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<v Speaker 1>Victs, the makers of Vic's Vatron All Nose Drops presents

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<v Speaker 1>Dangerously Yours, starring Victor Jury in the firebrand. You know,

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<v Speaker 1>more and more millions of people are using Vict's Vatron

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<v Speaker 1>All Nose Drops to relieve distress of head calls, benefit

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<v Speaker 1>by their experience and now dangerously yours.

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<v Speaker 2>I am adventurer in my.

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<v Speaker 3>Name, Men of Travis, the highways, the byways, the skyways.

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<v Speaker 4>Of the world.

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<v Speaker 2>I am the fire that burns in the heart of us,

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<v Speaker 2>that makes men dream.

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<v Speaker 3>And there and conta, I am dangerously yours. Come with

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<v Speaker 3>me today to the Italy of the sixteenth century, a

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<v Speaker 3>day when the smile or the frown of a duke

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<v Speaker 3>would mean life or death, when ladies were the fragile,

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<v Speaker 3>lovely prices of the brave and daring. And one the

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<v Speaker 3>bravest and most daring man in Florence was ben Bernuto Cellini,

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<v Speaker 3>the firegram.

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<v Speaker 5>Now see here, Ben Venuto Cellini, this is the sixth

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<v Speaker 5>time you've been brought before me for roystering, and I'm

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<v Speaker 5>tired of it. You may be one of the best

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<v Speaker 5>silversmiths in the world. You may even be, as you say,

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<v Speaker 5>the best, but you are also a rascal, a rogan

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<v Speaker 5>an unmitigated liar.

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<v Speaker 2>Excellency, you warn me deeply with your words.

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<v Speaker 5>I'll wound you with more than words if you don't

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<v Speaker 5>behave yourself.

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<v Speaker 2>But you don't understand I'm constantly being persecuted by my enemy.

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<v Speaker 5>Oh now, Chelini, everyone in Florence can't be your enemy.

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<v Speaker 5>If they are, then I would do well have you

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<v Speaker 5>executed immediately.

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<v Speaker 2>Not everyone in Florence. It's a tabiano and his band

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<v Speaker 2>of cutthrow O.

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<v Speaker 5>Taviano is one of my trusted friends, even if he

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<v Speaker 5>did try to kill me three years ago, and a

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<v Speaker 5>far better citizen of Florence than you.

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<v Speaker 2>Then let a tabiano finish the medal I've been making

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<v Speaker 2>for you to commemorate your greatness for all time to come.

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<v Speaker 5>Meddley Greatness, Well, I'm going to spare you this time, Cellini,

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<v Speaker 5>but one more scrape, one more scrape of any nature,

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<v Speaker 5>and I'm going to have you beheaded. You may go now.

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<v Speaker 5>I'm seriously displeased with you, and I do not wish

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<v Speaker 5>to look upon your face any longer. Take it out

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<v Speaker 5>of my sight quickly before I change my mind and

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<v Speaker 5>deal severely with you.

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<v Speaker 2>Yes, your excellency, thank you, your excellency. Your kindness is

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<v Speaker 2>the light of Florence. Your wisdom is the pride of Florence.

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<v Speaker 2>Florence loves you, and I love you.

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<v Speaker 5>Oh, get out, get out, by the way, Cellini. That

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<v Speaker 5>little dancer at the cafe the.

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<v Speaker 2>Talia shall have her address tonight.

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<v Speaker 6>Address.

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<v Speaker 5>Oh yes, yes, thank you, Cellini. You're not a word

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<v Speaker 5>to anyone, not a word.

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<v Speaker 2>Good day, your excellency, your most gracious excellency, And mind you.

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<v Speaker 5>Watch your step, watch your step.

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<v Speaker 4>Well, Celini.

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<v Speaker 2>I was your interview with the Duke better than you hope.

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<v Speaker 2>To Taviano, he pardoned me.

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<v Speaker 4>You'd not be in trouble so often, Cillini, if you'd

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<v Speaker 4>serve my interests instead of your own in the Dukes.

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<v Speaker 2>The Duke is my master, and you are a traitor,

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<v Speaker 2>a liar, a thief, a cheetah, scoundrel. Good day at Taviano,

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<v Speaker 2>if you don't mind, I need a little fresh air.

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<v Speaker 7>Yes, excellency, the Duchess request that you come to apartments

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<v Speaker 7>before you leave.

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<v Speaker 2>The duchess. Yes, sir, well, here's a piece of gold

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<v Speaker 2>for you. Tell the Duchess you are not able to

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<v Speaker 2>catch me.

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<v Speaker 7>Yes, in you're Cellini, But I think your cree Where

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<v Speaker 7>have you been?

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<v Speaker 2>We're going in such a hurry. Greetings, Pierre. I've been

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<v Speaker 2>having my weekly scolding from the Duke, and I'm going

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<v Speaker 2>to see the most beautiful girl in the world.

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<v Speaker 4>I have heard that the Duke is out of patience

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<v Speaker 4>with you. Take he Ben Venuto, don't be reckless. Once

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<v Speaker 4>your head is cut off, there will be no putting

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<v Speaker 4>it back.

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<v Speaker 2>I will be careful, Pierre. Have you ever seen such

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<v Speaker 2>a day? Influence?

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<v Speaker 5>Ah?

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<v Speaker 2>Look at that beautiful blue sky, at that wonderful sunshine

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<v Speaker 2>of fells enchanting beggars. Throw them a coin, Pierre, here good?

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<v Speaker 4>What on earth has gotten into you?

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<v Speaker 2>But the first time in his life? Ben Benudo Cellini,

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<v Speaker 2>the greatest silversmith in the world, the most exciting love

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<v Speaker 2>are the most brilliant and vendor and artist, Ben Venudo,

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<v Speaker 2>the handsome, the reckless, the magnificence is in love.

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<v Speaker 4>One of the things I admire about you is your modesty.

