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Speaker 1: No fire.

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Speaker 2: Let a liar. Won't you run away.

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Speaker 3: From me?

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Speaker 2: Lollius thoughts come on my.

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Speaker 4: Head Let him with you there.

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Speaker 2: Transfers a specimens. Men's after me.

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Speaker 3: I'm not.

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Speaker 5: I'm a fire. See me higher.

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Speaker 2: To my higher place. My cosmic bear on me a

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tasty a fire.

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Speaker 6: You come in wire.

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Speaker 2: So I'm more keeping me in son, you come and

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run in this day you so big un with me

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to stay. You listen to you and said to wa

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stay toschis just welsome.

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Speaker 7: You are listening to w M and H ninety four.

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Speaker 5: Command God, don't get sup bree Leada Maxill.

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Speaker 4: Coming, Good morning, Welcome everybody. It's that time again.

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Speaker 7: At Connerton Unleashed and we are live from the studios

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of wm NH ninety five point three FM and Glorious Manchester,

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New Hampshire. Of course, you can stream the show from anywhere.

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Go to Matt connorton dot com slash live for all

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of your streaming options and social media links and contact info,

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et cetera, et cetera. Today is Saturday January eighteen two,

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thy twenty five. That track that we open with that

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is a band called Flair. They are in Glasgow and

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that track is called Runaway. We're going to have them

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on the show soon actually, but that is the American

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radio premiere. You have not heard that anywhere else in

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the US until today. But that is such a great

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track and a great, great vibe. I love their sound,

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so really looking forward to having those guys on, So

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that will be soon. We've got a great show for

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you today. Later on we've got Nancy Maney is going

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to be joining us via Skype from Texas. And in

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the third hour today we have our friend Quincy Lord.

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He's going to come in and play a couple songs

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and he's got a brand new album, will feature some

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studio tracks as well, and he's just amazing, so it'll

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be great to see him. But right now, joining us

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for the first hour, we have Eleanor and Andre are here.

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Are back and uh, you guys must be five timers

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by now, right at least I believe so, I believe.

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So we gotta have some jackets made. Yeah, yeah, well

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we'll come up with something. But uh, yes from New

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Hampshire Underground, newly rebranded New Hampshire Underground, So welcome back. Hellos,

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absolutely hello, concerned everyone out there listening, Yes, yes, Uh, so,

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what's so, what's been going on? Actually, uh, why don't

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we Why don't we get caught up on New Hampshire Underground.

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I love the new name. It certainly rolls off the

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tongue much easier for me, you know, I remember I

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used to stumble over the old name.

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Speaker 1: Yeah, everyone says the same thing, like as soon as

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you say the new name, they stop and then their

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eyes light up and they're like, that makes so much sense. Yeah, yeah,

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it makes much more sense.

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Speaker 7: Well also too because of Terminus Underground, so it's more

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it's more consistent, you know, from a branding perspective, I

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think so. Yeah, So, so tell us about the you know,

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however much you want to say about the change and

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the new new direction. I mean, obviously some things are

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the same, you know, you still have Terminus, which is

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an amazing venue. But but yeah, just kind of catch

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us up.

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Speaker 1: Yeah, things are actually much more cohesive now and the

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vision is much clearer. So we just decided to take

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it in a little bit of a different direction sort of,

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you know, the same philosophy of really valuing the bands

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and supporting the bands, but providing more services to them

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as well. So we call ourselves now a micro entertainment complex.

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Oh okay, and Andre can tell you a little bit

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more about some of the features that we added.

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Speaker 8: Yeah, yeah, we added a nice little I mean it's

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a smaller room, you know, but I mean we all

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know as musicians sometimes a small room can be the

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magic room. Yeah, because it put you write in, everybody's

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on top of each other, and like it puts that

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creative energy in the space. But at the same time,

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it's like a really just a lot of people can't

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go and afford to say, rent a room by the

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month that they're only going to go and maybe play two.

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Speaker 7: Or three times a month, especially these days.

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Speaker 8: So now it's providing a nice at least a small

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room that's already got a drum set in there and

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a mixing board pretty much a PA so you can

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bring in a couple of amps. There's also a couple

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of amps that are right there plug in. It make

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it really easy for people to just come in and

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be able to like practice a set before a show

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or you know, do those little gig you get to

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try out another musician, like oh, let's just get together

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and we'll try it out here.

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Speaker 7: Yeah, before you have.

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Speaker 1: To commit to anything.

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Speaker 7: Yeah, so it makes sense. That's a nice little tool

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that's been added. I don't know of another place around

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here like that that has that kind of set up

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or arrangement. Maybe there isn't. I just don't know.

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Speaker 1: But private places too that are sometimes will come up

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for rent. They're mostly occupied. But this is a nice

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feature because it's so hard to find a jam space

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that you've been rent by the hour or you know.

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We do it by membership as well, so if you're

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a member, it comes with the memberships level some of them.

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Speaker 8: Yeah, so you kind of get a gym membership a

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music membership.

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Speaker 7: Right, and you can come in and you know, if

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you could put you could put a weight set and

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a treadmill in there and kind of combine the concepts actually,

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and musicians are always very health conscious, so no kidding.

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Obviously they'll have the smoothing machine over in the corner.

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That could be quite a niche.

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Speaker 1: Well, that's the other feature we added to is more

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of a musician and artist lounge area. So before it

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was mostly an office co working space. But I had

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heard someone on line, you know, is there any place

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I could just go and lounge that's not a bar

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or a coffee shop and just read a book. And

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I thought to myself, oh my god, that's perfect. I

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could open this up is just that and someone, you know,

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anyone could come and just read a book, or they

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could do some art where they can you know, work

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on their promotions. It is a co working space, but

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it's also a lounge. So now it's a musician's and

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artists lounge in addition to everything else.

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Speaker 7: Yeah, yeah, excellent. Now is this has this change been

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fully implemented or okay?

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Speaker 1: So yes, it's been fully implemented. And we're going to

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launch our brand reopening parties. It's Tuesday, the twenty first, Yeah,

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seven pm to eleven pm at one thirty four Haynes Street.

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So we open. We're open to the public. It's going

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to be an all ages event. We'll have two acoustic acts.

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So actually Quincy Lord, who's coming in today is one

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of our acoustic musicians. Excellent, Yeah, and Jesse Rhetstein is

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another Nashua native acoustic music. And we're going to have

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three artists on display in our gallery. We have Keegan

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my art by kf Heagan Fitzgerald. Andre is going to

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display some of his art and my mother who she's

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actually blind in one eye. She's a fashion illustrator and

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she's also an artist and she still paints, so we're

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gonna show her work as well.

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Speaker 7: Excellent.

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Speaker 1: That'll just be a nice way for the community to

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come in and see what we do and see what

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we have to offer the community and musicians and artists.

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Speaker 7: Yeah, yeah, now that's great. So that's going to be Tuesday,

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And of course Jenny and I. You invited Jenny and

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I to go, so we're excited about that.

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Speaker 1: We can't wait to see you.

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Speaker 7: So Tuesday, starting at seven pm. Jesse Ratstein is that

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I'm not familiar with him. He's a Nashville guy.

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Speaker 1: He's a Nashville kind of more on the rock, rock

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and roll kind of style. And yeah, we met him, well,

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I think Andre's known him for a little while, but

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I met him last year and he performed my fourth

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of July Veterans event and it was awesome. He's a

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great musician, great person.

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Speaker 7: Very cool, very cool.

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Speaker 1: He'll be enjoyable to you.

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Speaker 7: And then are you already booking shows for Terminus for

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the for the new year. Yeah, yeah, we're already in

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that process and definitely.

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Speaker 1: It's a big process.

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Speaker 7: Yeah, I mean we.

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Speaker 8: Pretty much have like the show dates and everything that

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we've been you know, talking about all the way into

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the gumber, like the genre, like the what we want

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to do, and now it's a matter of reaching out

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to all the bands.

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Speaker 1: That are to all one nine bands who submitted your epks.

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Speaker 7: Or otherwise I excellent.

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Speaker 8: So we'll be throwing out dates at bands because as

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you know, I mean, it's like we also try to

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curate the shows to an extent, you know. I mean

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it's nice to have a nice mixed media show or

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or a mixed genre show sometimes, but it's also nice

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to have a nice focused show on, like whether it's

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a metal night or a gothy night or a punk night. Yeah,

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like sometimes people appreciate those having a little bit more

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of a theme to itself.

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Speaker 1: We'll be doing more themed events this here, because we

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feel like that's very fun and there's a need for

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it and there's certainly a draw for it. So we're

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starting on three point thirty with our Night of the

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Fools event, okay, which is kind of you know, fun,

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like you know, if you're a juggalo, if you're a clown,

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if you're a Fool if you want to just you know,

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come out and have some fun with people that dress

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up like Gesters. It's a night of music with Sunset Electric,

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which is also Quincy Lords and dog Eate Dog is

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going to grace us with their presence, and Questing Beast

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is going to come back on this stage excellently excited.

