WEBVTT

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<v Speaker 1>In just a moment X minus one. But first, after

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<v Speaker 1>a hard day's work, there's nothing more welcome than an

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<v Speaker 1>evening of variety entertainment, and that's just the tonic provided

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<v Speaker 1>tomorrow night by NBC Radio. You'll laugh your cares away

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<v Speaker 1>when good natured contestants carry out the rib tickling stunts

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<v Speaker 1>dreamed up by mc Jack Bailey on NBC's Truth or Consequences,

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<v Speaker 1>and later on Groucho Marx PEPs things up with lots

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<v Speaker 1>of spontaneous good fun and more of the friendly insults

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<v Speaker 1>at which he's so accomplished For a brighter, livelier evening

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<v Speaker 1>Tomorrow night, it's Groucho Marx and Truth or Consequences on

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<v Speaker 1>this station. Now, stay tuned for X minus one on NBC.

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<v Speaker 2>Have a nice trip. The seat numbers fifteen.

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<v Speaker 3>Next, please.

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<v Speaker 4>Come down for Blast Off X minus five four three

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<v Speaker 4>two X minus one. Fire from the far horizons of

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<v Speaker 4>the unknown come transcribed tales of new dimensions in time

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<v Speaker 4>and space.

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<v Speaker 5>These are stories of the future adventures in which you'll

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<v Speaker 5>live in a million, could be years, on a thousand,

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<v Speaker 5>maybe worlds. The National Broadcasting Company, in cooperation with Galaxy

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<v Speaker 5>Science Fiction Magazine, presents.

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<v Speaker 6>HE minus one.

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<v Speaker 5>On the night story jay Walker by Ross Rockland.

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<v Speaker 7>In the Galactic flight number fourteen, now loading at ramp ten.

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<v Speaker 7>In a Galactic flight number fourteen, now loading at ramp ten,

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<v Speaker 7>Please have your flight validation.

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<v Speaker 3>You walk from the waiting room down the long ramp

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<v Speaker 3>number ten. The flight pack is in one hand, the

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<v Speaker 3>validation papers in the other. Other passengers chatter behind you.

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<v Speaker 3>You turn a corner and there's the ship, a cylinder

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<v Speaker 3>of glistening silver aimed at the moon. You feel yourself

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<v Speaker 3>carried up the moving stair to the gaping entrance lock.

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<v Speaker 3>A pretty stewardess in a blue uniform smiles at you.

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<v Speaker 2>Validation papers, Please your papers.

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<v Speaker 3>Madam, oh papers?

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<v Speaker 6>Oh?

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<v Speaker 3>Yes, here there, this is Marsha Foster.

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<v Speaker 2>You feeling well, Miss Foster?

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<v Speaker 3>Yes quite well, Thank you.

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<v Speaker 2>We have to make sure. Once in a while somebody

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<v Speaker 2>slips aboard with an other person's validation papers.

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<v Speaker 3>What difference would it make if I felt well or not?

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<v Speaker 2>A great deal, I'm afraid you see the effect of

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<v Speaker 2>a free fall in space without gravity. It can do

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<v Speaker 2>quite a bit of damage in certain glandular conditions. I

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<v Speaker 2>see you've passed your physical Yes, I'm quite all right,

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<v Speaker 2>It's fine. Have a nice trip. Your seat number is fifteen. Next, please.

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<v Speaker 3>You walk down the carpeted aisle to the plastic on seat.

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<v Speaker 3>Her words make a ringing pattern in your brain. Are

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<v Speaker 3>you feeling well, Missus Foster. Missus Foster's feeling quite well.

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<v Speaker 3>Thank you. Missus Foster has past her physical examination. There's

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<v Speaker 3>only one thing wrong with the picture. You are not,

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<v Speaker 3>Missus Foster.

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<v Speaker 2>Attention, please attention. In one minute, the flash walls will

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<v Speaker 2>be raised around the ship. If for any reason, the

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<v Speaker 2>passenger is not feeling well or does not wish to

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<v Speaker 2>make the trip, please speak up.

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<v Speaker 3>One minute. You begin to wonder if you ought to

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<v Speaker 3>go after all. You begin to think of how it happened.

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<v Speaker 3>Why you're here sitting in the silver vessel waiting to

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<v Speaker 3>blast off for the moon. What happened between you and Jack?

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<v Speaker 3>What happened?

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<v Speaker 8>Honey, Honey, I'm back Jack. Oh, darling, you miss me?

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<v Speaker 3>Did I miss you?

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<v Speaker 8>I brought you a little present from the moon. Try

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<v Speaker 8>it on.

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<v Speaker 3>Oh it's beautiful.

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<v Speaker 9>It took us two hours to pick it out. U oh,

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<v Speaker 9>me and Sue Sueigan? Who's she the stewards on the ship?

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<v Speaker 3>Oh? How long has she been on the earth? Moon run.

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<v Speaker 8>I guess about a year now.

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<v Speaker 3>It's funny you never mentioned her, Oh haven't I?

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<v Speaker 8>Well, what's the difference?

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<v Speaker 3>Odd?

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<v Speaker 8>Hey?

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<v Speaker 3>What?

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<v Speaker 8>Well? You're not jealous, are you? Is she pretty monstrous?

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<v Speaker 9>Four feet high and three feet around and she has

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<v Speaker 9>a big blue eye right in the middle of her feet.

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<v Speaker 3>Oh, you're insane?

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<v Speaker 8>Come on, how about a kiss? No, old lady, I've

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<v Speaker 8>been away for four months.

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<v Speaker 3>Sorry.

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<v Speaker 8>I guess I'll just have to go back to Suwegan

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<v Speaker 8>and her three blue eyes.

