WEBVTT

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<v Speaker 1>Hey, everybody, Ella here, and after two year break, we

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<v Speaker 1>are about to start covering all the new gravity Falls

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<v Speaker 1>stuff that has come out, starting with coverage of the

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<v Speaker 1>Gravity Falls vinyl soundtrack, and fittingly enough, today we're also

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<v Speaker 1>dropping a soundtrack for this very podcast. It's called Mystery

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<v Speaker 1>Shacks Soundtrack, and it features just about every song and

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<v Speaker 1>song cover we featured on the show. Here you can

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<v Speaker 1>download it for as little as free, and it's at

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<v Speaker 1>ellachzrii dot bancamp dot com. Link in the description that's

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<v Speaker 1>e L l A C E s a ri i

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<v Speaker 1>dot bandcamp dot com. And if you stick around after

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<v Speaker 1>the credits and plugs toward the end of this episode,

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<v Speaker 1>you'll hear a brand new song cover from yours truly

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<v Speaker 1>and new Patreon shout outs done by none other than

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<v Speaker 1>Matt Chapman, the voice of Mermando on Gravity Falls, as

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<v Speaker 1>well as a bunch of other gravity Falls characters, writer

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<v Speaker 1>on Gravity Falls, and the co creator of Home Star Runner. So,

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<v Speaker 1>without further Ado, let's get into it. Take me back

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<v Speaker 1>to the place sign know with the Mystery Shack and

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<v Speaker 1>the forest gnomes. I'm already back, so come on, let's go.

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<v Speaker 1>Don't get me started my heart's in Gravity Falls.

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<v Speaker 2>Welcome to Mystery Shack, look Back, a nostalgic time capsule

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<v Speaker 2>and no spoiler record. Club of the original Gravity Falls Fandom.

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<v Speaker 2>We are your curators.

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<v Speaker 1>I'm Spanky, I'm the Sprits.

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<v Speaker 3>And I'm your littlest brother thirty under thirty Media. I

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<v Speaker 3>Lluminary Martin.

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<v Speaker 2>Is that we haven't done one of these in a while.

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<v Speaker 1>I feel like we I think I think we messed

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<v Speaker 1>that up a little bit.

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<v Speaker 3>I think that's correct.

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<v Speaker 1>You sure, Shelby, I don't know.

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<v Speaker 3>I don't know, Ella, do you think that's right?

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<v Speaker 2>And I'm Charlie. I missed you, guys, we missed you too.

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<v Speaker 1>By My aim is getting.

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<v Speaker 2>Yeah, for sure. No. I constantly think, boy, I don't

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<v Speaker 2>miss producing a weekly podcast, but I miss recording a

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<v Speaker 2>weekly podcast with my best friends.

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<v Speaker 1>Yes, yes, you can pretend that we've been doing this

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<v Speaker 1>every week before this.

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<v Speaker 2>Guys missed a lot of episodes.

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<v Speaker 1>Man, last week's was crazy.

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<v Speaker 2>Last week's was nuts. We had god on.

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<v Speaker 1>Yeah, that's true. We had actually every god from every

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<v Speaker 1>religion on the podcast.

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<v Speaker 2>Big Big Get, Big Get. So when we finished this

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<v Speaker 2>podcast two years ago, the gravity Falls Fandom was done.

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<v Speaker 2>They stopped doing that. Yeah, and it has been back

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<v Speaker 2>in a big way lately. I think someone who can

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<v Speaker 2>remember who said this might be the most popular it's

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<v Speaker 2>ever been on Twitter or x.

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<v Speaker 1>I don't I don't know if that's is that is

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<v Speaker 1>that true?

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<v Speaker 2>It might be because think about it this way, there

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<v Speaker 2>were people who were eight and didn't have social media

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<v Speaker 2>when they became a fan of the show, who are

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<v Speaker 2>twenty now.

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<v Speaker 3>Wild, absolutely insane.

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<v Speaker 1>No, see that doesn't know, that's not I don't believe that.

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<v Speaker 2>Well, okay, you can bring it up with the person

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<v Speaker 2>who posted that.

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<v Speaker 1>Oh yeah, you know what. You know what I'd like

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<v Speaker 1>to I'd like to see them face to face, really

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<v Speaker 1>really give a piece of why I and in.

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<v Speaker 2>This corner that GF fan from YouTube and Twitter.

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<v Speaker 1>Oh oh now, come on, come on now, come on now,

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<v Speaker 1>Oh come on, you don't want to fight me. Oh

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<v Speaker 1>come on now, I was just joking out around. Come on.

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<v Speaker 4>Apology accepted.

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<v Speaker 2>So you only first watched Gravity Falls in twenty seventeen,

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<v Speaker 2>that's correct, Yeah.

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<v Speaker 4>Pretty much. I guess like the best way to describe

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<v Speaker 4>my entire journey with Grardy Falls was I heard about

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<v Speaker 4>the show originally in twenty twelve, saw the shorts in

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<v Speaker 4>twenty fourteen and then found the show in twenty seventeen

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<v Speaker 4>while going through a bit of our rough patch, so

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<v Speaker 4>now here I am.

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<v Speaker 1>Oh wow, So the shorts were the first thing that

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<v Speaker 1>you saw?

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<v Speaker 2>Yeah, was there anything particularly that drew you to this

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<v Speaker 2>show specifically? I don't need to talk about the rough patch,

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<v Speaker 2>but like, what was like, I'll finally check out this

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<v Speaker 2>thing I've seen shorts of.

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<v Speaker 4>Well, basically what happened was I saw a video by

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<v Speaker 4>Sabersparkan in the that YouTuber. He made a video called

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<v Speaker 4>Cartoons and Conclusions what Gararity Falls did right, and you

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<v Speaker 4>basically just explained like how the Grady Falls finale is

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<v Speaker 4>a good example of how.

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<v Speaker 2>So so you got the whole thing spoiled for you

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<v Speaker 2>up front, So if only you had some kind of

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<v Speaker 2>no spoiler book club.

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<v Speaker 1>But I think that it speaks to the appeal. You

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<v Speaker 1>knew that you were getting into something that had a

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<v Speaker 1>trajectory and you weren't gonna just sort of wind up

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<v Speaker 1>high and dry at the end.

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<v Speaker 4>Yeah, Like that's pretty much what happened. Like I saw

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<v Speaker 4>I saw that video and I was intrigued by what

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<v Speaker 4>he's talked about. Like so positively for Graty Falls, and

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<v Speaker 4>I was like, this is a show I remember being

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<v Speaker 4>like advertised a lot on like Disney XD and stuff.

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<v Speaker 4>So I was like, let me give it a watch.

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<v Speaker 4>And well, yeah, it only took like nine or so

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<v Speaker 4>episodes and I completely fell in love.

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<v Speaker 2>With the show.

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<v Speaker 1>But since then, yeah, since you've discovered the show, you

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<v Speaker 1>got sort of a Gravity Falls fan base empire. You

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<v Speaker 1>vote for yourself as that GF fan. Can we talk?

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<v Speaker 1>Can we can? I ask about the name? I mean,

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<v Speaker 1>why not? Why not this GF fan or the GF fan.

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<v Speaker 1>I mean, I mean, it's very humble of you to be. Oh,

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<v Speaker 1>I'm just I'm simply that GF fan.

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<v Speaker 4>The funny thing is, I actually don't remember what the

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<v Speaker 4>actual origin of the name is. Like, I just remember

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<v Speaker 4>I was on Grady Falls and you know at the time,

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<v Speaker 4>and my name on there was just HK. Grawdy Falls Fan.

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<v Speaker 4>Because I have absolutely no creativity in my in myself

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<v Speaker 4>all the funny stories, speaking of the dad GFN name,

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<v Speaker 4>I wasn't the first one that came up with it.

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<v Speaker 4>Basically what happened was when I was making my Tumbler

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<v Speaker 4>account in twenty nineteen, I found out that someone had

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<v Speaker 4>already used the dad gfn username on there, and when

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<v Speaker 4>I clicked on the main account for like the original person,

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<v Speaker 4>like their main account, it was a once slar fan page.

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<v Speaker 3>Hell yeah, oh my gosh, amazing. Hell yeah, that feels right.

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<v Speaker 2>Biggering and biggering, baby.

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<v Speaker 1>You have to fight to the death to take the mantle.

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<v Speaker 4>I tried to see if they were active to see

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<v Speaker 4>if I can get the username, but they've been in

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<v Speaker 4>active since like twenty thirteen, So.

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<v Speaker 2>So you just have to take over their mantle and

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<v Speaker 2>do some Ononcesler content if you can.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, I was gonna say, how much Wensler content have

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<v Speaker 3>you posted?

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<v Speaker 4>Exactly zero?

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<v Speaker 2>So if you do it only once, that makes you

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<v Speaker 2>sort of a once.

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<v Speaker 1>So yeah, since then, I mean, you've got certainly one

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<v Speaker 1>of the most like extensive libraries of gravity Falls videos

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<v Speaker 1>out on your YouTube, covering a lot of you know,

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<v Speaker 1>niche stuff that people like us and people like the

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<v Speaker 1>people who listen to this podcast would appreciate.

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<v Speaker 2>When we did the Cipher Hunt podcast, I was like, ooh,

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<v Speaker 2>I need help getting the word out about this one,

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<v Speaker 2>because the gravity Falls fandom is going to be interested.

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<v Speaker 1>Yeah.

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<v Speaker 2>So, while we were editing it before it was finished.

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<v Speaker 2>I sent the Bradley clip to HK that's what we're

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<v Speaker 2>gonna call you for short over here and said like, hey,

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<v Speaker 2>can you make a video version of this but not

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<v Speaker 2>post it until the podcast goes out.

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<v Speaker 4>Yeah, I was really have to do.

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<v Speaker 2>We are cited all over the gravity Falls wiki for

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<v Speaker 2>that Bradley stuff.

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<v Speaker 4>Now, baby, you can thank me for that. I added

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<v Speaker 4>that on the wikenday citations.

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<v Speaker 2>I love the part of the video where there's the

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<v Speaker 2>picture of Alex looking sleepy at his phone when we're like,

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<v Speaker 2>you have to meet me up the twind find the Wall.

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<v Speaker 1>You recently famous did a whole interview with Alex Hirsch

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<v Speaker 1>as well with one Hannah hyperfixation.

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<v Speaker 2>We may meet soon, we may not. Who's to say.

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<v Speaker 1>It might be a secret great video. We'll be sure

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<v Speaker 1>to link that as well.

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<v Speaker 2>So yeah, I want to get out right out of

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<v Speaker 2>the gate. We're not talking about Book of Bill today.

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<v Speaker 2>That's next episode because we never covered the gravity Falls

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<v Speaker 2>soundtrack release because it came out after we finished Mystery

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<v Speaker 2>Shack look Back. It is the first bit of gravity

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<v Speaker 2>Falls lore released after our podcast initially wrapped.

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<v Speaker 1>Well, law is generous, but yeah.

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<v Speaker 2>There's some stuff here and there. There's some secrets.

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<v Speaker 1>That's true. That's true.

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<v Speaker 2>As we were researching it, you just kept coming up

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<v Speaker 2>as a valuable resource in our research, and we thought, Hey,

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<v Speaker 2>if we bring this guy on, we get to be lazier.

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<v Speaker 4>Yeah, make me do all the heavy lifting.

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<v Speaker 2>You already did it though, you've already researched that out

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<v Speaker 2>of this.

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<v Speaker 1>So yeah, well you've already done the heavy lifting. We're

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<v Speaker 1>just asking you to recount the time you lift a

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<v Speaker 1>heavy thing. You're like, oh yeah, yeah.

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<v Speaker 2>This couch all Off did once. Let me tell you,

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<v Speaker 2>yeah for sure.

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<v Speaker 4>Yeah, I have to help.

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<v Speaker 2>So what what show me? What is the Gravity Falls

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<v Speaker 2>Vinyl Soundtrack?

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<v Speaker 3>Well, I would say the Gravity Falls Vinyl Soundtrack is

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<v Speaker 3>a vinyl soundtrack album for Gravity Falls, produced by I

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<v Speaker 3>AM eight Bit Records and the Walt Disney Records. Brad

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<v Speaker 3>Breek himself is the one that hinted at its production

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<v Speaker 3>in summer of twenty twenty.

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<v Speaker 2>So you just alerted us to this a couple of

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<v Speaker 2>minutes ago. HK. He had a how I made the

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<v Speaker 2>gravity Falls theme song video, which has since deleted.

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<v Speaker 4>It's still there if you know where to look, and he.

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<v Speaker 2>Left comments saying there will be a Gravity falls ost

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<v Speaker 2>on vinyl soon. I'm not sure if they're releasing it

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<v Speaker 2>on iTunes that he said, I think only vinyl and

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<v Speaker 2>maybe digital. And I am amazed he was allowed to

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<v Speaker 2>say all these things.

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<v Speaker 4>Yes, yeah, I know right. And I gotta give a

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<v Speaker 4>huge things as well for that to the folks on

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<v Speaker 4>Maya disc or server, the datchaf and discord server. They

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<v Speaker 4>were the ones who originally let me know about this

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<v Speaker 4>because we were all talking about that video on my

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<v Speaker 4>server and one of them, I think it was my

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<v Speaker 4>friend Emma, Like, she messaged me andw She was like, Hey,

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<v Speaker 4>check out what Brad Brieed talked about in the comments

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<v Speaker 4>on the video, and that was where we all started

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<v Speaker 4>discussing it and stuff.

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<v Speaker 2>The soundtrack was officially announced on Twitter by Alex Hirsch

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<v Speaker 2>on November twenty seventh, twenty twenty. When were these comments

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<v Speaker 2>on this video from that you can parse together?

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<v Speaker 4>I checked my discourse server before we started this and

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<v Speaker 4>I checked then the messages were from like the comments

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<v Speaker 4>that related to the screenshots were September twenty twenty, so

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<v Speaker 4>it was a couple of I think like days or

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<v Speaker 4>weeks after the original video came out, because if I

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<v Speaker 4>remember correctly, the video came out in August twenty twenty.

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<v Speaker 1>Yeah. Interesting, I know that I could tell this. Probably

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<v Speaker 1>no actual intention of referring to that here, but it

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<v Speaker 1>is funny that that information got sort of leaked out,

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<v Speaker 1>and then Alex tweets in November twenty twenty starts the

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<v Speaker 1>tweet with don't tell anyone. Gravity Falls is teemed with

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<v Speaker 1>I have eight bit and Gravity Falls composer Brad Brigg

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<v Speaker 1>to create a mysterious I'm wiggling my fingers to indicate

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<v Speaker 1>the sparkle emojis. Well, I felt it mysterious vinyl record

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<v Speaker 1>with memories and secrets from the Falls pre order. Now,

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<v Speaker 1>if you.

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<v Speaker 2>Dare now wave a bush to kind of create the

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<v Speaker 2>pine tree emoji.

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<v Speaker 1>Muscle sun effects, and then the link would send you

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<v Speaker 1>to the pre order page with an image that looked

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<v Speaker 1>a lot like the thumbnails that we would make for

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<v Speaker 1>this very podcast, where they would they were teasing the

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<v Speaker 1>fact that they would have actual cover art soon.

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<v Speaker 5>Yeah.

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<v Speaker 2>Yeah, it was just a screenshot of them using the

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<v Speaker 2>vinyl record in.

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<v Speaker 1>A screenshot of them putting the needle on the CD

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<v Speaker 1>when they're both on a different standard. Both staring at

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<v Speaker 1>it like dumbfound it.

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<v Speaker 2>I love that, but it never gets old.

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<v Speaker 3>It's such a good bit.

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<v Speaker 2>That's such a Matt moment, Matt Chatman, that is. But yeah,

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<v Speaker 2>Brad Breek is the boser of Gravity Falls who put

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<v Speaker 2>this all together. It's a very fascinating arrangement of soundtrack songs. Yeah,

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<v Speaker 2>Brad Brieck, let's just say before we get into the

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<v Speaker 2>soundtrack proper is amazing.

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<v Speaker 3>Absolutely incredible composer.

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<v Speaker 1>Yeah. I think we should talk generally about the music

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<v Speaker 1>of the show since we've talked about it in spurts

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<v Speaker 1>when it's come up in the individual episodes, but I

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<v Speaker 1>feel like we've never really been able to give it

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<v Speaker 1>its proper due to really just say, talk about that

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<v Speaker 1>element of the show. And I think this is obviously

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<v Speaker 1>the perfect opportunity to do so.

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<v Speaker 3>I mean, like I personally feel like music is something

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<v Speaker 3>that can really shift the tone and the emotion of

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<v Speaker 3>a scene absolutely, and he nails it every time.

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<v Speaker 1>I mean, especially in animation, because before we could record

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<v Speaker 1>our voices and sing it to a cartoon, all we

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<v Speaker 1>had was music. That was the driving audio of all

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<v Speaker 1>animation for the first few years decades of its inception.

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<v Speaker 2>He does a secret commentary on Not what He Seems

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<v Speaker 2>on the DVD Slash Blu Ray, and in that he says.

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<v Speaker 6>I'm a terrible guitarist, by the way, but I'm also

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<v Speaker 6>a terrible pianist. I'm a terrible musician in general. But

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<v Speaker 6>I feel like maybe the reason I get hired to

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<v Speaker 6>do this kind of stuff is I don't know, maybe

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<v Speaker 6>I have okay ideas.

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<v Speaker 2>I don't know about not being good at guitar. There's

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<v Speaker 2>some pretty licks, like when Barmando comes up and everything

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<v Speaker 2>like that.

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<v Speaker 3>He also mentions that he's good at composition, at like

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<v Speaker 3>the electronic composition of the pieces, which I think is

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<v Speaker 3>incredibly accurate.

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<v Speaker 6>Yeah, you know, the computer, I guess is my instrument.

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<v Speaker 6>I'm able to put things together in the computer and

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<v Speaker 6>make up so.

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<v Speaker 3>Quick because both in this show and in his later

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<v Speaker 3>work like in The Owl House We Bear Bears, he

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<v Speaker 3>uses a lot of composition of songs electronically to create

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<v Speaker 3>those like incredible unique moods.

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<v Speaker 2>Personally, when I picture gravity, if someone says this sounds

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<v Speaker 2>like gravity falls music, what I'm imagining is mostly synthesized

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<v Speaker 2>with a real acoustic guitar.

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<v Speaker 3>Right, I'll say that, like on the piano and guitar front,

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<v Speaker 3>they are simplistic plays of them. So he finds ways

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<v Speaker 3>to play to his strengths on the guitar and the piano,

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<v Speaker 3>so like, you don't have to be super duper skilled

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<v Speaker 3>to still give us an incredible performance, and he does

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<v Speaker 3>what he does best.

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<v Speaker 1>I think the visual form as well, Like, it's not

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<v Speaker 1>always demanding complex orchestration. Obviously, when that he's asked for

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<v Speaker 1>by the story, he delivers that, but more often than not,

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<v Speaker 1>especially with Gravity Falls, it's fairly light stuff, right, you know.

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<v Speaker 1>I can see how when you're so close to your

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<v Speaker 1>own work, you know, you get in your own head

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<v Speaker 1>about it. I certainly understand the mindset, but from an

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<v Speaker 1>outsider's perspective, it's that guy's cake is better than mine.

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<v Speaker 1>Holy two cakes.

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<v Speaker 7>Yeah.

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<v Speaker 2>When we did the Gravity Falls Lost Legends comic dub

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<v Speaker 2>Brad had put all of the Gravity Falls soundtrack on

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<v Speaker 2>his SoundCloud, so we use existing Gravity Falls tracks. I

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<v Speaker 2>would finish editing the comic dub for the day, I'd

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<v Speaker 2>be like, I'm taking a break and I would send

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<v Speaker 2>Ello what I had edited and be like, see if

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<v Speaker 2>you can find a track that fits this. So that

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<v Speaker 2>was kind of a very collaborative aspect of that video,

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<v Speaker 2>and it definitely got me to understand how gravity falls

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<v Speaker 2>music works better than I did, because there's a lot

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<v Speaker 2>of really tiny, like incidental music things, right. Yeah, bring

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<v Speaker 2>to mind the very animation driven music of like Looney Tunes. Yeah,

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<v Speaker 2>because like if someone smiles, you might just hear a

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<v Speaker 2>happy little chord play real quick.

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<v Speaker 3>Which I know he said that those little tiny bits

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<v Speaker 3>are the hardest thing to compose.

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<v Speaker 6>I feel like almost the shorter of the cue, the

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<v Speaker 6>harder it can be sometimes just because it's easy to

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<v Speaker 6>make a short cue just sound cheesy and weak. I

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<v Speaker 6>don't know why, but I feel like, for me at least,

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<v Speaker 6>it's easier to make something sounds big and epic and

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<v Speaker 6>intense than to do something that sounds fun but still

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<v Speaker 6>cool in some way.

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<v Speaker 1>You know. I think something that something like The Fairly

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<v Speaker 1>Odd Parents does this incessantly to the point where you

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<v Speaker 1>can't not notice.

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<v Speaker 2>Do you know how Fairly Odd Parents music gets composed?

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<v Speaker 2>Apparently but Elmer hart Apparently Elmer Butch Hartman sends himself

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<v Speaker 2>humming all of the music. You would sing to me

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<v Speaker 2>what you were hearing, I would sing, I know, and typically.

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<v Speaker 8>What you learn in film school and what you just

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<v Speaker 8>kind of gained by osmosis living in the music community

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<v Speaker 8>is you take your notepad with you and you start

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<v Speaker 8>writing what the producer would.

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<v Speaker 2>Like to see.

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<v Speaker 8>And I start, I, you know, started writing, and then

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<v Speaker 8>I found there was some things I couldn't write because

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<v Speaker 8>you would just keep singing and wah wa wah whah.

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<v Speaker 8>So I would actually write wah wah. And then eventually

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<v Speaker 8>on episode five and six, I started actually writing the

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<v Speaker 8>notes that you were singing, like transcribing.

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<v Speaker 2>Well really, I would go like.

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<v Speaker 3>That is how mel Brooks me made the producers the

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<v Speaker 3>music claw.

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<v Speaker 2>Well Brooks became a composer. But well Brooks did not

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<v Speaker 2>write scores that way because that would be insane.

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<v Speaker 3>Oh my god, you know that is that is pretty insane.

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<v Speaker 2>And that's why it sounds like that, because it's a

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<v Speaker 2>guy supposing what music might sound.

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<v Speaker 3>Right. Oh boy, Elmer, Elmer, Elmer.

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<v Speaker 1>Real time fand of musician.

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<v Speaker 2>If he didn't suck, I would ask him to do

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<v Speaker 2>music for this episode.

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<v Speaker 1>Back in our episode, on the episode The Love God

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<v Speaker 1>with Mike Randa, we got the tidbit that Mike was

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<v Speaker 1>the one who suggested Brad Brick. You uh brought Brad

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<v Speaker 1>Brick onto Gravity Folds.

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<v Speaker 9>It seems yeah, I I you know, that was sort

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<v Speaker 9>of like one of the many things that I would do,

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00:16:50.200 --> 00:16:53.000
<v Speaker 9>is like and I realized, like when I was working

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<v Speaker 9>on a movie, how much you need this person just

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<v Speaker 9>like a little psycho too, because like we we had

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<v Speaker 9>a really hard time figuring out the theme song, and

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00:17:02.440 --> 00:17:05.920
<v Speaker 9>there were so many theme songs that were like friendly

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<v Speaker 9>Kids in a crazy Town, you know, like that had

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<v Speaker 9>horrific lyrics. And one of the people who turned in

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<v Speaker 9>music was Brad Breek, and I was like, oh, I

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<v Speaker 9>love this guy who's in this band the may.

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<v Speaker 2>She that I really love.

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<v Speaker 9>And one of the theme songs he turned in ended up

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<v Speaker 9>being this like Mabel Fantasy theme that we used a

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<v Speaker 9>bunch of times throughout the course of the show.

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00:17:26.079 --> 00:17:27.599
<v Speaker 2>As when you're talking about I think.

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00:17:27.559 --> 00:17:31.279
<v Speaker 9>Yeah, yeah, it's like blow blow, It's like it's like

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00:17:31.400 --> 00:17:32.640
<v Speaker 9>I'm not exactly out.

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00:17:32.720 --> 00:17:35.119
<v Speaker 2>Wow, why did you even meet Brad Freaking I thought

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<v Speaker 2>the whole soundtrack yourself.

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00:17:37.240 --> 00:17:39.880
<v Speaker 9>And then on his website we found the song that

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00:17:39.960 --> 00:17:42.200
<v Speaker 9>sounded like pretty wonderful, and I was like, man, this

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00:17:42.240 --> 00:17:44.240
<v Speaker 9>could just be the theme song. It was like, it

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00:17:44.279 --> 00:17:45.519
<v Speaker 9>was very obvious that he.

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<v Speaker 1>Was the guy.

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00:17:47.759 --> 00:17:51.839
<v Speaker 2>That name caught him because he recognized him from his

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00:17:52.079 --> 00:17:56.279
<v Speaker 2>experimental punk band, The may She. Rihanna actually loves The

389
00:17:56.279 --> 00:18:00.440
<v Speaker 2>may She so much that that is the trailer music

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00:18:00.559 --> 00:18:02.319
<v Speaker 2>for Mitchell's versus The Machines.

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<v Speaker 3>Let me introduce myself.

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<v Speaker 5>I'm Katie.

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00:18:05.960 --> 00:18:06.839
<v Speaker 3>I'm sort of weird.

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00:18:06.839 --> 00:18:09.039
<v Speaker 2>Noow, my parents haven't figured me out.

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00:18:09.119 --> 00:18:11.279
<v Speaker 3>Yeah, to be fair, it took me a while to

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00:18:11.279 --> 00:18:13.960
<v Speaker 3>figure myself out. My brother also weird.

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00:18:14.079 --> 00:18:15.880
<v Speaker 2>Hi, would you like to talk to me about dinosaurs?

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00:18:16.119 --> 00:18:17.559
<v Speaker 1>No? Okay, thank you, and.

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00:18:17.599 --> 00:18:20.519
<v Speaker 3>My mom please, all of us really.

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00:18:20.519 --> 00:18:22.440
<v Speaker 9>How don't we put our phones down and we can

401
00:18:22.519 --> 00:18:27.720
<v Speaker 9>make ten seconds of unobstructed family hot contact starting now.

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00:18:28.599 --> 00:18:33.359
<v Speaker 2>That's Lamb and the Lion from their third album. I

403
00:18:33.440 --> 00:18:37.359
<v Speaker 2>listen to all three other albums. They're weird. But someone

404
00:18:37.359 --> 00:18:39.759
<v Speaker 2>here has a music degree, so I said, Shelby, I

405
00:18:39.880 --> 00:18:40.559
<v Speaker 2>need your help.

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00:18:41.880 --> 00:18:44.960
<v Speaker 3>Oh yeah. Charlie was like describing and playing little bits

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00:18:45.240 --> 00:18:48.200
<v Speaker 3>of I think terror Bird first for me, and I

408
00:18:48.279 --> 00:18:51.599
<v Speaker 3>was like, oh yeah, no, this is this is some

409
00:18:51.759 --> 00:18:55.920
<v Speaker 3>music kid nonsense, Like this is music school nonsense. It's

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00:18:56.160 --> 00:18:58.960
<v Speaker 3>it's interesting because like to me, The may She does

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00:18:59.079 --> 00:19:02.000
<v Speaker 3>sound like if sex ma Bomb from Scott Pilgrim met

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00:19:02.039 --> 00:19:04.799
<v Speaker 3>in music school instead of in high school.

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00:19:05.160 --> 00:19:06.759
<v Speaker 2>Yeah, that's a great exploration.

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00:19:07.079 --> 00:19:11.519
<v Speaker 3>Yeah, the first album is very sound oriented, Like there

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00:19:11.559 --> 00:19:13.880
<v Speaker 3>are a lot of very short clips, Like the very

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00:19:13.960 --> 00:19:17.640
<v Speaker 3>first song on the album is literally twenty five seconds

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<v Speaker 3>of just what sounds like a heartbeat, like a loud heartbeat.

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<v Speaker 2>The way I hear it because that's the track titled

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<v Speaker 2>Terror Bird, So I see that as a drum trying

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00:19:38.160 --> 00:19:40.799
<v Speaker 2>to create the sound of a bird flapping its wings.

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00:19:41.000 --> 00:19:43.880
<v Speaker 3>The sound to me sounds like the sound machines that

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00:19:43.920 --> 00:19:47.119
<v Speaker 3>people would build that we learn about in music school

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00:19:47.680 --> 00:19:50.079
<v Speaker 3>to emulate like the sounds of the city. So it's

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00:19:50.119 --> 00:19:54.200
<v Speaker 3>just something that people would pump or like turn and

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00:19:54.279 --> 00:19:57.079
<v Speaker 3>it would sound like New York City sounds.

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00:19:57.200 --> 00:19:59.759
<v Speaker 2>Their first album, Terror Bird, is too experimental for me

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00:19:59.799 --> 00:20:02.519
<v Speaker 2>with the there's one track there that I really got into.

