1
00:00:00,840 --> 00:00:06,200
Speaker 1: W M N H rips the normals. We're back from

2
00:00:06,200 --> 00:00:08,199
the brands.

3
00:00:36,039 --> 00:00:58,240
Speaker 2: I'll say no, get you fine dress, Baco.

4
00:01:01,000 --> 00:01:08,879
Speaker 3: Dance with you may pay Less, make It by Us

5
00:01:09,159 --> 00:01:17,840
by the Fool Late nine and Juice on Friends and.

6
00:01:17,719 --> 00:01:22,040
Speaker 4: Bye to some group.

7
00:01:23,680 --> 00:01:52,799
Speaker 5: Google Go Go go Goo goog Go go go go.

8
00:01:56,959 --> 00:01:57,840
Speaker 4: That hit you.

9
00:01:59,359 --> 00:02:01,760
Speaker 6: Good bye you dress go.

10
00:02:04,920 --> 00:02:13,919
Speaker 3: Sad you very pay Bye Bye bo.

11
00:02:15,680 --> 00:02:23,680
Speaker 4: La Joe on Bye.

12
00:02:24,400 --> 00:03:10,199
Speaker 6: So Go gos Go Go go gos go go.

13
00:03:15,680 --> 00:03:17,800
Speaker 4: Hey that pit you.

14
00:03:19,719 --> 00:03:21,759
Speaker 6: By dress, go.

15
00:03:24,919 --> 00:03:29,120
Speaker 7: Sen you by pay, made.

16
00:03:30,479 --> 00:03:34,159
Speaker 1: Mist by us, by Boo.

17
00:03:37,719 --> 00:03:42,120
Speaker 4: Joe by.

18
00:03:43,639 --> 00:03:44,439
Speaker 8: So So.

19
00:04:05,360 --> 00:04:09,360
Speaker 9: That is called Summer Groove. The project is Delta High

20
00:04:09,639 --> 00:04:12,599
and right now, let's get this up here. We've got

21
00:04:12,840 --> 00:04:15,879
Neil Jackson joining us via WhatsApp from Delta High.

22
00:04:15,879 --> 00:04:20,120
Speaker 10: Hello Neil, Hello, Hello, Thank you for invoking me on

23
00:04:20,199 --> 00:04:20,560
your show.

24
00:04:20,800 --> 00:04:23,480
Speaker 9: Absolutely yeah, it's good to have you on. We've been

25
00:04:24,120 --> 00:04:26,319
I don't remember now what the first single was of

26
00:04:26,399 --> 00:04:29,000
yours that we played on this show, but but it

27
00:04:29,079 --> 00:04:30,920
seems like we've been playing your music probably for a

28
00:04:31,000 --> 00:04:34,399
year now. But Summer Groove I like that one because

29
00:04:34,439 --> 00:04:37,439
summer is my favorite time of year. Of course, as

30
00:04:37,519 --> 00:04:41,439
we are in the middle of October, I'm longing for summer,

31
00:04:42,240 --> 00:04:44,600
as anyone who knows me knows I'm not. I'm not

32
00:04:44,680 --> 00:04:47,759
a winter guy. Fall is nice, you know, the foliage

33
00:04:47,759 --> 00:04:49,800
and everything, but I prefer summer. So so I like

34
00:04:49,879 --> 00:04:53,439
that song a lot. But and all of your music though,

35
00:04:53,680 --> 00:04:56,879
So tell us about what the kind of the mission

36
00:04:56,920 --> 00:05:01,600
statement is behind Delta High, because everything's kind of you know,

37
00:05:01,680 --> 00:05:04,000
it sort of takes us back to another time when

38
00:05:04,040 --> 00:05:06,040
we listen to it. You know, the production is fantastic

39
00:05:06,079 --> 00:05:08,600
and everything so but so it's got a very modern

40
00:05:08,680 --> 00:05:14,639
sounding production, but it's but the vibe is from another time.

41
00:05:14,720 --> 00:05:16,680
Shall we say, tell us about Delta Hi.

42
00:05:18,040 --> 00:05:23,040
Speaker 10: Yes, well, I created Delta Hi. I'm the songwriter. I

43
00:05:23,160 --> 00:05:28,639
do guitars, keyboards and help mix the actual songs. I'm

44
00:05:28,680 --> 00:05:32,199
signed to a local record label in England in a

45
00:05:32,279 --> 00:05:36,920
place called Norwich, and we've been releasing singles since twenty

46
00:05:37,199 --> 00:05:41,279
sixteen and we've actually got six albums out as well,

47
00:05:41,360 --> 00:05:44,319
so we've been very busy over the years. I actually

48
00:05:44,399 --> 00:05:46,759
formed the band. I mean I had a band at

49
00:05:46,759 --> 00:05:48,879
the age of eighteen when I was still at school

50
00:05:49,399 --> 00:05:53,199
and we called it School in Great Britain. And I

51
00:05:53,360 --> 00:05:55,319
just formed a band then because I think I was

52
00:05:55,360 --> 00:05:57,639
growing up and it was like the punk era and

53
00:05:57,759 --> 00:06:00,879
sort of indie music, So I absolutely love that. But

54
00:06:01,000 --> 00:06:06,399
as I've matured, I've also latched onto sixties sunshine pop.

55
00:06:06,480 --> 00:06:10,120
I'm really into the Beach Boys, the Beatles, and then

56
00:06:10,160 --> 00:06:14,480
we went to from that to the harmonic stuff like

57
00:06:14,600 --> 00:06:19,079
Queen and ten CC. But so when I write a song,

58
00:06:19,199 --> 00:06:22,040
it tends to be a mixture of sixties, seventies and

59
00:06:22,720 --> 00:06:27,319
up to date indie. That's the top of music. So

60
00:06:27,600 --> 00:06:31,720
if this particular song Summer Some Are Groovy is very

61
00:06:31,879 --> 00:06:33,759
very sunshine pop from the sixties.

62
00:06:34,120 --> 00:06:37,120
Speaker 9: Yeah, what is it about that period of music that

63
00:06:37,319 --> 00:06:40,920
appeals to you so much that that because obviously that's

64
00:06:41,800 --> 00:06:43,560
something you gravitate to it. I mean, what is it

65
00:06:43,600 --> 00:06:46,759
about that? Is that the harmonies? I mean, the vocals

66
00:06:46,839 --> 00:06:48,040
on that track sound fantastic?

67
00:06:48,199 --> 00:06:48,920
Speaker 8: Is it? Is it?

68
00:06:49,040 --> 00:06:49,600
Speaker 11: That? Is it?

69
00:06:49,720 --> 00:06:51,000
Speaker 9: The just the vibe?

70
00:06:51,079 --> 00:06:51,360
Speaker 8: Is it? What?

71
00:06:51,680 --> 00:06:52,000
Speaker 1: What is it?

72
00:06:52,079 --> 00:06:52,240
Speaker 12: I mean?

73
00:06:52,279 --> 00:06:54,000
Speaker 9: Can you pinpoint what it is about that music that

74
00:06:54,079 --> 00:06:54,959
appeals to you so much?

75
00:06:55,800 --> 00:06:58,319
Speaker 10: Well, I've always been a big fan of harmony, so

76
00:06:58,480 --> 00:07:02,000
obviously I I grew up mainly in the eighties, but

77
00:07:02,319 --> 00:07:07,240
I'd love listening to the Beach Boys, Queen and the Beatles, harmony.

78
00:07:07,439 --> 00:07:10,879
So I'm fixated with that. So when I write a song,

79
00:07:11,000 --> 00:07:14,439
I'm always looking at the harmonies and the tone of

80
00:07:14,560 --> 00:07:19,519
the vocals. I'm very lucky to associate with a guy

81
00:07:19,600 --> 00:07:23,240
called Dave Land who plays trumpet. You'll hear the trumpet

82
00:07:23,279 --> 00:07:27,759
on there, and his sidekick Simon Jarrett as well. So

83
00:07:28,279 --> 00:07:30,360
I tend to nine times out of ten, I got

84
00:07:30,839 --> 00:07:33,920
brass in the songs, and that gives it that fluidity

85
00:07:34,079 --> 00:07:39,000
from the sixties and the seventies. They'd actually played in

86
00:07:39,120 --> 00:07:44,839
a band and they created a song called Walking on Sunshine.

87
00:07:46,839 --> 00:07:49,199
Speaker 9: Yeah, Katrina and the Waves, Yep.

88
00:07:49,319 --> 00:07:51,399
Speaker 10: That's the ones. He actually comes from that band, so

89
00:07:53,240 --> 00:07:56,120
he sort of he sort of brought that lively, happy,

90
00:07:56,959 --> 00:08:01,800
carefree brass sound with him. Yeah, so that's that's where

91
00:08:01,839 --> 00:08:05,800
you're hearing that, And yeah, I just love all things

92
00:08:05,879 --> 00:08:07,399
harmonic and tuneful.

