. The band is BRSR

29
00:04:38,199 --> 00:04:40,560
and we have members of the band on with us

30
00:04:40,639 --> 00:04:43,240
via Microsoft teams. We're gonna speak with them in just

31
00:04:43,399 --> 00:04:46,480
a moment. But if you are listening live, welcome. We

32
00:04:46,519 --> 00:04:49,279
have entered our number two New Marrow dose of Matt

33
00:04:49,360 --> 00:04:52,040
Connorton Unleashed and we are live from the studios of

34
00:04:52,240 --> 00:04:54,800
w m n H ninety five point three FM and

35
00:04:54,839 --> 00:04:58,720
Glorious but very very bitterly cold Manchester, New Hampshire. Of course,

36
00:04:58,759 --> 00:05:00,839
you can stream the show from anywhere to Matt connorton

37
00:05:00,879 --> 00:05:03,439
dot com slash live for all your live streaming options,

38
00:05:03,600 --> 00:05:07,160
social media links, contact info, show archives, et cetera, et cetera.

39
00:05:07,279 --> 00:05:11,800
Today is January thirty one, twenty twenty six, and let's

40
00:05:11,839 --> 00:05:14,040
go ahead. We'll get this up here. And I think

41
00:05:14,040 --> 00:05:17,160
we've got a few members of the band with us.

42
00:05:17,240 --> 00:05:22,639
Hello everybody, Hello, Hey, good. So let's see. So it

43
00:05:22,639 --> 00:05:27,759
looks like we have Matt Aitchison, Drew Young and Chloe

44
00:05:27,920 --> 00:05:32,680
Johnston with us. Is that correct, Yeah, that's right, wonderful,

45
00:05:32,720 --> 00:05:35,759
welcome everybody. And uh yeah, I love that track. I mean,

46
00:05:35,800 --> 00:05:38,240
it's it's just and I did listen to the whole album.

47
00:05:38,279 --> 00:05:41,040
By the way, You've got a just a big sound.

48
00:05:41,160 --> 00:05:43,279
I just you know, that's the easiest way to describe it.

49
00:05:43,360 --> 00:05:46,040
It's just big. It's expansive, and I really really like that.

50
00:05:46,199 --> 00:05:50,040
I love the mix. I love everything about it. So welcome.

51
00:05:50,120 --> 00:05:52,560
Is wonderful to speak to the three of you now,

52
00:05:53,040 --> 00:05:57,560
and you're a five piece? Correct? Yeah, yeah, I bet

53
00:05:57,720 --> 00:06:00,600
when you play live, I'm sure it also sounds you know,

54
00:06:00,920 --> 00:06:02,839
you know big. I'd love to I'd love to see

55
00:06:02,879 --> 00:06:07,040
all live. Obviously geographically that would not be uh not

56
00:06:07,160 --> 00:06:10,959
be easy to pull off. But but let's see. So,

57
00:06:11,360 --> 00:06:14,480
so Matt you're you're the guitar player, and Drew you're

58
00:06:14,560 --> 00:06:20,199
the drummer, and Chloe you do a vocals and synth. Correct, yep,

59
00:06:20,279 --> 00:06:23,680
that's right, very good, very good. So well, let's start

60
00:06:23,720 --> 00:06:26,040
with the most obvious question first and then we'll kind

61
00:06:26,040 --> 00:06:27,759
of we'll we'll talk more about the music. But I

62
00:06:28,000 --> 00:06:30,879
want to know about the name. What is brsr mein.

63
00:06:32,240 --> 00:06:35,319
Speaker 10: So it's actually just short. In the version of Bruiser

64
00:06:36,120 --> 00:06:38,279
it was Dove who's not here to their front man

65
00:06:38,360 --> 00:06:40,600
who wanted here. Orisinally wanted to be called Burst and

66
00:06:40,680 --> 00:06:42,839
I thought that was the worst name we postedly go

67
00:06:42,959 --> 00:06:45,600
for because the quotations for that in Scotland are probably

68
00:06:45,639 --> 00:06:49,600
completely different from any else in the world. Yeah, so

69
00:06:49,759 --> 00:06:52,839
we we went with Bruiser, but I found out there

70
00:06:52,839 --> 00:06:54,959
was a DJ also called Bruiso, so I thought the

71
00:06:55,040 --> 00:06:57,480
easiest thing to do was to shorten it. Also, just

72
00:06:57,720 --> 00:06:59,480
it looks it looks better in terms of the logo

73
00:06:59,519 --> 00:07:01,480
and things that just look a little bit on the

74
00:07:01,519 --> 00:07:01,920
T shirt.

75
00:07:02,079 --> 00:07:03,920
Speaker 9: Yeah, that's true, it does, it does. So am I

76
00:07:04,040 --> 00:07:04,800
am I saying it wrong?

77
00:07:04,879 --> 00:07:05,000
Speaker 11: Then?

78
00:07:05,120 --> 00:07:05,279
Speaker 8: Am I?

79
00:07:05,360 --> 00:07:05,439
Speaker 12: Am?

80
00:07:05,519 --> 00:07:06,879
Speaker 9: I not supposed to say b R s R.

81
00:07:07,879 --> 00:07:09,879
Speaker 10: No, it would be bruiser. But we get a lot

82
00:07:09,920 --> 00:07:11,680
of people all the same being like, oh, hey, what

83
00:07:11,759 --> 00:07:12,800
what was this done for me?

84
00:07:13,079 --> 00:07:13,240
Speaker 13: Well?

85
00:07:13,800 --> 00:07:22,000
Speaker 9: Nothing, so I should be saying bruiser. Yeah, okay, wonderful, Okay, excellent, excellent.

86
00:07:22,319 --> 00:07:26,879
So tell me about that that track portals because it just,

87
00:07:27,120 --> 00:07:29,600
like I said, it just sounds so big. It's atmospheric,

88
00:07:30,360 --> 00:07:33,759
you know, it's it's it kind of reminds me a

89
00:07:33,879 --> 00:07:37,600
little bit of of some of the at least what

90
00:07:37,800 --> 00:07:41,560
was happening here in America some of that well I

91
00:07:41,600 --> 00:07:43,680
shouldn't say happening here in America because a lot of

92
00:07:43,720 --> 00:07:45,839
it was happening over there, but it was becoming very

93
00:07:45,920 --> 00:07:48,360
popular here in America. You know that that kind of

94
00:07:48,759 --> 00:07:53,720
a big, expansive sound. But I'm curious, I mean, is

95
00:07:53,839 --> 00:07:56,120
that kind of I listened to the whole album, it

96
00:07:56,199 --> 00:07:58,680
kind of sounds that's like what you're going for broadly,

97
00:07:58,839 --> 00:08:01,040
but you you capture it so well. I think Portals

98
00:08:01,120 --> 00:08:05,160
is an excellent choice for a single, But how do

99
00:08:05,240 --> 00:08:07,920
you how do you describe your sound? What is it

100
00:08:07,959 --> 00:08:10,639
that you're trying to project with Bruiser? Now that I

101
00:08:10,720 --> 00:08:14,439
know how to say the name, I.

102
00:08:14,480 --> 00:08:17,160
Speaker 10: Think for us, from the start, we've always spoken about

103
00:08:17,199 --> 00:08:19,199
the fact that we feel that the best version of

104
00:08:19,199 --> 00:08:22,639
ourselves is live. And when we recorded this album, we

105
00:08:22,680 --> 00:08:26,680
recorded it initially live in a converted church building over

106
00:08:26,720 --> 00:08:30,399
the course of two days. So for example, one of

107
00:08:30,439 --> 00:08:32,559
the longest song on the album is the second last track,

108
00:08:32,639 --> 00:08:35,600
Buried at Home, which is just under about eleven minutes,

109
00:08:36,600 --> 00:08:38,440
and the take that is on the album was the

110
00:08:38,720 --> 00:08:40,840
was the only take we did, and it was done

111
00:08:41,279 --> 00:08:43,120
live and full. And I think that that is the

112
00:08:43,159 --> 00:08:46,639
way that we want to capture the band, because for me,

113
00:08:46,879 --> 00:08:48,519
I feel like any band should be at the peak

114
00:08:48,559 --> 00:08:49,960
of the powers when they're live and are able to

115
00:08:49,960 --> 00:08:53,480
express themselves and change things as time goes on. Because

116
00:08:53,480 --> 00:08:55,679
you know, the quarley version of anything, I think if

117
00:08:55,679 --> 00:08:57,679
you're going to stick to that version for this, your

118
00:08:57,720 --> 00:09:00,759
career is going to get boring pretty quickly. So this

119
00:09:00,960 --> 00:09:02,799
this is the kind of way the songs sound now,

120
00:09:04,120 --> 00:09:06,360
but it's it's open to the idea of we can

121
00:09:06,679 --> 00:09:09,320
adapt these as as as the sound progresses, as we

122
00:09:09,440 --> 00:09:11,759
progressive musicians and as we change as people as well.

123
00:09:12,759 --> 00:09:14,759
But I get what you mean about this about the

124
00:09:14,759 --> 00:09:17,879
sound as well. Like we I would say was was

125
00:09:17,919 --> 00:09:22,440
probably my attempt to write a hum song. So yeah,

126
00:09:23,799 --> 00:09:25,639
as long as long as we capture the kind of

127
00:09:25,759 --> 00:09:28,159
essence of that, then I'll be happy with that.

128
00:09:28,879 --> 00:09:31,879
Speaker 9: And what are the lyrics about here? And who writes

129
00:09:31,879 --> 00:09:33,399
the lyrics? I don't know if your singer writes them

130
00:09:33,480 --> 00:09:35,879
or if you write them or who who? Who?

