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Speaker 1: Chapter eleven, the emotions. As we have seen in the

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preceding lessons, an emotion is the more complex phase of feeling.

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As a rule, an emotion arises from a number of feelings. Moreover,

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it is of a higher order of mental activity. As

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we have seen, a feeling may arise either from a

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physical sensation or from an idea. Emotion, however, as a rule,

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is dependent upon an idea for its expression, and always

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upon an idea for its direction and its continuance. Feeling,

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of course, is the elemental spirit of all emotional states, and,

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as an authority has said, is the thread upon which

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the emotional states are strung. Halleck says, when representative ideas appear,

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the feeling in combination with them produces emotion. After the

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waters of the Missouri combined with another stream, they receive

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a different name, although they flow toward the gulf in

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as great volume as before. Suppose we liken the feeling

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due to sensation to the Missouri River, the train of

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representative ideas to the Mississippi before its junction with the Missouri.

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Emotion may then be likened to the Mississippi after its junction.

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After feeling has combined with representative ideas, The emotional stream

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will not be broader and deeper than before. This analogy

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is employed only to make the distinction clearer. The student

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must remember that mental powers are never actually as distinct

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as two rivers before their union. The student must beware

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of thinking that we have done with feeling when we

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consider emotion. Just as the waters of the Missouri flow

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on until they reach the gulf, so does feeling run

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through every emotional state in the above analogy. The term

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representative ideas, of course, means the ideas of memory and imagination.

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As explained in previous chapters, there is a close relation

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between emotion and a physical expression. Thereof a peculiar mutual

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action and reaction between a mental state and the physical

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action accompanying it. Psychologists are divided regarding this relation. One

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school holds that the physical expression follows and results from

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the mental state. For instance, we hear or see something

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and thereupon experience the feeling or emotion of anger. This

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emotional feeling reacts upon the body and causes an increased

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heart beat, a tight closing of the lips of frown

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and lowered eyebrows and clenched fists. Or we may perceive

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something which causes the feeling or emotion of fear, which

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reacts upon the body and produces pallor raising of the hair,

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dropping of the jaw, opening of the eyelids, trembling of

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the legs, et cetera. According to this skirl and the

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popular idea, the mental state precedes and causes the physical expression.

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But another school of psychology, of which the late Professor

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William James is a leading authority, holds the physical expression

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precedes and causes the mental state. For instance, in the

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cases above cited, the perception of the anger causing or

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fear causing sight first causes a reflex action upon the muscles.

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According to inherited race habits of expression, this muscular expression

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and activity in turn is held to react upon the

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mind and to cause the feeling or emotion of anger

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or fear, as the case may be. Professor James, in

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some of his works, makes a forcible argument in support

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of this theory, and his opinions have influenced the scientific

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thought of the day upon this subject. Others, however, have

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sought to combat his theory but equally forced argument, and

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the subject is still under lively and spirited discussion in

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psychological circles. Without taking sides in the above controversy, Many

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psychologists proceed upon the hypothesis that there is a mutual

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action and reaction between emotional mental states and the appropriate

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physical expression thereof, each in a measure being the cause

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of the other, and each likewise being the effect of

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the other. For instance, in the cases above cited, the

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perception of the anger producing or fear producing sight causes

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almost or quite simultaneously the emotional mental state of anger

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or fear, as the case may be, and the physical

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expression thereof then rapidly ensues a series of mental and

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physical reactions. The mental state acts upon the physical expression

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and intensifies it. The physical expression, in turn, reacts upon

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the mental state and induces a more intense degree of

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the emotional feeling, and so on, until a mental state

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and physical expression reach their highest point and then begin

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to subside from exhaustion of energy. This middle ground conception

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meets all the requirements of the facts, and is probably

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more nearly correct than either extreme theory. Darwin, in his

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classic work The Expression of the Emotions in Man and Animals,

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has thrown a great light on the subject of the

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expression of emotion in physical motions. The Florentine scientist Paolo

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Mantegazza added to Darwin's work with ideas of his own

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and countless examples drawn from his own experience and observation.

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The work of Froissvare del Sart, the founder of the

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school of expression which bears his name, is also a

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most valuable addition to the thought on this subject. The

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subject of the relation and reaction between emotional feeling and

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physical expression is a most fascinating one and one in

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which we may expect interesting and valuable discoveries during the

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next twenty years. The relation and reaction above mentioned are

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interesting not only from a viewpoint of theory, but also

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because of their practicable application in emotional development and training.