93
00:08:07,839 --> 00:08:10,560
Speaker 9: Yeah. Now, tell me a little bit about the band,

94
00:08:10,720 --> 00:08:13,439
because in reading about it, I almost get the impression.

95
00:08:13,560 --> 00:08:16,519
Tell me if I'm right that it's sometimes you hear

96
00:08:16,600 --> 00:08:22,560
this term collective where it's not necessarily the same musicians

97
00:08:22,639 --> 00:08:24,800
on every track that you're working with, or at least

98
00:08:24,959 --> 00:08:27,560
it's different vocalists, Right, You work with different singers. Is

99
00:08:27,600 --> 00:08:28,079
that correct?

100
00:08:29,079 --> 00:08:32,840
Speaker 10: Absolutely? I guess a modern day band that are very famous.

101
00:08:33,399 --> 00:08:35,399
I'm not sure how famous in the USA they are,

102
00:08:35,480 --> 00:08:38,279
but it be the Gorillas. Oh you've heard of the

103
00:08:38,639 --> 00:08:42,240
Gorillas were sort of like that in that that the

104
00:08:42,519 --> 00:08:45,360
league guy Damien sort of brings in and out different

105
00:08:45,360 --> 00:08:48,120
people to sing, different people to play on his stuff.

106
00:08:48,679 --> 00:08:52,159
So I've got a nucleus of people that will actually

107
00:08:52,320 --> 00:08:54,919
turn up and record the music. But yes, I do

108
00:08:55,039 --> 00:08:59,840
actually swap vocalists and sometimes people on the guitars.

109
00:09:00,200 --> 00:09:05,639
Speaker 9: Yeah, when working with Oh go ahead, I was just.

110
00:09:05,840 --> 00:09:09,679
Speaker 10: Gonna say my main singer is is Charlotte and you'll

111
00:09:09,720 --> 00:09:12,159
hear a single on that particular song. But yeah, I've

112
00:09:12,159 --> 00:09:15,720
probably got about five different vocalists. So it depends on

113
00:09:16,200 --> 00:09:18,320
what mood I mean and what top of song card. Right,

114
00:09:18,639 --> 00:09:20,320
I'll grab a particular vocalist for it.

115
00:09:20,600 --> 00:09:24,480
Speaker 9: Sure. Sure do you ever work in that way? Which

116
00:09:24,759 --> 00:09:27,759
it sounds exciting, but does it ever get Do you

117
00:09:27,799 --> 00:09:31,600
ever have a situation where you might choose or ask

118
00:09:31,840 --> 00:09:34,879
a particular vocalist, for example, to do the song and

119
00:09:34,960 --> 00:09:37,679
then it's just not working and then you have to say, well,

120
00:09:38,080 --> 00:09:41,120
maybe well we'll switch to a different person for that.

121
00:09:41,159 --> 00:09:42,960
I mean, does that ever happen where you have to

122
00:09:43,039 --> 00:09:44,360
kind of change midstream?

123
00:09:45,399 --> 00:09:48,919
Speaker 10: That's a great call. I've released six albums and I reckon.

124
00:09:48,960 --> 00:09:52,600
I've got five albums that I've actually pushed on the

125
00:09:52,639 --> 00:09:54,960
wayside because of what you just said. I've sort of

126
00:09:55,000 --> 00:09:57,879
sat down and I've listened. I thought, actually it's not working.

127
00:09:58,360 --> 00:10:01,679
So absolutely it's I do my best to choose the

128
00:10:01,799 --> 00:10:04,679
right vocalist, but it doesn't always work, and you never

129
00:10:04,759 --> 00:10:06,639
know once you're in the studio, you just don't know

130
00:10:06,679 --> 00:10:10,120
if it's going to pan out. It normally does, and

131
00:10:10,159 --> 00:10:13,279
I'm really really happy with what the guys actually bring

132
00:10:13,360 --> 00:10:16,440
to my songs, but yeah, there are occasions, I hope

133
00:10:16,519 --> 00:10:17,919
the years where it just doesn't work.

134
00:10:18,200 --> 00:10:21,000
Speaker 9: Yeah, I'm curious if kind of a variation of that.

135
00:10:21,080 --> 00:10:23,399
I'm curious too, if you ever find a situation where

136
00:10:23,639 --> 00:10:26,679
there's something you get into the studio, or you know,

137
00:10:26,799 --> 00:10:30,200
because you have a lot of people kind of contributing

138
00:10:30,600 --> 00:10:33,960
to the sign, does it ever end up something very

139
00:10:34,039 --> 00:10:36,480
different than what you initially had in mind? But maybe

140
00:10:36,559 --> 00:10:38,480
in a good way. Maybe it's a happy accident, Maybe

141
00:10:38,519 --> 00:10:40,080
it comes out even better than what you thought.

142
00:10:42,440 --> 00:10:45,120
Speaker 10: I think mainly the songs I write tend to actually

143
00:10:45,240 --> 00:10:49,120
sound on record, so to speak, the same as I

144
00:10:49,519 --> 00:10:52,120
want them to, because we're not put the music out

145
00:10:52,200 --> 00:10:55,480
there and show the others. Despite my droney tone, I

146
00:10:55,519 --> 00:10:59,879
do actually sing okay, so I get the guys through it.

147
00:11:00,080 --> 00:11:05,039
You seeing the same melodies, et cetera as me. But

148
00:11:05,159 --> 00:11:06,440
do you know what every and now and then you

149
00:11:06,519 --> 00:11:09,120
spot on every now and then someone will change it

150
00:11:09,200 --> 00:11:11,559
and I just think, wow, that's so much better. So

151
00:11:11,679 --> 00:11:14,159
that does happen and it's probably it probably happened on

152
00:11:14,559 --> 00:11:17,559
Summer Groove. You know, there's something added to that. I fool,

153
00:11:17,600 --> 00:11:19,000
I'm going to stick with that that version.

154
00:11:19,320 --> 00:11:24,840
Speaker 9: Yeah, yeah, that's fun. Yeah, yeah, that's that must be

155
00:11:24,919 --> 00:11:26,919
exciting when when something comes out even better than what

156
00:11:27,000 --> 00:11:31,080
you had wanted. And now, so what's the live situation

157
00:11:31,200 --> 00:11:33,679
with this project? Do you play out? Because again I

158
00:11:33,720 --> 00:11:36,159
would imagine with with the very working with various people,

159
00:11:36,279 --> 00:11:38,519
that that would probably be tricky or maybe not. Maybe

160
00:11:38,600 --> 00:11:41,200
have a standard band that you play with or how

161
00:11:41,200 --> 00:11:41,720
does that work?

162
00:11:42,840 --> 00:11:42,960
Speaker 8: Well?

163
00:11:43,039 --> 00:11:45,440
Speaker 10: That that's the problem at the moment. For two years,

164
00:11:45,480 --> 00:11:49,399
I've been trying to create a live band, but a

165
00:11:49,440 --> 00:11:52,399
lot of the guys I work with, they're actually looking

166
00:11:52,440 --> 00:11:54,799
at other projects and that they're already doing live shows

167
00:11:54,840 --> 00:11:58,080
with other people. So we haven't got a live band,

168
00:11:58,200 --> 00:12:01,399
but I do plan to go live next year, so

169
00:12:01,559 --> 00:12:04,840
that's something I'm working on. But it's not very not

170
00:12:05,000 --> 00:12:09,879
very easy, for the reasons that you've actually pinpointed. I

171
00:12:09,960 --> 00:12:12,440
did have a live I had a prior group before

172
00:12:12,519 --> 00:12:14,960
Delta High, and I did have a live band then

173
00:12:15,000 --> 00:12:18,080
it was so much easier. But we were like schoolmates,

174
00:12:19,000 --> 00:12:20,879
you know, so none of us were sort of doing

175
00:12:20,919 --> 00:12:24,799
anything outside that particular band and that worked and I

176
00:12:24,919 --> 00:12:27,639
really do miss that. So I need to to create

177
00:12:28,000 --> 00:12:29,759
a live band for Delta High.

178
00:12:30,240 --> 00:12:32,080
Speaker 9: Yeah, I can see where that would be. That would

179
00:12:32,080 --> 00:12:35,480
be a challenge. Yeah, what was the previous Was it

180
00:12:35,559 --> 00:12:37,519
Pleasure Device? Was that the previous band that you were in?

181
00:12:38,799 --> 00:12:41,600
Speaker 10: It was Yes, you've done your homework, so yeah, it

182
00:12:41,759 --> 00:12:43,840
was it was it was a yeah, it was Pleasure Device.

183
00:12:44,000 --> 00:12:46,399
And I don't know if you've you spotted it. But

184
00:12:46,840 --> 00:12:50,919
we supported R E. M. We we did a gig

185
00:12:51,879 --> 00:12:55,360
Notckingham in England and Rim. We're doing a show and

186
00:12:55,440 --> 00:12:57,519
that that actually heard about us and they said can

187
00:12:57,559 --> 00:12:59,919
you come along and support us? And we sort of

188
00:13:00,120 --> 00:13:05,639
want to say no, yeah, So my claim to fameus

189
00:13:05,679 --> 00:13:06,759
from my previous band.

