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<v Speaker 1>In nineteen eighty two, a video game developer named Kevin

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<v Speaker 1>Flynn was transported to the digital world, where he joined

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<v Speaker 1>to fight against the Master Control program. The movie was

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<v Speaker 1>called Tron. In twenty ten, Tron Legacy saw Kevin Flynn's

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<v Speaker 1>son Sam back in the digital world, fighting his father's

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<v Speaker 1>digitized likeness. Now, in twenty twenty five, this universe is

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<v Speaker 1>introduced to artificial intelligence. In tron Aries, I'm Ronald Young Junior,

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<v Speaker 1>and I'm leaving the theater. All right. This is Ronald,

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<v Speaker 1>and I am leaving the theater after seeing tron Ares.

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<v Speaker 1>Tron Aries written by Jesse Wigato, directed by Yoakum Ronning,

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<v Speaker 1>starring Jared Leto, Greta Lee, Evan Peters, Jody Turner, Smith Hassen,

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<v Speaker 1>minhaj Arturo Castro, Gillian Anderson, Jillian Anderson, and Jeff Bridges

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<v Speaker 1>and per Usual. For a complete cast listing, you can

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<v Speaker 1>go to the link in our show notes. It is

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<v Speaker 1>just me today, all right. Tron Aries is the third

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<v Speaker 1>in the tron series. I believe there's also a spinoff

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<v Speaker 1>animated television series as well, so I don't know if

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<v Speaker 1>that is still a part of the continuity here. It

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<v Speaker 1>is still made by Disney, so I think it just

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<v Speaker 1>might kind of be an offshoot of the Tron series,

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<v Speaker 1>Whereas this is the third in the main canon, if

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<v Speaker 1>you will, of the Tron series that began in nineteen

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<v Speaker 1>eighty two. I want to say I believe it is

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<v Speaker 1>two years older than me. It had a sequel called

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<v Speaker 1>Tron Legacy, which I believe came out in twenty ten

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<v Speaker 1>or eleven right around there, and this is the third one. Now,

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<v Speaker 1>I had seen trom Legacy years ago when it came

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<v Speaker 1>out in twenty ten or eleven. As a matter of fact,

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<v Speaker 1>Tron Legacy was the first movie I watched on my

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<v Speaker 1>brand new flat panel television in my first apartment I

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<v Speaker 1>lived in alone, and I remember I watched it and

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<v Speaker 1>I enjoyed it at the time. If I'm being honest,

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<v Speaker 1>I think what I enjoyed at the time was having

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<v Speaker 1>a flat panel television for the first time and being

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<v Speaker 1>in my own apartment. Because this past week, while on

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<v Speaker 1>the plane, I watched both Tron and Tron Legacy, and

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<v Speaker 1>I did not like either one of these films. I

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<v Speaker 1>did not like them. Tron is It's a valiant effort,

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<v Speaker 1>and I think it is a technological step forward for

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<v Speaker 1>film in terms of special effects and what they were

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<v Speaker 1>doing in order to accomplish the making of the digital world.

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<v Speaker 1>For those who don't know what Tron is, let me

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<v Speaker 1>just take a step back. It is a series about

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<v Speaker 1>computer program who essentially are getting continuously sucked into the

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<v Speaker 1>digital world, where they then have to accomplish a certain

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<v Speaker 1>set of tasks in order to get out of the

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<v Speaker 1>digital world. The name Tron comes from the fact that

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<v Speaker 1>in the first film, and I guess also in Tron Legacy,

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<v Speaker 1>that there is a character named Tron who is a

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<v Speaker 1>security program within the computer meant to fight against the

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<v Speaker 1>Master Control, which is the villain in the first film,

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<v Speaker 1>along with the rival computer program. It's honestly, none of

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<v Speaker 1>this is important because these movies aren't terribly plot driven

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<v Speaker 1>or plot heavy at all. They're really about the visual

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<v Speaker 1>and technological spectacle. This was the case in nineteen eighty

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<v Speaker 1>two because these films were one hundred percent bad in

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<v Speaker 1>terms of what it takes to actually write and execute

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<v Speaker 1>a movie. The writing is bad. There's large swaths of

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<v Speaker 1>the movie where I'm uncertain as to what we are

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<v Speaker 1>doing or waiting for. We are in the digital world constantly.

