WEBVTT

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<v Speaker 1>You're listening to Later with Moe Kelly on demand from

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<v Speaker 1>KFI AM six forty.

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<v Speaker 2>The world's biggest selling soprano and legendary Grammy Award nominated artists,

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<v Speaker 2>Sarah Brightman, is back to spread holiday cheer.

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<v Speaker 3>This upcoming season.

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<v Speaker 2>Sarah will once again dazzle us with her a Christmas

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<v Speaker 2>Symphony Tour, with its North American leg beginning November twenty ninth.

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<v Speaker 2>It's coming up. Accompanied by orchestra, choir and special guests.

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<v Speaker 2>This enchanting holiday show will feature Sarah performing many of

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<v Speaker 2>her holiday classics and greatest hits. Tickets are available at

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<v Speaker 2>Sarah Brightman dot com and now she joins me on

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<v Speaker 2>the show. Imagine that, Miss Brightman. A pleasure to meet you.

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<v Speaker 2>How are you this evening?

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<v Speaker 4>I'm very well. It's love me to speak to you.

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<v Speaker 4>How I hope you're well.

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<v Speaker 2>I am well, and I've been looking forward to this

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<v Speaker 2>conversation for quite some time.

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<v Speaker 3>But I am curious.

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<v Speaker 2>How does a kid who originally started with dance and

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<v Speaker 2>piano lessons end up becoming the best selling soprano in history.

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<v Speaker 2>Was seeing ever your first love growing up? Or did

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<v Speaker 2>you just fall into it? Do you know?

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<v Speaker 4>I always love to sing.

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<v Speaker 5>My mother said, I was kind of singing before I

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<v Speaker 5>could even speak.

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<v Speaker 4>But I just such a young age. I was never

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<v Speaker 4>never able to sort of train the voice, because.

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<v Speaker 5>You shouldn't really train voices until you're like sixteen. So

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<v Speaker 5>I did a little bit, so I supposed to fill in.

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<v Speaker 5>I became a dancer early in life because you could

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<v Speaker 5>do that, and I learned acting and all the things

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<v Speaker 5>within the arts because I love the arts and I

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<v Speaker 5>love what I do. So I think it was just

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<v Speaker 5>just following my voice and training and working really really

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<v Speaker 5>hard and having a passion for what I do. And

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<v Speaker 5>I never expected the sort of fame and all the

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<v Speaker 5>stuff that came with it, but it did. And so

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<v Speaker 5>I've embraced everything, and I you know, in my age now,

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<v Speaker 5>I'm still embracing it and still going.

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<v Speaker 4>Through the journey.

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<v Speaker 2>Talking about this journey. The holidays can mean many things

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<v Speaker 2>to people. Holidays can be very personal. But when the

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<v Speaker 2>holidays become part of your annual tradition and vocation, does

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<v Speaker 2>it change the feeling? Does it take away some of

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<v Speaker 2>its magic because you're working most of the holidays.

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<v Speaker 5>No, Because the Christmas show, my Christmas show is very

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<v Speaker 5>very personal to me, and it actually started at the

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<v Speaker 5>beginning of COVID, and I wanted to wanted to sort

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<v Speaker 5>of bring everybody up and all my musician friends that

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<v Speaker 5>weren't making any money or anything. I thought, I've got

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<v Speaker 5>to get a smile on everybody's faces. So I thought,

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<v Speaker 5>you know, it's that time of year. Let's put I'm

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<v Speaker 5>going to put on a Christmas show and put it

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<v Speaker 5>online and people can donate to charitors for it, and

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<v Speaker 5>it became incredibly successful. TV companies wanted to take it on,

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<v Speaker 5>and so it went all over the world and then

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<v Speaker 5>everyone said, why.

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<v Speaker 4>Don't you do the Christmas Show?

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<v Speaker 5>So I thought, that's great, and what's beautiful about it

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<v Speaker 5>is that and I I have really taken into consideration

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<v Speaker 5>how differently different people feel at Christmas time. Sometimes it's

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<v Speaker 5>a sad occasion but beautiful and poignant.

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<v Speaker 4>Sometimes it's party time.

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<v Speaker 5>Sometimes people want religious music, sometimes people just want party music.

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<v Speaker 4>Balance everything.

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<v Speaker 5>So I brought together music for the show, which they've

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<v Speaker 5>been very responsible about it, which kind of makes everybody happy.

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<v Speaker 5>And there's beautiful lighting which brings in the atmosphere of Christmas.

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<v Speaker 5>And also I myself, I love the holiday season to

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<v Speaker 5>listen to a beautiful orchestra.

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<v Speaker 4>And a big choir. So I've got that and this.

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<v Speaker 5>As well, and I think it encompasses everything you want

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<v Speaker 5>for a musical evening at that time of year, and

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<v Speaker 5>I love it.

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<v Speaker 4>I have a great passion for it.

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<v Speaker 2>How flexible is your setlist? As they say you may

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<v Speaker 2>be in the mood to sing more religious music as

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<v Speaker 2>you made mention of, or you may want to sing

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<v Speaker 2>more secular popular favorites. How much flexibility do you have?

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<v Speaker 5>There is some flexibility, but obviously because we are, you know,

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<v Speaker 5>choosing local orchestras that come in, they can only learn

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<v Speaker 5>so much so much music for it. And it's the

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<v Speaker 5>same with the choirs as well, so there's a little flexibility.

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<v Speaker 5>But what I will say, I wanted to, you know,

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<v Speaker 5>because when I go to people's concerts, I always want

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<v Speaker 5>to hear their hits. And so what I've done with

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<v Speaker 5>my hits, because I don't want to disappoint people, is

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<v Speaker 5>I brought them in and given them a much more

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<v Speaker 5>with the arrangements are much more Christmasy flavor.

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<v Speaker 4>So you know, you could get the Phantom of.

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<v Speaker 5>The Opera, but it's got you know, different different instruments

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<v Speaker 5>in there. Maybe sleigh els and all sorts of stuff

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<v Speaker 5>that make it more Christmasy, and many many others.

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<v Speaker 2>As I think about your performances of a Christmas symphony,

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<v Speaker 2>I remember there was this particular performance of Paezu and

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<v Speaker 2>it made me wonder.

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<v Speaker 3>As you tour around.

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<v Speaker 2>The world, including your North American tour which begins November

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<v Speaker 2>twenty ninth, how do the different venues figure into how

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<v Speaker 2>your performance may evolve or what you may feel in

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<v Speaker 2>a given location.

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<v Speaker 4>Do you know?

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<v Speaker 5>This is the beautiful thing about live performance is you

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<v Speaker 5>never really know how it's going to be, and from

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<v Speaker 5>the start you go, Okay, this is going to be

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<v Speaker 5>a different journey.

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<v Speaker 4>Just go with it, take what the.

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<v Speaker 5>Audience are giving you or not depending on the evening,

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<v Speaker 5>and just you know all the music, you know the songs,

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<v Speaker 5>you know how it's going to go.

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<v Speaker 4>Just play with it. And it always makes a more

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<v Speaker 4>exciting performance, actually for me, because I don't know what's

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<v Speaker 4>going to happen.

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<v Speaker 2>Not all Christmas or holiday songs may lend themselves to

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<v Speaker 2>the Sarah Brightman treatment, But are there holiday songs that

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<v Speaker 2>you just like personally but may never get around to performing.

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<v Speaker 4>I probably think there may be a lot of them.

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<v Speaker 4>I can't that in my head.