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It is an established truth of psychology that each physical

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expression of an emotional state serves to intensify the latter.

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It is pouring oil on the fire. Likewise, it is

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equally true that the repression of the physical expression of

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an emotion tends to restrain and inhibit the emotion itself.

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Halleck says, if you watch a person grow angry, we

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shall see the emotion increase as he talks loud, frowns,

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deeply clenches his fist and gesticulates wildly. Each expression of

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his passion is reflected back upon the original anger and

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adds fuel to the fire. If he resolutely inhibits the

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muscular expressions of his liay anger, it will not attain

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great intensity, and it will soon die a quiet death.

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Not without reason are those persons called cold blooded, who

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habitually restrain as far as possible, the expression of their emotion,

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who never frown or throw any feeling into their tones.

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Even when a wrong inflicted upon someone demands aggressive measures,

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there is here no way of bodily expression to flow

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back and augment the emotional state. In this connection, we

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call your attention to the familiar and oft quoted passage

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from the works of Professor William James. Refuse to express

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a passion and it dies count ten before venting your

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anger and its occasion seems ridiculous. Wishing to keep up

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courage is no mere figure of speech. On the other hand,

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sit all day in a moping posture, sigh and reply

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to everything with a dismal voice, and your melancholy lingers.

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There is no more valuable precept in moral education than this,

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As all who have experience know if we wish to

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conquer undesirable emotional tendencies in ourselves, we must assiduously, and

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in the first instance, cold bloodedly, go through the outward

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movements of those contrary dispositions which we prefer to cultivate.

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Smooth the brow, brighten the eye, contract the dorsal rather

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than the ventral aspect of the frame, and speak in

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a major key. And your heart must be frigid, indeed,

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if it does not gradually thaw. Along the same lines,

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Haleck says, actors are frequently testified to the fact that

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emotion will arise if they go through the appropriate muscular

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movements in talking to a character on the stage, If

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they clench the fists and frown, they often find themselves

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becoming really angry. If they start with counterfeit laughter, they

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find themselves growing cheerful. A German professor says that he

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cannot walk with a schoolgirl's mincing step and air without

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feeling frivolous. The wise student will acquire a great control

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over his emotional nature if he will re read and

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study the above statements and quotations until he has grasped

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their spirit and essence. In those few lines. He has

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given a philosophy of self control and self mastery that

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will be worth much to him if he will but

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apply it in practice. Patience, perseverance, practice and will are required.

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But the reward is great. Even to those who have

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not the persistency to apply this truth fully. There will

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be a partial reward if they will use it to

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the extent of restraining so far as possible, any undue

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physical expression of undesirable emotional excitement. Some writers seem to

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regard capacity for great emotional excitement and expression as a

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mark of a rich and full character, noble soul. This

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is far from being true. While it is a fact

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that the cultivation of certain emotions tends to create a

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noble character and a full life, it is equally true

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that the tendency to gush and indulge in hysterical or

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sentimental excesses is a mark of an ill controlled nature

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and a weak rather than strong character. Moreover, it is

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a fact that excess in emotional excitement in expression tends

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toward the dissipation of the finer and nobler feelings which

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otherwise would seek an outlet in actual doing and practical action.

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In the language of the old Scotch engineer. In the story,

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they are like the old locomotive, which so much steam

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of the whistle that she has neh Degerebay. Emotional excitement

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and expression are largely dependent upon habit and indulgence, Although

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there is a great difference, of course, in the emotional

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nature and tendencies of various persons. Emotions, like physical actions

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or intellectual processes, become habitual by repetition, and habit renders

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all physical or mental actions easy of repetition. Each time

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one manifests anger, the deeper the mental path is made,

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and the easier it is to travel that path the

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next time. In the same way, each time that anger

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is conquered and inhibited, the easier will it be to

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restrain it the next time. In the same way, desirable

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habits of emotion and expression may be formed. Another point

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in the cultivation, training, and restraint of the emotions is

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that which has to do with the control of the

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ideas which we allow to come into the mind. Idea

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of habits may be formed are formed, in fact by

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the majority of persons. We may cultivate the habit of

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looking on the bright side of things, of looking for

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the best in those we meet of expecting the best

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things instead of the worst. By resolutely refusing to give

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welcome to ideas calculated to arouse certain emotions, feelings, passions, desires, sentiments,

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or similar mental states, we may do much to prevent

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the arousing the emotion itself. Emotions usually are called forth

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by some idea, and if we shut out the idea,

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we may prevent the emotional feeling from appearing. In this connection,

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the universal rule of psychology may be applied. A mental

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state may be inhibited or restrained by turning the attention

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to the opposite mental state. The control of the attention

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is really the control of every mental state. We may

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use the will in the direction of the control of

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the attention, the development and direction of voluntary attention, and

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thus actually control every phase of mental activity. The will

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is nearest to the ego or central being of man.