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And that is kind of a little bit more of

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a variety, a little mix up, but it's Night of

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the Fool, so it's meant to be like that. Yeah, yeah, yeah,

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and then the next one after that will be somewhat

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of a punk rock metal masquerade. Yeah, okay, that'll be

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in April twelfth.

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Speaker 7: Okay. Cool. As you look back on twenty twenty four,

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are there are there shows Terminus shows that really stand

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out for twenty twenty four where you know, either either

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because they just they were just really really good good performances,

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or maybe surprises or maybe things that uh like maybe

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you add crowds bigger than you expected for shows or

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anything like that, Like what what stands out for the

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past year.

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Speaker 8: There's for me, I feel there are about definitely three

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of them that stood out. Yeah, one was Green Jello,

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Green Jelly or Green jelly.

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Speaker 7: Jelly the air apparently, well it doesn't matter at this point.

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I understand whoever makes jello doesn't.

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Speaker 8: But that was just I mean, that was crazy intense

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of anticipation of what is what's going to happen here?

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Speaker 7: Yes?

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Speaker 1: Yes, you know, could we handle it?

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Speaker 7: Yeah?

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Speaker 8: With our small and surprisingly it went over like it

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was just an nutty night, Like to see the amount

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of those blow up on creatures all over the place,

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the insane amount pool noodles in the room.

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Speaker 1: Express.

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Speaker 8: Yeah, I mean that in itself was a really good night.

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The night Geary came up and place it was another

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great night.

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Speaker 7: So but yeah, that that was. And then trying to think, oh, Vigil,

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I wish I could get the guttural that Dave does.

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Speaker 1: But Vigil is one of my favorites.

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Speaker 7: Yeah, there there, I haven't I haven't had a chance

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to see them live yet, but you will. They were.

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They were great on the show when they came in

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and and had a vinyl final record, which was really

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cool for sure. Yeah, is that the Is that the

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third one you were thinking of?

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Speaker 9: It was not.

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Speaker 7: It was the one that the one that HATI hate.

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Speaker 1: Oh yes from New York.

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Speaker 8: Oh yes, those guys. Those guys completely brought it to Yeah,

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I'm not familiar with them, and that was a great night.

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Like musically, sonically it was.

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Speaker 1: Just like, yeah, they're a metal band. We have a

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nice metal connection with Rick Horton up at Metal Onslaught

242
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Radio up in Upstate New York. So the whole Ithaca

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area in Upstate New York is a phenomenal metal scene,

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very tight knit, well coordinated. Everyone supports each other. And

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Rick had gotten in touch with me Haitians on tour.

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They're like a post metal band, okay, and they want

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to play Terminus And they were one of the first

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like outside of our you know, local venues or local

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bands that contacted us. And yeah, they brought their a game.

250
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They were wonderful people. And that's the kind of people

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we consistently get at Terminus. We get nice, kind, wonderful

252
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artists and musicians that we just end up loving and

253
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calling part of our family.

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Speaker 7: Yeah. Yeah, has there been anybody who you weren't expecting

255
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them to necessarily bring a lot of peace people and

256
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then it wound up being a sold out show or

257
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anything like that, any fun surprise like that where you go, wow,

258
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I didn't expect this to be as successful as it is,

259
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I mean.

260
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Speaker 1: All of them. To me, success is relative, like success

261
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doesn't mean numbers to me. Yeah, that's the problem with

262
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this world, in my opinion, in the industry, is that

263
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numbers mean so much to everybody all the time that

264
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they lose sight of what we're trying to do here.

265
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And for us, it's trying to support the music scene, right.

266
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And we just had this conversation because I have a

267
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new intern. Her name is Simsir, and she's extremely good

268
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and extremely perceptive, and one of her conversations with me was,

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you know, what about the people that bring in low numbers,

270
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and you know, we we should always make sure that

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we have everyone who has a strong social media presence

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and has you know, lots of numbers to And I'm like, yeah,

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of course, you know, that's a really good point. But

274
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at the same time, I also want to keep it

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open for people who are just starting out right, just

276
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beginning to develop, so I can help them, right, And

277
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so it doesn't help me and my mission to just

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think about how many people as a success.

279
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Speaker 7: Oh of course, it's more did.

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Speaker 1: People have a wonderful time? Are they going to talk

281
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about this forever. Are they going to be a customer

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of mine forever? So that's kind of like my whole

283
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philosophy is of support and service to the community and

284
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not trying to you know, see things from a completely

285
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cold analytics standpoint.

286
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Speaker 7: Right right now. Yeah, I get it. I mean it's

287
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kind of like with this with this show, you know,

288
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I mean, you know, we have a lot of guests

289
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who have a great media social media presence and and

290
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uh and really are you know, on a very much

291
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an upward trajectory in their career. But yeah, but we

292
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also have sometimes we have guests who are just starting out,

293
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you know, and and you know, and and we don't

294
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discriminate in that way because it's a you know, especially

295
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it's it's what's really uh excuse me. What's really nice

296
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is like when we have somebody on the show and

297
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maybe they're just starting out, and then we have them

298
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on again maybe a year or two years later, you know,

299
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and they've really made a lot of progress. And it's like,

300
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you know, because sometimes sometimes all musician needs is someone

301
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to believe in them, you know, and to give them

302
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an opportunity to try to you know, because I hear

303
00:18:21,000 --> 00:18:22,759
so many people say and I'm sure you both have

304
00:18:22,880 --> 00:18:24,839
as well that you know, Yeah, I want to get

305
00:18:24,880 --> 00:18:27,400
into the music scene. I want to play. I don't

306
00:18:27,440 --> 00:18:30,559
know where to start, especially if they're a solo act.

307
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Speaker 1: That's when I asked them to just give me a

308
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call and I can sit down with them and I

309
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can help them figure out a pathway.

310
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Speaker 7: Yeah.

311
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Speaker 8: Yeah, I mean at the same time, everything's in experience,

312
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you know, so that it's yeah, we may have had

313
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some shows that had like, you know, ten fewer people

314
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than like one of the really full nights. We have

315
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a small capacity, right, it's like even once we start

316
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getting fifty people in there, it's like we got a

317
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packed house.

318
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Speaker 7: Like, yeah, it's good.

319
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Speaker 8: And at the same same time, it's like it's such

320
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an important thing to me as a musician to see

321
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the people that are coming there to catch that show,

322
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gaining that memory and that experience that it was just

323
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an amazing thing. Nobody leaves that place without saying to somebody,

324
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this place is awesome, the music was awesome, this is

325
00:19:26,359 --> 00:19:30,880
every this is great doing what you're doing because this

326
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is what people need.

327
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Speaker 1: We've never had a show, sorry, never had a show

328
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that I got.

329
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Speaker 7: That that's okay, Although all the times you've been on,

330
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that's the first for you.

331
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Speaker 1: Usually pretty good.

332
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Speaker 7: I don't know all that's all right, but that's why

333
00:19:51,079 --> 00:19:53,400
we're that's why we're on a delay.

334
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Speaker 1: Catch.

335
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Speaker 7: We have these potty mouth music types.

336
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Speaker 8: I'm usually the worst one about it. I'm like, but oh, well,

337
00:20:05,960 --> 00:20:06,799
you know, it's funny though.

338
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Speaker 7: I was just talking to I was talking with somebody

339
00:20:09,319 --> 00:20:12,440
about this last night actually, when we had a green

340
00:20:12,519 --> 00:20:14,559
jelly green jello on the show. I think I I

341
00:20:14,640 --> 00:20:17,039
think I hit the dump button like four times.

342
00:20:17,839 --> 00:20:18,440
Speaker 3: That doesn't.

343
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Speaker 7: And it wasn't and it wasn't even like swearing. It

344
00:20:22,960 --> 00:20:26,039
was just like, oh, that joke may have gone a

345
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little far, and I, you.

346
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Speaker 1: Know, I people filter.

347
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Speaker 7: Yeah, I mean he definitely had something because he was

348
00:20:33,640 --> 00:20:35,359
he was trying. He understood he was on the radio

349
00:20:35,400 --> 00:20:38,599
and he's a pro, so he wasn't intentionally, you know,

350
00:20:38,720 --> 00:20:42,519
trying to. I just feel so yeah, yeah, no, I

351
00:20:42,599 --> 00:20:46,440
get it, I get it. We should talk to about

352
00:20:46,480 --> 00:20:48,960
the kind of the the educational aspect of what you

353
00:20:49,039 --> 00:20:53,200
do and then and the mentoring really go ahead.

354
00:20:53,799 --> 00:20:56,920
Speaker 1: No, I just wanted to actually also say in the

355
00:20:57,039 --> 00:21:01,640
vein of giving people their first shot, which is hard

356
00:21:01,880 --> 00:21:05,440
in the bar, or club scene because they want to

357
00:21:05,519 --> 00:21:07,839
know who you're bringing, how much money you're going to

358
00:21:07,920 --> 00:21:11,039
make them. What I'd like to do this summer is

359
00:21:11,160 --> 00:21:14,279
open up what I call from school to stage. And

360
00:21:14,359 --> 00:21:17,000
there's a lot of people who are still in high

361
00:21:17,039 --> 00:21:20,880
school or who are maybe eighteen in the college age,

362
00:21:21,039 --> 00:21:23,680
who can't play the bar scene or the clubs just yet,

363
00:21:24,079 --> 00:21:26,319
and there's not very many places for them to play.