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<v Speaker 3>In that case, here, Oh, I have been away a

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<v Speaker 3>long time. Jack, I want to talk to you about.

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<v Speaker 9>That, okay, but could it wait till tonight? I am

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<v Speaker 9>taking you to dinner, missus McLain.

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<v Speaker 3>I'd rather talk about it now. Okay, Jack, we've been

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<v Speaker 3>married for six years, now, is it that long? Seven

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<v Speaker 3>in July? For the last two you've been skippering that

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<v Speaker 3>rocket to the moon three weeks at a time, with

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<v Speaker 3>only a week in between.

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<v Speaker 8>I do get a month vacation.

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<v Speaker 3>Yes, that is no kind of life.

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<v Speaker 8>Oh, Musha, I don't know what I can do about it.

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<v Speaker 3>You haven't tried to do anything about it.

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<v Speaker 8>I guess you're right.

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<v Speaker 3>Do you intend to try?

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<v Speaker 8>Marsh? I need to know Marsha Flying is my whole life,

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<v Speaker 8>but it isn't mine.

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<v Speaker 3>I'm not going to spend three weeks out of four

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<v Speaker 3>sitting here wondering if you'll come back alive.

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<v Speaker 8>Oh no, that's ridiculous, is it.

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<v Speaker 3>What about my father who died on the elsinir when

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<v Speaker 3>it missed mars.

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<v Speaker 9>Your father died as the result of a space maneuver

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<v Speaker 9>that no Pilon in his right mind would try.

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<v Speaker 3>They missed the planet. That could happen to anybody.

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<v Speaker 8>They missed it because they tried to warp the ship around.

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<v Speaker 3>I'm afraid I don't understand. Well, it isn't very hard

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<v Speaker 3>to understand.

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<v Speaker 9>A spaceship takes off with everything calculated to the last

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<v Speaker 9>decimal point. It has exactly enough fuel to take it

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<v Speaker 9>to a planet if it follows an exact course, an

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<v Speaker 9>ironclad mathematical orbit.

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<v Speaker 8>Well, well, there was a jaywalker aboard the Elsinar.

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<v Speaker 3>A jwalker.

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<v Speaker 9>Well, that's what we call somebody who boards a ship

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<v Speaker 9>knowing that he has no business doing so. In this

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<v Speaker 9>particular case, it was a senator going to a convention

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<v Speaker 9>on the Moon. He had been taking endocream treatments and

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<v Speaker 9>kept it secret on his validation papers. He felt he

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<v Speaker 9>had to attend this convention to muster some votes for

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<v Speaker 9>his campaign. He didn't consider that he was jeopardizing his life.

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<v Speaker 3>I still don't see how they missed the planet.

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<v Speaker 9>Six hours out, the senator began to die. The effect

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<v Speaker 9>of the free fall on his glands was catching up

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<v Speaker 9>with him. And the only way to reverse that effect

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<v Speaker 9>is to reverse the spin of the ship. Turn it

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<v Speaker 9>end over end. That creates artificial gravity, reverses the stress

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<v Speaker 9>on the glands.

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<v Speaker 8>The pilot took a chance, he did just that.

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<v Speaker 3>Is that why they missed the planet.

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<v Speaker 8>They lost their trajectory.

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<v Speaker 9>By the time they recalculated their cost, they'd passed Mars.

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<v Speaker 9>They ran out of fuel and kept going until well

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<v Speaker 9>until they fell into the gravity of the Sun.

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<v Speaker 3>And that couldn't happen today.

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<v Speaker 8>A pilot would have to be out of his mind

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<v Speaker 8>to try a maneuver like that.

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<v Speaker 3>You wouldn't try it risk.

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<v Speaker 8>An entire ship to save the life of one fool.

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<v Speaker 3>You wouldn't.

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<v Speaker 8>Marsha, I can't say. I definitely wouldn't it. Right now.

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<v Speaker 8>It's inconceivable, just.

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<v Speaker 3>As inconceivable for you to give up spaceflight for my sake.

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<v Speaker 9>Isn't it equally inconceivable for you to put up with it?

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<v Speaker 8>For my sake?

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<v Speaker 3>I've put up with it for two years. Jack, this

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<v Speaker 3>is the end of it.

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<v Speaker 8>No, what exactly do you mean?

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<v Speaker 3>I mean you have to decide whether you want a

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<v Speaker 3>marriage in a family or a career as a space jockey.

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<v Speaker 8>Why do I have to decide? Why can't I have both?

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<v Speaker 3>Because I won't live this way? Nobody else does, except

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<v Speaker 3>a handful of wives whose husbands are crazy. I'd have

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<v Speaker 3>to have picked a profession like this.

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<v Speaker 8>Well, you knew this was my profession when you're married.

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<v Speaker 8>I didn't know it was like this, Marsha. What you're

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<v Speaker 8>asking me to do I simply can't do. Wouldn't make

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<v Speaker 8>you happy.

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<v Speaker 9>If I did, I'd just be walking around resenting you.

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<v Speaker 8>Now, come on, let's have dinner and forget this for

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<v Speaker 8>a while.

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<v Speaker 3>No, we're not having dinner.

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<v Speaker 8>You'd rather stay home tonight?

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<v Speaker 3>No, I'm going to Los Angeles to my mother's house.

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<v Speaker 3>What I have tickets on the six o'clock flight tonight? Yes, Jack,

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<v Speaker 3>I'm quite determined. It's made up my mind that I'd

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<v Speaker 3>put it to you squarely, and if you refused, I

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<v Speaker 3>was leaving just like that. Yes, I've had all I

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<v Speaker 3>can take, mash.

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<v Speaker 8>For Heaven's sake, can't we talk this over and make

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<v Speaker 8>some kind of a compromise.

