Speaker 1: Deathless is an improvised cinematic narrative with life production, including
music and dialogue.
Speaker 2: There is no script as such. The story contains violence,
disturbing imagery, adult themes, and the darkness which may leave
you down low. You see at your own risk.
Speaker 3: A lot of fight from shame, fat from.
Speaker 1: Me, from me? Did you say stand up for the
things you can't stand?
Speaker 4: I am struggling, moves fast as usual, walking through the alleyways. Yeah,
and I know where I need to go. There's an
apartment building here here, I've been there before. I choose
a different unit this time. I need to concentrate, which
is hard. I attempt to enter the dreams. The person
inside this unit.
Speaker 5: Just one? Or have you entered a unit with more
than one person in it? There's a family, okay, okay,
and how do you know that? I'm not objecting. I'm
just curious as to how you know.
Speaker 4: I've been here before, to the complex, right, to the complex. Yes,
and I made a note.
Speaker 5: Okay, tell me about the family.
Speaker 4: It's a mother and father and a son ow.
Speaker 5: Oldest Jason.
Speaker 6: Too young?
Speaker 5: Okay, So who are you feeding on? Mom and dad?
Speaker 4: Yes?
Speaker 5: Okay, take it away here you don't have to roll
for it.
Speaker 4: I entered the dreams of the mother and father. I
give them a pleasant dream.
Speaker 5: Can you do that?
Speaker 4: Were there?
Speaker 6: Yes?
Speaker 5: And how do you do that?
Speaker 4: It is an ancient blood sorcery. It is how I feed.
I keep them in the dream so they won't wake.
I can decide what kind of dream they have, and
I usually give them something decent. Fear is distasteful to
my palate.
Speaker 5: Okay, here's a fun follow up question. Do you know
what they would find pleasant or decent? Or is it
your version of what is pleasant and decent? Just so
I know how your power works.
Speaker 4: I don't think that I know what they are thinking.
Speaker 5: Okay, you'd have to stick around in the dream for
a little bit.
Speaker 4: Right, yes, okay, but I can feel their emotions.
Speaker 5: Those more just like I'm providing you an experience and
based on their emotion and their reaction, and you go, okay,
all right.
Speaker 4: Yes. Through my years of doing this, I've discovered certain
things tend to have positive emotions, like sunshine, esthetic beauty, landscapes,
spending time with loved ones foreign to me but familiar here.
It's in exchange.
Speaker 5: Okay, And do they know that you are there? How
does that work?
Speaker 4: No?
Speaker 5: Okay, is there a chance they could know that you're there, immortal?
Speaker 4: That's not happened to me.
Speaker 5: Okay, maybe, but there's a chance. So let's row for that,
right And I only say that because you're in a
weakened state at the moment, right you just I am, Yeah, okay,
I just want you to roll a D one hundred chaos.
It doesn't have to be anything on the sheet.
Speaker 4: Twenty nine.
Speaker 5: Uh yeah, No, you're good. Here we go perfect.
Speaker 4: I use a knife too. Undo the latch on the window.
Speaker 5: Okay. So you're in the dream, providing them an experience,
and you're witnessing what they're experiencing in the dream while
also breaking into their apartment. I you're playing my worst
nightmare right now. Okay, I just just so I No,
you're like double thinking right now, you're in their mind
while also you're okay.
Speaker 4: I am monitoring their emotions more than anything. My attention
is split.
Speaker 7: Yes, okay.
Speaker 5: So does that mean that if someone were to sneak
up on you, obviously they'd be at an advantage at
this time, only when you're feeding, you're a little bit
in the weaker spot. Yes, okay, okay, okay, please, sorry,
take it away. Just want to know how this works.
Speaker 4: They are in the same bird. I don't care which
one I go for first, whichever's closest.
Speaker 3: Is there.
Speaker 4: It's the man. I gently clone center and lean down.
I when I move him, concentrating on the dream. Need
to make sure he doesn't wake up.
Speaker 7: Okay.
Speaker 5: Now, the way this works is when you bite. I
think it's per turn. You can remove one hunger up,
and it's five minutes per turn. The way that it works,
I think, yeah, but if you do obviously, if you
do that five times, they're dead. So how much of
this mortal? Do you drink?
Speaker 4: This one? I drink.
Speaker 5: One, okay, and then you move on? Yes, okay, so
that's five minutes that you've spent. Dawn quickly approaches and
then you move to her.
Speaker 4: Yes.
Speaker 5: How does that work? Switching dreams? Because you can only
do one at a time, I imagine.
Speaker 4: Right, I can I only do one at a time?
Speaker 5: Yeah, I imagine you can only enter one person's mind,
you know, to feed on them at a time, especially
in this state. At least maybe in the future when you.
Speaker 4: I would heal his wounds if I could.
Speaker 5: Yes, I think we well we did homebrew right where
you could lick. You could use any sort of like
biological fluid and wipe it and heal their wound. So yeah,
you can do that.
Speaker 4: I do that, ye, and I try to leave his
dream peacefully. Okay, As I enter hers, I give her
the same images, the same scenario. Its easier that way,
I don't have to think too much. She responds similarly.
I feed on her. Yeah, I struggle. I don't like
to feed for more than a few minutes. If I
can help it.
Speaker 5: You have to commit to five to get one hunger gone.
So five, yes, I'm yeah, Okay.
Speaker 4: I guess I meant I don't like to feed for
more than five minutes if I can help it.
Speaker 7: Yep.
Speaker 5: Okay, you're in there for ten minutes. Do you feed again?
You can remove two hunger here?
Speaker 8: I no, no, yes, I do.
Speaker 4: How much time? What time is it you have?
Speaker 5: Time?
Speaker 4: I do? It's important. Normally I wouldn't, but yeah, this
is a unusual scent of circumstances we're in. Yeah, so
I will feed on Earth for an additional five minutes.
Speaker 5: Okay, you can remove one more, and I've spent fifteen
minutes here, do another d one hundred for me.
Speaker 4: Seventy nine.
Speaker 5: You hear stirring in the other room, not in the
room that you're currently in.
Speaker 4: I I will attempt to leave as quickly and quietly
as I can.
Speaker 5: You don't have to attempt, you can do that. You
just fed. Yes, you leave just as quietly as you
came in. You have fed for a total of fifteen
minutes on these sleeping victims. And now where do you go?
Speaker 4: Can I make it to Coras for sunrise?
Speaker 5: Yes? Yeah, absolutely, because you didn't go far, did you No? Okay,
so this is actually perfect because we have something new.
We have something in roll twenty here that I want
able to look at real quick. It is the map.
May not realize this now, but it is very important
this map. You have the ability to me move over
so that stream can see it too. You're gonna have
the ability to mark the map. And I want you
to mark where you just fed from. And then Constantine,
I need you to mark the body in the alleyway,
and Esteban, I need you to mark the people you
murdered as well. Now up on the top of the
map is a legend with like x's or dots or
things like that. And then you also have the ability
to do the text type, so you can drop that
and put that wherever you like. But we can decide
together where these things were if you'd like, or you
can each decide on your own.
Speaker 7: Can we point out where we were left when Stalker
had to leave, when he said here, you can come
here and feed.
Speaker 5: We had decided that was Bourbon Street?
Speaker 7: Right where along Bourbon Street?
Speaker 6: Right?
Speaker 7: So it was somewhere a little bit more north?
Speaker 5: Well, I yes, I think it was closer to the Yeah,
because that's where that's kind of like the end of
Bourbon Street.