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<v Speaker 2>Modesty?

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<v Speaker 4>What is that you are right to ask?

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<v Speaker 8>Ah?

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<v Speaker 2>That Angela? Oh? Care that Angela is truly from heaven?

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<v Speaker 2>Do you know I love her so much? Time afraid

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<v Speaker 2>to take her in my arms, not even kissed her,

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<v Speaker 2>but I'm going to marry her.

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<v Speaker 4>Marry that I should live to hear such a word

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<v Speaker 4>on your lip. I'm going to marry her. You may

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<v Speaker 4>have some trouble accomplishing that. I understand. Mafio has a

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<v Speaker 4>great liking for the same lady. And Mafio is no

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<v Speaker 4>mean swordsman. Mafiol, that tool of a tabiano. Has he

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<v Speaker 4>dared to look at my Angela. You don't own the girl,

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<v Speaker 4>you know, just because she's your marble.

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<v Speaker 2>If Mafio so much as dares to speak to her again,

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<v Speaker 2>I'll cut him into little pieces and feed him to

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<v Speaker 2>the sharks.

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<v Speaker 9>Will you now where that's very interesting? Cendini, Good afternoon, Mafio.

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<v Speaker 9>It doesn't surprise me in the least that you sneak

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<v Speaker 9>up behind people and listen to conversations that are none

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<v Speaker 9>of your affairs.

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<v Speaker 2>But obviously this one is my affair.

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<v Speaker 9>Just what makes you think you can say what ladies

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<v Speaker 9>I am to see and what ladies I am not

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<v Speaker 9>to see.

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<v Speaker 2>I'm not interested in what ladies you see, Mafio, so

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<v Speaker 2>long as you stay away from Angela.

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<v Speaker 9>Well, now, I like Angela, and I don't choose to

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<v Speaker 9>stay away from her. After all, she's a nobody, nobody.

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<v Speaker 4>I'll kill you for that.

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<v Speaker 9>You're welcome to try Chellini. I just assume see you

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<v Speaker 9>date as not. Then there will be no obstacles between

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<v Speaker 9>Angela and me.

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<v Speaker 4>Do not fight, remember the Duke?

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<v Speaker 2>Why do you hesitate? Ben Bernuto? Are you afraid to

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<v Speaker 2>fight me? Afraid?

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<v Speaker 10>Ah?

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<v Speaker 2>Do you think so? You do?

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<v Speaker 4>Not sense?

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<v Speaker 2>As well as you talk, my friends, you.

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<v Speaker 9>Will see how well I find Chellini, particularly when I

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<v Speaker 9>fight for a woman.

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<v Speaker 2>Ah. How do you like a taste of blood?

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<v Speaker 9>Matthew, I'll have your life before I'm done with you,

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<v Speaker 9>And then I had the lovely Angela?

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<v Speaker 4>You lie?

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<v Speaker 2>Ah there, my friend, how do you like that.

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<v Speaker 4>He's done for Come quickly, We've got to get out

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<v Speaker 4>of here. The Duke is sure be after you any minute.

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<v Speaker 2>You're right, Say a prayer for me, will you? Pierre?

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<v Speaker 2>You're on much better putting with heaven than.

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<v Speaker 4>I not with the angels. Cellini not worth the angels.

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<v Speaker 2>Angela, Oh, my Angela? I love you. Don't you think

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<v Speaker 2>you could love me at all?

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<v Speaker 10>I think you're a splendid artist, and it's a great

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<v Speaker 10>honor to be your model.

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<v Speaker 2>Would you never think of me except for a chisel

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<v Speaker 2>or a paint brush in my hand. I'm a man

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<v Speaker 2>as well as an artist or Angela. If you will

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<v Speaker 2>but love me, I will take your hands and fill

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<v Speaker 2>them with stars, and I will take your heart and

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<v Speaker 2>fill it with fire. Angela, Never in my life if

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<v Speaker 2>I asked a woman to marry me. But I ask you,

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<v Speaker 2>I don't know.

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<v Speaker 4>I don't know, Bendanuda.

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<v Speaker 10>See, I've been waiting for a very special man.

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<v Speaker 2>What kind of man. I'm the most romantic man in Florence.

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<v Speaker 10>First of all, he must be someone who'll be constant

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<v Speaker 10>and never look at another woman.

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<v Speaker 2>Such a man never lived, Angela, Do you love me?

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<v Speaker 10>What is love?

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<v Speaker 4>Ben Banudo?

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<v Speaker 10>Tell me what love is, and I'll try to tell.

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<v Speaker 2>You if I love you, why love love is? Love

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<v Speaker 2>is lightning and thunder and music and excitement. Love is

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<v Speaker 2>a flame in the dark. Love is a challenge that

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<v Speaker 2>sends the blood surging through you and puts the steadiest

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<v Speaker 2>heart offbeat. Love is you, Angela.

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<v Speaker 10>Oh, you're so much older and so much wiser than I.

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<v Speaker 10>But I know far more of love than you.

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<v Speaker 5>All those things are the beginnings of love.

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<v Speaker 10>That they're not love?

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<v Speaker 2>No, then what is love? My Angela?

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<v Speaker 10>If I told you you'll laugh because you wouldn't understand.

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<v Speaker 10>But perhaps one day you'll know more about love. And

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<v Speaker 10>when you do, perhaps that day I'll marry you.

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<v Speaker 2>In the name of all the saints, was there ever

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<v Speaker 2>a man so plagued by a woman? Angela, listen to

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<v Speaker 2>me and try to understand. To me, you are the

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<v Speaker 2>mystery man must live on beyond bread, the wonder and

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<v Speaker 2>glory of the world. I'm mad about your hair. I'm

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<v Speaker 2>enraptured with your eyes, and I'm jealous that God and

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<v Speaker 2>not I created you. It's no, you do not interrupt

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<v Speaker 2>me when I'm speaking.

