WEBVTT

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<v Speaker 1>Talk.

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<v Speaker 2>I want full assurance. Did any heat from Emily and

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<v Speaker 2>dots on? Just you? I don't even want my name

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<v Speaker 2>pulled into the shindy. Second you owe me sixth seeds,

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<v Speaker 2>no rush, but I want your shake that they'll be

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<v Speaker 2>home in not too much time.

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<v Speaker 3>That's square. You did them after all, lay low to

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<v Speaker 3>blow over stick on this. One of you will dish

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<v Speaker 3>it to bury the other. You both get the rat

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<v Speaker 3>as for the six as you borrow it. Yeah, and

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<v Speaker 3>you won't. You shouldn't need a shake on that, all right?

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<v Speaker 3>To both go, seal it up and blow for keeps.

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<v Speaker 2>Third thing, the last break, it's yours. That's not the

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<v Speaker 2>point I'm gonna start selling it. How do I know

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<v Speaker 2>it's not bad?

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<v Speaker 4>What would it be?

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<v Speaker 2>Why was the last one? Because someone got greedy tug

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<v Speaker 2>hears had the means to swipe half of it and

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<v Speaker 2>cut it bad for a long time. Now we're splits.

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<v Speaker 2>The loss of my trust is retroactive. Did you tell.

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<v Speaker 5>No?

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<v Speaker 2>All right, let's shake him blow Not good enough? What

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<v Speaker 2>would be good enough? I want to see him dose

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<v Speaker 2>it just to prove it. It's none more square out

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<v Speaker 2>for that.

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<v Speaker 4>I didn't touch it.

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<v Speaker 1>Junk, that's all.

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<v Speaker 2>I want to see it to dose. It's proving something

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<v Speaker 2>to me right here.

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<v Speaker 5>Oh i'd better be. It's telling them that I ain't

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<v Speaker 5>under your thumb no more that I ain't playing lapdog

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<v Speaker 5>to no goddam grunt ball.

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<v Speaker 1>Welcome to Cinemigos, a podcast all about expanding the cinematic

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<v Speaker 1>horizons of its hosts.

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<v Speaker 5>Matt, My god, I haven't been fun like that since

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<v Speaker 5>Great School?

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<v Speaker 1>Raw?

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<v Speaker 4>Do I feel?

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<v Speaker 1>Lucky Duck and hydro bird dodrunk?

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<v Speaker 5>Why do younger than.

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<v Speaker 1>Monday morning homeroom seven fifteen am. As I sit there

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<v Speaker 1>reading Hello and Welcome to Cinemigos, a podcast all about

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<v Speaker 1>expanding the cinematic horizons of its host and hopefully it's listeners.

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<v Speaker 1>Carved into the desk, I think to myself, how I

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<v Speaker 1>got here tonight? I'm presented with the usual suspects that

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<v Speaker 1>may have had something to do with it. Let me

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<v Speaker 1>spin it from the top, the fem fatale of movie trivia,

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<v Speaker 1>Robbie the Brain, and the stoner behind the coffee and pie.

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<v Speaker 1>Oh my, it's Matt. I'm your host, columbo Berg, investigator

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<v Speaker 1>on the Case of the Dizzy Dame with my pick

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<v Speaker 1>Tonight two thousand and Five's Brick, a modern day no

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<v Speaker 1>war soaked film by Ryan Johnson. You boys, ready to

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<v Speaker 1>test this Brick's authenticity.

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<v Speaker 5>Let's do it. Let's snort it, let's figure it out.

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<v Speaker 1>Yeah, take a little key bump. Actually, I don't think

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<v Speaker 1>there's ever a moment in the movie with that kind

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<v Speaker 1>of I never actually mentioned what kind of drug it is.

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<v Speaker 1>I think we're just meant to assume it's cocaine, but

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<v Speaker 1>we can get.

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<v Speaker 5>To We're never Yeah, we're never given the actual description

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<v Speaker 5>of what it is.

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<v Speaker 4>They do that in this movie. They do the language

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<v Speaker 4>really well to hide with.

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<v Speaker 5>Obviously this is your pick, Heideberg or brick Berg. Why

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<v Speaker 5>did you choose it for us?

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<v Speaker 1>I chose this. I saw this years ago. It was

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<v Speaker 1>like a blockbuster rental. It was one of those ones

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<v Speaker 1>where you just like you to see it's a trailer

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<v Speaker 1>on an independent film that you're rented, and you go

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<v Speaker 1>and get that movie on one of the low or

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<v Speaker 1>you know, lower wrongs. It's like The Down in the Middle,

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<v Speaker 1>Yeah and the Middle. It was one of those movies,

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<v Speaker 1>you know what I mean. And it just stood out

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<v Speaker 1>to me and it was it just seemed interesting, and

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<v Speaker 1>I rented it and I remember it, you know it

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<v Speaker 1>It hitting in a way that I was just like, Oh,

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<v Speaker 1>I get what they're going for here. That's interesting. The

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<v Speaker 1>premise I thought was just interesting to cover, like a

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<v Speaker 1>modern day take on a new war film, because we've

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<v Speaker 1>done a bunch of new war films, but we haven't

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<v Speaker 1>done too many like Neo Noar and this.

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<v Speaker 5>Is this might this might be our first. Yeah, this

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<v Speaker 5>might be our first. Uh and definitely a very different

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<v Speaker 5>take on noir as well, which I'm really excited to

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<v Speaker 5>talk about.

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<v Speaker 1>Yeah. So I thought that was interesting, and that's kind

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<v Speaker 1>of why I picked it, because I just thought it

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<v Speaker 1>would be a good thing to put up adjacent with

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<v Speaker 1>one of the ones that you've chosen. So it's going

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<v Speaker 1>to pick my time to pick a film.

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<v Speaker 5>Obviously I haven't seen it, but Matt, had you seen

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<v Speaker 5>this film before?

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<v Speaker 4>No, I had never even heard of it. I did

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<v Speaker 4>not know this.

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<v Speaker 5>Movie existing same same here. I had never heard of it.

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<v Speaker 5>So this was a fun So I'm excited for a

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<v Speaker 5>it's a double bubble that we're going to get into.

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<v Speaker 5>We haven't used that in a while.

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<v Speaker 1>I know, I was just thinking out of my mind.

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<v Speaker 1>I'm like, it's been a while.

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<v Speaker 4>I will say, I'm glad I watched north By or

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<v Speaker 4>north By Northwest and Double End Enemy and Casablanca. I'm

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<v Speaker 4>glad I got some actual noir under my belt before

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<v Speaker 4>I came into this, because it let me approve absolutely Yeah.

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<v Speaker 1>See when I saw this for the first time, and

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<v Speaker 1>we'll get into it, but I did. I didn't have

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<v Speaker 1>all that under my belt, but I did know what

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<v Speaker 1>those films like, I knew what no War was. I

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<v Speaker 1>knew what no War films were, so I knew that

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<v Speaker 1>this film I could piece together, like all right, that's

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<v Speaker 1>what they're going for. From the dialogue, it's noir but

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<v Speaker 1>just done and you know the setting.

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<v Speaker 4>I think there's like a pop culture understanding just from

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<v Speaker 4>like cartoons and stuff, so like as you grow up, yeah,

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<v Speaker 4>you kind of you kind of understand even though you

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<v Speaker 4>don't have any we're.

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<v Speaker 5>Seeing noir without ever seeing a noir film. There's a

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<v Speaker 5>lot of that in our pop culture.

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<v Speaker 4>You know, like Sin City, since city's the perfect Yeah,

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<v Speaker 4>I would probably watch that movie with brand new eyes.

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<v Speaker 4>Now if I went back and watched.

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<v Speaker 5>Absolutely, yeah, you would. Yeah, Well, why don't we get

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<v Speaker 5>that hadn't died Heidelberg Spoiler warning and we'll give the

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<v Speaker 5>synopsis and we'll dive into the film.

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<v Speaker 1>This is spoiler warning from the top. Don't you dare

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<v Speaker 1>spoil this film. I'll give you one two to the face.

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<v Speaker 1>I got all my five senses. Watch out anyway. All right,

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<v Speaker 1>a teenage loader pushes his way into the underworld of

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<v Speaker 1>a high school crime ring to investigate the disappearance of

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<v Speaker 1>his girlfriend.

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<v Speaker 5>All right, well, why don't we dive into the pre

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<v Speaker 5>production of the film. It's directed by Ryan Johnson, so

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<v Speaker 5>it's our second straight directorial debut. This is Ryan Johnson's

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<v Speaker 5>directorial debut, and we did Duel last week, which was Spielberg's.

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<v Speaker 5>He's also done films like Looper, Star Wars, The Last Jedi,

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<v Speaker 5>which is god awful, and he's been doing the The

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<v Speaker 5>Knives Out films, which I'm actually really enjoyed those Knives

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<v Speaker 5>Out films, and I'm excited for the new one that's

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<v Speaker 5>coming out at the end of the year.

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<v Speaker 1>I like Looper.

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<v Speaker 5>Looper is great. I really liked that film a lot.

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<v Speaker 5>So to tell a story about how our film we

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<v Speaker 5>got started, we got to start with our director, Ryan Johnson.

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<v Speaker 5>He fell in love with the Cohen Brothers film Miller's Crossing,

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<v Speaker 5>which caused him to search out the source materials that

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<v Speaker 5>inspired that film, which led him to the authors that

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<v Speaker 5>we've discussed on our previous episodes on the Maltese Falcon

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<v Speaker 5>and Double Identity, so James N. King, Raymond Chandler, and

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<v Speaker 5>specifically Dashel Hammett. When it came time to write his screenplay,

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<v Speaker 5>he wanted to create a classic American detective story like

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<v Speaker 5>the works of Hammett, albeit without the normal visual cues

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<v Speaker 5>or costumes you would see in a standard noir picture.

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<v Speaker 5>So his idea was to have our story take place

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<v Speaker 5>in a high school with young adults and write the

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<v Speaker 5>story that would become this film right after graduating film

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<v Speaker 5>school in nineteen ninety seven. The unfortunate thing for Johnson

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<v Speaker 5>is that he had no connection to anyone significance in

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<v Speaker 5>the film industry, and in his own admission, he isn't

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<v Speaker 5>the best at selling himself. But the approach he took

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<v Speaker 5>to get the script into as many hands as they could,

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<v Speaker 5>hoping that it would reach the right producer to see

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<v Speaker 5>what they could get to make the film. During this time,

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<v Speaker 5>there were times where it seemed like the project would

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<v Speaker 5>get financing, only to have people pull out, giving reasoning

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<v Speaker 5>that the script was not a traditional one and that

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<v Speaker 5>it required to be casted perfectly to execute the script,

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<v Speaker 5>and with the first time director, the traditional financiers had

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<v Speaker 5>no idea how to sell the film in the way

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<v Speaker 5>that Johnson wanted. However, he kept pushing forward because of

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<v Speaker 5>the team of people he was assembling along the way

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<v Speaker 5>who believed in the project. After six years of using

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<v Speaker 5>these traditional approaches, his team realized the only way to

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<v Speaker 5>get this film done was to finance the film themselves

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<v Speaker 5>and figure out the lowest amount they needed to get

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<v Speaker 5>the film made in thirty five millimeter and use the

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<v Speaker 5>friends and family plan. As the group passed, the collection

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<v Speaker 5>played around and were able to finance the film independently

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<v Speaker 5>with four hundred fifty thousand dollars raised. Johnson would shoot

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<v Speaker 5>the film in his hometown of San Clemente, California, including

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<v Speaker 5>his former high school, as well as other locations that

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<v Speaker 5>they would secure and sometimes would frequently lose because the

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<v Speaker 5>people agreeing to not know how disruptive filming would be

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<v Speaker 5>to their operations, which would cause the crew to have

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<v Speaker 5>to adjust on the fly. Now, if they had more money,

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<v Speaker 5>the crew could have worked exactly where they wanted, but

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<v Speaker 5>by financing it cheaply on their own, it allowed Johnson

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<v Speaker 5>to make the film he wanted, which is what he

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<v Speaker 5>wanted in the end, and gives us the unique picture

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<v Speaker 5>that we ended up getting a little bit side note.

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<v Speaker 5>When I was in the Navy, I was at Camp Pendleton,

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<v Speaker 5>and I worked on the San Clemente side of the base.

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<v Speaker 5>So I would pass by that high school on the

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<v Speaker 5>freeway frequently. So when you see the football field that's

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<v Speaker 5>passing by the fire, you could see all the cars

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<v Speaker 5>passing on the freeway. That's the five Freeway, and so

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<v Speaker 5>I would cross that frequently on my commutes to to

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<v Speaker 5>the base. While location scouting was a challenge, casting his

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<v Speaker 5>actors was relatively easy because he didn't have the normal

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<v Speaker 5>interference that a studio or producers would normally create, which

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<v Speaker 5>allowed him to choose carefully who he felt was right

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<v Speaker 5>for the parts. And with this being a script being

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<v Speaker 5>so dependent on each actor being cast correctly, I feel

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<v Speaker 5>like Johnson and crew delivered. The soundtrack was done by

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<v Speaker 5>Ryan Johnson's cousin Nathan Johnson, who also did the soundtrack

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<v Speaker 5>for Looper, Don John Knight, Moreley, and Knives Out, who

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<v Speaker 5>used the soundtrack from The Third Man, a film that

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<v Speaker 5>we'll be covering sometime in the future. And composer Nao Morricone,

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<v Speaker 5>who we met in a fistful of dollars as inspirations

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<v Speaker 5>and all while giving it a junk yard feel to

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<v Speaker 5>give it the edge we get in the film shooting.

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<v Speaker 5>They had a very short shooting schedule, but the cast

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<v Speaker 5>rehearsed for three months to get their lines and marks down,

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<v Speaker 5>so they rehearsed a lot before they began film, so

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<v Speaker 5>it just made everything flow very quickly. But yeah, that's

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<v Speaker 5>all the prererush I have. Why don't we dive into

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<v Speaker 5>the film?

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<v Speaker 4>Well, I really like the guitar and bill music. We

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<v Speaker 4>get a fade in for the when the movie starts

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<v Speaker 4>with this. Uh, I haven't heard any kind of music

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<v Speaker 4>like this in a movie before, like a rattle, yeah, yeah,

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<v Speaker 4>almost the Western acoustic guitar. Yeah.

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<v Speaker 5>I definitely see the Ennio Morricone in the junkyard noir

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<v Speaker 5>style of soundtrack that Nathan Johnson was going for here,

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<v Speaker 5>and I think it works brilliantly.

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<v Speaker 1>Yeah, It's very interesting and it's it rings out throughout

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<v Speaker 1>the film, so like you really start to attribute it

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<v Speaker 1>with the movie. Yeah, and it's team you know what

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<v Speaker 1>I mean, it's part of its score. I really like it.

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<v Speaker 1>I like we start with this like murder, we see

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<v Speaker 1>the body of a girl and like a river basin,

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<v Speaker 1>and you know, our character Brennan seems to have found

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<v Speaker 1>her possibly or here's the one who killed her, like

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<v Speaker 1>we don't really know. If you'd your first time watching,

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<v Speaker 1>you really know what's going on. So it's already starting

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<v Speaker 1>like with this ambiguity, which more films I feel like

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<v Speaker 1>have a ton of. Absolutely. Yeah, and then we cut

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<v Speaker 1>back two days prior, like a narrative.

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<v Speaker 5>So our body that is played by Emily d Raven,

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<v Speaker 5>who is Emily Cossage, who will get to meet a

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<v Speaker 5>little bit more as the film goes on. She's in

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<v Speaker 5>shows like Roswell Lost, Once upon a Time, more of

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<v Speaker 5>a television actress than a film we just covered. That's right,

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<v Speaker 5>I forgot about that. You know, another character that's not

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<v Speaker 5>in the film for very long, but it's a huge

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<v Speaker 5>driving force behind our main characters, like similar to like

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<v Speaker 5>Liam Neeson is Priest Ballan, his preest Ballin character in

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<v Speaker 5>Gangs in New York, and of course our our main

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<v Speaker 5>character that we see, Brendan Fry, played by the great

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<v Speaker 5>Joseph Gordon Levitt, who was in Third Rock from the Sun,

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<v Speaker 5>Ten Things I Hate About You, five Hundred Days of Summer.

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<v Speaker 5>Don john a lot of a lot of films, Inception,

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<v Speaker 5>Dark Knight Rises, a lot of a lot of great stuff.

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<v Speaker 5>And Johnson saw him in the film Maniac and knew

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<v Speaker 5>he wanted to work with the young actor. And it

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<v Speaker 5>seems as if Joseph Gordon Levitt understood and liked the

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<v Speaker 5>vision Johnson had for the film and brought his own

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<v Speaker 5>ideas that would be incorporated, specifically his costume and mannerisms.

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<v Speaker 5>And I'll be honest, you know, I not at first,

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<v Speaker 5>but like as I've been watching more of his films,

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<v Speaker 5>I'm starting to really like his talents as an actor.

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<v Speaker 5>I think he's great in this. I really love him

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<v Speaker 5>in this. He is amazing as a character.

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<v Speaker 4>He holds the movie together. If he doesn't work, the

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<v Speaker 4>movie doesn't work.

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<v Speaker 1>Yeah, absolutely, absolutely right. Actually yeah, and he's young too,

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<v Speaker 1>so it's a tough and it's a tough role for

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<v Speaker 1>I think these are all young actors like spinning out

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<v Speaker 1>lines that have made to be you know, said in

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<v Speaker 1>these older films in a way they're hammy a little bit.

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<v Speaker 1>But also I don't know, they're supposed to have bravado

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<v Speaker 1>but their high school kids at the same time, So

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<v Speaker 1>it's like it's an odd mix to kind of you know,

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<v Speaker 1>aligned to straddlehow.

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<v Speaker 5>He is, Like I said, you're right, he is the

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<v Speaker 5>glue to this film. And I think he of all

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<v Speaker 5>the actors, he's the most experienced. And so yeah, like

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<v Speaker 5>I said, Johnson really had to cast, especially his lead.

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<v Speaker 5>If he doesn't cast the lead correctly.

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<v Speaker 1>It wasn't the acting place. Tug wasn't the most experienced actor.

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<v Speaker 5>I mean, he might have been acting longer, but like

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<v Speaker 5>as far as the credit, it's supposed to go like

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<v Speaker 5>Essic Gordon Levitt is the more experienced actor.

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<v Speaker 4>I think they do a real good job in this

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<v Speaker 4>opening scene of like showcasing like how like this is

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<v Speaker 4>not going to be a fun movie, like buckle up.

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<v Speaker 4>And then and then they like they do a real

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<v Speaker 4>like a close up of her bracelets and like it

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<v Speaker 4>really shows like, yeah, this is a young girl.

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<v Speaker 1>This is high school innocence to that.

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<v Speaker 4>Yeah, there's an innocence to it. No matter what she's done,

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<v Speaker 4>she's still a child, and I think that's what they'll

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<v Speaker 4>they keep, you know, every time you see her. She

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<v Speaker 4>has these giant Madonna Bengal bracelets on, and I think

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<v Speaker 4>they did a real good job focusing on that from

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<v Speaker 4>the very beginning of the movie.

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<v Speaker 5>Yeah, that's on the cover of the Blu ray too.

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<v Speaker 1>Those a little bit of trail, the trail off in

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<v Speaker 1>the water of like her hand cutting into the water

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<v Speaker 1>from being like laying there. And then I like the

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<v Speaker 1>way this we get this like two days prior. It's

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<v Speaker 1>like this narrative hook of like we're gonna go back

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<v Speaker 1>and figure out what, how what led us to this

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<v Speaker 1>moment in the in the story, which these films tend

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<v Speaker 1>to do. Yeah, I thought this film does a good

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<v Speaker 1>way of shedding up our setting with the high school

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<v Speaker 1>and you know the note. Brendan finds this note the

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<v Speaker 1>twelve thirty in his locker meet me at whatever the

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00:15:51.639 --> 00:15:53.919
<v Speaker 1>location was, and it kind of just gets us going,

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<v Speaker 1>I thought, in a decent way. Starts showing us the

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<v Speaker 1>other characters, you know, and then the fifteen to twenty

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<v Speaker 1>minutes we get an idea of like who some of

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<v Speaker 1>the players are in this movie, which I think these

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<v Speaker 1>films tend to do. They you know, the name comes

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<v Speaker 1>in I fem fatale, we got this guy, we got

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<v Speaker 1>the you know. Uh, it's interesting that this film takes

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<v Speaker 1>tropes from like high school and then tries to turn

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<v Speaker 1>those into no war tropes as well.

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<v Speaker 5>Yeah, there's there is a lot of the Maltese Falcon

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<v Speaker 5>in this film a little a little bit as far

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<v Speaker 5>as like the type of characters that we meet, and then.

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<v Speaker 1>The bricks and mcguffin, whether it's reil or fake, whether

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<v Speaker 1>it's you know, whether it's been cut or not.

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<v Speaker 5>Yeah, we have no idea about that particular brick that

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<v Speaker 5>last week. We have a we have a murder, we

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<v Speaker 5>have we have characters that are very similar to the

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<v Speaker 5>Maltese Falcon. And I mean not to uh you know,

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<v Speaker 5>make it like it he's just copying off it. But

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<v Speaker 5>it's definitely it's definitely an influence.

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<v Speaker 1>Yeah. Absolutely, I mean there's no doubt about it. It's

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<v Speaker 1>wearing it on its sleeve, you know what I mean.

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<v Speaker 1>And it's totally meant to be.

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<v Speaker 4>Yeah, I wouldn't. I mean, like this this movie almost

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<v Speaker 4>seems to like be praising those older movies, like uh,

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<v Speaker 4>it's you know, I feel like he's saying, I love

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<v Speaker 4>these old movies. Yeah, now here's.

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<v Speaker 1>Mine, here's my version. Yes, I'm gonna make it into

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<v Speaker 1>like a high school setting. Yeah, I do believe. So

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<v Speaker 1>this movie is a little bit you know, it's hammed

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<v Speaker 1>up obviously because of the dialogue, but the situation, the

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00:17:28.440 --> 00:17:31.720
<v Speaker 1>situation that play that happens where there's a woman, a

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<v Speaker 1>girl who goes to school who's maybe runaway, getting into drugs,

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<v Speaker 1>getting with the wrong crowd, a drug deal gone wrong,

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<v Speaker 1>kind of deal that's feasible. That's all fine, you know

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<v Speaker 1>what I mean. Tug having like a gang a little

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<v Speaker 1>bit or whatever, being the rough and tumble fucking street kid.

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<v Speaker 1>Uh you know, muscle. That all works for me too.

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<v Speaker 1>I think that's all actually stuff that could happen in

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<v Speaker 1>a high school setting. So that's believable for me. So

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<v Speaker 1>it works.

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<v Speaker 4>This is no more silly than the I would actually

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<v Speaker 4>say it's more serious than the Roman Juliet remaking. Yeah,

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<v Speaker 4>like the because.

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<v Speaker 1>Absolutely that's a good comparison actually in a way.

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<v Speaker 4>Yeah, Rob, I've never been to high school in California.

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<v Speaker 4>Are lockers outside a normal thing? Because that ye, yes,

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<v Speaker 4>there are.

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<v Speaker 1>Parts of the school that are like based outside and

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00:18:17.599 --> 00:18:19.519
<v Speaker 1>they'll have like little overhangs and ship but they're cut

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<v Speaker 1>away from.

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<v Speaker 4>The school before.

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<v Speaker 5>Yeah, yeah, I think I have never seen we've had

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<v Speaker 5>lockers inside, but like most of them are outdoors.

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<v Speaker 1>Okay, but yeah, like, how do you like the the

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<v Speaker 1>fact that we're in like a high school setting? Like

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<v Speaker 1>how did that hit you the first time?

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<v Speaker 4>Be honest, I was a little overwhelmed. Uh I the

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<v Speaker 4>first twenty minutes of this movie I did not like

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<v Speaker 4>And uh I could see especially when he when he

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<v Speaker 4>finally gets to brain and I see how the how

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<v Speaker 4>how much the dialogue is going to be, Like, it

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<v Speaker 4>caught me real off it felt h surreal was the word.

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<v Speaker 1>It's a little out of place at first because it's like,

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<v Speaker 1>you know, they're talking like old guys and they're like

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<v Speaker 1>this and he's sort of like snappy like everyone.

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<v Speaker 4>Yeah, once my brain caught up with like I had

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<v Speaker 4>to like reprogram what I was then I was fine.

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<v Speaker 4>And I have to say the second watch, I loved it.

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<v Speaker 4>Like it once I knew what I was getting into,

379
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<v Speaker 4>I could just and just enjoy it. I really like,

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<v Speaker 4>I really liked the dialogue in the way they wrote it.

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<v Speaker 1>Yeah, that was that was pretty good.

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<v Speaker 5>That was the one thing that took me a second

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<v Speaker 5>to wrap my head around is that this is high

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<v Speaker 5>school in their and that was kind of his way

385
00:19:39.799 --> 00:19:42.880
<v Speaker 5>of putting a twist on the genre, because I was like,

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<v Speaker 5>what the fuck are they saying? And it's just you're

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00:19:45.519 --> 00:19:48.720
<v Speaker 5>just that it's just meant to be accepted, and you

388
00:19:48.839 --> 00:19:51.519
<v Speaker 5>kind of learn a little bit, like about what each

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00:19:51.640 --> 00:19:56.039
<v Speaker 5>particular term means as the film goes along. But that

390
00:19:56.119 --> 00:19:57.920
<v Speaker 5>first watch was a little bit jarring. I was like,

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<v Speaker 5>I don't know what I think about this yet using.

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<v Speaker 1>Slang too, you know what I mean, Like yeah, school

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00:20:03.119 --> 00:20:05.839
<v Speaker 1>type slang, but also mixing it in within the war

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00:20:05.960 --> 00:20:07.039
<v Speaker 1>type style of speaking.

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<v Speaker 4>I don't think it was so much what they were saying.

396
00:20:10.079 --> 00:20:12.400
<v Speaker 4>It was like they were saying it so fast and

397
00:20:13.480 --> 00:20:16.039
<v Speaker 4>they were using stuff that was unfamiliar. I always felt

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<v Speaker 4>like I was catching up.

399
00:20:17.319 --> 00:20:19.039
<v Speaker 1>Yeah, i'ma spin it for you real quick, you know,

400
00:20:19.119 --> 00:20:20.319
<v Speaker 1>like kids don't talk like that.

401
00:20:20.839 --> 00:20:23.680
<v Speaker 5>Uh yeah, the and that's the truth.

402
00:20:23.720 --> 00:20:24.960
<v Speaker 1>I'm gonna tell it from the top, you know what

403
00:20:25.000 --> 00:20:26.200
<v Speaker 1>I mean, Like, who the fuck says that.

404
00:20:26.720 --> 00:20:29.279
<v Speaker 5>It will cover more films from this era, But when

405
00:20:29.359 --> 00:20:33.079
<v Speaker 5>you watch films from the thirties and the early forties.

406
00:20:33.359 --> 00:20:37.599
<v Speaker 5>The dialogue is so snap quick, and we're not used

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00:20:37.599 --> 00:20:40.240
<v Speaker 5>to that as a generation. Now with the films that

408
00:20:40.240 --> 00:20:43.079
<v Speaker 5>we're watching, everything tends to move a little bit slower.

409
00:20:43.519 --> 00:20:46.880
<v Speaker 5>But in that era, man like the everything was quick, quick, quick,

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<v Speaker 5>And that's what this female dialogue.

411
00:20:50.240 --> 00:20:52.839
<v Speaker 1>The female dialogue is more breathy and slower.

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00:20:52.960 --> 00:20:54.240
<v Speaker 5>That is that is true?

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<v Speaker 1>You know, yeah, well that.

414
00:20:57.839 --> 00:21:02.559
<v Speaker 5>Is That's something that we have. That's what Ryan Johnson's

415
00:21:02.599 --> 00:21:05.119
<v Speaker 5>going for in this is That's why everything's so fast

416
00:21:05.319 --> 00:21:06.400
<v Speaker 5>and you're catching up.

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<v Speaker 4>I turned the subtitles on and even a lot of

418
00:21:11.480 --> 00:21:13.920
<v Speaker 4>shit I didn't notice the first watch. I noticed the

419
00:21:13.960 --> 00:21:17.680
<v Speaker 4>second watch, and all this dialogue is gold. It's I mean,

420
00:21:17.720 --> 00:21:21.079
<v Speaker 4>it's it's it's so creative. And even though they're using

421
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<v Speaker 4>phrases I don't hear. Ever, I knew what they were

422
00:21:25.519 --> 00:21:27.960
<v Speaker 4>talking about like they did a He did a great

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<v Speaker 4>job coming up with his own slang and owns the

424
00:21:32.160 --> 00:21:33.119
<v Speaker 4>style of speech.

425
00:21:33.519 --> 00:21:34.480
<v Speaker 1>Yeah, it is good.

426
00:21:34.880 --> 00:21:38.200
<v Speaker 5>Yeah, I have to imagine Jessic Gordon Levitt probably also

427
00:21:38.279 --> 00:21:41.720
<v Speaker 5>read some of these books that Ryan Johnson was utilizing

428
00:21:41.759 --> 00:21:44.480
<v Speaker 5>for the script and was able to develop, uh maybe

429
00:21:44.559 --> 00:21:47.160
<v Speaker 5>like add some extra stuff for the dialogue.

430
00:21:47.160 --> 00:21:50.880
<v Speaker 1>That I'm that came out of the film. He's Yeah,

431
00:21:50.960 --> 00:21:52.759
<v Speaker 1>he's a kind of actor who would have done that

432
00:21:52.839 --> 00:21:55.000
<v Speaker 1>extra work and read a couple of books to totally

433
00:21:55.000 --> 00:21:57.640
<v Speaker 1>get that sort of because he does deliver it very

434
00:21:57.640 --> 00:22:00.519
<v Speaker 1>well as far as because he's lead, you know what

435
00:22:00.559 --> 00:22:02.680
<v Speaker 1>I mean. But I think the whole cast kind of

436
00:22:03.079 --> 00:22:08.079
<v Speaker 1>for the most part, like Laura's character. I think, tell

437
00:22:08.440 --> 00:22:10.920
<v Speaker 1>I like, I like Lucas, what's his name?

438
00:22:12.119 --> 00:22:14.920
<v Speaker 5>Lucas is the pin, Yeah, the idea.

439
00:22:14.640 --> 00:22:17.319
<v Speaker 1>Of the pin. But let's get to the setting. We

440
00:22:17.359 --> 00:22:19.400
<v Speaker 1>get the Brendan gets the note to the twelve thirty

441
00:22:19.440 --> 00:22:21.480
<v Speaker 1>meet up, and then he goes to the address and

442
00:22:21.480 --> 00:22:24.000
<v Speaker 1>he finds a payphone that just starts ringing at the

443
00:22:24.000 --> 00:22:26.039
<v Speaker 1>time that it's said, to which I like, I like,

444
00:22:26.119 --> 00:22:27.759
<v Speaker 1>I love the ship like that, you know what I mean.

445
00:22:27.799 --> 00:22:30.000
<v Speaker 5>Did you get dirty Harry off of this with like

446
00:22:30.119 --> 00:22:33.640
<v Speaker 5>him running to like the telephone booze.

447
00:22:33.440 --> 00:22:36.119
<v Speaker 1>Yeah, and then the car going up like Emily on

448
00:22:36.160 --> 00:22:39.119
<v Speaker 1>the line. We know that she's his ex, there's there's

449
00:22:39.160 --> 00:22:42.000
<v Speaker 1>something going on there between them, and that she's close

450
00:22:42.039 --> 00:22:45.000
<v Speaker 1>by because she should see him, you know, in the moment.

451
00:22:45.160 --> 00:22:48.160
<v Speaker 1>So that's interesting to me. The way they play it

452
00:22:48.200 --> 00:22:50.279
<v Speaker 1>out and then it's like someone's out to get her.

453
00:22:50.279 --> 00:22:53.079
<v Speaker 1>It sounds like, don't we hear their name dode uh,

454
00:22:53.440 --> 00:22:57.440
<v Speaker 1>We don't know what meaning it has with you know, Brendan.

455
00:22:57.519 --> 00:23:00.079
<v Speaker 1>We hear about the brick, the word brick, and and

456
00:23:00.119 --> 00:23:02.000
<v Speaker 1>there you know that they're trying to pin it on

457
00:23:02.039 --> 00:23:04.440
<v Speaker 1>her or something she says, and she sounds like she

458
00:23:04.480 --> 00:23:06.759
<v Speaker 1>needs help. And then a car goes by real fast

459
00:23:07.079 --> 00:23:09.359
<v Speaker 1>and she gets scared and seems to run.

