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<v Speaker 4>We're looking at plus editions of BLA see whatever retails.

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<v Speaker 3>You are now listening to True Murder, The most shocking

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<v Speaker 3>killers in true crime history and the authors that have

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<v Speaker 3>written about them. Gasey, Bundy, Dahmer, The Night Stalker, DTK

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<v Speaker 3>every week, another fascinating author talking about the most shocking

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<v Speaker 3>and infamous killers in true crime history. True Murder with

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<v Speaker 3>your host journalist and author Dan Zupanski, Good Evening.

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<v Speaker 4>In nineteen seventy four, Dennis Lynn Raider stocked and murdered

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<v Speaker 4>a family of four in Wichita, Kansas. Since adolescence, he

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<v Speaker 4>had read about serial killers and imagined becoming one. Soon

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<v Speaker 4>after killing the family, he murdered a young woman and

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<v Speaker 4>then an until he had ten victims. He named himself BTK,

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<v Speaker 4>Bind Torture, Kill, and wrote notes that terrorized the city.

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<v Speaker 4>He remained on the loose for thirty years. No one knew.

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<v Speaker 4>No one who knew him guessed his dark secret. He

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<v Speaker 4>nearly got away with his crimes, but in two thousand

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<v Speaker 4>and four he began to play risky games with the police.

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<v Speaker 4>He made a mistake. When he was arrested. Raider's family, friends,

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<v Speaker 4>and coworkers were shocked to discover that BTK had been

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<v Speaker 4>among them, going to work, raising his children and acting normal.

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<v Speaker 4>This case stands out both for the brutal treatment of

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<v Speaker 4>victims and for the ordinary public face that Raider, a

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<v Speaker 4>church council president, had shown to the outside world through

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<v Speaker 4>jailhouse visits, telephone calls, and written correspondents. Katherine Ramsland worked

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<v Speaker 4>with Raider himself to analyze the layers of his psyche,

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<v Speaker 4>using his drawings, letters, interviews. In Raider's unique codes, she

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<v Speaker 4>presents in meticulous detail tale the childhood roots and development

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<v Speaker 4>of one man's motivation, the stock, torture, and kill. She

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<v Speaker 4>reveals aspects of the dark motivations of this most famous

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<v Speaker 4>of living serial killers that have never before been revealed.

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<v Speaker 4>The documentary BTK Confession of a Serial Killer premiers January

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<v Speaker 4>eighth and ninth on A and E. The two night

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<v Speaker 4>event sheds new light on Raider's double life as both

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<v Speaker 4>an upstanding citizen and a heartless killer. Doctor Katherine Ramslin,

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<v Speaker 4>the renowned professor of forensic psychology and author, leads the

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<v Speaker 4>examination of readers raiders transformation from an American boy to

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<v Speaker 4>an American monster who wreaked havoc in Wichita Candae and

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<v Speaker 4>went uncaptured for thirty years. With exclusive conversations with Raider himself,

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<v Speaker 4>eye opening new archival, comprehensive interviews and access to raiders

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<v Speaker 4>drawings and coded diaries, all paired with doctor Ramslin's expertise,

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<v Speaker 4>Viewers get to know the man behind them on the

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<v Speaker 4>truth behind the headline and a glimpse at the secrets

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<v Speaker 4>Raider is still holding on to. The documentary we are

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<v Speaker 4>discussing tonight is bt K Confession of a Serial Killer

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<v Speaker 4>with my special guest, journalist and author and professor, doctor

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<v Speaker 4>Katherine Ramsling. Welcome back to the program, and thank you

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<v Speaker 4>so much for this interview, Doctor Katherine Ramsling.

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<v Speaker 5>Always enjoy being here. Thanks for having me.

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<v Speaker 4>It's always a fantastic pleasure and a great thrill. Thank

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<v Speaker 4>you so much for this. Let's talk about the origins

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<v Speaker 4>of this documentary project, how it came about. Tell us

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<v Speaker 4>a little bit about that.

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<v Speaker 5>Well, started with the publication of the book, and then

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<v Speaker 5>we began to look for people who might be interested

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<v Speaker 5>in making it, you know, visual, and we had several takers.

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<v Speaker 5>We saw the option a couple of times, and then

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<v Speaker 5>the pandemic, So right the pandemic was a pretty big

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<v Speaker 5>interruption because we did have somebody was going to do it,

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<v Speaker 5>and then A and E decided that they wanted to

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<v Speaker 5>do it as a four part documentary, which that's pretty daunting,

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<v Speaker 5>and there was a lot of work involved, but in

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<v Speaker 5>the end, the director's vision and the vision of all

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<v Speaker 5>the production people really came through in terms of the

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<v Speaker 5>goal I had had for the book, and I thought

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<v Speaker 5>that was really quite an achievement because my goal is

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<v Speaker 5>kind of academic. I really wanted this to use what

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<v Speaker 5>a serial killer has to say about himself to benefit

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<v Speaker 5>law enforcement, criminal justice, and forensic psychology. So it wasn't

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<v Speaker 5>just a serial killer lathering on. It was formed for

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<v Speaker 5>a specific purpose and the documentary achieves that, which I'm

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<v Speaker 5>very pleased about it.

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<v Speaker 4>We're talking about the book that toenty and sixteen, and

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<v Speaker 4>that book is The Confession of a Serial Killer, The

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<v Speaker 4>Untold Story of Dennis Raider, the BTK Killer again released

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<v Speaker 4>in twenty sixteen, and the audiobook edition is going to

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<v Speaker 4>be from Blackstone Publishing. It will be released January eleventh.

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<v Speaker 4>So let's get to this very very important book and

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<v Speaker 4>very important project that you undertook with Dennis Raider. Tell

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<v Speaker 4>us a little bit about some of the people that

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<v Speaker 4>were including Jim Thompson, some of the people that were

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<v Speaker 4>involved in the very beginning of the book that you

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<v Speaker 4>say that wouldn't happened otherwise.

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<v Speaker 5>Well, right from the start, it wasn't even my book.

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<v Speaker 5>What had happened is Raider was arrested in two thousand

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<v Speaker 5>and five, and a woman whose code name we ended

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<v Speaker 5>up using, we called her True Grit, had decided to

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<v Speaker 5>write this book and contacted him and he agreed to

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<v Speaker 5>do it with her, and they had several years of correspondence,

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<v Speaker 5>and apparently she had decided she wasn't going to do

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<v Speaker 5>this book. It had been a lot more difficult for

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<v Speaker 5>her than she imagined it to be. She had been

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<v Speaker 5>under attack a lot from you know all because she

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<v Speaker 5>was kind of the gatekeeper for Raider. And I saw

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<v Speaker 5>her on Facebook and asked her whatever happened to her book,

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<v Speaker 5>because I had heard about her through news reports, And

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<v Speaker 5>she asked me if I would take it over, which

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<v Speaker 5>was not as simple as it sounds, because it was

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<v Speaker 5>an easy yes for me because I had already written

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<v Speaker 5>a book about how mental health experts over the past

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<v Speaker 5>century had spent a lot of time with extreme offenders

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<v Speaker 5>to learn about their development and their crimes and their attitudes,

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<v Speaker 5>et cetera. So I already had a template and it

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<v Speaker 5>was a great opportunity. But I needed to be approved

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<v Speaker 5>by this consortium of the victims family members. They're surviving

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<v Speaker 5>family members, because they wanted to have some control over

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<v Speaker 5>the kind of thing that would be put out there.

