1
00:00:28,399 --> 00:00:34,600
Speaker 1: Welcome to the Great Detectives of Old Time Radio from

2
00:00:34,960 --> 00:00:39,640
Voice the Idaho. This is your host, Adam Graham. In

3
00:00:39,679 --> 00:00:42,759
a moment, we're going to bring you our five thousandth

4
00:00:42,920 --> 00:00:46,640
episodes special, But first I want to encourage you. If

5
00:00:46,640 --> 00:00:51,320
you're enjoying the podcast, please follow us using your favorite

6
00:00:51,359 --> 00:00:56,960
podcast software. Finding a special to celebrate five thousand episodes

7
00:00:57,079 --> 00:01:00,119
is a bit of a challenge, particularly with those that

8
00:01:00,119 --> 00:01:04,480
we played in the past, but I hope today's episode

9
00:01:04,680 --> 00:01:08,560
rises to that standard. We're going to the Lox Radio

10
00:01:08,719 --> 00:01:15,239
Theater original air night, February fourteenth, nineteen forty four, and

11
00:01:15,359 --> 00:01:19,040
the tittle is the Fallen Sparrow.

12
00:01:19,400 --> 00:01:21,319
Speaker 2: Look Present Hollywood.

13
00:01:33,760 --> 00:01:37,239
Speaker 3: The Lux Radio Theater brings to Robert Young, Marin O'Hara,

14
00:01:37,680 --> 00:01:42,840
and Walter slaveback in the Fallen Sparrow, Ladies and Gentlemen,

15
00:01:43,319 --> 00:01:45,280
Your producer, mister Cecil B.

16
00:01:45,560 --> 00:01:53,319
Speaker 2: Demill, greeting some.

17
00:01:53,400 --> 00:01:56,599
Speaker 4: Hollywood ladies and gentlemen. Deep in the heart of most

18
00:01:56,640 --> 00:02:00,640
of us, there must be a suppressed longing to emulate

19
00:02:00,680 --> 00:02:03,959
Sherlock Holmes and the other masters of his profession. How

20
00:02:03,959 --> 00:02:06,719
else can you explain the appeal of the mystery story

21
00:02:06,840 --> 00:02:13,240
to farmer and financier haberdasher and housewife, chorus girl or clergyman.

22
00:02:14,039 --> 00:02:16,639
A shiver running down the spine. There is no respector

23
00:02:16,680 --> 00:02:19,680
of persons, and I, for one look forward with Gusto

24
00:02:19,840 --> 00:02:23,639
to these man hunting excursions. Tonight we have one of

25
00:02:23,680 --> 00:02:28,439
the best our Ko's object lessons in suspense, Fallen Sparrow,

26
00:02:29,280 --> 00:02:32,520
and our guides on this trail of intrigue, romance and murder,

27
00:02:33,280 --> 00:02:38,159
Robert Young, Marin O'Hara, and Walter Slazac. Bob Young has

28
00:02:38,240 --> 00:02:41,360
just returned to Hollywood after a tour of army hospitals.

29
00:02:41,719 --> 00:02:45,479
Our Kao provided Marin O'Hara and Walter Slazac, both of

30
00:02:45,479 --> 00:02:48,240
whom starred in the film production of The Fallen Sparrow.

31
00:02:48,919 --> 00:02:51,000
It takes all kinds of people to make a world,

32
00:02:51,000 --> 00:02:52,439
of all kinds of plays.

33
00:02:52,159 --> 00:02:52,759
Speaker 3: To make a theater.

34
00:02:53,520 --> 00:02:56,240
Speaker 4: But I think this play will please young and old alike,

35
00:02:57,080 --> 00:03:00,599
those who've just tried luck Flakes and those who've been

36
00:03:00,719 --> 00:03:03,919
using it for years. We had a letter last week

37
00:03:03,919 --> 00:03:07,639
from a woman who, at sixty two, is doing her

38
00:03:07,680 --> 00:03:10,680
bit in a war plant in Chicago. She says she

39
00:03:10,759 --> 00:03:15,039
first started buying lux in a little textile town in Lancashire, England,

40
00:03:15,080 --> 00:03:18,759
about nineteen hundred and one. Since then, she's used our

41
00:03:18,840 --> 00:03:22,240
product in Switzerland and Canada, and for the last twenty

42
00:03:22,280 --> 00:03:25,319
five years in the United States. She wonders if anyone

43
00:03:25,319 --> 00:03:27,319
else beats her record of forty.

44
00:03:27,039 --> 00:03:28,319
Speaker 2: Three years in four countries.

45
00:03:28,840 --> 00:03:31,479
Speaker 4: I can't answer for that, but she might must be

46
00:03:31,599 --> 00:03:35,120
mighty sure about flux flakes by this time. And this

47
00:03:35,280 --> 00:03:38,639
time is curtain time for Dorothy hughes mystery triller The

48
00:03:38,680 --> 00:03:42,960
Fallen Sparrow, starring Robert Young as Kit, Marin O'Hara as

49
00:03:43,000 --> 00:03:51,800
Elma Done and Walter Slazak as Doctor Scoars.

50
00:03:52,919 --> 00:03:53,840
Speaker 2: In a world at.

51
00:03:53,719 --> 00:04:00,240
Speaker 4: War, many sparrows must fall. Ninety long after the passage.

52
00:04:02,400 --> 00:04:06,120
In nineteen forty, long after the fastest victory which ended

53
00:04:06,159 --> 00:04:10,919
the war in Spain, an American volunteer returned to New York.

54
00:04:11,960 --> 00:04:15,240
His name is John McKittrick. He had fought him the

55
00:04:15,280 --> 00:04:19,439
Loyalist army, and after its defeat, spent two years in

56
00:04:19,480 --> 00:04:24,519
the horrors of a Spanish prisoner. Then he escaped, Broken

57
00:04:24,600 --> 00:04:29,240
in body and spirit. John McKittrick goes to Arizona, and

58
00:04:29,319 --> 00:04:33,360
there on a ranch slowly is forgetting the nightmare of

59
00:04:33,399 --> 00:04:37,920
the war and his imprisonment. One day, he runs across

60
00:04:37,959 --> 00:04:41,680
an old newspaper and what he reads in that paper

61
00:04:42,319 --> 00:04:45,560
sends him rushing back to New York to police headquarters

62
00:04:45,879 --> 00:04:47,839
and the office of Inspector Tobin.

63
00:04:49,480 --> 00:04:54,319
Speaker 5: Inspector Tobin, head of homicide. That's right. Why did you

64
00:04:54,319 --> 00:04:57,399
give out that Lieutenant Lepatino was accidentally killed? Because his

65
00:04:57,519 --> 00:04:59,959
death was accidental? Who my name?

66
00:05:00,000 --> 00:05:00,120
Speaker 2: It was?

67
00:05:00,199 --> 00:05:04,759
Speaker 5: John McKittrick, Oh old Chris's boy. Yeah, he used to

68
00:05:04,800 --> 00:05:07,639
work with your father in the Old East Side. He

69
00:05:07,680 --> 00:05:10,079
came into a lot of money after Chris died. My

70
00:05:10,160 --> 00:05:12,160
mother married again. The man she married happened to be

71
00:05:12,160 --> 00:05:14,560
pretty wealthy after she died. It came to me any objections,

72
00:05:14,680 --> 00:05:16,920
you don't misunderstand this, all right? I came here to

73
00:05:16,959 --> 00:05:20,959
find out about Louis, friend of yours since we were kids.

74
00:05:21,319 --> 00:05:24,680
Loui has been dead for weeks. Aren't you a little late? Well,

75
00:05:24,720 --> 00:05:27,000
I've been on a ranch in Arizona taking a rest.

76
00:05:27,360 --> 00:05:29,639
You were in Spain, weren't you? Had you enlisted in

77
00:05:29,680 --> 00:05:32,480
a loyalist army or something. I didn't know about Louie

78
00:05:32,519 --> 00:05:34,240
until I read about it in the month old newspaper.

79
00:05:34,600 --> 00:05:37,600
I caught the first train east. You know that Louie

80
00:05:37,639 --> 00:05:40,720
didn't kill himself. I didn't say that, said it was

81
00:05:40,759 --> 00:05:43,519
an accident. Louis was a policeman, a detective lieutenant, one

82
00:05:43,519 --> 00:05:45,360
of the toughest cops on your force, and he falls

83
00:05:45,360 --> 00:05:47,519
out of a window. I knew Louie, and maybe you

84
00:05:47,560 --> 00:05:51,199
know more than the whole homicide squad. I listen, you

85
00:05:51,199 --> 00:05:53,800
can play cowboy in Arizona as long as you want her,

86
00:05:53,800 --> 00:05:55,800
but you're not going to play detective around here, even

87
00:05:55,839 --> 00:05:58,319
if your name is McKittrick. Go run along and forget it.

88
00:05:58,360 --> 00:06:01,360
Louis was murdered. I'm going to find out who did

89
00:06:01,360 --> 00:06:03,639
it and why you're covering up. Run along side by

90
00:06:03,680 --> 00:06:05,279
the way. When I was getting off the train, a

91
00:06:05,319 --> 00:06:09,800
girl bumped into me. He apologize, went away. That was nicely. Yeah.

92
00:06:10,639 --> 00:06:12,800
Riding here in the cab, I found this in my pocket.

93
00:06:13,600 --> 00:06:16,000
The girl had planted it down me. What is it

94
00:06:16,120 --> 00:06:19,160
Louis le Patino's wallet. There were two things in it,

95
00:06:19,279 --> 00:06:21,519
louis badge and a letter I'd send him from Spain

96
00:06:21,639 --> 00:06:24,680
handed over. I think maybe Loui's mother might like to

97
00:06:24,720 --> 00:06:27,079
have the badge. Going over to see her now, I'll

98
00:06:27,079 --> 00:06:29,120
see that she gets it. Where's the letter? I tore

99
00:06:29,199 --> 00:06:30,360
it out.

100
00:06:30,600 --> 00:06:32,560
Speaker 2: Goodbye, inspector, good bye.

101
00:06:32,680 --> 00:06:32,879
Speaker 5: Oh.

102
00:06:32,920 --> 00:06:33,600
Speaker 2: One thing more.

103
00:06:33,639 --> 00:06:36,199
Speaker 5: I saw Louis when I got back from Spain. He

104
00:06:36,279 --> 00:06:39,439
got me a permit to carry this a gun. M

105
00:06:39,439 --> 00:06:41,600
It's good for a year. And don't you want to

106
00:06:41,600 --> 00:06:55,759
carry a gun to shoot people with? Sweetheart? We knew

107
00:06:55,879 --> 00:06:59,600
you would have come of it. We've been waiting before.

108
00:07:00,079 --> 00:07:02,720
Speaker 6: When I Louis was a boy, when he was in trouble,

109
00:07:02,959 --> 00:07:03,600
you would come.

110
00:07:04,279 --> 00:07:08,079
Speaker 7: No, no, we won't ever see him again Louis.

111
00:07:08,199 --> 00:07:13,279
Speaker 5: Ma, please you, Mama, you turned out, not yet, but

112
00:07:13,360 --> 00:07:16,879
I will find out. I know it was not an accident. No,

113
00:07:16,879 --> 00:07:20,800
no accident. You got any ideas, Papa. No, we don't

114
00:07:20,800 --> 00:07:23,199
see Louis very much for a long time. He's a

115
00:07:23,560 --> 00:07:26,879
going around with these people. For people there, he swells

116
00:07:26,879 --> 00:07:31,240
the people. I heard him talk about Parker and the

117
00:07:31,439 --> 00:07:35,360
girl called Darby tabathaon. Oh sure that Parker is one

118
00:07:35,399 --> 00:07:39,519
of my best friends, the lawyer Barbie Tabthan's or girl

119
00:07:39,519 --> 00:07:41,720
I used to go with. I introduced Louis to them

120
00:07:41,720 --> 00:07:42,120
long ago.

121
00:07:42,519 --> 00:07:44,800
Speaker 6: Kids, we cannot bring Louis back.

122
00:07:45,319 --> 00:07:48,759
Speaker 5: Maybe it is better if you do nothing, Mamma. When

123
00:07:48,759 --> 00:07:50,680
I was in prison, I managed to write Louis a letter.

124
00:07:51,439 --> 00:07:53,480
They'd been torturing me, beating me. I thought I was

125
00:07:53,519 --> 00:07:54,959
going crazy, tortured.

126
00:07:56,040 --> 00:07:56,879
Speaker 2: Why are they doing that?

127
00:07:57,079 --> 00:08:00,279
Speaker 5: Because I have something that Nazis want. I beg Louis

128
00:08:00,319 --> 00:08:03,199
to let me escape, help me escape. How he could

129
00:08:03,240 --> 00:08:05,639
help me, I didn't know, but he did. Louis got

130
00:08:05,680 --> 00:08:09,639
me out of that prison. Now he's dead. No, I

131
00:08:09,639 --> 00:08:12,000
can't just let it go at that. I'm going to

132
00:08:12,079 --> 00:08:12,560
find out.

133
00:08:13,639 --> 00:08:13,959
Speaker 2: Mama.

134
00:08:14,480 --> 00:08:16,839
Speaker 5: You remember when I was in Spain, I sent Louis souvenirs,

135
00:08:16,879 --> 00:08:20,639
some seashells. Ye sea shells, so prity you still have them? Sure,

136
00:08:21,319 --> 00:08:23,680
Louis says you could put the seashells away and keep

137
00:08:23,720 --> 00:08:24,240
it the good.

138
00:08:24,279 --> 00:08:26,120
Speaker 2: I may want to look at.

139
00:08:26,040 --> 00:08:29,399
Speaker 5: Them soon, kid, you stay an have supper? Well, thanks,

140
00:08:29,399 --> 00:08:31,199
but I can. I told that Parker, I drop in.

141
00:08:31,759 --> 00:08:33,559
I'll see you in a couple of days. Hurry a

142
00:08:33,639 --> 00:08:42,919
duchy the dirt chy kids. Mister mckidrick. How good to

143
00:08:42,960 --> 00:08:47,919
see you again, Robert chit is that you? I am gee?

144
00:08:48,159 --> 00:08:49,159
Speaker 2: This is really great.

145
00:08:49,320 --> 00:08:53,200
Speaker 5: Well, I figured I had enough of Arizona. Have you

146
00:08:53,320 --> 00:08:54,919
mind if I bunk with you a couple of days?

147
00:08:54,919 --> 00:08:55,039
Speaker 8: Oh?

148
00:08:55,080 --> 00:08:57,000
Speaker 5: I didn't have the whole place to yourself I'm going

149
00:08:57,039 --> 00:08:58,039
to wash Itton latenight.

150
00:08:58,559 --> 00:09:00,840
Speaker 2: Well, HOWI anyway? Fine?

151
00:09:01,480 --> 00:09:05,960
Speaker 5: Scars all healed, eat well, sleep well and studies a rock.

152
00:09:06,320 --> 00:09:11,159
No more hearing thing? No, say you're going out? Yeah?

