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Speaker 1: If you're listening to Wumination.

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Speaker 2: World premiere.

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Speaker 3: For the first time on American radio, the brand new

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single from Moonlight Eclipse. This is called Lines.

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Speaker 4: It's on We started now We're not at the end

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like you think you're gonna do.

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Speaker 5: It all again.

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Speaker 4: We're good and older, but our mind it starts shrink.

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He can just get his paper and a knife, his pen.

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Someone finds out, so we start to reassure them that

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we haven't lost our minds. But they don't even know

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the half of what she'll do.

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Speaker 6: When they forget about the don't it's a little secret, ticky.

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Speaker 7: Not it's all scarce and.

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Speaker 8: Now I don't know to read.

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Speaker 6: Jest when it's all scarce, the a again, dusky cup high.

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Speaker 7: We need to stop and think.

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Speaker 4: We can't get caught this way, they'll say we're dumping

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the head. Don't go to your room, up to your

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doors and I away changing your skin from white to red.

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You go too far this time, no point did you

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give it up.

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Speaker 1: You can't just leave it all.

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Speaker 6: Be high, and if you try to move on from

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the past that you'll still have to please all the

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it's a little secret taking it's a sin and I

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don't know the reason. Just get exact.

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Speaker 9: It's all.

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Speaker 6: It's almost only answer.

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Speaker 7: So I just get out.

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Speaker 1: Control.

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Speaker 4: I'm stop. You want to come and cry and all

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about my problem wasn't perfect for worth it.

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Speaker 3: It might have been.

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Speaker 6: Just like I want to get him in it.

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Speaker 4: Just at seven time, it's okay, noble guesting the.

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Speaker 6: Cigaret between you and me. Get this subtle secrets ticking.

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So it's off the skin and I don't know how

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to read it. Don't just get exact. It's a whole,

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its skin only, it's a can's whatever.

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Speaker 9: So just get.

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Speaker 6: It's a dope.

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Speaker 7: It's all gone thinks that you I help him, but

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you just help me write this song.

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Speaker 6: It's up done, it's all gone wrong.

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Speaker 4: I should well pace my issues, but turned back and

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welcome the talk show. It's all good.

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Speaker 7: Think that's you Helton, just.

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Speaker 6: Helping me right sore.

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Speaker 8: So ucking skin insact.

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Speaker 6: We just walt.

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Speaker 10: Oh that is so good.

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Speaker 3: Brand new from Moonlight Eclipse, a great young band, very

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young band from Ireland who we had on the show recently,

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and that is fantastic.

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Speaker 8: That is called Lines.

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Speaker 3: That is the first time you are hearing that on

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American radio. And we are so happy here at w

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M and H and of course on Matt Connorton Unleashed

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to be able to premiere that show.

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Speaker 8: This is Matt Connorton.

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Speaker 3: Unleased and we are live from the studios of w

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M n H ninety five point three FM and Glorious Manchester,

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New Hampshire, streaming of course anywhere in the world that

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Matt Connerton dot Com slash live.

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Speaker 8: Today is Saturday.

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Speaker 3: July nineteen, twenty twenty five, and I am not alone.

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Speaker 10: Jenny Morning Sunshine.

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Speaker 8: Jenny is here at the news table.

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Speaker 3: Presenton accounted for and in just a few minutes we're

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going to be joined via Microsoft Teams by members of

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the band Flair, and recently so we've debuted a couple

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of their songs, done a couple of American radio premieres

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for them as well, another great band from the UK.

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And first was their track Runaway, which was I don't

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know a few months ago now I lose track of time.

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And then recently we played city Lights, a song that

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I absolutely love, for the first time on American radio

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and we're gonna play that again in just a couple

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of minutes, and they are going to be joining us

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via Microsoft Teams to talk about that. In the second

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hour of the show today, we have Lydia ready also

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skyping in from or not skyping in see old Habits,

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also joining us via teams from the UK. And she's

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got a great track called Turn This Town Around. We

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played that on the show for the first time on

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American radio a few weeks ago, so she's gonna be

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joining us live.

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Speaker 8: Looking forward to that.

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Speaker 3: And then in the third hour today, we've got the

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Stiff Tones coming in live and they've got a couple

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of great studio tracks and I think they're even gonna

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they're gonna play for us if I'm not mistaken live

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in studio, So really looking forward to that as well.

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So they're really great. So welcome everybody. We do have

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an exciting show ahead for you. And by the way,

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we will play the if you missed it, we will

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play the new Moonlight eclip song again in the second

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and third hour today on the program as well. I

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love that so much. That is called lines. That is

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the radio edit. Of course you might have noticed as

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a word muted a few times during the song. So

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but because of course we do.

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Speaker 8: I don't know what the rules are in the UK

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actually over here.

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Speaker 3: Of course, in the United States we have to be

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mindful of you know, FCC regulations and so forth. So

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but they sent us the radio edit, I didn't have

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to make one. Occasionally I end up making my own

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radio edits for some of these guests that we have

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on the show if I really want to play something,

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but they don't have a radio edit ready.

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Speaker 8: But but but of course they did.

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Speaker 3: They're very professional and everybody we get from Big GPR overseas,

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Gary and Eden, everybody they send us is absolutely amazing.

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So we're really glad to partner up with them, and

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they send us all this amazing talent. Uh, let's see,

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Oh if we get to it, so we'll see if

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we have time today or not. But there was an

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interesting story in the news. If you haven't seen this,

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you should take a moment and google it because when

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it initially happened, we talked about it on the show.

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You remember when Jane's Addiction on their reunion tour, they

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were playing that they they're playing in Boston, I forget

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what Yeah, what what venue?

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Speaker 8: And a fight.

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Speaker 3: A fight broke out, not in the crowd but on

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stage between Perry Ferrell and Dave Navarro. Or Perry was

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really the one fighting. Navarro was just kind of trying

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to defend himself and back up. And now there is

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a lawsuit members of Jane's Addiction suing Perry Ferrell over that,

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and maybe we'll talk about that later in the show,

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if we get to it. But it's just an interesting story.

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People who don't understand this, or who just don't know

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who might be outside the business that And I know

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a lot of industry people listen to the show, but

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people outside the business might not realize this when something

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like that happens. I mean, millions of dollars are at stake, right,

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so much money is lost. If you're so safe for example,

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and not to take sides necessarily, but if you're Dave

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Navarro or one of the other members of Jane's Addiction

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and you're on this tour or you're involved in the

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tour in any way on a business level, and all

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of a sudden the tour is canceled for whatever reason,

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that's a lot a lot of money that is lost,

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not only an income, but it really screws things up

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for everybody involved, promoters and management and anybody who has

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any kind of fiduciary commitment involved here or connection with

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what's happening.

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Speaker 8: It screws over a lot of people.

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Speaker 3: So so now there's a lawsuit against Perry Ferrell because

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he's the one who who wrecked everything. And again I

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know there's he and his wife have explanations and rationalizations

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for why he was behaving the way that he was

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and what caused his anger and him to lose his

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temper on stage. But but you know, a lot of

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money gets lost. I remember right after that happened, right

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after the fight happened. I can't remember his name now,

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but there's a guy he's based in Boston, I think who.

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I don't remember the name of his podcast either. It's

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funny too, because at the time I kind of made

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a mental note of it. I was like, geez, I

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gotta I gotta pay more attention to this guy because

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he does really good content. Now I can't even remember

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his name, but he was there working as he was

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on that tour, I think, working as a sound tech.

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And I don't think he was a sound guy. I

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think he was he was either the guitar tech or

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the bass tech, and so he saw the whole thing happen.

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He witnessed the whole thing, so he kind of told

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his version of events from up close.

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Speaker 10: Yeah, that was I mean, I don't know if you

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want to get too far into.

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Speaker 3: It, but no, no, no, because we don't have time.

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But we'll we'll come back to it. But let's see.

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So we have Flair is on the line, members of

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the band Flair. But what we're going to do first

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is if those guys can hang out for a minute,

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we're gonna go ahead and play this track city Lights,

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the brand new single from Flair, and then we're going

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to talk to those guys and then I think at

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the end of the segment, we'll close the segment out

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with Runaway, which is the first track that we played

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from them, which is also a great song.

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Speaker 8: But check this out.

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Speaker 3: This is brand new or newish out recently, but we

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gave it the American radio premiere here on Matt connorton Unleashed.

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This is city Lights, this is Flair, and then we're

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going to talk to these guys on the other side.

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But this is such a great song. Let's give this

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a spin.

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Speaker 1: Then, And you.

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Speaker 11: Love me.

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Speaker 6: Like I need you to know, Pat, don't take your figures.

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How a transient of money is a feeling like a

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nice say you out lot, I need you all the time,

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staying with your waist. Came she had to see.

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Speaker 9: Time my house, so.

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Speaker 6: I came so I can see you sing somebody know

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the change.

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Speaker 7: She can't me same try to quick you show my

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face now and real too.

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Speaker 6: Tep just went the fun house, babing lot to take

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a make of something you chansy.

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Speaker 7: They use a feel like.

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Speaker 6: You're all take you out of the let you all

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the time, straining with you where you go. Just have

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to see that front of my house and came and

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said somebody can see it and say the bus some

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mony other change just you can't.

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Speaker 10: On the same.

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Speaker 6: Just had the seasons man by in my house and

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gamble shut. Somebody can see your sacs the brother change

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you cannot the same time time the baby you're killing

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me high can sell sist time one some time s say.

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Speaker 7: Drink because she can't.

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Speaker 6: Say cause I have to say that you have something

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some say saying that dressing song same same sat say.

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Speaker 3: I love every single thing about that song. That is

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city Lights. That is the newest single single from Flair.

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I love it so much I can't even say single.

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You're on Matt Connorton unleashed and we've got so hopefully

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he's still there. Tony from the band I believe, has

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joined us via Microsoft Teams Tony, are you there?