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<v Speaker 5>They didn't want anything out there, but certainly something was

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<v Speaker 5>going to be and they wanted some control over it

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<v Speaker 5>and as well as benefiting from it, which was fine

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<v Speaker 5>with me. So I wrote a proposal. I sent it

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<v Speaker 5>to the attorney Jim Thompson for the families and told

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<v Speaker 5>them what I wanted to do, and they did like

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<v Speaker 5>what I wanted to do. They liked my credentials, you know,

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<v Speaker 5>in the academic world in terms of teaching forensic psychology

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<v Speaker 5>and being very prominent in the research arena for serial

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<v Speaker 5>killers and mass murderers, so they liked all that. But

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<v Speaker 5>still it was a long drawn out process, and during

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<v Speaker 5>this time I also got to Narraider, who wasn't so

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<v Speaker 5>keen about transferring all this from the original person who

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<v Speaker 5>he really liked to someone he didn't know. So we

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<v Speaker 5>ended up playing chess, and he also wanted me to

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<v Speaker 5>solve a series of codes, in part because he liked

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<v Speaker 5>to communicate with codes because he thought of himself as

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<v Speaker 5>kind of a spy, and it was also a way

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<v Speaker 5>to keep prison guards from knowing what he was saying doing,

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<v Speaker 5>but also it was a test for me to see

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<v Speaker 5>what I play. But I play the code game, and

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<v Speaker 5>of course I will, because my interest in him was

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<v Speaker 5>the whole picture. Who is this guy, what motivates him?

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<v Speaker 5>How does he create these codes and respond to them?

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<v Speaker 5>And so fine. I mean, it was actually pretty intriguing

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<v Speaker 5>to be sent these weird codes to see if I

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<v Speaker 5>could figure them out. And I needed the other person,

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<v Speaker 5>true grit to help me, because he had sent part

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<v Speaker 5>to me in part to her, and you know, kind

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<v Speaker 5>of a zoniac thing. He'd get together and figure this out.

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<v Speaker 5>But for me, that was all behavior. I was interested

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<v Speaker 5>in everything that he would do, whether it was manipulating, lying,

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<v Speaker 5>telling the truth, whatever, it didn't matter. I wanted to

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<v Speaker 5>see all the layers.

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<v Speaker 4>In that as well. That you talk about these layers

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<v Speaker 4>that you wanted to see. What are some of the

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<v Speaker 4>things that he told you about, influence from other serial

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<v Speaker 4>killers and some of the fantasies that it seemed that

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<v Speaker 4>he shared with some of these role models.

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<v Speaker 5>Yeah, a lot of that came along the way we

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<v Speaker 5>worked for five years in this book. Initially, he of

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<v Speaker 5>course talked about what everybody knows that who's read anything

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<v Speaker 5>about him, that he had role models HH Holmes for

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<v Speaker 5>his torture castles, and Raider would put his torture fantasies

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<v Speaker 5>into a barn because he's from Kansas. And also Harvey Glatman,

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<v Speaker 5>who would bind his victims with ropes, because for Rader,

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<v Speaker 5>rope was a was a pretty significant fetish object in

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<v Speaker 5>his own fantasies. So those are the two that many

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<v Speaker 5>people are aware he uses role models. But along the way,

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<v Speaker 5>as we were talking and reading and looking at comparisons

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<v Speaker 5>to others, you know, he honed some of that, and

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<v Speaker 5>he got interested in some that he didn't know about before,

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<v Speaker 5>and talked more about some of the readings he had done,

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<v Speaker 5>and it was pretty clear that most of what he

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<v Speaker 5>did wasn't really original to him. He had gotten it

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<v Speaker 5>either out of true crime magazines or fiction. You've read

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<v Speaker 5>about what some serial killers had done in novels, and

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<v Speaker 5>so some of the things he was doing was trying

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<v Speaker 5>to replicate all of that. So he wasn't really that imaginative.

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<v Speaker 5>And you know, unfortunately in fiction and film we get

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<v Speaker 5>this notion of this master mind mentality, you know, the

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<v Speaker 5>great puppeteer manipulator, and most of that just isn't what

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<v Speaker 5>these serial killers are like, they're just out to achieve

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<v Speaker 5>their goals and get it the way they need to

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<v Speaker 5>get it. So he would find ideas in these various

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<v Speaker 5>sources and try them out.

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<v Speaker 4>He's used a lot of Again, he didn't make this

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<v Speaker 4>easy for you, and you had to collaborate with the

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<v Speaker 4>initial contact to be able to do any of this

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<v Speaker 4>and figure out a bunch of things. Because you mentioned

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<v Speaker 4>is trying to be clever, but you talk about him

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<v Speaker 4>talking about the victims and talking about the murders and

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<v Speaker 4>using expressions like going into the cookie jar and meals.

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<v Speaker 4>So explain that language that you deciphered.

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<v Speaker 5>That was probably one of the very first things that

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<v Speaker 5>he did was send me clippings from newspapers and magazines

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<v Speaker 5>with things circled, and then he would write a letter,

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<v Speaker 5>sometimes a twenty page letter. In his handwriting is pretty terrible,

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<v Speaker 5>and in he'dn bed in the letter along the way

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<v Speaker 5>the clues to what he had circled, So I had

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<v Speaker 5>to make my way through the letter and then look

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<v Speaker 5>back at the clippings and like For example, one of

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<v Speaker 5>the most puzzling to me was when he talked about

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<v Speaker 5>that my interest in recipes of the three layer kind

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<v Speaker 5>and I thought, well, I don't cook worthy talking about.

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<v Speaker 5>But then I realized as I saw what he circled

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<v Speaker 5>would have a B, a T, or a K. And

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<v Speaker 5>so I realized, oh, that's the that's the three layer thing.

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<v Speaker 5>And subsequently I learned about his magical number three. He

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<v Speaker 5>thinks the whole world is sort of organized around threes,

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<v Speaker 5>and that threes had somehow texted him, and so he

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<v Speaker 5>has this attunement to threes. So there was that, and

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<v Speaker 5>then there then he had some metaphors like castles and

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<v Speaker 5>trains and such things as that, but it became unwieldy.

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<v Speaker 5>I mean we would talk, we would be talking along about,

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<v Speaker 5>you know, using trains and canyons and passengers and whatnot,

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<v Speaker 5>as we were talking about whether this book was even

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<v Speaker 5>going to sell or not, because I did have a

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<v Speaker 5>lot of issues with that, and then we had to

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<v Speaker 5>I finally, when the book did sell, I decided I

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<v Speaker 5>would make the metaphor the codes that we would use.

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<v Speaker 5>So it's kind of an irony because he did not

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<v Speaker 5>want any woman kind of dominating him in any way.

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<v Speaker 5>That was that was one of his key issues, is

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<v Speaker 5>how females threw him off balance. And there I was

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<v Speaker 5>making the code, but I used threes, and I used

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<v Speaker 5>the cave and all the stuff that was appear to him.

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<v Speaker 5>And also he sometimes would forget what some of his

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<v Speaker 5>codes meant, so you know, so this way we had

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<v Speaker 5>a record, you know, that we could both refer to.

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<v Speaker 5>But in the end, the irony is that I framed

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<v Speaker 5>the book through my codes using when I knew would

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<v Speaker 5>be his preferential style.

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<v Speaker 4>Mm hm. You had already done with your book The

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<v Speaker 4>Mind of a Murderer, You already had extensive experience dealing

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<v Speaker 4>with extreme offenders. How did that help you in this

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<v Speaker 4>regard with BTK.

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<v Speaker 5>Well, the Mind of a Murderer is really looking at

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<v Speaker 5>what others had done, So I did. I wanted to

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<v Speaker 5>look at accounts not by detectives or journalists, but by

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<v Speaker 5>mental health experts to see how they had approached extreme offenders,

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<v Speaker 5>mass and serial killers. So that wasn't really my work,

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<v Speaker 5>although I've certainly approached other offenders, but not to this

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<v Speaker 5>degree and not to the degree that those professionals had done.