153
00:09:11,200 --> 00:09:13,759
The Bobby Taverton, she's giving a dinner for some refugees.

154
00:09:14,200 --> 00:09:16,519
That's her latest craze. We're all meeting at her place

155
00:09:16,519 --> 00:09:18,159
and then going to dinner. Come along, sure?

156
00:09:18,240 --> 00:09:21,600
Speaker 2: Why not? A kit Bob is the.

157
00:09:21,559 --> 00:09:23,559
Speaker 5: Real reason why I came rushing back to New York,

158
00:09:23,600 --> 00:09:24,720
didn't she? No?

159
00:09:24,799 --> 00:09:25,559
Speaker 2: Not exact thing?

160
00:09:25,919 --> 00:09:28,879
Speaker 5: Was it because of Louis le Patina? What do you

161
00:09:28,919 --> 00:09:31,600
know about it? Abb Nothing much. Bobby has a party

162
00:09:31,639 --> 00:09:34,039
and Louis falls from the top of a window. That's

163
00:09:34,039 --> 00:09:36,000
the way they tell me who you'll meet most of

164
00:09:36,039 --> 00:09:40,360
them tonight. Kit Louis got you out of Spain. How

165
00:09:40,360 --> 00:09:43,200
did you know that? We're just kids? Can you talk

166
00:09:43,240 --> 00:09:47,919
about it? Yeah? I can talk now, pretty tough. Ann

167
00:09:49,159 --> 00:09:51,399
First you don't think you can take it, and then

168
00:09:51,440 --> 00:09:54,559
you do. It's like somebody shoved in a bottle and

169
00:09:54,600 --> 00:09:58,240
dammed in the court. Get to know everything but the sounds.

170
00:09:58,240 --> 00:10:03,200
They may sometimes screams. Some of the other prisoners key

171
00:10:03,240 --> 00:10:07,879
turning in the lock, squeaky hings water dripping in the hall.

172
00:10:09,240 --> 00:10:11,240
That's bad business because we don't get much to drink.

173
00:10:12,440 --> 00:10:14,679
It's good to know what the sounds mean, except when

174
00:10:14,679 --> 00:10:17,279
you know it's too long between times, and you just

175
00:10:17,320 --> 00:10:20,440
wait for the drag of that sport man who limps.

176
00:10:20,919 --> 00:10:22,440
When you hear that, you know they're ready to beat

177
00:10:22,480 --> 00:10:25,559
you again and do their their little tricks if you

178
00:10:25,600 --> 00:10:27,559
tell them it's too soon. One more beating and you'll die,

179
00:10:27,559 --> 00:10:30,399
and they don't want you to die. I couldn't take anymore.

180
00:10:30,440 --> 00:10:32,200
They couldn't let me die. I couldn't take anymore. I

181
00:10:32,200 --> 00:10:35,080
had to tell, but I didn't. I didn't kid take it.

182
00:10:37,240 --> 00:10:40,320
Speaker 2: Yeah, well how am I doing?

183
00:10:40,840 --> 00:10:43,320
Speaker 5: I'm sorry I shouldn't have asked. I tell you I've

184
00:10:43,360 --> 00:10:47,159
licked it. And Louis was the one that got you on. Yeah,

185
00:10:47,720 --> 00:10:51,279
Louis le Patino. Is that my room? Yes, I'll tell

186
00:10:51,360 --> 00:10:53,000
Robert to bring in the bag. I'd better clean up.

187
00:10:53,000 --> 00:10:53,879
Speaker 2: Now for the Senate.

188
00:10:55,840 --> 00:11:01,639
Speaker 6: Yellow and a thank you, darling, Darling, you look wonderful.

189
00:11:01,879 --> 00:11:05,960
Speaker 5: Thanks you too, by all the results. Too many people,

190
00:11:06,399 --> 00:11:08,039
I'll see you later, remember me.

191
00:11:08,279 --> 00:11:08,559
Speaker 6: Hello?

192
00:11:08,799 --> 00:11:08,840
Speaker 2: Ed?

193
00:11:09,120 --> 00:11:09,840
Speaker 9: Now come on you too.

194
00:11:09,879 --> 00:11:11,240
Speaker 6: There are some people I want you to meet who

195
00:11:11,240 --> 00:11:14,039
are just talking about you. Some really wonderful people. Oh

196
00:11:14,360 --> 00:11:20,200
in here, well, here they are doctor, doctor Scott. They

197
00:11:20,320 --> 00:11:22,200
present John McKittrick and Ab Parker.

198
00:11:22,360 --> 00:11:23,120
Speaker 5: How do you do what you do?

199
00:11:23,639 --> 00:11:27,440
Speaker 10: This is the doctor's nephew, Otto Scott, gentlemen, you will

200
00:11:27,480 --> 00:11:28,799
excuse me for not rising.

201
00:11:29,720 --> 00:11:34,200
Speaker 11: I have been confined to this wheelchair for years. Mister McKittrick.

202
00:11:34,879 --> 00:11:37,000
Miss Teverton was telling me you fought in Spain.

203
00:11:37,480 --> 00:11:38,519
Speaker 2: I was there for a while.

204
00:11:39,000 --> 00:11:41,120
Speaker 12: I'm very interested, you.

205
00:11:41,080 --> 00:11:43,120
Speaker 11: See, I'm engaged in the work having to do with

206
00:11:43,200 --> 00:11:45,240
the cruelties of men towards other.

207
00:11:45,080 --> 00:11:49,000
Speaker 5: Men, a large subject, Doctor h and your.

208
00:11:48,840 --> 00:11:52,879
Speaker 11: Observations would be invaluable. Could an old invalid impose on

209
00:11:52,919 --> 00:11:54,639
you to visit him someday if.

210
00:11:54,559 --> 00:11:55,720
Speaker 5: You think I could be of any use?

211
00:11:55,720 --> 00:11:55,960
Speaker 2: Sure?

212
00:11:56,759 --> 00:11:59,000
Speaker 11: Before you came in, I was frightening, Miss tavertan a

213
00:11:59,080 --> 00:12:03,159
otto comparing modern scientific torture with the methods.

214
00:12:02,799 --> 00:12:03,960
Speaker 2: Of the ancients.

215
00:12:04,559 --> 00:12:08,320
Speaker 11: Among the ancients, only the Asiatic displayed any real cunning.

216
00:12:09,759 --> 00:12:11,080
Speaker 12: They combined mental.

217
00:12:10,759 --> 00:12:13,879
Speaker 11: Agony with the purely physical and give us the principle

218
00:12:13,919 --> 00:12:18,440
of all modern tortures. The victim is saved at the

219
00:12:18,480 --> 00:12:23,799
broad borderline of insanity. Then ah then comes an interval

220
00:12:23,799 --> 00:12:28,200
in which he tortures himself. He waits, knowing the physical

221
00:12:28,240 --> 00:12:32,200
torture will be repeated, and it is repeated most assuredly,

222
00:12:32,879 --> 00:12:34,840
with perhaps a few new variations.

223
00:12:36,120 --> 00:12:37,840
Speaker 6: You see the point ghastly.

224
00:12:38,679 --> 00:12:41,759
Speaker 11: Oh, I could tell you many more equally ingenious tithniti.

225
00:12:44,080 --> 00:12:45,960
Speaker 6: So it is, well, I suppose we really should be

226
00:12:46,000 --> 00:12:46,399
on our way.

227
00:12:46,480 --> 00:12:49,000
Speaker 3: Doctor, Uh, just where are we going to the refugee dinner?

228
00:12:49,039 --> 00:12:50,759
Speaker 13: Of course I can tell you all about it on

229
00:12:50,840 --> 00:12:54,679
the way over.

230
00:13:00,879 --> 00:13:03,200
Speaker 2: They have Just who are the well?

231
00:13:03,200 --> 00:13:05,919
Speaker 5: The doctor is the famous Norwegian historian he got out

232
00:13:06,000 --> 00:13:08,159
just before the Nazis moved in, and the blonde wolf.

233
00:13:08,000 --> 00:13:08,720
Speaker 2: With him Otto.

234
00:13:09,440 --> 00:13:12,000
Speaker 5: His particular interest is Bobby. All I know is he

235
00:13:12,080 --> 00:13:14,279
and the doctor are both friends of the Prince, friend Swabby.

236
00:13:14,320 --> 00:13:16,799
The more the prince, Yeah, they live with him. The

237
00:13:16,840 --> 00:13:20,279
Prince's great stuff for the refugees. Don't worry about old Scots.

238
00:13:20,320 --> 00:13:23,480
He's been pretty fairly checked. And the nephew, well, Otto's

239
00:13:23,480 --> 00:13:24,679
accepted on his uncle's word.

240
00:13:25,039 --> 00:13:27,519
Speaker 2: Do you believe all this? Do you mind? If I don't?

241
00:13:28,080 --> 00:13:31,399
Speaker 5: I see? Have we the Scots at the party when

242
00:13:31,440 --> 00:13:35,200
Louis had his accident? Yeah, I look, kit If you

243
00:13:35,200 --> 00:13:36,320
want to know about the Scots.

244
00:13:36,919 --> 00:13:37,679
Speaker 2: Talk to Whitney.

245
00:13:37,840 --> 00:13:40,879
Speaker 5: Whitney, surely you remember my cousin. Oh yeah, sure, won't

246
00:13:40,919 --> 00:13:42,879
you'll be that night? She sings.

247
00:13:42,919 --> 00:13:46,279
Speaker 2: Oh, quite a girl, Whitney, Quite a girl.

248
00:13:53,080 --> 00:13:57,159
Speaker 5: So many new faces, Bobby, tell me the girl was

249
00:13:57,159 --> 00:13:57,919
saying a minute ago.

250
00:13:58,039 --> 00:13:59,120
Speaker 2: Is that really Whitney.

251
00:13:58,879 --> 00:14:01,799
Speaker 6: Cose he's a big girl string professionally at the club

252
00:14:01,840 --> 00:14:03,919
fifty club fifty huh?

253
00:14:04,200 --> 00:14:06,759
Speaker 5: And uh? Who's that girl? And one talking to Otto

254
00:14:06,799 --> 00:14:07,159
over there?

255
00:14:07,440 --> 00:14:09,720
Speaker 6: That's the Princess Grandall, Elma.

256
00:14:09,480 --> 00:14:11,399
Speaker 5: Dog, Prince France, wat and Almura.

257
00:14:11,639 --> 00:14:12,240
Speaker 6: How did you know?

258
00:14:13,120 --> 00:14:13,279
Speaker 2: Oh?

259
00:14:13,279 --> 00:14:14,240
Speaker 5: I get around fast.

260
00:14:14,519 --> 00:14:18,159
Speaker 6: You have a roving eye. Kids, kid, what's the matter?

261
00:14:18,919 --> 00:14:19,399
Speaker 2: What do you mean?

262
00:14:19,639 --> 00:14:21,720
Speaker 6: You seem so indifferent to me. I just can't make

263
00:14:21,759 --> 00:14:22,120
you out.

264
00:14:22,759 --> 00:14:27,000
Speaker 5: You're spoiled, Bobby and me. Well, when I came back

265
00:14:27,000 --> 00:14:28,679
from Spain and you saw me in the hospital, I

266
00:14:28,679 --> 00:14:29,879
figured I got the brush off.

267
00:14:30,159 --> 00:14:34,159
Speaker 6: You look so awful. Kids. I know, kids, I don't.

268
00:14:34,200 --> 00:14:36,440
Speaker 9: I and some others are going up to Franconia.

269
00:14:35,919 --> 00:14:39,960
Speaker 6: Lodge for some schemes. Please come along, No thanks, oh kid, please.

270
00:14:39,759 --> 00:14:42,000
Speaker 5: I can't. Bobby, I'd like to say hello to Whitney.

271
00:14:42,159 --> 00:14:43,519
Be a good girl, and don't be sore.

272
00:14:43,679 --> 00:14:51,519
Speaker 14: Go ahead, hope you have a miserable time, kid, if

273
00:14:51,519 --> 00:14:52,080
you insist.

274
00:14:52,320 --> 00:14:54,559
Speaker 6: It is a little more private here on the terrace.

275
00:14:54,480 --> 00:14:56,720
Speaker 5: But not enough. What would happen if we leave here?

276
00:14:56,840 --> 00:14:59,840
Let's go and find out where I'm a stranger in town?

277
00:15:00,039 --> 00:15:01,840
Speaker 6: Well, I have to be at the club by midnight.

278
00:15:01,919 --> 00:15:04,039
Speaker 5: Let's go there as well. I suppose Abba join us.

279
00:15:04,159 --> 00:15:06,519
Speaker 6: AB's a working man. He's going to Washington tonight.

280
00:15:06,559 --> 00:15:15,360
Speaker 5: Oh that's right, I forgot. Well let's get going. Uh

281
00:15:16,080 --> 00:15:18,960
so this is where you work? Like it I always did?

282
00:15:19,399 --> 00:15:20,240
Speaker 3: Oh you know the place?

283
00:15:20,919 --> 00:15:21,080
Speaker 2: Now?

284
00:15:21,159 --> 00:15:22,799
Speaker 5: Your boss is the brother of a friend of mine,

285
00:15:22,879 --> 00:15:27,759
Jake le Patino. Mm hmm, waiter, sir Whitney, nothing, thanks,

286
00:15:28,440 --> 00:15:29,080
she'll have anohing.

287
00:15:29,120 --> 00:15:30,120
Speaker 2: Thanks, I'll have a brandy?

288
00:15:30,240 --> 00:15:33,159
Speaker 5: Yes? What they have doing in Washington? Whitney?

289
00:15:33,279 --> 00:15:35,960
Speaker 6: Didn't he tell you? He's working for the government decoding.

290
00:15:36,360 --> 00:15:38,879
But as far as the Scotches are concerned, he's strictly

291
00:15:38,919 --> 00:15:39,399
on his own.

292
00:15:39,440 --> 00:15:41,000
Speaker 5: I think who's out of Scotts?

293
00:15:41,200 --> 00:15:43,080
Speaker 6: Could be a spot from.

294
00:15:42,919 --> 00:15:45,639
Speaker 5: Doctor Scots, could be another makes you think?

295
00:15:45,679 --> 00:15:48,960
Speaker 6: So, oh, I'm smart, I can smell phone.

296
00:15:49,440 --> 00:15:50,799
Speaker 5: What do you know about Louis le Patino?

297
00:15:51,159 --> 00:15:52,320
Speaker 10: I don't know what happened.

298
00:15:52,720 --> 00:15:54,200
Speaker 6: Only one person saw him.

299
00:15:54,240 --> 00:15:57,720
Speaker 5: For Elma Don, I seem to be full of questions.

300
00:15:57,759 --> 00:15:59,200
Who is Elma Don.

301
00:15:59,200 --> 00:16:01,320
Speaker 6: That girl you would staring at when she was talking

302
00:16:01,399 --> 00:16:04,440
to Otto? I saw you. She's the granddaughter of the

303
00:16:04,480 --> 00:16:07,080
Prince to Namur. She's the manager of a hat shop.

