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<v Speaker 1>Ah, Yes, you're listening to The bened Skin Show ninety

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<v Speaker 1>seven point one The Eagle. Thanks for rolling with us today.

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<v Speaker 1>We are celebrating Kat's birthday today and having a good time.

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<v Speaker 1>This segment right here is brought to you by Andrew's

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<v Speaker 1>American Pizza Kitchen. Only one location in town. It's in

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<v Speaker 1>Plano Preston and Plano Parkway. But it's so good it's

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<v Speaker 1>got the whole metroplex buzzin. In fact, Dallas Morning newsreaders

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<v Speaker 1>voted it the best pizzeria in DFW and the Dallas

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<v Speaker 1>Morning News Reader's Choice Awards, So that speaks volumes Andrew's

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<v Speaker 1>American Pizza Kitchen. They got Dallas style, they've got Chicago style,

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<v Speaker 1>Detroit style, Tavern style, New York style, and they've mastered

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<v Speaker 1>them all.

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<v Speaker 2>They also have an awesome bar.

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<v Speaker 1>Great to get pizza to go when you leave, take

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<v Speaker 1>it home and joined it heats up nicely. Everybody is

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<v Speaker 1>talking about this one pizza joint in town, Andrew's American

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<v Speaker 1>Pizza Kitchen in Plano. But with no further ado, I'll

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<v Speaker 1>hand it off to the birthday Boy.

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<v Speaker 2>Thank you very much.

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<v Speaker 3>Ben.

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<v Speaker 4>There's a new documentary series on Peacock it's four episodes.

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<v Speaker 4>It's cald SNL fifty and it's really it's less than

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<v Speaker 4>a document worry about the entire show is it is

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<v Speaker 4>a separate thing. So the first episode is about the

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<v Speaker 4>five minute auditions that people have in front of Lorn

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<v Speaker 4>and his assistance and kind of them watching it back

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<v Speaker 4>and reliving it, and it's very crazy and it's hidden

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<v Speaker 4>footage no one's ever seen.

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<v Speaker 2>The second how long is it? About an hour? Each

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<v Speaker 2>episode is about an hour, gotcha.

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<v Speaker 4>The second one is focusing in on the writers and

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<v Speaker 4>it's just a week in the life on that show,

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<v Speaker 4>and it is it's unbelievable. I mean, that show is

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<v Speaker 4>not for everyone. It's clearly very stupid. The hours and

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<v Speaker 4>the third one is about looking into the history of

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<v Speaker 4>the cow Bells sketch and I don't know how they

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<v Speaker 4>decided that was the one they were going to do

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<v Speaker 4>a full documentary on, but they did, and it's so good.

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<v Speaker 2>I thought you guys would love it.

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<v Speaker 4>So you're saying this particular doc about just as sketches

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<v Speaker 4>like an hour long?

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<v Speaker 2>Yes? Wow.

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<v Speaker 4>So the fourth episode I haven't seen yet is about

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<v Speaker 4>season eleven, which was when Lorn came back. So Lauren

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<v Speaker 4>left the show for a while. The show got bad,

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<v Speaker 4>and Lauren came back and saved it from Dick eversol. Yes,

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<v Speaker 4>so like, I haven't got there yet, and I'm sure

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<v Speaker 4>it's great. The first two are great, but this one

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<v Speaker 4>is one. I thought this will translate to radio really well,

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<v Speaker 4>and I think you guys will love it. I also

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<v Speaker 4>want to well, I want to play you the first

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<v Speaker 4>clip first and then I'll set something up because I

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<v Speaker 4>think everyone knows the sketch. If you don't, it's hard

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<v Speaker 4>to believe anyone would not know what it is, right.

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<v Speaker 4>I think that's why they chose that yeah documentary, because

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<v Speaker 4>it's referenced all the time. Yeah, it happened in April

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<v Speaker 4>of two thousand and here's Will Ferrell describing, you know,

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<v Speaker 4>his idea. Will Ferrell joined the show in nineteen ninety five,

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<v Speaker 4>but here's him describing how he got the idea to

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<v Speaker 4>do the sketch.

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<v Speaker 5>I remember listening to that song as a kid in

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<v Speaker 5>the car.

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<v Speaker 6>It's a great song and I loved the song first,

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<v Speaker 6>and then I heard the cowbell second. It's the perfect

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<v Speaker 6>calibration of loud enough but not too loud.