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<v Speaker 5>I have probably lists of sums that that didn't didn't

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<v Speaker 5>pass for this particular thing.

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<v Speaker 4>It doesn't mean that they weren't.

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<v Speaker 5>Really good, they just didn't suit this particular type of show.

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<v Speaker 5>Probably pieces which are need much much huger orchestras and

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<v Speaker 5>choirs and things like that that don't work unless you

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<v Speaker 5>have that kind of situation.

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<v Speaker 2>I know when I think of Christmas or the holiday

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<v Speaker 2>seas and I always think of the Christmas dinner. I

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<v Speaker 2>think of the family gathered round the table, the moment

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<v Speaker 2>in which we're all together that we probably won't be

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<v Speaker 2>with the rest of the year. Is there a singular

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<v Speaker 2>moment that may occupy your mind during the holiday or

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<v Speaker 2>maybe during your performances.

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<v Speaker 5>Well, it's funny to say that, actually, because because these

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<v Speaker 5>songs are emotional for me to see, they just start

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<v Speaker 5>because it's Christmas is that time of year. And through

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<v Speaker 5>some of the songs, yes, I do go through moments

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<v Speaker 5>of thoughts and moments of times that I've had.

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<v Speaker 4>With my family. They can be very happy times, they

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<v Speaker 4>can be sad times.

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<v Speaker 5>Sometimes I can through the songs, I can smell the

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<v Speaker 5>Christmas dinner, or I can imagine my mother sort of

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<v Speaker 5>making things, and you know, going back to childhood and

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<v Speaker 5>when we made Christmas decorations or went and bought them,

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<v Speaker 5>or we'd go and see Father Christmas or see stuff

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<v Speaker 5>in the All of those thoughts always come to me

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<v Speaker 5>when I'm performing.

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<v Speaker 3>Some of these songs thinking about those thoughts.

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<v Speaker 2>I know, in just my limited experience of singing, I

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<v Speaker 2>may get caught up in the emotion of a moment.

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<v Speaker 2>And when you sing holiday songs sometimes you may remember

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<v Speaker 2>people who have passed on or people that you just miss.

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<v Speaker 2>More generally, do you find yourself ever struggling with the

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<v Speaker 2>emotion of the moment while you're singing.

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<v Speaker 5>I do sometimes, and I have to because obviously have

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<v Speaker 5>to get my voice out, and so I have to.

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<v Speaker 5>I sometimes I struggle with that a little bit. There's

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<v Speaker 5>a beautiful piece I do singing, which is called a

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<v Speaker 5>Paa sou, and it's from a piece called Requiem, and

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<v Speaker 5>I sing it for the people that have because we've

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<v Speaker 5>all lost people in our lives.

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<v Speaker 4>On holidays always bring that back.

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<v Speaker 5>Up to us very strongly because we'll remember that person

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<v Speaker 5>being with us. So I do sing that particular religious piece,

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<v Speaker 5>especially for people that have maybe.

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<v Speaker 4>Gone through this.

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<v Speaker 2>Sarah Brightman is back to spread holidayach year this upcoming season,

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<v Speaker 2>and she'll dazzle audiences once again with her A Christmas

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<v Speaker 2>Symphony tour, which has this North American portion kicking off

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<v Speaker 2>coming up in just a few days on the twenty ninth.

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<v Speaker 2>Tickets are available right now at Sarah Brightman dot com

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<v Speaker 2>Forward slash Tours. Miss Brightman has always been a joy

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<v Speaker 2>to have the opportunity to speak with you, and I

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<v Speaker 2>hope we get to do it again. Congratulations on your

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<v Speaker 2>tour and I wish you nothing but the best.

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<v Speaker 5>Thank you so much and it was lovely key to

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<v Speaker 5>you and happy holidays.

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<v Speaker 1>You're listening to Later with Moe Kelly on demand from

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<v Speaker 1>KFI AM six forty.

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<v Speaker 2>And this is going to be a big weekend in

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<v Speaker 2>the box office. Wicked is expected to do very well

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<v Speaker 2>to the tune of maybe of one hundred million dollars domestically,

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<v Speaker 2>and not far behind that and catching up fast will

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<v Speaker 2>be Gladiator too. Gladiator two has had a lot of

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<v Speaker 2>good reviews and a lot of good publicity in the

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<v Speaker 2>past two days. And I don't know if you've noticed this,

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<v Speaker 2>but even though Denzel Washington is not the stars. In

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<v Speaker 2>other words, he's not getting top billing. He may be

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<v Speaker 2>the most well known actor in the movie, but he's

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<v Speaker 2>not getting top billing. Most of the stories surrounding Gladiator

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<v Speaker 2>two are all about Denzel Washington. I've learned more about

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<v Speaker 2>Denzel Washington in the past week and a half than

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<v Speaker 2>I really want to know about Denzel Washington. There have

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<v Speaker 2>been stories about his past drug use. How are you

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<v Speaker 2>to shoot up? It's like I didn't need to know that, Yeah,

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<v Speaker 2>for real? And there was a story about how he

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<v Speaker 2>uh is a very religious person and how that's not

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<v Speaker 2>somehow popular in Hollywood. He says he doesn't care. But

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<v Speaker 2>all the stories surrounding Gladiator to trace back to Dentel Washington,

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<v Speaker 2>which means to me that there is a real buzz

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<v Speaker 2>on this movie. And here's something else if you haven't

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<v Speaker 2>paid attention. There's this new category of movies called legacy sequels.

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<v Speaker 3>What do I mean by that?

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<v Speaker 2>You have you have Mattlock, not Mattlock, Maverick, The Top

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<v Speaker 2>Gun Maverick, which is a legacy sequel of obviously Top

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<v Speaker 2>Gun Maverick. Mattlock the same thing, Tomato Tomato Pato, And

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<v Speaker 2>let's call the whole thing off and you obviously have

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<v Speaker 2>won Beetlejuice and it's sequel, I don't know how many

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<v Speaker 2>years after the fact. And now you have Gladiator, which

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<v Speaker 2>was in year two thousand and the sequel in twenty

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<v Speaker 2>twenty four. You have Blade Runner talking about Ridley Scott.

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<v Speaker 2>So many years in between. There is a new portion

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<v Speaker 2>of the movie industry which is going to be churning

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<v Speaker 2>out these legacy sequels, these sequels with a whole bunch

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<v Speaker 2>of years in between, even Beverly Hills Cop. You'll see

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<v Speaker 2>that these are the movies which are going to be

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<v Speaker 2>focused on in the coming years. Why because people are

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<v Speaker 2>asking for them, they're responding to them, and they're doing

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<v Speaker 2>well in the box office. Obviously, Top Gun, Maverick did

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<v Speaker 2>Gangbusters in the box office.

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<v Speaker 3>We know that well.

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<v Speaker 2>I wouldn't say Blade Runner did great, but it was

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<v Speaker 2>still well received, at least critically acclaimed.

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<v Speaker 6>It wasn't a massive crowd pleaser, but it has really

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<v Speaker 6>gotten an enormous amount of respect as a quality sequel.

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<v Speaker 3>It's very well done and.

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<v Speaker 2>It'll probably turn into a cult classic because one of

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<v Speaker 2>those movies that will look back on and say, oh yeah,

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<v Speaker 2>it just maybe came out the wrong time. He didn't

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<v Speaker 2>have a great marketing strategy, but it will be better

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<v Speaker 2>received as years go on. You look at Beetlejuice, Obviously

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<v Speaker 2>that movie did exceptionally.

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<v Speaker 3>Well this year.