304
00:16:07,440 --> 00:16:09,840
Speaker 5: Very frank, I will now go ahead and put it

305
00:16:09,840 --> 00:16:10,639
all together for me.

306
00:16:11,080 --> 00:16:13,480
Speaker 6: But it was one of Bobbie's big party. Never even

307
00:16:13,559 --> 00:16:15,960
was in the play room upstairs. Anton and I were

308
00:16:15,960 --> 00:16:19,159
doing a number another new name Anton, Who is my

309
00:16:19,320 --> 00:16:20,480
company song tonight?

310
00:16:20,519 --> 00:16:22,480
Speaker 5: When I sang, oh, yeah, a good looking guy.

311
00:16:22,639 --> 00:16:23,440
Speaker 6: Quite well?

312
00:16:23,480 --> 00:16:23,720
Speaker 2: Go on?

313
00:16:23,759 --> 00:16:26,320
Speaker 5: Who else was in the playroom?

314
00:16:26,080 --> 00:16:26,679
Speaker 2: You well?

315
00:16:26,799 --> 00:16:29,480
Speaker 6: Bobby of course, and the doctor and Otto, Scotts and

316
00:16:29,519 --> 00:16:33,080
el Madn I just finished a song when Alma said

317
00:16:33,120 --> 00:16:36,240
she felt thank she went to the library just in

318
00:16:36,320 --> 00:16:38,919
time to see Louis fall or jump from the window.

319
00:16:39,360 --> 00:16:40,799
Speaker 5: Where were the Scotses at that moment?

320
00:16:40,960 --> 00:16:43,320
Speaker 6: Well, Doctor Scots was in his wheelchair right next to me.

321
00:16:43,559 --> 00:16:45,639
Otto had gone to his room. Someone had spilt some

322
00:16:45,759 --> 00:16:47,120
wine on his shirt and he's gone to.

323
00:16:47,120 --> 00:16:51,480
Speaker 5: Change perfect alibi. What about the Prince, Oh, he wasn't there.

324
00:16:51,639 --> 00:16:53,039
Speaker 6: He's quite old and not too well.

325
00:16:53,039 --> 00:16:55,879
Speaker 5: He never goes out, Whitney, How do you know so

326
00:16:55,960 --> 00:16:59,480
much about these people from Anton? Where does he fit in?

327
00:17:00,039 --> 00:17:00,200
Speaker 2: Well?

328
00:17:00,200 --> 00:17:03,159
Speaker 6: He doesn't. He's just a good musician who happens to

329
00:17:03,200 --> 00:17:06,039
know the Prince and el madn Let him alone?

330
00:17:06,119 --> 00:17:06,359
Speaker 5: Kid?

331
00:17:06,680 --> 00:17:10,799
Speaker 6: Why stick to Elma Don? Well, I've got to change now.

332
00:17:10,799 --> 00:17:12,920
Will I see you after the show, but I'll call you.

333
00:17:13,000 --> 00:17:17,039
Speaker 5: Thanks a lot, good night? You know where? Yes, sir?

334
00:17:17,920 --> 00:17:28,079
Tell Jake Lepatino like to see him? Yes, sir, Hello,

335
00:17:28,240 --> 00:17:31,279
make Kiddrick, Hello, Jake. I didn't hear about Louis for

336
00:17:31,319 --> 00:17:33,400
a month. I was over to see your folks this afternoon.

337
00:17:34,599 --> 00:17:36,359
Speaker 2: You your health is regained?

338
00:17:36,680 --> 00:17:40,799
Speaker 5: Yeah? Who got Louis? I don't know, kid, but there was.

339
00:17:40,759 --> 00:17:42,640
Speaker 2: No grudge, There was no bum that much.

340
00:17:42,640 --> 00:17:47,279
Speaker 5: I find out A brother like women, Jake, beautiful women.

341
00:17:47,640 --> 00:17:48,839
Speaker 2: Yeah that's true.

342
00:17:49,079 --> 00:17:51,359
Speaker 5: He wouldn't jump out of a window. Somebody pushed Louis

343
00:17:51,359 --> 00:17:54,640
out and had to be a dame. Yeah. How did

344
00:17:54,680 --> 00:17:56,079
Louis get mixed up in society?

345
00:17:56,799 --> 00:17:57,279
Speaker 2: I don't know.

346
00:17:58,000 --> 00:18:01,079
Speaker 5: Does h Elma Don come around here? But I know

347
00:18:01,200 --> 00:18:05,000
so few by name? Bobby tavern In comes Jay. That

348
00:18:05,119 --> 00:18:11,400
makes two beautiful dames, Elma Don and Barbie. Where'd Pienis Company.

349
00:18:11,440 --> 00:18:17,200
Anton Whitney brought him in. Whitney. Maybe there are three dames, Jake,

350
00:18:17,680 --> 00:18:21,599
Miss McKittrick. You're going to see this thing through, Yeah, Jake,

351
00:18:21,640 --> 00:18:22,559
I'm going to see it through.

352
00:18:23,400 --> 00:18:24,079
Speaker 2: Thanks.

353
00:18:24,640 --> 00:18:26,759
Speaker 5: Well, I've seen the day or two, Jake. If there's

354
00:18:26,759 --> 00:18:33,400
anything you need anything, I don't thank along along McKittrick, Danny. Yeah,

355
00:18:33,599 --> 00:18:37,880
that guy just going out, he's John McKittrick. Oh, don't

356
00:18:37,920 --> 00:18:40,240
let him get out of your sight, understand.

357
00:18:40,480 --> 00:18:43,400
Speaker 2: Oh sure, Jake. Sure.

358
00:18:53,400 --> 00:18:56,839
Speaker 3: After a brief admission, mister Demill present Robert Young, Marin O'Hara,

359
00:18:56,960 --> 00:19:00,160
and Walter slaves Ac in Act two of The Fallens. PA,

360
00:19:01,440 --> 00:19:04,400
now here's a friend of ours. What's that box under

361
00:19:04,440 --> 00:19:06,559
your arm? Maybe that's my question box.

362
00:19:06,920 --> 00:19:09,480
Speaker 15: I've been eavesdropping in department stores to find out what

363
00:19:09,559 --> 00:19:12,960
women want to know about stockings. I was surprised how

364
00:19:13,000 --> 00:19:15,880
often the same questions were asked. Just pick one out

365
00:19:15,920 --> 00:19:16,519
and I'll answer it.

366
00:19:16,720 --> 00:19:17,160
Speaker 2: Okay.

367
00:19:18,000 --> 00:19:20,000
Speaker 3: How long will rayon stockings last?

368
00:19:20,480 --> 00:19:25,279
Speaker 15: How long is a piece of strings? Seriously, that depends

369
00:19:25,319 --> 00:19:27,359
on the where they get and the care they get.

370
00:19:27,759 --> 00:19:30,000
They'll probably last as long as silk. As you treat

371
00:19:30,079 --> 00:19:33,640
them properly, you can cut down runs double stocking wear

372
00:19:33,640 --> 00:19:34,039
with luck.

373
00:19:34,359 --> 00:19:36,160
Speaker 3: How often should stockings be washed?

374
00:19:36,160 --> 00:19:39,839
Speaker 15: There's only one answer to that, After every single wearing

375
00:19:40,480 --> 00:19:44,079
might be lucky and removes perspiration that injures fibers. Helps

376
00:19:44,160 --> 00:19:45,319
Rayon's fit better too.

377
00:19:45,759 --> 00:19:48,279
Speaker 3: Is Rayon ready to wear when it feels dry.

378
00:19:48,240 --> 00:19:52,799
Speaker 15: Not necessarily go buy the cloth not fulfilled. Always allow

379
00:19:52,880 --> 00:19:56,000
twenty four to forty eight hours the maximum time and

380
00:19:56,119 --> 00:19:59,480
damp for humid weather. Ray On drives from the outside end,

381
00:19:59,599 --> 00:20:01,720
so it may the steel dry, but if the inner

382
00:20:01,799 --> 00:20:04,599
chorus still dants, the threads may give way under strain.

383
00:20:04,880 --> 00:20:05,599
Speaker 6: Pop a run.

384
00:20:05,799 --> 00:20:08,000
Speaker 3: I'm afraid that's all we'll have time for tonight, Libby.

385
00:20:08,440 --> 00:20:11,200
But the answers to most stocking problems add up to this.

386
00:20:11,680 --> 00:20:15,759
You can double aware with nightly luxing. Actual strain tests

387
00:20:15,799 --> 00:20:18,960
proved it. Stockings washed with lux flakes didn't go into

388
00:20:19,039 --> 00:20:21,720
runs nearly so quickly as those rubbed with cake soap

389
00:20:22,119 --> 00:20:25,279
or washed with a strong soap. So save your precious

390
00:20:25,279 --> 00:20:28,759
stockings with lux flakes. When you whisk up lux SuDS,

391
00:20:28,880 --> 00:20:31,440
use all you need for a rich ladder, but don't

392
00:20:31,440 --> 00:20:34,920
pour out more than you need. Soap contains vital war materials.

393
00:20:35,000 --> 00:20:39,279
Don't waste it, please now, our producer mister de mill.

394
00:20:39,519 --> 00:20:42,559
Speaker 4: Act two of The Fallen Sparrow, starring Robert Young as Kit,

395
00:20:42,720 --> 00:20:46,720
Marin O'Hara asked Elma, and Walter Slayzak as Doctor Scarce.

396
00:20:56,200 --> 00:20:57,480
Speaker 2: It's nearly an hour later.

397
00:20:58,440 --> 00:21:01,160
Speaker 4: Kit has walked from the club fifty have Parker's apartment,

398
00:21:01,839 --> 00:21:06,240
a hundred wild thoughts racing through his mind. The wounds

399
00:21:06,240 --> 00:21:08,799
on his body are mended, but the wounds on his

400
00:21:08,960 --> 00:21:12,359
mind are slow to heal. As he reaches the door

401
00:21:12,960 --> 00:21:16,759
for two years of torture in prison start closing.

402
00:21:16,400 --> 00:21:19,079
Speaker 12: In on him like a huge black title.

403
00:21:22,519 --> 00:21:29,599
Speaker 5: Robert, Robert, Robert, Good evening, Sir, Robert, didn't you here?

404
00:21:31,480 --> 00:21:31,920
Who are you?

405
00:21:32,480 --> 00:21:36,920
Speaker 16: I'm a woman, sir, I'm substituting for Robertsir. Mister Parker

406
00:21:36,920 --> 00:21:39,200
said he could have a few days off. I thought

407
00:21:39,200 --> 00:21:39,960
he told you, sir.

408
00:21:40,200 --> 00:21:42,359
Speaker 2: No, no, no, I didn't.

409
00:21:42,480 --> 00:21:46,559
Speaker 16: Excuse me, sir. Are you feeling ill? Your peace? It, sir,

410
00:21:46,799 --> 00:21:47,359
it's wet.

411
00:21:47,440 --> 00:21:51,079
Speaker 2: No, it's been running. It helps me sweep by. I've

412
00:21:51,160 --> 00:21:54,000
unpacked one bag for you, sir. I could knock in

413
00:21:54,000 --> 00:21:55,880
the other. It was locked.

414
00:21:56,400 --> 00:22:10,240
Speaker 5: Well, thanks, good night, good night, sir. Sure it was locked,

415
00:22:10,240 --> 00:22:13,119
but that didn't stop and did it? The lining's cut

416
00:22:13,119 --> 00:22:15,240
in the razor blade and then glued back. The glue

417
00:22:15,240 --> 00:22:19,079
is still wet, and they think I am a fool.

418
00:22:20,000 --> 00:22:26,200
They think I'm trick. Oh godda't let it happen, please please,

419
00:22:27,480 --> 00:22:29,680
I'm well. I'm away from there. They can't do anything.

420
00:22:29,720 --> 00:22:30,200
They can't.

421
00:22:45,440 --> 00:23:10,960
Speaker 2: H h what's that? Who is it? Yeah?

422
00:23:12,319 --> 00:23:20,960
Speaker 5: Dream? Yeah, it's the dream ruman. Where are you? I

423
00:23:20,960 --> 00:23:25,160
thought I heard someone. There's nothing wrong with me, but

424
00:23:25,240 --> 00:23:25,759
someone else.

425
00:23:26,480 --> 00:23:27,039
Speaker 2: I'm sure you.

426
00:23:27,079 --> 00:23:28,240
Speaker 5: Must be mistaken, sir.

427
00:23:29,160 --> 00:23:29,880
Speaker 2: Perhaps you were.

428
00:23:29,880 --> 00:23:37,079
Speaker 5: Dreaming, yeah, dream, Wait a minute, water, there's water dripping.

429
00:23:37,119 --> 00:23:38,960
Speaker 2: I can still hear it. I can hear it.

430
00:23:40,039 --> 00:23:43,960
Speaker 16: Why, yes, sir, it's the buzzard in the kitchen. I

431
00:23:44,039 --> 00:23:47,519
must have neglected to turn it completely up. I'm sorry, sir.

432
00:23:48,440 --> 00:23:51,960
Speaker 5: Go to bed, I'll think sorry I woke you. Good night, sir,

433
00:23:53,319 --> 00:24:04,880
good night, Oh, good morning, good morning?

434
00:24:04,880 --> 00:24:06,720
Speaker 2: Mister. Don't I want to see some.

435
00:24:06,640 --> 00:24:08,000
Speaker 6: Hats, ladies' hats?

436
00:24:08,079 --> 00:24:08,400
Speaker 2: Why not?

437
00:24:08,519 --> 00:24:09,599
Speaker 5: It's the hat shop, isn't it.

438
00:24:09,799 --> 00:24:11,200
Speaker 6: Oh? Yes, of course I.

439
00:24:11,240 --> 00:24:13,880
Speaker 5: Like to look at ladies' hats. Well, where are they?

440
00:24:14,000 --> 00:24:15,200
Or did they come out on the hour like a

441
00:24:15,240 --> 00:24:15,799
cuckoo clock?

442
00:24:16,240 --> 00:24:17,640
Speaker 6: Our trade is mostly customs.

443
00:24:17,680 --> 00:24:21,400
Speaker 5: Sir, Oh, my name is mcittrick, John mcittrey. I saw

444
00:24:21,400 --> 00:24:24,640
you last night at the refugee Affair, Miss Gone. I

445
00:24:24,680 --> 00:24:26,480
thought you were the most beautiful woman in the room.

446
00:24:27,000 --> 00:24:28,920
Speaker 6: Oh what type of hat are you interested in?

447
00:24:29,000 --> 00:24:29,200
Speaker 2: Sir?

448
00:24:29,319 --> 00:24:30,960
Speaker 5: It doesn't matter what time do you go to lunch.

449
00:24:31,279 --> 00:24:32,279
Speaker 6: I don't go to lunch.

450
00:24:32,640 --> 00:24:34,720
Speaker 5: I saw you another place yesterday.

451
00:24:34,960 --> 00:24:35,359
Speaker 6: You did.