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Speaker 1: Yeah?

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Speaker 8: I'm here.

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Speaker 1: How are you doing?

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Speaker 8: Hey? How are you?

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Speaker 1: Man?

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Speaker 8: Is it just you or is anybody else with you?

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Just me today?

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Speaker 1: Everyone else is working on a Saturday.

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Speaker 3: Yeah, yeah, I completely understand. Welcome to the show. I

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love that song so much. By the way, we should

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mention too, you are the vocalist and how do you

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say your last name?

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Speaker 1: Call him? It's like Gollum from Lord of the Call him.

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Speaker 8: Okay, cool, cool? Hey, I love that song so much.

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Speaker 3: We also played I think it was a couple of

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months ago now the Time gets Away from Me. But

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run Away, which h that was the first song of

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yours that we played. Another another great track, but city

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Lights is amazing. That is so very catchy. Are you

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Are you getting any traction with that at radio over there?

245
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I would imagine you are. If you're not, I'm sure

246
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it's coming.

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Speaker 1: Yeah. Yeah.

248
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Speaker 12: We got an email recently saying that, like in the

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first week of it being released, it been on about

250
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sixty different shows over here, so it's doing pretty good

251
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so far, you know, and Spotify streams will hopefully be

252
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catching up with that as well soon.

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Speaker 3: Oh that's fantastic. Yeah, I'm not surprised because it's a

254
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very very strong track, very catchy. And then so now

255
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is that from the EP, because you guys have an

256
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EP out right.

257
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Speaker 12: Yeah, no, so this one's just a single. Our EP

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which came out a couple of months ago.

259
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Speaker 8: Now that was that.

260
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Speaker 1: Included our songs Runaway, Sackering and.

261
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Speaker 3: Swan Gotcha, gotcha? Okay, so those are on an EP. Now,

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so is city Lights going to be on? Are you

263
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working on another EP or is this going to remain

264
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a standalone single or or do you even know yet?

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Speaker 12: Well, we've got a couple of more studio stations booth

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in a couple of months where we'll get another couple

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of songs done and from there I able to say

268
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that they will include that's another EP or if we

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want to maybe use those two and another one.

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Speaker 1: So still be decided.

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Speaker 3: Yeah, it's interesting, how you know, and this is this

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is truer than it's ever been. There so many different

273
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ways to approach it now in terms of how you

274
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release how you release music, whether you do a single,

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whether you do an EP or a full album, or

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you can release a series of singles that eventually become

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an EP or an album. It's there's a lot of

278
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different ways to do it now, and but this is

279
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such a song, a strong track. Now, who wrote Who

280
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wrote city Lights? Did you guys write it together or

281
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did you write it or what's the what's the process

282
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like in the band as far as songwriting, Well, for a.

283
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Speaker 12: Lot of our songs, it kind of comes from us

284
00:18:56,880 --> 00:18:59,759
in practications and just jamming together. So something kind of

285
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and it'll be okay to get in a rhythm. But

286
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for this one particularly, it was actually I went to

287
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our bass player, Johnny's house and sort of just like

288
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a late night kind of songwriting station in the two

289
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of us kind of came up with the music and

290
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the lyrics together, mainly me lyrics and have music.

291
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Speaker 3: Yeah, yeah, it's it's got a it's got a great

292
00:19:20,359 --> 00:19:22,400
vibe and it really kind of I'm curious is it

293
00:19:22,480 --> 00:19:25,200
about This might be a silly question, but is it

294
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about any particular city?

295
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Speaker 1: Uh?

296
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Speaker 3: And part of why I ask that is I'm someone

297
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who and maybe this is part of why the song

298
00:19:30,960 --> 00:19:33,000
appeals to me so much I love Jenny knows this

299
00:19:33,079 --> 00:19:37,000
about me. I love images of city skylines at night.

300
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I just and it is some are prettier than others,

301
00:19:40,079 --> 00:19:41,559
but it can really be any city. I just I

302
00:19:41,680 --> 00:19:44,119
love I love looking at city skylines at night. I

303
00:19:44,200 --> 00:19:45,440
love you know, the city lights.

304
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Speaker 8: Is Is there any.

305
00:19:46,440 --> 00:19:49,079
Speaker 3: Particular city that you had in mind when you wrote

306
00:19:49,160 --> 00:19:51,960
this or is it? Am I am I thinking?

307
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Speaker 8: Uh?

308
00:19:52,839 --> 00:19:52,920
Speaker 1: Am?

309
00:19:52,960 --> 00:19:55,559
Speaker 3: I getting too granular in terms of my analysis of

310
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the song.

311
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Speaker 1: Oh no, no, I'm right there with you, man.

312
00:19:58,720 --> 00:20:02,799
Speaker 12: It's well, it's definitely inspired by our hometown, Glasgow and

313
00:20:02,880 --> 00:20:06,119
here in Scotland. Yeah, but a lot of it's really

314
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like just like generals, it's a lot of it's kind

315
00:20:08,960 --> 00:20:11,680
of about mental health as well, and you know, like

316
00:20:11,759 --> 00:20:13,680
try to get away from all that kind of stuff too,

317
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so that's sort of part of its generalized.

318
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Speaker 1: But it's definitely a lot of inspiration from Glasgow too.

319
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Speaker 3: Okay, okay, And can you talk to me more about

320
00:20:21,960 --> 00:20:25,839
the mental health aspect of of what the song is about,

321
00:20:25,880 --> 00:20:28,240
because that's also something that we talk about a lot

322
00:20:28,359 --> 00:20:31,920
on this show. I'm a certified hypnotherapist, so I help

323
00:20:31,960 --> 00:20:34,480
people deal with some issues and and uh, you know,

324
00:20:34,519 --> 00:20:36,920
and I'm someone who I myself struggle with depression, so

325
00:20:37,559 --> 00:20:41,759
I know all too well how you know mental health,

326
00:20:41,799 --> 00:20:44,359
how how it affects so many people, And and maybe

327
00:20:44,400 --> 00:20:48,519
that's another thing that kind of subconsciously that I connect

328
00:20:48,599 --> 00:20:51,279
with with the song. But but can you can you

329
00:20:51,359 --> 00:20:52,759
kind of expand on that a little bit?

330
00:20:54,119 --> 00:20:57,720
Speaker 12: Yeah, yeah, Well, when I can write lyrics, I usually

331
00:20:57,799 --> 00:21:00,759
do it based on path experiences. Are find easy to

332
00:21:00,799 --> 00:21:03,200
reflect on them that way and kind of get you know,

333
00:21:03,319 --> 00:21:07,279
put words to it easier. So like that at the

334
00:21:07,359 --> 00:21:09,160
time of writing, I didn't feel this way, but like

335
00:21:09,319 --> 00:21:11,799
it reflects back on a time where I was feeling

336
00:21:12,680 --> 00:21:15,960
very anxious and not in the best place, and like

337
00:21:16,599 --> 00:21:18,079
at the time I wouldn't be able to like come

338
00:21:18,160 --> 00:21:19,799
up with those kind of lyrics. But like that's exactly

339
00:21:20,400 --> 00:21:23,200
like I couldn't stand being around people all this hustle

340
00:21:23,240 --> 00:21:25,200
and bustle. I want to just, you know, get away,

341
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go somewhere quiet where I could be alone.

342
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Speaker 8: Mm hmmm hmm, yeah, I can.

343
00:21:29,759 --> 00:21:33,079
Speaker 3: I can relate to that. I think everybody you know,

344
00:21:33,240 --> 00:21:35,799
I think that's uh, I think that's very very relatable.

345
00:21:36,079 --> 00:21:40,039
Do you find that, I mean just generally does does

346
00:21:40,119 --> 00:21:43,759
writing and performing music does that help you in terms

347
00:21:43,839 --> 00:21:46,279
of your own you know, whether you know you mentioned

348
00:21:46,319 --> 00:21:48,319
that at one point, you know you're feeling very anxious

349
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and whatnot.

350
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Speaker 8: I mean is that kind of.

351
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Speaker 3: Because I always feel like creativity is the best therapy,

352
00:21:53,960 --> 00:21:55,599
right if you can, if you can take things that

353
00:21:55,640 --> 00:21:57,920
are bothering you and create something out of them, or

354
00:21:57,960 --> 00:21:59,880
if they spur you, or maybe it's not even maybe

355
00:22:00,000 --> 00:22:01,759
what you create it has nothing to do with what's

356
00:22:01,799 --> 00:22:04,920
bothering you necessarily, but you're just creating something as a

357
00:22:04,960 --> 00:22:07,960
way of kind of getting through that, you know, the

358
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malaise or whatever it is.

359
00:22:11,039 --> 00:22:13,279
Speaker 12: Yeah, definitely, Like I think I've always thought it's a

360
00:22:13,400 --> 00:22:16,200
very therapeutic way of getting like how you're feeling out there,

361
00:22:16,240 --> 00:22:20,079
and like I find like reflection on sort of even

362
00:22:20,079 --> 00:22:22,319
past emotions a good way, you know, even after a

363
00:22:22,359 --> 00:22:25,680
while finally you know, help yourself get a root cause

364
00:22:25,720 --> 00:22:27,160
of it, just looking and within yourself.

365
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Speaker 1: But even at the same time, if it's not, as

366
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you said.

367
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Speaker 12: Directly addressed and an issue you're havn't, it's a good

368
00:22:32,920 --> 00:22:34,119
distraction as well, I think.

369
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Speaker 3: Yeah, yeah, absolutely, Now when you brought city Lights to

370
00:22:37,960 --> 00:22:40,359
the other guys, because you and and Johnny wrote this.