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00:20:02.559 --> 00:20:05.440
<v Speaker 2>There's a song that has the chorus we learned by repetition.

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00:20:05.799 --> 00:20:08.759
<v Speaker 2>At one point they start like belting a little bit,

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00:20:08.880 --> 00:20:11.039
<v Speaker 2>like doing a little riff on it, like wait, learn,

431
00:20:11.319 --> 00:20:14.200
<v Speaker 2>but then cut back to the earlier footage of them

432
00:20:14.240 --> 00:20:17.440
<v Speaker 2>saying repetition, wil bye.

433
00:20:22.559 --> 00:20:33.000
<v Speaker 3>Bye bye. There's a couple of songs that are are

434
00:20:33.079 --> 00:20:35.720
<v Speaker 3>pretty good on that. It's just it is almost forty

435
00:20:35.880 --> 00:20:38.440
<v Speaker 3>songs in the album, which is a lot, but they're

436
00:20:38.599 --> 00:20:40.559
<v Speaker 3>like a lot of them are very short, and they're

437
00:20:40.799 --> 00:20:44.160
<v Speaker 3>very music school. E. They are very music school ye.

438
00:20:44.200 --> 00:20:46.759
<v Speaker 3>And I will say, like it feels like an experimentation

439
00:20:46.920 --> 00:20:50.240
<v Speaker 3>in sound, not necessarily an experimentation in music, because there's

440
00:20:50.240 --> 00:20:55.319
<v Speaker 3>a lot of times where they'll be singing and it

441
00:20:55.400 --> 00:21:05.119
<v Speaker 3>goes into yelling with song behind it, and then they

442
00:21:05.160 --> 00:21:19.359
<v Speaker 3>take the song away and it's just yelling. So it's

443
00:21:19.440 --> 00:21:21.599
<v Speaker 3>like it's a really interesting experimentation.

444
00:21:21.880 --> 00:21:24.839
<v Speaker 1>I listened to the third album and I think, Yeah,

445
00:21:24.920 --> 00:21:27.599
<v Speaker 1>my takeaway is that, like, oh, this is great. I

446
00:21:27.640 --> 00:21:29.119
<v Speaker 1>don't know if I want to listen to it, but

447
00:21:29.240 --> 00:21:29.960
<v Speaker 1>it's good music.

448
00:21:30.359 --> 00:21:33.160
<v Speaker 3>The third album, Yeah, the third album is really good.

449
00:21:33.240 --> 00:21:36.559
<v Speaker 2>Third album is music which is a new step for

450
00:21:36.640 --> 00:21:37.759
<v Speaker 2>the Well.

451
00:21:37.799 --> 00:21:40.319
<v Speaker 3>I'll say the third album sounds more mainstream, but they

452
00:21:40.400 --> 00:22:07.279
<v Speaker 3>also have more members by that point. Yeah, the third

453
00:22:07.319 --> 00:22:10.000
<v Speaker 3>album is really fun, but it is much more mainstream.

454
00:22:10.079 --> 00:22:11.000
<v Speaker 3>It's less experimental.

455
00:22:11.079 --> 00:22:13.960
<v Speaker 1>They keep that vibe. I would say, I don't think

456
00:22:14.000 --> 00:22:14.960
<v Speaker 1>they lose it at all.

457
00:22:15.119 --> 00:22:15.880
<v Speaker 2>I not completely.

458
00:22:15.960 --> 00:22:18.519
<v Speaker 3>No, No, they don't lose the experimental vibe of it.

459
00:22:18.640 --> 00:22:20.880
<v Speaker 3>It's still I actually enjoyed all three of them, but

460
00:22:20.960 --> 00:22:23.759
<v Speaker 3>the first one. If you have auditory processing issues, the

461
00:22:23.880 --> 00:22:25.920
<v Speaker 3>first album is a very difficult listen.

462
00:22:26.119 --> 00:22:28.599
<v Speaker 2>So yeah, they he met the other the first two

463
00:22:28.680 --> 00:22:32.319
<v Speaker 2>members of the Mayshi when he was studying at the

464
00:22:32.400 --> 00:22:33.880
<v Speaker 2>California Institute of the Arts.

465
00:22:34.039 --> 00:22:37.519
<v Speaker 1>We must have brought up that school a one hundred

466
00:22:37.519 --> 00:22:45.279
<v Speaker 1>and thirteen times. I see what you did there, clever.

467
00:22:45.279 --> 00:22:50.039
<v Speaker 2>And so you said, you definitely could see how the Mayshi.

468
00:22:51.160 --> 00:22:54.319
<v Speaker 2>An experience on that led to how the music and

469
00:22:54.359 --> 00:22:55.359
<v Speaker 2>Gravity Falls works.

470
00:22:55.680 --> 00:23:00.880
<v Speaker 3>Yeah, because listening, especially listening back through the Falls album

471
00:23:01.000 --> 00:23:03.920
<v Speaker 3>and listening to his later works, specifically in Owl House,

472
00:23:04.279 --> 00:23:07.559
<v Speaker 3>there's a lot of experimentation that he's not afraid to

473
00:23:07.720 --> 00:23:10.519
<v Speaker 3>play with and getting the sounds for the music. Like

474
00:23:11.279 --> 00:23:12.920
<v Speaker 3>we'll get into it a little bit later, but he

475
00:23:13.119 --> 00:23:18.480
<v Speaker 3>does use a fair amount of like backwards music, turning

476
00:23:18.599 --> 00:23:23.119
<v Speaker 3>the sound backwards to create new and interesting sounds. So

477
00:23:23.200 --> 00:23:25.880
<v Speaker 3>I think that working on something where the majority of

478
00:23:25.960 --> 00:23:28.759
<v Speaker 3>it is experimenting with the sound and the way sound

479
00:23:28.920 --> 00:23:32.519
<v Speaker 3>works is something that did suit him well in creating

480
00:23:32.680 --> 00:23:35.160
<v Speaker 3>new forms of sound for this show.

481
00:23:35.519 --> 00:23:38.119
<v Speaker 1>And again it fits the form of the storytelling because

482
00:23:38.119 --> 00:23:41.240
<v Speaker 1>I think a background and experimental music. He's so helpful

483
00:23:41.319 --> 00:23:44.880
<v Speaker 1>for shows like this, Gravity Falls and The Owl House

484
00:23:44.960 --> 00:23:50.039
<v Speaker 1>about weirdness and about being an outcast and about paranormal

485
00:23:50.680 --> 00:23:53.319
<v Speaker 1>which is demon's all that, all that sort of stuff.

486
00:23:53.359 --> 00:23:55.759
<v Speaker 1>Oh yeah, But even then you have the more kind

487
00:23:55.799 --> 00:23:57.680
<v Speaker 1>of down to earth shows like We Bear Bears, which

488
00:23:57.720 --> 00:24:02.480
<v Speaker 1>he brings this like poppy, you know, synth driven kind

489
00:24:02.519 --> 00:24:05.359
<v Speaker 1>of sensibility toward that also works really well.

490
00:24:05.880 --> 00:24:07.279
<v Speaker 4>One thing I also want to add about, like the

491
00:24:07.400 --> 00:24:10.400
<v Speaker 4>music with Gravity Falls, is like there's this very nostalgic

492
00:24:10.519 --> 00:24:12.559
<v Speaker 4>feeling to it as well in some like aspects of

493
00:24:12.640 --> 00:24:15.039
<v Speaker 4>his life. One good example for me, like one that

494
00:24:15.160 --> 00:24:17.240
<v Speaker 4>I really love is like at the start of Carpet

495
00:24:17.279 --> 00:24:19.759
<v Speaker 4>Dim when we see different Mabel playing you know, addic

496
00:24:19.799 --> 00:24:22.400
<v Speaker 4>stuff minigolf and the music that's playing in the background,

497
00:24:37.000 --> 00:24:40.680
<v Speaker 4>it invokes a lot of like nostalgic like childhood memories

498
00:24:40.720 --> 00:24:43.000
<v Speaker 4>and stuff that I think it's because of what Alex

499
00:24:43.079 --> 00:24:46.359
<v Speaker 4>Hirst said in his like farewell tumblr post about Grati

500
00:24:46.400 --> 00:24:48.039
<v Speaker 4>Falls when it was ending about how like the fact

501
00:24:48.079 --> 00:24:50.440
<v Speaker 4>that childhood ends is what makes us so special a

502
00:24:50.519 --> 00:24:52.640
<v Speaker 4>new character while a last That's always been one of

503
00:24:52.720 --> 00:24:55.319
<v Speaker 4>my factors of like why I love Gardy Falls so

504
00:24:55.440 --> 00:24:59.319
<v Speaker 4>much is because of that nostalgic and childhood memory type

505
00:24:59.359 --> 00:25:01.440
<v Speaker 4>aspect to it, and the music captures that so well.

506
00:25:01.480 --> 00:25:03.480
<v Speaker 1>I would wager that that so. In the Not What

507
00:25:03.599 --> 00:25:06.400
<v Speaker 1>He Seems commentary, Rick talked about I.

508
00:25:06.400 --> 00:25:09.640
<v Speaker 6>Feel like Alex really had a rare, you know, quote

509
00:25:09.680 --> 00:25:13.160
<v Speaker 6>unquote kids show where the emotions of the characters were

510
00:25:13.400 --> 00:25:16.000
<v Speaker 6>really taken seriously. And I feel like most of the

511
00:25:16.119 --> 00:25:19.519
<v Speaker 6>notes that I was given from Alex throughout the series

512
00:25:19.720 --> 00:25:22.720
<v Speaker 6>were with that in mind. I feel like he rarely

513
00:25:22.759 --> 00:25:25.599
<v Speaker 6>gave me notes based on like, oh it doesn't sound

514
00:25:26.480 --> 00:25:28.480
<v Speaker 6>e bic enough, it doesn't sound cool enough, or it

515
00:25:28.519 --> 00:25:31.680
<v Speaker 6>doesn't sound it was almost always about you know, this

516
00:25:31.839 --> 00:25:33.599
<v Speaker 6>isn't quite the right emotion for the scene.

517
00:25:33.759 --> 00:25:37.079
<v Speaker 1>I would bet strongly that that sense of nostalgia was

518
00:25:37.440 --> 00:25:40.319
<v Speaker 1>was a big thing that Alex pushed for, specifically since

519
00:25:40.359 --> 00:25:43.240
<v Speaker 1>it was all coming from his childhood experiences.

520
00:25:43.519 --> 00:25:45.799
<v Speaker 3>It does make sense, yeah, because this is a love

521
00:25:45.880 --> 00:25:46.960
<v Speaker 3>note to his childhood.

522
00:25:47.039 --> 00:25:47.240
<v Speaker 7>Yeah.

523
00:25:47.359 --> 00:25:51.000
<v Speaker 1>Something I always notice Ian shows is sort of you know,

524
00:25:51.119 --> 00:25:55.920
<v Speaker 1>motifs and instrumentation, which there's a YouTube channel called sideways

525
00:25:55.960 --> 00:25:59.880
<v Speaker 1>that talks about how Steven Universe does this really strong

526
00:26:00.359 --> 00:26:03.920
<v Speaker 1>the composers av and Shiashu do a really good job

527
00:26:04.039 --> 00:26:08.640
<v Speaker 1>assigning instruments to the characters, which in itself is a

528
00:26:08.799 --> 00:26:11.480
<v Speaker 1>very like Peter and the Wolf thing right by.

529
00:26:11.960 --> 00:26:15.039
<v Speaker 2>Yeah, oh for sure. Let me think about that, where

530
00:26:15.200 --> 00:26:15.799
<v Speaker 2>you would.

531
00:26:15.880 --> 00:26:20.240
<v Speaker 1>Have each instrument represent the character and the emotions of

532
00:26:20.319 --> 00:26:21.279
<v Speaker 1>the characters feeling like.

533
00:26:21.319 --> 00:26:23.119
<v Speaker 2>A big fat guy sounds like a two guy.

534
00:26:23.440 --> 00:26:25.720
<v Speaker 1>And specifically for Steven Universe, in the case of you know,

535
00:26:25.799 --> 00:26:28.640
<v Speaker 1>the characters can fuse and create new characters, and those

536
00:26:28.759 --> 00:26:33.519
<v Speaker 1>fusions are the instruments brought together. Yeah, and Rick does

537
00:26:33.559 --> 00:26:35.880
<v Speaker 1>a bit of that in Gravity Falls. It's definitely less

538
00:26:35.880 --> 00:26:39.880
<v Speaker 1>specific to every character. In Gravity Falls, like with Steven Universe,

539
00:26:40.119 --> 00:26:43.200
<v Speaker 1>every character has an assigned instrument. It is very consistent,

540
00:26:43.279 --> 00:26:45.480
<v Speaker 1>and I think in here it is more about subjects

541
00:26:45.519 --> 00:26:47.400
<v Speaker 1>and settings and feelings, kind of like what we were

542
00:26:47.400 --> 00:26:51.599
<v Speaker 1>talking about with what Hersch kind of emphasizes in the

543
00:26:51.680 --> 00:26:54.359
<v Speaker 1>Not What He Seems commentary. He describes them as palettes

544
00:26:54.480 --> 00:26:55.680
<v Speaker 1>of instruments and chords.

545
00:26:55.839 --> 00:26:57.839
<v Speaker 6>So Mabel kind of had a palette which was like

546
00:26:58.440 --> 00:27:05.200
<v Speaker 6>what kind of eighties pop There's a palette that we established, like,

547
00:27:05.240 --> 00:27:08.119
<v Speaker 6>there are a few, like specifically Gravity Falls sounds that

548
00:27:08.200 --> 00:27:11.839
<v Speaker 6>I would rely on like, there's kind of this whispery

549
00:27:12.559 --> 00:27:14.920
<v Speaker 6>ethereal synth sound that I would layer in a lot.

550
00:27:22.920 --> 00:27:26.599
<v Speaker 1>Well, Gideon of course gets creepy broken music box tones.

551
00:27:26.680 --> 00:27:29.119
<v Speaker 1>He has I think a very specific theme too that

552
00:27:29.279 --> 00:27:37.000
<v Speaker 1>comes up. McGucket will get banjo, whether that's kind of

553
00:27:37.119 --> 00:27:42.680
<v Speaker 1>a worn down, sad banjo of course, a more like

554
00:27:42.920 --> 00:27:45.640
<v Speaker 1>action driven banjo, like the fight scene in I Guess

555
00:27:45.680 --> 00:27:53.640
<v Speaker 1>Society The Blind Eye has a lot of that, And

556
00:27:53.720 --> 00:27:56.519
<v Speaker 1>then a lot of gobble Wonker has banjo infused, which

557
00:27:56.559 --> 00:27:59.799
<v Speaker 1>is an interesting kind of musical foreshadow of a fact

558
00:27:59.839 --> 00:28:02.799
<v Speaker 1>that McGucket is behind the gobble Wonker the whole time.

559
00:28:02.839 --> 00:28:12.240
<v Speaker 1>In that episode, Bill Seipher gets a lot of wonky synths,

560
00:28:12.279 --> 00:28:16.400
<v Speaker 1>a lot of like and a lot of specifically backwards

561
00:28:16.680 --> 00:28:23.519
<v Speaker 1>played stuff, right I think. And then there's a rising Shepherd, Yes,

562
00:28:23.599 --> 00:28:25.960
<v Speaker 1>the rising Shepherd tone, which Bill has stated is his

563
00:28:26.200 --> 00:28:29.680
<v Speaker 1>favorite music. I believe he said that in the and

564
00:28:29.759 --> 00:28:32.880
<v Speaker 1>there's the there's this thing that's it's it's not arpeggio,

565
00:28:33.039 --> 00:28:37.599
<v Speaker 1>but it's sort of a it's like whenever he's sort

566
00:28:37.640 --> 00:28:40.319
<v Speaker 1>of summoned or brought about anytime we go to the portal,

567
00:28:40.359 --> 00:28:43.119
<v Speaker 1>the basement lab under the mystery Shack. We get this huge,

568
00:28:43.279 --> 00:28:47.759
<v Speaker 1>bombastic orchestration that intentionally sounds very industrial and very not

569
00:28:48.039 --> 00:28:50.359
<v Speaker 1>like anything else we hear in the show, which I

570
00:28:50.400 --> 00:28:53.480
<v Speaker 1>think is why stuff like the end of Gideon Rises

571
00:28:58.839 --> 00:29:08.000
<v Speaker 1>and the climax of not be Seen feels so jarring

572
00:29:08.119 --> 00:29:11.440
<v Speaker 1>and big, is because they are specifically saved for this,

573
00:29:12.319 --> 00:29:15.000
<v Speaker 1>for these these moments, lots of horns, lots of strings,

574
00:29:15.319 --> 00:29:18.759
<v Speaker 1>lots of classical film score stuff that you don't get

575
00:29:19.160 --> 00:29:23.400
<v Speaker 1>in other episodic climaxes, and the emotional kind of more

576
00:29:23.440 --> 00:29:26.960
<v Speaker 1>relationship driven moments, they will usually get a quieter acoustic

577
00:29:27.000 --> 00:29:28.920
<v Speaker 1>guitar kind of thing, to the point where I almost

578
00:29:29.200 --> 00:29:31.079
<v Speaker 1>I had like a running joke with myself. I don't

579
00:29:31.079 --> 00:29:32.680
<v Speaker 1>know if I ever said this in the podcast, but

580
00:29:32.799 --> 00:29:36.799
<v Speaker 1>similar to the the stock phrase of like ah, the setting,

581
00:29:37.039 --> 00:29:39.720
<v Speaker 1>like it felt like in season one, there starts to

582
00:29:39.759 --> 00:29:42.720
<v Speaker 1>be this pattern of like there, the characters sit down,

583
00:29:42.759 --> 00:29:45.200
<v Speaker 1>they just I guess it's just that, well, this is

584
00:29:45.240 --> 00:29:47.839
<v Speaker 1>my emotional thing, and then like the acoustic guitar go

585
00:29:48.000 --> 00:29:50.400
<v Speaker 1>play very like full house.

586
00:29:50.400 --> 00:29:52.200
<v Speaker 3>Like classic sit calm sound.

587
00:29:52.319 --> 00:29:54.200
<v Speaker 1>Yeah, but it's it works, though I don't I.

588
00:29:54.200 --> 00:29:56.839
<v Speaker 2>Don't become incredibly predictable when you notice it. So if

589
00:29:56.839 --> 00:29:59.519
<v Speaker 2>you guys, go and rewatch theson one when an emotional

590
00:29:59.640 --> 00:30:02.000
<v Speaker 2>moment about to happen, see if you can count in

591
00:30:02.160 --> 00:30:06.559
<v Speaker 2>his acoustic guitar. I never wanted to move out and

592
00:30:06.720 --> 00:30:07.559
<v Speaker 2>what was all this?

593
00:30:08.279 --> 00:30:09.200
<v Speaker 1>Two three four?

594
00:30:09.279 --> 00:30:11.720
<v Speaker 2>Everything was fine until you started bringing your friends around

595
00:30:11.799 --> 00:30:14.119
<v Speaker 2>every night, I mean, hanging out with you. This summer

596
00:30:14.160 --> 00:30:14.680
<v Speaker 2>has been fun.

597
00:30:14.759 --> 00:30:17.240
<v Speaker 1>And in the commentary, Brick also said there are.

598
00:30:17.160 --> 00:30:19.599
<v Speaker 6>A couple of chords like this augmented chord that I

599
00:30:19.640 --> 00:30:20.359
<v Speaker 6>would use a lot.

600
00:30:22.039 --> 00:30:24.759
<v Speaker 1>That's all over the show. So now now you can't

601
00:30:24.839 --> 00:30:25.200
<v Speaker 1>unhear it.

602
00:30:25.279 --> 00:30:26.240
<v Speaker 2>It is unheard.

603
00:30:26.599 --> 00:30:29.160
<v Speaker 1>Well yeah, and that's just the ray that kind of

604
00:30:29.200 --> 00:30:30.079
<v Speaker 1>goes into your ears.

605
00:30:30.279 --> 00:30:31.559
<v Speaker 4>Society of the Blind ear.

606
00:30:32.359 --> 00:30:33.680
<v Speaker 1>Death death fear.

607
00:30:36.000 --> 00:30:39.000
<v Speaker 4>Oh my god, no, it is a bar.

608
00:30:40.079 --> 00:30:43.440
<v Speaker 1>So HK. This is where your expertise will majorly help us,

609
00:30:43.440 --> 00:30:46.440
<v Speaker 1>because we're going to start to go through the complicated

610
00:30:46.599 --> 00:30:51.680
<v Speaker 1>history of this thing's released, this vinyl soundtrack, information getting

611
00:30:51.720 --> 00:30:55.799
<v Speaker 1>to the public or lack thereof, and getting retracted and

612
00:30:56.599 --> 00:30:59.119
<v Speaker 1>re unretracted and stuff like that, just to.

613
00:30:59.240 --> 00:31:02.559
<v Speaker 2>Establish how in saying this gets Our podcast started recording

614
00:31:02.880 --> 00:31:07.200
<v Speaker 2>after the vinyl was announced, and then we completely wrapped

615
00:31:07.279 --> 00:31:09.920
<v Speaker 2>up before it was released.

616
00:31:10.559 --> 00:31:13.720
<v Speaker 1>Right, and it was this perpetually soon to be released things.

617
00:31:13.759 --> 00:31:15.319
<v Speaker 1>We kept saying like, oh yeah, well, we'll do this

618
00:31:15.759 --> 00:31:17.880
<v Speaker 1>after the other episodes because then it'll be out, and

619
00:31:17.960 --> 00:31:19.799
<v Speaker 1>then it it never came out.

620
00:31:20.039 --> 00:31:21.480
<v Speaker 2>Well, by the time it came out, we were doing

621
00:31:21.799 --> 00:31:23.559
<v Speaker 2>garden Wall recall and it was just like it.

622
00:31:23.599 --> 00:31:26.319
<v Speaker 1>Was also that was getting shipped in stages.

623
00:31:25.839 --> 00:31:32.000
<v Speaker 2>And and this year it is now finally on Spotify,

624
00:31:32.160 --> 00:31:34.119
<v Speaker 2>so we're like, this is the time to talk about

625
00:31:34.160 --> 00:31:36.359
<v Speaker 2>it because now we can actually like link it to people.

626
00:31:36.839 --> 00:31:38.960
<v Speaker 1>But take us back to May twenty twenty one, when

627
00:31:39.039 --> 00:31:43.319
<v Speaker 1>the first kind of big development happened. Yeah, sure, Well

628
00:31:43.519 --> 00:31:46.119
<v Speaker 1>essentially by that point, like the vinyl, we were still

629
00:31:46.160 --> 00:31:49.160
<v Speaker 1>in that waiting game, like seeing once it's going to release,

630
00:31:49.240 --> 00:31:51.480
<v Speaker 1>and like they hadn't yet announced the art of the

631
00:31:51.559 --> 00:31:53.160
<v Speaker 1>vinyl or anything else about it.

632
00:31:53.240 --> 00:31:54.880
<v Speaker 4>They were just saying that it's gonna come soon. It's

633
00:31:54.920 --> 00:31:57.160
<v Speaker 4>going to come soon, just pre order and stuff. But

634
00:31:57.359 --> 00:32:00.519
<v Speaker 4>basically what happened was in May twenty one, someone on

635
00:32:00.640 --> 00:32:02.759
<v Speaker 4>my server. I don't know if it started on my server,

636
00:32:02.880 --> 00:32:05.599
<v Speaker 4>but it was where I heard it first. They made

637
00:32:05.680 --> 00:32:08.640
<v Speaker 4>us aware that the full version of Disco Girl was

638
00:32:08.720 --> 00:32:09.640
<v Speaker 4>leaked online that.

639
00:32:09.799 --> 00:32:12.160
<v Speaker 1>Is the song that Dipper sings in the episode Dipper

640
00:32:12.240 --> 00:32:15.319
<v Speaker 1>Versus Manliness by the Icelandic pop sensation Bablo.

641
00:32:15.039 --> 00:32:17.880
<v Speaker 2>Dipper and the Multi Bear sing Let's do what Ever?

642
00:32:18.079 --> 00:32:20.119
<v Speaker 1>Well, I mean it's more of a stept up tech

643
00:32:20.359 --> 00:32:21.799
<v Speaker 1>since he's got like six heads.

644
00:32:22.440 --> 00:32:23.920
<v Speaker 2>I mean, we can self harmonize.

645
00:32:24.839 --> 00:32:27.839
<v Speaker 4>But basically what happened was the source it came from,

646
00:32:28.640 --> 00:32:33.720
<v Speaker 4>Believe it or not, a Fortnite mystery arg of some sort,

647
00:32:34.839 --> 00:32:37.519
<v Speaker 4>much like the message that Palpatine sent to the Galaxy

648
00:32:37.640 --> 00:32:39.400
<v Speaker 4>that we hear about in the Rise of Skywalker that

649
00:32:39.519 --> 00:32:42.599
<v Speaker 4>is critical to the plot. This was only accessible through Fortnite.

650
00:32:43.400 --> 00:32:46.000
<v Speaker 2>Well, this was a Fortnite leaks account, but yeah, no,

651
00:32:46.079 --> 00:32:48.720
<v Speaker 2>if you pay attention to Fortnite, you're basically going to

652
00:32:48.759 --> 00:32:50.720
<v Speaker 2>be clear on what is happening next.

653
00:32:50.799 --> 00:32:55.079
<v Speaker 4>In all mean, yeah, apparently, basically it was like a

654
00:32:55.240 --> 00:32:58.759
<v Speaker 4>discord server and someone who was good with data mining

655
00:32:59.079 --> 00:33:01.519
<v Speaker 4>found the website that it was hosted on, and the

656
00:33:01.599 --> 00:33:05.359
<v Speaker 4>website was known as Dipper's Secret Shame dot com.

657
00:33:05.680 --> 00:33:10.680
<v Speaker 1>Yeah, the redditor called Dusky xlops says, I brought this

658
00:33:10.759 --> 00:33:13.440
<v Speaker 1>to attention into discord server trying to crack a Fortnite mystery.

659
00:33:13.519 --> 00:33:16.079
<v Speaker 1>I changed the subject by bringing up gravity Falls, which

660
00:33:16.160 --> 00:33:18.319
<v Speaker 1>led to a very intelligent data minor going onto the

661
00:33:18.359 --> 00:33:21.039
<v Speaker 1>website and cracking the code, so basically it caused this

662
00:33:21.240 --> 00:33:21.720
<v Speaker 1>to surface.

663
00:33:21.839 --> 00:33:26.400
<v Speaker 4>Accidentally, the website was password protected, so the password eventually

664
00:33:26.519 --> 00:33:28.920
<v Speaker 4>was found to be Mason Pines and without a space

665
00:33:28.960 --> 00:33:30.839
<v Speaker 4>on it, so when you input a data in it,

666
00:33:31.200 --> 00:33:33.759
<v Speaker 4>it'll take you to a page where it has like

667
00:33:33.880 --> 00:33:36.680
<v Speaker 4>the cassette wit of Disco Girl recorded on it, and

668
00:33:36.720 --> 00:33:38.640
<v Speaker 4>if you press play on the bottom, it lets you

669
00:33:38.720 --> 00:33:40.319
<v Speaker 4>listen to the full version of Disco Girl.

670
00:33:40.559 --> 00:33:43.960
<v Speaker 2>Not only opens with Matt Chapman doing the worst Icelandic

671
00:33:44.039 --> 00:33:45.200
<v Speaker 2>accent ever recorded.

672
00:33:45.519 --> 00:33:50.359
<v Speaker 10>Ladies and Gentlemen Nama What super group all.

673
00:33:50.480 --> 00:33:55.599
<v Speaker 2>Time, but also has Jason Ridder finally reprising the role

674
00:33:55.640 --> 00:33:57.240
<v Speaker 2>of Dipper, singing along.

675
00:33:58.799 --> 00:33:59.359
<v Speaker 11>The scene.

676
00:34:00.519 --> 00:34:05.720
<v Speaker 2>Who She people say, you're to Falky Queen, It's me.

677
00:34:06.039 --> 00:34:08.639
<v Speaker 1>We get an intro with Dipper in the shower singing

678
00:34:08.719 --> 00:34:09.800
<v Speaker 1>his own theme song.

679
00:34:09.880 --> 00:34:15.960
<v Speaker 2>Dipper, He's the mystery song. The ghost for him does

680
00:34:16.119 --> 00:34:18.960
<v Speaker 2>want to be him. Girls are warming out to.

681
00:34:19.039 --> 00:34:23.000
<v Speaker 1>Him generally, which is something we knew that he did,

682
00:34:23.239 --> 00:34:25.719
<v Speaker 1>but we never heard that's true from the I think

683
00:34:25.800 --> 00:34:28.280
<v Speaker 1>was Alexadam My favorite lyric is girls.

684
00:34:28.000 --> 00:34:29.159
<v Speaker 2>Are warming up to him.

685
00:34:29.760 --> 00:34:30.639
<v Speaker 3>It's a good line.

686
00:34:30.800 --> 00:34:30.960
<v Speaker 5>Yeah.