131
00:09:36,639 --> 00:09:39,759
Speaker 10: Ye, it's myself for the time being, so that this

132
00:09:39,960 --> 00:09:42,399
this album was written by myself out there in necessity

133
00:09:43,320 --> 00:09:45,480
because we've been we've been a band that for six

134
00:09:45,519 --> 00:09:48,279
months and we had about three songs that we we

135
00:09:48,639 --> 00:09:52,200
we sort of rushed together for a gig. The band

136
00:09:52,360 --> 00:09:54,200
band is pretty much that the gig was booked before

137
00:09:54,279 --> 00:09:57,120
before a band essentially, and the band was sort of

138
00:09:57,200 --> 00:10:02,440
made for a gig still six months later. So one

139
00:10:02,559 --> 00:10:05,279
song became too, two became four, and then ended up

140
00:10:05,360 --> 00:10:06,759
just with a full album. So that's pretty much what

141
00:10:06,759 --> 00:10:10,120
I've been working with the past year or so. Lyrically,

142
00:10:10,480 --> 00:10:13,080
it's it's part of the album as a whole, is

143
00:10:13,240 --> 00:10:17,000
as a concept piece, but it also doubles up as

144
00:10:17,519 --> 00:10:20,200
as individual songs as well, so that they have their

145
00:10:20,240 --> 00:10:22,759
own different means to me personally as well to the

146
00:10:23,039 --> 00:10:26,360
actual story itself. But it's it's sort of about being

147
00:10:27,200 --> 00:10:31,039
either trap within yourself and looking for a way out,

148
00:10:31,080 --> 00:10:35,840
but it's also about being trapped with another person but

149
00:10:35,960 --> 00:10:38,759
feeling like you're together but you're not fully together. So

150
00:10:39,200 --> 00:10:41,639
you know, the kind of world of being that you

151
00:10:41,879 --> 00:10:43,399
can be living with someone, but you can feel like

152
00:10:43,480 --> 00:10:47,360
you're not actually living with someone, if you know what

153
00:10:47,399 --> 00:10:50,399
I mean. It's almost like so it's it is feeling

154
00:10:50,440 --> 00:10:52,480
like you're living with someone that you have a deep

155
00:10:52,519 --> 00:10:54,639
connection with, but the connections failing.

156
00:10:55,200 --> 00:10:59,360
Speaker 9: Yeah. Yeah, And I think that's something that's relatable. You know,

157
00:10:59,519 --> 00:11:01,240
certainly a lot of people go through that. I mean

158
00:11:01,320 --> 00:11:03,440
probably everyone goes through that at some point in their lives,

159
00:11:03,480 --> 00:11:06,600
you know, feeling that way. Yeah, I feel like and

160
00:11:06,679 --> 00:11:08,600
again not just with Portals, but with the rest of

161
00:11:08,600 --> 00:11:11,320
the album too. You know, there's there's a lot of

162
00:11:11,399 --> 00:11:15,919
emotion there. It's it's as you know, obviously you know

163
00:11:16,159 --> 00:11:18,799
songs can be you know, they're up to the interpretation

164
00:11:19,000 --> 00:11:22,200
of the of the listener, but I I could feel

165
00:11:22,240 --> 00:11:24,759
a lot of I just found it. I found it

166
00:11:24,879 --> 00:11:27,480
highly relatable, the whole thing, like I said, in addition

167
00:11:27,559 --> 00:11:29,679
to the big sound, and also you know, just hearing

168
00:11:29,720 --> 00:11:32,080
these lyrics and again, you know, I everyone puts their

169
00:11:32,120 --> 00:11:34,919
own interpretation onto what they're hearing. But to me, I

170
00:11:35,200 --> 00:11:39,360
really I really connected with a lot of this. Can

171
00:11:39,440 --> 00:11:42,600
you can Can you tell me more again about how

172
00:11:42,720 --> 00:11:45,960
this band started, because that was interesting. You said something

173
00:11:46,000 --> 00:11:47,240
about a gig and then you had to put a

174
00:11:47,360 --> 00:11:49,720
band together to fit the gig, and tell me about that.

175
00:11:50,720 --> 00:11:54,679
Speaker 10: So essentially, David Arslinger had to say that he we

176
00:11:54,919 --> 00:11:56,279
went on the bond previously, and he'd been in a

177
00:11:56,360 --> 00:11:58,080
music for quite a way and he said to me,

178
00:11:58,200 --> 00:11:59,799
I'm looking at getting back at music again. But he

179
00:12:00,000 --> 00:12:04,039
obviously been a drummer. But we we'd known for I

180
00:12:04,159 --> 00:12:05,799
was in a band with him when when I was fifteen,

181
00:12:05,879 --> 00:12:08,039
so we'd always known that he had he had a

182
00:12:08,080 --> 00:12:10,919
great voice, and he wanted to be He wanted this

183
00:12:11,000 --> 00:12:13,960
to be his first solo adventure room and I was like, okay,

184
00:12:14,039 --> 00:12:16,960
that's that's that's kind of cool. But he went ahead

185
00:12:17,039 --> 00:12:20,600
and basically said to someone that we know that he

186
00:12:20,759 --> 00:12:22,919
had he had music to put out and he was

187
00:12:23,000 --> 00:12:25,000
willing to you want to play? Want to play his

188
00:12:25,039 --> 00:12:27,639
first gig? So he put him on a bill and

189
00:12:28,600 --> 00:12:30,519
he said to me, was like, oh, got this gig

190
00:12:30,559 --> 00:12:31,679
coming up in a bit of a month's time. And

191
00:12:31,759 --> 00:12:34,480
I was like, okay, cool, who's playing with you? And

192
00:12:34,559 --> 00:12:41,440
he was like, no one. So I said to him,

193
00:12:41,440 --> 00:12:42,799
I was like, I wasn't. I was kind of out

194
00:12:42,799 --> 00:12:44,320
of music at this point as well. When I said

195
00:12:44,320 --> 00:12:46,360
to him, right, okay, i'll cover guitar fhy just now,

196
00:12:46,879 --> 00:12:48,600
and if you can get a band together, then I'm

197
00:12:48,639 --> 00:12:50,039
quite happy to do the show with you and we'll

198
00:12:50,120 --> 00:12:50,799
just take it from there.

199
00:12:51,000 --> 00:12:51,200
Speaker 9: Yeah.

200
00:12:51,919 --> 00:12:54,200
Speaker 10: But I said to him that I wasn't interested in

201
00:12:54,480 --> 00:12:56,320
writing any material or anything like that. So I said,

202
00:12:56,320 --> 00:12:58,639
I leave that to you, and once you've got songs,

203
00:12:59,159 --> 00:13:00,639
let me know and we'll get we'll get us together.

204
00:13:00,679 --> 00:13:02,399
And then about two weeks for the gig, I said

205
00:13:02,440 --> 00:13:04,159
to him, I was like, so, what's happening with us?

206
00:13:04,600 --> 00:13:06,600
How many songs we have? And he was like, I

207
00:13:06,679 --> 00:13:11,480
still have the one. I was like, I kind of

208
00:13:11,879 --> 00:13:13,279
said to him, I was like, right, okay, we'll go

209
00:13:13,360 --> 00:13:17,799
out of the room and we will we will spend

210
00:13:17,919 --> 00:13:20,480
as long as we need to to get enough songs

211
00:13:20,519 --> 00:13:23,159
together for a set list. So the first three singles

212
00:13:23,200 --> 00:13:26,679
we put were written within this bace of about half

213
00:13:26,720 --> 00:13:30,000
an hour an hour or so, and we wrote we

214
00:13:30,080 --> 00:13:32,799
wrote those together, and I remember we actually finished the

215
00:13:33,000 --> 00:13:35,759
lyrics for the last song on the setlist just as

216
00:13:35,960 --> 00:13:37,720
the bass player and drummer thumb up for for our

217
00:13:37,720 --> 00:13:42,759
first and only rehearsal before that gig. So that's that's

218
00:13:42,799 --> 00:13:44,440
kind of how it all started. But it's it's obviously

219
00:13:44,799 --> 00:13:51,399
and it's involved Drew Chloe further on down the line

220
00:13:51,519 --> 00:13:53,120
as well, it's just myself and then for a while

221
00:13:53,679 --> 00:13:56,720
and Kieran, who's the best player as well. He's been

222
00:13:56,759 --> 00:13:59,759
in there since since day one. So it's it's essentially

223
00:13:59,799 --> 00:14:03,919
a new a new outfit now and the chaotic beginnings

224
00:14:03,960 --> 00:14:07,279
of the band have made this. So I'm very grateful

225
00:14:07,360 --> 00:14:09,600
for the deciding that he was going to be a

226
00:14:09,639 --> 00:14:11,879
gig with no songs or no band.

227
00:14:13,000 --> 00:14:15,559
Speaker 9: That's amazing. I mean, you know, it almost kind of

228
00:14:15,600 --> 00:14:17,840
makes you believe in fate, right that that this came

229
00:14:17,919 --> 00:14:22,600
together like that under such chaotic circumstances that sound like

230
00:14:22,879 --> 00:14:26,440
it sounds like it couldn't possibly work out then and

231
00:14:26,519 --> 00:14:28,919
then it does and you just you just make it

232
00:14:29,039 --> 00:14:32,399
work out. That's fantastic. So obviously the show went well.

233
00:14:34,120 --> 00:14:36,399
Speaker 10: The show went well enough that we decided, you know,

234
00:14:36,799 --> 00:14:38,919
maybe we can continue with this. But as I said,

235
00:14:39,120 --> 00:14:40,919
we we either. I said to him, was like, okay,

236
00:14:40,919 --> 00:14:43,559
I helped you with the songs. There, it's your baby.