190
00:13:07,080 --> 00:13:09,399
Speaker 9: Oh wow, what what was that? Kind of was that

191
00:13:09,519 --> 00:13:12,000
kind of the apex of that band opening for Arim?

192
00:13:13,080 --> 00:13:16,240
Speaker 10: Absolutely, But because we were of an age where we

193
00:13:16,320 --> 00:13:18,279
were sure what we were doing, we didn't sort of

194
00:13:18,320 --> 00:13:22,639
continue with the band, and people moved away, got married,

195
00:13:22,639 --> 00:13:24,840
blah blah blah. So the band broke up just at

196
00:13:24,879 --> 00:13:28,799
the time, just after the time we'd supported R. E. M.

197
00:13:28,960 --> 00:13:32,320
So that crushed and burned in a big way, in

198
00:13:32,360 --> 00:13:35,639
a good way. But now I've got the studio band

199
00:13:35,679 --> 00:13:37,440
with Delta High. But I really do need to do

200
00:13:37,600 --> 00:13:38,639
some live stuff.

201
00:13:38,879 --> 00:13:40,519
Speaker 9: Yeah, no doubt, no doubt.

202
00:13:40,639 --> 00:13:40,799
Speaker 10: Yeah.

203
00:13:40,919 --> 00:13:45,159
Speaker 9: Now what so your your output with Delta High has

204
00:13:45,279 --> 00:13:49,279
been been pretty consistent? What what's kind of the future trajectory?

205
00:13:49,320 --> 00:13:51,519
Obviously Summer Groove is the newest single, correct?

206
00:13:52,480 --> 00:13:53,440
Speaker 10: Correct, Yes it is?

207
00:13:53,519 --> 00:13:53,679
Speaker 13: Yeah?

208
00:13:54,159 --> 00:13:54,360
Speaker 10: Yeah?

209
00:13:55,320 --> 00:13:56,720
Speaker 9: What what what's on the horizon?

210
00:13:57,919 --> 00:14:00,440
Speaker 10: Okay, So I've got an album out at the moment.

211
00:14:00,519 --> 00:14:03,360
I say, we've got an album at the moment called Awesome,

212
00:14:03,960 --> 00:14:08,000
which came out in June this year. That that again,

213
00:14:08,080 --> 00:14:11,639
that's I tend to do an eclectic mix of music,

214
00:14:11,759 --> 00:14:15,080
so it opens up with a surf instrumental, believe it

215
00:14:15,200 --> 00:14:20,000
or not. But then it progresses to a song that

216
00:14:20,080 --> 00:14:22,399
I actually wrote after watching The Shining So that's a

217
00:14:22,480 --> 00:14:24,600
bit of a bit of a horror bit of a

218
00:14:24,639 --> 00:14:28,120
horror movie type song. And then it goes on too,

219
00:14:28,600 --> 00:14:32,039
you know, my usual sunshine pop, and there's a few

220
00:14:32,080 --> 00:14:35,320
indie tracks on there. There's even there's even a song

221
00:14:35,360 --> 00:14:40,799
called Caribbean, which is very South American SUSA. I've even

222
00:14:40,799 --> 00:14:43,240
put that one on there. So that's out at the moment.

223
00:14:44,639 --> 00:14:48,559
But I've literally just completed my next album, which will

224
00:14:48,600 --> 00:14:54,200
be out January February time, and that's called Delta Train.

225
00:14:54,879 --> 00:14:57,440
And again it's a it's a mixture of sunshine pop,

226
00:14:57,559 --> 00:15:01,200
it's got a few indie songs, it's got some South

227
00:15:01,240 --> 00:15:05,000
American sales song. So yeah, I'm mixing it up big time.

228
00:15:05,399 --> 00:15:08,120
Speaker 9: Outstanding. Wow, I mean it sounds like you like to

229
00:15:08,200 --> 00:15:10,600
challenge yourself. I'm getting that vibe. You like to see

230
00:15:10,679 --> 00:15:13,200
you know what you can really see what you can.

231
00:15:13,159 --> 00:15:17,200
Speaker 10: Do, right, absolutely, I mean a lot. But a lot

232
00:15:17,240 --> 00:15:19,200
of the bands I like back in the back in

233
00:15:19,240 --> 00:15:22,200
the eighties and nineties, I really like their first few hours,

234
00:15:22,240 --> 00:15:24,919
but then they got Stelle, so I sort of promised

235
00:15:24,960 --> 00:15:29,399
myself that when when I signed up to this independent label,

236
00:15:29,440 --> 00:15:31,559
I just promised myself that I'll try and vary stuff

237
00:15:32,080 --> 00:15:34,200
to keep the excitement going for me, but also to

238
00:15:34,320 --> 00:15:36,039
keep a variation out there for listeners.

239
00:15:36,960 --> 00:15:38,879
Speaker 9: Yeah, when you see it?

240
00:15:39,639 --> 00:15:39,840
Speaker 10: When?

241
00:15:40,120 --> 00:15:40,320
Speaker 4: When?

242
00:15:40,559 --> 00:15:40,600
Speaker 8: So?

243
00:15:40,919 --> 00:15:42,879
Speaker 9: How how far into the project did you sign with?

244
00:15:43,200 --> 00:15:44,960
It's Ashwood Music? Is that the label?

245
00:15:45,840 --> 00:15:51,879
Speaker 10: It is Ashwood Music. They signed me up on twenty eighteen, okay,

246
00:15:52,159 --> 00:15:53,559
okay eighteen?

247
00:15:53,679 --> 00:15:57,399
Speaker 9: Yeah, yeah, and you've been with them ever since I

248
00:15:57,519 --> 00:15:58,159
have been yet?

249
00:15:58,240 --> 00:15:58,440
Speaker 5: Yeah.

250
00:15:59,159 --> 00:15:59,720
Speaker 9: I mean how much?

251
00:16:00,120 --> 00:16:00,440
Speaker 14: How much?

252
00:16:00,720 --> 00:16:03,279
Speaker 9: Because you know, you do like to challenge yourself and

253
00:16:03,320 --> 00:16:05,039
you like to try different things. I mean how much

254
00:16:06,440 --> 00:16:11,919
do they? I know indie labels are generally not as invasive,

255
00:16:12,000 --> 00:16:14,279
shall we say, in the creative process, I say, if

256
00:16:14,279 --> 00:16:16,639
you're on a major, But I mean, how much input

257
00:16:16,720 --> 00:16:19,080
do they have in terms of what you're doing as

258
00:16:19,159 --> 00:16:21,159
far as the music that you're creating or do they

259
00:16:21,240 --> 00:16:21,960
let you do your thing?

260
00:16:23,159 --> 00:16:24,960
Speaker 10: Then let me do my thing? They actually let me

261
00:16:25,120 --> 00:16:28,120
create and produce. I mean I sit down with a

262
00:16:28,159 --> 00:16:30,799
guy called Sooss is the guy that runs the record

263
00:16:30,879 --> 00:16:35,120
label music and it's a free rain. I mean he

264
00:16:35,159 --> 00:16:37,519
actually helps out on some of the instrumentation as well.

265
00:16:37,639 --> 00:16:41,279
Oh wow, I'm very lucky that the guy that runs

266
00:16:41,360 --> 00:16:44,080
the record labe would like to say music actually follow

267
00:16:44,159 --> 00:16:47,960
the bandses me, so I get full support from them

268
00:16:48,399 --> 00:16:51,039
obviously on the technical side when he's mixing a master

269
00:16:51,159 --> 00:16:53,159
and there's loads of things that he's taught me that

270
00:16:53,320 --> 00:16:58,039
we need to do. I've got a free rain is

271
00:16:58,120 --> 00:16:59,919
a very very very good agreement for me.

272
00:17:00,279 --> 00:17:02,519
Speaker 9: Oh that's excellent. Yeah, that's excellent.

273
00:17:02,639 --> 00:17:06,039
Speaker 10: I think. I think the other thing too that really

274
00:17:06,119 --> 00:17:10,240
excites me is we've got a distribution label, which is

275
00:17:10,359 --> 00:17:14,079
Sony in New York. So I'm very lucky that although

276
00:17:14,119 --> 00:17:17,680
I'm on an independent with distrib the songs are distributed

277
00:17:17,720 --> 00:17:21,279
by Sony Sony Records. So that's a big tick in

278
00:17:21,559 --> 00:17:24,880
the boxing that we know the distributions good. It's just

279
00:17:25,079 --> 00:17:27,799
it's just getting those songs that are going to sort

280
00:17:27,799 --> 00:17:30,279
of hit home in the commercial market, which we're still

281
00:17:30,359 --> 00:17:31,759
we're still trying to search for.