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<v Speaker 2>More and more you'll see movie studios trying to create

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<v Speaker 2>these legacy sequels, digging in the crates and maybe finding

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<v Speaker 2>something that they think is the right time to not reboot,

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<v Speaker 2>but actually continue the storyline. And that I think is

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<v Speaker 2>attractive to me, if only because I'm tired of prequels.

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<v Speaker 2>I'm tired of going back to the beginning because you

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<v Speaker 2>know it only leads to one conclusion. It's nice to

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<v Speaker 2>tell me about the birth of Anakin Skywalker and how

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<v Speaker 2>he became Darth Vader, but we know how that story

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<v Speaker 2>turns out. I would much rather see you push the

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<v Speaker 2>ball forward and advance the story. And we're seeing more

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<v Speaker 2>of those movies where they're taking legitimate properties, where there

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<v Speaker 2>is a fan, but they're giving you something else on

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<v Speaker 2>top of what you already Do you.

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<v Speaker 6>Really want to defend those Anakin Skywalker movies?

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<v Speaker 3>No, I don't. Those are prequels.

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<v Speaker 2>Okay, that's my point, Okay, I'd rather see an actual

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<v Speaker 2>sequel what happens down the Road, Like I would not

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<v Speaker 2>ever want to see a prequel to Blade Runner, even

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<v Speaker 2>though they're talking about doing it.

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<v Speaker 3>I don't care.

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<v Speaker 6>Well, I mean, there's a whole Blade Runner universe, just

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<v Speaker 6>like the Matrix with all sorts of comic and other

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<v Speaker 6>spin offs, and you know it's hit and miss.

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<v Speaker 3>It is hit and miss.

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<v Speaker 2>And you mentioned Matrix that was a miss, and that

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<v Speaker 2>was something they did for streaming, and it seemed to

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<v Speaker 2>me half assed, like they really weren't committed to it.

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<v Speaker 2>But to their credit, they did get Keanu Reeves, they

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<v Speaker 2>did get carry Ad Moss. They didn't get Lauras Fishburne,

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<v Speaker 2>which I think was part of the problem. Oh you

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<v Speaker 2>got to have him yet, you would think, but they didn't,

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<v Speaker 2>and that's part of the reason I think that didn't

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<v Speaker 2>do well. But still there is an acknowledgment that people

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<v Speaker 2>want to find out what happened to their favorite characters

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<v Speaker 2>in some of their favorite movie franchises.

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<v Speaker 3>And it's o k.

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<v Speaker 2>If some twenty five or thirty years might be in

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<v Speaker 2>between and there's something else going back to Beverly Hills,

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<v Speaker 2>cop or even coming to America, you may find that

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<v Speaker 2>that will be the last opportunity to get the gang

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<v Speaker 2>all back together. As these actors age, you may not

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<v Speaker 2>have any more opportunities now. I don't know what's going

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<v Speaker 2>to be next for like a Maverick character. I don't

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<v Speaker 2>know what else you can say after why you think,

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<v Speaker 2>damn dude, get out of a plane. I don't know

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<v Speaker 2>if they would allow you to fly planes for forty

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<v Speaker 2>five fifty years.

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<v Speaker 6>I think in the third Maverick movie, he has denied

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<v Speaker 6>his VA benefits and we follow him on his journey

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<v Speaker 6>through homelessness.

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<v Speaker 3>Yeah, he's got to have some PTSD or something.

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<v Speaker 2>There's no way that he should be still flying jets

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<v Speaker 2>at seventy years old. No, no, no, no, But you

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<v Speaker 2>know it's we have to suspend our disbelief because it's Hollywood,

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<v Speaker 2>but I do expect hum So we're coming into this

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<v Speaker 2>segment talking about Wicked and how this other movie, A

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<v Speaker 2>Gladiator Too, is going to do very well this weekend.

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<v Speaker 2>It's going to be good box office for movie theaters,

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<v Speaker 2>and I think that's what you're going to need. You're

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<v Speaker 2>going to have to have movies outside the summer season

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<v Speaker 2>which can really perform, can stay in theaters for more

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<v Speaker 2>than three or four weeks, and encourage people especially during

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<v Speaker 2>the holidays to see a movie more than once. I

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<v Speaker 2>like the original Gladiator. I'm very surprised that they came

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<v Speaker 2>back and did a sequel, seeing as how they basically

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<v Speaker 2>killed the most important characters of the first one.

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<v Speaker 6>Oh yeah, there's no basically about it. They didn't really

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<v Speaker 6>leave you a lot of wiggle room at the end

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<v Speaker 6>of the first one.

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<v Speaker 2>Now I think they've they've done some creative ret conning

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<v Speaker 2>with this story about who is actually the son of whom.

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<v Speaker 3>I don't want to give it away.

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<v Speaker 2>I've been reading up online, but they're trying to make

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<v Speaker 2>it where there may be a way that they can

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<v Speaker 2>extend this into a third or fourth one.

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<v Speaker 3>Oh really?

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<v Speaker 6>Okay, Well, I don't know all the details yet, and

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<v Speaker 6>I might go see it after work tonight if I

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<v Speaker 6>finish in time. But we do know that Nick Cave

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<v Speaker 6>the musician, the red right hand guy. Yes, he wrote

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<v Speaker 6>a sequel to that that I think took place in

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<v Speaker 6>the underworld, And that's not the one we're gonna get.

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<v Speaker 2>Wow, this one is gonna make money. All I know

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<v Speaker 2>that this one is going to make money. And Ridley Scott.

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<v Speaker 2>The more I see him in interviews, the more strange

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<v Speaker 2>I realize that he is.

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<v Speaker 3>I like him.

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<v Speaker 6>I like him a lot because he has totally reached

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<v Speaker 6>the dgais and the stuff you hear him say about

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<v Speaker 6>people that he's worked with and whose opinion he doesn't

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<v Speaker 6>give a damn about. I think he's really entertaining and

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<v Speaker 6>he's a smart guy as well.

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<v Speaker 2>He is, but look as a creative and a creator,

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<v Speaker 2>I love what he does, not everything that he does,

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<v Speaker 2>but I love that he is still as invested in

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<v Speaker 2>making quality movies.

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<v Speaker 3>He's not just malely in.

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<v Speaker 2>He's trying to make really good movies, even at this

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<v Speaker 2>leg portion of his career.

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<v Speaker 6>Well, he's more of a visual stylist, and there's always

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<v Speaker 6>this argument that he needs better writers, and if you

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<v Speaker 6>look at I don't know, the majority of the Alien movies,

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00:17:10.599 --> 00:17:12.920
<v Speaker 6>you might have a tough time arguing against that. But

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<v Speaker 6>I still think he's just he is one of the giants.

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<v Speaker 6>I will watch anything that he does because he's earned that.

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<v Speaker 2>And he's one of the few directors I would say,

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<v Speaker 2>and I would say this inclusive of people his contemporaries,

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<v Speaker 2>like Steven Spielberg. Where you look at Ridley Scott's career,

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<v Speaker 2>he has meaningful, impactful movies in each decade of his career.

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<v Speaker 2>I don't remember the last time, for example, not to

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<v Speaker 2>pick on Steven Spielberg that he had something meaningful. Maybe

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<v Speaker 2>it was War of the World, which was two thousand

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<v Speaker 2>and five, which is almost twenty years ago.

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<v Speaker 3>I don't know.

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<v Speaker 6>Bridge of Spies almost bored me to sleep. I saw it,

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<v Speaker 6>and that's why I didn't include it.