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<v Speaker 1>In Tron and Tron Legacy in a way that is

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<v Speaker 1>extremely boring to me, and especially watching Tron Legacy, having

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<v Speaker 1>grown up with the Matrix, not with Tron, but I've

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<v Speaker 1>grown up with the Matrix. I already know what it

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<v Speaker 1>looks like to be in the digital world versus the

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<v Speaker 1>real world, and it feels like, especially after Tron Legacy

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<v Speaker 1>came out, when you have the Matrix, which already existed,

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<v Speaker 1>it feels like it would be very, very easy to

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<v Speaker 1>make a good Tron movie in the shadow of the Matrix.

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<v Speaker 1>But no, they did not. Tron Legacy not very good.

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<v Speaker 1>All of that being said, both between those two movies,

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<v Speaker 1>I wanted to make sure I was prepared walking into

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<v Speaker 1>Tron ares My biggest critique of Tron and Tron Legacy

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<v Speaker 1>is that there's too much going on in the digital world.

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<v Speaker 1>It's boring. I don't care about it. It's not interesting.

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<v Speaker 1>They have not done a good job of representing it.

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<v Speaker 1>It's just not a great place to be. Generally, they

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<v Speaker 1>fix that in tron Areas and tron Areas. We spend

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<v Speaker 1>not much time in the digital world at all, and

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<v Speaker 1>one of the main plot points early in the film

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<v Speaker 1>is about three D printing, which is bringing the digital

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<v Speaker 1>elements out of the digital world into the real world,

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<v Speaker 1>and I liked that a lot better. I just feel

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<v Speaker 1>like it makes for a better movie. I don't there's

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<v Speaker 1>more things happening in this real world than in the

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<v Speaker 1>digital world. We are dealing with the consequences of what

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<v Speaker 1>of the programming that folks are doing, and they're bringing

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<v Speaker 1>those problems out in front of everyone, which for me,

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<v Speaker 1>feels more realistic. It feels like there's more for a

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<v Speaker 1>plot to do with that scenario. In this one, the

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<v Speaker 1>main plot of the film is that there is a AI

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<v Speaker 1>program called Ares that essentially become sentient and decides that

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<v Speaker 1>it wants to permanently live in the real world. But

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<v Speaker 1>that's impossible to do because everything that is printed out

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<v Speaker 1>of the digital world into the real world only has

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<v Speaker 1>a twenty nine minute lifespan before it completely disintegrates. So

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<v Speaker 1>one of the main focuses of all the Trons are

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<v Speaker 1>the things that you probably know the most is light bike,

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<v Speaker 1>meaning those two motorcycles that are racing against each other

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<v Speaker 1>and one of them has to cut the other one off,

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<v Speaker 1>and that is the battle that is kind of the

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<v Speaker 1>centerpiece of Tron. You've probably seen that if you haven't

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<v Speaker 1>even seen either one of these films, well, of course

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<v Speaker 1>they have to put light bike in the neutron areas,

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<v Speaker 1>and they do, and it's glorious because it's set in

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<v Speaker 1>the real world. They're riding around real streets. They're still

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<v Speaker 1>doing the light bike stuff. They're tearing up everything, but

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<v Speaker 1>it's all in the real world world. And obviously technology

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<v Speaker 1>has progressed to a place where it looks good. This

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<v Speaker 1>is what I'm talking about. What I'm saying, you live

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<v Speaker 1>in a world where the matrix exists, build on top

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<v Speaker 1>of that, don't build on top of old trons. You

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<v Speaker 1>have better technology, all of that. What does it look

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<v Speaker 1>like to be doing this in a world with a

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<v Speaker 1>lot better technology than we've ever had. So it looks good.