687
00:34:31.119 --> 00:34:34.199
<v Speaker 1>He realizes that no one nobody's around, so he decides

688
00:34:34.239 --> 00:34:35.599
<v Speaker 1>to play the classics.

689
00:34:35.840 --> 00:34:39.760
<v Speaker 2>Well, if no one's around, I might listen to the classics.

690
00:34:40.519 --> 00:34:43.280
<v Speaker 1>And then, of course at the end of the recording, uh,

691
00:34:43.760 --> 00:34:46.079
<v Speaker 1>Stan walks in interrupting.

692
00:34:45.760 --> 00:34:48.199
<v Speaker 2>In the middle of the recording, and Dipper pauses it,

693
00:34:48.360 --> 00:34:49.800
<v Speaker 2>and then the song continues.

694
00:34:50.039 --> 00:34:53.920
<v Speaker 1>Well, the dialogue of that snippet is identical to the

695
00:34:54.000 --> 00:34:56.639
<v Speaker 1>one in Dipper Versus Manliness, to that flashback, so we

696
00:34:56.679 --> 00:34:59.800
<v Speaker 1>can assume that this is that moment just captured on tape.

697
00:35:00.119 --> 00:35:03.119
<v Speaker 2>Incident missing scene thick, as Mary McKeon would call it.

698
00:35:04.360 --> 00:35:10.320
<v Speaker 2>Don't don't come in. I wasn't interrupting anything, was I? No, no, no, I.

699
00:35:10.440 --> 00:35:13.119
<v Speaker 2>I had a thing that I heard sounded like the

700
00:35:13.320 --> 00:35:14.239
<v Speaker 2>entire seventies.

701
00:35:14.280 --> 00:35:15.159
<v Speaker 4>What's happening in here?

702
00:35:15.440 --> 00:35:19.559
<v Speaker 2>Well, it was a ghost. You heard a ghost. I

703
00:35:19.760 --> 00:35:24.480
<v Speaker 2>heard a ghost singing top forty hits. Yeah, yeah, it

704
00:35:24.559 --> 00:35:27.320
<v Speaker 2>must be a ghost from that era, because who else

705
00:35:27.679 --> 00:35:29.079
<v Speaker 2>would sing a song from then.

706
00:35:29.239 --> 00:35:32.360
<v Speaker 1>And there's this awkward resolution to the conversation where Stan

707
00:35:32.519 --> 00:35:33.920
<v Speaker 1>just sees himself out of the room.

708
00:35:34.119 --> 00:35:36.480
<v Speaker 2>Well, you're a child wearing a towel so I'll leave.

709
00:35:37.880 --> 00:35:41.760
<v Speaker 1>Yeah, yeah, it's not that hard. People can we talk

710
00:35:41.800 --> 00:35:44.679
<v Speaker 1>about how I don't know when else this would ever

711
00:35:44.800 --> 00:35:47.039
<v Speaker 1>come up as far as Gravity Falls fans typing something

712
00:35:47.079 --> 00:35:49.440
<v Speaker 1>into a website. I can't imagine when that would come

713
00:35:49.519 --> 00:35:52.880
<v Speaker 1>up again. But figuring out Mason fines as the past

714
00:35:52.920 --> 00:35:55.679
<v Speaker 1>where it is so like, I don't know, that's I

715
00:35:55.760 --> 00:35:58.519
<v Speaker 1>find that very impressive that we can just kind.

716
00:35:58.400 --> 00:36:02.159
<v Speaker 2>Of they literally must have been everyone trying everything until

717
00:36:02.239 --> 00:36:05.880
<v Speaker 2>someone had written in Mason Pyre right right, yeah. And

718
00:36:06.000 --> 00:36:08.239
<v Speaker 2>this is like we talked about this with the Cipher Hunt,

719
00:36:08.360 --> 00:36:11.920
<v Speaker 2>that the opening clue to the Cipher Hunt was on

720
00:36:12.760 --> 00:36:15.880
<v Speaker 2>the bus in the last scene of Gravity Falls in

721
00:36:16.239 --> 00:36:19.519
<v Speaker 2>a Visionaire key that we did not have the code

722
00:36:19.639 --> 00:36:24.000
<v Speaker 2>to yet and they brute forced it, which we tried

723
00:36:24.079 --> 00:36:27.079
<v Speaker 2>doing a Visionaire key the regular way live on the

724
00:36:27.159 --> 00:36:30.559
<v Speaker 2>podcast back, same episode as we had Rihanda on Love

725
00:36:30.639 --> 00:36:34.840
<v Speaker 2>God's Heart. Is that easy? No, the normal when you

726
00:36:34.960 --> 00:36:36.800
<v Speaker 2>have the code, but.

727
00:36:36.920 --> 00:36:39.480
<v Speaker 1>Yeah, you can. Basically you can have a Rubik's cube

728
00:36:39.519 --> 00:36:41.599
<v Speaker 1>with as many squares as you want, mix it all

729
00:36:41.719 --> 00:36:45.079
<v Speaker 1>up as algorithmically impossibly as you want, throw it to

730
00:36:45.119 --> 00:36:47.239
<v Speaker 1>the Gravity Falls fandom and say go and you'll have

731
00:36:47.360 --> 00:36:49.599
<v Speaker 1>it in about like five seconds, just with how many

732
00:36:49.599 --> 00:36:51.960
<v Speaker 1>people there are. And then for real teamwork of it all,

733
00:36:52.079 --> 00:36:55.639
<v Speaker 1>and and but especially the fact that this wasn't meant

734
00:36:55.719 --> 00:36:59.159
<v Speaker 1>to be Yeah, exactly well, that we weren't apparently we're

735
00:36:59.239 --> 00:37:01.599
<v Speaker 1>not meant to even know about this in the first place.

736
00:37:01.679 --> 00:37:03.320
<v Speaker 1>It's that much more impressive.

737
00:37:03.400 --> 00:37:03.599
<v Speaker 12>Yeah.

738
00:37:03.599 --> 00:37:05.719
<v Speaker 4>And the weird thing is that I am made but

739
00:37:05.840 --> 00:37:08.239
<v Speaker 4>didn't copyright strike anything about it, Like they didn't go

740
00:37:08.360 --> 00:37:10.159
<v Speaker 4>at anybody who posted it, Like I never got a

741
00:37:10.239 --> 00:37:12.639
<v Speaker 4>DMCA from them, being like, take this down immediately because

742
00:37:12.639 --> 00:37:14.199
<v Speaker 4>I posted it to my channel, and I think the

743
00:37:14.280 --> 00:37:17.079
<v Speaker 4>Mystery of GF also posted it to his channel right right,

744
00:37:17.159 --> 00:37:19.239
<v Speaker 4>right right, but like the day after it was posted,

745
00:37:19.360 --> 00:37:21.119
<v Speaker 4>like we woke up to find the website I've been

746
00:37:21.159 --> 00:37:23.280
<v Speaker 4>completely purged and it was just a white page with

747
00:37:23.599 --> 00:37:26.239
<v Speaker 4>a clock on it being like this, it's down and

748
00:37:26.360 --> 00:37:29.119
<v Speaker 4>something is gonna come up soon and it's never happened.

749
00:37:29.239 --> 00:37:31.280
<v Speaker 2>Just a small pile of rocks with the one word

750
00:37:31.400 --> 00:37:33.639
<v Speaker 2>unless I'm bringing the oncelor back into your breath.

751
00:37:33.719 --> 00:37:38.559
<v Speaker 1>But thank you, thank gotting for that url toddler user

752
00:37:39.079 --> 00:37:39.719
<v Speaker 1>giving back to me.

753
00:37:39.880 --> 00:37:43.119
<v Speaker 2>If you're listening to this, we gotta do a special

754
00:37:43.159 --> 00:37:43.960
<v Speaker 2>Wancelar episode.

755
00:37:44.440 --> 00:37:47.559
<v Speaker 4>No, there's no way, they like that's probably in his

756
00:37:47.679 --> 00:37:49.320
<v Speaker 4>like twenties an now at this point, I don't know.

757
00:37:49.519 --> 00:37:50.559
<v Speaker 1>I mean it's possible.

758
00:37:51.880 --> 00:37:55.400
<v Speaker 2>Have you seen that guy eventually disco Like Alex tweeted

759
00:37:55.400 --> 00:37:56.199
<v Speaker 2>out Disco Girls.

760
00:37:56.320 --> 00:37:58.639
<v Speaker 4>Yeah, it was on the ten year anniversary of the show. Like,

761
00:37:58.800 --> 00:38:00.800
<v Speaker 4>he tweeted out Disco Girl for like the ten year

762
00:38:00.880 --> 00:38:03.119
<v Speaker 4>celebrations because like there was nothing else to do besides

763
00:38:03.199 --> 00:38:04.159
<v Speaker 4>like the S and P emails.

764
00:38:04.199 --> 00:38:08.239
<v Speaker 1>So we also released the recording of We'll Meet Again

765
00:38:08.960 --> 00:38:12.079
<v Speaker 1>that's featured on the vinyl, which we'll talk about when

766
00:38:12.119 --> 00:38:13.559
<v Speaker 1>we get to the actual soundtrack.

767
00:38:13.679 --> 00:38:15.400
<v Speaker 2>It's so funny to me because for the you know,

768
00:38:15.480 --> 00:38:18.960
<v Speaker 2>I was busy researching the entire rest of Gravity Falls

769
00:38:19.039 --> 00:38:21.719
<v Speaker 2>during this time for some podcast they did who can remember,

770
00:38:22.440 --> 00:38:24.519
<v Speaker 2>So I wasn't following this too closely. But it was

771
00:38:24.800 --> 00:38:29.199
<v Speaker 2>very strange that all I knew about the vinyl soundtrack

772
00:38:29.400 --> 00:38:32.400
<v Speaker 2>was that it had the full version of Disco Girl

773
00:38:32.480 --> 00:38:34.559
<v Speaker 2>on it, and then the one thing I knew about

774
00:38:34.599 --> 00:38:36.599
<v Speaker 2>it turned out to not be true kind of like

775
00:38:36.719 --> 00:38:38.519
<v Speaker 2>broke my brain for a Yeah.

776
00:38:38.440 --> 00:38:41.159
<v Speaker 1>That's right, because it was listed on the tracks as well.

777
00:38:41.199 --> 00:38:43.840
<v Speaker 1>It was Disco girl, And then after this happened, it

778
00:38:43.960 --> 00:38:45.400
<v Speaker 1>was gone no more disco Curry.

779
00:38:45.559 --> 00:38:47.079
<v Speaker 4>I don't think it was even because of this, but

780
00:38:47.199 --> 00:38:50.559
<v Speaker 4>like they quietly removed it off the actual website listing

781
00:38:50.599 --> 00:38:52.599
<v Speaker 4>as well. Like no one found out about this until

782
00:38:52.679 --> 00:38:53.119
<v Speaker 4>it came out.

783
00:38:53.320 --> 00:38:56.119
<v Speaker 3>It was a little too close to the real song.

784
00:38:56.280 --> 00:38:57.559
<v Speaker 1>I assume that's our.

785
00:38:57.519 --> 00:38:59.880
<v Speaker 2>Guess is that it plays it a little little fast

786
00:39:00.159 --> 00:39:01.639
<v Speaker 2>loose with the abba pastage.

787
00:39:02.000 --> 00:39:04.159
<v Speaker 4>Yeah, The Mystery of GEF tweeted about it. He didn't

788
00:39:04.159 --> 00:39:05.960
<v Speaker 4>specify what the reason was, but he just said it

789
00:39:06.039 --> 00:39:08.599
<v Speaker 4>was like a license issue with a copyright holder or something.

790
00:39:08.800 --> 00:39:11.719
<v Speaker 2>I have to imagine it was like, hey, this is

791
00:39:11.800 --> 00:39:13.480
<v Speaker 2>not a parody, this is our song.

792
00:39:13.880 --> 00:39:17.360
<v Speaker 1>Yeah, Yeah, and the lyrics are very cutting.

793
00:39:17.679 --> 00:39:26.440
<v Speaker 13>She's not sass, four thousand miles discos of musical.

794
00:39:26.119 --> 00:39:27.760
<v Speaker 5>Sound dis.

795
00:39:29.360 --> 00:39:30.840
<v Speaker 2>Sod true.

796
00:39:31.800 --> 00:39:32.719
<v Speaker 14>That girl is.

797
00:39:36.840 --> 00:39:38.039
<v Speaker 13>Starting down.

798
00:39:41.400 --> 00:39:42.320
<v Speaker 7>That girl.

799
00:39:46.239 --> 00:39:48.800
<v Speaker 13>My convision applications.

800
00:39:51.000 --> 00:39:51.840
<v Speaker 7>That girl is.

801
00:39:57.559 --> 00:39:57.840
<v Speaker 12>A right.

802
00:39:57.840 --> 00:40:02.039
<v Speaker 2>I better uh better hide this tape. Mabel can never know.

803
00:40:02.480 --> 00:40:06.280
<v Speaker 1>So that history kind of intertwines with the overall history

804
00:40:06.519 --> 00:40:11.679
<v Speaker 1>of Gravity Falls music publication, like with Brad Brieck's SoundCloud.

805
00:40:11.760 --> 00:40:14.639
<v Speaker 1>Because on March twenty eighth and twenty ninth, twenty fifteen,

806
00:40:15.239 --> 00:40:19.119
<v Speaker 1>Brad Brieck himself uploaded three volumes of music excerpts from

807
00:40:19.199 --> 00:40:21.800
<v Speaker 1>gravity Fall season one to his SoundCloud, and you might

808
00:40:21.840 --> 00:40:24.480
<v Speaker 1>recall that this is where we discovered zombie Love, which

809
00:40:24.519 --> 00:40:28.440
<v Speaker 1>is the unused lyrical summer wene ending song that closed

810
00:40:28.480 --> 00:40:30.679
<v Speaker 1>out our podcast on that episode, because I love a

811
00:40:30.840 --> 00:40:35.400
<v Speaker 1>monster mash sound alike, pastiche it's great. And then in

812
00:40:35.480 --> 00:40:38.559
<v Speaker 1>twenty sixteen, Brieck uploaded playlists of the full scores of

813
00:40:38.599 --> 00:40:40.639
<v Speaker 1>every episode of the series, as well as a Gravity

814
00:40:40.719 --> 00:40:44.599
<v Speaker 1>Falls Real playlist with highlighted excerpts from the soundtrack. But

815
00:40:44.719 --> 00:40:48.159
<v Speaker 1>sometime in twenty twenty two, Brad Reriick began uploading the

816
00:40:48.199 --> 00:40:51.800
<v Speaker 1>full episode scores to his YouTube, which delightfully are labeled

817
00:40:52.000 --> 00:40:54.079
<v Speaker 1>like you can label the chapters in a YouTube video.

818
00:40:54.119 --> 00:40:56.880
<v Speaker 1>They're all labeled with individual track names within each episode,

819
00:40:56.880 --> 00:41:00.800
<v Speaker 1>which is awesome, really tickles my brain in that nerd way.

820
00:41:00.880 --> 00:41:03.440
<v Speaker 2>Because now we know what every single Gravity Falls song

821
00:41:03.599 --> 00:41:03.920
<v Speaker 2>is called.

822
00:41:04.039 --> 00:41:05.480
<v Speaker 4>Yeah pretty much, yeah right.

823
00:41:05.719 --> 00:41:08.400
<v Speaker 1>The vinyl was you know, it was announced in twenty

824
00:41:08.480 --> 00:41:11.679
<v Speaker 1>twenty and this, I don't know if you remember, this

825
00:41:11.840 --> 00:41:15.079
<v Speaker 1>really weird thing was going on in twenty twenty. It

826
00:41:15.239 --> 00:41:17.519
<v Speaker 1>starts that started in twenty twenty and I don't know

827
00:41:17.519 --> 00:41:21.400
<v Speaker 1>if anybody anybody remembers, but whatever it was, it was

828
00:41:21.519 --> 00:41:25.320
<v Speaker 1>contributing to a lot of delays in the production and

829
00:41:25.559 --> 00:41:28.599
<v Speaker 1>the shipping out of these records, and as well as

830
00:41:28.639 --> 00:41:31.280
<v Speaker 1>the fact that I am eight bit, and I guess

831
00:41:31.440 --> 00:41:34.880
<v Speaker 1>other sources as well tend to do this where you

832
00:41:35.039 --> 00:41:38.079
<v Speaker 1>pre order one wave that gets stripped out at one

833
00:41:38.159 --> 00:41:41.320
<v Speaker 1>point in time, then there are new pre orders opened

834
00:41:41.400 --> 00:41:43.760
<v Speaker 1>up that gets stripped out at a later point. And

835
00:41:43.840 --> 00:41:48.119
<v Speaker 1>according to the Gravity Falls wiki, the first wave was

836
00:41:48.320 --> 00:41:51.199
<v Speaker 1>shipped out on November sixteenth of twenty twenty two, second

837
00:41:51.280 --> 00:41:54.960
<v Speaker 1>wave in December twenty twenty two. In January twenty twenty three.

838
00:41:55.320 --> 00:41:57.880
<v Speaker 4>And here's the other thing, Like, UMG didn't announce that

839
00:41:58.039 --> 00:41:59.960
<v Speaker 4>the soundtrack was then going to be released on didgit

840
00:42:00.320 --> 00:42:03.280
<v Speaker 4>like on Spotify or anything like the only time week, Yeah,

841
00:42:03.280 --> 00:42:06.320
<v Speaker 4>it was completely If I had known that that was

842
00:42:06.360 --> 00:42:08.000
<v Speaker 4>the case, like I wouldn't be so worried.

843
00:42:08.199 --> 00:42:11.280
<v Speaker 1>Yeah, that's true. On January twelfth of twenty twenty four,

844
00:42:11.480 --> 00:42:14.599
<v Speaker 1>the vinyl soundtracks music was uploaded to Spotify and other

845
00:42:14.920 --> 00:42:18.199
<v Speaker 1>digital platforms cpletely unannounced. Like you said, yeah, so we

846
00:42:18.280 --> 00:42:20.800
<v Speaker 1>can finally start to get into the actual album that

847
00:42:20.840 --> 00:42:23.920
<v Speaker 1>we're talking about, starting with the beautiful cover.

848
00:42:24.000 --> 00:42:25.519
<v Speaker 2>Art, the award winning cover art.

849
00:42:25.599 --> 00:42:28.119
<v Speaker 1>That's true, the award winning cover. The cover art is

850
00:42:28.480 --> 00:42:31.880
<v Speaker 1>by ghost Shrimp, who was formerly a storyboard artist on

851
00:42:31.960 --> 00:42:35.079
<v Speaker 1>The Marvelous Misadventures of Flapjack and a lead background designer

852
00:42:35.400 --> 00:42:36.360
<v Speaker 1>on Adventure Time.

853
00:42:37.320 --> 00:42:39.760
<v Speaker 2>Oh, it definitely gives off Adventure Time backgrounds.

854
00:42:40.079 --> 00:42:41.960
<v Speaker 3>It gives very Flapjack vibes to me too.

855
00:42:42.199 --> 00:42:44.519
<v Speaker 2>Yeah, no, I see that. Yeah, it's got this kind

856
00:42:44.559 --> 00:42:49.000
<v Speaker 2>of psychedelic vibe that kind of Yeah, doesn't necessarily look

857
00:42:49.119 --> 00:42:53.639
<v Speaker 2>like any particular album from the the LSD tours.

858
00:42:53.880 --> 00:42:57.079
<v Speaker 4>I will say, like I remember when the cover was released.

859
00:42:57.159 --> 00:42:59.440
<v Speaker 4>It was sort of controversial with the fandom because like

860
00:42:59.440 --> 00:43:01.920
<v Speaker 4>a lot of people where like this doesn't really feel

861
00:43:02.079 --> 00:43:03.880
<v Speaker 4>too grovidy falls like or like it.

862
00:43:03.840 --> 00:43:04.320
<v Speaker 2>Should have been.

863
00:43:04.360 --> 00:43:06.760
<v Speaker 1>Like stylistically, it doesn't resemble the shit.

864
00:43:06.800 --> 00:43:09.559
<v Speaker 2>That's how Grunkle Stan remembers the sixties.

865
00:43:09.679 --> 00:43:09.880
<v Speaker 15>Though.

866
00:43:10.440 --> 00:43:16.119
<v Speaker 4>Yeah, true, that's true. Personally, like it's grown on me

867
00:43:16.199 --> 00:43:18.000
<v Speaker 4>a lot, like I I like it a lot now,

868
00:43:18.280 --> 00:43:20.239
<v Speaker 4>Like like at first, like I was a bit iffy,

869
00:43:20.360 --> 00:43:22.039
<v Speaker 4>but like personally, like I've come to grow to it.

870
00:43:22.119 --> 00:43:24.079
<v Speaker 4>Like I love the vinyl cover.

871
00:43:24.320 --> 00:43:27.920
<v Speaker 2>It looks like something that would be on a restaurant

872
00:43:28.280 --> 00:43:30.039
<v Speaker 2>that college kids go to.

873
00:43:30.639 --> 00:43:33.960
<v Speaker 3>Yeah, yeah, yeah, it looks like mellow mushroom.

874
00:43:34.119 --> 00:43:35.840
<v Speaker 2>It gives me mellow mushroom vibes.

875
00:43:35.960 --> 00:43:38.039
<v Speaker 1>Kind of looks like a yeah, the part of it,

876
00:43:38.360 --> 00:43:40.880
<v Speaker 1>I think it's wonderful, wonderfully whims the part of a

877
00:43:40.960 --> 00:43:43.280
<v Speaker 1>restaurant that serves all of its burgers on like a

878
00:43:43.360 --> 00:43:44.039
<v Speaker 1>plank of wood.

879
00:43:45.280 --> 00:43:47.880
<v Speaker 4>I can confirm as a recent university graduate, I've seen

880
00:43:47.920 --> 00:43:50.480
<v Speaker 4>a lot of places like that in downtown Toronto alone.

881
00:43:50.239 --> 00:43:52.400
<v Speaker 1>So you know there's that I love, just all the

882
00:43:52.519 --> 00:43:54.800
<v Speaker 1>detail and you can pour over it really for as

883
00:43:54.840 --> 00:43:56.800
<v Speaker 1>long as you could be actual music, yeah.

884
00:43:56.760 --> 00:43:59.880
<v Speaker 2>Which is what the goal of a vinyl is is,

885
00:44:00.159 --> 00:44:02.400
<v Speaker 2>like you need something to look at while the music

886
00:44:02.519 --> 00:44:05.719
<v Speaker 2>is happening, which is kind of lost with CDs because

887
00:44:05.840 --> 00:44:09.360
<v Speaker 2>it's a flimsy piece of cardboard that you shouldn't shouldn't

888
00:44:09.519 --> 00:44:10.199
<v Speaker 2>touch too much.

889
00:44:10.400 --> 00:44:10.840
<v Speaker 5>I don't know.

890
00:44:11.079 --> 00:44:14.159
<v Speaker 3>The CDs used to have those books with like pictures

891
00:44:14.239 --> 00:44:18.159
<v Speaker 3>from destruction and like lyrics that I miss no for.

892
00:44:18.280 --> 00:44:21.079
<v Speaker 2>Sure, But the difference is that in a vinyl of

893
00:44:21.119 --> 00:44:25.079
<v Speaker 2>the book, those books are bigger, So yeah, it's forgot

894
00:44:25.639 --> 00:44:28.760
<v Speaker 2>is always better. Shelby oh, I forgot.

895
00:44:29.039 --> 00:44:31.400
<v Speaker 1>That's why they That's why they were biggering, right, That's

896
00:44:31.400 --> 00:44:32.960
<v Speaker 1>why they did all that biggering, right.

897
00:44:33.079 --> 00:44:35.039
<v Speaker 2>They were figuring on it, that's for sure.

898
00:44:35.000 --> 00:44:40.000
<v Speaker 1>Tumbler user, he no, But I love how they weave

899
00:44:40.119 --> 00:44:43.199
<v Speaker 1>the idea of like the literal LP and kind of

900
00:44:43.440 --> 00:44:46.960
<v Speaker 1>record designs, Like on the front is like the Mystery

901
00:44:47.000 --> 00:44:51.119
<v Speaker 1>Shack itself has the two LP sign in place of

902
00:44:51.159 --> 00:44:57.960
<v Speaker 1>world Paypop, which is of course, uh, the erroneous world

903
00:44:58.000 --> 00:45:00.119
<v Speaker 1>of Famous sign from hand that rocks the male that

904
00:45:00.199 --> 00:45:01.119
<v Speaker 1>I can't get out of my head.

905
00:45:01.400 --> 00:45:04.840
<v Speaker 2>There's a weird animation mistake where world Famous as the

906
00:45:04.880 --> 00:45:08.000
<v Speaker 2>World's paper, but it drove insane for an entire month.

907
00:45:08.559 --> 00:45:12.559
<v Speaker 1>Go listen to that episode to find out. And yeah,

908
00:45:12.679 --> 00:45:16.360
<v Speaker 1>the two grunkles are sort of their faces are on

909
00:45:16.519 --> 00:45:19.440
<v Speaker 1>the building and they have the records in their mouths that.

910
00:45:19.519 --> 00:45:21.760
<v Speaker 2>Are like for me, well, they are the Mystery Shack,

911
00:45:22.199 --> 00:45:24.920
<v Speaker 2>you know. I think the Mystery Shock is kind of

912
00:45:24.960 --> 00:45:27.000
<v Speaker 2>its own character, and also.

913
00:45:26.880 --> 00:45:31.239
<v Speaker 1>The I'm realizing that describing it as making me sound insane.

914
00:45:31.400 --> 00:45:33.360
<v Speaker 1>You'd probably just look at a picture of it.

915
00:45:33.519 --> 00:45:35.920
<v Speaker 2>But you can look at a picture of it unless

916
00:45:35.960 --> 00:45:36.960
<v Speaker 2>you have a blind ear.

917
00:45:38.440 --> 00:45:41.199
<v Speaker 3>I think SEUs is the cutest Sus has ever been

918
00:45:41.280 --> 00:45:42.639
<v Speaker 3>in this picture, and that's saying a.

919
00:45:42.679 --> 00:45:45.760
<v Speaker 1>Lot, because Sus is a door, the world's most perfect man.

920
00:45:46.719 --> 00:45:48.559
<v Speaker 1>There's and even the you know, you open it up

921
00:45:48.559 --> 00:45:51.480
<v Speaker 1>and there's even more detail. I would bet there's a

922
00:45:51.599 --> 00:45:55.000
<v Speaker 1>reference to every single episode in here, probably because you've

923
00:45:55.039 --> 00:45:57.519
<v Speaker 1>got like the back has like the infinity sided die,

924
00:45:57.760 --> 00:46:01.559
<v Speaker 1>the shrinking flashlight, you've got like Darlene, You've got. My

925
00:46:01.719 --> 00:46:04.960
<v Speaker 1>favorite detail is probably mister pool Check strangling the gobble

926
00:46:05.039 --> 00:46:09.199
<v Speaker 1>wonker because he totally would like if that thing appeared

927
00:46:09.239 --> 00:46:13.159
<v Speaker 1>in his pool, it would be over. Yeah.

928
00:46:13.199 --> 00:46:14.519
<v Speaker 4>The detail is just incredible.

929
00:46:14.639 --> 00:46:16.199
<v Speaker 1>Yeah. And then of course all on the cover as well,

930
00:46:16.199 --> 00:46:20.280
<v Speaker 1>you've got the big phonograph horn with Bill coming out.

931
00:46:20.159 --> 00:46:21.920
<v Speaker 3>Of it, like the kitten frists.

932
00:46:22.360 --> 00:46:24.320
<v Speaker 1>Yes, yeah, of course gotta.

933
00:46:24.039 --> 00:46:26.760
<v Speaker 2>Have them immortalized by Shelby, that's true.

934
00:46:26.840 --> 00:46:30.519
<v Speaker 1>Yeah, we can get into the tracks themselves. We've got

935
00:46:30.760 --> 00:46:33.679
<v Speaker 1>disc one, side A, which is marked by the pine

936
00:46:33.719 --> 00:46:36.679
<v Speaker 1>tree on the record itself and Dippers on the cover.

937
00:46:36.880 --> 00:46:40.159
<v Speaker 2>For those who have never handled a vinyl, basically the

938
00:46:40.239 --> 00:46:43.119
<v Speaker 2>amount of tracks that are on an album don't fit

939
00:46:43.320 --> 00:46:47.159
<v Speaker 2>on one side of a vinyl, so it's pretty standard

940
00:46:47.239 --> 00:46:50.519
<v Speaker 2>for there to be two vinyl records, each with an

941
00:46:50.559 --> 00:46:53.440
<v Speaker 2>A side and a B side. So if you see

942
00:46:53.480 --> 00:46:56.400
<v Speaker 2>that you have a four sided record, you haven't crossed

943
00:46:56.400 --> 00:46:58.079
<v Speaker 2>any thresholds into a new dimension.

944
00:46:58.119 --> 00:47:00.280
<v Speaker 1>That's I mean, since there is four of us, could

945
00:47:00.360 --> 00:47:03.159
<v Speaker 1>go each of us list the tracks off of each side.