364
00:21:26,880 --> 00:21:29,160
So I am going to open up from school to

365
00:21:29,279 --> 00:21:33,400
stage and have a launching point for all ages shows

366
00:21:33,559 --> 00:21:36,680
this summer just as a series. I'm hoping to partner

367
00:21:36,839 --> 00:21:39,400
with Nashville's School of Rock, which just opened up this

368
00:21:39,559 --> 00:21:42,839
last month, and have some of their musicians and students

369
00:21:42,880 --> 00:21:46,680
who are also in bands perform from School of Rock

370
00:21:46,759 --> 00:21:49,759
to our Terminus underground stage, and I think that'll be

371
00:21:49,839 --> 00:21:53,240
a good platform to get people used to being in

372
00:21:53,279 --> 00:21:57,279
a stage environment, in a professional stage environment before they

373
00:21:57,400 --> 00:21:58,920
get to, you know, the next level.

374
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Speaker 7: That's a great idea. Yeah, yeah, absolutely, absolutely. Yeah.

375
00:22:03,200 --> 00:22:04,759
Speaker 1: We're excited because there's a lot of like you know,

376
00:22:04,880 --> 00:22:07,160
punk rock shows that are all ages, and we haven't

377
00:22:07,720 --> 00:22:09,920
had that opportunity to do that yet, so it's kind

378
00:22:09,960 --> 00:22:12,359
of you know, that's the next step for us do

379
00:22:12,519 --> 00:22:13,839
things we didn't do last year?

380
00:22:16,440 --> 00:22:20,720
Speaker 7: What's what's like the probably hard to pinpoint, but like

381
00:22:20,960 --> 00:22:25,079
what what's the biggest thing or maybe a couple of

382
00:22:25,160 --> 00:22:29,000
things that you run into with, especially with musicians just

383
00:22:29,079 --> 00:22:32,680
starting out that they need help with, like what are

384
00:22:33,119 --> 00:22:36,880
what are maybe some things that most people just don't

385
00:22:36,960 --> 00:22:38,680
understand and you have to kind of help them and

386
00:22:39,240 --> 00:22:40,640
mentor them with some.

387
00:22:40,759 --> 00:22:44,079
Speaker 1: People don't understand anything. Yeah, oh my goodness. Well I've

388
00:22:44,119 --> 00:22:46,240
been at it for twenty five years. So the language

389
00:22:46,279 --> 00:22:49,319
that I've learned over the course of you know, being

390
00:22:49,599 --> 00:22:53,599
the foundation of my own musicianship as a musician for

391
00:22:54,759 --> 00:22:56,799
the past well, I've been a musician since I was

392
00:22:56,839 --> 00:23:00,319
eight years old, but a sort of professional leaning working

393
00:23:00,440 --> 00:23:02,759
musician was for about seven years of my life in

394
00:23:02,839 --> 00:23:06,680
the two thousands. But from that point and then learning

395
00:23:07,440 --> 00:23:08,960
all of the things I learned when I went to

396
00:23:09,039 --> 00:23:12,880
Berkeley School of Music for music business. I speak a

397
00:23:12,960 --> 00:23:16,960
language that people don't speak. So there's racronyms, and you know,

398
00:23:17,000 --> 00:23:19,799
people are like what's ASCAP, what's BMI, what's a pro?

399
00:23:20,440 --> 00:23:22,519
So those are the things that I teach. So the

400
00:23:22,799 --> 00:23:26,799
foundational knowledge of how to communicate the language, so to

401
00:23:27,039 --> 00:23:30,599
understand what a booking agent is versus a promoter versus

402
00:23:30,799 --> 00:23:33,000
you know, a talent buyer. You know, they're all kind

403
00:23:33,039 --> 00:23:35,359
of similar, but there are differences, so people don't know

404
00:23:35,480 --> 00:23:38,759
those things. Yeah, what's an ePK? How do I create

405
00:23:38,759 --> 00:23:41,319
a press skit? What's my best method for getting my

406
00:23:41,480 --> 00:23:44,680
music out there? Do I need to be all over

407
00:23:44,759 --> 00:23:46,799
the place or do I just go on Spotify? So

408
00:23:46,880 --> 00:23:49,160
there's a lot of different questions. And then there's also

409
00:23:49,240 --> 00:23:53,480
the level of data analytics drilling down into their you know,

410
00:23:54,000 --> 00:23:58,519
websites or marketing schematics and so from like nuts to bolts,

411
00:23:58,559 --> 00:24:00,799
I can teach you everything to a point. You know,

412
00:24:01,039 --> 00:24:02,759
at some point I want to let you go, so

413
00:24:02,920 --> 00:24:05,559
you do it yourself, right, because that's what we can

414
00:24:05,720 --> 00:24:08,480
do these days. The beauty of what our industry has

415
00:24:08,559 --> 00:24:10,720
become is that now we can do it ourselves. But

416
00:24:10,839 --> 00:24:13,759
if you don't know how, you're going to struggle. And

417
00:24:13,880 --> 00:24:15,920
some of the people that I am working with now

418
00:24:16,119 --> 00:24:19,240
have been musicians for twenty years but never knew how

419
00:24:19,279 --> 00:24:21,920
to get any of that out of themselves. Yeah, six

420
00:24:22,039 --> 00:24:25,759
Minds Combined is a perfect example. He is an amazing artist,

421
00:24:25,799 --> 00:24:29,559
a hip hop artist, and he never knew how to launch,

422
00:24:30,079 --> 00:24:33,359
and now he's doing so well. And it's just a

423
00:24:33,480 --> 00:24:35,960
matter of six months that we've been working together, maybe

424
00:24:35,960 --> 00:24:37,920
a little over that. It might be a year now,

425
00:24:38,359 --> 00:24:40,680
but he's doing so well because now he knows what

426
00:24:40,880 --> 00:24:41,079
to do.

427
00:24:41,440 --> 00:24:42,240
Speaker 6: Mm hmmmmm.

428
00:24:43,519 --> 00:24:48,319
Speaker 7: That's excellent and he's great. He's That song running through

429
00:24:48,359 --> 00:24:52,599
a Mansion is on my list of you know, like

430
00:24:52,799 --> 00:24:54,960
I think a lot of us, I always have a

431
00:24:55,039 --> 00:24:56,799
song in my head when I wake up in the morning,

432
00:24:56,960 --> 00:24:58,559
you know what I mean. There's always something in my

433
00:24:58,640 --> 00:25:02,119
head and that song is is one of those songs

434
00:25:02,799 --> 00:25:05,759
on that list of songs that that that I might

435
00:25:05,880 --> 00:25:09,480
have running while running through when I when I first

436
00:25:09,519 --> 00:25:14,119
wake up in the morning. What do you ever run

437
00:25:14,200 --> 00:25:19,319
into anybody who has like they think they they think

438
00:25:19,400 --> 00:25:24,799
they know, they think they understand the process, so to speak.

439
00:25:24,880 --> 00:25:28,319
But they but they have kind of an old school idea,

440
00:25:28,920 --> 00:25:31,279
like like you run into people who still think I

441
00:25:31,640 --> 00:25:34,480
always you. You may have at some point heard heard

442
00:25:34,519 --> 00:25:37,880
this rant from me over the years. I've always liked

443
00:25:37,880 --> 00:25:40,880
to talk about the mythical record company scout you know

444
00:25:41,039 --> 00:25:44,640
who you because someone who thinks that and I run

445
00:25:44,680 --> 00:25:47,039
into this far lesson. I used to certainly. But you

446
00:25:47,079 --> 00:25:49,680
know somebody who thinks that, Okay, my band, we're gonna play.

447
00:25:49,799 --> 00:25:52,160
We're gonna play this bar every weekend, and one of

448
00:25:52,240 --> 00:25:55,279
these weekends a record company scout is going to happen

449
00:25:55,359 --> 00:25:57,200
to wander in and they're gonna be so impressed with us.

450
00:25:57,200 --> 00:25:59,920
They're gonna sign us to this major label ten album deal,

451
00:26:00,519 --> 00:26:03,119
and they're gonna fly us out, and we're gonna stay

452
00:26:03,160 --> 00:26:06,519
in the Playboy mansion. Uh while we make our album

453
00:26:06,599 --> 00:26:07,440
and we're gonna hang out.

454
00:26:07,480 --> 00:26:10,400
Speaker 1: What year are you thinking, I guess, And we're gonna

455
00:26:10,480 --> 00:26:13,400
we're gonna hang out with supermodels and and we're gonna

456
00:26:13,400 --> 00:26:14,079
be millionaires.

457
00:26:14,160 --> 00:26:19,839
Speaker 7: And because that's obviously how it works, I don't really

458
00:26:20,000 --> 00:26:22,880
run into that anymore, but but there are that's kind

459
00:26:22,880 --> 00:26:24,799
of I mean a little bit hyperbolic about it. But

460
00:26:25,240 --> 00:26:27,200
but do you run into that? People just have like

461
00:26:27,599 --> 00:26:29,000
these old ideas.

