1 00:00:00,800 --> 00:00:03,120 Speaker 1: Wm NH will rip the novels. 2 00:00:06,639 --> 00:00:11,679 Speaker 2: You're listening to Matt Connorton Unleashed on wmn H ninety 3 00:00:11,800 --> 00:00:22,960 five point three. Welcome everybody. This is Matt Connorton Unleashed 4 00:00:22,960 --> 00:00:25,719 and we are live from the studios of w m 5 00:00:25,879 --> 00:00:29,719 NH ninety five point three FM and Glorious Manchester, New Hampshire. 6 00:00:29,719 --> 00:00:31,399 Of course, you can stream the show from anywhere. Go 7 00:00:31,440 --> 00:00:34,079 to Matt connorton dot com slash live for all your 8 00:00:34,159 --> 00:00:37,560 live streaming options, social media links, contact infosho archives, et cetera, 9 00:00:37,640 --> 00:00:41,640 et cetera. It is Saturday, January seventeen, twenty twenty six. 10 00:00:41,840 --> 00:00:44,560 We are about to enter our number two New Marrow 11 00:00:44,600 --> 00:00:48,479 dose of Matt Connorton Unleashed. We've got in a moment. 12 00:00:48,479 --> 00:00:51,600 We're gonna play, in fact, one of the tracks from 13 00:00:51,600 --> 00:00:54,880 the brand new ever Felt album called Stirring to Wake. 14 00:00:54,920 --> 00:00:57,520 We're gonna play this opening song called Epic one, and 15 00:00:57,600 --> 00:00:59,479 it is an epic way to open the album. And 16 00:00:59,520 --> 00:01:03,000 then we're gonna have Adam Steglitic from ever Felt joining us. 17 00:01:03,039 --> 00:01:04,719 I think it's gonna be his third or fourth time 18 00:01:04,760 --> 00:01:07,120 on the show, but he's gonna be joining us online. 19 00:01:07,200 --> 00:01:08,799 Can't wait to talk to him. I love the album. 20 00:01:08,840 --> 00:01:11,079 I listened to the whole thing. It's incredible. So wait 21 00:01:11,120 --> 00:01:12,760 to ll we hear this track. It's a very very 22 00:01:12,799 --> 00:01:15,560 strong opener, so really cool. So we're gonna do that 23 00:01:15,599 --> 00:01:17,719 in just a moment. I do want to also acknowledge 24 00:01:17,719 --> 00:01:20,159 a couple of people in the chat room. EASYG is 25 00:01:20,200 --> 00:01:23,640 in there. Hello, EASYG. Jay Bellow from the band Chasing 26 00:01:23,680 --> 00:01:26,359 the Devil is in the chat room. We love Jay, 27 00:01:26,480 --> 00:01:29,599 love that band. Maybe we'll play some Chasing the Devil 28 00:01:29,599 --> 00:01:31,000 a little later in the show. I'd love to play 29 00:01:31,000 --> 00:01:33,120 one of theirs. Can't play the newest one until I 30 00:01:33,159 --> 00:01:35,760 get a radio edit because there's a lot there's a 31 00:01:35,799 --> 00:01:38,280 bad word in it that I can't take. I can't 32 00:01:38,359 --> 00:01:41,920 edit it myself without ruining the song. So if we 33 00:01:41,959 --> 00:01:43,640 get a radio edit from those guys, we'll play it 34 00:01:43,640 --> 00:01:45,040 for you, but I'll play one of their older ones. 35 00:01:45,079 --> 00:01:47,599 I love Chasing the Devil, And we have Kenny Truon 36 00:01:47,640 --> 00:01:49,640 in the Facebook live chat says good morning to Matt 37 00:01:49,680 --> 00:01:53,879 and Jenny. Kenny Truon. We played his brand new single 38 00:01:54,200 --> 00:01:56,280 at the opening of the show today and I will 39 00:01:56,280 --> 00:01:58,959 play it again later in the show. It's called We 40 00:01:59,000 --> 00:02:04,319 All saw what happened and it's so so good, very topical. 41 00:02:04,359 --> 00:02:06,280 Shall we say, if you missed it. I did play 42 00:02:06,319 --> 00:02:08,800 it at the open of the show today, but we'll 43 00:02:08,800 --> 00:02:10,680 play it again. We'll play it again later on in 44 00:02:10,680 --> 00:02:14,039 the show. Definitely worth another spin. Great great track. But 45 00:02:14,599 --> 00:02:17,719 right now we're gonna play this. It's the opening track 46 00:02:18,159 --> 00:02:21,159 from the brand new album from ever Felt called Stirring Awake. 47 00:02:21,240 --> 00:02:23,960 This is called Epic One. And then at the end 48 00:02:24,000 --> 00:02:27,039 of this, we're gonna talk with Adam Steglitic from the 49 00:02:27,120 --> 00:02:30,800 band ever Felt. Really looking forward to to talking with 50 00:02:30,879 --> 00:02:32,319 him and getting caught up. It's been a while, it's 51 00:02:32,319 --> 00:02:34,080 been at least a couple of years, I think since 52 00:02:34,120 --> 00:02:35,759 Adam has been on the show with us. But check 53 00:02:35,840 --> 00:03:10,319 this out. This is called Epic one. 54 00:03:14,039 --> 00:03:22,400 Speaker 3: Oh long Way, No only to rise, count till Lie 55 00:03:22,800 --> 00:03:29,680 long Eve, love to die, call me no cream No 56 00:03:30,719 --> 00:03:33,000 the f side. 57 00:03:34,280 --> 00:03:38,479 Speaker 4: Go long Way, O me to. 58 00:03:46,520 --> 00:03:47,080 Speaker 5: M m hm. 59 00:04:24,399 --> 00:04:33,040 Speaker 6: No, you know the way down side, the gray. 60 00:04:35,279 --> 00:04:40,639 Speaker 4: Lie to breathe, War is the lie. 61 00:04:40,560 --> 00:04:49,439 Speaker 6: Will be war to please the light God be tam. 62 00:04:49,680 --> 00:04:51,680 Speaker 7: No light, no. 63 00:04:53,360 --> 00:05:19,879 Speaker 4: World we find him the oh wait now. 64 00:05:23,399 --> 00:05:24,199 Speaker 7: To brow. 65 00:05:25,959 --> 00:05:40,319 Speaker 4: Go on to wait so wait no to me to 66 00:06:43,319 --> 00:06:46,560 know you know no. 67 00:06:46,519 --> 00:06:51,519 Speaker 6: Way, don't men side, don't way. 68 00:06:52,079 --> 00:06:59,160 Speaker 4: No, don't line to breathe war this is life. Well, 69 00:07:17,519 --> 00:07:19,560 who'll go way now? 70 00:07:21,360 --> 00:07:28,399 Speaker 5: Who led me to going. 71 00:07:26,199 --> 00:07:36,040 Speaker 4: On to the way? Sound like go way now? 72 00:07:37,879 --> 00:07:40,120 Speaker 5: To rule me to go. 73 00:08:14,639 --> 00:08:14,879 Speaker 7: Low? 74 00:08:15,439 --> 00:08:24,759 Speaker 6: Do no go way down inside they do so note 75 00:08:25,120 --> 00:08:32,759 tble breathe But there's the life will pay go simla. 76 00:08:34,039 --> 00:08:42,320 Speaker 4: Guys, don't be between the nights same w w by 77 00:08:43,080 --> 00:08:45,200 in the gray. 78 00:09:01,639 --> 00:09:13,360 Speaker 7: M h m hm. 79 00:09:23,919 --> 00:09:30,919 Speaker 4: No weed no want me to ride? Come so I 80 00:09:31,559 --> 00:09:38,039 know me not to die? Call me no green no 81 00:09:39,600 --> 00:09:47,120 the inside o w no want me to run? 82 00:10:06,080 --> 00:10:09,000 Speaker 2: Oh my god. I love it. Appropriately titled epic One 83 00:10:09,320 --> 00:10:12,960 that is ever Felt from their brand new album Stirring Awake, 84 00:10:13,000 --> 00:10:15,039 And we've got Adam Seglitch with us. Let me get 85 00:10:15,039 --> 00:10:18,679 that mic up there. Hello Adam, Hey, what's up man? 86 00:10:18,720 --> 00:10:19,440 Speaker 4: How you doing? Man? 87 00:10:19,559 --> 00:10:21,399 Speaker 2: Good good, Welcome back to the show. It's good to 88 00:10:21,440 --> 00:10:23,960 talk to you. I love the new album. I was 89 00:10:24,799 --> 00:10:28,120 I was in the whole thing really really good. And 90 00:10:28,200 --> 00:10:29,720 that is a that is a great way to open. 91 00:10:30,600 --> 00:10:31,080 I love that. 92 00:10:33,000 --> 00:10:34,600 Speaker 4: Yeah, man, that song. 93 00:10:35,360 --> 00:10:37,639 Speaker 8: That was the song that we we were working on 94 00:10:37,720 --> 00:10:39,639 even when we released the ep That's something that's been 95 00:10:39,679 --> 00:10:42,080 with us for a little while now and uh, you know, 96 00:10:42,279 --> 00:10:44,399 Corey really brought that that whole that that rift, that 97 00:10:44,639 --> 00:10:48,559 that opening rift there. It actually originally began with the 98 00:10:48,879 --> 00:10:51,720 the intro and the outro music with the beautiful there. Yeah, 99 00:10:51,720 --> 00:10:54,720 and it became what it became. But uh, you know, 100 00:10:54,799 --> 00:10:57,480 the song epic one really is about the idea. You know, 101 00:10:57,600 --> 00:11:00,159 Confucius said the greatest glory is not never falling, but 102 00:11:00,240 --> 00:11:01,600 in rise and every time you fall. 103 00:11:02,240 --> 00:11:04,879 Speaker 1: And so the concept behind this song is that you 104 00:11:04,960 --> 00:11:06,080 must be willing to fall in. 105 00:11:06,159 --> 00:11:09,720 Speaker 8: Order to learn to rise, okay, and so and and 106 00:11:09,879 --> 00:11:12,080 and then also it talks about the idea of of 107 00:11:12,480 --> 00:11:15,320 you know, braving the unknown within yourself in order to 108 00:11:15,399 --> 00:11:18,679 do so in the gray area of what you don't 109 00:11:18,759 --> 00:11:19,279 know about you. 110 00:11:19,600 --> 00:11:22,559 Speaker 1: And so that's the that's the premise of the song. 111 00:11:22,559 --> 00:11:25,279 Speaker 2: Anyway, Yeah, yeah, I like it. Uh so what is 112 00:11:25,320 --> 00:11:27,039 the premise of the album? Because in listening to the 113 00:11:27,080 --> 00:11:28,879 whole thing, and I listened to it all at once, 114 00:11:28,879 --> 00:11:30,600 all the way through, and I felt like there's a 115 00:11:31,120 --> 00:11:33,360 there's a theme, there's a story. But I but I 116 00:11:33,480 --> 00:11:34,360 want to ask you about that? 117 00:11:34,519 --> 00:11:34,679 Speaker 1: Am I? 118 00:11:34,799 --> 00:11:36,799 Speaker 2: Am I reading into it? Or or is there something 119 00:11:37,039 --> 00:11:37,799 You're exactly right? 