452
00:24:35,839 --> 00:24:38,599
Speaker 5: Yes, on the train you bumped into me. I figured

453
00:24:38,599 --> 00:24:40,039
if we keep running into each other like this and

454
00:24:40,160 --> 00:24:41,000
they as well know each other?

455
00:24:41,640 --> 00:24:42,359
Speaker 2: Now about lunch?

456
00:24:42,400 --> 00:24:44,799
Speaker 6: I do not go out to lunch. Good morning.

457
00:24:44,880 --> 00:24:47,160
Speaker 5: But if you don't, how can I get to know you?

458
00:24:47,160 --> 00:24:48,839
You and Prince friends bark.

459
00:24:49,160 --> 00:24:51,960
Speaker 6: You can read about the Prince in any public library,

460
00:24:52,039 --> 00:24:52,359
but I.

461
00:24:52,319 --> 00:24:57,079
Speaker 5: Can't about you. Is he really your grandfather? Of course

462
00:24:57,680 --> 00:24:59,759
I got it. What about lunch?

463
00:25:00,079 --> 00:25:00,640
Speaker 6: I told you?

464
00:25:00,720 --> 00:25:02,920
Speaker 5: Then, what about hats? Come on, show me a hat?

465
00:25:09,039 --> 00:25:12,119
Not bad, not bad at all. You better show me

466
00:25:12,119 --> 00:25:12,640
something else.

467
00:25:12,720 --> 00:25:15,200
Speaker 6: You've been here over an hour, mister McKittrick. I've shown

468
00:25:15,240 --> 00:25:16,359
you fourteen hats.

469
00:25:16,359 --> 00:25:18,799
Speaker 5: Well, that's naturally a very patient guy. Take your time,

470
00:25:18,880 --> 00:25:19,720
try out a few more.

471
00:25:19,799 --> 00:25:21,160
Speaker 6: You don't really want to see hat?

472
00:25:21,240 --> 00:25:22,279
Speaker 5: I really want to go to lunch.

473
00:25:22,440 --> 00:25:23,279
Speaker 6: I won't go with you.

474
00:25:23,440 --> 00:25:25,440
Speaker 2: Okay, let's see some more skimmers, babe.

475
00:25:25,200 --> 00:25:26,759
Speaker 6: And don't dare call me babe.

476
00:25:26,920 --> 00:25:28,799
Speaker 5: Look, if you don't eat lunch, you'll need a big dinner.

477
00:25:28,839 --> 00:25:29,559
You can't starve.

478
00:25:29,839 --> 00:25:36,359
Speaker 6: I intend to eat dinner with me. If I say yes,

479
00:25:37,000 --> 00:25:37,519
will you go?

480
00:25:37,720 --> 00:25:38,279
Speaker 5: It's a deal?

481
00:25:38,880 --> 00:25:50,079
Speaker 6: All right? Call me here later today. We'll arrange things there. Kid,

482
00:25:50,559 --> 00:25:50,880
come in.

483
00:25:51,000 --> 00:25:52,759
Speaker 5: I had to push your teeth right down your throat

484
00:25:52,839 --> 00:25:53,480
even as a kid.

485
00:25:53,480 --> 00:25:54,359
Speaker 2: You were a liar with me.

486
00:25:54,559 --> 00:25:57,200
Speaker 6: What are you talking about in there?

487
00:25:57,279 --> 00:25:59,680
Speaker 5: Giving me that stuff about Alma don I just came

488
00:25:59,680 --> 00:26:01,240
from her shop. How could she heave a guy like

489
00:26:01,279 --> 00:26:02,119
Louis out of a window?

490
00:26:02,200 --> 00:26:03,799
Speaker 6: I didn't say she could or did?

491
00:26:03,960 --> 00:26:05,559
Speaker 5: What is it you're trying to get her in trouble?

492
00:26:06,119 --> 00:26:07,880
Is she giving you competition with Anton?

493
00:26:07,960 --> 00:26:08,680
Speaker 6: Get out of here?

494
00:26:09,000 --> 00:26:11,319
Speaker 5: Oh so, Anton, is something more to you than just

495
00:26:11,359 --> 00:26:11,880
in the company.

496
00:26:12,240 --> 00:26:13,200
Speaker 6: What's the matter with you?

497
00:26:14,119 --> 00:26:17,079
Speaker 2: Yeah? It had to be a dean, but not Elma.

498
00:26:17,240 --> 00:26:20,240
Speaker 6: Oh, for heaven's sakes, now it's you. You're look into

499
00:26:20,240 --> 00:26:22,480
a pair of baby eyes and stop drooling.

500
00:26:23,079 --> 00:26:24,519
Speaker 5: Anton goes for too, Huh.

501
00:26:24,559 --> 00:26:25,920
Speaker 6: I told you you can get out of here if

502
00:26:25,920 --> 00:26:26,880
you're going to talk that way.

503
00:26:26,920 --> 00:26:27,839
Speaker 5: What did you meet Anton?

504
00:26:28,279 --> 00:26:31,160
Speaker 6: Where does anyone meet anyone? I'm a singer, he's a musician.

505
00:26:31,240 --> 00:26:32,160
Speaker 2: How does he happen to know? This?

506
00:26:32,440 --> 00:26:33,400
Speaker 5: Says in Europe.

507
00:26:33,400 --> 00:26:35,440
Speaker 6: I suppose I don't know everything. There are a few

508
00:26:35,480 --> 00:26:37,440
things you have to find out yourself.

509
00:26:38,759 --> 00:26:41,880
Speaker 5: Long distance. This is Plaza three two oh ninety nine.

510
00:26:42,359 --> 00:26:44,559
I'd like to speak to mister ab Parker in Washington,

511
00:26:44,599 --> 00:26:50,400
d C. Jefferson Park Hotel. Yeah, that's right. Thanks, mind

512
00:26:50,400 --> 00:26:52,279
if I use your phone withney, help yourself.

513
00:26:52,759 --> 00:26:54,799
Speaker 6: Look, I have to go to a rehearsal. Here's the key.

514
00:26:54,880 --> 00:26:56,759
When you're through here, drop it in the mailbox.

515
00:27:01,920 --> 00:27:06,599
Speaker 5: Hello. Oh well no, never mind, cancel a call.

516
00:27:11,359 --> 00:27:24,279
Speaker 2: No, no, maybe it's in hall.

517
00:27:24,319 --> 00:27:28,119
Speaker 5: Take another drink. Something's got to work, Which is the answer?

518
00:27:29,640 --> 00:27:33,000
Speaker 2: Toldal? Have your hands for studies of rock? Come on?

519
00:27:33,079 --> 00:27:33,440
Fuck up?

520
00:27:33,480 --> 00:27:34,119
Speaker 5: What are you afraid of?

521
00:27:34,799 --> 00:27:37,960
Speaker 2: You've got a gun. You're in New York, millions of

522
00:27:37,960 --> 00:27:40,960
people around here. You've got to find out who kill

523
00:27:41,039 --> 00:27:42,880
the week. That's what you're here.

524
00:27:42,799 --> 00:27:44,440
Speaker 10: For, isn't it?

525
00:27:44,519 --> 00:27:46,759
Speaker 2: So stop shaking because you hear a salam that isn't there?

526
00:27:47,480 --> 00:27:53,319
Stop it? Stop it? Yeah that's better much.

527
00:28:01,720 --> 00:28:02,440
Speaker 9: What are you me?

528
00:28:02,920 --> 00:28:06,000
Speaker 2: Yeah? Just a minute.

529
00:28:07,920 --> 00:28:10,920
Speaker 5: I'm sorry, Whitney. I guess I fell asleep, couldn't sleep

530
00:28:11,000 --> 00:28:11,400
last night.

531
00:28:11,519 --> 00:28:15,400
Speaker 7: I oh, good bye, Whitney. I did not know you

532
00:28:15,519 --> 00:28:17,359
had company. I'll see you at the club.

533
00:28:18,240 --> 00:28:18,519
Speaker 5: Bye.

534
00:28:18,519 --> 00:28:24,039
Speaker 6: Anton. Well that's just lovely. Anton must have a beautiful

535
00:28:24,079 --> 00:28:24,640
picture of me.

536
00:28:24,839 --> 00:28:25,759
Speaker 5: I said, I was sorry.

537
00:28:25,799 --> 00:28:27,079
Speaker 6: Would you care to leave now?

538
00:28:27,119 --> 00:28:29,279
Speaker 5: Pretty soon? Anton lives here too long?

539
00:28:29,359 --> 00:28:31,519
Speaker 6: This is an apartment house. He lives downstairs.

540
00:28:31,559 --> 00:28:34,279
Speaker 5: Why didn't you tell me that before me? Sorry, but

541
00:28:34,319 --> 00:28:36,720
I've got to know these things. When did you arrive

542
00:28:36,759 --> 00:28:37,319
in this country?

543
00:28:37,359 --> 00:28:37,759
Speaker 2: Anton?

544
00:28:38,000 --> 00:28:38,839
Speaker 6: About a year ago?

545
00:28:39,319 --> 00:28:44,240
Speaker 5: Thirty nine? Yes, Whitney, you happen to know a man

546
00:28:44,319 --> 00:28:48,359
who limps drags one foot when he walks. I thought

547
00:28:48,359 --> 00:28:50,319
I heard him last night. I thought I heard him

548
00:28:50,319 --> 00:28:54,440
today here I'm looking for him. Do you know anyone

549
00:28:54,519 --> 00:28:54,720
liked that?

550
00:28:54,759 --> 00:28:55,160
Speaker 2: Whitney?

551
00:28:55,319 --> 00:28:55,400
Speaker 14: No?

552
00:28:56,720 --> 00:28:58,160
Speaker 6: Are you sure you heard him?

553
00:28:59,000 --> 00:28:59,519
Speaker 2: I don't know.

554
00:29:01,240 --> 00:29:02,799
Speaker 5: Did you ever guess why I was held a prisoner

555
00:29:02,839 --> 00:29:04,960
in Spain for more than two years after the war

556
00:29:05,079 --> 00:29:08,400
was over? Did you ever wondered why I was so important?

557
00:29:08,839 --> 00:29:09,039
Speaker 2: Ab?

558
00:29:09,160 --> 00:29:09,359
Speaker 11: Did?

559
00:29:09,720 --> 00:29:11,400
Speaker 6: We all tried to guess, but.

560
00:29:11,480 --> 00:29:12,119
Speaker 17: No one knew.

561
00:29:12,400 --> 00:29:13,559
Speaker 2: Louis le Patino knew.

562
00:29:13,960 --> 00:29:16,880
Speaker 5: He helped me escape through some old country relatives he had.

563
00:29:17,839 --> 00:29:21,000
That's why I was killed. The greatest guy I ever knew.

564
00:29:21,319 --> 00:29:25,960
You understand that they want something I've got. That's why

565
00:29:26,000 --> 00:29:27,880
with the man with the bad foot is here because

566
00:29:27,920 --> 00:29:28,279
I'm here.

567
00:29:28,319 --> 00:29:29,519
Speaker 6: Who is he?

568
00:29:29,640 --> 00:29:32,319
Speaker 5: I don't know, Whitney. He used to fly in from Berlin.

569
00:29:32,720 --> 00:29:34,599
I'd hear him in the corridor, and after every visit

570
00:29:34,640 --> 00:29:39,359
they'd go to work on me all over again. What

571
00:29:40,440 --> 00:29:42,279
do you hear it? Do you hear anything?

572
00:29:42,920 --> 00:29:43,000
Speaker 6: No?

573
00:29:43,200 --> 00:29:45,279
Speaker 5: Nothing, the drag, the drag of afoot.

574
00:29:45,599 --> 00:29:46,599
Speaker 18: Listen to me, kid.

575
00:29:46,799 --> 00:29:50,359
Speaker 6: If you don't stop hearing things, you look hadn't you

576
00:29:50,359 --> 00:29:51,359
better see your doctor?

577
00:29:51,759 --> 00:29:52,200
Speaker 5: I did.

578
00:29:52,200 --> 00:29:55,880
Speaker 2: He said I needed rest and freedom from Hag's eyes.

579
00:29:57,160 --> 00:30:00,680
You've been pretty patient, Whitney. Well, I've got a date.

580
00:30:01,119 --> 00:30:03,480
I'll be seeing you.

581
00:30:13,039 --> 00:30:14,960
Speaker 6: Good evening. Mister McKittrick, come in.

582
00:30:15,359 --> 00:30:18,519
Speaker 2: I can't believe it. What keeping your words?

583
00:30:18,880 --> 00:30:21,519
Speaker 6: I can't resist Roses. You sent three dozens.

584
00:30:21,519 --> 00:30:23,319
Speaker 5: That's a piece off thing. Never they're just a starter.

585
00:30:23,759 --> 00:30:27,119
We'll have dinners, you show go dancing the work you ready?

586
00:30:27,559 --> 00:30:30,039
Speaker 6: Yes? Oh, but when you phoned you said you'd like

587
00:30:30,079 --> 00:30:31,279
to meet Prince Francois.

588
00:30:31,359 --> 00:30:34,200
Speaker 2: It still goes may I for a moment, I'm.

589
00:30:34,079 --> 00:30:36,759
Speaker 6: Afraid it's in rather a bad mood. He's quite old.

590
00:30:37,119 --> 00:30:39,000
Please be careful not to anger him.

591
00:30:39,400 --> 00:30:44,000
Speaker 19: Find me grabbers, tradesmen. Just consider the state.

592
00:30:43,720 --> 00:30:46,960
Speaker 6: Of the world, Your highness, May I present mister McKittrick,

593
00:30:48,079 --> 00:30:49,559
and you already know doctor Scott.

594
00:30:49,640 --> 00:30:52,799
Speaker 2: Yes, good evening, sir. Just who are you, young men?

595
00:30:53,759 --> 00:30:57,039
Speaker 5: No one in particular, sir, A man of exceptional marriage,

596
00:30:57,079 --> 00:31:00,279
I should say, A fighting man, your highness.

597
00:31:00,079 --> 00:31:04,240
Speaker 19: I think men they look look at that world back there, mister.

598
00:31:04,279 --> 00:31:07,599
Speaker 5: Kit what do you see? I see flags, sir.

599
00:31:07,720 --> 00:31:10,599
Speaker 19: They are the standards of the House of Saint Louis,

600
00:31:11,000 --> 00:31:15,480
my housemans sur something you cannot buy or steel.

601
00:31:15,799 --> 00:31:17,160
Speaker 5: Something to fight for.

602
00:31:18,000 --> 00:31:21,799
Speaker 19: They represent the glory of one hundred generations in ninety

603
00:31:21,880 --> 00:31:22,720
two rules.

604
00:31:23,960 --> 00:31:28,279
Speaker 6: Em we have the wine, it's ready, Grandfather Anton has

605
00:31:28,279 --> 00:31:28,880
it inside.

606
00:31:29,039 --> 00:31:34,400
Speaker 11: Come then, Elma, if you please my dearther's cursed wheelchair.

607
00:31:34,759 --> 00:31:41,119
Speaker 18: Of course, are you saying he's a mutation? I think

608
00:31:41,160 --> 00:31:44,000
you're sawing at the dinner I see to see him everywhere.

