WEBVTT

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<v Speaker 1>Let's go yo, the legend ice Cube is back on

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<v Speaker 1>the Cruise Show. Let's get it cute. Yeah ya yay.

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<v Speaker 1>My guy shot the DJ fuse for that intro right there.

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<v Speaker 2>Man, that was crazy. Thank you, bro, thank you.

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<v Speaker 1>And there's so many more songs. I mean, we could

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<v Speaker 1>be here all day though.

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<v Speaker 2>That's a that's a beautiful thing, beautiful thing.

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<v Speaker 1>Yeah, Bro.

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<v Speaker 2>I love the hat you got on today. That's a classic.

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<v Speaker 2>Yeah for sure. Block that block letter ice Q what

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<v Speaker 2>I came out with. Yes, sir, you know the l

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<v Speaker 2>A hat is so important out here in Los Angeles.

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<v Speaker 1>It is. But I believe you're responsible for the Sox

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<v Speaker 1>hat too. Well.

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<v Speaker 2>You know when the socks changed their colors to black

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<v Speaker 2>and gray or silver or whatever, and you know we

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<v Speaker 2>used to look for it wasn't a lot of teams

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<v Speaker 2>with the black.

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<v Speaker 1>Yeah, you know the Kings and that's pretty much it.

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<v Speaker 2>Yeah yeah, so uh we was looking at rocking new

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<v Speaker 2>hat and that was the one.

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<v Speaker 1>That was the one. It became such a staple, like

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<v Speaker 1>a fashion statement. Yeah it did.

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<v Speaker 2>You know, they they saw a lot of mark.

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<v Speaker 1>What about the color black?

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<v Speaker 2>Is it that you're like, you know, I just think

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<v Speaker 2>it's you know, it's it's it's where it all started.

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<v Speaker 2>In a way, you know, it reminds me of you know,

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<v Speaker 2>starting off with n w A locking in on like

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<v Speaker 2>we was all gonna we're black. It's defiance, isn't. Yeah,

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<v Speaker 2>And you know it's really about you know, the color

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<v Speaker 2>that you know I'm most comfortable in, No, for sure,

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<v Speaker 2>and all this ship is dead we in morning you

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<v Speaker 2>feel me? Well, you know like that too soon?

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<v Speaker 1>Yeah?

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<v Speaker 2>Well, you know, I just look at it as you know,

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<v Speaker 2>we uh, you know, we're serious, so we want to

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<v Speaker 2>take it serious. Yes, sir man down congratulations, let's talk

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<v Speaker 2>about the cover man because I've been there as a

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<v Speaker 2>kid right growing up where I grew up, so I've

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<v Speaker 2>seen I felt this.

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<v Speaker 1>It spoke to me right away.

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<v Speaker 2>Yeah, you know it's uh, it means different things different people,

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<v Speaker 2>but it's really about, you know, what what happens when

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<v Speaker 2>all the you know, serious men or the men that

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<v Speaker 2>you know hold the society yup, you know, are down,

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<v Speaker 2>like you know, we gotta as men get back up.

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<v Speaker 2>And you know, I just feel like it's as a man,

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<v Speaker 2>there's nothing to brag about right now, and we just

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<v Speaker 2>got to get things back in order, so to speak.

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<v Speaker 2>Because it's coming off the rails. And you know, we

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<v Speaker 2>just need more serious men around here. That's right, that's right,

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<v Speaker 2>more serious men who stand up for what they believe in,

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<v Speaker 2>for the for their values, everything they believe in. Yeah,

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<v Speaker 2>you know, don't be afraid to be yourself and you know,

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<v Speaker 2>show the show the world who you are and not

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<v Speaker 2>always taking.

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<v Speaker 1>A step back. It's my ego is out, it's my ego.

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<v Speaker 2>Yeah, you know, it's a song that's celebrating our ego.

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<v Speaker 2>You know, all our lives we told like ego. You know,

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<v Speaker 2>being full of yourself is a bad thing. But then

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<v Speaker 2>you have a lot of people who don't even know themselves.

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<v Speaker 2>You know, they they don't lost theirselves because they trying

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<v Speaker 2>to conform to society, or they trying to fit in,

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<v Speaker 2>or they just trying not to be pointed out. You know,

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<v Speaker 2>some people don't want to stick out. But nobody likes normal,

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<v Speaker 2>to be honest, nobody likes regular. I was like, yo,

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<v Speaker 2>you want to you want to go eat a regular lunch?

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<v Speaker 2>You want to go eat a normal sandwich. Nobody would

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<v Speaker 2>be like, yeah, let's do that. You know, so right,

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<v Speaker 2>you want to be extraordinary and your ego is the

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<v Speaker 2>first step and letting the world know you unique. You know,

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<v Speaker 2>you're the only one that's ever been. Ain't nobody coming

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<v Speaker 2>like you after you? It's just you and let the

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<v Speaker 2>world know that that's right. Thank you for saying that

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<v Speaker 2>about me. I appreciate it. No maniacs though, right, And

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<v Speaker 2>then we get like Buster Rhymes and Killer Mike, like, yo, yeah,

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<v Speaker 2>that's that's extraordinary.

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<v Speaker 1>That's not blending in. That's gonna stand out, no doubt.

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<v Speaker 2>You know, having uh, one of the best on the West,

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<v Speaker 2>one of the best on the East, one of the

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<v Speaker 2>best in the South, get down on the track is

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<v Speaker 2>covering all bases and people love it. You know, we're

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<v Speaker 2>about to drop a video soon to that track, and

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<v Speaker 2>you know, keep this thing going.

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<v Speaker 3>That's too easy to down with so much strategy. You

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<v Speaker 3>guys were intentional about covering Grot of.

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<v Speaker 2>Course, you know, everything should be intentional. And you know,

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<v Speaker 2>we had a song that was really moving and to

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<v Speaker 2>have a you know, to have two Dope MC's jump

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<v Speaker 2>on the remix, you know, and then you know me,

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<v Speaker 2>you know, dropping a new verse.

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<v Speaker 1>It's just all part of the celebrating that song. It's

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<v Speaker 1>my ego.

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<v Speaker 2>Yeah, man, you know the cover's crazy, the music is crazy.

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<v Speaker 2>You never disappoint you report live from it. Dog, I

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<v Speaker 2>think you run towards danger.

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<v Speaker 1>Is that? Is that correct? You know?

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<v Speaker 2>Things that I feel like I can speak on in

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<v Speaker 2>a dope hip hop form is what it's all about, storyteller, right, Hey, yeah,

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<v Speaker 2>it's about street knowledge.

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<v Speaker 1>You know.

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<v Speaker 2>That's what I've been kicking from day one, and I'm

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<v Speaker 2>gonna continue to kick street knowledge.

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<v Speaker 1>That's for sure. Man.

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<v Speaker 2>You know, I saw a clip recently where you said, like,

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<v Speaker 2>I put a lot of people in movies, but nobody

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<v Speaker 2>has put me in a movie. Like I don't have

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<v Speaker 2>to write everything, I don't have to produce everything. I

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<v Speaker 2>don't have to direct. But then I thought about that,

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<v Speaker 2>I'm like, okay, Well, Cub was one of those guys

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<v Speaker 2>where you think, like, what do I get the guy

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<v Speaker 2>that has everything right? And the answer to that, I

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<v Speaker 2>think is something small, something that means something right. So

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<v Speaker 2>are you down for like a legendary cameo or do

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<v Speaker 2>you need to be the lead in.