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<v Speaker 5>So they really gave me role models in terms of

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<v Speaker 5>the persistence, the kinds of things you had to put

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<v Speaker 5>up with the way to approach somebody who's very egotistical

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<v Speaker 5>or narcissistic, you know. And I also had trained. I

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<v Speaker 5>have one master's degree in clinical and psychology that has

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<v Speaker 5>a specific type of training of really bracketing your preconceptions

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<v Speaker 5>and your biases so that you can listen and let

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<v Speaker 5>that person's world be what it is, rather than you imposing,

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<v Speaker 5>you know, some theoretical perspective on them, but just listening

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<v Speaker 5>to them. So I already had really been solidly trained

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<v Speaker 5>in that approach, and that's certainly the one I used

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<v Speaker 5>with Rader and would use with anybody else. Is what

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<v Speaker 5>is your world? It doesn't matter if it corresponds to

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<v Speaker 5>reality or corresponds to morality. It matters that you yield

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<v Speaker 5>to me what your experience is, what your perspective is,

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<v Speaker 5>and how you came to be this way. So that's

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<v Speaker 5>I learned from looking to others as well as my

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<v Speaker 5>own training in clinical psychology.

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<v Speaker 4>Now, an important part of this is when you asked

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<v Speaker 4>him the crucial important question about his torture fantasies, how

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<v Speaker 4>did you approach that and how did you ensure that

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<v Speaker 4>you were going to get something accurate?

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<v Speaker 5>Oh, one of the things I did was to collect

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<v Speaker 5>what I knew from others. I knew that I was

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<v Speaker 5>already friends with the DA on that case, right, so

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<v Speaker 5>she wasn't keen about me doing this, but she was

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<v Speaker 5>won over, and she showed me her whole stash of stuff.

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<v Speaker 5>I saw the interrogation, the whole police interrogation notes, so

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<v Speaker 5>I had the way he presented himself to them. I

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<v Speaker 5>had letters from the first person, I had letters from

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<v Speaker 5>other people, so I had this multiple perspectives on him

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<v Speaker 5>in terms of the way, you know, he'd spend doctor

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<v Speaker 5>really everything for you know, whoever he was talking to.

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<v Speaker 5>So this way I had, you know, if he wanted

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<v Speaker 5>to talk about torturing animals, for example, I already knew

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<v Speaker 5>some things that I knew he didn't want to tell me,

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<v Speaker 5>so then I could call him out on it. But

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<v Speaker 5>I but I didn't call him out on it in

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<v Speaker 5>a confrontational way. I would simply say, oh, well, you

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<v Speaker 5>know you told them this, so you're telling me something

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<v Speaker 5>a little different. How how do you make sense of that?

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<v Speaker 5>And then and he'd sometimes get upset if we're on

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<v Speaker 5>the phone, But then he'd write a long letter justifying

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<v Speaker 5>everything it's said. And again, for me, that's behavior. It's

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<v Speaker 5>not necessarily that I'm after the truth because really, you

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<v Speaker 5>can look at any of us. We all form our

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<v Speaker 5>narratives to serve our purposes out of the system. So

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<v Speaker 5>I'm looking at how how does he approach being confronted?

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<v Speaker 5>How does he approach being told, well, I know that

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<v Speaker 5>you also tortured rabbits?

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<v Speaker 2>What was he going to do with that?

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<v Speaker 5>Since he didn't tell it to me, but I knew

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<v Speaker 5>about it, you know, so it really was. And again

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<v Speaker 5>you're looking at a very extended investment of time, which

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<v Speaker 5>very few people can do. And you know, psychologists they

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<v Speaker 5>charge and they don't. Nobody's paying them for this kind

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<v Speaker 5>of time. So you have to see this as an

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<v Speaker 5>opportunity the way I did, and be willing to take

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<v Speaker 5>the hit in terms of the investment of time and money.

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<v Speaker 5>And I was because as I really believe in this

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<v Speaker 5>kind of work. I think it's very valuable and beneficial.

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<v Speaker 5>It helps us to prevents us from seeing the serial

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<v Speaker 5>killers that is all collected under a profile. It's a

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<v Speaker 5>cookie cutter approach, and I think that's a mistake that

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<v Speaker 5>I'm hoping this book can rectify.

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<v Speaker 4>What did the late doctor al Carlyle contribute to this?

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<v Speaker 4>How did he help in what area?

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<v Speaker 5>Oh, Al Carlisle was so terrific, He's such a loss.

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<v Speaker 5>He had interviewed He was a Utah prison psychologist who

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<v Speaker 5>had interviewed Ted Bundy when Bundy was first picked up

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<v Speaker 5>on suspicion of burglary and then attempted abduction, and Carlisle

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<v Speaker 5>had gone to have been at the prison and he'd

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<v Speaker 5>given him a number of assessments. He wasn't the only one.

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<v Speaker 5>There was another psychologist or psychiatrist who put him through

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<v Speaker 5>a bunch of things. But Carlile's task was to decide

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<v Speaker 5>if Bundy might be a day if he were released,

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<v Speaker 5>and so he did a lot of work. He interviewed

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<v Speaker 5>a number of people knew Bundy and really again gave

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<v Speaker 5>us a very nice profile, or I mean not a profile,

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<v Speaker 5>but an approach to how do you look at someone

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<v Speaker 5>like this. You can't just go with what they say

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<v Speaker 5>because they're going to put themselves in the very best light.

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<v Speaker 5>And Bundy was a master at that. So Carlisle had

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<v Speaker 5>not just done this assessment of Bundy, but he also

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<v Speaker 5>had interviewed a few other serial killers while there, and

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<v Speaker 5>so he came up with this idea of how are

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<v Speaker 5>they able to pass as if they are like us

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<v Speaker 5>and yet have this very very dark, awful side to

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<v Speaker 5>them and then not have any remorse, et cetera. So,

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<v Speaker 5>because he had come up with this very interesting description

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<v Speaker 5>of a compartmentalized person, I asked him if I could

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<v Speaker 5>show this to Raider, as I want to see raiders

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<v Speaker 5>response to it, because one of the things I was

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<v Speaker 5>trying to do get raided to not just say what

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<v Speaker 5>he knew, but to look at one of the people

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<v Speaker 5>had said and reflect on that in terms of how

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<v Speaker 5>it applied to him, and he worked hard at it.

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<v Speaker 5>I have to give him a lot of credit. When

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<v Speaker 5>he saw Carlisle's analysis of Bundy as being like an

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<v Speaker 5>actor taken on a lot of different roles, he said, yeah,

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<v Speaker 5>that's very very accurate. That really captures it. But then

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<v Speaker 5>he responded with what I thought was even more interesting

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<v Speaker 5>than what Al gave me, which was this idea of

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<v Speaker 5>cubing instead of compartmentalizing. Because when you think about like

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<v Speaker 5>compartments on a shelving unit, for example, as if they're

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<v Speaker 5>all distinctly different and almost unrelated to one another, it's

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<v Speaker 5>a bunch of different personalities, and similar to an actor,

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<v Speaker 5>they take on different roles, but those roles aren't related

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<v Speaker 5>to one another. There When later came up with his metaphor,

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<v Speaker 5>which is cubing, he it's the idea that all the

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<v Speaker 5>faces are there, but you only show one face at

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<v Speaker 5>a time in any given circumstance. So if you need

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<v Speaker 5>to be the good father or good husband or churchgoer,

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<v Speaker 5>you show that face and that. But but if you

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<v Speaker 5>see someone you want to stalk, you immediately can switch out.

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<v Speaker 5>Because all the faces are part of you, they are

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<v Speaker 5>all connected and associated to you. And because people like

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<v Speaker 5>Greater are not emotionally rooted in the notion of integrity

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<v Speaker 5>or truth or morality, they can make that switch very easily.

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<v Speaker 5>It's they're really mentally dexterous in terms of being able

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<v Speaker 5>to adopt a different persona for a different circumstance. So

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<v Speaker 5>to me, not only is you know, cubing easier to

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<v Speaker 5>spell than compartmentalizing, I think it gets at it better

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<v Speaker 5>And I kind of wish I could have talked with

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<v Speaker 5>Carlisle about that, but he of course has passed on,

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<v Speaker 5>and I think he would have really appreciated that metaphor

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<v Speaker 5>because I think it works very well.