460
00:23:09.720 --> 00:23:12.799
<v Speaker 4>Well, that was Tug's car, and they do a really

461
00:23:12.839 --> 00:23:13.400
<v Speaker 4>good job.

462
00:23:13.480 --> 00:23:15.079
<v Speaker 1>We don't know yet, yeah.

463
00:23:14.880 --> 00:23:16.640
<v Speaker 4>But they do a real job of making that car

464
00:23:16.680 --> 00:23:17.799
<v Speaker 4>its own character.

465
00:23:17.680 --> 00:23:21.279
<v Speaker 1>Like that, yeah, because for a while we don't know

466
00:23:21.319 --> 00:23:24.759
<v Speaker 1>who Tug is, so it's just the car of faceless

467
00:23:24.759 --> 00:23:27.119
<v Speaker 1>And then with the cigarette butt comes out, which ends

468
00:23:27.200 --> 00:23:29.559
<v Speaker 1>up playing into a big clue later on. It's a parliament,

469
00:23:29.599 --> 00:23:32.160
<v Speaker 1>which yeah, has an arrow that points up to well

470
00:23:32.200 --> 00:23:36.119
<v Speaker 1>you light it or whatever the filter and so that

471
00:23:36.440 --> 00:23:38.079
<v Speaker 1>plays out, and I just thought it was kind of cool,

472
00:23:38.119 --> 00:23:40.000
<v Speaker 1>like it is kind of dirty Harry ish, like this

473
00:23:40.200 --> 00:23:42.680
<v Speaker 1>car screams up the road and we think, all right,

474
00:23:42.720 --> 00:23:44.440
<v Speaker 1>that car has something to do with it, and she's

475
00:23:44.480 --> 00:23:46.240
<v Speaker 1>scared of whoever's in that car.

476
00:23:46.319 --> 00:23:49.000
<v Speaker 5>And we don't know who it is in the car yet,

477
00:23:49.279 --> 00:23:52.799
<v Speaker 5>and obviously we're giving some red herrings as who it

478
00:23:52.880 --> 00:23:56.000
<v Speaker 5>might be, but you know, it's it's one of those

479
00:23:56.000 --> 00:23:59.839
<v Speaker 5>things that the car is cool nice. I think it's

480
00:23:59.839 --> 00:24:03.839
<v Speaker 5>like late sixties, early seventies mock one Mustang, which is awesome.

481
00:24:04.720 --> 00:24:08.200
<v Speaker 5>And then you have is that telephone booth that they're in.

482
00:24:08.680 --> 00:24:12.119
<v Speaker 5>That telephone booth actually doesn't exist. They so what was

483
00:24:12.160 --> 00:24:15.039
<v Speaker 5>funny about the film is the mansion that we're gonna

484
00:24:15.079 --> 00:24:17.720
<v Speaker 5>go to later. That was a house that they were

485
00:24:17.759 --> 00:24:22.000
<v Speaker 5>allowed to use that apparently was some eccentric billionaire who

486
00:24:22.000 --> 00:24:25.880
<v Speaker 5>had made his money on investing in phone booths and

487
00:24:26.640 --> 00:24:29.480
<v Speaker 5>pay phones, and so all his money came from that.

488
00:24:30.079 --> 00:24:32.000
<v Speaker 5>So he had this mansion and saying, yeah, he had

489
00:24:32.000 --> 00:24:35.799
<v Speaker 5>this mansion in San Clemente, but there was he was

490
00:24:35.880 --> 00:24:38.680
<v Speaker 5>kind of a hoarder, so he had all these His

491
00:24:38.720 --> 00:24:41.400
<v Speaker 5>house was built with all these phone booths. So they

492
00:24:41.440 --> 00:24:43.200
<v Speaker 5>took one of the phone booths and then moved it

493
00:24:43.279 --> 00:24:46.119
<v Speaker 5>around town to where they needed it, so that phone

494
00:24:46.119 --> 00:24:49.240
<v Speaker 5>booth actually doesn't exist at that corner of San Clemente.

495
00:24:50.640 --> 00:24:52.640
<v Speaker 5>Utilizing what you have at your disposal.

496
00:24:53.559 --> 00:24:57.720
<v Speaker 4>I was watching some special features and they were saying

497
00:24:57.720 --> 00:24:59.720
<v Speaker 4>that he let them use that house because he was

498
00:24:59.759 --> 00:25:02.599
<v Speaker 4>about to remodel the whole thing. So it was like, yeah,

499
00:25:02.680 --> 00:25:04.440
<v Speaker 4>come in, do whatever you want. I'm about to I'm

500
00:25:04.440 --> 00:25:07.400
<v Speaker 4>about to rip got this place anyway, so nice. Yeah.

501
00:25:07.440 --> 00:25:11.200
<v Speaker 5>So the entire town was really under redevelopment too, because

502
00:25:11.200 --> 00:25:14.440
<v Speaker 5>San Clemente was on the rise at this time. There

503
00:25:14.480 --> 00:25:18.079
<v Speaker 5>was a lot of new developments. The houses were being upgraded,

504
00:25:18.519 --> 00:25:22.359
<v Speaker 5>and even the Pinn's house that was they couldn't find

505
00:25:22.400 --> 00:25:26.279
<v Speaker 5>a single story house except for they've discovered this at

506
00:25:26.319 --> 00:25:29.240
<v Speaker 5>the last minute. They were actually gonna tear that house down,

507
00:25:29.880 --> 00:25:33.440
<v Speaker 5>and uh they had. They gave them an extension for

508
00:25:33.480 --> 00:25:35.759
<v Speaker 5>a week so that they could film in this house,

509
00:25:36.319 --> 00:25:38.839
<v Speaker 5>and like days after they finished filming, they tore that

510
00:25:38.880 --> 00:25:41.559
<v Speaker 5>thing down and put up a whole new, like three

511
00:25:41.640 --> 00:25:46.279
<v Speaker 5>story house. So the house no longer exists at that address.

512
00:25:46.880 --> 00:25:52.079
<v Speaker 4>I fucking love that wood paneling, I asked my wife,

513
00:25:55.119 --> 00:25:56.119
<v Speaker 4>but I want it.

514
00:25:56.880 --> 00:25:59.599
<v Speaker 1>The film sets up the players here. Though Emily appears

515
00:25:59.640 --> 00:26:02.039
<v Speaker 1>to be missed or into something bigger than, you know,

516
00:26:02.440 --> 00:26:05.000
<v Speaker 1>than herself, Brennan's on a case. He's gonna try and

517
00:26:05.000 --> 00:26:06.640
<v Speaker 1>figure it out and help her out, whether she wants

518
00:26:06.680 --> 00:26:10.039
<v Speaker 1>him to or not. He finds the torn image of

519
00:26:10.119 --> 00:26:13.759
<v Speaker 1>Emily's book that led him to the drama club. The

520
00:26:13.839 --> 00:26:16.119
<v Speaker 1>next scene is when he goes to the drama club

521
00:26:16.160 --> 00:26:18.839
<v Speaker 1>basically and and we find well, he.

522
00:26:18.759 --> 00:26:21.680
<v Speaker 4>Meets Brain to get Emily's locker number so he can

523
00:26:21.720 --> 00:26:22.119
<v Speaker 4>steal them.

524
00:26:22.799 --> 00:26:25.119
<v Speaker 1>That's true.

525
00:26:26.759 --> 00:26:30.279
<v Speaker 5>Yeah, so matt Leary. Matt Leary plays the Brain. He's

526
00:26:30.400 --> 00:26:35.359
<v Speaker 5>been in things like Domestic Disturbance, Frailty, Uh, Spy Kids too,

527
00:26:35.599 --> 00:26:40.720
<v Speaker 5>and he was in Livery or Diehard. He was the

528
00:26:39.519 --> 00:26:42.640
<v Speaker 5>uh he was kind of like the right hand man

529
00:26:42.799 --> 00:26:47.279
<v Speaker 5>to Timothy Oliphant's character, the Guy in the Glass. Yeah,

530
00:26:47.319 --> 00:26:50.680
<v Speaker 5>so yeah, kind of a cool character like his character.

531
00:26:51.079 --> 00:26:53.519
<v Speaker 1>He's sort of like the investigator, like he gets the extra.

532
00:26:53.839 --> 00:26:56.359
<v Speaker 1>He's the gumshoe guy, I think, or no, what will

533
00:26:56.359 --> 00:26:56.799
<v Speaker 1>you call him?

534
00:26:56.839 --> 00:26:59.440
<v Speaker 5>The end, he's the guy in the chair. He's Oracle, Yeah,

535
00:26:59.519 --> 00:27:00.839
<v Speaker 5>essentially sort of.

536
00:27:00.920 --> 00:27:03.240
<v Speaker 1>Yeah, he's kind of played off like he's sort of

537
00:27:03.480 --> 00:27:06.039
<v Speaker 1>is he supposed to be on the spectrum. So I

538
00:27:06.119 --> 00:27:08.480
<v Speaker 1>have a feeling that's what I was thinking about him,

539
00:27:08.480 --> 00:27:10.039
<v Speaker 1>that he doesn't exist at all, and that he's in

540
00:27:10.279 --> 00:27:12.279
<v Speaker 1>and what's his name's head? That's his name is?

541
00:27:13.119 --> 00:27:16.079
<v Speaker 5>Yeah, you know who Oh, that's interesting. I'd never thought

542
00:27:16.079 --> 00:27:18.359
<v Speaker 5>about that. Uh you know who. I was thinking that

543
00:27:18.480 --> 00:27:20.880
<v Speaker 5>he reminded me of like it because there's a lot

544
00:27:20.920 --> 00:27:23.920
<v Speaker 5>of Maltese falcon in this movie. I was thinking he

545
00:27:24.200 --> 00:27:28.240
<v Speaker 5>reminded me a lot of the secretary to Humphrey Bogart's character, Okay,

546
00:27:28.559 --> 00:27:31.599
<v Speaker 5>just because she was very helpful. Yeah, a great character

547
00:27:31.640 --> 00:27:33.799
<v Speaker 5>that was also very helpful in the investigation.

548
00:27:34.759 --> 00:27:36.400
<v Speaker 1>And I'd like that's you get some of the best

549
00:27:36.400 --> 00:27:39.160
<v Speaker 1>dialogue I think between him and in the brain.

550
00:27:39.279 --> 00:27:39.480
<v Speaker 5>Yeah.

551
00:27:40.680 --> 00:27:44.680
<v Speaker 4>Yeah, I hate how mean Brendan is to him. He

552
00:27:44.799 --> 00:27:49.759
<v Speaker 4>just bosses him around, and he's like, is kind.

553
00:27:49.559 --> 00:27:52.799
<v Speaker 5>Of kind of mean to his secretary too. He's not

554
00:27:53.200 --> 00:27:56.440
<v Speaker 5>he's not super nice, but she just takes it and

555
00:27:56.799 --> 00:28:00.119
<v Speaker 5>is very very cool character. Well, I think that that's

556
00:28:00.160 --> 00:28:01.160
<v Speaker 5>kind of what they were going for.

557
00:28:01.319 --> 00:28:04.359
<v Speaker 1>Brendan's very invested in the case because of him his

558
00:28:04.400 --> 00:28:05.680
<v Speaker 1>affection towards Emily so.

559
00:28:07.039 --> 00:28:09.279
<v Speaker 5>And again, I don't think Brendan's nice to anybody.

560
00:28:10.079 --> 00:28:13.000
<v Speaker 4>He's a very he's a very flawed character. But the

561
00:28:13.039 --> 00:28:14.160
<v Speaker 4>movie is.

562
00:28:14.240 --> 00:28:16.920
<v Speaker 1>I mean, he's been hurt and he has his guard

563
00:28:17.000 --> 00:28:17.920
<v Speaker 1>up all the time.

564
00:28:18.559 --> 00:28:22.160
<v Speaker 4>He's moving so fast that you just you you're seeing

565
00:28:22.279 --> 00:28:25.000
<v Speaker 4>his deeds, but you don't really start to think about

566
00:28:25.319 --> 00:28:26.559
<v Speaker 4>who he is as a person.

567
00:28:26.920 --> 00:28:29.799
<v Speaker 1>He's a man of character, though, I think when you

568
00:28:29.839 --> 00:28:35.200
<v Speaker 1>see what he does like for the most part, Yeah, we'll.

569
00:28:35.039 --> 00:28:37.599
<v Speaker 4>Get to it. I'll point out the shitty ship he's

570
00:28:37.640 --> 00:28:41.359
<v Speaker 4>been doing, like, uh, well, you know, he he throws

571
00:28:41.400 --> 00:28:43.839
<v Speaker 4>her to the ground when when she breaks up with him,

572
00:28:44.519 --> 00:28:48.920
<v Speaker 4>he rats out Jared. Uh he's a dirty rat period.

573
00:28:49.039 --> 00:28:51.960
<v Speaker 4>I mean he rated somebody out because he was he

574
00:28:51.960 --> 00:28:55.119
<v Speaker 4>he was flirting with that's a thing to do.

575
00:28:55.680 --> 00:28:57.960
<v Speaker 1>Yeah. I felt like he got caught up in that though,

576
00:28:58.240 --> 00:29:00.200
<v Speaker 1>So I wasn't sure if I was really totally his

577
00:29:00.240 --> 00:29:02.440
<v Speaker 1>fault because he doesn't seem like the kid who's like

578
00:29:02.559 --> 00:29:05.599
<v Speaker 1>in that world as much. But yeah, he has flood,

579
00:29:05.640 --> 00:29:08.079
<v Speaker 1>I guess. I mean everybody's flood. I don't think he's

580
00:29:08.079 --> 00:29:10.039
<v Speaker 1>like I guess in comparison to the other characters. He

581
00:29:10.160 --> 00:29:12.559
<v Speaker 1>still works as a protagonist for me that I can

582
00:29:12.559 --> 00:29:16.559
<v Speaker 1>get on his side normally. Yeah, he does like this

583
00:29:16.680 --> 00:29:18.119
<v Speaker 1>the name go at the end. We'll get to it,

584
00:29:18.160 --> 00:29:18.839
<v Speaker 1>but he lets her go.

585
00:29:20.000 --> 00:29:22.839
<v Speaker 4>Like you know, from one I know of nowar films,

586
00:29:22.839 --> 00:29:24.880
<v Speaker 4>our hero was never Captain America.

587
00:29:25.160 --> 00:29:28.599
<v Speaker 1>It's always absolutely not a lot of times he's got

588
00:29:28.680 --> 00:29:33.000
<v Speaker 1>you know, he's got an alcohol problem or something. Yea gambling. Yeah,

589
00:29:33.279 --> 00:29:35.359
<v Speaker 1>but I do like that, Like by the first like

590
00:29:35.720 --> 00:29:38.680
<v Speaker 1>ten fifteen minutes, you know, we get the idea of like,

591
00:29:38.960 --> 00:29:41.000
<v Speaker 1>all right, we're in a near film, we're in high

592
00:29:41.000 --> 00:29:43.519
<v Speaker 1>school setting, we've got some of the characters going on.

593
00:29:43.920 --> 00:29:46.680
<v Speaker 1>He finds that torn image at the club after he

594
00:29:46.759 --> 00:29:50.039
<v Speaker 1>talks to Cara, who's played by Megan Good. I haven't

595
00:29:50.079 --> 00:29:51.079
<v Speaker 1>thought about her in a while.

596
00:29:51.519 --> 00:29:53.799
<v Speaker 5>Yeah, she's been in a whole bunch of stuff. She's

597
00:29:53.799 --> 00:29:57.319
<v Speaker 5>a great damn actor who's been in Journey movies, TV,

598
00:29:57.839 --> 00:30:01.119
<v Speaker 5>Journey Woman. Yeah, she's she's awesome in this just for

599
00:30:01.200 --> 00:30:03.599
<v Speaker 5>like the five minutes she's in the film, but she delivers.

600
00:30:04.319 --> 00:30:06.680
<v Speaker 4>Yeah, it feels like she did all her scenes in

601
00:30:06.759 --> 00:30:10.519
<v Speaker 4>one day and she was just dialed in. When she's

602
00:30:10.519 --> 00:30:14.880
<v Speaker 4>talking to Brendan, like they like, you immediately understand their relationship.

603
00:30:15.279 --> 00:30:17.880
<v Speaker 4>They used to date and they're not really civil with

604
00:30:17.960 --> 00:30:19.400
<v Speaker 4>each other, and.

605
00:30:19.319 --> 00:30:22.680
<v Speaker 1>She was products she's sort of she was abusive.

606
00:30:22.240 --> 00:30:24.759
<v Speaker 4>To him and now he's big enough to fight back.

607
00:30:26.680 --> 00:30:31.200
<v Speaker 5>Yeah, she is one of them.

608
00:30:32.599 --> 00:30:35.599
<v Speaker 1>Yeah, she's she's more of a dominant woman towards men.

609
00:30:35.720 --> 00:30:38.880
<v Speaker 5>She's like a madam of a whorehouse type of Yeah.

610
00:30:38.960 --> 00:30:41.039
<v Speaker 4>That's like what he's like, you still picking your teeth

611
00:30:41.039 --> 00:30:44.519
<v Speaker 4>with freshmen as there's some guy literally kneeled before her.

612
00:30:44.839 --> 00:30:47.839
<v Speaker 1>You know, doing you know what I mean. But it's

613
00:30:47.839 --> 00:30:49.839
<v Speaker 1>not I think he's just really messing with her feet

614
00:30:49.880 --> 00:30:51.920
<v Speaker 1>or something or who know, it's like, yeah, kneeling down.

615
00:30:52.160 --> 00:30:54.000
<v Speaker 4>Yeah. Well, I think the fact that we don't know

616
00:30:54.119 --> 00:30:56.480
<v Speaker 4>is what makes an interest you know exactly?

617
00:30:56.640 --> 00:30:58.799
<v Speaker 1>Was supposed to just like assume things even though its

618
00:30:58.839 --> 00:31:02.599
<v Speaker 1>high school because it's war. But yeah, I like her

619
00:31:02.680 --> 00:31:05.039
<v Speaker 1>character and I like this moment, I guess because yeah,

620
00:31:05.079 --> 00:31:07.640
<v Speaker 1>he found the torn image, which he was sort of like,

621
00:31:07.680 --> 00:31:09.480
<v Speaker 1>I don't know what this is exactly, but it seemed

622
00:31:09.480 --> 00:31:11.920
<v Speaker 1>like something different. He found it in the book that

623
00:31:11.960 --> 00:31:14.119
<v Speaker 1>he found in the locker, like you said, and then

624
00:31:14.440 --> 00:31:16.160
<v Speaker 1>when he goes into the back room he finds the

625
00:31:16.200 --> 00:31:19.160
<v Speaker 1>full image with the you know details call here.

626
00:31:19.599 --> 00:31:22.160
<v Speaker 5>Well, yeah, he goes Alloween Halloween in January.

627
00:31:22.680 --> 00:31:24.279
<v Speaker 4>That's a great that's a great idea and I'm going

628
00:31:24.319 --> 00:31:28.440
<v Speaker 4>to steal it. But uh yeah, So he goes snooping

629
00:31:28.480 --> 00:31:31.759
<v Speaker 4>around because Kara emits she knows where Emily is and

630
00:31:31.839 --> 00:31:34.480
<v Speaker 4>she's just not going to tell him. Yeah, so he

631
00:31:34.680 --> 00:31:36.799
<v Speaker 4>just he acts like he left and then just walks

632
00:31:36.799 --> 00:31:39.079
<v Speaker 4>around the back door and comes back in, which is

633
00:31:39.279 --> 00:31:42.240
<v Speaker 4>very very new. Worry you know, if that's a word,

634
00:31:42.319 --> 00:31:43.680
<v Speaker 4>it's a word now I made it a word.

635
00:31:43.960 --> 00:31:45.319
<v Speaker 5>Yeah, nice, I like it.

636
00:31:45.640 --> 00:31:48.599
<v Speaker 1>So he calls the number and it leads to Laura.

637
00:31:49.359 --> 00:31:51.839
<v Speaker 1>Is Laura's number, and so he sets up the meet

638
00:31:51.880 --> 00:31:54.680
<v Speaker 1>with with him, which is the party location.

639
00:31:54.960 --> 00:31:59.400
<v Speaker 5>Right right, And that's uh so. Laura Dannon is played

640
00:31:59.400 --> 00:32:04.119
<v Speaker 5>by the great Nora Zettner, who is in shows like Everwood, Heroes,

641
00:32:04.240 --> 00:32:09.359
<v Speaker 5>Grey's Anatomy and Ryan Johnson Yeah, Ryan, Yeah. Ryan Johnson

642
00:32:09.400 --> 00:32:11.799
<v Speaker 5>noticed her while he was doing uh the editing on

643
00:32:11.880 --> 00:32:14.559
<v Speaker 5>his friend's film May and felt she would be a

644
00:32:14.559 --> 00:32:18.319
<v Speaker 5>good fit for his pardon Brick. And this is this

645
00:32:18.400 --> 00:32:22.839
<v Speaker 5>is goes back to the multice Falcon things. I feel

646
00:32:22.839 --> 00:32:25.400
<v Speaker 5>like she is a little bit like Mary Astor's character

647
00:32:25.519 --> 00:32:29.720
<v Speaker 5>bridget O'Shaughnessy from that film, which would make sense because

648
00:32:29.759 --> 00:32:33.440
<v Speaker 5>he since Ryan Johnson loves Dashel Hammett, which is what

649
00:32:33.480 --> 00:32:34.720
<v Speaker 5>that film is based.

650
00:32:34.440 --> 00:32:37.240
<v Speaker 1>Off of, and she's the one, she's the fem fatal

651
00:32:37.880 --> 00:32:41.920
<v Speaker 1>or like, yes, he's involved in everything she's in over right, head.

652
00:32:42.359 --> 00:32:45.359
<v Speaker 5>And like so we we see her initially as she's

653
00:32:45.400 --> 00:32:49.359
<v Speaker 5>involved but a victim, but we're not really like a

654
00:32:49.480 --> 00:32:53.359
<v Speaker 5>lot and there's like love affair. Yeah, and there's this

655
00:32:53.480 --> 00:32:57.119
<v Speaker 5>love affair between the two characters, but like the the

656
00:32:57.160 --> 00:32:59.839
<v Speaker 5>reality of the situation, like you killed the person that

657
00:32:59.880 --> 00:33:03.599
<v Speaker 5>I cared about and I can't I can't let that lie.

658
00:33:03.960 --> 00:33:07.519
<v Speaker 1>And it's like she wants to be emily in a way,

659
00:33:07.599 --> 00:33:10.359
<v Speaker 1>like she wishes he looked at me that way because

660
00:33:10.440 --> 00:33:14.039
<v Speaker 1>she sees she says later on, like you think nobody

661
00:33:14.039 --> 00:33:16.960
<v Speaker 1>sees you the boy who eat his lunch alone behind

662
00:33:16.960 --> 00:33:19.559
<v Speaker 1>the blah blah and cares for a woman who doesn't

663
00:33:19.559 --> 00:33:21.160
<v Speaker 1>care for him, you know what I mean. Like so

664
00:33:21.240 --> 00:33:23.880
<v Speaker 1>it's like, yeah, it definitely shows that he's flawed, but

665
00:33:23.920 --> 00:33:26.279
<v Speaker 1>also like we see some of it, like he's a

666
00:33:26.319 --> 00:33:29.359
<v Speaker 1>hurt character, you know, absolutely a lot of pain.

667
00:33:29.759 --> 00:33:34.000
<v Speaker 4>She's with Brad just because Brad'll do Brad'll do whatever.

668
00:33:34.039 --> 00:33:36.000
<v Speaker 4>She says, like she's kind.

669
00:33:35.799 --> 00:33:39.519
<v Speaker 5>Of like, yeah, she's a little bit like Kara who

670
00:33:39.680 --> 00:33:43.119
<v Speaker 5>uses men to like you to whatever she needs to happen.

671
00:33:43.160 --> 00:33:44.440
<v Speaker 1>I think she cares for Brandon.

672
00:33:44.960 --> 00:33:47.960
<v Speaker 5>Yes, yeah, I do believe there there is a legitimate

673
00:33:47.960 --> 00:33:49.480
<v Speaker 5>connection between her and Brendan.

674
00:33:50.519 --> 00:33:52.680
<v Speaker 1>But yeah, I mean that they make love later.

675
00:33:53.599 --> 00:33:58.039
<v Speaker 5>Yes, the in the deleted scenes of that film, it

676
00:33:58.480 --> 00:34:01.880
<v Speaker 5>is specifically said that they slept together, but Brian Johnson

677
00:34:01.880 --> 00:34:05.000
<v Speaker 5>felt it was better to leave it, you know, leave

678
00:34:05.119 --> 00:34:07.079
<v Speaker 5>us guessing if that's what took place.

679
00:34:07.279 --> 00:34:09.400
<v Speaker 1>They could have just made out, which is the equivalent

680
00:34:09.440 --> 00:34:13.599
<v Speaker 1>of having sex in you know, and a nor film.

681
00:34:13.920 --> 00:34:15.800
<v Speaker 1>But I think they made love then they put their

682
00:34:16.719 --> 00:34:19.519
<v Speaker 1>because she's smoking after Yeah, yeah.

683
00:34:20.480 --> 00:34:24.320
<v Speaker 5>But yeah, you're saying Brad. Brad Bramish who will will

684
00:34:24.320 --> 00:34:26.800
<v Speaker 5>meet here in just second is played by Brian White,

685
00:34:27.000 --> 00:34:30.840
<v Speaker 5>who was in films like Mister three thousand, The Family Stone,

686
00:34:30.840 --> 00:34:34.119
<v Speaker 5>and he was also in The Cabin in the Woods in.

687
00:34:34.079 --> 00:34:36.119
<v Speaker 4>The Family Stone. That's on the list. We're gonna watch

688
00:34:36.159 --> 00:34:37.119
<v Speaker 4>it for weeks.

689
00:34:37.320 --> 00:34:42.800
<v Speaker 6>Yeah, that's absolutely I knew he looked from I really

690
00:34:42.840 --> 00:34:46.400
<v Speaker 6>do like her characters because she's clearly the femme fatale,

691
00:34:46.480 --> 00:34:48.800
<v Speaker 6>and I like that, you know, for this movie, and

692
00:34:48.840 --> 00:34:51.559
<v Speaker 6>I like that you can clearly tell that she knows

693
00:34:51.599 --> 00:34:54.239
<v Speaker 6>more than she's letting on, and you know, he wants

694
00:34:54.239 --> 00:34:54.559
<v Speaker 6>the truth.

695
00:34:54.559 --> 00:34:56.800
<v Speaker 1>He's not really phased by her allure as a woman

696
00:34:57.039 --> 00:34:59.000
<v Speaker 1>in a way because he's like he just needs to

697
00:34:59.039 --> 00:35:01.960
<v Speaker 1>know what's going on with and nobody's telling him that

698
00:35:01.800 --> 00:35:02.719
<v Speaker 1>the truth. You know.

699
00:35:02.840 --> 00:35:08.199
<v Speaker 4>So Brendan is real indifferent about her and it fucking

700
00:35:08.280 --> 00:35:11.239
<v Speaker 4>drives her crazy. Like yeah, like she's like, you you

701
00:35:11.239 --> 00:35:14.320
<v Speaker 4>should either hate me or love me, but this in

702
00:35:14.400 --> 00:35:17.840
<v Speaker 4>between shiit she doesn't understand. And I believe that's why

703
00:35:17.880 --> 00:35:18.960
<v Speaker 4>she's attracted to him.

704
00:35:19.159 --> 00:35:21.920
<v Speaker 1>Oh of course women tend to be like that, trying

705
00:35:21.920 --> 00:35:24.159
<v Speaker 1>to turn on the allurea and you know, going for it.

706
00:35:24.559 --> 00:35:26.679
<v Speaker 1>It makes him curious, like why.

707
00:35:26.440 --> 00:35:28.800
<v Speaker 4>But this party looks pretty lame. I'm just gonna be honest.

708
00:35:28.920 --> 00:35:31.360
<v Speaker 1>It does. You walk in, it's like people like, oh,

709
00:35:31.679 --> 00:35:33.519
<v Speaker 1>like I think they're costume. But then there's no good

710
00:35:33.559 --> 00:35:36.440
<v Speaker 1>music playing and nobody's just kind of just shuffling around.

711
00:35:36.679 --> 00:35:39.280
<v Speaker 4>Everyone's just listening to Bread talk about how coach won't

712
00:35:39.280 --> 00:35:40.000
<v Speaker 4>put him in the game.

713
00:35:40.679 --> 00:35:40.920
<v Speaker 1>Yeah.

714
00:35:41.199 --> 00:35:45.440
<v Speaker 5>Bread is like, dude, he sucks, he does.

715
00:35:45.400 --> 00:35:47.400
<v Speaker 1>And he's not as tough as he wants everybody to

716
00:35:47.400 --> 00:35:47.800
<v Speaker 1>think he is.

717
00:35:48.480 --> 00:35:51.519
<v Speaker 5>No, he's not. It's funny, yeah, like I said, because

718
00:35:51.519 --> 00:35:54.480
<v Speaker 5>he does the same speech in the parking lot, and

719
00:35:55.000 --> 00:35:57.320
<v Speaker 5>the dude is just like mad because he's a benchwarmer.

720
00:35:57.599 --> 00:36:00.440
<v Speaker 5>He's not, he's not like the star quarterback or back

721
00:36:00.559 --> 00:36:03.679
<v Speaker 5>or whatever the fuck he positioned him put me in.

722
00:36:05.360 --> 00:36:06.079
<v Speaker 5>It was a game.

723
00:36:06.559 --> 00:36:10.199
<v Speaker 4>This is really good dialogue. When Brad asked Brendan, what

724
00:36:10.239 --> 00:36:13.360
<v Speaker 4>are you doing here, He's like leaving, Like I thought

725
00:36:13.360 --> 00:36:16.039
<v Speaker 4>that that was such a deat line.

726
00:36:16.599 --> 00:36:17.559
<v Speaker 1>I love that.

727
00:36:18.960 --> 00:36:20.400
<v Speaker 4>I would love to party.

728
00:36:20.199 --> 00:36:22.519
<v Speaker 1>Was born she she tells him like as if she

729
00:36:22.559 --> 00:36:25.719
<v Speaker 1>has some information, but ask him to wait right five minutes.

730
00:36:26.199 --> 00:36:29.320
<v Speaker 1>So he he leaves to follow her. But it looks

731
00:36:29.320 --> 00:36:31.000
<v Speaker 1>like he's being followed as well, because I saw when

732
00:36:31.000 --> 00:36:33.360
<v Speaker 1>he when he runs out into the darkness here, we

733
00:36:33.480 --> 00:36:35.639
<v Speaker 1>can see a person light up a cigarette in the shadow,

734
00:36:35.639 --> 00:36:37.679
<v Speaker 1>as it looked like to me, unless that was just

735
00:36:37.679 --> 00:36:38.400
<v Speaker 1>a coincidence.

736
00:36:39.159 --> 00:36:41.760
<v Speaker 5>I think that that's a coincidence. But I could see

737
00:36:41.760 --> 00:36:45.280
<v Speaker 5>that like where because she's always how like she she

738
00:36:45.559 --> 00:36:49.679
<v Speaker 5>noticed him like always? Maybe she always had somebody on

739
00:36:49.800 --> 00:36:53.440
<v Speaker 5>him and that's how she was able to I see

740
00:36:53.480 --> 00:36:55.400
<v Speaker 5>you when you think you're not being seen, but.

741
00:36:55.960 --> 00:36:58.320
<v Speaker 1>Party, So maybe someone's just there lighting up, but it

742
00:36:58.440 --> 00:37:00.000
<v Speaker 1>looked like someone lady.

743
00:36:59.840 --> 00:37:02.280
<v Speaker 5>But that's but that's an interesting thought. I've never thought

744
00:37:02.320 --> 00:37:05.840
<v Speaker 5>about that. Maybe he never always think that she's smarter

745
00:37:06.000 --> 00:37:08.039
<v Speaker 5>than we're led to believe and that she does have

746
00:37:08.119 --> 00:37:09.360
<v Speaker 5>people following him.

747
00:37:09.880 --> 00:37:12.360
<v Speaker 4>Could you give him a bit of information? She said,

748
00:37:12.519 --> 00:37:15.679
<v Speaker 4>you know, she does the coffee and pie on my line.

749
00:37:15.960 --> 00:37:16.320
<v Speaker 1>Yeah.

750
00:37:17.199 --> 00:37:19.159
<v Speaker 4>And then she's like, wait five minutes and I'll tell

751
00:37:19.159 --> 00:37:20.920
<v Speaker 4>you Yeah.