946
00:47:03.239 --> 00:47:05.360
<v Speaker 2>Do you want me to do it as Dipper then,

947
00:47:05.480 --> 00:47:09.800
<v Speaker 2>since this is the Dipper record, yeah, I suppose so okay.

948
00:47:10.920 --> 00:47:16.079
<v Speaker 2>So track one is Gravity Falls main title theme, track

949
00:47:16.199 --> 00:47:21.559
<v Speaker 2>two Let's Rewind score from Tourist Trapped. Track three is

950
00:47:21.760 --> 00:47:26.039
<v Speaker 2>gobble Wonker chase score from Legend of the gobble Wonker.

951
00:47:27.119 --> 00:47:30.400
<v Speaker 2>Track four is Pig is Seuss from Carpet Diam Then

952
00:47:30.440 --> 00:47:34.960
<v Speaker 2>five is book Discovery score from Tourist Trapped and Gideon's

953
00:47:35.039 --> 00:47:38.320
<v Speaker 2>theme score from The Hand that Rocks the Mable. And

954
00:47:38.400 --> 00:47:41.840
<v Speaker 2>there's a backwards message and that we'll get into that's

955
00:47:41.880 --> 00:47:44.519
<v Speaker 2>not for this room of the museum though.

956
00:47:44.639 --> 00:47:47.079
<v Speaker 1>No, but it does take place right after that track.

957
00:47:47.199 --> 00:47:50.840
<v Speaker 1>I felt it worthy to note because you know, again, kids,

958
00:47:51.039 --> 00:47:54.519
<v Speaker 1>unlike with digital music or CDs, you you have to

959
00:47:54.639 --> 00:47:56.519
<v Speaker 1>just put the needle in the right spot to find

960
00:47:56.599 --> 00:47:59.440
<v Speaker 1>the track that you want. You don't get to press

961
00:47:59.440 --> 00:48:00.280
<v Speaker 1>a button and get.

962
00:48:00.440 --> 00:48:04.400
<v Speaker 2>Basically, it looks like there are things etched into parts

963
00:48:04.440 --> 00:48:07.159
<v Speaker 2>where there are songs, and it looks clean like nothing

964
00:48:07.199 --> 00:48:09.639
<v Speaker 2>has ever happened to the parts where there aren't songs.

965
00:48:10.079 --> 00:48:12.840
<v Speaker 2>So if you look real closely, you can see where

966
00:48:12.840 --> 00:48:15.199
<v Speaker 2>each song starts and stops, which is why you get

967
00:48:15.239 --> 00:48:18.360
<v Speaker 2>the titles like needle drop when a song starts playing

968
00:48:18.440 --> 00:48:19.159
<v Speaker 2>at the right moment.

969
00:48:19.400 --> 00:48:19.599
<v Speaker 5>Yeah.

970
00:48:20.000 --> 00:48:24.760
<v Speaker 2>Track six Wax Battle from Headhunters. Track seven Boys Crazy

971
00:48:24.920 --> 00:48:29.800
<v Speaker 2>Medley several times songs several several time songs all the several.

972
00:48:29.559 --> 00:48:31.880
<v Speaker 1>Times songs which I'm sure Dipper loves that track.

973
00:48:32.239 --> 00:48:37.840
<v Speaker 2>Oh yeah. Eight Let's do This named for the hand

974
00:48:37.880 --> 00:48:40.760
<v Speaker 2>that rocks the Mabel credit scene, for which it was

975
00:48:40.960 --> 00:48:44.639
<v Speaker 2>evidently originally composed. It's also in Tourist Trap, but the

976
00:48:44.760 --> 00:48:47.320
<v Speaker 2>full score for that episode confirms there was originally a

977
00:48:47.360 --> 00:48:48.480
<v Speaker 2>different track in that scene.

978
00:48:48.679 --> 00:48:52.400
<v Speaker 1>Yeah. I find that interesting because it's the track that

979
00:48:52.840 --> 00:48:56.119
<v Speaker 1>what we know as the montage of Dipper spying on

980
00:48:56.239 --> 00:48:59.480
<v Speaker 1>Mabel and Norman has this in it, but it was

981
00:48:59.559 --> 00:49:01.000
<v Speaker 1>not compared is for it originally?

982
00:49:01.679 --> 00:49:06.880
<v Speaker 2>Nine is it Bottomless Score from Bottomless Pit, which is

983
00:49:07.039 --> 00:49:13.000
<v Speaker 2>in the same track track nine as Triangulum Intagulum, which

984
00:49:13.039 --> 00:49:13.800
<v Speaker 2>is how it's written.

985
00:49:13.920 --> 00:49:17.159
<v Speaker 1>Yeah, it's it's misspelled on the track title for some reason,

986
00:49:17.760 --> 00:49:21.000
<v Speaker 1>just not what Gideon says in the amazing.

987
00:49:21.119 --> 00:49:26.039
<v Speaker 2>Score from Dreamscaperers. And then should I record it and

988
00:49:26.119 --> 00:49:27.920
<v Speaker 2>then you reverse it? Or should I try to read

989
00:49:27.960 --> 00:49:28.599
<v Speaker 2>it backwards?

990
00:49:28.840 --> 00:49:29.760
<v Speaker 1>Try to read it backwards?

991
00:49:33.679 --> 00:49:39.039
<v Speaker 2>All which is a backmasked song from the Inconveniencing.

992
00:49:52.519 --> 00:49:54.079
<v Speaker 5>May even.

993
00:49:56.920 --> 00:50:01.679
<v Speaker 2>Email e mail mail snow, what song is?

994
00:50:01.760 --> 00:50:02.079
<v Speaker 1>What song?

995
00:50:02.159 --> 00:50:02.280
<v Speaker 5>Is that?

996
00:50:02.679 --> 00:50:03.039
<v Speaker 2>What song?

997
00:50:03.239 --> 00:50:03.760
<v Speaker 1>Are you sure? No?

998
00:50:03.920 --> 00:50:06.679
<v Speaker 2>Don't don't you know if you tried to find out?

999
00:50:06.800 --> 00:50:08.760
<v Speaker 1>Really, we do a lot of don't we Why don't

1000
00:50:08.760 --> 00:50:10.599
<v Speaker 1>we just play back something?

1001
00:50:11.280 --> 00:50:13.400
<v Speaker 2>Some things are just better off not knowing. I always

1002
00:50:13.440 --> 00:50:14.840
<v Speaker 2>shall we say exactly that?

1003
00:50:15.000 --> 00:50:17.800
<v Speaker 1>That doesn't seem like you're different, That doesn't seem like how.

1004
00:50:17.840 --> 00:50:23.119
<v Speaker 2>You Then Track eleven is fight Fighters Battle Suite Score,

1005
00:50:23.360 --> 00:50:23.639
<v Speaker 2>and I.

1006
00:50:24.119 --> 00:50:26.519
<v Speaker 1>Love this one because you can tell right like the

1007
00:50:26.639 --> 00:50:31.960
<v Speaker 1>exact Q when the Superpower Mega Ultra Meta Refix combo.

1008
00:50:32.199 --> 00:50:34.719
<v Speaker 1>You can tell right when that happens. Track twelve, being

1009
00:50:34.800 --> 00:50:37.000
<v Speaker 1>Blanching is just an iconic way to end out. This

1010
00:50:37.119 --> 00:50:38.920
<v Speaker 1>is this side of the album.

1011
00:50:39.199 --> 00:50:42.599
<v Speaker 16>Planting Girl We Blanching. I live up in the mansion,

1012
00:50:43.679 --> 00:50:47.119
<v Speaker 16>girl Love Blanching. I live up being the mansion cannot

1013
00:50:47.159 --> 00:50:51.119
<v Speaker 16>please have your attention, because you know, straight blanching cannot

1014
00:50:51.159 --> 00:50:55.000
<v Speaker 16>please have your attention. You know that straight we be

1015
00:50:55.159 --> 00:50:58.719
<v Speaker 16>blanching on a play, We be blanching straight to we

1016
00:50:58.920 --> 00:51:01.559
<v Speaker 16>got panching on Come on you.

1017
00:51:04.280 --> 00:51:07.920
<v Speaker 5>Baby, hey.

1018
00:51:11.199 --> 00:51:14.800
<v Speaker 2>Kids, Oh we blanching. Yeah, we do plant. If we

1019
00:51:14.960 --> 00:51:21.280
<v Speaker 2>continue to blanch, that would make it yeah. Yeah, And

1020
00:51:21.400 --> 00:51:25.719
<v Speaker 2>I love it's so because this could have just been like,

1021
00:51:25.840 --> 00:51:28.000
<v Speaker 2>here's some songs from the show, but there are like

1022
00:51:28.280 --> 00:51:30.079
<v Speaker 2>new like dude, we didn't have a full version of

1023
00:51:30.119 --> 00:51:32.280
<v Speaker 2>blanche in priorities. We didn't have a full version of

1024
00:51:32.880 --> 00:51:36.360
<v Speaker 2>we meete again. And I don't know. It's such an

1025
00:51:36.880 --> 00:51:39.440
<v Speaker 2>interesting work overall, especially the choices.

1026
00:51:39.599 --> 00:51:44.760
<v Speaker 1>I'd preferred more of a strict chronological, you know, escalation.

1027
00:51:45.320 --> 00:51:47.800
<v Speaker 1>But I also think it's a fun mix tonally. You

1028
00:51:47.880 --> 00:51:50.039
<v Speaker 1>get a lot of things that kind of back and forth.

1029
00:51:50.159 --> 00:51:54.000
<v Speaker 1>Are our fun contrasts. Yeah, and it's generally split between

1030
00:51:54.280 --> 00:51:56.960
<v Speaker 1>season one and two, but they're obviously like blanching is

1031
00:51:57.119 --> 00:51:59.880
<v Speaker 1>clear obviously season two, and I would say it's split

1032
00:52:00.119 --> 00:52:05.199
<v Speaker 1>more in the sense of like fun and plot. I guess,

1033
00:52:05.840 --> 00:52:08.159
<v Speaker 1>you know. Disc disc one, Disc fun.

1034
00:52:08.119 --> 00:52:12.480
<v Speaker 15>Disc too, Discontinuity Track one on Disc one.

1035
00:52:12.559 --> 00:52:14.760
<v Speaker 1>Side B, which is denoted by the shooting Star and

1036
00:52:14.840 --> 00:52:17.639
<v Speaker 1>has Mabel on the cover is Finally I Have Them All,

1037
00:52:17.719 --> 00:52:21.159
<v Speaker 1>which is the score from the end of Gideon Rises.

1038
00:52:21.679 --> 00:52:23.639
<v Speaker 1>Track two we have Gideon's song from the Hand that

1039
00:52:23.719 --> 00:52:27.239
<v Speaker 1>Rocks the Mabel, which is It's One, It's It is

1040
00:52:27.280 --> 00:52:28.000
<v Speaker 1>one of my favorites.

1041
00:52:28.079 --> 00:52:30.599
<v Speaker 2>There's a church choir in this version that's not in

1042
00:52:30.679 --> 00:52:31.360
<v Speaker 2>the episode.

1043
00:52:41.840 --> 00:52:45.320
<v Speaker 1>I get why that didn't appear in the actual episode,

1044
00:52:45.360 --> 00:52:47.679
<v Speaker 1>because they would it would be weird if it appeared

1045
00:52:47.760 --> 00:52:50.840
<v Speaker 1>like non diegetically, they probably would have had it justify

1046
00:52:50.880 --> 00:52:52.599
<v Speaker 1>it with some kind of animation that they didn't want

1047
00:52:52.599 --> 00:52:54.280
<v Speaker 1>to do. I I do get why it's not there,

1048
00:52:54.400 --> 00:52:57.440
<v Speaker 1>but it adds so much to the character of Gideon,

1049
00:52:57.480 --> 00:53:01.199
<v Speaker 1>into the vibe that he's giving, which is this evangelical,

1050
00:53:01.639 --> 00:53:06.519
<v Speaker 1>you know sermon. It also lacks the dialogue from Gideon

1051
00:53:06.639 --> 00:53:08.440
<v Speaker 1>talking to the audience, which is interesting.

1052
00:53:08.639 --> 00:53:11.679
<v Speaker 2>Something tells me your name, Mabel, and then there's just

1053
00:53:11.760 --> 00:53:12.800
<v Speaker 2>silence for a little bit.

1054
00:53:13.159 --> 00:53:15.440
<v Speaker 1>Track three is It's all led up to This, which

1055
00:53:15.519 --> 00:53:19.079
<v Speaker 1>is score from Scaraoke, which sort of directly follows Finally

1056
00:53:19.119 --> 00:53:22.280
<v Speaker 1>I Have Them All. It's the intro to that episode

1057
00:53:22.320 --> 00:53:25.360
<v Speaker 1>with Stan remarking that he probably should have worn pants

1058
00:53:25.559 --> 00:53:28.559
<v Speaker 1>for such a momentous occasion, which always made me wonder like,

1059
00:53:28.679 --> 00:53:30.840
<v Speaker 1>did he think what Ford was gonna step out?

1060
00:53:30.920 --> 00:53:31.039
<v Speaker 12>Right?

1061
00:53:31.119 --> 00:53:33.000
<v Speaker 1>Then he should have worked pants?

1062
00:53:33.320 --> 00:53:35.159
<v Speaker 2>He would have Ford would have stepped down and been like,

1063
00:53:35.559 --> 00:53:38.639
<v Speaker 2>all right, I'll see myself. Yeah, just walked right back.

1064
00:53:39.480 --> 00:53:42.880
<v Speaker 1>Track four is Working Girls aka Large and in Charge

1065
00:53:42.960 --> 00:53:45.559
<v Speaker 1>from Boss Mabel, performed by Carmen Carter. And this one

1066
00:53:45.639 --> 00:53:48.760
<v Speaker 1>is even stranger because the copyright is registered as Large

1067
00:53:48.800 --> 00:53:51.119
<v Speaker 1>and in Charge. Right then, Working Girls is what it's

1068
00:53:51.679 --> 00:53:55.719
<v Speaker 1>on the soundtrack as Track five is Gnome Chase. No

1069
00:53:55.880 --> 00:53:57.880
<v Speaker 1>guesses as to what episode this is from. This is

1070
00:53:57.920 --> 00:54:02.679
<v Speaker 1>from Torrest Trap. Track six is the end credits of

1071
00:54:02.800 --> 00:54:07.599
<v Speaker 1>Gideon Rise's notably Without Gravity Falls Will Return, which was

1072
00:54:07.679 --> 00:54:11.239
<v Speaker 1>only I think on the initial rigs. Track seven is

1073
00:54:11.320 --> 00:54:14.639
<v Speaker 1>Who's that Girl Again? I love the contrasts here because

1074
00:54:14.679 --> 00:54:17.199
<v Speaker 1>you go from the song of Sock Opera to track eight.

1075
00:54:17.280 --> 00:54:21.800
<v Speaker 1>Fiddleford hadron Muggucket which is misspelled Mugucket.

1076
00:54:21.920 --> 00:54:23.519
<v Speaker 2>This is actually his mother, Yeah.

1077
00:54:23.880 --> 00:54:25.880
<v Speaker 1>But it's the score from the blind Eye episode, which

1078
00:54:26.159 --> 00:54:30.360
<v Speaker 1>his entire tragic backstory right after the Sock Opera. Uh,

1079
00:54:30.480 --> 00:54:33.639
<v Speaker 1>and then we get another backwards message followed by the

1080
00:54:33.719 --> 00:54:38.360
<v Speaker 1>stan Wrong song from Boss Mabel, again following the backstory

1081
00:54:38.400 --> 00:54:41.559
<v Speaker 1>of Fiddleford with the stand Wrong song Absolute Perfection.

1082
00:54:41.800 --> 00:54:43.039
<v Speaker 2>That's very meta.

1083
00:54:43.400 --> 00:54:45.920
<v Speaker 1>Yeah, as noted on the wiki, this is evidently an

1084
00:54:45.960 --> 00:54:49.519
<v Speaker 1>earlier version, like before the final mix. I guess.

1085
00:54:52.440 --> 00:54:52.960
<v Speaker 13>Jazzier.

1086
00:54:53.800 --> 00:54:56.760
<v Speaker 2>My guess to what it was was the instrumental ran

1087
00:54:57.159 --> 00:54:59.440
<v Speaker 2>longer than they expected and there was a part where

1088
00:54:59.440 --> 00:55:02.840
<v Speaker 2>it was like this silence could be filled by Mabel

1089
00:55:02.880 --> 00:55:06.480
<v Speaker 2>saying something else, and Alex just recorded it as a

1090
00:55:06.559 --> 00:55:09.000
<v Speaker 2>temp track until Kristen was in the studio for the

1091
00:55:09.039 --> 00:55:09.760
<v Speaker 2>next episode.

1092
00:55:09.920 --> 00:55:12.719
<v Speaker 1>Yeah, that's I guess that's probably true. They have her

1093
00:55:12.840 --> 00:55:15.559
<v Speaker 1>lines for the rest of the song, but not because.

1094
00:55:15.360 --> 00:55:17.639
<v Speaker 2>She doesn't sing any parts of it, so the instrumental

1095
00:55:17.639 --> 00:55:19.519
<v Speaker 2>wouldn't need to be there yet while she was.

1096
00:55:19.559 --> 00:55:20.840
<v Speaker 3>Recording when they mixed it it.

1097
00:55:21.079 --> 00:55:24.239
<v Speaker 1>Yeah, and also if you time into the visuals, Mabel's

1098
00:55:24.800 --> 00:55:27.679
<v Speaker 1>on screen lines are all there, and her initial do

1099
00:55:27.840 --> 00:55:31.000
<v Speaker 1>the kicks is there. Jazzier is still an off screen line,

1100
00:55:31.119 --> 00:55:32.000
<v Speaker 1>so that might be it.

1101
00:55:32.679 --> 00:55:39.599
<v Speaker 2>I mean, adr you could say that, yeah you liked

1102
00:55:39.639 --> 00:55:41.119
<v Speaker 2>my puns, what happened in two.

1103
00:55:41.119 --> 00:55:42.760
<v Speaker 1>Years, Well, they're the same puns.

1104
00:55:43.400 --> 00:55:45.280
<v Speaker 3>I mean, the thing is.

1105
00:55:48.880 --> 00:55:52.320
<v Speaker 1>Track ten is a very tricky triangle, which is from

1106
00:55:52.400 --> 00:55:55.960
<v Speaker 1>SoC Opera. I believe it's a scene when Dipper is

1107
00:55:56.480 --> 00:55:59.440
<v Speaker 1>manipulated into shaking his hand and gets possessed, and then

1108
00:55:59.440 --> 00:56:03.239
<v Speaker 1>we get that kind of bouncy like playful music as

1109
00:56:03.320 --> 00:56:06.159
<v Speaker 1>he's using Dipper's body for the first time, slapping himself,

1110
00:56:06.199 --> 00:56:08.840
<v Speaker 1>et cetera. Then we come to disc two, side A

1111
00:56:09.239 --> 00:56:12.880
<v Speaker 1>with the Fez symbol and brunkle Stan on the cover. Shelby,

1112
00:56:12.880 --> 00:56:14.119
<v Speaker 1>would you like to take us through those?

1113
00:56:14.480 --> 00:56:15.639
<v Speaker 3>I absolutely will.

1114
00:56:16.119 --> 00:56:18.480
<v Speaker 2>You don't have to do the stand voice of your Lynx.

1115
00:56:19.000 --> 00:56:19.519
<v Speaker 2>I don't think I.

1116
00:56:19.559 --> 00:56:21.159
<v Speaker 3>Could do that prolonged period of time.

1117
00:56:21.239 --> 00:56:23.840
<v Speaker 1>I wasn't really doing Mabel, so you don't have to

1118
00:56:23.880 --> 00:56:24.320
<v Speaker 1>do stand.

1119
00:56:24.599 --> 00:56:27.559
<v Speaker 3>It's all good. So track one is a World of

1120
00:56:27.719 --> 00:56:30.960
<v Speaker 3>Enchantment or whatever, and I came up with a plan

1121
00:56:31.480 --> 00:56:32.960
<v Speaker 3>score from Tale of Two Stands.

1122
00:56:33.119 --> 00:56:36.239
<v Speaker 1>Yeah, I believe that's all that seamless sequence where he's

1123
00:56:36.400 --> 00:56:39.239
<v Speaker 1>inventing the mystery shack you know on the spot, or

1124
00:56:39.400 --> 00:56:40.280
<v Speaker 1>rather the murder Hut.

1125
00:56:40.519 --> 00:56:43.880
<v Speaker 3>Yes, yes, the Murder Hut. Track two is the two

1126
00:56:44.000 --> 00:56:46.840
<v Speaker 3>Kids Who Ruined My Life score from Blendon's Game.

1127
00:56:46.960 --> 00:56:50.719
<v Speaker 1>I think that's the opening when he initially calls out Globnar.

1128
00:56:50.960 --> 00:56:54.639
<v Speaker 3>Track three is Everything Changes Today score from Not what

1129
00:56:54.760 --> 00:56:58.159
<v Speaker 3>He's Seeing Again. The opening track four is time Battle.

1130
00:56:58.360 --> 00:57:01.199
<v Speaker 2>Yeah, so that's the song that plays' Globnar and it

1131
00:57:01.400 --> 00:57:09.400
<v Speaker 2>ends with Brad chanting time Battle instead of what I

1132
00:57:09.480 --> 00:57:12.519
<v Speaker 2>believe is Alex chanting Globnar as in the episode.

1133
00:57:17.320 --> 00:57:19.679
<v Speaker 3>Yeah, it kind of threw us off just a little bit,

1134
00:57:19.840 --> 00:57:20.159
<v Speaker 3>but yeah.

1135
00:57:20.159 --> 00:57:22.880
<v Speaker 2>The music is a reference to the music in the

1136
00:57:23.320 --> 00:57:26.519
<v Speaker 2>commercial for Crossfire, which is one of the greatest commercials

1137
00:57:26.559 --> 00:57:27.079
<v Speaker 2>ever shot.

1138
00:57:27.760 --> 00:57:30.480
<v Speaker 1>Look it up if you haven't, so I'm almost surprised

1139
00:57:30.519 --> 00:57:31.960
<v Speaker 1>that the temp track wasn't just.

1140
00:57:32.119 --> 00:57:36.599
<v Speaker 3>Crossfire, and that is score from Blendin's game. Track number

1141
00:57:36.639 --> 00:57:40.920
<v Speaker 3>five is Black and Sky score from Northwest Mansion Mystery.

1142
00:57:41.519 --> 00:57:46.480
<v Speaker 3>Track six is Don't Let Them Escape score from Golf War.

1143
00:57:47.440 --> 00:57:50.119
<v Speaker 3>Track seven is I Want to Be Ex's score from

1144
00:57:50.239 --> 00:57:52.079
<v Speaker 3>Little Gift Shop of Horrors.

1145
00:57:52.400 --> 00:57:54.719
<v Speaker 1>Why is that the title, Well, it's because it's it's

1146
00:57:54.800 --> 00:57:57.719
<v Speaker 1>the end credits when Mabel is playing the tech Toe

1147
00:57:58.039 --> 00:57:59.800
<v Speaker 1>and I have the hardest time finding the source for

1148
00:57:59.840 --> 00:58:01.679
<v Speaker 1>this one because the title is I Want to Be

1149
00:58:01.920 --> 00:58:04.199
<v Speaker 1>X's and X's is spelled with an E, like in

1150
00:58:04.280 --> 00:58:06.960
<v Speaker 1>a relationship, So I thought, is this from the Love

1151
00:58:07.079 --> 00:58:10.599
<v Speaker 1>God or something, but no, it's it's Mabel saying, oh,

1152
00:58:10.719 --> 00:58:12.519
<v Speaker 1>I want to be x'es as in I want to

1153
00:58:12.599 --> 00:58:14.400
<v Speaker 1>play X's in our tic tac togey.

1154
00:58:14.440 --> 00:58:17.519
<v Speaker 2>They didn't write it capital X apostrophe. Yeah, yeah, okay,

1155
00:58:17.559 --> 00:58:18.119
<v Speaker 2>I got it now.

1156
00:58:18.280 --> 00:58:20.559
<v Speaker 3>Track eight is I need that Machine to stay on

1157
00:58:20.840 --> 00:58:22.880
<v Speaker 3>score from not what he seems.

1158
00:58:22.760 --> 00:58:25.639
<v Speaker 2>Which is just a fantastic score overall, which is why

1159
00:58:25.719 --> 00:58:28.519
<v Speaker 2>they had him do a bonus commentary for that episode. Yeah.

1160
00:58:28.679 --> 00:58:32.960
<v Speaker 3>Track nine is yeah, dude, friends, score from into the

1161
00:58:33.039 --> 00:58:36.519
<v Speaker 3>Bunker and your fighting only makes us look more rad

1162
00:58:36.719 --> 00:58:37.559
<v Speaker 3>from Scarioke.

1163
00:58:37.840 --> 00:58:40.400
<v Speaker 1>Two bangers, Absolute bangers.

1164
00:58:40.719 --> 00:58:45.960
<v Speaker 3>Followed by another banger oh. Track ten taking Over to

1165
00:58:46.480 --> 00:58:50.239
<v Speaker 3>Night aka taking Over Midnight from Scarioke.

1166
00:58:50.360 --> 00:58:52.599
<v Speaker 1>Yeah again, I don't know why the in universe name

1167
00:58:52.719 --> 00:58:55.159
<v Speaker 1>of the song is different from what they are calling

1168
00:58:55.239 --> 00:58:57.079
<v Speaker 1>the song, but I digress.

1169
00:58:57.440 --> 00:58:59.800
<v Speaker 2>Later we'll get to this. But there are even more

1170
00:59:00.280 --> 00:59:00.800
<v Speaker 2>for the song.

1171
00:59:00.920 --> 00:59:05.159
<v Speaker 1>Oh god, that's true. Too many? So HK, would you

1172
00:59:05.280 --> 00:59:07.360
<v Speaker 1>like to take us through a disc two side B

1173
00:59:07.559 --> 00:59:11.960
<v Speaker 1>with a six fingered hand? Yeah, sure you guessed it, Bill,

1174
00:59:13.320 --> 00:59:14.000
<v Speaker 1>Bill's not the.

1175
00:59:14.039 --> 00:59:16.280
<v Speaker 2>Six hand, Bill the six fingered hand.

1176
00:59:16.599 --> 00:59:21.320
<v Speaker 1>No wait, no, Sometimes I understand wanting to downplay stanford

1177
00:59:21.480 --> 00:59:24.320
<v Speaker 1>Ian like covers and stuff, since he is, you know,

1178
00:59:24.440 --> 00:59:26.800
<v Speaker 1>kind of a walking spoiler, but they didn't. He's on

1179
00:59:26.960 --> 00:59:29.400
<v Speaker 1>the cover of this album, why not just make him

1180
00:59:29.440 --> 00:59:30.079
<v Speaker 1>the six finger?

1181
00:59:30.480 --> 00:59:33.119
<v Speaker 2>It also like this is so hard for the fandom

1182
00:59:33.199 --> 00:59:34.840
<v Speaker 2>to even think about, which is part of the reason

1183
00:59:34.920 --> 00:59:38.159
<v Speaker 2>we made the podcast. But Bill is also a walking spoiler.

1184
00:59:38.480 --> 00:59:40.679
<v Speaker 1>Yeah, I get in the similar way.

1185
00:59:40.800 --> 00:59:43.239
<v Speaker 4>Also one thing of speaking of Ford as being a spoiler.

1186
00:59:43.719 --> 00:59:46.159
<v Speaker 4>Back in twenty eighteen, when the box set came out,

1187
00:59:46.199 --> 00:59:48.159
<v Speaker 4>like Alex was asked about like why Ford isn't on

1188
00:59:48.199 --> 00:59:50.199
<v Speaker 4>the box and he was like, because you know, he's

1189
00:59:50.239 --> 00:59:52.400
<v Speaker 4>a spoiler. But then when you bought the box seat

1190
00:59:52.440 --> 00:59:54.840
<v Speaker 4>in twenty eighteen, it came with a little pamphlet and

1191
00:59:55.159 --> 00:59:57.960
<v Speaker 4>that mentioned, you know, also by Lost Legends because it's

1192
00:59:58.000 --> 00:59:59.480
<v Speaker 4>came out on the same day. And take a guess

1193
00:59:59.480 --> 01:00:00.960
<v Speaker 4>who's on theware of Lost Legends?

1194
01:00:01.079 --> 01:00:05.840
<v Speaker 2>What second stamp? Exactly how these animation mistakes.

1195
01:00:06.440 --> 01:00:09.280
<v Speaker 1>A lot of the DVD box sets came with the

1196
01:00:09.360 --> 01:00:12.639
<v Speaker 1>see you Next Summer pamphlet right the papers.

1197
01:00:12.360 --> 01:00:15.199
<v Speaker 2>And Stan just can't decide what his full name or

1198
01:00:15.280 --> 01:00:16.079
<v Speaker 2>handwriting is.