237
00:14:43,759 --> 00:14:45,759
You run with it, and you you do the songs

238
00:14:45,799 --> 00:14:48,600
and we'll just get a practice together whenever. And then

239
00:14:48,639 --> 00:14:51,240
about five six months past and I was like, how's

240
00:14:51,240 --> 00:14:53,159
it coming with the writing, and he was like, yeah,

241
00:14:53,200 --> 00:14:56,159
still won't go anything. And I was like, okay, I'm

242
00:14:56,240 --> 00:14:57,759
kind of bored of playing the same like four or

243
00:14:57,759 --> 00:15:00,399
five songs. Let's let's try something. And it's been the

244
00:15:00,440 --> 00:15:03,080
first time since I've written a song myself, and probably

245
00:15:03,080 --> 00:15:07,639
about nine to twelve months, I would say. The first

246
00:15:07,720 --> 00:15:10,360
song that I wrote was on My Reasons, which is

247
00:15:10,399 --> 00:15:12,759
the second track on the album, and then Portals pretty

248
00:15:12,840 --> 00:15:15,919
much quickly followed after that, and it was sort of

249
00:15:16,000 --> 00:15:18,080
just a snow wall effect of just I think I

250
00:15:18,159 --> 00:15:21,799
had had a headspace of just I was back writing again.

251
00:15:21,840 --> 00:15:23,840
And I had a purpose to write and we needed material,

252
00:15:24,240 --> 00:15:25,879
so it all just came out one after another, and

253
00:15:25,960 --> 00:15:29,200
it wasn't an intention to write an album. But when

254
00:15:29,279 --> 00:15:30,759
we ended up with the Mint material with that, I

255
00:15:30,840 --> 00:15:36,159
was like, this feels like a cohesive units as eight songs,

256
00:15:37,360 --> 00:15:39,320
so we may as well. And then the more I

257
00:15:39,399 --> 00:15:41,480
was looking at the lyrics myself, I was like, this

258
00:15:41,720 --> 00:15:46,240
is telling more of a full story rather than individual

259
00:15:47,000 --> 00:15:52,679
stories themselves. So yeah, it's it's been. It's been a

260
00:15:52,679 --> 00:15:54,159
blessing to discussed because I didn't think I would have

261
00:15:54,200 --> 00:15:56,000
I would ever be in a band again. They woul

262
00:15:56,000 --> 00:15:59,600
mind writing songs again. But yeah, it's been. It's been

263
00:15:59,639 --> 00:16:01,960
great for and it's been really really good having these

264
00:16:02,000 --> 00:16:03,519
guys with me as well on this.

265
00:16:04,519 --> 00:16:06,840
Speaker 9: Yeah, no doubt. Well when it comes together too like that,

266
00:16:06,960 --> 00:16:09,480
when it just feels, like I said, there's almost a

267
00:16:10,279 --> 00:16:13,159
sense of fate or destiny to it, uh, you know

268
00:16:13,240 --> 00:16:15,799
the way you tell it. And when when it comes

269
00:16:15,840 --> 00:16:18,440
together like that, you know you've got something. You know

270
00:16:18,559 --> 00:16:20,639
you're like like if it's one thing, if you're if

271
00:16:20,879 --> 00:16:22,639
you decide to start a band with somebody and then

272
00:16:22,679 --> 00:16:25,399
you're you know, you're spending a year or whatever, you know,

273
00:16:25,519 --> 00:16:27,399
trying to come up with some songs, and you're working

274
00:16:27,480 --> 00:16:29,240
hard at it, and there's nothing wrong with working hard

275
00:16:29,279 --> 00:16:31,600
at it. But but when it when it almost sounds

276
00:16:31,679 --> 00:16:34,120
like you know, it just sort of uh, there's almost

277
00:16:34,159 --> 00:16:36,440
an alchemy to it, and it all just sort of

278
00:16:36,480 --> 00:16:38,480
comes together like that, that's when you know you've really

279
00:16:38,559 --> 00:16:41,759
got something. And it's interesting too. You So you said

280
00:16:42,120 --> 00:16:43,840
you didn't think you'd ever be in a band again.

281
00:16:43,919 --> 00:16:44,320
Why is that?

282
00:16:45,799 --> 00:16:49,440
Speaker 10: Well, personally, I've been through quite a bodstant with my

283
00:16:49,679 --> 00:16:52,399
own mental and physical health over the past two years

284
00:16:52,440 --> 00:16:55,320
before this, okay, and it can I continue in the

285
00:16:55,399 --> 00:16:57,240
thought of this. This is why it was taking as

286
00:16:57,320 --> 00:16:59,919
quite away with actually get to this point, because I

287
00:17:00,120 --> 00:17:02,519
I was essentially bed bound for most of like twenty

288
00:17:02,559 --> 00:17:06,359
twenty two, twenty twenty three. So to be able to

289
00:17:06,519 --> 00:17:09,279
get to this point and be be here just now

290
00:17:10,200 --> 00:17:13,519
as a miracle inner love itself. But as I say

291
00:17:13,559 --> 00:17:15,920
as well, like this, this is a this is a

292
00:17:15,960 --> 00:17:18,759
project that couldn't have been done without everyone involved, because

293
00:17:19,160 --> 00:17:21,160
it can. You can write as many songs as you like,

294
00:17:21,240 --> 00:17:23,200
but if you don't have a unit around you understand

295
00:17:23,279 --> 00:17:27,160
everything and are invested in the project. As much as yourself.

296
00:17:27,359 --> 00:17:30,319
Then it's it's really all for nothing.

297
00:17:31,000 --> 00:17:33,880
Speaker 9: Right, absolutely, So how long has the band actually existed

298
00:17:33,920 --> 00:17:34,160
at this.

299
00:17:34,240 --> 00:17:38,680
Speaker 10: Point, Well from from our first Our first gig was

300
00:17:38,720 --> 00:17:42,839
twenty twenty two, so you're talking about three three and

301
00:17:42,839 --> 00:17:48,119
a bit years or so. But a most recent member

302
00:17:48,319 --> 00:17:48,759
just now.

303
00:17:48,880 --> 00:17:50,319
Speaker 9: Oh okay, Drew's the new guy.

304
00:17:51,000 --> 00:17:54,799
Speaker 10: Yes, Drew Kloe came in towards towards the probably about

305
00:17:54,839 --> 00:17:58,799
mid section last year. I'd say Colaie originally was just

306
00:17:58,880 --> 00:18:01,119
providing back and vote on a lot of the album,

307
00:18:01,200 --> 00:18:03,960
and I felt that she contributed so much to the

308
00:18:04,880 --> 00:18:07,920
harmonic balance of a lot of the songs. Yeah, felt

309
00:18:08,119 --> 00:18:12,039
wrong to just have her as essentially like a studio musician.

310
00:18:12,079 --> 00:18:13,759
And I said there, I was like, what would you

311
00:18:13,799 --> 00:18:15,920
feel about joining the band? And she was like, but

312
00:18:16,039 --> 00:18:17,559
I can't play anything. And I was like, you can

313
00:18:17,599 --> 00:18:19,640
play synth. She was like, I can't play it, and

314
00:18:19,680 --> 00:18:23,680
I was like, you can learn. Yeah, that's that's so

315
00:18:23,799 --> 00:18:26,480
she never plays synth, and she's learned as she goes,

316
00:18:26,480 --> 00:18:28,079
and she's doing very very well.

317
00:18:30,279 --> 00:18:33,039
Speaker 9: Yeah, yeah, go ahead, Chloe.

318
00:18:34,079 --> 00:18:35,640
Speaker 14: I was just going to say, and keeping with the

319
00:18:35,720 --> 00:18:39,039
band being forced in chaos, I've only been playing since

320
00:18:39,079 --> 00:18:39,759
since July.

321
00:18:39,759 --> 00:18:43,480
Speaker 9: Last year, no caring. So is this your first So

322
00:18:43,640 --> 00:18:45,920
is this actually your first musical instrument that you've played.

323
00:18:47,119 --> 00:18:49,119
Speaker 14: So I've played like a little bit of guitar and

324
00:18:49,160 --> 00:18:52,079
stuff in the past, but I've never been in any

325
00:18:52,119 --> 00:18:54,119
bands or anything, just sort of doing it for fun.

326
00:18:54,839 --> 00:18:57,079
And then obviously this is the first project where I've

327
00:18:57,079 --> 00:18:59,240
really had to get my head down and learn an

328
00:18:59,279 --> 00:19:01,440
instrument from sco. So it's been a challenged by.

329
00:19:01,400 --> 00:19:01,799
Speaker 10: A good one.

330
00:19:02,039 --> 00:19:04,319
Speaker 9: Yeah, No, it's good. And you know, I've heard a

331
00:19:04,400 --> 00:19:07,000
lot of this comes up a lot on the show.

332
00:19:07,200 --> 00:19:10,559
I've heard a lot of you know, music teachers and

333
00:19:10,960 --> 00:19:16,160
music professors say that everybody and and by the way,

334
00:19:16,200 --> 00:19:18,160
I did not take this advice. I can't play anything

335
00:19:18,160 --> 00:19:20,920
on a keyboard, but that every musician should at least

336
00:19:21,000 --> 00:19:26,119
know some some synth, keyboard, piano, whatever, because it helps you.

337
00:19:26,759 --> 00:19:28,720
It helps you just knowing even a little bit of

338
00:19:28,759 --> 00:19:31,440
that helps you with everything else in terms of music.