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<v Speaker 2>It's like, I like the premise, but the execution, eh,

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<v Speaker 2>and you're being generous, no seriously, And it seemed like

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<v Speaker 2>at that point there was a fall off of Spielberg

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<v Speaker 2>and Tom Hanks. Love them both, but it just seemed

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<v Speaker 2>like they haven't been able to reclaim their original glory.

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<v Speaker 2>I know, who am I to even question either of them,

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<v Speaker 2>But let people age. It's fine, No, it's okay. But

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<v Speaker 2>I'm saying Denzel is aging. He's not aging in the

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<v Speaker 2>same way. He's still culturally relevant in the way that

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<v Speaker 2>Tom Hanks hasn't been in quite some time.

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<v Speaker 6>What if I were to say to you that Denzel

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<v Speaker 6>is the black Tom Hanks.

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<v Speaker 2>No, no, no, because if you've ever met Denzel, I

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<v Speaker 2>think he takes himself far more seriously than Tom Hanks does.

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<v Speaker 2>Takes himself Denzel can be very prickly, very prickly.

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<v Speaker 3>That's always a joy in interviews.

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<v Speaker 2>Oh yeah, it's one of those things where I would

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<v Speaker 2>have to watch a lot of landmines to interview Denzel Washington.

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<v Speaker 3>I've seen it. I don't think he's a bad guy.

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<v Speaker 2>I'm just saying you can say the wrong thing and

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<v Speaker 2>that interview goes left real quick.

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<v Speaker 3>Fun, always fun.

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<v Speaker 2>It's Later with Moke Kelly KFIA six forty WeLive everywhere

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<v Speaker 2>the iHeartRadio app. So we know that we're going to

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<v Speaker 2>get a run a report on Gladiator most likely.

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<v Speaker 3>Well that's the plan.

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<v Speaker 6>But by the way, remember it's a two and a

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<v Speaker 6>half hour movie and that's already making me mad.

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<v Speaker 3>Hey, you choose, you choose your poison.

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<v Speaker 6>Okay, it's not gonna be uh what that Wizard of

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<v Speaker 6>Oz movie?

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<v Speaker 3>What's it called wicked? Yeah, forget it.

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<v Speaker 1>You're listening to Later with Moe Kelly on demand from

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<v Speaker 1>KFI AM six forty.

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<v Speaker 2>Is that time of year, The fourteenth annual KFI Pastathon

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<v Speaker 2>is here. Chef Bruno's charity, Katerina's Club, provides more than

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<v Speaker 2>twenty five thousand meals every single week to kids in

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00:19:38.279 --> 00:19:41.799
<v Speaker 2>need right here in southern California. It's all because of

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00:19:41.839 --> 00:19:44.920
<v Speaker 2>your generosity, we are able to make it happen.

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<v Speaker 3>There are three ways you can help.

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<v Speaker 2>You can donate now at KFIM six forty dot com

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00:19:48.880 --> 00:19:52.160
<v Speaker 2>forward slash Postathon. You can shop at any Smart and

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00:19:52.200 --> 00:19:56.119
<v Speaker 2>Final store and donate any amount at checkout any amount.

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00:19:56.799 --> 00:19:59.400
<v Speaker 2>You could head into any Windy's restaurant in Southern California,

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00:19:59.480 --> 00:20:02.440
<v Speaker 2>donate five dollars or more and get a coupon book

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<v Speaker 2>for Wendy's Goodies.

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<v Speaker 3>And don't forget the.

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<v Speaker 2>Live broadcasts twelve three December third, from five am all

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<v Speaker 2>the way to ten pm at the Anaheim White House

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<v Speaker 2>Giving Tuesday. Come out and see us, Come out, say hello,

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00:20:17.599 --> 00:20:21.880
<v Speaker 2>come out, donate pasta and sauce and cash donations. One

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00:20:21.960 --> 00:20:24.960
<v Speaker 2>hundred percent of your donation goes to Katerina's Club. We

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<v Speaker 2>have some special events this week Tomorrow and Saturday. Tomorrow,

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<v Speaker 2>Tim Conway Junior will be broadcasting live from four to

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<v Speaker 2>seven at the brand new Wendy's in Mission via Ho

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00:20:35.160 --> 00:20:38.319
<v Speaker 2>two three zero two two Alicia Parkway. Come by, say hello,

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00:20:38.960 --> 00:20:42.160
<v Speaker 2>donate five dollars and maybe get a coupon book.

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<v Speaker 3>In fact, you will get a coupon book.

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<v Speaker 2>Saturday, Neil Sevadra FOURK Report will be broadcasting live at

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<v Speaker 2>Smart and Final in Lake Forest, which is two three

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<v Speaker 2>six three one El Toro Road. I myself will try

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00:20:54.319 --> 00:20:57.240
<v Speaker 2>to get out there weather permitting. Mark says it's going

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<v Speaker 2>to be raining, possibly tomorrow, all through the weekend. So

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<v Speaker 2>if it and I'm not there, blame Mark Ronner.

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<v Speaker 3>Don't blame the messenger. No no, no, no no. You're in

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<v Speaker 3>control of the weather.

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<v Speaker 6>I hate to break this to you, Mo, and I

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<v Speaker 6>can understand how you'd see the resemblance, but in fact

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<v Speaker 6>I am not. God damn, I know. It's disappointing.

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<v Speaker 3>My whole world is fed up. It's just upside down.

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<v Speaker 3>I don't know what.

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<v Speaker 2>I'm gonna have to just go home and just sort

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<v Speaker 2>out the meaning of life.

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<v Speaker 3>We're gonna find a way to regroup.

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<v Speaker 2>Okay, Well that's Saturday from two to five pm. Rain

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00:21:31.319 --> 00:21:36.400
<v Speaker 2>or shine for FOURK reporter, Shine for me. If I'm

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<v Speaker 2>going to get out there at two three six three

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00:21:38.279 --> 00:21:42.160
<v Speaker 2>one El Toro Road, come by, say hello, make a donation.

428
00:21:43.240 --> 00:21:45.880
<v Speaker 2>KFI positive thought. It's the event that you don't want

429
00:21:45.880 --> 00:21:48.240
<v Speaker 2>to miss. If you've never been to it, you've got

430
00:21:48.240 --> 00:21:49.400
<v Speaker 2>to be part of it, which is going to be

431
00:21:49.480 --> 00:21:51.599
<v Speaker 2>on December third. I'll be out there, Mark Roner will

432
00:21:51.599 --> 00:21:54.440
<v Speaker 2>not be out there. Twallow will be out there, and

433
00:21:54.920 --> 00:21:57.200
<v Speaker 2>all of your favorite KFI hosts will be out there

434
00:21:57.200 --> 00:21:58.039
<v Speaker 2>on December third.

435
00:21:58.359 --> 00:21:59.759
<v Speaker 3>And if you don't remember any of this, you can

436
00:21:59.799 --> 00:22:00.640
<v Speaker 3>all always.

437
00:22:00.319 --> 00:22:04.920
<v Speaker 2>Go to pastathon dot com orka if I am six

438
00:22:05.000 --> 00:22:08.720
<v Speaker 2>forty dot com forward slash pastathon. And this is the

439
00:22:08.839 --> 00:22:15.319
<v Speaker 2>holiday season where thieves, criminals are always trying to separate

440
00:22:15.440 --> 00:22:19.079
<v Speaker 2>you from your money. Here are some things that you

441
00:22:19.200 --> 00:22:21.759
<v Speaker 2>need need to be mindful of that. We'll give you

442
00:22:21.799 --> 00:22:25.480
<v Speaker 2>some other tips and tricks. On the other side, the.

