Speaker 1: W M N H rips the normals. We're back from
the brands.
Speaker 2: I'll say no, get you fine dress, Baco.
Speaker 3: Dance with you may pay Less, make It by Us
by the Fool Late nine and Juice on Friends and.
Speaker 4: Bye to some group.
Speaker 5: Google Go Go go Goo goog Go go go go.
Speaker 4: That hit you.
Speaker 6: Good bye you dress go.
Speaker 3: Sad you very pay Bye Bye bo.
Speaker 4: La Joe on Bye.
Speaker 6: So Go gos Go Go go gos go go.
Speaker 4: Hey that pit you.
Speaker 6: By dress, go.
Speaker 7: Sen you by pay, made.
Speaker 1: Mist by us, by Boo.
Speaker 4: Joe by.
Speaker 8: So So.
Speaker 9: That is called Summer Groove. The project is Delta High
and right now, let's get this up here. We've got
Neil Jackson joining us via WhatsApp from Delta High.
Speaker 10: Hello Neil, Hello, Hello, Thank you for invoking me on
your show.
Speaker 9: Absolutely yeah, it's good to have you on. We've been
I don't remember now what the first single was of
yours that we played on this show, but but it
seems like we've been playing your music probably for a
year now. But Summer Groove I like that one because
summer is my favorite time of year. Of course, as
we are in the middle of October, I'm longing for summer,
as anyone who knows me knows I'm not. I'm not
a winter guy. Fall is nice, you know, the foliage
and everything, but I prefer summer. So so I like
that song a lot. But and all of your music though,
So tell us about what the kind of the mission
statement is behind Delta High, because everything's kind of you know,
it sort of takes us back to another time when
we listen to it. You know, the production is fantastic
and everything so but so it's got a very modern
sounding production, but it's but the vibe is from another time.
Shall we say, tell us about Delta Hi.
Speaker 10: Yes, well, I created Delta Hi. I'm the songwriter. I
do guitars, keyboards and help mix the actual songs. I'm
signed to a local record label in England in a
place called Norwich, and we've been releasing singles since twenty
sixteen and we've actually got six albums out as well,
so we've been very busy over the years. I actually
formed the band. I mean I had a band at
the age of eighteen when I was still at school
and we called it School in Great Britain. And I
just formed a band then because I think I was
growing up and it was like the punk era and
sort of indie music, So I absolutely love that. But
as I've matured, I've also latched onto sixties sunshine pop.
I'm really into the Beach Boys, the Beatles, and then
we went to from that to the harmonic stuff like
Queen and ten CC. But so when I write a song,
it tends to be a mixture of sixties, seventies and
up to date indie. That's the top of music. So
if this particular song Summer Some Are Groovy is very
very sunshine pop from the sixties.
Speaker 9: Yeah, what is it about that period of music that
appeals to you so much that that because obviously that's
something you gravitate to it. I mean, what is it
about that? Is that the harmonies? I mean, the vocals
on that track sound fantastic?
Speaker 8: Is it? Is it?
Speaker 11: That? Is it?
Speaker 9: The just the vibe?
Speaker 8: Is it? What?
Speaker 1: What is it?
Speaker 12: I mean?
Speaker 9: Can you pinpoint what it is about that music that
appeals to you so much?
Speaker 10: Well, I've always been a big fan of harmony, so
obviously I I grew up mainly in the eighties, but
I'd love listening to the Beach Boys, Queen and the Beatles, harmony.
So I'm fixated with that. So when I write a song,
I'm always looking at the harmonies and the tone of
the vocals. I'm very lucky to associate with a guy
called Dave Land who plays trumpet. You'll hear the trumpet
on there, and his sidekick Simon Jarrett as well. So
I tend to nine times out of ten, I got
brass in the songs, and that gives it that fluidity
from the sixties and the seventies. They'd actually played in
a band and they created a song called Walking on Sunshine.
Speaker 9: Yeah, Katrina and the Waves, Yep.
Speaker 10: That's the ones. He actually comes from that band, so
he sort of he sort of brought that lively, happy,
carefree brass sound with him. Yeah, so that's that's where
you're hearing that, And yeah, I just love all things
harmonic and tuneful.
Speaker 9: Yeah. Now, tell me a little bit about the band,
because in reading about it, I almost get the impression.