282
00:17:32,319 --> 00:17:36,400
Speaker 9: I'm curious and now to imagine that so in the UK, like,

283
00:17:36,559 --> 00:17:39,960
what what's the situation with radio there? Because I don't know,

284
00:17:40,880 --> 00:17:42,799
you know, and I don't know what the radio formats

285
00:17:42,839 --> 00:17:44,279
are there. You know, I know what they are in

286
00:17:44,279 --> 00:17:46,759
the US obviously because I'm in radio, But I mean,

287
00:17:47,240 --> 00:17:49,000
where does your music fit in over there on the

288
00:17:49,119 --> 00:17:51,759
radio or does it because what you're doing is is

289
00:17:52,200 --> 00:17:56,119
you know, it's unique for its time, certainly, thank you.

290
00:17:57,160 --> 00:18:01,599
Speaker 10: Yeah, the commercial radio stations are very, very omitted. Unfortunately,

291
00:18:01,680 --> 00:18:05,799
the commercial stations have been buying up local radio stations

292
00:18:05,839 --> 00:18:08,640
in the in the various regions, and there aren't that

293
00:18:09,039 --> 00:18:12,920
many local radio stations left and it's only those guys,

294
00:18:13,640 --> 00:18:19,720
probably including you, that will play unknown sort of local bands.

295
00:18:20,079 --> 00:18:24,720
So we've got limited airplane away. Obviously, the trick is

296
00:18:24,799 --> 00:18:28,440
to try and get onto the commercial stations. But again

297
00:18:28,480 --> 00:18:31,519
it's almost like a closed shop. There's certain people in

298
00:18:31,680 --> 00:18:35,559
business that say, well to these commercial stations, they say, well,

299
00:18:35,640 --> 00:18:37,759
I only want you to play them if these people

300
00:18:37,839 --> 00:18:41,359
are in the mix pushing these guys along. Yeah, it's

301
00:18:41,400 --> 00:18:44,759
almost a closed shop and it's really really difficult.

302
00:18:45,920 --> 00:18:48,480
Speaker 9: It's it's difficult in the United States too. Fortunately, here

303
00:18:48,559 --> 00:18:52,640
we have we have college radio and college radio stations. Obviously,

304
00:18:52,720 --> 00:18:54,599
you know, it's I always tell people, you know, if

305
00:18:54,640 --> 00:18:57,359
they like you, they'll play you, simple as that. So

306
00:18:57,720 --> 00:19:00,160
so a lot of a lot of independent artists come

307
00:19:00,240 --> 00:19:02,920
up through college radio here in the US. But but yeah,

308
00:19:02,960 --> 00:19:05,559
but commercial radio just same as there here. It's it's

309
00:19:05,640 --> 00:19:10,720
it's very, very difficult. Yeah, so yeah, that's always a challenge.

310
00:19:10,839 --> 00:19:12,759
But but what you're doing is great. It should be

311
00:19:12,839 --> 00:19:14,359
on the radio. So I'm glad you know that we

312
00:19:14,440 --> 00:19:17,359
can help out on on on this on this side

313
00:19:17,359 --> 00:19:19,119
of the pond. I'm glad you know if we can

314
00:19:19,880 --> 00:19:21,720
help help you at all, that's that's uh, I feel

315
00:19:21,759 --> 00:19:23,759
good about that. So because you know, love what you're doing.

316
00:19:24,680 --> 00:19:27,279
Speaker 10: Oh, that's that's so kind. In the USA, is it?

317
00:19:27,400 --> 00:19:28,000
Was it Manchester?

318
00:19:28,200 --> 00:19:30,400
Speaker 9: We are in Manchester, New Hampshire.

319
00:19:30,519 --> 00:19:33,839
Speaker 10: Yes, we're in the Northeast, in the Northeast, So what's

320
00:19:34,279 --> 00:19:37,319
the main sort of music vibe in that that particular area.

321
00:19:37,599 --> 00:19:37,759
Speaker 1: Oh?

322
00:19:37,960 --> 00:19:41,519
Speaker 9: Around here, there's all kinds of stuff because we interview

323
00:19:42,119 --> 00:19:44,279
so on this show, for example, you know, we talk

324
00:19:44,319 --> 00:19:46,319
to people from other parts of the country or or

325
00:19:46,359 --> 00:19:48,000
in this case even other parts of the world. But

326
00:19:48,079 --> 00:19:50,400
we also have a lot of local talent that come in.

327
00:19:50,880 --> 00:19:52,880
In fact, on the third hour of the show today

328
00:19:53,160 --> 00:19:55,759
we have Dad Harrison uh coming in who are a

329
00:19:55,839 --> 00:19:58,440
New Hampshire band, And there's so much incredible talent here,

330
00:19:58,680 --> 00:20:02,559
just like almost anything you can imagine, any kind of music,

331
00:20:03,000 --> 00:20:05,920
any kind of vibe, somebody's doing it and doing it well.

332
00:20:06,160 --> 00:20:09,720
I mean that just that because people occasionally will ask us,

333
00:20:09,759 --> 00:20:11,880
you know, how do you how do you get how

334
00:20:11,880 --> 00:20:14,160
do you get so find these great guests, and it's like, well,

335
00:20:14,200 --> 00:20:17,680
it's it's easy. There's there's so much talent around, you know.

336
00:20:19,480 --> 00:20:20,240
Speaker 10: Yeah, it's good to hear.

337
00:20:21,240 --> 00:20:22,599
Speaker 9: Absolutely absolutely.

338
00:20:22,799 --> 00:20:22,920
Speaker 8: Oh.

339
00:20:22,960 --> 00:20:24,359
Speaker 9: By the way, so where does the name come from?

340
00:20:24,440 --> 00:20:26,400
Delta Hi. What's the significance of the name.

341
00:20:27,319 --> 00:20:29,319
Speaker 10: Well, when I was looking at the band, I was

342
00:20:29,359 --> 00:20:31,200
sort of thinking what sort of music they want to

343
00:20:31,240 --> 00:20:32,720
do in it, and I thought, well, I actually really

344
00:20:32,839 --> 00:20:36,079
liked that the California Sunshine pop, that that type of thing,

345
00:20:36,759 --> 00:20:38,960
and for that reason I came up with Delta. I

346
00:20:39,000 --> 00:20:42,680
don't know why, but Delta felt like it was California bound.

347
00:20:43,839 --> 00:20:46,599
No idea why, and I thought, right, I can't just

348
00:20:46,680 --> 00:20:49,240
call it Delta, and then it just flips into my head,

349
00:20:49,400 --> 00:20:52,079
is Delta High. I'll call it Delta High. Yeah, so

350
00:20:52,400 --> 00:20:54,359
I called it Delta High. I set up a website

351
00:20:54,400 --> 00:20:57,960
obviously for the band, and it's quite funny. The first

352
00:20:58,039 --> 00:21:03,799
few months I had so many, so many invites to netball.

353
00:21:03,920 --> 00:21:06,519
Is it netball you play? Do you play netball in America?

354
00:21:06,759 --> 00:21:07,160
Speaker 9: Netball?

355
00:21:08,119 --> 00:21:09,119
Speaker 10: Is it netball? You play?

356
00:21:09,799 --> 00:21:09,839
Speaker 15: No?

357
00:21:10,640 --> 00:21:11,000
Speaker 10: Ladies?

358
00:21:11,839 --> 00:21:12,240
Speaker 13: What is it?

359
00:21:13,440 --> 00:21:20,240
Speaker 10: Ladies? They are college? Do they play netball? Volleyball?

360
00:21:20,640 --> 00:21:20,799
Speaker 5: Yeah?

361
00:21:21,599 --> 00:21:25,559
Speaker 10: Sorry, I've got invited to so many volleyball games, and

362
00:21:25,680 --> 00:21:28,559
I was thinking, why are people in America inviting me

363
00:21:28,640 --> 00:21:32,359
to a volleyball games? Were realized that they were sending

364
00:21:32,440 --> 00:21:36,039
messages to Delta High, which is a college. Oh, and

365
00:21:36,160 --> 00:21:40,319
it was filtering through to me. I'd love to go,

366
00:21:40,440 --> 00:21:42,680
but I can't. It's too it's too expensive to get there.

367
00:21:43,440 --> 00:21:44,279
That's a story.

368
00:21:44,440 --> 00:21:46,799
Speaker 9: That's amazing. I love it.

369
00:21:47,640 --> 00:21:51,359
Speaker 10: Delta High. It felt it felt sunshine pop California.

370
00:21:51,519 --> 00:21:55,799
Speaker 9: So yeah, yeah, that's great. That's great. Well, Neil, I've

371
00:21:55,799 --> 00:21:58,920
really enjoyed our conversation, and uh, you know, obviously we'll

372
00:21:58,960 --> 00:22:00,559
have you back in the future because you're going to

373
00:22:00,640 --> 00:22:02,559
keep releasing new music and we'll keep playing it and

374
00:22:02,599 --> 00:22:05,039
supporting supporting you any way we can, and we'd love

375
00:22:05,079 --> 00:22:08,559
to have you back. And I was thinking about closing

376
00:22:08,599 --> 00:22:11,880
out the segment with I Met a Girl, another great track.

377
00:22:12,759 --> 00:22:13,039
Speaker 10: Thank you.