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<v Speaker 1>Something for someone to bring you in like a friend

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<v Speaker 1>of yours?

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<v Speaker 2>Well, you know, I want to have an impact in

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<v Speaker 2>the movie.

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<v Speaker 1>It's got to mean something.

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<v Speaker 2>Just a character that has an impact. It doesn't have

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<v Speaker 2>to be a large role, but it has to, you know,

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<v Speaker 2>affect the movie. Yeah, it's just you know a lot

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<v Speaker 2>of people ask why you didn't put this one in

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<v Speaker 2>that and this one and that. As far as people

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<v Speaker 2>in movies, it's if they can't, if they can't benefit

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<v Speaker 2>of being in the movie, it's not gonna help their career.

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<v Speaker 2>So I put people in movies when I know I

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<v Speaker 2>got a roll for you that if you get it right,

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<v Speaker 2>you hit it right, you're gonna you're gonna blow up.

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<v Speaker 2>And so you know, I want the same thing, you

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<v Speaker 2>know what I mean, give me something juice. I'm just

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<v Speaker 2>having me walk through like you know, ice Cube in

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<v Speaker 2>the background.

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<v Speaker 4>Extra one.

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<v Speaker 1>Yeah, you know we're not doing that. I'm like, you

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<v Speaker 1>could have been in the New Gladiator joint. You feel me.

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<v Speaker 2>You got the classic stare down, the classic mean mug,

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<v Speaker 2>you know what I mean?

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<v Speaker 1>Yeah, I think you could have been in that.

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<v Speaker 2>I haven't seen it yet. I don't know if I

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<v Speaker 2>want to.

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<v Speaker 1>Be in here.

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<v Speaker 2>After I see it, you know, maybe I changed my

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<v Speaker 2>mind for sure. C this is Jack your mirror. She's

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<v Speaker 2>an Inn stadium host, a Dodger stadium.

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<v Speaker 1>She's all ye, salute. How you doing.

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<v Speaker 5>I'm so like proud to be from la and and

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<v Speaker 5>I know you performing at Game two was such a

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<v Speaker 5>legendary moment. I do want to tell you though, behind

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<v Speaker 5>the scenes, seeing how everything panned out, everyone was so nervous,

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<v Speaker 5>so excited.

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<v Speaker 4>But I also noticed.

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<v Speaker 5>My boss had gotten a bunch of merch for you, yes,

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<v Speaker 5>And I felt so bad because I had told my

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<v Speaker 5>boss at Dodgers. I was like, yo, they just gave

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<v Speaker 5>you a gang of stuff right now, Like you got hats,

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<v Speaker 5>you got lettermans. And he's like, okay, cool, you want

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<v Speaker 5>to go check it out. He goes, this is actually

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<v Speaker 5>for Cube, this is none of this.

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<v Speaker 4>Is for me, And I felt so bad. Yeah, but

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<v Speaker 4>it's don't to be a part of something like that.

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<v Speaker 1>So there.

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<v Speaker 4>I mean, like it's like I said, it was a.

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<v Speaker 2>Pivotal moment, next level, you know, not my wildest dreams

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<v Speaker 2>that I think I was going to be able to

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<v Speaker 2>be a part of, you know, a Dodger's World series first,

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<v Speaker 2>the Yankees, you know, that's just it was you. I

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<v Speaker 2>couldn't have scripted a better, uh story, and so to

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<v Speaker 2>to be in Game two, you know, after Freddie Freeman

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<v Speaker 2>hit that legendary Grand Slam.

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<v Speaker 1>Crazy, you know, in Game one.

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<v Speaker 2>There still it was still in the stadium. Everybody was

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<v Speaker 2>ready to explode and so and I think I was

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<v Speaker 2>a pleasant surprise too. So it just was like, dang,

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<v Speaker 2>we had the World Series versus the Yankees. We had

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<v Speaker 2>a Grand Slam to win Game one, and we get

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<v Speaker 2>an ice Cube concert, you know, and everybody is singing,

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<v Speaker 2>every all ages. Everybody's parents are singing, their kids are

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<v Speaker 2>singing along. Everybody's rapping along to every single word over

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<v Speaker 2>because yo, like this in the enemy while they're standing there,

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<v Speaker 2>some ship, Yeah I'm looking, and they dug out a

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<v Speaker 2>few times, you know, so.

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<v Speaker 1>That's some GS ship. That's some West Coast ship right there.

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<v Speaker 2>Hey, you know, we know how to we know how

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<v Speaker 2>to set trip on anybody here.

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<v Speaker 5>Man crazy too, because that like it's like a like

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<v Speaker 5>a w W entrance, like centerfield gates open up and

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<v Speaker 5>you walk in and everyone's like, I hear his voice,

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<v Speaker 5>but I need to see him, Like.

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<v Speaker 2>Yeah, it was beautiful, you know. And my man Jesse

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<v Speaker 2>Collins salute, you know, big time producer. He produced the

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<v Speaker 2>super Bowl with Dre. You know, he produced the Oscar

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<v Speaker 2>where uh you know, will slap Chris and and and

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<v Speaker 2>me and him produced the Hip Hop Squares together, you

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<v Speaker 2>know a few years back. So getting the car and

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<v Speaker 2>knowing that he was, you know, gona like produce this segment.

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<v Speaker 2>I knew it was gonna be next level. He didn't

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<v Speaker 2>pduce the Fat Joe segment. He did, Yeah, he did.

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<v Speaker 2>It was just you know, I think difficulties. Well, you

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<v Speaker 2>know when when you down oh to, nobody want to

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<v Speaker 2>hear no d rap. You know what I'm saying. You

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<v Speaker 2>want to get to the game. You ain't get to

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<v Speaker 2>the game, man, you know. So he you know, he

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<v Speaker 2>had he had an uphill battle, you know, being down

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<v Speaker 2>oh too. The same kind of energy wasn't in the

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<v Speaker 2>building like we had.

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<v Speaker 4>They just want to hear the anthem.

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<v Speaker 2>They really don't want to hear that. They just want

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<v Speaker 2>to get to the game. You know, let's get to it.

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<v Speaker 2>You're trying to get away. Then you're back on parade day, yeah,

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<v Speaker 2>you know, yeah, let's run it back, you know, And

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<v Speaker 2>it was great. You know, Dave Robberts. Rob Roberts came

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<v Speaker 2>up there and you know, he hey, he was a

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<v Speaker 2>little faded, you know what I'm saying. He was They

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<v Speaker 2>used the champagne was you know what I mean, you know,

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<v Speaker 2>you know, you know he was he was, he was

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<v Speaker 2>Hee had you know, you could tell he he was

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<v Speaker 2>partying all all night, all morning.

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<v Speaker 1>We've all made a few mistakes while they drinking.

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<v Speaker 2>Hey, you know, it was it was warm out there

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<v Speaker 2>that night.

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<v Speaker 1>It was I mean that day. I mean it was

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<v Speaker 1>the sun was beaming, you know what I mean.