371
00:22:41,200 --> 00:22:43,880
What did they were they into it immediately? Were they like, oh,

372
00:22:44,000 --> 00:22:45,680
this is this is a hit? Or what did what

373
00:22:45,799 --> 00:22:46,279
did they think?

374
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Speaker 1: Well, Yeah, this is actually a song that we've been

375
00:22:49,839 --> 00:22:52,599
playing on stage for probably well over a year now.

376
00:22:52,839 --> 00:22:57,880
Speaker 12: Okay, it's definitely we had tried to release it a

377
00:22:57,960 --> 00:23:01,640
couple of times before. Yeah, but I just felt like,

378
00:23:01,720 --> 00:23:03,400
you know, there's something messing from it. So it certainly

379
00:23:03,480 --> 00:23:05,640
took a lot of wik to get to the version

380
00:23:05,720 --> 00:23:06,640
that you just played there.

381
00:23:07,119 --> 00:23:07,359
Speaker 8: Yeah.

382
00:23:08,039 --> 00:23:11,079
Speaker 3: The I'm curious about the production too, and I'm kind

383
00:23:11,119 --> 00:23:15,079
of a recording nerd. There's there's some very there's a

384
00:23:15,160 --> 00:23:16,839
lot of nuance here. You know, it's not like you

385
00:23:16,920 --> 00:23:19,480
guys just went in obviously and just you know, you

386
00:23:19,640 --> 00:23:22,319
just play the track and and and you know, there's

387
00:23:22,359 --> 00:23:25,680
there's some production flourishes, shall we say, especially.

388
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Speaker 8: At the end.

389
00:23:25,759 --> 00:23:27,240
Speaker 3: The way that it ends is so cool and it's

390
00:23:27,319 --> 00:23:29,759
very it's very sort of atmospheric.

391
00:23:30,799 --> 00:23:30,960
Speaker 9: Is it?

392
00:23:31,039 --> 00:23:33,119
Speaker 3: And actually, now that I'm thinking about it, Runaway is

393
00:23:33,200 --> 00:23:35,640
kind of like that too. Have you been working with

394
00:23:35,759 --> 00:23:39,839
the same producer and recording engineers uh this whole time?

395
00:23:39,960 --> 00:23:42,880
Or or is is it a I'm curious about your

396
00:23:43,039 --> 00:23:45,400
your approach in terms of recording these songs, because like

397
00:23:45,480 --> 00:23:47,400
I said, it's you know, you're not You're not just

398
00:23:47,480 --> 00:23:49,640
going into a studio and handing somebody a bunch of

399
00:23:49,680 --> 00:23:52,200
money and just recording, and you know there's more going

400
00:23:52,240 --> 00:23:55,279
on there. The production is is pretty sophisticated.

401
00:23:57,079 --> 00:23:59,119
Speaker 12: Oh, I appreciate that, thank you, And we like to

402
00:23:59,160 --> 00:24:02,279
think that we phone some good producers over the years.

403
00:24:02,319 --> 00:24:02,599
Speaker 1: But like.

404
00:24:04,079 --> 00:24:07,440
Speaker 12: Runaway in City Lights were actually recorded by two different people.

405
00:24:08,480 --> 00:24:10,759
But I think the SIMILARI is definitely just the kind

406
00:24:10,799 --> 00:24:12,039
of sounds that we are trying.

407
00:24:11,920 --> 00:24:12,759
Speaker 1: To capture right now.

408
00:24:13,400 --> 00:24:15,519
Speaker 12: But I think that you know, we went to a

409
00:24:15,559 --> 00:24:18,759
producer over in Edinburgh for City Lights and I think

410
00:24:18,880 --> 00:24:22,119
he was just like, it's a much later sort of

411
00:24:22,200 --> 00:24:24,519
fabe to run Away Runaways, I'd say, a bit darker,

412
00:24:24,640 --> 00:24:29,000
more mysterious kind of sounding. But I think like both,

413
00:24:29,240 --> 00:24:31,519
like both producers were able to find the like the

414
00:24:31,640 --> 00:24:33,799
exact kind of tone that we were looking for.

415
00:24:34,359 --> 00:24:37,240
Speaker 8: Yeah, each song, yeah, no doubt, no doubt.

416
00:24:38,240 --> 00:24:40,920
Speaker 3: By the way, So what's the situation in Glasgow as

417
00:24:40,920 --> 00:24:42,839
far as the music scene there, I would imagine there's

418
00:24:42,880 --> 00:24:45,839
a it seems like Glasgow is a city that we

419
00:24:45,920 --> 00:24:47,359
hear a lot about at least in the US that

420
00:24:47,440 --> 00:24:49,440
we hear a lot about in the UK where there's

421
00:24:49,440 --> 00:24:50,160
a lot going on.

422
00:24:51,720 --> 00:24:52,160
Speaker 8: Musically.

423
00:24:52,400 --> 00:24:54,559
Speaker 3: I mean, is is that true? Is my perception true?

424
00:24:54,599 --> 00:24:56,680
Is is there a lot of really good, really good

425
00:24:57,039 --> 00:24:58,880
bands and solo artists in Glasgow?

426
00:25:00,200 --> 00:25:03,839
Speaker 12: Absolutely every time that we play a gig, like, I'm

427
00:25:03,839 --> 00:25:06,359
always impressed by at least one of the other bands

428
00:25:06,400 --> 00:25:09,279
that we're playing with. There's so many talented artists were

429
00:25:09,400 --> 00:25:11,720
especially like the sort of like rock and indy scene

430
00:25:12,279 --> 00:25:14,880
that there's so many like cool venues like King Tut's

431
00:25:15,039 --> 00:25:16,680
is like a legend of the place here. That's where

432
00:25:18,000 --> 00:25:20,759
Oasis were discovered and so like that's like it's almost

433
00:25:20,759 --> 00:25:23,839
like a mecca for like bands in Scotland to like

434
00:25:23,920 --> 00:25:24,440
come like.

435
00:25:24,559 --> 00:25:25,359
Speaker 1: To go and play there.

436
00:25:26,000 --> 00:25:31,519
Speaker 3: Oh yeah, I can imagine. And then so what's what's

437
00:25:31,599 --> 00:25:34,720
the live situation? Like what's are you guys able to

438
00:25:34,759 --> 00:25:36,359
get out and tour? Do you play shows in your

439
00:25:36,400 --> 00:25:38,319
area or do you do you do you hit the road?

440
00:25:38,880 --> 00:25:38,920
Speaker 9: What?

441
00:25:39,119 --> 00:25:40,960
Speaker 3: What's obviously you know we're in the time of year

442
00:25:41,000 --> 00:25:43,519
when this is when everybody wants to be out touring, Right,

443
00:25:44,559 --> 00:25:45,759
how's that been for you guys?

444
00:25:47,200 --> 00:25:49,359
Speaker 12: Well thought the first couple of years we were like

445
00:25:49,640 --> 00:25:51,759
we're stuck in the mud, like we were only getting

446
00:25:52,000 --> 00:25:53,880
Glasgow shows, which was great because, like I said, the

447
00:25:53,960 --> 00:25:55,480
music scene in Glasgow is amazing.

448
00:25:55,720 --> 00:25:56,160
Speaker 8: Yeah, but.

449
00:25:57,880 --> 00:26:00,039
Speaker 1: I'd say about a year ago with you know, we've been.

450
00:26:00,240 --> 00:26:05,400
Speaker 12: Down so if we went to England, we've done you know, Manchester, Sheffield, Liverpool, Birmingham,

451
00:26:06,240 --> 00:26:10,200
a few other places at Newcastle as well. And we've

452
00:26:10,200 --> 00:26:11,599
still got a lot more book for the rest of

453
00:26:11,640 --> 00:26:14,759
this year and finally starting to get some festivals in

454
00:26:14,880 --> 00:26:15,839
two so good.

455
00:26:17,079 --> 00:26:18,160
Speaker 1: It's been at a satme time.

456
00:26:18,599 --> 00:26:20,839
Speaker 3: Yeah, festivals are definitely where it's at in terms of

457
00:26:20,880 --> 00:26:24,119
getting exposure and and and building a fan base in

458
00:26:24,279 --> 00:26:28,200
terms of your your your live presentation. So that's that's great.

459
00:26:28,240 --> 00:26:31,160
That's really good to hear. That's when you guys play

460
00:26:31,200 --> 00:26:32,960
out by the way, So if if you're doing a set,

461
00:26:33,119 --> 00:26:35,200
you know, in a club or that type of situation,

462
00:26:35,319 --> 00:26:38,880
do you mix in some covers or maybe you have

463
00:26:39,359 --> 00:26:42,200
a backlog of originals that you haven't covered, I mean

464
00:26:42,240 --> 00:26:45,200
that you haven't recorded yet, But I mean, do you guys,

465
00:26:45,319 --> 00:26:47,279
do do any covers or do you stick to originals

466
00:26:47,400 --> 00:26:47,799
or what do you do?

467
00:26:49,200 --> 00:26:51,640
Speaker 1: We mainly stick to originals.

468
00:26:51,720 --> 00:26:54,559
Speaker 12: Just because like mainly the kind of circuit that we

469
00:26:54,680 --> 00:26:57,160
play as like mainly ticketed events where people are just

470
00:26:57,240 --> 00:27:00,559
like looking at here sort of original music. But because

471
00:27:00,960 --> 00:27:03,079
we kind of have kind of more zone than on

472
00:27:03,200 --> 00:27:05,599
a specific sound now, so we did have to kind

473
00:27:05,599 --> 00:27:07,680
of throw out a lot of our older songs. So

474
00:27:07,759 --> 00:27:09,759
we do throw in a couple of cover he did,

475
00:27:09,799 --> 00:27:12,920
and then, but mainly, like especially if we're not doing

476
00:27:12,960 --> 00:27:15,079
a headline show, we're just supporting someone and we've got

477
00:27:15,119 --> 00:27:17,079
half an hour, we only really want to do our

478
00:27:17,119 --> 00:27:17,720
own songs.