339
00:19:31,559 --> 00:19:34,480
It helps you to understand chord structure better. It helps

340
00:19:34,519 --> 00:19:37,680
you with everything. And and a lot a lot of

341
00:19:37,759 --> 00:19:40,400
them will say too that that's the best place to start.

342
00:19:40,480 --> 00:19:43,000
Obviously you're already playing guitar. As you said, but to,

343
00:19:43,680 --> 00:19:45,319
but to even if you start, even if it's not

344
00:19:45,400 --> 00:19:47,319
going to be your primary instrument, if you start on

345
00:19:47,400 --> 00:19:49,960
a keyboard, it's going to help you with everything. So

346
00:19:50,519 --> 00:19:53,720
but but yeah, but it does fit the chaotic nature

347
00:19:53,759 --> 00:19:56,240
of how the band started, right, So that's great. Good

348
00:19:56,279 --> 00:19:58,680
for you, Good for you. I mean, has it been

349
00:19:58,759 --> 00:20:01,640
scary or do you just take the challenge and say,

350
00:20:01,799 --> 00:20:04,640
now I'm going to do this, or or what's been

351
00:20:04,680 --> 00:20:05,480
your mindset with it?

352
00:20:07,240 --> 00:20:10,119
Speaker 14: It has been quite intimidating, especially since all the guys

353
00:20:10,160 --> 00:20:12,720
have been in bands before, and bands that have done

354
00:20:12,799 --> 00:20:17,640
quite well, and I sort of sometimes get a little

355
00:20:17,680 --> 00:20:19,920
bit of that imposter syndrome where I sort of get

356
00:20:19,960 --> 00:20:22,359
up on stage with them and I'm like, I'm surrendered

357
00:20:22,400 --> 00:20:24,640
by these people who've been playing their instrument for like

358
00:20:24,839 --> 00:20:27,920
decades now, and here I am just clunking away at

359
00:20:27,960 --> 00:20:32,319
my keys, no idea what doing right In that regard,

360
00:20:32,440 --> 00:20:34,720
It's been a little a little bit intimidating. But the

361
00:20:34,759 --> 00:20:38,400
guys are so just so lovely and so so encouraging,

362
00:20:38,480 --> 00:20:40,640
and I couldn't be surrendered by better people.

363
00:20:40,759 --> 00:20:43,880
Speaker 9: So yeah, oh that's fantastic. And then so Drew, So

364
00:20:43,960 --> 00:20:45,759
you're the newest member, so how long have you been

365
00:20:45,799 --> 00:20:46,559
in the band now.

366
00:20:47,440 --> 00:20:50,519
Speaker 12: I am yeah, and it will be coming up on

367
00:20:50,640 --> 00:20:54,440
a year. I reckon a year and okay maybe, okay, okay,

368
00:20:55,559 --> 00:20:58,200
but it's been great fun. I think myself and Matt

369
00:20:58,279 --> 00:21:00,400
we played in a different band maybe two or three

370
00:21:00,440 --> 00:21:02,920
years ago that oh, just over the pandemic sort of

371
00:21:03,000 --> 00:21:03,559
lost steam.

372
00:21:03,880 --> 00:21:04,079
Speaker 9: Yeah.

373
00:21:04,119 --> 00:21:06,880
Speaker 12: So when Matt had got in touch that their drummer

374
00:21:07,160 --> 00:21:09,759
or the previous drummer, Kyle, had stepped aside, Okay, I

375
00:21:10,000 --> 00:21:11,880
totally jumped at the chance to be able to play

376
00:21:11,960 --> 00:21:14,400
with Matt again. It's always been great fun, and as

377
00:21:14,480 --> 00:21:16,400
he said, I've always really enjoyed his songwriting.

378
00:21:16,599 --> 00:21:18,640
Speaker 9: Yeah, yeah, it's been And.

379
00:21:18,680 --> 00:21:21,119
Speaker 12: Also all the stuff that Kyle had recorded for the

380
00:21:21,160 --> 00:21:23,640
album has been super super fun to just sink my

381
00:21:23,720 --> 00:21:25,440
teeth into and learn all these parts.

382
00:21:25,920 --> 00:21:27,359
Speaker 9: And then when you do that, when you come into

383
00:21:27,400 --> 00:21:29,680
a project like this, this is something I'm always curious about.

384
00:21:30,079 --> 00:21:30,400
Speaker 12: Do you.

385
00:21:32,079 --> 00:21:36,559
Speaker 9: Do you then try to learn exactly what he did

386
00:21:36,960 --> 00:21:39,960
or do you try to kind of, you know, learn

387
00:21:40,039 --> 00:21:42,440
what he did, but then maybe kind of put your

388
00:21:42,480 --> 00:21:45,160
own Because I've known drummers who will They'll come into

389
00:21:45,200 --> 00:21:49,319
a situation and they'll say I'm going to or someone

390
00:21:49,400 --> 00:21:50,839
in the band will tell them if they're you know,

391
00:21:50,880 --> 00:21:52,960
if they're coming in new to a situation. I'm going

392
00:21:53,039 --> 00:21:54,880
to try to learn everything. I'm going to learn the

393
00:21:54,920 --> 00:21:57,759
fills exactly. I'm going to replicate exactly what the previous

394
00:21:57,839 --> 00:21:59,759
drummer did, you know, and other drummers of course want

395
00:21:59,799 --> 00:22:02,480
to come man and well, probably everybody wants to kind

396
00:22:02,519 --> 00:22:04,319
of put their own stamp on it. But what's been

397
00:22:04,359 --> 00:22:05,119
your approach with that?

398
00:22:06,519 --> 00:22:10,839
Speaker 12: Yeah, I think definitely taking the you know, the skeletons

399
00:22:10,880 --> 00:22:13,240
and the muscles of what Kyle had written on the

400
00:22:13,319 --> 00:22:16,039
drums and building on that with my own flavor, of

401
00:22:16,039 --> 00:22:18,119
my own taste. Obviously, every every drummer is unique in

402
00:22:18,160 --> 00:22:21,079
what they play. Yeah, I think I appreciate that Matt

403
00:22:21,319 --> 00:22:23,359
trusted me to be able to fit the bill for

404
00:22:23,640 --> 00:22:26,920
for what was already built. Yeah, and I guess if

405
00:22:26,920 --> 00:22:29,160
you want to really top shop and get it, I

406
00:22:29,319 --> 00:22:31,759
am a left handed drummer that plays on a right

407
00:22:31,799 --> 00:22:36,799
handed drum kit, whereas Kyle Kyle is right handed, so

408
00:22:36,880 --> 00:22:38,559
there's a lot of the fills that I really liked

409
00:22:38,599 --> 00:22:40,799
to sign up. Wanted to play very true to what

410
00:22:40,920 --> 00:22:44,079
he plays, but physical physically, I would have to swap

411
00:22:44,119 --> 00:22:46,599
a lot of my like sticking in the donation around

412
00:22:46,640 --> 00:22:48,799
to make these work. So that's been really really fun

413
00:22:48,839 --> 00:22:50,720
to try and work around lots of these problems as well.

414
00:22:51,039 --> 00:22:55,000
Speaker 9: Okay, okay, how has that been hard to pull off?

415
00:22:55,599 --> 00:22:57,599
Speaker 12: I mean, yeah, it's been hard, but it's been well

416
00:22:57,640 --> 00:22:59,680
worth a challenge, you know, yeah, to play drums and

417
00:22:59,720 --> 00:23:00,880
it learn fun things.

418
00:23:01,079 --> 00:23:03,799
Speaker 9: So yeah, yeah, exactly. Yeah, that's very cool. That's something

419
00:23:03,799 --> 00:23:06,599
that wouldn't have even occurred to me, but that's yeah,

420
00:23:06,640 --> 00:23:12,000
that's interesting. Yeah. So now you've already you guys have

421
00:23:12,079 --> 00:23:16,119
already gotten some some success with radio, right, it's you've

422
00:23:16,160 --> 00:23:18,319
gotten some traction over there, some early radio support.

423
00:23:19,720 --> 00:23:23,119
Speaker 10: Yeah, we're actually we were on We've we've had amazing

424
00:23:23,200 --> 00:23:26,319
radio in the UK and the US has been pretty

425
00:23:26,599 --> 00:23:31,279
early champions of the music and gym in Scotland. Scotland

426
00:23:31,279 --> 00:23:34,000
has been it has been really good for us. This

427
00:23:34,160 --> 00:23:36,680
is this is but this is only like this is

428
00:23:36,720 --> 00:23:43,519
a third interview in one day, but this is a

429
00:23:44,640 --> 00:23:45,759
interview of all time.

430
00:23:46,000 --> 00:23:49,000
Speaker 9: So okay, it's.

431
00:23:50,640 --> 00:23:51,000
Speaker 14: To be here.

432
00:23:51,079 --> 00:23:53,039
Speaker 10: It's it's been good to get to talk people who

433
00:23:53,039 --> 00:23:56,480
are actually interested in music. Yeah, and have I've actually

434
00:23:56,519 --> 00:23:59,319
listened to what we've done because in the past of

435
00:23:59,519 --> 00:24:01,920
found quite to talk to people who kind of you know,

436
00:24:02,000 --> 00:24:03,759
that kind of wa where they kind of like they've

437
00:24:03,799 --> 00:24:05,880
heard about thirty seconds of it and they're like, yeah,

438
00:24:05,920 --> 00:24:08,640
and I know what we're talking about. I know what

439
00:24:08,680 --> 00:24:13,680
you guys are all about it, and I'm like, I'm.

440
00:24:13,519 --> 00:24:16,519
Speaker 9: Also curious to know about the live situation there, because

441
00:24:17,200 --> 00:24:19,559
it looks like you're you're having a lot of success.