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<v Speaker 2>It hits you a little different way off that you

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<v Speaker 2>come out the bow down, and then you know, you

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<v Speaker 2>yell like we're doing this for Fernando, like they one

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<v Speaker 2>like man, like let's go la and Fernando Man. I

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<v Speaker 2>remember Fernando Mania, you know, I remember how it just

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<v Speaker 2>swept the city and and we was all rooting for

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<v Speaker 2>him because of you know where you come from, Like

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<v Speaker 2>you know, we felt like, yo, somebody that was straight,

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<v Speaker 2>you know, from the bottom to the top, you know

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<v Speaker 2>what I mean. And Uh and was was blowing him away,

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<v Speaker 2>you know, like they could not hit they could not

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<v Speaker 2>hit Fernando for nothing. So it was it was great

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<v Speaker 2>to be able to honor him and Uh and win

239
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<v Speaker 2>the World Series verse the Yankees man insane, right, I

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<v Speaker 2>couldn't write a better script for real, Hey.

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<v Speaker 6>On Man Down one of my favorite songs of so Sensitive,

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<v Speaker 6>at least the ones that I've heard, because I feel

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<v Speaker 6>like that song needed to be you know, sung and

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<v Speaker 6>be out there in the world because everybody is so

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<v Speaker 6>sensitive on the internet. But there's a line that says,

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<v Speaker 6>don't be a pussy all your life. Sometimes you got

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<v Speaker 6>to be a dick. You gotta be a dig sometime

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<v Speaker 6>and get hard.

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<v Speaker 2>Yeah yeah, yeah.

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<v Speaker 1>Yeah, you know I'm with that all day.

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<v Speaker 6>Yeah, yeah, So it was important to make that Why

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<v Speaker 6>was it important to make that song?

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<v Speaker 2>Right now?

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<v Speaker 6>Do you feel that the world is headed in a

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<v Speaker 6>place that we can't do anything like where comedians are

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<v Speaker 6>getting checked, where rappers are getting checked, where it's just

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<v Speaker 6>become too sensitive exactly.

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<v Speaker 2>You know, that's you know, nail on the head. We

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<v Speaker 2>can't we can't worry about people feelings over the facts.

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<v Speaker 2>You know, it's facts over feelings all day. And you

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<v Speaker 2>know when people start to you know, get too sensitive

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<v Speaker 2>over things that you know maybe they should brush off

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<v Speaker 2>or keep it moving, then everybody start to censor their

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<v Speaker 2>self and you know, not beat themselves and you know,

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00:13:01.919 --> 00:13:07.039
<v Speaker 2>try to be so politically correct, and and now everything sucked.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 2>So you know that's that's another thing where I think,

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<v Speaker 2>you know, people need to especially the men. You know,

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<v Speaker 2>you gotta you gotta hard en up, man, you gotta

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<v Speaker 2>you know what I mean, toughen up.

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<v Speaker 1>Damn.

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<v Speaker 2>Just toughen up, man, don't you know? Don't worry about

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<v Speaker 2>everything is gonna go your way.

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<v Speaker 1>Man.

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<v Speaker 2>You ain't got to always complain about it. You know

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<v Speaker 2>what I'm saying, you do, man, you know, get this

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<v Speaker 2>man a tissue, man, like you know, keep a tissue. Man,

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<v Speaker 2>Go cry in the car, you know, keep it in

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<v Speaker 2>the car, man.

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<v Speaker 1>You know what I'm saying. When you get out, man,

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<v Speaker 1>look hard. Keep it in the shower too. Yeah, that

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<v Speaker 1>is sad.

283
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<v Speaker 2>If you cry and you already getting wet, that's it,

284
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<v Speaker 2>doesn't it's like.

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<v Speaker 1>Crying in the rain.

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<v Speaker 6>Yo.

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<v Speaker 5>You mentioned like you know you're being tough in all this,

288
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<v Speaker 5>but and with the song, what are you sensitive about?

289
00:14:02.679 --> 00:14:06.240
<v Speaker 1>Though? I feel like I'm sensitive about sensitive people. You know.

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00:14:06.360 --> 00:14:08.200
<v Speaker 1>It's like I get on my nerves.

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<v Speaker 2>That irritates me somebody a little too, you know, like man,

292
00:14:13.320 --> 00:14:15.679
<v Speaker 2>tough enough, man, I don't want to hear it, like

293
00:14:15.919 --> 00:14:18.360
<v Speaker 2>I'm like, man, shut it up. You know what I'm say,

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<v Speaker 2>I don't want to hear complaining and crying, and you know,

295
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<v Speaker 2>especially if it's you know something, you know, we all

296
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<v Speaker 2>going through We all going through the same thing, you

297
00:14:27.759 --> 00:14:30.240
<v Speaker 2>know what I mean. So, but as a father, you

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00:14:30.320 --> 00:14:33.120
<v Speaker 2>a little sensitive right to the kids, right I am

299
00:14:33.159 --> 00:14:38.840
<v Speaker 2>to the kids, you know, but not to the adults. Yeah,

300
00:14:39.240 --> 00:14:41.440
<v Speaker 2>I mean, you know, like, suck it up. Man, you

301
00:14:41.480 --> 00:14:44.000
<v Speaker 2>know your time is over. You ain't a kid no more.

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00:14:44.080 --> 00:14:46.360
<v Speaker 2>You had your time to be you know, to be

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<v Speaker 2>a bitch. You know what I'm saying, that the time

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00:14:49.840 --> 00:14:54.360
<v Speaker 2>to be a bitch. Yeah, you know you gotta got yeah. Yeah.

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00:14:55.080 --> 00:14:57.200
<v Speaker 3>What was that moment for you though, that you realize that, yo,

306
00:14:57.240 --> 00:14:58.919
<v Speaker 3>I got to toughen the fuck up and I gotta

307
00:14:58.919 --> 00:15:00.399
<v Speaker 3>stop being It was.

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00:15:00.320 --> 00:15:05.200
<v Speaker 2>Early yeah, yeah man. You know, like growing up in

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00:15:05.240 --> 00:15:09.039
<v Speaker 2>my neighborhood on Van Wick, you know, you either you're

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00:15:09.159 --> 00:15:13.200
<v Speaker 2>tough or you got punked or you know, bullied all

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00:15:13.240 --> 00:15:15.399
<v Speaker 2>the time. And I wasn't going for that. By your

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00:15:15.440 --> 00:15:17.519
<v Speaker 2>own family fight back, you know what I'm saying. You

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<v Speaker 2>got a squad, didn't you.

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<v Speaker 1>Squad?

315
00:15:19.399 --> 00:15:21.200
<v Speaker 2>Isn't that how the name ice Cube came about. Your

316
00:15:21.200 --> 00:15:22.919
<v Speaker 2>brother threatened to like put you in a freezer.

317
00:15:23.000 --> 00:15:23.720
<v Speaker 1>Yea, he threatened.

318
00:15:23.960 --> 00:15:26.960
<v Speaker 2>You know, they used to put the refrigerators on the

319
00:15:27.000 --> 00:15:29.120
<v Speaker 2>curb and people would come pick them up when they old,

320
00:15:29.120 --> 00:15:31.919
<v Speaker 2>well they got too old or whatever. And one just

321
00:15:32.120 --> 00:15:34.799
<v Speaker 2>you know, one of them, they stay on the block forever.

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00:15:34.840 --> 00:15:36.679
<v Speaker 2>It's like, damn, when they gonna pick this thing up.