120 00:11:38,720 --> 00:11:39,720 Speaker 1: The Stirring to Wake. 121 00:11:39,879 --> 00:11:43,919 Speaker 8: Really the entire album in a nutshell is really every 122 00:11:43,960 --> 00:11:48,000 single song is philosophically, philosophically driven with the ideal of 123 00:11:48,159 --> 00:11:51,440 Stirring to Wake one soul where our band, you know, 124 00:11:51,600 --> 00:11:55,240 we're all about soul metal, and for us, it's more about, 125 00:11:55,360 --> 00:11:57,480 you know, the world will teach you mind body soul, 126 00:11:57,559 --> 00:12:00,919 but really it should be soul mind body, and because 127 00:12:00,960 --> 00:12:03,399 for us we believe in the eternal soul. Though we're 128 00:12:03,440 --> 00:12:05,360 not religious, but we do believe in the eternal soul, 129 00:12:05,440 --> 00:12:07,559 and we think that that's the one thing neglected by 130 00:12:07,639 --> 00:12:11,200 most of the world, even ourselves. And uh so the 131 00:12:11,320 --> 00:12:13,440 idea is to you know, the stirring to Wait concept 132 00:12:13,559 --> 00:12:16,840 came from you know that that that that place between 133 00:12:16,919 --> 00:12:19,200 dreaming and waking where like even the greatest minds from 134 00:12:19,200 --> 00:12:21,320 the past, like Tesla and Einstein and all they they 135 00:12:21,320 --> 00:12:24,879 would even like try to induce themselves into that place 136 00:12:24,919 --> 00:12:27,799 in order to find answers to to to the inventions 137 00:12:27,879 --> 00:12:30,919 or whatever they were doing in actual reality. And it's 138 00:12:31,000 --> 00:12:33,200 kind of like you know, going to that place within yourself, 139 00:12:33,759 --> 00:12:36,399 being willing to take that journey within. 140 00:12:37,159 --> 00:12:39,320 Speaker 2: Yeah, it's interesting that you bring that up about you 141 00:12:39,360 --> 00:12:41,120 know that that place between you know, sort of being 142 00:12:41,159 --> 00:12:43,039 asleep and awake, when you're sort of almost it's like 143 00:12:44,600 --> 00:12:46,600 you're you're sort of dreaming a little bit sometimes but 144 00:12:46,679 --> 00:12:48,159 you kind of know you're dreaming because you're kind of 145 00:12:48,159 --> 00:12:51,279 still half awake, and right, I I talk about that 146 00:12:51,320 --> 00:12:52,360 a lot. But I don't know if you know this 147 00:12:52,399 --> 00:12:56,000 about me. I'm also a hypnotherapist. And I tell all 148 00:12:56,080 --> 00:12:58,399 my I remember, yeah, okay, we did talk about that, 149 00:12:58,440 --> 00:13:00,320 And I tell all my clients, I say, you know, 150 00:13:00,360 --> 00:13:03,440 when you're in that that state, you're highly suggestible. So 151 00:13:03,879 --> 00:13:05,759 that's a great like if you're someone who falls asleep 152 00:13:05,799 --> 00:13:07,679 slowly at night, that's a great time to give yourself, 153 00:13:08,080 --> 00:13:10,799 you know, hypnotics suggestions that you know you're you're in 154 00:13:10,840 --> 00:13:12,960 a wake up feeling great and motivated or whatever it 155 00:13:13,080 --> 00:13:16,480 is your your goal is, but it it's But I'm 156 00:13:16,519 --> 00:13:18,600 glad you brought it up because it's such a powerful 157 00:13:19,120 --> 00:13:21,559 That is a powerful state to be in that state 158 00:13:21,679 --> 00:13:25,799 between right right between being asleep and being awake. And unfortunately, 159 00:13:25,840 --> 00:13:27,919 I don't think everyone gets to experience it the same way, 160 00:13:27,960 --> 00:13:30,679 because some people, you know, fall asleep quickly wake up quickly. 161 00:13:31,120 --> 00:13:32,879 But but for those of us who do get to 162 00:13:33,000 --> 00:13:35,960 experience it. Yeah, that's that's it's it's very powerful and 163 00:13:36,240 --> 00:13:39,080 and it's so interesting to me that that maybe that's 164 00:13:39,200 --> 00:13:41,960 part of why in listening to this I connected with it, because, 165 00:13:42,039 --> 00:13:43,240 like I said, I listened to the whole thing all 166 00:13:43,279 --> 00:13:45,679 the way through and I was just so so drawn 167 00:13:45,759 --> 00:13:49,960 into it. And uh and and and absolutely absolutely. 168 00:13:51,320 --> 00:13:54,120 Speaker 8: I mean when we when we wrote the album in 169 00:13:55,200 --> 00:13:57,240 and then we were trying to decide strong order, I 170 00:13:57,679 --> 00:14:00,840 I purposefully put this was in order the way that 171 00:14:00,919 --> 00:14:03,240 they are on the album, so that they kind of 172 00:14:03,279 --> 00:14:05,399 give you almost a ride, almost like a roller coaster. 173 00:14:05,600 --> 00:14:05,720 Speaker 9: You know. 174 00:14:05,799 --> 00:14:08,879 Speaker 8: It goes from spoken word, open word, spoken word poetry 175 00:14:08,919 --> 00:14:10,399 to epic one and then we hit you in the 176 00:14:10,440 --> 00:14:11,320 face with sludge, you know. 177 00:14:11,440 --> 00:14:14,840 Speaker 1: So it's like it's a it's this whole and each 178 00:14:14,919 --> 00:14:16,759 song has you know, each song has its own way. 179 00:14:17,200 --> 00:14:18,559 I'm sure you notice that in the album. 180 00:14:18,600 --> 00:14:20,919 Speaker 8: Even though it's a cohesive album, every song is not 181 00:14:21,080 --> 00:14:23,519 like the last one, you know, right, and each have 182 00:14:23,639 --> 00:14:24,679 their own story in a way. 183 00:14:25,559 --> 00:14:29,240 Speaker 2: Absolutely. Now, who is in the who's in the band? 184 00:14:30,919 --> 00:14:31,440 Speaker 4: Is it the same? 185 00:14:31,759 --> 00:14:33,600 Speaker 2: Is it the same lineup as the last time we talked? 186 00:14:34,200 --> 00:14:36,720 Speaker 1: It is not so since the last time you and I. 187 00:14:36,840 --> 00:14:38,600 Speaker 8: So, I think it's been like almost two years now, 188 00:14:38,720 --> 00:14:41,639 probably since we released the EP in twenty four. Yeah, 189 00:14:42,320 --> 00:14:44,919 so it's been almost two years. But but yeah, since 190 00:14:44,960 --> 00:14:47,919 the last time we talked. We right after we released 191 00:14:47,919 --> 00:14:50,159 the EP. We actually lost three members of our band. 192 00:14:50,200 --> 00:14:52,279 At that time, Corey and I were the only ones left. 193 00:14:52,360 --> 00:14:55,440 Oh wow, yeah, man, and uh we didn't miss any 194 00:14:55,440 --> 00:14:58,279 shows either. We were able to find Danny Danny Furlong's 195 00:14:58,279 --> 00:15:02,320 our percussion now and then Ryan Moore. We call him Momo. 196 00:15:03,240 --> 00:15:05,840 He's our rhythm bass plus our sound and tech guy. 197 00:15:06,919 --> 00:15:09,360 He's he makes it possible. Momo makes it possible for 198 00:15:09,440 --> 00:15:12,240 us to have one guitarist, where Corey took over both 199 00:15:12,320 --> 00:15:14,639 rhythm and lead for this for our band now, so 200 00:15:14,720 --> 00:15:15,840 there's only one guitarist. 201 00:15:16,879 --> 00:15:18,279 Speaker 1: But but yeah, with. 202 00:15:18,360 --> 00:15:20,519 Speaker 8: Momo's ability on the rhythm bass, you know, he really 203 00:15:20,559 --> 00:15:23,440 brought the song Silhouette to the table for us with 204 00:15:23,600 --> 00:15:25,879 his ability, he really gives us a fullness where even 205 00:15:25,919 --> 00:15:28,279 when we're playing live, Corey is still able to hit 206 00:15:28,360 --> 00:15:31,360 all his leads and it still sounds really full because 207 00:15:31,440 --> 00:15:34,279 Momo don't just play re root notes. You know, he's very, 208 00:15:34,519 --> 00:15:39,240 very influenced by Justin Chancellor, so from tools, so he's, uh, 209 00:15:39,519 --> 00:15:41,200 you know, that's perfect for our sounds. 210 00:15:41,279 --> 00:15:45,600 Speaker 2: So oh yeah, absolutely, is it? So you lost three 211 00:15:45,639 --> 00:15:47,240 people at once in the band? I mean that's a 212 00:15:47,360 --> 00:15:50,039 that's a pretty big shakeout, was that? I mean how 213 00:15:50,240 --> 00:15:50,399 was that? 214 00:15:50,639 --> 00:15:50,679 Speaker 7: Was? 215 00:15:50,759 --> 00:15:50,799 Speaker 6: That? 216 00:15:51,360 --> 00:15:51,879 Speaker 2: Was that hard? 217 00:15:52,679 --> 00:15:52,879 Speaker 4: Yeah? 218 00:15:52,960 --> 00:15:56,480 Speaker 8: Yeah, it was difficult because and and and the main 219 00:15:56,600 --> 00:15:58,919 reason that that has so so originally we lost the 220 00:15:58,960 --> 00:16:01,559 bass player because he did and basically we were booking 221 00:16:01,559 --> 00:16:03,399 a lot of shows and he just wanted to play like, 222 00:16:03,679 --> 00:16:06,320 you know, places around local and he didn't really want 223 00:16:06,360 --> 00:16:06,759 to travel. 224 00:16:07,000 --> 00:16:08,879 Speaker 1: So that's really the reason he left the band. 225 00:16:09,320 --> 00:16:11,799 Speaker 8: And then and then we lost the drummer because he 226 00:16:11,919 --> 00:16:14,039 was moving away, and then we lost the guitarists because 227 00:16:14,039 --> 00:16:16,000 his woman got pregnant didn't want him in the band anymore. 228 00:16:16,399 --> 00:16:18,720 Speaker 1: So it was all happened in like a two week period, 229 00:16:18,759 --> 00:16:20,960 and it was like, what is happening? We just recorded 230 00:16:20,960 --> 00:16:23,519 the EP, we had all these shows. So what happened 231 00:16:23,639 --> 00:16:24,600 was is we ended. 232 00:16:24,480 --> 00:16:27,600 Speaker 8: Up I found Momo. Momo actually works with me, but 233 00:16:28,039 --> 00:16:29,519 and I didn't know he was as good as he is. 234 00:16:29,600 --> 00:16:32,759 But but we you know, we got him on. When 235 00:16:32,840 --> 00:16:34,720 Jason left the bass player, we got Momo and the 236 00:16:34,799 --> 00:16:37,000 moment was with us with the other guys too, and 237 00:16:37,120 --> 00:16:39,080 then the other guys left like a week later, and 238 00:16:39,919 --> 00:16:41,919 and so what we ended up doing was we had 239 00:16:42,000 --> 00:16:43,840 like a three week period, but we had two shows 240 00:16:43,919 --> 00:16:46,200 still happening, So I didn't I don't really like canceling. 