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<v Speaker 5>Don't listen to me but I'm playing the cowbell here,

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<v Speaker 5>and I ain't had the thought even as a kid,

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<v Speaker 5>what is the life of the guy playing the cowbell?

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<v Speaker 4>As he was in high school, you know when he

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<v Speaker 4>thought of this idea, and then eventually as he started

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<v Speaker 4>doing like some sketch comedy in college, he added it

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<v Speaker 4>to is his room, he had a you know, what's

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<v Speaker 4>the board where you'd pin you know, little notes on it.

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<v Speaker 2>What they call this dream board? Back up?

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<v Speaker 4>Yeah, I don't know what they call it. You get

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<v Speaker 4>a thumb vision board. We were just talking about a

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<v Speaker 4>bulletin boarder bulletin board.

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<v Speaker 2>That's the idea. Is bulletin board. We're not talking about

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<v Speaker 2>the Oprah. Yeah, Will aspire to have.

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<v Speaker 4>So he added that, and then eventually once he got

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<v Speaker 4>on SNL, he sat down and wrote it. Now you're

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<v Speaker 4>going to learn more about that in a second. This

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<v Speaker 4>is what really got me jumping off the couch last night. Look,

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<v Speaker 4>we've known the Frankeles for a long time, Mark and

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<v Speaker 4>Scott Frankel and Jean Burkett, right, and Frank Frankel and Frank.

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<v Speaker 4>But the character that Will Ferrell is playing in the

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<v Speaker 4>sketch where he's beating the Cowal. The guy's name is

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<v Speaker 4>Gene Frankel. What, Yes, did I not know that? And

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<v Speaker 4>I didn't know that either, So listen to the genesis

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<v Speaker 4>of this.

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<v Speaker 5>So who is the cow bell genius that inspired Will's

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<v Speaker 5>leap of fame seventies rock legend Gene Franklin. I'm Jane

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<v Speaker 5>Frankel anyway, Gene Frankel's totally made up.

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<v Speaker 7>Oh, Gene is fictional.

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<v Speaker 2>What are you talking about?

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<v Speaker 4>Are you lying to me? I should have done my homework.

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<v Speaker 4>It's Chris Catan. He didn't know Jeene Frankles totally made

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<v Speaker 4>up name.

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<v Speaker 2>Uh.

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<v Speaker 4>The guy in the documentary that plays Gene Frankel. The

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<v Speaker 4>actual guy is Chad Smith of the Red Hot Chili Peppers,

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<v Speaker 4>the drummer who looks a lot like Will Ferrell.

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<v Speaker 1>That's great.

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<v Speaker 4>So I thought of Jean Burkett and her buddy's the

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<v Speaker 4>Frankles pretty much the entire time I was watching this.

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<v Speaker 4>Now when they write this sketch up? He wrote it

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<v Speaker 4>in October of ninety nine. Okay, it didn't air till

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<v Speaker 4>April of two thousand. October ninet nine, he wrote it.

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<v Speaker 4>Norm MacDonald was the host, okay, of the show. It's

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<v Speaker 4>like I think normally great to play the Christopher Walken

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<v Speaker 4>role that we know it now, and that character is

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<v Speaker 4>Bruce Dickinson, right.

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<v Speaker 2>Bruce Dickinson.

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<v Speaker 4>You will learn more about Bruce Dicketson in a minute,

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<v Speaker 4>because it's not your guy from Iron Maiden, right, right.

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<v Speaker 4>So you write it and then it goes to table

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<v Speaker 4>read on Wednesday in front of the entire staff, a

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<v Speaker 4>huge room, and they read forty sketches. And here's the

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<v Speaker 4>genius of Will Ferrell though during the table and here's

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<v Speaker 4>what he wrote in it.

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<v Speaker 5>Norm MacDonald had come back to host. That's when I

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<v Speaker 5>wrote the sketch initially, and Norm was playing the producer character.

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<v Speaker 1>The way the table read works, long, huge table and

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<v Speaker 1>everyone's got scripts in front of them.

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<v Speaker 8>We would read anywhere from thirty five to forty sketches,

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<v Speaker 8>and anywhere from eight to twelve would get picked.

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<v Speaker 7>So the name of the sketch, which I did know,

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<v Speaker 7>is called recording session.