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<v Speaker 3>Is no compromise, Jack. It's all very exciting for you,

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<v Speaker 3>tearing back and forth through the moon with glamorous stewardesses

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<v Speaker 3>and all sorts of celebrities, But sitting here waiting isn't

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<v Speaker 3>much fun for me.

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<v Speaker 8>Well, you could get a job, you could develop some interesting.

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<v Speaker 3>Reason why I married you. I want a home and

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<v Speaker 3>a family and a man who comes home every night

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<v Speaker 3>and talks to me about little, unimportant things.

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<v Speaker 8>And I'm not that man.

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<v Speaker 3>No, No, you're not Okay, what are you doing?

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<v Speaker 8>I don't like people walking out on me, So I'm

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<v Speaker 8>leaving first.

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<v Speaker 3>Would you mind telling me where you'll be?

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<v Speaker 8>I don't know.

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<v Speaker 9>You can reach me through intergalactic If you change your mind, Marsha,

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<v Speaker 9>maybe we'll both be better off. We didn't have much

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<v Speaker 9>of a home life anyway, just the two of us.

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<v Speaker 8>I'm sorry, I didn't mean that. I know how you

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<v Speaker 8>feel about not having children. Goodbye, marsh.

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<v Speaker 3>There it was you learned when you came back from

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<v Speaker 3>Los Angeles two months later that he'd been seen in

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<v Speaker 3>the company of one Susan Egan Steward is for Intergalactic

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<v Speaker 3>on numerous occasions. You learned too, that he'd applied for

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<v Speaker 3>the Earth Venus Run, the newest and most difficult run

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<v Speaker 3>in the galaxy. You learned something else, something that was

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<v Speaker 3>going to change the whole course of your life.

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<v Speaker 10>Come in, missus McClane, sit down, thank you, doctor. Hi

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<v Speaker 10>have some good news for you. Yes, you're going to

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<v Speaker 10>have a child. Well, I thought you'd be happy about that.

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<v Speaker 3>Happy. Oh, yes, yes, I am. Naturally. You debated for

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<v Speaker 3>a long time, and then you called the Intergalactic Office.

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<v Speaker 3>Mister mc leanan was out on the Earth Moon Run.

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<v Speaker 3>He'd be back on the twelfth, but only for an afternoon.

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<v Speaker 3>He was taking off again. Immediately. They were so sorry.

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<v Speaker 3>You were sorry yourself. It seemed as if life would

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<v Speaker 3>not be worth living without Jack, especially now with a

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<v Speaker 3>child on the way. You had to talk to him

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<v Speaker 3>to be with him. That was when you first began

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<v Speaker 3>to formulate the idea of going to the Moon with

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<v Speaker 3>him on this run.

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<v Speaker 2>Attention, please, attention, we're about to count down for Blastorf.

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<v Speaker 2>Fasten your seat belts and reclined back as far as possible.

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<v Speaker 2>The next sound will be that of the first stage

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<v Speaker 2>rockets heating up. Do not be alarmed by the vibration

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<v Speaker 2>of the ship.

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<v Speaker 3>From the bulkheads. Overhead. Everywhere comes the deep rumbling sound.

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<v Speaker 3>Some of the passengers look anxious, some excited. Some leaf

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<v Speaker 3>casually through magazines as they line their backs in the

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<v Speaker 3>reclining seats.

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<v Speaker 2>Those of you who've never been in rockets will find

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<v Speaker 2>it an experience that will make you proud to belong

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<v Speaker 2>to the human race.

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<v Speaker 11>Count down for blast off x minus five minus four

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<v Speaker 11>minus three minus two minus one zero.

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<v Speaker 3>The rumble heightens all emotion, leaves you cold, ravening fear

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<v Speaker 3>takes over. To try to close your eyes, your ears

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<v Speaker 3>against it, at your mind won't respond. Look out the

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<v Speaker 3>port and the scene is suddenly splashed with a rushing

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<v Speaker 3>sheet of flame that darkens the sky and is torn

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<v Speaker 3>from your vision, snatched away. The buildings, the trees, the

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<v Speaker 3>roads vanish. A great, soft, uniform weight presses down on you.

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<v Speaker 3>You push with all your might, but it smothers you,

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00:12:54.320 --> 00:12:57.240
<v Speaker 3>presses your back, drives your blood down down inside of you,

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<v Speaker 3>and then quiet.

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<v Speaker 2>We are now one hundred and two miles over New

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<v Speaker 2>York City. You may unfasten your safety belt. The pull

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<v Speaker 2>of gravity will no longer trouble you.

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<v Speaker 3>You unfasten the safety belt and sit in the seat

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<v Speaker 3>wondering what to do next.

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<v Speaker 2>Ladies and gentlemen, Welcome to inter Galactic Flight number fourteen

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<v Speaker 2>out of New York Rocket Port, destination Moon. I'm your hostess,

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<v Speaker 2>Miss Susan Egan. Your pilots for this flight is Captain

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<v Speaker 2>Jack mc lean. Opposition at the moment is approximately five

250
00:13:34.960 --> 00:13:37.600
<v Speaker 2>hundred and fifty miles above Earth, and in less than

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<v Speaker 2>one half hour we'll be in free fall completely without gravity.

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<v Speaker 2>Our speed is currently twenty nine thousand miles per hour.

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<v Speaker 2>We should arrive at Moonport at exactly six p m

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<v Speaker 2>tomorrow Earth time. I wish you a pleasant voyage. If

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<v Speaker 2>there's anything you need into galactic is at your service.