241 00:16:46,320 --> 00:16:49,080 So yeah, we ended up playing me Momo and Corey 242 00:16:49,200 --> 00:16:51,720 ended up playing those two shows. In the interim when 243 00:16:51,759 --> 00:16:53,480 we were looking for a drummer, just we did an 244 00:16:53,480 --> 00:16:56,559 acoustic set of our metal metal show and and uh, 245 00:16:57,080 --> 00:17:00,200 and yeah it was it was awesome, but uh but yeah, 246 00:17:00,200 --> 00:17:01,799 and then we found Danny and Danny as a well 247 00:17:01,840 --> 00:17:02,200 you heard. 248 00:17:02,159 --> 00:17:05,000 Speaker 1: Him on the album. He's he's amazing, you know, and 249 00:17:05,079 --> 00:17:05,920 you know you know Cory. 250 00:17:06,039 --> 00:17:09,880 Speaker 2: So when when you when that happened? When when all 251 00:17:09,920 --> 00:17:11,960 this tumult is happening, I mean, was there ever a 252 00:17:12,039 --> 00:17:14,640 moment where you thought, maybe, you know, maybe this is it, 253 00:17:14,799 --> 00:17:17,559 maybe we do something new, or or were you determined 254 00:17:18,119 --> 00:17:19,480 right right through that whole period. 255 00:17:19,559 --> 00:17:21,640 Speaker 1: Now we're gonna keep determined. 256 00:17:21,839 --> 00:17:24,000 Speaker 8: Yeah, there was there was no way we were going 257 00:17:24,079 --> 00:17:26,079 to let go they ever felt sound what what Corey 258 00:17:26,119 --> 00:17:28,119 and I had, you know, because him and I, even 259 00:17:28,160 --> 00:17:29,200 though we had the other three members. 260 00:17:29,279 --> 00:17:31,960 Speaker 1: Him and I were really the you know, the core 261 00:17:32,039 --> 00:17:33,799 of what we were doing. The sound. 262 00:17:33,880 --> 00:17:36,440 Speaker 8: You know, Corey really brings that psychedelic He's like they 263 00:17:36,440 --> 00:17:39,519 gave David Gilmore metal to me, reminds me kind of 264 00:17:39,559 --> 00:17:41,160 reminds me of Randy Roads a little bit too, and 265 00:17:41,759 --> 00:17:44,359 and with that Black Sabbath influence and also painful. And 266 00:17:44,400 --> 00:17:46,160 then also you know he's a big on Slayer and 267 00:17:46,200 --> 00:17:48,920 stuff like that, and and uh, well, Corey's ability to 268 00:17:48,960 --> 00:17:50,599 bring that to the table and then you know what 269 00:17:50,680 --> 00:17:52,559 I'm already naturally doing. So as long as we had 270 00:17:52,640 --> 00:17:54,559 Corey and I, we were able to build, you know. 271 00:17:55,079 --> 00:17:57,279 But if I lost Cory too, I probably would have 272 00:17:57,319 --> 00:17:58,200 been starting a new band. 273 00:17:58,519 --> 00:18:02,160 Speaker 2: Yeah. Yeah, So were you and Corey in a band 274 00:18:02,279 --> 00:18:04,720 together prior to Ever Felt or or It? 275 00:18:04,880 --> 00:18:04,920 Speaker 10: No? 276 00:18:05,319 --> 00:18:06,359 Speaker 2: No, okay, no. 277 00:18:06,720 --> 00:18:09,160 Speaker 1: I met Corey in twenty twenty two. 278 00:18:09,359 --> 00:18:12,680 Speaker 8: We actually I found out about the band him and 279 00:18:12,759 --> 00:18:15,160 this our old old old drummer was trying to put 280 00:18:15,200 --> 00:18:19,680 together on on Craiglist of all places, and yeah, man, 281 00:18:19,839 --> 00:18:23,000 and and so I went over there, and you know 282 00:18:23,119 --> 00:18:25,240 from the very first practice where I just went over 283 00:18:25,240 --> 00:18:27,400 there just freestyle vocals, just to just to try to 284 00:18:27,440 --> 00:18:30,640 you know, basically trying out to be their vocalist, you know. 285 00:18:31,000 --> 00:18:32,640 From then on, him and I just hit it up. 286 00:18:32,680 --> 00:18:34,680 The song Medicaid was one of the first songs we played. 287 00:18:34,880 --> 00:18:37,240 It became Medicaid, but at the time, you know, it 288 00:18:37,319 --> 00:18:37,519 was just. 289 00:18:37,599 --> 00:18:39,440 Speaker 1: It was just a diddy. It was just a little riff, 290 00:18:39,519 --> 00:18:39,640 you know. 291 00:18:39,880 --> 00:18:43,839 Speaker 8: Yeah, And and even epic one stranger on the album 292 00:18:44,039 --> 00:18:47,039 was originally created back then, back in when we first met. 293 00:18:47,519 --> 00:18:49,240 So some of the songs that are on this this 294 00:18:49,440 --> 00:18:51,759 album are actually some of our original stuff we were 295 00:18:51,799 --> 00:18:53,559 working on that just didn't make it on the epeaks. 296 00:18:53,640 --> 00:18:54,559 Speaker 1: It wasn't ready yet. 297 00:18:54,799 --> 00:18:59,240 Speaker 2: Oh okay, gotcha. And so this came out in December, correct, yeah, 298 00:18:59,279 --> 00:19:02,039 December fifteen, okay, okay. And it's on all the platforms 299 00:19:02,079 --> 00:19:02,920 and everything obviously. 300 00:19:03,400 --> 00:19:05,480 Speaker 1: Oh yeah, yeah, it's everywhere. Man, even band Camp. We 301 00:19:05,559 --> 00:19:06,240 got it on there, too. 302 00:19:06,480 --> 00:19:09,640 Speaker 2: Excellent, excellent. Band Camp is great. I always encourage people 303 00:19:09,720 --> 00:19:11,599 to check out band camp because not only is it 304 00:19:11,599 --> 00:19:14,200 a great resource for new music, but what a lot 305 00:19:14,200 --> 00:19:16,319 of people don't realize is the files that you get 306 00:19:16,359 --> 00:19:19,640 from band camp are superior to what you would get, 307 00:19:19,680 --> 00:19:22,720 you know, if you're just streaming it on YouTube. For example, yeah, 308 00:19:22,839 --> 00:19:23,279 you got you. 309 00:19:23,359 --> 00:19:25,480 Speaker 8: Keep like one hundred percent pin on when the person 310 00:19:25,559 --> 00:19:27,759 buys your your discography, your album, you get, you get 311 00:19:27,799 --> 00:19:29,079 like one hundred percent of the purchase. 312 00:19:29,319 --> 00:19:32,880 Speaker 1: Yep, there's there's so much. It's more artists driven, yes, 313 00:19:33,079 --> 00:19:34,240 than other platforms. 314 00:19:34,640 --> 00:19:36,480 Speaker 8: And you know what's crazy is I was working with 315 00:19:36,599 --> 00:19:39,440 Metal Devastation PR with this album, working with another promo 316 00:19:39,519 --> 00:19:41,680 company too, but I was working with him and he 317 00:19:41,799 --> 00:19:43,640 was like, man, you guys aren't on band camping And 318 00:19:43,720 --> 00:19:45,319 I thought, I don't know why I thought this, but 319 00:19:45,440 --> 00:19:47,039 I thought that if we were on all you that 320 00:19:47,119 --> 00:19:49,920 we had to choose either oh, Spotify or band camp 321 00:19:50,000 --> 00:19:51,799 And that wasn't the case at all. And I'm really 322 00:19:51,839 --> 00:19:54,240 glad that he hit you know, made me hip to 323 00:19:54,319 --> 00:19:57,000 that because yeah, it's been awesome since we've been on there. 324 00:19:57,079 --> 00:20:00,960 Speaker 2: So oh absolutely, yeah, very good. What's what's a response been? 325 00:20:01,079 --> 00:20:01,119 Speaker 7: Like? 326 00:20:01,240 --> 00:20:04,440 Speaker 2: I mean, are obviously you have longtime fans who are 327 00:20:04,519 --> 00:20:07,839 probably are enjoying the I feel like this is your 328 00:20:07,880 --> 00:20:09,799 best work that I've heard so far of this album. 329 00:20:09,920 --> 00:20:11,519 I mean, has that kind of been what the response 330 00:20:11,599 --> 00:20:12,079 is overall? 331 00:20:12,920 --> 00:20:13,079 Speaker 1: Oh? 332 00:20:13,200 --> 00:20:16,920 Speaker 8: Yeah, it's been overwhelming. The response has been phenomenal. We 333 00:20:17,680 --> 00:20:19,680 we you know, not only do we, I mean we're 334 00:20:19,720 --> 00:20:21,720 booking into August of next year. Now that's how I 335 00:20:21,759 --> 00:20:24,920 mean we really booked. I mean, we are definitely booking up. 336 00:20:25,200 --> 00:20:28,400 But also you know, the response on on the different 337 00:20:28,440 --> 00:20:30,880 radio station is different, different. The reviews that have been 338 00:20:30,920 --> 00:20:33,680 done of the album have been just super unbelievable. 339 00:20:33,759 --> 00:20:33,880 Speaker 11: Man. 340 00:20:33,960 --> 00:20:34,079 Speaker 7: Uh. 341 00:20:34,720 --> 00:20:36,599 Speaker 8: We feel like this is the best work we've ever 342 00:20:36,640 --> 00:20:40,240 done as artists so far, and and we we feel 343 00:20:40,240 --> 00:20:42,039 that way. We felt it when we were recording it 344 00:20:42,119 --> 00:20:44,440 and when we were creating it. But you know, when 345 00:20:44,480 --> 00:20:46,400 we hear that from other people, when when a lot 346 00:20:46,440 --> 00:20:48,680 of the responses like this is none like anything they've 347 00:20:48,720 --> 00:20:49,119 heard before. 348 00:20:49,279 --> 00:20:51,400 Speaker 1: No one's doing what you're doing, that kind of thing. 