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<v Speaker 11>So well, Oh, pardon me.

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<v Speaker 2>You are the bell which awakens me, and the bell

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<v Speaker 2>which says rest. I love you like an angel I

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<v Speaker 2>love you like a man, and I will always love you.

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<v Speaker 2>Open the door in the name of the Duke.

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<v Speaker 12>Open the door.

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<v Speaker 10>That'so's voice, and Duke's with him, then the Neuto.

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<v Speaker 11>Are you in trouble?

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<v Speaker 2>Yes, I killed Mapfield this morning.

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<v Speaker 11>You must try to escape.

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<v Speaker 2>I'm not run like a coward.

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<v Speaker 5>Chillini, Come in.

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<v Speaker 2>Welcome, your excellency. My poor house is honored by your presence. Uh,

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<v Speaker 2>come in, Chillini.

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<v Speaker 5>This time you have angered me beyond all endurance.

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<v Speaker 2>I hear you've been listening to my enemies, Your excellency.

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<v Speaker 5>Your crimes are your enemy.

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<v Speaker 2>My Lord, you are angry with me unjustly. He does

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<v Speaker 2>not hesitate to rebuke even you, your excellency. You'd like

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<v Speaker 2>to see me dead, wouldn't you. Taviano. I'll wager my

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<v Speaker 2>next fee that you set Matthia on me with a

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<v Speaker 2>full and tenth that we should kill it one mom

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<v Speaker 2>my lord, do not listen to this outrageous fellow.

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<v Speaker 5>Chelini. O Taviano tells me that this morning, after giving

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<v Speaker 5>me your word to behave yourself, you spilled more blood

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<v Speaker 5>in the streets of Florence.

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<v Speaker 2>Well, but in self defense, my Lord, in self defense,

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<v Speaker 2>Mafio attacked me. He attacked me with the whole regiment

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<v Speaker 2>that is here. Your murders are notorious. Chelini and Taviana,

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<v Speaker 2>you were not there to say that accepting the presence

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<v Speaker 2>of my lord am I to take that is proof

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<v Speaker 2>of your peaceful nature.

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<v Speaker 5>Chilini.

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<v Speaker 2>I cannot be peaceful when I'm insulted. I I try

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<v Speaker 2>to pattern myself too much after your excellency.

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<v Speaker 5>After me, well, I must admit that was neatly said.

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<v Speaker 2>Does my Lord, forget this morning's murder.

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<v Speaker 5>Murder, murder, No, no, I do not forget this morning's murder. Chillini.

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<v Speaker 5>I do not believe you, and no matter what proof

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<v Speaker 5>you have, I will not believe you. You have caused much

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<v Speaker 5>grief and bloodshed in Florence. Therefore, in full justice, I sentence.

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<v Speaker 10>You, please, my Lord, do not sentence him to death?

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<v Speaker 5>Well, well, well, who are you come here to me?

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<v Speaker 5>My child? Why would you have me spare this assassin?

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<v Speaker 5>Because because well, speak up, speak up, because.

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<v Speaker 10>I love him, Your excellency, Angela.

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<v Speaker 5>You love this rascalist, this scoundrelss rogue who were shed's

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<v Speaker 5>blood as though it were water, and steals women's hearts

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<v Speaker 5>as if they were pennies. You love him.

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<v Speaker 10>I've struggled very hard against it, your excellency, but I

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<v Speaker 10>cannot help myself. I do love him with my whole heart.

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<v Speaker 5>Well, loving Cellini seems to be a state of mind

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<v Speaker 5>that every girl in Florence goes through at one age

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<v Speaker 5>or another. You're certain you're in love with him?

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<v Speaker 10>Yes, my lord.

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<v Speaker 5>Now I've taken quite a fancy to you. I'm going

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<v Speaker 5>to help you get over this fellow. How would you

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<v Speaker 5>like to come with me to my summer palette.

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<v Speaker 2>Tell him, no, Angela, know, your excellency.

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<v Speaker 5>If you will come with me, I will spare his life.

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<v Speaker 5>But if you insist on staying with him, I will

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<v Speaker 5>most surely hang him. Well, what do you say to that?

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<v Speaker 2>What?

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<v Speaker 8>But I will go, of course.

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<v Speaker 2>My lord, Oh, Angela, don't do this. And I conclusion. Now,

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<v Speaker 2>my lord, what do you think the duchess is going

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<v Speaker 2>to say to this duchess?

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<v Speaker 5>Oh, dear me, look here, one word did the duchess

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<v Speaker 5>and you die. You're a very lucky fellow to be

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<v Speaker 5>alive at all. Come, my dear, Oh, never mind the

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<v Speaker 5>address of that dancer ben Venuta. I'm not interested, after all,

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<v Speaker 5>I swear I'd like to tap tut Benvenuto. Remember I

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<v Speaker 5>am your excellency, Yes, CHELINI, I order you to remain

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<v Speaker 5>in your house, and under no circumstances to leave it

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<v Speaker 5>without my permission.

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<v Speaker 6>Come, everybody, she's gone.

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<v Speaker 2>Here, she's gone, and the stars have gone out, and

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<v Speaker 2>the moon has gone out. And Lawrence is a wilderness.

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<v Speaker 2>You'll get over it. And meanwhile, I have a message

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<v Speaker 2>for you from the duchess. The duchess the devil. Take

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<v Speaker 2>the Duchess the Duchess.

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<v Speaker 4>My friend wants to know if you will come to

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<v Speaker 4>the Summer Palace for a few weeks.

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<v Speaker 2>Summer Palace, she.

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<v Speaker 4>Says, She will tell the Duke that you are there

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<v Speaker 4>to devise a decoration for the fountain the Summer Palace,

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<v Speaker 4>the Summer Palace. Yes, shall I still tell the uck

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<v Speaker 4>duchess to go to the devil?