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<v Speaker 2>She was like three four weeks, just on the curban.

324
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<v Speaker 2>And brother got mad at me and was like, you know,

325
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<v Speaker 2>I'm gonna throw your ass in that freezer up the street,

326
00:15:46.840 --> 00:15:48.440
<v Speaker 2>and when they pull your ass out, you're gonna be

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<v Speaker 2>ice Cube. So I was like, whatever, you ain't gonna

328
00:15:52.240 --> 00:15:54.759
<v Speaker 2>catch me. And so when I went out, I was

329
00:15:54.840 --> 00:15:58.200
<v Speaker 2>just telling everybody, you know, call me cue, I'm ice Cube. Yeah,

330
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<v Speaker 2>cufrigerator was just looking at it, like, call me ice Cube.

331
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<v Speaker 2>Just stuck right, just stuck.

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<v Speaker 1>Yes, sir yo.

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00:16:08.360 --> 00:16:09.919
<v Speaker 2>You know when you go to a Cube show man

334
00:16:10.159 --> 00:16:12.559
<v Speaker 2>like Latinos are in the audience. I mean they're the

335
00:16:12.600 --> 00:16:15.159
<v Speaker 2>majority I think out here in Los Angeles when it

336
00:16:15.159 --> 00:16:18.519
<v Speaker 2>comes to ice Cube and and and the and the

337
00:16:18.519 --> 00:16:21.679
<v Speaker 2>fan base that you have. Yeah, I appreciate it, you know,

338
00:16:21.840 --> 00:16:25.840
<v Speaker 2>I much love. It's always been love and respect. I

339
00:16:25.879 --> 00:16:29.360
<v Speaker 2>think we got adult record with me and be real call,

340
00:16:29.480 --> 00:16:32.320
<v Speaker 2>let's get money together. And I think it's gonna be

341
00:16:32.320 --> 00:16:35.240
<v Speaker 2>an anthem for LA. You know, it's gonna be, you know,

342
00:16:35.559 --> 00:16:40.080
<v Speaker 2>a call for us to to work together more as

343
00:16:40.320 --> 00:16:45.320
<v Speaker 2>you know so closely, you know, entwined in LA. You

344
00:16:45.360 --> 00:16:48.559
<v Speaker 2>know what I mean. So let's get it.

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00:16:48.679 --> 00:16:51.360
<v Speaker 3>Yeah, to that point atty more like the impact of

346
00:16:51.399 --> 00:16:52.519
<v Speaker 3>hip hop do is global?

347
00:16:52.600 --> 00:16:56.120
<v Speaker 1>Right, it's all Latin America. Have you ever done a

348
00:16:56.120 --> 00:16:57.080
<v Speaker 1>Latin America tour?

349
00:16:57.759 --> 00:17:02.120
<v Speaker 2>No? No, not having crazy. I mean I've done Brazil,

350
00:17:02.919 --> 00:17:03.399
<v Speaker 2>that's it.

351
00:17:04.759 --> 00:17:11.359
<v Speaker 3>When you when you c Mexico, Dogs, Colombia, Candina, I

352
00:17:11.400 --> 00:17:13.200
<v Speaker 3>mean everywhere you're all at America.

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<v Speaker 2>You're loved your jankie promoter. Put it together.

354
00:17:17.440 --> 00:17:22.279
<v Speaker 1>You know, Hey, let's put it together. I'll put it together.

355
00:17:22.359 --> 00:17:23.160
<v Speaker 1>Let's put it together.

356
00:17:23.599 --> 00:17:27.200
<v Speaker 2>No budget, make this happen somehow, and you gotta get

357
00:17:27.200 --> 00:17:28.079
<v Speaker 2>paid at the end of the day.

358
00:17:28.519 --> 00:17:29.960
<v Speaker 1>At the end of the day. There we go.

359
00:17:30.680 --> 00:17:33.400
<v Speaker 2>Yeah, man down, let's talk about the features, man and

360
00:17:33.440 --> 00:17:37.400
<v Speaker 2>how they came about. Oh, you know, all the homies

361
00:17:37.599 --> 00:17:39.759
<v Speaker 2>so to speak. You know what I'm saying. So you

362
00:17:39.880 --> 00:17:47.319
<v Speaker 2>got snoop E forty h two short, corrupt, be real

363
00:17:47.759 --> 00:17:50.960
<v Speaker 2>like I said, exhibit You know, we all been down

364
00:17:51.039 --> 00:17:55.720
<v Speaker 2>for so long, and some of us done records before together,

365
00:17:55.880 --> 00:18:00.839
<v Speaker 2>some of us haven't. And it's only right especially you know,

366
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<v Speaker 2>I wanted to lean into the West Coast on this record,

367
00:18:04.359 --> 00:18:07.759
<v Speaker 2>lean into our flavor how we do music, not always

368
00:18:07.839 --> 00:18:12.000
<v Speaker 2>chasing this sound or that sound. But you know, people

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00:18:12.079 --> 00:18:15.960
<v Speaker 2>love you know that the West Coast grooves, you know

370
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<v Speaker 2>what I mean, those melodies, you know what I mean

371
00:18:17.960 --> 00:18:21.160
<v Speaker 2>that you know funk, that funk, that g funk, you

372
00:18:21.200 --> 00:18:25.240
<v Speaker 2>know what I mean. That's that's our style, you know,

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00:18:25.359 --> 00:18:31.440
<v Speaker 2>especially in the you know, Southern California. So lean into it,

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00:18:31.519 --> 00:18:34.640
<v Speaker 2>you know, do what we do best. Yeah, it's classic

375
00:18:34.640 --> 00:18:38.240
<v Speaker 2>always reaching, it's classic Q. But's who you are, It's

376
00:18:38.279 --> 00:18:40.599
<v Speaker 2>what we get you feel me. I mean, this record

377
00:18:40.640 --> 00:18:41.880
<v Speaker 2>is really for the Day one fan.

378
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<v Speaker 1>That's it.

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00:18:42.720 --> 00:18:44.559
<v Speaker 2>You know. If you if you're a Day one fan,

380
00:18:44.599 --> 00:18:46.799
<v Speaker 2>you're gonna love it. Everybody else got to get in

381
00:18:46.839 --> 00:18:49.279
<v Speaker 2>where they fit in too easy. Is there a song

382
00:18:49.319 --> 00:18:50.960
<v Speaker 2>on there that we haven't heard that you can't wait

383
00:18:51.000 --> 00:18:51.559
<v Speaker 2>for the world.

384
00:18:51.400 --> 00:18:51.839
<v Speaker 1>They hear.

385
00:18:54.920 --> 00:19:04.640
<v Speaker 2>The ghetto story she sanctified, especially you. I think it's

386
00:19:04.640 --> 00:19:07.519
<v Speaker 2>a lot of good songs on there, and I can

387
00:19:07.599 --> 00:19:08.160
<v Speaker 2>name them all.

388
00:19:08.240 --> 00:19:09.240
<v Speaker 1>Why she sanctified.

389
00:19:11.720 --> 00:19:14.039
<v Speaker 2>I mean, it's a classic. You know, when you hear

390
00:19:14.079 --> 00:19:17.640
<v Speaker 2>the music, you'll know you know exactly uh where we

391
00:19:17.680 --> 00:19:20.720
<v Speaker 2>got it from. We got Snoop on there Eve forty

392
00:19:20.759 --> 00:19:26.279
<v Speaker 2>two short and October London, so it's it's a smash.