349 00:20:52,279 --> 00:20:54,960 Speaker 8: That matters to us because we we to us, it's 350 00:20:54,960 --> 00:20:57,000 all about staying true to the sound and and what 351 00:20:57,160 --> 00:20:59,759 whatever feelt is and making sure that we capture that 352 00:21:00,000 --> 00:21:03,799 Akadelic groove metal as we are. And I think that, 353 00:21:04,319 --> 00:21:05,920 you know, there's not a whole lot of people out 354 00:21:05,920 --> 00:21:08,799 there doing what we do, and so I'm really proud 355 00:21:08,839 --> 00:21:11,920 of that because you know, as a band, we really 356 00:21:11,960 --> 00:21:14,039 allow the music to happen to us more than just 357 00:21:14,160 --> 00:21:16,960 trying to We don't ever get in the studio and say, oh, 358 00:21:17,039 --> 00:21:17,599 we're going to go. 359 00:21:17,680 --> 00:21:19,680 Speaker 1: For a sound or let's sound like this. It's it's 360 00:21:19,759 --> 00:21:20,200 never like that. 361 00:21:20,319 --> 00:21:22,880 Speaker 8: It's always it's always we're all willing to be the 362 00:21:22,960 --> 00:21:25,519 channel for the music together. And I think that that's 363 00:21:25,559 --> 00:21:29,480 why it's fluid as it is, because even now we 364 00:21:29,640 --> 00:21:32,079 have the we have all of the song ideas for 365 00:21:32,200 --> 00:21:35,400 the next album. Oh wow, we're yeah, we're working on 366 00:21:35,519 --> 00:21:37,559 those now. We're gonna be releasing another one at the 367 00:21:37,640 --> 00:21:38,160 end of this year. 368 00:21:38,319 --> 00:21:41,079 Speaker 2: Oh no, kidding, excellent, Wow. Yeah, you guys are crand 369 00:21:41,680 --> 00:21:45,400 a year. Yeah. Sure, Oh that's fantastic. Yeah. Did you 370 00:21:45,480 --> 00:21:47,880 record where did you record this album? Because it sounds 371 00:21:47,920 --> 00:21:50,799 so good, I mean, sonically, it's it's just outstanding. Did 372 00:21:50,839 --> 00:21:53,839 you record this the same way you did your previous 373 00:21:53,920 --> 00:21:55,119 work or somewhere new? 374 00:21:55,319 --> 00:21:58,640 Speaker 8: Yes, sir, Yeah, that was with Shelby Brucless at Loud 375 00:21:58,680 --> 00:22:02,240 and Clear Studios and Paducaucky Okay, he is the guy 376 00:22:02,279 --> 00:22:05,079 who also did our EP. And he's amazing because not 377 00:22:05,240 --> 00:22:08,160 only as he obviously as you can hear, he's obvious, amazing, 378 00:22:08,279 --> 00:22:10,319 amazing engineer and knows what he's doing, but he is 379 00:22:10,680 --> 00:22:13,640 he makes the experience just so comfortable. 380 00:22:13,720 --> 00:22:15,519 Speaker 1: Like when we go there, we stay the whole weekend. 381 00:22:15,359 --> 00:22:18,160 Speaker 8: At the studio, the whole band, and we you know, 382 00:22:18,240 --> 00:22:20,000 it's like we're at practice, it's like we're at home. 383 00:22:20,279 --> 00:22:24,000 And so it's it's just such a comfortable experience, the 384 00:22:24,039 --> 00:22:25,200 way that he has a set up, the way we 385 00:22:25,279 --> 00:22:28,640 do the crash tracks, and and he's so so awesome 386 00:22:28,680 --> 00:22:31,000 because for him, you know, I don't I don't think 387 00:22:31,000 --> 00:22:33,039 all engineers and producers are like this, but for him, 388 00:22:33,319 --> 00:22:36,279 he wants to make sure more than anything, that what 389 00:22:36,480 --> 00:22:38,359 we want to hear on the album is what's there, 390 00:22:38,799 --> 00:22:39,720 not what he thinks. 391 00:22:39,519 --> 00:22:40,039 Speaker 1: Should be there. 392 00:22:40,400 --> 00:22:42,839 Speaker 8: And uh, I think that that's you know, you don't 393 00:22:42,839 --> 00:22:45,680 find that everywhere. And uh and it's affordable. So we 394 00:22:45,839 --> 00:22:49,880 were super stoked. And even if even if somehow someday 395 00:22:50,000 --> 00:22:52,119 we end up, you know, really going somewhere with this, 396 00:22:53,240 --> 00:22:55,160 you know, and they offer us to you know, to 397 00:22:55,200 --> 00:22:56,880 go to the state of the art studio to record, 398 00:22:57,119 --> 00:22:58,240 we're bringing Shelby with us. 399 00:22:58,400 --> 00:23:02,559 Speaker 2: Yeah, yeah, I don't blame you. Clearly the results are 400 00:23:02,559 --> 00:23:05,519 there now you mentioned so he's in Kentucky. Where are 401 00:23:05,559 --> 00:23:06,559 you guys located again? 402 00:23:07,359 --> 00:23:08,279 Speaker 1: Uh? Southern Illinois. 403 00:23:08,319 --> 00:23:10,680 Speaker 2: Southern Illinois that's what I thought. Yeah, I'm sure we 404 00:23:10,759 --> 00:23:12,640 talked about this before, but I spent a lot of 405 00:23:12,680 --> 00:23:15,839 time in Illinois growing up because my uh, when my 406 00:23:15,920 --> 00:23:17,839 parents split up and my mother moved back to Illinois, 407 00:23:17,839 --> 00:23:20,400 I would spend the summers out there. So I love Illinois. 408 00:23:21,279 --> 00:23:24,720 Oh yeah, great, great, great state. What's the music scene 409 00:23:24,799 --> 00:23:26,720 like where you guys are, because you mentioned that there's 410 00:23:26,759 --> 00:23:28,079 not a lot of people in your area who are 411 00:23:28,119 --> 00:23:32,240 doing what you're doing, right, the psychedelic groove metal like, like, well, yeah, 412 00:23:32,960 --> 00:23:33,960 tell me about the scene there. 413 00:23:35,160 --> 00:23:38,640 Speaker 1: Well, for us, we uh in southern Illinois. It's uh, 414 00:23:39,319 --> 00:23:40,039 it's hit and miss. 415 00:23:40,200 --> 00:23:42,319 Speaker 8: But to be honest, we are actually even if you 416 00:23:42,400 --> 00:23:45,200 google us today, we're considered a Saint Louis based band. Okay, 417 00:23:45,839 --> 00:23:48,000 we play all of our music in Saint Louis pretty much. 418 00:23:48,079 --> 00:23:50,240 We have a couple of shows locally, but almost everything 419 00:23:50,319 --> 00:23:51,680 we do now is in Saint Louis. 420 00:23:51,880 --> 00:23:55,039 Speaker 1: Yeah, we have some of the biggest shows we ever boked. 421 00:23:55,079 --> 00:23:55,759 We're about to play. 422 00:23:56,119 --> 00:23:59,440 Speaker 8: We're playing Pops twice in Saint Louis on January twenty third, 423 00:23:59,519 --> 00:24:01,720 February three thirteenth, and then we're going to play the 424 00:24:01,799 --> 00:24:05,240 Contrarian Concert Hall and fastest Missouri right outside Saint Louis. 425 00:24:05,279 --> 00:24:07,759 Speaker 1: But the big show that I'm super extoked about. I 426 00:24:07,839 --> 00:24:08,640 may almost stoked. 427 00:24:08,440 --> 00:24:10,400 Speaker 8: About all of our shows, but the one I really 428 00:24:10,480 --> 00:24:12,759 am very proud of is the Sovereign. It's a brand 429 00:24:12,759 --> 00:24:15,920 new it's a nineteen hundred capacity down downtown Saint Louis, 430 00:24:15,960 --> 00:24:18,480 the Saint Louis Arts District, and the owner, you know, 431 00:24:18,599 --> 00:24:20,279 got a hold of me to build the entire show. 432 00:24:20,440 --> 00:24:23,599 So yeah, pretty odd. I mean we got to build 433 00:24:23,640 --> 00:24:26,279 and it's it's gonna be amazing. But but yeah, so 434 00:24:26,519 --> 00:24:28,680 so really Saint Louis Is and the scene is amazing 435 00:24:28,759 --> 00:24:31,319 in Saint Louis. I mean, the amount of venues to play, 436 00:24:31,400 --> 00:24:36,200 the amount of genres of music is you know, there's 437 00:24:36,200 --> 00:24:39,240 a plethora, and and we love that because you know, 438 00:24:39,480 --> 00:24:42,079 like for instance, like we're playing the Road to Point 439 00:24:42,119 --> 00:24:43,079 Fest at Pops again. 440 00:24:43,160 --> 00:24:44,559 Speaker 1: We played last year, We're playing again. 441 00:24:44,599 --> 00:24:46,759 Speaker 8: But then we had the metal bands in Saint Louis 442 00:24:46,799 --> 00:24:49,000 actually invite us to play back at Pops, not not 443 00:24:49,160 --> 00:24:52,000 for a contest, but for a metal showcase on February thirteenth. 444 00:24:52,480 --> 00:24:54,440 And you know, there's a bunch of bands they could 445 00:24:54,440 --> 00:24:56,000 have asked to come do that you know, for that 446 00:24:56,279 --> 00:24:59,240 and they ask us and you know, it means everything 447 00:24:59,319 --> 00:24:59,599 to us. 448 00:25:00,079 --> 00:25:02,319 Speaker 1: Yeah, Saint Louis is really where we play all of 449 00:25:02,359 --> 00:25:02,799 our music. 450 00:25:02,839 --> 00:25:05,880 Speaker 8: It's really we're considered a Saint Louis band, but we 451 00:25:06,039 --> 00:25:07,839 you know, we we live about two hours from there, 452 00:25:07,880 --> 00:25:08,359 to be honest. 453 00:25:08,680 --> 00:25:12,480 Speaker 2: Yeah, yeah, no, that's that's great obviously. Yeah, Saint Louis 454 00:25:12,599 --> 00:25:16,000 is a great city. And no, it's good to be 455 00:25:16,880 --> 00:25:20,000 associated with that scene. Uh no doubt. So you're so 456 00:25:20,079 --> 00:25:24,000 you're actually closer to Saint Louis than uh than Chicago? Right? 457 00:25:24,839 --> 00:25:24,960 Speaker 11: Oh? 458 00:25:25,039 --> 00:25:27,519 Speaker 1: Yeah, man, we are. Do you know where Carbondell is? 459 00:25:28,039 --> 00:25:31,680 Speaker 8: I I have a vague idea Marion, Maryon, Illinois, Okay, 460 00:25:32,119 --> 00:25:36,039 so there, Yeah, yeah, I work in Marion. Oh okay, Yeah, 461 00:25:36,119 --> 00:25:39,480 so I'm about I'm about forty minutes. I live in Murphy'sboro, Illinois, okay. 462 00:25:40,279 --> 00:25:42,000 And then the other guys they live in Benton and 463 00:25:42,039 --> 00:25:44,160 West Frankfurt. So we're about forty minutes apart. But we 464 00:25:44,240 --> 00:25:47,480 practice every Sunday. And yeah, I think works with me. 465 00:25:47,759 --> 00:25:51,400 Speaker 2: So yeah, no, that's that's cool. It's funny too that 466 00:25:51,519 --> 00:25:53,119 you know, you guys work together and then but then 467 00:25:53,160 --> 00:25:54,720 you didn't know until recently. Just how good of a 468 00:25:54,799 --> 00:25:58,640 musician he like prior to that, prior to him becoming 469 00:25:58,720 --> 00:26:00,759 a part of the band, or or or coming to 470 00:26:02,240 --> 00:26:04,680 audition or however it worked. I mean, did did did 471 00:26:04,720 --> 00:26:06,160 you guys talk about the band a lot? 472 00:26:06,359 --> 00:26:06,400 Speaker 8: Like? 473 00:26:06,640 --> 00:26:08,079 Speaker 2: Was he already aware of the band? 474 00:26:09,680 --> 00:26:09,880 Speaker 5: Yeah? 475 00:26:09,960 --> 00:26:11,920 Speaker 8: He knew about us, because you know, he would, you know, 476 00:26:11,960 --> 00:26:13,599 he would we were still playing, he would, you know, 477 00:26:13,759 --> 00:26:15,480 know about the shows I'd be talking about. I'd play 478 00:26:15,519 --> 00:26:17,880 the EP, you know, at the store and yeah, and 479 00:26:18,240 --> 00:26:20,160 he would tell me he's a bass player, and he 480 00:26:20,200 --> 00:26:21,960 showed me some of his stuff because he you know, 481 00:26:22,079 --> 00:26:23,119 he played in a few bands. 