443
00:22:25.480 --> 00:22:29.720
<v Speaker 7>Season of giving is around the corner, and that means

444
00:22:29.759 --> 00:22:35.079
<v Speaker 7>sophisticated scammers are gearing up to pounce on unsuspecting online shoppers.

445
00:22:35.359 --> 00:22:36.920
<v Speaker 8>I do my research, I.

446
00:22:36.880 --> 00:22:41.119
<v Speaker 5>Give, something doesn't feel right, then I follow my gut feeling.

447
00:22:41.359 --> 00:22:43.319
<v Speaker 3>There's going to be a lot of money flowing around.

448
00:22:43.480 --> 00:22:47.680
<v Speaker 7>According to KTLA consumer confidential host David Lazarus, people will

449
00:22:47.720 --> 00:22:51.440
<v Speaker 7>spend roughly two hundred and forty billion dollars shopping online,

450
00:22:51.480 --> 00:22:55.119
<v Speaker 7>which is up eight percent from the year before. Anytime

451
00:22:55.119 --> 00:22:58.079
<v Speaker 7>you're using your credit card or personal information, you want

452
00:22:58.079 --> 00:22:59.440
<v Speaker 7>to go in with your eyes open.

453
00:22:59.720 --> 00:23:01.680
<v Speaker 8>Look up at the little URL at the top where

454
00:23:01.720 --> 00:23:06.279
<v Speaker 8>it says http. What you want to see is http S,

455
00:23:06.680 --> 00:23:09.440
<v Speaker 8>meaning you've got a secure connection. That means it's not

456
00:23:09.480 --> 00:23:11.720
<v Speaker 8>going to be anybody looking over your shoulders or as

457
00:23:11.759 --> 00:23:12.839
<v Speaker 8>you're making the transaction.

458
00:23:13.079 --> 00:23:16.880
<v Speaker 7>LAPED officers are also concerned about emerging e commerce crimes

459
00:23:16.920 --> 00:23:19.799
<v Speaker 7>and street robberies. This is when a buyer and seller

460
00:23:19.839 --> 00:23:21.640
<v Speaker 7>plan to meet up to exchange goods.

461
00:23:21.920 --> 00:23:25.880
<v Speaker 2>Stop right there. Don't try to meet up and exchange goods.

462
00:23:26.039 --> 00:23:29.079
<v Speaker 2>If you're trying to buy something off the internet, like

463
00:23:29.240 --> 00:23:34.960
<v Speaker 2>on offer up or Facebook Marketplace, just say no, do not.

464
00:23:35.640 --> 00:23:38.400
<v Speaker 2>It's like Craigslist. Okay, you know how many people have

465
00:23:38.400 --> 00:23:42.359
<v Speaker 2>been killed trying to buy stuff or sell stuff on Craigslist.

466
00:23:43.160 --> 00:23:45.440
<v Speaker 3>A lot. I don't know how many people, but it's

467
00:23:45.480 --> 00:23:45.839
<v Speaker 3>a lot.

468
00:23:45.960 --> 00:23:47.720
<v Speaker 7>This is when a buyer and seller plan to meet

469
00:23:47.799 --> 00:23:51.519
<v Speaker 7>up to exchange goods from popular sites like Facebook Marketplace,

470
00:23:51.680 --> 00:23:53.519
<v Speaker 7>and then it turns into a sting operation.

471
00:23:53.799 --> 00:23:57.160
<v Speaker 2>Ah see said, don't try to buy something off of

472
00:23:57.240 --> 00:23:59.119
<v Speaker 2>Facebook or Facebook Marketplace.

473
00:24:00.039 --> 00:24:01.279
<v Speaker 3>It's like going to a crackhouse.

474
00:24:01.680 --> 00:24:04.839
<v Speaker 7>Popular sites like Facebook Marketplace, and then it turns into

475
00:24:04.920 --> 00:24:05.880
<v Speaker 7>a sting operation.

476
00:24:06.319 --> 00:24:08.640
<v Speaker 4>Some of these robbery victims were told to meet in

477
00:24:08.680 --> 00:24:12.039
<v Speaker 4>an unfamiliar neighborhood location.

478
00:24:13.160 --> 00:24:15.400
<v Speaker 3>And they will robbed of their property in money.

479
00:24:15.720 --> 00:24:18.839
<v Speaker 7>Laped is investigating one case where a suspect uses fake

480
00:24:18.960 --> 00:24:22.640
<v Speaker 7>listings for iPhones to lure victims into meeting and proceeds

481
00:24:22.680 --> 00:24:24.200
<v Speaker 7>to threaten them with a knife.

482
00:24:25.240 --> 00:24:27.240
<v Speaker 2>You have to assume that if you have to meet

483
00:24:27.279 --> 00:24:31.960
<v Speaker 2>in person, it's probably going to be dodgy, and you

484
00:24:32.000 --> 00:24:35.880
<v Speaker 2>should air on the side of caution. If I'm going

485
00:24:35.920 --> 00:24:39.759
<v Speaker 2>to sell something, it's going to be through a reputable

486
00:24:40.160 --> 00:24:44.559
<v Speaker 2>marketplace like Amazon. It's going to be a third party,

487
00:24:45.319 --> 00:24:46.519
<v Speaker 2>and you're just gonna have to wait for it.

488
00:24:46.480 --> 00:24:47.160
<v Speaker 3>To come in the mail.

489
00:24:47.880 --> 00:24:50.880
<v Speaker 2>I'm not going to meet you in some back alley

490
00:24:51.240 --> 00:24:53.759
<v Speaker 2>so you can rob me. I don't care if it's

491
00:24:53.759 --> 00:24:57.079
<v Speaker 2>Mark Runner. I'm not going to give him the opportunity

492
00:24:57.160 --> 00:25:00.000
<v Speaker 2>to steal money from me or possibly take my life.

493
00:25:00.119 --> 00:25:03.119
<v Speaker 6>Well, you got to meet people someplace well lit and public.

494
00:25:03.400 --> 00:25:06.519
<v Speaker 6>I've actually bought a few things from Craigslist and eBay

495
00:25:06.720 --> 00:25:08.599
<v Speaker 6>and just don't be an idiot.

496
00:25:09.279 --> 00:25:10.720
<v Speaker 2>Well, there are a lot of idiots out there, so

497
00:25:10.759 --> 00:25:13.160
<v Speaker 2>we have to assume the worst and air on this

498
00:25:13.240 --> 00:25:14.119
<v Speaker 2>side of idiocy.

499
00:25:14.359 --> 00:25:17.480
<v Speaker 7>Laped is investigating one case where a suspect uses fake

500
00:25:17.559 --> 00:25:21.279
<v Speaker 7>listings for iPhones to lure victims into meeting and proceeds

501
00:25:21.279 --> 00:25:24.000
<v Speaker 7>to threaten them with a knife. This kind of scenario

502
00:25:24.039 --> 00:25:26.519
<v Speaker 7>has happened at least seven times within the last four

503
00:25:26.519 --> 00:25:29.480
<v Speaker 7>months in the Los Angeles area, and police believe it's

504
00:25:29.480 --> 00:25:33.160
<v Speaker 7>happening more often than is actually reported. That's why authorities

505
00:25:33.200 --> 00:25:36.319
<v Speaker 7>are asking that people buying and selling online only meet

506
00:25:36.400 --> 00:25:38.559
<v Speaker 7>at safe exchange zones.