393
00:19:26.440 --> 00:19:29.480
<v Speaker 1>Yeah, shoot it to me, dog, let me hear it now.

394
00:19:30.119 --> 00:19:33.640
<v Speaker 1>They played got to it? What's up? Jack?

395
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<v Speaker 5>You know on the on the notes it says that

396
00:19:36.480 --> 00:19:39.240
<v Speaker 5>your wife is your best friend. How important is it

397
00:19:39.319 --> 00:19:42.720
<v Speaker 5>for you to just really be like a man and

398
00:19:43.319 --> 00:19:47.720
<v Speaker 5>hone in on really being dedicating to your partner and

399
00:19:48.279 --> 00:19:51.119
<v Speaker 5>being that that person for them.

400
00:19:51.759 --> 00:19:55.480
<v Speaker 2>It's everything. It's the most important part of my life

401
00:19:57.359 --> 00:20:03.799
<v Speaker 2>because we've built you know, beautiful family together, great kids.

402
00:20:04.480 --> 00:20:10.680
<v Speaker 2>Uh we now we got grandkids, so it's you know,

403
00:20:10.759 --> 00:20:16.039
<v Speaker 2>that's that's every parent dream is to raise good children.

404
00:20:16.119 --> 00:20:20.759
<v Speaker 2>And like we've done it together as partners. You know,

405
00:20:21.359 --> 00:20:25.279
<v Speaker 2>she's done a lot of the heavy lifting because sometimes

406
00:20:25.279 --> 00:20:30.000
<v Speaker 2>I wasn't there, and so I appreciate her for just

407
00:20:30.039 --> 00:20:33.839
<v Speaker 2>being the type of person that she is. And you know,

408
00:20:33.960 --> 00:20:37.720
<v Speaker 2>she could care less about Hollywood and the music business

409
00:20:37.839 --> 00:20:41.640
<v Speaker 2>and you know all this. You know, she's just happy

410
00:20:42.559 --> 00:20:46.759
<v Speaker 2>being herself and not you know, really looking to be

411
00:20:46.839 --> 00:20:51.480
<v Speaker 2>in the spotlight or or or any of that. So

412
00:20:52.200 --> 00:20:54.079
<v Speaker 2>you know, I respect her for that because you know,

413
00:20:54.119 --> 00:20:57.359
<v Speaker 2>you can easily, you know, get caught up in the

414
00:20:57.440 --> 00:21:01.119
<v Speaker 2>cameras and the lights and the action and want your credit.

415
00:21:02.680 --> 00:21:06.079
<v Speaker 2>So since I know she won't take her own credit,

416
00:21:06.640 --> 00:21:08.519
<v Speaker 2>you know, I like to give her, you know, her

417
00:21:08.559 --> 00:21:11.279
<v Speaker 2>props that's right for being the kind of words is

418
00:21:11.640 --> 00:21:13.200
<v Speaker 2>see Jack, there good in this world?

419
00:21:13.920 --> 00:21:16.640
<v Speaker 4>There are the.

420
00:21:16.680 --> 00:21:18.480
<v Speaker 1>Other day the other day she can find one nice

421
00:21:18.480 --> 00:21:19.119
<v Speaker 1>thing to say about it.

422
00:21:19.400 --> 00:21:23.880
<v Speaker 5>I did, how much do your grandkids get away with

423
00:21:24.079 --> 00:21:25.599
<v Speaker 5>more than your kids did?

424
00:21:26.519 --> 00:21:27.119
<v Speaker 1>Uh?

425
00:21:27.799 --> 00:21:30.319
<v Speaker 2>I mean not much? You know they you gotta teach

426
00:21:30.359 --> 00:21:33.160
<v Speaker 2>them right from wrong, no matter you know, if they're

427
00:21:33.200 --> 00:21:35.200
<v Speaker 2>yours or not. You know what I'm saying, Like, you

428
00:21:35.240 --> 00:21:38.440
<v Speaker 2>gotta show them, you know, what they can do, what

429
00:21:38.480 --> 00:21:41.400
<v Speaker 2>they can't do, and as long as they do what

430
00:21:41.440 --> 00:21:43.720
<v Speaker 2>they supposed to do, they don't have no problems out

431
00:21:43.759 --> 00:21:43.920
<v Speaker 2>of me.

432
00:21:44.599 --> 00:21:47.240
<v Speaker 1>That's right, that's right. But you are no. I gotta

433
00:21:47.400 --> 00:21:48.920
<v Speaker 1>you know, you gotta correct.

434
00:21:49.160 --> 00:21:52.000
<v Speaker 2>You gotta correct your children to make sure you know

435
00:21:52.039 --> 00:21:55.960
<v Speaker 2>they know right from wrong, what's acceptable, what's not acceptable,

436
00:21:56.599 --> 00:22:03.960
<v Speaker 2>and that you are serious about them, you know, doing

437
00:22:03.960 --> 00:22:06.079
<v Speaker 2>what they're supposed to do. And then you can love

438
00:22:06.119 --> 00:22:09.880
<v Speaker 2>them to death after spoil them. Yeah, you know, as

439
00:22:10.000 --> 00:22:12.759
<v Speaker 2>much as they need to be true, very true, all

440
00:22:12.759 --> 00:22:16.839
<v Speaker 2>the moderation, right, Yeah, you know, if they want something,

441
00:22:16.839 --> 00:22:20.119
<v Speaker 2>get it for them, you have to discipline them. I

442
00:22:20.200 --> 00:22:22.359
<v Speaker 2>give my parents this. I don't get my dad permission.

443
00:22:22.359 --> 00:22:24.599
<v Speaker 2>I get my mom permission to discipline my kid. I

444
00:22:24.599 --> 00:22:26.799
<v Speaker 2>mean disciplining well way. I don't know if you got

445
00:22:26.799 --> 00:22:28.640
<v Speaker 2>to tell them don't do that, or I want to

446
00:22:28.680 --> 00:22:33.559
<v Speaker 2>do that. If you in my house, then we got rolled. Yeah,

447
00:22:34.400 --> 00:22:37.319
<v Speaker 2>I run you in here. You gotta you know, buy

448
00:22:37.400 --> 00:22:41.759
<v Speaker 2>by the rules of my house. And so that's just it.

449
00:22:41.839 --> 00:22:42.559
<v Speaker 2>That's why it should be.

450
00:22:42.880 --> 00:22:45.599
<v Speaker 1>I'm not going to ask permission for that than Cube.

451
00:22:45.640 --> 00:22:47.160
<v Speaker 1>I know you're a legendary Raiders fan.

452
00:22:48.240 --> 00:22:51.319
<v Speaker 6>Should the Raiders tank to try to maybe get Shador

453
00:22:52.079 --> 00:22:55.039
<v Speaker 6>or to get somebody maybe Lord Dion to be the coach.

454
00:22:54.880 --> 00:22:57.720
<v Speaker 1>Of the Raider. I don't believe in tank.