Tell me if I'm right that it's sometimes you hear
this term collective where it's not necessarily the same musicians
on every track that you're working with, or at least
it's different vocalists, Right, You work with different singers. Is
that correct?
Speaker 10: Absolutely? I guess a modern day band that are very famous.
I'm not sure how famous in the USA they are,
but it be the Gorillas. Oh you've heard of the
Gorillas were sort of like that in that that the
league guy Damien sort of brings in and out different
people to sing, different people to play on his stuff.
So I've got a nucleus of people that will actually
turn up and record the music. But yes, I do
actually swap vocalists and sometimes people on the guitars.
Speaker 9: Yeah, when working with Oh go ahead, I was just.
Speaker 10: Gonna say my main singer is is Charlotte and you'll
hear a single on that particular song. But yeah, I've
probably got about five different vocalists. So it depends on
what mood I mean and what top of song card. Right,
I'll grab a particular vocalist for it.
Speaker 9: Sure. Sure do you ever work in that way? Which
it sounds exciting, but does it ever get Do you
ever have a situation where you might choose or ask
a particular vocalist, for example, to do the song and
then it's just not working and then you have to say, well,
maybe well we'll switch to a different person for that.
I mean, does that ever happen where you have to
kind of change midstream?
Speaker 10: That's a great call. I've released six albums and I reckon.
I've got five albums that I've actually pushed on the
wayside because of what you just said. I've sort of
sat down and I've listened. I thought, actually it's not working.
So absolutely it's I do my best to choose the
right vocalist, but it doesn't always work, and you never
know once you're in the studio, you just don't know
if it's going to pan out. It normally does, and
I'm really really happy with what the guys actually bring
to my songs, but yeah, there are occasions, I hope
the years where it just doesn't work.
Speaker 9: Yeah, I'm curious if kind of a variation of that.
I'm curious too, if you ever find a situation where
there's something you get into the studio, or you know,
because you have a lot of people kind of contributing
to the sign, does it ever end up something very
different than what you initially had in mind? But maybe
in a good way. Maybe it's a happy accident, Maybe
it comes out even better than what you thought.
Speaker 10: I think mainly the songs I write tend to actually
sound on record, so to speak, the same as I
want them to, because we're not put the music out
there and show the others. Despite my droney tone, I
do actually sing okay, so I get the guys through it.
You seeing the same melodies, et cetera as me. But
do you know what every and now and then you
spot on every now and then someone will change it
and I just think, wow, that's so much better. So
that does happen and it's probably it probably happened on
Summer Groove. You know, there's something added to that. I fool,
I'm going to stick with that that version.
Speaker 9: Yeah, yeah, that's fun. Yeah, yeah, that's that must be
exciting when when something comes out even better than what
you had wanted. And now, so what's the live situation
with this project? Do you play out? Because again I
would imagine with with the very working with various people,
that that would probably be tricky or maybe not. Maybe
have a standard band that you play with or how
does that work?
Speaker 8: Well?
Speaker 10: That that's the problem at the moment. For two years,
I've been trying to create a live band, but a
lot of the guys I work with, they're actually looking
at other projects and that they're already doing live shows
with other people. So we haven't got a live band,
but I do plan to go live next year, so
that's something I'm working on. But it's not very not
very easy, for the reasons that you've actually pinpointed. I
did have a live I had a prior group before
Delta High, and I did have a live band then
it was so much easier. But we were like schoolmates,
you know, so none of us were sort of doing
anything outside that particular band and that worked and I
really do miss that. So I need to to create
a live band for Delta High.
Speaker 9: Yeah, I can see where that would be. That would
be a challenge. Yeah, what was the previous Was it
Pleasure Device? Was that the previous band that you were in?
Speaker 10: It was Yes, you've done your homework, so yeah, it
was it was it was a yeah, it was Pleasure Device.
And I don't know if you've you spotted it. But
we supported R E. M. We we did a gig
Notckingham in England and Rim. We're doing a show and
that that actually heard about us and they said can
you come along and support us? And we sort of
want to say no, yeah, So my claim to fameus
from my previous band.
Speaker 9: Oh wow, what what was that? Kind of was that
kind of the apex of that band opening for Arim?
Speaker 10: Absolutely, But because we were of an age where we
were sure what we were doing, we didn't sort of
continue with the band, and people moved away, got married,
blah blah blah. So the band broke up just at
the time, just after the time we'd supported R. E. M.