Speaker 1: Yeah.
Speaker 5: Yeah, hold on, let me move back over here, show
us again, just.
Speaker 7: Somewhere right here. I think we were dropped of of here.
Speaker 5: Yeah, it's really too far, Merks. Yeah, ok, because the
whole street goes along the river.
Speaker 9: Ah all right mm.
Speaker 5: Also, I just realized I spoiled Orcish, So sorry, that's okay.
Speaker 4: I was going to say he did what?
Speaker 5: Yeah, we've been holding that close for two whole episodes. Okay,
all right, you so, Mergs, I think again, I think
that's too far. I think you're probably so. Do you
see the Blood Club and the Blood Bank on the map,
that's where that's closer to where y'all are, like that
area up there.
Speaker 7: That orange one.
Speaker 9: Is one that seems quite far from Bourbon Street to me.
Speaker 7: But well it goes s north. So he really dropped
us off, like right around here where I'm drawing right now. Yeah,
and the Blood Club, if I could say, is where
Zambie wound up. We're Gunner wound up.
Speaker 5: So I realized some of you are confused there. There
are a couple of precessions prior to this. This is live.
We are here, it's not pre recorded, so we're just
diving in. So hold on to your boots. I guess
we'll explain as best we can. Okay, So on the
map you have marked the so which one's the purple
one purple x? I am the purple one, okay, okay,
and then the two orange xes as well. Hold on, chat,
I'm getting getting you there. Don't worry. What are the
two orange ones on there?
Speaker 7: Those are mine? So those are the two spots.
Speaker 5: Okay, And then we need to pick the alleyway Zombie
which the Blood Club is listed around in that area,
so you can just put it.
Speaker 1: Blood Club or the Blood Bank.
Speaker 5: You were at the club, right, you were stalking somebody
outside of club, but they just happen to be next
to the blood Bank, which makes sense. So yeah, you
could do somewhere in between, or you could do anywhere
around the blood club area here.
Speaker 1: Yeah, so we had a little chase me and the sky. Ye,
so I'd say, if I'm doing this.
Speaker 5: Right, yeah, I'm gonna move over to the map and
see if it mutes again. It shouldn't, and you' all
here now, you good? Okay. I don't know why I
did that then, but we're all good.
Speaker 4: Okay.
Speaker 5: So yeah, here's the map here. Okay, perfect? Oh okay,
that makes sense. Now one last question for you. Yes,
I need the alleyway where you did your thing.
Speaker 4: Ah, yes, going to make this purple.
Speaker 5: You might want to do a different symbol, like just
a circle or something.
Speaker 4: Yeah, remind me the So I went to the alleyway,
and then after that I saw I witnessed I witnessed
another one of us situation.
Speaker 5: Yes, yes, words, So that's the that's the alleyway that's
marked up in the light pink up there. So you
probably need yours to be close. Your alleyway needs to
be somewhat close to that.
Speaker 4: I'm going to say it's actually yeah, can I just
hear the line marking the alleyway? Is that all right?
Speaker 7: Yes?
Speaker 5: You also have arrows up top, like where the legend
is you can grab They're actually tokens, so you can
grab that and move it, and then you can do
a text bubble if you'd like, and label it like
safe alleyway. Yeah.
Speaker 4: Me, I think actually this symbol is real priand perfect.
Speaker 5: That's actually why I put it there for you. Okay.
And where is that?
Speaker 6: Where is it?
Speaker 5: Yeah? Like is yeah? Is that where you're putting it?
Speaker 7: Yes?
Speaker 5: Okay, that's pretty far. I'm just zooming in here. It's
like twelve blocks away. I think it should probably be
closer to the so that, yep, somewhere like that. Yeah,
that works. Okay, I'm switching over so that they can
see it. And I think I know how to fix
this as well. Hold on, chat bear with me, and
this doesn't fuck up the sound when I do that, right?
Speaker 4: Fuck?
Speaker 7: Yeah?
Speaker 5: Okay, figured it out? Okay, all right, perfect. So this
is the time in which I'm gonna tell you all
that you're gonna you're gonna need to mark certain things
on this map, but you're also gonna want to use
this to mark the discoveries that you find and territories.
So you also might want to consider marking down any
random encounters or any PCs that you run into that
you think might be you know of a certain clan
or whatever. This is basically going to be your lifeline
to figure out how to survive. So, Stalker, when you
are done feeding, I think you you're heading straight back
to Korras.
Speaker 4: Correct, Yes, I need to well, I am assuming time.
Speaker 5: Is yes, it is very close to down.
Speaker 4: I think if I had more time, I would go
to my own nice but I don't think I do.
Speaker 5: Did you have a place you have an apartment or
sorry a hotel?
Speaker 4: Uh, it's whatever my land provided me with.
Speaker 5: Okay, what would they normally provide you with? Probably not
something super obvious, right, like a motel.
Speaker 4: Yeah, it's not lavish or extravagant to your simple thoughts
service its purpose?
Speaker 5: Well, okay, so it's probably then on your way back
to Kora's where you would hear the police sirens going
off in the background, and they are heading towards Bourbon
Street and there are a lot of them where I
left them. Yep.
Speaker 4: How how many are we talking about? A couple like
an ambul.
Speaker 5: There are at least two ambulances at least, and I'm
going to say four cop cars. It's a lot.
Speaker 4: Somewhat concerning. I will continue on to chorus.
Speaker 5: Okay, and I think that is a perfect time for
us to switch scenes and then Stalker you enter in
whenever you feel you arrive back at kras. We have
Constantine in the bath. We have Fen outside the door
to the bathroom with his arms crossed guarding it. We
have Estebon and Cora in the living room, and we
have Gunner in the living room as well. Who just
got done asking where is Constantine? Take it away?
Speaker 7: What do you mean? It is not a good idea.
If you give your blood, this man is about to
lose control.
Speaker 10: If you're so concerned, and wy don't you offer yours?
Speaker 1: Well?
Speaker 7: I am clearly happy to. I thought we could both
do it in the spirit of working together. But now
I am a bit curious. How do you think it's no? Please?
Speaker 10: No, I agree, Donn's almost here. We should take care
of this. I just think maybe we should take turns.
Maybe you share some blood tonight and we'll figure out
something else for later.
Speaker 7: I would like to know she is lying to me.
Speaker 5: Okay, yeah, let's go ahead and uh roll. And the
way we've homebrewed the contested rules to make it more
fun is we're going to allow for stuff like this. Obviously,
for combat, we go strictly by the rules so that
you know, no one can be mad at me when
they when they die. But for something like this, we've
decided that the that Cora will determine how difficult it
is probably for Esteban to get this information, so the
target number will be determined by Cora here. So why
don't you go ahead and roll your insight, which is
going to be wits and what else do you get insight? Okay, yeah,
you can do insight.
Speaker 10: And then I would roll.
Speaker 5: No, you don't have to roll. You're telling him, just
you difficulty, Yeah, just the difficulty, so you can say,
you know, if you feel like the reason we're doing
this is because you if you want to reveal that
you're lying, you can, but you also don't have to.
You can just say, yeah, it's a difficulty of three,
and then if he makes it, you can go yeah,
you seem it seems like I'm telling the truth, but
I'm we're not revealing if you are or are not
telling the truth, it's going to allow you guys to
lie to each other in character a lot easier than
if I'm in control.
Speaker 10: Let's say difficulty three.