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<v Speaker 4>When you talk to BTK Dennis Raider. He mentions this

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<v Speaker 4>mythical figure, this minutor, and he calls it the minutor.

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<v Speaker 4>Sense tell us more about this mythological symbol that he

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<v Speaker 4>uses to describe.

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<v Speaker 5>I think it's minotaur.

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<v Speaker 4>Okay, thank you.

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<v Speaker 5>I'm not sure, but you could be right.

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<v Speaker 4>You're probably right.

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<v Speaker 5>Yeah, the minotaur was a code name for serial killers.

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<v Speaker 5>So he'll talk about the Kansas Minotaur, or he'll read

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<v Speaker 5>about somebody like there was a guy in South Carolina

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<v Speaker 5>a couple of years ago who got called, and he'll

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<v Speaker 5>call him the South Carolina Minotaur. So that's just a

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00:24:59.000 --> 00:25:02.160
<v Speaker 5>way to be able to write about this in letters

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<v Speaker 5>without guards confiscating it, you know, because I I've had

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<v Speaker 5>a few letters sent back to me by the prison.

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<v Speaker 5>You may not do this, you may not do that.

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<v Speaker 5>They have to always be careful about the whole contraband angle.

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<v Speaker 5>And so I think he adopted that. But also he

396
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<v Speaker 5>had read about it in a novel and he liked

397
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<v Speaker 5>the image of that, of this of this beast that's

398
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<v Speaker 5>inside this maze, that's that's fed these innocent virgins, and

399
00:25:32.119 --> 00:25:35.480
<v Speaker 5>you know, he just he liked that to use to

400
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<v Speaker 5>describe what a serial killer was like. And then for him,

401
00:25:38.880 --> 00:25:41.839
<v Speaker 5>that would be a cave like a cave monster. And

402
00:25:41.960 --> 00:25:45.759
<v Speaker 5>he thinks that the that these cave monsters are part

403
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<v Speaker 5>of him, not like he's demon possessed. That was a

404
00:25:49.240 --> 00:25:52.680
<v Speaker 5>that was a narrative he initially had used after his

405
00:25:52.960 --> 00:25:56.559
<v Speaker 5>minister had visited him and said to him, the only

406
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<v Speaker 5>way I can make sense of this is if your

407
00:25:58.400 --> 00:26:01.720
<v Speaker 5>demon possessed Rato grabbed on to that. He does that.

408
00:26:02.160 --> 00:26:05.960
<v Speaker 5>He immediately absorbs things that make sense, and then for

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00:26:06.039 --> 00:26:09.279
<v Speaker 5>a little while he'll use he'll use the narrative, but

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<v Speaker 5>he doesn't any longer think of it that way. But

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<v Speaker 5>he does think about that there is this monstrous part

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<v Speaker 5>of him that he himself doesn't understand. Well. It's really

413
00:26:20.000 --> 00:26:25.400
<v Speaker 5>compulsion that comes from his fantasy life, from a very

414
00:26:25.559 --> 00:26:30.720
<v Speaker 5>vivid fantasy life in which he's highly invested for his identity,

415
00:26:32.039 --> 00:26:35.000
<v Speaker 5>so he has more control than he often will say.

416
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<v Speaker 5>But the minotaur image or metaphor appealed to him in

417
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<v Speaker 5>that way.

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<v Speaker 4>Right, Let's use this as an opportunity right now to

419
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<v Speaker 4>talk about our sponsor, which is ritual Gaps in the

420
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421
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422
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423
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424
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425
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427
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428
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<v Speaker 4>But ritual didn't stop there. They invested in a gold

429
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431
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432
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433
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434
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435
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436
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437
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438
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439
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440
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441
00:28:10.640 --> 00:28:14.079
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442
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443
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444
00:28:22.480 --> 00:28:27.599
<v Speaker 4>slash murder. Now we're talking about some of the things

445
00:28:27.680 --> 00:28:32.240
<v Speaker 4>that Dennis Raider used and utilized to describe some of

446
00:28:32.319 --> 00:28:38.880
<v Speaker 4>the things this fantasies to evade censorship through the prison

447
00:28:39.880 --> 00:28:43.119
<v Speaker 4>guards that would read this material. So there was an

448
00:28:43.240 --> 00:28:47.000
<v Speaker 4>underlying reason, but also he was being clever and getting

449
00:28:47.039 --> 00:28:51.000
<v Speaker 4>you to work a little bit what about which was

450
00:28:51.079 --> 00:28:54.400
<v Speaker 4>really the crux of what you're doing, to try to

451
00:28:54.480 --> 00:28:57.519
<v Speaker 4>find out what his psycho sexual development was when he

452
00:28:57.640 --> 00:29:03.920
<v Speaker 4>was young how and sexuality got all mixed up and

453
00:29:04.599 --> 00:29:08.599
<v Speaker 4>hence all of these fantasies and this murderous rampage. So

454
00:29:09.480 --> 00:29:11.599
<v Speaker 4>tell us a little bit about what you discovered.

455
00:29:13.039 --> 00:29:17.920
<v Speaker 5>Well, one of the difficulties of working with him was

456
00:29:18.799 --> 00:29:25.039
<v Speaker 5>he was really a minutia collector, and so many of

457
00:29:25.119 --> 00:29:30.240
<v Speaker 5>his early letters were long, long, long descriptions of his

458
00:29:30.519 --> 00:29:35.160
<v Speaker 5>family history and you know, things that really had no

459
00:29:35.400 --> 00:29:37.559
<v Speaker 5>bearing on what I was trying to do. But I

460
00:29:37.640 --> 00:29:43.799
<v Speaker 5>had to be patient and should certainly show interest and

461
00:29:44.079 --> 00:29:49.599
<v Speaker 5>finally he suddenly realized this book was the book for

462
00:29:49.839 --> 00:29:52.759
<v Speaker 5>him to get his story out, that it was going

463
00:29:52.799 --> 00:29:55.759
<v Speaker 5>to be the definitive one, and he might never have

464
00:29:55.960 --> 00:30:00.440
<v Speaker 5>this opportunity again. And all of a sudden, the letters

465
00:30:00.720 --> 00:30:04.720
<v Speaker 5>just turned many shades darker in terms of the things

466
00:30:04.799 --> 00:30:07.240
<v Speaker 5>he wanted to explore. And part of that was he

467
00:30:07.319 --> 00:30:09.519
<v Speaker 5>had dug through a lot of his the papers he

468
00:30:09.640 --> 00:30:14.200
<v Speaker 5>keeps in his cell, and he had found original police reports.

469
00:30:14.240 --> 00:30:18.000
<v Speaker 5>They were summaries of police reports, and he sent them

470
00:30:18.079 --> 00:30:21.240
<v Speaker 5>to me, all marked up with what they got wrong

471
00:30:21.480 --> 00:30:25.920
<v Speaker 5>and what this meant and what that meant. So here's

472
00:30:25.960 --> 00:30:29.200
<v Speaker 5>the whole description of when they went into the Oteo's

473
00:30:30.319 --> 00:30:35.039
<v Speaker 5>what they saw, and he then elaborate on what did

474
00:30:35.079 --> 00:30:37.640
<v Speaker 5>that mean, And that's basically how I presented in the book.

475
00:30:37.720 --> 00:30:40.480
<v Speaker 5>Here's the report, and here are the things that he

476
00:30:40.559 --> 00:30:44.680
<v Speaker 5>had to say about various aspects of this report, or

477
00:30:44.720 --> 00:30:49.000
<v Speaker 5>about his experience of stalking a particular victim, or what

478
00:30:49.119 --> 00:30:51.480
<v Speaker 5>did he do afterward and how did he feel afterward.