507
00:25:38.200 --> 00:25:40.119
<v Speaker 3>Which include the law like a strip club.

508
00:25:40.759 --> 00:25:43.400
<v Speaker 7>That's why authorities are asking that people buying and selling

509
00:25:43.440 --> 00:25:46.839
<v Speaker 7>online only meet at safe exchange zone.

510
00:25:46.799 --> 00:25:48.240
<v Speaker 3>Like a gas station late at night.

511
00:25:48.759 --> 00:25:51.400
<v Speaker 7>That's why authorities are asking that people buying and selling

512
00:25:51.440 --> 00:25:55.160
<v Speaker 7>online only meet at safe exchange zone.

513
00:25:54.880 --> 00:25:55.079
<v Speaker 6>Like a.

514
00:25:56.839 --> 00:25:58.160
<v Speaker 3>Not a well lit alley.

515
00:25:58.680 --> 00:26:01.839
<v Speaker 7>That's why authorities are asking people buying and selling online

516
00:26:02.039 --> 00:26:05.640
<v Speaker 7>only meet at safe exchange zones, which include the lobby

517
00:26:05.640 --> 00:26:06.920
<v Speaker 7>of your local police station.

518
00:26:07.240 --> 00:26:11.200
<v Speaker 2>I guess technically that's somewhat's safe. I mean, yeah, yeah,

519
00:26:11.240 --> 00:26:13.359
<v Speaker 2>if you want to meet at the police stations, probably

520
00:26:13.359 --> 00:26:16.440
<v Speaker 2>not convenient. If you're trying to keep yourself from getting killed,

521
00:26:16.480 --> 00:26:19.799
<v Speaker 2>it might do in a pinch. Or how about this,

522
00:26:20.480 --> 00:26:25.839
<v Speaker 2>don't use Craigslist, don't use Facebook Marketplace, don't.

523
00:26:25.720 --> 00:26:27.720
<v Speaker 3>Use offer up. How about that?

524
00:26:27.839 --> 00:26:32.279
<v Speaker 2>If you're actually worried about your safety, don't use these

525
00:26:32.680 --> 00:26:36.160
<v Speaker 2>websites where it requires you to put yourself in danger.

526
00:26:36.400 --> 00:26:39.599
<v Speaker 2>How about that? If you could just do that, you'll

527
00:26:39.599 --> 00:26:42.599
<v Speaker 2>live to see twenty twenty five. Maybe, assuming you don't

528
00:26:42.640 --> 00:26:43.200
<v Speaker 2>take the metro.

529
00:26:43.480 --> 00:26:46.000
<v Speaker 6>A man of your stature probably doesn't need to buy

530
00:26:46.039 --> 00:26:47.519
<v Speaker 6>anything used from anybody.

531
00:26:48.039 --> 00:26:48.200
<v Speaker 9>No.

532
00:26:48.480 --> 00:26:51.480
<v Speaker 2>I've purchased used stuff before, but it was from people

533
00:26:51.559 --> 00:26:53.759
<v Speaker 2>I knew at strip clubs.

534
00:26:55.359 --> 00:26:57.680
<v Speaker 3>I just rented at strip clubs. I didn't buy. Hello.

535
00:26:58.000 --> 00:27:00.920
<v Speaker 2>The whole point of that is for them knowing when

536
00:27:00.920 --> 00:27:07.839
<v Speaker 2>to go home. Yes, I earned that negative. Stephen thinks so,

537
00:27:08.000 --> 00:27:09.519
<v Speaker 2>and he is the final arbiter.

538
00:27:10.200 --> 00:27:13.359
<v Speaker 6>I think you've got a thumb on the Stephan scale there, but.

539
00:27:13.559 --> 00:27:17.440
<v Speaker 3>Uh, that thumb somewhere. Oh, look at the time, that's

540
00:27:17.440 --> 00:27:17.839
<v Speaker 3>one more.

541
00:27:17.839 --> 00:27:21.640
<v Speaker 2>I'll wait, come on, George nor when we come back,

542
00:27:21.680 --> 00:27:23.480
<v Speaker 2>He said, what am I doing with these guys?

543
00:27:23.680 --> 00:27:26.240
<v Speaker 3>If I am six forty Live Everywhere in the iHeartRadio app.

544
00:27:26.480 --> 00:27:30.079
<v Speaker 1>You're listening to Later with Moe Kelly on demand from

545
00:27:30.160 --> 00:27:31.680
<v Speaker 1>kf I Am six forty.

546
00:27:44.400 --> 00:27:47.079
<v Speaker 2>If I'm o' kelly Live Everywhere on the iHeartRadio app

547
00:27:47.319 --> 00:27:48.880
<v Speaker 2>Coast to Coast AM with George Norri.

548
00:27:48.920 --> 00:27:51.079
<v Speaker 3>He joined to see me right now, Good evening, my.

549
00:27:51.039 --> 00:27:54.920
<v Speaker 9>Friend, mister Kelly. We've got your favorite UFO topic onto

550
00:27:55.000 --> 00:27:58.000
<v Speaker 9>that flowers, so you love on your way home. And

551
00:27:58.039 --> 00:27:59.759
<v Speaker 9>then later on in the show, we're going to talk

552
00:27:59.759 --> 00:28:04.279
<v Speaker 9>about some folklore all around the country on Coast to Coast.

553
00:28:04.440 --> 00:28:05.359
<v Speaker 3>Now, I have to say this.

554
00:28:05.440 --> 00:28:07.960
<v Speaker 2>I had an off air conversation with a mutual friend,

555
00:28:08.000 --> 00:28:12.000
<v Speaker 2>Marshall Collier, and she said she was going to send

556
00:28:12.000 --> 00:28:16.640
<v Speaker 2>you some pictures that she had taken of a UAP.

557
00:28:16.960 --> 00:28:18.000
<v Speaker 3>Have you received them yet?

558
00:28:18.920 --> 00:28:19.079
<v Speaker 6>Oh?

559
00:28:19.160 --> 00:28:21.759
<v Speaker 9>I get fifteen hundred emails a day. It might be

560
00:28:21.839 --> 00:28:22.359
<v Speaker 9>in the batch.

561
00:28:22.440 --> 00:28:25.640
<v Speaker 2>How well, she was talking like she had your number,

562
00:28:25.759 --> 00:28:28.160
<v Speaker 2>so you know, be able to look out for that.

563
00:28:28.720 --> 00:28:31.240
<v Speaker 3>Okay, bye George.

564
00:28:31.519 --> 00:28:34.880
<v Speaker 2>See yeah, Hey Mark, you said the movie was two

565
00:28:34.880 --> 00:28:36.079
<v Speaker 2>hours and forty five minutes.

566
00:28:36.119 --> 00:28:38.440
<v Speaker 3>Do you have tickets yet or you're still considering?

567
00:28:39.240 --> 00:28:41.240
<v Speaker 6>It depends on how fast I can finish up all

568
00:28:41.279 --> 00:28:43.480
<v Speaker 6>my official KFI work tasks.

569
00:28:44.200 --> 00:28:46.240
<v Speaker 2>Look, I know you're a night oul and everything, but

570
00:28:46.400 --> 00:28:48.640
<v Speaker 2>I don't know how you do it. I just can't

571
00:28:48.880 --> 00:28:53.160
<v Speaker 2>watch two hour movies anywhere around midnight.

572
00:28:53.240 --> 00:28:54.960
<v Speaker 3>I'm not going to make it through. I'm not.