479
00:27:18,079 --> 00:27:20,680
Speaker 8: Sure, no, that makes sense, That makes sense. Absolutely.

480
00:27:21,440 --> 00:27:25,359
Speaker 3: Have you got an open for anybody, uh really any

481
00:27:25,480 --> 00:27:28,920
any sort of national or international touring acts yet going

482
00:27:28,960 --> 00:27:29,519
through your area?

483
00:27:30,920 --> 00:27:34,720
Speaker 1: Not yet, but we're trying. Yeah, that's a dream.

484
00:27:34,920 --> 00:27:36,680
Speaker 8: Yeah, no, it's kinda I want to be able.

485
00:27:36,519 --> 00:27:39,079
Speaker 12: To, you know, go and you know, go out and

486
00:27:39,119 --> 00:27:42,440
travel somewhere in Europe and beyond, and you're like going

487
00:27:42,480 --> 00:27:43,079
a proper tour.

488
00:27:43,160 --> 00:27:43,720
Speaker 1: That would be great.

489
00:27:43,839 --> 00:27:45,839
Speaker 3: Oh yeah, yeah, No, I think it's gonna happen for you.

490
00:27:46,000 --> 00:27:47,720
I mean, you guys are you're definitely going in the

491
00:27:47,799 --> 00:27:50,359
right direction. So and uh, like I said, these are

492
00:27:50,400 --> 00:27:52,359
such great songs and you know, keep putting out great

493
00:27:52,400 --> 00:27:54,799
music and keep doing what you're doing, and you'll you'll

494
00:27:54,880 --> 00:27:56,519
definitely continue to progress.

495
00:27:56,559 --> 00:28:00,240
Speaker 8: I have no doubt about that. By the way, where

496
00:28:00,240 --> 00:28:01,519
does the name Flair come from?

497
00:28:02,920 --> 00:28:04,880
Speaker 1: So it's a funny story.

498
00:28:04,920 --> 00:28:07,920
Speaker 12: It's actually nowhere nears excited you think it's from the

499
00:28:08,079 --> 00:28:12,160
video game FIFA, okay, And it's basically it's like it

500
00:28:12,279 --> 00:28:14,400
was basically one of the one of the traits that

501
00:28:14,480 --> 00:28:17,960
you can put on like your created players is called flair,

502
00:28:18,039 --> 00:28:19,400
and it just means like they're a.

503
00:28:19,440 --> 00:28:20,960
Speaker 1: Bit more skillful, a bit more flashy.

504
00:28:21,160 --> 00:28:24,240
Speaker 8: Oh okay, Oh that's cool.

505
00:28:24,680 --> 00:28:27,000
Speaker 1: It was actually that's the story. I've been told. It

506
00:28:27,079 --> 00:28:30,400
was actually already called flair before I joined the band,

507
00:28:30,519 --> 00:28:31,240
So oh.

508
00:28:31,240 --> 00:28:34,359
Speaker 3: Okay, Well, if that's what you were told, I mean

509
00:28:34,400 --> 00:28:35,960
it sounds like that's the official story.

510
00:28:36,119 --> 00:28:38,759
Speaker 8: So that's cool. Good deal.

511
00:28:39,880 --> 00:28:43,519
Speaker 3: So where should people Tony? Where should people go online

512
00:28:43,519 --> 00:28:45,000
to keep up with everything that you guys are doing.

513
00:28:45,000 --> 00:28:46,680
Where's the best place for people to go because you've

514
00:28:46,680 --> 00:28:48,279
got a lot of great stuff happening.

515
00:28:49,480 --> 00:28:53,880
Speaker 12: So mainly we use Instagram right now, which are handled

516
00:28:53,920 --> 00:28:56,599
for that is at flair band, and.

517
00:28:56,640 --> 00:28:59,880
Speaker 1: Then we use Twitter as well. That's at flair Band

518
00:29:00,240 --> 00:29:00,680
zero one.

519
00:29:00,799 --> 00:29:02,920
Speaker 12: Four to one as well, And those are kind of

520
00:29:02,960 --> 00:29:05,319
the main two social medias that we're using right now

521
00:29:05,759 --> 00:29:07,119
to kind of like, you know, get out, like where

522
00:29:07,119 --> 00:29:08,880
we're going to be playing, what songs are coming out

523
00:29:08,920 --> 00:29:09,519
all that stuff.

524
00:29:09,759 --> 00:29:12,559
Speaker 3: Yeah, but and do you have any any idea when

525
00:29:12,559 --> 00:29:14,079
the next single is gonna be out or I don't

526
00:29:14,079 --> 00:29:15,759
know if you've started have you started working on the

527
00:29:15,960 --> 00:29:17,680
on the next one yet, or I know you're focused

528
00:29:17,720 --> 00:29:18,440
on city Lights.

529
00:29:18,480 --> 00:29:21,799
Speaker 1: But yeah, so once we're kind of done today at Lights,

530
00:29:21,880 --> 00:29:22,279
we do have.

531
00:29:24,079 --> 00:29:26,359
Speaker 12: Either October or November that we're we're going in for

532
00:29:26,839 --> 00:29:29,640
two more recordings and we're gonna be looking to release them,

533
00:29:30,319 --> 00:29:32,279
you know, as soon as possible. Ones we've recorded them,

534
00:29:32,640 --> 00:29:34,359
so definitely by the end of the year, we'll have

535
00:29:34,400 --> 00:29:35,200
two more songs out.

536
00:29:35,480 --> 00:29:37,920
Speaker 3: Oh fantastic. Well, we look forward to doing that, We

537
00:29:38,039 --> 00:29:39,480
look forward to hearing that, rather, I should say, and

538
00:29:39,519 --> 00:29:42,359
we look forward to playing those so fantastic. So I

539
00:29:42,400 --> 00:29:44,319
think what we're gonna do Tony is we will end

540
00:29:44,359 --> 00:29:47,279
the segment with I'm gonna play Runaway, which is another

541
00:29:47,319 --> 00:29:49,319
great track, and then I'm gonna cheat a little bit.

542
00:29:49,359 --> 00:29:51,319
I'm gonna play Runaway, but then I'm also gonna play

543
00:29:51,359 --> 00:29:53,400
City Lights one more time because I love that song

544
00:29:53,480 --> 00:29:56,119
so much and and selfishly I want to hear it.

545
00:29:56,200 --> 00:29:57,680
Speaker 8: And plus you know how radio works.

546
00:29:57,680 --> 00:29:59,359
Speaker 3: I mean, there's there's people who didn't hear the start

547
00:29:59,400 --> 00:30:01,359
of the show who are joining the show now so

548
00:30:01,440 --> 00:30:02,960
then they'll be able to hear it. But I that

549
00:30:03,119 --> 00:30:05,279
song is so addictive. It's one of those songs. It's

550
00:30:05,960 --> 00:30:07,680
you know, like a lot of people, I wake up

551
00:30:07,720 --> 00:30:10,400
with a song in my brain every morning, Like as

552
00:30:10,440 --> 00:30:12,079
soon as my eyes pop open, or as soon as

553
00:30:12,079 --> 00:30:13,759
I even start to wake up, there's something playing in

554
00:30:13,839 --> 00:30:17,240
my head. So I have this little playlist in my brain.

555
00:30:17,359 --> 00:30:20,519
And that's one of the songs that the first time

556
00:30:20,559 --> 00:30:23,119
I heard it. For several days after hearing it the

557
00:30:23,200 --> 00:30:25,440
first time, that's one of the songs that was stuck

558
00:30:25,519 --> 00:30:27,119
in my head when I would wake up in the morning,

559
00:30:27,160 --> 00:30:30,400
I would hear that. It's just so catchy, it's absolutely infectious.

560
00:30:30,720 --> 00:30:32,680
So after Runaway, I'm going to play that one more

561
00:30:32,720 --> 00:30:36,079
time as well. But we will definitely do this again

562
00:30:36,119 --> 00:30:37,680
in the future, because, like I said, you guys are

563
00:30:37,720 --> 00:30:41,519
on a very positive trajectory and happy to you know,

564
00:30:41,599 --> 00:30:43,680
we're happy to support you here on the American side

565
00:30:43,680 --> 00:30:46,480
anyway that we can. So Tony, we will let you

566
00:30:46,559 --> 00:30:48,319
go and I'm going to hit that track. But thank

567
00:30:48,359 --> 00:30:51,079
you so much for joining us today, and we'll talk

568
00:30:51,079 --> 00:30:51,559
again soon.

569
00:30:51,599 --> 00:30:52,160
Speaker 8: I'm sure.

570
00:30:53,720 --> 00:30:55,200
Speaker 1: Look forward to it. Thanks so much for having me.

571
00:30:55,240 --> 00:30:56,559
Speaker 8: All right, Tony, you got it. Thank you.

572
00:30:56,680 --> 00:31:00,839
Speaker 3: Take care, Bye bye bye bye, all right, wonderful. That

573
00:31:01,079 --> 00:31:05,000
was Tony Collum from the band Flair, And as promised,

574
00:31:05,000 --> 00:31:07,000
I'm gonna play this track. This is the first song

575
00:31:07,079 --> 00:31:08,519
that we ever played on the show from them. This

576
00:31:08,640 --> 00:31:10,759
is called Runaway. This is really good. And then I

577
00:31:10,799 --> 00:31:13,119
think I'm gonna sneak in city lights again because I

578
00:31:13,240 --> 00:31:15,440
love that song so much. And if you are just

579
00:31:15,519 --> 00:31:18,240
joining us, this is Matt Connorton Unleashed and we've got

580
00:31:18,279 --> 00:31:20,599
plenty more to come. Don't go anywhere, but let's give

581
00:31:20,640 --> 00:31:23,160
this a spin again. The band is Flair and this

582
00:31:23,319 --> 00:31:24,200
is called Runaway.