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<v Speaker 1>The light bike looks good, but more generally, all of

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<v Speaker 1>it looks good. This is a This is a visual

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<v Speaker 1>spectacle in the way the others kind of aspire to be,

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<v Speaker 1>but they actually kind of nail it in this one. Visually,

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<v Speaker 1>very good. Plot still not there, still not there, I

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<v Speaker 1>will say of the three films, this was the best

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<v Speaker 1>in my opinion, plot wise and visually. And I think

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<v Speaker 1>there's going to be some people who will try to

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<v Speaker 1>say that this one's not as good as the originals,

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<v Speaker 1>but I think they might be burdened by nostalgia. I

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<v Speaker 1>am not. I have seen all three of these moves

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<v Speaker 1>this week, and I could say, for me, hands down,

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<v Speaker 1>Trona Aries is the best of the three. There are

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<v Speaker 1>times in which it feels like a Jared Letto vanity project.

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<v Speaker 1>But Greta Lee is such a grounding force in the film,

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<v Speaker 1>and obviously love looking at her, love hearing her talk,

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<v Speaker 1>love watching her perform, and she grounds the movie in

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<v Speaker 1>a way that kind of makes me feel like there

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<v Speaker 1>are stakes. There's a little bit of grief happening as well.

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<v Speaker 1>While she's also tried to accomplish this technological goal by

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<v Speaker 1>changing it from a woman from a man to a woman,

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<v Speaker 1>I feel like it also changes kind of the tenor

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<v Speaker 1>of the movie. Then you can really start to think

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<v Speaker 1>of this woman CEO versus this man CEO. The audience

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<v Speaker 1>is going to bring with it all of the baggage

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<v Speaker 1>that comes with that as well, which just makes the

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<v Speaker 1>movie more interesting. She's also Asian, which again it makes

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<v Speaker 1>it more interesting. I still think that there's a lot

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<v Speaker 1>of ways in which movies don't get race right, and

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<v Speaker 1>obviously I talked about it a lot on leaving the theater,

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<v Speaker 1>but here watching this and thinking about her being a

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<v Speaker 1>woman in power in this universe, that's means something that's significant,

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<v Speaker 1>And even though they don't dwell on it at all

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<v Speaker 1>in this movie, I'm kind of thinking back to say, like,

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<v Speaker 1>did they explicitly even mentioned it in the movie? It's

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<v Speaker 1>still something that comes to bear because it exists. And

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<v Speaker 1>I am a human watching this movie, So yeah, outside

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<v Speaker 1>of the Jared Leto probably grew up loving Tron and

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<v Speaker 1>he's one of the producers on the film, so obviously

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<v Speaker 1>as excited about the film in a very specific way.

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<v Speaker 1>So he's going to set himself up as the center

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<v Speaker 1>of the movie. I didn't feel like he was. I

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<v Speaker 1>feel like he is a center of the movie, but

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<v Speaker 1>I feel like Greta Lee for me, was who I

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<v Speaker 1>was paying attention to the most, who I wanted to

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<v Speaker 1>see the most on screen. This film sets up for

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<v Speaker 1>a sequel in several ways. There are two pretty important

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<v Speaker 1>things that happen towards the end of the film. There

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<v Speaker 1>is some fan service that happens that I was able

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<v Speaker 1>to pick up on because I've watched the other movies

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<v Speaker 1>so recently they meant absolutely nothing to me. But I

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<v Speaker 1>know if you are a Tron fan, if you grew

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<v Speaker 1>up with it, this will be the culmination of all

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<v Speaker 1>of your fandom, watching all of it come together in

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<v Speaker 1>this way. Technology, the mixing, the merging of the digital

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<v Speaker 1>and the real world, all of it. So with all

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<v Speaker 1>of that being said, I don't think this movie was great,

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<v Speaker 1>but it was fine. And when I got to the end,

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<v Speaker 1>I remember with the setups that they were doing for

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<v Speaker 1>future Tron films, I remember thinking, oh, well, I'll I

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<v Speaker 1>want to see where this is going. I'll watch those obviously,

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<v Speaker 1>which and I would watch this one again. But I

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<v Speaker 1>don't love it. I don't love it. So I think

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<v Speaker 1>i'll give it a three point twenty five. I'll give

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<v Speaker 1>it a three point twenty five of five stars because

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<v Speaker 1>it's a little bit better than just your standard would

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<v Speaker 1>see this again three star movie. But ah, not quite.