So that crushed and burned in a big way, in
a good way. But now I've got the studio band
with Delta High. But I really do need to do
some live stuff.
Speaker 9: Yeah, no doubt, no doubt.
Speaker 10: Yeah.
Speaker 9: Now what so your your output with Delta High has
been been pretty consistent? What what's kind of the future trajectory?
Obviously Summer Groove is the newest single, correct?
Speaker 10: Correct, Yes it is?
Speaker 13: Yeah?
Speaker 10: Yeah?
Speaker 9: What what what's on the horizon?
Speaker 10: Okay, So I've got an album out at the moment.
I say, we've got an album at the moment called Awesome,
which came out in June this year. That that again,
that's I tend to do an eclectic mix of music,
so it opens up with a surf instrumental, believe it
or not. But then it progresses to a song that
I actually wrote after watching The Shining So that's a
bit of a bit of a horror bit of a
horror movie type song. And then it goes on too,
you know, my usual sunshine pop, and there's a few
indie tracks on there. There's even there's even a song
called Caribbean, which is very South American SUSA. I've even
put that one on there. So that's out at the moment.
But I've literally just completed my next album, which will
be out January February time, and that's called Delta Train.
And again it's a it's a mixture of sunshine pop,
it's got a few indie songs, it's got some South
American sales song. So yeah, I'm mixing it up big time.
Speaker 9: Outstanding. Wow, I mean it sounds like you like to
challenge yourself. I'm getting that vibe. You like to see
you know what you can really see what you can.
Speaker 10: Do, right, absolutely, I mean a lot. But a lot
of the bands I like back in the back in
the eighties and nineties, I really like their first few hours,
but then they got Stelle, so I sort of promised
myself that when when I signed up to this independent label,
I just promised myself that I'll try and vary stuff
to keep the excitement going for me, but also to
keep a variation out there for listeners.
Speaker 9: Yeah, when you see it?
Speaker 10: When?
Speaker 4: When?
Speaker 8: So?
Speaker 9: How how far into the project did you sign with?
It's Ashwood Music? Is that the label?
Speaker 10: It is Ashwood Music. They signed me up on twenty eighteen, okay,
okay eighteen?
Speaker 9: Yeah, yeah, and you've been with them ever since I
have been yet?
Speaker 5: Yeah.
Speaker 9: I mean how much?
Speaker 14: How much?
Speaker 9: Because you know, you do like to challenge yourself and
you like to try different things. I mean how much
do they? I know indie labels are generally not as invasive,
shall we say, in the creative process, I say, if
you're on a major, But I mean, how much input
do they have in terms of what you're doing as
far as the music that you're creating or do they
let you do your thing?
Speaker 10: Then let me do my thing? They actually let me
create and produce. I mean I sit down with a
guy called Sooss is the guy that runs the record
label music and it's a free rain. I mean he
actually helps out on some of the instrumentation as well.
Oh wow, I'm very lucky that the guy that runs
the record labe would like to say music actually follow
the bandses me, so I get full support from them
obviously on the technical side when he's mixing a master
and there's loads of things that he's taught me that
we need to do. I've got a free rain is
a very very very good agreement for me.
Speaker 9: Oh that's excellent. Yeah, that's excellent.
Speaker 10: I think. I think the other thing too that really
excites me is we've got a distribution label, which is
Sony in New York. So I'm very lucky that although
I'm on an independent with distrib the songs are distributed
by Sony Sony Records. So that's a big tick in
the boxing that we know the distributions good. It's just
it's just getting those songs that are going to sort
of hit home in the commercial market, which we're still
we're still trying to search for.
Speaker 9: I'm curious and now to imagine that so in the UK, like,
what what's the situation with radio there? Because I don't know,
you know, and I don't know what the radio formats
are there. You know, I know what they are in
the US obviously because I'm in radio, But I mean,
where does your music fit in over there on the
radio or does it because what you're doing is is
you know, it's unique for its time, certainly, thank you.
Speaker 10: Yeah, the commercial radio stations are very, very omitted. Unfortunately,
the commercial stations have been buying up local radio stations
in the in the various regions, and there aren't that
many local radio stations left and it's only those guys,
probably including you, that will play unknown sort of local bands.