442
00:24:19,599 --> 00:24:21,880
You've been playing some solid out shows, correct.

443
00:24:22,680 --> 00:24:26,319
Speaker 10: Yeah, yeah, so this is something. But as Drew mentioned,

444
00:24:26,359 --> 00:24:29,319
the drummer on the album, Kyle, he stepped aside earlier

445
00:24:29,519 --> 00:24:32,720
last year just just due to the fact we were

446
00:24:32,839 --> 00:24:35,559
talking about going on tour last year and we ended

447
00:24:35,640 --> 00:24:38,799
up pushing the album back because he decided that the

448
00:24:38,839 --> 00:24:42,079
concept of the tour wasn't his cup of tea anymore.

449
00:24:42,960 --> 00:24:45,720
He'd been in the band before who had toured quite extensively,

450
00:24:45,799 --> 00:24:48,759
and he was like, I'm not cut out for us anymore.

451
00:24:49,960 --> 00:24:52,920
So it's been a bit of a shame because he

452
00:24:53,359 --> 00:24:56,519
left at a point where we started actually building more

453
00:24:56,519 --> 00:24:59,599
of a fan base in our own in Glasgow and

454
00:24:59,759 --> 00:25:02,640
so in the areas. So we played a place called

455
00:25:02,680 --> 00:25:07,119
the Cools, I think it was d your third gig, second.

456
00:25:06,839 --> 00:25:10,400
Speaker 12: Gig, second I think, yeah, second.

457
00:25:10,200 --> 00:25:13,000
Speaker 10: Second show, and it was it was it was parked

458
00:25:13,000 --> 00:25:14,519
and it was sort of just came out of nowhere

459
00:25:14,559 --> 00:25:16,920
because we we've been playing, you know, we've been playing

460
00:25:16,960 --> 00:25:19,839
to like ten to fifteen people for so long that

461
00:25:19,920 --> 00:25:21,359
we just kind of think, Okay, it's just going to

462
00:25:21,400 --> 00:25:26,440
be this or like added finium. So we just comed

463
00:25:26,480 --> 00:25:28,960
up and it was like about an hour before those

464
00:25:29,200 --> 00:25:30,599
and they were like, oh, so out and I was like,

465
00:25:31,000 --> 00:25:32,240
what do you mean, it's sold out and I was

466
00:25:32,240 --> 00:25:34,640
like that's it's just there's no tickets left. I'm like

467
00:25:35,799 --> 00:25:37,839
how and it was.

468
00:25:38,160 --> 00:25:38,359
Speaker 12: It was.

469
00:25:38,559 --> 00:25:40,720
Speaker 10: It was crazy for a start because it was a

470
00:25:40,759 --> 00:25:44,519
lot of people we've never seen before, and it just

471
00:25:44,680 --> 00:25:46,960
it's kind of continued from there. We had our probably

472
00:25:46,960 --> 00:25:50,359
a business year for gigs last year, which build or

473
00:25:50,359 --> 00:25:52,759
none of us. It's worked out for the for the

474
00:25:52,839 --> 00:25:57,079
best with the album this year and we've got quite

475
00:25:57,119 --> 00:25:58,799
a lot of shows or the booked for this year,

476
00:25:58,960 --> 00:26:01,119
so it's it's been great.

477
00:26:01,519 --> 00:26:06,119
Speaker 9: Yeah, Oh that's excellent, very very good. You do any

478
00:26:06,680 --> 00:26:09,599
I didn't think to look, do you have any music videos,

479
00:26:09,680 --> 00:26:12,680
because like a song like Portals I think would really

480
00:26:12,759 --> 00:26:15,160
lend itself to something and and and I feel like,

481
00:26:15,279 --> 00:26:17,400
you know, looking at the artwork that you have, like

482
00:26:17,519 --> 00:26:21,000
the visual component is important, is important to the to

483
00:26:21,119 --> 00:26:22,880
the spaan to Bruiser. But do you have you met

484
00:26:22,880 --> 00:26:23,720
any music videos?

485
00:26:25,000 --> 00:26:27,799
Speaker 10: Yeah, we've actually got well, funny, as you mentioned, we're

486
00:26:27,799 --> 00:26:31,440
actually finished recording the music with for Portals yesterday Wood,

487
00:26:31,519 --> 00:26:34,200
so I'll be editing over the next couple of couple

488
00:26:34,200 --> 00:26:37,119
of days or so. We try. We've tried to do

489
00:26:37,200 --> 00:26:41,160
everything in house from the start here because it's it's

490
00:26:41,240 --> 00:26:43,559
quite hard to get any sort of funding or support

491
00:26:44,519 --> 00:26:47,039
in the UK for for music. So any money that

492
00:26:47,119 --> 00:26:50,000
we can save for you know, recording or going on

493
00:26:50,039 --> 00:26:52,720
touring like that, like that the actually important things for

494
00:26:52,799 --> 00:26:56,920
people hearing music, we will cut that. So I've learned

495
00:26:56,960 --> 00:26:59,759
how to do, you know, filming and editing, and that

496
00:26:59,839 --> 00:27:01,319
can a thing to save the cost of that, so

497
00:27:01,359 --> 00:27:02,960
we do. We have We've got a video for Judas,

498
00:27:03,799 --> 00:27:06,880
which was our first proper single, and there is a

499
00:27:06,960 --> 00:27:09,359
visualizer for Man Made Fires, which was a single before

500
00:27:10,480 --> 00:27:12,039
there was Plant to be music with you for that,

501
00:27:12,240 --> 00:27:15,119
but we we sort of run out of time to

502
00:27:15,200 --> 00:27:18,240
do it, and the weather over here is so temperamental

503
00:27:18,440 --> 00:27:22,359
that to try and from outside was it got to

504
00:27:22,440 --> 00:27:24,920
got to what we tried to start filming it and

505
00:27:25,640 --> 00:27:28,039
my hands were on the camera and I actually couldn't

506
00:27:28,079 --> 00:27:30,279
feel I lost all sensation of feeling on my fingers.

507
00:27:30,279 --> 00:27:31,640
I was like, actually, don't know if I'm pressing the

508
00:27:31,680 --> 00:27:32,480
record button here.

509
00:27:32,400 --> 00:27:32,640
Speaker 8: I'm not.

510
00:27:35,319 --> 00:27:40,160
Speaker 10: So the ports music video will be out soon, we do.

511
00:27:40,319 --> 00:27:42,000
We did plan on having a video for every song

512
00:27:42,160 --> 00:27:42,640
on the album.

513
00:27:42,839 --> 00:27:44,920
Speaker 9: Really, as I say, the.

514
00:27:46,799 --> 00:27:49,559
Speaker 10: The connotations of trying to get a budget together and

515
00:27:49,720 --> 00:27:52,519
when we all work full time as well, it's trying

516
00:27:52,519 --> 00:27:54,200
to find the time to get it all done while

517
00:27:54,240 --> 00:27:57,519
also keeping the set as tight as possible and working

518
00:27:57,519 --> 00:27:58,440
on the material as well.

519
00:27:58,759 --> 00:28:01,640
Speaker 9: Oh yeah, yeah, absolutely, it's always a challenge. But so

520
00:28:01,799 --> 00:28:03,319
Jurdis was the previous single.

521
00:28:04,000 --> 00:28:04,720
Speaker 15: So Juwis was.

522
00:28:04,839 --> 00:28:07,720
Speaker 10: It was our first proper single. I came out about

523
00:28:07,799 --> 00:28:10,319
June last year. In the record of the video for

524
00:28:10,400 --> 00:28:14,000
that that is on that's on YouTube, and yeah, so

525
00:28:14,119 --> 00:28:16,279
Porters will will be our second proper music video. We

526
00:28:16,359 --> 00:28:18,079
do have music videos for our first three singles, but

527
00:28:18,160 --> 00:28:20,079
those are only on band campus Now. We weren't really

528
00:28:20,440 --> 00:28:22,480
one hundred percent on this on the sound on those ones,

529
00:28:23,920 --> 00:28:25,200
for those three singles as well.

530
00:28:25,559 --> 00:28:27,839
Speaker 9: Okay, by the way, I think I forgot to mention,

531
00:28:27,960 --> 00:28:29,720
so the name of the album A Field of man

532
00:28:29,799 --> 00:28:33,319
Made Fires? What what I'm really curious about the title?

533
00:28:33,599 --> 00:28:34,440
What what does that mean?

534
00:28:35,759 --> 00:28:37,920
Speaker 10: So I look at as I mentioned earlier on the

535
00:28:38,559 --> 00:28:40,680
my my health issues of the past couple of years,

536
00:28:40,799 --> 00:28:43,440
I went through a period of time where I was

537
00:28:43,640 --> 00:28:45,720
not feeling like I was being the person that I

538
00:28:45,759 --> 00:28:51,279
should have been, and I kind of view to kind

539
00:28:51,319 --> 00:28:55,440
of reflect perspective. I had one of the worst cases

540
00:28:55,440 --> 00:28:58,960
in the UK of psoriasis that they've ever seen. So

541
00:28:59,039 --> 00:29:00,680
I got to the point where I couldn't leave my bed,

542
00:29:00,759 --> 00:29:03,240
and I started to think that every mark that I

543
00:29:03,240 --> 00:29:06,240
add in my skin and every scale that came up

544
00:29:06,559 --> 00:29:11,640
was a punishment for me being basically false to myself.

545
00:29:12,880 --> 00:29:15,880
So the kind of concept of I feel the Marmory

546
00:29:15,920 --> 00:29:19,920
Fars is me just surveying my mistakes and putting the

547
00:29:19,920 --> 00:29:23,039
blame on myself for a lot of things in retrospect.