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<v Speaker 8>He didn't want to lead the joke, so I'm sure

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<v Speaker 8>he wasn't going to put cow Bell sketch, so you

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<v Speaker 8>knew cal Bell was coming.

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<v Speaker 4>Lorne Michaels reached the stage. Directions cut to interiors studio

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<v Speaker 4>at the drums, ratio with bass, Parnell's lead singer with guitar,

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<v Speaker 4>catad with guitar, Will with woodblock.

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<v Speaker 7>Huh interesting. I had no idea it was written in

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<v Speaker 7>as woodblock.

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<v Speaker 2>I gotta have more woodblock, woodblock.

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<v Speaker 7>I don't think it rolls off the tongue. Yeah, I

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<v Speaker 7>just wouldn't work.

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<v Speaker 6>We would not be talking about the sketch today if

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<v Speaker 6>it was Christopher Walk and saying I need more woodblock.

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<v Speaker 2>It has never written as Cowbell who.

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<v Speaker 1>Wrote Sol wrote it wood block?

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<v Speaker 7>Wow?

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<v Speaker 2>Now he not know what a cow bell sounded like.

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<v Speaker 4>I think he did, And I think this is where

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<v Speaker 4>it gets a little unclear, as if he did that

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<v Speaker 4>on purpose. So cow Bell is not the joke in

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<v Speaker 4>the room, and then you'll find out that it doesn't

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<v Speaker 4>make that episode.

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<v Speaker 2>So he's like, okay, throws it in the drawer and

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<v Speaker 2>we'll get it out later.

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<v Speaker 4>So I'm wondering if he just wrote it like that

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<v Speaker 4>to hide it, or if he really was going with woodblock.

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<v Speaker 4>You'll find out he rewrites it clearly. But this is

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<v Speaker 4>what I did not know about that night, the Christopher

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<v Speaker 4>Walking episode. What do you think outside of that Christopher Walking?

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<v Speaker 4>You remember the Foo Fighters meme. It's that episode. It's

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<v Speaker 4>that same episode, and they have the because this is

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<v Speaker 4>all archived footage that no one's ever seen, because Lauren's

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<v Speaker 4>never really gave it all out. You see them talking

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<v Speaker 4>the food Fighters at Christopher Walking talking and you hear

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<v Speaker 4>what Dave Grohl did to Christopher Walking before they're ever

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<v Speaker 4>alive on the air.

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<v Speaker 5>And Norm was funny and everything like that. But just

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<v Speaker 5>as it goes that that week there was it just

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<v Speaker 5>wasn't picked. So it was shelved for two or three months.

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<v Speaker 5>I remember thinking, oh, it's a little too weird for

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<v Speaker 5>the room. I'll just hold on to it. Maybe they'll

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<v Speaker 5>be a better fit. When Christopher Walking came back, I

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<v Speaker 5>rewrote it with Walking in mind.

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<v Speaker 7>We got to meet him for the first time that

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<v Speaker 7>Saturday Night Live musical guest.

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<v Speaker 4>Fighter.

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<v Speaker 3>Before introducing the band, he asked me if the accent

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<v Speaker 3>was on Foo or Fighters.

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<v Speaker 9>It's the emphasis who cool fighters with cool fighters?

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<v Speaker 7>I said, I think for Fighters.

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<v Speaker 3>And so We're standing there on the stage as we

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<v Speaker 3>were about to go to air, and I'm like.

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<v Speaker 7>He's gonna do it, He's gonna do it, He's gonna

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<v Speaker 7>do it. Pin drop silence, and he says Ladies and Gentlemen.

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<v Speaker 9>Ladies and Gentlemen Fighters.

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<v Speaker 7>They did it as a joke.

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<v Speaker 2>It's so funny.

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<v Speaker 4>No, it was Dave Grohl did it to two yeah,

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<v Speaker 4>and it's like it shows Dave Grole like they're standing

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<v Speaker 4>on the stage like they're cutting promos or something and

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<v Speaker 4>what's the excellent So.

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<v Speaker 2>That's amazing that that happened.

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<v Speaker 4>But it's also pretty perfect that that sketch not only

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<v Speaker 4>ended up with Christopher walking, but the only other band

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<v Speaker 4>I can think of that would appreciate the sketch more

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<v Speaker 4>than the Foo Fighters is Tenacious d right with like

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<v Speaker 4>their love of classic rock and all those stories.

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<v Speaker 2>Like it's so perfect that they were the band that.