378
00:22:14,359 --> 00:22:16,799
Speaker 9: What what can you tell us about this song? Anything

379
00:22:16,839 --> 00:22:17,559
we should know about it?

380
00:22:18,960 --> 00:22:21,400
Speaker 10: Well, Basically I wanted to do a sort of a

381
00:22:22,319 --> 00:22:25,960
more indie flavord song with the head guitars, yeah, but

382
00:22:26,720 --> 00:22:29,200
I still wanted to have that sixties field. So it's

383
00:22:29,240 --> 00:22:32,880
almost like that the vocals and the and the words

384
00:22:32,920 --> 00:22:35,200
would be something to come out of Grease, you know

385
00:22:35,359 --> 00:22:38,799
Grease the film, Yeah, from fifties and sixties, but he's

386
00:22:38,880 --> 00:22:42,880
got the up to date, grungy indie sound, so that's it.

387
00:22:42,920 --> 00:22:44,079
It's a combination of the two.

388
00:22:44,319 --> 00:22:46,559
Speaker 9: Ah yeah, I really yeah, I get that. I really

389
00:22:46,640 --> 00:22:48,160
really like this. So we're going to hit that in

390
00:22:48,200 --> 00:22:50,759
a moment. And but before we let you go, so Neil,

391
00:22:50,799 --> 00:22:52,759
where should people go? Where are the best places to

392
00:22:52,839 --> 00:22:55,799
go online for our listeners who want to keep up

393
00:22:55,799 --> 00:22:58,000
with everything that you're doing and everything Delta High is

394
00:22:58,079 --> 00:22:58,279
up to.

395
00:22:59,680 --> 00:23:02,720
Speaker 10: I've got lots of videos and songs out on YouTube,

396
00:23:02,759 --> 00:23:04,440
so if you just look at YouTube and look up

397
00:23:04,519 --> 00:23:09,640
Delta High. Yeah, I've also all my music's on on

398
00:23:09,799 --> 00:23:16,960
the usual suspects like Spotify, iTunes, Amazon, but there's also

399
00:23:17,119 --> 00:23:24,200
websites Delta dot High, dot co dot uk, which which

400
00:23:24,319 --> 00:23:28,720
is basically our independent website, but it's it's on the

401
00:23:28,880 --> 00:23:33,400
all the usual digital channels. You can find the music.

402
00:23:33,680 --> 00:23:36,400
Speaker 9: Yeah, yeah, very easy to find, which is important of course.

403
00:23:37,240 --> 00:23:37,440
Speaker 10: Yeah.

404
00:23:37,680 --> 00:23:39,720
Speaker 9: But all right, so we're gonna hit this track I

405
00:23:39,839 --> 00:23:42,039
Met a Girl. We will let you go. Neil Jackson

406
00:23:42,079 --> 00:23:44,240
from Delta High. Thank you so much for joining us today.

407
00:23:44,240 --> 00:23:45,640
And like I said, we'll definitely do this again in

408
00:23:45,680 --> 00:23:47,799
the future. And love what you're doing. And it's been

409
00:23:47,839 --> 00:23:48,559
great talking with you.

410
00:23:49,559 --> 00:23:51,960
Speaker 10: Great. Thank you very much for inviting me to the show.

411
00:23:52,680 --> 00:23:54,079
It means a great deal to us.

412
00:23:54,319 --> 00:23:57,039
Speaker 9: Oh, thank you. All right, we'll talk so thanks Neil,

413
00:23:57,079 --> 00:24:00,599
by bye bye, bye bye bye. A. That was Neil

414
00:24:00,680 --> 00:24:03,640
Jackson from Delta High. And yeah, this is a great song.

415
00:24:03,799 --> 00:24:05,599
Check this out. This is called I Met a Girl

416
00:24:06,000 --> 00:24:07,279
and the band is Delta High.

417
00:24:24,400 --> 00:24:36,759
Speaker 16: Tell me all, tell me on abo, I'm mat it.

418
00:24:36,880 --> 00:24:42,240
Go under your bon that's so bruder full, so good.

419
00:24:43,079 --> 00:24:47,960
Speaker 4: She wills, that's it, she wills. I'm so look at

420
00:24:48,039 --> 00:24:48,920
that she is.

421
00:24:51,119 --> 00:25:16,119
Speaker 1: Go help me all you'll help me, y.

422
00:26:00,160 --> 00:26:12,119
Speaker 4: S Then we had school the rest I'm thinking of

423
00:26:15,599 --> 00:26:18,079
not there you be Sasta.

424
00:26:19,000 --> 00:26:21,200
Speaker 17: She is so pass it, she's.

425
00:26:21,119 --> 00:26:26,200
Speaker 4: Sounds good staying with me. It's a little fine as

426
00:26:26,279 --> 00:26:28,920
fast to me. It's so sublime.

427
00:26:29,759 --> 00:26:39,000
Speaker 6: So let it go, Let it go. I'm an, I'm

428
00:26:39,119 --> 00:26:48,200
bet it got don't have any I'm I'm I'm mad,

429
00:26:48,440 --> 00:26:56,519
don't have a mad, I'm mad, I'm don't have a name.

430
00:27:15,440 --> 00:27:45,599
Speaker 15: And listen listening waity, I heard a song, Well my.

431
00:27:45,759 --> 00:27:47,960
Speaker 1: Dabby all school.

432
00:27:51,519 --> 00:27:51,920
Speaker 13: Like that.

433
00:27:52,480 --> 00:27:56,559
Speaker 15: I found that sings and never Gona sang.

434
00:28:00,039 --> 00:28:02,640
Speaker 6: A bit stupy name.

435
00:28:03,039 --> 00:28:04,880
Speaker 1: I had to see you pay.

436
00:28:08,599 --> 00:28:08,960
Speaker 14: I know.

437
00:28:10,960 --> 00:28:13,440
Speaker 1: That things will never be the same.

438
00:28:16,319 --> 00:28:21,400
Speaker 18: I wanna go back and do it all over, but

439
00:28:21,720 --> 00:28:22,920
I can't go by.

440
00:28:23,359 --> 00:28:25,559
Speaker 6: I know I want to.

441
00:28:25,720 --> 00:28:29,319
Speaker 1: Go back once I see it so much.

442
00:28:29,400 --> 00:28:31,480
Speaker 18: I want thought, I can't go by.

443
00:28:31,920 --> 00:28:32,400
Speaker 8: I know.

444
00:28:37,039 --> 00:28:41,240
Speaker 15: I recall I get out on Friday night.

445
00:28:44,200 --> 00:28:50,079
Speaker 1: It sort of slow dance, hoping that I didn't ride.

446
00:28:53,559 --> 00:28:55,079
Speaker 14: Back, said I fall.

447
00:28:55,480 --> 00:29:05,039
Speaker 1: I never I have to say they used to be lovely.

448
00:29:05,279 --> 00:29:06,880
Speaker 14: I want stand a show.

449
00:29:10,759 --> 00:29:11,079
Speaker 8: I know.

450
00:29:13,079 --> 00:29:15,559
Speaker 1: That they somebover be the same.

451
00:29:18,440 --> 00:29:23,279
Speaker 18: I wanta go by go by joy it all over,

452
00:29:23,519 --> 00:29:25,119
but I can't go back.

453
00:29:25,559 --> 00:29:30,480
Speaker 1: I want to go by go by goes. I see

454
00:29:30,559 --> 00:29:33,680
you so much over you, but I can't go back.

455
00:29:34,079 --> 00:29:58,400
Speaker 6: I know, oh take so very sa.

456
00:30:00,079 --> 00:30:01,640
Speaker 1: Okay, I do.

457
00:30:05,920 --> 00:30:08,039
Speaker 4: Over, but I can't go back.

458
00:30:08,319 --> 00:30:14,880
Speaker 1: I want go back three and so much old.

459
00:30:14,680 --> 00:30:21,759
Speaker 7: Little, but I can go by. I want God to

460
00:30:22,519 --> 00:30:23,759
all good.

461
00:30:23,880 --> 00:30:25,079
Speaker 6: I can't go by.

462
00:30:27,039 --> 00:30:28,200
Speaker 18: I wanna get.

463
00:30:28,319 --> 00:30:29,920
Speaker 1: Fine, go fly want.

464
00:30:30,039 --> 00:30:33,640
Speaker 6: I fell so much so, but I can go by.

465
00:30:34,039 --> 00:30:40,440
Speaker 18: I wanna go by, go fi and do all over,

466
00:30:40,640 --> 00:30:45,039
but I can go by time way. I wanna go

467
00:30:45,480 --> 00:30:47,079
fine go fly got.

468
00:30:47,200 --> 00:30:50,359
Speaker 6: I'm feeling so much so, but I can go.

469
00:30:50,599 --> 00:31:18,599
Speaker 19: By this story the one as alignment. It's his job

470
00:31:18,640 --> 00:31:19,400
to be the power on.

471
00:31:19,880 --> 00:31:20,400
Speaker 9: That's why.