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<v Speaker 2>Tell the duchess to go to the devil? How could

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<v Speaker 2>you think of such a thing.

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<v Speaker 4>You'll never live to be old, my friends.

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<v Speaker 2>Maybe not here, maybe not, but I'll have twice as

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<v Speaker 2>much fun out of life as those who do. I

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<v Speaker 2>don't care whether I live to be old or not,

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<v Speaker 2>so long as I can be young with Angela. Come,

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<v Speaker 2>I'm going to the Summer Palace tonight, even even if

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<v Speaker 2>I die tomorrow morning.

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<v Speaker 1>In just a moment, we'll bring you the second act

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<v Speaker 1>of the Firebrand. The old saying a stitch in time

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<v Speaker 1>saves nine is certainly true in connection with head calls.

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<v Speaker 1>At this time of the year, it's wise to act

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<v Speaker 1>quickly when you feel an early fall head coal coming on.

285
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<v Speaker 1>Wise to relieve those sniffles and sneezes as quickly as

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<v Speaker 1>you can, because neglected head coals can cause a great

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<v Speaker 1>deal of needless suffering.

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<v Speaker 2>Now here's a good tip.

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<v Speaker 1>You may easily and quickly relieve the distress of head

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00:14:46.000 --> 00:14:49.480
<v Speaker 1>coals with Vicks Vatronol. Just put a few drops in

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00:14:49.519 --> 00:14:52.879
<v Speaker 1>each each nostril and Vatronol goes to work right where

292
00:14:53.000 --> 00:14:53.600
<v Speaker 1>trouble is.

293
00:14:54.159 --> 00:14:55.559
<v Speaker 2>And Vatronol does.

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<v Speaker 1>More than relieve the sneezy irritation and reduce nasal stuffiness,

295
00:15:00.080 --> 00:15:04.039
<v Speaker 1>also actually helps prevent many calls from developing if used

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<v Speaker 1>in time. That's why thousands of people use double duty vatronoll.

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<v Speaker 1>Now try veatron all yourself, friends, you'll like the way

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00:15:12.679 --> 00:15:16.559
<v Speaker 1>it works. Just follow the directions in the folder Victs

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<v Speaker 1>vatronall the double duty nose drops. And now the second

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<v Speaker 1>act of Dangerously Yours starring Victor Jury in the fire.

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<v Speaker 8>Brand, Your excellency, I'll go away, Go away, Otaviano.

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00:15:41.120 --> 00:15:44.919
<v Speaker 5>I'm very busy talking to Angela. I came here to

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<v Speaker 5>the summer Palace for a little rest and quiet, but

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<v Speaker 5>I have mules of the greatest importance. Will wait until tomorrow.

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00:15:50.720 --> 00:15:53.919
<v Speaker 5>Leni has escaped and ordered the soldiers to catch him

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<v Speaker 5>and lea me alone.

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<v Speaker 2>With your excellency. He plots against your life. He will

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<v Speaker 2>surely kill you because you've stolen Angela.

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<v Speaker 5>Oh what a hiresome fellow, what a boar? Well, this

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<v Speaker 5>is the last straw. The camel's back is broken. We

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<v Speaker 5>order that Cellini be hanged directly. He is caught, and

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00:16:10.720 --> 00:16:12.759
<v Speaker 5>we give the matter into your handsome execution.

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<v Speaker 2>I'll go away, Yes, you're excellent. Oh one more thing.

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<v Speaker 5>The duchess has arrived my wife here in the summer palace.

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<v Speaker 2>Yes, your excellency.

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<v Speaker 5>Sometimes I wish I were dead. And this is one

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<v Speaker 5>of them?

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00:16:28.919 --> 00:16:29.519
<v Speaker 2>Who was that?

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00:16:31.840 --> 00:16:40.320
<v Speaker 5>It looks like Poverino's bad Palverino, I wounded to death.

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00:16:40.360 --> 00:16:43.440
<v Speaker 5>I feel who attacked you? Who has done such a

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<v Speaker 5>monstrous thing? By my trust that man shall die for this.

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<v Speaker 2>Probably found Paulverina's body.

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<v Speaker 6>By now.

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<v Speaker 2>If there was ever hope for me, it's long since vanished.

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<v Speaker 2>You should not have killed him, Pierre, and I should

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<v Speaker 2>never have come to the Summer Palace.

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<v Speaker 4>He jumped on your back. If I had not thrown

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<v Speaker 4>my dagger when I did, he would have plunged his

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<v Speaker 4>own into you.

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<v Speaker 11>Ah.

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<v Speaker 4>There her a dead Pulverine. I was a dead Cellini.

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<v Speaker 4>Ah Me.

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<v Speaker 2>I don't know why I attract so much trouble. I'm

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00:17:23.200 --> 00:17:27.839
<v Speaker 2>always in trouble. Sometimes I wish I were dead. Maybe

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00:17:27.839 --> 00:17:31.359
<v Speaker 2>I should let the Duke catch me. Can only kill

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00:17:31.400 --> 00:17:34.400
<v Speaker 2>me once, and then I won't need to worry anymore.

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<v Speaker 4>Listen, isn't that Angela?

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00:17:40.079 --> 00:17:44.920
<v Speaker 2>If it is, it is Angela? Oh, how many times

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00:17:44.960 --> 00:17:46.480
<v Speaker 2>I've heard that voice in my dream?

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00:17:46.799 --> 00:17:47.680
<v Speaker 4>She's moving away.

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<v Speaker 2>I must talk to a Pierre. I must speak to

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00:17:49.599 --> 00:17:51.960
<v Speaker 2>my adored when I'll carry you away from the duke

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00:17:52.000 --> 00:17:53.079
<v Speaker 2>and die in the attempt?

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<v Speaker 5>Totalini? Would you really carry me away from the Duke

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00:17:56.160 --> 00:17:56.680
<v Speaker 5>the duchess?

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<v Speaker 2>A good, good afternoon, my most gracious lady.