752
00:37:20.960 --> 00:37:23.239
<v Speaker 1>And then she meets with this dangerous looking guy which

753
00:37:23.239 --> 00:37:25.559
<v Speaker 1>we don't know is Tug. But we see the car

754
00:37:26.119 --> 00:37:29.079
<v Speaker 1>right oh ship, you know, and there's an exchange of

755
00:37:29.079 --> 00:37:30.920
<v Speaker 1>words there and it looks like it's like a little

756
00:37:30.960 --> 00:37:33.599
<v Speaker 1>bit it gets a little heated, and then she goes

757
00:37:33.639 --> 00:37:35.360
<v Speaker 1>back inside the house. So I don't know. I like,

758
00:37:35.519 --> 00:37:37.199
<v Speaker 1>is that the drug guy? We don't really know.

759
00:37:37.960 --> 00:37:40.480
<v Speaker 5>Probably we know that well, we saw the car earlier

760
00:37:40.519 --> 00:37:45.159
<v Speaker 5>that boyfriend M, so it's we're thinking like, okay, this

761
00:37:44.960 --> 00:37:49.480
<v Speaker 5>is this might be the guy that was scaring M.

762
00:37:49.639 --> 00:37:49.920
<v Speaker 1>Yeah.

763
00:37:50.079 --> 00:37:53.679
<v Speaker 5>So Noah Flices plays Tug. He's in films like Joe

764
00:37:53.719 --> 00:37:56.119
<v Speaker 5>the King, and he was also a voice actor in

765
00:37:56.159 --> 00:37:57.599
<v Speaker 5>the Until Dawn video game.

766
00:37:58.480 --> 00:38:01.840
<v Speaker 4>Based by his wardrobe, he probably listen Biscuit, So.

767
00:38:06.239 --> 00:38:07.639
<v Speaker 5>Yes, I would agree with that.

768
00:38:08.159 --> 00:38:10.000
<v Speaker 1>I love later on when we are in his house

769
00:38:10.280 --> 00:38:12.039
<v Speaker 1>and he's just got like a bunch of siblings. I

770
00:38:12.039 --> 00:38:14.360
<v Speaker 1>feel like that all have the same gear on or

771
00:38:14.400 --> 00:38:17.280
<v Speaker 1>they're like, I think that a gang, but I think

772
00:38:17.280 --> 00:38:20.159
<v Speaker 1>they're all like his cousins and fucking brothers and ship like.

773
00:38:21.760 --> 00:38:24.440
<v Speaker 5>The mafia is. It's it's a family affair, you know.

774
00:38:25.800 --> 00:38:27.960
<v Speaker 1>And they're all wearing either white T shirts or wife

775
00:38:27.960 --> 00:38:31.320
<v Speaker 1>beaters like white they know, they call them tank tops,

776
00:38:31.320 --> 00:38:32.480
<v Speaker 1>and I still call them white feeders.

777
00:38:34.360 --> 00:38:34.960
<v Speaker 5>I did too.

778
00:38:37.559 --> 00:38:39.079
<v Speaker 1>You can't say that anyway.

779
00:38:39.440 --> 00:38:45.840
<v Speaker 4>Yeah, but Brendan follows his lead to coffee, and.

780
00:38:44.840 --> 00:38:47.599
<v Speaker 1>He does, and he pays Dough to visit in the

781
00:38:47.639 --> 00:38:49.880
<v Speaker 1>Stone Yeah miss yeah.

782
00:38:50.000 --> 00:38:53.599
<v Speaker 5>Doade played by Noah Seagan who was a Journeyman actor

783
00:38:53.639 --> 00:38:56.440
<v Speaker 5>who did a lot of collaborations with Ryan Johnson. He

784
00:38:56.519 --> 00:39:00.119
<v Speaker 5>was in Looper, he was in The Last Jedi, I'm Sorry,

785
00:39:00.519 --> 00:39:03.400
<v Speaker 5>and knives out in Glass Onion. So he's been in

786
00:39:03.440 --> 00:39:06.239
<v Speaker 5>a lot of Ryan Johnson films. I guess he Uh,

787
00:39:06.480 --> 00:39:08.800
<v Speaker 5>Ryan Johnson likes the cut of this guy's jib.

788
00:39:09.360 --> 00:39:10.400
<v Speaker 1>Yeah.

789
00:39:10.480 --> 00:39:10.719
<v Speaker 5>Uh.

790
00:39:10.760 --> 00:39:13.039
<v Speaker 1>This is the first time that our guy kind of

791
00:39:13.039 --> 00:39:16.159
<v Speaker 1>gets a little lively because this guy gets he gets

792
00:39:16.239 --> 00:39:20.400
<v Speaker 1>some lip from Doge, I mean Dode, after sensing that

793
00:39:20.440 --> 00:39:23.239
<v Speaker 1>he's about to be jumped, possibly by the Stoners, you know,

794
00:39:23.239 --> 00:39:26.119
<v Speaker 1>because they're really slow, he just attacks Dode first to

795
00:39:26.199 --> 00:39:27.639
<v Speaker 1>kind of make the statement, you know what I mean,

796
00:39:27.719 --> 00:39:30.719
<v Speaker 1>like first and I kind of like that fim he squashes,

797
00:39:30.760 --> 00:39:32.320
<v Speaker 1>like any idea that you know he was they were

798
00:39:32.320 --> 00:39:33.519
<v Speaker 1>going to gang up on him, and then he tells

799
00:39:33.599 --> 00:39:35.239
<v Speaker 1>him I like that moment where he's like, I got.

800
00:39:36.800 --> 00:39:39.599
<v Speaker 5>Yeah, I got all my senses working.

801
00:39:39.880 --> 00:39:43.440
<v Speaker 1>Yeah, And they're like, oh shit, He's right.

802
00:39:43.880 --> 00:39:47.239
<v Speaker 4>You can really tell the budget of this movie too,

803
00:39:47.599 --> 00:39:51.320
<v Speaker 4>because the sign for coffee and pie Oh my, literally

804
00:39:51.400 --> 00:39:54.519
<v Speaker 4>looks like they had it printed out and mark yes.

805
00:39:54.760 --> 00:39:58.840
<v Speaker 5>So so here here's the thing about that scene. So initially,

806
00:39:59.119 --> 00:40:00.840
<v Speaker 5>this whole scene was going to play out in the

807
00:40:00.880 --> 00:40:04.360
<v Speaker 5>parking lot of a Caro's restaurant that they they had

808
00:40:04.880 --> 00:40:07.719
<v Speaker 5>the owners had agreed to let them do, and they're like,

809
00:40:07.760 --> 00:40:10.679
<v Speaker 5>oh wait a second, you're blocking up the whole parking lot. No,

810
00:40:10.760 --> 00:40:14.519
<v Speaker 5>we can't have that. So that sign initially was tagged

811
00:40:14.519 --> 00:40:17.159
<v Speaker 5>in the window, and then they end up having to

812
00:40:17.239 --> 00:40:21.639
<v Speaker 5>retreat to some dumpster area. I don't even think it's

813
00:40:21.639 --> 00:40:23.519
<v Speaker 5>the same building. They had to move to somewhere else,

814
00:40:23.639 --> 00:40:26.159
<v Speaker 5>and that the rest of the scene played out in

815
00:40:27.599 --> 00:40:32.519
<v Speaker 5>some dumpster behind a kmart or something, and then they

816
00:40:32.519 --> 00:40:34.679
<v Speaker 5>stole a shopping car from somewhere to have that as

817
00:40:34.760 --> 00:40:38.039
<v Speaker 5>part of the scenery too. So it's just that you're right,

818
00:40:38.159 --> 00:40:41.519
<v Speaker 5>this is a very di y run, you know, kind

819
00:40:41.519 --> 00:40:45.199
<v Speaker 5>of the see of your pants type of filming that Haddy.

820
00:40:45.559 --> 00:40:50.800
<v Speaker 4>Oh yeah, the scene I like from the trailers in

821
00:40:50.840 --> 00:40:53.679
<v Speaker 4>here too, where that the one meth had to sitting

822
00:40:53.679 --> 00:40:56.760
<v Speaker 4>there blowing the straw and Brenda walks up and takes

823
00:40:56.800 --> 00:41:01.079
<v Speaker 4>it away from him and gives it back like that

824
00:41:01.159 --> 00:41:03.639
<v Speaker 4>was That was the scene from the trailer that made

825
00:41:03.639 --> 00:41:05.239
<v Speaker 4>me interested in watching the movie.

826
00:41:05.239 --> 00:41:07.039
<v Speaker 1>It was like putting his cigarette out, you know what

827
00:41:07.079 --> 00:41:13.480
<v Speaker 1>I mean? Yeah, but yeah, I like this. Uh he

828
00:41:13.559 --> 00:41:17.079
<v Speaker 1>slaps stones around, dude, and then the other stones are

829
00:41:17.079 --> 00:41:19.800
<v Speaker 1>all scared. I just don't kind of buy Levitt's character

830
00:41:19.880 --> 00:41:22.760
<v Speaker 1>being this tough though, honestly, like in the beginning at least,

831
00:41:23.440 --> 00:41:25.639
<v Speaker 1>but I know that we need him to to kind

832
00:41:25.679 --> 00:41:27.400
<v Speaker 1>of carry our plot along.

833
00:41:27.840 --> 00:41:31.639
<v Speaker 5>Yeah, I think he goes best. Yeah, he's doing his

834
00:41:31.719 --> 00:41:34.400
<v Speaker 5>best to be Humphrey Bogart, and I don't know if

835
00:41:34.440 --> 00:41:37.000
<v Speaker 5>he fully pulled It's it's hard to take election him

836
00:41:37.000 --> 00:41:40.320
<v Speaker 5>because because only Bogart can pull off a Bogart. But

837
00:41:40.360 --> 00:41:44.719
<v Speaker 5>I think Gordon Levitt does at least a decent job

838
00:41:44.800 --> 00:41:45.480
<v Speaker 5>of trying.

839
00:41:46.039 --> 00:41:50.039
<v Speaker 4>Yeah, I took it more as everyone else was scared

840
00:41:50.079 --> 00:41:52.599
<v Speaker 4>to fight, and he wasn't more than he was tough,

841
00:41:53.079 --> 00:41:53.840
<v Speaker 4>like because if.

842
00:41:53.760 --> 00:41:55.239
<v Speaker 1>You know, will get beat up.

843
00:41:55.280 --> 00:41:58.239
<v Speaker 4>And yeah he got beat up on tug Wolves's ass

844
00:41:58.280 --> 00:42:00.159
<v Speaker 4>like twice, but he just keeps.

845
00:42:02.760 --> 00:42:05.679
<v Speaker 1>Shows his character. Yes, just like with the case, he's

846
00:42:05.719 --> 00:42:08.480
<v Speaker 1>not going to give up on the case, right mm hmm.

847
00:42:08.639 --> 00:42:10.559
<v Speaker 4>I mean even Brad whoops this ass a little bit.

848
00:42:10.559 --> 00:42:12.679
<v Speaker 4>I would say that fight was even till the very end.

849
00:42:13.920 --> 00:42:16.000
<v Speaker 1>Yeah, Brad, you know, I told he was going to

850
00:42:16.039 --> 00:42:19.719
<v Speaker 1>fuck up. Brad's Leg's going to lose his career.

851
00:42:20.320 --> 00:42:23.719
<v Speaker 5>I cringed with that and kept kicking him in the stin.

852
00:42:23.760 --> 00:42:25.039
<v Speaker 1>I just kept taking to Peter Griffin.

853
00:42:25.519 --> 00:42:35.000
<v Speaker 5>Oh yeah, anyway, yeah, yeah, Doe doesn't give up.

854
00:42:35.119 --> 00:42:37.559
<v Speaker 4>He said, I'm just not going to tell you. And

855
00:42:37.599 --> 00:42:42.679
<v Speaker 4>then so Brendan decides to just sneakyly follow him afterwards instead.

856
00:42:42.800 --> 00:42:45.719
<v Speaker 1>Well, he says, but he does say. He says, m's

857
00:42:45.760 --> 00:42:49.079
<v Speaker 1>with me now and she doesn't want Brendan getting involved.

858
00:42:49.079 --> 00:42:51.440
<v Speaker 1>She doesn't want you getting involved with this. And then

859
00:42:51.440 --> 00:42:52.840
<v Speaker 1>he's like, well she called me, and then he's like,

860
00:42:52.840 --> 00:42:54.920
<v Speaker 1>well then she called me that about that, Like so

861
00:42:54.960 --> 00:42:57.639
<v Speaker 1>it's like he's implying that M is with him with

862
00:42:57.719 --> 00:42:59.519
<v Speaker 1>it it's true, And it turns out to be true

863
00:42:59.559 --> 00:43:01.800
<v Speaker 1>because when, like you said, when he follows him, it

864
00:43:01.920 --> 00:43:06.039
<v Speaker 1>leads him to M showing up and she is with him,

865
00:43:05.840 --> 00:43:10.159
<v Speaker 1>And actually, M's not this fucking innocent, you know girl

866
00:43:10.199 --> 00:43:11.960
<v Speaker 1>that you know, she's painted out to be a first

867
00:43:11.960 --> 00:43:14.079
<v Speaker 1>even though she you know, she's not. She doesn't deserve

868
00:43:14.159 --> 00:43:14.480
<v Speaker 1>to die.

869
00:43:14.920 --> 00:43:19.079
<v Speaker 4>But it's also that that he follows Dode all the

870
00:43:19.119 --> 00:43:22.960
<v Speaker 4>way to the theater where Kara is, and Brendan doesn't go

871
00:43:23.079 --> 00:43:25.239
<v Speaker 4>in and follow him anymore. He's like, I'm not going

872
00:43:25.280 --> 00:43:27.599
<v Speaker 4>in there. That's that's dangerous turf to go into.

873
00:43:28.079 --> 00:43:31.639
<v Speaker 1>Yeah, but this is where he so he sees Emily

874
00:43:31.760 --> 00:43:34.639
<v Speaker 1>and this is our first clips to Emily alive, right,

875
00:43:35.159 --> 00:43:37.719
<v Speaker 1>and so like we're like, she's with Dode, but why

876
00:43:38.519 --> 00:43:41.119
<v Speaker 1>he gives her something and then she places it in

877
00:43:41.159 --> 00:43:41.800
<v Speaker 1>her notebook?

878
00:43:41.920 --> 00:43:42.159
<v Speaker 5>Right?

879
00:43:42.320 --> 00:43:44.400
<v Speaker 1>Is that the that's the thing for that he said

880
00:43:44.440 --> 00:43:45.800
<v Speaker 1>to me when he said to me.

881
00:43:45.880 --> 00:43:52.119
<v Speaker 5>Right, and so what what when? Yeah, so we don't

882
00:43:52.119 --> 00:43:55.880
<v Speaker 5>know what that note is. But when when Brendan gets

883
00:43:55.880 --> 00:43:59.800
<v Speaker 5>close to M, he steals that notebook and then she

884
00:44:00.039 --> 00:44:02.000
<v Speaker 5>takes off and he looks at it and we just

885
00:44:02.039 --> 00:44:05.480
<v Speaker 5>see this like what looks like a giant a midnight

886
00:44:05.599 --> 00:44:07.679
<v Speaker 5>and we're not really sure what the fuck that means yet.

887
00:44:07.840 --> 00:44:10.199
<v Speaker 1>Yeah. I know. You can also tell though, that he

888
00:44:10.239 --> 00:44:11.960
<v Speaker 1>fucking loves her because when he's sitting there having his

889
00:44:12.039 --> 00:44:13.519
<v Speaker 1>lunch and she shows up and she's just all the

890
00:44:13.519 --> 00:44:20.559
<v Speaker 1>way down there, like he fucking Josh Haul's ass pockets her. Yeah, yeah,

891
00:44:20.639 --> 00:44:22.519
<v Speaker 1>but does that make him Barry's trying to figure out

892
00:44:22.519 --> 00:44:24.239
<v Speaker 1>what's going on with her. She's a drug ridder.

893
00:44:24.440 --> 00:44:27.360
<v Speaker 4>Yeah, in general, is bad. They made a.

894
00:44:27.360 --> 00:44:30.000
<v Speaker 1>Command of God, Matt. It's fucking did the World's not

895
00:44:30.039 --> 00:44:35.320
<v Speaker 1>white and black, buddy.

896
00:44:32.280 --> 00:44:34.400
<v Speaker 4>But there is right and wrong.

897
00:44:34.719 --> 00:44:36.559
<v Speaker 1>I mean, like he I mean, but he's trying to

898
00:44:36.559 --> 00:44:39.920
<v Speaker 1>figure what. She gets herself killed with what she's doing.

899
00:44:39.960 --> 00:44:45.559
<v Speaker 1>So maybe if he had done more.

900
00:44:43.599 --> 00:44:45.639
<v Speaker 4>Or he would get to you know, I don't know.

901
00:44:46.199 --> 00:44:49.559
<v Speaker 4>Just he seems he's not treating her like someone he

902
00:44:49.599 --> 00:44:55.400
<v Speaker 4>loves here, He's treating her like something and it, honestly,

903
00:44:55.480 --> 00:44:57.760
<v Speaker 4>it started to creep me out right about here where

904
00:44:57.760 --> 00:45:00.920
<v Speaker 4>I'm like, oh, this isn't healthy. He's not a healthy person.

905
00:45:01.400 --> 00:45:04.840
<v Speaker 5>And you're you're right, Matt, I agree with you. He

906
00:45:04.920 --> 00:45:09.079
<v Speaker 5>does not because the way that he talks about him.

907
00:45:09.400 --> 00:45:11.679
<v Speaker 5>It's not about someone that he loves, because he kind

908
00:45:11.679 --> 00:45:15.000
<v Speaker 5>of like doesn't really care, but he doesn't like he

909
00:45:15.079 --> 00:45:18.079
<v Speaker 5>can't let it go because he's thinking that maybe it

910
00:45:18.119 --> 00:45:21.920
<v Speaker 5>has something to do with him, which where let the

911
00:45:22.239 --> 00:45:23.960
<v Speaker 5>which we find out towards the end, that it might

912
00:45:24.000 --> 00:45:26.840
<v Speaker 5>be a possibility, like his reasoning as to why he

913
00:45:27.000 --> 00:45:28.599
<v Speaker 5>kept pursuing this.

914
00:45:29.159 --> 00:45:32.880
<v Speaker 1>It turns out it's his kid, so.

915
00:45:31.840 --> 00:45:34.599
<v Speaker 5>Oh, yeah, that's the thing we find. We do end

916
00:45:34.679 --> 00:45:39.239
<v Speaker 5>up finding was pregnant. No, I don't think so, because.

917
00:45:38.960 --> 00:45:41.199
<v Speaker 1>That could explain him pursuing harder. But I don't think it.

918
00:45:41.440 --> 00:45:44.280
<v Speaker 4>When Doe brings up the baby for the first time,

919
00:45:44.920 --> 00:45:47.280
<v Speaker 4>he's he's generally shocked.

920
00:45:48.119 --> 00:45:50.039
<v Speaker 1>And he and he believes that it would be one

921
00:45:50.039 --> 00:45:52.920
<v Speaker 1>of theirs. Ether tugs are ordades.

922
00:45:53.079 --> 00:45:58.039
<v Speaker 5>Yeah, but I wonder if maybe there I actually don't

923
00:45:58.159 --> 00:46:03.480
<v Speaker 5>understand Brendan's why he's pursuing this. That's the one thing

924
00:46:03.519 --> 00:46:06.159
<v Speaker 5>I can't quite pink bringing up.

925
00:46:06.239 --> 00:46:08.599
<v Speaker 4>I can protect you, I can protect you, I can

926
00:46:08.639 --> 00:46:09.199
<v Speaker 4>protect you.

927
00:46:09.320 --> 00:46:11.719
<v Speaker 1>It's like he can't let go. It's an extra relationship

928
00:46:12.000 --> 00:46:15.039
<v Speaker 1>recently broken up, and she's also going down a darkness

929
00:46:15.079 --> 00:46:19.039
<v Speaker 1>I really want. Yeah, it's possessive. He realizes that, and

930
00:46:19.280 --> 00:46:21.519
<v Speaker 1>he realizes that it's why she's he pushed her away,

931
00:46:21.800 --> 00:46:23.599
<v Speaker 1>and at the same time, she's pushing him away because

932
00:46:23.599 --> 00:46:25.960
<v Speaker 1>she realizes, like, you can't save me and this is

933
00:46:26.000 --> 00:46:27.920
<v Speaker 1>the word, this is my choice, and you have.

934
00:46:27.960 --> 00:46:30.480
<v Speaker 4>To let me do this scene, she's like, I broke

935
00:46:30.599 --> 00:46:32.760
<v Speaker 4>up with you because you just sit back here all

936
00:46:32.840 --> 00:46:35.360
<v Speaker 4>day and judge and hate people. Your boy, that's got

937
00:46:35.480 --> 00:46:38.360
<v Speaker 4>to be a hard pill to swallow, you know.

938
00:46:38.880 --> 00:46:40.360
<v Speaker 5>That's Brendan to a tea.

939
00:46:42.199 --> 00:46:44.840
<v Speaker 1>Yeah, he's he's you can tell something like he's been

940
00:46:44.920 --> 00:46:47.440
<v Speaker 1>hurt for sure, and he doesn't trust nobody. He didn't

941
00:46:47.480 --> 00:46:49.199
<v Speaker 1>like people for sure. He's a loner.

942
00:46:49.679 --> 00:46:51.679
<v Speaker 5>Yeah, I would love to hear. It's one of those

943
00:46:51.719 --> 00:46:54.159
<v Speaker 5>things where I'm glad there's not like a prequel of this,

944
00:46:54.280 --> 00:46:56.039
<v Speaker 5>but at the same time, it makes me curious of

945
00:46:56.159 --> 00:46:59.920
<v Speaker 5>the backstory of like how Brennan became, how Brennan became

946
00:47:00.920 --> 00:47:03.719
<v Speaker 5>and like this this is a very strange universe.

947
00:47:04.039 --> 00:47:09.119
<v Speaker 4>Yeah. I feel like from the clues I took, their

948
00:47:09.199 --> 00:47:12.880
<v Speaker 4>relationship was very toxic and they just they made each

949
00:47:12.920 --> 00:47:15.840
<v Speaker 4>other worse, and them breaking up was probably a very

950
00:47:15.920 --> 00:47:18.639
<v Speaker 4>good thing. And if and if she just could have

951
00:47:18.679 --> 00:47:22.199
<v Speaker 4>stayed out of trouble until she graduated. They both probably

952
00:47:22.239 --> 00:47:23.280
<v Speaker 4>would have been fine, but.

953
00:47:23.400 --> 00:47:25.400
<v Speaker 1>She got stuck with that that bad crowd.

954
00:47:25.800 --> 00:47:29.119
<v Speaker 4>Yeah. Yeah, well I feel like, I mean, like they

955
00:47:29.239 --> 00:47:33.800
<v Speaker 4>hint that Laura and Kara like manipulate her and use

956
00:47:33.880 --> 00:47:37.239
<v Speaker 4>her and so like, like it wasn't just that she

957
00:47:37.400 --> 00:47:39.679
<v Speaker 4>was stupid, but that she was taking advantage of while

958
00:47:39.760 --> 00:47:42.000
<v Speaker 4>she was in this vulnerable state. You know.

959
00:47:42.599 --> 00:47:45.519
<v Speaker 1>Yeah, she's definite running away from something that way.

960
00:47:45.239 --> 00:47:49.320
<v Speaker 4>The principle is using or the VPS, using Brendan while

961
00:47:49.360 --> 00:47:53.760
<v Speaker 4>he's in the vulnerable state. You know. You people, they

962
00:47:53.960 --> 00:47:56.719
<v Speaker 4>they find people who have a mental health issue and

963
00:47:56.760 --> 00:47:59.559
<v Speaker 4>then they selfishly try to use them, and uh, they

964
00:47:59.639 --> 00:48:01.760
<v Speaker 4>just you know, they didn't have that language back.

965
00:48:02.360 --> 00:48:05.400
<v Speaker 1>Like the police chief almost if you know. And and

966
00:48:05.440 --> 00:48:08.000
<v Speaker 1>our main character is almost like retire or ex police

967
00:48:08.079 --> 00:48:09.559
<v Speaker 1>who's now just a PI.

968
00:48:09.440 --> 00:48:12.679
<v Speaker 4>You know, yeah, the private dick. Yeah, stepping on the

969
00:48:12.719 --> 00:48:13.960
<v Speaker 4>police's toes and getting in there.

970
00:48:14.000 --> 00:48:15.519
<v Speaker 1>This guy's got something on them, you know what I mean.

971
00:48:15.880 --> 00:48:18.280
<v Speaker 1>It almost seems too like Emily's character wants to punish

972
00:48:18.320 --> 00:48:21.199
<v Speaker 1>herself for some reason too, you know what I mean,

973
00:48:21.280 --> 00:48:24.559
<v Speaker 1>Like she's like even though I even though this guy

974
00:48:24.599 --> 00:48:26.719
<v Speaker 1>wants to help her, and the guy's flowed obviously she

975
00:48:26.760 --> 00:48:28.920
<v Speaker 1>doesn't want to love, like she doesn't love him anymore.

976
00:48:29.280 --> 00:48:31.960
<v Speaker 1>But she's still you know, she's still okay with just

977
00:48:32.000 --> 00:48:34.039
<v Speaker 1>being I don't know, like she knows what The life

978
00:48:34.039 --> 00:48:37.039
<v Speaker 1>she's choosing is very bad. It's just it's kind of

979
00:48:37.079 --> 00:48:39.760
<v Speaker 1>sad to see you know, uh, someone like that just

980
00:48:39.840 --> 00:48:42.760
<v Speaker 1>kind of like take to that world and just embrace

981
00:48:42.800 --> 00:48:44.079
<v Speaker 1>it in a way when it's like, you have so

982
00:48:44.159 --> 00:48:46.400
<v Speaker 1>much potential, you know what I mean? Do you like,

983
00:48:46.440 --> 00:48:48.599
<v Speaker 1>no matter how bad do you think, things are, Like

984
00:48:48.679 --> 00:48:50.840
<v Speaker 1>two years from now, they could be totally different. You

985
00:48:50.880 --> 00:48:53.039
<v Speaker 1>have no idea, and you know all you gotta do

986
00:48:53.119 --> 00:48:55.039
<v Speaker 1>is fucking strive and keep going.

987
00:48:55.480 --> 00:48:57.079
<v Speaker 4>When you're that young two years, I.

988
00:48:57.039 --> 00:48:59.639
<v Speaker 1>Know, like forever, I know, you have no sense of

989
00:48:59.679 --> 00:49:01.840
<v Speaker 1>you don't have a maturity, you don't have the intelligence.

990
00:49:02.239 --> 00:49:05.760
<v Speaker 4>Now I will actively put stuff off for two years

991
00:49:05.800 --> 00:49:06.599
<v Speaker 4>like it's nothing.

992
00:49:08.599 --> 00:49:12.440
<v Speaker 1>Absolutely. I get their relationship in a way, you know

993
00:49:12.480 --> 00:49:14.800
<v Speaker 1>what I mean, Like it just, yeah, they're not great

994
00:49:14.800 --> 00:49:17.400
<v Speaker 1>for each other, they don't. They deserve to be with

995
00:49:17.519 --> 00:49:20.599
<v Speaker 1>somebody different probably, but it's still they still care for

996
00:49:20.639 --> 00:49:21.880
<v Speaker 1>each other in this interesting way.

997
00:49:22.000 --> 00:49:25.000
<v Speaker 4>So but he has the note now and he takes

998
00:49:25.039 --> 00:49:27.880
<v Speaker 4>it to Brain and they have this really awesome brainstorming

999
00:49:27.920 --> 00:49:31.719
<v Speaker 4>scene where they try to figure out everything she said

1000
00:49:31.760 --> 00:49:34.679
<v Speaker 4>over the phone plus what this note means and put

1001
00:49:34.719 --> 00:49:36.760
<v Speaker 4>it all together. I thought that. I thought that was

1002
00:49:36.760 --> 00:49:39.480
<v Speaker 4>a really good scene. I pretty much like every scene

1003
00:49:39.480 --> 00:49:40.679
<v Speaker 4>brains in uh.

1004
00:49:41.159 --> 00:49:46.079
<v Speaker 7>I think, yeah, yeah, I like the dialogue that these

1005
00:49:46.119 --> 00:49:49.840
<v Speaker 7>two have together, like you said, trying to figure it out, like, okay,

1006
00:49:49.880 --> 00:49:52.880
<v Speaker 7>she is four termed, I don't know the understanding of

1007
00:49:53.320 --> 00:49:54.239
<v Speaker 7>and so they go through it.

1008
00:49:54.239 --> 00:49:58.400
<v Speaker 5>It's like what it could possibly mean, and that's a tug,

1009
00:49:58.719 --> 00:50:01.559
<v Speaker 5>oh tug, that's interesting, saying that could be this or.

1010
00:50:01.679 --> 00:50:04.159
<v Speaker 4>Drink with milk and vodka. And I was like, yeah,

1011
00:50:04.199 --> 00:50:07.719
<v Speaker 4>white Russians. Yeah, thanks Brain, I want a white Russian

1012
00:50:07.719 --> 00:50:09.280
<v Speaker 4>now you ask?

1013
00:50:11.039 --> 00:50:15.119
<v Speaker 1>Yeah, I do like that. And it leads to when

1014
00:50:15.159 --> 00:50:17.199
<v Speaker 1>he figures out I guess what the A was right?

1015
00:50:17.320 --> 00:50:19.400
<v Speaker 1>The midnight thing, Well, he does it.

1016
00:50:19.559 --> 00:50:22.719
<v Speaker 4>He goes home and he's looking he knows something's happening

1017
00:50:22.760 --> 00:50:25.039
<v Speaker 4>at midnight, and they show him staring at his digital

1018
00:50:25.079 --> 00:50:27.559
<v Speaker 4>clock and he falls asleep and then he has a

1019
00:50:27.679 --> 00:50:32.239
<v Speaker 4>dream about the tunnel. Yeah, so when he wakes up,

1020
00:50:32.280 --> 00:50:34.880
<v Speaker 4>he's like, oh it wasn't an a. It's a drawing

1021
00:50:34.960 --> 00:50:37.000
<v Speaker 4>of the tunnel and he wakes up at like four

1022
00:50:37.039 --> 00:50:39.280
<v Speaker 4>in the morning and runs straight there.

1023
00:50:40.199 --> 00:50:46.039
<v Speaker 5>And Brain says like, sometimes they'll use symbols to uh,

1024
00:50:46.519 --> 00:50:48.400
<v Speaker 5>so that way it doesn't get like picked up of

1025
00:50:48.480 --> 00:50:53.440
<v Speaker 5>like what they're talking about, so symbol to Yeah.

1026
00:50:55.559 --> 00:50:57.400
<v Speaker 4>They don't know to go to the tunnel at midnight.

1027
00:50:57.400 --> 00:51:00.519
<v Speaker 1>And the rest of the Eggs and Bingo exactly is

1028
00:51:00.559 --> 00:51:04.880
<v Speaker 1>an orgy at the tunnel at midnight. When he goes there,

1029
00:51:05.360 --> 00:51:07.559
<v Speaker 1>that's where we find her body. So this is the

1030
00:51:07.599 --> 00:51:09.039
<v Speaker 1>scene that was playing out in the beginning.

1031
00:51:09.280 --> 00:51:12.079
<v Speaker 5>Yeah, right, and so we're back to the beginning, and

1032
00:51:12.119 --> 00:51:14.559
<v Speaker 5>then this is where the investigation really kicks off.

1033
00:51:14.920 --> 00:51:17.039
<v Speaker 1>I like this moment too, where he's just sitting there

1034
00:51:17.320 --> 00:51:19.480
<v Speaker 1>like he doesn't know what to do. Uh, he's kind

1035
00:51:19.480 --> 00:51:22.280
<v Speaker 1>of in shock. And then we hear that someone else

1036
00:51:22.360 --> 00:51:26.039
<v Speaker 1>is there in the tunnel in the darkness. You hear

1037
00:51:26.079 --> 00:51:29.239
<v Speaker 1>footsteps and someone like runs but he can't catch them.

1038
00:51:29.400 --> 00:51:32.159
<v Speaker 4>Brenon chases Chase, Chares to chas him down, and the

1039
00:51:32.199 --> 00:51:34.920
<v Speaker 4>person knocks him out. So we don't know who it

1040
00:51:35.039 --> 00:51:37.920
<v Speaker 4>is and we don't find out. So half the movie's

1041
00:51:37.960 --> 00:51:41.440
<v Speaker 4>gone by, but then he like. Then then he just

1042
00:51:41.719 --> 00:51:44.760
<v Speaker 4>he walks to school because it's still that early in

1043
00:51:44.800 --> 00:51:46.920
<v Speaker 4>the morning. School hasn't even started yet. Yeah.