462
00:26:28,680 --> 00:26:31,119
Speaker 1: And well, I'm what I run into a lot, And

463
00:26:31,160 --> 00:26:34,400
I think what we recently have run into is people

464
00:26:35,160 --> 00:26:39,920
who have a negative perspective because of their past, you know,

465
00:26:40,000 --> 00:26:45,240
associations with the industry itself. They haven't learned how to

466
00:26:45,319 --> 00:26:49,519
move forward and understand that the future isn't what it

467
00:26:49,759 --> 00:26:54,400
was ten twenty years ago, and so you are were

468
00:26:54,599 --> 00:26:57,880
responsible for making our own way and our futures. So

469
00:26:58,480 --> 00:27:01,240
I feel like a lot of people get stuck like, oh,

470
00:27:01,559 --> 00:27:04,200
you know, I'm not able to move forward into this.

471
00:27:04,640 --> 00:27:08,119
So there's like, yeah, kind of that where they think

472
00:27:08,200 --> 00:27:11,440
that nothing happens or nothing is happening and no one

473
00:27:11,559 --> 00:27:14,519
does anything. But no, that's not true. You're just not

474
00:27:14,640 --> 00:27:15,400
in it anymore.

475
00:27:15,480 --> 00:27:18,559
Speaker 7: I guess, right, right, I guess what what would be

476
00:27:18,640 --> 00:27:21,400
the modern day version of what I what I just described.

477
00:27:21,440 --> 00:27:23,319
I guess it would be like the person who think, like,

478
00:27:23,359 --> 00:27:26,160
do you ever run into somebody who thinks maybe they're

479
00:27:26,200 --> 00:27:29,000
maybe they're kind of thinking too much the other way

480
00:27:29,079 --> 00:27:31,079
where they think I need to be well, I need

481
00:27:31,160 --> 00:27:33,799
to be an influencer, like I need to uh while TikTok.

482
00:27:33,880 --> 00:27:35,759
I guess it is about to go dark. But but

483
00:27:35,880 --> 00:27:37,720
I but you know, but the person who thinks if

484
00:27:37,720 --> 00:27:39,400
I can just like get a viral, if I can

485
00:27:39,480 --> 00:27:43,039
go viral, then my music will be successful because whatever

486
00:27:43,119 --> 00:27:44,839
I go viral for it doesn't even necessarily have to

487
00:27:44,880 --> 00:27:46,759
be my music. I just have to go viral, and

488
00:27:46,799 --> 00:27:48,839
then I'm going to be this, you know, and then

489
00:27:48,880 --> 00:27:52,799
I'll I'll get that ten album deal nobody gets anymore

490
00:27:52,880 --> 00:27:53,480
or something like that.

491
00:27:53,799 --> 00:27:56,920
Speaker 1: I mean, I mean it does take work in all avenues.

492
00:27:57,079 --> 00:27:59,400
Whether or not you intend to go viral or not,

493
00:27:59,640 --> 00:28:02,680
you still have to do the work and there's certain

494
00:28:02,759 --> 00:28:06,920
methodologies in order for that to be successful. We don't

495
00:28:07,000 --> 00:28:08,920
know all the secrets, but we have some of them

496
00:28:09,000 --> 00:28:11,240
over at New Hampshire Underground. Yeah, you know, we know

497
00:28:11,440 --> 00:28:13,880
how to work the analytics and how to work the

498
00:28:14,000 --> 00:28:17,519
programs and how to you know, get things going. But

499
00:28:17,640 --> 00:28:19,519
I can't say that I would be the cure all

500
00:28:19,640 --> 00:28:22,279
for anybody. If you're thinking that route. A lot of

501
00:28:22,359 --> 00:28:23,119
it is within you.

502
00:28:23,359 --> 00:28:25,759
Speaker 7: You know, you have to do the work exactly. Yeah,

503
00:28:26,119 --> 00:28:30,119
that's the thing too. People some people think some people think, well,

504
00:28:30,160 --> 00:28:32,000
I'm so talented, I don't have to do the work.

505
00:28:32,119 --> 00:28:35,000
I deserve to be successful, you know, and then they.

506
00:28:35,279 --> 00:28:36,920
Speaker 1: Yeah, there's a lot of people who think like that,

507
00:28:37,119 --> 00:28:39,720
and no, it doesn't work that way. Unfortunately. You can't

508
00:28:39,759 --> 00:28:41,839
just sit there and look pretty right right.

509
00:28:42,000 --> 00:28:44,640
Speaker 7: Yeah, yeah, No, there is a there's a lot of that.

510
00:28:44,880 --> 00:28:49,960
And what's the expression, every overnight success was years in

511
00:28:50,000 --> 00:28:50,799
the making, you know.

512
00:28:51,039 --> 00:28:55,359
Speaker 1: Yeah, So yeah, I mean everybody has to hone their

513
00:28:55,480 --> 00:28:58,920
craft too. I know, there's it's a lot easier these

514
00:28:59,000 --> 00:29:02,079
days to do your craft and record and make it yourself,

515
00:29:02,440 --> 00:29:04,079
but you just have to keep working at it.

516
00:29:04,359 --> 00:29:10,440
Speaker 7: Yeah, yeah, absolutely, like Dead Harrison, Yeah yeah, absolutely, yeah,

517
00:29:10,680 --> 00:29:13,519
you guys have been how long has that Harrison been

518
00:29:13,559 --> 00:29:17,000
around now? Fifteen sixteen years?

519
00:29:17,079 --> 00:29:17,319
Speaker 1: Wow?

520
00:29:17,559 --> 00:29:22,279
Speaker 7: Yeah? Yeah, I mean And that's the thing is.

521
00:29:22,359 --> 00:29:26,519
Speaker 8: Like taking that's also another educational part of like she

522
00:29:26,680 --> 00:29:29,519
may be doing more of that back end the you know,

523
00:29:29,720 --> 00:29:34,279
the the work that you need to the behind the

524
00:29:34,400 --> 00:29:38,480
back end of the business stuff of what you can

525
00:29:38,720 --> 00:29:43,559
do as a musician. Yeah, whereas I'm able to take

526
00:29:43,680 --> 00:29:47,319
my experiences and even like being the guy that's running

527
00:29:47,359 --> 00:29:51,000
sound when Katie was there running sound, even like even

528
00:29:51,160 --> 00:29:54,759
I was having an open mind, like watching some of

529
00:29:54,799 --> 00:29:57,400
the things that she was doing and paying attention to

530
00:29:57,599 --> 00:30:02,920
and how can so for me. It's also educating people

531
00:30:03,799 --> 00:30:08,680
on how to communicate with the sound person, yep, because

532
00:30:09,119 --> 00:30:11,240
so many times, how many venues that you're just like

533
00:30:11,319 --> 00:30:12,799
you don't know what to say, you don't know how

534
00:30:12,880 --> 00:30:15,160
to communicate with that person, what you may need and

535
00:30:15,279 --> 00:30:20,039
your monitor friends, yourself and sometimes it's even having that

536
00:30:20,160 --> 00:30:23,079
prideful attitude of being like I want this, I need this,

537
00:30:23,279 --> 00:30:26,359
I got to have no open up a dialogue with

538
00:30:26,440 --> 00:30:29,319
the sound person. You wonder why the sound people are

539
00:30:29,359 --> 00:30:32,960
all grumpy and jaded. Yes, because they're sick of dealing

540
00:30:33,039 --> 00:30:35,559
with idiots. Yes, So open up your mind a little

541
00:30:35,599 --> 00:30:41,759
bit and learn about what's going on on the other end. Also,

542
00:30:42,400 --> 00:30:45,519
we can focus on being like good musicians, but it's

543
00:30:45,599 --> 00:30:49,160
also good to have that back end knowledge of like,

544
00:30:49,680 --> 00:30:52,720
what's that guy, what's his job back there? How can

545
00:30:52,759 --> 00:30:55,440
I help him so that it can make us also

546
00:30:55,559 --> 00:30:56,559
sound really great?

547
00:30:56,720 --> 00:30:58,240
Speaker 7: Yeah, yeah, you know, so.

548
00:30:58,400 --> 00:31:01,599
Speaker 8: Good communication is key and then once you got everybody

549
00:31:01,759 --> 00:31:05,519
like all happy with their sound on stage, then you

550
00:31:05,599 --> 00:31:08,720
pump it out. But I think that that's the thing

551
00:31:08,799 --> 00:31:12,359
is also teaching people to understand like how to get

552
00:31:12,440 --> 00:31:15,160
things set up, how to start working a soundboard. Hey,

553
00:31:15,240 --> 00:31:17,319
here's how you set up your monitors. Hear, how you

554
00:31:17,400 --> 00:31:19,839
set up your systems. You can keep track of all

555
00:31:19,920 --> 00:31:23,200
this stuff. Here's what your gains are. Here's where you

556
00:31:23,279 --> 00:31:25,599
want to kind of keep your eques and think about

557
00:31:25,640 --> 00:31:30,079
your equalizer in the sense of each instrument. Each thing

558
00:31:30,279 --> 00:31:36,039
has its own space that it occupies in the EQ range.