548
00:29:23,079 --> 00:29:24,920
I mean a lot of things have probably been a

549
00:29:24,960 --> 00:29:28,000
bit too harsh on myself for But I think when

550
00:29:28,039 --> 00:29:31,480
you are in it in such a low position, you

551
00:29:31,599 --> 00:29:34,160
do just kind of start to fixate on the fact

552
00:29:34,200 --> 00:29:35,920
that you could have done things so much better. But

553
00:29:36,000 --> 00:29:39,519
at the same time it's hindsight's a wonderful thing, and

554
00:29:40,279 --> 00:29:43,640
when you look back on things regarding that, I mean,

555
00:29:44,319 --> 00:29:46,880
there's only so much you could have done right. And

556
00:29:46,960 --> 00:29:50,119
I think that I've grown as a person since then.

557
00:29:50,400 --> 00:29:53,079
It is pretty much chronicles like my life from a

558
00:29:53,119 --> 00:29:57,279
bit of ages about nineteen to about twenty four, And

559
00:29:57,799 --> 00:29:59,559
that's pretty much the whole concept of the of the

560
00:29:59,559 --> 00:30:03,160
album is as just dealing with the mistakes that you've

561
00:30:03,240 --> 00:30:07,960
made and either accepting it and moving on or wallowing

562
00:30:08,000 --> 00:30:08,160
on it.

563
00:30:10,119 --> 00:30:16,240
Speaker 9: Yeah, I totally get that. I just heard a weird sound.

564
00:30:16,240 --> 00:30:16,960
Are you all still there?

565
00:30:17,640 --> 00:30:18,279
Speaker 10: Yeah, we're still here.

566
00:30:18,319 --> 00:30:20,759
Speaker 9: Okay, So I heard I heard a strange sound. It

567
00:30:20,880 --> 00:30:22,960
must just be in my headphones. No, I can. I

568
00:30:23,000 --> 00:30:24,960
can totally relate to that, you know, And I'm someone

569
00:30:25,039 --> 00:30:27,640
who you know, as you mentioned mental health, like I

570
00:30:27,720 --> 00:30:30,400
struggle with depression. My listeners know this about me, and

571
00:30:30,480 --> 00:30:34,519
I ruminate a lot and almost constantly, and so I can.

572
00:30:34,640 --> 00:30:36,319
I can. I can relate to a lot of what

573
00:30:36,400 --> 00:30:39,519
you're saying. And maybe that's why, you know so many

574
00:30:39,559 --> 00:30:42,160
of these these lyrics really connect with me too, Like

575
00:30:42,240 --> 00:30:44,000
I said, I listened to the whole thing. How is

576
00:30:44,039 --> 00:30:46,279
your How are you now? Matt, Like, how how are

577
00:30:46,319 --> 00:30:46,640
you doing?

578
00:30:46,880 --> 00:30:49,920
Speaker 10: Uh? As we sit here today, I'm as I'm as

579
00:30:50,039 --> 00:30:52,400
close to cured as it possibly can be. I'm on

580
00:30:52,640 --> 00:30:54,680
I'm on medication. It's helped. But I went through a

581
00:30:54,720 --> 00:30:57,279
pretty as a long time. I think if anyone who's listened,

582
00:30:57,279 --> 00:31:01,000
who's been through with the races, I've think I have

583
00:31:01,119 --> 00:31:02,920
been at the lowest point you could possibly be with

584
00:31:03,319 --> 00:31:07,039
the disease and understand that it might seem like there's

585
00:31:07,079 --> 00:31:09,000
no escape from it. But I've been dealing with this

586
00:31:09,079 --> 00:31:11,279
since I was about eighteen and I'm twenty six now,

587
00:31:11,440 --> 00:31:13,559
so it's taken me into the past year to actually

588
00:31:13,640 --> 00:31:16,799
get to the point where I can do normal things.

589
00:31:16,880 --> 00:31:18,519
I can go to work, I can go to the gym,

590
00:31:19,640 --> 00:31:22,960
I can live a normal life again. So and I

591
00:31:23,000 --> 00:31:25,279
suppose it goes it goes hand in hand with depression

592
00:31:25,279 --> 00:31:27,599
as well. And I think I think that's why a

593
00:31:27,640 --> 00:31:30,799
lot of people spoke spoke about lyricism on the album

594
00:31:30,799 --> 00:31:33,279
and it connecting people. And I think it's because when

595
00:31:34,200 --> 00:31:35,720
when you talk with things like like the pandemic and

596
00:31:35,759 --> 00:31:38,680
things like that, I think that made people realize just

597
00:31:38,759 --> 00:31:43,400
how bad the minute possibly could be. And David as

598
00:31:43,440 --> 00:31:47,680
well as the front man, he's you said, battles with depressions,

599
00:31:47,720 --> 00:31:50,240
as I think we all we all have at different points.

600
00:31:51,279 --> 00:31:53,519
I think it's trying to be I think we're now

601
00:31:53,640 --> 00:31:56,440
in a in a time where we can be more open,

602
00:31:57,000 --> 00:31:59,799
honest with ourselves and everyone around those that you know

603
00:32:00,039 --> 00:32:02,640
what we can we can see. You know, I'm not

604
00:32:02,680 --> 00:32:07,039
actually doing great today, and there's things were you make

605
00:32:07,119 --> 00:32:09,720
We're doing great for one piece of thing. But I

606
00:32:09,799 --> 00:32:12,480
think knowing that you've got a group of undy who

607
00:32:12,480 --> 00:32:15,680
have been through the same thing, it makes things so

608
00:32:15,799 --> 00:32:16,720
much easier now.

609
00:32:17,519 --> 00:32:19,640
Speaker 9: It does It does? I know for me because it's

610
00:32:19,640 --> 00:32:21,559
been a it's been a struggle for me since I

611
00:32:21,759 --> 00:32:25,119
was probably a teenager. And you know, in my case,

612
00:32:25,160 --> 00:32:26,480
I mean as far as depression, I got to a

613
00:32:26,559 --> 00:32:28,319
point in my life where it's like it's too exhausting

614
00:32:28,400 --> 00:32:30,480
to try to hide it. I'm just not gonna hide

615
00:32:30,519 --> 00:32:33,519
it anymore, you know. You know, and then you you know,

616
00:32:33,599 --> 00:32:35,279
and then you open up about it and you talk

617
00:32:35,319 --> 00:32:38,480
to people and you realize it's so so common, like

618
00:32:38,599 --> 00:32:40,519
there's no reason for there to be any stigma because

619
00:32:40,559 --> 00:32:44,119
it's something so many of us deal with. So yeah, So,

620
00:32:44,480 --> 00:32:46,279
like I said, I really love the album a series

621
00:32:46,319 --> 00:32:49,319
of man made fires, and we will we'll begin to

622
00:32:49,359 --> 00:32:51,279
wrap up all three of you. I appreciate you. You've

623
00:32:51,279 --> 00:32:54,240
been very generous with your time. Mattrew and Chloe, thank

624
00:32:54,279 --> 00:32:57,079
you so much for joining us. I'm thinking at the

625
00:32:57,319 --> 00:33:00,240
end of our conversation, I will play Judas another great

626
00:33:00,319 --> 00:33:02,319
track from the album, because we did talk about it.

627
00:33:03,400 --> 00:33:06,440
I love I love Portals, great great song, love the

628
00:33:06,480 --> 00:33:08,960
whole album. And where is the best place where should

629
00:33:09,000 --> 00:33:12,319
people go? Especially because again because of the way that

630
00:33:12,359 --> 00:33:13,759
you spell it, we want to make sure people know

631
00:33:14,119 --> 00:33:16,440
where's the best place for people to go online to

632
00:33:16,519 --> 00:33:18,680
keep up with everything that Bruiser is doing as a band,

633
00:33:19,599 --> 00:33:20,599
So we are most.

634
00:33:20,480 --> 00:33:24,200
Speaker 10: Active on Instagram and TikTok for music related things. I

635
00:33:24,240 --> 00:33:27,279
would say that currently, I mean Spotify is as we're

636
00:33:27,359 --> 00:33:29,480
most people see people for things. But we are trying

637
00:33:29,519 --> 00:33:31,839
to push this on band camp as much as possible. Yeah,

638
00:33:32,480 --> 00:33:34,319
I think when we're living in this world now we

639
00:33:34,359 --> 00:33:36,559
were combat and AI and everything else, the best thing

640
00:33:36,599 --> 00:33:38,759
you can posibly do is be as close to your

641
00:33:38,839 --> 00:33:41,039
grush for supporters as possible. So The album will be

642
00:33:41,160 --> 00:33:44,039
up towards end of February on band Camp and it'll

643
00:33:44,079 --> 00:33:46,400
be pay what you want, So if you if you

644
00:33:46,440 --> 00:33:48,839
can't afford it, take it for free, come to a show.

645
00:33:48,960 --> 00:33:51,400
We'd much rather that than people giving us, like, you know,

646
00:33:51,519 --> 00:33:54,559
five quid, ten quid. Here here they are. It's more

647
00:33:54,559 --> 00:33:57,000
important that people hear the songs and hear the stories

648
00:33:57,039 --> 00:33:59,720
we want to tell than giving us any extra money.