1044
00:51:47.000 --> 00:51:49.920
<v Speaker 1>Right, I don't think he does leave her there. I

1045
00:51:49.920 --> 00:51:51.920
<v Speaker 1>think he cleaned her up and then he went.

1046
00:51:52.639 --> 00:51:56.000
<v Speaker 4>So well, he comes back later to move the body,

1047
00:51:56.280 --> 00:51:56.599
<v Speaker 4>so we.

1048
00:51:56.599 --> 00:52:00.079
<v Speaker 1>Know because Dods there, Dods there and sees what he

1049
00:52:00.119 --> 00:52:02.800
<v Speaker 1>did when he moved the body. So the way I

1050
00:52:02.840 --> 00:52:04.519
<v Speaker 1>think they cut it, I think they cut it as

1051
00:52:04.559 --> 00:52:06.800
<v Speaker 1>if he went and moved the body. I'm not looking,

1052
00:52:06.920 --> 00:52:07.360
<v Speaker 1>but like.

1053
00:52:07.320 --> 00:52:09.559
<v Speaker 4>He moved the they just didn't show us.

1054
00:52:09.840 --> 00:52:11.840
<v Speaker 1>Yeah, then he went to school and he's like telling

1055
00:52:11.920 --> 00:52:15.320
<v Speaker 1>kind of what happened after. It's like almost after flashing

1056
00:52:15.360 --> 00:52:17.239
<v Speaker 1>back to like what happened with the tunnel. I don't know,

1057
00:52:17.480 --> 00:52:18.800
<v Speaker 1>because I thought that too. I was like, oh, he

1058
00:52:18.840 --> 00:52:20.559
<v Speaker 1>went back, But then I was like, no, wait a minute.

1059
00:52:20.599 --> 00:52:22.079
<v Speaker 1>Now they're cutting it now. They looked like they were

1060
00:52:22.159 --> 00:52:24.480
<v Speaker 1>editing it to look like as if it all happened there.

1061
00:52:24.480 --> 00:52:26.760
<v Speaker 1>Because then Doat says later on I saw you. Yeah,

1062
00:52:26.800 --> 00:52:29.199
<v Speaker 1>I'm like, oh, then he must have stuck around. Yeah,

1063
00:52:29.239 --> 00:52:29.800
<v Speaker 1>So I don't know.

1064
00:52:31.079 --> 00:52:32.440
<v Speaker 5>Really interesting how it plays out.

1065
00:52:33.440 --> 00:52:36.119
<v Speaker 1>Yeah, now he's sitting on the information two over death.

1066
00:52:36.519 --> 00:52:40.000
<v Speaker 4>Yeah, yeah, because brain says, hey, can you so can

1067
00:52:40.039 --> 00:52:42.760
<v Speaker 4>you help Emily And he's like no, He's like can

1068
00:52:42.800 --> 00:52:44.760
<v Speaker 4>you break someone's teeth about it? And he's like, yes,

1069
00:52:44.880 --> 00:52:47.760
<v Speaker 4>yes I can. And like so like the movie kind

1070
00:52:47.760 --> 00:52:50.159
<v Speaker 4>of takes a shift now or like it's more of

1071
00:52:50.199 --> 00:52:54.119
<v Speaker 4>a revenge film now than an investigation, even though it's

1072
00:52:54.119 --> 00:52:55.719
<v Speaker 4>still an event investigation.

1073
00:52:56.199 --> 00:52:58.880
<v Speaker 1>Yeah, and this is where he's like they speak on

1074
00:52:59.000 --> 00:53:01.280
<v Speaker 1>like m's last word that he to him about the

1075
00:53:01.719 --> 00:53:04.519
<v Speaker 1>pin and look that can mean he turns out it's

1076
00:53:04.559 --> 00:53:07.920
<v Speaker 1>a kingpin like drug runner of town. My notes say

1077
00:53:07.960 --> 00:53:12.159
<v Speaker 1>frog runner. I don't know why, but you know it's

1078
00:53:12.519 --> 00:53:14.360
<v Speaker 1>he's a twenty six year old you know what I mean, Like,

1079
00:53:14.400 --> 00:53:17.280
<v Speaker 1>oh god, he's like the older kid. He lies with

1080
00:53:17.320 --> 00:53:21.199
<v Speaker 1>his mom in the basement, he tells drugs. But yeah,

1081
00:53:21.400 --> 00:53:23.360
<v Speaker 1>so we're starting to figure out like, all right, there's

1082
00:53:23.440 --> 00:53:27.440
<v Speaker 1>this dark, shadowy kingpin figure character who might be behind

1083
00:53:27.480 --> 00:53:31.480
<v Speaker 1>things now and Brendan kind of at this point he

1084
00:53:31.599 --> 00:53:34.000
<v Speaker 1>like shakes a few branches and to like rustle up

1085
00:53:34.039 --> 00:53:35.840
<v Speaker 1>some leaves if you will, you know what I mean.

1086
00:53:36.000 --> 00:53:38.519
<v Speaker 5>And this is this is where he punches out Brad

1087
00:53:38.519 --> 00:53:40.320
<v Speaker 5>in the parking lot and gets in the plight with

1088
00:53:40.400 --> 00:53:44.079
<v Speaker 5>him to shake the trees. Yeah, because Brad Brad is

1089
00:53:44.119 --> 00:53:47.800
<v Speaker 5>one of the biggest buyers from the Pin, and so

1090
00:53:47.920 --> 00:53:52.599
<v Speaker 5>he figures that, like by knocking him out, that something

1091
00:53:52.679 --> 00:53:54.519
<v Speaker 5>is gonna get shaken there and it's going to get

1092
00:53:54.519 --> 00:53:57.320
<v Speaker 5>the Pin's attention and he's gonna figure out like where

1093
00:53:57.360 --> 00:54:01.159
<v Speaker 5>the Pin is so he can kind of work his

1094
00:54:01.280 --> 00:54:05.000
<v Speaker 5>way into that organization and try to figure out what

1095
00:54:05.039 --> 00:54:05.719
<v Speaker 5>happened to him.

1096
00:54:06.199 --> 00:54:08.559
<v Speaker 4>There's a great shot in this scene where they're in

1097
00:54:08.599 --> 00:54:11.159
<v Speaker 4>the parking lot where the camera is focused on Laura

1098
00:54:11.639 --> 00:54:14.760
<v Speaker 4>and then you just see the car sag and then

1099
00:54:14.800 --> 00:54:17.760
<v Speaker 4>it pans over to Brendan leaning sitting on the trunk,

1100
00:54:18.039 --> 00:54:20.880
<v Speaker 4>so like they show like they showed the moment he

1101
00:54:21.000 --> 00:54:24.480
<v Speaker 4>set on the trunk in her frame and then pinned

1102
00:54:24.599 --> 00:54:26.480
<v Speaker 4>like like so, oh you know someone's there. And I

1103
00:54:26.480 --> 00:54:28.360
<v Speaker 4>thought it was a very clever shot the way they

1104
00:54:28.360 --> 00:54:33.079
<v Speaker 4>did it. We also missed the scene where he's walking

1105
00:54:33.119 --> 00:54:35.800
<v Speaker 4>across the football field as the sun's coming up and

1106
00:54:35.840 --> 00:54:39.239
<v Speaker 4>he is I guess when him and Emily broke up

1107
00:54:39.280 --> 00:54:43.679
<v Speaker 4>for the first time, was also there in the football field. Yeah,

1108
00:54:43.719 --> 00:54:46.719
<v Speaker 4>And that's the scene they flash back and he pushes

1109
00:54:46.719 --> 00:54:49.199
<v Speaker 4>her down. He's saying He's like, I'm just trying to

1110
00:54:49.239 --> 00:54:51.239
<v Speaker 4>protect you, and then he gives her a good shove.

1111
00:54:52.519 --> 00:54:53.000
<v Speaker 1>Yeah.

1112
00:54:53.039 --> 00:54:55.800
<v Speaker 5>Well yeah, so it was interesting about like any scenes

1113
00:54:55.800 --> 00:54:58.679
<v Speaker 5>in the football field what So anytime you see like

1114
00:54:58.719 --> 00:55:01.320
<v Speaker 5>the grass and everything like that was when they initially

1115
00:55:01.360 --> 00:55:04.119
<v Speaker 5>filmed the uh, but when they had to come back

1116
00:55:04.119 --> 00:55:06.920
<v Speaker 5>for a couple of reshoots for some scenes, they had

1117
00:55:06.960 --> 00:55:10.039
<v Speaker 5>actually redone the football field and they did like turf.

1118
00:55:10.239 --> 00:55:13.960
<v Speaker 5>So anytime you see that anybody above the waist in

1119
00:55:14.159 --> 00:55:17.679
<v Speaker 5>a scene at the football field, that's after they redid

1120
00:55:17.719 --> 00:55:21.559
<v Speaker 5>the football field. It's it's completely there was it's because

1121
00:55:21.599 --> 00:55:24.679
<v Speaker 5>it went from regular grass to a turf.

1122
00:55:25.039 --> 00:55:28.559
<v Speaker 4>It was a good Magic Hour shot where he's walking

1123
00:55:28.559 --> 00:55:32.119
<v Speaker 4>across that field with the sun coming up. Yes, it

1124
00:55:32.239 --> 00:55:35.280
<v Speaker 4>really sets the mood of like God, he's exhausted and

1125
00:55:35.360 --> 00:55:38.239
<v Speaker 4>his life's falling apart and he still has to go

1126
00:55:38.320 --> 00:55:43.360
<v Speaker 4>to school. Fuck you know yeah yeah.

1127
00:55:43.360 --> 00:55:46.280
<v Speaker 1>And then he has the altercation with Brad Bradley did

1128
00:55:46.360 --> 00:55:48.880
<v Speaker 1>jack you know, total douche. They fight, like we said,

1129
00:55:48.880 --> 00:55:53.119
<v Speaker 1>Brandon barely went brand sweets with Laura. She wants to help.

1130
00:55:53.199 --> 00:55:55.760
<v Speaker 1>She tells him to stay away from him. Oh, he

1131
00:55:55.800 --> 00:55:57.679
<v Speaker 1>tells her to stay away though, because you can't trust her.

1132
00:55:57.920 --> 00:55:58.960
<v Speaker 1>You know that she's a player.

1133
00:55:59.480 --> 00:56:04.400
<v Speaker 4>She's not worth the trouble boys. He loves that. Yeah,

1134
00:56:04.519 --> 00:56:06.559
<v Speaker 4>He's like, yes, I am, I am worth the trouble.

1135
00:56:07.559 --> 00:56:09.519
<v Speaker 1>He makes a call of the brain a touch base,

1136
00:56:09.599 --> 00:56:11.039
<v Speaker 1>and he's getting closer to the truth.

1137
00:56:11.159 --> 00:56:11.320
<v Speaker 4>Yeah.

1138
00:56:11.320 --> 00:56:14.079
<v Speaker 1>At this moment, you know, the dangerous looking guy who

1139
00:56:14.159 --> 00:56:16.760
<v Speaker 1>Laura spoke with at the party is behind him when

1140
00:56:16.760 --> 00:56:19.599
<v Speaker 1>he gets off the phone and he punches Brandon out cold.

1141
00:56:19.880 --> 00:56:25.119
<v Speaker 1>We is a random olymp Biscuit fan. He just wants

1142
00:56:25.159 --> 00:56:27.559
<v Speaker 1>to break stuff. And then next week we meet up

1143
00:56:27.599 --> 00:56:31.239
<v Speaker 1>with v P. Truman, you know, and it's like we said,

1144
00:56:32.079 --> 00:56:35.320
<v Speaker 1>you know, ex cop, sort of chief of police kind

1145
00:56:35.320 --> 00:56:36.599
<v Speaker 1>of relationship.

1146
00:56:37.159 --> 00:56:41.760
<v Speaker 5>Yeah, and that's and he's played by the legendary Richard Rowntree,

1147
00:56:41.960 --> 00:56:46.719
<v Speaker 5>who's assistant Vice Principal Truman, who mainly is unfortunately he's

1148
00:56:46.719 --> 00:56:48.960
<v Speaker 5>a great actor, but is really only known for his

1149
00:56:49.159 --> 00:56:52.719
<v Speaker 5>role as Shaft. And I actually I didn't realize that

1150
00:56:52.760 --> 00:56:56.480
<v Speaker 5>this was going to be our Richard Browntree. The first

1151
00:56:56.480 --> 00:56:59.280
<v Speaker 5>film with him. I plan on that being Shaft, but

1152
00:56:59.440 --> 00:57:06.280
<v Speaker 5>this works out. The chef, yeah exactly, but no, he

1153
00:57:06.280 --> 00:57:08.400
<v Speaker 5>he he's in the film for two minutes and he's

1154
00:57:08.440 --> 00:57:09.920
<v Speaker 5>awesome in it. He's great.

1155
00:57:11.559 --> 00:57:15.280
<v Speaker 4>Brandon does a great line in here because, uh, I

1156
00:57:15.280 --> 00:57:17.960
<v Speaker 4>guess one of the reasons him and Emily broke up

1157
00:57:18.039 --> 00:57:22.039
<v Speaker 4>is he turned in someone named jerr uh because to

1158
00:57:22.199 --> 00:57:27.280
<v Speaker 4>protect Emily, and uh, the VP's talking, he brings up

1159
00:57:27.360 --> 00:57:30.519
<v Speaker 4>Jared and he's like, no, no, no, I gave I gave

1160
00:57:30.519 --> 00:57:32.920
<v Speaker 4>you Jared to be eaten, not for you to be fed.

1161
00:57:33.239 --> 00:57:35.320
<v Speaker 4>And I was like that that is one of the

1162
00:57:35.320 --> 00:57:36.960
<v Speaker 4>best written lines in this movie.

1163
00:57:37.280 --> 00:57:40.599
<v Speaker 1>Yes, well, because he had a personal stake he didn't

1164
00:57:40.639 --> 00:57:46.440
<v Speaker 1>want he was supplying drugs to them, correct, Like yeah.

1165
00:57:45.239 --> 00:57:48.880
<v Speaker 4>And he he used the cops or you know the cops.

1166
00:57:49.119 --> 00:57:52.199
<v Speaker 4>He used them as a tool. Uh, not the other

1167
00:57:52.239 --> 00:57:54.679
<v Speaker 4>way around, and he wanted to make that clear.

1168
00:57:55.599 --> 00:57:57.280
<v Speaker 1>But they wanted to use him and kind of play

1169
00:57:57.320 --> 00:57:58.039
<v Speaker 1>that against him too.

1170
00:57:58.079 --> 00:58:01.719
<v Speaker 4>Now that you're they're like, we can let everyone know

1171
00:58:01.719 --> 00:58:04.920
<v Speaker 4>you're a rat, so now we own Yeah.

1172
00:58:04.400 --> 00:58:06.400
<v Speaker 1>But it's not like he's a rat to everybody. He

1173
00:58:06.519 --> 00:58:08.559
<v Speaker 1>was a rat in a specific one time because of

1174
00:58:08.599 --> 00:58:10.519
<v Speaker 1>how much he cared about them. It's not it doesn't

1175
00:58:10.519 --> 00:58:11.880
<v Speaker 1>make it right, but I get it.

1176
00:58:12.199 --> 00:58:12.400
<v Speaker 4>Yeah.

1177
00:58:12.440 --> 00:58:14.679
<v Speaker 1>Yeah, So it speaks on his character like he has

1178
00:58:14.719 --> 00:58:19.400
<v Speaker 1>this claw. Yeah. Oh, all the people in school gonna

1179
00:58:19.400 --> 00:58:22.920
<v Speaker 1>hate you for sure. But yeah, I like the complexity

1180
00:58:22.960 --> 00:58:25.480
<v Speaker 1>to his character though, you know, it makes it for

1181
00:58:25.519 --> 00:58:26.159
<v Speaker 1>a good watch.

1182
00:58:26.440 --> 00:58:28.480
<v Speaker 4>Yeah, it's I mean like, if he was a straight

1183
00:58:28.679 --> 00:58:31.079
<v Speaker 4>shooter Captain America type character, it'd be boring.

1184
00:58:31.440 --> 00:58:34.280
<v Speaker 1>It probably would be Yeah to do gooder fucking the

1185
00:58:34.320 --> 00:58:36.719
<v Speaker 1>whole time. And I like that he's not like he fights.

1186
00:58:36.760 --> 00:58:39.719
<v Speaker 1>He's scrappy, but he doesn't necessarily wopass all the time.

1187
00:58:39.960 --> 00:58:42.320
<v Speaker 1>He'll try and get the last licking, you know, And

1188
00:58:42.360 --> 00:58:45.239
<v Speaker 1>he takes his lickings for sure, which I admire. Even

1189
00:58:45.239 --> 00:58:46.440
<v Speaker 1>if you get your ass kick. The fact that you

1190
00:58:46.480 --> 00:58:47.920
<v Speaker 1>can get up and take a punch to the chin

1191
00:58:48.000 --> 00:58:50.400
<v Speaker 1>AND's like, that's not everybody can do that, man. Some

1192
00:58:50.440 --> 00:58:53.239
<v Speaker 1>people take one punch and they're done. So to get

1193
00:58:53.280 --> 00:58:55.199
<v Speaker 1>beat up all day like that and swallow your blood,

1194
00:58:55.559 --> 00:58:58.639
<v Speaker 1>you know, admirable. But yeah, he talks to the brain

1195
00:58:58.679 --> 00:59:01.079
<v Speaker 1>of the phone and then Dads. We find out that

1196
00:59:01.239 --> 00:59:03.679
<v Speaker 1>Doad's in the wind. Oh, Truman wants a fall guy too.

1197
00:59:03.960 --> 00:59:05.840
<v Speaker 1>We find out that he's looking for a fall guy.

1198
00:59:06.039 --> 00:59:09.440
<v Speaker 4>And if he and if Brennan doesn't get him one

1199
00:59:09.719 --> 00:59:12.039
<v Speaker 4>within two weeks, he'll just use Brendan.

1200
00:59:12.440 --> 00:59:14.719
<v Speaker 1>Yeah, and so the screws around Brennan a little bit,

1201
00:59:14.960 --> 00:59:17.639
<v Speaker 1>and that's why Brannan talks to the to the brain

1202
00:59:17.719 --> 00:59:19.760
<v Speaker 1>again over the phone, and then we find out that

1203
00:59:19.840 --> 00:59:22.480
<v Speaker 1>Doad's in the wind and Laura is looking for Brennan.

1204
00:59:22.960 --> 00:59:26.159
<v Speaker 4>Uh yeah uh brain Brain on the phone says, Carra

1205
00:59:26.239 --> 00:59:29.000
<v Speaker 4>came and shook him down, and he's like, fuck if

1206
00:59:29.000 --> 00:59:31.159
<v Speaker 4>I if I knew where you were, I would have

1207
00:59:31.199 --> 00:59:35.719
<v Speaker 4>told her. No, He's like, yeah, it's real nice to know. Well,

1208
00:59:35.760 --> 00:59:40.800
<v Speaker 4>because earlier install her cigarettes because they were tugged cigarettes

1209
00:59:40.920 --> 00:59:44.400
<v Speaker 4>and that's how he put some pieces together earlier too.

1210
00:59:44.840 --> 00:59:47.679
<v Speaker 1>Yeah, well actually tugs us and smoked cigarettes. Tugs it

1211
00:59:47.719 --> 00:59:51.000
<v Speaker 1>smokes weed. Oh, that's that comes into play later because

1212
00:59:51.039 --> 00:59:53.119
<v Speaker 1>he asked him because there's either two people in that

1213
00:59:53.199 --> 00:59:53.840
<v Speaker 1>car or.

1214
00:59:53.800 --> 00:59:56.719
<v Speaker 4>It's okay, because that's what I thought, because the cigarette

1215
00:59:56.719 --> 00:59:59.199
<v Speaker 4>is strong. The passenger sidne.

1216
00:59:58.920 --> 01:00:01.440
<v Speaker 1>The cigarette was. Yeah, the cigarette was what's her name

1217
01:00:01.719 --> 01:00:04.360
<v Speaker 1>was Laura's. Yeah, it was Laura's cigarette. That's how you

1218
01:00:04.400 --> 01:00:06.400
<v Speaker 1>could That's how he finds out that Laura's involved in

1219
01:00:06.400 --> 01:00:08.239
<v Speaker 1>this whole thing, and then he breaks it down to

1220
01:00:08.320 --> 01:00:10.840
<v Speaker 1>Laura at the end basically like here I figured it

1221
01:00:10.840 --> 01:00:13.000
<v Speaker 1>all out, Like you were involved in this, this and that,

1222
01:00:13.440 --> 01:00:15.840
<v Speaker 1>and she's basically like confirms it, but then they don't

1223
01:00:15.840 --> 01:00:17.920
<v Speaker 1>do anything about it. How do you, I mean, that's

1224
01:00:18.000 --> 01:00:20.079
<v Speaker 1>just jumping ahead, but I'm curious how you feel kind

1225
01:00:20.079 --> 01:00:22.920
<v Speaker 1>of like on that that no resolution sort of vibe.

1226
01:00:22.960 --> 01:00:25.119
<v Speaker 1>I think that'll work for this sort of style of

1227
01:00:25.119 --> 01:00:28.400
<v Speaker 1>a film. It's a bittersweet feel like he did.

1228
01:00:28.599 --> 01:00:31.559
<v Speaker 5>I think he did essentially sell her.

1229
01:00:31.760 --> 01:00:32.480
<v Speaker 1>I have a fall guy.

1230
01:00:33.199 --> 01:00:34.119
<v Speaker 5>She's the fall guy.

1231
01:00:34.559 --> 01:00:38.320
<v Speaker 1>Well, she walks away. I feel like they have they

1232
01:00:38.320 --> 01:00:40.840
<v Speaker 1>have lucas they I mean, they have the pin, they

1233
01:00:40.880 --> 01:00:43.239
<v Speaker 1>have tug. Those are the fall guys. Like they have that.

1234
01:00:43.360 --> 01:00:46.960
<v Speaker 1>He doesn't need to put her out there. She's she's

1235
01:00:46.960 --> 01:00:48.840
<v Speaker 1>got to live at what she did. I feel like too,

1236
01:00:49.000 --> 01:00:51.039
<v Speaker 1>and then she's never gonna be with him. Because of that,

1237
01:00:51.440 --> 01:00:52.239
<v Speaker 1>he can't be with her.

1238
01:00:53.400 --> 01:00:56.559
<v Speaker 5>The other thing, too, is that it feels a little

1239
01:00:56.960 --> 01:01:00.320
<v Speaker 5>like the Maltese Falcon in that they do end up catching. Yeah,

1240
01:01:00.559 --> 01:01:03.360
<v Speaker 5>the other guys end up dying, but they catch those people.

1241
01:01:03.599 --> 01:01:06.199
<v Speaker 5>Those are the ball guys. But she's also involved, and

1242
01:01:06.280 --> 01:01:10.239
<v Speaker 5>he already kind of spilled the whole story about like

1243
01:01:10.440 --> 01:01:12.159
<v Speaker 5>oh if well, if you're not involved, then you have

1244
01:01:12.239 --> 01:01:13.119
<v Speaker 5>nothing to worry about.

1245
01:01:13.559 --> 01:01:15.920
<v Speaker 1>In the in the letters that he drops off. If

1246
01:01:15.960 --> 01:01:18.320
<v Speaker 1>he did drop off, if they're even real, he might

1247
01:01:18.320 --> 01:01:18.960
<v Speaker 1>have been bluffing.

1248
01:01:19.679 --> 01:01:20.440
<v Speaker 5>I feel like they are.

1249
01:01:20.960 --> 01:01:24.000
<v Speaker 1>Yeah, it could be could be like a Shortinger's cat

1250
01:01:24.079 --> 01:01:24.440
<v Speaker 1>kind of deal.

1251
01:01:24.760 --> 01:01:25.760
<v Speaker 5>It could be yeah.

1252
01:01:26.119 --> 01:01:29.880
<v Speaker 1>Yeah. But Brendan is on his way to see uh

1253
01:01:29.880 --> 01:01:32.440
<v Speaker 1>what what was it? Oh, He's on his way home

1254
01:01:32.480 --> 01:01:34.519
<v Speaker 1>and he sees the He's gonna go home early. I

1255
01:01:34.599 --> 01:01:36.199
<v Speaker 1>like how he says, I got daggers in my in

1256
01:01:36.199 --> 01:01:38.920
<v Speaker 1>my eyes or whatever, I'm going home early, and I'm

1257
01:01:38.920 --> 01:01:41.320
<v Speaker 1>thinking going home early from school. It's funny, like kind

1258
01:01:41.320 --> 01:01:44.400
<v Speaker 1>of when you think about it, you know. And then

1259
01:01:44.440 --> 01:01:46.199
<v Speaker 1>so he's gone home and then he backs up and

1260
01:01:46.239 --> 01:01:48.559
<v Speaker 1>he ends up. It's he sees the muscle the muscle

1261
01:01:48.559 --> 01:01:51.599
<v Speaker 1>car uh parked up, and so he pays him a visit.

1262
01:01:51.960 --> 01:01:54.880
<v Speaker 4>He thinks about it for about three seconds, and he's like,

1263
01:01:54.960 --> 01:01:57.000
<v Speaker 4>I'm going to put a brick through this fucking window.

1264
01:01:57.079 --> 01:01:59.760
<v Speaker 1>Yeah, and get his attention. And then the guy's coming

1265
01:01:59.840 --> 01:02:02.119
<v Speaker 1>up and it's just kind of like tugs characters like

1266
01:02:02.159 --> 01:02:04.679
<v Speaker 1>I don't know it shouts a line of like goofy,

1267
01:02:04.840 --> 01:02:05.880
<v Speaker 1>really goofy.

1268
01:02:06.440 --> 01:02:10.719
<v Speaker 5>She's the most interesting. He's the weirdest character in the film.

1269
01:02:11.199 --> 01:02:14.000
<v Speaker 1>Yeah, I don't know if it's the acting or the writing.

1270
01:02:14.559 --> 01:02:18.039
<v Speaker 4>Well, I think I think it's the acting, because everyone

1271
01:02:18.159 --> 01:02:21.960
<v Speaker 4>else is also a goofy character, but they we take

1272
01:02:22.000 --> 01:02:25.159
<v Speaker 4>it because the acting is so good and the dialogue

1273
01:02:25.239 --> 01:02:27.440
<v Speaker 4>is so good. We take it with a grain of salt.

1274
01:02:27.719 --> 01:02:30.480
<v Speaker 4>And Tug doesn't talk until this movie is halfway over,

1275
01:02:30.760 --> 01:02:33.840
<v Speaker 4>so we just see him through his his actions, and

1276
01:02:34.159 --> 01:02:38.039
<v Speaker 4>you know, he's very He overacts a lot of it,

1277
01:02:38.079 --> 01:02:41.280
<v Speaker 4>like like he's he's walking like the damn terminator, like

1278
01:02:41.360 --> 01:02:45.840
<v Speaker 4>Connor McGregor, you know, fucking two beers in and it

1279
01:02:46.280 --> 01:02:51.280
<v Speaker 4>does look a little silly. But then Tug like whoops

1280
01:02:51.280 --> 01:02:54.719
<v Speaker 4>his ass, punses him like five times. He says I

1281
01:02:54.760 --> 01:02:57.159
<v Speaker 4>want to see pen and then Tug beats him up

1282
01:02:57.199 --> 01:02:59.599
<v Speaker 4>and he just keeps saying. Brendan keep saying I want

1283
01:02:59.599 --> 01:03:00.840
<v Speaker 4>to see pin and hit.

1284
01:03:00.719 --> 01:03:01.320
<v Speaker 1>Some of the door.

1285
01:03:01.800 --> 01:03:02.440
<v Speaker 4>Yeah.

1286
01:03:02.480 --> 01:03:05.960
<v Speaker 1>And then when he runs, when he Tug drives away,

1287
01:03:06.360 --> 01:03:08.800
<v Speaker 1>Brennan throws a piece of the rock that broke the

1288
01:03:08.840 --> 01:03:11.559
<v Speaker 1>brick or whatever whatever send the buck. He throws it

1289
01:03:11.599 --> 01:03:14.559
<v Speaker 1>at the car and hits the car. Tug stops and

1290
01:03:14.599 --> 01:03:16.440
<v Speaker 1>then the car like he's gonna do something. Then he

1291
01:03:16.519 --> 01:03:18.960
<v Speaker 1>keeps going. He peels off, and so we're like, Okay,

1292
01:03:18.960 --> 01:03:21.039
<v Speaker 1>it's done. And I kind of like there's that got

1293
01:03:21.039 --> 01:03:23.280
<v Speaker 1>some dead air for a moment where like this guy's

1294
01:03:23.360 --> 01:03:25.800
<v Speaker 1>just kind of collecting himself in the pocket lot, not

1295
01:03:25.880 --> 01:03:28.840
<v Speaker 1>thinking anything, trying to think of his next move. And

1296
01:03:28.880 --> 01:03:32.360
<v Speaker 1>then we suddenly start hearing the motor again of Tug's

1297
01:03:32.360 --> 01:03:34.519
<v Speaker 1>car getting louder and louder, and it's him coming fine

1298
01:03:34.559 --> 01:03:36.960
<v Speaker 1>through the pocketing lot, and you think he's gonna hit

1299
01:03:37.320 --> 01:03:39.360
<v Speaker 1>hit him, but I guess he's just trying to scare him,

1300
01:03:39.679 --> 01:03:41.320
<v Speaker 1>just to really see, like, all right, you really want

1301
01:03:41.320 --> 01:03:43.639
<v Speaker 1>to fucking see the pin like you're really about it.

1302
01:03:43.960 --> 01:03:46.039
<v Speaker 1>I'm gonna try and shake you. But if you, you know.

1303
01:03:46.400 --> 01:03:48.320
<v Speaker 4>I think Tug was seen if he would run away

1304
01:03:48.480 --> 01:03:51.320
<v Speaker 4>if you yeah, yeah, and he didn't.

1305
01:03:52.360 --> 01:03:53.000
<v Speaker 1>Got balls.

1306
01:03:53.239 --> 01:03:57.400
<v Speaker 4>They show a close up with Joseph Gordon Levitt's face

1307
01:03:57.840 --> 01:04:00.159
<v Speaker 4>with the makeup on, and I mean, for this, for

1308
01:04:00.199 --> 01:04:02.400
<v Speaker 4>it being a minimal makeup, they did a real good

1309
01:04:02.480 --> 01:04:04.960
<v Speaker 4>job of making it look like he got punched and

1310
01:04:05.000 --> 01:04:06.480
<v Speaker 4>hit the concrete a couple of times.

1311
01:04:06.719 --> 01:04:09.320
<v Speaker 1>Yeah, yeah, have some raspberries there on the cheek and

1312
01:04:09.320 --> 01:04:10.440
<v Speaker 1>shin for sure.

1313
01:04:10.760 --> 01:04:13.920
<v Speaker 4>And they do a thing I like too They did

1314
01:04:13.920 --> 01:04:17.280
<v Speaker 4>this in Atomic Blonde, where someone will get hurt and

1315
01:04:17.320 --> 01:04:21.519
<v Speaker 4>they keep those wounds the rest of the movie because sometimes,

1316
01:04:21.519 --> 01:04:23.639
<v Speaker 4>you know, like especially in the older action movies from

1317
01:04:23.639 --> 01:04:29.000
<v Speaker 4>the eighties, like wounds would just disappear after a continuity. Yeah.

1318
01:04:29.079 --> 01:04:32.559
<v Speaker 1>Yeah, it's important because that kind of stuff can take

1319
01:04:32.559 --> 01:04:34.199
<v Speaker 1>you out of the movie. So, and this is the

1320
01:04:34.239 --> 01:04:36.000
<v Speaker 1>kind of movie. I think you want to be invested

1321
01:04:36.039 --> 01:04:37.599
<v Speaker 1>in it as much as you can in this kind

1322
01:04:37.639 --> 01:04:40.719
<v Speaker 1>of story. But yeah, he's taken to see the pit,

1323
01:04:40.800 --> 01:04:42.320
<v Speaker 1>but he's taken in the trunk, so he doesn't know

1324
01:04:42.320 --> 01:04:42.920
<v Speaker 1>where he's going.

1325
01:04:43.280 --> 01:04:46.079
<v Speaker 4>And we learned that Tug still listens to cassette tapes

1326
01:04:46.079 --> 01:04:47.320
<v Speaker 4>in two thousand and five.