Speaker 5: Three of three, which is a success. So you don't
have to say hold on. You don't have to say
I am telling the truth. You can simply say it
seems like I'm being truthful. That way, you're not revealing
it either. Sorry, go ahead.
Speaker 10: I think I think you can tell based on how
I answered that I am being truthful and wanting to
work together to solve the situation. But maybe there's something
else going on.
Speaker 7: Well, taking turns seems very fair. Let us make sure
it all has come and they are not tearing each
other to pieces first, and then I basically turn around
to see what's happening.
Speaker 10: Yeah, because we've directed Gunner towards the bathroom.
Speaker 5: Yeah, so what's happening at the bathroom door with Gunner
and Fenn?
Speaker 1: I think during that conversation, life risen from my seat
to face towards the bathroom worfin God's the door. Psychi
wasn't even listening. I stare at him.
Speaker 11: I haven't moved a muscle in my eyes. Just follow
Gunner in every movement that he makes.
Speaker 9: Do I know that Gunner is standing outside?
Speaker 5: I mean, I'm sure you can hear his voice. So again,
for vampires, I you're supernatural being all your senses are heightened,
so pretty much, unless somebody is going out of their
way to say, yeah, I hide, you're going to be
able to hear something in the next room. So yeah,
I think you heard him say where's the one I
fed on last time? And start heading towards the bathroom.
Speaker 9: So okay, I am still in the bath uh, but
I will say through the door shuts, let the pup in?
Speaker 11: Are you sure?
Speaker 9: Natually?
Speaker 5: Do it.
Speaker 6: All right?
Speaker 11: And I push myself off the door with.
Speaker 4: My back.
Speaker 11: And I open the door in a manner, and I
don't even block the doorway now, and I look at
that Gunner after you. I'm making my way then all
the way towards the bathroom. Squeeze by fin, it's not
even a squeeze. I'm just letting you go. How tall
are you, by the way, I didn't get time.
Speaker 12: I'm very tall.
Speaker 1: I'm like six ' four.
Speaker 11: Sorry, Fenn is about a foot shorter than that.
Speaker 6: So you kind of just.
Speaker 1: Look down at him as.
Speaker 8: God.
Speaker 5: Okay, but here, here, I think we have to we
have to let the audience know that. I mean, you
guys are gonna be able to listen to all previous
episodes because we recorded everything. But there was a moment
where the previous encounter you two had was like toe
to toe, right, even though Fenn is really short, it
was like, yeah.
Speaker 11: I believe, I believe.
Speaker 7: Yeah, you threw him.
Speaker 5: Across the room. So yeah, it's it's pretty good, all right,
all right, right.
Speaker 11: As he's looking at me, I wink at him, and
then I look away from the bathroom.
Speaker 1: I think you see me just kind of disappear behind
the door.
Speaker 11: As I close it, I stop it from being closed,
and I ask Constantine if he would like the door closed.
Speaker 9: It's not to worry. You can close it.
Speaker 11: I'll be right on the other side.
Speaker 9: Don't worry. If I need your help, I'll make a sound.
Speaker 8: Huh.
Speaker 11: I closed the door and lean against it again. Sorry, look, yeah,
what do you look like?
Speaker 1: What are you doing?
Speaker 9: I am laying in the bathtub, fully clothed, and the
water is red, it's very red. My hair is wet
to my scalp. But I think you would still believe
I look quite beautiful. I look up at you and
I raise my arm. Are you still hungry?
Speaker 6: Part of me?
Speaker 4: Good?
Speaker 1: Use drink again?
Speaker 6: Nay?
Speaker 1: Sort of close the distance and very slowly and methodically lowered,
get on a knee. You see, I have.
Speaker 9: A bit of a problem, don't we all? What is yours?
Speaker 4: Is that.
Speaker 1: As much as say, need to admit, your blood fears
me up another scn't I might take your on into
my hands.
Speaker 9: I let you, but my movement h stiffens for a moment.
Have you been told that if you drink from me
too much, you may struggle to drink from others.
Speaker 1: I've been taught so much, but nothing it seems to
matter now.
Speaker 4: Well enough.
Speaker 9: My arm goes slacken your grip again, do it, gentle?
I like it best.
Speaker 6: Well, I have a deal for you this.
Speaker 1: My mouth gets closer.
Speaker 9: Ugh business at this hour? Oh my god?
Speaker 1: Those bags from which we drink I can get all
you need.
Speaker 4: For you seem to like.
Speaker 1: Them, M.
Speaker 9: Thank you truly, but nine I do not like them.
Let me get you in on a little secret. I
like it best when they say, yes.
Speaker 4: Well.
Speaker 1: You tell me how I can repay you.
Speaker 9: I turned my head away and look at the tile
of the other side of the bathtub.
Speaker 6: Am I just bite down?
Speaker 5: Okay, I gotta interrupt here for a second. So, Gunner,
this doesn't matter to anybody else except for you, unfortunately,
but resonance in the blood matters. So I think right
now we're going to decide what emotion you most enjoy,
and if you like, it can be the emotion that
Constantine is feeling right now, because narratively, this is, you know,
kind of the second time you've done this, and so
maybe we could narratively say that the reason you like
this resonance is because it was, you know, the first
it's from Constantine. But also you can choose any resonance
you like, and that just means the emotional state that
the victim is in when you're feeding on them. So
whether it's pleasure or sadness or anger, those things matter
to you more than anyone else in this group. You
have to feed on a specific type of emotion or
you don't have to, but like, you get more from
it if you do, and it doesn't taste good if
you don't.
Speaker 1: So I'm deciding on a emotion.
Speaker 5: Yeah, on whatever you think, Gunner would and if you want,
we can let you think about it, because I don't
know if Gunner would know that yet, right, he'd have
to feed on a different one and then go, oh,
I don't like that, but I guess, I guess think
about it now in the back of your mind, because
Constantine is going to taste differently than he tasted to
you the first time, because, if I'm not mistaken, Constantine
is in a completely different emotional state.
Speaker 4: Yes.
Speaker 5: Yeah, So the first time you fed on Constantine, there
was this memory that you got, and now I'm going
to turn it over to Constantine to describe what you
feel and see when you drink this time. O.
Speaker 9: I think the feeling you get right now is much
more immediate. It's how I'm feeling right now in this moment,
how I've been feeling for the last couple of minutes.
Speaker 5: And it is.
Speaker 4: A deep.
Speaker 9: Remorse discussed at myself. And you feel that the way
you approached feeding just now did nothing to ease any
of those feelings. You get this feeling of discussed with transaction,
m loneliness being unseen.
Speaker 1: And I'm drinking gently and being sure to not take
more than I need or and you can handle but
as I drink, I because I saw my reflection in
the water before. I'm just airing at myself through the
bloody water.
Speaker 4: Is that drink.
Speaker 1: And I am disgusted with myself.
Speaker 6: And what I'm doing.
Speaker 9: I turned to look back at you, and I reach
out and put a hand on your cheek tenderly stoska
knock shots, mister Vette, Are you.
Speaker 1: Done when you do that? Eiales long? She takes us
mouth of your arm. Did something.
Speaker 7: Happened?
Speaker 1: So I look into your eyes for the first time
since I.
Speaker 11: Came here.
Speaker 9: Yesterday, I did not feel like a month stir. It
is the first time that I feel like a monster.
She did not want to die and I had no
right to take her. But worst of all, I have
never felt so free. I just need to be left.