609
00:31:45,000 --> 00:31:48,160
Speaker 11: This talk of flags and standards may be difficult for

610
00:31:48,160 --> 00:31:50,119
an American to understand, mister mckiffick.

611
00:31:50,359 --> 00:31:51,200
Speaker 2: Not for me, doctor.

612
00:31:51,839 --> 00:31:54,640
Speaker 11: You see, your highness, as I said, a man of

613
00:31:54,720 --> 00:31:55,720
exceptional merriage.

614
00:31:55,839 --> 00:31:58,160
Speaker 5: We are ready, Anton. I hope you will find the

615
00:31:58,200 --> 00:31:59,359
wine at the right temperature.

616
00:31:59,400 --> 00:32:02,359
Speaker 6: Your Highness Anton, you know mister McKittrick.

617
00:32:02,960 --> 00:32:04,440
Speaker 5: Yes, sir, we have met.

618
00:32:05,200 --> 00:32:10,680
Speaker 11: Look at the tracer. Observe the goblets? Are they not beautiful?

619
00:32:11,039 --> 00:32:14,079
Notice they are frescoat with a small gold medallion.

620
00:32:15,000 --> 00:32:18,400
Speaker 2: Yes, the Lion of San Raphael.

621
00:32:18,000 --> 00:32:18,279
Speaker 5: Isn't it?

622
00:32:19,039 --> 00:32:19,400
Speaker 2: Elma?

623
00:32:20,160 --> 00:32:22,759
Speaker 11: Perhaps you will tell your guests something of these goblets.

624
00:32:23,319 --> 00:32:23,599
Speaker 18: Oh?

625
00:32:24,400 --> 00:32:28,839
Speaker 6: They they originated in Spain, mister McKittrick. They later came

626
00:32:28,880 --> 00:32:31,000
to Italy and into the possession of our house.

627
00:32:31,960 --> 00:32:35,680
Speaker 11: Yes, in his highness veins flows the same blood as

628
00:32:35,680 --> 00:32:36,440
the Borgies.

629
00:32:37,160 --> 00:32:40,279
Speaker 5: Welliness goblet may have held poison in its time.

630
00:32:40,519 --> 00:32:43,839
Speaker 19: Undoubtedly we will drink, mister McKittrick.

631
00:32:45,359 --> 00:32:46,640
Speaker 12: Why do you switch classes?

632
00:32:47,599 --> 00:32:52,160
Speaker 5: Uh, it's an old Borgia custom, doctor, to be sure.

633
00:32:53,000 --> 00:32:56,720
Speaker 3: Now, may I suggest we drink two America?

634
00:32:56,880 --> 00:32:57,200
Speaker 2: Doctor?

635
00:32:58,319 --> 00:33:00,759
Speaker 12: Yes, to America.

636
00:33:06,000 --> 00:33:08,000
Speaker 6: And so I work at the hatshop and make my

637
00:33:08,079 --> 00:33:10,680
home there with my grandfather. What do you think of him?

638
00:33:10,720 --> 00:33:13,720
Speaker 5: Interesting? Not nearly as interesting as you Dan?

639
00:33:14,799 --> 00:33:19,680
Speaker 6: Later, Kit, what is it you really wanted me? At

640
00:33:19,680 --> 00:33:22,400
the refugee dinner? You stared at me and it wasn't

641
00:33:22,440 --> 00:33:24,640
the way a man stares at a woman. You went

642
00:33:24,640 --> 00:33:26,440
out of your way to find out who I am

643
00:33:26,519 --> 00:33:29,400
and where I work. You didn't invite me out tonight

644
00:33:29,480 --> 00:33:30,759
because you had nothing else to do.

645
00:33:31,440 --> 00:33:32,000
Speaker 2: What is it?

646
00:33:32,759 --> 00:33:35,720
Speaker 5: Yes? I invited you? Ah and did you accept because

647
00:33:35,720 --> 00:33:38,279
you wanted to? Because you were told to come? Told

648
00:33:38,279 --> 00:33:41,720
to Yeah? What kind of a girl are you?

649
00:33:42,680 --> 00:33:44,039
Speaker 2: Was Louis Epatino in love with you?

650
00:33:44,400 --> 00:33:45,960
Speaker 6: I knew him only for a short while.

651
00:33:46,599 --> 00:33:48,680
Speaker 5: That means nothing. Louis always fell in love easily.

652
00:33:48,799 --> 00:33:49,720
Speaker 6: He was kind to me.

653
00:33:50,000 --> 00:33:51,359
Speaker 5: So you pushed him out of a window.

654
00:33:51,559 --> 00:33:54,680
Speaker 6: No, no, that's not true. I think you'd better take

655
00:33:54,720 --> 00:33:55,039
me home.

656
00:33:55,079 --> 00:33:57,759
Speaker 5: It's too early. No, please, you can't make a scene here.

657
00:33:57,839 --> 00:34:00,240
Think of the Prince, Think of those hundred generate.

658
00:34:00,799 --> 00:34:05,039
Speaker 6: I simply don't understand you. At times you seem to

659
00:34:05,039 --> 00:34:07,599
be a gentleman, and at other times you're a mug.

660
00:34:08,760 --> 00:34:11,079
Speaker 5: I was raised that way. I was a mug until

661
00:34:11,079 --> 00:34:14,239
I was fourteen, and they made me a gentleman. Then

662
00:34:14,960 --> 00:34:16,880
some of the boys made me a mug again.

663
00:34:17,440 --> 00:34:18,760
Speaker 6: Why are you doing this to make Kit?

664
00:34:19,599 --> 00:34:20,039
Speaker 5: I don't know.

665
00:34:21,960 --> 00:34:24,320
Speaker 2: Yes, it would be so easy to fall in love

666
00:34:24,320 --> 00:34:25,360
with you, Kit.

667
00:34:26,000 --> 00:34:28,719
Speaker 6: I'm with you tonight. Because I want to be because

668
00:34:28,760 --> 00:34:31,400
in the shop, even through your insolence, I fail. I

669
00:34:31,440 --> 00:34:33,400
know you didn't let me finish.

670
00:34:33,480 --> 00:34:37,079
Speaker 5: You don't have to. Where did you get Louis wallet?

671
00:34:37,360 --> 00:34:39,559
Speaker 6: He gave it to me. No, not that night. He

672
00:34:40,239 --> 00:34:41,800
had shown me a picture of the two of you.

673
00:34:42,199 --> 00:34:43,360
He forgot it when he left.

674
00:34:44,519 --> 00:34:45,440
Speaker 5: Lady, that's h honey.

675
00:34:45,559 --> 00:34:46,639
Speaker 6: You don't have to believe it.

676
00:34:46,719 --> 00:34:48,599
Speaker 5: He dropped in my pocket on the train, didn't you?

677
00:34:49,239 --> 00:34:52,800
Speaker 6: Yes, Why to warn you? I liked you because of

678
00:34:52,800 --> 00:34:53,760
what Louis had told me.

679
00:34:54,199 --> 00:34:55,880
Speaker 5: How did you know I'd be on that train?

680
00:34:56,199 --> 00:34:58,280
Speaker 6: Don't you know that you've been watched ever since you

681
00:34:58,320 --> 00:35:01,360
said foot in New York. I have access to information

682
00:35:01,440 --> 00:35:04,559
that told what train you'd be on. For telling you

683
00:35:04,639 --> 00:35:07,800
all this, I could be killed. I only asked that

684
00:35:07,880 --> 00:35:08,559
you believe me.

685
00:35:09,119 --> 00:35:12,079
Speaker 2: I'd like to kid. We're not good for each other,

686
00:35:12,760 --> 00:35:13,239
aren't we?

687
00:35:13,880 --> 00:35:16,679
Speaker 6: No, for many reasons, but we may be able to

688
00:35:16,719 --> 00:35:17,360
help each other.

689
00:35:18,440 --> 00:35:20,960
Speaker 5: Well, let's drop, let's have some fun. I could use

690
00:35:21,000 --> 00:35:23,840
a big slice of it. What about that dance you

691
00:35:23,880 --> 00:35:24,480
mentioned before?

692
00:35:24,719 --> 00:35:25,280
Speaker 6: Wonderful?

693
00:35:25,400 --> 00:35:43,000
Speaker 5: And then we'll really see the town. It's all right, Roman,

694
00:35:43,039 --> 00:35:52,280
It's all right, Anton, I come on, talk, I said, talk,

695
00:35:52,880 --> 00:35:53,519
where's Roman?

696
00:35:54,119 --> 00:35:55,280
Speaker 3: He isn't here.

697
00:35:56,039 --> 00:35:59,760
Speaker 7: I'm sorry who surprised me? I surprise you as well

698
00:36:00,000 --> 00:36:01,760
if I was searching your pop. Don't give me that.

699
00:36:02,840 --> 00:36:04,960
I want the truth. It's no good you're hitting me.

700
00:36:05,639 --> 00:36:08,079
Tell only what I please. Come on, let's have it through.

701
00:36:08,119 --> 00:36:09,840
Are the one who should know that a man cannot

702
00:36:09,840 --> 00:36:12,719
be made to talk. You know that, no matter what happened,

703
00:36:12,920 --> 00:36:14,400
if you talk to you would be killed?

704
00:36:15,000 --> 00:36:16,320
Speaker 2: Is it not so that?

705
00:36:16,440 --> 00:36:18,079
Speaker 7: It's why they allowed you to escape?

706
00:36:19,320 --> 00:36:23,920
Speaker 5: Allowed me to of course, so they let me escape.

707
00:36:25,119 --> 00:36:28,079
I should have thought of that. They couldn't beat it

708
00:36:28,079 --> 00:36:29,880
out of me, and they couldn't kill me, so they'd wait.

709
00:36:29,960 --> 00:36:32,920
Is that it all right? But they haven't got the standard.

710
00:36:32,960 --> 00:36:35,599
I've got it and I'm gonna keep it. You can

711
00:36:35,639 --> 00:36:38,800
tell them that they watched maybe, but they slipped up

712
00:36:39,000 --> 00:36:40,960
because they didn't see where I hit it. Then it

713
00:36:41,000 --> 00:36:44,280
isn't it never was. Now get out and tell room

714
00:36:44,320 --> 00:36:46,119
and wherever he is, he'd better stay away from here.

715
00:36:46,639 --> 00:36:48,360
I may lose my temper, and I've been taught a

716
00:36:48,400 --> 00:36:49,760
lot of mean tricks.

717
00:36:50,360 --> 00:37:03,800
Speaker 17: Get out you here, Get out God that way drinking helby.

718
00:37:04,960 --> 00:37:06,320
Speaker 2: I've got to find it out myself.

719
00:37:07,400 --> 00:37:10,599
Speaker 5: I've got to find a man and kill him. I've

720
00:37:10,599 --> 00:37:11,840
got to do it quickly.

721
00:37:20,800 --> 00:37:22,800
Speaker 2: Who pause now for station? I gotification.

722
00:37:23,239 --> 00:37:47,599
Speaker 3: This is CBS, the Columbia Broadcasting System. In a moment,

723
00:37:47,760 --> 00:37:50,519
mister de Mill returns with Robert Young, Marino Harra and

724
00:37:50,559 --> 00:37:54,840
Walter Slaves act for Act three of The Fallen Sparrow. Meantime,

725
00:37:57,239 --> 00:37:59,800
way up in Maine where they have those nice cold

726
00:38:00,639 --> 00:38:03,360
two young mothers are chatting over the family mending basket.

727
00:38:03,920 --> 00:38:06,800
Speaker 14: Why Johnny's growing just like a weed they all do

728
00:38:06,880 --> 00:38:10,159
it his age. Look at his snowsuit, absolutely bursting at

729
00:38:10,159 --> 00:38:13,920
the scene. And what a job getting anew one these days.

730
00:38:14,599 --> 00:38:18,960
Speaker 10: Listen, Margaret, what here an idea? My Davy outgrew his

731
00:38:19,039 --> 00:38:22,280
snowsuit last year. It's a lovely warman made of that

732
00:38:22,400 --> 00:38:26,119
nice soft blanket cloth and packed away doing nobody any good.

733
00:38:26,280 --> 00:38:27,920
Speaker 14: But aren't you saving it for little Sue?

734
00:38:28,159 --> 00:38:30,920
Speaker 10: Oh goodness, Johnny could wear it this winter and still

735
00:38:30,920 --> 00:38:32,559
have it good enough for Sue next year.

736
00:38:32,800 --> 00:38:34,159
Speaker 6: You know I'll take good care of it.

737
00:38:34,440 --> 00:38:36,079
Speaker 10: Just do what I don's it now?

738
00:38:36,079 --> 00:38:36,400
Speaker 5: A man?

739
00:38:36,679 --> 00:38:40,239
Speaker 14: Of course, lux is wonderful. It makes such a difference

740
00:38:40,280 --> 00:38:41,320
in the way things wear.

741
00:38:41,639 --> 00:38:44,599
Speaker 10: I'll really enjoy knowing davy suit is helping Johnny.

742
00:38:44,920 --> 00:38:47,559
Speaker 3: It's an old American custom to share things, and we're

743
00:38:47,559 --> 00:38:50,519
doing more and more of it these days. Lux Flakes

744
00:38:50,639 --> 00:38:53,559
lends a helping hand in this, as millions of mothers know.

745
00:38:54,519 --> 00:38:57,440
These gentle flakes are so kind to fabric They keep

746
00:38:57,480 --> 00:39:01,159
baby things in the children's clothes like new. You can

747
00:39:01,159 --> 00:39:03,920
hand them down, share them when they're out grown. So

748
00:39:04,159 --> 00:39:08,960
it pays to use lucks for sweaters, woolens, colored cottons. Yes,

749
00:39:09,400 --> 00:39:13,239
luck's care means longer where more chance to share. Don't

750
00:39:13,280 --> 00:39:15,079
worry if you find your dealer is out of luck

751
00:39:15,159 --> 00:39:18,679
now and then he'll have more soon, And lux is

752
00:39:18,760 --> 00:39:22,599
worth waiting for it now, mister de Miller returns to

753
00:39:22,599 --> 00:39:23,440
the microphone.

754
00:39:23,599 --> 00:39:26,480
Speaker 4: We'll get the latest news on our stars after the play.

755
00:39:27,159 --> 00:39:29,079
But now the curtain rises. On the third act of

756
00:39:29,119 --> 00:39:34,440
The Fallen Sparrow, starring Robert Young, Marin O'Hara, and Walter Slazac.

757
00:39:40,920 --> 00:39:44,119
Speaker 5: I've got to find a man and killing, and I've

758
00:39:44,159 --> 00:39:45,280
got to do it quickly.

759
00:39:51,119 --> 00:39:55,239
Speaker 4: But John McKittrick was not quick enough. Early the next morning,

760
00:39:55,280 --> 00:39:57,800
he hears a shot in the next room. Half a

761
00:39:57,840 --> 00:40:01,079
sleepy stumbled out into the hall and into the body

762
00:40:01,119 --> 00:40:05,400
of his friend AB Parker. It's an hour later now

763
00:40:06,079 --> 00:40:09,400
Inspector Tobin has arrived and is winding up what looks

764
00:40:09,480 --> 00:40:12,360
to him like just another very simple case.