472
00:31:27,119 --> 00:31:30,200
Speaker 1: I'm having trouble finding the right one.

473
00:31:30,880 --> 00:31:32,279
Speaker 14: I'm not satisfied.

474
00:31:32,519 --> 00:31:34,319
Speaker 1: I'm not having this thought.

475
00:31:34,519 --> 00:31:36,799
Speaker 14: I'm eating sleep every.

476
00:31:36,880 --> 00:31:37,880
Speaker 6: Night and day.

477
00:31:38,160 --> 00:31:41,799
Speaker 7: I know she's out there ready for us, sup Please,

478
00:31:42,599 --> 00:31:45,359
I'll never slow down.

479
00:31:46,039 --> 00:31:47,240
Speaker 6: I gotta breeze.

480
00:31:47,880 --> 00:31:53,279
Speaker 1: She's out that I can't see, can see.

481
00:31:54,599 --> 00:32:02,160
Speaker 7: Fans in folles where I saw the face see filten

482
00:32:02,680 --> 00:32:06,839
thousand votes, feel like I was in space.

483
00:32:07,759 --> 00:32:10,880
Speaker 14: I think I found her and she's a Dannamo.

484
00:32:11,519 --> 00:32:12,559
Speaker 4: I can't chills.

485
00:32:13,119 --> 00:32:14,799
Speaker 14: I've been down masto.

486
00:32:15,160 --> 00:32:19,240
Speaker 1: Don't need the word, don't need to fresh. I hit

487
00:32:19,319 --> 00:32:20,200
the jackpot.

488
00:32:20,440 --> 00:32:24,920
Speaker 6: No more heads and vests times from no one. I

489
00:32:25,079 --> 00:32:29,839
made up my mind. I'm gonna do it right this time.

490
00:32:30,839 --> 00:32:32,640
I'll never believe about.

491
00:32:33,400 --> 00:32:40,960
Speaker 7: Selicten shadows new votes. When I saw her face see

492
00:32:41,480 --> 00:32:46,720
hit Flic ten thousand votes, feel like I was in

493
00:32:46,960 --> 00:32:54,759
space see fit l ten saying balls signed off for powerful.

494
00:32:54,480 --> 00:33:04,599
Speaker 1: Face, I front clay all I get us at the

495
00:33:04,839 --> 00:33:08,279
magic times I need to.

496
00:33:25,960 --> 00:33:32,559
Speaker 7: Tis No, I'm going to do it right this time.

497
00:33:35,200 --> 00:33:39,839
See the light.

498
00:33:39,799 --> 00:33:43,079
Speaker 18: Ten shadows you vos w.

499
00:33:45,400 --> 00:33:52,400
Speaker 7: See it then ten sous you vos like I wasn't stay.

500
00:33:52,799 --> 00:33:58,200
Speaker 1: See it's the l ten s the balls, when a.

501
00:33:59,000 --> 00:34:35,920
Speaker 7: Face saw sign woo.

502
00:34:33,280 --> 00:35:07,519
Speaker 14: Battle stage door, feedo man battle station door, don't go

503
00:35:07,719 --> 00:35:08,960
lad and take a swim.

504
00:35:09,079 --> 00:35:13,360
Speaker 1: Today it was really alive, and I just said to get.

505
00:35:13,360 --> 00:35:16,000
Speaker 14: Away the fly.

506
00:35:16,119 --> 00:35:20,519
Speaker 1: I do some down in they but I don't care.

507
00:35:20,679 --> 00:35:22,079
Speaker 14: Think I got some it anyway.

508
00:35:23,679 --> 00:35:36,840
Speaker 1: Yeah, let's take a time. Don't beat it, don't go.

509
00:35:38,079 --> 00:35:40,679
Speaker 18: I feel alive. Don't beat it.

510
00:35:40,760 --> 00:35:45,480
Speaker 1: Don't come. Let's take a time, don't beat it, don't come.

511
00:35:46,519 --> 00:35:58,599
Speaker 14: I feel alive. But I remember when I was in

512
00:35:58,760 --> 00:35:59,920
the suns that swimming a.

513
00:36:02,000 --> 00:36:06,320
Speaker 7: But then on a sudden heard something sam I saw

514
00:36:06,400 --> 00:36:09,599
to say that looked a lot like a submarine.

515
00:36:10,400 --> 00:36:12,000
Speaker 1: Where the break girls and the bridge.

516
00:36:12,079 --> 00:36:13,199
Speaker 20: Couldn't this be a dream?

517
00:36:14,199 --> 00:36:14,599
Speaker 6: I don't know.

518
00:36:18,760 --> 00:36:19,159
Speaker 1: It's me.

519
00:36:24,760 --> 00:36:30,039
Speaker 21: Let's take time, so't bet, don't come. I feel a lot,

520
00:36:31,119 --> 00:36:35,840
don't be, don't come let's take a time, don't beat,

521
00:36:35,920 --> 00:36:40,079
don't go. I feel alive, no, got to be wet,

522
00:37:13,079 --> 00:37:13,840
so be don't.

523
00:37:15,159 --> 00:37:16,079
Speaker 18: Let's take the time.

524
00:37:17,239 --> 00:37:18,480
Speaker 1: I'll be down.

525
00:37:19,400 --> 00:37:24,559
Speaker 7: I feel at be don't let's take the time.

526
00:37:25,039 --> 00:37:30,679
Speaker 6: Okay, dot, don't go. I feel any, don't be, don't

527
00:37:30,760 --> 00:37:31,239
come out.

528
00:37:32,039 --> 00:37:34,880
Speaker 1: Let's say nay, don't.

529
00:37:36,199 --> 00:37:42,239
Speaker 6: I feel an Let's take bank.

530
00:37:42,480 --> 00:37:52,079
Speaker 22: Don't I feel don't let's taken, don't be dot down,

531
00:37:53,119 --> 00:37:53,880
I feel.

532
00:37:57,360 --> 00:37:57,400
Speaker 8: That.

533
00:37:59,400 --> 00:38:03,639
Speaker 9: Today's is dedicated to the memory of Ace Frehley.

534
00:38:06,239 --> 00:38:11,239
Speaker 12: If you're listening to macconnorton Unleashed on WM.

535
00:38:10,800 --> 00:38:14,280
Speaker 9: And ah NY five point three and now the world

536
00:38:14,400 --> 00:38:17,039
radio premiere of the new single from Box of Trash,

537
00:38:17,320 --> 00:38:18,719
this is called Nightmare.

538
00:38:45,760 --> 00:38:52,760
Speaker 1: Hello, listby how you plan there? Yes, bout by cow

539
00:38:52,880 --> 00:38:54,280
inside on.

540
00:38:59,000 --> 00:39:02,039
Speaker 23: That broom that say it's meaning this.

541
00:39:03,760 --> 00:39:09,480
Speaker 7: It's a chass picky chazz to reassesses now as.

542
00:39:10,920 --> 00:39:14,079
Speaker 23: Something checks me, awake you out.

543
00:39:13,960 --> 00:39:15,559
Speaker 1: And rouse me from.

544
00:39:17,440 --> 00:39:21,159
Speaker 18: I love you live such a night there.

545
00:39:23,840 --> 00:39:32,039
Speaker 23: I just swam to the best, she said, She said me,

546
00:39:32,360 --> 00:39:33,920
Yet what you wish for.

547
00:39:36,159 --> 00:39:36,920
Speaker 15: The games?

548
00:39:37,159 --> 00:39:44,800
Speaker 1: Saying that I wanted God when I told you?

549
00:39:45,199 --> 00:39:45,400
Speaker 8: Wow?

550
00:39:45,719 --> 00:39:46,960
Speaker 18: So like now.

551
00:39:48,599 --> 00:39:49,519
Speaker 1: I still down.

552
00:39:50,119 --> 00:39:52,119
Speaker 14: We the crown of the.

553
00:39:52,360 --> 00:39:53,760
Speaker 1: Lordly round.

554
00:39:55,760 --> 00:39:59,920
Speaker 6: Something chakes me awake, and that it rose me from

555
00:40:00,239 --> 00:40:00,719
the book.

556
00:40:02,239 --> 00:40:05,800
Speaker 1: I never knew I was such an idea.

557
00:40:08,639 --> 00:40:16,280
Speaker 18: I just wop due to care. I don't give it anymore.

558
00:40:16,480 --> 00:40:17,360
Speaker 6: That's something you know.

559
00:40:17,480 --> 00:40:20,760
Speaker 23: I'm doing nothing to say it, so my body turning.

560
00:40:20,880 --> 00:40:24,400
Speaker 6: No, I just start, I let you know.

561
00:41:06,079 --> 00:41:07,440
Speaker 14: She said, she said, she.

562
00:41:07,559 --> 00:41:13,599
Speaker 23: Said, she said, she said, she said, she said, she said,

563
00:41:13,719 --> 00:41:14,320
she said.

564
00:41:19,079 --> 00:41:22,159
Speaker 6: I've never I was such.