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<v Speaker 4>So featured in this documentary heavily is Josh home of

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<v Speaker 4>Queens of the Stone Age?

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<v Speaker 2>Is that right?

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<v Speaker 4>Because when they were on Satay Night, I Will Ferrell

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<v Speaker 4>came out and started playing cow bell with him. Amazing,

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<v Speaker 4>but he's no one knows, is that what they think?

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<v Speaker 4>So it might have been that a little sister is

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<v Speaker 4>one of those. So this is where this has been

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<v Speaker 4>the last one for this segment. Then we'll carry it

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<v Speaker 4>over because they have the eight o'clock dress rehearsal. So

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<v Speaker 4>this sketch is written, but no one knows you've done

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<v Speaker 4>at a table read. You can't fully act it out

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<v Speaker 4>around a conference table in front of all those people.

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<v Speaker 4>And a big part no way of knowing. Yeah, and

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<v Speaker 4>a big part two. And this kind of happens with

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<v Speaker 4>a lot of Will Ferrell's stuff. But a big part

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<v Speaker 4>of the funniness is just the dumb look on his face. Yeah,

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<v Speaker 4>but like the eagerness of his body language is really

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<v Speaker 4>like the main part of the funny. It's Christopher Walkins's

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<v Speaker 4>voice saying that dumb thing.

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<v Speaker 1>And then and the proximity, the physical humor because he

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<v Speaker 1>puts his body so close to you and it's like

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<v Speaker 1>spacing issues and yeah, it's just so eager.

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<v Speaker 2>And I think there's also this element of that show.

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<v Speaker 4>And we did this sometimes here like okay, I got

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<v Speaker 4>some here about don't don't click it, don't click on

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<v Speaker 4>the lake or don't see it, don't you react to

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<v Speaker 4>it live on the air.

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<v Speaker 2>Right, we're all.

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<v Speaker 4>Week you're writing the sketch, but you still want to

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<v Speaker 4>hide something. So here's the dress rehearsal. How that went down.

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<v Speaker 7>Eight o'clock.

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<v Speaker 5>You began a two hour dress rehearsal.

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<v Speaker 8>It's do or die for the writers and the cast members,

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<v Speaker 8>because if the sketch doesn't go well in dress, you're screwed.

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<v Speaker 7>It gets cut.

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<v Speaker 9>All right, guys, I think we're ready to lay this

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<v Speaker 9>first track down. By the way, my name is Bruce Dickinson, Yes,

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<v Speaker 9>Bruce Dickinson, And I got to tell you, fellas, you've

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<v Speaker 9>got what appears to be a dynamite sound.

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<v Speaker 7>Everything wasn't as heightened as it was in the air show.

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<v Speaker 2>I was surprised of how low key.

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<v Speaker 5>He was playing it.

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<v Speaker 7>He wasn't bringing the full walk into it.

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<v Speaker 5>He doesn't do full walking, and I don't think I'm

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<v Speaker 5>as physical at the.

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<v Speaker 3>Time, I don't think anyone had any faith that that

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<v Speaker 3>sketch would air.

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<v Speaker 5>Not to mention, the sketch played in the corner of

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<v Speaker 5>the studio that we would affectionately call can.

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<v Speaker 8>Alley, it was actually doomed from where they put it

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<v Speaker 8>on the floor.

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<v Speaker 4>And I've heard Dana Carvey say this up and they

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<v Speaker 4>show you very well on this documentary the layout of

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<v Speaker 4>the studio, what goes into the architecture of creating these

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<v Speaker 4>sets and painting and all that stuff that goes into it.

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<v Speaker 4>But there's home base where the monologue is, and the

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<v Speaker 4>first sketch is usually not on home base, it's on

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<v Speaker 4>the other side. And they went to s cannaley for this,

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<v Speaker 4>so they're like, we're not getting on, Like we're in

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<v Speaker 4>the corner. The audience can barely see us, so you

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<v Speaker 4>can't get a good applause. So they're not thinking that

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<v Speaker 4>it's going to make the show. But I'll tell you

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<v Speaker 4>next if it did or not.

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<v Speaker 2>Oh that's juicy, all right.

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<v Speaker 1>Deep dive into one of the greatest SNL sketches of

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<v Speaker 1>all time from the birthday Boy Kevin Turner.

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<v Speaker 2>Coming up next.

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<v Speaker 7>Part two of that