765
00:40:13,320 --> 00:40:16,039
Speaker 5: I understand Parker had been in Washington. When did he

766
00:40:16,079 --> 00:40:16,480
get back?

767
00:40:16,519 --> 00:40:18,280
Speaker 2: I don't know. It must have been some time after

768
00:40:18,320 --> 00:40:18,960
I fell asleep.

769
00:40:19,599 --> 00:40:22,559
Speaker 5: You got any ideas? Sure? Anton must have come back

770
00:40:22,599 --> 00:40:25,119
after a three months and we checked John Anton right away.

771
00:40:25,159 --> 00:40:28,360
He didn't come back. Called a Parker's cousin, Whitney met

772
00:40:28,400 --> 00:40:31,920
her in child, drank coffee. What do they talk about music?

773
00:40:32,800 --> 00:40:35,519
I've got something that somebody wants, Tobin. They've sent a

774
00:40:35,559 --> 00:40:38,000
guy after me. All I know about him is that

775
00:40:38,079 --> 00:40:41,559
he limps. I'd got to do with Parker's suicide. Suicide

776
00:40:41,679 --> 00:40:44,159
certainly gone was next to his body? Who found it?

777
00:40:44,199 --> 00:40:45,639
Speaker 2: I have never committed suicide.

778
00:40:45,760 --> 00:40:49,239
Speaker 5: Funny uresaying that might put your own pants right on

779
00:40:49,280 --> 00:40:49,840
the hot seat.

780
00:40:49,880 --> 00:40:52,559
Speaker 2: Everything suicide to you? Tobin? First, louis now Ab?

781
00:40:52,920 --> 00:40:55,159
Speaker 5: You figure this is tied up with Lepatino. Of course

782
00:40:55,159 --> 00:40:59,039
it is. AB must have been doing some investigating this

783
00:40:59,679 --> 00:41:02,880
lame guy. Why is he after you? After something? I

784
00:41:02,960 --> 00:41:08,119
have a battle standard. What a pennant? A flag? It

785
00:41:08,199 --> 00:41:11,719
belonged to my brigade in Spain. You expect me to

786
00:41:11,840 --> 00:41:13,920
believe you let a guy gun for you, let your

787
00:41:13,920 --> 00:41:16,119
friend be bumped off for some dopey pennant.

788
00:41:17,320 --> 00:41:20,320
Speaker 2: Sure it's a dopey pennant. You could buy one like

789
00:41:20,360 --> 00:41:21,519
it for five bucks.

790
00:41:21,920 --> 00:41:23,880
Speaker 5: Parker was killed because he knew about it.

791
00:41:23,880 --> 00:41:25,199
Speaker 2: And Parker never even heard of it.

792
00:41:25,559 --> 00:41:27,280
Speaker 5: And why was he killed? I told you because he

793
00:41:27,320 --> 00:41:28,199
was after out of skats.

794
00:41:28,800 --> 00:41:29,679
Speaker 2: Louis was after him too.

795
00:41:29,719 --> 00:41:32,559
Speaker 5: They both got bumped on. Nobody bumped off LOI don't

796
00:41:32,559 --> 00:41:34,119
you think the department takes care of its own?

797
00:41:34,119 --> 00:41:34,320
Speaker 6: Man?

798
00:41:34,440 --> 00:41:38,719
Speaker 5: Not too well? You gonna hold me, Tobyn, No, you

799
00:41:38,800 --> 00:41:41,119
go around, Yellen. Parker was murdered, though, and you'll like

800
00:41:41,159 --> 00:41:43,960
me wind up on the chair, remember that, Thanks, I will.

801
00:41:44,519 --> 00:41:45,440
Speaker 2: Where's Whitney Parker?

802
00:41:45,480 --> 00:41:48,880
Speaker 5: Now back home? I guess why I like it? A

803
00:41:48,920 --> 00:41:51,079
round up all those nice people we've been talking about.

804
00:41:51,480 --> 00:41:52,960
I want to throw a party for them tonight at

805
00:41:53,000 --> 00:41:56,639
the Club fifty. Oh well, come along if you like. Look, son,

806
00:41:57,400 --> 00:41:59,480
Louis told me you were in pretty bad shape when

807
00:41:59,480 --> 00:42:02,360
you came back from Spain. Maybe you're not yourself yet.

808
00:42:03,320 --> 00:42:06,360
Forget about flags and people who aren't there and people

809
00:42:06,480 --> 00:42:08,000
getting murdered. Who are you covering?

810
00:42:08,079 --> 00:42:20,599
Speaker 2: Tolbyn? Hello, Bobby, Sorry I'm late.

811
00:42:20,880 --> 00:42:23,000
Speaker 5: Oh you're not the only one. Doctor Scotson Elma haven't

812
00:42:23,039 --> 00:42:23,599
shown up either.

813
00:42:23,719 --> 00:42:24,480
Speaker 6: Where are the others?

814
00:42:24,719 --> 00:42:27,559
Speaker 5: Whitney, Antononado in Jake's office? Come on, let's go in.

815
00:42:27,639 --> 00:42:28,360
Speaker 2: Wait a minute.

816
00:42:28,599 --> 00:42:31,840
Speaker 6: This is ghastly about Ab. It couldn't have happened. Shit,

817
00:42:31,920 --> 00:42:32,599
I have to tell you.

818
00:42:33,039 --> 00:42:36,639
Speaker 14: Ab and I were engaged, wonderful when you came back.

819
00:42:36,679 --> 00:42:38,280
Speaker 6: He didn't want to hold me to it, but I

820
00:42:38,320 --> 00:42:39,880
had to pretend that couldn't hurt him.

821
00:42:39,920 --> 00:42:41,840
Speaker 5: So he leaves down and you and Otto go skiing.

822
00:42:42,840 --> 00:42:45,599
You should have been in Spain, sweet high? Why anything

823
00:42:45,599 --> 00:42:46,119
for a thrill?

824
00:42:46,480 --> 00:42:47,360
Speaker 9: Is that why you went?

825
00:42:47,519 --> 00:42:47,880
Speaker 2: Why not?

826
00:42:48,559 --> 00:42:50,840
Speaker 5: Sort of alike? Except I don't think I'm quite the

827
00:42:50,920 --> 00:42:51,800
hypocrite you are.

828
00:42:52,239 --> 00:42:53,440
Speaker 2: Just what do you mean by that?

829
00:42:53,599 --> 00:42:55,760
Speaker 5: As skip it here comes, it's done, come on, let's

830
00:42:55,760 --> 00:43:00,960
go win. Well, there's no point talking anymore or things.

831
00:43:01,000 --> 00:43:03,719
I've made a fool of myself. I had a hunch

832
00:43:03,960 --> 00:43:05,559
I thought I might be able to tell you something.

833
00:43:06,280 --> 00:43:10,679
The hunch didn't pan out. Sorry, I'm glad that doctor

834
00:43:10,719 --> 00:43:12,920
Scots couldn't come. Would have been a pity to have

835
00:43:12,960 --> 00:43:14,079
dragged him down here for nothing.

836
00:43:14,280 --> 00:43:15,440
Speaker 2: Why couldn't become Elmo?

837
00:43:16,119 --> 00:43:16,920
Speaker 9: The doctor and I.

838
00:43:16,840 --> 00:43:18,880
Speaker 6: Were both at the hospital. He wanted to stay with

839
00:43:18,920 --> 00:43:22,000
my grandfather. Well, we know one thing anyway, Regardless of

840
00:43:22,000 --> 00:43:24,679
what the police say, we're all certain Abb didn't shoot himself.

841
00:43:24,760 --> 00:43:25,920
Speaker 2: That's right, Whitney cad.

842
00:43:25,920 --> 00:43:28,440
Speaker 6: We find out what Ab was working on if we

843
00:43:28,440 --> 00:43:29,480
were to go through his papers.

844
00:43:29,480 --> 00:43:32,239
Speaker 5: I had some understanding up codes to mister McKittrick.

845
00:43:32,559 --> 00:43:35,159
Speaker 7: If there should be any among mister Parker's effects, perhaps

846
00:43:35,199 --> 00:43:36,320
I could be at some service.

847
00:43:36,960 --> 00:43:39,320
Speaker 5: I'd be very grateful for the chance to help. Thank you,

848
00:43:39,400 --> 00:43:43,480
ile great many Norwegians have found opportunities to help. I

849
00:43:43,519 --> 00:43:44,480
know what you're hitting.

850
00:43:44,599 --> 00:43:46,920
Speaker 2: I should be in uniform, but I cannot leave my

851
00:43:47,039 --> 00:43:48,559
uncle he as a helpless cripper.

852
00:43:48,719 --> 00:43:52,519
Speaker 5: I'm sorry, Anton, How about you any ideas? I'm afraid

853
00:43:52,559 --> 00:43:55,559
this is all far beyond me. Well, and I guess

854
00:43:55,639 --> 00:43:58,519
that's that. Shall we go to the bar Ah? But

855
00:43:59,039 --> 00:44:02,320
first I have a present for Elma, like you all

856
00:44:02,400 --> 00:44:07,760
to see it. It's a medallion, the Lion of San Raphael,

857
00:44:08,719 --> 00:44:12,280
the most beautiful thing I own for the most beautiful girl.

858
00:44:12,320 --> 00:44:15,480
I know, where did you get that I picked it

859
00:44:15,559 --> 00:44:19,039
up in Spain. You brought it back with you. I

860
00:44:19,360 --> 00:44:22,519
sent it back, smuggle it in in a seashell.

861
00:44:22,960 --> 00:44:24,239
Speaker 6: What kind of a joke is that?

862
00:44:24,440 --> 00:44:27,719
Speaker 5: No joke, the truth? Will you wear it for me, Elma?

863
00:44:28,679 --> 00:44:29,800
Speaker 18: I'm sorry but I can't.

864
00:44:30,559 --> 00:44:30,920
Speaker 5: Why not?

865
00:44:31,639 --> 00:44:32,000
Speaker 14: Lovely?

866
00:44:32,480 --> 00:44:34,280
Speaker 3: Well, then you brought me kid or you must not

867
00:44:34,360 --> 00:44:36,400
refuse it, Tilma, the Prince would not object to your

868
00:44:36,440 --> 00:44:36,920
accepting it.

869
00:44:36,960 --> 00:44:40,199
Speaker 6: I'm sure very well. Thank you, Kit.

870
00:44:41,039 --> 00:44:41,599
Speaker 5: You'll wear it?

871
00:44:42,239 --> 00:44:46,079
Speaker 6: Yes, I wear it, Kit? Would you mind taking me home?

872
00:44:53,239 --> 00:44:54,599
You can drop the act now, Kit?

873
00:44:55,280 --> 00:44:57,679
Speaker 2: Why did you give me this so everybody see it?

874
00:44:57,800 --> 00:44:58,800
Speaker 6: Do you want to be killed?

875
00:44:58,800 --> 00:45:01,880
Speaker 2: Not especially I intend to find a man who lived.

876
00:45:02,480 --> 00:45:03,360
Speaker 6: Please take it back.

877
00:45:03,400 --> 00:45:05,440
Speaker 5: I want you to wear it. When I said you're

878
00:45:05,440 --> 00:45:08,480
the most beautiful girl, I know I meant it. I

879
00:45:08,519 --> 00:45:12,199
could have said more, Alma, I wanted to see I've

880
00:45:12,199 --> 00:45:13,320
meant everything I've said to you.

881
00:45:13,559 --> 00:45:17,559
Speaker 18: Thank you so have I Please take me home.

882
00:45:28,079 --> 00:45:30,559
Speaker 5: I asked you to come to the headquarters mckindry because I

883
00:45:30,559 --> 00:45:33,280
wanted to tell you that Lloyd Lepatino didn't fall from

884
00:45:33,280 --> 00:45:36,119
a window in the tablet and library. You mean that? Yeah?

885
00:45:36,360 --> 00:45:37,639
Speaker 2: Why didn't you say so before?

886
00:45:37,840 --> 00:45:40,679
Speaker 5: Because I knew what you went through in Spain, but

887
00:45:40,719 --> 00:45:42,440
I didn't know how well you were snapping out of it.

888
00:45:42,840 --> 00:45:46,119
I couldn't take a chance on your breaking. Tell me

889
00:45:46,159 --> 00:45:49,039
about Louis and his real job was for the government.

890
00:45:49,159 --> 00:45:52,039
He was after an espionage ring. He was pushed from

891
00:45:52,039 --> 00:45:55,400
a window. Yes, but first he'd been shots. The rule

892
00:45:55,440 --> 00:45:57,639
we don't do an autopsy after that sort of fall.

893
00:45:57,639 --> 00:46:00,480
This time we did. We found the bullet. What about

894
00:46:00,480 --> 00:46:04,000
ab Parker, He was working on the same thing. You

895
00:46:04,079 --> 00:46:08,159
were right, of course he was murdered. Hey, not that

896
00:46:08,280 --> 00:46:11,119
flag of yours. You talked to the federals about it. No,

897
00:46:12,280 --> 00:46:14,599
it's a personal matter between me and a little man

898
00:46:14,639 --> 00:46:17,719
in Berlin. The brigade I was with picked off one

899
00:46:17,719 --> 00:46:19,639
of his favorite generals and old pal from the beer

900
00:46:19,679 --> 00:46:22,639
hall days. He swore to have every last man in

901
00:46:22,719 --> 00:46:25,760
our outfit and our flag to hang in Burtis Garden.

902
00:46:26,800 --> 00:46:27,960
Speaker 2: I swore he wouldn't.

903
00:46:28,519 --> 00:46:32,960
Speaker 5: Oh, but Louis inspect her what brought into the Scots's

904
00:46:33,039 --> 00:46:35,480
room that night? You got the tip from your girl

905
00:46:35,480 --> 00:46:38,480
friend Elmadawn. And now that you mentioned is she phoned

906
00:46:38,480 --> 00:46:41,239
me a little while ago an John's giving a recital

907
00:46:41,280 --> 00:46:45,199
to night at her house. I'm going You've got men

908
00:46:45,239 --> 00:46:47,800
working on this, haven't you told me you call them

909
00:46:47,800 --> 00:46:49,360
off for twenty four hours? I think I can wind

910
00:46:49,400 --> 00:46:51,679
it up if you do. Otherwise they might be a

911
00:46:51,719 --> 00:46:54,719
slipped They've got too many mice. What are you going

912
00:46:54,760 --> 00:46:56,760
to do? The guy I am after is going to

913
00:46:56,760 --> 00:46:59,360
open up tonight. I'm went a force him to listen

914
00:46:59,400 --> 00:47:01,639
with kick. You go around plugging anyone you're going to

915
00:47:01,679 --> 00:47:02,760
answer for? Is it deal?

916
00:47:04,119 --> 00:47:04,880
Speaker 2: Yeah?