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<v Speaker 1>It's it's not I mean, it's feel. It feels fairly

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<v Speaker 1>middle of the road to me, more exciting than Tron Legacy,

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<v Speaker 1>but still not quite. They've got to work on plot

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<v Speaker 1>elements that make this exciting and not just someone getting

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<v Speaker 1>in a vehicle and cutting other things and halves with

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<v Speaker 1>the like the lasers that come out of the back

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<v Speaker 1>of the plane, Like they gotta for me, that's got

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<v Speaker 1>to be something different. They've got to keep pushing this

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<v Speaker 1>forward so that it's exciting in a real way and

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<v Speaker 1>not just visual spectacle over and over again. So yeah,

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<v Speaker 1>three point twenty five of five stars and with that

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<v Speaker 1>leaving the theater is a production of Oh It's Big

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<v Speaker 1>Round Studios. I mixed this episode and currently I am

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<v Speaker 1>in sunny Pasadena, California. That's right. I am out here

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<v Speaker 1>on a retreat, visiting friends, doing some work stuff. And

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<v Speaker 1>while I'm out here, I went to the movies. I'm

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<v Speaker 1>recording outside of my hotel and I will likely edit

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<v Speaker 1>and post this before I get home. Currently it is Saturday.

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<v Speaker 1>I might edit this today. I might edit this on Sunday.

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<v Speaker 1>It comes out on Tuesday. But the bottom line is

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<v Speaker 1>I'm going to be doing this work while I am

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<v Speaker 1>on the road. I planned for it. I actually recorded

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<v Speaker 1>the intro already. I have the elements I need to

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<v Speaker 1>actually pull this all together, and I feel pretty good

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<v Speaker 1>about that. However, that is labor. It is a labor

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<v Speaker 1>of love, but it is labor at it. That's important

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<v Speaker 1>to you. If you realize the effort that I'm putting

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<v Speaker 1>in and you love listening to this show, you should

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<v Speaker 1>consider becoming a member of the Patreon Go to patreon

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<v Speaker 1>dot com slash leave in the Theater, where you can

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<v Speaker 1>have access to an ad free feed. You can have

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<v Speaker 1>access to the new podcast. I don't like that you

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<v Speaker 1>have access to on the couch which new episodes will

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<v Speaker 1>be coming soon, because I have to do a new

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<v Speaker 1>one for The Running Man, the original one, because the

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<v Speaker 1>new one with Glenn Powell is coming out next month,

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<v Speaker 1>so I need to be on top of that. My

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<v Speaker 1>new thing is making sure I've watched the old one

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<v Speaker 1>while I watch the new one, so I could see

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<v Speaker 1>where it sits in comparison and just kind of in

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<v Speaker 1>the canon of its own film. This is a lot

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<v Speaker 1>of work, it's a lot of effort, it's a lot

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<v Speaker 1>of labor. It is a labor of love, but it

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<v Speaker 1>is labor. If that means something to you, again, Patreon

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<v Speaker 1>dot com slash leave in the Theater, or go to

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<v Speaker 1>the link in our show notes. Show art from Heather Wilder,

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<v Speaker 1>theme music by the mysterious Breakmaster Cylinder. For more information

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<v Speaker 1>about tron aries check on our show notes. You can

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<v Speaker 1>follow me on Instagram, Blue Sky, TikTok, Threads, or letterbox

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<v Speaker 1>at ortz Big Ron that's at O H I T

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<v Speaker 1>S b I g R O N. You find out

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<v Speaker 1>more about this show and other Arts Big Round Studio

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<v Speaker 1>shows by following us on Instagram at Ortz Big Round Studios.

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<v Speaker 1>Leaving the theater will be back soon. Thanks for listening.