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The attention is the chief tool and instrument of the will.

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This fact cannot be repeated too often. If it is

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impressed upon the mind, it will prove to be useful

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and valuable in many emergencies of mental life. He who

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controls his attention controls his mind, and in controlling his mind,

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controls himself end of chapter eleven. Chapter twelve, The instinctive Emotions.

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Many attempts to classify the emotions have been made by

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the psychologists, but the best authorities hold that, beyond the

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purpose of ordinary convenience in considering the subject, any classification

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is scientifically useless by reason of its incompleteness. As James

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cleverly puts it, any classification of the emotions is seen

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to be as true and as natural as any other

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if it only serves some purpose. The difficulty attending the

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attempt to classification arises from the fact that every emotion

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is more or less complex, and is made up of

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various feelings and shades of emotional excitement. Each emotion blends

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into others. Just as a few elements of matter may

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be grouped into hundreds of thousands of combinations, so the

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elements of feeling may be grouped into thousands of shades

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of emotion. It is said that the two elements of

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carbon and hydrogen form combinations, resulting in five thousand varieties

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of material substance, from anthracite to marsh gas, from black

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coke to colorless naphther. The same thing may be said

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of the emotional combinations formed from two principal elements of feeling. Moreover,

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the close distinction between sensation and feeling on the one hand,

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between feeling and emotion on the other, serves to further

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complicate the task. For the purposes of our consideration, let

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us divide the emotions into five general classes as follows.

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One instinctive emotions, two social emotions, three religious emotions, four

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esthetic emotions, five intellectual emotions. Which wall now consider each

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of the above five classes in turn instinctive emotions. Instinct

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is defined as unconscious, involuntary, or unreasoning prompting to any action,

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or the natural, unreasoning impulse by which an animal is

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regarded to the performance of any action without thought of

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improving the method. An authority says, instinct is a natural

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impulse leading animals, even prior to all experience, and to

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perform certain actions tending to the welfare of the individual

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or the perpetuation of the species, apparently without understanding the

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object at which they may be supposed to aim, or

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deliberating as to the best method words to employ. In

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many cases, as in the construction of the cells of

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the bee, there is a perfection about the result which

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reasoning man could not have equalled except by an application

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of the high mathematics to direct the operations carried out.

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Mister Darwin considers that animals in time past as now

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have varied in their mental qualities, and that those variations

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are inherited. Instincts also vary slightly in a state of nature.

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This being so natural selection can ultimately bring them to

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a high degree of perfection. It was formerly the fashion

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to describe instinct in the lower animals and in man,

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to something akin to innate ideas implanted in each species

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and thereafter continued by inheritance. But the application of the

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ideal evolution to the science of psychology has resulted in

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brushing away these old ideas. Today, it holds that that

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which we call instinct is result of gradual development in

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the course of evolution, the accumulated experience of the race

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being stored away in the race memory, each individual adding

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a little there too by its acquired habits and experiences.

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Psychologists now hold that the lower forms of these race

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tendencies are closely akin to purely reflex actions, and the

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higher forms, which are known as instinctive emotions, are phenomena

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of the subconscious mind, resulting from race memory and race experience.

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Cloud says instinct is the higher form of reflex action.

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The salmon migrates from sea to river. The bird makes

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its nest, or migrates from one's zone to another by

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an unvarying root, even leaving its young behind to perish.