559
00:31:36,799 --> 00:31:39,680
So you can clean your sound up a lot when

560
00:31:39,720 --> 00:31:42,279
you pull the unneeded frequencies out of the things.

561
00:31:43,559 --> 00:31:46,519
Speaker 1: Anybody wants to learn and teaching, yeah.

562
00:31:46,599 --> 00:31:48,000
Speaker 7: Yeah, yeah, And that's the thing.

563
00:31:48,319 --> 00:31:50,759
Speaker 8: I mean, there's stuff that's going to be happening where,

564
00:31:51,079 --> 00:31:53,880
you know, whether or not I'm going on a show

565
00:31:54,119 --> 00:31:57,279
or doing something else. I want to be training people

566
00:31:57,359 --> 00:31:59,960
how to run sound, and not just how to run sound,

567
00:32:00,119 --> 00:32:02,319
but how to run it good. Yeah, how to communicate

568
00:32:02,400 --> 00:32:04,359
with the band, all the things to pay attention to

569
00:32:04,559 --> 00:32:07,599
so that you're not going to blow fuses ye, or

570
00:32:07,640 --> 00:32:09,079
you're not going to blow your piasis.

571
00:32:09,240 --> 00:32:12,599
Speaker 1: We are hiring at Terminus Underground right now for a

572
00:32:12,720 --> 00:32:16,279
sound engineer or sound tech to do gigs with us

573
00:32:16,440 --> 00:32:20,039
and for us because Andre probably will be going on tour,

574
00:32:20,240 --> 00:32:22,799
going out there, you know, and doing other shows, so

575
00:32:22,880 --> 00:32:24,880
we are going to need some backups. So if anybody

576
00:32:25,039 --> 00:32:28,440
is interested, email us at New Hampshire Underground at gmail

577
00:32:28,480 --> 00:32:28,880
dot com.

578
00:32:29,079 --> 00:32:33,039
Speaker 7: I wish I could split myself into many pieces. No,

579
00:32:33,200 --> 00:32:34,759
it's a great point though about it, And like you said,

580
00:32:34,759 --> 00:32:36,880
I want to make friends with the sound guy because

581
00:32:37,000 --> 00:32:41,319
or a sound woman, which are very very few.

582
00:32:41,559 --> 00:32:43,359
Speaker 1: Shout out to Katie Read. She's one of the best

583
00:32:43,400 --> 00:32:44,000
in the industry.

584
00:32:44,119 --> 00:32:48,200
Speaker 7: Oh, she does a great job. Yeah, absolutely, I've seen.

585
00:32:48,440 --> 00:32:51,279
I'm sure all three of us have seen countless examples

586
00:32:51,359 --> 00:32:53,400
of like you know, like you were saying, andre, like

587
00:32:53,400 --> 00:32:57,200
people getting impatient with the sound guy, or not being

588
00:32:57,279 --> 00:33:00,920
as pleasant as and professional as the should be. And

589
00:33:01,160 --> 00:33:03,920
whenever I see that, I think, the thought that goes

590
00:33:04,160 --> 00:33:06,599
through my head is the same thing whenever somebody is

591
00:33:06,799 --> 00:33:10,480
rude in a restaurant to the wait staff or anybody.

592
00:33:11,079 --> 00:33:14,079
It's like, you know, before they even get their food,

593
00:33:14,480 --> 00:33:17,480
you shouldn't do that for two, well two reasons, one

594
00:33:17,519 --> 00:33:19,920
of them obvious, because you just shouldn't be rude to people.

595
00:33:20,160 --> 00:33:25,039
Number one. Yeah, but number two, you're being rude to

596
00:33:25,119 --> 00:33:27,480
somebody who if they want to, they can spit in

597
00:33:27,559 --> 00:33:29,200
your food and you'll never know it, you know what

598
00:33:29,279 --> 00:33:31,799
I mean. I mean, I personally have never worked in

599
00:33:31,839 --> 00:33:35,599
a restaurant, but the stories I've heard about how people

600
00:33:35,880 --> 00:33:37,480
who are rude are dealt with.

601
00:33:37,680 --> 00:33:40,759
Speaker 1: Let me wipe my meat on your meat on my shoes.

602
00:33:40,680 --> 00:33:41,640
Speaker 4: Yeah exactly.

603
00:33:41,759 --> 00:33:45,519
Speaker 7: So it's so it's so crazy, like like to ever,

604
00:33:46,039 --> 00:33:49,680
you know, be rude to anybody working in food service,

605
00:33:49,880 --> 00:33:52,759
but especially before you actually get your food. So I

606
00:33:53,079 --> 00:33:55,400
think the same thing whenever I see somebody dealing with

607
00:33:55,480 --> 00:33:58,960
a sound person, you know, and they're not being professional

608
00:33:59,039 --> 00:34:01,599
and they're not being kind or patient or whatever. It's like,

609
00:34:02,119 --> 00:34:05,960
well that sound person has they hold your set in

610
00:34:06,039 --> 00:34:09,920
their hands. They can make you sound terrible if they

611
00:34:10,000 --> 00:34:10,320
want to.

612
00:34:10,880 --> 00:34:11,719
Speaker 3: What are you doing?

613
00:34:12,440 --> 00:34:14,800
Speaker 1: Or they could fall asleep at the soundboard, which I

614
00:34:14,880 --> 00:34:15,360
have seen.

615
00:34:17,480 --> 00:34:18,880
Speaker 7: I haven't seen that. You've seen that really?

616
00:34:19,000 --> 00:34:23,000
Speaker 1: Yeah, I saw that in Boston. But in his defense,

617
00:34:23,039 --> 00:34:25,519
he actually was a very good sound person. He might

618
00:34:25,599 --> 00:34:26,639
just have had an earcolepsy.

619
00:34:27,039 --> 00:34:27,280
Speaker 7: Yeah.

620
00:34:28,360 --> 00:34:34,480
Speaker 1: Just we teach those professional behaviors over at New Hampshire Underground.

621
00:34:34,519 --> 00:34:37,559
We teach professionalism over there and professional courtesy and how

622
00:34:37,599 --> 00:34:42,199
to communicate effectively. So anyone who wants to learn the

623
00:34:42,360 --> 00:34:45,880
ropes about how to work within the music industry, how

624
00:34:45,920 --> 00:34:49,440
to build relationships, how to network appropriately, that's something that

625
00:34:49,840 --> 00:34:53,480
is totally teachable. Yeah, and we'll be doing more workshops,

626
00:34:53,559 --> 00:34:56,159
like we have one on one sessions over there, and

627
00:34:56,679 --> 00:34:59,360
some people like six Minds combined in the Whole Loaf

628
00:34:59,440 --> 00:35:02,719
and Ed Harrison or VIP members of Terminus I mean

629
00:35:02,800 --> 00:35:05,719
of New Hampshire Underground, so they get like the top

630
00:35:05,840 --> 00:35:08,800
level of consulting with me, but then we have group

631
00:35:08,880 --> 00:35:11,199
sessions that we'll be doing as well, that it might

632
00:35:11,239 --> 00:35:13,320
be a little bit more cost effective for some people.

633
00:35:13,679 --> 00:35:16,800
Speaker 7: Yeah, no, I think that's excellent. By the way, So

634
00:35:16,960 --> 00:35:18,800
we've got some folks in the chat room I want

635
00:35:18,800 --> 00:35:20,559
to say hello to. One of them is Lewis Tyvee,

636
00:35:21,079 --> 00:35:22,840
and he made a couple of great comments. But I

637
00:35:22,880 --> 00:35:25,239
also for those watching online, I got to put the.

638
00:35:26,239 --> 00:35:28,840
Speaker 1: Whoops, I see Lacy online.

639
00:35:28,920 --> 00:35:31,760
Speaker 7: High Lacey, I gotta put the camera. Okay, I put

640
00:35:31,800 --> 00:35:34,519
the camera back on me for a moment because I

641
00:35:34,559 --> 00:35:36,599
happened to be wearing the shirt, the wonderful shirt our

642
00:35:36,599 --> 00:35:39,199
friend Lewis Tyvee from across the Pond, very talented musician,

643
00:35:39,639 --> 00:35:41,559
and this happens to be the shirt that I grabbed

644
00:35:41,599 --> 00:35:45,960
this morning. He sent us an entire care package of

645
00:35:46,400 --> 00:35:48,840
shirt and buttons and CDs and the whole deal. So

646
00:35:49,559 --> 00:35:51,159
but yeah, he's been a big supporter of the show.

647
00:35:51,199 --> 00:35:54,159
We'll have to definitely have to have him on. Let's

648
00:35:54,159 --> 00:35:57,239
see I see Lacey yup New Hampshire Underground. Oh that's

649
00:35:57,280 --> 00:36:00,920
another who I am. That's another one of those songs

650
00:36:01,039 --> 00:36:03,480
that I get that I wake up with in my head.