So we've got limited airplane away. Obviously, the trick is
to try and get onto the commercial stations. But again
it's almost like a closed shop. There's certain people in
business that say, well to these commercial stations, they say, well,
I only want you to play them if these people
are in the mix pushing these guys along. Yeah, it's
almost a closed shop and it's really really difficult.
Speaker 9: It's it's difficult in the United States too. Fortunately, here
we have we have college radio and college radio stations. Obviously,
you know, it's I always tell people, you know, if
they like you, they'll play you, simple as that. So
so a lot of a lot of independent artists come
up through college radio here in the US. But but yeah,
but commercial radio just same as there here. It's it's
it's very, very difficult. Yeah, so yeah, that's always a challenge.
But but what you're doing is great. It should be
on the radio. So I'm glad you know that we
can help out on on on this on this side
of the pond. I'm glad you know if we can
help help you at all, that's that's uh, I feel
good about that. So because you know, love what you're doing.
Speaker 10: Oh, that's that's so kind. In the USA, is it?
Was it Manchester?
Speaker 9: We are in Manchester, New Hampshire.
Speaker 10: Yes, we're in the Northeast, in the Northeast, So what's
the main sort of music vibe in that that particular area.
Speaker 1: Oh?
Speaker 9: Around here, there's all kinds of stuff because we interview
so on this show, for example, you know, we talk
to people from other parts of the country or or
in this case even other parts of the world. But
we also have a lot of local talent that come in.
In fact, on the third hour of the show today
we have Dad Harrison uh coming in who are a
New Hampshire band, And there's so much incredible talent here,
just like almost anything you can imagine, any kind of music,
any kind of vibe, somebody's doing it and doing it well.
I mean that just that because people occasionally will ask us,
you know, how do you how do you get how
do you get so find these great guests, and it's like, well,
it's it's easy. There's there's so much talent around, you know.
Speaker 10: Yeah, it's good to hear.
Speaker 9: Absolutely absolutely.
Speaker 8: Oh.
Speaker 9: By the way, so where does the name come from?
Delta Hi. What's the significance of the name.
Speaker 10: Well, when I was looking at the band, I was
sort of thinking what sort of music they want to
do in it, and I thought, well, I actually really
liked that the California Sunshine pop, that that type of thing,
and for that reason I came up with Delta. I
don't know why, but Delta felt like it was California bound.
No idea why, and I thought, right, I can't just
call it Delta, and then it just flips into my head,
is Delta High. I'll call it Delta High. Yeah, so
I called it Delta High. I set up a website
obviously for the band, and it's quite funny. The first
few months I had so many, so many invites to netball.
Is it netball you play? Do you play netball in America?
Speaker 9: Netball?
Speaker 10: Is it netball? You play?
Speaker 15: No?
Speaker 10: Ladies?
Speaker 13: What is it?
Speaker 10: Ladies? They are college? Do they play netball? Volleyball?
Speaker 5: Yeah?
Speaker 10: Sorry, I've got invited to so many volleyball games, and
I was thinking, why are people in America inviting me
to a volleyball games? Were realized that they were sending
messages to Delta High, which is a college. Oh, and
it was filtering through to me. I'd love to go,
but I can't. It's too it's too expensive to get there.
That's a story.
Speaker 9: That's amazing. I love it.
Speaker 10: Delta High. It felt it felt sunshine pop California.
Speaker 9: So yeah, yeah, that's great. That's great. Well, Neil, I've
really enjoyed our conversation, and uh, you know, obviously we'll
have you back in the future because you're going to
keep releasing new music and we'll keep playing it and
supporting supporting you any way we can, and we'd love
to have you back. And I was thinking about closing
out the segment with I Met a Girl, another great track.
Speaker 10: Thank you.
Speaker 9: What what can you tell us about this song? Anything
we should know about it?
Speaker 10: Well, Basically I wanted to do a sort of a
more indie flavord song with the head guitars, yeah, but
I still wanted to have that sixties field. So it's
almost like that the vocals and the and the words
would be something to come out of Grease, you know
Grease the film, Yeah, from fifties and sixties, but he's
got the up to date, grungy indie sound, so that's it.
It's a combination of the two.
Speaker 9: Ah yeah, I really yeah, I get that. I really
really like this. So we're going to hit that in
a moment. And but before we let you go, so Neil,
where should people go? Where are the best places to
go online for our listeners who want to keep up
with everything that you're doing and everything Delta High is
up to.