649
00:33:59,799 --> 00:34:03,200
Speaker 9: So yeah, absolutely band camp does offer that option. And

650
00:34:03,279 --> 00:34:05,160
I'm a big advocator. You know, a lot of industry

651
00:34:05,160 --> 00:34:07,319
people to listen to the show, and so they've heard

652
00:34:07,359 --> 00:34:09,360
me say this, but I'm a big advocator for band

653
00:34:09,440 --> 00:34:11,800
camp because what a lot of people don't realize, who

654
00:34:11,880 --> 00:34:13,679
is you get a higher quality file from band Camp

655
00:34:13,760 --> 00:34:15,679
then you do, you know, say just streaming it on

656
00:34:15,800 --> 00:34:18,760
YouTube or wherever, you know, wherever people get their music.

657
00:34:18,840 --> 00:34:22,079
So so I'm a I'm a big fan of band Camp.

658
00:34:22,159 --> 00:34:24,280
Their whole their whole model of how they do things

659
00:34:24,320 --> 00:34:27,360
and everything. I think it's it's it's so artist friendly

660
00:34:27,920 --> 00:34:30,800
in an industry where there are not enough artist friendly

661
00:34:31,360 --> 00:34:33,559
tools that you can use. But I'm a huge fan

662
00:34:33,639 --> 00:34:36,119
of band camp. So so that's good to hear, but

663
00:34:36,920 --> 00:34:38,920
well listen, so we'll wrap up. We'll let the three

664
00:34:38,960 --> 00:34:40,840
of you go. I'm going to hit that track Judas,

665
00:34:40,880 --> 00:34:42,960
another great song from the album A Series of Man

666
00:34:43,039 --> 00:34:46,519
Made Fires. But again Matt Drew Chloe from Bruiser, thank

667
00:34:46,599 --> 00:34:48,599
you so much for joining us, and we will definitely

668
00:34:48,679 --> 00:34:50,199
do this again, obviously. I'm sure you're going to be

669
00:34:50,480 --> 00:34:52,880
you know, whenever the next single is ready, or is

670
00:34:53,000 --> 00:34:55,199
if you got another album down the line, or you know,

671
00:34:55,280 --> 00:34:56,960
whatever you got coming up. We would love to have

672
00:34:57,039 --> 00:34:59,679
you back in the future. I'm a big fan, so yeah,

673
00:35:00,079 --> 00:35:00,360
just like you.

674
00:35:00,639 --> 00:35:01,280
Speaker 14: Thank you so much.

675
00:35:02,159 --> 00:35:04,239
Speaker 9: Absolutely, you got it. All right, We'll talk to you soon.

676
00:35:04,280 --> 00:35:08,639
I'm sure take care, see you bye bye. All right,

677
00:35:08,760 --> 00:35:10,639
we're gonna hit this. So this is Judas. This is

678
00:35:10,920 --> 00:35:13,519
the previous single, or the first first proper single, as

679
00:35:13,719 --> 00:35:16,239
I think Matt put it, from a Series of Man

680
00:35:16,320 --> 00:35:18,719
Made Fires. The band is Bruiser and check this out.

681
00:35:18,800 --> 00:35:19,719
This is really good.

682
00:35:51,440 --> 00:36:02,559
Speaker 3: Good again, Philipockets.

683
00:36:03,239 --> 00:36:13,840
Speaker 4: And Blame Be three, Face to Face, the bolas.

684
00:36:40,320 --> 00:36:42,199
Speaker 3: N Scream, wsle.

685
00:36:41,960 --> 00:36:47,599
Speaker 5: Well Spot two, three Red.

686
00:36:54,360 --> 00:37:00,079
Speaker 3: Ball on the Side, cat.

687
00:37:02,719 --> 00:37:08,800
Speaker 6: Shake Sounds, the Queen the name.

688
00:37:10,440 --> 00:37:38,559
Speaker 16: To I said, bout some one out and.

689
00:37:38,880 --> 00:37:43,519
Speaker 7: Not stay a bow About stodcast.

690
00:37:46,360 --> 00:37:48,400
Speaker 3: S, tick Out.

691
00:37:52,239 --> 00:39:31,280
Speaker 15: Change Right, you are listening to Mattconnorton Unleashed on WMNH

692
00:39:31,440 --> 00:39:32,719
ninety five point three.

693
00:39:33,599 --> 00:39:36,599
Speaker 9: Now the exclusive world radio premiere of the new single

694
00:39:36,679 --> 00:39:39,639
from Kyle Gordon Dead Oceans.

695
00:40:18,760 --> 00:40:25,000
Speaker 11: I've been in love befall. Well, I know love is small,

696
00:40:27,400 --> 00:40:32,800
it's more than just a phrase. Well, sometimes it comes

697
00:40:32,920 --> 00:40:33,599
out straight.

698
00:40:34,199 --> 00:40:42,880
Speaker 17: Topic is true, Well, there's nothing you can't do mo

699
00:40:43,280 --> 00:40:48,760
thing swimming a week drive together with.

700
00:40:52,199 --> 00:40:53,880
Speaker 3: I know it, it's true.

701
00:40:56,519 --> 00:40:58,440
Speaker 1: I avoid.

702
00:41:29,280 --> 00:41:57,320
Speaker 18: M m m, the can'ts, penny money, rushing mommies, others.

703
00:41:58,159 --> 00:42:05,000
Speaker 1: These feelings have that plays a fous different ways.

704
00:42:05,440 --> 00:42:09,039
Speaker 3: Said, isn't true.

705
00:42:10,679 --> 00:42:11,840
Speaker 1: That that's nothing?

706
00:42:12,039 --> 00:42:17,920
Speaker 17: You can't do nothing a swimming away travel.

707
00:42:19,400 --> 00:42:20,800
Speaker 3: We are got.

708
00:42:27,400 --> 00:42:29,239
Speaker 8: As avoid.

709
00:42:31,960 --> 00:42:33,679
Speaker 3: The ways true.

710
00:42:36,079 --> 00:42:37,119
Speaker 6: As a boy.

711
00:43:16,880 --> 00:43:20,199
Speaker 9: And now the American radio premiere of the new single

712
00:43:20,280 --> 00:43:23,840
from Lydia Ready, the title track off of her new

713
00:43:23,960 --> 00:43:25,719
album Stronger Together.

714
00:43:40,480 --> 00:43:41,400
Speaker 13: This is a world.

715
00:43:41,679 --> 00:43:51,519
Speaker 19: It's around aby curiosity through a discoveries.

716
00:43:54,000 --> 00:44:01,440
Speaker 20: This is a Worldwell, question remains, what don't we do

717
00:44:02,920 --> 00:44:05,559
if it are't just changed?

718
00:44:06,440 --> 00:44:09,880
Speaker 19: Like Zobbie's reaching out for runner bar ellipse, like a

719
00:44:10,039 --> 00:44:14,159
soul's being taken through a fingertips, like the moon stopping

720
00:44:14,280 --> 00:44:16,119
Colt and Gavin next to clipse.

721
00:44:16,440 --> 00:44:17,400
Speaker 16: I believe.

722
00:44:19,320 --> 00:44:21,000
Speaker 1: We could live.

723
00:44:22,960 --> 00:44:23,639
Speaker 10: Because we.

724
00:44:26,360 --> 00:44:32,679
Speaker 19: Old of eight billion people who can share all the

725
00:44:32,800 --> 00:44:34,440
things a week, and.

726
00:44:36,760 --> 00:44:37,199
Speaker 8: Are we.

727
00:44:39,639 --> 00:44:40,639
Speaker 3: Gotta pull out?

728
00:44:43,440 --> 00:44:46,039
Speaker 19: Are the wars in the rooms that are happening in

729
00:44:46,159 --> 00:44:48,679
a home tonight, So.

730
00:44:51,480 --> 00:44:53,440
Speaker 3: This is a world of the slaves.

731
00:44:53,480 --> 00:45:01,800
Speaker 19: Twere challengees hands sense. Thousands died, so one side it

732
00:45:02,039 --> 00:45:02,519
can win.

733
00:45:05,000 --> 00:45:05,920
Speaker 12: This is the world.

734
00:45:06,599 --> 00:45:09,519
Speaker 5: What question remains?

735
00:45:11,719 --> 00:45:16,480
Speaker 3: What will we do if it all just changed?

736
00:45:17,400 --> 00:45:20,800
Speaker 19: Like zombies reaching out for runner apock elipse, like a

737
00:45:20,960 --> 00:45:25,119
saw's being taken through a fingertips, like the moon stopping

738
00:45:25,199 --> 00:45:27,039
coats and gathering next to clips.

739
00:45:27,400 --> 00:45:31,280
Speaker 3: I believed we could.

740
00:45:34,079 --> 00:45:37,360
Speaker 13: Cause a.

741
00:45:40,920 --> 00:45:41,199
Speaker 3: Baby.

742
00:45:41,320 --> 00:45:54,679
Speaker 13: Believe a paper child in the lead got a bob

743
00:45:55,199 --> 00:45:58,239
was in the ws that are happening in tonight.

744
00:46:01,960 --> 00:46:04,880
Speaker 1: So sad people landa.

745
00:46:08,719 --> 00:46:10,239
Speaker 3: South bluder.

746
00:46:15,480 --> 00:46:17,679
Speaker 8: Such people of that.

747
00:46:24,440 --> 00:46:31,920
Speaker 13: Newity are what.

748
00:46:34,800 --> 00:46:38,239
Speaker 19: A fage billion people who can show all the things

749
00:46:38,320 --> 00:46:38,800
that wind?

750
00:46:41,800 --> 00:46:45,800
Speaker 3: Oh God, so better.

751
00:46:48,480 --> 00:46:50,920
Speaker 19: One of the walls in the rooms that are having

752
00:46:51,079 --> 00:46:55,280
in a home tonight, put.

753
00:46:55,119 --> 00:46:55,800
Speaker 3: At the bath.