565
00:41:22,039 --> 00:41:28,639
Speaker 23: A nightmare, she swam, use a jaz.

566
00:41:31,760 --> 00:41:34,559
Speaker 24: I don't hate any walk that's a bas comor do

567
00:41:34,920 --> 00:41:35,199
I did?

568
00:41:35,519 --> 00:41:36,280
Speaker 18: Just said itself.

569
00:41:36,440 --> 00:41:37,760
Speaker 6: Feel my body tad know.

570
00:41:38,159 --> 00:41:39,760
Speaker 4: I just start.

571
00:41:40,280 --> 00:41:44,400
Speaker 18: I let you know, I let you go.

572
00:42:16,039 --> 00:42:18,280
Speaker 9: And now the world radio premiere of the new single

573
00:42:18,360 --> 00:42:21,079
from the Far North. This is called Mountain Song.

574
00:42:21,800 --> 00:42:23,639
Speaker 4: The way things change.

575
00:42:23,920 --> 00:42:26,800
Speaker 20: I don't think I can guess.

576
00:42:26,920 --> 00:42:33,039
Speaker 25: You're next to move. I miss you bird, your restrain

577
00:42:33,360 --> 00:42:37,119
on me. It's still so much to prove.

578
00:42:39,880 --> 00:42:44,480
Speaker 20: You say that you'll change, so I'll leave your.

579
00:42:44,440 --> 00:42:45,599
Speaker 4: Key bery the door.

580
00:42:47,559 --> 00:42:50,840
Speaker 1: Soon after that, it all fads.

581
00:42:50,559 --> 00:42:54,360
Speaker 18: To black, and I'm not so in loving mon.

582
00:43:00,119 --> 00:43:05,239
Speaker 1: Alone. The gaps in my heart don't belong.

583
00:43:06,880 --> 00:43:08,280
Speaker 4: Read line.

584
00:43:11,039 --> 00:43:15,960
Speaker 18: Can we go back and again? Can we go.

585
00:43:16,320 --> 00:43:17,480
Speaker 1: Back and again?

586
00:43:21,880 --> 00:43:23,079
Speaker 14: Every time?

587
00:43:23,559 --> 00:43:30,039
Speaker 1: I pen mo fee a rock post ryme underneath. I

588
00:43:30,239 --> 00:43:36,000
get back off for another round to climb this mountain.

589
00:43:36,199 --> 00:43:43,599
Speaker 25: You farm, you see that you change, so I'll leave

590
00:43:43,719 --> 00:43:45,320
your keypout the door.

591
00:43:47,239 --> 00:43:50,480
Speaker 1: Soon after that it all fits.

592
00:43:50,199 --> 00:43:53,760
Speaker 14: To black and I'm not so ill loving anymore?

593
00:43:57,960 --> 00:44:11,079
Speaker 26: Call the caps in my heart do belong? Can't we

594
00:44:11,239 --> 00:44:17,159
go back and again? Can't we go back and again?

595
00:45:40,840 --> 00:45:41,239
Speaker 14: And now?

596
00:45:41,400 --> 00:45:44,239
Speaker 9: The world radio premiere of the new single from the Painting.

597
00:45:44,519 --> 00:45:46,519
This is called Scarlett.

598
00:46:00,159 --> 00:46:08,239
Speaker 1: Look at the I just warns that Dren and to

599
00:46:08,320 --> 00:46:09,519
talk about.

600
00:46:13,480 --> 00:46:14,480
Speaker 6: Like a good So?

601
00:46:18,599 --> 00:46:23,880
Speaker 1: How is it going so hard that?

602
00:46:24,039 --> 00:46:24,519
Speaker 4: Tell me a.

603
00:46:26,440 --> 00:46:44,039
Speaker 7: New stars stock just your stone, whether we come.

604
00:46:45,639 --> 00:46:46,440
Speaker 4: You wander from.

605
00:46:49,039 --> 00:46:49,119
Speaker 8: Us?

606
00:46:56,559 --> 00:46:58,320
Speaker 6: Can we come out to talk?

607
00:47:01,360 --> 00:47:02,760
Speaker 1: Joe j S Jose.

608
00:47:15,880 --> 00:47:16,639
Speaker 18: To Jose.

609
00:47:21,920 --> 00:47:26,440
Speaker 8: Just so.

610
00:47:33,599 --> 00:48:29,360
Speaker 1: Just you sick John l Story Where we go?

611
00:48:29,679 --> 00:48:31,880
Speaker 18: So s S.

612
00:48:33,559 --> 00:48:58,719
Speaker 6: Princes, people tell me from what do we? S? S says.

613
00:49:28,039 --> 00:49:30,480
Speaker 9: Now the world radio premiere of the new single from

614
00:49:30,599 --> 00:49:31,599
Dakota Avenue.

615
00:49:32,000 --> 00:49:46,039
Speaker 27: This is the rollover, no phone section, no bike, he

616
00:49:46,199 --> 00:49:50,079
was because with days from home it's just the guns.

617
00:49:50,239 --> 00:49:56,000
Speaker 17: Then let's play hot.

618
00:49:55,880 --> 00:49:59,679
Speaker 1: And see don't make any sound? Should they get me O?

619
00:50:00,119 --> 00:50:05,320
Speaker 17: Convince them it's me myself.

620
00:50:05,280 --> 00:50:09,599
Speaker 1: Because if it has to be on the cue. Ritzi,

621
00:50:11,480 --> 00:50:11,639
you know.

622
00:50:11,800 --> 00:50:15,960
Speaker 4: If it has to be, that's where old rather lie.

623
00:50:17,079 --> 00:50:22,679
Speaker 17: Yes, because what you do is amazed. What should she

624
00:50:23,079 --> 00:50:30,400
to do in life is amazing? This Amazon's wall watch

625
00:50:30,880 --> 00:50:39,960
is my vel. You're watching there is my favor. It's

626
00:50:40,039 --> 00:50:42,320
a long she run over.

627
00:50:42,519 --> 00:50:43,320
Speaker 4: I'm over in.

628
00:50:49,639 --> 00:50:51,679
Speaker 1: Don't get it's a safety.

629
00:50:52,679 --> 00:50:54,679
Speaker 19: Don't try anything not to save me.

630
00:50:55,079 --> 00:50:59,679
Speaker 17: It's the least I can do to repay your father.

631
00:50:59,840 --> 00:51:01,960
Speaker 4: Things you do because if it has to be you

632
00:51:03,119 --> 00:51:05,760
of me, I'm sorry. It's decide.

633
00:51:06,920 --> 00:51:10,000
Speaker 28: Yeah, if it has to be you of me, it

634
00:51:10,079 --> 00:51:11,679
s worrew draw life.

635
00:51:12,920 --> 00:51:18,920
Speaker 17: Because what you do is amazing. What should choose to do?

636
00:51:19,159 --> 00:51:31,719
Your fists Christmas swallow? Watching you is my favorite? You're

637
00:51:31,719 --> 00:51:33,599
watching him is my favorite.

638
00:51:35,400 --> 00:51:36,199
Speaker 4: So long.

639
00:51:37,920 --> 00:51:45,920
Speaker 17: Watching you is so dangerous. You're watching him is my favorite.

640
00:51:46,320 --> 00:51:49,880
Things you love.

641
00:52:14,280 --> 00:52:14,320
Speaker 8: Me?

642
00:52:18,519 --> 00:52:21,920
Speaker 14: It bottled, rumble, the rain.

643
00:52:23,800 --> 00:52:25,239
Speaker 6: Now what you is? The bay?

644
00:52:30,000 --> 00:52:31,400
Speaker 1: Now what you was Sunday?

645
00:52:36,119 --> 00:52:37,079
Speaker 8: Now he is.

646
00:52:38,679 --> 00:52:43,599
Speaker 18: More sun.

647
00:52:46,400 --> 00:52:50,079
Speaker 13: This fall the ballpark isn't closing for the season. It's

648
00:52:50,159 --> 00:52:54,079
waking up, step beyond the gates and into fright Nights

649
00:52:54,159 --> 00:52:57,719
at the Field, an immersive, haunted experience where the roar

650
00:52:57,800 --> 00:53:01,519
of the crowd has been replaced Why whiskers in the dark,

651
00:53:02,280 --> 00:53:05,480
wander through twisted tunnels, ghost lid corridors, and the stadium

652
00:53:05,480 --> 00:53:09,079
itself now home to the things that never left live

653
00:53:09,199 --> 00:53:13,400
scare actors, movie quality sets, heart racing encounters around every corner.

654
00:53:14,400 --> 00:53:16,840
The game is over, but the nightmare has just begun.

655
00:53:17,559 --> 00:53:18,639
Fright nights in the field.

656
00:53:19,119 --> 00:53:20,199
Speaker 12: There to play after dark.

657
00:53:21,199 --> 00:53:22,840
Speaker 29: Luigi's Pizza Bar and.

658
00:53:22,920 --> 00:53:27,840
Speaker 21: Grill Under every one let's phrase slyes on hide with

659
00:53:28,159 --> 00:53:29,760
top and top the ground.