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00:18:00.079 --> 00:18:01.920
<v Speaker 5>I have been waiting for you, Ben Denuto.

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00:18:02.359 --> 00:18:04.680
<v Speaker 2>I wondered if you would come. How could I stay away?

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00:18:05.000 --> 00:18:07.160
<v Speaker 2>I came through rivers of blood. Paul Bringer tried to

350
00:18:07.200 --> 00:18:08.839
<v Speaker 2>keep me from your side, and I had to kill him.

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<v Speaker 2>You shall be pardoned, Ben de Neuto, if you make

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00:18:12.160 --> 00:18:14.400
<v Speaker 2>your request in a sweet enough manner.

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<v Speaker 10>Come.

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00:18:15.839 --> 00:18:19.119
<v Speaker 2>Uh uh Pierre, Oh surely, Pierre need not come. Let

355
00:18:19.200 --> 00:18:22.880
<v Speaker 2>us be alone together, just you and I Bendnuto. Yes,

356
00:18:23.240 --> 00:18:26.799
<v Speaker 2>your grace, you sound so strange. Are you ill or

357
00:18:26.839 --> 00:18:29.880
<v Speaker 2>in pain? I am in paining your grace by your hand.

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<v Speaker 2>You'll never know what you're doing to my heart. You'll

359
00:18:33.559 --> 00:18:36.759
<v Speaker 2>never know what you have done to mine. Come then,

360
00:18:36.799 --> 00:18:39.839
<v Speaker 2>the newto come your grace. Give me but one moment

361
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<v Speaker 2>to speak to Pierre, and I shall be at your side.

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<v Speaker 5>I'll await you.

363
00:18:43.519 --> 00:18:45.839
<v Speaker 2>Do not keep me waiting long. I shall not.

364
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<v Speaker 4>Kill me.

365
00:18:49.000 --> 00:18:51.519
<v Speaker 2>Pierre, take your dagger and plunge it into my heart.

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00:18:51.559 --> 00:18:53.079
<v Speaker 2>I can stand no more of this.

367
00:18:53.480 --> 00:18:57.839
<v Speaker 4>Is this Cholini talking ben Venuto Cellini, who snaps his

368
00:18:57.880 --> 00:19:01.039
<v Speaker 4>fingers at fate and takes what he wants for assuredly

369
00:19:01.119 --> 00:19:03.880
<v Speaker 4>it is not go find the girl carry her off.

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<v Speaker 4>If you only have a few more hours to live,

371
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<v Speaker 4>live recklessly and beautifully the way you've always lived. You're Cellini,

372
00:19:10.599 --> 00:19:14.000
<v Speaker 4>the most handsome of lovers, the most skilled of silversmith's,

373
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<v Speaker 4>the most glorious man in Florence.

374
00:19:15.920 --> 00:19:17.920
<v Speaker 2>Go on, go on, Pierre, you're convincing.

375
00:19:18.079 --> 00:19:22.000
<v Speaker 4>You're You're a legend, a symbol of gallantry and romance

376
00:19:22.039 --> 00:19:24.640
<v Speaker 4>that will live forever. Well. You are the man that

377
00:19:24.799 --> 00:19:28.559
<v Speaker 4>every woman dreams about and every man envies. You're the

378
00:19:28.680 --> 00:19:31.440
<v Speaker 4>charm of the moonlight, the sparkle of wine, the dash

379
00:19:31.480 --> 00:19:33.200
<v Speaker 4>of the conqueror. You're magnificent.

380
00:19:33.240 --> 00:19:36.720
<v Speaker 2>You are right, I am magnificent. I will go find Angela.

381
00:19:36.880 --> 00:19:39.440
<v Speaker 2>I'll see you later here.

382
00:19:39.759 --> 00:19:52.200
<v Speaker 11>What a liar I am?

383
00:19:52.319 --> 00:19:54.000
<v Speaker 2>Angela? Are my Angela?

384
00:19:54.119 --> 00:19:56.400
<v Speaker 10>Then I wondered if you'd come from me.

385
00:19:56.440 --> 00:19:59.400
<v Speaker 2>Where's the duke waiting for me? The duchess is waiting

386
00:19:59.400 --> 00:20:01.160
<v Speaker 2>for me? I told her I had to speak to

387
00:20:01.200 --> 00:20:05.160
<v Speaker 2>Pierre all Angela.

388
00:20:04.039 --> 00:20:07.559
<v Speaker 10>Yes, Benda, Why didn't you say something?

389
00:20:08.079 --> 00:20:11.240
<v Speaker 5>Where are all the words that used to come so magnificently.

390
00:20:10.599 --> 00:20:11.119
<v Speaker 10>To your tongue.

391
00:20:11.240 --> 00:20:14.720
<v Speaker 2>It's funny, but I can't think of them. All I

392
00:20:14.759 --> 00:20:18.200
<v Speaker 2>can think is that you're beautiful, and I'd like to

393
00:20:18.240 --> 00:20:21.039
<v Speaker 2>spend the rest of my life at your feet, whether

394
00:20:21.119 --> 00:20:25.240
<v Speaker 2>it's sixty years or sixty hours or sixty minutes. Angela.

395
00:20:25.279 --> 00:20:27.839
<v Speaker 2>For the first time in my life, I wish my

396
00:20:27.920 --> 00:20:31.160
<v Speaker 2>name was not Ben de Nudo Cellini. I wish I

397
00:20:31.200 --> 00:20:34.200
<v Speaker 2>had a more humble name and a humble house to

398
00:20:34.240 --> 00:20:38.359
<v Speaker 2>take you two. I wish I could say, if God

399
00:20:38.480 --> 00:20:41.079
<v Speaker 2>continues to smile on me, I'll have sixty years and

400
00:20:41.119 --> 00:20:46.400
<v Speaker 2>they're yours. If you'll have me or Angela. You make

401
00:20:46.440 --> 00:20:49.039
<v Speaker 2>me want to be so much better than I am.