651
00:36:03,599 --> 00:36:07,000
Let's go that when it's time to run. Yeah, let

652
00:36:07,039 --> 00:36:08,960
me know when it's time to rock, let me know

653
00:36:09,199 --> 00:36:11,440
when it's time to rock. I often wake up with

654
00:36:11,519 --> 00:36:14,000
that song in my head too. It's it's quite infectious. Yeah.

655
00:36:14,039 --> 00:36:17,679
Speaker 1: Lacey's a musician member of New Hampshire Underground, so that

656
00:36:17,800 --> 00:36:21,880
means that she gets access to the community jam space

657
00:36:21,960 --> 00:36:23,760
as well as the artists and musician love.

658
00:36:24,079 --> 00:36:29,400
Speaker 7: Yeah. Yeah, excellent. So Lewis Tivee says, can confirm I've

659
00:36:29,400 --> 00:36:32,800
played a few shows that got sabotaged by the sound

660
00:36:32,880 --> 00:36:38,119
guy and venue owner too. Yeah, that that can happen.

661
00:36:39,880 --> 00:36:44,519
And he also said absolutely hate the influencer culture. It

662
00:36:44,639 --> 00:36:47,000
really cuts into the fun of the music making process

663
00:36:47,199 --> 00:36:50,360
and it dilutes the artist in my opinion, because you're

664
00:36:51,000 --> 00:36:56,199
competing with people posting goodness knows what, which seems which

665
00:36:56,199 --> 00:36:59,599
seems to get endless engagement, but the average person doesn't

666
00:36:59,599 --> 00:37:02,559
seem as interested in indie music anymore. We're going to

667
00:37:02,639 --> 00:37:05,280
get to a stage, We're going to get to a

668
00:37:05,360 --> 00:37:08,800
stage where all we have is classic rock, et cetera.

669
00:37:09,159 --> 00:37:11,280
It's hard to compete with wealthy artists who can afford

670
00:37:11,360 --> 00:37:15,880
the expensive promotions et cetera kind of how it's always

671
00:37:15,920 --> 00:37:19,000
been going away, right, I mean it's always been you

672
00:37:19,159 --> 00:37:23,320
have to compete with whoever has the money, you know.

673
00:37:23,840 --> 00:37:25,800
Speaker 1: Yeah, And I guess that is if you're talking about

674
00:37:25,960 --> 00:37:30,199
mainstream music. I think that's absolutely true. But I'm not

675
00:37:30,400 --> 00:37:34,400
ever talking about mainstream music. I'm talking about something entirely different.

676
00:37:35,000 --> 00:37:38,840
Underground music. Independent music is outside the mainstream perview. You're

677
00:37:38,880 --> 00:37:41,079
never going to get to that level. It's just like

678
00:37:41,239 --> 00:37:44,960
us in Nashua with the Nashuast Center of Performing Arts.

679
00:37:45,400 --> 00:37:48,760
They are the center for performing arts for the mainstream

680
00:37:49,000 --> 00:37:52,320
bands and artists coming into the city. They want nothing

681
00:37:52,400 --> 00:37:54,920
to do with local music. They want nothing to do

682
00:37:55,079 --> 00:37:58,440
with underground music. It's just not in their purview because

683
00:37:58,480 --> 00:38:00,880
it's not a money maker for them and they don't

684
00:38:01,000 --> 00:38:05,000
see it as a viable industry. So therefore, what else

685
00:38:05,039 --> 00:38:07,000
are we going to do? So I'm going to take

686
00:38:07,039 --> 00:38:08,960
the horns and I'm going to create my own micro

687
00:38:09,159 --> 00:38:13,519
entertainment center that's created for underground artists and indie musicians

688
00:38:13,639 --> 00:38:16,480
to thrive in. And it might not be as big

689
00:38:16,800 --> 00:38:20,920
and as you know, lucrative in that way as the

690
00:38:21,119 --> 00:38:26,079
mainstream operations, but it might be more successful in other ways,

691
00:38:26,119 --> 00:38:28,719
and I think people need to redefine their levels of

692
00:38:28,840 --> 00:38:31,800
success in their minds. I know some people really do

693
00:38:32,039 --> 00:38:34,360
like six minds combined. He wants to be a millionaire,

694
00:38:34,440 --> 00:38:36,960
and that's valid. We just have to do the work so,

695
00:38:37,320 --> 00:38:39,519
you know, we can. We only get out so much

696
00:38:39,559 --> 00:38:42,360
as what we put in, and it's all within our control.

697
00:38:43,360 --> 00:38:45,639
And if we don't have the money, then we can't

698
00:38:45,679 --> 00:38:48,800
be a millionaire necessarily. So if we're not making money,

699
00:38:49,159 --> 00:38:51,000
we can't. You know, if you're not spending money, you

700
00:38:51,079 --> 00:38:54,480
can't make money, right. So there's a lot of business

701
00:38:54,559 --> 00:38:57,679
principles that I think people forget in this industry. They're

702
00:38:57,719 --> 00:38:59,599
in it, but they don't understand it and they don't

703
00:38:59,639 --> 00:39:02,000
understand how to make money out of it. And I've

704
00:39:02,079 --> 00:39:04,320
helped people make money, and I've made money myself in

705
00:39:04,400 --> 00:39:06,199
this industry. But it's not what you think it is.

706
00:39:06,280 --> 00:39:09,840
It's not those you know, millions of dollars flashy cars.

707
00:39:10,000 --> 00:39:12,880
It's sort of more of like a satisfaction that I'm

708
00:39:12,960 --> 00:39:16,880
able to feed myself and do what I need to do,

709
00:39:17,400 --> 00:39:19,000
and then I have freedom.

710
00:39:18,840 --> 00:39:22,679
Speaker 7: Right right to do what I love. Bruce Heberlin is

711
00:39:22,719 --> 00:39:25,199
in the Facebook live chat of course from a legion

712
00:39:25,239 --> 00:39:28,079
of Solace, another organization that does music promotion, and Bruce

713
00:39:28,119 --> 00:39:31,039
says Green Jello is booking for twenty twenty five. Bring

714
00:39:31,119 --> 00:39:31,519
them back.

715
00:39:31,760 --> 00:39:33,079
Speaker 1: Yeah, I'd love to have them back.

716
00:39:33,119 --> 00:39:34,559
Speaker 7: Oh my god, that would be wonderful.

717
00:39:34,679 --> 00:39:38,199
Speaker 1: Yeah. Terminus Underground got a little spot for marketing on

718
00:39:38,679 --> 00:39:42,000
the Pool Middle Express bus, the tour bus. That was

719
00:39:42,079 --> 00:39:42,679
really fun.

720
00:39:42,880 --> 00:39:46,519
Speaker 7: Yeah, that's awesome. That's awesome. Jenny of course is in

721
00:39:46,559 --> 00:39:50,559
the chat room and sends the heart good morning, Jenny. Yeah, Jenny,

722
00:39:51,000 --> 00:39:52,719
Jenny had quite a week, so if you follow her

723
00:39:52,800 --> 00:39:55,400
social media, you know she's been doing some great stuff.

724
00:39:55,440 --> 00:39:57,440
Speaker 1: But Jenny, thank you. We're so proud of you. Thank

725
00:39:57,480 --> 00:39:59,199
you so much for standing up for people.

726
00:39:59,519 --> 00:40:03,840
Speaker 7: Absolute. Yeah, it's important. And uh oh. Jason Patterson, of course,

727
00:40:03,880 --> 00:40:05,480
one of our great friends from the state of Vermont,

728
00:40:05,599 --> 00:40:10,000
is in there. Hello. And I can't read that question

729
00:40:10,159 --> 00:40:17,280
on the air, but the phrase new direction, I think

730
00:40:17,320 --> 00:40:21,119
he misunderstood it. V Pinarda, also in the chat room,

731
00:40:21,119 --> 00:40:24,400
says good morning everyone. Ready for three to six inches

732
00:40:24,480 --> 00:40:27,079
of snow? I think here. I think we're just getting

733
00:40:27,159 --> 00:40:30,239
rain here unless something has changed, but of course we

734
00:40:30,320 --> 00:40:33,679
won't know when is this snow happening. I think tonight

735
00:40:33,880 --> 00:40:36,880
maybe no, but I think I think just up north

736
00:40:36,880 --> 00:40:38,800
they're getting I think I think here it's going to

737
00:40:38,800 --> 00:40:40,119
be rain. We've been lucky.

738
00:40:40,440 --> 00:40:43,280
Speaker 1: We have been lucky. It's been very mild winter so far.

739
00:40:43,480 --> 00:40:45,440
Speaker 7: Yeah, I mean it's been cold, but I'd rather have

740
00:40:45,519 --> 00:40:50,039
it cold and dry than snowy and icy and all

741
00:40:50,119 --> 00:40:52,599
of that, all of that awfulness.

742
00:40:53,079 --> 00:40:55,800
Speaker 1: Uh what I was going to say, that's one of

743
00:40:55,840 --> 00:41:00,960
the reasons why Terminus Underground is only open and after

744
00:41:01,119 --> 00:41:04,000
March is because we have this really horrible hill that

745
00:41:04,079 --> 00:41:04,960
gets very icy.