660
00:53:30,280 --> 00:53:32,320
Speaker 1: It's a pizza bar your mind.

661
00:53:32,880 --> 00:53:37,199
Speaker 29: Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester.

662
00:53:37,480 --> 00:53:40,320
Come on in or call six two two one zero

663
00:53:40,599 --> 00:53:45,639
two one Luigi, keeping the tradition alive since nineteen seventy five.

664
00:53:47,480 --> 00:53:51,880
Speaker 1: Pizza for every one, Come join a beast to night.

665
00:53:52,800 --> 00:53:56,800
Speaker 14: With each slice scents up in. Everything feels so right.

666
00:54:00,039 --> 00:54:02,159
Speaker 28: In times of crisis, you need a law firm that

667
00:54:02,280 --> 00:54:05,320
stands by your side. With over forty years of experience,

668
00:54:05,440 --> 00:54:09,119
Craigan Getsulis is dedicated to fighting for your rights. As

669
00:54:09,199 --> 00:54:12,320
former state prosecutors, our attorneys have the knowledge and trial

670
00:54:12,440 --> 00:54:16,320
experience to provide an aggressive defense against any charge, from

671
00:54:16,400 --> 00:54:20,679
duys to homicides. If you've been injured, our compassionate team

672
00:54:20,719 --> 00:54:23,639
will assess your case and fight for the compensation you deserve.

673
00:54:24,119 --> 00:54:26,800
Serving all of New Hampshire. Craig and Getzulis is here

674
00:54:26,880 --> 00:54:29,920
when you need us most. Visit Craigatzulis dot com for

675
00:54:30,000 --> 00:54:33,920
a free consultation. Craigan Getzulus, your advocates, your.

676
00:54:33,880 --> 00:54:38,079
Speaker 24: Allies, bring your kitchen to life with Queen City Cabinetry,

677
00:54:38,480 --> 00:54:42,199
located at eighty seven Elm Street in the historic Sunbeam

678
00:54:42,320 --> 00:54:45,760
Wall in Manchester, open Monday through Friday nine.

679
00:54:45,639 --> 00:54:49,480
Speaker 20: Am to five thirty pm, in Saturdays ten am to

680
00:54:49,599 --> 00:54:52,880
two pm. They can be reached at six h three

681
00:54:53,280 --> 00:54:56,679
two two two to zero zero seven. We're on the

682
00:54:56,760 --> 00:55:01,559
web at Queen City Cabinetry NH dot com. Come see

683
00:55:01,639 --> 00:55:06,119
the possibility. Is Queen City Cabinet Treatment. Another crowd sponsor.

684
00:55:05,880 --> 00:55:07,199
Speaker 29: Of w MNH.

685
00:55:07,559 --> 00:55:10,119
Speaker 30: Hey everyone, there's Rob Azevedo host a Granite State of

686
00:55:10,159 --> 00:55:11,800
Mind and I want to tell you about Pembrooke City

687
00:55:11,840 --> 00:55:14,920
Limits and the historic Suncook Village. PCL is an award

688
00:55:15,000 --> 00:55:18,159
winning bar, restaurant and music venue where there's live music

689
00:55:18,239 --> 00:55:22,119
five days a week and twice on Saturdays. Everything from blues, country, folk,

690
00:55:22,199 --> 00:55:22,679
funk and a.

691
00:55:22,719 --> 00:55:23,519
Speaker 4: Whole lot of jazz.

692
00:55:23,960 --> 00:55:26,320
Speaker 30: We have twelve craft beers on Tap, dedicated to the

693
00:55:26,360 --> 00:55:28,639
local brewers in the area and some of the friendliest

694
00:55:28,679 --> 00:55:29,639
bartenders around.

695
00:55:30,079 --> 00:55:31,079
Speaker 9: Please come visit.

696
00:55:30,920 --> 00:55:33,320
Speaker 30: Pembrook City Limits at one thirty four Main Street, the

697
00:55:33,519 --> 00:55:37,039
historic sunk Cook Village, only six miles outside of Manchester.

698
00:55:37,480 --> 00:55:40,880
Open Tuesdays to Wednesdays four to ten Thursday's a Sunday

699
00:55:41,079 --> 00:55:41,800
eleven to ten.

700
00:55:42,199 --> 00:55:44,599
Speaker 9: Pembrook City Limits where it's all about the music.

701
00:55:44,840 --> 00:55:47,480
Speaker 29: Disneys Cafe is the place to put a smile on

702
00:55:47,559 --> 00:55:50,000
your face. Judy and the crew will take care of you,

703
00:55:50,239 --> 00:55:53,920
bring your appetite and treat your taste Buds. Fry Business

704
00:55:54,039 --> 00:55:58,119
Cafe is always a winning choice. Breakfast, lunch, or supper

705
00:55:58,599 --> 00:56:02,840
Disney's Cafe at eight sixty Elm Street in downtown Manchester.

706
00:56:03,360 --> 00:56:06,199
Dine in, take out or make a reservation call six

707
00:56:06,360 --> 00:56:11,039
o three six six two five three two, Eat, drink

708
00:56:11,400 --> 00:56:13,519
and be happy Dizz's Cafe.

709
00:56:13,880 --> 00:56:16,599
Speaker 11: When it comes to keeping WMNH on the air and

710
00:56:16,719 --> 00:56:19,880
your own personal or business computer needs, trust growl In

711
00:56:19,960 --> 00:56:24,480
Computers located on Elm Street in Manchester. Grollin handles computer repair,

712
00:56:24,679 --> 00:56:27,559
virus removal and custom built systems. Are you looking for

713
00:56:27,679 --> 00:56:30,960
budget friendly options, check out our selection of fully inspected

714
00:56:31,119 --> 00:56:35,199
used computers. We offer tailored on site solutions no unnecessary

715
00:56:35,280 --> 00:56:38,840
expenses here. Visit Growlin dot com or call Grolling Computers

716
00:56:39,000 --> 00:56:42,599
at six zero three six four five zero one zero one,

717
00:56:42,760 --> 00:56:45,400
Your Tech, Your Way, Trust groll In Computers.

718
00:56:52,800 --> 00:56:56,800
Speaker 8: N seven times out of ten we listened to our

719
00:56:57,000 --> 00:57:03,280
music at nice. That's gon title business program.

720
00:57:03,159 --> 00:57:05,599
Speaker 25: Late Night to Light with DJ mitas right here on

721
00:57:05,800 --> 00:57:07,679
WMNH Manchester.

722
00:57:08,320 --> 00:57:13,079
Speaker 10: Because Saturdays and Sunday nights midnight to four am.

723
00:57:14,400 --> 00:57:19,840
Speaker 31: This hour on wm NH is sponsored by CGI Business Solutions,

724
00:57:20,239 --> 00:57:24,239
located at five Dartmouth Drive in Auburn. They serve all

725
00:57:24,320 --> 00:57:28,800
your business needs including employee benefits, planning, corporate design and

726
00:57:28,880 --> 00:57:34,880
business administration, investments and wealth management and customized business insurance solutions.

727
00:57:35,159 --> 00:57:37,719
Their phone number is eight sixty six eight four to

728
00:57:37,800 --> 00:57:41,599
one forty six hundred, or on the web at CGI

729
00:57:41,800 --> 00:57:43,639
Business Solutions dot com.

730
00:57:46,639 --> 00:57:50,159
Speaker 12: Behold the harmony of airwaves as you immerse yourself in

731
00:57:50,239 --> 00:57:54,280
the captivating frequencies of w m NHLP. Their sunnic card

732
00:57:54,719 --> 00:57:58,199
w Manchester is transcending through the ether ninety five point

733
00:57:58,239 --> 00:58:01,760
three megahertz frequency module are Our transmissions emanate from the

734
00:58:01,880 --> 00:58:04,880
zenith of one thousand down Streets. Ensure into the hearts

735
00:58:04,920 --> 00:58:07,960
of our creative realm at one nineteen Canal Street, where

736
00:58:08,079 --> 00:58:12,199
innovation and sound collage. They're the impro moder of Manchester

737
00:58:12,360 --> 00:58:16,440
Public Television Service in the venerable city of Manchester, New Hampshire, USA.

738
00:58:16,880 --> 00:58:19,880
Enrich your auditory journey with the depth of our license

739
00:58:19,960 --> 00:58:23,480
to WESDENSSPT. Your missives to wm n H ninety five

740
00:58:23,599 --> 00:58:27,320
three at gmail dot com or traverse the virtual corridors

741
00:58:27,360 --> 00:58:31,480
of wmnhradio dot org. Engage with our sonic vibrations by

742
00:58:31,519 --> 00:58:35,000
communing with us through the digital channel or radio beckons

743
00:58:35,119 --> 00:58:38,360
eager to enthrall you with its mesmerizing kidence and develop

744
00:58:38,400 --> 00:58:40,679
you with a symphony of foundless auditories.

745
00:58:40,719 --> 00:58:41,199
Speaker 31: Won Dude,