402
00:20:49.279 --> 00:20:54.319
<v Speaker 2>I love you, very much, so very much.

403
00:20:56.079 --> 00:20:59.680
<v Speaker 10>Once you ask me what love was, and I wouldn't

404
00:20:59.680 --> 00:21:02.880
<v Speaker 10>tell you there you'd laugh. But what I would have

405
00:21:03.000 --> 00:21:07.440
<v Speaker 10>said is that love is growing old together, growing old,

406
00:21:07.480 --> 00:21:10.640
<v Speaker 10>loving the same things and loving each other.

407
00:21:10.799 --> 00:21:12.839
<v Speaker 2>Come back to Florence with me and marry me tonight.

408
00:21:13.240 --> 00:21:15.119
<v Speaker 2>It may not be for sixty years, Angela. It may

409
00:21:15.160 --> 00:21:17.000
<v Speaker 2>only be for sixty hours.

410
00:21:17.480 --> 00:21:20.960
<v Speaker 10>Perhaps left, I'll marry you, whether it's for a few

411
00:21:21.039 --> 00:21:22.759
<v Speaker 10>hours or a sixty years.

412
00:21:22.880 --> 00:21:39.920
<v Speaker 2>Oh, come, let us hurry, Let us hurry home, my Angela.

413
00:21:27.240 --> 00:21:42.880
<v Speaker 12>Open in the name of the Duke, Open in the

414
00:21:42.920 --> 00:21:43.240
<v Speaker 12>name of the.

415
00:21:45.759 --> 00:21:47.079
<v Speaker 4>Ben Venuta, My darling.

416
00:21:47.119 --> 00:21:50.200
<v Speaker 10>He is here, he's here, and we've not had sixty hours.

417
00:21:50.200 --> 00:21:51.000
<v Speaker 2>Come we let him in.

418
00:21:54.200 --> 00:21:59.160
<v Speaker 5>Well, there you are, Angela, And and here you are Chelini,

419
00:21:59.359 --> 00:22:00.000
<v Speaker 5>is scoundrel.

420
00:22:00.240 --> 00:22:02.359
<v Speaker 2>You told me to stay here in my own house

421
00:22:02.359 --> 00:22:02.920
<v Speaker 2>for excellence.

422
00:22:03.000 --> 00:22:03.920
<v Speaker 5>Did you obey me?

423
00:22:04.039 --> 00:22:06.839
<v Speaker 2>Well, no, I had a mission that took me briefly

424
00:22:06.880 --> 00:22:07.720
<v Speaker 2>to the Summer Palace.

425
00:22:08.000 --> 00:22:12.400
<v Speaker 5>Was that mission to steal Angela and kill Paulverino? Yes,

426
00:22:12.759 --> 00:22:15.640
<v Speaker 5>your excellency, Chelini. I've come here to see that you

427
00:22:15.680 --> 00:22:18.920
<v Speaker 5>are executed, and nothing is going to change my mind

428
00:22:18.960 --> 00:22:21.480
<v Speaker 5>this time. I've been looking forward to it all morning.

429
00:22:22.119 --> 00:22:24.079
<v Speaker 5>Take him away, farewell, angel No.

430
00:22:24.039 --> 00:22:26.880
<v Speaker 10>Wait, the Lord you've not heard him tell why he

431
00:22:27.000 --> 00:22:29.559
<v Speaker 10>killed Paulverino. He did it to save.

432
00:22:29.359 --> 00:22:33.240
<v Speaker 5>You, save me. Why bless my soul, Bless my soul.

433
00:22:33.920 --> 00:22:35.960
<v Speaker 5>How could that possibly be impossible?

434
00:22:36.160 --> 00:22:38.400
<v Speaker 10>I sent a message to Tulini to come and save you.

435
00:22:39.119 --> 00:22:43.400
<v Speaker 10>I heard a Taviano and Paulverino plotting. Taviano ordered Paulverini

436
00:22:43.480 --> 00:22:43.880
<v Speaker 10>to kill you.

437
00:22:43.960 --> 00:22:44.440
<v Speaker 2>That's a lie.

438
00:22:44.720 --> 00:22:48.279
<v Speaker 5>Be quiet, a Taviano, your opinion does not count. What

439
00:22:48.400 --> 00:22:49.240
<v Speaker 5>else did he say?

440
00:22:50.240 --> 00:22:52.000
<v Speaker 10>I there to tell you.

441
00:22:52.039 --> 00:22:52.480
<v Speaker 8>My lord?

442
00:22:52.640 --> 00:22:54.599
<v Speaker 5>All speak up, my child, speak up?

443
00:22:55.559 --> 00:23:00.000
<v Speaker 10>Well, if you must know, O Taviano said you were alone?

444
00:23:00.000 --> 00:23:01.599
<v Speaker 10>Long eared donkey?

445
00:23:01.839 --> 00:23:03.240
<v Speaker 8>What why?

446
00:23:03.359 --> 00:23:07.160
<v Speaker 5>I'll hang him in Chelini's place, A long eared donkey.

447
00:23:07.799 --> 00:23:09.880
<v Speaker 5>I don't have long ears at all. A lie.

448
00:23:10.000 --> 00:23:12.200
<v Speaker 2>The girls in love with Chilini. She's just trying to

449
00:23:12.200 --> 00:23:12.880
<v Speaker 2>save his life.

450
00:23:12.960 --> 00:23:14.799
<v Speaker 5>Well, I hope it's a lie.

451
00:23:15.119 --> 00:23:15.559
<v Speaker 4>Donkey.

452
00:23:16.119 --> 00:23:18.559
<v Speaker 5>I was considered the bright boy of the family.

453
00:23:18.599 --> 00:23:20.559
<v Speaker 2>I say, let's string Chelini up and have an end

454
00:23:20.559 --> 00:23:20.839
<v Speaker 2>of him.