746
00:41:05,440 --> 00:41:06,480
Speaker 7: Oh I didn't even think of that.

747
00:41:06,679 --> 00:41:09,159
Speaker 1: Even if you plow, it still has ice patches that

748
00:41:09,280 --> 00:41:11,320
aren't very safe, and we just want to make sure

749
00:41:11,320 --> 00:41:14,480
our community is safe. Yeah, but it also gives us

750
00:41:14,519 --> 00:41:17,199
time to reflect on the year and kind of regroup

751
00:41:17,280 --> 00:41:20,360
two and and make things even better. But at the

752
00:41:20,400 --> 00:41:22,559
same time, yeah, it's a lot of safety issues.

753
00:41:22,880 --> 00:41:24,400
Speaker 7: That part never occurred to me. Yeah.

754
00:41:24,599 --> 00:41:28,119
Speaker 8: Yeah, And I mean that's another overhead expense if you're

755
00:41:28,159 --> 00:41:32,280
going to have you know, people come in and clout

756
00:41:32,360 --> 00:41:34,840
and salt. Yeah, even for me, if I have to

757
00:41:34,920 --> 00:41:37,320
do the salting out of pocket, that's a big area

758
00:41:37,360 --> 00:41:40,320
to salt. Yes, it is Yeah, that's all. That's some

759
00:41:40,840 --> 00:41:43,039
that's some pallets of salt that I have to actually

760
00:41:43,159 --> 00:41:43,840
have over there.

761
00:41:44,119 --> 00:41:44,360
Speaker 3: Yeah.

762
00:41:44,559 --> 00:41:47,280
Speaker 7: Yeah, it's just like that's funny. Yeah, I didn't even

763
00:41:47,280 --> 00:41:50,719
think of that. Yeah, so very good. Yeah if you

764
00:41:50,760 --> 00:41:52,480
are just joining as Eleanor and andre Or here with

765
00:41:52,599 --> 00:41:56,000
us talking all about New Hampshire Underground and of course

766
00:41:56,320 --> 00:42:00,239
Terminus Underground and we should uh oh, I see who

767
00:42:00,280 --> 00:42:02,440
I am is in this chat room now we had

768
00:42:02,519 --> 00:42:05,159
we kind of have to chat the way because we're

769
00:42:05,159 --> 00:42:07,960
signing it out various places and people show up various places,

770
00:42:08,000 --> 00:42:10,119
which is good. Oh and I see Sim's here. Good

771
00:42:10,159 --> 00:42:12,559
morning everyone. I said that correctly, Is it Sims?

772
00:42:12,559 --> 00:42:12,679
Speaker 10: Sir?

773
00:42:18,159 --> 00:42:23,400
Speaker 1: I figured, yeah, it's like sir and Marcy from what

774
00:42:23,599 --> 00:42:24,360
was that the Peanuts?

775
00:42:25,079 --> 00:42:28,639
Speaker 8: I thought, oh okay, yeah yeah, and for me, I

776
00:42:29,039 --> 00:42:32,639
just remember here lumber Oh okay, I kind of spelt

777
00:42:32,679 --> 00:42:33,159
the same way.

778
00:42:33,400 --> 00:42:43,960
Speaker 7: Ye okay, no whatever works. Also, uh yeah, you see

779
00:42:43,960 --> 00:42:47,639
your Khan is in the chat room, and uh said

780
00:42:47,800 --> 00:42:52,400
uh from Pakistan? Very nice, very nice.

781
00:42:52,840 --> 00:42:55,079
Speaker 1: I see Karen Beatty from More in the Light and

782
00:42:55,360 --> 00:42:57,679
John Willett from Stone Shadows.

783
00:42:58,079 --> 00:43:01,519
Speaker 7: Oh very good guys. Thanks for More in the Lights.

784
00:43:01,559 --> 00:43:04,559
Such a great band. I don't know, Stone Shadows.

785
00:43:04,280 --> 00:43:08,159
Speaker 1: They're Brandy new and Stone or rock Stoner Metal. They're

786
00:43:08,199 --> 00:43:10,760
in the building and they're going to launch it Terminus,

787
00:43:10,840 --> 00:43:11,599
I believe in May.

788
00:43:11,920 --> 00:43:17,559
Speaker 7: Excellent. Oh, very cool, good, good good? So what now

789
00:43:17,880 --> 00:43:21,760
have you announced the obviously there's the what do you

790
00:43:21,920 --> 00:43:23,199
what do you call it? You're not calling it a

791
00:43:23,239 --> 00:43:24,159
grand reopening.

792
00:43:24,559 --> 00:43:27,559
Speaker 1: Reopening party, okay, So it'll be a tour. You get

793
00:43:27,599 --> 00:43:32,199
to it's an open house, have cheese and wines, and

794
00:43:32,320 --> 00:43:35,960
then we'll do a tour of Terminus underground, the club

795
00:43:36,639 --> 00:43:39,199
and the musician and artists lounge. You'll get to see

796
00:43:39,239 --> 00:43:41,719
that in the workshop podcast space that we have. So

797
00:43:41,800 --> 00:43:44,079
we have more of like a multipurpose space in the

798
00:43:44,199 --> 00:43:46,639
second room now which can be used either for art

799
00:43:46,679 --> 00:43:51,400
workshops or podcasting. And then downstairs is the community jam space.

800
00:43:51,840 --> 00:43:53,719
So we'll give you a full tour, we can talk

801
00:43:53,760 --> 00:43:58,920
about membership and what that entails. It's very accessible because

802
00:43:58,920 --> 00:44:01,440
there's all sorts of prices price levels for you know,

803
00:44:01,519 --> 00:44:04,079
whatever you're looking to do with yourself or your music career.

804
00:44:04,480 --> 00:44:06,320
If you're just looking for a place to hang out,

805
00:44:06,400 --> 00:44:08,119
it can be as low as twenty dollars a month.

806
00:44:08,320 --> 00:44:10,119
Speaker 7: Yeah, yeah, okay, and.

807
00:44:10,679 --> 00:44:13,000
Speaker 1: Yeah, we are going to talk about that and some

808
00:44:13,159 --> 00:44:16,559
of the upcoming opportunities to join us as a volunteer

809
00:44:16,679 --> 00:44:17,239
if you want to.

810
00:44:18,039 --> 00:44:22,519
Speaker 7: Yeah, excellent. So that's so the open house. So that's Tuesday,

811
00:44:23,360 --> 00:44:25,559
just to remind people, Tuesday from seven to eleven.

812
00:44:25,880 --> 00:44:29,280
Speaker 1: Yep, Tuesday, the twenty first, from seven pm to eleven,

813
00:44:29,400 --> 00:44:31,920
we're going to have our grand reopening party for the

814
00:44:32,079 --> 00:44:35,679
newly branded new Hampshire Underground Outstanding.

815
00:44:35,840 --> 00:44:38,519
Speaker 7: Not really looking forward to that. And so Quincy Lord

816
00:44:38,599 --> 00:44:39,239
is playing.

817
00:44:39,000 --> 00:44:43,079
Speaker 1: That and jess Bessie Redstein Jessie Rhetstein, Yeah, both acoustic

818
00:44:44,119 --> 00:44:47,840
rock guitar players. And we're going to have three artists

819
00:44:47,880 --> 00:44:50,639
on display at our gallery. So Andre's one of them.

820
00:44:51,000 --> 00:44:53,719
He does a lot of geometric inspired art based on

821
00:44:53,760 --> 00:44:57,840
the Fibonacci sequence. And my mother, Brenda Drew, she's a designer.

822
00:44:57,920 --> 00:45:00,320
She was a fashion designer in New York. Now she

823
00:45:00,480 --> 00:45:03,760
does fashion illustrations. She's blind in one eye, so okay,

824
00:45:03,840 --> 00:45:06,920
we're going to display her art. And then Keegan Fitzgerald

825
00:45:07,039 --> 00:45:10,400
is our resident Rockstar member artist and her art is

826
00:45:10,559 --> 00:45:13,320
already in the gallery, but she's gonna have even more

827
00:45:13,400 --> 00:45:16,639
on display and for sale, and so I would just

828
00:45:17,000 --> 00:45:20,400
welcome everyone to bring you know yourselves, your families, come

829
00:45:20,519 --> 00:45:22,840
check it out. It's really cool. It's not a very

830
00:45:22,920 --> 00:45:25,719
big space. We can only have about fifty per the

831
00:45:25,760 --> 00:45:29,639
fire Marshal, but we definitely have the vibes that people

832
00:45:29,679 --> 00:45:30,239
are needing.

833
00:45:31,159 --> 00:45:35,880
Speaker 7: Yeah, absolutely, And where should people go? You've got a

834
00:45:35,960 --> 00:45:41,400
new website for the uh yeah address. Well, the physical

835
00:45:41,519 --> 00:45:44,679
address is one thirty four Hain Street. Yeah yeah.