1327
01:04:47.119 --> 01:04:49.639
<v Speaker 1>So that's pretty well. He drives a muscle car. Yeah,

1328
01:04:50.000 --> 01:04:50.760
<v Speaker 1>most likely going to.

1329
01:04:50.760 --> 01:04:53.239
<v Speaker 4>Have gems on cassette. I'm pretty sure.

1330
01:04:53.360 --> 01:05:02.719
<v Speaker 1>So you cay FYI whatever, no fy anyway. Yeah, so

1331
01:05:02.760 --> 01:05:04.079
<v Speaker 1>he's taking to see the pit, and this is where

1332
01:05:04.079 --> 01:05:06.199
<v Speaker 1>we get introduced to the pit. We meet him. He's

1333
01:05:06.360 --> 01:05:08.000
<v Speaker 1>a little underwhelming, I don't know.

1334
01:05:08.559 --> 01:05:11.599
<v Speaker 5>So so Lucas Hawks, who plays the pin. He's doing

1335
01:05:11.599 --> 01:05:16.360
<v Speaker 5>films like like Witness Mars Attacks. Uh, he was an inception.

1336
01:05:16.559 --> 01:05:19.639
<v Speaker 5>He was the original architect on Cops Team an inception.

1337
01:05:21.119 --> 01:05:23.880
<v Speaker 5>I find it. I know he's trying to do his

1338
01:05:24.039 --> 01:05:26.760
<v Speaker 5>best version of a Sydney green Street a little bit,

1339
01:05:27.960 --> 01:05:32.599
<v Speaker 5>obviously not as a charismatic, but I also find it

1340
01:05:32.679 --> 01:05:36.159
<v Speaker 5>very interesting that gave his character a disability, which I'm

1341
01:05:36.159 --> 01:05:39.800
<v Speaker 5>not sure they don't explicitly state what it is. I'm

1342
01:05:39.840 --> 01:05:41.599
<v Speaker 5>not sure if it's like a club foot, or if

1343
01:05:41.639 --> 01:05:44.280
<v Speaker 5>it's like he has like one leg that's shorter than

1344
01:05:44.320 --> 01:05:49.280
<v Speaker 5>the other, which is like what my wife says, triple.

1345
01:05:49.599 --> 01:05:52.519
<v Speaker 1>No, I'm just kidding. Yeah, right, though he does have something.

1346
01:05:53.119 --> 01:05:55.280
<v Speaker 1>They show his foot, his shoes bigger than the one

1347
01:05:55.440 --> 01:05:57.159
<v Speaker 1>right he's wearing a.

1348
01:05:56.840 --> 01:05:58.239
<v Speaker 4>Yeah that's why.

1349
01:05:58.320 --> 01:06:00.880
<v Speaker 5>Yeah, but I was like, I'm not sure that they

1350
01:06:00.880 --> 01:06:05.519
<v Speaker 5>don't explicitly state what his disability.

1351
01:06:06.239 --> 01:06:11.000
<v Speaker 4>Yeah. I think that's I think it's the main They're like, listen,

1352
01:06:11.039 --> 01:06:13.400
<v Speaker 4>we want him to have a prop to make him

1353
01:06:13.400 --> 01:06:14.199
<v Speaker 4>look more sinister.

1354
01:06:14.400 --> 01:06:16.639
<v Speaker 1>He can look like Sidney green Street. Yeah you know

1355
01:06:16.679 --> 01:06:19.480
<v Speaker 1>what I mean, like he you know, they needed him

1356
01:06:19.480 --> 01:06:21.199
<v Speaker 1>to have that part. So this is how we do

1357
01:06:21.239 --> 01:06:23.880
<v Speaker 1>it in real in a real world setting. We make them,

1358
01:06:23.960 --> 01:06:24.960
<v Speaker 1>you know, have a disability.

1359
01:06:25.280 --> 01:06:28.239
<v Speaker 5>Yeah, I like, I said, I I did like that

1360
01:06:28.400 --> 01:06:31.679
<v Speaker 5>aspect of it. But yeah, you're right, he is a

1361
01:06:31.719 --> 01:06:33.519
<v Speaker 5>little underwhelming.

1362
01:06:33.960 --> 01:06:36.639
<v Speaker 1>He's like very soft spoken, so to like, I get

1363
01:06:36.679 --> 01:06:38.840
<v Speaker 1>the character, and there's some cool dialogue and back and

1364
01:06:38.840 --> 01:06:41.679
<v Speaker 1>forth later on with him and in our main character.

1365
01:06:42.039 --> 01:06:44.159
<v Speaker 1>I don't hate the character. I just I did. I

1366
01:06:44.199 --> 01:06:46.440
<v Speaker 1>found it a little underwhelming when you finally see him.

1367
01:06:46.719 --> 01:06:48.760
<v Speaker 1>But maybe that's the point too. Yeah.

1368
01:06:48.840 --> 01:06:52.360
<v Speaker 5>Well, like I said, because when you think of Sidney

1369
01:06:52.360 --> 01:06:56.079
<v Speaker 5>Green Screetze character in The Maltese Falcon, he's at least

1370
01:06:56.199 --> 01:06:58.840
<v Speaker 5>like he's really fun that you actually you know he's

1371
01:06:58.880 --> 01:07:01.239
<v Speaker 5>the bad guy, but like you're kind of having fun

1372
01:07:01.280 --> 01:07:07.639
<v Speaker 5>with him, whereas with this character the Pin, he's yeah,

1373
01:07:07.679 --> 01:07:10.840
<v Speaker 5>he's spoken, but he's not He's a bad guy, but

1374
01:07:10.880 --> 01:07:13.800
<v Speaker 5>he's not necessarily like he's someone that you might get

1375
01:07:13.840 --> 01:07:16.079
<v Speaker 5>along with. He's not a bad guy.

1376
01:07:16.320 --> 01:07:19.840
<v Speaker 4>Yeah, I think he has the besides the main character.

1377
01:07:20.119 --> 01:07:22.360
<v Speaker 4>I think he has the best dialogue in the movie.

1378
01:07:23.280 --> 01:07:26.039
<v Speaker 4>They just give him some really good lines over and

1379
01:07:26.079 --> 01:07:26.840
<v Speaker 4>over and over again.

1380
01:07:27.920 --> 01:07:29.880
<v Speaker 1>They do him, and him and the main character have

1381
01:07:29.920 --> 01:07:30.159
<v Speaker 1>the most.

1382
01:07:31.559 --> 01:07:34.440
<v Speaker 4>It's very witty, you know. They if they were D

1383
01:07:34.480 --> 01:07:37.519
<v Speaker 4>and D characters, they'd both have charisma and the high teens.

1384
01:07:37.760 --> 01:07:41.760
<v Speaker 4>You know, Yes, but I love his room. I love

1385
01:07:41.800 --> 01:07:44.000
<v Speaker 4>that room so much. Speaking of D and D, I

1386
01:07:44.039 --> 01:07:46.480
<v Speaker 4>would play tons of D and D in that room. Yeah,

1387
01:07:46.519 --> 01:07:50.079
<v Speaker 4>he could would paneling, greenshat carpet. It's like begging, it's

1388
01:07:50.119 --> 01:07:50.800
<v Speaker 4>begging for it.

1389
01:07:51.519 --> 01:07:54.920
<v Speaker 5>Yeah. So so, like I said, that hallway and that office,

1390
01:07:55.039 --> 01:07:57.639
<v Speaker 5>those are those are the only ones that were sets

1391
01:07:57.639 --> 01:08:00.760
<v Speaker 5>that were built for the film because that those didn't

1392
01:08:00.800 --> 01:08:02.960
<v Speaker 5>exist in that house that they were filling in. But

1393
01:08:03.960 --> 01:08:08.320
<v Speaker 5>uh yeah, it's just uh just fun the wooding the

1394
01:08:08.440 --> 01:08:09.199
<v Speaker 5>very seventies.

1395
01:08:09.679 --> 01:08:12.079
<v Speaker 1>We know that Laura is in on it too somehow

1396
01:08:12.360 --> 01:08:16.159
<v Speaker 1>at this point too, because she's like yep, and she's

1397
01:08:16.159 --> 01:08:18.640
<v Speaker 1>always getting rides. I'll get you ride, I'll give your ride.

1398
01:08:19.960 --> 01:08:21.880
<v Speaker 1>But Brennan's actually what.

1399
01:08:22.000 --> 01:08:24.600
<v Speaker 4>Well, Brendan even says like you should bring her in here,

1400
01:08:24.880 --> 01:08:26.560
<v Speaker 4>and and he acts like he doesn't know what he's

1401
01:08:26.600 --> 01:08:29.760
<v Speaker 4>talking about. And then later she shows up and proving

1402
01:08:29.760 --> 01:08:30.680
<v Speaker 4>that Brennan was right.

1403
01:08:30.640 --> 01:08:34.840
<v Speaker 1>The whole time exactly. Brennan's actually at the Pinn's house too.

1404
01:08:35.000 --> 01:08:37.000
<v Speaker 1>It's funny, kind of funny because the Pin's mother is

1405
01:08:37.000 --> 01:08:39.800
<v Speaker 1>there like offering Brennan later on like corn flakes and

1406
01:08:39.880 --> 01:08:41.640
<v Speaker 1>like something to drink with it, and he has milk

1407
01:08:41.720 --> 01:08:43.840
<v Speaker 1>and in his cereal, so well.

1408
01:08:43.760 --> 01:08:44.600
<v Speaker 4>He's not a psycho.

1409
01:08:45.079 --> 01:08:48.640
<v Speaker 1>Yeah uh. And then yeah, she drives them back and

1410
01:08:48.800 --> 01:08:51.680
<v Speaker 1>breaks it down for him. You know, you could tell

1411
01:08:51.680 --> 01:08:53.800
<v Speaker 1>that she's really into him in a way. I feel

1412
01:08:53.840 --> 01:08:55.960
<v Speaker 1>like she uses men, yes, but and maybe she uses

1413
01:08:56.000 --> 01:08:57.760
<v Speaker 1>him a little bit, but at the same time she's invested.

1414
01:08:58.119 --> 01:09:01.439
<v Speaker 1>It's just like you know, north By Northwest or like that,

1415
01:09:01.840 --> 01:09:04.880
<v Speaker 1>that love You get a love interest that happens even

1416
01:09:04.920 --> 01:09:07.920
<v Speaker 1>though there's other things at stake, and not everybody's putting

1417
01:09:07.960 --> 01:09:10.239
<v Speaker 1>all the truth on the table. You know, there's some

1418
01:09:10.319 --> 01:09:13.560
<v Speaker 1>double play here. It's almost like, hey, in a perfect world,

1419
01:09:13.600 --> 01:09:15.640
<v Speaker 1>if this wasn't going on, like I would love you

1420
01:09:15.720 --> 01:09:19.159
<v Speaker 1>blah blah, you know, but I can't because of because

1421
01:09:19.199 --> 01:09:21.319
<v Speaker 1>of this situation, because you get you know, you got

1422
01:09:21.439 --> 01:09:25.319
<v Speaker 1>m killed or whatever. Basically. But yeah, I thought the

1423
01:09:25.319 --> 01:09:28.000
<v Speaker 1>Pin was underwhelming at first, but I mean he's still

1424
01:09:28.039 --> 01:09:31.039
<v Speaker 1>an interesting character and he has some better moments later,

1425
01:09:31.039 --> 01:09:33.600
<v Speaker 1>and like you said, the dialog is good. This is

1426
01:09:33.640 --> 01:09:36.720
<v Speaker 1>where we get making Goods character again too, when she's

1427
01:09:36.760 --> 01:09:41.720
<v Speaker 1>all dressed up like in the kimono Scilla good woman,

1428
01:09:43.159 --> 01:09:45.680
<v Speaker 1>and then we there's an assassin that oh that's right.

1429
01:09:45.720 --> 01:09:48.920
<v Speaker 1>They the Pin tells him like, hey, you, we'll be

1430
01:09:48.960 --> 01:09:51.720
<v Speaker 1>in contact, whether we need you to use you on

1431
01:09:51.760 --> 01:09:54.479
<v Speaker 1>our team or whether we're gonna take you out, you

1432
01:09:54.520 --> 01:09:55.640
<v Speaker 1>know what I mean, if we don't believe you.

1433
01:09:55.840 --> 01:10:00.279
<v Speaker 4>Yea offers basically to be a double agent, and the BP,

1434
01:10:00.960 --> 01:10:05.600
<v Speaker 4>the information pen, wants him to and uh, you know, Pins, basically,

1435
01:10:05.800 --> 01:10:09.479
<v Speaker 4>I'll think about it. You know, let Laura drive you home.

1436
01:10:09.800 --> 01:10:11.680
<v Speaker 4>And then he's like, take me to school instead.

1437
01:10:12.520 --> 01:10:17.159
<v Speaker 1>Yeah, but yeah, the assassin comes for him and we're like, oh,

1438
01:10:17.319 --> 01:10:19.159
<v Speaker 1>is he sent by Pin? Like we don't really know,

1439
01:10:19.159 --> 01:10:22.279
<v Speaker 1>we're assuming he is. Our boy dispatches him, though. There's

1440
01:10:22.319 --> 01:10:24.399
<v Speaker 1>a lot of klick clacking click clacking with the with

1441
01:10:24.520 --> 01:10:26.640
<v Speaker 1>the with the shoes, and you kind of wonder like, yeah,

1442
01:10:26.640 --> 01:10:28.800
<v Speaker 1>it's so fucking loud. But then it plays into like, well,

1443
01:10:28.840 --> 01:10:30.880
<v Speaker 1>he's gonna take his shoes off so that he can

1444
01:10:31.000 --> 01:10:33.239
<v Speaker 1>slide forward without the guy hearing him. And the guy's

1445
01:10:33.279 --> 01:10:35.479
<v Speaker 1>shoes is so loud that you can hear him coming

1446
01:10:35.479 --> 01:10:38.720
<v Speaker 1>a mile away. Yeah, he trips him like a cartoon

1447
01:10:38.800 --> 01:10:41.760
<v Speaker 1>and then he clo I was waiting for him to

1448
01:10:41.800 --> 01:10:46.560
<v Speaker 1>have like a really big, like fucking nod on his head. Yeah, yeah,

1449
01:10:47.880 --> 01:10:51.319
<v Speaker 1>is this guy some birds, knocked out, knocked out I.

1450
01:10:51.399 --> 01:10:54.920
<v Speaker 4>Think, yeah, yeah, we never hear about him again.

1451
01:10:55.000 --> 01:10:56.800
<v Speaker 5>Yeah we didn't hear about a body, but no we

1452
01:10:57.079 --> 01:10:59.319
<v Speaker 5>so we don't we know, so we we do hear

1453
01:10:59.399 --> 01:11:03.680
<v Speaker 5>about what his What happens later and we find out

1454
01:11:03.720 --> 01:11:06.439
<v Speaker 5>that he was hired by Brad because he was pissed

1455
01:11:06.439 --> 01:11:08.800
<v Speaker 5>off about getting his ass kicked in the parking lots.

1456
01:11:08.880 --> 01:11:11.359
<v Speaker 1>So he wasn't the Yeah, he wasn't the message that

1457
01:11:11.479 --> 01:11:13.319
<v Speaker 1>was going to come from Pen that we thought.

1458
01:11:13.760 --> 01:11:15.359
<v Speaker 5>It was just a coincidence.

1459
01:11:15.960 --> 01:11:18.000
<v Speaker 1>He was going to kill him though, like he went

1460
01:11:18.039 --> 01:11:21.720
<v Speaker 1>and cut his jacket. But yeah, so there's a little

1461
01:11:21.760 --> 01:11:24.399
<v Speaker 1>action there too. And then he ends up meeting up

1462
01:11:24.399 --> 01:11:26.840
<v Speaker 1>with the Pin again. That's when the Pin shows up

1463
01:11:26.880 --> 01:11:29.079
<v Speaker 1>in his van. It's like his mobile office. It's like,

1464
01:11:29.119 --> 01:11:31.560
<v Speaker 1>how do I take the tackiness of my office and

1465
01:11:32.079 --> 01:11:34.039
<v Speaker 1>and mobilize it for when I leave the house. I

1466
01:11:34.079 --> 01:11:36.560
<v Speaker 1>want to be filled like with tacky ship as well.

1467
01:11:37.079 --> 01:11:39.399
<v Speaker 4>He has it pin table lamp in his.

1468
01:11:41.800 --> 01:11:44.479
<v Speaker 1>It's like a limo're supposed to represent like a limousine.

1469
01:11:45.000 --> 01:11:47.199
<v Speaker 5>The only thing that he was missing on that band

1470
01:11:47.359 --> 01:11:49.279
<v Speaker 5>was a murror carpet.

1471
01:11:49.560 --> 01:11:59.840
<v Speaker 1>Yeah, a mural of a barbarian m maybe yeah, but yeah,

1472
01:12:00.680 --> 01:12:02.920
<v Speaker 1>it's this this is too where he see we see

1473
01:12:02.960 --> 01:12:05.680
<v Speaker 1>that he lines himself with Penn. You know, he's working

1474
01:12:05.760 --> 01:12:07.720
<v Speaker 1>for him, a double agent kind of deal, like you said,

1475
01:12:08.039 --> 01:12:10.560
<v Speaker 1>to uncover the truth about Emily's death, you know, from

1476
01:12:10.600 --> 01:12:12.640
<v Speaker 1>the inside kind of deal. So I kind of like that.

1477
01:12:13.760 --> 01:12:17.079
<v Speaker 1>And he breaks into Pin's house after and finds all

1478
01:12:17.119 --> 01:12:20.479
<v Speaker 1>the money and you know, uh, he finds a brick

1479
01:12:20.880 --> 01:12:23.920
<v Speaker 1>wrapped in a tarp or the same tarp that was

1480
01:12:23.960 --> 01:12:28.760
<v Speaker 1>in his dreams to black. Yeah, yeah, that's why he's

1481
01:12:28.840 --> 01:12:33.680
<v Speaker 1>drawn to it. And then what happens, oh yeah, the

1482
01:12:33.720 --> 01:12:35.880
<v Speaker 1>same talp from his dream about Emily. And then he

1483
01:12:35.960 --> 01:12:39.079
<v Speaker 1>talks with Tug. We learn of the the bricks of

1484
01:12:39.279 --> 01:12:42.560
<v Speaker 1>the drugs. There there were what ten of them? Uh,

1485
01:12:43.399 --> 01:12:46.039
<v Speaker 1>eight of them went out smooth right in this steal

1486
01:12:46.920 --> 01:12:49.399
<v Speaker 1>to different places. And then you know, because Tug breaks

1487
01:12:49.439 --> 01:12:51.680
<v Speaker 1>it down for us from the top, you know, uh,

1488
01:12:52.359 --> 01:12:54.399
<v Speaker 1>and he and the ninth one is where it got

1489
01:12:54.479 --> 01:12:56.520
<v Speaker 1>fucked up, right, and that's the one that led to

1490
01:12:56.760 --> 01:12:59.439
<v Speaker 1>EM's death. What happened with that one? And then there's

1491
01:12:59.520 --> 01:13:02.399
<v Speaker 1>one more left and that's what causes like to stir

1492
01:13:02.520 --> 01:13:05.039
<v Speaker 1>in the very end of this, you know, after you

1493
01:13:05.119 --> 01:13:05.479
<v Speaker 1>find out.

1494
01:13:05.840 --> 01:13:10.520
<v Speaker 4>We have a scene earlier where Pen and Rendon are

1495
01:13:10.600 --> 01:13:12.880
<v Speaker 4>walking on the beach. It's like there, it's like his

1496
01:13:13.039 --> 01:13:18.279
<v Speaker 4>welcome party or whatever. Hm, and Penn confides that, like,

1497
01:13:18.439 --> 01:13:21.359
<v Speaker 4>I don't have control over Tug anymore and it might

1498
01:13:21.439 --> 01:13:24.680
<v Speaker 4>be a problem real soon, uh, which I think was

1499
01:13:24.760 --> 01:13:26.960
<v Speaker 4>a weird thing to tell this guy you just hired.

1500
01:13:27.000 --> 01:13:28.880
<v Speaker 4>But maybe he's just like, listen, you might have to

1501
01:13:28.960 --> 01:13:33.119
<v Speaker 4>be out, yeah, fucking get ready to duck, you know.

1502
01:13:34.359 --> 01:13:35.760
<v Speaker 1>So, like he was gonna ask him, He's like, what's

1503
01:13:35.800 --> 01:13:36.680
<v Speaker 1>you what are your thoughts on the.

1504
01:13:41.239 --> 01:13:43.880
<v Speaker 4>I was I was there when it all started. Three

1505
01:13:43.880 --> 01:13:44.520
<v Speaker 4>dollars bill Man.

1506
01:13:44.800 --> 01:13:48.159
<v Speaker 1>Just fake it till you make it nice. Yeah, but

1507
01:13:48.239 --> 01:13:51.680
<v Speaker 1>then we aarn of what the So the ninth the

1508
01:13:51.840 --> 01:13:56.079
<v Speaker 1>ninth brick was was cut or no, that one went

1509
01:13:56.159 --> 01:13:57.520
<v Speaker 1>missing went missing?

1510
01:13:57.640 --> 01:14:01.079
<v Speaker 4>Nick that came back cut And they think they someone

1511
01:14:01.159 --> 01:14:04.119
<v Speaker 4>put like fucking fabrics oftener in it because it put

1512
01:14:04.159 --> 01:14:07.000
<v Speaker 4>that guy Frisco. They keep they kept saying the word Frisco.

1513
01:14:07.079 --> 01:14:09.039
<v Speaker 4>We found out it's a person and he's in the

1514
01:14:09.119 --> 01:14:11.359
<v Speaker 4>Coleman hasn't woke up yet, which.

1515
01:14:11.199 --> 01:14:13.439
<v Speaker 5>Is like Fred Frisco or something like was his name

1516
01:14:13.560 --> 01:14:14.159
<v Speaker 5>or something like that.

1517
01:14:14.439 --> 01:14:17.560
<v Speaker 1>And so then we find out that the tenth one

1518
01:14:17.680 --> 01:14:20.960
<v Speaker 1>is is it's doubted whether or not it's it's legit.

1519
01:14:21.560 --> 01:14:26.760
<v Speaker 4>Yeah, and this is all the stuff they're blaming Emily on, yeah,

1520
01:14:27.199 --> 01:14:31.880
<v Speaker 4>even though uh Kara and Laura kind of got her

1521
01:14:32.000 --> 01:14:32.399
<v Speaker 4>to do it.

1522
01:14:32.880 --> 01:14:36.640
<v Speaker 1>Mm hmm, Yeah, it's all shady. But then he took

1523
01:14:36.840 --> 01:14:39.560
<v Speaker 1>Uh's a. He's picked up by Laura and he passes

1524
01:14:39.640 --> 01:14:42.279
<v Speaker 1>out though from exhaustion, and I thought he was druged

1525
01:14:42.279 --> 01:14:44.680
<v Speaker 1>at first, but then it's about he's apparently exhausted and

1526
01:14:44.760 --> 01:14:47.279
<v Speaker 1>also he's been swallowing his own blood for a portion

1527
01:14:47.439 --> 01:14:49.399
<v Speaker 1>of the day, That's what she says at least, And

1528
01:14:49.720 --> 01:14:52.159
<v Speaker 1>so he wakes up later with her kind of taking

1529
01:14:52.199 --> 01:14:53.640
<v Speaker 1>care of him in the back seat, but he's lost

1530
01:14:53.680 --> 01:14:56.319
<v Speaker 1>time now because he passed out. In Times of of

1531
01:14:56.359 --> 01:14:58.840
<v Speaker 1>the Essence at this point, well, he finds Dode and

1532
01:14:58.960 --> 01:15:01.800
<v Speaker 1>Doade was the one in the tunnel. We find out

1533
01:15:01.840 --> 01:15:05.880
<v Speaker 1>he thinks Brendan killed Emily though, so it's like they're

1534
01:15:05.880 --> 01:15:07.840
<v Speaker 1>all pointing fingers at each other, like we think it's dowed.

1535
01:15:07.920 --> 01:15:09.720
<v Speaker 1>There's a lot of red herrings in play before.

1536
01:15:10.039 --> 01:15:14.199
<v Speaker 4>Yeah, before Brendan goes down to the tunnel with everybody

1537
01:15:14.399 --> 01:15:16.560
<v Speaker 4>he has a one on one just him and Doad,

1538
01:15:16.960 --> 01:15:18.840
<v Speaker 4>and Doad says, I'm about to rat you out to

1539
01:15:18.880 --> 01:15:21.319
<v Speaker 4>all these people and they're gonna fucking kill you because

1540
01:15:21.760 --> 01:15:22.920
<v Speaker 4>he thinks he killed Emily.

1541
01:15:23.520 --> 01:15:25.800
<v Speaker 5>Yeah, yeah, and that was that was on the football

1542
01:15:25.960 --> 01:15:30.800
<v Speaker 5>because so the the first uh telephone call with Doade

1543
01:15:31.279 --> 01:15:34.319
<v Speaker 5>where he's given the same note that he got earlier

1544
01:15:34.359 --> 01:15:37.319
<v Speaker 5>in the film to meet at that telephone booth, although

1545
01:15:37.359 --> 01:15:40.000
<v Speaker 5>it's in different handwriting, and we see him like he

1546
01:15:40.159 --> 01:15:43.359
<v Speaker 5>lost time. So he hauls ass to the telephone booth.

1547
01:15:44.119 --> 01:15:47.600
<v Speaker 5>And after that, like then we the scene that we're

1548
01:15:47.600 --> 01:15:49.640
<v Speaker 5>talking about now, we have the confrontation scene on the

1549
01:15:49.680 --> 01:15:53.079
<v Speaker 5>football field with Doad where he's like, I know it

1550
01:15:53.239 --> 01:15:55.720
<v Speaker 5>was you. I saw you there, I saw you move

1551
01:15:55.800 --> 01:15:59.720
<v Speaker 5>the body like you're involved, and it was funny. It's

1552
01:15:59.720 --> 01:16:04.399
<v Speaker 5>a great scene and it's funny. Is the doe Noah Segan.

1553
01:16:05.000 --> 01:16:07.880
<v Speaker 5>He apparently had really bad food poisoning that day and

1554
01:16:08.000 --> 01:16:11.279
<v Speaker 5>like had very strong flu like symptoms. He doesn't remember

1555
01:16:11.319 --> 01:16:12.359
<v Speaker 5>filming that scene at all.

1556
01:16:13.760 --> 01:16:17.439
<v Speaker 1>Yeah, and that's when actually, before that we find out

1557
01:16:17.479 --> 01:16:20.840
<v Speaker 1>that he met DoD at the tunnel where he thinks

1558
01:16:21.600 --> 01:16:24.600
<v Speaker 1>Brendan killed Emily. But we find out that Emily was

1559
01:16:24.640 --> 01:16:28.159
<v Speaker 1>actually pregnant this this whole time before.

1560
01:16:27.920 --> 01:16:31.880
<v Speaker 5>She asked he and he caught Brendan at the wrong

1561
01:16:32.039 --> 01:16:34.640
<v Speaker 5>time when he was moving the body and thinking that

1562
01:16:34.800 --> 01:16:37.760
<v Speaker 5>he was involved in her death, and it was just

1563
01:16:38.319 --> 01:16:41.479
<v Speaker 5>he Brendan was just kind of hiding her body so

1564
01:16:41.560 --> 01:16:43.920
<v Speaker 5>that he could have more time to figure out what

1565
01:16:44.119 --> 01:16:47.720
<v Speaker 5>happened to her, not obviously not trying to cover anything up.

1566
01:16:48.640 --> 01:16:53.279
<v Speaker 5>And yeah, it's a very tense scene on the phot Yeah,

1567
01:16:53.279 --> 01:16:55.600
<v Speaker 5>I mean several times.

1568
01:16:56.640 --> 01:16:58.479
<v Speaker 4>Like that's what I would have thought too if I

1569
01:16:58.520 --> 01:17:00.880
<v Speaker 4>saw someone body Dunnell.

1570
01:17:00.960 --> 01:17:04.600
<v Speaker 1>Yeah, yeah, Yeah. And then he goes after the football field.

1571
01:17:04.800 --> 01:17:07.640
<v Speaker 1>That's where he goes to meet with Penn and Tug

1572
01:17:08.159 --> 01:17:09.199
<v Speaker 1>and Dog's there as well.

1573
01:17:09.720 --> 01:17:13.319
<v Speaker 5>Yeah, so like Doade had, he had met Brendan on

1574
01:17:13.399 --> 01:17:15.880
<v Speaker 5>the field and confronted him, and we we had already

1575
01:17:15.920 --> 01:17:18.960
<v Speaker 5>had the conversation at the phone booth that he wanted

1576
01:17:19.000 --> 01:17:23.399
<v Speaker 5>to hurt Brendan because thinking that he's involved. We have

1577
01:17:23.640 --> 01:17:27.159
<v Speaker 5>the confrontation at the football field, trying because Brendan wants

1578
01:17:27.199 --> 01:17:29.680
<v Speaker 5>to give his side of the story, but Doad's not

1579
01:17:29.760 --> 01:17:30.079
<v Speaker 5>hearing it.

1580
01:17:30.680 --> 01:17:34.439
<v Speaker 1>Does car several times throughout the film. Cigarette but yeah,

1581
01:17:35.239 --> 01:17:37.119
<v Speaker 1>cigarette thrown out of it.

1582
01:17:37.920 --> 01:17:43.039
<v Speaker 5>Yeah, and he that day Noah Seagan, who plays Dode,

1583
01:17:43.720 --> 01:17:48.920
<v Speaker 5>was he had the flu or he had a food poisoning.

1584
01:17:49.359 --> 01:17:52.159
<v Speaker 5>He actually doesn't remember filming this scene at all that

1585
01:17:52.399 --> 01:17:56.039
<v Speaker 5>for that particular day, but I think he still delivered

1586
01:17:56.359 --> 01:18:00.319
<v Speaker 5>a great performance here him and Joseph gor and love

1587
01:18:00.359 --> 01:18:05.520
<v Speaker 5>it and yeah, kicks his ass again and Brendan blanks

1588
01:18:05.560 --> 01:18:07.359
<v Speaker 5>out and then yeah, we're back in the tunnel and

1589
01:18:07.560 --> 01:18:10.239
<v Speaker 5>it's uh, we got the pin, we got Tug, we

1590
01:18:10.319 --> 01:18:14.000
<v Speaker 5>got DoD, and Brendan is coming up from behind and

1591
01:18:15.119 --> 01:18:18.359
<v Speaker 5>this is where we get the uh. Just so another

1592
01:18:18.720 --> 01:18:20.119
<v Speaker 5>crazy scene from this movie.

1593
01:18:20.600 --> 01:18:23.760
<v Speaker 4>Yeah, there's some really good camera work here where uh,

1594
01:18:24.439 --> 01:18:26.359
<v Speaker 4>the way the actors are facing each other and the

1595
01:18:26.399 --> 01:18:31.479
<v Speaker 4>way the camera is you think, you think Dode adults

1596
01:18:31.520 --> 01:18:36.119
<v Speaker 4>talking to Brendan, but Tug is right behind him, mean

1597
01:18:36.239 --> 01:18:39.800
<v Speaker 4>Mugg and Dode, and like it really sets this what's

1598
01:18:39.880 --> 01:18:42.720
<v Speaker 4>about to happen up? And I didn't catch it my

1599
01:18:42.800 --> 01:18:46.039
<v Speaker 4>first watch, but my second watch, it's like very clear

1600
01:18:46.159 --> 01:18:47.119
<v Speaker 4>what's about to happen.

1601
01:18:47.319 --> 01:18:51.560
<v Speaker 5>And yeah, that's because Tug thinks that Doad is talking

1602
01:18:51.600 --> 01:18:57.079
<v Speaker 5>about him, not Brendan. Yeah, and that yeah, I cause, yeah,

1603
01:18:57.279 --> 01:19:00.600
<v Speaker 5>that's why I'm with you. Matt because I thought that

1604
01:19:00.840 --> 01:19:04.199
<v Speaker 5>he was, uh, what the hell is he doing? I

1605
01:19:04.439 --> 01:19:06.600
<v Speaker 5>didn't get it at first, but now, like once I

1606
01:19:06.680 --> 01:19:10.239
<v Speaker 5>came back and rewatched the film, like, oh, he thinks

1607
01:19:10.279 --> 01:19:15.560
<v Speaker 5>that he's that Dad's about to rat him out because uh, Tug.