479
00:30:51.799 --> 00:30:54.279
<v Speaker 5>So it was like all of a sudden he felt

480
00:30:54.319 --> 00:30:59.119
<v Speaker 5>the pressure of a deadline of Oh my god, I

481
00:30:59.240 --> 00:31:02.319
<v Speaker 5>have to to get busy because I want this to

482
00:31:02.400 --> 00:31:06.920
<v Speaker 5>be my dark journey and all of the other stuff

483
00:31:07.119 --> 00:31:10.640
<v Speaker 5>that was about his family dropped away. But he then

484
00:31:10.799 --> 00:31:16.039
<v Speaker 5>began to start thinking about where does this originate. He

485
00:31:16.200 --> 00:31:18.759
<v Speaker 5>talked a lot about his boyhood, and then it was

486
00:31:18.880 --> 00:31:21.640
<v Speaker 5>up to me really to look at the themes of

487
00:31:21.720 --> 00:31:27.279
<v Speaker 5>that and see how they related to the potential development

488
00:31:27.599 --> 00:31:30.079
<v Speaker 5>of the kind of dark fantasies he had. That then

489
00:31:30.279 --> 00:31:34.119
<v Speaker 5>really led the dance for him. So it was really

490
00:31:34.400 --> 00:31:39.039
<v Speaker 5>kind of him figuring out he needed to do some

491
00:31:39.279 --> 00:31:45.519
<v Speaker 5>work and me finding through this. I mean lots and

492
00:31:45.599 --> 00:31:49.079
<v Speaker 5>lots of lots of detail the things that would be

493
00:31:49.319 --> 00:31:53.599
<v Speaker 5>useful for my goals. So the hard thing about doing

494
00:31:53.640 --> 00:31:57.559
<v Speaker 5>a book of this length is all the data you

495
00:31:57.720 --> 00:32:02.039
<v Speaker 5>amass and keeping your goal was always in front, so

496
00:32:02.160 --> 00:32:04.720
<v Speaker 5>you know what you're focusing on, but keeping but not

497
00:32:05.160 --> 00:32:08.079
<v Speaker 5>to the point where you're working with tunnel vision or

498
00:32:08.480 --> 00:32:13.440
<v Speaker 5>or you know, a cognitive bias that limits the world.

499
00:32:13.640 --> 00:32:17.440
<v Speaker 5>So I had to watch my own expectations and what

500
00:32:17.599 --> 00:32:22.000
<v Speaker 5>I was expecting hoping to see, but also I needed

501
00:32:22.079 --> 00:32:25.559
<v Speaker 5>to guide him away from all the minutia. Like one

502
00:32:25.599 --> 00:32:29.119
<v Speaker 5>of the earliest letters he sent me had a journal

503
00:32:29.240 --> 00:32:33.279
<v Speaker 5>of his his day and it was like minute by

504
00:32:33.440 --> 00:32:37.799
<v Speaker 5>minute of oh, getting up at this time, and this

505
00:32:38.039 --> 00:32:40.240
<v Speaker 5>is what they gave me for breakfast. And then I

506
00:32:40.359 --> 00:32:44.119
<v Speaker 5>did this, and then I did that, and he think,

507
00:32:44.279 --> 00:32:48.160
<v Speaker 5>and he kept one for every single day, thinking someone

508
00:32:48.319 --> 00:32:52.160
<v Speaker 5>was going to really find this to be very important. Yeah,

509
00:32:52.720 --> 00:32:56.000
<v Speaker 5>he's just sitting in a single prison cell. He's not

510
00:32:56.119 --> 00:33:00.319
<v Speaker 5>in general population. He doesn't interact with anybody. You know,

511
00:33:00.480 --> 00:33:03.160
<v Speaker 5>he'll read he was at the time. He's listening to

512
00:33:03.240 --> 00:33:07.200
<v Speaker 5>the stock report because he had imaginary stocks, and listen

513
00:33:07.240 --> 00:33:12.160
<v Speaker 5>to the farmer's reports and whatnot. But wow, it was

514
00:33:12.319 --> 00:33:15.359
<v Speaker 5>up to me to make my way through all this

515
00:33:16.599 --> 00:33:19.440
<v Speaker 5>data and see the things that were really going to

516
00:33:19.559 --> 00:33:22.160
<v Speaker 5>make this into a book. And I will admit there

517
00:33:22.200 --> 00:33:25.039
<v Speaker 5>were times I didn't think I had a book, really yeah,

518
00:33:25.680 --> 00:33:27.640
<v Speaker 5>because I just I didn't think he was up to it.

519
00:33:28.640 --> 00:33:32.200
<v Speaker 5>And then all of a sudden will come letters filled

520
00:33:32.319 --> 00:33:38.920
<v Speaker 5>with very rich ideas and memories and reflections. Okay, now

521
00:33:39.000 --> 00:33:41.799
<v Speaker 5>I can move forward. But I'd say for the first

522
00:33:41.839 --> 00:33:43.039
<v Speaker 5>two years I wasn't sure.

523
00:33:45.599 --> 00:33:48.000
<v Speaker 4>You're trying to get him to be insightful about his

524
00:33:48.160 --> 00:33:51.519
<v Speaker 4>own life, and you say this is a guided autobiography,

525
00:33:51.640 --> 00:33:55.680
<v Speaker 4>so you had to help him be able to learn

526
00:33:56.079 --> 00:34:02.319
<v Speaker 4>and decipher some of the things that have happened when

527
00:34:02.359 --> 00:34:04.880
<v Speaker 4>he got to his development. When he talks about his

528
00:34:05.160 --> 00:34:08.559
<v Speaker 4>childhood and some of the things that again seemed to

529
00:34:08.639 --> 00:34:12.800
<v Speaker 4>turn are directly related to his sexual fantasies. What did

530
00:34:12.840 --> 00:34:15.440
<v Speaker 4>he tell you about his early childhood and bullying and

531
00:34:15.559 --> 00:34:18.480
<v Speaker 4>the barn tell us a little bit about some of

532
00:34:18.519 --> 00:34:20.679
<v Speaker 4>the things that he finally divulgd to you about that.

533
00:34:21.719 --> 00:34:24.840
<v Speaker 5>Yeah, I mean, he would always kind of go to

534
00:34:25.159 --> 00:34:29.960
<v Speaker 5>what had excited him whether and even very young. It

535
00:34:30.039 --> 00:34:34.119
<v Speaker 5>wasn't necessarily sexual, but it was certainly physical, and so

536
00:34:34.280 --> 00:34:36.199
<v Speaker 5>he would talk about that. But I will say, like,

537
00:34:36.360 --> 00:34:39.000
<v Speaker 5>at one point he told me about a movie he

538
00:34:39.079 --> 00:34:41.960
<v Speaker 5>had a thing with his mother. She was a brunette

539
00:34:41.960 --> 00:34:44.880
<v Speaker 5>and she had kind of movie star looks, as many

540
00:34:44.920 --> 00:34:48.719
<v Speaker 5>people described her, and he would go to the movies

541
00:34:48.760 --> 00:34:51.519
<v Speaker 5>with her. And he told me he had the movies

542
00:34:51.599 --> 00:34:55.000
<v Speaker 5>he had watched. So I watched them to get a

543
00:34:55.119 --> 00:34:59.760
<v Speaker 5>sense of that little boy's perspective sitting with his beautiful mother.