583
00:31:55,920 --> 00:32:01,599
Speaker 7: No, lie, won't you.

584
00:32:01,799 --> 00:32:04,440
Speaker 1: Run away for me?

585
00:32:06,519 --> 00:32:11,640
Speaker 5: All these thoughts come out of my head let. I'm

586
00:32:11,680 --> 00:32:20,440
wi you there, transers, I expecimens.

587
00:32:19,799 --> 00:32:23,440
Speaker 6: You tho man, I throw me, I'm not names.

588
00:33:00,039 --> 00:33:06,599
Speaker 7: I'm a fire see me higher so my higher place,

589
00:33:08,160 --> 00:33:09,839
my cosmic fear, and me.

590
00:33:10,119 --> 00:33:11,559
Speaker 8: A tasty a fire.

591
00:33:13,000 --> 00:33:15,880
Speaker 7: You can wire, so.

592
00:33:16,079 --> 00:33:20,200
Speaker 10: The book keeping me in son, you can't run innfday

593
00:33:20,359 --> 00:33:21,440
you so big.

594
00:33:27,400 --> 00:33:36,599
Speaker 6: To stay listen to the wind, says AM, telling me

595
00:33:36,880 --> 00:34:09,159
man why you stand tos contil just blowing sad songs

596
00:34:10,239 --> 00:34:26,039
when some resists, when some sms so.

597
00:35:23,239 --> 00:35:25,280
Speaker 7: Breeze and I'm swow ma.

598
00:35:26,880 --> 00:35:32,000
Speaker 10: You may, but you don't.

599
00:35:32,000 --> 00:35:32,679
Speaker 9: Know me.

600
00:35:34,159 --> 00:35:38,280
Speaker 6: Like I need your tone, know not don't take your

601
00:35:38,440 --> 00:35:41,960
figures something transient the money is. I feel like a

602
00:35:42,159 --> 00:35:47,199
LAEO see you other lo I need you all all

603
00:35:47,239 --> 00:35:47,679
the time.

604
00:35:48,519 --> 00:35:50,400
Speaker 7: Tad with your waist.

605
00:35:50,239 --> 00:35:55,159
Speaker 6: Came out to see you like trying in my house.

606
00:35:55,320 --> 00:35:58,800
I came books so I can see it. I'm sating cross.

607
00:35:58,920 --> 00:36:03,880
Don'tbody know the changing The peers can't be happy save.

608
00:36:22,079 --> 00:36:27,840
Speaker 7: To try to quick you to jar on my fingers

609
00:36:28,039 --> 00:36:31,639
now and real.

610
00:36:31,639 --> 00:36:37,239
Speaker 6: Too tepnature twenty five. I was living low to take

611
00:36:37,320 --> 00:36:42,079
and making something you chant us something like a well

612
00:36:43,480 --> 00:36:48,119
take you out to all at the town, straining with

613
00:36:48,360 --> 00:36:49,320
you where you go.

614
00:36:50,760 --> 00:36:51,719
Speaker 8: Just had to see that.

615
00:36:53,199 --> 00:36:57,400
Speaker 6: Found in my house, so d to see it saying

616
00:36:57,440 --> 00:37:02,719
about somebody trying to change. It's a general had the same,

617
00:37:05,360 --> 00:37:11,360
says I, ses I seen something said someone to see

618
00:37:13,280 --> 00:37:15,639
the brother dreams ge.

619
00:37:17,119 --> 00:38:17,559
Speaker 1: Same the baby.

620
00:38:17,719 --> 00:38:20,000
Speaker 7: You're killing me, hag cass An.

621
00:38:20,000 --> 00:38:38,280
Speaker 6: Say Dau she killed Say cause I say that something,

622
00:38:38,840 --> 00:38:58,880
say say that, dreams sord saying same s I'll say.

623
00:39:39,039 --> 00:39:44,440
Speaker 3: You are listening to Mattconnorton unleash wmn H ninety five

624
00:39:44,519 --> 00:39:54,199
point three. By the way, thanks again to our friend

625
00:39:54,360 --> 00:40:00,079
Dylan Reynolds from Adam Baum Art and Sound one. Make

626
00:40:00,119 --> 00:40:02,679
sure I'm getting that right. Sometimes I get the I

627
00:40:02,760 --> 00:40:04,800
get the name wrong. I keep wanting to say atomic.

628
00:40:07,199 --> 00:40:09,400
But Dylan is amazing. He did a bunch of the

629
00:40:09,440 --> 00:40:11,360
new imaging for us. So these new bumpers and everything

630
00:40:11,400 --> 00:40:13,960
that you're hearing, that's all our friend Dylan Reynolds, who's

631
00:40:13,960 --> 00:40:17,840
a very talented both musician and graphic artist and a

632
00:40:17,960 --> 00:40:21,639
sound artist, and and we love we love him he does.

633
00:40:22,440 --> 00:40:24,519
I want to make sure I have his website pulled up.

634
00:40:24,559 --> 00:40:26,599
I mean to do that ahead of time, and then

635
00:40:26,639 --> 00:40:28,840
I I forgot to do it. But we want to,

636
00:40:29,119 --> 00:40:30,840
you know, if we can help promote what he does

637
00:40:31,000 --> 00:40:33,760
in any way possible. We want to because he's a

638
00:40:33,880 --> 00:40:36,519
he's a great guy and so very talented, and we

639
00:40:36,599 --> 00:40:39,400
appreciate him. But we also appreciate of course Tony from

640
00:40:39,440 --> 00:40:42,519
the band Flair joining us all the way from Glasgow

641
00:40:42,639 --> 00:40:45,280
via Google Teams or Microsoft Teams whatever we call it.

642
00:40:45,599 --> 00:40:49,039
Speaker 8: We don't have Skype anymore now, but that's okay, I

643
00:40:49,159 --> 00:40:50,239
miss it. No, I don't.

644
00:40:50,320 --> 00:40:52,880
Speaker 3: Actually Teams works better anyway. That's what Peter is using

645
00:40:52,920 --> 00:40:55,960
too on the Morning Show and it's actually it's working

646
00:40:56,039 --> 00:40:56,480
pretty well.

647
00:40:56,599 --> 00:40:58,400
Speaker 8: So so this is wonderful.

648
00:40:58,719 --> 00:41:03,800
Speaker 3: Sometimes with Skype, you know, those those overseas Skype calls

649
00:41:04,199 --> 00:41:06,039
when we would have people from the UK, it wouldn't

650
00:41:06,039 --> 00:41:10,199
always work out. Most of the time it worked out,

651
00:41:10,599 --> 00:41:13,199
but sometimes it could be a little Skype could be

652
00:41:13,320 --> 00:41:17,039
a little bit glitchy. Why it went back maybe, I

653
00:41:17,119 --> 00:41:19,519
mean it was better toward the end than it was.

654
00:41:20,159 --> 00:41:23,280
I remember using Skype like twenty years ago or fifteen

655
00:41:23,360 --> 00:41:25,000
years ago, and it was awful.

656
00:41:25,639 --> 00:41:27,559
Speaker 8: You know what was the worst though of all time?

657
00:41:27,880 --> 00:41:28,239
Speaker 9: Is uh?

658
00:41:28,639 --> 00:41:31,679
Speaker 3: And I think it still exists actually Google Hangouts, and

659
00:41:31,800 --> 00:41:33,639
I don't know, and I think it does still exist,

660
00:41:33,719 --> 00:41:35,719
and maybe they've improved that. But I remember trying to

661
00:41:35,800 --> 00:41:38,880
use Google Hangouts a number of years ago and being like,

662
00:41:39,079 --> 00:41:44,519
this is the most non intuitive, unuser friendly or user

663
00:41:44,760 --> 00:41:48,960
unfriendly meeting software ever Google Hangouts.

664
00:41:49,280 --> 00:41:51,039
Speaker 8: And again it may they may have improved it.

665
00:41:51,119 --> 00:41:52,679
Speaker 3: It was a long time ago the last time I

666
00:41:52,760 --> 00:41:55,599
tried to use it, but oh my god, what a

667
00:41:55,760 --> 00:41:57,199
nightmare Google Hangouts was.

668
00:41:57,599 --> 00:41:59,840
Speaker 8: But anyway, but I remember really using that.

669
00:42:00,559 --> 00:42:04,679
Speaker 3: Yeah, well it didn't. It didn't garner a great reputation

670
00:42:05,639 --> 00:42:08,960
as a as an app so to speak. But no

671
00:42:09,360 --> 00:42:11,880
Microsoft Teams though, so far, so good. It's working really

672
00:42:11,920 --> 00:42:15,400
really well, very easy, so we're happy about that. If

673
00:42:15,440 --> 00:42:17,039
you are just joining us, of course, this is Matt

674
00:42:17,079 --> 00:42:20,320
Connerton and Unleashed. We are live from the studios of

675
00:42:20,519 --> 00:42:23,320
wm n H ninety five point three FM and Glorious Manchester,

676
00:42:23,440 --> 00:42:25,480
New Hampshire, and you can stream us from anywhere. Go

677
00:42:25,559 --> 00:42:28,159
to Matt connorton dot com, slash live for all your

678
00:42:28,199 --> 00:42:31,360
live streaming options and social media links, contact in foshow archives,

679
00:42:31,400 --> 00:42:34,960
et cetera, et cetera. It is Saturday July nineteen, twenty

680
00:42:35,159 --> 00:42:39,239
twenty five, so we did have Tony from Flair join us,

681
00:42:39,280 --> 00:42:41,039
and then of course in a little bit coming up

682
00:42:41,079 --> 00:42:43,000
in our number two for those of you listening live

683
00:42:43,079 --> 00:42:46,360
on Saturday, we have Lydia Ready, another great UK artist

684
00:42:46,400 --> 00:42:49,280
who's going to be joining us via Microsoft Teams to

685
00:42:49,440 --> 00:42:52,119
talk about her single which we did the world or

686
00:42:52,199 --> 00:42:54,000
the American radio premiere of that, I should say, to

687
00:42:54,079 --> 00:42:57,159
be precise a few weeks ago called turn this Town Around.