1608
01:19:16.600 --> 01:19:20.039
<v Speaker 5>Tug was involved in Emily's death, which was against the

1609
01:19:20.119 --> 01:19:25.479
<v Speaker 5>PINS instructions, and he was He's like, this guy's gonna

1610
01:19:25.760 --> 01:19:28.159
<v Speaker 5>wrap me out and I need he needs to die.

1611
01:19:28.600 --> 01:19:30.720
<v Speaker 1>Yeah, it was Tug's car. I mean I said does earlier,

1612
01:19:30.800 --> 01:19:34.960
<v Speaker 1>but yeah, yeah, yeah, yeah, but yeah, but yeah, this

1613
01:19:35.039 --> 01:19:38.560
<v Speaker 1>thing escalates and then Tug beats him and then shoots

1614
01:19:38.600 --> 01:19:42.000
<v Speaker 1>him in that execution style. Yeah, dude, And this is

1615
01:19:42.520 --> 01:19:43.560
<v Speaker 1>how they achieved that.

1616
01:19:44.199 --> 01:19:46.800
<v Speaker 5>Yeah, how they achieved that too. It looks awesome, Like

1617
01:19:47.119 --> 01:19:49.680
<v Speaker 5>you see the blood splatter across the back of the

1618
01:19:49.920 --> 01:19:53.039
<v Speaker 5>U of the tunnel, but you have that smoke that

1619
01:19:53.159 --> 01:19:55.279
<v Speaker 5>billows out in the back of his head and it

1620
01:19:55.399 --> 01:19:58.079
<v Speaker 5>was just like a little air compressor that they used

1621
01:19:58.119 --> 01:19:59.439
<v Speaker 5>to achieve that effect.

1622
01:19:59.520 --> 01:20:02.880
<v Speaker 1>And it just it works because Penn calls Tug out

1623
01:20:02.920 --> 01:20:05.000
<v Speaker 1>there and then he just kind of disappears into the

1624
01:20:05.039 --> 01:20:06.239
<v Speaker 1>tunnel as the police sirens.

1625
01:20:06.279 --> 01:20:06.520
<v Speaker 5>I heard.

1626
01:20:06.640 --> 01:20:11.079
<v Speaker 1>It's it is a cool scene. Yeah, yeah, achieve a

1627
01:20:11.119 --> 01:20:14.199
<v Speaker 1>good bit with the budget. Yeah, we're gonna say, man.

1628
01:20:14.159 --> 01:20:18.079
<v Speaker 4>Absolutely, Penn's been talking this whole time about how Tug

1629
01:20:18.279 --> 01:20:20.920
<v Speaker 4>is a loose cannon and it's right here is like

1630
01:20:21.039 --> 01:20:25.640
<v Speaker 4>it finally proves it and like, yeah, Pin, right now

1631
01:20:25.760 --> 01:20:28.800
<v Speaker 4>he's like, oh, I can't do business with this guy anymore.

1632
01:20:29.199 --> 01:20:30.880
<v Speaker 4>He's he's too out out of it.

1633
01:20:31.319 --> 01:20:34.439
<v Speaker 1>This is the boiling over moment. I guess everything's just yeah,

1634
01:20:34.720 --> 01:20:35.359
<v Speaker 1>about to blow.

1635
01:20:35.960 --> 01:20:38.520
<v Speaker 4>But then again we feel a little better too, because

1636
01:20:38.520 --> 01:20:40.880
<v Speaker 4>we thought our main character is about to get about

1637
01:20:40.920 --> 01:20:44.479
<v Speaker 4>to get framed for murder. It takes a left left turn,

1638
01:20:45.359 --> 01:20:47.319
<v Speaker 4>which you know, as the audience, you're like, well, at

1639
01:20:47.399 --> 01:20:48.359
<v Speaker 4>least that didn't happen.

1640
01:20:48.720 --> 01:20:51.319
<v Speaker 1>I have a question, right, do we think Tug was

1641
01:20:51.359 --> 01:20:55.560
<v Speaker 1>sleeping with Emily? Also, yeah, she's sleeping a yeah, yeah, yeah,

1642
01:20:55.640 --> 01:20:56.920
<v Speaker 1>to get drugs and do whatever.

1643
01:20:57.119 --> 01:21:00.239
<v Speaker 5>Because because the very next scene when when Brendan wikes

1644
01:21:00.319 --> 01:21:04.760
<v Speaker 5>up at Tug's place, Tug is kind of is having

1645
01:21:04.800 --> 01:21:07.479
<v Speaker 5>this conversation with them, thinking that like I think I

1646
01:21:07.560 --> 01:21:11.039
<v Speaker 5>think that was my kid in with Emily. He thought

1647
01:21:11.079 --> 01:21:15.039
<v Speaker 5>it was his kid. So you have yeah, here's the

1648
01:21:15.159 --> 01:21:18.119
<v Speaker 5>question for you guys. So Doe thinks it's his kid,

1649
01:21:19.000 --> 01:21:24.760
<v Speaker 5>and he he obviously wanted to be the father to Friendly's. Well,

1650
01:21:24.800 --> 01:21:27.600
<v Speaker 5>we know that's what I'm saying. So what so Tug,

1651
01:21:27.960 --> 01:21:31.319
<v Speaker 5>Tug and Doe think it's their kid. Does Brendan know

1652
01:21:31.479 --> 01:21:32.000
<v Speaker 5>that it's his?

1653
01:21:32.720 --> 01:21:36.159
<v Speaker 1>No, he does, by the end, I think because of

1654
01:21:36.159 --> 01:21:36.680
<v Speaker 1>what's her name?

1655
01:21:38.399 --> 01:21:41.439
<v Speaker 4>She tells him when she's in her Geisha makeup, and

1656
01:21:41.600 --> 01:21:45.159
<v Speaker 4>he throws and breaks her mirror for telling him. He

1657
01:21:45.239 --> 01:21:46.039
<v Speaker 4>gets very yeah.

1658
01:21:46.800 --> 01:21:49.680
<v Speaker 5>But but but at this moment, he doesn't know that

1659
01:21:49.800 --> 01:21:50.479
<v Speaker 5>it's his kid.

1660
01:21:51.159 --> 01:21:56.279
<v Speaker 1>Okay, yeah, no, not at that moment. It's Tug's family,

1661
01:21:56.439 --> 01:21:59.239
<v Speaker 1>is all. They're all all siblings that are wearing like

1662
01:21:59.359 --> 01:22:01.520
<v Speaker 1>the same outphae. They're all wearing white teeth.

1663
01:22:01.760 --> 01:22:04.479
<v Speaker 5>The Lymps, the olymp Biscuit family.

1664
01:22:04.920 --> 01:22:05.560
<v Speaker 1>Yeah, it's weird.

1665
01:22:06.520 --> 01:22:09.199
<v Speaker 4>Brendan talks, well, we don't know Tug's last name. It

1666
01:22:09.279 --> 01:22:10.920
<v Speaker 4>could be Durst, you don't know, Yeah.

1667
01:22:10.800 --> 01:22:14.520
<v Speaker 1>It could be could keep rolling. Let's keep rolling, guys.

1668
01:22:16.680 --> 01:22:20.239
<v Speaker 1>Brendan talks to brain at that point, right, and then

1669
01:22:20.279 --> 01:22:21.640
<v Speaker 1>he goes to see it goes.

1670
01:22:21.479 --> 01:22:26.560
<v Speaker 4>For Kara, Yeah, and this is yeah, lays it all

1671
01:22:26.640 --> 01:22:28.760
<v Speaker 4>out for you and for for him.

1672
01:22:29.279 --> 01:22:31.279
<v Speaker 1>That Emily was sleeping around in the end, we find

1673
01:22:31.319 --> 01:22:32.239
<v Speaker 1>out and.

1674
01:22:32.399 --> 01:22:37.680
<v Speaker 4>She basically amidst the manipulating Emily too, like, uh uh,

1675
01:22:38.239 --> 01:22:40.640
<v Speaker 4>later we learned it's not We learned it's not just her.

1676
01:22:40.720 --> 01:22:44.680
<v Speaker 4>It's her Anne, Lauren or Laura and Brad. Yeah, yeah,

1677
01:22:44.800 --> 01:22:47.279
<v Speaker 4>but right now we think it's just her mm hmm.

1678
01:22:47.840 --> 01:22:52.039
<v Speaker 4>And she's lucky. Brendan didn't like beat ship. He wanted to.

1679
01:22:52.439 --> 01:22:55.119
<v Speaker 4>He broke the mirror instead. You could tell he was

1680
01:22:55.279 --> 01:22:55.880
<v Speaker 4>very distraught.

1681
01:22:56.359 --> 01:22:58.359
<v Speaker 5>Yeah, and then he but then he like rips off

1682
01:22:58.399 --> 01:23:01.039
<v Speaker 5>her kimono and kicks her out naked in front of everybody.

1683
01:23:04.479 --> 01:23:10.479
<v Speaker 1>Yeah. And then Brandon breaks down about Emily's death to Laura. Yeah,

1684
01:23:10.720 --> 01:23:13.640
<v Speaker 1>and it's a cool moment. I like it. And they

1685
01:23:13.720 --> 01:23:16.279
<v Speaker 1>make love or make out what I'm assuming.

1686
01:23:16.239 --> 01:23:20.600
<v Speaker 5>So okay, So here here's a thing just from having

1687
01:23:20.720 --> 01:23:23.840
<v Speaker 5>the the the Blu Ray that I bought. There are

1688
01:23:23.920 --> 01:23:27.199
<v Speaker 5>a few deleted scenes that Ryan Johnson ended up taking out,

1689
01:23:27.520 --> 01:23:30.880
<v Speaker 5>and the original cut of the film it is very

1690
01:23:30.960 --> 01:23:34.680
<v Speaker 5>explicit that they slept together. But he also but he

1691
01:23:34.800 --> 01:23:38.439
<v Speaker 5>felt that taking a few things out would kind of

1692
01:23:38.520 --> 01:23:40.640
<v Speaker 5>make the film a little bit more ambiguous. And you're

1693
01:23:40.640 --> 01:23:43.079
<v Speaker 5>not really sure, and I think it works here, So

1694
01:23:43.159 --> 01:23:45.760
<v Speaker 5>we're not really sure if it was just them, they

1695
01:23:45.880 --> 01:23:49.760
<v Speaker 5>did end up sleeping together. Maybe they did, maybe they didn't. Yeah,

1696
01:23:49.880 --> 01:23:53.479
<v Speaker 5>but based off based off the original idea, I'm just

1697
01:23:53.560 --> 01:23:58.319
<v Speaker 5>assuming that they slept together. And no, but going back

1698
01:23:58.359 --> 01:24:00.119
<v Speaker 5>to the old in the war films is like you

1699
01:24:00.239 --> 01:24:03.039
<v Speaker 5>have the you have that moment you cut away and

1700
01:24:03.119 --> 01:24:07.159
<v Speaker 5>they and you wake up, you cook back. Yeah, so

1701
01:24:07.479 --> 01:24:12.039
<v Speaker 5>they slept together. I would have, yeah, because when I

1702
01:24:12.159 --> 01:24:13.920
<v Speaker 5>was watching it for the first time, I was like, oh, yeah,

1703
01:24:13.920 --> 01:24:17.000
<v Speaker 5>they slept together, just because I know, once I figured

1704
01:24:17.000 --> 01:24:19.079
<v Speaker 5>out what Ryan Johnson was trying to do.

1705
01:24:19.600 --> 01:24:24.600
<v Speaker 1>How you know, because they're smoking cigarettes right exactly, Matt

1706
01:24:24.680 --> 01:24:27.399
<v Speaker 1>hears him in he recognizes a cigarette, but the same

1707
01:24:27.520 --> 01:24:30.079
<v Speaker 1>that was thrown from Tug's car earlier in the field,

1708
01:24:30.239 --> 01:24:31.479
<v Speaker 1>right Parliament.

1709
01:24:31.520 --> 01:24:34.319
<v Speaker 5>Do you think that when he sees that and Tug

1710
01:24:34.439 --> 01:24:38.920
<v Speaker 5>on the right, well, yeah, because he figures that out too.

1711
01:24:39.119 --> 01:24:43.199
<v Speaker 5>But is he starting to think, oh, no, she's involved.

1712
01:24:43.720 --> 01:24:46.039
<v Speaker 1>Probably yeah, I mean.

1713
01:24:46.079 --> 01:24:48.640
<v Speaker 5>Because I because I think I think he likes I

1714
01:24:48.720 --> 01:24:49.880
<v Speaker 5>think he likes Laura.

1715
01:24:50.239 --> 01:24:53.439
<v Speaker 1>He wants to trust her. Yeah, he wants to trust

1716
01:24:53.439 --> 01:24:56.039
<v Speaker 1>her for sure, because he knows her, you know, and

1717
01:24:56.199 --> 01:24:57.880
<v Speaker 1>she feels like she knows him. I think, you know,

1718
01:24:57.960 --> 01:24:59.760
<v Speaker 1>how she calls him out. You know, he feels seen

1719
01:24:59.840 --> 01:25:00.600
<v Speaker 1>by I think.

1720
01:25:01.079 --> 01:25:05.000
<v Speaker 4>On a second watch, like all her dialogue just feels

1721
01:25:05.000 --> 01:25:07.319
<v Speaker 4>so two faced, Like you hate her so much on

1722
01:25:07.399 --> 01:25:11.479
<v Speaker 4>the second watch because yeah, yeah, because she she is

1723
01:25:11.640 --> 01:25:15.720
<v Speaker 4>just fucking buttering them up in line and you don't

1724
01:25:15.720 --> 01:25:18.159
<v Speaker 4>get it. You're in the first watch, You're falling in

1725
01:25:18.199 --> 01:25:20.079
<v Speaker 4>love with her too. You're like, yes, please take care

1726
01:25:20.119 --> 01:25:22.359
<v Speaker 4>of this guy. He's fucking on his least. He's on

1727
01:25:22.520 --> 01:25:25.159
<v Speaker 4>his last rope, you know. Uh, And then the second

1728
01:25:25.479 --> 01:25:27.520
<v Speaker 4>the second watch, you just hate her so much.

1729
01:25:28.039 --> 01:25:34.000
<v Speaker 5>Now do you think that Laura has Does she actually

1730
01:25:34.159 --> 01:25:36.319
<v Speaker 5>like Brendan in any capacity?

1731
01:25:36.960 --> 01:25:39.640
<v Speaker 1>I mean, I think so, But I think she's also,

1732
01:25:39.880 --> 01:25:42.960
<v Speaker 1>like Matt said, she's a manipulator and that's what she

1733
01:25:43.079 --> 01:25:47.159
<v Speaker 1>does best. So he's a pawn to her. Yeah, likes him.

1734
01:25:47.680 --> 01:25:52.520
<v Speaker 4>I think she's infatuated with him because she controls everyone

1735
01:25:52.600 --> 01:25:53.439
<v Speaker 4>else so easily.

1736
01:25:53.640 --> 01:25:54.800
<v Speaker 1>But he doesn't fall for it.

1737
01:25:55.039 --> 01:25:56.239
<v Speaker 4>He doesn't fall for it. Yeah.

1738
01:25:56.800 --> 01:25:59.680
<v Speaker 5>Yeah, And I think this goes back to what we've

1739
01:25:59.680 --> 01:26:03.399
<v Speaker 5>been talking about the Maltese Falcon. She's the bridget O'Shaughnessy

1740
01:26:03.520 --> 01:26:07.479
<v Speaker 5>character in that she does love Sam Spade to a

1741
01:26:07.560 --> 01:26:11.439
<v Speaker 5>certain degree, but she's also a manipulator, and Sam doesn't

1742
01:26:11.479 --> 01:26:15.079
<v Speaker 5>fall for the the tactics and he's he's like, hey,

1743
01:26:15.199 --> 01:26:17.720
<v Speaker 5>you know what, if it's not you, I got I

1744
01:26:17.800 --> 01:26:20.800
<v Speaker 5>hope it's not you. But if it is you, then

1745
01:26:21.000 --> 01:26:26.720
<v Speaker 5>uh you know hey, same as double double. Yeah, it

1746
01:26:26.840 --> 01:26:28.840
<v Speaker 5>wants it to be straight down the line, but its

1747
01:26:28.920 --> 01:26:29.840
<v Speaker 5>just not straight.

1748
01:26:29.680 --> 01:26:30.800
<v Speaker 1>Down the line baby.

1749
01:26:32.079 --> 01:26:32.279
<v Speaker 5>Wants.

1750
01:26:32.399 --> 01:26:36.439
<v Speaker 1>Yeah, he does. She's a good fund fatale though. The actress.

1751
01:26:36.479 --> 01:26:40.079
<v Speaker 5>I like her, and she's amazing. She does an amazing job.

1752
01:26:40.319 --> 01:26:41.800
<v Speaker 5>I like what she did.

1753
01:26:42.279 --> 01:26:43.960
<v Speaker 1>Yeah, and our end scene will get to it. But

1754
01:26:44.439 --> 01:26:46.479
<v Speaker 1>I do think that that implies that there's something there,

1755
01:26:46.560 --> 01:26:48.800
<v Speaker 1>there's something unsaid or said, but we don't hear it

1756
01:26:48.960 --> 01:26:52.279
<v Speaker 1>right right, We'll get to that. But she is a

1757
01:26:52.319 --> 01:26:55.600
<v Speaker 1>manipulator though, and she's ultimately a very bad person in

1758
01:26:55.720 --> 01:26:59.119
<v Speaker 1>this story. Honestly, she's complacent in a lot of things.

1759
01:26:59.560 --> 01:27:01.920
<v Speaker 5>Yeah, and in a weird way. Not only is she

1760
01:27:02.560 --> 01:27:06.279
<v Speaker 5>she's she's actually manipulating the she's the real bad boss

1761
01:27:06.520 --> 01:27:10.439
<v Speaker 5>of the of the film because she's manipulating everyone the

1762
01:27:10.640 --> 01:27:12.000
<v Speaker 5>pin tug.

1763
01:27:13.439 --> 01:27:15.399
<v Speaker 1>Cigarette puff, Yeah, exactly.

1764
01:27:15.600 --> 01:27:17.680
<v Speaker 5>And she was the one that's been fucking around with

1765
01:27:17.720 --> 01:27:20.880
<v Speaker 5>the bricks in the end, and really, and she's trying

1766
01:27:20.920 --> 01:27:23.439
<v Speaker 5>to set up this war and to cover her own ass.

1767
01:27:23.720 --> 01:27:26.680
<v Speaker 5>She's going to set up everyone to kill everyone, kill everyone.

1768
01:27:26.840 --> 01:27:28.720
<v Speaker 5>You know, it's but she's not.

1769
01:27:29.239 --> 01:27:31.119
<v Speaker 1>Emily was just damage, right.

1770
01:27:32.079 --> 01:27:35.720
<v Speaker 5>She So she was able to use Emily because she

1771
01:27:35.960 --> 01:27:39.319
<v Speaker 5>had gone to her for help, and so oh she

1772
01:27:39.520 --> 01:27:42.640
<v Speaker 5>wants in, and I can use her as a as

1773
01:27:42.680 --> 01:27:47.840
<v Speaker 5>a pawn to keep my distance yet continue to enact

1774
01:27:47.920 --> 01:27:48.359
<v Speaker 5>my plan.

1775
01:27:48.720 --> 01:27:51.640
<v Speaker 1>And I'm not because that one guy died, so he's in.

1776
01:27:52.199 --> 01:27:56.800
<v Speaker 4>Yeah, that's Laura. Laura was cutting, cutting the bricks and

1777
01:27:56.920 --> 01:28:00.680
<v Speaker 4>take stealing profit and she was she wasn't gonna get

1778
01:28:00.720 --> 01:28:03.439
<v Speaker 4>caught until that guy got put in a coma because

1779
01:28:03.479 --> 01:28:06.560
<v Speaker 4>she cut it two mons. And now now she's all

1780
01:28:06.680 --> 01:28:09.159
<v Speaker 4>this is just her trying to cover her ass's scrambling.

1781
01:28:09.279 --> 01:28:09.439
<v Speaker 1>Yeah.

1782
01:28:09.600 --> 01:28:12.399
<v Speaker 5>Yeah, she almost gets away with it too, which is crazy, Like.

1783
01:28:12.479 --> 01:28:13.159
<v Speaker 1>So she's.

1784
01:28:14.600 --> 01:28:15.840
<v Speaker 4>Cut it a little less.

1785
01:28:17.800 --> 01:28:20.640
<v Speaker 1>She got too greedy, she did, which often is what happens.

1786
01:28:20.680 --> 01:28:22.960
<v Speaker 1>That's the case almost all the time with these stories.

1787
01:28:23.560 --> 01:28:27.680
<v Speaker 1>But after that, yeah, there's a meet up right between

1788
01:28:27.760 --> 01:28:30.319
<v Speaker 1>Tug and his guys and the Pin and his men,

1789
01:28:30.760 --> 01:28:32.760
<v Speaker 1>and Tug's in all white and the pens in black.

1790
01:28:33.119 --> 01:28:35.199
<v Speaker 1>You got the white and black almost like a chessboard.

1791
01:28:35.279 --> 01:28:38.920
<v Speaker 5>Maybe yo, I never thought of that, but that is

1792
01:28:39.119 --> 01:28:42.600
<v Speaker 5>exactly what they I'm sure that he was thinking, Uh, yeah,

1793
01:28:42.680 --> 01:28:44.479
<v Speaker 5>you have the goss and the Dursts.

1794
01:28:44.880 --> 01:28:51.600
<v Speaker 1>You know, it's you got Marilynd Manton and yeah, gots

1795
01:28:51.680 --> 01:28:52.560
<v Speaker 1>and alternatives.

1796
01:28:53.880 --> 01:28:57.720
<v Speaker 4>And Brendan's really breaking his back to get these guys

1797
01:28:57.840 --> 01:29:02.680
<v Speaker 4>not to go to war. Yeah, they're both just their egos.

1798
01:29:02.399 --> 01:29:05.319
<v Speaker 1>Are so big and he doesn't like them either, but he's.

1799
01:29:07.239 --> 01:29:08.720
<v Speaker 4>So he's covering his own ass.

1800
01:29:09.279 --> 01:29:13.279
<v Speaker 5>Here's another question I have. What was Brendan trying to

1801
01:29:14.560 --> 01:29:17.319
<v Speaker 5>keep the piece just for as long as he could

1802
01:29:17.399 --> 01:29:20.119
<v Speaker 5>to figure out what was going on before everyone kills

1803
01:29:20.159 --> 01:29:24.159
<v Speaker 5>everybody kills each other maybe or or was it like

1804
01:29:24.439 --> 01:29:27.840
<v Speaker 5>he was he knew what was gonna happen. After he's

1805
01:29:27.960 --> 01:29:30.600
<v Speaker 5>he started to figure things out, and it's like I'm

1806
01:29:30.600 --> 01:29:33.960
<v Speaker 5>gonna I'm gonna cut the knees out from under.

1807
01:29:34.000 --> 01:29:37.439
<v Speaker 1>Whoever, because he takes advantage of the situation. Maybe when

1808
01:29:37.439 --> 01:29:38.560
<v Speaker 1>he sets up.

1809
01:29:38.520 --> 01:29:41.960
<v Speaker 4>A plan to get them arrested. He puts Emily's Bobby

1810
01:29:42.399 --> 01:29:44.000
<v Speaker 4>in the back of the trunk.

1811
01:29:43.920 --> 01:29:48.720
<v Speaker 5>And the I think the bad brick as well is

1812
01:29:48.880 --> 01:29:52.880
<v Speaker 5>in the trunk to the missing brick is in the trunk.

1813
01:29:53.119 --> 01:29:54.720
<v Speaker 1>And so all the pieces are there.

1814
01:29:56.199 --> 01:29:59.880
<v Speaker 4>His plan because she calls the cops like ten minutes

1815
01:30:00.000 --> 01:30:02.039
<v Speaker 4>before Brain was supposed to call the cops.

1816
01:30:02.600 --> 01:30:06.720
<v Speaker 5>Yes, yeah, and that's when he because he knew the

1817
01:30:07.119 --> 01:30:09.840
<v Speaker 5>timeline that he had set up, and when that got

1818
01:30:09.920 --> 01:30:12.199
<v Speaker 5>fucked up, he knew the brain Brain didn't do it,

1819
01:30:12.439 --> 01:30:15.640
<v Speaker 5>and so it had to be the piece that he

1820
01:30:15.680 --> 01:30:17.840
<v Speaker 5>couldn't figure out, and that was that was Lauren.

1821
01:30:17.840 --> 01:30:20.000
<v Speaker 1>And at this point that they're discussing the last brick

1822
01:30:20.119 --> 01:30:22.520
<v Speaker 1>at this meeting, and it's implied, the tensions arising that

1823
01:30:22.560 --> 01:30:24.960
<v Speaker 1>it's implied the Tug is behind all of it, most

1824
01:30:25.000 --> 01:30:28.079
<v Speaker 1>of it, killing Emily Dode and stealing the brick and

1825
01:30:28.159 --> 01:30:34.319
<v Speaker 1>cutting it, and Penn wants a dougsproved, and Emily stole

1826
01:30:34.399 --> 01:30:38.800
<v Speaker 1>it that night, so Britna is bringing the someone the

1827
01:30:38.920 --> 01:30:40.199
<v Speaker 1>bad brick is coming back.

1828
01:30:40.640 --> 01:30:43.319
<v Speaker 4>Another brick just got stolen and she puts it in

1829
01:30:43.439 --> 01:30:45.119
<v Speaker 4>her locker like a dumbass.

1830
01:30:46.399 --> 01:30:50.720
<v Speaker 1>So Penn wants Tug to He wants him to dose

1831
01:30:50.800 --> 01:30:53.439
<v Speaker 1>himself with the drugs if he's going to prove that

1832
01:30:53.600 --> 01:30:57.079
<v Speaker 1>that that he didn't fuck with the dosage, you know, uh,

1833
01:30:57.640 --> 01:31:00.760
<v Speaker 1>if he's not behind it at all. And then Brendan

1834
01:31:00.840 --> 01:31:04.439
<v Speaker 1>drops the gud and high tails it out of there, right. Yeah,

1835
01:31:04.560 --> 01:31:05.880
<v Speaker 1>after the shootout happened.

1836
01:31:06.239 --> 01:31:11.319
<v Speaker 4>Mm HMMs to take it, take the drugs to prove

1837
01:31:11.359 --> 01:31:12.159
<v Speaker 4>that they're not cut.

1838
01:31:12.640 --> 01:31:15.520
<v Speaker 1>Yeah, and there's a commotion downstairs all of a sudden during.

1839
01:31:15.359 --> 01:31:17.479
<v Speaker 4>That moment upstairs, Yeah, yeah, they.

1840
01:31:18.840 --> 01:31:21.720
<v Speaker 1>Upstairs, that's right there in the the gun.

1841
01:31:21.640 --> 01:31:24.319
<v Speaker 4>Goes off through the through the ceiling, and I I

1842
01:31:24.560 --> 01:31:27.039
<v Speaker 4>originally I thought, oh, he someone just died, you know.

1843
01:31:28.880 --> 01:31:32.279
<v Speaker 5>Yeah. My thing was like, so, why why was there

1844
01:31:32.399 --> 01:31:36.720
<v Speaker 5>that commotion in the hallway already? Is because.

1845
01:31:38.960 --> 01:31:42.159
<v Speaker 4>Yeah, she stole the brick and they found out the brick.

1846
01:31:42.119 --> 01:31:44.560
<v Speaker 5>Was gone, and then and so they were blaming the

1847
01:31:44.960 --> 01:31:49.199
<v Speaker 5>the Durst and and that's when all help broke loose

1848
01:31:49.279 --> 01:31:53.640
<v Speaker 5>outside and that's where Tug and the Pin were just

1849
01:31:53.800 --> 01:31:56.760
<v Speaker 5>like they fuck this, and they get into a fight.

1850
01:31:56.640 --> 01:32:00.760
<v Speaker 4>And they immediately start blaming each other like yeah, Pins like, oh,

1851
01:32:00.840 --> 01:32:04.039
<v Speaker 4>you're only bring all your dudes here to steal my ship,

1852
01:32:04.479 --> 01:32:07.640
<v Speaker 4>and and it Pins like, oh, you only want to

1853
01:32:07.640 --> 01:32:10.560
<v Speaker 4>see the frameless and you know, get rid of it.

1854
01:32:11.119 --> 01:32:14.560
<v Speaker 1>Tug pulls his piece, but Brandan grabs it as Tug

1855
01:32:14.600 --> 01:32:16.479
<v Speaker 1>begins to beat Penn to death.

1856
01:32:16.600 --> 01:32:20.239
<v Speaker 4>With him for help, and Brendan just fine and didn't

1857
01:32:20.239 --> 01:32:20.600
<v Speaker 4>help me.

1858
01:32:21.319 --> 01:32:24.439
<v Speaker 5>Yeah, I kind of feel bad. I kind of feel

1859
01:32:24.479 --> 01:32:27.039
<v Speaker 5>bad for Pin here a little bit because.

1860
01:32:26.760 --> 01:32:27.960
<v Speaker 1>At the end of the day is a fucking high

1861
01:32:27.960 --> 01:32:34.199
<v Speaker 1>school kid. Well actually, actually no, but yeah, I like

1862
01:32:34.279 --> 01:32:36.000
<v Speaker 1>it because he's you know, he kind of sucks.

1863
01:32:36.279 --> 01:32:38.960
<v Speaker 4>So well, they both like I was kind of hoping

1864
01:32:39.159 --> 01:32:42.479
<v Speaker 4>like and would go off and they would both be well,

1865
01:32:42.520 --> 01:32:43.720
<v Speaker 4>that's that's the thing.

1866
01:32:43.880 --> 01:32:47.039
<v Speaker 5>So Brendan had escaped with the gun, and he keeps

1867
01:32:47.079 --> 01:32:50.279
<v Speaker 5>hearing the cries for help and here's the sirens, and

1868
01:32:50.439 --> 01:32:53.560
<v Speaker 5>he drops the gun and he kicks it back into

1869
01:32:53.640 --> 01:32:58.760
<v Speaker 5>the room, knowing that like they're one is smart, so

1870
01:32:58.840 --> 01:33:01.119
<v Speaker 5>he doesn't have the gun on him. But he's like, well,

1871
01:33:01.159 --> 01:33:03.000
<v Speaker 5>they're gonna take one of them, is gonna take one

1872
01:33:03.039 --> 01:33:05.720
<v Speaker 5>of the other ones out, So they're.

1873
01:33:05.560 --> 01:33:07.920
<v Speaker 1>Never even gonna look for his prints. They're gonna assume

1874
01:33:07.920 --> 01:33:10.039
<v Speaker 1>that gun belongs to whoever's in that room, and that's it.

1875
01:33:10.359 --> 01:33:12.319
<v Speaker 1>If he gets out of it, yep, bingo.

1876
01:33:13.920 --> 01:33:17.279
<v Speaker 4>And then Tug Tug ends up killing Pin and then

1877
01:33:17.319 --> 01:33:18.880
<v Speaker 4>the cops Yeah, killing Tug.

1878
01:33:19.479 --> 01:33:21.640
<v Speaker 5>Yeah, because he tried to shoot him shoot his way

1879
01:33:21.640 --> 01:33:22.079
<v Speaker 5>out and.

1880
01:33:23.680 --> 01:33:24.720
<v Speaker 1>From the body, you.

1881
01:33:24.800 --> 01:33:26.000
<v Speaker 4>Only got five bullet flip.

1882
01:33:27.000 --> 01:33:31.640
<v Speaker 5>Yeah, yeah, five shots or six shots are only.

1883
01:33:31.560 --> 01:33:35.560
<v Speaker 1>Five magnum clean off.

1884
01:33:38.119 --> 01:33:38.600
<v Speaker 4>Magnum.

1885
01:33:39.880 --> 01:33:43.920
<v Speaker 1>But yeah, after that, Brennan he escapes and he meets

1886
01:33:44.039 --> 01:33:45.800
<v Speaker 1>up with Lower one.

1887
01:33:45.760 --> 01:33:49.600
<v Speaker 4>Last time, and she does some really good in the scene.

1888
01:33:50.079 --> 01:33:54.920
<v Speaker 1>Yeah, she plays this fatale or uh you know this female.

1889
01:33:55.199 --> 01:33:57.800
<v Speaker 5>This final scene is amazing.

1890
01:33:58.199 --> 01:34:00.760
<v Speaker 4>It is her best scene in the movie.