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<v Speaker 3>Well, you think to yourself, everybody's here. Your husband is

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00:14:09.360 --> 00:14:13.799
<v Speaker 3>loved one, and his wife. You watch her. She walks

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00:14:13.799 --> 00:14:15.519
<v Speaker 3>back along the rows of seats with an armful of

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00:14:15.519 --> 00:14:19.840
<v Speaker 3>the latest magazine recordings. A tall girl about twenty nine

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00:14:19.919 --> 00:14:25.200
<v Speaker 3>or thirty, dark brown hair, dark eyes. I'm not very pretty,

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00:14:26.440 --> 00:14:27.720
<v Speaker 3>the sort of would be able to talk to him

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00:14:27.720 --> 00:14:31.840
<v Speaker 3>about steam tubes and beautiful landings and solar storms.

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00:14:33.360 --> 00:14:35.080
<v Speaker 2>Missus Fowlster, would you like something to read?

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00:14:35.559 --> 00:14:36.720
<v Speaker 3>Oh? Thank you?

265
00:14:36.799 --> 00:14:39.039
<v Speaker 2>No, first time in the rocket ship?

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00:14:40.320 --> 00:14:43.919
<v Speaker 3>Yes? Could you tell look a little green? You're feeling well?

267
00:14:44.799 --> 00:14:46.799
<v Speaker 3>I'm I'm quite a right.

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00:14:47.559 --> 00:14:50.080
<v Speaker 2>There's just a touch of space sickness. Come along the

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00:14:50.120 --> 00:14:51.840
<v Speaker 2>ship's hospital and we'll fix you up in the diffy

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00:14:52.200 --> 00:14:57.159
<v Speaker 2>I'd rather just sit here a minute, of course. Oh

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00:14:58.679 --> 00:15:02.080
<v Speaker 2>come on me help him to the ship's hospital. That's

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00:15:02.759 --> 00:15:18.120
<v Speaker 2>come on, come on now, you just lie down here.

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00:15:19.080 --> 00:15:19.720
<v Speaker 2>How are you feeling?

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00:15:20.720 --> 00:15:21.320
<v Speaker 3>I'm scared.

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00:15:22.320 --> 00:15:23.600
<v Speaker 2>There's nothing to be afraid of.

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00:15:24.559 --> 00:15:25.240
<v Speaker 3>I think there is.

277
00:15:26.759 --> 00:15:27.320
<v Speaker 12>What is it?

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00:15:28.840 --> 00:15:32.200
<v Speaker 3>I'm pregnant? What affect my validation papers?

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00:15:33.240 --> 00:15:34.519
<v Speaker 2>Do you know what you've done to you?

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<v Speaker 8>So?

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00:15:34.759 --> 00:15:35.960
<v Speaker 3>I hoped it wouldn't affect me.

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<v Speaker 2>There's much I can say, Missus Faust. I'll have to

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00:15:38.639 --> 00:15:40.279
<v Speaker 2>tell captain that's what would it be?

284
00:15:40.519 --> 00:15:42.519
<v Speaker 3>I mean? Could I tell him myself?

285
00:15:42.360 --> 00:15:47.399
<v Speaker 2>If you'd rather, I'll call him Steward is to Captain McClean.

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00:15:47.519 --> 00:15:49.480
<v Speaker 2>What is it, thal Jack? There's a passenger in the

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00:15:49.519 --> 00:15:52.000
<v Speaker 2>ship's hospital. You'd better come down here.

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<v Speaker 11>Look, Susie, I've got my correction.

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00:15:54.159 --> 00:15:55.720
<v Speaker 2>I think you'd better come right down.

290
00:15:56.200 --> 00:15:58.440
<v Speaker 8>Okay, Charlie, take it, will you. I'll be right back.

291
00:15:59.399 --> 00:16:02.120
<v Speaker 2>He'll be here in a minute or two. Yeah, let

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00:16:02.200 --> 00:16:03.600
<v Speaker 2>me put this pillow into your head.

293
00:16:03.919 --> 00:16:04.279
<v Speaker 3>Thank you?

294
00:16:06.120 --> 00:16:08.279
<v Speaker 2>Now, what made you do it?

295
00:16:09.639 --> 00:16:11.759
<v Speaker 3>You wouldn't understand you.

296
00:16:11.720 --> 00:16:13.799
<v Speaker 2>Loved him and he stationed on the moon and you

297
00:16:13.840 --> 00:16:15.399
<v Speaker 2>wanted to be near him. Is that it?

298
00:16:16.639 --> 00:16:17.720
<v Speaker 3>Could you understand that?

299
00:16:18.759 --> 00:16:22.519
<v Speaker 2>You mean not being able to have the man you love? Yes,

300
00:16:23.720 --> 00:16:24.840
<v Speaker 2>I think I could understand.

301
00:16:34.840 --> 00:16:37.679
<v Speaker 3>You wanted to scream at her, to claw her face.

302
00:16:38.759 --> 00:16:40.600
<v Speaker 3>She was going to live and you were going to die.

303
00:16:41.639 --> 00:16:43.159
<v Speaker 3>She was going to share a life with Jack when

304
00:16:43.159 --> 00:16:45.240
<v Speaker 3>you were only a dim sort of memory in his mind.

305
00:16:47.039 --> 00:16:49.639
<v Speaker 3>He came in, moving fast, with that kind of schoolboy

306
00:16:49.720 --> 00:16:53.600
<v Speaker 3>gait in his His dark face was frowning, but handsome

307
00:16:53.639 --> 00:16:54.000
<v Speaker 3>as ever.

308
00:16:57.080 --> 00:16:59.360
<v Speaker 8>Not just why did you? Whyshia?

309
00:17:00.240 --> 00:17:00.399
<v Speaker 2>What?

310
00:17:00.639 --> 00:17:01.000
<v Speaker 8>Honey?

311
00:17:01.080 --> 00:17:01.360
<v Speaker 3>Hello?