482 00:26:23,200 --> 00:26:24,920 Speaker 1: He got to open for Ozzie one time. 483 00:26:25,079 --> 00:26:28,759 Speaker 8: Oh wow, uh yeah, he got to open for who 484 00:26:28,880 --> 00:26:31,519 was it warrant Warrant, He got to play with them once. 485 00:26:31,720 --> 00:26:32,839 Speaker 1: Yeah, I'm a little jealous of that. 486 00:26:33,240 --> 00:26:36,279 Speaker 2: Yeah yeah, yeah. 487 00:26:36,559 --> 00:26:38,160 Speaker 1: He would tell me those stories and everything. 488 00:26:38,240 --> 00:26:40,640 Speaker 8: And then when Jason are former bass player, started you know, 489 00:26:40,759 --> 00:26:43,480 being real flaky and acting like like not responding, not 490 00:26:43,599 --> 00:26:45,640 wanting to play shows, and acting like he was kind 491 00:26:45,640 --> 00:26:46,279 of stepping away. 492 00:26:46,440 --> 00:26:46,759 Speaker 10: M M. 493 00:26:46,960 --> 00:26:48,720 Speaker 8: I told him, I was like, hey, man, I was like, 494 00:26:48,799 --> 00:26:51,720 there might be an opportunity here for you to join 495 00:26:51,759 --> 00:26:54,200 the band if you want audition and and then you know, 496 00:26:54,519 --> 00:26:56,440 he played our song the Lie in the audition and 497 00:26:56,519 --> 00:26:58,960 he tore it apart. I mean not not not to 498 00:26:59,279 --> 00:27:01,240 you know, say anything negative about Jason, but he was 499 00:27:01,279 --> 00:27:02,240 more of a root note guy. 500 00:27:02,279 --> 00:27:04,119 Speaker 1: And when when Momo stepped up like. 501 00:27:04,200 --> 00:27:09,680 Speaker 8: All over that base, I was like, yeah, so so yeah, 502 00:27:09,759 --> 00:27:11,960 And not only is Momo an amazing bass player, but 503 00:27:12,079 --> 00:27:15,319 he is the most genius soundtech guy. We finally got 504 00:27:15,400 --> 00:27:17,519 a rack system. We can control our own sound on 505 00:27:17,559 --> 00:27:20,160 stage nice and it's all it's all due to him. 506 00:27:20,240 --> 00:27:22,000 I wouldn't know, I wouldn't begin to know how to 507 00:27:22,079 --> 00:27:25,000 make any of that happen. But yeah, but yeah, he's 508 00:27:25,480 --> 00:27:27,920 and he's hilarious. He's the I mean, he is the 509 00:27:28,079 --> 00:27:29,000 comic relief. 510 00:27:28,799 --> 00:27:29,240 Speaker 1: Of the band. 511 00:27:29,359 --> 00:27:31,240 Speaker 2: So oh that's cool too. Yeah, that's good. 512 00:27:32,880 --> 00:27:33,680 Speaker 1: Yeah, you gotta have that. 513 00:27:33,960 --> 00:27:35,720 Speaker 2: That's really good. What do you play live? Do you 514 00:27:35,759 --> 00:27:38,160 play the whole album? Yeah? 515 00:27:38,200 --> 00:27:39,200 Speaker 4: So it depends on the show. 516 00:27:39,279 --> 00:27:40,559 Speaker 1: So like today we have a show. 517 00:27:41,480 --> 00:27:44,119 Speaker 8: We're playing a show for a fundraiser event for a 518 00:27:44,240 --> 00:27:47,640 guy biker had lost his life for his family, raising 519 00:27:47,680 --> 00:27:49,200 money for his family, and then for a couple of 520 00:27:49,240 --> 00:27:53,000 dispensaries were raising money for them, and so that's so 521 00:27:53,359 --> 00:27:55,240 for instance, just to explain, so that's like five or 522 00:27:55,240 --> 00:27:57,200 six bands playing that. So we're only going to do 523 00:27:57,240 --> 00:28:00,359 a forty five minute set there and it's an all 524 00:28:00,440 --> 00:28:02,119 day event, but we're playing at like six thirty. But 525 00:28:02,240 --> 00:28:04,240 next weekend when we play at the Road to Point Fest, 526 00:28:04,279 --> 00:28:06,359 it pops. It's a thirty minute sets. We're only doing 527 00:28:06,440 --> 00:28:09,680 five songs, you know, Yeah, because it's concept and so 528 00:28:09,799 --> 00:28:12,720 it depends on the venue and how many bands. But 529 00:28:13,200 --> 00:28:15,640 but yeah, what normally happens when we get a forty 530 00:28:15,640 --> 00:28:17,799 five minute set, we get to play the entire album 531 00:28:17,839 --> 00:28:18,839 plus Reach from the EP. 532 00:28:19,200 --> 00:28:23,319 Speaker 1: Okay, and then whenever we we have our May. 533 00:28:23,279 --> 00:28:25,559 Speaker 8: Twenty third album release show and we're going to be 534 00:28:25,599 --> 00:28:27,880 playing our entire discography. We really love when we're able 535 00:28:27,920 --> 00:28:30,119 to do that because it's like two hours of music. Yeah, 536 00:28:30,559 --> 00:28:34,720 and and yeah, that's that's fun because you know, we 537 00:28:34,839 --> 00:28:35,960 get to let loose and just. 538 00:28:36,079 --> 00:28:38,799 Speaker 2: Play Reach is a great song too. I'm glad you 539 00:28:38,880 --> 00:28:40,680 mentioned it because I love that song because we I 540 00:28:40,720 --> 00:28:42,240 remember we played that. I believe it was the last 541 00:28:42,240 --> 00:28:44,519 time you're on the show. We played that, Yeah, because 542 00:28:44,519 --> 00:28:46,680 I think that had just come out. That's such a 543 00:28:46,720 --> 00:28:51,559 great track too. Absolutely absolutely, Oh and also too. I mean, 544 00:28:51,680 --> 00:28:53,599 obviously I've asked you this before, but I don't remember 545 00:28:53,640 --> 00:28:56,079 what the answer was. And for newer listeners who aren't familiar, 546 00:28:56,240 --> 00:28:58,119 where where does the name ever Felt come from? And 547 00:28:58,200 --> 00:28:58,759 what does it mean? 548 00:29:01,000 --> 00:29:04,119 Speaker 8: So the name ever Felt was originally came from So 549 00:29:04,400 --> 00:29:07,119 I have a best friend named Charles linger Felt that 550 00:29:07,240 --> 00:29:09,480 I did my first album with him when I was nineteen, 551 00:29:09,559 --> 00:29:10,119 called Clinch. 552 00:29:10,160 --> 00:29:11,079 Speaker 1: We had just me and him. 553 00:29:11,119 --> 00:29:12,960 Speaker 8: He did all the music. I did the vocals and lyrics, 554 00:29:13,000 --> 00:29:14,839 and I didn't know at all what I was doing then. 555 00:29:15,839 --> 00:29:18,319 And over the years, you know, we wrote many much 556 00:29:18,400 --> 00:29:22,680 music together and became like brothers. And he passed away 557 00:29:22,839 --> 00:29:26,720 in twenty twenty one from cancer, okay, and all suddenly. 558 00:29:27,079 --> 00:29:29,640 Actually we had a project going called anger Felt when 559 00:29:29,720 --> 00:29:33,559 that happened. And so when he passed away, we actually 560 00:29:33,839 --> 00:29:35,680 just went to Florida to play music. We came back 561 00:29:35,720 --> 00:29:37,240 and I literally had to drop him off at the 562 00:29:37,319 --> 00:29:40,319 UK hospital and he didn't make it. I didn't see 563 00:29:40,400 --> 00:29:43,400 him again. He went to a coma his first treatment 564 00:29:43,480 --> 00:29:48,559 of chemotherapy. And yeah, last time I talked to him 565 00:29:48,599 --> 00:29:50,720 was a thirty minute like interview. I mean, thirty minute 566 00:29:50,960 --> 00:29:55,680 conversational messenger. But anyway, so when he passed, you know, 567 00:29:56,240 --> 00:29:59,039 with his last name being linger Felt and with us 568 00:29:59,119 --> 00:30:01,359 having the project anger Felt, I wanted him to be 569 00:30:01,440 --> 00:30:04,319 forever Felt and any music that I ever do from 570 00:30:04,359 --> 00:30:07,880 the moment from now on, and and so the name 571 00:30:08,200 --> 00:30:12,960 ever Felt was born. Okay, that's how it became that. Okay, okay, yeah, 572 00:30:13,000 --> 00:30:15,200 I do, I do recall you and now you know, 573 00:30:18,799 --> 00:30:21,480 and now it's like, you know, although that was the 574 00:30:21,559 --> 00:30:24,119 original of the origin of how the name became what 575 00:30:24,279 --> 00:30:27,359 it is now, it's it's more about as a band. 576 00:30:27,400 --> 00:30:30,079 Speaker 1: It's more about have you ever felt music like this before? 577 00:30:30,240 --> 00:30:30,559 Speaker 2: Okay? 578 00:30:32,000 --> 00:30:34,279 Speaker 1: You know, have you ever felt like you know lyrics 579 00:30:34,480 --> 00:30:37,440 and so so really it's a it's a play on words. 580 00:30:37,440 --> 00:30:39,599 Speaker 8: But also it originally became you know, I wanted I 581 00:30:39,680 --> 00:30:41,799 wanted Charlie to be forever Felt in the music. 582 00:30:42,039 --> 00:30:44,160 Speaker 2: Yeah, yeah, that's right. I do remember now, I do 583 00:30:44,240 --> 00:30:49,559 remember you talking about that, and uh yeah, wow, No, 584 00:30:49,720 --> 00:30:51,519 that's a that's a great that's a great way to 585 00:30:51,599 --> 00:30:54,240 kind of you know, carry on his his memory. And 586 00:30:54,519 --> 00:30:56,640 you know, obviously he was somebody very important in your life, 587 00:30:57,960 --> 00:30:59,640 you know, being there at kind of the beginning of 588 00:30:59,720 --> 00:31:01,759 your career and being such a big part of it. 589 00:31:02,039 --> 00:31:04,680 And uh, that's that's terrible what happened to him. 590 00:31:04,759 --> 00:31:08,319 Speaker 1: He taught me so much. Yeah, yeah, he taught me 591 00:31:08,359 --> 00:31:08,599 a lot. 592 00:31:09,519 --> 00:31:12,839 Speaker 2: Yeah. Okay. Wow. By the way, so is any of 593 00:31:12,920 --> 00:31:18,000 the the original the anger Felt or or or the 594 00:31:18,359 --> 00:31:20,119 first the first things that you recorded with him? Is 595 00:31:20,119 --> 00:31:21,799 any of that online still or. 596 00:31:23,839 --> 00:31:24,759 Speaker 1: It's not online? 597 00:31:25,359 --> 00:31:28,519 Speaker 8: I do have some of that those recordings, but we 598 00:31:28,640 --> 00:31:32,000 never we never post we never like published, like, we 599 00:31:32,119 --> 00:31:34,519 never released it or anything. We had just finished the 600 00:31:34,599 --> 00:31:36,640 album anger for the Engerfelt album, and we were we 601 00:31:36,720 --> 00:31:38,799 went to Florida to play a couple of shows down there. 