573
00:28:56.079 --> 00:28:58.079
<v Speaker 6>That's not the problem. I think it's two and a

574
00:28:58.119 --> 00:29:00.319
<v Speaker 6>half hours, but it's still long. When we're the other

575
00:29:01.119 --> 00:29:04.559
<v Speaker 6>there are showings tomorrow before work, but who wants to

576
00:29:04.640 --> 00:29:06.039
<v Speaker 6>wake up at the crack and noon.

577
00:29:06.079 --> 00:29:10.480
<v Speaker 2>Come on, Look, you have a two and a half

578
00:29:10.480 --> 00:29:14.319
<v Speaker 2>hour movie. Let's say it's slated to start at twelve

579
00:29:14.319 --> 00:29:17.400
<v Speaker 2>o'clock midnight. You're not gonna get to the beginning of

580
00:29:17.400 --> 00:29:20.440
<v Speaker 2>that two and a half hour movie until twelve thirty. No,

581
00:29:20.920 --> 00:29:26.519
<v Speaker 2>so you're looking at three in the morning easily. Yeah,

582
00:29:27.519 --> 00:29:29.039
<v Speaker 2>then you get in your car and drive home.

583
00:29:29.119 --> 00:29:32.079
<v Speaker 6>I just can't do it. Yeah, I might as well

584
00:29:32.119 --> 00:29:34.880
<v Speaker 6>not go home. In fact, I think the people at

585
00:29:34.880 --> 00:29:35.759
<v Speaker 6>home might prefer that.

586
00:29:36.400 --> 00:29:41.119
<v Speaker 2>But you your sleep schedule lends itself to it, mind

587
00:29:41.160 --> 00:29:41.480
<v Speaker 2>does not.

588
00:29:42.160 --> 00:29:44.000
<v Speaker 6>It's just in a death spiral. I don't even know

589
00:29:44.000 --> 00:29:46.559
<v Speaker 6>what I'm doing anymore. I have no regular sleep hours.

590
00:29:46.599 --> 00:29:50.880
<v Speaker 6>I was up till the daybreak writing a screenplay last night,

591
00:29:50.920 --> 00:29:52.680
<v Speaker 6>and that that's been happening more and more.

592
00:29:53.079 --> 00:29:55.400
<v Speaker 2>It's hard for me because a lot of my interviews

593
00:29:55.400 --> 00:29:58.920
<v Speaker 2>that I'll do for BBC for their morning shows are

594
00:29:58.960 --> 00:30:01.079
<v Speaker 2>at twelve thirty one in the morning, and that's the

595
00:30:01.480 --> 00:30:04.079
<v Speaker 2>that's the upper limit of anything that I can do,

596
00:30:04.640 --> 00:30:07.000
<v Speaker 2>like eight hours ahead, eight hours right now, okay, and

597
00:30:07.039 --> 00:30:11.200
<v Speaker 2>I'm doing actually one Friday night turning Saturday morning at

598
00:30:11.240 --> 00:30:12.480
<v Speaker 2>one am our time.

599
00:30:14.920 --> 00:30:16.240
<v Speaker 3>It's all I can do to stay up.

600
00:30:16.839 --> 00:30:22.640
<v Speaker 2>But but a long story short, that's why I am

601
00:30:22.759 --> 00:30:25.119
<v Speaker 2>a contributor with them to this day because a lot

602
00:30:25.160 --> 00:30:27.119
<v Speaker 2>of people won't because you're the one who will be

603
00:30:27.200 --> 00:30:29.000
<v Speaker 2>up on the water and they know that they can

604
00:30:29.039 --> 00:30:30.640
<v Speaker 2>call on me and we can hook up by a

605
00:30:30.720 --> 00:30:33.119
<v Speaker 2>skype and I can give them the commentary about what's

606
00:30:33.119 --> 00:30:35.680
<v Speaker 2>happening in the US. And if you don't know, usually

607
00:30:36.640 --> 00:30:38.799
<v Speaker 2>the BBC, they're about maybe a day or two behind

608
00:30:38.920 --> 00:30:42.680
<v Speaker 2>is what we're talking about right now. They won't be

609
00:30:42.759 --> 00:30:47.000
<v Speaker 2>talking about as far as American politics or cultural issues

610
00:30:47.599 --> 00:30:48.640
<v Speaker 2>for another day or two.

611
00:30:49.559 --> 00:30:52.200
<v Speaker 6>Well wait till they find out about that Matt Gates.

612
00:30:52.680 --> 00:30:55.359
<v Speaker 3>Yeah, maybe since it's happening today.

613
00:30:56.039 --> 00:30:58.359
<v Speaker 2>By the time I talk to them on Friday nights,

614
00:30:58.440 --> 00:31:01.920
<v Speaker 2>which is their Saturday morning, they'll maybe want to talk

615
00:31:01.960 --> 00:31:04.559
<v Speaker 2>about it, but it's usually there's a little bit of

616
00:31:04.559 --> 00:31:07.240
<v Speaker 2>a lull. They're not, like, you know, they're not as

617
00:31:07.519 --> 00:31:09.319
<v Speaker 2>up on it as we are because we're following it

618
00:31:09.359 --> 00:31:10.279
<v Speaker 2>all day, every day.

619
00:31:10.400 --> 00:31:13.559
<v Speaker 6>I really enjoy their perspectives on American politics and pop culture,

620
00:31:13.599 --> 00:31:15.880
<v Speaker 6>and I watch a lot of their shows.

621
00:31:16.519 --> 00:31:19.359
<v Speaker 3>They're on YouTube. People post them on YouTube. I like

622
00:31:19.400 --> 00:31:23.799
<v Speaker 3>it because it gives an outside in view. We're in it.

623
00:31:24.240 --> 00:31:28.279
<v Speaker 2>What we consider to be normal or even odd is

624
00:31:28.480 --> 00:31:32.799
<v Speaker 2>very different from what they perceive as an outsider looking in.

625
00:31:33.039 --> 00:31:34.960
<v Speaker 6>Well, I'm just like their journalists. They know how to

626
00:31:34.960 --> 00:31:39.400
<v Speaker 6>ask a follow up question. Well, actually, they appreciate.

627
00:31:38.920 --> 00:31:42.279
<v Speaker 2>Journalism in a different way, in a much more substantive

628
00:31:42.319 --> 00:31:45.599
<v Speaker 2>way than here. They don't they're not inundated with what

629
00:31:45.640 --> 00:31:48.240
<v Speaker 2>we have. As far as cable news, there's not a

630
00:31:48.240 --> 00:31:51.599
<v Speaker 2>lot of that. There's some there's like Sky News, which

631
00:31:51.680 --> 00:31:55.880
<v Speaker 2>is basically an extension of Fox, But you don't have

632
00:31:55.920 --> 00:31:58.880
<v Speaker 2>all these cable news networks with just opinion and editorial

633
00:31:58.960 --> 00:32:01.640
<v Speaker 2>leading the way. There's Talk TV that thinks Guy News

634
00:32:01.640 --> 00:32:03.640
<v Speaker 2>and one other and I've done them all.

635
00:32:03.880 --> 00:32:06.480
<v Speaker 6>Yeah, are our journalists could learn a thing or two

636
00:32:06.519 --> 00:32:09.799
<v Speaker 6>from the way there's ask questions and do follow ups.

637
00:32:09.880 --> 00:32:12.720
<v Speaker 2>Well, a lot of our quote unquote journalists they're performative,

638
00:32:13.319 --> 00:32:15.279
<v Speaker 2>and they're not trying to.