Speaker 10: I've got lots of videos and songs out on YouTube,
so if you just look at YouTube and look up
Delta High. Yeah, I've also all my music's on on
the usual suspects like Spotify, iTunes, Amazon, but there's also
websites Delta dot High, dot co dot uk, which which
is basically our independent website, but it's it's on the
all the usual digital channels. You can find the music.
Speaker 9: Yeah, yeah, very easy to find, which is important of course.
Speaker 10: Yeah.
Speaker 9: But all right, so we're gonna hit this track I
Met a Girl. We will let you go. Neil Jackson
from Delta High. Thank you so much for joining us today.
And like I said, we'll definitely do this again in
the future. And love what you're doing. And it's been
great talking with you.
Speaker 10: Great. Thank you very much for inviting me to the show.
It means a great deal to us.
Speaker 9: Oh, thank you. All right, we'll talk so thanks Neil,
by bye bye, bye bye bye. A. That was Neil
Jackson from Delta High. And yeah, this is a great song.
Check this out. This is called I Met a Girl
and the band is Delta High.
Speaker 16: Tell me all, tell me on abo, I'm mat it.
Go under your bon that's so bruder full, so good.
Speaker 4: She wills, that's it, she wills. I'm so look at
that she is.
Speaker 1: Go help me all you'll help me, y.
Speaker 4: S Then we had school the rest I'm thinking of
not there you be Sasta.
Speaker 17: She is so pass it, she's.
Speaker 4: Sounds good staying with me. It's a little fine as
fast to me. It's so sublime.
Speaker 6: So let it go, Let it go. I'm an, I'm
bet it got don't have any I'm I'm I'm mad,
don't have a mad, I'm mad, I'm don't have a name.
Speaker 15: And listen listening waity, I heard a song, Well my.
Speaker 1: Dabby all school.
Speaker 13: Like that.
Speaker 15: I found that sings and never Gona sang.
Speaker 6: A bit stupy name.
Speaker 1: I had to see you pay.
Speaker 14: I know.
Speaker 1: That things will never be the same.
Speaker 18: I wanna go back and do it all over, but
I can't go by.
Speaker 6: I know I want to.
Speaker 1: Go back once I see it so much.
Speaker 18: I want thought, I can't go by.
Speaker 8: I know.
Speaker 15: I recall I get out on Friday night.
Speaker 1: It sort of slow dance, hoping that I didn't ride.
Speaker 14: Back, said I fall.
Speaker 1: I never I have to say they used to be lovely.
Speaker 14: I want stand a show.
Speaker 8: I know.
Speaker 1: That they somebover be the same.
Speaker 18: I wanta go by go by joy it all over,
but I can't go back.
Speaker 1: I want to go by go by goes. I see
you so much over you, but I can't go back.
Speaker 6: I know, oh take so very sa.
Speaker 1: Okay, I do.
Speaker 4: Over, but I can't go back.
Speaker 1: I want go back three and so much old.
Speaker 7: Little, but I can go by. I want God to
all good.
Speaker 6: I can't go by.
Speaker 18: I wanna get.
Speaker 1: Fine, go fly want.
Speaker 6: I fell so much so, but I can go by.
Speaker 18: I wanna go by, go fi and do all over,
but I can go by time way. I wanna go
fine go fly got.
Speaker 6: I'm feeling so much so, but I can go.
Speaker 19: By this story the one as alignment. It's his job
to be the power on.
Speaker 9: That's why.
Speaker 1: I'm having trouble finding the right one.
Speaker 14: I'm not satisfied.
Speaker 1: I'm not having this thought.
Speaker 14: I'm eating sleep every.
Speaker 6: Night and day.
Speaker 7: I know she's out there ready for us, sup Please,
I'll never slow down.
Speaker 6: I gotta breeze.
Speaker 1: She's out that I can't see, can see.
Speaker 7: Fans in folles where I saw the face see filten
thousand votes, feel like I was in space.
Speaker 14: I think I found her and she's a Dannamo.
Speaker 4: I can't chills.
Speaker 14: I've been down masto.
Speaker 1: Don't need the word, don't need to fresh. I hit
the jackpot.
Speaker 6: No more heads and vests times from no one. I
made up my mind. I'm gonna do it right this time.
I'll never believe about.