544
00:35:00.440 --> 00:35:04.920
<v Speaker 5>And there was one the House of Wax. Oh my god,

545
00:35:05.519 --> 00:35:11.159
<v Speaker 5>it's a naked woman bound in this thing. She's brunette, naked,

546
00:35:11.360 --> 00:35:18.480
<v Speaker 5>struggling in all the most titillating ways. Oh lord, it's

547
00:35:18.519 --> 00:35:21.039
<v Speaker 5>a good thing I watched this rather than just heard

548
00:35:21.119 --> 00:35:24.119
<v Speaker 5>him say, we watched the House of Wax and that

549
00:35:24.320 --> 00:35:27.599
<v Speaker 5>had an effect on me. Well, I can imagine it did,

550
00:35:28.400 --> 00:35:33.360
<v Speaker 5>because he already was thinking about binding girls who made

551
00:35:33.400 --> 00:35:38.239
<v Speaker 5>him feel uncomfortable or took away his self esteem. He

552
00:35:38.360 --> 00:35:41.559
<v Speaker 5>was thinking of binding them in railroad tracks or building

553
00:35:41.679 --> 00:35:44.599
<v Speaker 5>girl traps for them. And so here he is with

554
00:35:45.199 --> 00:35:48.800
<v Speaker 5>his mother, who's who's already humiliated him once and he's

555
00:35:48.920 --> 00:35:54.440
<v Speaker 5>seen her stuck helpless, and he's seen the look on

556
00:35:54.559 --> 00:35:57.719
<v Speaker 5>her face that made him feel powerful. And now he's

557
00:35:57.760 --> 00:36:01.800
<v Speaker 5>watching this movie with a clearly I mean that showing

558
00:36:01.960 --> 00:36:05.119
<v Speaker 5>obviously a full frontal nudity back in those days, but oh,

559
00:36:05.440 --> 00:36:09.039
<v Speaker 5>the suggestion of it was very strong in that movie, right,

560
00:36:09.159 --> 00:36:13.519
<v Speaker 5>And I thought, whoa right there, that's the kind of thing.

561
00:36:14.119 --> 00:36:17.119
<v Speaker 5>And the weir wolf who can shape shift, and that's

562
00:36:17.199 --> 00:36:20.800
<v Speaker 5>the kind of thing. What's a little boy thinking about

563
00:36:21.079 --> 00:36:24.440
<v Speaker 5>after he's seen not just seeing these movies, but they

564
00:36:24.639 --> 00:36:28.079
<v Speaker 5>haunt him. He has nightmares, he has dreams about them,

565
00:36:28.159 --> 00:36:31.840
<v Speaker 5>he thinks about them, And how is that affecting the

566
00:36:32.039 --> 00:36:36.280
<v Speaker 5>kinds of fantasy fantasy life he is going to develop

567
00:36:36.440 --> 00:36:39.760
<v Speaker 5>as he enters into puberty? And it does become all

568
00:36:39.800 --> 00:36:43.519
<v Speaker 5>about sexual arousal. So he had the sexual arousal as

569
00:36:43.559 --> 00:36:47.480
<v Speaker 5>a boy getting tied up playing the cowboy games and

570
00:36:48.119 --> 00:36:50.880
<v Speaker 5>he got trapped once in a silo and it was scared,

571
00:36:51.000 --> 00:36:54.400
<v Speaker 5>but also it was really exciting. So he had some

572
00:36:54.559 --> 00:36:57.960
<v Speaker 5>of those experiences early to the point where he would

573
00:36:58.119 --> 00:37:02.920
<v Speaker 5>tie ropes around his waist because it felt good. And

574
00:37:03.760 --> 00:37:08.480
<v Speaker 5>as he's developing into his sexual being, it feels very

575
00:37:08.599 --> 00:37:10.760
<v Speaker 5>good and it's the kind of thing he's not going

576
00:37:10.840 --> 00:37:11.280
<v Speaker 5>to give up.

577
00:37:12.519 --> 00:37:17.480
<v Speaker 4>Yeah, you also talk about innocuous things were seemingly like

578
00:37:18.039 --> 00:37:22.599
<v Speaker 4>the Dudley do Right cartoon that we all watched.

579
00:37:23.519 --> 00:37:27.960
<v Speaker 5>Yeah, well, I mean for Raider, immediately it was tying

580
00:37:28.159 --> 00:37:34.039
<v Speaker 5>the redheaded girl on the train track, and it wasn't

581
00:37:34.039 --> 00:37:37.760
<v Speaker 5>about her getting rescued. It was about get that train

582
00:37:38.400 --> 00:37:40.920
<v Speaker 5>to hit her and run her over so that she

583
00:37:41.119 --> 00:37:45.440
<v Speaker 5>was bound and helpless though, was the thing. And then

584
00:37:45.599 --> 00:37:49.360
<v Speaker 5>as a fourteen year old, he found a True Detective

585
00:37:49.440 --> 00:37:52.960
<v Speaker 5>magazine that had the Harvey Glatman pictures on the cover

586
00:37:53.840 --> 00:37:57.840
<v Speaker 5>and saw this image of this utterly helpless, bound woman

587
00:37:57.960 --> 00:38:01.599
<v Speaker 5>who was about to be murdered, and he masturbated to that.

588
00:38:02.599 --> 00:38:05.079
<v Speaker 5>That was highly exciting to him, and we do know

589
00:38:05.360 --> 00:38:11.360
<v Speaker 5>that when certain stimuli are paired with masturbation as a

590
00:38:11.599 --> 00:38:15.519
<v Speaker 5>as a young boy is becoming a young man, that

591
00:38:15.760 --> 00:38:20.039
<v Speaker 5>becomes part of the sexual fetish. It might be something

592
00:38:20.119 --> 00:38:23.599
<v Speaker 5>that lasts the rest of his life because it gets

593
00:38:23.760 --> 00:38:27.119
<v Speaker 5>paired and it gets fused together with the process of

594
00:38:27.239 --> 00:38:31.320
<v Speaker 5>sexual development. And for him, was that was the image

595
00:38:31.440 --> 00:38:34.159
<v Speaker 5>he wanted to replicate in his own victims.

596
00:38:36.679 --> 00:38:42.280
<v Speaker 4>So he graduated to stalking. Initially, that was his first

597
00:38:42.360 --> 00:38:46.400
<v Speaker 4>foray into criminality. Was the stalking.

598
00:38:46.760 --> 00:38:50.079
<v Speaker 5>Well, it's hard to say. You know, he went into

599
00:38:50.119 --> 00:38:52.880
<v Speaker 5>the military and he was in the countries, and I

600
00:38:52.960 --> 00:38:56.480
<v Speaker 5>think he did a lot of voyeuristic activity at that point,

601
00:38:57.679 --> 00:39:01.360
<v Speaker 5>and then that became stalking. So the voyeurism was looking

602
00:39:01.440 --> 00:39:07.559
<v Speaker 5>into people's windows, imagining power over them, and then as

603
00:39:07.719 --> 00:39:11.079
<v Speaker 5>he would see someone, he might follow that person. So

604
00:39:11.159 --> 00:39:14.159
<v Speaker 5>I think the voyeurism came before the stocking. But then

605
00:39:14.599 --> 00:39:19.519
<v Speaker 5>the stocking arrived with the idea that he would kidnap somebody,

606
00:39:20.320 --> 00:39:23.000
<v Speaker 5>and he did make an attempt to kidnap a bank

607
00:39:23.119 --> 00:39:27.199
<v Speaker 5>clerk and it failed utterly, and he got scared that

608
00:39:27.400 --> 00:39:31.519
<v Speaker 5>he was going to get identified. So he began to

609
00:39:31.559 --> 00:39:36.119
<v Speaker 5>break into houses and when he did that, it made

610
00:39:36.199 --> 00:39:38.840
<v Speaker 5>him feel very powerful. Were the people who lived there.

611
00:39:38.960 --> 00:39:41.239
<v Speaker 5>I mean often they weren't home, but just he would

612
00:39:41.239 --> 00:39:45.280
<v Speaker 5>take something like a hammer or you know whatever, just

613
00:39:45.400 --> 00:39:50.400
<v Speaker 5>because he had invaded their space, he owned the place,

614
00:39:51.119 --> 00:39:55.480
<v Speaker 5>he had a position over them, and so that then

615
00:39:55.599 --> 00:39:59.800
<v Speaker 5>became not He's not going to try to capture some

616
00:40:00.119 --> 00:40:03.119
<v Speaker 5>want and kidnap her. He's going to go into a

617
00:40:03.280 --> 00:40:08.039
<v Speaker 5>house and subdue the person he wants. And then that leads,

618
00:40:08.079 --> 00:40:10.039
<v Speaker 5>of course to the Otero murders.