1199
01:00:16.519 --> 01:00:20.559
<v Speaker 4>Yeah, So take us through, all right, sure, starting with

1200
01:00:20.760 --> 01:00:24.719
<v Speaker 4>track one, it's Mabel, It's Bill, which is a score

1201
01:00:24.800 --> 01:00:27.840
<v Speaker 4>from Dipper and Mabel Versus the Future, and then following

1202
01:00:27.920 --> 01:00:30.840
<v Speaker 4>that is track two, Got in a Pig from the

1203
01:00:30.920 --> 01:00:33.119
<v Speaker 4>Love God performed by Robbie Wycoff and.

1204
01:00:33.159 --> 01:00:34.880
<v Speaker 2>By Neil csirika Ak.

1205
01:00:35.639 --> 01:00:38.519
<v Speaker 4>And then after that, track three is the Weird mcgedton

1206
01:00:38.559 --> 01:00:42.000
<v Speaker 4>Part one suite. There's also a backwards message from Standing

1207
01:00:42.079 --> 01:00:45.280
<v Speaker 4>It after it. Yeah, and then there's track number four

1208
01:00:45.360 --> 01:00:48.199
<v Speaker 4>which is Giggle Creek, which is a score from Weirdmagedon

1209
01:00:48.239 --> 01:00:51.519
<v Speaker 4>Part two, Escape from Reality. After that there's track five

1210
01:00:51.639 --> 01:00:54.440
<v Speaker 4>which is Bill Trick Me from the Last Mabel Corn

1211
01:00:54.639 --> 01:00:56.320
<v Speaker 4>which you know, I think we all know what that's

1212
01:00:56.480 --> 01:00:59.679
<v Speaker 4>related to. After that, this one was something that I

1213
01:00:59.760 --> 01:01:02.840
<v Speaker 4>was a surprise to learn about, which is track number six,

1214
01:01:03.119 --> 01:01:05.440
<v Speaker 4>My Heart is Made of Rainbows from Weir Mega Part

1215
01:01:05.480 --> 01:01:08.480
<v Speaker 4>two Escape from Reality, also performed by Robbie Wycoff. And

1216
01:01:08.719 --> 01:01:10.920
<v Speaker 4>like in the episode, it was the instrumental version that

1217
01:01:11.000 --> 01:01:14.400
<v Speaker 4>played at the start when you know Dipper, Susan Wendy

1218
01:01:14.519 --> 01:01:16.679
<v Speaker 4>arrive in Mabel Land. But here is the lyrical version

1219
01:01:16.719 --> 01:01:17.960
<v Speaker 4>and that was really cool to hear.

1220
01:01:17.920 --> 01:01:20.760
<v Speaker 1>And it's completely new. We hadn't heard this at all.

1221
01:01:20.920 --> 01:01:51.039
<v Speaker 1>It's a brand new song, you know, but.

1222
01:01:51.119 --> 01:01:54.519
<v Speaker 4>Yeah, that's one of my favorite songs in the entire soundtrack. Yeah,

1223
01:01:54.679 --> 01:01:57.199
<v Speaker 4>move on from there. We then have track number seven,

1224
01:01:57.280 --> 01:01:59.280
<v Speaker 4>which is I'm a Flipping quarter right, which is a

1225
01:01:59.320 --> 01:02:00.760
<v Speaker 4>score from where again in part one.

1226
01:02:01.480 --> 01:02:01.599
<v Speaker 1>Uh.

1227
01:02:01.800 --> 01:02:04.440
<v Speaker 4>Then there's track number eight, which is saying Goodbye to

1228
01:02:04.519 --> 01:02:07.320
<v Speaker 4>gravity Falls, which is the score at the end of

1229
01:02:07.400 --> 01:02:09.800
<v Speaker 4>Weird meged and Part three take Back the Falls never

1230
01:02:09.840 --> 01:02:13.000
<v Speaker 4>gets sold that one. And then we have the Weird

1231
01:02:13.079 --> 01:02:15.000
<v Speaker 4>Megedton Part four end credits score.

1232
01:02:15.000 --> 01:02:18.679
<v Speaker 1>Fake fake fake news. Wird Mgeddon Part three is both parts.

1233
01:02:19.079 --> 01:02:21.679
<v Speaker 1>I think that I don't think plus should have it

1234
01:02:21.719 --> 01:02:23.480
<v Speaker 1>split like that. The only reason they split is for

1235
01:02:23.559 --> 01:02:26.840
<v Speaker 1>rerun purposes, so why there's no reason too?

1236
01:02:27.440 --> 01:02:28.480
<v Speaker 4>It's typical Disney.

1237
01:02:29.039 --> 01:02:29.119
<v Speaker 1>Uh.

1238
01:02:29.320 --> 01:02:37.280
<v Speaker 4>Then there's uh grev a t Falls sim which is

1239
01:02:37.559 --> 01:02:38.960
<v Speaker 4>backwards message.

1240
01:02:39.159 --> 01:02:41.800
<v Speaker 2>Uh sill a little bit did.

1241
01:02:43.599 --> 01:02:43.960
<v Speaker 1>Did not.

1242
01:02:51.199 --> 01:02:53.039
<v Speaker 3>An exorcist? We need to call it exorcis.

1243
01:02:53.760 --> 01:02:55.760
<v Speaker 4>I wonder what song this one is. I've never heard

1244
01:02:55.800 --> 01:02:58.199
<v Speaker 4>of it and it's used in all three Word Megannon episodes.

1245
01:02:58.239 --> 01:03:00.880
<v Speaker 2>Hm M, yeah, well so it it's an anagram of

1246
01:03:00.960 --> 01:03:05.039
<v Speaker 2>gravity Falls theme. And then it's the words Bill's chopped

1247
01:03:05.480 --> 01:03:09.280
<v Speaker 2>and screwed remix. I I love this one. Because like

1248
01:03:09.599 --> 01:03:12.159
<v Speaker 2>the melody is not the same as the gravity Falls

1249
01:03:12.239 --> 01:03:22.480
<v Speaker 2>theme one to one, Like there's the part records, it's

1250
01:03:22.599 --> 01:03:26.559
<v Speaker 2>like still recognizable as the gravity Falls theme despite all

1251
01:03:26.639 --> 01:03:29.320
<v Speaker 2>of the things it's doing with it, including changing up

1252
01:03:29.559 --> 01:03:31.719
<v Speaker 2>the recognizable melody towards.

1253
01:03:31.480 --> 01:03:33.719
<v Speaker 1>The end because it's the same instrument palette.

1254
01:03:33.800 --> 01:03:36.760
<v Speaker 4>And then finally we end off with track eleven, probably

1255
01:03:36.840 --> 01:03:39.440
<v Speaker 4>the most well known of the entire vinyl. I guess

1256
01:03:39.480 --> 01:03:42.039
<v Speaker 4>you could say it's will Meet Again, performed by question

1257
01:03:42.239 --> 01:03:46.159
<v Speaker 4>Mark aka Bill sus Stan and mcguck Adam. Is this

1258
01:03:46.320 --> 01:03:46.920
<v Speaker 4>their band name?

1259
01:03:47.039 --> 01:03:49.599
<v Speaker 1>That's the only explanation that I could come up with

1260
01:03:50.079 --> 01:03:56.199
<v Speaker 1>that it just says, performed by question Mark, creep smiling.

1261
01:03:55.800 --> 01:04:00.599
<v Speaker 2>Through just like you don'des always do, Old the Blue

1262
01:04:00.679 --> 01:04:05.880
<v Speaker 2>Skies drive the Dark Clouds for a word? So will

1263
01:04:06.000 --> 01:04:08.639
<v Speaker 2>you please say hello to the folks that I know?

1264
01:04:08.880 --> 01:04:10.440
<v Speaker 4>Tell him I won't be long.

1265
01:04:11.679 --> 01:04:14.679
<v Speaker 2>They'll be happy to know that is you saw me go.

1266
01:04:15.039 --> 01:04:17.079
<v Speaker 2>I wasn't screaming this song.

1267
01:04:18.480 --> 01:04:23.039
<v Speaker 13>We all meet again, don't know where, don't know when,

1268
01:04:23.920 --> 01:04:25.599
<v Speaker 13>but I know we'll meet.

1269
01:04:25.480 --> 01:04:30.719
<v Speaker 2>Again some day. But I love that it's it's just

1270
01:04:30.880 --> 01:04:34.719
<v Speaker 2>Alex's characters. For some reason, something about that is so funny.

1271
01:04:34.440 --> 01:04:37.159
<v Speaker 4>To me, just Alex over and over again.

1272
01:04:37.320 --> 01:04:39.960
<v Speaker 2>That is I love Also the last thought you're left

1273
01:04:40.000 --> 01:04:42.239
<v Speaker 2>with when you finished listening to it cover to cover

1274
01:04:42.519 --> 01:04:49.280
<v Speaker 2>is I hate you all, you.

1275
01:04:49.519 --> 01:04:53.480
<v Speaker 1>Dudes, I hate you all. So, as we've noted with

1276
01:04:53.599 --> 01:04:56.119
<v Speaker 1>some of them, some of the vocal songs particularly have

1277
01:04:56.280 --> 01:04:59.000
<v Speaker 1>either like different mixing or alternate takes or are they

1278
01:04:59.159 --> 01:05:01.920
<v Speaker 1>they're either in hand are extended in this recording the

1279
01:05:02.000 --> 01:05:05.360
<v Speaker 1>several times songs all have like added harmonies, and before

1280
01:05:05.440 --> 01:05:08.519
<v Speaker 1>the song Mabel Girl, one of them shouts twenty twelve,

1281
01:05:09.000 --> 01:05:11.159
<v Speaker 1>which might have been the first version of the gag

1282
01:05:11.280 --> 01:05:13.360
<v Speaker 1>that became twenty thirteen, which.

1283
01:05:13.280 --> 01:05:16.920
<v Speaker 2>Is fascinating that it was changed to twenty thirteen.

1284
01:05:17.280 --> 01:05:20.519
<v Speaker 4>That's what's basically spriaked the whole twenty thirteen debate what Grierdy.

1285
01:05:20.280 --> 01:05:22.679
<v Speaker 1>Falls and that song there's like the bridge that's kind

1286
01:05:22.719 --> 01:05:25.280
<v Speaker 1>of spoken word, and it has different timing than it

1287
01:05:25.400 --> 01:05:27.639
<v Speaker 1>does in the actual episode, and a lot of it

1288
01:05:27.800 --> 01:05:31.079
<v Speaker 1>being chalked down to like mixing and timing. I think

1289
01:05:31.199 --> 01:05:34.440
<v Speaker 1>is especially telling of the animation process, because when you

1290
01:05:34.559 --> 01:05:37.239
<v Speaker 1>put things to picture, you might reorganize things in your

1291
01:05:37.280 --> 01:05:40.760
<v Speaker 1>sound mix. Then, of course Blancheon is an entire extended song.

1292
01:05:40.880 --> 01:05:44.039
<v Speaker 1>We talked about Gideon's song and Stan Wrong Song and

1293
01:05:44.239 --> 01:05:48.039
<v Speaker 1>Globnar In taken over Tonight, everyone joins in for the

1294
01:05:48.119 --> 01:05:51.239
<v Speaker 1>final line instead of just Dipper. If you'll remember, in

1295
01:05:51.320 --> 01:05:54.199
<v Speaker 1>our Scaraokey episode, we featured an alternate take of Jason

1296
01:05:54.239 --> 01:05:55.760
<v Speaker 1>River's performance of that song.

1297
01:05:55.920 --> 01:05:58.559
<v Speaker 3>I love his alternate takes so much, But yeah, I.

1298
01:05:58.559 --> 01:06:00.920
<v Speaker 1>Would guess that they had that sound mix in there

1299
01:06:00.960 --> 01:06:03.199
<v Speaker 1>because it was meant to be like that final harmony.

1300
01:06:03.320 --> 01:06:05.559
<v Speaker 1>But what we ended up getting was Dipper singing it

1301
01:06:05.679 --> 01:06:08.079
<v Speaker 1>and then Mable saving him, which is more kind of

1302
01:06:08.159 --> 01:06:10.760
<v Speaker 1>a visual thing rather than something you would be able

1303
01:06:10.800 --> 01:06:13.159
<v Speaker 1>to predict in the sound mix. Also, in the liner

1304
01:06:13.199 --> 01:06:16.239
<v Speaker 1>notes of the album, Grunkle is consistently spelled wrong with

1305
01:06:16.360 --> 01:06:17.480
<v Speaker 1>the L after the E.

1306
01:06:17.880 --> 01:06:22.440
<v Speaker 2>That's actually the science experiment Ford did to make himself

1307
01:06:22.559 --> 01:06:26.599
<v Speaker 2>less of a nerd a las stefan or kel. That's drunkkel,

1308
01:06:27.679 --> 01:06:28.280
<v Speaker 2>drunk Kel.

1309
01:06:29.320 --> 01:06:31.920
<v Speaker 1>I was imagining it as some sort of German pastry.

1310
01:06:37.039 --> 01:06:40.920
<v Speaker 1>This vinyl received a Grammy Award nomination for Best Recording

1311
01:06:41.000 --> 01:06:44.920
<v Speaker 1>Package because of that killer cover art and overall packaging

1312
01:06:45.000 --> 01:06:45.480
<v Speaker 1>of the album.

1313
01:06:45.880 --> 01:06:50.199
<v Speaker 2>So as I had alluded to, Matt Chapman made so

1314
01:06:50.360 --> 01:06:53.000
<v Speaker 2>many songs for Homestar Runner, and was in some bands

1315
01:06:53.039 --> 01:06:55.800
<v Speaker 2>with his friends before and after Homestart Well, there's no

1316
01:06:55.880 --> 01:06:59.159
<v Speaker 2>after homestarre Runner, per se, and the lyrics and Homestarre

1317
01:06:59.199 --> 01:07:03.840
<v Speaker 2>Runner are so funny and weird like it perfectly captures

1318
01:07:04.159 --> 01:07:07.760
<v Speaker 2>the essence of someone improvising a song in a way

1319
01:07:07.880 --> 01:07:10.880
<v Speaker 2>that is written out to be the funniest possible, and

1320
01:07:11.079 --> 01:07:13.599
<v Speaker 2>so Alex, also being a fan of homestore Runner, had

1321
01:07:13.639 --> 01:07:17.760
<v Speaker 2>Matt either write or rewrite songs in Gravity Falls for

1322
01:07:17.800 --> 01:07:19.480
<v Speaker 2>as long as he was on the staff. So I

1323
01:07:19.599 --> 01:07:24.639
<v Speaker 2>contacted him and basically he responded sending us a bunch

1324
01:07:24.760 --> 01:07:28.000
<v Speaker 2>of a bunch of never before heard early demos of

1325
01:07:28.039 --> 01:07:33.599
<v Speaker 2>Gravity Falls songs. Oh, he writes, I got a should

1326
01:07:33.639 --> 01:07:34.639
<v Speaker 2>I Should I do the voice?

1327
01:07:35.159 --> 01:07:37.480
<v Speaker 1>Yes? I'd be outvoted anyway, wouldn't I?

1328
01:07:37.679 --> 01:07:39.920
<v Speaker 17>So yeah, I had a keyboard and they might set

1329
01:07:40.000 --> 01:07:41.800
<v Speaker 17>up in my office at Disney. And one of my

1330
01:07:42.000 --> 01:07:45.039
<v Speaker 17>favorite cards is what I worked on GF was Alex

1331
01:07:45.079 --> 01:07:47.159
<v Speaker 17>would pop it and saying you need a little song

1332
01:07:47.280 --> 01:07:50.719
<v Speaker 17>for an episode. Jeff Row was usually my partner at

1333
01:07:50.880 --> 01:07:53.679
<v Speaker 17>Crime and we'd crak out something ridiculous in an hour

1334
01:07:53.800 --> 01:07:57.920
<v Speaker 17>or two. Eventually Brad Brake would be given our rough

1335
01:07:58.199 --> 01:08:01.079
<v Speaker 17>demos that make them sound like it, but it always

1336
01:08:01.119 --> 01:08:04.400
<v Speaker 17>amazes me how much DNA from our janky demos would

1337
01:08:04.440 --> 01:08:06.119
<v Speaker 17>for Maine in the final version.

1338
01:08:06.400 --> 01:08:10.880
<v Speaker 1>Notably, I have heard these previously, us have, so.

1339
01:08:11.000 --> 01:08:13.039
<v Speaker 2>This is initial reactions.

1340
01:08:13.159 --> 01:08:14.079
<v Speaker 4>Oh yeah, I'm exciting.

1341
01:08:14.239 --> 01:08:17.000
<v Speaker 1>So not only are you out there, I'm pointing with

1342
01:08:17.159 --> 01:08:19.319
<v Speaker 1>my finger like in a three D movie, you are

1343
01:08:19.399 --> 01:08:22.039
<v Speaker 1>hearing this for the first time, never before heard songs,

1344
01:08:22.159 --> 01:08:24.159
<v Speaker 1>but these folks here are also hearing it for the

1345
01:08:24.199 --> 01:08:24.600
<v Speaker 1>first time.

1346
01:08:24.960 --> 01:08:28.279
<v Speaker 2>There are two groups of people in the entire world

1347
01:08:28.399 --> 01:08:31.439
<v Speaker 2>to have heard these songs before, being the Gravity Falls

1348
01:08:31.520 --> 01:08:33.720
<v Speaker 2>crew and Ella. I'm sorry.

1349
01:08:33.840 --> 01:08:34.079
<v Speaker 5>Yeah.

1350
01:08:34.600 --> 01:08:38.039
<v Speaker 2>So first up we have here is Mabel Girl. We

1351
01:08:38.159 --> 01:08:42.159
<v Speaker 2>got two different versions with minor lyrical differences. Matt writes.

1352
01:08:42.640 --> 01:08:46.159
<v Speaker 17>After writing the several times episode, Alex asked if I

1353
01:08:46.239 --> 01:08:49.760
<v Speaker 17>wanted to try the Clones final trivia song to Mabel.

1354
01:08:50.359 --> 01:08:54.199
<v Speaker 17>This was my first attempt crumbled together in garage band.

1355
01:08:57.319 --> 01:09:01.479
<v Speaker 12>Mabel Jong, We know you have a dost wrong because

1356
01:09:01.520 --> 01:09:04.720
<v Speaker 12>you got it going on. Why go, I guess that's

1357
01:09:04.760 --> 01:09:07.640
<v Speaker 12>why we're growing so able girl.

1358
01:09:08.079 --> 01:09:09.399
<v Speaker 2>You cheat us, all right.

1359
01:09:10.840 --> 01:09:13.920
<v Speaker 5>We know that you would never lie to.

1360
01:09:16.079 --> 01:09:22.079
<v Speaker 18>You know that's right, because you're so selfless, breaking dam

1361
01:09:22.319 --> 01:09:25.239
<v Speaker 18>with your awkward She needs chop, but we keep enough

1362
01:09:25.319 --> 01:09:29.520
<v Speaker 18>sake the farm ever fend of Mabel Girl, were fun

1363
01:09:29.600 --> 01:09:33.119
<v Speaker 18>with you. Oh, I'm the biggest fan, not like m

1364
01:09:33.319 --> 01:09:35.119
<v Speaker 18>brock Man saying strong much.

1365
01:09:35.239 --> 01:09:36.880
<v Speaker 2>You know that's right, Mabel Daughter.

1366
01:09:36.960 --> 01:09:38.680
<v Speaker 14>You can't say no lives.

1367
01:09:38.880 --> 01:09:44.119
<v Speaker 2>Mabel Girl, Willow. We believe you, and you know that

1368
01:09:44.319 --> 01:09:45.880
<v Speaker 2>we could never leave you.

1369
01:09:47.479 --> 01:09:47.640
<v Speaker 12>Here.

1370
01:09:47.720 --> 01:09:50.359
<v Speaker 2>It comes you because we love your soul.

1371
01:09:52.600 --> 01:09:54.439
<v Speaker 18>That's why I've got to let you go.

1372
01:10:01.520 --> 01:10:07.359
<v Speaker 2>Dang, Oh my god. Yeah, well there's a lot of

1373
01:10:07.439 --> 01:10:10.279
<v Speaker 2>lyrical differences for the final version there, Oh my goodness.

1374
01:10:10.880 --> 01:10:13.199
<v Speaker 3>I like that Mabel was originally supposed to sing along.

1375
01:10:13.319 --> 01:10:14.680
<v Speaker 1>Yeah, I liked that in corporation.

1376
01:10:15.840 --> 01:10:17.720
<v Speaker 2>Yeah, that's why I gotta let you go, she just

1377
01:10:17.880 --> 01:10:21.159
<v Speaker 2>solemnly says in the episode. I also love that they

1378
01:10:21.239 --> 01:10:25.960
<v Speaker 2>cut We're in Love with You for probably obvious reasons. Yes, yeah, yeah,

1379
01:10:26.359 --> 01:10:29.520
<v Speaker 2>And now we have another demo he did of Mabel

1380
01:10:29.560 --> 01:10:31.720
<v Speaker 2>Girl with minor lyrical differences.

1381
01:10:35.079 --> 01:10:39.239
<v Speaker 12>Mabel Jong, we know you never do what's wrong because

1382
01:10:39.279 --> 01:10:40.119
<v Speaker 12>you got it going on.

1383
01:10:40.720 --> 01:10:40.920
<v Speaker 7>Why.

1384
01:10:41.920 --> 01:10:45.359
<v Speaker 12>I guess that's why we wrote this song little good.

1385
01:10:48.880 --> 01:10:51.079
<v Speaker 1>We would.

1386
01:10:54.960 --> 01:10:56.640
<v Speaker 14>Because you're so simple.

1387
01:10:59.039 --> 01:11:01.800
<v Speaker 7>Break Day always keep us safe from harm.

1388
01:11:01.960 --> 01:11:04.960
<v Speaker 2>You got such awkward teenage charms saved just from the spongey.

1389
01:11:05.039 --> 01:11:10.439
<v Speaker 14>You know that's right, Mabel, save no love, allow it

1390
01:11:10.640 --> 01:11:15.840
<v Speaker 14>be believe you and you know we could never believe.

1391
01:11:15.520 --> 01:11:19.640
<v Speaker 2>You, he recalls, yo, because we love you.

1392
01:11:19.840 --> 01:11:24.199
<v Speaker 7>So that's why I've got to let you go.

1393
01:11:30.479 --> 01:11:32.920
<v Speaker 2>That's what it would sound like if Matt voiced Mabel.

1394
01:11:32.960 --> 01:11:35.039
<v Speaker 1>Let's say, Homestar really really pulled it together in that

1395
01:11:35.159 --> 01:11:38.880
<v Speaker 1>last line there. That's why I've gotta let you go.

1396
01:11:39.439 --> 01:11:41.680
<v Speaker 2>The rest of these will all be with Jeff Row

1397
01:11:42.079 --> 01:11:45.800
<v Speaker 2>also there, singing and doing terrible impressions of the characters.

1398
01:11:45.960 --> 01:11:47.520
<v Speaker 1>Can't wait, get on, Jeff.

1399
01:11:47.720 --> 01:11:50.039
<v Speaker 2>Next, we have text me tomorrow.

1400
01:11:50.479 --> 01:11:51.520
<v Speaker 1>That would be tomorrow.

1401
01:11:51.640 --> 01:11:56.760
<v Speaker 2>Yeah, let me say that again, text me TOMORROWUD.

1402
01:11:55.479 --> 01:11:58.000
<v Speaker 1>Just sounds like you're doing it as as a seed bonnet.

1403
01:11:58.439 --> 01:11:59.960
<v Speaker 2>Yeah, text me tomorrow.

1404
01:12:02.359 --> 01:12:06.279
<v Speaker 19>Here, writes from scaraoke, alexand Brad Brieke make a living

1405
01:12:06.359 --> 01:12:09.560
<v Speaker 19>on a prayer esque backing track and test Jeff Row

1406
01:12:09.600 --> 01:12:12.960
<v Speaker 19>and I with trying some lyrics. Our first attempt was

1407
01:12:13.039 --> 01:12:18.079
<v Speaker 19>a carb maybe ripoff called tixt Me Tomorrow, but ultimately

1408
01:12:18.159 --> 01:12:20.800
<v Speaker 19>it didn't get big slash harmonious enough in the chorus

1409
01:12:20.920 --> 01:12:22.199
<v Speaker 19>to bust zombie heads.

1410
01:12:24.600 --> 01:12:28.079
<v Speaker 2>This was my generation's call me Mabel. Uh no, it

1411
01:12:28.199 --> 01:12:31.039
<v Speaker 2>is fascinating that they did eventually do it. Call me

1412
01:12:31.159 --> 01:12:33.199
<v Speaker 2>maybe parody and one exists here.

1413
01:12:36.079 --> 01:12:38.239
<v Speaker 1>Oh Mabel, does it have to be this song?

1414
01:12:38.399 --> 01:12:41.239
<v Speaker 2>This is the only song now, singing.

1415
01:12:43.199 --> 01:12:46.560
<v Speaker 10>Colon Parnthus sees, is how you smiled at me?

1416
01:12:46.960 --> 01:12:48.039
<v Speaker 20>I texted back some.

1417
01:12:48.319 --> 01:12:51.239
<v Speaker 1>Z's and now you're so in love. You sent me

1418
01:12:51.399 --> 01:12:52.600
<v Speaker 1>pictures of cats.

1419
01:12:52.800 --> 01:12:54.439
<v Speaker 2>They all wore funny hats.

1420
01:12:54.720 --> 01:12:56.000
<v Speaker 1>I was way into that.

1421
01:12:56.399 --> 01:13:01.119
<v Speaker 2>I texted back, watsop, understand. It's your two kids. I

1422
01:13:01.159 --> 01:13:02.399
<v Speaker 2>don't know if our lives are worth this.

1423
01:13:03.000 --> 01:13:03.279
<v Speaker 16>Do it.

1424
01:13:03.279 --> 01:13:03.840
<v Speaker 2>I'm gonna stay.

1425
01:13:03.880 --> 01:13:05.279
<v Speaker 1>I'm doing this is the best part.

1426
01:13:06.560 --> 01:13:08.560
<v Speaker 2>Love is the three letter word.

1427
01:13:09.720 --> 01:13:11.039
<v Speaker 18>Jeez, it's got you.

1428
01:13:11.479 --> 01:13:15.319
<v Speaker 21>And then life is crazy.

1429
01:13:15.800 --> 01:13:19.640
<v Speaker 2>But love is bizarrow. If you still like me, then

1430
01:13:19.760 --> 01:13:24.600
<v Speaker 2>text me tomorrow. Life is crazy. The love is bizarro.

1431
01:13:25.479 --> 01:13:31.399
<v Speaker 21>If you still like me, this is it, boys, life

1432
01:13:31.600 --> 01:13:35.960
<v Speaker 21>is crazy. The love is bizarrow. If you still like me,

1433
01:13:36.520 --> 01:13:37.880
<v Speaker 21>then text me tomorrow.

1434
01:13:41.560 --> 01:13:46.520
<v Speaker 2>Yeah, life is crazy. My love is bizarro. If you

1435
01:13:46.640 --> 01:13:50.640
<v Speaker 2>still like me, and text me tomorrow. If you still

1436
01:13:50.920 --> 01:13:54.920
<v Speaker 2>like me, text me tomorrow.

1437
01:13:56.520 --> 01:13:56.840
<v Speaker 1>Eat it.

1438
01:13:57.000 --> 01:14:04.479
<v Speaker 2>Zombies, cap You're all dead. Oh my comf. So that

1439
01:14:04.760 --> 01:14:09.880
<v Speaker 2>was Ninja Turtle's mutant mayhe director Jeff Row as Mabel

1440
01:14:10.000 --> 01:14:12.439
<v Speaker 2>as he always voiced, he's.

1441
01:14:12.319 --> 01:14:16.199
<v Speaker 3>Got a very Mabel energy, Jeffy fresh because he does.

1442
01:14:16.600 --> 01:14:18.880
<v Speaker 2>Now we finally have we finally know what table read

1443
01:14:19.000 --> 01:14:21.359
<v Speaker 2>Mabel sounded like, so we could kind of cobble together

1444
01:14:21.439 --> 01:14:22.560
<v Speaker 2>with these episodes sound.

1445
01:14:26.000 --> 01:14:29.039
<v Speaker 1>But yeah, ego eared listeners will notice that that is

1446
01:14:29.640 --> 01:14:32.920
<v Speaker 1>literally the same instrumental as taking Over to Night, but

1447
01:14:33.439 --> 01:14:37.199
<v Speaker 1>completely different melody and lyrics of course. And yeah, I

1448
01:14:37.600 --> 01:14:40.399
<v Speaker 1>don't know if it would have like landed as well

1449
01:14:40.560 --> 01:14:44.640
<v Speaker 1>if the entire hook hinges on rhyming with the word bizarro,

1450
01:14:46.119 --> 01:14:46.680
<v Speaker 1>you know, it.