1891
01:34:01.199 --> 01:34:05.159
<v Speaker 5>Oh absolutely. And Brennan has everything figured out at this

1892
01:34:05.239 --> 01:34:10.600
<v Speaker 5>point because she had told him don't go, meaning that

1893
01:34:10.960 --> 01:34:14.199
<v Speaker 5>she had something planned, but she because she had some

1894
01:34:14.439 --> 01:34:16.920
<v Speaker 5>sort of feelings for him, she didn't want to see

1895
01:34:17.000 --> 01:34:21.399
<v Speaker 5>him get hurt in this situation. Obviously, Brennan goes and

1896
01:34:21.560 --> 01:34:24.800
<v Speaker 5>he does what he does, knowing that the timeline got

1897
01:34:24.840 --> 01:34:26.880
<v Speaker 5>fucked up. He's like, well, the only missing piece in

1898
01:34:26.960 --> 01:34:31.399
<v Speaker 5>this in this puzzle is Laura, And he finally puts

1899
01:34:31.399 --> 01:34:34.039
<v Speaker 5>all the puzzle peek in together and now.

1900
01:34:35.279 --> 01:34:38.520
<v Speaker 4>They're back on the football field, which is like, this

1901
01:34:38.720 --> 01:34:40.840
<v Speaker 4>is the spot where all the truth comes out in

1902
01:34:40.920 --> 01:34:41.359
<v Speaker 4>this movie.

1903
01:34:41.399 --> 01:34:42.720
<v Speaker 1>He breaks it down slow for her.

1904
01:34:43.199 --> 01:34:45.239
<v Speaker 5>Well, that seems that, yeah, you're right that this is

1905
01:34:45.520 --> 01:34:49.720
<v Speaker 5>the uh every moment. Yeah, there's a lot of moments

1906
01:34:49.720 --> 01:34:52.239
<v Speaker 5>of truth at the football field. Yeah, you're right, Matt

1907
01:34:52.399 --> 01:34:59.720
<v Speaker 5>and yeah, so they uh, he's like he breaks it

1908
01:34:59.800 --> 01:35:04.680
<v Speaker 5>all down, it's like uh and is telling her like, hey,

1909
01:35:04.960 --> 01:35:09.119
<v Speaker 5>well here, I wasn't there and it's like oh thank god.

1910
01:35:09.319 --> 01:35:11.720
<v Speaker 5>And you know, it's like what and he asked her,

1911
01:35:11.800 --> 01:35:14.560
<v Speaker 5>like what happens? Well, it's so he gets the skinny

1912
01:35:14.600 --> 01:35:17.479
<v Speaker 5>on exactly what happens, and he knows that his name

1913
01:35:17.560 --> 01:35:21.920
<v Speaker 5>is no nowhere near the situation. And that's when he's like, okay,

1914
01:35:22.039 --> 01:35:26.399
<v Speaker 5>good because he had already set up where the vice

1915
01:35:26.479 --> 01:35:31.159
<v Speaker 5>principal character played by Richard Browntree, he gets the tip

1916
01:35:31.239 --> 01:35:33.800
<v Speaker 5>of like the drugs are going to be in this locker.

1917
01:35:34.399 --> 01:35:37.680
<v Speaker 4>Yeah, and he I think he's really sincere when he's like,

1918
01:35:37.800 --> 01:35:40.680
<v Speaker 4>I hope I'm wrong. I hope the drugs aren't in

1919
01:35:40.800 --> 01:35:44.359
<v Speaker 4>your locker, but we both know that they are. Like yeah,

1920
01:35:45.159 --> 01:35:47.359
<v Speaker 4>like you know, you feel like you feel bad for

1921
01:35:47.479 --> 01:35:51.800
<v Speaker 4>him because he's basically he fell in love his girlfriend,

1922
01:35:52.520 --> 01:35:55.560
<v Speaker 4>his girl died, he's falling in love again, and now

1923
01:35:55.600 --> 01:35:57.800
<v Speaker 4>he's he's about to lose this girl too. Like it's

1924
01:35:57.840 --> 01:35:59.479
<v Speaker 4>been a rough two months.

1925
01:35:59.760 --> 01:36:03.359
<v Speaker 1>You know, that's why he doesn't trust he probably never

1926
01:36:03.439 --> 01:36:03.920
<v Speaker 1>will again.

1927
01:36:04.399 --> 01:36:04.600
<v Speaker 5>Yeah.

1928
01:36:07.119 --> 01:36:07.319
<v Speaker 4>Yeah.

1929
01:36:07.359 --> 01:36:10.279
<v Speaker 5>Plus he's already an outcast for being a snitch too.

1930
01:36:10.920 --> 01:36:11.279
<v Speaker 1>Mm hmm.

1931
01:36:12.159 --> 01:36:14.880
<v Speaker 4>That's that no one knows that yet, and that's I

1932
01:36:14.960 --> 01:36:17.119
<v Speaker 4>think that's the main reason he's it's not the main

1933
01:36:18.479 --> 01:36:21.359
<v Speaker 4>it's one of the reasons he's turning her in is

1934
01:36:21.399 --> 01:36:27.359
<v Speaker 4>because VP said he needed someone Escapeoat. Yeah, she's all

1935
01:36:27.399 --> 01:36:30.720
<v Speaker 4>he has left and he probably thinks she deserves it too,

1936
01:36:31.199 --> 01:36:32.479
<v Speaker 4>after what she did to him.

1937
01:36:33.000 --> 01:36:38.479
<v Speaker 5>Yeah, well, Tug is when Tug even though Tug yes

1938
01:36:38.760 --> 01:36:41.920
<v Speaker 5>is the one responsible for killing Emily, he's not the

1939
01:36:42.000 --> 01:36:45.119
<v Speaker 5>one that put her behind the gun. That's what Laura did.

1940
01:36:45.840 --> 01:36:46.720
<v Speaker 1>And that's what like.

1941
01:36:46.800 --> 01:36:50.760
<v Speaker 5>He's like, you are responsible ultimately, and you're responsible for

1942
01:36:50.920 --> 01:36:54.159
<v Speaker 5>all the deaths that happened that night, and it's only

1943
01:36:54.359 --> 01:36:57.920
<v Speaker 5>just a sheer luck and my my wit that got

1944
01:36:58.000 --> 01:36:59.079
<v Speaker 5>me out of that situation.

1945
01:37:00.720 --> 01:37:03.520
<v Speaker 4>And she does some great acting where you can tell

1946
01:37:03.640 --> 01:37:06.319
<v Speaker 4>she knows, but she doesn't want to face that truth

1947
01:37:06.760 --> 01:37:10.319
<v Speaker 4>and she's really yeah, yeah, he doesn't want to feel

1948
01:37:10.319 --> 01:37:12.359
<v Speaker 4>what she's responsible because.

1949
01:37:12.079 --> 01:37:14.000
<v Speaker 5>You can see, like when he breaks it all down,

1950
01:37:14.239 --> 01:37:18.399
<v Speaker 5>you can just see the fuck on her face.

1951
01:37:19.760 --> 01:37:21.399
<v Speaker 1>And he tells her too, that he left a note

1952
01:37:21.520 --> 01:37:25.680
<v Speaker 1>with Truman of the truth, right, So that's she begs

1953
01:37:25.760 --> 01:37:26.359
<v Speaker 1>him not to do it.

1954
01:37:29.800 --> 01:37:31.560
<v Speaker 4>It's such a great line. She's begging him not to

1955
01:37:31.600 --> 01:37:33.399
<v Speaker 4>go do it. He's like, I already did it. I

1956
01:37:33.760 --> 01:37:34.439
<v Speaker 4>just came from the.

1957
01:37:36.079 --> 01:37:36.319
<v Speaker 5>Baby.

1958
01:37:36.760 --> 01:37:38.800
<v Speaker 4>You can't talk me out of it, which is you

1959
01:37:38.880 --> 01:37:41.199
<v Speaker 4>know her go Yeah.

1960
01:37:41.680 --> 01:37:45.520
<v Speaker 1>She recalls the baby was three months old, right, making

1961
01:37:45.600 --> 01:37:45.920
<v Speaker 1>it right.

1962
01:37:47.079 --> 01:37:49.359
<v Speaker 5>Yeah, she was starting the show already. Yeah.

1963
01:37:49.439 --> 01:37:51.359
<v Speaker 1>Well, now that's a hard blow. I feel like that's

1964
01:37:51.359 --> 01:37:55.479
<v Speaker 1>where he's it's solidifi he call that much.

1965
01:37:55.600 --> 01:38:00.359
<v Speaker 5>But here's another question too. Okay, so we now have

1966
01:38:00.479 --> 01:38:05.039
<v Speaker 5>this final information that she was three months pregnant. Was

1967
01:38:05.239 --> 01:38:10.119
<v Speaker 5>Emily sleeping with tug and Doade because she didn't she

1968
01:38:10.239 --> 01:38:12.920
<v Speaker 5>knew that she was pregnant, but she didn't want it

1969
01:38:13.000 --> 01:38:15.960
<v Speaker 5>to be Brendan's baby. She wanted to be one of

1970
01:38:16.039 --> 01:38:16.840
<v Speaker 5>these other guys.

1971
01:38:17.479 --> 01:38:22.199
<v Speaker 4>I mean, it's that's feasible, but making them think that

1972
01:38:22.439 --> 01:38:26.399
<v Speaker 4>it was their kid, especially if she wants if she

1973
01:38:26.560 --> 01:38:29.399
<v Speaker 4>knows Brennan's bad for her and doesn't want to be

1974
01:38:29.520 --> 01:38:33.199
<v Speaker 4>with him, Uh yeah, like she would kind of have

1975
01:38:33.479 --> 01:38:36.840
<v Speaker 4>to sleep with someone else or he's gonna know it's

1976
01:38:36.880 --> 01:38:39.439
<v Speaker 4>his baby and he's going to be in her life

1977
01:38:39.760 --> 01:38:41.560
<v Speaker 4>for the next you know, two decades.

1978
01:38:41.920 --> 01:38:45.159
<v Speaker 5>That's a good point, Yeah, because it's like, because Emily

1979
01:38:45.279 --> 01:38:48.960
<v Speaker 5>doesn't she. We're always talking about how innocent she is

1980
01:38:49.399 --> 01:38:51.880
<v Speaker 5>in this whole situation, and obviously she was with Brendan,

1981
01:38:51.920 --> 01:38:54.000
<v Speaker 5>who was bad for her. They were bad for each other,

1982
01:38:54.960 --> 01:38:57.119
<v Speaker 5>and she finds out that she's pregnant. It's like, fuck,

1983
01:38:57.199 --> 01:38:59.800
<v Speaker 5>I do not I don't want Brendan in my life.

1984
01:39:00.159 --> 01:39:02.439
<v Speaker 5>So she sleeps with some other people that are maybe

1985
01:39:02.520 --> 01:39:05.720
<v Speaker 5>not good for her either, but maybe better for her

1986
01:39:05.840 --> 01:39:09.319
<v Speaker 5>than Brendan. Doad, clearly, I think would have been maybe

1987
01:39:09.359 --> 01:39:13.359
<v Speaker 5>a better situation because Doad seemed like he really cared

1988
01:39:13.359 --> 01:39:16.199
<v Speaker 5>about Emily and he wanted to be a good father

1989
01:39:16.479 --> 01:39:18.840
<v Speaker 5>to the baby, and he actually thought it was his.

1990
01:39:19.920 --> 01:39:24.359
<v Speaker 5>So I don't know what what would have happened, but yeah,

1991
01:39:24.399 --> 01:39:27.399
<v Speaker 5>I think I was. I was curious about what Emily's

1992
01:39:27.439 --> 01:39:29.920
<v Speaker 5>thoughts were in this situation. And this goes back to

1993
01:39:30.039 --> 01:39:33.520
<v Speaker 5>my point earlier in our discussion, is that Emily's in

1994
01:39:33.600 --> 01:39:36.840
<v Speaker 5>the film for five minutes, but she has such a

1995
01:39:36.960 --> 01:39:40.000
<v Speaker 5>lasting impact on the whole story. I mean, this is

1996
01:39:40.079 --> 01:39:43.239
<v Speaker 5>really Emily's story. We're just seeing it through like the

1997
01:39:43.319 --> 01:39:44.800
<v Speaker 5>eyes of all these other characters.

1998
01:39:45.439 --> 01:39:45.640
<v Speaker 1>Yeah.

1999
01:39:46.039 --> 01:39:48.880
<v Speaker 4>I don't think Laura was gonna tell him, but now

2000
01:39:49.079 --> 01:39:50.840
<v Speaker 4>after he after now that she.

2001
01:39:53.039 --> 01:39:54.399
<v Speaker 1>Was her last move.

2002
01:39:54.840 --> 01:39:58.479
<v Speaker 4>Yeah, well fuck you like that. That's what this is,

2003
01:39:59.079 --> 01:40:01.159
<v Speaker 4>is the last book before she goes to the jail.

2004
01:40:02.079 --> 01:40:06.279
<v Speaker 1>Yeah, that's her last move on the chest board, you

2005
01:40:06.319 --> 01:40:09.159
<v Speaker 1>know what I mean? Yeah? Yeah, and then uh, what's

2006
01:40:09.199 --> 01:40:10.119
<v Speaker 1>that hold on?

2007
01:40:10.479 --> 01:40:10.600
<v Speaker 5>Uh?

2008
01:40:11.479 --> 01:40:14.319
<v Speaker 1>He that's when she whispers something in his ear right,

2009
01:40:14.720 --> 01:40:17.800
<v Speaker 1>and we never hear I think what it was. She says, mother,

2010
01:40:18.279 --> 01:40:20.680
<v Speaker 1>and then it's just it's like, you think, so, do

2011
01:40:20.720 --> 01:40:22.319
<v Speaker 1>you think he really did say a bad word?

2012
01:40:23.079 --> 01:40:23.319
<v Speaker 4>Yeah?

2013
01:40:23.479 --> 01:40:27.479
<v Speaker 1>I think more than it was and really wasn't okay

2014
01:40:27.520 --> 01:40:30.760
<v Speaker 1>because Brain shows up and he's like they closed the case,

2015
01:40:30.800 --> 01:40:32.880
<v Speaker 1>and Brain asked him, like, what she whisper in your ear?

2016
01:40:32.960 --> 01:40:37.319
<v Speaker 5>And he said yeah, because I don't know if Yeah,

2017
01:40:37.399 --> 01:40:39.880
<v Speaker 5>I caught I watched this with the subtitles on, so

2018
01:40:40.079 --> 01:40:41.800
<v Speaker 5>he kind of catched some of the language that they

2019
01:40:41.840 --> 01:40:45.119
<v Speaker 5>were using in the film with all the kind of.

2020
01:40:47.359 --> 01:40:48.960
<v Speaker 1>To make you think that that's what she says, but

2021
01:40:49.079 --> 01:40:50.840
<v Speaker 1>in the actual story she says something more.

2022
01:40:51.359 --> 01:40:53.560
<v Speaker 5>Hey, that's a good that's a great question. And so

2023
01:40:53.640 --> 01:40:57.439
<v Speaker 5>I don't know if this was something that was released

2024
01:40:58.079 --> 01:41:01.079
<v Speaker 5>with the subtitles or if it was that was something

2025
01:41:01.159 --> 01:41:03.760
<v Speaker 5>that was added, But we don't actually really know what

2026
01:41:04.000 --> 01:41:06.680
<v Speaker 5>was said similar to like there will be blood when

2027
01:41:06.720 --> 01:41:11.000
<v Speaker 5>there's that Daniel day Lewis's Daniel Plainview is whispering to

2028
01:41:12.319 --> 01:41:16.319
<v Speaker 5>Paul Daniel's character, because we never hear that, So I'm

2029
01:41:16.359 --> 01:41:18.000
<v Speaker 5>wondering if it was supposed to be kind of a

2030
01:41:18.079 --> 01:41:19.239
<v Speaker 5>similar situation there.

2031
01:41:19.800 --> 01:41:23.000
<v Speaker 4>Yeah, and then I uh, he tells Brain to go

2032
01:41:23.079 --> 01:41:23.760
<v Speaker 4>home and go to bed.

2033
01:41:25.039 --> 01:41:28.079
<v Speaker 1>Yeah yeah, she told me a already word and he

2034
01:41:28.159 --> 01:41:32.760
<v Speaker 1>protects her yeah way.

2035
01:41:32.319 --> 01:41:36.600
<v Speaker 5>Yeah, and so in some weird way, Yeah, in some

2036
01:41:36.720 --> 01:41:39.439
<v Speaker 5>weird way, I think it was kind of a cool

2037
01:41:39.720 --> 01:41:41.399
<v Speaker 5>his way of caring for Laura.

2038
01:41:41.600 --> 01:41:41.760
<v Speaker 4>Yeah.

2039
01:41:41.960 --> 01:41:43.960
<v Speaker 5>Well, it's a very the War ending. I like it

2040
01:41:44.560 --> 01:41:47.880
<v Speaker 5>leaves it very open ended. What happens to Brendan, what

2041
01:41:48.079 --> 01:41:51.560
<v Speaker 5>happens to the school, what happens to the whole this whole.

2042
01:41:51.399 --> 01:41:54.680
<v Speaker 4>Thing they showed them. They show the teachers opening the

2043
01:41:54.800 --> 01:41:58.640
<v Speaker 4>locker and finding the brick. So yeah, he's busted. I

2044
01:41:58.720 --> 01:41:59.960
<v Speaker 4>mean like she they don't.

2045
01:42:00.520 --> 01:42:02.840
<v Speaker 1>He gives her a head start in a way, but yeah,

2046
01:42:03.359 --> 01:42:05.760
<v Speaker 1>much like it reminds me of the Batman, you know,

2047
01:42:05.920 --> 01:42:07.920
<v Speaker 1>Catwoman goes her way and right.

2048
01:42:08.239 --> 01:42:10.600
<v Speaker 5>Yeah, yeah, that's a great point.

2049
01:42:11.159 --> 01:42:15.600
<v Speaker 1>Also a great no war film, absolutely, Yeah, But yeah,

2050
01:42:15.640 --> 01:42:19.119
<v Speaker 1>I like this end a good bit honestly on the

2051
01:42:19.159 --> 01:42:22.720
<v Speaker 1>second try, I think it it makes a film because

2052
01:42:22.720 --> 01:42:24.520
<v Speaker 1>there's moments that way. The film to me is a

2053
01:42:24.560 --> 01:42:27.279
<v Speaker 1>little like in between. And I think the ending, at least,

2054
01:42:27.319 --> 01:42:29.560
<v Speaker 1>say nail Nailing the ending, I think is important, you know,

2055
01:42:29.920 --> 01:42:32.079
<v Speaker 1>in a way tying it all up at least some

2056
01:42:32.199 --> 01:42:34.199
<v Speaker 1>of the loose ends, not all of them, because I

2057
01:42:34.279 --> 01:42:36.760
<v Speaker 1>think the ambiguity of some of it is interesting.

2058
01:42:37.199 --> 01:42:40.479
<v Speaker 5>Yeah, And I know Ryan Johnson there, like I said,

2059
01:42:40.479 --> 01:42:44.079
<v Speaker 5>there are several deleted scenes, and he like the cut.

2060
01:42:44.199 --> 01:42:47.840
<v Speaker 5>The original cut of the movie was much longer, and

2061
01:42:48.399 --> 01:42:51.039
<v Speaker 5>he felt that it kind of gave away too much

2062
01:42:51.239 --> 01:42:53.359
<v Speaker 5>or it was too long in places, so he cut

2063
01:42:53.600 --> 01:42:56.840
<v Speaker 5>a bunch of stuff out or even changed certain scenes

2064
01:42:57.359 --> 01:43:00.560
<v Speaker 5>to make it a little bit more ambiguous. And you're like,

2065
01:43:00.920 --> 01:43:03.479
<v Speaker 5>what's going on there? And I think it for the

2066
01:43:03.560 --> 01:43:06.640
<v Speaker 5>most part, I think his edits worked in the film.

2067
01:43:08.039 --> 01:43:10.520
<v Speaker 5>And I said, I like this ending. I think it

2068
01:43:10.600 --> 01:43:15.119
<v Speaker 5>works really well and does paid a huge tribute to

2069
01:43:15.279 --> 01:43:17.039
<v Speaker 5>the old noir films of the past.

2070
01:43:18.399 --> 01:43:20.720
<v Speaker 1>But yeah, I guess that Bo sums it up so

2071
01:43:21.359 --> 01:43:21.960
<v Speaker 1>for Brick.

2072
01:43:22.199 --> 01:43:25.239
<v Speaker 5>Yeah, So the film was shot in twenty days. It

2073
01:43:25.359 --> 01:43:28.399
<v Speaker 5>debuted at the Sundance Film Festival on January twenty first

2074
01:43:28.439 --> 01:43:31.279
<v Speaker 5>of two thousand and five, and Johnson worked to keep

2075
01:43:31.359 --> 01:43:34.399
<v Speaker 5>himself in the film in a low profile to lower

2076
01:43:34.479 --> 01:43:38.359
<v Speaker 5>the expectations, which was a gamble that paid off in

2077
01:43:38.479 --> 01:43:42.720
<v Speaker 5>his film winning the Jury Award for originally a Vision

2078
01:43:42.880 --> 01:43:45.560
<v Speaker 5>for a Drama Prize, as well as the film being

2079
01:43:45.640 --> 01:43:50.520
<v Speaker 5>picked up by Focus Features to distribute theatrically. Focus Features

2080
01:43:50.560 --> 01:43:53.760
<v Speaker 5>gave it a limited release, with the film debuting on

2081
01:43:54.000 --> 01:43:56.640
<v Speaker 5>April seventh, two thousand and six, in the United States,

2082
01:43:57.159 --> 01:44:00.079
<v Speaker 5>and despite it only being shown in select theaters, the

2083
01:44:00.159 --> 01:44:03.239
<v Speaker 5>film was a giant financial success, making four million dollars

2084
01:44:03.399 --> 01:44:05.800
<v Speaker 5>off of that four hundred and fifty thousand dollars budget

2085
01:44:06.039 --> 01:44:09.119
<v Speaker 5>we discussed in our pre production. The film has since

2086
01:44:09.199 --> 01:44:12.680
<v Speaker 5>gained cult status and his launched Ryan Johnson into a

2087
01:44:12.920 --> 01:44:15.960
<v Speaker 5>very successful career that he has today. But yeah, why

2088
01:44:15.960 --> 01:44:19.039
<v Speaker 5>do you give us the breakdown our rating system? Heyderberg?

2089
01:44:19.159 --> 01:44:21.279
<v Speaker 5>And why do you give us your final thoughts on Brick?

2090
01:44:22.159 --> 01:44:23.479
<v Speaker 1>All right? You want me to break it down?

2091
01:44:24.079 --> 01:44:26.159
<v Speaker 5>Yeah, break it down, baby, block it down.

2092
01:44:28.760 --> 01:44:34.159
<v Speaker 1>I'm gonna spin it for you real quick. Here some pros.

2093
01:44:34.840 --> 01:44:37.359
<v Speaker 1>I really liked the film score, and I like that

2094
01:44:37.600 --> 01:44:41.079
<v Speaker 1>rattle that like played throughout with the acoustic guitar, like

2095
01:44:41.520 --> 01:44:45.800
<v Speaker 1>it just has the thing. Yeah, it's no oorish, it's different,

2096
01:44:47.119 --> 01:44:50.760
<v Speaker 1>and I like the atmosphere too, Like I think for

2097
01:44:50.840 --> 01:44:54.119
<v Speaker 1>the most part they achieve of something really cool. I

2098
01:44:54.199 --> 01:44:56.720
<v Speaker 1>think it's a bitter sweet love tale in a way,

2099
01:44:57.119 --> 01:45:00.640
<v Speaker 1>not your it's not your regular life tale. Like he's

2100
01:45:00.640 --> 01:45:03.039
<v Speaker 1>not a hero in a way he was. You know,

2101
01:45:03.159 --> 01:45:06.159
<v Speaker 1>he may have been in love, but his love was toxic.

2102
01:45:06.960 --> 01:45:09.520
<v Speaker 1>We we see so like he's a very flawed character,

2103
01:45:09.560 --> 01:45:11.159
<v Speaker 1>which is what you normally get with these stories. So

2104
01:45:11.199 --> 01:45:12.000
<v Speaker 1>I think that's fine.

2105
01:45:12.520 --> 01:45:12.920
<v Speaker 3>I like that.

2106
01:45:13.920 --> 01:45:16.479
<v Speaker 1>I like the experimental nature too, of the story being

2107
01:45:16.600 --> 01:45:18.880
<v Speaker 1>like a mix of high school drama and film noar

2108
01:45:19.039 --> 01:45:22.640
<v Speaker 1>like nothing I'd ever been done like that before as

2109
01:45:22.680 --> 01:45:24.960
<v Speaker 1>far as neo noir films go. I think this was

2110
01:45:25.479 --> 01:45:28.600
<v Speaker 1>an interesting take on it. It's definitely paying homage to

2111
01:45:28.760 --> 01:45:31.880
<v Speaker 1>classic films, and now that I've done this show, I

2112
01:45:32.000 --> 01:45:35.199
<v Speaker 1>can pick up on a lot more of those homages.

2113
01:45:35.600 --> 01:45:39.159
<v Speaker 1>I think. Uh, the case itself is intriguing to me.

2114
01:45:39.319 --> 01:45:41.319
<v Speaker 1>It's a it's a little slow, but it kept me

2115
01:45:41.880 --> 01:45:44.880
<v Speaker 1>engaged for the most part. You know, the the who's

2116
01:45:44.920 --> 01:45:47.119
<v Speaker 1>and the what's and the hows of of of it.

2117
01:45:47.199 --> 01:45:47.920
<v Speaker 3>All, you know what I mean.

2118
01:45:47.960 --> 01:45:50.520
<v Speaker 1>There's a lot of a lot of moving parts if

2119
01:45:50.560 --> 01:45:53.840
<v Speaker 1>you will, man, you know, uh the dude of butts

2120
01:45:53.880 --> 01:45:57.279
<v Speaker 1>and I'm just kidding, but yeah. The acting is all

2121
01:45:57.319 --> 01:45:59.840
<v Speaker 1>well done too, for the most part, I think, and

2122
01:46:00.039 --> 01:46:02.319
<v Speaker 1>I enjoyed the writing as well. It's it's it's it's

2123
01:46:02.359 --> 01:46:05.960
<v Speaker 1>hammed up for sure for effect because of the film's theme.

2124
01:46:06.920 --> 01:46:09.960
<v Speaker 1>But it's well written and it captures the vibe pretty

2125
01:46:10.000 --> 01:46:13.359
<v Speaker 1>well of a near film. It sounds a little silly

2126
01:46:13.439 --> 01:46:16.880
<v Speaker 1>sometimes seeing young high schoolers maybe speak this way, but

2127
01:46:16.960 --> 01:46:20.640
<v Speaker 1>once you like get over that, you know, you're just like, okay.

2128
01:46:20.800 --> 01:46:22.359
<v Speaker 1>Once you like, if you go into it knowing that

2129
01:46:22.399 --> 01:46:23.840
<v Speaker 1>it's a high school no war, you're gonna be like,

2130
01:46:23.840 --> 01:46:26.560
<v Speaker 1>oh okay, I get this. Especially if you have some

2131
01:46:26.680 --> 01:46:29.640
<v Speaker 1>experience with the genre. I think you'll appreciate it. I

2132
01:46:29.720 --> 01:46:31.560
<v Speaker 1>think the acting, as far as like cons go, the

2133
01:46:31.640 --> 01:46:34.800
<v Speaker 1>acting isn't all the best. I'm looking at you, Tug

2134
01:46:35.000 --> 01:46:35.800
<v Speaker 1>like he's pretty bad.

2135
01:46:36.079 --> 01:46:40.560
<v Speaker 5>Uh. You know, Biscuit isn't the best actor in this film.

2136
01:46:40.720 --> 01:46:44.279
<v Speaker 1>No no, but he'll keep rolling, you know, he'll keep wronging.

2137
01:46:45.720 --> 01:46:49.439
<v Speaker 1>It's it's also slow and if tad boring at times.

2138
01:46:49.680 --> 01:46:52.720
<v Speaker 1>If I could see like you know it, you got

2139
01:46:52.840 --> 01:46:54.800
<v Speaker 1>to be into it, you know what I mean, you gotta.

2140
01:46:55.199 --> 01:46:58.399
<v Speaker 1>It doesn't move very fast. It's not an action film,

2141
01:46:58.439 --> 01:46:59.800
<v Speaker 1>you know what I mean. It's a it's a it's

2142
01:46:59.800 --> 01:47:01.640
<v Speaker 1>a mystery, and it takes a little time to get

2143
01:47:01.680 --> 01:47:03.920
<v Speaker 1>into it. And also the dialogue might throw you off,

2144
01:47:03.960 --> 01:47:06.359
<v Speaker 1>So for some it might be a tough watch first time.

2145
01:47:06.840 --> 01:47:09.319
<v Speaker 1>I still recommend getting through it and if you can

2146
01:47:09.479 --> 01:47:11.840
<v Speaker 1>watch it a second time, because then you pick up more.

2147
01:47:13.000 --> 01:47:16.239
<v Speaker 1>Like I said, it's also a little long. The plot

2148
01:47:16.319 --> 01:47:19.239
<v Speaker 1>moves well enough, but it feels a little thin sometimes

2149
01:47:19.439 --> 01:47:22.399
<v Speaker 1>once in a while, but it, like I said, it's

2150
01:47:22.439 --> 01:47:25.880
<v Speaker 1>pretty intriguing still, you know, it's it's an ror film

2151
01:47:25.920 --> 01:47:27.479
<v Speaker 1>in high school. When you get over it, it's like

2152
01:47:27.720 --> 01:47:30.840
<v Speaker 1>basically that's you know, at its core, and it ultimately

2153
01:47:30.920 --> 01:47:34.520
<v Speaker 1>feels it feels very original. But also I don't know,

2154
01:47:34.560 --> 01:47:36.760
<v Speaker 1>it lacks a little punch in the execution just a

2155
01:47:36.800 --> 01:47:37.199
<v Speaker 1>little bit.

2156
01:47:37.279 --> 01:47:37.840
<v Speaker 5>For me like it.

2157
01:47:38.560 --> 01:47:40.960
<v Speaker 1>I admire it, but I can see it's the indie

2158
01:47:41.720 --> 01:47:44.680
<v Speaker 1>side of it too. It's a little scrappy and sometimes

2159
01:47:44.760 --> 01:47:46.279
<v Speaker 1>that hurts it a little bit. But I really do

2160
01:47:46.479 --> 01:47:49.039
<v Speaker 1>like the premise and the execution for the most part.

2161
01:47:49.119 --> 01:47:52.840
<v Speaker 1>Is really solid. There's some good actors in this young

2162
01:47:52.920 --> 01:47:55.760
<v Speaker 1>actors that have gone on further now to really have

2163
01:47:55.960 --> 01:47:59.039
<v Speaker 1>great careers. And Johnson, like you said himself, has also

2164
01:47:59.159 --> 01:48:01.560
<v Speaker 1>done some good movies and some really really bad ones.

2165
01:48:01.880 --> 01:48:02.560
<v Speaker 1>I'm looking at you.

2166
01:48:02.960 --> 01:48:06.079
<v Speaker 5>Shit, I oh, I was gonna measure that too. Yeah

2167
01:48:06.239 --> 01:48:08.239
<v Speaker 5>that movie sucks, Yeah it sucks.

2168
01:48:09.840 --> 01:48:12.520
<v Speaker 1>But with that said, I'm giving Brick from two thousand

2169
01:48:12.520 --> 01:48:16.079
<v Speaker 1>and five our rating system. I didn't go over the

2170
01:48:16.159 --> 01:48:19.079
<v Speaker 1>rating system, but I'm gonna I'll give it to you

2171
01:48:19.199 --> 01:48:24.039
<v Speaker 1>right now. I'll spin a fear real fast rating scale

2172
01:48:24.079 --> 01:48:26.640
<v Speaker 1>goes from the top to the bottom, instant classic being

2173
01:48:26.680 --> 01:48:29.960
<v Speaker 1>the best you can get, buy it, rent it in

2174
01:48:30.039 --> 01:48:34.880
<v Speaker 1>the middle, watch the trailer, and then never ever watch

2175
01:48:35.000 --> 01:48:38.359
<v Speaker 1>this shit. And so, like I said, for all those reasons,

2176
01:48:38.439 --> 01:48:40.560
<v Speaker 1>I'm gonna give Brick from two thousand and five, I'm

2177
01:48:40.560 --> 01:48:43.000
<v Speaker 1>gonna give it a watch the trailer, slash rent it,

2178
01:48:44.359 --> 01:48:46.079
<v Speaker 1>and then I think if you do that, you might

2179
01:48:46.279 --> 01:48:48.199
<v Speaker 1>enjoy it more and it could go up further in

2180
01:48:48.279 --> 01:48:51.560
<v Speaker 1>our scale for you as well as me on another watch.