619
00:40:12.719 --> 00:40:19.199
<v Speaker 4>You utilized for this documentary, but also for this book.

620
00:40:19.679 --> 00:40:25.440
<v Speaker 4>Letters and drawings that he had sent you explain what

621
00:40:26.000 --> 00:40:28.599
<v Speaker 4>might be on this document will be on this documentary

622
00:40:28.679 --> 00:40:30.719
<v Speaker 4>regarding those letters and those drawings.

623
00:40:31.719 --> 00:40:35.760
<v Speaker 5>Yeah, I mean I have thousands of pages of his handwriting,

624
00:40:36.039 --> 00:40:40.840
<v Speaker 5>and God bless the documentary makers for going through all

625
00:40:40.920 --> 00:40:44.519
<v Speaker 5>that to pick out passages. But there will be passages highlighted.

626
00:40:45.920 --> 00:40:49.159
<v Speaker 5>We also interviewed him and recorded it, so you'll hear

627
00:40:49.320 --> 00:40:54.639
<v Speaker 5>him responding to some of my questions. Highlighted passages of

628
00:40:54.760 --> 00:40:58.800
<v Speaker 5>things he said that are either ironic in terms of

629
00:40:59.480 --> 00:41:04.559
<v Speaker 5>how could he see how this makes no sense in

630
00:41:05.239 --> 00:41:10.119
<v Speaker 5>the polarization morally in the same person. You'll see drawings

631
00:41:10.159 --> 00:41:15.639
<v Speaker 5>that he's done for example, he drew from me what

632
00:41:15.800 --> 00:41:19.559
<v Speaker 5>he had hoped one day to build was the silo

633
00:41:19.760 --> 00:41:24.400
<v Speaker 5>filled with torture instruments, similar to AJH. Holmes and his castle.

634
00:41:25.559 --> 00:41:30.880
<v Speaker 5>And so it's very meticulous, full color. And you know,

635
00:41:31.320 --> 00:41:35.880
<v Speaker 5>he said to me it wasn't He really had not

636
00:41:36.199 --> 00:41:39.559
<v Speaker 5>wanted to do this because it took him back into

637
00:41:39.760 --> 00:41:41.760
<v Speaker 5>a world he knew he had to avoid. And yet

638
00:41:42.320 --> 00:41:45.079
<v Speaker 5>you look at all the detail, you see how much

639
00:41:45.519 --> 00:41:47.880
<v Speaker 5>Funny had doing it. He did want to do it.

640
00:41:48.559 --> 00:41:51.840
<v Speaker 5>He wanted to do it very much. And so that's

641
00:41:51.920 --> 00:41:56.119
<v Speaker 5>the interesting dynamic I had with him is he had

642
00:41:56.159 --> 00:42:00.559
<v Speaker 5>a verbal narrative and he's kind of like had Bundy

643
00:42:00.599 --> 00:42:04.760
<v Speaker 5>in that thinking when he says something that controls reality, right,

644
00:42:05.079 --> 00:42:08.079
<v Speaker 5>language controls reality, and Bundy was very much like that too.

645
00:42:09.599 --> 00:42:12.880
<v Speaker 5>But then you see that he's presenting one thing and

646
00:42:13.000 --> 00:42:17.599
<v Speaker 5>he's showing in his behavior something altogether different. For me,

647
00:42:18.159 --> 00:42:21.599
<v Speaker 5>that's the most interesting and intriguing aspect of him is

648
00:42:22.239 --> 00:42:25.119
<v Speaker 5>how does he not see? How does he develop these

649
00:42:25.199 --> 00:42:29.119
<v Speaker 5>blind spots, these walls between what he says about himself

650
00:42:29.280 --> 00:42:31.960
<v Speaker 5>and what he's showing about himself. Well, we all do it.

651
00:42:32.360 --> 00:42:37.079
<v Speaker 5>It's a human tendency. But in a serial killer is

652
00:42:37.159 --> 00:42:38.440
<v Speaker 5>particularly interesting.

653
00:42:39.679 --> 00:42:44.960
<v Speaker 4>It's much more profound and seems much more out of

654
00:42:45.079 --> 00:42:49.840
<v Speaker 4>touch from reality. Despite being a fairly intelligent person, it

655
00:42:49.840 --> 00:42:54.599
<v Speaker 4>would seem that there's this out of touch with reality

656
00:42:54.719 --> 00:42:59.599
<v Speaker 4>completely even at this time, even after this many years, right,

657
00:43:00.039 --> 00:43:03.079
<v Speaker 4>there's not a recognition or realization by him.

658
00:43:03.840 --> 00:43:07.320
<v Speaker 5>And that is the role of a very rich and

659
00:43:08.719 --> 00:43:13.519
<v Speaker 5>real feeling fantasy life. That's that's where he comes alive.

660
00:43:13.760 --> 00:43:17.360
<v Speaker 5>That's where he his whole identity is wrapped up in

661
00:43:17.599 --> 00:43:21.440
<v Speaker 5>the fantasy person. And so it's very easy for him

662
00:43:21.559 --> 00:43:26.280
<v Speaker 5>to develop these blind spots and these walls between what's

663
00:43:26.360 --> 00:43:29.760
<v Speaker 5>real and what's what he thinks is real because he's

664
00:43:29.800 --> 00:43:33.880
<v Speaker 5>so immersed in who you know, this image of himself

665
00:43:34.480 --> 00:43:37.960
<v Speaker 5>again a human tendency. And at the end of the

666
00:43:38.000 --> 00:43:40.639
<v Speaker 5>book I talk about this, it's it's not that he's

667
00:43:40.880 --> 00:43:44.719
<v Speaker 5>such a different creature, as you use the word profound.

668
00:43:44.840 --> 00:43:48.440
<v Speaker 5>He's profoundly different in some ways, but all of those

669
00:43:48.519 --> 00:43:52.840
<v Speaker 5>ways are attached to who we all are to some degree.

670
00:43:54.199 --> 00:43:59.920
<v Speaker 5>But he just doesn't have the emotional rootedness in wanting

671
00:44:00.199 --> 00:44:03.880
<v Speaker 5>and a sense of integrity of presenting. You know, a

672
00:44:03.920 --> 00:44:07.559
<v Speaker 5>lot of us want to present ourselves with uniformity. Whatever

673
00:44:07.679 --> 00:44:12.440
<v Speaker 5>I do in this situation would come through in a

674
00:44:12.519 --> 00:44:16.679
<v Speaker 5>different situation because I'm who I am. That's often how

675
00:44:16.719 --> 00:44:19.559
<v Speaker 5>we think of ourselves. That isn't the way someone like

676
00:44:19.719 --> 00:44:24.519
<v Speaker 5>him operates. It's whatever I need for this situation is

677
00:44:24.599 --> 00:44:29.440
<v Speaker 5>what matters. Not presenting myself in the same way all

678
00:44:29.519 --> 00:44:29.840
<v Speaker 5>the time.

679
00:44:31.639 --> 00:44:38.119
<v Speaker 4>Was there any reaction from him to say that as

680
00:44:39.159 --> 00:44:43.039
<v Speaker 4>he discovered things through this process that you asked him

681
00:44:43.519 --> 00:44:48.320
<v Speaker 4>specifically questioned so that he could learn to be able

682
00:44:48.400 --> 00:44:50.280
<v Speaker 4>to respond in the way you would like him to

683
00:44:50.360 --> 00:44:54.119
<v Speaker 4>respond rather than just talking about you say that lots

684
00:44:54.159 --> 00:44:58.159
<v Speaker 4>of his thinking was convoluted. What was his reaction to

685
00:44:58.280 --> 00:45:02.199
<v Speaker 4>some of this if there was some of this discovery

686
00:45:02.719 --> 00:45:07.840
<v Speaker 4>of the connection the psycho psycho sexual development, was there

687
00:45:07.880 --> 00:45:10.679
<v Speaker 4>any recognition that he had learned something from this and

688
00:45:11.079 --> 00:45:11.920
<v Speaker 4>what was that reaction?