1451
01:14:46.680 --> 01:14:50.960
<v Speaker 2>Wouldn't have been as good a climax to skaraoke. It is, however,

1452
01:14:51.640 --> 01:14:54.680
<v Speaker 2>a new Gravity Falls song that no one has heard

1453
01:14:54.800 --> 01:14:58.359
<v Speaker 2>outside of the instru The beginning part really plays it

1454
01:14:58.439 --> 01:15:00.760
<v Speaker 2>close to call Me Rape. Yeah, I'm gonna listen to

1455
01:15:00.800 --> 01:15:02.800
<v Speaker 2>that a billion more times after that. I love it

1456
01:15:02.960 --> 01:15:07.000
<v Speaker 2>so much, and I love how much bad Jeff are

1457
01:15:07.079 --> 01:15:11.119
<v Speaker 2>just making each other laugh while recording, And I like

1458
01:15:11.199 --> 01:15:11.640
<v Speaker 2>the intro.

1459
01:15:11.920 --> 01:15:14.039
<v Speaker 1>I guess I guess the joke of the intro where

1460
01:15:14.279 --> 01:15:16.319
<v Speaker 1>UH differs, like does it have to be this song?

1461
01:15:16.359 --> 01:15:19.479
<v Speaker 1>And this is the only song it's like the only

1462
01:15:19.560 --> 01:15:21.680
<v Speaker 1>one on the machine, Like, is it the only one

1463
01:15:21.720 --> 01:15:23.880
<v Speaker 1>on the karaoke machine? Or is Mabel just acting like

1464
01:15:24.000 --> 01:15:24.960
<v Speaker 1>this is the only song.

1465
01:15:25.000 --> 01:15:27.760
<v Speaker 2>I think it's the only one on this well, so

1466
01:15:27.880 --> 01:15:30.600
<v Speaker 2>Bluffs and Darland we're doing a rap song on the

1467
01:15:31.279 --> 01:15:31.960
<v Speaker 2>rappers rap.

1468
01:15:32.119 --> 01:15:32.319
<v Speaker 1>Yeah.

1469
01:15:32.479 --> 01:15:34.720
<v Speaker 3>I don't know if you remember this, but back in

1470
01:15:34.880 --> 01:15:37.920
<v Speaker 3>the day you had to put a CD in and

1471
01:15:38.119 --> 01:15:43.760
<v Speaker 3>sometimes the CD had one song on it. Mm hmmm, yeah,

1472
01:15:44.399 --> 01:15:47.960
<v Speaker 3>So I think she just put the the only karaoke.

1473
01:15:48.159 --> 01:15:50.880
<v Speaker 3>It's like it has the track with no words and

1474
01:15:51.000 --> 01:15:53.600
<v Speaker 3>the track with words, and that's me. It's the only

1475
01:15:53.760 --> 01:15:54.760
<v Speaker 3>song on it that was.

1476
01:15:54.800 --> 01:15:55.359
<v Speaker 2>So much fun.

1477
01:15:55.560 --> 01:15:56.239
<v Speaker 4>Oh beautiful.

1478
01:15:56.800 --> 01:16:01.039
<v Speaker 2>Next we have here, girls do what we like.

1479
01:16:02.039 --> 01:16:05.079
<v Speaker 17>Our next attempt was in The Girls Just Want to

1480
01:16:05.159 --> 01:16:08.079
<v Speaker 17>Have Fun Fade, and it's closer to the final version,

1481
01:16:08.279 --> 01:16:11.199
<v Speaker 17>except with me a Jeff's bad impressions of the characters,

1482
01:16:11.239 --> 01:16:12.560
<v Speaker 17>an off key singing.

1483
01:16:19.800 --> 01:16:21.039
<v Speaker 1>Mabel, our lives.

1484
01:16:20.880 --> 01:16:25.000
<v Speaker 18>May not be worth this, righty night, and we're gonna

1485
01:16:25.159 --> 01:16:26.279
<v Speaker 18>party till dawn.

1486
01:16:26.640 --> 01:16:29.760
<v Speaker 1>Don't worry, daddy, I've got my favorite dress on.

1487
01:16:30.279 --> 01:16:30.560
<v Speaker 18>Mabel.

1488
01:16:30.640 --> 01:16:31.359
<v Speaker 2>This is stupid.

1489
01:16:32.079 --> 01:16:35.439
<v Speaker 1>Roll into the party. The boys are looking our way.

1490
01:16:35.960 --> 01:16:37.159
<v Speaker 1>We just keep dancing.

1491
01:16:37.600 --> 01:16:38.239
<v Speaker 11>We don't care.

1492
01:16:38.319 --> 01:16:40.840
<v Speaker 1>What they say. And all the boys in.

1493
01:16:40.920 --> 01:16:43.399
<v Speaker 2>This place are getting up in my face.

1494
01:16:45.119 --> 01:16:49.760
<v Speaker 10>Everybody, boys are a bore.

1495
01:16:50.359 --> 01:16:51.640
<v Speaker 1>Let's show them the door.

1496
01:16:52.479 --> 01:16:55.000
<v Speaker 2>We're taking over the dance floor.

1497
01:16:57.159 --> 01:16:58.920
<v Speaker 1>Girl, do what we like.

1498
01:17:00.560 --> 01:17:06.439
<v Speaker 2>We're taking over to night. Oh, girls, do what we like.

1499
01:17:08.079 --> 01:17:10.199
<v Speaker 4>We're taking over to night.

1500
01:17:10.479 --> 01:17:12.239
<v Speaker 20>We're queen this.

1501
01:17:14.720 --> 01:17:19.199
<v Speaker 2>Oh man, we sound terrible. We sound terrible together.

1502
01:17:19.920 --> 01:17:23.319
<v Speaker 9>Oh girls do we like?

1503
01:17:23.720 --> 01:17:37.720
<v Speaker 13>Oh we're taking over tune night, taken over, tonduck.

1504
01:17:43.760 --> 01:17:51.479
<v Speaker 2>You deal with the tobby idiots times tis times times.

1505
01:17:52.520 --> 01:17:56.000
<v Speaker 2>So that had the same uh, lyrical difference as in

1506
01:17:56.119 --> 01:17:58.520
<v Speaker 2>the soundtrack version, where it's you know.

1507
01:17:58.640 --> 01:17:59.840
<v Speaker 3>The in this place?

1508
01:18:01.720 --> 01:18:05.880
<v Speaker 1>That's true, yes, And it sounds so it sounds like

1509
01:18:06.039 --> 01:18:08.520
<v Speaker 1>Matt and Jeff are singing over a pre recorded demo

1510
01:18:08.720 --> 01:18:12.359
<v Speaker 1>vocal track of Brad Breeck singing. And I think what

1511
01:18:12.600 --> 01:18:16.319
<v Speaker 1>might have happened is that Brad laid down this vocal

1512
01:18:16.439 --> 01:18:19.840
<v Speaker 1>track as a concept of the melody, because the chorus

1513
01:18:19.920 --> 01:18:22.840
<v Speaker 1>melody is the same as what we now know is

1514
01:18:22.920 --> 01:18:26.880
<v Speaker 1>the song. And then Matt and Jeff just made lyrics

1515
01:18:26.960 --> 01:18:27.159
<v Speaker 1>on it.

1516
01:18:27.640 --> 01:18:29.800
<v Speaker 2>Yeah, if you listen really closely, you can't really make

1517
01:18:29.840 --> 01:18:32.560
<v Speaker 2>them out, but there are different lyrics. He's not singing

1518
01:18:32.600 --> 01:18:34.720
<v Speaker 2>the same lyrics as them, so right, I mean.

1519
01:18:34.640 --> 01:18:37.359
<v Speaker 1>They're just they're generic lyrics to fill the melody, and

1520
01:18:37.399 --> 01:18:39.359
<v Speaker 1>I think Matt it was more like this is the

1521
01:18:39.399 --> 01:18:42.079
<v Speaker 1>melody that here's an idea for a melody you could use.

1522
01:18:42.439 --> 01:18:45.479
<v Speaker 1>And also there are a lot of specific sound effects

1523
01:18:45.520 --> 01:18:49.319
<v Speaker 1>and sort of action noises that suggest specific visuals, so

1524
01:18:49.439 --> 01:18:51.399
<v Speaker 1>I have to assume that this version of the song

1525
01:18:51.720 --> 01:18:55.039
<v Speaker 1>was timed out to an animatic or some kind of visual.

1526
01:18:54.960 --> 01:18:58.399
<v Speaker 2>As well as there's some actual Kristin Shawl and Alex.

1527
01:18:58.159 --> 01:19:01.039
<v Speaker 1>From the Yeah, so this probably was much later in

1528
01:19:01.119 --> 01:19:01.520
<v Speaker 1>the production.

1529
01:19:01.720 --> 01:19:05.199
<v Speaker 2>And then for Sock Opera he writes early Sock Opera

1530
01:19:05.319 --> 01:19:08.880
<v Speaker 2>demos coloss to the final version, just longer. It's a

1531
01:19:09.039 --> 01:19:12.479
<v Speaker 2>different lyrics, a two dude singing badly.

1532
01:19:12.439 --> 01:19:17.399
<v Speaker 7>In a time before time, there was a different time

1533
01:19:18.680 --> 01:19:22.600
<v Speaker 7>it is this time. It is Mabel time.

1534
01:19:23.680 --> 01:19:27.079
<v Speaker 2>Look it's Mabel. Did you say stable, No?

1535
01:19:27.319 --> 01:19:28.119
<v Speaker 1>He said, Mabel?

1536
01:19:28.800 --> 01:19:30.199
<v Speaker 2>Okay, hit it boys.

1537
01:19:30.960 --> 01:19:34.399
<v Speaker 18>Who's that girl with the pig and the braces? One

1538
01:19:34.479 --> 01:19:39.000
<v Speaker 18>hundred sweaters all in your faces? She gets a thumbs

1539
01:19:39.079 --> 01:19:42.239
<v Speaker 18>up from the sun. She's so smart.

1540
01:19:42.399 --> 01:19:45.439
<v Speaker 1>She makes dolphins look dumb when she's.

1541
01:19:45.319 --> 01:19:47.439
<v Speaker 18>Around your never board.

1542
01:19:48.239 --> 01:19:53.000
<v Speaker 2>I'm a mayor and here's an award. Let's almost kick

1543
01:19:53.039 --> 01:19:54.039
<v Speaker 2>a town there at the end.

1544
01:19:55.840 --> 01:19:57.079
<v Speaker 1>I mean that's what I was expecting.

1545
01:19:57.159 --> 01:19:58.359
<v Speaker 2>Yes, horrible, who.

1546
01:20:01.319 --> 01:20:01.840
<v Speaker 1>A word.

1547
01:20:02.319 --> 01:20:05.399
<v Speaker 2>Oh I I'm having the time of my life with this.

1548
01:20:08.880 --> 01:20:11.359
<v Speaker 2>This is amazing. I can't believe we get to distribute this.

1549
01:20:11.560 --> 01:20:14.720
<v Speaker 2>This is I'm sorry, this is like I will freaking

1550
01:20:14.800 --> 01:20:17.680
<v Speaker 2>out a little bit. Thank you, Mayor It's true.

1551
01:20:17.800 --> 01:20:18.319
<v Speaker 5>I'm great.

1552
01:20:18.520 --> 01:20:21.159
<v Speaker 1>But the perfect girl, he's the perfect man.

1553
01:20:23.359 --> 01:20:26.039
<v Speaker 2>That is homestar music. That is just straight up home star.

1554
01:20:29.159 --> 01:20:29.920
<v Speaker 2>Oh my god.

1555
01:20:31.640 --> 01:20:34.199
<v Speaker 1>Yeah, I mean I think I would. I would you

1556
01:20:34.279 --> 01:20:36.840
<v Speaker 1>agree that the sock opera song is the home starist

1557
01:20:37.079 --> 01:20:37.760
<v Speaker 1>gravity Falls.

1558
01:20:37.960 --> 01:20:40.079
<v Speaker 2>I mean it changed the least for sure out of

1559
01:20:40.159 --> 01:20:49.880
<v Speaker 2>all of these demos. But I miss no he said Mabel, Okay, okay,

1560
01:20:50.359 --> 01:20:55.520
<v Speaker 2>Jeff Row being like, oh like yeah, oh got it

1561
01:20:55.560 --> 01:21:01.039
<v Speaker 2>all right? Yeah sorry perfect, Yeah you said stable.

1562
01:21:01.159 --> 01:21:04.720
<v Speaker 1>Sorry. So yeah, that's the unreleased, the previously unreleased.

1563
01:21:04.399 --> 01:21:05.199
<v Speaker 2>Now released.

1564
01:21:06.720 --> 01:21:09.640
<v Speaker 3>Yeah now nome now no fully gnome now.

1565
01:21:09.880 --> 01:21:10.079
<v Speaker 1>Yeah.

1566
01:21:10.239 --> 01:21:13.520
<v Speaker 2>If you have auditory processing issues and missed any of that,

1567
01:21:13.960 --> 01:21:17.279
<v Speaker 2>go to that gfan on YouTube. On the same day

1568
01:21:17.359 --> 01:21:20.359
<v Speaker 2>those podcast was posted. There should be a video with

1569
01:21:20.479 --> 01:21:21.920
<v Speaker 2>lyrics to all of those demos.

1570
01:21:22.079 --> 01:21:24.359
<v Speaker 1>Earlier this year in twenty twenty four. Of course, soundtrack

1571
01:21:24.439 --> 01:21:27.720
<v Speaker 1>released on Spotify and other digital platforms. We covered that

1572
01:21:27.920 --> 01:21:31.319
<v Speaker 1>it's just verbatim the vinyl tracks just as they are,

1573
01:21:31.600 --> 01:21:35.279
<v Speaker 1>just in digital form. So now Brad Brieck can get

1574
01:21:35.359 --> 01:21:38.680
<v Speaker 1>like a fraction of a penny every time you listen

1575
01:21:38.760 --> 01:21:41.920
<v Speaker 1>to it. Then, on July twenty sixth of twenty twenty four,

1576
01:21:42.279 --> 01:21:47.279
<v Speaker 1>Low Fi gravity Falls was released with twelve low Fi remixes.

1577
01:21:47.359 --> 01:21:49.920
<v Speaker 1>For those not in the no Lofi is basically a

1578
01:21:50.119 --> 01:21:54.720
<v Speaker 1>down tempo, chill subgenre of hip hop, and they're all

1579
01:21:54.800 --> 01:21:58.720
<v Speaker 1>remixes of tracks from the soundtrack. Why don't we just

1580
01:21:59.520 --> 01:22:01.199
<v Speaker 1>alternate saying these.

1581
01:22:01.279 --> 01:22:03.720
<v Speaker 2>Gravity Falls main title theme and.

1582
01:22:03.760 --> 01:22:06.439
<v Speaker 4>We've got Let's rewind and then we've got fiddle for

1583
01:22:06.640 --> 01:22:07.560
<v Speaker 4>Hendra and mcguckan.

1584
01:22:07.720 --> 01:22:09.640
<v Speaker 3>Fourth, we have Let's do this.

1585
01:22:10.359 --> 01:22:12.800
<v Speaker 2>Then we have the Stan Wrong song, which is a

1586
01:22:12.880 --> 01:22:14.840
<v Speaker 2>hilarious choice for a low five.

1587
01:22:15.960 --> 01:22:19.279
<v Speaker 1>Yeah, you know, just stand I was run, although the

1588
01:22:19.720 --> 01:22:21.960
<v Speaker 1>vocals aren't there I should specify, but it is the

1589
01:22:22.000 --> 01:22:26.800
<v Speaker 1>melody there. Yeah, track six we have taken over to Night.

1590
01:22:27.119 --> 01:22:29.000
<v Speaker 4>For track seven, we've got Gideon's theme.

1591
01:22:29.119 --> 01:22:32.079
<v Speaker 3>Eighth, we have Gideon Rises and credits.

1592
01:22:32.600 --> 01:22:36.800
<v Speaker 2>Ninth we have Weirdmageddon Part one b outro track.

1593
01:22:36.680 --> 01:22:38.439
<v Speaker 1>Ten is Weird mcgeddon Part one A.

1594
01:22:39.199 --> 01:22:41.800
<v Speaker 4>Then for track eleven, We've got Weird mcgeddon Part four

1595
01:22:42.159 --> 01:22:44.399
<v Speaker 4>end credits, which is my personal favorite song in the

1596
01:22:44.600 --> 01:22:45.199
<v Speaker 4>entire release.

1597
01:22:45.600 --> 01:22:49.399
<v Speaker 3>And finally we have who, and finally we have the

1598
01:22:49.520 --> 01:22:51.239
<v Speaker 3>saying goodbye to Gravity Falls.

1599
01:22:52.000 --> 01:22:55.000
<v Speaker 2>I love the reverse order of those. I don't know,

1600
01:22:55.119 --> 01:22:57.239
<v Speaker 2>it just kind of makes it like go out on

1601
01:22:57.439 --> 01:23:01.159
<v Speaker 2>this kind of bittersweet note instead of on the When

1602
01:23:01.199 --> 01:23:03.359
<v Speaker 2>Shelby and I were listening through the soundtrack, we said, like,

1603
01:23:03.640 --> 01:23:07.039
<v Speaker 2>the Weird we getting end credits is like just much

1604
01:23:07.159 --> 01:23:10.239
<v Speaker 2>more upbeat than Gravity Falls music normally is like you

1605
01:23:10.359 --> 01:23:12.720
<v Speaker 2>got the eighties synth for Mabel, But it's just such

1606
01:23:12.760 --> 01:23:15.399
<v Speaker 2>an optimistic sounding song, and there's always kind of this

1607
01:23:15.600 --> 01:23:18.199
<v Speaker 2>looming mystery in the rest of the soundtrack.

1608
01:23:18.399 --> 01:23:19.760
<v Speaker 1>Yeah, and then I guess, you know, give it all

1609
01:23:19.800 --> 01:23:23.000
<v Speaker 1>the lo fi treatment. It kind of tone changes anyway,

1610
01:23:23.119 --> 01:23:25.239
<v Speaker 1>So it's an interesting choice.

1611
01:23:25.319 --> 01:23:27.600
<v Speaker 2>Are you into Are you guys into lo fi? Personally,

1612
01:23:28.000 --> 01:23:31.479
<v Speaker 2>the rap beats get my heart beating with them, and

1613
01:23:31.760 --> 01:23:34.079
<v Speaker 2>I get more excited instead of chill down, So I

1614
01:23:34.119 --> 01:23:35.119
<v Speaker 2>can't use them to relax.

1615
01:23:35.159 --> 01:23:37.279
<v Speaker 1>I can't use them to relax, chill or study too.

1616
01:23:37.439 --> 01:23:38.960
<v Speaker 2>I could study too, that's true.

1617
01:23:39.039 --> 01:23:41.279
<v Speaker 3>I do like them to study too, Yeah, or deep

1618
01:23:41.359 --> 01:23:42.720
<v Speaker 3>dive into gravity falls too.

1619
01:23:42.880 --> 01:23:44.560
<v Speaker 1>They do what they're designed to do. You know, you

1620
01:23:44.720 --> 01:23:46.920
<v Speaker 1>have them while drawing or what have you.

1621
01:23:47.039 --> 01:23:47.199
<v Speaker 12>You know.

1622
01:23:47.479 --> 01:23:50.800
<v Speaker 1>Yeah. The cover of the album, as well as the

1623
01:23:50.840 --> 01:23:54.960
<v Speaker 1>animation of the Disney Channel video, is Mabel drawing Kraz

1624
01:23:55.039 --> 01:23:57.960
<v Speaker 1>with the sleeping wattles by the window. This was drawn

1625
01:23:58.000 --> 01:24:01.880
<v Speaker 1>by Emmy Cisiriga and animated by Malboo animation of Baman

1626
01:24:02.000 --> 01:24:02.880
<v Speaker 1>plider Man Fame.

1627
01:24:03.039 --> 01:24:04.119
<v Speaker 2>He comes over the house.

1628
01:24:04.199 --> 01:24:05.720
<v Speaker 1>For sure, they are best friends.

1629
01:24:05.840 --> 01:24:08.800
<v Speaker 2>That's specifically on the on the YouTube version. The album

1630
01:24:08.880 --> 01:24:09.960
<v Speaker 2>cover is not animated on.

1631
01:24:10.039 --> 01:24:12.960
<v Speaker 1>iTunes, No, that would be mad. This is all, of course,

1632
01:24:13.000 --> 01:24:16.399
<v Speaker 1>an homage to Lo Fi Girl, a famous YouTube channel

1633
01:24:16.520 --> 01:24:18.960
<v Speaker 1>with twenty four to seven lo fi streams. Mabel, in

1634
01:24:19.039 --> 01:24:22.760
<v Speaker 1>fact is even dressed like the titular mascot. My favorite

1635
01:24:22.800 --> 01:24:26.000
<v Speaker 1>part of this art is the drawing on the wall

1636
01:24:26.199 --> 01:24:30.479
<v Speaker 1>labeled chartreuse Seuss, which is what it sounds like. It's

1637
01:24:30.520 --> 01:24:33.560
<v Speaker 1>a drawing of Suss in Charkreuse. I do love that.

1638
01:24:33.760 --> 01:24:35.800
<v Speaker 3>That's a really nice tidbit. It's beautiful.

1639
01:24:35.920 --> 01:24:37.000
<v Speaker 2>What color is chartruse?

1640
01:24:37.000 --> 01:24:40.239
<v Speaker 1>I always forget it's not really a color, it's more

1641
01:24:40.279 --> 01:24:43.720
<v Speaker 1>of a state of marn Yeah, now that's correct.

1642
01:24:43.920 --> 01:24:47.479
<v Speaker 2>These particular lo fi remixes were done by Cooper Babs

1643
01:24:47.600 --> 01:24:51.840
<v Speaker 2>and Brian Parkhurst. They're really good. We should probably play

1644
01:24:51.840 --> 01:25:29.479
<v Speaker 2>a couple of snippets, but you should go check it

1645
01:25:29.479 --> 01:25:31.520
<v Speaker 2>out yourself on YouTube or iTunes.

1646
01:25:31.760 --> 01:25:32.840
<v Speaker 4>Yeah, yeah, they're amazing.

1647
01:25:32.920 --> 01:25:35.319
<v Speaker 1>You can check it out on the Disney Channel YouTube

1648
01:25:35.359 --> 01:25:38.600
<v Speaker 1>because on August sixteenth, twenty twenty four, they posted a compilation.

1649
01:25:38.319 --> 01:25:43.239
<v Speaker 2>Video animated Pith Batman, pider Man person that's not Steeple

1650
01:25:43.399 --> 01:25:47.359
<v Speaker 2>even so, there's a little visual gags happening periodically, so I.

1651
01:25:47.359 --> 01:25:50.039
<v Speaker 1>Feel like it's just expected of anything gravity falls related

1652
01:25:50.039 --> 01:25:52.199
<v Speaker 1>at this point, that the that there would be, Yeah.

1653
01:25:52.079 --> 01:25:56.680
<v Speaker 2>For sure. There's the kids balloon floating by, as well

1654
01:25:56.720 --> 01:25:59.079
<v Speaker 2>as a UFO abducting Octavia.

1655
01:25:59.199 --> 01:26:00.840
<v Speaker 1>The cow just a deep cut.

1656
01:26:01.000 --> 01:26:02.720
<v Speaker 4>That was one of the first shorts to actually watch

1657
01:26:02.760 --> 01:26:03.279
<v Speaker 4>as well, so.

1658
01:26:03.319 --> 01:26:05.279
<v Speaker 3>You would have gotten the reference even if you hadn't

1659
01:26:05.560 --> 01:26:06.119
<v Speaker 3>seen the whole thing.

1660
01:26:06.159 --> 01:26:07.840
<v Speaker 2>You would have been like, I don't know who most

1661
01:26:07.880 --> 01:26:10.319
<v Speaker 2>of these things are or these songs, but that cow,

1662
01:26:10.720 --> 01:26:14.000
<v Speaker 2>I remember Octavia. You would have that cow.

1663
01:26:14.199 --> 01:26:16.079
<v Speaker 1>You would have watched the other episodes have been like, well,

1664
01:26:16.239 --> 01:26:19.279
<v Speaker 1>where's Emmett and Deshaun? They're my favorite HENCHK.

1665
01:26:21.199 --> 01:26:23.119
<v Speaker 2>People would be like, have you watched gravity Falls? At

1666
01:26:23.279 --> 01:26:27.359
<v Speaker 2>HK would be like the Octavia Show, right, Yeah.

1667
01:26:28.520 --> 01:26:31.439
<v Speaker 1>There are times where the sky turns totally red a

1668
01:26:31.720 --> 01:26:34.359
<v Speaker 1>weird mgeddon and other times the colors of the scene

1669
01:26:34.359 --> 01:26:36.800
<v Speaker 1>are inverted and a bunch of bill eyes pop up

1670
01:26:36.840 --> 01:26:41.239
<v Speaker 1>on the window. But you know, it doesn't really feel

1671
01:26:41.319 --> 01:26:44.920
<v Speaker 1>right to talk about that kind of thing. No, you

1672
01:26:44.960 --> 01:26:45.520
<v Speaker 1>know what I'm saying.

1673
01:26:45.600 --> 01:26:48.199
<v Speaker 2>No, No, for sure, for sure Bill you know you

1674
01:26:48.319 --> 01:26:50.680
<v Speaker 2>know him. He knows lots of things, and we're not

1675
01:26:50.760 --> 01:26:52.520
<v Speaker 2>allowed to talk about most of those things.

1676
01:26:53.199 --> 01:26:56.920
<v Speaker 1>Right here, specifically, shoot, Shelby, do you have the key

1677
01:26:57.000 --> 01:26:59.479
<v Speaker 1>to the to the other other place? Did I give

1678
01:27:00.079 --> 01:27:00.199
<v Speaker 1>to you?

1679
01:27:00.439 --> 01:27:04.439
<v Speaker 3>So I actually retooled the entryways. So we're gonna have

1680
01:27:04.560 --> 01:27:06.960
<v Speaker 3>to go over and hit these books on the bookshelf

1681
01:27:07.079 --> 01:27:08.239
<v Speaker 3>in specific orders.

1682
01:27:08.520 --> 01:27:11.079
<v Speaker 1>Okay, so do you remember the order? Oh?

1683
01:27:11.119 --> 01:27:12.760
<v Speaker 3>Yeah, HK. If you could hit the one on the

1684
01:27:12.840 --> 01:27:21.680
<v Speaker 3>bottom left, that Charlie top right, middle, the red book, yeah, Ella, yeah, yeah,

1685
01:27:21.760 --> 01:27:24.680
<v Speaker 3>this green book here in the center third shelf, I.

1686
01:27:24.640 --> 01:27:28.039
<v Speaker 1>Got it, the red one. Wait, no, sorry, I'm more

1687
01:27:28.119 --> 01:27:30.439
<v Speaker 1>color blind. Sorry I type the green one.

1688
01:27:30.600 --> 01:27:32.800
<v Speaker 3>Yeah, I'm just gonna pick up the rug and go

1689
01:27:33.119 --> 01:27:34.960
<v Speaker 3>down Ladies and gentlemen.

1690
01:27:36.680 --> 01:27:37.560
<v Speaker 9>Conspiracy.

1691
01:27:45.960 --> 01:27:48.560
<v Speaker 1>This is a nice three tooling of the entrance.

1692
01:27:48.600 --> 01:27:48.960
<v Speaker 12>I like that.

1693
01:27:49.279 --> 01:27:51.159
<v Speaker 2>It still breaks me every time when I hear that

1694
01:27:51.319 --> 01:27:52.319
<v Speaker 2>we got Alex to do that.

1695
01:27:53.199 --> 01:27:55.560
<v Speaker 1>Yes, oh yes, that's really cool that you got it

1696
01:27:55.640 --> 01:27:57.760
<v Speaker 1>to play when you lifted up the rug.

1697
01:27:57.880 --> 01:27:59.840
<v Speaker 3>I mean that was part of it. I added speakers

1698
01:27:59.880 --> 01:28:02.119
<v Speaker 3>to downstairs so it rises up from the floor.

1699
01:28:02.319 --> 01:28:03.319
<v Speaker 1>Yeah. Yeah, that's awesome.

1700
01:28:04.159 --> 01:28:06.720
<v Speaker 2>Kind of like a big mouth billy bass type situation.

1701
01:28:07.880 --> 01:28:12.000
<v Speaker 1>Too soon in two years? Yeah, yeah, I haven't processed

1702
01:28:12.039 --> 01:28:12.399
<v Speaker 1>it yet.

1703
01:28:12.479 --> 01:28:15.359
<v Speaker 2>Where does it say disclaimer? Any and all hidden messages

1704
01:28:15.399 --> 01:28:17.800
<v Speaker 2>in this record are purely in your imagination.

1705
01:28:17.439 --> 01:28:19.159
<v Speaker 1>That I'd be writing the liner notes.

1706
01:28:19.359 --> 01:28:19.800
<v Speaker 2>That's great.