602 00:31:39,079 --> 00:31:42,079 Speaker 1: Yeah, and then when we came back, he you know, 603 00:31:42,839 --> 00:31:43,680 and that was it. 604 00:31:43,920 --> 00:31:46,960 Speaker 8: And uh and and honestly, I have a couple of actually, 605 00:31:47,000 --> 00:31:48,880 I have a couple of songs from when we had 606 00:31:48,920 --> 00:31:52,480 a band called Chaotic Harmony years ago when I was 607 00:31:52,559 --> 00:31:56,440 like thirty and uh, and we had that band, and 608 00:31:56,680 --> 00:31:58,920 so I've got some music from before. But the Anger 609 00:31:58,960 --> 00:32:01,519 Felt music is I don't know. I think his daughter 610 00:32:01,640 --> 00:32:03,720 has some of it still, but that's not out there 611 00:32:03,759 --> 00:32:04,640 anywhere unfortunately. 612 00:32:04,880 --> 00:32:05,079 Speaker 7: Yeah. 613 00:32:05,240 --> 00:32:08,119 Speaker 8: Yeah, no, I will say our song River, that's only 614 00:32:09,440 --> 00:32:12,759 the song River on the EP was original melody by Charlie. 615 00:32:14,079 --> 00:32:16,039 That song was a song that was his that I 616 00:32:16,160 --> 00:32:18,680 brought to when we first started this this band. 617 00:32:19,160 --> 00:32:23,799 Speaker 2: Oh okay, okay, oh interesting, very good. Now so what 618 00:32:24,119 --> 00:32:26,119 uh what what do you guys have? So you have 619 00:32:26,200 --> 00:32:28,160 a show tonight, right, you said? And you are you 620 00:32:28,240 --> 00:32:29,319 playing in Saint Louis tonight? 621 00:32:30,200 --> 00:32:30,440 Speaker 1: Yeah? 622 00:32:31,680 --> 00:32:35,960 Speaker 8: Yeah, yeah, it's actually it's Martha'sville, Missouri, like right outside 623 00:32:36,000 --> 00:32:38,839 Saint Louis. But yeah, yeah, we're playing. We're playing at 624 00:32:39,039 --> 00:32:41,960 Corey Gables and it's gonna be a it's for a 625 00:32:43,480 --> 00:32:46,440 Originally was a dispensary show and then it became a 626 00:32:46,559 --> 00:32:48,799 dual show where it's a biker had lost his life, 627 00:32:48,799 --> 00:32:50,480 so they're doing a fundraiser and they moved the show 628 00:32:50,559 --> 00:32:52,720 to the bar where the fundraiser is, so it's kind 629 00:32:52,759 --> 00:32:53,599 of a dual thing. 630 00:32:53,720 --> 00:32:56,839 Speaker 1: But but yeah, we're we're stoked to do it. 631 00:32:56,960 --> 00:32:57,119 Speaker 4: Man. 632 00:32:57,400 --> 00:33:00,240 Speaker 8: You know, they they've already I mean, they are already 633 00:33:00,240 --> 00:33:01,839 sent us everything we need to get there and get 634 00:33:01,920 --> 00:33:03,960 back before we even played any music, which I thought 635 00:33:04,079 --> 00:33:04,680 was pretty awesome. 636 00:33:04,799 --> 00:33:07,680 Speaker 2: So yeah, yeah, no, that's good. You know, it's going 637 00:33:07,720 --> 00:33:09,440 to be able to do things like that and and 638 00:33:09,599 --> 00:33:11,559 do you know, do things that are that are positive 639 00:33:11,599 --> 00:33:13,599 and helping people and uh you know that's that's what 640 00:33:13,680 --> 00:33:16,079 it's all about. And uh no, I think that's I 641 00:33:16,160 --> 00:33:20,480 think that's great. So Adam work. Yeah, man, absolutely, Oh 642 00:33:20,480 --> 00:33:20,839 go ahead. 643 00:33:21,279 --> 00:33:22,279 Speaker 1: Oh well I didn't say anything. 644 00:33:22,359 --> 00:33:23,920 Speaker 2: Oh okay, sorry, I thought I thought we lost you 645 00:33:24,000 --> 00:33:26,400 there for a second. I think we have I think 646 00:33:26,440 --> 00:33:27,960 we have a slight delay. No, you were you were, 647 00:33:28,240 --> 00:33:29,799 you were starting to say something and I think I 648 00:33:29,960 --> 00:33:31,279 I interrupted you or maybe not. 649 00:33:34,519 --> 00:33:35,319 Speaker 8: No, No, you didn't. 650 00:33:35,359 --> 00:33:36,799 Speaker 1: You didn't interrupt me. 651 00:33:36,880 --> 00:33:38,960 Speaker 2: You're good brother, Okay, cool? Yeah, No, I think we 652 00:33:39,039 --> 00:33:41,960 have a slight delay on the that happens online. But 653 00:33:42,279 --> 00:33:45,319 no big deal. No where where where should people go 654 00:33:45,359 --> 00:33:47,279 online to keep up with everything that I ever Felt 655 00:33:47,400 --> 00:33:49,400 is doing and and to get the get the album 656 00:33:49,480 --> 00:33:49,920 and everything? 657 00:33:49,960 --> 00:33:50,000 Speaker 11: What? 658 00:33:50,160 --> 00:33:52,039 Speaker 2: What where should people know about where to go online? 659 00:33:52,799 --> 00:33:56,640 Speaker 1: So so the easiest thing to do is just to 660 00:33:56,680 --> 00:33:57,920 go to ever felt dot net. 661 00:33:58,200 --> 00:34:01,359 Speaker 8: Okay, website where you can access all of our all 662 00:34:01,400 --> 00:34:03,279 of our social media platforms are on the on there. 663 00:34:03,319 --> 00:34:05,720 Speaker 1: You can go to our Spotify, our bank camp. Everything 664 00:34:05,839 --> 00:34:06,640 ever felt. 665 00:34:06,480 --> 00:34:09,119 Speaker 8: Is on everfelt dot net, so you can find all 666 00:34:09,159 --> 00:34:11,239 our shows, everything you want to know about us there. 667 00:34:11,320 --> 00:34:13,559 But if you want to purchase the album or you 668 00:34:13,599 --> 00:34:16,119 want to listen to it, it's on all the streamings, 669 00:34:16,199 --> 00:34:19,159 band camp everywhere, but you can access that through the website. 670 00:34:19,199 --> 00:34:20,639 So it's so much easier just to go to that 671 00:34:20,719 --> 00:34:22,440 one place and not have a bunch of you know, 672 00:34:22,480 --> 00:34:24,239 a bunch of links to try to remember anything. 673 00:34:24,360 --> 00:34:26,000 Speaker 1: So yeah, ever felt dot net. 674 00:34:26,639 --> 00:34:28,840 Speaker 2: Did somebody else already have ever felt dot com? 675 00:34:29,199 --> 00:34:31,719 Speaker 8: I'm just yeah, I don't know if they I don't 676 00:34:31,760 --> 00:34:33,519 know if it's I don't know if they have it 677 00:34:33,679 --> 00:34:35,760 or not, but it was that. That was just the 678 00:34:35,840 --> 00:34:39,159 domain that band zoogle offered me when I created the website. 679 00:34:39,320 --> 00:34:40,360 Speaker 2: Gotcha, gotcha. 680 00:34:40,679 --> 00:34:42,199 Speaker 1: But I don't know why it's not a dot com. 681 00:34:42,519 --> 00:34:44,960 Speaker 2: Yeah, I wonder. I wonder if there's like a company 682 00:34:45,039 --> 00:34:47,480 that makes pool tables or something called ever Felt and 683 00:34:47,559 --> 00:34:52,840 maybe they have ever felt dot com or something. That's 684 00:34:52,920 --> 00:34:56,400 probably true, Probably probably no. But it's good that you 685 00:34:56,480 --> 00:34:56,880 have a cent. 686 00:34:57,079 --> 00:34:57,199 Speaker 5: You know. 687 00:34:57,480 --> 00:35:00,719 Speaker 2: It's funny a lot of bands don't don't have websites anymore. 688 00:35:00,760 --> 00:35:03,119 They just rely on Instagram or whatever, and it's like, yeah, 689 00:35:03,119 --> 00:35:04,559 you still gotta have a website. So I think it's 690 00:35:04,559 --> 00:35:06,440 great that you guys have a website and it is 691 00:35:06,480 --> 00:35:08,400 a like you said, it's a great central hub for 692 00:35:08,519 --> 00:35:11,000 everything that you're looking for, all things ever felt, just 693 00:35:11,079 --> 00:35:12,960 go to everfelt dot net. That's the way to do it. 694 00:35:13,119 --> 00:35:18,800 So I agree, yes, sir. In a moment, Adam, we'll 695 00:35:18,880 --> 00:35:21,079 let you go. You've been generous with your time this morning, 696 00:35:21,119 --> 00:35:22,840 and we appreciate it. Always great to talk with you. 697 00:35:23,760 --> 00:35:25,360 I do want to play though, at the end of 698 00:35:25,400 --> 00:35:28,280 our conversation. I'm gonna play another track from the album, 699 00:35:28,360 --> 00:35:29,800 but you gonna kind of put you on the spot. 700 00:35:29,840 --> 00:35:31,960 I'm gonna let you pick this one. I opened with 701 00:35:32,119 --> 00:35:35,760 epic One. But what would you suggest that we play 702 00:35:35,880 --> 00:35:37,159 at the end of the segment. 703 00:35:38,880 --> 00:35:41,400 Speaker 1: Well, we'll play my favorite song from the album, and 704 00:35:41,960 --> 00:35:44,280 that is Stranger Stranger. 705 00:35:44,639 --> 00:35:47,280 Speaker 2: Okay, that's a good choice. Okay, I'm gonna get I'm 706 00:35:47,280 --> 00:35:50,559 gonna queue that up and we'll play that and wonderful. Well, 707 00:35:50,599 --> 00:35:53,199 Adam again, thank you so much for joining us this morning. 708 00:35:53,280 --> 00:35:55,480 It's it's been great. And are you Are you in 709 00:35:55,559 --> 00:35:56,920 the same time zone as us or are you an 710 00:35:56,920 --> 00:35:57,480 hour behind? 711 00:36:00,719 --> 00:36:02,719 Speaker 1: I think I'm an hour behind. It's nine thirty here. 712 00:36:02,920 --> 00:36:05,360 Speaker 2: Okay, yeah, your central time. Yeah, I wasn't sure because 713 00:36:05,440 --> 00:36:07,760 I'm never sure where the where the line is for 714 00:36:07,880 --> 00:36:10,760 the you know, down the middle of the midwest of 715 00:36:10,800 --> 00:36:12,760 the country. I know that Chicago because when I would 716 00:36:12,760 --> 00:36:14,679 spend the summers in Chicago with my mom, it was 717 00:36:15,039 --> 00:36:15,559 Central time. 718 00:36:15,679 --> 00:36:20,880 Speaker 1: What's that, I said me either, I don't know. I 719 00:36:20,880 --> 00:36:21,679 don't ever know either. 