Speaker 7: Selicten shadows new votes. When I saw her face see
hit Flic ten thousand votes, feel like I was in
space see fit l ten saying balls signed off for powerful.
Speaker 1: Face, I front clay all I get us at the
magic times I need to.
Speaker 7: Tis No, I'm going to do it right this time.
See the light.
Speaker 18: Ten shadows you vos w.
Speaker 7: See it then ten sous you vos like I wasn't stay.
Speaker 1: See it's the l ten s the balls, when a.
Speaker 7: Face saw sign woo.
Speaker 14: Battle stage door, feedo man battle station door, don't go
lad and take a swim.
Speaker 1: Today it was really alive, and I just said to get.
Speaker 14: Away the fly.
Speaker 1: I do some down in they but I don't care.
Speaker 14: Think I got some it anyway.
Speaker 1: Yeah, let's take a time. Don't beat it, don't go.
Speaker 18: I feel alive. Don't beat it.
Speaker 1: Don't come. Let's take a time, don't beat it, don't come.
Speaker 14: I feel alive. But I remember when I was in
the suns that swimming a.
Speaker 7: But then on a sudden heard something sam I saw
to say that looked a lot like a submarine.
Speaker 1: Where the break girls and the bridge.
Speaker 20: Couldn't this be a dream?
Speaker 6: I don't know.
Speaker 1: It's me.
Speaker 21: Let's take time, so't bet, don't come. I feel a lot,
don't be, don't come let's take a time, don't beat,
don't go. I feel alive, no, got to be wet,
so be don't.
Speaker 18: Let's take the time.
Speaker 1: I'll be down.
Speaker 7: I feel at be don't let's take the time.
Speaker 6: Okay, dot, don't go. I feel any, don't be, don't
come out.
Speaker 1: Let's say nay, don't.
Speaker 6: I feel an Let's take bank.
Speaker 22: Don't I feel don't let's taken, don't be dot down,
I feel.
Speaker 8: That.
Speaker 9: Today's is dedicated to the memory of Ace Frehley.
Speaker 12: If you're listening to macconnorton Unleashed on WM.
Speaker 9: And ah NY five point three and now the world
radio premiere of the new single from Box of Trash,
this is called Nightmare.
Speaker 1: Hello, listby how you plan there? Yes, bout by cow
inside on.
Speaker 23: That broom that say it's meaning this.
Speaker 7: It's a chass picky chazz to reassesses now as.
Speaker 23: Something checks me, awake you out.
Speaker 1: And rouse me from.
Speaker 18: I love you live such a night there.
Speaker 23: I just swam to the best, she said, She said me,
Yet what you wish for.
Speaker 15: The games?
Speaker 1: Saying that I wanted God when I told you?
Speaker 8: Wow?
Speaker 18: So like now.
Speaker 1: I still down.
Speaker 14: We the crown of the.
Speaker 1: Lordly round.
Speaker 6: Something chakes me awake, and that it rose me from
the book.
Speaker 1: I never knew I was such an idea.
Speaker 18: I just wop due to care. I don't give it anymore.
Speaker 6: That's something you know.
Speaker 23: I'm doing nothing to say it, so my body turning.
Speaker 6: No, I just start, I let you know.
Speaker 14: She said, she said, she.
Speaker 23: Said, she said, she said, she said, she said, she said,
she said.
Speaker 6: I've never I was such.
Speaker 23: A nightmare, she swam, use a jaz.
Speaker 24: I don't hate any walk that's a bas comor do
I did?
Speaker 18: Just said itself.
Speaker 6: Feel my body tad know.
Speaker 4: I just start.
Speaker 18: I let you know, I let you go.
Speaker 9: And now the world radio premiere of the new single
from the Far North. This is called Mountain Song.
Speaker 4: The way things change.
Speaker 20: I don't think I can guess.
Speaker 25: You're next to move. I miss you bird, your restrain
on me. It's still so much to prove.
Speaker 20: You say that you'll change, so I'll leave your.
Speaker 4: Key bery the door.
Speaker 1: Soon after that, it all fads.
Speaker 18: To black, and I'm not so in loving mon.
Speaker 1: Alone. The gaps in my heart don't belong.
Speaker 4: Read line.
Speaker 18: Can we go back and again? Can we go.
Speaker 1: Back and again?
Speaker 14: Every time?
Speaker 1: I pen mo fee a rock post ryme underneath. I
get back off for another round to climb this mountain.