Speaker 8: For a bit.
Speaker 9: And then I will be back to my old self.
Speaker 5: Not to worry.
Speaker 1: I stand up, stand quiet, walk back towards the door.
Speaker 4: Open it. I just knocked on the front door.
Speaker 5: Yeah, so actually this is I can narratively explain this
because Gunner would probably think that that was coming from
the bathroom door. But when you open the door, you
realize your hearing is incredible and actually it's coming from
the front room, and.
Speaker 4: In the front room, I knock again more urgently.
Speaker 10: I go to the door and open it for him.
Assuming it's stalker. How do you know it's stalker? Do
you feel him?
Speaker 4: Oh?
Speaker 5: You must?
Speaker 7: Yeah?
Speaker 5: Ooh soccer. What are you feeling right now?
Speaker 4: Anxiety?
Speaker 5: Okay?
Speaker 4: Cern?
Speaker 5: Immense talk? Are not you.
Speaker 7: Very funny?
Speaker 4: Very funny? I am feeling apprehension and an urgency. Not
only is the sun coming up, but I need to
know what happened. My suspicions are they did not follow
my advice. I need to know what happened to me.
Every time I think I'm going to get an answer,
I just find more questions, open.
Speaker 10: The door and gesture you win. Take a note of
any changes in your appearance.
Speaker 4: I may appear to seem. Actually I should clarify I
am still recovering.
Speaker 5: Yes, yes, yeah, yep, you're not hungry, but you'll still
have And I think what I've decided is that because
you you know, everything comes at a cost, equal trade
and all that, because you did take those that extra
time that you normally wouldn't to feed and lower your hunger,
I think you'll recover a little bit faster. Than normal,
and I think that's because you've you've like took a
huge chunk of blood all at once, so it's kind
of just like, I don't know, boosting your immune system.
But he does look he does look pretty rough, Cora.
So when you open the door, he's like, I don't know,
do you want to describe how you're holding yourself? And
because you look physically like you've been tossed around, even
if you weren't.
Speaker 4: Actually I'm I was in fact tossed around.
Speaker 5: I didn't want to.
Speaker 4: All right. Sorry, my clothes are a little tattered, a
little more than usual. You may catch that. You may
catch that my shoulders on roping.
Speaker 6: I look.
Speaker 4: Tired, exhausted. Who's in the room?
Speaker 7: I am? I probably have my feet up at this point.
I sat down because he went into the I'm gonna
run into the bathroom, so I don't have to worry
about that anymore as far as I know, at least
not immediately. And I'm probably just just sitting there kind
of just trying to balance that nice that I had
taken from her kitchen or earlier in the evening, just
trying to balance it on my fingers. I wait to
see what happens when Gunner when the bathroom is resolved, and.
Speaker 10: I think, Ben, are you still by the bathroom?
Speaker 11: Yeah, but I don't know me the player doesn't know
if it's open format, like what do we I think.
Speaker 10: It's like kind of in a hallway off the main room,
so you might be partially hidden.
Speaker 11: Okay, then I'll keep this filter because I don't have
a partially off cam filter.
Speaker 4: Just peek around the side.
Speaker 10: Yeah, of course, I think you've seen me and Esteban
immediately in fence nearby.
Speaker 4: The situation is worse than I thought. We should all
of us speak before rest.
Speaker 7: Is there. I would assume Corara, you have kind of curtains,
like blackout curtains or something, because this is we're getting
pretty close now, right yeah, yeah.
Speaker 10: Yep, yeah, I think they are.
Speaker 5: Probably in like half an hour, right, so sorry, yes,
time check.
Speaker 10: Yeah, okay, yeah, that's probably what I did earlier when
I was like tying up, is draw the curtains and
I think there are really like rich deep plum color,
maybe like a velvet or something. I pull them across
the the large windows in the living room.
Speaker 4: Where is everyone else? Now they're back?
Speaker 7: See, everybody is here. Somewhere in the washroom. Not everybody
is done feeding.
Speaker 4: I walk to the hall where I know where the
washroom is.
Speaker 11: You would see me leaning against the door, foot tapping
anxiously quickly. My eyes look up at you.
Speaker 4: I think our case box for a moment, and it's
locking eyed. We all need to speak, and we have
little time.
Speaker 11: I knock on the door three times.
Speaker 9: Yes, I am coming.
Speaker 11: They are coming. Momentarily.
Speaker 4: I with the flick of my eyes, I check your stance.
That's the yellow grasser.
Speaker 13: Passer ten's passive little tents and passive not um, not
in any offensive position. If you're thinking tactically, when isn't
he that's true.
Speaker 4: I return to the front room. I stand upright, my
back to the wall and on bount and wait.
Speaker 9: I get out of the bath and I take all
of my wet, sodden clothes off. I take a towel
from the rack or hanger, and I towel myself down
and I walk into the living room completely naked.
Speaker 7: My friend, you are looking veryl revenue.
Speaker 9: Thank you Astabon. Now, what does the emergency that you
interrupted me from my bath?
Speaker 4: Is there any evidence of what we're just going on
in there? Are you still bleeding? Is there blood on you? Said?
Blood on his mouth?
Speaker 9: I assume blood corners of my lips.
Speaker 4: It's fair to say it's obvious. What was happening? Or
should I roam?
Speaker 5: I'm gonna leave that a few ye It's gonna happen
this show. There will be an episode where I don't speak,
it will happen. I believe.
Speaker 7: This is the.
Speaker 4: One I we all of us.
Speaker 6: I believe we.
Speaker 4: Are in a very dangerous situation. There is no easy escape,
alone or together. But I think our best chance is
to stick to the pact we made.
Speaker 9: I'm sorry, stalker, that's it right, you can call me
that right. What is this about? We made a pact?
Why would we break it? It' smack Kinsen doesn't make sense.
Speaker 4: When you make a pact with someone, there is trust, yes.
Speaker 7: Ye'allhy wouldn't I say this is the case in our case,
you'll threaten to leave us in a crypt if we
did not agree. I don't know if that breathes a
lot of trust.
Speaker 4: I offered to help you.
Speaker 7: See our strands in the place we did.
Speaker 4: Not know you were on your way out. If I remember, I.
Speaker 7: Had already agreed, and then I had left to get
away from whoever else was in there.
Speaker 4: Regardless whatever negative feelings we harbor for one another, I
believe we all wish to survive.
Speaker 9: I'm a moment who said we were harboring negative feelings
for one another? Who said, what happened? Stalker?
Speaker 4: I would like to know what happened on Bourbon Street?
Speaker 7: What is this Bourbon Street? Is that where you left us?
Speaker 4: Yes?
Speaker 7: What do you mean? What has happened? We have fed?
I feel and I am holding a knife. I feel
so much better now after going there. This is actually
a wonderful place, and I have seen so many things
I could not have imagined, but I do. I hope
we can spend more time. I know we have a
lot of business around here, but I hope we can
go around this magical city more. Even any city is
staggering to me. There were these metal things moving carriages,
and these lanterns with no flame in them. These say
incredible and I would love to see more of it.
Speaker 4: Didn't you break the masquerade?
Speaker 7: Are you asking if I had killed people? Because see
I have killed three people this evening to feed.
Speaker 5: I'm gonna step in here and say that the mask
rad If you give a shit, which I know some
of you don't. I don't want you to reveal that.