720 00:36:21,800 --> 00:36:26,239 Speaker 2: Yeah, exactly where that line is? Yeah, yeah, exactly. All right, 721 00:36:26,280 --> 00:36:28,920 So we're gonna hit this track stranger again. This is 722 00:36:28,960 --> 00:36:32,239 from the new ever Felt release Stirring to Wake, which 723 00:36:32,280 --> 00:36:34,519 I love. But we'll let you go for now, but 724 00:36:34,559 --> 00:36:37,039 I'm sure we'll talk again in the future. Adam. Congratulations 725 00:36:37,079 --> 00:36:40,000 again on the album. It's wonderful and uh and I 726 00:36:40,079 --> 00:36:41,920 look for and you did mention you're going to be 727 00:36:42,000 --> 00:36:43,920 doing one a year, so we'll definitely, but we won't 728 00:36:43,960 --> 00:36:45,679 let a whole year go by before we have you back, 729 00:36:45,719 --> 00:36:48,079 I promise, because I love talking to you, man, and 730 00:36:48,400 --> 00:36:51,360 thank you so much for joining us today. You two brother, 731 00:36:51,760 --> 00:36:53,360 all right, Adam, take care, Thank you man. 732 00:36:53,400 --> 00:36:54,960 Speaker 1: Thank you for everything Matt that you do for the 733 00:36:55,039 --> 00:36:55,719 music community. 734 00:36:55,840 --> 00:36:55,960 Speaker 10: Man. 735 00:36:56,079 --> 00:36:58,119 Speaker 2: Oh yeah, glad to do it. I love it. All right, 736 00:36:58,360 --> 00:36:59,920 thank you. We'll talk to you soon, man, Take care, 737 00:37:00,039 --> 00:37:06,000 bye bye. Yes, sir, all right. That is Adam Seglitz 738 00:37:06,039 --> 00:37:08,280 from the band ever Felt, and we are going to 739 00:37:08,320 --> 00:37:10,559 close out the segment with this. This is another great 740 00:37:10,679 --> 00:37:13,599 track from the brand new release Stirring to Wake. And 741 00:37:14,000 --> 00:37:15,840 this is called a stranger. 742 00:37:40,559 --> 00:38:10,079 Speaker 4: Change reaching to be needed to me, this is stranger, 743 00:38:19,599 --> 00:38:23,960 This is strange change real me? 744 00:38:30,840 --> 00:38:34,599 Speaker 7: Why dream Top story? 745 00:38:37,360 --> 00:38:45,280 Speaker 4: Strange ump sound? Why dream top. 746 00:38:47,079 --> 00:38:51,760 Speaker 7: Story? Why didn't it me? 747 00:38:52,480 --> 00:38:53,719 Speaker 9: T w. 748 00:40:00,440 --> 00:40:07,920 Speaker 12: The shifting mem fer some story to way from the 749 00:40:09,639 --> 00:40:12,719 sofa sleep Come. 750 00:40:12,679 --> 00:40:18,000 Speaker 4: Then the murder swallow the light. 751 00:40:20,039 --> 00:40:27,400 Speaker 12: Months done to call Lin, Call Lin Ferner. 752 00:40:28,119 --> 00:40:39,679 Speaker 13: This stranger seems to say, why can't y. 753 00:40:41,519 --> 00:40:46,320 Speaker 4: St stranger bread. 754 00:40:49,599 --> 00:40:50,079 Speaker 7: Sound? 755 00:40:51,199 --> 00:40:53,079 Speaker 4: Why can't bread. 756 00:40:54,280 --> 00:40:58,239 Speaker 13: Strang whiting? 757 00:41:00,639 --> 00:42:31,559 Speaker 4: Who will not change briten these changes? 758 00:42:51,480 --> 00:42:55,079 Speaker 2: Hm? That is stranger. The band is ever Felt and 759 00:42:55,679 --> 00:42:57,360 the brand new album is starting to Wake. Thank you 760 00:42:57,400 --> 00:43:00,480 again Adam Steglitz for joining us this morning to talk 761 00:43:00,519 --> 00:43:03,760 about ever Felt and the new album and always a 762 00:43:03,800 --> 00:43:05,880 great conversation with Adham. I really like talking to him, 763 00:43:05,880 --> 00:43:08,800 and I love that band so much, such such good stuff. 764 00:43:09,199 --> 00:43:11,840 So check out and go to Everfelt dot net to 765 00:43:11,920 --> 00:43:14,639 check out everything that they've got going on. Right now, 766 00:43:14,960 --> 00:43:17,039 we're gonna play let's see we did see our friend 767 00:43:17,239 --> 00:43:19,639 Jay Bellow from the band Chasing the Devil in the 768 00:43:19,719 --> 00:43:21,519 chat room earlier. I don't know if Jay is still listening. 769 00:43:21,599 --> 00:43:24,159 Hello Jay if you are, but I think you're gonna 770 00:43:24,159 --> 00:43:26,599 spin this track. This is the first Chasing the Devil 771 00:43:26,719 --> 00:43:29,280 song that we ever played. We did the world radio 772 00:43:29,320 --> 00:43:30,880 premiere for it when it came out a couple of 773 00:43:30,920 --> 00:43:32,599 years ago, two three years ago. I don't know at 774 00:43:32,639 --> 00:43:37,440 the time. It just goes so fast, however long ago 775 00:43:37,480 --> 00:43:39,599 it was. But I do still love this song so much. 776 00:43:39,639 --> 00:43:41,960 I really like everything that they do. But this was 777 00:43:42,000 --> 00:43:44,119 the first single. This is beautiful nightmare. If you haven't 778 00:43:44,119 --> 00:43:46,519 heard this, check this out. This is so good By 779 00:43:46,639 --> 00:44:19,480 Chasing the Devil, he stays. 780 00:44:20,559 --> 00:44:25,920 Speaker 5: Not keeping between the lines to the know the series. 781 00:44:27,079 --> 00:44:31,679 Speaker 13: He's stepped out, takes not demons this day on the. 782 00:44:31,920 --> 00:44:34,280 Speaker 4: Line and went falling. 783 00:44:36,360 --> 00:44:42,559 Speaker 10: Do nothing that's gon a rocking soul away but say 784 00:44:45,760 --> 00:44:48,920 the sis, the cross around. 785 00:44:48,599 --> 00:44:51,880 Speaker 4: The road, sid trumping. 786 00:44:51,639 --> 00:45:01,360 Speaker 7: Round, say come away, class, the spell the fun. 787 00:45:01,320 --> 00:45:14,199 Speaker 4: Down, I'm girls in shame. 788 00:45:14,880 --> 00:45:18,039 Speaker 7: Just slow off me and behind. 789 00:45:18,320 --> 00:45:20,039 Speaker 4: Decide enough of that. 790 00:45:21,679 --> 00:45:25,599 Speaker 7: Kind nothing that's not the bad. 791 00:45:27,599 --> 00:45:36,000 Speaker 5: None they say some class out around, don't know sount 792 00:45:36,119 --> 00:45:41,079 touch on don from down son sat down a way 793 00:45:41,480 --> 00:45:47,719 out the same class. The spelling im fun down nine. 794 00:46:07,280 --> 00:46:18,000 Speaker 14: This is the last side, say down the way I'll 795 00:46:18,239 --> 00:46:21,159 say last seventy. 796 00:46:34,400 --> 00:46:38,880 Speaker 4: Hold and on hold and know to this too much, 797 00:46:39,519 --> 00:46:40,760 too long, to. 798 00:46:46,119 --> 00:46:47,960 Speaker 7: Of this too much. 799 00:46:48,280 --> 00:46:59,000 Speaker 4: It's you go to get this person so you can toss. 800 00:47:47,599 --> 00:47:50,760 Speaker 2: That is beautiful Nightmare, the debut single from Chasing the Devil. 801 00:47:50,800 --> 00:47:52,239 I still love it as much as the first time 802 00:47:52,239 --> 00:47:53,960 I heard it. It's such a great track. Be sure 803 00:47:54,000 --> 00:47:56,559 to check out their newest song, which is called Liar. 804 00:47:57,239 --> 00:47:58,920 I'm not playing that one here because we need a 805 00:47:59,039 --> 00:48:01,480 radio edit of that one before we can play it. 806 00:48:02,719 --> 00:48:06,039 Excuse me, I think I had when I first came out. 807 00:48:06,039 --> 00:48:07,480 I talked about on the show how you know I 808 00:48:07,599 --> 00:48:10,320 make radio edits of songs. In fact, the next song 809 00:48:10,679 --> 00:48:12,320 that I'm gonna play for you in a moment is 810 00:48:12,400 --> 00:48:14,440 something that I made a radio edit of to be 811 00:48:14,480 --> 00:48:17,440 able to play it. But the song Liar by Chasing 812 00:48:17,519 --> 00:48:19,000 the Devil, it's one of those songs where I feel 813 00:48:19,000 --> 00:48:21,960 like if I went in and reversed where all the 814 00:48:22,280 --> 00:48:24,239 swears are, it would actually wreck the song. 815 00:48:24,719 --> 00:48:24,840 Speaker 11: You know. 816 00:48:24,920 --> 00:48:26,719 Speaker 2: It's one of those things, one of those judgment calls. 817 00:48:26,719 --> 00:48:28,440 So I'm gonna wait for them to if they have 818 00:48:28,480 --> 00:48:29,920 a radio edit at some point, we'll play it. But 819 00:48:29,960 --> 00:48:31,679 I'm not gonna make my own because I don't think 820 00:48:31,719 --> 00:48:35,360 I can do it without ruining the chorus is similar, 821 00:48:35,599 --> 00:48:38,800 very similar to Kenny Troon. You know, he has a 822 00:48:38,880 --> 00:48:43,360 song called don't this thing up? Or this one up? 823 00:48:43,519 --> 00:48:46,119 Is it don't mess or not? It's not mess? He 824 00:48:46,199 --> 00:48:48,239 says something else that starts with an F that you 825 00:48:48,280 --> 00:48:52,199 know you can't say on the radio. Don't this thing 826 00:48:52,400 --> 00:48:54,559 or this one? Is it this thing or this one? 827 00:48:54,599 --> 00:48:56,480 I can't remember. It's a song Jenny listens to all 828 00:48:56,519 --> 00:48:59,800 the time because she loves it. Great, great song. But 829 00:49:00,199 --> 00:49:02,039 it was when that came out, it was like, I 830 00:49:02,119 --> 00:49:04,199 can't make a radio edit of this one because if 831 00:49:04,280 --> 00:49:06,920 I do, it's it's actually going to kind of wreck 832 00:49:07,000 --> 00:49:09,840 the chorus of the song. So I'm going to let 833 00:49:09,920 --> 00:49:12,719 that one be. When Kenny was here live on the show, 834 00:49:12,880 --> 00:49:15,360 he self censored when he played it. Instead of saying 835 00:49:15,400 --> 00:49:18,760 what it actually says, he said mess instead of the 836 00:49:18,880 --> 00:49:22,440 word that we cannot say on FM radio. So he 837 00:49:22,920 --> 00:49:24,679 just did it live and and just kind of self 838 00:49:24,760 --> 00:49:27,440 edited that way, and it was really really cool. The 839 00:49:27,719 --> 00:49:29,559 next song though we're gonna play We did open the 840 00:49:29,559 --> 00:49:31,119 show with it today, but we're gonna play it again. 841 00:49:31,639 --> 00:49:33,559 We are featuring the world radio premiere of the new 842 00:49:33,679 --> 00:49:37,119 single from Kenny Troon called We All Saw the Same Thing, 843 00:49:38,400 --> 00:49:40,920 And this one I was able to make a radio 844 00:49:41,079 --> 00:49:44,320 edit of, but it's I think it's an important statement, 845 00:49:44,400 --> 00:49:46,599 so I wanted to play it. So I'm gonna play 846 00:49:46,599 --> 00:49:50,320 it again for you and and let's see and then 847 00:49:50,920 --> 00:49:53,199 we'll see what else, what else we can do with 848 00:49:53,320 --> 00:49:56,840 the remainder of this hour. But I think when we 849 00:49:56,920 --> 00:49:58,480 come back from this too, I'm gonna talk about what 850 00:49:58,559 --> 00:50:00,119 Jenny and I are doing tonight because we're gonn to 851 00:50:00,159 --> 00:50:03,159 be a jewel jewel music venue right across the street 852 00:50:03,199 --> 00:50:07,000 here on Canal Street in Manchester, New Hampshire. And Uh, 853 00:50:07,119 --> 00:50:08,599 I'll tell you what we're gonna be up to there. 