689
00:45:12.159 --> 00:45:15.719
<v Speaker 5>Yeah, I mean he hasn't read the book, by the way,

690
00:45:15.719 --> 00:45:18.639
<v Speaker 5>He has no response to that because it's contraband, right.

691
00:45:18.880 --> 00:45:23.719
<v Speaker 5>But yes, there's a chapter in which it's really his

692
00:45:24.320 --> 00:45:28.599
<v Speaker 5>thinking about himself to some extent, guided by assessment instruments

693
00:45:28.679 --> 00:45:32.719
<v Speaker 5>that I use. But he's thinking his way through where

694
00:45:32.760 --> 00:45:37.199
<v Speaker 5>does this all come from? What salient in his memory?

695
00:45:37.840 --> 00:45:42.119
<v Speaker 5>And his reflective process that he keeps coming back to

696
00:45:42.199 --> 00:45:45.119
<v Speaker 5>him over and over, and he makes the lists, but

697
00:45:45.239 --> 00:45:47.280
<v Speaker 5>he does do it. And also I used a few

698
00:45:47.360 --> 00:45:50.960
<v Speaker 5>books like Adrian Rain's I Think is Anatomy of Violence

699
00:45:52.639 --> 00:45:56.440
<v Speaker 5>that helped him frame it out. Al Carlisle's ideas helped

700
00:45:56.519 --> 00:45:59.960
<v Speaker 5>him to articulate things that he hadn't really been able

701
00:46:00.159 --> 00:46:03.719
<v Speaker 5>to understand. But in the end he did his own

702
00:46:03.800 --> 00:46:08.239
<v Speaker 5>self analysis, which I thought was, you know, to some extent, insightful.

703
00:46:09.239 --> 00:46:12.079
<v Speaker 5>I mean, he's not he's in a particularly bright guy.

704
00:46:12.159 --> 00:46:17.000
<v Speaker 5>He didn't do well in school, but he's certainly worked

705
00:46:17.079 --> 00:46:19.920
<v Speaker 5>at trying to understand this. And and of course I

706
00:46:20.000 --> 00:46:23.079
<v Speaker 5>will hear from people saying, oh, he just he's just

707
00:46:23.440 --> 00:46:27.320
<v Speaker 5>screwing with you. He's he's manipulating him. Certainly, he's manipulating

708
00:46:27.360 --> 00:46:30.920
<v Speaker 5>me to some extent. But I think everybody wants to

709
00:46:31.000 --> 00:46:35.559
<v Speaker 5>try to understand themselves, particularly narcissists. And I think he

710
00:46:35.679 --> 00:46:38.199
<v Speaker 5>did want to take advantage of the fact that he

711
00:46:38.280 --> 00:46:42.039
<v Speaker 5>had someone here with credentials, with a sense of structure

712
00:46:42.519 --> 00:46:45.519
<v Speaker 5>who could possibly guide him through some of this. And

713
00:46:45.679 --> 00:46:47.920
<v Speaker 5>I think I think I guided him through some. I

714
00:46:48.000 --> 00:46:51.199
<v Speaker 5>don't know that I have the whole truth, and nothing

715
00:46:51.320 --> 00:46:55.519
<v Speaker 5>but the truth. But I have a lot from him

716
00:46:56.159 --> 00:46:59.280
<v Speaker 5>for which I think he needs, he deserves some credit.

717
00:47:00.079 --> 00:47:03.559
<v Speaker 4>Well, it's an extraordinary book. It was extraordinary when I

718
00:47:03.719 --> 00:47:09.599
<v Speaker 4>interviewed you in twenty sixteen about this book, Confession of

719
00:47:09.639 --> 00:47:12.280
<v Speaker 4>a Serial Killer, The Untold Story of Dennis Raider, the

720
00:47:12.400 --> 00:47:17.199
<v Speaker 4>BTK Killer, which was released in twenty sixteen, and now

721
00:47:17.280 --> 00:47:23.039
<v Speaker 4>the audiobook edition by Blackstone Publishing will be released January eleventh.

722
00:47:23.880 --> 00:47:27.400
<v Speaker 4>Just tell our audience before I let you go about

723
00:47:27.519 --> 00:47:32.639
<v Speaker 4>the A and E two part documentary Confession of a

724
00:47:32.719 --> 00:47:36.599
<v Speaker 4>Serial Killer AVTK Killer. Tell us just a little bit

725
00:47:36.639 --> 00:47:40.599
<v Speaker 4>about when that will air, and yeah, when that will

726
00:47:40.639 --> 00:47:41.559
<v Speaker 4>air on A and E.

727
00:47:42.119 --> 00:47:45.119
<v Speaker 5>Okay, on A and E. It's actually four part it's

728
00:47:45.199 --> 00:47:51.760
<v Speaker 5>two nights, but four parts, and it's an arc over

729
00:47:51.840 --> 00:47:54.760
<v Speaker 5>the whole story. But there's a lot more in it

730
00:47:55.360 --> 00:47:57.960
<v Speaker 5>than just what's in the book. We've found people to

731
00:47:58.079 --> 00:48:01.639
<v Speaker 5>talk to who had more to say, and also there

732
00:48:01.679 --> 00:48:05.159
<v Speaker 5>are like I did not interview the victims' families, so

733
00:48:05.280 --> 00:48:07.679
<v Speaker 5>we do have some of them in the documentary. I

734
00:48:07.760 --> 00:48:12.199
<v Speaker 5>did not interview the impact on people in Wichita because

735
00:48:12.239 --> 00:48:16.519
<v Speaker 5>I was doing an autobiography, So there's a lot more

736
00:48:16.559 --> 00:48:20.039
<v Speaker 5>about Wichita. The effect of a serial killer in town

737
00:48:21.360 --> 00:48:24.679
<v Speaker 5>and anyway. So it's it's on A and E January

738
00:48:24.760 --> 00:48:28.280
<v Speaker 5>eighth and ninth, four parts, so two hours each night.

739
00:48:29.000 --> 00:48:35.800
<v Speaker 5>And I think, I personally think that it's very it's multifaceted.

740
00:48:35.880 --> 00:48:39.119
<v Speaker 5>There's there's a lot there that you may never have

741
00:48:39.480 --> 00:48:42.039
<v Speaker 5>heard or read before about Dennis Raider.

742
00:48:42.679 --> 00:48:46.320
<v Speaker 4>Absolutely. I want to thank you so much, Catherine Ramselind

743
00:48:46.360 --> 00:48:49.440
<v Speaker 4>for coming on and talking about first your book Confession

744
00:48:49.480 --> 00:48:51.920
<v Speaker 4>of a Serial Killer, the Untold story of Dennis Raider,

745
00:48:52.000 --> 00:48:57.760
<v Speaker 4>the BTK Killer, and also the documentary BTK Confession of

746
00:48:57.800 --> 00:49:01.880
<v Speaker 4>a Serial Killer, premiers January eighth and ninth on A

747
00:49:02.000 --> 00:49:06.239
<v Speaker 4>and Thank you so much, doctor Kathleen Ramslan for this interview.

748
00:49:06.719 --> 00:49:08.440
<v Speaker 4>Thank you so much, and have a great evening.

749
00:49:08.920 --> 00:49:10.679
<v Speaker 5>Thank you. I appreciate being here.

750
00:49:11.239 --> 00:49:12.239
<v Speaker 4>Thank you, good night.

751
00:49:12.840 --> 00:49:13.079
<v Speaker 5>Nice