688
00:42:57,400 --> 00:42:59,159
So she's going to be joining us. And then in

689
00:42:59,239 --> 00:43:02,119
the third hour we have the Stiff Tones. Really looking

690
00:43:02,119 --> 00:43:03,320
forward to that. I think I see a member of

691
00:43:03,320 --> 00:43:05,400
the Stiff Tones in the chat room actually, so hello

692
00:43:05,920 --> 00:43:08,800
and really looking for I love their They've got a great,

693
00:43:08,840 --> 00:43:10,960
great sound. They sent us a couple of studio tracks

694
00:43:11,000 --> 00:43:14,280
and I was very impressed. So really looking forward to

695
00:43:14,360 --> 00:43:16,159
meeting them and having them in studio with us in

696
00:43:16,280 --> 00:43:19,320
our number three New Marrow Trace so busy show today

697
00:43:19,760 --> 00:43:22,320
by the way, so we did reference this at the

698
00:43:22,360 --> 00:43:23,719
top of the show and just kind of touched on

699
00:43:23,800 --> 00:43:26,679
it a little bit. But to explore this further for

700
00:43:26,719 --> 00:43:29,639
a couple of minutes, this is from the AP. Jane's

701
00:43:29,800 --> 00:43:33,719
Addiction bandmates sue each other over on stage fight that

702
00:43:33,880 --> 00:43:36,159
ended tour, and that's something that I missed when we

703
00:43:36,239 --> 00:43:38,119
were talking about it earlier. I was talking about how

704
00:43:38,159 --> 00:43:40,800
the other members suing Perry Ferrell because of what happened,

705
00:43:40,800 --> 00:43:44,880
but Farrell apparently is countersuing and what.

706
00:43:45,360 --> 00:43:45,920
Speaker 8: Yeah, So.

707
00:43:47,559 --> 00:43:50,199
Speaker 3: Here's what the AP is saying. The members of alt

708
00:43:50,320 --> 00:43:54,280
rock band Jane's Addiction filed dueling lawsuits Wednesday. So this

709
00:43:54,559 --> 00:43:57,519
just happened a few days ago over sing singer Perry

710
00:43:57,559 --> 00:44:01,719
Ferrell's on stage scuffle with guitar Dave Navarro at a

711
00:44:01,760 --> 00:44:04,760
Boston concert last year, prompting the cancelation of the rest

712
00:44:04,800 --> 00:44:07,800
of their reunion tour and planned album. I didn't even

713
00:44:07,840 --> 00:44:09,039
know they were planning to make an album.

714
00:44:09,119 --> 00:44:09,559
Speaker 7: Oh yeah.

715
00:44:10,239 --> 00:44:13,920
Speaker 3: Navarro, drummer Stephen Perkins, and bassist Eric Avery suit Ferrell

716
00:44:14,039 --> 00:44:17,360
in La Superior Court, alleging that Farrell's behavior on the

717
00:44:17,400 --> 00:44:21,559
tour had ranged from erratic to out of control, culminating

718
00:44:21,719 --> 00:44:25,039
in the assault where Ferrell punched Navarro both.

719
00:44:24,880 --> 00:44:26,639
Speaker 8: On stage and backstage.

720
00:44:27,119 --> 00:44:28,519
Speaker 3: And of course we only got to see the video

721
00:44:28,519 --> 00:44:30,480
of what happened on stage, but if you haven't seen it,

722
00:44:30,559 --> 00:44:33,519
you can find it on YouTube very easily. The suit

723
00:44:33,599 --> 00:44:36,239
says the three bandmates are seeking at least ten million

724
00:44:36,280 --> 00:44:38,519
dollars because, as I said earlier when we touched on it,

725
00:44:38,920 --> 00:44:41,480
when something like this happens and a big tour, even

726
00:44:41,519 --> 00:44:44,440
a small tour, you know, everybody who has any sort

727
00:44:44,480 --> 00:44:51,559
of fudiciary monetary involvement on a business level. Anybody, whether

728
00:44:51,639 --> 00:44:55,480
it's bandmates, whether it's the crew, whether it's management, the promoters,

729
00:44:55,679 --> 00:45:01,039
you know, anybody. Everybody takes a loss when things go wrong.

730
00:45:03,400 --> 00:45:06,400
So their lawsuit says, this is the three band members

731
00:45:06,400 --> 00:45:09,119
who are suing Perry Ferrell. Quote with a series of

732
00:45:09,280 --> 00:45:13,880
swift blows, he single handedly destroyed the name, reputation, trademark,

733
00:45:14,199 --> 00:45:17,239
and viability of the band and those who built it.

734
00:45:17,400 --> 00:45:22,920
Unquote Farrell and his wife Eddie E T t Y,

735
00:45:24,840 --> 00:45:30,199
Eddie Lu, Eddie Law, Eddie Lau l a u, Eddie

736
00:45:30,239 --> 00:45:34,400
Lao Ferrell. I don't know how to suit the three bandmates.

737
00:45:34,440 --> 00:45:35,559
I should just say I don't know how to say

738
00:45:35,559 --> 00:45:37,679
her name. I'm just going to refer to her as

739
00:45:37,800 --> 00:45:41,760
E by her first initial. Ferrell and his wife E

740
00:45:42,719 --> 00:45:45,159
sued the three bandmates in the same court later Wednesday,

741
00:45:45,280 --> 00:45:48,519
blaming them for the conflict and the violence. That's all

742
00:45:48,599 --> 00:45:53,800
their fault. Really, yeah, apparently the lawsuit. Here's what the

743
00:45:53,880 --> 00:45:59,239
lawsuit says. Quote Navarro, Avery and Perkins apparently decided that

744
00:45:59,400 --> 00:46:03,599
Jane's a Dicks decades of success should be jettisoned in

745
00:46:03,760 --> 00:46:09,079
pursuit of a year's long bullying campaign against Ferrell, involving

746
00:46:09,159 --> 00:46:14,039
harassing him on stage during performances, including, among other tactics,

747
00:46:14,400 --> 00:46:17,000
trying to undermine him by playing their instruments at a

748
00:46:17,079 --> 00:46:21,199
high volume so that he could not hear himself sing unquote.

749
00:46:22,159 --> 00:46:24,960
Interesting thing about that, and that's the whole Oh no,

750
00:46:25,000 --> 00:46:26,920
actually there's a little more to the article. But interesting

751
00:46:26,960 --> 00:46:29,519
thing about that. So that podcast that I was talking

752
00:46:29,519 --> 00:46:31,400
about earlier, where I can't remember the name of the

753
00:46:31,400 --> 00:46:32,800
podcast or the guy's name, but it's one of the

754
00:46:32,880 --> 00:46:36,760
crew guys who worked for Jane's Addiction, He did say

755
00:46:37,840 --> 00:46:40,920
that that was something that Perry Ferrell had complained about,

756
00:46:41,360 --> 00:46:43,199
and that that seemed to be what was making him

757
00:46:43,199 --> 00:46:47,559
angry on stage, is that the rest of the band

758
00:46:47,760 --> 00:46:50,400
was too loud. But in this era of in ear

759
00:46:50,519 --> 00:46:54,239
monitors and everything, the guy who said who was saying

760
00:46:54,280 --> 00:46:57,719
that that was he didn't agree with Perry Ferrell. He said,

761
00:46:57,920 --> 00:47:01,039
there was no reason why anything should have been too

762
00:47:01,159 --> 00:47:03,239
loud for him to be able to hear himself in

763
00:47:03,360 --> 00:47:06,159
his innier monitors, and that's that's not really a problem.

764
00:47:06,320 --> 00:47:09,519
Especially you know, again in twenty twenty five, everybody's got

765
00:47:09,599 --> 00:47:11,840
in your monitors. You don't even need stage volume. And

766
00:47:11,920 --> 00:47:14,239
this is something again people outside the industry don't.

767
00:47:14,039 --> 00:47:14,960
Speaker 8: Know, you can.

768
00:47:15,119 --> 00:47:17,840
Speaker 3: I mean those amps can be turned down to almost

769
00:47:19,000 --> 00:47:22,760
well yeah, almost. Whatever's coming out of the PA is

770
00:47:22,800 --> 00:47:27,119
what the uh what the crowd is hearing, and you

771
00:47:27,199 --> 00:47:29,599
know you're hearing whatever is in your your monitors, your

772
00:47:29,679 --> 00:47:30,320
monitor mix.

773
00:47:31,159 --> 00:47:33,599
Speaker 10: They have their own volume control, I would imagine.

774
00:47:34,360 --> 00:47:35,719
Speaker 8: Oh and they're in your monitors.

775
00:47:35,800 --> 00:47:37,960
Speaker 3: Yeah, oh yeah, you can. You know, the sound guy

776
00:47:38,039 --> 00:47:41,840
can mix. You're can if it's a sophisticated system, which

777
00:47:41,880 --> 00:47:43,360
I assume they have they.

778
00:47:43,320 --> 00:47:44,079
Speaker 8: Had on this tour.