639
00:32:17.079 --> 00:32:18.400
<v Speaker 3>Get to the bottom of the story.

640
00:32:18.440 --> 00:32:22.759
<v Speaker 2>They're trying to cater to a specific audience, and it's

641
00:32:23.960 --> 00:32:26.480
<v Speaker 2>the cart before the horse. It used to be where

642
00:32:26.519 --> 00:32:29.000
<v Speaker 2>you would develop the story, tell the story, and then

643
00:32:29.039 --> 00:32:31.839
<v Speaker 2>people would come to their conclusion. Now they start with

644
00:32:31.880 --> 00:32:36.400
<v Speaker 2>the conclusion and everything spins back to the singular idea,

645
00:32:36.599 --> 00:32:40.279
<v Speaker 2>it's either Trump's fault or it's either the Democrat's fault.

646
00:32:40.359 --> 00:32:43.759
<v Speaker 6>Well, or some of our journalists, especially on television, consider

647
00:32:43.799 --> 00:32:47.359
<v Speaker 6>their job to be a delivery device for misinformation that

648
00:32:47.480 --> 00:32:50.799
<v Speaker 6>they don't feel required to challenge, and that to me

649
00:32:50.920 --> 00:32:51.440
<v Speaker 6>is insane.

650
00:32:51.799 --> 00:32:53.839
<v Speaker 2>Well, it's not insane to me because I kind of

651
00:32:53.920 --> 00:32:57.680
<v Speaker 2>know why it's done and where it's done. For example,

652
00:32:58.319 --> 00:33:03.240
<v Speaker 2>if you're on MSNBC or Fox News, because they're not

653
00:33:03.519 --> 00:33:07.079
<v Speaker 2>different as far as they're both cable news outlets, they're

654
00:33:07.079 --> 00:33:09.720
<v Speaker 2>no different than Comedy Central as far as what they're

655
00:33:09.759 --> 00:33:11.039
<v Speaker 2>required to do.

656
00:33:11.599 --> 00:33:12.160
<v Speaker 3>What do you mean?

657
00:33:12.440 --> 00:33:15.200
<v Speaker 2>What I mean is they're not held to any FCC

658
00:33:15.279 --> 00:33:19.599
<v Speaker 2>standard or delivery aspect of broadcast news. Now, if you

659
00:33:19.640 --> 00:33:21.680
<v Speaker 2>want to get in and say that Fox News is

660
00:33:21.759 --> 00:33:24.279
<v Speaker 2>much more egregious as far as what they're doing, we

661
00:33:24.359 --> 00:33:26.680
<v Speaker 2>could have that discussion. I'm not pushing that aside. I'm

662
00:33:26.720 --> 00:33:29.559
<v Speaker 2>just saying as far as the mechanics of what cable

663
00:33:29.640 --> 00:33:33.000
<v Speaker 2>news is. It's the same, and it's the same as

664
00:33:33.000 --> 00:33:35.720
<v Speaker 2>Comedy Central, where you can have the Daily Show. They're

665
00:33:35.759 --> 00:33:38.519
<v Speaker 2>all talking about the same thing, and they're not beholden

666
00:33:39.079 --> 00:33:41.519
<v Speaker 2>to deliver that information in any particular way.

667
00:33:41.640 --> 00:33:43.839
<v Speaker 6>You know, what's weird is that the Daily Show can

668
00:33:43.880 --> 00:33:47.400
<v Speaker 6>be counted on to give you more factual information than

669
00:33:47.440 --> 00:33:52.319
<v Speaker 6>a lot of traditional newscasts if you're paying attention to it.

670
00:33:51.440 --> 00:33:51.920
<v Speaker 3>It can.

671
00:33:52.480 --> 00:33:55.880
<v Speaker 2>But unfortunately people don't know the difference between broadcast news

672
00:33:55.920 --> 00:33:59.799
<v Speaker 2>and cable news and what the FCC is actually designed

673
00:33:59.799 --> 00:34:04.680
<v Speaker 2>to do. What who is beholden to the FCC. They

674
00:34:04.720 --> 00:34:06.960
<v Speaker 2>don't understand that cable is a private signal. We can

675
00:34:07.000 --> 00:34:08.760
<v Speaker 2>do whatever it wants. That's why you can cuss, you

676
00:34:08.800 --> 00:34:12.199
<v Speaker 2>can have nudity, you can have lies, you can have misinformation,

677
00:34:12.320 --> 00:34:16.880
<v Speaker 2>you have disinformation largely without consequence unless you stray over

678
00:34:16.920 --> 00:34:19.559
<v Speaker 2>into defamation, which is a whole different category.

679
00:34:19.760 --> 00:34:22.239
<v Speaker 6>Yeah, I'm pro consequence. I think at some point we're

680
00:34:22.239 --> 00:34:25.119
<v Speaker 6>going to have to corral all that together in one

681
00:34:25.159 --> 00:34:29.119
<v Speaker 6>thing with the same regulations because times have just changed

682
00:34:29.159 --> 00:34:30.679
<v Speaker 6>too much. It's not like it used to be when

683
00:34:30.719 --> 00:34:33.800
<v Speaker 6>we were kids, where there was just free broadcast channels

684
00:34:33.840 --> 00:34:34.840
<v Speaker 6>and PBS.

685
00:34:35.559 --> 00:34:38.400
<v Speaker 2>But the problem is you get into the weeds of

686
00:34:38.880 --> 00:34:42.320
<v Speaker 2>quote unquote, that's when it does become free speech because

687
00:34:42.360 --> 00:34:45.039
<v Speaker 2>you're talking about cable, which is a private signal, and

688
00:34:45.079 --> 00:34:47.519
<v Speaker 2>people have opted in. I'm saying, hey, I'm paying seven

689
00:34:47.639 --> 00:34:52.119
<v Speaker 2>ninety nine a month for Fox News or MSNBC. I

690
00:34:52.239 --> 00:34:55.280
<v Speaker 2>want to be entertained in the way that the Comedy

691
00:34:55.280 --> 00:34:57.920
<v Speaker 2>Central may entertain us, because they're all the same, they're

692
00:34:57.920 --> 00:35:02.960
<v Speaker 2>basically comedy networks trying to entertain audiences.

693
00:35:03.280 --> 00:35:05.360
<v Speaker 6>I'm not sure I completely agree with that, and I've

694
00:35:05.360 --> 00:35:08.800
<v Speaker 6>got a much broader interpretation than you do and most

695
00:35:08.840 --> 00:35:12.559
<v Speaker 6>people of what constitutes the public's airwaves. I think cable's

696
00:35:12.599 --> 00:35:14.840
<v Speaker 6>part of that, but that's a matter for debate. No,

697
00:35:15.039 --> 00:35:17.719
<v Speaker 6>and we'll have that debate sometime, just not tonight. No,

698
00:35:18.360 --> 00:35:20.800
<v Speaker 6>it's later with Mo Kelly KFIM six ' forty. We'll

699
00:35:20.800 --> 00:35:23.039
<v Speaker 6>see you tomorrow. We're live everywhere in the iHeartRadio app.

700
00:35:23.320 --> 00:35:27.519
<v Speaker 7>KFI is literally the KFI of talk radio.

701
00:35:27.679 --> 00:35:32.440
<v Speaker 2>K f I kost HD two Los Angeles, Orange County

702
00:35:32.599 --> 00:35:34.719
<v Speaker 2>Live everywhere on the I Heart Radio