312
00:17:01.480 --> 00:17:01.759
<v Speaker 12>Jack?

313
00:17:02.320 --> 00:17:08.319
<v Speaker 8>What are you doing about it? Sue? This is my wife, Marsha.

314
00:17:08.680 --> 00:17:09.519
<v Speaker 8>This is Sue Egan.

315
00:17:10.640 --> 00:17:12.240
<v Speaker 3>Hello, I'll be getting out.

316
00:17:12.279 --> 00:17:15.519
<v Speaker 8>Excuse me? What's going on?

317
00:17:15.680 --> 00:17:15.880
<v Speaker 6>Jack?

318
00:17:15.960 --> 00:17:18.440
<v Speaker 3>Sit down? I want to tell you something.

319
00:17:18.720 --> 00:17:21.880
<v Speaker 9>I'd like to say something first much. I've had a

320
00:17:21.960 --> 00:17:25.119
<v Speaker 9>chance to do a lot of thinking lately, and if

321
00:17:25.160 --> 00:17:26.119
<v Speaker 9>you think we could work it.

322
00:17:26.079 --> 00:17:30.000
<v Speaker 8>Out, I'd like to try again. You mean that, yes,

323
00:17:30.039 --> 00:17:30.359
<v Speaker 8>I do.

324
00:17:31.440 --> 00:17:33.720
<v Speaker 3>What about miss Egan Sue?

325
00:17:34.240 --> 00:17:35.480
<v Speaker 8>What about her?

326
00:17:36.279 --> 00:17:41.200
<v Speaker 3>I thought? I mean I heard I'm.

327
00:17:41.079 --> 00:17:42.799
<v Speaker 8>Very fond of Sue.

328
00:17:43.119 --> 00:17:44.039
<v Speaker 3>Yes, I thought you were.

329
00:17:45.079 --> 00:17:46.880
<v Speaker 8>But she isn't my wife?

330
00:17:47.160 --> 00:17:47.599
<v Speaker 6>You are.

331
00:17:49.279 --> 00:17:49.319
<v Speaker 12>Was?

332
00:17:50.279 --> 00:17:53.440
<v Speaker 3>What do you mean I'm going to die? Jack?

333
00:17:54.400 --> 00:17:55.480
<v Speaker 8>What are you talking about? Jack?

334
00:17:57.079 --> 00:18:02.279
<v Speaker 3>I'm pregnant. We're a little too late.

335
00:18:03.839 --> 00:18:05.480
<v Speaker 8>Did you know this when you came aboard?

336
00:18:06.200 --> 00:18:06.519
<v Speaker 3>Yes?

337
00:18:07.160 --> 00:18:09.880
<v Speaker 8>But weren't you aware that? What about the physical?

338
00:18:10.000 --> 00:18:12.680
<v Speaker 3>I used another woman's validation papers, I paid her for them.

339
00:18:13.279 --> 00:18:15.480
<v Speaker 8>Why how could you do with it?

340
00:18:15.720 --> 00:18:17.839
<v Speaker 3>I don't know. I don't know. All I knew was

341
00:18:17.880 --> 00:18:19.319
<v Speaker 3>that I had to see you. I had to be

342
00:18:19.359 --> 00:18:19.680
<v Speaker 3>with you.

343
00:18:19.759 --> 00:18:22.599
<v Speaker 8>If you'd only talked, I couldn't reach you. Didn't you

344
00:18:22.680 --> 00:18:24.359
<v Speaker 8>know what would happen if you took a rocket flight?

345
00:18:24.680 --> 00:18:27.720
<v Speaker 3>I thought somehow it wouldn't happen to me. I didn't

346
00:18:27.720 --> 00:18:28.559
<v Speaker 3>know that pregnancy was.

347
00:18:28.559 --> 00:18:31.240
<v Speaker 8>Affected, and if you hadn't.

348
00:18:31.160 --> 00:18:32.400
<v Speaker 3>I would have come along anyway.

349
00:18:33.480 --> 00:18:36.000
<v Speaker 8>I suppose in the way I'm to blame. I'm the

350
00:18:36.039 --> 00:18:36.680
<v Speaker 8>one who walk down.

351
00:18:36.880 --> 00:18:40.440
<v Speaker 3>Don't take the blame on yourself. I'm over twenty one, Monsia.

352
00:18:40.519 --> 00:18:42.200
<v Speaker 8>What did you hope to accomplish by this?

353
00:18:42.359 --> 00:18:47.759
<v Speaker 9>I'm not sure there's only one possibility. Yes, excuse me,

354
00:18:48.599 --> 00:18:51.480
<v Speaker 9>miss Agan, Yes, come into the ship's hospital.

355
00:18:51.480 --> 00:18:54.880
<v Speaker 8>Please bring Petrack Shelley from maintenance. Tell them to come

356
00:18:54.920 --> 00:18:56.119
<v Speaker 8>up here with a crescent wretch.

357
00:18:58.279 --> 00:19:00.200
<v Speaker 3>What are you going to do?

358
00:19:00.200 --> 00:19:04.359
<v Speaker 8>Do nothing much. I'm going to warp the ship around,

359
00:19:04.359 --> 00:19:04.759
<v Speaker 8>that's all.

360
00:19:10.359 --> 00:19:14.200
<v Speaker 3>Petric Kelly was a big, easy going man. Jack left

361
00:19:14.200 --> 00:19:15.880
<v Speaker 3>me alone with him and Miskeen while he went back

362
00:19:15.920 --> 00:19:18.880
<v Speaker 3>to the control room. Petri Kelly started to build a

363
00:19:18.920 --> 00:19:24.000
<v Speaker 3>metal bed to the side wall of the cabin. Why

364
00:19:24.000 --> 00:19:25.880
<v Speaker 3>are you putting the bed on the wall.