779
00:47:44,639 --> 00:47:47,760
Speaker 3: Yeah, I mean the the sound guy, or you've got

780
00:47:47,840 --> 00:47:49,840
multiple sound guys in a case like this, right, and

781
00:47:49,960 --> 00:47:52,400
you might have one guy who's dedicated specifically to the

782
00:47:52,519 --> 00:47:56,719
monitor mix where he can program. This is why if

783
00:47:56,760 --> 00:48:00,440
you go on YouTube sometimes you can find you can

784
00:48:00,519 --> 00:48:04,159
actually find the monitor mixes that people have posted from

785
00:48:04,239 --> 00:48:09,360
different tours. For example, when the whole thing with Motley Crue, well,

786
00:48:09,800 --> 00:48:11,679
lots of things have gone down with Motley Crue over

787
00:48:11,719 --> 00:48:16,480
the years, but when when mc mars left and they

788
00:48:16,519 --> 00:48:18,679
were placed him with John five, and there were a

789
00:48:18,719 --> 00:48:21,039
lot of actors that mcmars was making accusations about, oh,

790
00:48:21,079 --> 00:48:22,519
the band doesn't really play in this and that, and

791
00:48:22,599 --> 00:48:24,159
how he carried them the whole time and whatever the

792
00:48:24,239 --> 00:48:27,760
thing about the click track, Yeah yeah, And then all

793
00:48:27,840 --> 00:48:32,239
these these in the ear monitor recordings started popping up

794
00:48:32,280 --> 00:48:35,000
on YouTube, so you could actually hear what mc mars

795
00:48:35,159 --> 00:48:39,280
was hearing in his monitor. There was a recording of it,

796
00:48:39,280 --> 00:48:42,239
and you could hear what the mix was. Really interesting

797
00:48:42,280 --> 00:48:45,679
stuff if if you're someone like me who finds that stuff.

798
00:48:45,760 --> 00:48:48,800
I find that stuff fascinating, but not everyone does. I'm

799
00:48:48,840 --> 00:48:51,320
probably getting way too into the weeds for some people.

800
00:48:51,360 --> 00:48:53,880
Speaker 13: I don't understand why anybody would poo pooh on anybody

801
00:48:54,000 --> 00:48:56,199
doing something that makes them be able to play better,

802
00:48:56,360 --> 00:48:57,000
you know what I'm saying.

803
00:48:57,199 --> 00:49:02,639
Speaker 10: Yeah, and I really feel like his lawsuits pretty frivolous.

804
00:49:02,280 --> 00:49:08,159
Speaker 8: For Parry Ferrell's lawsuit. Yeah, I mean, well the video.

805
00:49:08,280 --> 00:49:11,599
Speaker 13: Anybody watching the video is like, oh yeah, and he

806
00:49:11,880 --> 00:49:13,679
literally ruined everything.

807
00:49:13,880 --> 00:49:17,119
Speaker 3: Yeah, that's that video of what happened on stage is

808
00:49:17,320 --> 00:49:21,360
it's you know, it's hard to watch that and think, oh, uh,

809
00:49:21,599 --> 00:49:23,760
Navarro brought that on himself, you.

810
00:49:23,800 --> 00:49:24,280
Speaker 1: Know what I mean.

811
00:49:24,440 --> 00:49:27,480
Speaker 3: Like, like, Farrell's clearly the aggressor, and it.

812
00:49:27,559 --> 00:49:29,800
Speaker 10: Is important to remember how many people are losing money.

813
00:49:30,039 --> 00:49:31,559
It's not just the band.

814
00:49:31,760 --> 00:49:36,000
Speaker 3: Absolutely everybody absolutely, like I said, everybody involved, gets.

815
00:49:35,880 --> 00:49:37,360
Speaker 10: Her whole crew how to go home.

816
00:49:37,679 --> 00:49:40,360
Speaker 13: Yeah, oh yeah, all the griffs, everybody that sets up,

817
00:49:40,400 --> 00:49:41,440
everybody that tears down.

818
00:49:41,480 --> 00:49:43,360
Speaker 3: And they're not rich. You know, the band is rich.

819
00:49:43,639 --> 00:49:45,239
You know, they can afford to cancel a tour.

820
00:49:45,599 --> 00:49:46,320
Speaker 10: Maybe maybe not.

821
00:49:46,480 --> 00:49:48,880
Speaker 8: I mean well, Perry Ferrell certainly is, and Dave Navarro

822
00:49:49,000 --> 00:49:49,400
certainly is.

823
00:49:49,400 --> 00:49:50,960
Speaker 3: I don't know about I don't know about Eric Avery

824
00:49:51,000 --> 00:49:54,760
and Stephen Perkins, but but but they probably have money.

825
00:49:54,800 --> 00:49:56,000
Speaker 10: How much of their own money is that they have

826
00:49:56,119 --> 00:49:57,880
to put up for any of this? Like you know

827
00:49:57,880 --> 00:49:58,320
what I mean?

828
00:49:58,480 --> 00:50:00,679
Speaker 13: Like, yeah, are they paying their own hotels? Are they

829
00:50:00,760 --> 00:50:03,519
booking things outside for themselves? But you don't know how

830
00:50:03,599 --> 00:50:05,880
far the rabbit hole is going to go. Oh, money

831
00:50:05,920 --> 00:50:06,480
gets long.

832
00:50:06,480 --> 00:50:10,400
Speaker 3: So many people get affected. Yeah, absolutely, it says here

833
00:50:10,480 --> 00:50:14,280
the Farrells. The Farrells are claiming that Navarro and Avery

834
00:50:14,400 --> 00:50:18,639
actually assaulted them. Perry Ferrell said he was blindsided when

835
00:50:18,639 --> 00:50:20,920
the other members canceled the remaining fifteen shows of the

836
00:50:21,000 --> 00:50:24,679
tour and broke up the band without consulting him, costing

837
00:50:24,800 --> 00:50:26,599
all of them a great deal of money. That is

838
00:50:26,679 --> 00:50:28,480
one thing I did wonder about when the tour was

839
00:50:28,559 --> 00:50:32,960
canceled is there not. I mean, I'm sure efforts were made,

840
00:50:33,239 --> 00:50:35,960
because again, so much money is on the line. Was

841
00:50:36,000 --> 00:50:38,199
there not an effort made to do some sort of

842
00:50:39,320 --> 00:50:43,039
Maybe not, some sort of It sounds like arbitration issues

843
00:50:43,199 --> 00:50:43,800
some period.

844
00:50:44,199 --> 00:50:48,119
Speaker 13: Yeah, you know, maybe it was a situation where like Navarro,

845
00:50:48,280 --> 00:50:49,880
the others were like, forget it.

846
00:50:50,079 --> 00:50:51,960
Speaker 10: I don't even want to do this anymore. It's not

847
00:50:52,119 --> 00:50:55,519
worth it. Yeah, I mean, because really it's.

848
00:50:55,400 --> 00:50:55,960
Speaker 8: Not worth it.

849
00:50:56,400 --> 00:50:59,719
Speaker 3: It also says here Perry Ferrell says his bandmates to

850
00:50:59,760 --> 00:51:02,119
fame him by publicly saying after the fight that he

851
00:51:02,159 --> 00:51:06,199
had mental health problems. Well, dude, stating the obvious. Jane's

852
00:51:06,199 --> 00:51:08,400
addiction was an essential part of the LA music scene

853
00:51:08,440 --> 00:51:11,639
in the late nineteen eighties. With their contribution of elements

854
00:51:11,679 --> 00:51:14,840
of punk, goth and psychedelic sounds and culture. They became

855
00:51:14,880 --> 00:51:18,719
a national phenomenon with hits including Jane Says and Ben

856
00:51:18,800 --> 00:51:22,519
Caught Stealing, and through their founding of the Lollapalooza tour,

857
00:51:22,559 --> 00:51:25,800
whose first incarnation they headlined in nineteen ninety one.

858
00:51:26,480 --> 00:51:28,639
Speaker 10: Oh yeah, oh yeah, they were part of the foundation

859
00:51:28,840 --> 00:51:29,000
of that.

860
00:51:29,199 --> 00:51:31,960
Speaker 3: They started Lollapalooza. I did not know that very Ferrell

861
00:51:31,960 --> 00:51:35,440
started Lollapalooza really but not. Oh yeah, yeah, still I

862
00:51:35,480 --> 00:51:37,199
think he still owns it. He might have sold it,

863
00:51:37,280 --> 00:51:39,639
I'm not sure. The group broke up soon after, but

864
00:51:39,760 --> 00:51:43,320
returned several times in various incarnations. The twenty twenty four

865
00:51:43,360 --> 00:51:45,280
tour was the first time the original members had played

866
00:51:45,320 --> 00:51:48,320
together since twenty ten. Ferrell missed all seven of the

867
00:51:48,360 --> 00:51:50,559
group's rehearsals in the run up to the tour. His

868
00:51:50,679 --> 00:51:54,400
bandmate's lawsuit alleges and his behavior during the early shows

869
00:51:54,480 --> 00:51:56,440
range from a radicked out of control and by the way,

870
00:51:56,519 --> 00:51:58,280
that part the guy who did the podcast, who was

871
00:51:58,360 --> 00:52:01,159
on the crew, he said all, he confirmed all of that.

872
00:52:02,079 --> 00:52:05,719
The lawsuit says, quote, he struggled night tonight amid public

873
00:52:05,800 --> 00:52:10,039
concern for his well being and apparent intoxication. Perry forgot lyrics,

874
00:52:10,119 --> 00:52:12,119
lost his place in songs he had sung since the

875
00:52:12,199 --> 00:52:14,880
nineteen eighties, and mumbled rants as he drank from a

876
00:52:14,960 --> 00:52:18,800
wine bottle on stage. Unquote all very rock and roll

877
00:52:18,960 --> 00:52:23,400
and on brand, but not necessarily hunted. And he's a

878
00:52:23,440 --> 00:52:25,480
sixty five year old man, so it's like, let's chill

879
00:52:25,519 --> 00:52:29,159
on the partying right. The lawsuit says Ferrell was given

880
00:52:29,320 --> 00:52:34,079
many solutions to the volume problem, none of which he followed. Then,

881
00:52:34,280 --> 00:52:37,800
on September fourth, September thirteen, at Leaderbank Pavilion in Boston,

882
00:52:37,840 --> 00:52:40,400
in front of four thousand fans, videos partially captured Farrell

883
00:52:40,440 --> 00:52:42,639
lunging at Navarro. Okay, so we all know that part.