But if you give a shit about the masquerade, rules
have changed. So it's totally fair for you to have
assumed you have not broken the masquerade, because I believe,
and I'll fact check this in a second, that the
not killing of mortals was more recent than you've been
entombed in a coffin. Yeah, what about me?
Speaker 9: So do I fall under that?
Speaker 5: I think he's all under that also, Yeah, because I
think fantastic. I think it was after World War Two.
Speaker 7: Then I would say, well, nobody saw what I had,
and nobody saw me feeling it this fine?
Speaker 4: Nor when when were you? How long have you been
down there? Do you know?
Speaker 7: I remember the day? See, I have been down there
since seventeen ninety six is the last day I remember
being awake?
Speaker 4: Two hundred years yessies, quite the injustice, and you are
billing me.
Speaker 9: Constantine nineteen thirty nine, many decades. Yes, I know it's
not as big as two hundred years, but.
Speaker 4: A great offense to nonetheless, and you I'm looking directly
at Foennix. Yeah, do you remember.
Speaker 6: I do?
Speaker 4: I hold his gaze for a few moments, and then
I look.
Speaker 11: I don't have any bodies out on Bourbon Street. I've
been here the whole time. You don't have to worry
about me.
Speaker 4: I hold his gaze for a moment longer, and I
look to the large man and you, do you remember
one year you were entomed?
Speaker 6: Yeah, Ryan.
Speaker 1: Leaned against the wall, nodding at you under the brim
of my hat.
Speaker 4: Long ago.
Speaker 6: Yes, I gather it's been.
Speaker 1: Quite a while.
Speaker 4: Yes, And I am partially to blame. I should have explained,
but time was not on our side this evening, the
masquerade changed.
Speaker 10: It's not everyone. I told you to take them, stalker.
I didn't realize you were just going to drop them
off in the middle.
Speaker 5: Of the town.
Speaker 4: I didn't want to, I had no choice. You are
not You are not to kill if you wish to
follow the masquerade. And I know some of you do
not agree with that, and many other kindred don't as well.
But breaking the masquerade does bring attention, and attention is
the last thing we need.
Speaker 9: When was this the do masquerade rules? When was this?
Speaker 5: And he tells you the correct lore appropriate date. I'm
pretty sure it's perfect date. Yeah, I'm pretty sure it's
after World War Two. I'll have to double check. I
can't seem to pull it up in the book, but
I know that it does change in history. They didn't
care about killing people because it wasn't really you know,
people didn't. Yeah, well, it didn't really start changing until
it became dang likely you could get caught.
Speaker 9: Yeah. Oh, I think this is a good thing.
Speaker 4: I very good. My eyes linger on him.
Speaker 9: But it doesn't work. I bet, what do you mean, Well,
you know, not everyone is like me. I can't imagine
you are keeping the masquerade very much. Making the masquerade
is so when you cannot kill, how much does it break?
Very often?
Speaker 4: Yes, depends on where you are. But as I said,
breaking it does bring attention.
Speaker 9: Right, Well, how about this my victim? As it was,
I slashed her throat, so it looks as though someone
slashed her throat. So you have a murderer on Bourbon Street.
But you do not have vampires, you do not have kindred.
What about you as debond?
Speaker 7: Oh well, I will say.
Speaker 5: Now, I know, good, very good talk.
Speaker 9: You see, when we talk, we build trust, and trust
is very important to the pack that we made. And
now we've talked about it and we know we can
go to bed.
Speaker 10: I'm looking very concerned and after gland scene, in frustration
at stalker, I turn and pick up a remote from
beside the couch and I turn on the TV.
Speaker 5: Breaking news out of downtown New Orleans tonight, where authorities
have confirmed the discovery of five bodies found in various
blocks around Bourbon Street. The gruesome scene has left both
locals and tourists in shock, has police cordon off multiple
areas in the heart of the French Quarter. At this time,
it is unclear exactly what has happened, but early reports
suggest that the incident may be gang related. Law enforcement
officials are still investigating and have yet to release the
identities of the victims. Authorities are urging the public to
avoid the area and to report any suspicious activity as
this investigation unfolds. We will continue to bring you updates
as more information becomes available.
Speaker 7: And I probably fucking yelp and drop the knife I
was holding on the floor when the TV goes, oh yeah,
I didn't want to interrupt you, but I would have been, like,
you know, and then just kind of like probably like
picked my feet up on the couch. So they're like
almost like I'm like moving away from something like I'm
like about to jump over this if I didn't jump
over the back of it entirely duck behind it and
are peering over the top. Mandre theresed him. Man inside
this box.
Speaker 9: No no, no, no, no, no, it is called a
fans fans it? What is it called here?
Speaker 6: It's called a TV.
Speaker 9: Right, that's right?
Speaker 6: Television?
Speaker 9: Okay, look over here, television.
Speaker 11: I pick up the remote whistle and I mute it.
Speaker 5: It does moving pictures, this sorcery in your home.
Speaker 7: You're a powerful, a powerful practitioner of magic, Miss Cora.
Speaker 9: You know, I'm starting to believe that. Also.
Speaker 10: I would look at them and frustration is gone for
a moment, and I would say, well, I am, but
this this is called technology. That's it's different.
Speaker 7: I think is it safe?
Speaker 10: What the television?
Speaker 7: Is that the full name this TV?
Speaker 9: Well, it depends who's using the television. In my day,
they could take control, and you know, you didn't know
whether they were saying the truth. But I'm sure that's
not a problem anymore.
Speaker 7: Are they already speaking of? What we have done.
Speaker 4: Is why, in part the masquerade has changed technology I
told you of you may hear, you may hear sounds
or sea lights from places that make no sense.
Speaker 7: I'm going to stand up and kind of walk towards
the TV as it's going and lean and close. And
that's probably when it gets completely fucked up and staticy
when I get close to it. What has happened or
has he gone? It's this noise.
Speaker 4: You see.
Speaker 7: I move away and then the reception comes back.
Speaker 4: Sometimes that happens with certain kindred.
Speaker 9: Huh, listen, I am very tired. Does anyone else very tired?
Speaker 7: I was? I suppose I still am.
Speaker 4: I needs you all to understand before we retire, someone
or something, probably more than one group or entity is
looking for us. I don't know why. I don't know
who they are, yet they want something of us. They
are powerful. I think you would notice the intensity and
the edge, and his voice is a little different.
Speaker 9: So what would you have us do?
Speaker 7: I just.
Speaker 4: Excize desires, troop. I just need you all to be cautious,
more cautious than you have been.
Speaker 9: Well, darling, it will be much easier now that we
are no longer starving, having been locked up in caskets
coffins for the last time. Well, for some of us
are two hundred years ah and fed nothing one brought out.
So now that we are no longer hungry, everything should
be perfect.
Speaker 1: Stucker, you endanger us by not giving us more answers.
Why are we here? How you found us? Who put
us in those tombs? You say they are more? Are
they the same people? When it's some one going to
start answering those questions.
Speaker 4: I do not have all the information you want. I
can only tell you I heard a rumor.
Speaker 5: I'm going to interrupt you for just a second, but
it's a millisecond in the back of your mind as
you say, what was the last thing you just said?
Because you said the keyword that triggered it, you said,
I don't have all the information, and what did you say?
Speaker 4: But I can tell you?
Speaker 5: But I can tell you. And as soon as you
say but I can tell you, you remember there was a
thing that you were supposed to forget, to remember, but
or remember to forget, and then you know, to not
think about it actively, and then you just let it go.
It's only for a second that that happens as you're speaking.