365
00:19:25.720 --> 00:19:28.079
<v Speaker 10>Because, lady, when he starts to spend the ship, that

366
00:19:28.160 --> 00:19:32.240
<v Speaker 10>outside bulk is going to be down out sideways centrifugal forcing.

367
00:19:33.680 --> 00:19:34.559
<v Speaker 3>I'm afraid I don't.

368
00:19:34.640 --> 00:19:36.519
<v Speaker 1>Well, that's too bad because I got out of things

369
00:19:36.519 --> 00:19:37.720
<v Speaker 1>to do besides explained.

370
00:19:38.039 --> 00:19:39.200
<v Speaker 3>Okay, sirs, it's all he.

371
00:19:42.440 --> 00:19:42.519
<v Speaker 6>Is.

372
00:19:42.519 --> 00:19:43.519
<v Speaker 3>He always that rude.

373
00:19:43.680 --> 00:19:45.359
<v Speaker 2>Doesn't it occur to you that maybe he's under a

374
00:19:45.400 --> 00:19:46.039
<v Speaker 2>slight strain?

375
00:19:46.880 --> 00:19:47.279
<v Speaker 3>Strain?

376
00:19:47.640 --> 00:19:51.200
<v Speaker 2>Look, missus, McLean, your husband's going to warp the ship around.

377
00:19:51.759 --> 00:19:54.160
<v Speaker 2>The chances of his pulling off a maneuver like that

378
00:19:54.240 --> 00:19:56.279
<v Speaker 2>without piling us up in the sun or in deep

379
00:19:56.319 --> 00:19:59.839
<v Speaker 2>space or about a thousand to one. I appreciate that

380
00:20:00.119 --> 00:20:02.160
<v Speaker 2>wanted to see him and show him that he ought

381
00:20:02.160 --> 00:20:05.000
<v Speaker 2>to be ashamed of himself for leaving you. But does

382
00:20:05.039 --> 00:20:07.119
<v Speaker 2>it occur to you that all of us may lose

383
00:20:07.160 --> 00:20:10.160
<v Speaker 2>our lives because of it, including Petrocelli.

384
00:20:11.799 --> 00:20:13.640
<v Speaker 3>No, I hadn't thought about it. Let's go.

385
00:20:13.680 --> 00:20:14.920
<v Speaker 2>I've got to strap you into that there.

386
00:20:15.000 --> 00:20:17.880
<v Speaker 3>No, wait, what will happen to me if the ship

387
00:20:17.920 --> 00:20:18.480
<v Speaker 3>isn't worked?

388
00:20:18.680 --> 00:20:22.720
<v Speaker 2>Sudden floods of the adrenal glands, convulsions, panics, spastic secretions,

389
00:20:22.759 --> 00:20:24.359
<v Speaker 2>and eventually death.

390
00:20:25.440 --> 00:20:26.319
<v Speaker 3>What causes it?

391
00:20:26.440 --> 00:20:29.400
<v Speaker 2>Lack of gravity? We are sure just how purpose of

392
00:20:29.400 --> 00:20:31.240
<v Speaker 2>spinning the ship is to press you up against the

393
00:20:31.240 --> 00:20:34.440
<v Speaker 2>outer wall and create the effect of gravity through centrifugal force.

394
00:20:34.759 --> 00:20:37.319
<v Speaker 3>To you, do you think he can do it?

395
00:20:38.400 --> 00:20:41.400
<v Speaker 2>I think he's the best skipper in the intergalactic fleet.

396
00:20:42.640 --> 00:20:46.400
<v Speaker 2>That isn't the answer to my question? Can he spin

397
00:20:46.480 --> 00:20:48.720
<v Speaker 2>the ship without killing everyone?

398
00:20:49.000 --> 00:21:01.799
<v Speaker 12>I have faith in him.

399
00:21:01.839 --> 00:21:07.799
<v Speaker 3>She loved him, She had faith in him. And you, you,

400
00:21:07.880 --> 00:21:09.920
<v Speaker 3>to whom he was married, you who carried his child

401
00:21:09.960 --> 00:21:16.079
<v Speaker 3>inside you? Did you have faith in him?

402
00:21:16.079 --> 00:21:18.279
<v Speaker 8>Everything's set in here? Yes, good Jack?

403
00:21:18.359 --> 00:21:21.359
<v Speaker 3>Could could we talk alone for a minute.

404
00:21:21.880 --> 00:21:24.759
<v Speaker 8>We have to get the new data into the computers, Susie.

405
00:21:24.759 --> 00:21:25.680
<v Speaker 8>Will you excuse us please?

406
00:21:25.759 --> 00:21:26.000
<v Speaker 12>Yes?

407
00:21:27.519 --> 00:21:29.920
<v Speaker 8>Well, Jack, don't do it, mars.

408
00:21:29.759 --> 00:21:32.480
<v Speaker 3>I mean it. You've no right to risk all those lives.

409
00:21:32.319 --> 00:21:35.240
<v Speaker 9>Just for me, Marsha. I'm captain of this ship. I

410
00:21:35.319 --> 00:21:37.519
<v Speaker 9>do as I see fit, and I can't do other one.

411
00:21:37.559 --> 00:21:39.240
<v Speaker 3>But it isn't fair to them. It isn't fair to you.

412
00:21:39.799 --> 00:21:41.680
<v Speaker 9>When we were born into this life, we don't make

413
00:21:41.680 --> 00:21:43.680
<v Speaker 9>any agreement that says everything is going to be fair

414
00:21:43.720 --> 00:21:44.319
<v Speaker 9>and equip I.

415
00:21:44.319 --> 00:21:45.319
<v Speaker 3>Refuse to let you do it.