2181
01:48:52.640 --> 01:48:54.199
<v Speaker 1>But yeah, for right now, I think that's where I sit.

2182
01:48:54.279 --> 01:48:55.520
<v Speaker 1>Watch the trailer, slash rent it.

2183
01:48:55.920 --> 01:48:58.880
<v Speaker 5>Robert Well, Well, I have a quick question for you

2184
01:48:58.960 --> 01:49:03.199
<v Speaker 5>before I get thoughts. Did this film go up or

2185
01:49:03.279 --> 01:49:05.720
<v Speaker 5>down since you first watched it, like back back in

2186
01:49:05.760 --> 01:49:08.119
<v Speaker 5>the day, because you're introducing this film to us, did

2187
01:49:08.199 --> 01:49:09.520
<v Speaker 5>it go up or down for you?

2188
01:49:10.119 --> 01:49:13.000
<v Speaker 1>The the appeal of the premise and the originality of

2189
01:49:13.079 --> 01:49:14.880
<v Speaker 1>it is right where I always thought it would be.

2190
01:49:15.159 --> 01:49:17.359
<v Speaker 1>It's it's still interesting to me. But now that we've

2191
01:49:17.439 --> 01:49:19.159
<v Speaker 1>discussed it and I have to rate it a little bit,

2192
01:49:19.359 --> 01:49:21.720
<v Speaker 1>it's come down a little bit. As far as entertainment,

2193
01:49:22.159 --> 01:49:26.279
<v Speaker 1>I still think it's all. I just think I think

2194
01:49:26.319 --> 01:49:28.079
<v Speaker 1>it's like, hey, check it off the list if you

2195
01:49:28.199 --> 01:49:30.000
<v Speaker 1>like no or films, because this is a different look

2196
01:49:30.079 --> 01:49:31.760
<v Speaker 1>at it, you know, that kind of genre, and I

2197
01:49:31.840 --> 01:49:35.039
<v Speaker 1>think that's interesting as I think that holds it further

2198
01:49:35.560 --> 01:49:38.000
<v Speaker 1>for me. If not, I might forget about it.

2199
01:49:38.880 --> 01:49:41.560
<v Speaker 5>Okay, all right, I was just curious. It's a mood.

2200
01:49:41.600 --> 01:49:43.359
<v Speaker 1>I don't know if I always it's the kind of

2201
01:49:43.399 --> 01:49:44.199
<v Speaker 1>mood I want to be in.

2202
01:49:44.920 --> 01:49:48.159
<v Speaker 5>Yeah, you came in much lower than I expected. I'll

2203
01:49:48.279 --> 01:49:48.640
<v Speaker 5>just say that.

2204
01:49:49.039 --> 01:49:51.039
<v Speaker 1>Well, yeah, just because my pick doesn't mean it's like

2205
01:49:51.079 --> 01:49:52.039
<v Speaker 1>an all instant.

2206
01:49:52.279 --> 01:49:55.359
<v Speaker 5>It's no pool, you know, you know, I mean, no

2207
01:49:55.520 --> 01:49:57.560
<v Speaker 5>film other than Costa Blanca really.

2208
01:49:57.479 --> 01:50:07.720
<v Speaker 1>Is the Godfather and Casa Blanca and Florida legend, yeah exactly. Anyway, Yeah,

2209
01:50:07.760 --> 01:50:09.239
<v Speaker 1>I don't know, you know what I mean. Like, there's

2210
01:50:09.279 --> 01:50:11.560
<v Speaker 1>definitely some things that stick in my crawl a little

2211
01:50:11.560 --> 01:50:14.039
<v Speaker 1>bit with this movie, and it's not but there's also

2212
01:50:14.119 --> 01:50:16.439
<v Speaker 1>things that I do enjoy. And I think if you

2213
01:50:16.520 --> 01:50:18.359
<v Speaker 1>could throw another coat of paint on this thing, I

2214
01:50:18.439 --> 01:50:20.920
<v Speaker 1>think it would really shine, Like you know what I mean,

2215
01:50:21.119 --> 01:50:24.479
<v Speaker 1>it's it's got bones, it's so yeah for that, It's

2216
01:50:24.520 --> 01:50:26.760
<v Speaker 1>not a throwaway just for me. I think it might

2217
01:50:26.840 --> 01:50:28.840
<v Speaker 1>not be for everybody. So I think maybe a watch

2218
01:50:28.920 --> 01:50:31.960
<v Speaker 1>or trailer or renting or just a solid rent, you know.

2219
01:50:32.520 --> 01:50:32.720
<v Speaker 4>Yeah.

2220
01:50:33.399 --> 01:50:37.399
<v Speaker 5>All right, Well, my final thoughts on the film. I

2221
01:50:38.159 --> 01:50:40.039
<v Speaker 5>love this film. I think it's I think this is

2222
01:50:41.119 --> 01:50:45.880
<v Speaker 5>really awesome movie. And like we just mentioned it earlier,

2223
01:50:45.920 --> 01:50:49.079
<v Speaker 5>but I hate The Last Jedi. But I actually I

2224
01:50:49.439 --> 01:50:53.560
<v Speaker 5>think that's Ryan Johnson's worst film. But I like him

2225
01:50:53.640 --> 01:50:56.399
<v Speaker 5>as a director and when he's when he's creating his

2226
01:50:56.520 --> 01:50:59.560
<v Speaker 5>own projects, and and Brick is definitely the definition of

2227
01:50:59.600 --> 01:51:03.720
<v Speaker 5>an origin work. I think he does a great job.

2228
01:51:03.920 --> 01:51:07.960
<v Speaker 5>And he took a genre noir that has been played

2229
01:51:08.000 --> 01:51:10.880
<v Speaker 5>with in many different ways and he's still he did

2230
01:51:10.920 --> 01:51:13.439
<v Speaker 5>something unique with it, and I think that needs to

2231
01:51:13.520 --> 01:51:17.920
<v Speaker 5>be celebrated, obviously knowing that he's a dash old Hammet fan.

2232
01:51:19.359 --> 01:51:21.279
<v Speaker 5>Like I said, we talked about it all throughout our

2233
01:51:21.359 --> 01:51:25.159
<v Speaker 5>discussion that Maltese Falcon kept coming to my mind watching

2234
01:51:25.239 --> 01:51:27.239
<v Speaker 5>this movie, and I feel like this is kind of

2235
01:51:27.279 --> 01:51:31.319
<v Speaker 5>an interesting take on the Maltese Falcon story a little bit.

2236
01:51:32.199 --> 01:51:33.960
<v Speaker 5>I think it's a miracle we get such a good

2237
01:51:34.000 --> 01:51:36.880
<v Speaker 5>film on the budget Johnson had and the obstacles that

2238
01:51:36.920 --> 01:51:39.920
<v Speaker 5>he was that he had to face, and with you know,

2239
01:51:40.039 --> 01:51:43.399
<v Speaker 5>this being his first film, but that goes to show

2240
01:51:43.560 --> 01:51:46.119
<v Speaker 5>the vision and passion of a director similar till we

2241
01:51:46.239 --> 01:51:50.720
<v Speaker 5>discussed last week in our dual episode. You know, these

2242
01:51:50.840 --> 01:51:54.760
<v Speaker 5>passions fuel our directors, and if you really care about

2243
01:51:55.199 --> 01:51:59.079
<v Speaker 5>making something work, you can overcome these impossible odds. And

2244
01:51:59.600 --> 01:52:03.960
<v Speaker 5>Brick is another example of that. The soundtrack that's crafted

2245
01:52:04.039 --> 01:52:07.479
<v Speaker 5>well by his cousin Nathan Johnson. I think it's great.

2246
01:52:08.319 --> 01:52:12.840
<v Speaker 5>It fits into our aesthetic and it's something unique as well.

2247
01:52:13.119 --> 01:52:15.880
<v Speaker 5>It's taking something a little bit of the old and

2248
01:52:16.000 --> 01:52:19.479
<v Speaker 5>putting something new into it. And we talked about that

2249
01:52:19.600 --> 01:52:25.039
<v Speaker 5>on several times, Like, Man, this soundtrack kicks ass the

2250
01:52:25.600 --> 01:52:28.039
<v Speaker 5>I guess if you had a ding on the film.

2251
01:52:28.199 --> 01:52:32.439
<v Speaker 5>For me, uh, it was kind of having if you're not,

2252
01:52:33.520 --> 01:52:35.479
<v Speaker 5>if you're new to the film, you've never watched it,

2253
01:52:35.720 --> 01:52:38.039
<v Speaker 5>and you it's like, wait, what the hell are these

2254
01:52:38.119 --> 01:52:41.119
<v Speaker 5>high school kids talking about? You're thinking of, like, are

2255
01:52:41.159 --> 01:52:43.760
<v Speaker 5>we having this real story of like this mystery that

2256
01:52:43.880 --> 01:52:47.479
<v Speaker 5>happens in high school. No, it's that's not the point

2257
01:52:47.560 --> 01:52:50.199
<v Speaker 5>of the movie. It's more of it just happens to

2258
01:52:50.239 --> 01:52:52.479
<v Speaker 5>take place in high school. But this is a movie.

2259
01:52:52.720 --> 01:52:55.720
<v Speaker 5>It's not a real situation. It's just it's kind of

2260
01:52:56.479 --> 01:53:00.479
<v Speaker 5>utilizing high school in this genre, and that if you're

2261
01:53:00.520 --> 01:53:04.199
<v Speaker 5>not familiar with the story, that can make you feel

2262
01:53:04.199 --> 01:53:06.159
<v Speaker 5>a little weird, as it did to me the first

2263
01:53:06.159 --> 01:53:11.239
<v Speaker 5>time I watched it. But once you understand what Ryan

2264
01:53:11.319 --> 01:53:15.079
<v Speaker 5>Johnson's going for, I think it's really cool. And the

2265
01:53:15.479 --> 01:53:20.000
<v Speaker 5>language I think kicks ass. The dialogue kicks ass. And

2266
01:53:21.920 --> 01:53:25.520
<v Speaker 5>I also think, like I think all the actors did really,

2267
01:53:25.680 --> 01:53:29.800
<v Speaker 5>really well. Joseph Gordon Levitt was really the glue that

2268
01:53:29.920 --> 01:53:33.079
<v Speaker 5>held everything together because we talked about if he didn't work,

2269
01:53:33.680 --> 01:53:36.479
<v Speaker 5>the story doesn't work, because he is one, he's a

2270
01:53:36.520 --> 01:53:40.359
<v Speaker 5>phenomenal actor and he did a lot of work to

2271
01:53:40.520 --> 01:53:43.520
<v Speaker 5>make and did his homework to make this film work.

2272
01:53:45.439 --> 01:53:48.840
<v Speaker 5>But yeah, I like similar to Malty's Falcon when we

2273
01:53:48.880 --> 01:53:51.199
<v Speaker 5>talked when we were giving our final thoughts on that

2274
01:53:51.600 --> 01:53:55.199
<v Speaker 5>that's a film that, over the many watches, it's a

2275
01:53:55.239 --> 01:53:58.119
<v Speaker 5>film that I like more and more and more. And

2276
01:53:58.720 --> 01:54:01.760
<v Speaker 5>Brick for me is the same. And I actually, because

2277
01:54:01.760 --> 01:54:03.840
<v Speaker 5>I've watched it several times this week, I gotta give

2278
01:54:04.039 --> 01:54:06.039
<v Speaker 5>I gotta get break a by it. I think it's

2279
01:54:06.199 --> 01:54:10.359
<v Speaker 5>I think this movie is awesome. It's it takes a

2280
01:54:10.479 --> 01:54:12.600
<v Speaker 5>genre that I love and it kind of flipped it

2281
01:54:12.680 --> 01:54:14.600
<v Speaker 5>on its head and did something really cool with it.

2282
01:54:14.880 --> 01:54:16.279
<v Speaker 5>So yeah, I'm going to give it a buy it.

2283
01:54:17.720 --> 01:54:19.880
<v Speaker 5>Mister Matt, how are you feeling about the film?

2284
01:54:20.319 --> 01:54:22.800
<v Speaker 4>Well, I'm about to reiterate a lot of what you

2285
01:54:23.479 --> 01:54:24.479
<v Speaker 4>both said.

2286
01:54:24.800 --> 01:54:24.920
<v Speaker 1>Uh.

2287
01:54:26.680 --> 01:54:30.279
<v Speaker 4>I'm not very familiar with noir films like like you

2288
01:54:31.000 --> 01:54:34.279
<v Speaker 4>two are, but this really like when I think of

2289
01:54:34.399 --> 01:54:36.840
<v Speaker 4>noir films, now, I'm gonna think of the dialogue in

2290
01:54:36.960 --> 01:54:37.439
<v Speaker 4>this movie.

2291
01:54:38.000 --> 01:54:38.159
<v Speaker 1>Uh.

2292
01:54:39.159 --> 01:54:42.399
<v Speaker 4>I think that the writing in this movie is superb Uh.

2293
01:54:43.880 --> 01:54:46.880
<v Speaker 4>The watching it with the subtitles on and just watching

2294
01:54:46.960 --> 01:54:52.680
<v Speaker 4>the way they use language to describe things. It's very

2295
01:54:52.760 --> 01:54:58.199
<v Speaker 4>poetic and uh, I Yeah, it's it's it's in times.

2296
01:54:58.279 --> 01:55:01.399
<v Speaker 4>At times it's it's beautiful. Like just the way they

2297
01:55:01.960 --> 01:55:05.520
<v Speaker 4>spin a phrase, you know it get it got me

2298
01:55:05.600 --> 01:55:10.800
<v Speaker 4>excited about things that are mundane. So yeah, the writing

2299
01:55:11.199 --> 01:55:11.800
<v Speaker 4>is amazing.

2300
01:55:13.439 --> 01:55:13.560
<v Speaker 5>Uh.

2301
01:55:14.079 --> 01:55:18.039
<v Speaker 4>There's also like a real heavy mood here, Like it's like, uh,

2302
01:55:18.800 --> 01:55:21.399
<v Speaker 4>the the mood of the whole cast and of the

2303
01:55:21.600 --> 01:55:26.039
<v Speaker 4>school and it's like it's heavy and tired and dim

2304
01:55:26.840 --> 01:55:29.760
<v Speaker 4>and uh and like you carry that around with you

2305
01:55:30.600 --> 01:55:34.119
<v Speaker 4>even after the movie turns off. Uh, it really sinks

2306
01:55:34.159 --> 01:55:38.039
<v Speaker 4>you into that world. I think this is a really

2307
01:55:38.079 --> 01:55:41.439
<v Speaker 4>good Who Done It? It's like it's a fun puzzle

2308
01:55:41.560 --> 01:55:44.800
<v Speaker 4>to solve. It's not it's not so difficult that you

2309
01:55:44.920 --> 01:55:48.960
<v Speaker 4>can't figure it out. It's just hard enough that you

2310
01:55:49.159 --> 01:55:51.920
<v Speaker 4>feel satisfied when you when you finally put all the

2311
01:55:51.960 --> 01:55:55.279
<v Speaker 4>pieces together. And I imagine that has to be hard

2312
01:55:55.439 --> 01:55:58.880
<v Speaker 4>to do. I've never had to write a Who Done It? Movie,

2313
01:55:59.000 --> 01:56:02.319
<v Speaker 4>but I've seen some bad ones, and this is not hell. Yeah,

2314
01:56:02.720 --> 01:56:05.199
<v Speaker 4>this this done a really good job. At the end,

2315
01:56:05.640 --> 01:56:08.439
<v Speaker 4>at the end, when you find out that it was Laura,

2316
01:56:09.079 --> 01:56:12.520
<v Speaker 4>not only does it all make sense, but you you

2317
01:56:12.960 --> 01:56:17.199
<v Speaker 4>feel clever because you understand everything that just happened, and uh,

2318
01:56:17.680 --> 01:56:20.079
<v Speaker 4>that's you know, that's that's the movie's job. And it

2319
01:56:20.159 --> 01:56:23.520
<v Speaker 4>did it. It did it quite well. Uh what you

2320
01:56:23.600 --> 01:56:27.720
<v Speaker 4>said about Joseph Gordon Levitt's acting, he holds this movie up.

2321
01:56:29.119 --> 01:56:33.479
<v Speaker 4>Without him, this movie does not work. Uh, especially now

2322
01:56:33.560 --> 01:56:36.479
<v Speaker 4>that you've seen where he where he has ended up

2323
01:56:36.520 --> 01:56:38.920
<v Speaker 4>as an actor. I think they did.

2324
01:56:39.439 --> 01:56:39.560
<v Speaker 3>Uh.

2325
01:56:40.159 --> 01:56:43.439
<v Speaker 4>They got really lucky getting him young and while he

2326
01:56:43.600 --> 01:56:44.840
<v Speaker 4>was young and hungry.

2327
01:56:45.479 --> 01:56:47.880
<v Speaker 5>Just before he took off as a real star.

2328
01:56:48.319 --> 01:56:50.720
<v Speaker 4>And this might be I mean, like I couldn't imagine

2329
01:56:50.800 --> 01:56:55.000
<v Speaker 4>being a director back in six and watching this movie

2330
01:56:55.680 --> 01:56:58.199
<v Speaker 4>and thinking he can't do whatever I need him to

2331
01:56:58.279 --> 01:57:04.760
<v Speaker 4>do because he obviously some cons. I wish we would

2332
01:57:04.840 --> 01:57:08.119
<v Speaker 4>have eased them to the setting more. It's very surreal,

2333
01:57:08.439 --> 01:57:13.199
<v Speaker 4>and my first watch I was I felt lost. Uh yep,

2334
01:57:15.119 --> 01:57:19.560
<v Speaker 4>Like so I compared it to the ninety six Romeo

2335
01:57:19.600 --> 01:57:23.399
<v Speaker 4>and Juliet that they did a real good job with that,

2336
01:57:23.600 --> 01:57:26.279
<v Speaker 4>where they didn't. It didn't hit you like a fucking

2337
01:57:26.319 --> 01:57:28.439
<v Speaker 4>brick to the face when the movie started, and this

2338
01:57:28.520 --> 01:57:31.239
<v Speaker 4>one kind of did. So maybe there's a way to

2339
01:57:31.319 --> 01:57:33.199
<v Speaker 4>eat I mean, I don't know what it would be,

2340
01:57:33.560 --> 01:57:35.880
<v Speaker 4>but maybe there's a way to ease that beginning and

2341
01:57:36.399 --> 01:57:40.039
<v Speaker 4>make it more comfortable for us coming in this movie

2342
01:57:40.119 --> 01:57:44.199
<v Speaker 4>is a I would have liked more Emily and Lord Time.

2343
01:57:45.880 --> 01:57:49.439
<v Speaker 4>I think both those characters could have used some more spotlight.

2344
01:57:50.640 --> 01:57:53.199
<v Speaker 4>I get why they're not in there because it helps

2345
01:57:53.279 --> 01:57:56.039
<v Speaker 4>with the mystery of it all, but you know, I

2346
01:57:56.079 --> 01:57:58.920
<v Speaker 4>would have liked to have seen them actors and them

2347
01:57:59.079 --> 01:58:02.680
<v Speaker 4>characters both be showcased a little more and give us

2348
01:58:02.680 --> 01:58:06.880
<v Speaker 4>a little more understanding. Tug's acting, Oh my god, it's

2349
01:58:06.880 --> 01:58:10.479
<v Speaker 4>so weak. And for y'all that didn't know the childhood

2350
01:58:10.560 --> 01:58:14.520
<v Speaker 4>classic Josh and Sam. The actor who played Tug played Sam.

2351
01:58:14.920 --> 01:58:17.600
<v Speaker 4>So he is he's a child Yeah, he's a child

2352
01:58:17.720 --> 01:58:23.399
<v Speaker 4>actor aging into adult rose and he's he obviously struggled

2353
01:58:23.439 --> 01:58:26.000
<v Speaker 4>in this movie. I haven't seen him anything else. Maybe

2354
01:58:26.079 --> 01:58:28.640
<v Speaker 4>he got a little better down the road. I feel

2355
01:58:29.000 --> 01:58:32.840
<v Speaker 4>bad talking bad about the actor, but the director or

2356
01:58:32.920 --> 01:58:35.640
<v Speaker 4>someone should have took him to the side and helped

2357
01:58:35.720 --> 01:58:40.760
<v Speaker 4>coach him a little better. As my final review, I'm

2358
01:58:40.840 --> 01:58:43.960
<v Speaker 4>right there with you, Rob, I'm a buy it. And

2359
01:58:44.680 --> 01:58:47.359
<v Speaker 4>this is weird because when I first watched.

2360
01:58:47.159 --> 01:58:50.319
<v Speaker 5>This movie, I was not a byot, But now no,

2361
01:58:50.479 --> 01:58:51.159
<v Speaker 5>I wasn't either.

2362
01:58:51.520 --> 01:58:53.920
<v Speaker 4>I this movie has sitting in my head. And the

2363
01:58:54.039 --> 01:58:55.840
<v Speaker 4>more I think about it, the more I like it,

2364
01:58:57.159 --> 01:59:02.439
<v Speaker 4>and the more I'm likely to uh recommend it to people. Now,

2365
01:59:02.840 --> 01:59:04.760
<v Speaker 4>I mean like this movie. Also, this movie is not

2366
01:59:04.920 --> 01:59:08.239
<v Speaker 4>for everybody. It's a buy it for me. But you know, like, uh,

2367
01:59:08.520 --> 01:59:10.640
<v Speaker 4>I don't I know there's people out there that would

2368
01:59:10.920 --> 01:59:14.159
<v Speaker 4>immediately turn this movie off. Uh, so you know there

2369
01:59:14.239 --> 01:59:16.800
<v Speaker 4>is a caveat there that this isn't for everybody, but

2370
01:59:16.920 --> 01:59:19.880
<v Speaker 4>it is for me, and I wouldn't mind. I think.

2371
01:59:21.520 --> 01:59:24.479
<v Speaker 5>Yeah, I think there's a high rewatchability to this film too,

2372
01:59:24.600 --> 01:59:28.880
<v Speaker 5>because I think it requires multiple watches because once you

2373
01:59:29.000 --> 01:59:32.000
<v Speaker 5>put that puzzle together, now you start to see all

2374
01:59:32.039 --> 01:59:34.640
<v Speaker 5>the details that maybe you missed and it's like, oh,

2375
01:59:34.960 --> 01:59:37.960
<v Speaker 5>now I see how this this part connects to this part,

2376
01:59:38.560 --> 01:59:40.680
<v Speaker 5>and it makes a lot, makes a lot more sense.

2377
01:59:41.680 --> 01:59:43.119
<v Speaker 4>Yeah, but it's it's a buy it for me.

2378
01:59:43.720 --> 01:59:46.600
<v Speaker 1>Nice. So both of you actually like it more a

2379
01:59:46.640 --> 01:59:48.840
<v Speaker 1>little bit more than I do, which is surprising.

2380
01:59:49.439 --> 01:59:55.319
<v Speaker 5>Yeah, I think this is amat Yeah, yeah, this is

2381
01:59:55.560 --> 01:59:57.680
<v Speaker 5>this is awesome. I really like it a lot.

2382
01:59:58.119 --> 02:00:01.479
<v Speaker 1>Hey man, I'm happy here. Like it's not a competition,

2383
02:00:01.680 --> 02:00:02.640
<v Speaker 1>so it's not like no.

2384
02:00:02.680 --> 02:00:06.560
<v Speaker 5>No, Well and this kind of shows because what Ryan

2385
02:00:06.640 --> 02:00:08.880
<v Speaker 5>Johnson is doing now with the Knives Out films. I

2386
02:00:08.960 --> 02:00:12.560
<v Speaker 5>mean this is this is kind of a a precursor

2387
02:00:12.640 --> 02:00:17.880
<v Speaker 5>to he likes these little detective genres, these uh noir

2388
02:00:18.600 --> 02:00:20.439
<v Speaker 5>mystery thrillers, which is yeah.

2389
02:00:20.560 --> 02:00:23.760
<v Speaker 1>I think because I got the Christy homage, you know series,

2390
02:00:23.800 --> 02:00:26.680
<v Speaker 1>and this was yeah, you know it's they have similar

2391
02:00:26.760 --> 02:00:28.119
<v Speaker 1>things as well with the detective.

2392
02:00:28.279 --> 02:00:31.239
<v Speaker 5>Absolutely, and that's why I like him sticking in that

2393
02:00:31.359 --> 02:00:34.199
<v Speaker 5>because clearly he loves it, and he does such a

2394
02:00:34.279 --> 02:00:37.520
<v Speaker 5>good job in the in in doing these films, and

2395
02:00:37.560 --> 02:00:39.880
<v Speaker 5>I want him to do as many as he can

2396
02:00:40.520 --> 02:00:41.800
<v Speaker 5>because they're great.

2397
02:00:42.199 --> 02:00:44.159
<v Speaker 1>Yeah. Even Looper had a little elements of that.

2398
02:00:44.760 --> 02:00:49.159
<v Speaker 5>Yeah, absolutely had Joseph Gordon Levitt, who obviously he liked

2399
02:00:49.199 --> 02:00:49.600
<v Speaker 5>working with.

2400
02:00:50.920 --> 02:00:53.960
<v Speaker 4>Yeah, maybe we'll come horrendous fake nose on.

2401
02:00:55.520 --> 02:00:59.119
<v Speaker 1>Yeah, but I pulled pretty well.

2402
02:00:59.359 --> 02:00:59.560
<v Speaker 4>Yeah.

2403
02:01:00.039 --> 02:01:01.000
<v Speaker 5>Yeah, I thought he did too.

2404
02:01:01.600 --> 02:01:04.720
<v Speaker 1>Yeah, but that's gonna be tough anyway. But yeah, So

2405
02:01:05.000 --> 02:01:09.079
<v Speaker 1>that was Brick and our review on it. Next week.

2406
02:01:09.920 --> 02:01:12.920
<v Speaker 1>It's your pick, right, Matt, Yeah, what do you have

2407
02:01:13.000 --> 02:01:15.600
<v Speaker 1>in store? What's swinging Conan?

2408
02:01:15.920 --> 02:01:21.680
<v Speaker 4>The Barbarian fantasy movies? The I would say the Sword

2409
02:01:21.760 --> 02:01:27.119
<v Speaker 4>and Sandals movie or Sword and Sorcery movie. Everything else

2410
02:01:27.239 --> 02:01:29.119
<v Speaker 4>is compared to this, and I'm so glad we get

2411
02:01:29.159 --> 02:01:29.800
<v Speaker 4>to watch it together.

2412
02:01:30.760 --> 02:01:33.399
<v Speaker 5>I'm very excited to watch this for the very first time.

2413
02:01:33.720 --> 02:01:37.319
<v Speaker 5>This is very exciting for me, so thank you for

2414
02:01:37.399 --> 02:01:39.199
<v Speaker 5>introducing it. I can't wait to watch it.

2415
02:01:40.680 --> 02:01:43.439
<v Speaker 1>Nice me too. It's been a while. It's been a while,

2416
02:01:45.880 --> 02:01:48.640
<v Speaker 1>but yeah, we have. We have other projects as well

2417
02:01:49.119 --> 02:01:51.760
<v Speaker 1>other than cinnamego's that we do. I have a Cut

2418
02:01:51.800 --> 02:01:56.600
<v Speaker 1>Above Horror Review. It's a horror movie review show much

2419
02:01:56.720 --> 02:01:59.880
<v Speaker 1>like this with John Jacquelin and myself rate and review

2420
02:02:00.079 --> 02:02:02.159
<v Speaker 1>horror movies each week. It's a fun time. You should

2421
02:02:02.199 --> 02:02:04.439
<v Speaker 1>check us out where anywhere you can find your podcasts.

2422
02:02:04.479 --> 02:02:07.399
<v Speaker 1>We're on Instagram at a Cut Above dot Horror, on

2423
02:02:07.479 --> 02:02:10.960
<v Speaker 1>the Score Review, on x at Cut Above Horror, and

2424
02:02:11.119 --> 02:02:14.079
<v Speaker 1>on Facebook at a Cut Above Horror Review. Matt, what

2425
02:02:14.159 --> 02:02:15.920
<v Speaker 1>about you? Where can Avice finished find you?

2426
02:02:16.880 --> 02:02:19.520
<v Speaker 4>I have an old podcast called Swords and Stereo. Our

2427
02:02:19.600 --> 02:02:23.920
<v Speaker 4>backlog is still up. We talk about historical fencing and

2428
02:02:24.000 --> 02:02:27.880
<v Speaker 4>then I run a historical fencing group here in Jacksonville, Florida.

2429
02:02:28.520 --> 02:02:31.840
<v Speaker 4>It's called Bull City Longsword and we trained for manuals

2430
02:02:31.880 --> 02:02:35.640
<v Speaker 4>from the sixteenth and seventeenth century. We do long sword rape, beer,

2431
02:02:35.680 --> 02:02:38.840
<v Speaker 4>and Sword and Butler. If if you're in North Florida,

2432
02:02:39.000 --> 02:02:43.319
<v Speaker 4>you should swing by and you know, swing swords with us. Nice,

2433
02:02:44.159 --> 02:02:44.680
<v Speaker 4>what about you?

2434
02:02:45.439 --> 02:02:48.479
<v Speaker 5>Yeah, you can find me on YouTube, me and my

2435
02:02:48.560 --> 02:02:51.800
<v Speaker 5>co host Andy, Circle of Drugs podcast. You can hits

2436
02:02:51.920 --> 02:02:56.680
<v Speaker 5>up on Instagram Circle of Drugs Podcast and on x

2437
02:02:57.000 --> 02:02:58.479
<v Speaker 5>at podcast coj.

2438
02:02:59.159 --> 02:03:03.119
<v Speaker 1>Nice And if you wanted to catch more Cinemigos, you

2439
02:03:03.159 --> 02:03:07.880
<v Speaker 1>can find us on Instagram at Cinemgos Underscore podcast and

2440
02:03:08.000 --> 02:03:09.840
<v Speaker 1>you could email us if you wanted to at the

2441
02:03:09.960 --> 02:03:12.640
<v Speaker 1>Cinemigos podcast at gmail dot com.

2442
02:03:13.439 --> 02:03:16.079
<v Speaker 5>You can hit us up on x at, Trustcinemeigos t

2443
02:03:16.399 --> 02:03:18.600
<v Speaker 5>R E S c I n E and my g

2444
02:03:18.760 --> 02:03:23.479
<v Speaker 5>os us on Letterbox Cinamigos and make sure to give

2445
02:03:23.520 --> 02:03:27.399
<v Speaker 5>us those five star ratings. Comment on the episodes, uh

2446
02:03:27.760 --> 02:03:30.239
<v Speaker 5>and yeah, interact with us. We we'd love to hear

2447
02:03:30.439 --> 02:03:33.600
<v Speaker 5>your thoughts on the episodes or thoughts on movies that

2448
02:03:33.640 --> 02:03:36.239
<v Speaker 5>you'd like us to cover that maybe we haven't thought of.

2449
02:03:36.600 --> 02:03:38.880
<v Speaker 5>Maybe maybe we'll have a triple bubble at some point,

2450
02:03:39.199 --> 02:03:42.119
<v Speaker 5>like where none of us have watched the episode so

2451
02:03:42.520 --> 02:03:45.600
<v Speaker 5>or the movie so, and we can cover that mm hmm.

2452
02:03:46.199 --> 02:03:50.399
<v Speaker 4>We're also on Facebook at Facebook backslash cinemigos.

2453
02:03:50.880 --> 02:03:52.560
<v Speaker 1>Backslash, what is it?

2454
02:03:53.079 --> 02:03:54.840
<v Speaker 4>Front slash? Side slash?

2455
02:03:55.199 --> 02:03:56.880
<v Speaker 1>Is there a slash? I don't even know. I don't

2456
02:03:56.880 --> 02:04:03.159
<v Speaker 1>say that shit anymore. Believe in slashes anyway. Yeah, so

2457
02:04:03.279 --> 02:04:05.840
<v Speaker 1>check us out on all the social Media's what you

2458
02:04:05.920 --> 02:04:07.960
<v Speaker 1>want the wholetel? You want me to tell it to

2459
02:04:08.039 --> 02:04:10.520
<v Speaker 1>you tell it to me all right from the top.

2460
02:04:19.359 --> 02:04:22.880
<v Speaker 1>Here your badgers, budgets. We ain't got no budgets. We

2461
02:04:22.960 --> 02:04:25.279
<v Speaker 1>don't need no budges. I don't have to show you

2462
02:04:25.399 --> 02:04:26.640
<v Speaker 1>in a stinking budges