455
00:22:57.799 --> 00:22:59.680
<v Speaker 2>And even if you want to get a player, you know,

456
00:22:59.759 --> 00:23:02.680
<v Speaker 2>try to win every game, like that's what the fans

457
00:23:02.720 --> 00:23:07.000
<v Speaker 2>pay for, uh, and then you know, let the chips

458
00:23:07.000 --> 00:23:09.880
<v Speaker 2>for what they make when it comes to draft. You know,

459
00:23:10.000 --> 00:23:16.400
<v Speaker 2>tanking is very dangerous it you know it could you

460
00:23:16.440 --> 00:23:21.720
<v Speaker 2>know erode the league. If you know fans, you know,

461
00:23:22.039 --> 00:23:25.640
<v Speaker 2>like what if a team like I remember the seventy

462
00:23:25.759 --> 00:23:27.960
<v Speaker 2>six ers. I think they tank like three or four

463
00:23:28.039 --> 00:23:30.400
<v Speaker 2>years in a row. And I don't know if they've

464
00:23:31.000 --> 00:23:34.000
<v Speaker 2>recoup from that as far as fan base, as far

465
00:23:34.039 --> 00:23:38.240
<v Speaker 2>as what have they gotten out of that? But more misery,

466
00:23:38.440 --> 00:23:42.559
<v Speaker 2>And it's sometimes it's how you do things. So they

467
00:23:42.640 --> 00:23:44.839
<v Speaker 2>end up losing and getting them That's cool. But I

468
00:23:45.119 --> 00:23:50.720
<v Speaker 2>ain't with the tanking. Let's get it right, win right,

469
00:23:50.880 --> 00:23:54.480
<v Speaker 2>play the win every time. I'm not paying or you know,

470
00:23:54.640 --> 00:23:58.839
<v Speaker 2>spending three hours to watch you lose on purpose. Man,

471
00:23:58.920 --> 00:24:03.359
<v Speaker 2>I could do something, yo, I could be making the

472
00:24:03.359 --> 00:24:06.440
<v Speaker 2>EP dog doing anything other than that. If I know

473
00:24:06.480 --> 00:24:09.119
<v Speaker 2>you're gonna lose, I'm not watching them out exactly, not

474
00:24:09.160 --> 00:24:09.640
<v Speaker 2>even watch.

475
00:24:10.559 --> 00:24:14.119
<v Speaker 1>What's the future for the Big Three? Go?

476
00:24:14.440 --> 00:24:17.519
<v Speaker 2>You know season eight? I mean we're selling more teams

477
00:24:20.279 --> 00:24:26.000
<v Speaker 2>and you know, just grow the league organically, get new talent,

478
00:24:26.759 --> 00:24:30.279
<v Speaker 2>you know what I'm saying. Hopefully, get new sponsors. We're

479
00:24:30.319 --> 00:24:33.480
<v Speaker 2>looking for a second platform to play the games that's

480
00:24:33.519 --> 00:24:38.079
<v Speaker 2>not on CBS. So you know we got we go,

481
00:24:39.119 --> 00:24:42.119
<v Speaker 2>you know, big things, Yeah, the Big Three. I think

482
00:24:42.200 --> 00:24:45.519
<v Speaker 2>I think Netflix could stream the games. Man, Yeah, they can.

483
00:24:45.720 --> 00:24:48.160
<v Speaker 2>You know, all of the take is a check.

484
00:24:48.359 --> 00:24:49.119
<v Speaker 4>Yeah.

485
00:24:50.880 --> 00:24:51.119
<v Speaker 5>Yeah.

486
00:24:52.279 --> 00:24:54.240
<v Speaker 3>How authentic are you when it comes to doing those

487
00:24:54.240 --> 00:24:55.759
<v Speaker 3>deals with these big corporations?

488
00:24:56.119 --> 00:24:57.559
<v Speaker 1>How authentic are you?

489
00:24:57.680 --> 00:24:59.160
<v Speaker 2>Like what straight up?

490
00:24:59.200 --> 00:25:03.200
<v Speaker 3>Like you just I need boom boom or with the delegator.

491
00:25:02.799 --> 00:25:06.559
<v Speaker 1>For us process you got to play ball a little bit.

492
00:25:06.599 --> 00:25:09.799
<v Speaker 2>Yeah, I mean it's it's it's a formula that they're

493
00:25:09.839 --> 00:25:13.039
<v Speaker 2>looking for. It they're looking at for you to check

494
00:25:13.119 --> 00:25:16.279
<v Speaker 2>boxes that they need check. And if you check all

495
00:25:16.279 --> 00:25:19.720
<v Speaker 2>the boxes, you know they should do the deal. If

496
00:25:19.759 --> 00:25:23.279
<v Speaker 2>you don't check as many boxes, then they're probably not

497
00:25:23.359 --> 00:25:27.920
<v Speaker 2>going to do the deal. And so you know, we're

498
00:25:27.960 --> 00:25:33.680
<v Speaker 2>going very confident. You know, our ratings are better than MLS,

499
00:25:34.559 --> 00:25:39.200
<v Speaker 2>n HL. The w n B A caught us this

500
00:25:39.319 --> 00:25:43.680
<v Speaker 2>year because of Caitlin Clark, but you know, so our

501
00:25:43.759 --> 00:25:47.960
<v Speaker 2>ratings are up there with with some major sports that's

502
00:25:48.000 --> 00:25:50.880
<v Speaker 2>been around for you know a long time.

503
00:25:51.079 --> 00:25:51.440
<v Speaker 1>Yeah.

504
00:25:51.480 --> 00:25:58.160
<v Speaker 2>So we you know, we deserve, you know, a great

505
00:25:58.599 --> 00:26:01.720
<v Speaker 2>platform to display again games like we are on CBS.

506
00:26:02.559 --> 00:26:05.160
<v Speaker 3>Man, I'm still campaigning for that big three box. Remember

507
00:26:05.160 --> 00:26:08.000
<v Speaker 3>I was telling you about like just the snacks like that.

508
00:26:09.880 --> 00:26:14.000
<v Speaker 2>Yeah, I mean we're talking to you know a few

509
00:26:14.000 --> 00:26:17.519
<v Speaker 2>different companies, And I just had this Munchie meal with

510
00:26:17.640 --> 00:26:18.519
<v Speaker 2>Jack in the box.

511
00:26:19.319 --> 00:26:20.400
<v Speaker 1>You know that was great.

512
00:26:21.240 --> 00:26:24.920
<v Speaker 2>Yeah, yeah, it was great, and you know it was

513
00:26:24.960 --> 00:26:28.079
<v Speaker 2>really successful for them, and so we're talking to them

514
00:26:28.119 --> 00:26:31.839
<v Speaker 2>about doing something with the Big Three. Hopefully they'll you know,

515
00:26:32.000 --> 00:26:35.079
<v Speaker 2>jump on it. Yeah yeah, Jack and the crack all day.

516
00:26:35.160 --> 00:26:39.799
<v Speaker 2>Oh man, you feel me, yes, sir Yo. As a

517
00:26:39.960 --> 00:26:42.480
<v Speaker 2>legendary Laker fan and as a father, what do you

518
00:26:42.519 --> 00:26:44.079
<v Speaker 2>make of lebron and Brownie.

519
00:26:45.799 --> 00:26:46.240
<v Speaker 1>Bronnie.

520
00:26:46.440 --> 00:26:48.000
<v Speaker 2>You know, it's time for him to go to work.