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The bee builds its six sided cell. The spida spins

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its web. The chick breaks its way through the shell

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its itself and picks up grains of corn. The newborn

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babe sucks its mother's breast. All in virtue of like

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acts on the part of their ancestors, which arising the

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needs of the creature and gradually becoming automatic, have not

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varied during long ages, the tendency to repeat them being

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transmitted within the germ from which insect, fish, bird, and

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man have severally sprung. Schneider says, it is the fact

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that men, especially in childhood, fear to go into a

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dark cabin or a gloomy wood. This feeling of fear arises,

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to be sure, partly from the fact that we easily

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suspect that dangerous beats may lurk in these localities, a

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suspicion due to stories we have heard and read. But

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on the other hand, it is quite sure that this

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spear at a certain perception is also directly inherited. Children

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who have been carefully guarded from all ghosts stories are

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never the less terrified and cry if led into a

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dark space, especially if sounds are made there. Even an

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adult can easily observe that an uncomfortable amidity steals over

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him in a lonely wood at night, although he may

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have the fixed conviction that not the slightest danger is near.

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This feeling of fear occurs in many men, even in

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their own houses after dark, although it is much stronger

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in a dark cavern or forest. The fact of such

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instinctive fear is easily explicable when we consider that our

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savage ancestors, through immemorial generations were accustomed to meet with

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dangerous beasts in caverns, especially bears, and were for the

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most part attacked by such beasts during the night and

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in the woods, and that thus an inseparable association between

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the perceptions of darkness, caverns, woods, and fear took place

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and was inherited. James says, nothing is commoner than the

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remark that man differs from lower creatures by the almost

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total absence of instincts, and the assumption of their work

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in him. By reason, we may confidentially say that, however

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uncertain man's reactions upon his environment may sometimes seem in

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comparison with those of the lower mammals, the uncertainty is

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probably not due to their possession of any principles of action,

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which he lacks. On the contrary, man possesses all the

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impulses that they have, and a great many more. Besides

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high places cause fear of a peculiarly sickening sort, though

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here again individuals differ. The utterly blind instinctive character of

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the motor impulses here is shown by the fact that

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they are almost always entirely unreasonable, but that reason is

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powerless to suppress them. Certain ideas of supernatural agency, associated

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with real circumstances produce a peculiar kind of horror. This

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horror is probably explicable as a result of a combination

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of simple horrors. To bring the ghostly terror to its maximum,

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many unusual elements of the dreadful must combine, such as loneliness, darkness,

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inexplicable sounds, especially of a dismal character, moving pictures half discerned,

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or if discerned of dreadful aspect and a vertigenous baffling

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of the expectation. In view of the fact that cadaveric, reptilian,

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and underground horrors play so specific and constant a part

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in many nightmares and forms of delirium, it seems not

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altogether unwise to ask whether these forms of dreadful circumstance

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may not, at a former period have been more normal

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objects to the environment than now. The evolutionists ought to

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have no difficulty in explaining these terrors and the scenery

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that provokes them as relapses into the consciousness of the

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cave men, a consciousness usually overlaid in us by experiences

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of a more recent date. Instinctive emotion manifests as an

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impulse arising from the dim recesses of the feeling or

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emotional nature, an incentive toward a dimly conscious end. It

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differs from the almost purely automatic nature of certain forms

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of reflex process, for its beginning is a feeling arising

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from the subconscious regions, which strives to excite an activity

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of conscious volition. The feeling is from the subconscious, for

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the activity is conscious. The end may not be perceived

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in consciousness, or at least is but dimly perceived, but

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the action leading to the end is in full consciousness.

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Instinct is seen to have its origin in the past

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experiences of the race, transmitted by heredity and preserved in

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the race memory. It has for its object the preservation

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of the individual and of the species. Its end is

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often something far removed in time from the moment, or

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the welfare of the species rather than that of the individual.

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For instance, the caterpillar providing for its future states, or

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the bird building its nest, or the bees building cells

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and providing honey for their successes. For very few bees

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lived partake of the honey which they have gathered and stored.

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They are animated by the spirit of the hive. The

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most elementary forms of the instinctive emotions are those which

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have to do with the preservation of the individual is

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comfort and purely physical welfare. This class of emotions comprises

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what are generally known as purely selfish feelings, having little

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or no concern for the welfare of others. In this

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class we find the emotional feelings which have to do

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with the satisfaction of hunger and thirst, the securing of

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comfortable quarters, and warm clothing, and a spirit of combatant strife,

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arising from the desire to obtain these. These elemental feelings

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had their birth early in the history of life, and

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indeed life itself depended very materially upon them for its

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preservation and continuance. It was necessary for the primitive living

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thing to be selfish. When man appeared. Only those survived

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who manifested these feelings strongly. The others were pushed to

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the wall unperished. Even in our civilization, the man below

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the average in this class of feelings will find it

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difficult to survive.