1707
01:28:19.840 --> 01:28:21.800
<v Speaker 1>And there's a page that has sort of the bill

1708
01:28:21.880 --> 01:28:25.000
<v Speaker 1>cipher image that flashes with the zodiac wheel in the

1709
01:28:25.079 --> 01:28:28.279
<v Speaker 1>theme song, and on that page is Yeah, so I

1710
01:28:28.359 --> 01:28:30.159
<v Speaker 1>guess in that case, we don't really have to talk

1711
01:28:30.159 --> 01:28:32.159
<v Speaker 1>about any of this stuff rank because it's not Ella

1712
01:28:32.560 --> 01:28:33.840
<v Speaker 1>Ella Ella.

1713
01:28:33.920 --> 01:28:35.079
<v Speaker 2>We talked about Lebem.

1714
01:28:35.880 --> 01:28:37.239
<v Speaker 3>You did talk about Lebem.

1715
01:28:37.479 --> 01:28:39.199
<v Speaker 1>Yeah. Yeah, you make a good point.

1716
01:28:39.720 --> 01:28:43.239
<v Speaker 2>Whether it exists or not, is clearly not a component

1717
01:28:43.319 --> 01:28:44.600
<v Speaker 2>of the all conspiracy.

1718
01:28:44.600 --> 01:28:48.079
<v Speaker 1>We are kind of quantum down here, so well, I

1719
01:28:48.159 --> 01:28:50.359
<v Speaker 1>guess we could talk about the backwards messages hidden in

1720
01:28:50.359 --> 01:28:52.600
<v Speaker 1>the vinyl that we sort of alluded to earlier.

1721
01:28:52.560 --> 01:28:53.960
<v Speaker 2>Which we will reverse for you.

1722
01:28:54.119 --> 01:28:58.079
<v Speaker 1>In fact, the first one follows Gideon's theme backwards message plays,

1723
01:28:58.119 --> 01:29:07.479
<v Speaker 1>in which Seuss says, which played backwards, is in your.

1724
01:29:07.439 --> 01:29:11.279
<v Speaker 2>Record backwards is a great white of damage your record player.

1725
01:29:11.920 --> 01:29:17.880
<v Speaker 2>Following Fiddleford hadrawn ma Gucket, Alex Hirsch says, rushing your

1726
01:29:17.920 --> 01:29:22.960
<v Speaker 2>way out here for three mates, which played backwards.

1727
01:29:22.680 --> 01:29:25.720
<v Speaker 6>Is jam your thumbs directly into your eyes for a

1728
01:29:25.840 --> 01:29:27.399
<v Speaker 6>free fireworks show.

1729
01:29:27.560 --> 01:29:30.760
<v Speaker 2>Which is wild that he let they let him say that,

1730
01:29:30.960 --> 01:29:35.279
<v Speaker 2>I mean, even reversed in an official Disney release. I mean,

1731
01:29:35.319 --> 01:29:38.920
<v Speaker 2>I guess he's just talking about holding, like putting pressure

1732
01:29:38.960 --> 01:29:41.520
<v Speaker 2>on your eyes, not like actually doing any damage. But

1733
01:29:42.359 --> 01:29:44.840
<v Speaker 2>the word jam is I don't know.

1734
01:29:45.000 --> 01:29:47.079
<v Speaker 3>My eye doctor told me not to do that anymore

1735
01:29:47.079 --> 01:29:48.560
<v Speaker 3>at worsens my stigmatism.

1736
01:29:48.800 --> 01:29:51.720
<v Speaker 4>The last message is following Weird McGain in part one,

1737
01:29:52.199 --> 01:30:00.319
<v Speaker 4>sweet as Stand says, which played backwards is.

1738
01:30:00.720 --> 01:30:03.800
<v Speaker 17>Apparently if you play this record alongside Wizard of Oz,

1739
01:30:04.079 --> 01:30:06.000
<v Speaker 17>it matches up perfectly.

1740
01:30:05.920 --> 01:30:08.720
<v Speaker 2>Which is of course a reference to the Dark Side

1741
01:30:08.760 --> 01:30:11.680
<v Speaker 2>of the Rainbow. Which is that Apparently, if you play

1742
01:30:12.319 --> 01:30:15.680
<v Speaker 2>Pink Floyd's Dark Side of the Moon at the same

1743
01:30:15.960 --> 01:30:20.600
<v Speaker 2>time as The Wizard of Oz, the visuals match up perfectly.

1744
01:30:21.039 --> 01:30:23.479
<v Speaker 2>I watched it. By the way, I sniffed this one

1745
01:30:23.520 --> 01:30:27.640
<v Speaker 2>out for you guys. It's okay. It's honestly not the

1746
01:30:27.720 --> 01:30:32.279
<v Speaker 2>best coincidental matching visuals I've ever seen. Of course, Blart

1747
01:30:32.359 --> 01:30:35.239
<v Speaker 2>Side of the Mall is better. Yeah, okay, But there

1748
01:30:35.319 --> 01:30:40.439
<v Speaker 2>is one amazing part where when they go black white

1749
01:30:41.119 --> 01:30:44.119
<v Speaker 2>and which is which? When they say black, they show

1750
01:30:44.399 --> 01:30:47.239
<v Speaker 2>the Wicked Witch of the West, and when they say white,

1751
01:30:47.399 --> 01:30:49.960
<v Speaker 2>they show Glinda, And then when they say which is which,

1752
01:30:50.239 --> 01:30:54.520
<v Speaker 2>both are on screen exactly. You know this was not intentional.

1753
01:30:54.640 --> 01:30:56.640
<v Speaker 2>They were not watching The Rezard of Oz while they

1754
01:30:56.640 --> 01:30:58.760
<v Speaker 2>were recording this album. They were in fact watching Mary

1755
01:30:58.760 --> 01:31:04.319
<v Speaker 2>Poppins True Story. But the angry video game Nerd review

1756
01:31:04.760 --> 01:31:10.840
<v Speaker 2>of Wizard of Oz for the Supernadendo is in fact, written, directed,

1757
01:31:11.079 --> 01:31:15.760
<v Speaker 2>and edited to sync up perfectly with Dark Side of

1758
01:31:15.880 --> 01:31:16.279
<v Speaker 2>the Moon.

1759
01:31:16.680 --> 01:31:18.039
<v Speaker 1>Amazing. I love that.

1760
01:31:18.640 --> 01:31:20.039
<v Speaker 2>You know what we should do with the Discord server?

1761
01:31:20.239 --> 01:31:23.680
<v Speaker 2>What let's sink up the gravity falls soundtrack with Wizard

1762
01:31:23.720 --> 01:31:27.079
<v Speaker 2>of Oz and see if there's any serendipitous moments. Yes,

1763
01:31:27.640 --> 01:31:29.920
<v Speaker 2>what are we gonna call it? It needs a because

1764
01:31:29.920 --> 01:31:31.880
<v Speaker 2>we have we have Blart side of the mall, we

1765
01:31:32.039 --> 01:31:34.520
<v Speaker 2>have dark side of the Rainbow. What are we calling this?

1766
01:31:34.960 --> 01:31:36.800
<v Speaker 3>Rainbow Eden, somewhere over the.

1767
01:31:36.840 --> 01:31:43.680
<v Speaker 1>Falls, somewhere the falls, Invisible Wizard of Us somewhere. I

1768
01:31:43.800 --> 01:31:45.600
<v Speaker 1>was going to say, somewhere over the rainbow bar.

1769
01:31:45.840 --> 01:31:46.359
<v Speaker 2>That's good.

1770
01:31:47.000 --> 01:31:49.680
<v Speaker 3>No, I like Invisible Wizard of Oz. That's so good.

1771
01:31:49.920 --> 01:31:52.840
<v Speaker 1>I think my favorite secret within the vinyl is this

1772
01:31:52.920 --> 01:31:56.399
<v Speaker 1>one here, which is that So the vinyls are advertised

1773
01:31:56.439 --> 01:31:59.720
<v Speaker 1>as being in decoder red, they're this like translucent kind

1774
01:31:59.760 --> 01:32:03.479
<v Speaker 1>of and they are that way because there are secret

1775
01:32:03.560 --> 01:32:06.720
<v Speaker 1>messages in the slip covers. There's a lot of red

1776
01:32:06.880 --> 01:32:10.079
<v Speaker 1>sort of squiggles or lines that cover up these messages.

1777
01:32:10.319 --> 01:32:11.680
<v Speaker 2>I loved Ovaltine as a kid.

1778
01:32:11.920 --> 01:32:13.279
<v Speaker 3>Yeah, I was gonna say.

1779
01:32:13.560 --> 01:32:15.720
<v Speaker 1>Yeah, it's pretty much that. It's sort of that era

1780
01:32:15.920 --> 01:32:18.680
<v Speaker 1>of decoding where there would be a message written in

1781
01:32:18.800 --> 01:32:20.800
<v Speaker 1>blue ink covered up by a lot of red inks.

1782
01:32:20.920 --> 01:32:23.039
<v Speaker 1>Your eye doesn't really see it, and then you put

1783
01:32:23.199 --> 01:32:26.279
<v Speaker 1>a piece of red translucent you know, plastic or whatever

1784
01:32:26.479 --> 01:32:29.039
<v Speaker 1>to it. Like a lens and it filters out that

1785
01:32:29.279 --> 01:32:33.520
<v Speaker 1>red light and allows you to just see the blue message. So, Charlie,

1786
01:32:33.520 --> 01:32:34.359
<v Speaker 1>you want to read dippers?

1787
01:32:34.560 --> 01:32:39.880
<v Speaker 2>Yeah, sure, Dipper says disco girl or disco girl? Did

1788
01:32:39.920 --> 01:32:41.560
<v Speaker 2>you want to speak it or say I'm sorry?

1789
01:32:41.880 --> 01:32:44.239
<v Speaker 1>Hey no shame, no shame? Dipper, yes, sing it?

1790
01:32:44.399 --> 01:32:49.359
<v Speaker 2>Uh, disco girl coming through? That girl is you?

1791
01:32:50.119 --> 01:32:54.439
<v Speaker 3>Mabel says, who's that girl with the pig and the braces?

1792
01:32:54.840 --> 01:32:57.680
<v Speaker 3>She puts smiles on everyone's faces.

1793
01:32:58.239 --> 01:33:02.079
<v Speaker 1>Uh, Giruncle stands says I'm Stan and I was wrong.

1794
01:33:02.760 --> 01:33:04.680
<v Speaker 1>I'm singing the sand wrong song.

1795
01:33:05.239 --> 01:33:09.920
<v Speaker 4>So Bill says aeny meany miney you, and also shows

1796
01:33:09.960 --> 01:33:11.439
<v Speaker 4>the zodiac symbols surrounding him.

1797
01:33:11.520 --> 01:33:15.319
<v Speaker 1>So obviously Bill's is not quote from a song, but notably,

1798
01:33:15.520 --> 01:33:17.359
<v Speaker 1>Dippers is a quote from a song that is not

1799
01:33:17.640 --> 01:33:20.079
<v Speaker 1>on the album for reasons we stand.

1800
01:33:22.920 --> 01:33:24.880
<v Speaker 3>But I do like that all the characters are singing

1801
01:33:25.000 --> 01:33:29.920
<v Speaker 3>besides Bill Sands bell sans is Bill sans undertail. Yes,

1802
01:33:30.119 --> 01:33:32.680
<v Speaker 3>that explains a lot, but not only does the vinyl

1803
01:33:32.720 --> 01:33:35.119
<v Speaker 3>app secrets, but so does the low fi album. A

1804
01:33:35.159 --> 01:33:37.920
<v Speaker 3>lot of this is just directly quoted via the wiki,

1805
01:33:38.439 --> 01:33:41.840
<v Speaker 3>but at about one minute forty seconds into Gideon's theme,

1806
01:33:42.000 --> 01:33:46.000
<v Speaker 3>you can hear morse code, which, when decoded says free.

1807
01:33:45.920 --> 01:33:48.239
<v Speaker 2>Me, no, no, do it Ella, Come on, people have

1808
01:33:48.319 --> 01:33:49.800
<v Speaker 2>waited this long for an episode.

1809
01:33:49.920 --> 01:33:50.159
<v Speaker 5>Do it?

1810
01:33:50.399 --> 01:33:52.159
<v Speaker 1>Yeah, No, I don't. I don't think it's Gideon.

1811
01:33:52.279 --> 01:33:54.560
<v Speaker 3>I want to hear it as Gideon so badly, though.

1812
01:33:54.840 --> 01:33:56.680
<v Speaker 1>I think I think Gideon should do the morse code too.

1813
01:33:56.720 --> 01:34:00.199
<v Speaker 1>Then yes, yes, yes, yes, yes yeah. At about one

1814
01:34:00.199 --> 01:34:03.199
<v Speaker 1>minute forty seconds into Gideon's theme, morse code can be heard,

1815
01:34:03.239 --> 01:34:06.319
<v Speaker 1>which I will read out as Gideon, of course, did

1816
01:34:06.439 --> 01:34:08.640
<v Speaker 1>did da did did do?

1817
01:34:08.960 --> 01:34:09.079
<v Speaker 7>Did?

1818
01:34:09.720 --> 01:34:16.159
<v Speaker 1>Did did da da? Which one de coded says free me.

1819
01:34:17.119 --> 01:34:20.640
<v Speaker 2>I'm gonna need uh a low fi tape of just

1820
01:34:21.920 --> 01:34:24.479
<v Speaker 2>as Gideon reading to me in morse code.

1821
01:34:24.920 --> 01:34:33.159
<v Speaker 1>That's right there, I do it. App In minute rock

1822
01:34:33.239 --> 01:34:33.560
<v Speaker 1>at no.

1823
01:34:35.800 --> 01:34:43.439
<v Speaker 2>Data no no, at about uh forty two uh. At

1824
01:34:43.439 --> 01:34:47.000
<v Speaker 2>about two minutes forty two seconds into Weird Mageddon Part one,

1825
01:34:47.119 --> 01:34:49.239
<v Speaker 2>a morse code could be heard.

1826
01:34:49.399 --> 01:34:51.039
<v Speaker 1>We don't. We can just play that one. We don't

1827
01:34:51.079 --> 01:34:51.840
<v Speaker 1>have to read it out.

1828
01:35:01.119 --> 01:35:02.920
<v Speaker 2>When de coded, this says remember you.

1829
01:35:03.039 --> 01:35:06.720
<v Speaker 3>Clinting yeah, And those two codes are also hidden text

1830
01:35:06.880 --> 01:35:09.680
<v Speaker 3>in the spectrograms of those respective songs.

1831
01:35:09.880 --> 01:35:12.960
<v Speaker 4>The description of the Disney Channel compilation video then states

1832
01:35:13.399 --> 01:35:16.720
<v Speaker 4>return to Gravity Falls with the low fi album. It's

1833
01:35:16.800 --> 01:35:21.159
<v Speaker 4>the perfect background music for unwinding studying, investigating the supernatural

1834
01:35:21.239 --> 01:35:24.279
<v Speaker 4>mysteries of this dimension. And in several of the words,

1835
01:35:24.279 --> 01:35:27.560
<v Speaker 4>if you noticed, are capitalized and they spell out free may.

1836
01:35:29.279 --> 01:35:32.560
<v Speaker 2>So both of these, well what are they alluding to?

1837
01:35:33.640 --> 01:35:34.039
<v Speaker 1>I don't know.

1838
01:35:34.239 --> 01:35:35.199
<v Speaker 4>That'll be the next episode.

1839
01:35:35.279 --> 01:35:38.720
<v Speaker 1>I actually have an envelope grade here I meant to open.

1840
01:35:39.000 --> 01:35:40.279
<v Speaker 1>That was also pretty ominous.

1841
01:35:40.479 --> 01:35:43.159
<v Speaker 3>Oh, I love it when you get mail Ella, Well.

1842
01:35:43.079 --> 01:35:45.680
<v Speaker 1>Actually it's addressed to all of us. What it will?

1843
01:35:45.720 --> 01:35:48.960
<v Speaker 1>Just open her up? I'll just start Yeah, So Shelby,

1844
01:35:49.000 --> 01:35:50.640
<v Speaker 1>you want to take the second paragraph, and then I'll

1845
01:35:50.680 --> 01:35:51.960
<v Speaker 1>take the third month.

1846
01:35:52.079 --> 01:35:53.640
<v Speaker 2>Hi Ella, Charlie and Shelby.

1847
01:35:53.840 --> 01:35:54.800
<v Speaker 1>Hi. Hi.

1848
01:35:55.079 --> 01:35:56.840
<v Speaker 2>My name is Harlowe and I am a huge fan

1849
01:35:56.920 --> 01:35:59.520
<v Speaker 2>of your podcast. I was a kid when Gravity Falls

1850
01:35:59.560 --> 01:36:01.800
<v Speaker 2>was airing, and my older brother and older sister would

1851
01:36:01.800 --> 01:36:03.319
<v Speaker 2>be allowed to watch it in the other room without

1852
01:36:03.359 --> 01:36:05.239
<v Speaker 2>me because I was too young, and it drove me

1853
01:36:05.359 --> 01:36:08.640
<v Speaker 2>up the wall. A few years later, a bit after

1854
01:36:08.760 --> 01:36:10.720
<v Speaker 2>it had ended, I was allowed to watch it. And

1855
01:36:11.000 --> 01:36:15.640
<v Speaker 2>when I tell you, I got so obsessed. Gravity Falls

1856
01:36:15.760 --> 01:36:18.560
<v Speaker 2>was like my life as a kid. I had a

1857
01:36:18.600 --> 01:36:21.159
<v Speaker 2>whole shrine dedicated to it. In my shared room with

1858
01:36:21.239 --> 01:36:23.640
<v Speaker 2>my brother. I got to read all the books over

1859
01:36:23.720 --> 01:36:25.960
<v Speaker 2>and over again. I've seen the show in total about

1860
01:36:25.960 --> 01:36:29.199
<v Speaker 2>eleven ish times. I used to have my grandpa record

1861
01:36:29.279 --> 01:36:31.560
<v Speaker 2>episodes on his cable TV for whenever I would come

1862
01:36:31.600 --> 01:36:35.359
<v Speaker 2>and visit him. It was insane, like I was so

1863
01:36:35.680 --> 01:36:39.119
<v Speaker 2>abnormal about this show. It was crazy and as a kid,

1864
01:36:39.359 --> 01:36:41.640
<v Speaker 2>all you want is more and more and more, and

1865
01:36:41.840 --> 01:36:44.840
<v Speaker 2>so I would watch countless theory videos about how gravity

1866
01:36:44.920 --> 01:36:47.560
<v Speaker 2>Falls was coming back, and Gravity Falls season three and

1867
01:36:47.600 --> 01:36:50.000
<v Speaker 2>twenty nineteen YadA YadA, and I believed all of it.

1868
01:36:50.720 --> 01:36:54.359
<v Speaker 2>But anyway, the first real Gravity Falls experience I had

1869
01:36:54.560 --> 01:36:57.000
<v Speaker 2>in like present time was when the Lost Legends comic

1870
01:36:57.520 --> 01:37:01.000
<v Speaker 2>came out. That's the same with HK, and I got

1871
01:37:01.079 --> 01:37:03.640
<v Speaker 2>to be a part of the theorizing and code cracking

1872
01:37:03.800 --> 01:37:06.600
<v Speaker 2>and everything else with everyone else in the community. It

1873
01:37:06.720 --> 01:37:10.600
<v Speaker 2>was so awesome. But then alas, no more gravity Falls

1874
01:37:10.640 --> 01:37:13.840
<v Speaker 2>content for who knows how long after that until now,

1875
01:37:15.720 --> 01:37:18.560
<v Speaker 2>and so I kind of slowly got out of my

1876
01:37:18.640 --> 01:37:19.720
<v Speaker 2>Gravity Falls fandom.

1877
01:37:19.920 --> 01:37:23.800
<v Speaker 3>Eventually, a while later, I randomly got recommended your podcast

1878
01:37:23.880 --> 01:37:26.640
<v Speaker 3>on my Spotify feet and I was like, oh, I

1879
01:37:26.800 --> 01:37:30.119
<v Speaker 3>like gravity falls, what's this And I just listened to

1880
01:37:30.319 --> 01:37:34.600
<v Speaker 3>like a snippet of the first episode and I was like, Yo, wait,

1881
01:37:34.760 --> 01:37:38.600
<v Speaker 3>this is actually really cool, And so I became addicted

1882
01:37:38.640 --> 01:37:39.319
<v Speaker 3>to your podcast.

1883
01:37:39.399 --> 01:37:39.800
<v Speaker 1>Oh go.

1884
01:37:40.119 --> 01:37:44.159
<v Speaker 3>I think I started listening around the Weird mcgeddon episode,

1885
01:37:44.319 --> 01:37:47.680
<v Speaker 3>and I was stoked when you had an Alex Hirsh episode.

1886
01:37:47.920 --> 01:37:50.359
<v Speaker 3>I've listened to your Cipher Hunt episode all the way

1887
01:37:50.399 --> 01:37:54.159
<v Speaker 3>through like five times. It's such a good eating I

1888
01:37:54.279 --> 01:37:56.880
<v Speaker 3>used to listen to all the episodes while I would draw,

1889
01:37:57.359 --> 01:38:00.359
<v Speaker 3>and it was some of my favorite background noise because

1890
01:38:00.520 --> 01:38:02.640
<v Speaker 3>one of the main things I was sad I missed

1891
01:38:02.640 --> 01:38:06.279
<v Speaker 3>out on was truly being involved in the fandom at

1892
01:38:06.319 --> 01:38:09.520
<v Speaker 3>the time that it was all happening. Like, sure, I

1893
01:38:09.640 --> 01:38:11.960
<v Speaker 3>can go and surf through all the forums and posts

1894
01:38:12.199 --> 01:38:16.199
<v Speaker 3>I have, but it's not the same. But you guys

1895
01:38:16.319 --> 01:38:19.640
<v Speaker 3>just totally solved that and made such a well documented

1896
01:38:19.720 --> 01:38:24.199
<v Speaker 3>and thought through compendium of everything, and it just expanded

1897
01:38:24.239 --> 01:38:27.560
<v Speaker 3>my gravity falls knowledge so much. You guys are so

1898
01:38:27.800 --> 01:38:32.239
<v Speaker 3>funny and so personal, and there are just so many

1899
01:38:32.319 --> 01:38:35.039
<v Speaker 3>things that I quote that you guys say, Like anytime

1900
01:38:35.119 --> 01:38:37.279
<v Speaker 3>someone says the thing I always say in my head

1901
01:38:37.399 --> 01:38:40.840
<v Speaker 3>or out loud. The nineteen eighty two John Carpenter film,

1902
01:38:41.079 --> 01:38:44.000
<v Speaker 3>and I just enjoyed getting to know you guys through

1903
01:38:44.039 --> 01:38:44.640
<v Speaker 3>your podcast.

1904
01:38:44.760 --> 01:38:46.600
<v Speaker 1>I hope you say it out loud more often than not.

1905
01:38:46.720 --> 01:38:47.720
<v Speaker 1>That's the right way to do it.

1906
01:38:48.760 --> 01:38:52.199
<v Speaker 2>Yeah. So, if it doesn't bring me an entire conversation

1907
01:38:52.359 --> 01:38:56.880
<v Speaker 2>to a halt, listen as the resident CEO of interrupting

1908
01:38:56.960 --> 01:38:59.840
<v Speaker 2>people by saying a nineteen eighty two John Carpenter film.

1909
01:39:00.199 --> 01:39:03.640
<v Speaker 2>If it doesn't drag the conversation to a halt and

1910
01:39:03.760 --> 01:39:06.279
<v Speaker 2>make the energy really weird for a few seconds, you're

1911
01:39:06.319 --> 01:39:06.880
<v Speaker 2>doing it wrong.

1912
01:39:07.159 --> 01:39:10.600
<v Speaker 1>Yeah. Also, Ella, I really loved learning about the trans

1913
01:39:10.680 --> 01:39:13.399
<v Speaker 1>experience through all your stories, and I love your art. Oh,

1914
01:39:13.479 --> 01:39:16.000
<v Speaker 1>thank you. Love that one trans comic you made. I

1915
01:39:16.079 --> 01:39:18.680
<v Speaker 1>think on your birthday. It's very cute. I think you're

1916
01:39:18.800 --> 01:39:21.760
<v Speaker 1>referring to a comic I made about my birthday, which

1917
01:39:21.840 --> 01:39:25.479
<v Speaker 1>is in this big sort of anthology of transcomics called

1918
01:39:25.520 --> 01:39:28.199
<v Speaker 1>When I Was Me, which we can link in the description.

1919
01:39:28.439 --> 01:39:32.079
<v Speaker 1>It's fantastic. Highly recommend it if it's still available. I'm

1920
01:39:32.119 --> 01:39:35.479
<v Speaker 1>not one hundred percent sure. I'm straight and assist gender female,

1921
01:39:35.520 --> 01:39:37.479
<v Speaker 1>but my best friend is non binary, and there's a

1922
01:39:37.520 --> 01:39:39.439
<v Speaker 1>trans boy at my school who I may or may

1923
01:39:39.520 --> 01:39:43.319
<v Speaker 1>not have a teeny tiny crush on but I'll never tell. Well, Harlow,

1924
01:39:43.399 --> 01:39:45.880
<v Speaker 1>now the whole world knows you're welcome, and so getting

1925
01:39:45.880 --> 01:39:48.039
<v Speaker 1>to learn about TRANSI identity and just so many things

1926
01:39:48.079 --> 01:39:50.000
<v Speaker 1>I would never know about is super awesome and I

1927
01:39:50.079 --> 01:39:52.680
<v Speaker 1>love getting to learn that stuff. I think gender expression

1928
01:39:52.720 --> 01:39:55.079
<v Speaker 1>and sexuality is super duper interesting, and I wish it

1929
01:39:55.159 --> 01:39:57.640
<v Speaker 1>wasn't as taboo to discuss because I just want to

1930
01:39:57.640 --> 01:40:00.199
<v Speaker 1>ask questions and learn everything that I can live in

1931
01:40:00.199 --> 01:40:03.119
<v Speaker 1>a household that isn't against but also again a slightly

1932
01:40:03.279 --> 01:40:05.399
<v Speaker 1>taboo with that kind of stuff, so I can't really

1933
01:40:05.439 --> 01:40:07.399
<v Speaker 1>get books about it or learn and the means I

1934
01:40:07.439 --> 01:40:10.439
<v Speaker 1>would like to. So your stories are super helpful and educational.

1935
01:40:10.600 --> 01:40:12.920
<v Speaker 1>I'm really really glad to hear that. Thank you for

1936
01:40:13.000 --> 01:40:13.319
<v Speaker 1>saying that.

1937
01:40:13.640 --> 01:40:17.159
<v Speaker 2>Anyway, Again, what I was mainly writing this email for

1938
01:40:17.479 --> 01:40:21.439
<v Speaker 2>now specifically, is the Book of Bill is out, and

1939
01:40:21.520 --> 01:40:23.199
<v Speaker 2>I was wondering if you guys were going to cover

1940
01:40:23.319 --> 01:40:26.760
<v Speaker 2>an episode on it. I'm writing this now because I've

1941
01:40:26.760 --> 01:40:28.920
<v Speaker 2>always had so much to say and I always wanted

1942
01:40:28.920 --> 01:40:31.960
<v Speaker 2>the chance to be featured in an episode. It's totally

1943
01:40:32.039 --> 01:40:33.920
<v Speaker 2>fine if I'm not, but you know, a girl can

1944
01:40:34.039 --> 01:40:38.880
<v Speaker 2>dream yeah, you won't be Yeah, dream on kid. I

1945
01:40:38.960 --> 01:40:41.159
<v Speaker 2>got my copy and a few days ago, and I'm

1946
01:40:41.199 --> 01:40:43.840
<v Speaker 2>currently reading and trying to decode things along the way.

1947
01:40:44.000 --> 01:40:46.479
<v Speaker 2>I've been having a blast. This book is wild, and

1948
01:40:46.520 --> 01:40:48.000
<v Speaker 2>I would love to hear all the things you guys

1949
01:40:48.039 --> 01:40:50.079
<v Speaker 2>have found and have to say about it.

1950
01:40:50.199 --> 01:40:52.239
<v Speaker 1>Sorry, this email got so long again. I just had

1951
01:40:52.319 --> 01:40:54.359
<v Speaker 1>so many things to say. I love your podcast so

1952
01:40:54.479 --> 01:40:56.239
<v Speaker 1>so much, and I hope you guys are all doing well.

1953
01:40:56.479 --> 01:40:58.119
<v Speaker 1>Have a great day, and thanks for taking the time

1954
01:40:58.279 --> 01:41:01.800
<v Speaker 1>to read all of this with Harlow. Thank you very

1955
01:41:01.880 --> 01:41:04.119
<v Speaker 1>much Arloe for sending that so it's it seems the

1956
01:41:04.199 --> 01:41:06.199
<v Speaker 1>question of the ac ues. I guess there's something called

1957
01:41:06.199 --> 01:41:08.479
<v Speaker 1>the Book of Bill. I don't. I don't know what

1958
01:41:08.600 --> 01:41:11.560
<v Speaker 1>that is, never heard of it. I guess we should

1959
01:41:12.000 --> 01:41:16.359
<v Speaker 1>apparently we should talk about it. I just feel I

1960
01:41:16.399 --> 01:41:18.760
<v Speaker 1>don't know. I feel underqualified, you know, I don't. I don't.