884
00:52:44,000 --> 00:52:46,159
Farrell alleges that when he was being restrained by a

885
00:52:46,199 --> 00:52:48,880
crew member, Avery punched him in the kidneys, and that

886
00:52:48,960 --> 00:52:51,480
both Avery and Navarro assaulted him and his wife backstage.

887
00:52:51,760 --> 00:52:54,079
Shortly after the fight. Ferrell, in a statement, apologized to

888
00:52:54,159 --> 00:52:56,840
his bandmates, especially Navarrow, for an excusable behavior.

889
00:52:57,400 --> 00:52:57,960
Speaker 8: The bandmates.

890
00:52:58,079 --> 00:53:01,159
Speaker 3: Lawyer Christopher Frost pointed to that apology in response to

891
00:53:01,199 --> 00:53:05,639
the Farh lawsuit, along with e EA's acknowledgment at the

892
00:53:05,679 --> 00:53:08,199
time and Instagram posts that her husband had clearly been

893
00:53:08,239 --> 00:53:12,079
the aggressor. Frost said in a statement, quote, if there

894
00:53:12,159 --> 00:53:13,920
is a question about what to believe, you can believe

895
00:53:14,000 --> 00:53:18,079
the video that we've all watched. The complaint from Perry,

896
00:53:18,159 --> 00:53:21,519
including his account of events backstage after the September thirteenth show,

897
00:53:21,639 --> 00:53:27,079
is revisionist history. It won't stand. Unquote. Both lawsuits allege

898
00:53:27,079 --> 00:53:31,000
assault and battery, intentional infliction of emotional distress and breach

899
00:53:31,079 --> 00:53:36,800
of contract, among other things. According to the other band

900
00:53:36,880 --> 00:53:40,079
member's lawsuit quote, now the band will never have their

901
00:53:40,159 --> 00:53:43,920
revival tour to celebrate the album, the new album and

902
00:53:44,000 --> 00:53:46,920
forty plus years of deep complex start topping recordings, and

903
00:53:47,000 --> 00:53:49,239
said history will remember the band is suffering a swift

904
00:53:49,320 --> 00:53:52,360
and painful death at the hands of Farrell's unprovoked anger

905
00:53:52,719 --> 00:53:54,800
and complete lack of self control.

906
00:53:55,199 --> 00:53:55,840
Speaker 8: So there you go.

907
00:53:57,960 --> 00:53:59,519
Speaker 10: Sad ending that is.

908
00:53:59,679 --> 00:54:02,079
Speaker 3: That is It is a sad ending to uh, you know,

909
00:54:02,320 --> 00:54:05,679
a legendary band. But uh, I don't I doubt there's

910
00:54:05,679 --> 00:54:07,679
any coming back from this. I mean, never say never.

911
00:54:07,920 --> 00:54:08,599
Never say never.

912
00:54:08,760 --> 00:54:11,119
Speaker 10: But you know, like he's got drinking issues going on,

913
00:54:11,280 --> 00:54:12,559
Like who wants to work with that?

914
00:54:12,960 --> 00:54:15,079
Speaker 3: Like I said, this is a job. He's a sixty

915
00:54:15,119 --> 00:54:17,159
five year old man. You know, when you're twenty five

916
00:54:17,239 --> 00:54:19,360
years old and you're partying too much and whatnot, people

917
00:54:19,400 --> 00:54:21,400
will kind of give you a pass, you know, and

918
00:54:21,480 --> 00:54:23,159
if you're a rock star, you might get away with

919
00:54:23,239 --> 00:54:27,519
it at thirty five, but when you're sixty five, it's like, chill, dude,

920
00:54:27,639 --> 00:54:30,239
go just you know you're in this. You're in an

921
00:54:30,280 --> 00:54:31,719
incredible position today too.

922
00:54:32,280 --> 00:54:36,000
Speaker 13: Yeah, people aren't into the whole drinking, drugging party and

923
00:54:36,119 --> 00:54:40,119
thing that made up the eighties, right, the lates the seventies.

924
00:54:40,119 --> 00:54:42,239
Speaker 8: Yeah, the sixties not as much, certainly. Yeah.

925
00:54:42,440 --> 00:54:42,480
Speaker 1: No.

926
00:54:42,679 --> 00:54:44,599
Speaker 10: In fact, today's kids drink less.

927
00:54:45,119 --> 00:54:45,880
Speaker 8: Yeah, that is true.

928
00:54:46,079 --> 00:54:48,119
Speaker 10: That well, that's why they're an.

929
00:54:48,039 --> 00:54:50,920
Speaker 13: Increase in the amount of non alcoholic beverages that are offered.

930
00:54:50,960 --> 00:54:54,760
And you see places that have full on mocktail menus

931
00:54:54,880 --> 00:54:57,719
because the generations now And I don't think that's a

932
00:54:57,760 --> 00:54:59,440
bad thing by any stretch of the imagination.

933
00:54:59,639 --> 00:55:01,159
Speaker 8: Nope, I agree. I agree.

934
00:55:01,519 --> 00:55:04,239
Speaker 3: Well, we're gonna hit this commercial break and then when

935
00:55:04,280 --> 00:55:06,400
we come back, if you are listening live on Saturday,

936
00:55:06,519 --> 00:55:08,280
coming up in the second hour, we have Lydia ready,

937
00:55:08,280 --> 00:55:10,039
who's gonna be joining us and talking about her great

938
00:55:10,079 --> 00:55:13,239
new single, Turn this Town Around. So we will see

939
00:55:13,280 --> 00:55:15,280
you on the other side of this stick around. We've

940
00:55:15,320 --> 00:55:18,360
got a lot of show left to go on this

941
00:55:18,679 --> 00:55:19,440
Saturday morning.

942
00:55:20,000 --> 00:55:23,360
Speaker 2: Luigi's Pizza Bar and Grill breed one.

943
00:55:24,079 --> 00:55:27,639
Speaker 6: Let's raise a slices on hide with top and top

944
00:55:27,800 --> 00:55:28,519
the ground.

945
00:55:29,079 --> 00:55:30,320
Speaker 7: It's a pizza bar.

946
00:55:30,480 --> 00:55:31,079
Speaker 6: O mine.

947
00:55:31,639 --> 00:55:35,960
Speaker 2: Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester,

948
00:55:36,239 --> 00:55:39,119
Come on in or call six two two one zero

949
00:55:39,400 --> 00:55:44,400
two one Luigi, keeping the tradition alive since nineteen seventy five.

950
00:55:46,239 --> 00:55:48,079
Speaker 8: Pizza for e breed one.

951
00:55:48,760 --> 00:55:50,639
Speaker 10: Come join the beasts tonight.

952
00:55:51,559 --> 00:55:55,599
Speaker 8: With each slice sense of it, everything feels so right.

953
00:55:58,760 --> 00:56:00,920
Speaker 14: In times of crisis, you need a law firm that

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stands by your side. With over forty years of experience,

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Craigan Getsulis is dedicated to fighting for your rights. As

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former state prosecutors, our attorneys have the knowledge and trial

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experience to provide an aggressive defense against any charge, from

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duys to homicides. If you've been injured, our compassionate team

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will assess your case and fight for the compensation you deserve.

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Serving all of New Hampshire, Craigan Getzulis is here when

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you need us most. Visit craigatzulis dot com for a

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free consultation. Craigan getsulus, your advocates, your.

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Speaker 11: Allies, bring your kitchen to life with Queen City Cabinetry,

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Located at eighty seven Elm Street in the historic Sunbeam

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Wall in Manchester, open Monday through Friday nine am to.

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Speaker 15: Five thirty pm, in Saturdays ten am to two pm.

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They can be reached at six h three two two

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Queen Citycabinetry nh dot com see the possibility It's Queen

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City Cabinet Treatment. Another crowd sponsor of w MNH.

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Speaker 16: Hey everyone, there's Rob Azevedo host a Granite State of

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Mind and I want to tell you about Pembrook City

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Limits and the Historic sun Cook Village. PCL is an

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award winning bar, restaurant and music venue where there's live

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music five days a week and twice on Saturdays, everything

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from blues, country, folk, funk, and a whole lot of jazz.

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We have twelve craft beers on tap dedicated to the

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local brewers in the area and some of the friendliest

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bartenders around.

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Speaker 8: Please come visit.

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Speaker 16: Pembrook City Limits at one thirty four Main Street, the

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historic sunk Cook Village, only six miles outside of Manchester.

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Open Tuesdays to Wednesdays four to ten Thursday's Sunday eleven

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to ten.

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Speaker 8: Pembrook City Limits where it's all about the music.

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Speaker 2: Disneys Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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bring your appetite and treat your.

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Speaker 11: Taste bys fry.

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Speaker 2: Disneys Cafe is always a winning choice breakfast, lunch or

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supper Disney's Cafe at eight sixty Elms Street in downtown Manchester.

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Dine in, take out or make a reservation call six

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O three six oh six two five three two, eat,

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drink and be happy Dizze's Cafe.

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Speaker 17: When it comes to keeping WMNH on the air and

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Speaker 9: N seven times out of ten we listened to our

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music at nice that's con titled book Business Program.

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Speaker 15: Late Night to Light with DJ Midas right here on

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Speaker 7: Wonder because.

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Speaker 1: Saturdays and Sunday nights midnight to four am.

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Speaker 8: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management, and customized business insurance solutions.

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Speaker 3: Their phone number is eight sixty six eight four to

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business Solutions dot com