416
00:21:45.359 --> 00:21:46.079
<v Speaker 8>You can't stop me.

417
00:21:46.920 --> 00:21:47.880
<v Speaker 3>I'll take my life.

418
00:21:48.400 --> 00:21:49.839
<v Speaker 8>I'm going to ask Sue to stay with her.

419
00:21:49.880 --> 00:21:51.880
<v Speaker 3>What about her? Don't you love her?

420
00:21:52.599 --> 00:21:55.799
<v Speaker 8>Well, Marsha, Whether I love Sue Egan is not the point.

421
00:21:55.920 --> 00:21:58.279
<v Speaker 9>Just now, I've decided to spend ship to save you

422
00:21:58.319 --> 00:22:00.400
<v Speaker 9>and my son or daughter.

423
00:22:01.640 --> 00:22:04.279
<v Speaker 8>If it means risking the lives of others, I have

424
00:22:04.400 --> 00:22:05.160
<v Speaker 8>to take that risk.

425
00:22:05.319 --> 00:22:08.519
<v Speaker 3>Jack. Yes, why are you doing it?

426
00:22:09.119 --> 00:22:11.920
<v Speaker 8>Because I love you?

427
00:22:24.000 --> 00:22:26.160
<v Speaker 3>It seemed to me during the next hour, through the

428
00:22:26.160 --> 00:22:29.119
<v Speaker 3>haze of the drug they gave me, that I could

429
00:22:29.160 --> 00:22:32.599
<v Speaker 3>see him. There was the curved silver board before it

430
00:22:32.680 --> 00:22:35.160
<v Speaker 3>sat Jack hunched like a harried bookkeeper on the last

431
00:22:35.240 --> 00:22:36.000
<v Speaker 3>day of the month.

432
00:22:37.000 --> 00:22:39.880
<v Speaker 8>Okay, Charley we'll come to the moon obliquely. At zero

433
00:22:39.920 --> 00:22:42.000
<v Speaker 8>point three oh seven, we pass it.

434
00:22:42.279 --> 00:22:45.079
<v Speaker 9>Stop, spin the ship over once to check speed, then

435
00:22:45.119 --> 00:22:47.519
<v Speaker 9>put the tail down when we feel gravity at seven

436
00:22:47.559 --> 00:22:50.079
<v Speaker 9>point oh three five. And if we can do it

437
00:22:50.079 --> 00:22:53.480
<v Speaker 9>with the fuel we've got, it'll be a miracle, all right.

438
00:22:53.640 --> 00:23:02.400
<v Speaker 9>Start the calculators, engine room, reverse tubes. Wait for new

439
00:23:02.440 --> 00:23:07.839
<v Speaker 9>COSS vector seven oh seven three new costactor set firing

440
00:23:07.880 --> 00:23:14.160
<v Speaker 9>formula two six three five seven two six firing coming

441
00:23:14.160 --> 00:23:20.079
<v Speaker 9>into cossbactor counting down seven oh seven seven seven six

442
00:23:20.480 --> 00:23:26.680
<v Speaker 9>seven seven five seven five seven four seven.

443
00:23:27.240 --> 00:23:28.839
<v Speaker 8>Seven three fire.

444
00:23:43.039 --> 00:23:46.599
<v Speaker 3>You don't recall much after that. There's the bulkhead pressing

445
00:23:46.640 --> 00:23:50.200
<v Speaker 3>against you like a magnet, pressing harder and harder. Then

446
00:23:50.240 --> 00:23:55.359
<v Speaker 3>there's the needle, and then sudden relaxation. Throw it all

447
00:23:55.400 --> 00:23:58.359
<v Speaker 3>the stars and the moon, and Jack and Sue egan

448
00:23:58.519 --> 00:24:00.799
<v Speaker 3>dance and a pattern of mist, and the words come

449
00:24:00.880 --> 00:24:04.000
<v Speaker 3>back to you from long ago, the things he said

450
00:24:04.039 --> 00:24:06.640
<v Speaker 3>to you when you were both in love, many years ago.

451
00:24:08.000 --> 00:24:09.880
<v Speaker 8>When I fly the ship, it seems that all earth

452
00:24:09.920 --> 00:24:11.240
<v Speaker 8>watches me through your eyes.

453
00:24:12.200 --> 00:24:14.079
<v Speaker 3>A man comes to love the things he has to

454
00:24:14.119 --> 00:24:14.599
<v Speaker 3>fight for.

455
00:24:14.680 --> 00:24:19.240
<v Speaker 2>I guess how is she hold tight? Marcia hold tight

456
00:24:19.319 --> 00:24:19.559
<v Speaker 2>to me.

457
00:24:20.759 --> 00:24:24.519
<v Speaker 3>She calls you Marcia. This woman who hates you, who

458
00:24:24.559 --> 00:24:26.720
<v Speaker 3>loves your husband, She calls you.

459
00:24:26.839 --> 00:24:39.880
<v Speaker 6>Marcia, Marcia, Marcia, Marsa, Marcia, Marcia.

460
00:24:41.559 --> 00:24:45.920
<v Speaker 3>The curved ceiling, but a new curve and soft rose

461
00:24:46.000 --> 00:24:51.640
<v Speaker 3>instead of chrome metal, a new feeling, unlike Earth or

462
00:24:51.680 --> 00:24:52.119
<v Speaker 3>the ship.

463
00:24:53.200 --> 00:24:58.799
<v Speaker 8>Honey, you wake up, Jack. That's all right, honey. We

464
00:24:58.839 --> 00:25:04.279
<v Speaker 8>made it where the moon moon. Yes, you're in the

465
00:25:04.319 --> 00:25:05.720
<v Speaker 8>new Lunar City Hospital.

466
00:25:06.799 --> 00:25:11.039
<v Speaker 3>You did it, You really did it well.