Speaker 25: You farm, you see that you change, so I'll leave
your keypout the door.
Speaker 1: Soon after that it all fits.
Speaker 14: To black and I'm not so ill loving anymore?
Speaker 26: Call the caps in my heart do belong? Can't we
go back and again? Can't we go back and again?
Speaker 14: And now?
Speaker 9: The world radio premiere of the new single from the Painting.
This is called Scarlett.
Speaker 1: Look at the I just warns that Dren and to
talk about.
Speaker 6: Like a good So?
Speaker 1: How is it going so hard that?
Speaker 4: Tell me a.
Speaker 7: New stars stock just your stone, whether we come.
Speaker 4: You wander from.
Speaker 8: Us?
Speaker 6: Can we come out to talk?
Speaker 1: Joe j S Jose.
Speaker 18: To Jose.
Speaker 8: Just so.
Speaker 1: Just you sick John l Story Where we go?
Speaker 18: So s S.
Speaker 6: Princes, people tell me from what do we? S? S says.
Speaker 9: Now the world radio premiere of the new single from
Dakota Avenue.
Speaker 27: This is the rollover, no phone section, no bike, he
was because with days from home it's just the guns.
Speaker 17: Then let's play hot.
Speaker 1: And see don't make any sound? Should they get me O?
Speaker 17: Convince them it's me myself.
Speaker 1: Because if it has to be on the cue. Ritzi,
you know.
Speaker 4: If it has to be, that's where old rather lie.
Speaker 17: Yes, because what you do is amazed. What should she
to do in life is amazing? This Amazon's wall watch
is my vel. You're watching there is my favor. It's
a long she run over.
Speaker 4: I'm over in.
Speaker 1: Don't get it's a safety.
Speaker 19: Don't try anything not to save me.
Speaker 17: It's the least I can do to repay your father.
Speaker 4: Things you do because if it has to be you
of me, I'm sorry. It's decide.
Speaker 28: Yeah, if it has to be you of me, it
s worrew draw life.
Speaker 17: Because what you do is amazing. What should choose to do?
Your fists Christmas swallow? Watching you is my favorite? You're
watching him is my favorite.
Speaker 4: So long.
Speaker 17: Watching you is so dangerous. You're watching him is my favorite.
Things you love.
Speaker 8: Me?
Speaker 14: It bottled, rumble, the rain.
Speaker 6: Now what you is? The bay?
Speaker 1: Now what you was Sunday?
Speaker 8: Now he is.
Speaker 18: More sun.
Speaker 13: This fall the ballpark isn't closing for the season. It's
waking up, step beyond the gates and into fright Nights
at the Field, an immersive, haunted experience where the roar
of the crowd has been replaced Why whiskers in the dark,
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itself now home to the things that never left live
scare actors, movie quality sets, heart racing encounters around every corner.
The game is over, but the nightmare has just begun.
Fright nights in the field.
Speaker 12: There to play after dark.
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Speaker 21: Grill Under every one let's phrase slyes on hide with
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Speaker 1: It's a pizza bar your mind.
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Come on in or call six two two one zero
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Speaker 1: Pizza for every one, Come join a beast to night.
Speaker 14: With each slice scents up in. Everything feels so right.
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Speaker 4: Whole lot of jazz.
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Speaker 9: Please come visit.
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Speaker 9: Pembrook City Limits where it's all about the music.
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Speaker 8: N seven times out of ten we listened to our
music at nice. That's gon title business program.
Speaker 25: Late Night to Light with DJ mitas right here on
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Speaker 10: Because Saturdays and Sunday nights midnight to four am.
Speaker 31: This hour on wm NH is sponsored by CGI Business Solutions,
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Speaker 12: Behold the harmony of airwaves as you immerse yourself in
the captivating frequencies of w m NHLP. Their sunnic card
w Manchester is transcending through the ether ninety five point
three megahertz frequency module are Our transmissions emanate from the
zenith of one thousand down Streets. Ensure into the hearts
of our creative realm at one nineteen Canal Street, where
innovation and sound collage. They're the impro moder of Manchester
Public Television Service in the venerable city of Manchester, New Hampshire, USA.
Enrich your auditory journey with the depth of our license
to WESDENSSPT. Your missives to wm n H ninety five
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Speaker 31: Won Dude,