Speaker 4: I heard about a rumor. That's what led me here,
just whispers, nothing for sure, nothing verified. I was investigating
when I found you are. I don't know who put
you down there. I don't even know if they're after you,
but someone very powerful is looking Watrum.
Speaker 9: I look to Kora while he's saying this, and I
don't say anything. I'm just looking at you, Cora.
Speaker 10: I'm looking worried. I think you can tell that the
things the stalker is saying, or at least the circumstances
around him returning to us, I'm taking note of. And
it seems like I am not fully informed on what's
going on. And whenever he talks about other groups, my
expression gets more concerned, and I think the more that's mentioned,
I finally speak up and say, Constantine, you say that
now that we are all fed, everything will be.
Speaker 9: Smooth.
Speaker 10: I worry that is not the case. I worry that
we have called too much attention to ourselves already. And Stalker,
you're not telling us everything. What happened when you left
them in Bourbon Street? Where did you go?
Speaker 7: I was.
Speaker 4: Come to acting my clan or guidance. He sees m
finding you all as you we was most irregular.
Speaker 9: Huh so your clan knows about us?
Speaker 4: I don't know.
Speaker 9: Oh, but you just said that you were informing them
about finding us. So I assume that they now know
about us? Is that not right? I thought that we
were trying to keep our presence, you know, quiet.
Speaker 4: My clan. It's likely best not keeping things quiet, I
assure you.
Speaker 9: Yeah, clan. Who is your clan? Mm hmmm, we are.
Speaker 4: Known as the Idolans.
Speaker 9: Was that the new clan?
Speaker 5: Sorry? PBu bullshit? Roll me one D or D one hundred.
Please as soon as you say the name of your
clan out loud me yeah, four, Okay, I'm gonna let
you choose. But everyone, everyone in this room, including you,
stalker Shiver, will run down your spine and you will
get a feeling of something that is metaphorically sort of
maybe related to your clan.
Speaker 4: Stalker and this has never happened to me before.
Speaker 10: Nope, So he says his plan, am out loud everyone.
Speaker 5: And then everyone will have a physical reaction yet and
then you're about to get a feeling as he said,
invokes that name out loud. Mm, and I can choose
if you like, I can do it, but I thought
it might be fun for you to do it. Oh,
I choose the feeling, Yeah, yeah, it's your clan. It
can be a memory. It can be something notable that
your clan was responsible for. You know, if you want
to get detailed, you can. It can just be as
easy as a foreboth sense of foreboding, like somebody's watching
you and you're looking over your shoulder and you don't
see anyone. It can be something like that, whatever you want.
Speaker 4: Yeah, the feeling that enters your thoughts unbidden is one
of a fugenive someone who knows they're being tracked, someone
who knows they're being watched, someone who knows their punishment
is coming.
Speaker 9: Do I know of this club when he says its name?
Speaker 5: Oh, let's roll or we can narratively choose on whether
or not you think that you would know the Klan
has been around as long as you But I can.
I can tell you a little bit more with Stalker's permission.
Speaker 4: That Okay, I think we had to discuss that they're
they are known.
Speaker 5: Yeah, okay, Well I just wanted to make sure, Yeah, okay.
Speaker 4: I would No, I don't know if they know a
lot of details, but they know the general idea of
the Klan.
Speaker 5: Yeah, okay, So I think mass effect just to cars,
they are basically I mean, that's a great way to
describe it, right. They are essentially your vampire police. They
don't really police the masquerade. They have their own set
of rules that they go by, and so so they will.
They're kind of like your boogeymen almost in a weird way.
Maybe you'd heard about them and you didn't even believe
that they existed, But here is one. He's claiming to
be one of these. Like I'd say, in the whole world,
there are maybe two hundred of them right now. That's
how few there are. Maybe that's a lot for vampire society.
I actually don't think so. I think two hundred is
pretty fucking small. Or maybe two hundred of them, But yeah,
this clan in particular, they are ghosts. They are never seen.
They will hunt down supernatural beings and they will take
them out according to their own rules. And usually if
you see one, that's the last time you will see one,
Like while you're living, if you get to see them
one time, okay, But if they come for you, a
get because usually how it'll go is they'll show up,
they'll give you a warning, and then the next time
they come for you, you're dead. Is kind of how
it goes.
Speaker 9: Okay, So with that information and everything that he just said.
I'm remembering that when he asked us how long we
were in the coffins, he said, a grave injustice, and
he was he was giving almost, yeah, almost, reflections on
the ways in which we have been wronged. Yeah. So
I look at him, Ah, we are your victims that
you are trying to find justice for.
Speaker 4: Yes, I believe all of you before you certainly have
cause to seek out my expertise.
Speaker 9: Yes, I cannot say it comforts me entirely to know
that you are well to know that your clan knows
my name. But then again, everyone should know my name,
so it's fine.
Speaker 4: In the interest of honesty, I did not come here
to find victim. But whether you are victims or something
else entirely matters very little. Now I may be cut
off from my clan, something powerful. He's preventing me from
communicating with them.
Speaker 9: Oh, that won't do it.
Speaker 6: W wasn't me. And with that.
Speaker 1: Shiver down my spine, I straighten my back and come
off the wall. I roll my neck maturned. Cora. I
don't mean to be disrespectful in your camp.
Speaker 6: What are you.
Speaker 1: Interested in telling us more? I believe we together should
be all in the same business of honesty that crypt, Charley.
That's more answers. There there was something else down there,
wasn't it. I felt it. It wasn't you. It wasn't Stucker.
Oh oh, when I awoke there was something with us.
Speaker 6: What are you going to tell them?
Speaker 7: I'm ten. I'm tensing up as he's bringing this up again?
Speaker 6: Are you going to tell them about me? There was
another coffin.
Speaker 7: We cannot go back there. There's no reason too, it
wasn't opened.
Speaker 1: Why maybe this another one of us that had a
great injustice done to them.
Speaker 10: I'm also getting tense. But when he says that, I
shake my head and say, there was nobody in that crypt.
Nobody was left behind.
Speaker 6: Are you sure about that?
Speaker 7: Whatever I was in there needs to stay in there.
That is why I left so quickly.
Speaker 11: I would like to try some special bullshit.
Speaker 5: If I may, I love special bullshit.
Speaker 7: Let's go.
Speaker 5: What are you trying?
Speaker 11: I would like to I have a clan bane that
when I go into a frenzy, I can gain an
animal feature.
Speaker 5: H huh.
Speaker 11: This is bullshitty. So if it's too much, I understand
and I'll do something else.
Speaker 5: But I think you will find I rarely say no. Continue.
Speaker 11: Do you know how pets can sometimes sense the supernatural
and things are round?
Speaker 5: Has told you? But I, like I said, I'll rarely
say no. But what I will do is I will
say that the DC for this or the target number
is going to be incredibly high. Now I think it
should be a flat D one hundred because this is
some special bullshit. But if you want to roll in VTM,
we can do that. We're gonna roll PDU or we're
gonna roll VTM. You got to pick one that the
answers are going to be different. Yeah, so your do
your do a D one hundred. It's got to be
higher than ninety. But you have a chance.
Speaker 7: Okay, till everyone finds it. The last time Greg did this,
he gave himself a kangaroo pouch.
Speaker 4: Yep, No.
Speaker 5: Twenty nine. Okay, Oh does it look like anything when
you do this?
Speaker 9: Though?