467
00:25:11.079 --> 00:25:12.640
<v Speaker 8>I've been telling you for years that I was the

468
00:25:12.640 --> 00:25:13.720
<v Speaker 8>best pilot in the fleet.

469
00:25:13.799 --> 00:25:16.480
<v Speaker 3>Oh, you don't have to pretend. I know how you

470
00:25:16.559 --> 00:25:20.839
<v Speaker 3>must feel about what I did. I'm not pretending it

471
00:25:20.880 --> 00:25:23.839
<v Speaker 3>was a selfish coward. I wasn't concerned about anything but

472
00:25:23.920 --> 00:25:25.720
<v Speaker 3>my own happiness, Masha.

473
00:25:25.759 --> 00:25:29.440
<v Speaker 9>There isn't any absolute scale for courage, or kindness or goodness.

474
00:25:30.880 --> 00:25:33.400
<v Speaker 9>I couldn't pretend to judge you or anybody else.

475
00:25:34.759 --> 00:25:36.599
<v Speaker 8>I only know that I believe you're a good person,

476
00:25:37.480 --> 00:25:42.680
<v Speaker 8>and I love you with your false and your good points.

477
00:25:43.000 --> 00:25:45.079
<v Speaker 3>I just wanted to be with you, Jack, That's all

478
00:25:45.119 --> 00:25:49.920
<v Speaker 3>I ever wanted. I'm sorry. I'm not brave and strong

479
00:25:50.079 --> 00:25:52.799
<v Speaker 3>like Susan or Yule or the others.

480
00:25:53.119 --> 00:25:57.279
<v Speaker 9>Oh, honey, nobody expects you to be Come on, you've

481
00:25:57.279 --> 00:25:58.279
<v Speaker 9>got to save your strength.

482
00:25:59.319 --> 00:26:00.559
<v Speaker 8>We've got to take take care of you.

483
00:26:07.039 --> 00:26:10.640
<v Speaker 3>He reaches down and touches your lips with his fingers.

484
00:26:12.039 --> 00:26:15.920
<v Speaker 3>It's like a benediction. You know that you'll never again

485
00:26:16.039 --> 00:26:19.680
<v Speaker 3>question his right to do the things that fulfill him.

486
00:26:19.720 --> 00:26:22.000
<v Speaker 3>To take a silver ship above the earth and guide

487
00:26:22.039 --> 00:26:25.920
<v Speaker 3>it to new planets. Our child will be born on

488
00:26:25.960 --> 00:26:30.440
<v Speaker 3>the moon, he whispered to him, and our grandchildren and

489
00:26:30.559 --> 00:26:31.200
<v Speaker 3>the stars.

490
00:26:37.519 --> 00:26:40.079
<v Speaker 5>You have just heard X minus one presented by the

491
00:26:40.160 --> 00:26:44.880
<v Speaker 5>National Broadcasting Company in cooperation with Galaxy Science Fiction magazine,

492
00:26:45.079 --> 00:26:49.400
<v Speaker 5>which this month features the Arthur Sellings tale entitled one Across,

493
00:26:50.279 --> 00:26:52.599
<v Speaker 5>the story of a man who thought that doing puzzles

494
00:26:52.680 --> 00:26:56.799
<v Speaker 5>was an escape until he suddenly found himself completely boxed

495
00:26:56.799 --> 00:27:01.680
<v Speaker 5>in Galaxy Magazine on your new stand day the night.

496
00:27:01.720 --> 00:27:05.000
<v Speaker 5>By transcription, X minus one has brought you j Walker,

497
00:27:05.519 --> 00:27:07.839
<v Speaker 5>a story from the pages of Galaxy, written by Ross

498
00:27:07.880 --> 00:27:11.720
<v Speaker 5>Rockland and adapted for radio by George Lefferts. Featured in

499
00:27:11.720 --> 00:27:13.720
<v Speaker 5>the cast were Bob Hastings.

500
00:27:13.559 --> 00:27:15.640
<v Speaker 8>Terry Keene, Raymond.

501
00:27:15.359 --> 00:27:20.960
<v Speaker 5>Edward Johnson, Connie Lemke, and Eugene Francis. You're announcer Fred Collins.

502
00:27:21.720 --> 00:27:25.200
<v Speaker 5>X minus one was directed by Daniel Sutter and as

503
00:27:25.240 --> 00:27:40.200
<v Speaker 5>an NBC Radio Network production. Next week the story of

504
00:27:40.240 --> 00:27:42.519
<v Speaker 5>the Journey that had no end, of a ship that

505
00:27:42.559 --> 00:27:45.160
<v Speaker 5>had traveled so long through space that none aboard her

506
00:27:45.160 --> 00:27:48.640
<v Speaker 5>could remember their destination or even wonder where they were going.

507
00:27:49.240 --> 00:27:52.759
<v Speaker 5>Listen for the Sense of Wonder next week on X

508
00:27:53.000 --> 00:27:57.839
<v Speaker 5>minus one. The Big News Tomorrow, setters around the tiny

509
00:27:57.880 --> 00:28:00.759
<v Speaker 5>principality of Monaco were one of the centuries most fabulous

510
00:28:00.799 --> 00:28:01.839
<v Speaker 5>weddings will take place.

511
00:28:02.240 --> 00:28:04.559
<v Speaker 8>A NBC Radio is on the spot to cover it

512
00:28:04.599 --> 00:28:05.440
<v Speaker 8>for you.

513
00:28:05.480 --> 00:28:08.880
<v Speaker 1>In the daytime, NBC's Weekday reports the civil wedding ceremony

514
00:28:08.920 --> 00:28:11.480
<v Speaker 1>as it happens, with simultaneous English translation