1961
01:41:18.760 --> 01:41:20.439
<v Speaker 1>I don't really feel like I have the authority to

1962
01:41:21.039 --> 01:41:23.680
<v Speaker 1>to really speak on it. Do we know anyone who does?

1963
01:41:24.079 --> 01:41:24.199
<v Speaker 3>Uh?

1964
01:41:24.319 --> 01:41:27.079
<v Speaker 2>Are you asking if we know the Bill Cipher?

1965
01:41:27.399 --> 01:41:31.199
<v Speaker 15>I guess fundamentally, like I guess, nothing summoning a demon

1966
01:41:31.279 --> 01:41:35.319
<v Speaker 15>can't fix in my experience, which is to say, the

1967
01:41:35.439 --> 01:41:39.640
<v Speaker 15>next episode of our podcast, Mister Shack look Back number

1968
01:41:39.800 --> 01:41:45.560
<v Speaker 15>fifty four, Book of Bill will guest star Bill Ceipher himself,

1969
01:41:45.960 --> 01:41:51.159
<v Speaker 15>Alex Hirsh and Alex Hirsh himself, Bill Ceipher.

1970
01:41:52.079 --> 01:41:54.000
<v Speaker 2>I always love to return to a podcast.

1971
01:41:54.520 --> 01:41:57.760
<v Speaker 17>I feel great in front of a microphone, a touch

1972
01:41:57.800 --> 01:41:59.880
<v Speaker 17>too an adopter, or touch to a laptop with audactity.

1973
01:42:00.840 --> 01:42:04.720
<v Speaker 2>More on that later, as they say, thank you so much.

1974
01:42:05.680 --> 01:42:09.720
<v Speaker 2>HK also known as that GF fan for joining us today.

1975
01:42:09.960 --> 01:42:12.560
<v Speaker 2>I know, you know, our brands have kind of been

1976
01:42:12.640 --> 01:42:15.439
<v Speaker 2>intertwined for a bit, so it was wonderful having you

1977
01:42:16.039 --> 01:42:19.279
<v Speaker 2>on to talk about your area of expertise. If the

1978
01:42:19.319 --> 01:42:21.760
<v Speaker 2>people want to find you, what have you got going

1979
01:42:21.840 --> 01:42:25.720
<v Speaker 2>on and where? Oh, thank you so much, Thank you

1980
01:42:25.800 --> 01:42:26.079
<v Speaker 2>so much.

1981
01:42:26.119 --> 01:42:27.800
<v Speaker 4>It was really great to be part of this. Like,

1982
01:42:28.680 --> 01:42:30.640
<v Speaker 4>like I said, like the podcast has been something I've

1983
01:42:30.680 --> 01:42:33.119
<v Speaker 4>followed along for a while now and I'm really happy

1984
01:42:33.159 --> 01:42:34.960
<v Speaker 4>to see it come back, and I'm glad to have

1985
01:42:35.079 --> 01:42:37.159
<v Speaker 4>been part of this for the first episode back.

1986
01:42:37.239 --> 01:42:39.399
<v Speaker 1>So long we have passed parallel to each other like

1987
01:42:39.479 --> 01:42:41.760
<v Speaker 1>ships in the night, but now we collide like a

1988
01:42:42.039 --> 01:42:44.039
<v Speaker 1>deadly shipwreck in the middle of the ocean.

1989
01:42:46.520 --> 01:42:48.640
<v Speaker 4>Yeah, but yeah, I was like, I'm really glad to

1990
01:42:48.720 --> 01:42:50.159
<v Speaker 4>have been part of this. I'm glad I could help

1991
01:42:50.279 --> 01:42:54.000
<v Speaker 4>share anything that I knew here to help the podcast.

1992
01:42:54.119 --> 01:42:57.159
<v Speaker 4>Like in terms of explaining things that happened throughout this

1993
01:42:57.279 --> 01:42:59.600
<v Speaker 4>whole crazy to release of the Vinyl Life, thank you

1994
01:42:59.760 --> 01:43:02.239
<v Speaker 4>so much, no problem, I think at the end of

1995
01:43:02.319 --> 01:43:05.439
<v Speaker 4>the day, like despite the craziness of just how the

1996
01:43:05.560 --> 01:43:07.640
<v Speaker 4>release happened, like, I'm glad we ended up getting it

1997
01:43:07.680 --> 01:43:09.760
<v Speaker 4>and it's finally over and we can just get to

1998
01:43:09.960 --> 01:43:14.119
<v Speaker 4>enjoying all the songs that I created. But yeah, in

1999
01:43:14.199 --> 01:43:15.920
<v Speaker 4>terms of what I'm up to next, I got a

2000
01:43:15.960 --> 01:43:18.680
<v Speaker 4>couple of more projects in the works. I recently released

2001
01:43:18.720 --> 01:43:21.159
<v Speaker 4>a video about more obscure references and e stikes to

2002
01:43:21.199 --> 01:43:24.239
<v Speaker 4>Gravity Falls and lesser known media. A video on how

2003
01:43:24.760 --> 01:43:27.079
<v Speaker 4>some good friends of mine managed to find the actual

2004
01:43:27.159 --> 01:43:30.039
<v Speaker 4>image used in the Gravity Falls logo through some next

2005
01:43:30.159 --> 01:43:33.479
<v Speaker 4>level geo guessing and Internet saluting, which was funny enough,

2006
01:43:33.520 --> 01:43:35.920
<v Speaker 4>originally going to be a video about how the search

2007
01:43:36.199 --> 01:43:38.359
<v Speaker 4>was for that logo image and what our best leads

2008
01:43:38.399 --> 01:43:41.880
<v Speaker 4>at the time were. But then, but then shadow to

2009
01:43:41.960 --> 01:43:44.359
<v Speaker 4>my buddy Trick and GF, he managed to find the

2010
01:43:44.479 --> 01:43:46.560
<v Speaker 4>image on a texture site of all places, and also

2011
01:43:46.600 --> 01:43:48.920
<v Speaker 4>shout out to my friends Alex m and Fried Orios,

2012
01:43:49.079 --> 01:43:51.520
<v Speaker 4>who then with his help, were able to find the

2013
01:43:51.680 --> 01:43:54.800
<v Speaker 4>location of the image, which was in a small French

2014
01:43:54.880 --> 01:43:57.239
<v Speaker 4>town in the Pyrenees mountain range, which is pretty cool.

2015
01:43:57.279 --> 01:43:58.920
<v Speaker 4>And the image it self dates back to two thousand

2016
01:43:58.960 --> 01:44:02.159
<v Speaker 4>and seven, which is just incredible, which is just I'm

2017
01:44:02.279 --> 01:44:04.119
<v Speaker 4>amazed at how they were able to do that. It

2018
01:44:04.239 --> 01:44:07.039
<v Speaker 4>was just amazing to see all that happen. So there's

2019
01:44:07.119 --> 01:44:10.800
<v Speaker 4>that video, and I also have a upcoming video. It's

2020
01:44:10.800 --> 01:44:12.560
<v Speaker 4>a bit of a top secret project, but it's an

2021
01:44:12.600 --> 01:44:15.039
<v Speaker 4>interview I had with a pretty well known member of

2022
01:44:15.079 --> 01:44:18.039
<v Speaker 4>the Gravity Falls art community. We're still working things out

2023
01:44:18.079 --> 01:44:20.199
<v Speaker 4>on that end, but we hope to have the video

2024
01:44:20.279 --> 01:44:22.520
<v Speaker 4>out soon and I'm really excited about that interview. It's

2025
01:44:22.600 --> 01:44:26.479
<v Speaker 4>amazing look into a great member of the fandom who

2026
01:44:26.800 --> 01:44:29.239
<v Speaker 4>created some amazing art that we all enjoy. And that's

2027
01:44:29.279 --> 01:44:31.439
<v Speaker 4>gonna be really fun to talk about when that happens.

2028
01:44:31.560 --> 01:44:34.960
<v Speaker 1>See, that's what I love particularly about your work and

2029
01:44:35.039 --> 01:44:37.560
<v Speaker 1>your content is that you get really into the granular

2030
01:44:37.960 --> 01:44:40.199
<v Speaker 1>stuff that people would otherwise take for granted. But there's

2031
01:44:40.279 --> 01:44:42.279
<v Speaker 1>like always with a show like Gravity Falls, with so

2032
01:44:42.359 --> 01:44:45.840
<v Speaker 1>many details there's always something interesting about every little aspect,

2033
01:44:46.279 --> 01:44:46.560
<v Speaker 1>thank you.

2034
01:44:46.640 --> 01:44:49.479
<v Speaker 2>Right, because it's not just a show Alex Hirsch made

2035
01:44:49.520 --> 01:44:51.680
<v Speaker 2>to mess with us. There's a whole team of people

2036
01:44:51.960 --> 01:44:55.079
<v Speaker 2>and like, not every person on the Gravity Falls crew

2037
01:44:55.279 --> 01:44:58.720
<v Speaker 2>knows all information about Gravity Falls. Yeah, exactly, people on

2038
01:44:58.840 --> 01:45:01.439
<v Speaker 2>the crew that just were too busy or whatever to

2039
01:45:01.520 --> 01:45:03.520
<v Speaker 2>have heard the demos that we just leaked, which you're

2040
01:45:03.600 --> 01:45:07.520
<v Speaker 2>also going to be sharing on your YouTube with lyrics on,

2041
01:45:08.439 --> 01:45:10.800
<v Speaker 2>which will be out now well the same day as

2042
01:45:10.840 --> 01:45:12.439
<v Speaker 2>this video, so go check that out.

2043
01:45:12.560 --> 01:45:14.319
<v Speaker 4>That's the thing I love about Arriety Falls in terms

2044
01:45:14.319 --> 01:45:16.640
<v Speaker 4>of like this more niche aspect of information because like,

2045
01:45:16.680 --> 01:45:19.640
<v Speaker 4>of course everybody talks about the codes and you know,

2046
01:45:19.800 --> 01:45:22.079
<v Speaker 4>the theories about Bill and what's going on there. But

2047
01:45:22.439 --> 01:45:25.159
<v Speaker 4>it's these more lesser talked about aspects of the show

2048
01:45:25.199 --> 01:45:27.800
<v Speaker 4>that I feel are where the great stories are still

2049
01:45:27.840 --> 01:45:29.880
<v Speaker 4>to be told and that's what I love. Like, for example,

2050
01:45:29.960 --> 01:45:32.399
<v Speaker 4>the recent one with the buffalo, like that whole story

2051
01:45:32.600 --> 01:45:37.920
<v Speaker 4>was quite an interesting. Yes, thank you, I'm still surprised

2052
01:45:37.960 --> 01:45:39.279
<v Speaker 4>that all the rabbit hole that was.

2053
01:45:39.399 --> 01:45:41.520
<v Speaker 1>If you want to find more episodes of this podcast,

2054
01:45:41.880 --> 01:45:44.520
<v Speaker 1>head on down to our host network pipe dreampodcast dot com.

2055
01:45:44.960 --> 01:45:47.640
<v Speaker 1>You can also find other shows hosted through them, like

2056
01:45:47.800 --> 01:45:49.760
<v Speaker 1>Escape from Walt Disney, How Did This Not Get Made?

2057
01:45:49.840 --> 01:45:52.720
<v Speaker 1>Come on for Houqua Pods and pod Made You Special.

2058
01:45:52.800 --> 01:45:55.239
<v Speaker 2>There's also a new TikTok account for how Did This

2059
01:45:55.359 --> 01:45:59.159
<v Speaker 2>Not Get Made, which is fantastic, So I highly recommend

2060
01:45:59.199 --> 01:45:59.560
<v Speaker 2>you follow.

2061
01:46:00.119 --> 01:46:01.600
<v Speaker 1>And you can also find you know a bunch of

2062
01:46:01.680 --> 01:46:04.239
<v Speaker 1>links to our social medias. We've got a Twitter and Instagram,

2063
01:46:04.479 --> 01:46:08.520
<v Speaker 1>a Discord server, and our Patreon, Patreon, dot com slash

2064
01:46:08.640 --> 01:46:09.880
<v Speaker 1>mystery Shack, big.

2065
01:46:09.800 --> 01:46:13.239
<v Speaker 2>Big announcement coming up there soon. Stay tuned on this

2066
01:46:13.439 --> 01:46:15.880
<v Speaker 2>feed because a book of Bill might take a bit,

2067
01:46:16.000 --> 01:46:19.560
<v Speaker 2>but there's something in the interim interim and that's tough

2068
01:46:19.600 --> 01:46:21.880
<v Speaker 2>to have a pod. Thank you to Alex Hirsch for

2069
01:46:22.000 --> 01:46:24.279
<v Speaker 2>voicing stand in the Hall of Conspiracies intro. That is

2070
01:46:24.479 --> 01:46:26.760
<v Speaker 2>wild that that is a thing that is in our podcast.

2071
01:46:27.720 --> 01:46:29.880
<v Speaker 2>Thank you to Brian Brian for making the instrumental to

2072
01:46:29.960 --> 01:46:33.479
<v Speaker 2>our theme song. The Hall of Conspiracies theme is Lentil Dentist,

2073
01:46:33.760 --> 01:46:36.680
<v Speaker 2>a remix of our first episode by sim and the

2074
01:46:36.800 --> 01:46:40.520
<v Speaker 2>dimbleb V two hyphen zero. There is a full song

2075
01:46:40.640 --> 01:46:43.279
<v Speaker 2>with lyrics and everything. There's a link to that in

2076
01:46:43.359 --> 01:46:44.319
<v Speaker 2>the description.

2077
01:46:44.279 --> 01:46:47.079
<v Speaker 1>Love that that's stuck. I love that we still used that.

2078
01:46:47.680 --> 01:46:49.319
<v Speaker 1>I mean, I wouldn't want it any other way, but

2079
01:46:49.439 --> 01:46:50.199
<v Speaker 1>it's so funny.

2080
01:46:50.439 --> 01:46:53.319
<v Speaker 2>Adam, thanks for unwetting our whistles so that we could

2081
01:46:53.399 --> 01:46:55.800
<v Speaker 2>then reverse them for use in a song.

2082
01:46:55.720 --> 01:46:57.520
<v Speaker 1>For this podcast. The theme song is actually one that

2083
01:46:57.560 --> 01:47:01.279
<v Speaker 1>I've written. You can find it at Elichazi bandcamp dot com.

2084
01:47:02.159 --> 01:47:04.680
<v Speaker 1>You can also find me at Drawn without ref on

2085
01:47:04.960 --> 01:47:09.600
<v Speaker 1>the social media's We also me and my friend Hope

2086
01:47:09.640 --> 01:47:13.800
<v Speaker 1>Lickner we do another podcast called The Matrix Reclamations where

2087
01:47:13.800 --> 01:47:17.720
<v Speaker 1>we talk all about the Matrix from a transfem perspective.

2088
01:47:18.079 --> 01:47:20.319
<v Speaker 1>I'm not sure if this episode will be out by then,

2089
01:47:20.319 --> 01:47:23.960
<v Speaker 1>but we're gonna have Charlie on our next episode. And

2090
01:47:24.039 --> 01:47:25.880
<v Speaker 1>another thing I got going on that I just wanted

2091
01:47:25.920 --> 01:47:28.640
<v Speaker 1>to plug is that I'm working on a big collaborative

2092
01:47:29.119 --> 01:47:31.840
<v Speaker 1>zine for the fiftieth anniversary of my favorite film, Phantom

2093
01:47:31.840 --> 01:47:35.359
<v Speaker 1>of the Paradise. It's called Not Just Songs, a Anniversary

2094
01:47:35.439 --> 01:47:38.159
<v Speaker 1>Tribute to Phantom of the Paradise or some long winded

2095
01:47:38.199 --> 01:47:40.640
<v Speaker 1>title like that. So I'll just link that in the

2096
01:47:40.680 --> 01:47:44.479
<v Speaker 1>description because that's going to be out on Halloween, up

2097
01:47:44.520 --> 01:47:46.399
<v Speaker 1>for pre order, and you can get it online and

2098
01:47:46.439 --> 01:47:49.119
<v Speaker 1>it's all gonna be going to charity that we're going

2099
01:47:49.199 --> 01:47:52.199
<v Speaker 1>to figure out who it's going to, and stuff of

2100
01:47:52.239 --> 01:47:55.399
<v Speaker 1>that nature. A bunch of artists all collaborating and tribute

2101
01:47:55.399 --> 01:47:58.760
<v Speaker 1>to this weird, freaking movie, So please go check that

2102
01:47:58.840 --> 01:48:02.279
<v Speaker 1>out as well. And my lovely co hosts, what would

2103
01:48:02.359 --> 01:48:03.319
<v Speaker 1>what would y'all like to plug?

2104
01:48:03.479 --> 01:48:06.520
<v Speaker 3>Yes, you can find me as at Shelby Sessler on

2105
01:48:07.279 --> 01:48:13.840
<v Speaker 3>just about every platform, I believe, TikTok, Instagram, Twitter, and

2106
01:48:13.920 --> 01:48:17.239
<v Speaker 3>then I want to plug the epic crossover medley with

2107
01:48:17.319 --> 01:48:20.479
<v Speaker 3>Calamity Music. That's Gravity fallas the Amphibia and owl House.

2108
01:48:21.039 --> 01:48:24.560
<v Speaker 3>It's like an hour and eight minutes of just incredible music.

2109
01:48:24.760 --> 01:48:27.640
<v Speaker 3>So if you haven't heard that, I voiced the Collector

2110
01:48:27.720 --> 01:48:29.720
<v Speaker 3>in it, my friend Timota Sauce is in it, and

2111
01:48:29.800 --> 01:48:31.680
<v Speaker 3>my friend j Foley's in it. It's pretty great.

2112
01:48:31.920 --> 01:48:35.800
<v Speaker 2>I'm Charlie. If you're hearing this, I just hit one

2113
01:48:35.880 --> 01:48:37.479
<v Speaker 2>hundred thousand subscribers.

2114
01:48:38.680 --> 01:48:39.600
<v Speaker 1>People's not nice.

2115
01:48:39.880 --> 01:48:44.920
<v Speaker 2>I'm on YouTube. You can type in Charliemarlow YouTube dot

2116
01:48:44.960 --> 01:48:47.600
<v Speaker 2>com slash Charlie Marlows. That's c h a r l

2117
01:48:47.800 --> 01:48:51.039
<v Speaker 2>e y. It's the feminine spelling M A R l

2118
01:48:51.159 --> 01:48:54.640
<v Speaker 2>O W E. You can remember it's seven letters. Seven letters,

2119
01:48:55.319 --> 01:48:57.680
<v Speaker 2>so if there's not seven letters, you did something wrong

2120
01:48:59.000 --> 01:49:02.520
<v Speaker 2>and you should be ashamed. Or you could look up

2121
01:49:02.960 --> 01:49:08.359
<v Speaker 2>Charlie the Pirate Vedy on YouTube. That's they and then

2122
01:49:08.399 --> 01:49:11.239
<v Speaker 2>a d y like lady. And if you spell my

2123
01:49:11.359 --> 01:49:13.680
<v Speaker 2>name wrong, YouTube will still bring you to my channel.

2124
01:49:13.920 --> 01:49:15.840
<v Speaker 2>As a matter of fact, my name is spelled wrong

2125
01:49:16.359 --> 01:49:19.800
<v Speaker 2>is an autocomplete for when you type in that. I

2126
01:49:20.119 --> 01:49:23.119
<v Speaker 2>do a bunch of gravity Falls content with a wonderful

2127
01:49:23.199 --> 01:49:27.560
<v Speaker 2>director named Shelby Secler. I am working on an entire

2128
01:49:27.920 --> 01:49:31.479
<v Speaker 2>audio book of the Book of Bill that's gonna take

2129
01:49:31.560 --> 01:49:34.199
<v Speaker 2>I don't know, probably like an eternity.

2130
01:49:34.279 --> 01:49:37.880
<v Speaker 3>I think, yeah, maybe just one attorney. Maybe if we're lucky,

2131
01:49:37.920 --> 01:49:41.199
<v Speaker 3>it'll take half an eternity, but I'm banking on one attorney.

2132
01:49:41.560 --> 01:49:45.640
<v Speaker 2>My current estimate is a year, but I have a

2133
01:49:45.720 --> 01:49:48.840
<v Speaker 2>couple of previews of that up. I also have a

2134
01:49:49.199 --> 01:49:54.640
<v Speaker 2>stupid little passion project that is not gonna ever make headlines,

2135
01:49:54.760 --> 01:49:57.960
<v Speaker 2>but is the quickest way to get to know me

2136
01:49:58.000 --> 01:50:00.800
<v Speaker 2>as a person. It is called Well a Me Princess,

2137
01:50:00.880 --> 01:50:03.399
<v Speaker 2>and as the title implies, it is an abridged series

2138
01:50:04.199 --> 01:50:07.399
<v Speaker 2>of the Zelda cartoon and it is also an act

2139
01:50:07.520 --> 01:50:11.800
<v Speaker 2>of gender expression. I voice the they them non binary

2140
01:50:11.920 --> 01:50:16.479
<v Speaker 2>link and the transfem Zelda of my first female role,

2141
01:50:16.600 --> 01:50:18.960
<v Speaker 2>which I was super nervous about. Ella helps write it.

2142
01:50:19.680 --> 01:50:23.479
<v Speaker 2>Shelby voices at least two major characters in it. It's

2143
01:50:24.520 --> 01:50:28.520
<v Speaker 2>my pride and joy and bread and butter.

2144
01:50:28.640 --> 01:50:32.399
<v Speaker 1>Charlie and Shelby. Actually, would I know we you know,

2145
01:50:32.479 --> 01:50:34.680
<v Speaker 1>we got down here in the Hall of conspiracies. If

2146
01:50:34.720 --> 01:50:37.199
<v Speaker 1>you're actually able to just walk HK out, I can.

2147
01:50:37.319 --> 01:50:39.039
<v Speaker 1>I can just stay here in front of the microphone

2148
01:50:39.039 --> 01:50:41.119
<v Speaker 1>and play the normal outro song right in front of

2149
01:50:41.159 --> 01:50:42.119
<v Speaker 1>I have Mike leilely herol.

2150
01:50:42.239 --> 01:50:43.000
<v Speaker 3>Okay, see you later.

2151
01:50:43.199 --> 01:50:45.520
<v Speaker 1>Thanks, thanks you all, thanks HK, thanks for coming. All right,

2152
01:50:45.560 --> 01:50:49.560
<v Speaker 1>see you thanks all right. Right now they're gone, and

2153
01:50:49.920 --> 01:51:13.000
<v Speaker 1>I can play one of the classics Boo seven and

2154
01:51:13.119 --> 01:51:17.720
<v Speaker 1>nineties the night all right, time to groove till the

2155
01:51:17.840 --> 01:51:24.359
<v Speaker 1>morning lights, your bell, bottoms on, your hair on furls.

2156
01:51:25.199 --> 01:51:31.000
<v Speaker 1>You are the disco girl. Everyone gas when you hit

2157
01:51:31.159 --> 01:51:36.439
<v Speaker 1>the scene. Who she people saying, oor funky queen. It's

2158
01:51:36.600 --> 01:51:43.720
<v Speaker 1>me spinning around like a disco ball. Who's the honey,

2159
01:51:44.079 --> 01:51:50.039
<v Speaker 1>Who's got it all? Disco girl coming through?

2160
01:51:51.000 --> 01:51:52.159
<v Speaker 3>That girl is you.

2161
01:51:55.920 --> 01:52:01.239
<v Speaker 1>It's the year nineteen seventy two, and that girl is you.

2162
01:52:05.000 --> 01:52:11.000
<v Speaker 1>You can sing, you can Shamer loves on the menu

2163
01:52:11.359 --> 01:52:15.000
<v Speaker 1>and discos for den at Disco.

2164
01:52:14.840 --> 01:52:25.319
<v Speaker 5>Girl coming through. That girl is you, She's got sa from.

2165
01:52:25.319 --> 01:52:31.680
<v Speaker 1>Milesand and my house Disco will outlast on musical styles.

2166
01:52:32.079 --> 01:52:37.439
<v Speaker 5>Disco girl so wild and true. That girl is you

2167
01:52:40.119 --> 01:52:44.520
<v Speaker 5>boo strutting down the abb and new.

2168
01:52:45.520 --> 01:52:53.840
<v Speaker 1>That girl is you are your revision application, his under review,

2169
01:52:54.479 --> 01:52:55.960
<v Speaker 1>and that girl is You?

2170
01:53:00.840 --> 01:53:03.039
<v Speaker 3>So much to do to get ready for the big ja.

2171
01:53:03.880 --> 01:53:07.760
<v Speaker 20>I can't believe you're agreed to take my friend in marriage.

2172
01:53:08.199 --> 01:53:10.760
<v Speaker 10>I can't believe it's already been ten years since you

2173
01:53:10.840 --> 01:53:13.439
<v Speaker 10>met on that cliff outside Handwich.

2174
01:53:13.079 --> 01:53:16.680
<v Speaker 20>And a lifetime to go. I'm named flattered hiker with

2175
01:53:16.840 --> 01:53:20.680
<v Speaker 20>nice but well for you, I'm pretty sure I'm like

2176
01:53:21.199 --> 01:53:24.359
<v Speaker 20>immortal or something. It's gotta suck for.

2177
01:53:24.439 --> 01:53:26.760
<v Speaker 5>Me in like fifty years anyway.

2178
01:53:27.039 --> 01:53:28.000
<v Speaker 3>I want to make sure.

2179
01:53:27.880 --> 01:53:30.479
<v Speaker 20>I'm not forgetting any necessary wedding invites.

2180
01:53:30.880 --> 01:53:32.600
<v Speaker 3>Can we read off our guest list?

2181
01:53:33.039 --> 01:53:34.960
<v Speaker 11>I found a list of names.

2182
01:53:35.279 --> 01:53:36.359
<v Speaker 2>That's probably it, right.

2183
01:53:36.600 --> 01:53:38.359
<v Speaker 3>I can't imagine what else he could be.

2184
01:53:38.840 --> 01:53:41.880
<v Speaker 18>All right, very but a monkey.

2185
01:53:41.920 --> 01:53:46.760
<v Speaker 20>Said Chris Saskia Diiff Sykes, op Trick's Age of Elijah,

2186
01:53:47.159 --> 01:53:51.039
<v Speaker 20>Samantha anglic Easy snake of it. I see what they

2187
01:53:51.119 --> 01:53:56.039
<v Speaker 20>did there, Karma Rich Roll, Sidon, Jesse, Marie Joggle.

2188
01:53:55.920 --> 01:53:57.479
<v Speaker 10>Adam with two Eggs.

2189
01:53:57.800 --> 01:54:02.079
<v Speaker 11>A D and that, Delphine Dussi, vanilaan Zucker, Oh Davis,

2190
01:54:02.359 --> 01:54:03.760
<v Speaker 11>Elizabeth Newan.

2191
01:54:03.560 --> 01:54:07.359
<v Speaker 20>Felt, Matina Dean Wombletina.

2192
01:54:06.800 --> 01:54:07.800
<v Speaker 11>Elizabeth Clark.

2193
01:54:08.239 --> 01:54:10.920
<v Speaker 2>That's two, Elizabeth, Jamie Brownce.

2194
01:54:11.000 --> 01:54:16.640
<v Speaker 11>Richard Scanlon, Joseph Jones, Christy Overton, Junior bra pd Piranha

2195
01:54:16.760 --> 01:54:22.880
<v Speaker 11>Plant Hey, Daddy Driftwood, Daddy buttons went right, David, cancel

2196
01:54:23.119 --> 01:54:28.199
<v Speaker 11>your sellin Friendly Local Geek, what more ing Miss Zendrica,

2197
01:54:28.439 --> 01:54:31.680
<v Speaker 11>Ryan Stamer, Spencer, Neil Campbell.

2198
01:54:31.560 --> 01:54:36.399
<v Speaker 20>Wrights, Lavender and Josh Sky Don't now it's all that's

2199
01:54:36.439 --> 01:54:37.279
<v Speaker 20>so ridiculous.

2200
01:54:37.640 --> 01:54:40.720
<v Speaker 10>Oh wait, my bad. This isn't our guest list. This

2201
01:54:40.920 --> 01:54:43.159
<v Speaker 10>is the people who pledge to Mystery Shack look back

2202
01:54:43.239 --> 01:54:44.039
<v Speaker 10>on Patrioch.

2203
01:54:44.279 --> 01:54:46.880
<v Speaker 3>Yeah, no, us make extra work for ourselves.

2204
01:54:47.279 --> 01:54:50.520
<v Speaker 20>Let's just invite the ball anyway. They sound delightful.

2205
01:54:50.760 --> 01:54:54.079
<v Speaker 10>Score your seat at our reception at patreon dot com.

2206
01:54:54.279 --> 01:54:55.760
<v Speaker 2>Slash mystery Shack

2207
01:55:01.119 --> 01:55:02.279
<v Speaker 17>As a