836
00:45:44,679 --> 00:45:48,559
Speaker 1: The web address New Hampshire Underground dot org. So it's

837
00:45:48,559 --> 00:45:50,760
pretty simple. It's a dot org because eventually I'd like

838
00:45:50,840 --> 00:45:53,480
to become a nonprofit and we can support even more

839
00:45:53,599 --> 00:45:56,800
artists and musicians and get grant funding from We have

840
00:45:56,880 --> 00:46:00,719
a City Grant Arts Commission, so they are grant money

841
00:46:00,840 --> 00:46:05,840
from the city for local art organizations, and then there's

842
00:46:06,159 --> 00:46:10,000
state funding and also federal funding available for artists and

843
00:46:10,119 --> 00:46:12,800
musicians that it's very difficult to tap unless you are

844
00:46:13,280 --> 00:46:16,239
a nonprofit. So that's the direction that we're planning on

845
00:46:16,360 --> 00:46:20,840
going in Right now, we're sole proprietorship, but we want

846
00:46:20,960 --> 00:46:23,079
to kind of level the playing field. So every time

847
00:46:23,159 --> 00:46:26,039
someone comes and plays at Terminus, everybody gets paid. We

848
00:46:26,159 --> 00:46:28,400
all split it evenly. It's not like you know, you

849
00:46:28,519 --> 00:46:32,239
get seven dollars because you showed up in the club

850
00:46:32,320 --> 00:46:36,199
didn't do their job right. Emotions. Everybody has to pay

851
00:46:36,199 --> 00:46:38,920
a ticket price of fifteen dollars or twenty for our

852
00:46:39,000 --> 00:46:44,440
vipizza vip tickets, and we split it all evenly between us,

853
00:46:45,000 --> 00:46:48,639
the sound person and the bands. So you know, it's

854
00:46:48,920 --> 00:46:51,199
good because people are there to have a good time,

855
00:46:51,280 --> 00:46:53,119
but then they're making a little bit to take home

856
00:46:53,159 --> 00:46:53,760
with them as well.

857
00:46:53,960 --> 00:46:59,679
Speaker 8: Yes, everybody's doing work, yeah, exactly, exactly. It's definitely not

858
00:46:59,760 --> 00:47:05,920
about making a profit. It's about everybody is worth something, right,

859
00:47:06,159 --> 00:47:08,760
like all the work that we do, you know. So

860
00:47:09,119 --> 00:47:12,960
it's good all across the board because it gives everybody

861
00:47:13,079 --> 00:47:13,840
that incentive.

862
00:47:14,559 --> 00:47:18,079
Speaker 1: We need everyone to feel valued and valuable because we're

863
00:47:18,280 --> 00:47:22,679
sick of the industry standards. We ran into industry standards

864
00:47:22,800 --> 00:47:26,000
a few months ago and I'm still I would like

865
00:47:26,119 --> 00:47:29,519
to break the status quo where the headliner comes in

866
00:47:29,599 --> 00:47:32,119
and they're the only people that get paid and they're

867
00:47:32,159 --> 00:47:34,440
the only people that matter, even though they only came

868
00:47:34,480 --> 00:47:36,960
in ten minutes before they're set, and they never supported

869
00:47:37,039 --> 00:47:40,480
the show and they never advertised, and everybody else worked

870
00:47:40,559 --> 00:47:42,679
so hard and they got screwed am I allowed to

871
00:47:42,719 --> 00:47:47,400
say that, Yes you are because someone got greedy and

872
00:47:47,519 --> 00:47:49,639
we're not going to do that. I'm never going to

873
00:47:49,719 --> 00:47:52,119
do that to anyone. I'm never going to just you know,

874
00:47:52,599 --> 00:47:55,320
capitalize on something that should be shared wealth.

875
00:47:55,559 --> 00:48:01,519
Speaker 7: Yeah, excellent, right guys, right, No, that's that's outstanding.

876
00:48:01,599 --> 00:48:03,679
Speaker 1: Can stand it. I mean, I feel like sometimes the

877
00:48:03,760 --> 00:48:06,280
mother of dragons, and I've gotten called recently. I'm like

878
00:48:06,760 --> 00:48:09,760
Lady Red Queen. I'm like, I'm gonna be the mother

879
00:48:09,840 --> 00:48:12,800
of dragons. I'm going to get on my dragon. I'm

880
00:48:12,840 --> 00:48:15,920
going to flame this industry down and I'm not going

881
00:48:16,000 --> 00:48:17,800
to stop until I change the status quo.

882
00:48:18,079 --> 00:48:20,679
Speaker 7: There you go, there you go. Very good. Oh, by

883
00:48:20,679 --> 00:48:22,400
the way, hello to Aaron Milladough who I see in

884
00:48:22,440 --> 00:48:26,639
the Facebook chat. Excellent. Well, we gotta we gotta wrap

885
00:48:26,760 --> 00:48:28,400
up the segment. I'm thinking I'm actually gonna play I'm

886
00:48:28,400 --> 00:48:30,360
gonna play a Dead Harrison song. I'm thinking about actually

887
00:48:30,400 --> 00:48:32,599
playing Monolith Lord. Oh there you go.

888
00:48:32,840 --> 00:48:34,599
Speaker 1: Yeah that's the best song. I love that song.

889
00:48:34,679 --> 00:48:36,360
Speaker 7: Do yeah. Yeah, I think we'll I think we'll go

890
00:48:36,440 --> 00:48:38,880
with that. But thank you both so much of course. Uh.

891
00:48:39,239 --> 00:48:41,920
New Hampshire Underground very excited for twenty twenty five.

892
00:48:41,840 --> 00:48:44,760
Speaker 1: And yeah, come on down John thirty four Haynes Street.

893
00:48:45,000 --> 00:48:46,840
Speaker 7: Jenny and I will be there Tuesday night. Really looking

894
00:48:46,880 --> 00:48:50,119
forward to that. So in New Hampshire. Underground dot org

895
00:48:50,800 --> 00:48:54,320
is the new website. Check that out, eleanor Andre. Thank

896
00:48:54,360 --> 00:48:56,800
you both so much. Thank you for having us here,

897
00:48:57,039 --> 00:48:58,400
absolutely and we will.

898
00:48:58,480 --> 00:48:59,320
Speaker 1: Everybody for watching.

899
00:48:59,519 --> 00:49:02,440
Speaker 7: Yes, yeah, and if you're listening live on Saturday, stick around.

900
00:49:02,480 --> 00:49:04,639
We have Nancy Manet coming up. She's gonna be stapping

901
00:49:04,679 --> 00:49:06,920
in from Texas at the top of the hour. But

902
00:49:07,039 --> 00:49:10,079
we will end this segment with this is Monolith Lord

903
00:49:10,519 --> 00:49:11,719
and this is Daed Harrison.

904
00:49:12,519 --> 00:49:15,960
Speaker 3: What was this amazing power that could turn people into stone,

905
00:49:16,239 --> 00:49:20,840
that could suddenly turn inanimate rocks, stones, monolids into growing, spreading,

906
00:49:20,960 --> 00:49:25,000
expanding monsters, threatening to indul whole towns and cities, to

907
00:49:25,159 --> 00:49:29,280
bury all civilization under an immensity of weight beyond all calculations.

908
00:50:04,239 --> 00:50:08,440
Speaker 2: Scotty suppose.

909
00:50:13,880 --> 00:50:24,559
Speaker 11: The strange skilled me all city weeks set no storm back.

910
00:50:30,559 --> 00:50:31,599
Speaker 12: Black col.

911
00:50:39,159 --> 00:50:43,719
Speaker 11: Scoobut strange O.

912
00:50:45,199 --> 00:50:49,960
Speaker 8: Talk alack, shock, no s.

913
00:50:52,360 --> 00:51:23,280
Speaker 12: BA, no, yup, no for that smoke, the full the

914
00:51:23,440 --> 00:51:50,800
lead to out, Dolly'll.

915
00:51:42,039 --> 00:51:49,760
Speaker 4: No stay.

916
00:51:51,079 --> 00:52:39,119
Speaker 11: Nah, don't see till that structure no shin.

917
00:54:00,199 --> 00:54:58,960
Speaker 5: F turn forshal French, my diles SS stop.

918
00:56:07,320 --> 00:56:07,559
Speaker 12: Over.

919
00:56:16,639 --> 00:56:18,840
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920
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921
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922
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923
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925
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927
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928
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930
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932
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933
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935
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936
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937
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938
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939
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940
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941
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942
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946
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00:58:00,119 --> 00:58:03,880
located on Elm Street in Manchester. Groland handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options, check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

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expenses here. Visit Groland dot com or called Grolling Computers

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at six zero three six four five zero one zero

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one Your tech, your way. Trust Groland Computers seven times

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out of ten we listened to our music at night.

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Don titled book Business Program.

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Speaker 15: Late Night to Light with DJ Midas Right here on

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WMNH Manchester You Wonder.

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Speaker 1: W because Saturdays and Sunday nights midnight to four am.

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Speaker 7: This hour on wm NH is sponsored by CGI Business

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Solutions at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eight four one

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forty six hundred, or on the web at CGI business

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Solutions dot com.