754
00:47:29,199 --> 00:47:34,000
Speaker 21: This is Jesse Rutstein and Caleb Dyer. Oh oh okay,

755
00:47:34,079 --> 00:47:35,760
we we can let's do that one more time. This

756
00:47:35,880 --> 00:47:40,400
is Jesse Rutstein and Caleb Dyer. Oh crap, hold on,

757
00:47:40,480 --> 00:47:41,199
what do you want me to say?

758
00:47:41,280 --> 00:47:44,840
Speaker 9: Right after that? From Hatchet act from and then I'll say,

759
00:47:44,840 --> 00:47:45,480
you're listening right?

760
00:47:45,639 --> 00:47:46,079
Speaker 10: Sounds good?

761
00:47:46,320 --> 00:47:51,239
Speaker 9: This is Jesse Rutstein and oh this is why I'm

762
00:47:51,280 --> 00:47:51,639
the leader.

763
00:47:53,880 --> 00:47:57,519
Speaker 21: This is Jesse Rutstein and Caleb Dyer from Hatchet ax

764
00:47:57,559 --> 00:48:00,719
and Saw Records. You are listening to the Matt Connorton

765
00:48:00,840 --> 00:48:04,599
Show on w m n H ninety five point three Manchester.

766
00:48:05,199 --> 00:48:06,880
Speaker 9: Actually, what did I say?

767
00:48:08,599 --> 00:48:08,920
Speaker 7: Okay?

768
00:48:09,000 --> 00:48:11,440
Speaker 9: All right, all right, let's do this again. Let's do

769
00:48:11,559 --> 00:48:12,000
this again.

770
00:48:12,719 --> 00:48:16,599
Speaker 21: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

771
00:48:16,639 --> 00:48:20,960
Saw Records. You are listening to Matt Connorton Unleashed on

772
00:48:21,119 --> 00:48:27,079
ninety five to three w n A dude, this is

773
00:48:27,320 --> 00:48:31,400
Jesse Rutstein and Caleb Dyer from Hatchet Axon Saw Records.

774
00:48:31,679 --> 00:48:35,159
You are listening to Matt Connorton Unleashed on ninety five

775
00:48:35,280 --> 00:48:37,840
point three w m n H FM.

776
00:49:09,119 --> 00:49:16,119
Speaker 2: Mom, when I was a boy, all I think about

777
00:49:16,440 --> 00:49:20,360
this one A stupid boy that I was when I

778
00:49:20,639 --> 00:49:24,639
was a kid. I got my face up there not

779
00:49:25,119 --> 00:49:27,880
bilets with the Giddamn.

780
00:49:28,440 --> 00:49:31,480
Speaker 1: I wasn't always a stoop and bum.

781
00:49:32,159 --> 00:49:36,639
Speaker 3: But when I was I was a jump I.

782
00:49:36,800 --> 00:49:38,880
Speaker 1: Didn't always look.

783
00:49:38,800 --> 00:49:43,920
Speaker 8: As I used to have and go filled man us.

784
00:49:46,079 --> 00:49:50,679
Speaker 22: I remember other bad times and picks member bar.

785
00:49:53,320 --> 00:49:56,519
Speaker 1: It feels like someone is humping.

786
00:49:56,320 --> 00:50:02,920
Speaker 3: Their tack fuck off of my farm. A right, done

787
00:50:02,960 --> 00:50:07,320
your mess? I go where no scene down the Bobby

788
00:50:07,519 --> 00:50:08,280
road alive.

789
00:50:09,159 --> 00:50:11,519
Speaker 8: I ride done you miss.

790
00:50:11,920 --> 00:50:14,440
Speaker 1: I go where no scene.

791
00:50:14,400 --> 00:50:17,440
Speaker 3: Down now Boby road up live.

792
00:50:24,840 --> 00:50:37,679
Speaker 8: Yes, when I was in school, didn't make good grades.

793
00:50:37,840 --> 00:50:41,960
Speaker 1: I was yes, still being numb fool. When I was

794
00:50:42,079 --> 00:50:47,000
still young, all I cared about round one girls, but

795
00:50:47,440 --> 00:50:49,280
they didn'tn't like my pimples.

796
00:50:49,719 --> 00:50:50,599
Speaker 8: I used to be.

797
00:50:50,840 --> 00:50:56,599
Speaker 1: Son just before day at nine, crying.

798
00:50:56,400 --> 00:50:57,119
Speaker 12: On the floor.

799
00:50:57,840 --> 00:51:00,440
Speaker 22: Then you used to wear your fans be eat me

800
00:51:00,719 --> 00:51:05,159
up my milk money taken. When I was growing up,

801
00:51:07,280 --> 00:51:09,519
I remember the bad.

802
00:51:09,840 --> 00:51:12,119
Speaker 8: Times and hick dom my mom.

803
00:51:14,719 --> 00:51:17,760
Speaker 1: It feels like someone that shopping the.

804
00:51:18,000 --> 00:51:20,519
Speaker 6: Same low of my hat.

805
00:51:22,400 --> 00:51:26,400
Speaker 8: I ride down your nest side call, we have.

806
00:51:26,639 --> 00:51:29,599
Speaker 3: No scene down, no bomb you roll alive.

807
00:51:30,480 --> 00:51:35,719
Speaker 1: I ride done nass side call we no scene.

808
00:51:35,719 --> 00:51:38,840
Speaker 3: Down, no bomb me roll up life.

809
00:51:55,239 --> 00:51:58,599
Speaker 22: You know when I was a warrior, my father used

810
00:51:58,639 --> 00:52:01,880
to look down at me and said, what the hell

811
00:52:02,079 --> 00:52:02,480
is even?

812
00:52:03,840 --> 00:52:07,199
Speaker 1: Go outside and cut some grass. Why don't you go

813
00:52:07,400 --> 00:52:09,400
kiss a girl? You stupid loser?

814
00:52:44,519 --> 00:52:47,400
Speaker 3: Rides downside call.

815
00:52:47,400 --> 00:52:49,360
Speaker 6: Way no scene down.

816
00:52:49,519 --> 00:52:53,119
Speaker 3: By road A line I rid.

817
00:52:53,519 --> 00:52:59,320
Speaker 8: Down you ass I go way no scene down, no rod.

818
00:53:27,760 --> 00:53:41,559
Speaker 3: M m m m.

819
00:53:45,639 --> 00:53:59,199
Speaker 23: B b bam bam bam.

820
00:54:21,920 --> 00:54:27,280
Speaker 24: And the fashion play crawling away on your source of

821
00:54:27,400 --> 00:54:28,880
self destruction.

822
00:54:29,960 --> 00:54:34,719
Speaker 25: Phase A pup with bear sucking darkness clear be eating

823
00:54:35,000 --> 00:54:37,039
on your dast destruction.

824
00:54:38,079 --> 00:54:38,599
Speaker 5: Pays you.

825
00:54:38,760 --> 00:54:40,679
Speaker 1: We'll see Morris.

826
00:54:40,719 --> 00:54:45,320
Speaker 24: All you need dedicated to how I'm killing you?

827
00:54:50,239 --> 00:54:56,719
Speaker 26: Come crawling, fuss, oh baby, messer.

828
00:54:58,880 --> 00:55:01,000
Speaker 1: Your life back, smester.

829
00:55:03,239 --> 00:55:07,639
Speaker 27: Obabia, lester luster, master of puppet.

830
00:55:07,719 --> 00:55:12,840
Speaker 28: I'm pulling your streams, twissing your mind and smashing your dreams.

831
00:55:14,360 --> 00:55:16,239
Speaker 1: Finding my name cassing a day.

832
00:55:17,159 --> 00:55:21,679
Speaker 24: Just got my name because all here you scream master Master,

833
00:55:22,519 --> 00:55:22,920
Just call my.

834
00:55:23,039 --> 00:55:38,760
Speaker 25: Name, because all here you, scream master Master, needn't work

835
00:55:38,880 --> 00:55:39,320
some way.

836
00:55:40,280 --> 00:55:46,679
Speaker 27: Never you betrayed by first set becoming clearer, tame en

837
00:55:46,760 --> 00:55:52,000
up with lee, ritual misery. Drop off your breakfast on

838
00:55:52,159 --> 00:55:57,239
a mirror, taste me you will see More's all you

839
00:55:57,440 --> 00:55:59,400
need dedicated to.

840
00:56:00,559 --> 00:56:15,280
Speaker 24: How I'm killing you? Come crawling Doster Okay, Master, You're

841
00:56:15,599 --> 00:56:17,119
like burns Doster.

842
00:56:19,480 --> 00:56:23,800
Speaker 1: Okay Master, Master master of puppet.

843
00:56:23,920 --> 00:56:29,480
Speaker 28: I'm pulling your strings, pussing your mind, and smashing your trees.

844
00:56:30,559 --> 00:56:31,360
Speaker 3: Finding my name.

845
00:56:31,440 --> 00:56:34,360
Speaker 28: I can't say a pig just got my name because

846
00:56:34,400 --> 00:56:36,840
on you're your scream master.

847
00:56:37,599 --> 00:56:41,079
Speaker 3: Master just got my name because on you you scream.

848
00:56:42,480 --> 00:56:44,199
Speaker 1: Master master.

849
00:57:30,559 --> 00:58:30,920
Speaker 26: La Muster, Muster, where's the dreams of laughing?

850
00:58:31,079 --> 00:58:38,719
Speaker 29: After Lester Lster promised only lies, Luster Luster, I hear

851
00:58:38,840 --> 00:58:44,079
receives laughter, luster lutter laughing at my crisis.

852
00:59:52,159 --> 00:59:57,480
Speaker 24: Tell us worth all that, if you'll have it, said Johnstone, right,