Speaker 11: It looks like I'm looking at absolutely nothing in the
room and I'm fixated on it.
Speaker 5: Okay, you're doing that thing where the cat stares at
the top of the ceiling by the door and you're like,
what the fuck are you looking at?
Speaker 7: Bro?
Speaker 5: Yeah?
Speaker 11: Okay, okay, And then Once the feeling dissipates and I
realized there's nothing there, nothing that I can sense, I'm
I kind of rejoin the conversation.
Speaker 7: What I am saying. If you have felt this feeling
down there, and we were down there, you would know
that we should leave it down there and not do
anything to bring it out. Whatever it is. It had
a feeling like it was trying to crawl under my skin.
Speaker 9: Oh, darling, that might have been me.
Speaker 7: I believe me. I would still be down there if
that was the case, Eleman. But this was perhaps through
your eyes or under your toenails, kind of under your skin.
Speaker 1: By the sense of it, You've crawled in a few
people's skin tonight as well. Who's to say that any
of us should have been let out?
Speaker 7: Mm hmm, well A little more than welcome to go
back down there if you like. But I prefer to
be out here with the match box. Yeah.
Speaker 5: I like him.
Speaker 9: I point towards Gunner. Can I keep him?
Speaker 7: That remains to be seen. I suppose.
Speaker 10: I think we're going to be together for some time,
So perhaps the answer is yes, Constantine, I seem distracted.
Speaker 9: Good. Well, I don't think that we are going to
make much more headway tonight this morning, unless one of you,
either of you think that we need to go on
the run. Can we not sleep it off?
Speaker 10: As he speaks to the room, I turn my attention
elsewhere and ask, how much do we tell them?
Speaker 6: Oh?
Speaker 4: I like this?
Speaker 6: How much would you like to tell them? My dear,
my pet?
Speaker 10: I fear that if they know, they would trust.
Speaker 5: Less you or me?
Speaker 10: Well we are one for now, as it seems.
Speaker 5: Oh, roll a D one hundred for me.
Speaker 9: The bad Newspaars assist the bad newspaars everyone?
Speaker 10: Is it slash roll?
Speaker 9: Do you?
Speaker 4: Yep?
Speaker 5: Just a slash art Yep? That works.
Speaker 6: It feels so good to get what you want. You
can tell them whatever you like. It seems to me.
If you hide it from them now and they find
out later, it will be worse for you. Everyone has
shared their secrets, well most of them anyway. Actually, actually no,
I wouldn't tell them. There are some juicy, juicy secrets
in this room, and I'm not the biggest one.
Speaker 10: Tell me something, anything, anything. I only sensed you. I
didn't sense another person, kindred or otherwise.
Speaker 1: That's right?
Speaker 10: Was it just you and that coffin?
Speaker 6: No?
Speaker 10: Were you riding someone else before you found me?
Speaker 6: Are you jealous?
Speaker 10: More curious?
Speaker 6: It wasn't by desire, It wasn't my choice.
Speaker 10: Which parts.
Speaker 6: Any of it. I was inside of a coffin. Inside
of a coffin. Someone fancied themselves a lock of sorts?
Speaker 10: Would that lock act as a key for us?
Speaker 4: Now?
Speaker 10: Oh, is this someone we should go back for?
Speaker 4: Oh?
Speaker 6: No, I will kill him. I will end him. I'd
much rather you leave him in that box.
Speaker 4: Cora Ah ays, this is going on my Treshcunar. Perhaps
you are right we left in sanch haste. There could
be someone else down there.
Speaker 6: Fine, go retrieve him. I will enjoy tearing his limbs.
Speaker 10: Apart, perhaps later, Soccer. Don't you think we have too
much on our hands on it at the.
Speaker 14: Moment, I turned to her blond center.
Speaker 4: Of course, not tonight, but we want to see how tomorrow.
Speaker 6: Night goes.
Speaker 12: En?
Speaker 9: Shorty going? Are we saying that we're going back to
the crypt tomorrow? The crypt that we just all were
released from after are hundreds of years of imprisonment. I
have to be honest, I don't really want to go
back there.
Speaker 4: Well, none of you know who did this to do.
Speaker 9: I have told you many times it was the Camilla.
Speaker 4: I do not think the Camarilla would do this.
Speaker 9: You do not know the Camarilla, at least not the
one in Berlin.
Speaker 4: Regardless his other kind trender could have more information. And
they're injustice. He's just as important as all of yours
in justice.
Speaker 9: Fine, but can we at least go to somewhere where
there's music and drinks and pretty young things at some point?
Otherwise I'll starve?
Speaker 4: I study him. You're standing naked in front of me, yes, yes?
And what condition does he appear to be in?
Speaker 9: I am beautiful, I am an excellent condition.
Speaker 5: It is at this time that I say you go
down to hunger, and Gunner goes up one because he
fed from you? Correct you? Okay, sorry, just remind him.
Speaker 4: You seem to be doing just fine to me.
Speaker 9: Well, I didn't mean now.
Speaker 4: Everyone must feed. We will, of course feed, but we
will feed without being noticed.
Speaker 9: Does anyone feel like we have our own PULITZI with us? Like?
What have we done? Be under such a lock and
key to.
Speaker 7: Go back to the script? So I will smash this
box or go back to this Bourbone street and not
kill anyone. If it is fine with all that I
do not wish to be near that cascade again.
Speaker 9: It's perfect asked upon and I can have a wonderful
time while you go back to what was our prison
and investigate another prisoner who probably deserves to be there.
I don't know.
Speaker 7: That question when we were there, as that that other
cost was unsealed, right.
Speaker 5: The line unsealed?
Speaker 7: Yeah, but it didn't open open. Yeah, okay, yeah, the
casky was not sealed. He could come out if he likes,
like the rest of us. He's probably already gone, perhaps
dead inside the cavern maybe, But they spend your evening
how you like. We will be on the best behavior
out in this amazing city of yours.
Speaker 4: I know you were going.
Speaker 1: I would turn to Phoenix and are you sitting or standing?
Speaker 11: And clime standing on the crown molding of the door
with the doorway between the room and the hallway.
Speaker 15: So I walked to you and make get in. You're
close to you. I look up unfazed. You care for him,
don't you gesture tough?
Speaker 1: It's Constantine, not him specifically.
Speaker 12: Why I think everyone on here.
Speaker 1: Just to think about what we are, where we were,
we're born again. All I can tell you.
Speaker 11: Is that I want one thing, and what's that?
Speaker 1: I don't answer?
Speaker 11: Hum, hm, fine, keep your secrets.
Speaker 4: Hm.
Speaker 1: You can trust me?
Speaker 11: Can I look around you wearing a viper's nest? And
if I can trust.
Speaker 12: You, why won't you tell me.
Speaker 11: What you don't want to.
Speaker 15: Trust? Is earned?
Speaker 11: Isn't it to two way street?
Speaker 1: I need to be the only honest one here. Be
honest with yourself important.
Speaker 6: Truth.
Speaker 11: Oh do you want to find out what makes you
think I'm not?
Speaker 1: I'm saying I'm not.
Speaker 11: Then we'll learn nothing. You know, a little closer. If
you get any closer, you're what mhm, you might end
up on the other side of that room again. Or
maybe I'll kiss you. Be sure of what you want.
I know what I want And I look deep in
his eyes, probably more than anyone in this room. And
my leg starts rhythmically, just tapping.
Speaker 9: Do you know I wouldn't mind the show?
Speaker 7: Leg stops.