521
00:26:49.000 --> 00:26:49.200
<v Speaker 1>You know.

522
00:26:49.279 --> 00:26:53.759
<v Speaker 2>Lebron as a father, has done it's about as much

523
00:26:53.759 --> 00:26:57.279
<v Speaker 2>as he can do. Got him to the league. Now

524
00:26:58.440 --> 00:27:01.240
<v Speaker 2>it's really up to BRONI to put in that work

525
00:27:01.759 --> 00:27:06.519
<v Speaker 2>and and keep yourself there. Yeah, you know it's gonna

526
00:27:06.519 --> 00:27:07.799
<v Speaker 2>take a lot, but he's got to get to it.

527
00:27:07.880 --> 00:27:08.119
<v Speaker 1>Yeah.

528
00:27:08.319 --> 00:27:12.559
<v Speaker 2>At a certain point, you know, daddy can't do no

529
00:27:12.640 --> 00:27:15.359
<v Speaker 2>more for you. You gotta do it yourself. You got a

530
00:27:15.359 --> 00:27:20.279
<v Speaker 2>man up, yeah, or just you know, prove you belong

531
00:27:21.200 --> 00:27:23.599
<v Speaker 2>that's it. Yeah, prove it to yourself. Right at the

532
00:27:23.680 --> 00:27:25.559
<v Speaker 2>end of the day, if you really want to be there,

533
00:27:25.720 --> 00:27:28.279
<v Speaker 2>yeah sure, yeah, you really want to be the tough

534
00:27:28.319 --> 00:27:30.240
<v Speaker 2>space to be in, you know, there's a lot of pressure,

535
00:27:30.319 --> 00:27:34.079
<v Speaker 2>but he's got the right people behind him. Only pressure

536
00:27:34.160 --> 00:27:35.759
<v Speaker 2>is to put the ball in the hall. If you

537
00:27:35.839 --> 00:27:39.160
<v Speaker 2>do that, everything take care of itself. That's the only

538
00:27:39.200 --> 00:27:41.720
<v Speaker 2>pressure that he should worry about, is putting that ball

539
00:27:41.880 --> 00:27:45.720
<v Speaker 2>in the basket. Everything can take care of hisself. You know,

540
00:27:45.839 --> 00:27:48.079
<v Speaker 2>at the end of the day, he don't have to

541
00:27:48.079 --> 00:27:53.200
<v Speaker 2>play basketball. You know, he's cashed out. You know, daddy

542
00:27:53.279 --> 00:27:59.400
<v Speaker 2>is lebron So you know, I don't if it don't

543
00:27:59.440 --> 00:28:01.200
<v Speaker 2>work out for He'll be all right, you know.

544
00:28:04.720 --> 00:28:09.319
<v Speaker 1>Yeah. No, does Brownie have a space in the Big Three?

545
00:28:10.200 --> 00:28:12.359
<v Speaker 2>Yeah, of course. You know, he can always come out

546
00:28:12.400 --> 00:28:15.720
<v Speaker 2>and try to make a team. You know, we can't

547
00:28:16.079 --> 00:28:18.960
<v Speaker 2>give him a space, but he can earn it, get

548
00:28:19.039 --> 00:28:20.519
<v Speaker 2>drafted and earn the space.

549
00:28:21.599 --> 00:28:23.640
<v Speaker 1>Yeah. I mean you're ready to have Kaitlyn Clark in

550
00:28:23.680 --> 00:28:27.079
<v Speaker 1>the league? Yeah, we were. You know, you were fully

551
00:28:27.079 --> 00:28:28.559
<v Speaker 1>prepared for that. Yeah.

552
00:28:28.680 --> 00:28:31.720
<v Speaker 2>We think she would have did well because you know,

553
00:28:31.720 --> 00:28:34.640
<v Speaker 2>in our league, if you look at the style of play, yes,

554
00:28:35.400 --> 00:28:40.119
<v Speaker 2>it's it's pretty rough, but the small guards have had

555
00:28:40.160 --> 00:28:45.279
<v Speaker 2>success like mood Ab due Raouf, Nate Robinson. You know,

556
00:28:45.319 --> 00:28:48.160
<v Speaker 2>these are smaller guards and they've been able to get

557
00:28:48.200 --> 00:28:53.000
<v Speaker 2>loose so she's a you know, guard that could shoot

558
00:28:53.000 --> 00:28:55.880
<v Speaker 2>and pass. So we felt like she could really have

559
00:28:55.960 --> 00:28:57.759
<v Speaker 2>a chance to get loose. Now, if she was a

560
00:28:57.799 --> 00:29:01.400
<v Speaker 2>bigger player that had to plan the pain and kind

561
00:29:01.400 --> 00:29:04.279
<v Speaker 2>of bang, then we'll be like, I don't know, it's

562
00:29:04.319 --> 00:29:06.599
<v Speaker 2>probably not a good idea, right right, but we think

563
00:29:06.680 --> 00:29:12.480
<v Speaker 2>she had a legitimate shot to not only play but flourish,

564
00:29:12.839 --> 00:29:14.440
<v Speaker 2>especially with her range.

565
00:29:14.640 --> 00:29:16.559
<v Speaker 1>Yeah, for sure, not that would have been mad.

566
00:29:16.680 --> 00:29:19.519
<v Speaker 3>The coed league would open up a lot of more

567
00:29:19.599 --> 00:29:21.880
<v Speaker 3>doors and check a lot of more boxes.

568
00:29:21.799 --> 00:29:22.480
<v Speaker 1>With a milestone.

569
00:29:22.680 --> 00:29:26.559
<v Speaker 2>Yeah, I mean, you know, the right player get drafted

570
00:29:26.599 --> 00:29:31.200
<v Speaker 2>one day, you know, and we'll have a coed league.

571
00:29:30.440 --> 00:29:34.200
<v Speaker 2>I said, God's draft female players.

572
00:29:35.200 --> 00:29:37.519
<v Speaker 6>You've always been a risk taker when it comes to music, obviously,

573
00:29:37.559 --> 00:29:40.039
<v Speaker 6>like no Vassiline being probably the best this song ever

574
00:29:40.079 --> 00:29:44.440
<v Speaker 6>and then probably for sure for sure for sure sorry

575
00:29:44.480 --> 00:29:48.440
<v Speaker 6>about the miss working, But another song that always sticks

576
00:29:48.480 --> 00:29:50.279
<v Speaker 6>out to me that I wish people would do because

577
00:29:50.319 --> 00:29:52.799
<v Speaker 6>you know everything cyclical and hip hop, right like, was

578
00:29:52.920 --> 00:29:55.119
<v Speaker 6>Jack and for Beats at that time when you did

579
00:29:55.119 --> 00:29:58.000
<v Speaker 6>that and you literally took every fucking best beat from

580
00:29:58.160 --> 00:30:00.200
<v Speaker 6>East Coast and the West Coast and then said I'm

581
00:30:00.200 --> 00:30:01.559
<v Speaker 6>gonna do this shit my way.

582
00:30:01.799 --> 00:30:04.599
<v Speaker 1>Why don't people do things like that anymore? In hip hop?