917
00:47:05,039 --> 00:47:07,719
Speaker 5: I'm a sad, Yeah, go on and get going.

918
00:47:18,880 --> 00:47:20,320
Speaker 6: Okay, I'm so glad.

919
00:47:20,400 --> 00:47:21,760
Speaker 9: I have so much to tell you.

920
00:47:22,320 --> 00:47:24,760
Speaker 5: And did the medallion do its job?

921
00:47:24,960 --> 00:47:26,639
Speaker 6: Yes? And I'm sick to death of the thought of

922
00:47:26,639 --> 00:47:29,519
what might happen to you. I'm terribly afraid of your kid.

923
00:47:30,119 --> 00:47:31,920
What earthly good do you think it does you to

924
00:47:31,960 --> 00:47:35,360
hold out? Do you think it's heroic? Well it isn't it.

925
00:47:35,360 --> 00:47:38,239
It's senseless, it's childish. Listen to me, No, you listen.

926
00:47:38,599 --> 00:47:42,079
A flag, a little piece of cloth, a dirty rag

927
00:47:42,119 --> 00:47:43,800
you wouldn't stop to pick up if you thought on

928
00:47:43,840 --> 00:47:46,000
the street, and you're willing to.

929
00:47:48,239 --> 00:47:52,800
Speaker 5: Kid, There's some things a guy just has to do.

930
00:47:53,320 --> 00:47:55,840
It doesn't matter what you think about it. How afraid

931
00:47:55,880 --> 00:47:58,519
you are, what else makes a man stand up against

932
00:47:58,519 --> 00:48:00,840
a tank with only a rifle in his hand. Why

933
00:48:00,880 --> 00:48:02,480
do they hide in the hills when their army is

934
00:48:02,519 --> 00:48:04,360
gone and keep plugging away when they know their people

935
00:48:04,360 --> 00:48:07,679
will be butchered in retaliation. Something they just can't help.

936
00:48:08,719 --> 00:48:11,639
That flag is a symbol to me, reminding me of

937
00:48:12,000 --> 00:48:15,360
three thousand men who were my friends. Three thousand guys

938
00:48:15,480 --> 00:48:19,079
were shot down around me before I let that little

939
00:48:19,119 --> 00:48:21,280
man put his filthy hands on it. I'll go like

940
00:48:21,320 --> 00:48:23,000
Louis and ab did yees.

941
00:48:23,840 --> 00:48:26,639
Speaker 6: I've loved peace and right too all my life, and

942
00:48:26,679 --> 00:48:30,239
I've loved little tins. Things are important to me. The

943
00:48:30,280 --> 00:48:32,960
house we had in the village, children growing up, and

944
00:48:34,000 --> 00:48:37,400
now I have nothing to love except you, and that

945
00:48:37,559 --> 00:48:38,960
was over before it ever began.

946
00:48:39,840 --> 00:48:42,360
Speaker 2: Why do you say that because I'm helpless?

947
00:48:42,719 --> 00:48:43,760
Speaker 5: You think they got you too?

948
00:48:44,440 --> 00:48:45,119
Speaker 2: No, they haven't.

949
00:48:45,320 --> 00:48:46,639
Speaker 6: You're coming with me, I can't.

950
00:48:46,679 --> 00:48:48,480
Speaker 2: You've got to make a choice in Darling tonight.

951
00:48:48,800 --> 00:48:51,360
Speaker 6: I will kim, But later on, later, will.

952
00:48:51,159 --> 00:48:54,280
Speaker 5: You do something else for yes, love? While arrange to

953
00:48:54,320 --> 00:48:55,760
get me up there. I want to have a look

954
00:48:55,760 --> 00:48:56,679
at doctor Scott Boom.

955
00:48:57,159 --> 00:48:57,760
Speaker 2: Will you do that?

956
00:48:58,199 --> 00:49:05,159
Speaker 6: I'll try too bad.

957
00:49:05,239 --> 00:49:06,159
Speaker 12: The Prince is not here.

958
00:49:06,199 --> 00:49:09,320
Speaker 11: Mister mcsittrick when I left him at the hospital, he

959
00:49:09,360 --> 00:49:10,599
said he was very flatted.

960
00:49:10,599 --> 00:49:13,920
Speaker 12: You so admired his goblets. He asked that would brink

961
00:49:14,000 --> 00:49:14,480
his health.

962
00:49:14,880 --> 00:49:15,159
Speaker 5: Good?

963
00:49:15,280 --> 00:49:19,079
Speaker 2: I like his whine here then to his highness?

964
00:49:19,199 --> 00:49:19,400
Speaker 13: Right?

965
00:49:20,079 --> 00:49:22,400
Speaker 5: Oh uh uh this way?

966
00:49:23,199 --> 00:49:23,880
Speaker 12: What are you doing?

967
00:49:24,559 --> 00:49:25,679
Speaker 5: Just switching the glasses?

968
00:49:26,079 --> 00:49:26,719
Speaker 2: You take mine?

969
00:49:26,760 --> 00:49:28,519
Speaker 5: I take your old boys.

970
00:49:28,239 --> 00:49:31,719
Speaker 2: Your custom doctor. Oh yes, your joke.

971
00:49:32,159 --> 00:49:34,679
Speaker 5: Drink up doctor to his highness?

972
00:49:39,440 --> 00:49:44,199
Speaker 11: Ah, my favorite composition? Do you mind wheeling me inside

973
00:49:44,239 --> 00:49:44,880
to the study?

974
00:49:44,880 --> 00:49:45,199
Speaker 2: Please?

975
00:49:46,159 --> 00:49:47,840
Speaker 12: Good music should be listened to him?

976
00:49:47,840 --> 00:49:57,320
Speaker 2: Solid you? Yes?

977
00:49:57,920 --> 00:49:59,719
Speaker 5: Where did you take doctor Scott to his study?

978
00:50:00,360 --> 00:50:02,480
Speaker 9: And go up those stairs the fust door to the

979
00:50:02,559 --> 00:50:22,480
lift and hurry kid, please hurry.

980
00:50:14,119 --> 00:50:28,639
Speaker 8: Mh you have a gun, mister Kippick, Well, why do

981
00:50:28,639 --> 00:50:30,719
you not shooting doctors?

982
00:50:30,760 --> 00:50:30,920
Speaker 2: Gus?

983
00:50:32,360 --> 00:50:37,760
Speaker 8: I have left my wheelchair, gous. I shall walk over

984
00:50:37,840 --> 00:50:42,760
to you. You shall not shoot me. Watch, mister Kippick

985
00:50:43,880 --> 00:50:44,440
and listen.

986
00:50:57,320 --> 00:50:58,800
Speaker 2: Put your gun away.

987
00:50:59,599 --> 00:51:02,400
Speaker 5: Sure, I'm not afraid of you.

988
00:51:02,480 --> 00:51:05,440
Speaker 2: Doctor. Seeing you is all I needed.

989
00:51:06,400 --> 00:51:09,800
Speaker 11: Neither of us will do any killing. I cannot kill

990
00:51:09,840 --> 00:51:13,480
you because you have information I must obtain. You cannot

991
00:51:13,559 --> 00:51:23,519
kill me because you lack the brutality that and scolorodine scolorodine.

992
00:51:23,960 --> 00:51:26,400
You drank a quantity a little while ago in your wine.

993
00:51:27,880 --> 00:51:31,559
I hate to stoop to such melodrama, but it seemed

994
00:51:31,559 --> 00:51:35,320
the only certain way. Of course, I assumed you would

995
00:51:35,679 --> 00:51:40,440
switch the goblets again. Scolorodyne is a drug that destroys

996
00:51:40,480 --> 00:51:45,679
the will. Already you're trembling. In a few minutes you

997
00:51:45,719 --> 00:51:47,639
will be completely helpless.

998
00:51:48,320 --> 00:51:53,519
Speaker 2: Meanwhile, we shall talk. Yes, yeah, I don't kill zuie

999
00:51:53,559 --> 00:51:54,039
Le Patino.

1000
00:51:54,719 --> 00:51:58,360
Speaker 12: Yes, Otto does pretty well what he's told doctor.

1001
00:51:59,360 --> 00:52:01,920
Speaker 5: Shall I tell you Danny has he?

1002
00:52:02,679 --> 00:52:03,840
Speaker 2: Danny?

1003
00:52:04,039 --> 00:52:05,440
Speaker 5: Danny works for Louis.

1004
00:52:05,280 --> 00:52:09,199
Speaker 12: Brother too bad the fortunes of war.

1005
00:52:09,400 --> 00:52:11,440
Speaker 5: But Otto didn't kill ab Parker.

1006
00:52:11,880 --> 00:52:12,880
Speaker 2: No, I killed him.

1007
00:52:13,760 --> 00:52:16,880
Speaker 11: I send him a telegram signed your name, but he

1008
00:52:16,960 --> 00:52:18,559
didn't come at the time we expected.

1009
00:52:19,320 --> 00:52:21,719
Speaker 12: So I remained hidden while you had your little engagement

1010
00:52:21,719 --> 00:52:26,119
with Anton. Then you went to bed, Parker came home.

1011
00:52:27,039 --> 00:52:29,480
I shot him, as simple as that.

1012
00:52:30,840 --> 00:52:31,960
Speaker 2: I went out the back way.

1013
00:52:33,199 --> 00:52:38,639
Speaker 12: Rouman made the arrangement, mister McKittrick. Yes, the drug will.

1014
00:52:38,480 --> 00:52:44,000
Speaker 11: Soon cause you to collapse, and then as consciousness returns,

1015
00:52:44,960 --> 00:52:48,000
you will have things to tell me. Things that I

1016
00:52:48,239 --> 00:52:55,880
oh so soon, mister McKittrick. It is effective, even quicker.

1017
00:52:55,559 --> 00:53:03,079
Speaker 2: Than a kit. I just shot down your guys.

1018
00:53:03,280 --> 00:53:05,920
Speaker 5: No gave me a drug. I don't know how long.

1019
00:53:05,800 --> 00:53:09,320
Speaker 2: It'll take quickly all I must know where does the

1020
00:53:09,360 --> 00:53:10,559
Prince fit in all this? Kit?

1021
00:53:10,639 --> 00:53:11,639
Speaker 6: You about to get out of here?

1022
00:53:11,719 --> 00:53:14,920
Speaker 5: No, Danny brought friend Jake's man. They're all around the house.

1023
00:53:15,039 --> 00:53:17,320
I told them to get anton and call the cops.

1024
00:53:18,000 --> 00:53:21,119
I asked you about the Prince, not your grandfather.

1025
00:53:21,199 --> 00:53:21,800
Speaker 2: Is he No?

1026
00:53:22,119 --> 00:53:23,960
Speaker 6: He thinks they're going to make him king of France.

1027
00:53:24,320 --> 00:53:25,719
He's dying now in the hospital.

1028
00:53:25,760 --> 00:53:27,719
Speaker 2: But you you I had.

1029
00:53:27,559 --> 00:53:29,840
Speaker 6: To do what they ordered me. I married the real

1030
00:53:29,840 --> 00:53:34,599
Lotto Scott. He died in a concentration camp. I have

1031
00:53:34,639 --> 00:53:38,320
a daughter, three years old. She's in Germany and there's

1032
00:53:38,320 --> 00:53:39,039
a hostage.

1033
00:53:39,280 --> 00:53:42,679
Speaker 2: Elma, you told me that you loved me. Did you

1034
00:53:42,719 --> 00:53:42,960
mean that?

1035
00:53:43,280 --> 00:53:43,480
Speaker 3: Yes?

1036
00:53:43,519 --> 00:53:45,679
Speaker 6: But it's no use, Kit. They'll kill my child.

1037
00:53:45,760 --> 00:53:47,599
Speaker 2: There are ways to get her out underground ways.

1038
00:53:47,800 --> 00:53:50,559
Speaker 6: No, I'm not brave, Kit. I love and for those

1039
00:53:50,599 --> 00:53:51,639
I love, I do what I can.

1040
00:53:51,760 --> 00:53:52,960
Speaker 5: You're not afraid. I'll help you.

1041
00:53:53,239 --> 00:53:55,000
Speaker 2: There are ways, many ways.

1042
00:53:55,679 --> 00:53:56,199
Speaker 5: I love you.

1043
00:53:56,199 --> 00:53:56,360
Speaker 2: Well.

1044
00:53:56,480 --> 00:53:58,360
Speaker 6: You'll have time to forget me, Kit when I'm gone.

1045
00:53:58,400 --> 00:54:00,159
Speaker 2: If you'll only let me go, don't say no.

1046
00:54:00,280 --> 00:54:01,119
Speaker 5: We'll meet somewhere and.

1047
00:54:01,320 --> 00:54:02,599
Speaker 6: The police will be coming soon.

1048
00:54:02,679 --> 00:54:03,719
Speaker 2: Kip, will you do what I say?

1049
00:54:03,960 --> 00:54:05,880
Speaker 6: Yes, but the answer will always be the same.

1050
00:54:05,719 --> 00:54:08,519
Speaker 5: And hurry now quickly get to Chicago, change your name

1051
00:54:08,559 --> 00:54:10,000
and get a room in the West Side Hotel.

1052
00:54:10,559 --> 00:54:13,119
Speaker 2: I'll square it here and when it's safe, I'll join you.

1053
00:54:13,800 --> 00:54:14,159
Speaker 6: Darling.

1054
00:54:24,880 --> 00:54:30,159
Speaker 5: Hey, Kittrick, Kittrick, you know right? Yeah?

1055
00:54:30,679 --> 00:54:31,400
Speaker 2: I guess so.

1056
00:54:32,800 --> 00:54:35,599
Speaker 5: Well? Where am I hospital? Doc's been working on you

1057
00:54:36,000 --> 00:54:39,599
tell for a Mickey, huh yeah? How long have I

1058
00:54:39,679 --> 00:54:44,480
been n there? A couple of hours? You shot Scott? Yeah,

1059
00:54:45,480 --> 00:54:48,760
maybe it was self defense. Maybe what it'll be up

1060
00:54:48,760 --> 00:54:50,719
to the Federals. You better not talk now, Son, Wait

1061
00:54:50,719 --> 00:54:54,039
a minute, an John, we got him auto to good work.

1062
00:54:54,320 --> 00:54:58,000
And the girl she slipped away. I don't quite understand

1063
00:54:58,079 --> 00:55:01,440
how I'll let her go? Tell him she she helped me.

1064
00:55:01,920 --> 00:55:04,079
You think this will stop with the ones we've got?

1065
00:55:04,440 --> 00:55:08,320
What about that flag? It's hidden in Lisbon. I don't

1066
00:55:08,320 --> 00:55:11,039
have to stand trial and going over there, going to

1067
00:55:11,039 --> 00:55:13,519
give it to some boys who can use it. There'll

1068
00:55:13,519 --> 00:55:17,880
be brigades for me again. Maybe you sure about that girl?

1069
00:55:18,440 --> 00:55:21,840
Speaker 2: I don't know, but maybe we can forget it now.