455
00:23:21.000 --> 00:23:21.799
<v Speaker 4>It seems to.

456
00:23:21.799 --> 00:23:26.799
<v Speaker 5>Me you're overly anxious to have Chillini hanged. A Taviano. Chilini,

457
00:23:27.240 --> 00:23:29.839
<v Speaker 5>when you came to the palace, why didn't you ask

458
00:23:29.920 --> 00:23:30.240
<v Speaker 5>for me?

459
00:23:30.359 --> 00:23:32.799
<v Speaker 2>I wanted to find you myself. And when Paul Breno

460
00:23:32.920 --> 00:23:34.240
<v Speaker 2>leapt on me in the dock, and I had to

461
00:23:34.279 --> 00:23:36.359
<v Speaker 2>kill him. I lost my head and ran away.

462
00:23:36.559 --> 00:23:39.319
<v Speaker 10>Don't you see, your excellency, When a Taviano found that

463
00:23:39.359 --> 00:23:41.680
<v Speaker 10>Chelini had fled, he was afraid he'd gotten.

464
00:23:41.480 --> 00:23:43.279
<v Speaker 2>Wind of the plot and was going to warn you.

465
00:23:43.799 --> 00:23:47.880
<v Speaker 5>It all sounds very flimsy to me. On the other hand,

466
00:23:48.000 --> 00:23:52.119
<v Speaker 5>three years ago at Taviano, you did plot against my life, but.

467
00:23:52.119 --> 00:23:54.680
<v Speaker 2>You forgave me and it did not happen again. My Lord,

468
00:23:54.799 --> 00:23:56.839
<v Speaker 2>I am a mediature and I claim the right of

469
00:23:56.839 --> 00:24:00.119
<v Speaker 2>protection from further insults. My honor is at stake. You

470
00:24:00.200 --> 00:24:02.720
<v Speaker 2>must hang Chillini or you must hang me. In the

471
00:24:02.799 --> 00:24:05.359
<v Speaker 2>name of our family, I demand which of us would

472
00:24:05.359 --> 00:24:05.680
<v Speaker 2>you hang?

473
00:24:06.079 --> 00:24:10.400
<v Speaker 5>That's quite a problem, isn't it, Otaviano. I don't like

474
00:24:10.480 --> 00:24:13.400
<v Speaker 5>your face. I never have since the time you tried

475
00:24:13.400 --> 00:24:16.480
<v Speaker 5>to kill me three years ago. You're no good as

476
00:24:16.519 --> 00:24:20.440
<v Speaker 5>a silversmith, and you're not even amusing. I think I

477
00:24:20.440 --> 00:24:23.160
<v Speaker 5>will hang you instead of Chileani. You tried to kill

478
00:24:23.200 --> 00:24:25.279
<v Speaker 5>me before, and I think you may have been at

479
00:24:25.319 --> 00:24:25.720
<v Speaker 5>it again.

480
00:24:25.880 --> 00:24:27.880
<v Speaker 4>I threw myself on your mercim a lord.

481
00:24:27.880 --> 00:24:32.440
<v Speaker 5>Away with you man, Take him away, good by, take

482
00:24:32.559 --> 00:24:33.480
<v Speaker 5>him away.

483
00:24:33.240 --> 00:24:36.079
<v Speaker 2>And I say you are a love your donkey.

484
00:24:36.240 --> 00:24:39.079
<v Speaker 5>Put him in a rid infested selling and don't be

485
00:24:39.200 --> 00:24:45.160
<v Speaker 5>particular Abody's meals. Give him vinegar to drink. I never

486
00:24:45.240 --> 00:24:49.039
<v Speaker 5>did like that man. With all that true, my dear,

487
00:24:49.759 --> 00:24:52.279
<v Speaker 5>you can tell me I will not kill your Chilini.

488
00:24:52.519 --> 00:24:53.559
<v Speaker 8>It was all true.

489
00:24:53.880 --> 00:24:54.839
<v Speaker 2>I give you my word.

490
00:24:55.160 --> 00:24:56.720
<v Speaker 5>Why didn't you tell me before?

491
00:24:56.880 --> 00:25:01.279
<v Speaker 2>I didn't you tell me I was until I should

492
00:25:01.279 --> 00:25:01.680
<v Speaker 2>need it.

493
00:25:02.440 --> 00:25:05.240
<v Speaker 10>I thought maybe at the right moment, I might be

494
00:25:05.279 --> 00:25:06.319
<v Speaker 10>able to exchange it.

495
00:25:06.759 --> 00:25:10.359
<v Speaker 2>For sixty years of a man's life. You're very young

496
00:25:10.480 --> 00:25:11.480
<v Speaker 2>to have learned so much.

497
00:25:11.559 --> 00:25:13.960
<v Speaker 10>Oh, I learned it all from a master of Induram,

498
00:25:14.880 --> 00:25:16.400
<v Speaker 10>a great CHELINI.

499
00:25:16.240 --> 00:25:19.319
<v Speaker 5>Now see here. Something has to be done about this man.

500
00:25:19.400 --> 00:25:21.240
<v Speaker 5>He's the terror of Florence.

501
00:25:21.440 --> 00:25:25.119
<v Speaker 10>With your permission, Lord, I have done something about him.

502
00:25:25.279 --> 00:25:32.799
<v Speaker 5>Yes what, I've married him? Married, ha ha, marry Chillini.

503
00:25:33.359 --> 00:25:36.119
<v Speaker 5>You don't mean it. You don't mean it.

504
00:25:36.319 --> 00:25:38.480
<v Speaker 2>What is so funny about marriage this?

505
00:25:38.920 --> 00:25:43.240
<v Speaker 5>I am going to enjoy watching you great jumping crassop

506
00:25:43.279 --> 00:25:46.799
<v Speaker 5>behind man. I didn't known you Chileini married.