Speaker 11: Readjust my posture, mind your step. I know I will be.
Speaker 4: Guys, it looked like they are about to attack one another.
Speaker 5: One word for it. Sorry, I don't know what they
look like.
Speaker 9: I'll just reminder everyone.
Speaker 5: Finger nail bite.
Speaker 9: There, reminder everyone, I'm standing there fully naked.
Speaker 7: It's at noon already.
Speaker 9: Sorry, anytime you want it to be.
Speaker 11: If you're looking, you have body language. I've I'm no
longer leaning, I'm standing and I'm just staring straight. But
I'm could go either way.
Speaker 5: You mean, I'm up? Thank you? Sorry? I just love
this dynamic dude.
Speaker 1: Yeah, I'm calm, very calm, not about to attack, and
they maybe leaning a little closer, just a little. I
do not wish to hurt you. All I want is answers,
and if it's in that crypt then I will go back.
Oh you stay, where do you think you need to be?
Just know that my intention just to not hurt you.
Hot to see if you and I push off.
Speaker 12: The wall and I.
Speaker 1: Returned to my spot in the room.
Speaker 11: I watched him return to a spot.
Speaker 1: And then.
Speaker 11: I lean back against the wall. Arms not folded this time.
One binds a pen near me and starts just whirling
it around, fidgeting with it. Then the other hand goes
against my lower back, in between my back and the
the entryway. My eyes dart around the room.
Speaker 7: The hour is late. I feel overwhelmed. Where am I
going to sleep? Because if you want to keep talking,
you can, but I need to rest.
Speaker 10: I think it would be best if we all rested.
Answers will still be there tomorrow.
Speaker 9: So where are we sleeping?
Speaker 10: Are there any rules to sleeping vampires in.
Speaker 5: Uh, well, we're doing well, yeah, I think in VTM,
but where we are doing PBu crossover, So I think
it's just a place to I think they choose coffins
because it's dark and they just don't like the sunlight.
So assuming you've got your blackout curtains, you know, it's
nineteen ninety five, you don't have to sleep in a
fucking coffin because beds are superior to coffins, which is
totally a reference to a Friday show. You should go
watch it. It's great. So yeah, you can if you like,
as long as you have the curtains and you can
trust that no one's going to open them on you.
Is really the thing. And with coffins you can kind
of supernaturally lock them sort of in a way so
that people can't get into them. So there is a
benefit to sleeping in a coffin, but you don't have
to know, Okay.
Speaker 10: I think I would gesture then to just the apartment
around me and say pick wherever you're most comfortable.
Speaker 9: Oh thank god, fin dunk shots, and I walk to
your bedroom and climb into your bed.
Speaker 4: I will crawl underneath the couch.
Speaker 5: Okay, where's everyone else going to go?
Speaker 7: Certainly not sleeping on the couch.
Speaker 9: Now, there's plenty of room in here. If anyone wants
to join me, I join.
Speaker 11: But I don't get in the bed. I sleep hat
on the floor at the foot of the bed.
Speaker 1: When Constantine offers that day in a poll, what's the bittroom.
Speaker 5: Oh, that's right, because you fed twice. We have to
roll for that.
Speaker 12: But not now.
Speaker 1: But I would stun myself and sit upon the couch
that stalker just crawled under.
Speaker 5: You just hear this, like as he lays down on
those nineties couches too, SAgs in the middle.
Speaker 16: I just imagine that stalker just made like little like
scuttling sounds as he like jittered under him.
Speaker 4: He would think that, but it was actually.
Speaker 5: No, he moves without sound. It's eerie. Yeah, creepy. Yeah,
what about you restaurant.
Speaker 7: I'm going to go into the kitchen and I'm going
to finish washing my shirt that was in this Okay,
that had some of my own blood with it from.
Speaker 5: My Night Out, My night Out, Night Out, Yeah, the
name of the sitcom version of the show.
Speaker 9: I would like to sorry.
Speaker 7: But I'm but I think eventually I would probably just
maybe fold up the jacket which is behind me right here,
but just like or grab a pillow or some afghan
from the couch or something, and I'd probably just lay
on the floor in the kitchen floor.
Speaker 10: There's a guest room. The best moment I prefer.
Speaker 5: Oh do you offer it?
Speaker 7: Yes, I I probably what I I cann't take it?
It is your place? Please? Where else will you sleep?
Speaker 10: I probably gestured to an armchair in the living room
that's near a bookshelf, has an old lamp next to it,
and you can kind of tell it by the way
the pillow is like disturbed that I probably spend some
time there reading. It's an open book on the table
next to it. So I would just gesture to that.
Speaker 7: And say, if I sleep on the floor, are you
going to sleep in the chair? Anyway?
Speaker 10: How do you mean?
Speaker 7: I said, if I refuse your offer and just sleep
on the floor here in the kitchen, or you fall
asleep in the chair, or are you going through the room.
Speaker 10: It wouldn't be the first time I would fall asleep
in that.
Speaker 7: Chair I put on the floor in my kitchen. I
will move, I put my stuff, bay, I will sleep here.
Speaker 9: Okay, I shout from the bedroom, Esteban, I can't believe
you would rather sleep on the floor than with me.
I will never forget this, all of you.
Speaker 7: Think, I yell back. I would not plan on sleeping
much if I was in the room with you, So
I will sleep out here.
Speaker 9: I could keep my hands to myself.
Speaker 7: Then I will definitely not bother to come in there.
Speaker 16: If that is the case, I just you just hear
like a string of German muttering, just like better German muttering.
Speaker 7: Fine, I will be out here if you need me.
Speaker 9: Yeah, Allah, you have to work on that. But good try?
Speaker 7: How do you say, as we're screaming through the how
we will lead lead.
Speaker 9: O? Never mind fluff good alice, sleep while everywhere the swell.
Speaker 6: Would you like to sleep.
Speaker 10: Where?
Speaker 5: Or would would you like to sleep?
Speaker 10: I think it would be best.
Speaker 6: I will watch over you then and sleep. Do you
have something to ask?
Speaker 10: Too much? And I admit that I'm tired more?
Speaker 6: Or perhaps?
Speaker 10: Now I go to sit on the chair and I
look around the living room. I'm going around the couch.
Probably can't see him, but I know Stalker's under the couch.
Speaker 6: What trouble is you, sweet Chlora.
Speaker 5: I look.
Speaker 10: Like I'm struggling to figure out how to phrase it,
and so I finally shake my head and lean back
into the chair and close my eyes.
Speaker 6: I think you will find I am quite patient another time,
perhaps sleep well.
Speaker 5: It is probably the fastest falling asleep or into undeath,
I guess because you're you're a vampire that you've ever experienced,
and it will probably be the most solid sleep you
or on death you have ever experienced. It's more like
complete sense re shut off, and yet you feel safe.
And I think that's where we end the session today. Yay,
we did it. We did it.
Speaker 1: We did it.
Speaker 5: We did a live session. It was so good. Okay,
first of all, I got all of you. That was excellent.
Unreal How good that was? Yay?
Speaker 9: Everyone was unbelievable.
Speaker 7: Yes, so.
Speaker 5: I did want to say that we do have so,
as you may have guessed.
Speaker 4: You have been listening to Deathless. If you like the show,
please consider rating and reviewing, and for more stories in
this world, for other worlds, and visit the Table Story
Library at Table Store, alright down to TV, Thank you
and see you next week.
Speaker 9: Mm hmm