854 00:50:08,639 --> 00:50:10,880 You can come see us and say hello. But uh, 855 00:50:11,199 --> 00:50:13,599 let's do this. The new single, brand new from Kenny 856 00:50:13,639 --> 00:50:16,519 Truon called We All Saw the Same Thing? This is uh. 857 00:50:16,599 --> 00:50:18,519 You're hearing it for the first time on FM radio 858 00:50:18,599 --> 00:50:20,719 here on Matt Connerton on leash Dot WM and H 859 00:50:20,800 --> 00:50:21,880 ninety five point three FM. 860 00:50:22,280 --> 00:50:24,159 Speaker 13: You are listening to WM and H. 861 00:50:26,199 --> 00:50:27,159 Speaker 4: World premiere. 862 00:50:30,360 --> 00:50:36,719 Speaker 15: Say get their names, show your face, say their names 863 00:50:38,880 --> 00:50:44,800 show Yeah, I'm behind the guys. It's just imagine a gun, 864 00:50:45,199 --> 00:50:47,760 a big station with a little thing can there's no 865 00:50:47,920 --> 00:50:50,360 pall shut in the head again, no one has to 866 00:50:50,440 --> 00:50:51,599 face stupid gang. 867 00:50:51,960 --> 00:50:55,639 Speaker 4: Nobody wins sail. You just give us the stupid cross 868 00:50:55,880 --> 00:50:59,599 speed they come into. Why no, that's just friends speech. 869 00:51:00,039 --> 00:51:03,599 When I struggle to see lack of responsibility the higher 870 00:51:03,639 --> 00:51:06,280 standard and ain't invet? Who's that's the dorn at one stepped? 871 00:51:06,480 --> 00:51:08,599 Am I coming a going? Maybe the ladder? Not so 872 00:51:08,760 --> 00:51:10,800 that I know the difference. We look at that the 873 00:51:10,880 --> 00:51:13,559 same thing. What you say is not the same thing. 874 00:51:14,079 --> 00:51:16,559 What even happened? Just the light of imagine the wool? 875 00:51:16,960 --> 00:51:18,719 Speaker 15: Think I want to burn it all down that you 876 00:51:18,760 --> 00:51:21,360 don't believe it just once it's it, gonna take your 877 00:51:21,440 --> 00:51:22,400 farm over the sky. 878 00:51:22,639 --> 00:51:25,400 Speaker 4: Not at a yall not look at the boot, no 879 00:51:25,599 --> 00:51:27,920 looking the boom. I'm thinking, not look at the boom, 880 00:51:28,000 --> 00:51:28,519 not looking at the. 881 00:51:28,519 --> 00:51:30,880 Speaker 10: Boom, not looking the boom, not locking the now look 882 00:51:30,920 --> 00:51:34,440 at the boot, non looking the booming, No looking at 883 00:51:34,440 --> 00:51:36,519 the boom, not looking a boot, not look at the boot. 884 00:51:38,039 --> 00:51:41,360 Speaker 4: You know, got to play God, you're just gonna go 885 00:51:41,519 --> 00:51:45,239 home and sleep and no yet I've got to play god, 886 00:51:45,360 --> 00:51:49,079 you know, just just got to go over and sleep 887 00:51:49,159 --> 00:51:50,000 at nine. 888 00:51:51,800 --> 00:51:55,320 Speaker 7: Fashion See. 889 00:51:55,719 --> 00:52:00,119 Speaker 16: Jess, you think it's ninety twenty twenty six. 890 00:52:00,599 --> 00:52:05,079 Speaker 4: Fis or excuse turns to reasons not defending it. It's 891 00:52:05,239 --> 00:52:06,039 no secret. 892 00:52:06,639 --> 00:52:07,639 Speaker 9: Just started yelling. 893 00:52:08,320 --> 00:52:09,280 Speaker 4: Just speak something. 894 00:52:09,320 --> 00:52:13,000 Speaker 9: You'll have to concentrate a little harder. You see, it's intentional, 895 00:52:13,679 --> 00:52:17,119 it's no accident. You'll let them be almost they'll never 896 00:52:17,280 --> 00:52:17,920 leave again. 897 00:52:18,199 --> 00:52:20,039 Speaker 4: Just do what they say. Always go one. 898 00:52:20,159 --> 00:52:24,679 Speaker 9: Never ask questions against your life, a mistake from your day, take. 899 00:52:24,519 --> 00:52:27,280 Speaker 4: A great never a besant a present. 900 00:52:27,360 --> 00:52:30,199 Speaker 15: Now look at the other way starting the future of girl, 901 00:52:30,280 --> 00:52:34,079 expect the gust to behave well, it's way to light 902 00:52:34,199 --> 00:52:35,760 in the gain toress. 903 00:52:36,039 --> 00:52:38,039 Speaker 4: When drums off power. 904 00:52:37,840 --> 00:52:41,320 Speaker 16: And thing, we've lost the control for all that we 905 00:52:41,559 --> 00:52:43,800 know where we're already indentity. 906 00:52:43,800 --> 00:52:47,960 Speaker 4: The end of the show, the way it goes rejected 907 00:52:48,280 --> 00:52:51,039 or no jet out of your head. You can be 908 00:52:51,280 --> 00:52:55,519 here alone. The less you stir, the calmer it gets. 909 00:52:55,719 --> 00:52:57,079 You can lis sit with it. 910 00:52:57,440 --> 00:52:59,360 Speaker 11: Just start asking any questions. 911 00:53:00,840 --> 00:53:05,280 Speaker 4: Yeah they really don't like that. Don't work here. Look 912 00:53:05,320 --> 00:53:05,880 over there. 913 00:53:08,320 --> 00:53:14,639 Speaker 11: Need new distractions are you buying what they're selling. Are 914 00:53:14,719 --> 00:53:19,599 you buying what they're selling. I'm not buying what they're selling. 915 00:53:21,360 --> 00:53:25,559 Are you buying what they're selling? So I'm not buying 916 00:53:25,639 --> 00:53:26,480 what they're selling. 917 00:53:27,079 --> 00:53:32,320 Speaker 4: And what drinks meat of ice? Cat watch your milk. 918 00:53:32,519 --> 00:53:35,079 From the point of wax, I think my life is 919 00:53:35,239 --> 00:53:36,960 meat without ice in it. 920 00:53:37,400 --> 00:53:41,960 Speaker 16: That is cat can't pay for harassment, just a gestapo 921 00:53:42,639 --> 00:53:45,559 using the force read us of drugs. 922 00:53:45,280 --> 00:53:49,639 Speaker 10: Dot culture, what people's livelihoods yesterday, the blood of building, 923 00:53:49,800 --> 00:53:50,800 it's everywhere. 924 00:53:51,199 --> 00:53:53,159 Speaker 2: If you made a mess and we're just left. 925 00:53:53,000 --> 00:54:01,039 Speaker 16: The clean the evidence fascist, you're Nazi ideology gets nineteen 926 00:54:01,360 --> 00:54:06,000 thirty and twenty twenty six This or excuse turns to 927 00:54:06,119 --> 00:54:07,920 reason list no defending it. 928 00:54:09,519 --> 00:54:11,559 Speaker 2: That is a new single from Kenny Troon. We all 929 00:54:11,679 --> 00:54:14,480 saw the same thing and we've got one more World 930 00:54:14,559 --> 00:54:17,159 Radio premiere for you. And by the way, you cannot 931 00:54:17,239 --> 00:54:20,559 get this anywhere. It's not on the streaming platforms yet. 932 00:54:21,480 --> 00:54:24,199 Nobody has this. This is the brand new single from 933 00:54:24,280 --> 00:54:26,840 grim Rock. This is called cast a Shadow. 934 00:54:27,360 --> 00:55:01,960 Speaker 4: You are listening to WUMNH World premiere. Why food over Me? 935 00:55:06,480 --> 00:55:07,360 Speaker 7: In that way? 936 00:55:08,480 --> 00:55:15,400 Speaker 14: I told man, they'll be buried sometimes the real live 937 00:55:16,159 --> 00:55:17,760 ways today. 938 00:55:17,400 --> 00:55:18,719 Speaker 4: That I grow more. 939 00:55:24,719 --> 00:55:26,280 Speaker 7: I'm just telling some of me. 940 00:55:28,440 --> 00:55:36,960 Speaker 4: It cast a shadow. The spell sullow me. It cast 941 00:55:37,039 --> 00:55:37,639 a shadow. 942 00:55:42,280 --> 00:55:42,519 Speaker 7: M h. 943 00:56:38,639 --> 00:56:46,679 Speaker 3: Brownstone my brains in the face, and the mount said, then. 944 00:56:46,719 --> 00:56:50,039 Speaker 5: On the stars stone the shad o me. 945 00:56:54,440 --> 00:56:59,480 Speaker 4: It's no ray, I'm not fine, it's just not pay 946 00:57:00,440 --> 00:57:05,280 it's some kind you. The parts on the phone off 947 00:57:05,480 --> 00:57:06,559 fake away. 948 00:57:12,679 --> 00:57:14,440 Speaker 7: On this day is from name. 949 00:57:16,440 --> 00:57:24,920 Speaker 4: They cast a shadow. Experience in sounding name. They cast 950 00:57:25,000 --> 00:57:25,599 a shadow. 951 00:57:28,639 --> 00:57:29,719 Speaker 5: Lot this today, so. 952 00:57:32,400 --> 00:57:33,599 Speaker 4: It cast a shadow. 953 00:57:36,400 --> 00:57:41,559 Speaker 7: It spreads this sound meme. It cast a shadow. 954 00:57:48,400 --> 00:57:57,559 Speaker 4: They cast a shadow. They cast a shadow. 955 00:58:10,239 --> 00:58:12,519 Speaker 2: Nana's Kitchen and Pizzaia. 956 00:58:12,840 --> 00:58:18,840 Speaker 13: From Nana's hands to your plate tradition, love and taste. 957 00:58:18,960 --> 00:58:27,159 Speaker 4: That's great though, fermented dough flavors so true each bite 958 00:58:27,239 --> 00:58:29,800 the story made. 959 00:58:30,199 --> 00:58:30,760 Speaker 8: Just for you. 960 00:58:31,840 --> 00:58:35,559 Speaker 2: Six o three two three two nine three six six 961 00:58:36,400 --> 00:58:41,199 Nana's Kitchen and Pizza Reve fifteen Dartmouth Dry Auburn, New Hampshire. 962 00:58:43,000 --> 00:58:45,920 Speaker 4: Kitchen and Hissari. 963 00:58:49,280 --> 00:58:51,559 Speaker 17: Luigi's Pizza Barron grows. 964 00:58:51,599 --> 00:58:55,920 Speaker 4: For every one. Let's raise his lie on line with 965 00:58:56,239 --> 00:58:59,719 Tom and Tom Brownd. It's a Pizza Barrio. 966 00:59:00,960 --> 00:59:05,239 Speaker 17: Luigi's Pizza Bar and Grill seven twelve Valley Street, Manchester, 967 00:59:05,559 --> 00:59:08,400 come on in or call six two two one zero 968 00:59:08,679 --> 00:59:13,719 two one Luigi, keeping the tradition alive since nineteen seventy five. 969 00:59:15,559 --> 00:59:19,960 Speaker 14: Pizza for every one come join a piece to night, 970 00:59:20,880 --> 00:59:24,880 With each slice, sense of and everything feels so right