507
00:25:46.920 --> 00:25:51.319
<v Speaker 2>I'll see here. I like being married. I'll cut your

508
00:25:51.359 --> 00:25:52.799
<v Speaker 2>ears off. You don't stop that light.

509
00:25:54.640 --> 00:25:57.000
<v Speaker 5>Tell me what's the address?

510
00:25:57.119 --> 00:26:01.920
<v Speaker 2>Is that dancing your thatch of Giovanni forty three?

511
00:26:02.240 --> 00:26:07.200
<v Speaker 5>Thank you, goodbye, my friends, and may all your troubles

512
00:26:07.279 --> 00:26:08.640
<v Speaker 5>be little donkey.

513
00:26:08.519 --> 00:26:12.359
<v Speaker 2>Hello on the old clown. Stop that in front of

514
00:26:12.559 --> 00:26:18.079
<v Speaker 2>laughing Angela. I love you and I will love you

515
00:26:18.160 --> 00:26:20.599
<v Speaker 2>for sixty years and one hundred and sixty and one

516
00:26:20.640 --> 00:26:24.640
<v Speaker 2>thousand and sixty, and I want sixty little girls that

517
00:26:25.279 --> 00:26:27.079
<v Speaker 2>look just like you.

518
00:26:27.759 --> 00:26:32.319
<v Speaker 10>Sixty that's quite a few little girls. Will you settle

519
00:26:32.359 --> 00:26:32.720
<v Speaker 10>for sin.

520
00:26:32.799 --> 00:26:35.000
<v Speaker 6>I'll settle for you, Oh.

521
00:26:34.720 --> 00:26:35.920
<v Speaker 2>Darling, you have me.

522
00:26:37.079 --> 00:26:39.559
<v Speaker 10>As for the little girls, you'll have to keep your

523
00:26:39.559 --> 00:26:40.359
<v Speaker 10>fingers crossed.

524
00:26:40.440 --> 00:26:40.920
<v Speaker 6>Ah not.

525
00:26:41.079 --> 00:26:43.920
<v Speaker 2>I with a fine piece of silver on my anvil,

526
00:26:43.960 --> 00:26:45.640
<v Speaker 2>and the Duke's smiling at me in the city of

527
00:26:45.680 --> 00:26:48.880
<v Speaker 2>Florence at my feet, and you in my arms. There's

528
00:26:49.160 --> 00:26:52.599
<v Speaker 2>nothing I can't accomplish. I am Choline.

529
00:27:09.519 --> 00:27:13.079
<v Speaker 1>Folks, when you start sniffling and sneezing these early fall days,

530
00:27:13.119 --> 00:27:15.200
<v Speaker 1>it's usually a sign that you've got a head cold

531
00:27:15.279 --> 00:27:17.960
<v Speaker 1>coming on, and you'd better do something about it right away.

532
00:27:18.559 --> 00:27:19.519
<v Speaker 4>One quick way.

533
00:27:19.359 --> 00:27:22.920
<v Speaker 1>To relieve your distress is with vix Vatronol, the special

534
00:27:22.960 --> 00:27:27.559
<v Speaker 1>double duty nose drops. This fine specialized medication goes to

535
00:27:27.640 --> 00:27:30.000
<v Speaker 1>work right where trouble is the moment you put a

536
00:27:30.000 --> 00:27:33.440
<v Speaker 1>few drops in each nostrils, you can feel vatronol start

537
00:27:33.519 --> 00:27:37.440
<v Speaker 1>bringing grand relief. It makes breathing easier as it reduces

538
00:27:37.480 --> 00:27:41.680
<v Speaker 1>swollen membranes and opens up the nasal passages. Yes, it's sensible,

539
00:27:41.720 --> 00:27:44.799
<v Speaker 1>friends to keep a bottle of vatronol handy so you

540
00:27:44.799 --> 00:27:47.359
<v Speaker 1>can use it quick when a head coal strikes. And

541
00:27:47.440 --> 00:27:51.079
<v Speaker 1>remember it helps prevent many coals from developing if used

542
00:27:51.079 --> 00:27:57.880
<v Speaker 1>in time. Follow directions in the folder vix Vatronol Nose Drops.

543
00:28:00.039 --> 00:28:00.839
<v Speaker 4>I am Adventure.

544
00:28:01.319 --> 00:28:03.200
<v Speaker 3>Next week, come with me to early Baltimore.

545
00:28:03.519 --> 00:28:06.599
<v Speaker 13>Meet a man whose entire life was a strange, dark adventure,

546
00:28:06.759 --> 00:28:08.640
<v Speaker 13>but whose life was also one of the most beautiful

547
00:28:08.720 --> 00:28:12.039
<v Speaker 13>romances of all time. Learn about him in the Shadow

548
00:28:12.079 --> 00:28:13.839
<v Speaker 13>of the Raven until next week.

549
00:28:13.880 --> 00:28:16.160
<v Speaker 2>Then I am Dangerously Your.

550
00:28:23.680 --> 00:28:26.599
<v Speaker 1>Our script was written by Gene Holloway from the play

551
00:28:26.960 --> 00:28:31.960
<v Speaker 1>The Firebrand. Dangerously Yours was directed by Richard Sandvell. Music

552
00:28:32.000 --> 00:28:34.440
<v Speaker 1>for the series is under the direction of Mark Warnow.

553
00:28:34.960 --> 00:28:38.279
<v Speaker 1>Angela was played by Joan Tetzel. The Duke was played

554
00:28:38.319 --> 00:28:41.519
<v Speaker 1>by Kermit Murdoch. Be sure to listen again next week

555
00:28:41.759 --> 00:28:46.160
<v Speaker 1>when Dangerously Yours presents the Shadow of the Raven starring

556
00:28:46.759 --> 00:28:59.000
<v Speaker 1>Victor Jory. This is CBS, the Columbia Broadcasting system