1070
00:55:21,960 --> 00:55:24,079
So I'm go on go to sleep.

1071
00:55:24,559 --> 00:55:33,880
Speaker 5: Assagers will please board the plane.

1072
00:55:34,360 --> 00:55:36,239
Speaker 2: Departure is in ten minutes.

1073
00:55:36,639 --> 00:55:38,840
Speaker 5: Passengers will please forward the plane.

1074
00:55:39,800 --> 00:55:42,280
Speaker 2: Hello, Elma can't and.

1075
00:55:42,239 --> 00:55:45,159
Speaker 5: They found me not guilty. I knew they would go

1076
00:55:45,320 --> 00:55:50,000
to Tobin, who inspector Tobin. She also suggested that I

1077
00:55:50,039 --> 00:55:54,360
come down here right away instead of going to Chicago. Funny,

1078
00:55:54,360 --> 00:55:56,039
I should meet you on a clipper ready to take

1079
00:55:56,079 --> 00:55:59,599
off for Lisbon. I thought we had a date in Chicago.

1080
00:56:00,440 --> 00:56:02,440
Speaker 6: I had to do it this way, kid, believe me.

1081
00:56:02,840 --> 00:56:04,480
I have to go back and find my little girl.

1082
00:56:05,039 --> 00:56:07,880
Speaker 5: I wish there had been a little girl. I wish

1083
00:56:07,960 --> 00:56:11,440
you told me the truth. You're going back to the Nazis. Kid,

1084
00:56:11,519 --> 00:56:13,360
You've got to trust You've got your passport and your

1085
00:56:13,360 --> 00:56:15,119
permit for the clippers to the German consul.

1086
00:56:15,679 --> 00:56:16,639
Speaker 2: I didn't find that out.

1087
00:56:16,679 --> 00:56:18,840
Speaker 5: Tobin did waiting for you.

1088
00:56:18,920 --> 00:56:21,559
Speaker 2: Wilma, come on, No, you can't.

1089
00:56:21,599 --> 00:56:30,320
Speaker 5: You come on this way, miss don there's some federal

1090
00:56:30,360 --> 00:56:38,199
men to see you. Sorry, kid, believe me, that's all

1091
00:56:38,239 --> 00:56:42,199
according to how you look at it. Not a sparrow falls.

1092
00:56:42,760 --> 00:56:56,119
Speaker 2: Hello. Our stars will return for Trek and Carl and

1093
00:56:56,199 --> 00:56:59,880
gut them up. No, Sally says, there's one question.

1094
00:57:00,079 --> 00:57:02,599
Speaker 3: That's practically guaranteed to make a woman mad.

1095
00:57:02,880 --> 00:57:06,000
Speaker 13: That is, if she knows anything about housekeeping, it's this,

1096
00:57:06,960 --> 00:57:11,119
do you work or just keep house? If it didn't

1097
00:57:11,159 --> 00:57:14,400
make you so mad, you'd probably be flattered. Because if

1098
00:57:14,400 --> 00:57:17,639
you can run your house through the cooking and cleaning

1099
00:57:17,679 --> 00:57:20,639
and dishwashing without looking as though you did a lot

1100
00:57:20,639 --> 00:57:23,599
of honest to goodness work, you're pretty smart.

1101
00:57:23,800 --> 00:57:25,960
Speaker 3: I'll let you a little bit sally that smart women

1102
00:57:26,079 --> 00:57:28,119
like that have a few beauty secrets, like.

1103
00:57:28,239 --> 00:57:30,719
Speaker 6: Like Lux for dishes. You're right, mister Kennedy.

1104
00:57:31,559 --> 00:57:34,199
Speaker 13: Most women know that with Lux flakes in the dishpan,

1105
00:57:34,800 --> 00:57:36,519
your hands stay as lovely and.

1106
00:57:36,480 --> 00:57:39,079
Speaker 6: Smooth as if you were a lady of pre war leisure.

1107
00:57:39,320 --> 00:57:42,119
Speaker 3: And even if they've grown red and rough from strong

1108
00:57:42,159 --> 00:57:45,599
dish washing soaps, they'll soon regain their natural loveliness if

1109
00:57:45,639 --> 00:57:49,599
you change to gentle Lux flakes. In actual tests, women

1110
00:57:49,679 --> 00:57:53,559
with rough red dishpan hands found their hands improving in

1111
00:57:53,760 --> 00:57:57,079
just two to seven days. These women use no cream

1112
00:57:57,199 --> 00:58:00,360
or lotions on their hands. They just changed the loox.

1113
00:58:01,280 --> 00:58:04,559
And don't overlook this. Bank Lux is thrifty for dishes.

1114
00:58:04,840 --> 00:58:13,039
It goes further. Yes, you can change dishpan hands the

1115
00:58:13,159 --> 00:58:25,880
Luxe Hans for less than a penny a day. Now

1116
00:58:25,960 --> 00:58:27,440
here's mister de mill with our start.

1117
00:58:28,199 --> 00:58:33,679
Speaker 1: Welcome back, Alas we're missing the asked interviews, we're also

1118
00:58:33,880 --> 00:58:38,559
missing the credits. According to Radio Gold Index. In addition

1119
00:58:38,639 --> 00:58:44,000
to the name players, this episode also featured Charles Seal,

1120
00:58:44,719 --> 00:58:51,559
Charlotte Treadway, Ed Emerson, George Sorell, Griff Barnett, Howard mcneer,

1121
00:58:52,039 --> 00:59:02,039
j Novello, John McIntyre, Norman Field, and renew A Gus sire.

1122
00:59:02,280 --> 00:59:06,679
Hope I'm pronouncing that correctly. This is such a great

1123
00:59:06,920 --> 00:59:12,239
episode as you get a story that blends this mystery

1124
00:59:12,440 --> 00:59:17,400
element and you do have that whole detective feature with

1125
00:59:17,599 --> 00:59:22,880
the sort of personal what we would now call PTSD

1126
00:59:23,559 --> 00:59:28,000
that Kit is going through. You're trying to unravel this

1127
00:59:28,119 --> 00:59:31,960
web of intrigue while also trying to hold onto your

1128
00:59:32,039 --> 00:59:36,880
own sanity, and of course it's also interesting for what

1129
00:59:37,119 --> 00:59:43,079
the object of this whole operation is. Typically in a

1130
00:59:43,079 --> 00:59:47,239
lot of World War two films, these stakes were big.

1131
00:59:47,679 --> 00:59:51,360
If it wasn't going to turn the whole outcome of

1132
00:59:51,400 --> 00:59:55,400
the war, it was going to be such a major factor.

1133
00:59:56,480 --> 01:00:00,920
You know, you have a cossublanca and the center of

1134
01:00:00,960 --> 01:00:06,760
that is how important it is that Victor Laslow make

1135
01:00:06,840 --> 01:00:12,400
it out of Casablanca for the Allies. There's really no

1136
01:00:12,679 --> 01:00:18,519
such stakes here. Hitler wants a war trophy and is

1137
01:00:19,079 --> 01:00:22,760
deploying resources in order to obtain it, and Kit is

1138
01:00:22,800 --> 01:00:27,119
saying no. Now, I think if you read that Kit's

1139
01:00:27,239 --> 01:00:31,559
line literally, you could say, well, it's about spining Hitler,

1140
01:00:31,599 --> 01:00:34,880
which is not necessarily you know, spot's not generally a

1141
01:00:34,960 --> 01:00:38,920
great reason to do things. But if it's Hitler, I

1142
01:00:38,920 --> 01:00:42,519
think that tends to be different. But this isn't even

1143
01:00:42,679 --> 01:00:45,639
so much about spote. I think if you look at

1144
01:00:45,679 --> 01:00:50,800
it in context, it's really about honoring the memory of

1145
01:00:50,880 --> 01:00:54,760
those who passed and what they were fighting for. And

1146
01:00:55,000 --> 01:00:58,960
while some of the motivations in the Spanish Civil War

1147
01:00:59,320 --> 01:01:03,800
are called during World War Two there was a focus

1148
01:01:04,079 --> 01:01:09,679
that everyone on the loyalist side was fighting for democracy

1149
01:01:09,719 --> 01:01:14,079
and out of love for it, but regardless, it couldn't

1150
01:01:14,159 --> 01:01:17,480
let the Nazis have the flag. And I think you

1151
01:01:17,599 --> 01:01:21,039
saw that theme of honoring the past with him saying

1152
01:01:21,079 --> 01:01:23,719
he was going to Lisbon to retrieve it and give

1153
01:01:23,760 --> 01:01:27,639
it to another battalion that would soon be marching. I

1154
01:01:27,719 --> 01:01:31,000
also have to say that I enjoyed Robert Young in

1155
01:01:31,000 --> 01:01:36,079
this and it's always interesting to listen to Young's pre

1156
01:01:36,360 --> 01:01:42,360
Father Knows Best work because I think that there are

1157
01:01:42,480 --> 01:01:45,519
a lot of people that the degree to which they

1158
01:01:45,639 --> 01:01:51,519
remember Young it's because of Father Knows Best or another

1159
01:01:51,719 --> 01:01:54,960
very successful TV series. He had the title role in

1160
01:01:55,239 --> 01:02:00,199
Marcus Welby, and both of these were very warm and

1161
01:02:00,519 --> 01:02:05,760
lackable characters. But Young, during the Golden Age of radio

1162
01:02:06,119 --> 01:02:11,960
really did a lot of work, so many different films,

1163
01:02:11,960 --> 01:02:16,440
so many different roles, and had real range. Now, he

1164
01:02:16,559 --> 01:02:19,840
did not play the lead in the original film. That

1165
01:02:20,000 --> 01:02:23,639
was played by John Garfield, who was much more known

1166
01:02:23,800 --> 01:02:26,719
as a tough guy actor, but Young could do a

1167
01:02:26,800 --> 01:02:29,159
little bit of that. Plus he did a great job

1168
01:02:29,320 --> 01:02:34,199
capturing the emotional vulnerability of his character. Now it's time

1169
01:02:34,239 --> 01:02:37,320
to thank our Patreon supporter of the day. Thank you

1170
01:02:37,440 --> 01:02:44,159
to Jeff, Patreon supporter since December twenty fifteen, currently supporting

1171
01:02:44,199 --> 01:02:48,519
the podcast at the rookie level of two dollars or

1172
01:02:48,519 --> 01:02:51,840
more per month. Thanks so much for your support, Jeff,

1173
01:02:52,000 --> 01:02:55,199
and that will do it for today. If you're enjoying

1174
01:02:55,239 --> 01:03:00,960
the podcast, please follow us using your favorite podcast software

1175
01:03:01,679 --> 01:03:04,639
and be sure to rate and review the podcast. Wherever

1176
01:03:04,639 --> 01:03:09,519
you download it from. We will be back on Monday

1177
01:03:09,639 --> 01:03:12,440
with our regular lineup, beginning with the Saint.

1178
01:03:12,679 --> 01:03:15,280
Speaker 20: Where the kme herefore was to have you tell me

1179
01:03:15,320 --> 01:03:17,800
whether or not the murder my book deals with is

1180
01:03:18,280 --> 01:03:21,800
really a perfect crime on the man to be murdered.

1181
01:03:21,920 --> 01:03:25,960
In my book that is, suffers from heart disease. He's

1182
01:03:26,000 --> 01:03:29,360
a completely unpleasant character, a financier and a crooked one,

1183
01:03:29,639 --> 01:03:30,760
a man who deserves to.

1184
01:03:30,760 --> 01:03:33,000
Speaker 5: Die, and he suffers from heart disease.

1185
01:03:33,360 --> 01:03:37,280
Speaker 20: For this condition, he takes daily, at stated hours, capsules

1186
01:03:37,360 --> 01:03:42,000
containing medicine, capsules upon which his life depends. Now, then

1187
01:03:42,719 --> 01:03:46,719
the murderer in my book that is, decides to poison

1188
01:03:46,760 --> 01:03:50,719
the financier. But that's not creaking now, it's murder, murder.

1189
01:03:50,760 --> 01:03:53,800
That will be poisoning without poison.

1190
01:03:54,159 --> 01:03:56,320
Speaker 5: I'm waiting breathlessly for the next chapter.

1191
01:03:56,920 --> 01:04:00,000
Speaker 20: The murderer steals one of the capsules, pours the medicine out,

1192
01:04:00,079 --> 01:04:04,039
and replaces the medicine with powdered sugar. He returns the

1193
01:04:04,039 --> 01:04:07,599
capsule to the financier's pillbox. In due course, the financier

1194
01:04:07,719 --> 01:04:11,880
reaches the capsule, takes it. His weak heart, lacking the

1195
01:04:11,920 --> 01:04:17,760
medicine he needs, fails and there you have poisoning without poison.

1196
01:04:18,719 --> 01:04:21,400
Speaker 2: Very ingenious, I think.

1197
01:04:21,440 --> 01:04:24,320
Speaker 20: So the poisoner can't be traced to the poison he

1198
01:04:24,400 --> 01:04:27,960
purchased because he didn't purchase any. The murdered man is

1199
01:04:28,000 --> 01:04:31,000
assumed to have died a natural death, and Hot Topsy

1200
01:04:31,079 --> 01:04:33,719
will show no poison in his body since there wasn't any.

1201
01:04:36,360 --> 01:04:39,239
Speaker 5: Well, is it the perfect crime?

1202
01:04:39,719 --> 01:04:41,159
Speaker 2: I can't see any flaws.

1203
01:04:40,800 --> 01:04:45,000
Speaker 20: Any And if you can't, I don't imagine the critics.

1204
01:04:45,079 --> 01:04:47,079
Speaker 2: Well, don't you mean the tale?

1205
01:04:48,559 --> 01:04:50,840
Speaker 20: Why should the police be interested in a book?

1206
01:04:50,880 --> 01:04:53,320
Speaker 5: I'm ready? Why should the critics be interested in the

1207
01:04:53,400 --> 01:04:57,960
murder you're committing? You're not serious? You are? I?

1208
01:04:57,960 --> 01:05:01,239
Speaker 20: I rather think I must leave now, getting light soon? No, no,

1209
01:05:01,280 --> 01:05:04,599
don't move. I still have the gun pointing at you.

1210
01:05:05,400 --> 01:05:07,039
If I had to shoot you, it wouldn't be a

1211
01:05:07,079 --> 01:05:11,920
perfect crime, but you'd be dead, nonetheless, but that wouldn't

1212
01:05:11,960 --> 01:05:20,639
interest you, would Well, goodnight, mister templar and pleasant Grahams.

1213
01:05:20,800 --> 01:05:23,239
Speaker 1: I hope you'll be with us then in the meantime.

1214
01:05:23,639 --> 01:05:30,119
Send your comments to Box thirteen at Great Detectives Net,

1215
01:05:30,920 --> 01:05:35,360
follow us on Twitter at Radio Detectives, and check us

1216
01:05:35,360 --> 01:05:40,360
out on Instagram, Instagram dot com. Slash, great detectives from

1217
01:05:40,639 --> 01:05:45,840
Boise Audohole. This is your host, Adam Graham signing off.