583
00:30:05.920 --> 00:30:10.759
<v Speaker 2>It? Uh, you know, there's one hundred percent of publishing

584
00:30:10.839 --> 00:30:16.440
<v Speaker 2>on a song. That song has so many different beats,

585
00:30:17.880 --> 00:30:21.880
<v Speaker 2>and those beats sampled beats. I think we had like

586
00:30:23.039 --> 00:30:26.279
<v Speaker 2>seven and fifty percent of publishing on that song because

587
00:30:26.480 --> 00:30:30.319
<v Speaker 2>it was like, yeah it was it was more writers

588
00:30:30.359 --> 00:30:34.079
<v Speaker 2>than the song could could hold. You see what I'm saying.

589
00:30:34.160 --> 00:30:38.160
<v Speaker 2>So that's why those are not done. Because when you

590
00:30:38.240 --> 00:30:42.799
<v Speaker 2>take somebody beat and na've sampled from somebody, now you

591
00:30:42.880 --> 00:30:45.759
<v Speaker 2>have to pay not only the rapper who beat it was,

592
00:30:46.319 --> 00:30:48.960
<v Speaker 2>but you also have to pay the sample you know

593
00:30:49.000 --> 00:30:52.359
<v Speaker 2>who he sampled from. So you're you're double paying for

594
00:30:52.440 --> 00:30:56.000
<v Speaker 2>one song. And then if that if that guy sampled

595
00:30:56.000 --> 00:30:58.559
<v Speaker 2>two or three songs to make his beat, that makes

596
00:30:58.559 --> 00:31:06.599
<v Speaker 2>it lit longer at started, it starts to get mind boggling,

597
00:31:06.680 --> 00:31:09.440
<v Speaker 2>you know what I'm saying. So you know, my guy

598
00:31:09.599 --> 00:31:12.200
<v Speaker 2>came to me, I mean, Brian Turner, it was like,

599
00:31:13.640 --> 00:31:18.960
<v Speaker 2>don't don't ever do another one of these, you know,

600
00:31:19.039 --> 00:31:23.039
<v Speaker 2>just like for my last trick. You know, you know

601
00:31:23.039 --> 00:31:25.480
<v Speaker 2>what I'm saying, don't ever do this again. This was

602
00:31:25.640 --> 00:31:30.839
<v Speaker 2>a headache in a nightmare Thank god you for hip hop,

603
00:31:31.440 --> 00:31:35.400
<v Speaker 2>set a tone and set the bar exactly to this day. Yeah,

604
00:31:35.599 --> 00:31:39.519
<v Speaker 2>you know, it was just business wise, it was a nightmare. No, man,

605
00:31:40.119 --> 00:31:44.279
<v Speaker 2>you're a Redvine guy. Yeah, Twizzlers exactly.

606
00:31:43.960 --> 00:31:44.279
<v Speaker 1>Thank you.

607
00:31:44.319 --> 00:31:47.960
<v Speaker 2>Broakes like class ever, though you might as well eat

608
00:31:47.960 --> 00:31:48.599
<v Speaker 2>a strong.

609
00:31:51.720 --> 00:31:53.880
<v Speaker 1>Need a plastic toy and enjoy that.

610
00:31:54.279 --> 00:31:56.759
<v Speaker 2>Yeah, man, Redvines is the way to go. That's right,

611
00:31:57.000 --> 00:32:00.799
<v Speaker 2>that's right. I got Cuba's here, man, Man down. Congratulations.

612
00:32:00.880 --> 00:32:03.880
<v Speaker 2>You appreciate you here all day. Man, appreciate you man,

613
00:32:03.920 --> 00:32:04.920
<v Speaker 2>Thanks for the support.

614
00:32:05.480 --> 00:32:05.640
<v Speaker 1>You know.

615
00:32:05.680 --> 00:32:07.279
<v Speaker 2>I can't wait till you guys hear the rest of

616
00:32:07.279 --> 00:32:11.200
<v Speaker 2>the record and get a chance to enjoy it. You know,

617
00:32:11.960 --> 00:32:15.319
<v Speaker 2>just personally, you know, I just think it's uh West

618
00:32:15.319 --> 00:32:18.279
<v Speaker 2>Coast flavor. We've been looking forward. Yes, sir, Now you're

619
00:32:18.279 --> 00:32:21.000
<v Speaker 2>gonna play it for me before you leave, though we're

620
00:32:21.000 --> 00:32:22.039
<v Speaker 2>not a little no more cute.

621
00:32:22.160 --> 00:32:25.279
<v Speaker 1>Got that keep beat out that.

622
00:32:25.799 --> 00:32:26.480
<v Speaker 5>Let know what it is.

623
00:32:27.200 --> 00:32:31.200
<v Speaker 1>He has my email, his email, my big brother, bro.

624
00:32:31.559 --> 00:32:36.000
<v Speaker 2>I'm gonna hit y'all with some CDs. CDs, right, you got,

625
00:32:37.200 --> 00:32:40.119
<v Speaker 2>I'm gonna hit y'all like we're in the nineties. Come on, man,

626
00:32:40.440 --> 00:32:42.480
<v Speaker 2>a CD too easy? Man, I got to tell Yo,

627
00:32:42.519 --> 00:32:44.400
<v Speaker 2>the CD player. Let's get it man, dude, man, you

628
00:32:44.400 --> 00:32:49.000
<v Speaker 2>got to pull it out. Pull out that selica, the sate.

629
00:32:51.400 --> 00:32:57.759
<v Speaker 1>Right, the central boy. That's right, Yo, that's that's uh

630
00:32:58.680 --> 00:33:02.839
<v Speaker 1>right there. And that is sweet bread.

631
00:33:02.880 --> 00:33:04.839
<v Speaker 2>I guess if you want some of that. I you

632
00:33:04.880 --> 00:33:07.039
<v Speaker 2>know it was brought for you, is that right?

633
00:33:07.119 --> 00:33:09.559
<v Speaker 1>Yeah, that's for you. I thought it was decorated. I'm like,

634
00:33:12.880 --> 00:33:14.680
<v Speaker 1>so it's sweet bread. It's just it's bread. It's but

635
00:33:14.720 --> 00:33:16.680
<v Speaker 1>it's like Mexican, Mexican.

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00:33:17.480 --> 00:33:20.319
<v Speaker 4>It all tastes the same. It's just different colors.

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00:33:23.920 --> 00:33:26.599
<v Speaker 2>I'd like to get your honest reaction for the culture.

638
00:33:28.279 --> 00:33:31.279
<v Speaker 2>Cube is trying for the very first time. Ice Gun.

639
00:33:33.480 --> 00:33:36.480
<v Speaker 1>Well, see, Cube is a realist. He's like, all right,

640
00:33:36.559 --> 00:33:38.240
<v Speaker 1>this is hard not to suck.

641
00:33:38.319 --> 00:33:44.519
<v Speaker 2>This is good pstream, bright frosting on the top. That's

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00:33:44.559 --> 00:33:47.720
<v Speaker 2>pretty much it.

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00:33:48.319 --> 00:33:48.759
<v Speaker 1>Yoh man.

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00:33:48.759 --> 00:33:51.240
<v Speaker 2>We appreciate you Cube always. Man, thank you for your time.

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00:33:51.519 --> 00:33:54.200
<v Speaker 2>Let me go man down. Is the album Cruise Show

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00:33:54.200 --> 00:33:55.599
<v Speaker 2>Real ninety two three. Yay