WEBVTT

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<v Speaker 1>You see something's going to happen. What What's gonna happen?

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<v Speaker 2>What?

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<v Speaker 1>Welcome to the Occult Rejects.

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<v Speaker 2>Uh.

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<v Speaker 1>This episode we got Headless's magical mail bag without Heitless again.

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<v Speaker 1>Headless is over and it's actually in Arizona right now.

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<v Speaker 1>It's in Scottsdale. He got there early for the UH

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<v Speaker 1>that ancient that ancient civilization event that we're going to

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<v Speaker 1>UH and that will be tomorrow actually and Friday, Saturday

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<v Speaker 1>and Sunday in Scottsdale, Arizona. Unfortunately, by the time this drops,

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<v Speaker 1>it will be over, so it's kind of pointless to

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<v Speaker 1>go into it now. But the reason Headless isn't here

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<v Speaker 1>is because he's there early a day beforehand. Because we

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<v Speaker 1>do do this on Thursdays and night. I just dropping

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<v Speaker 1>on Saturdays. No, no wonder why I dropped this next Monday,

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<v Speaker 1>jumped to some Mondays. Now I got Teresa here with me,

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<v Speaker 1>sitting in for a Headless. She doesn't happen to have

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<v Speaker 1>any she doesn't have any mail with her, but she

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<v Speaker 1>does have a symbol that she'll agree with us. But uh, yeah,

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<v Speaker 1>I kind of twisted herrom and I asked it to

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<v Speaker 1>come on, say this, you should be quick. The show's

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<v Speaker 1>only a half hour with mail, so it shouldn't be

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<v Speaker 1>too long today. Uh, Teresa, what is up for the

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<v Speaker 1>people that you know? What's crazy? There's probably a fuck

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<v Speaker 1>ton of people that listen to the show now have

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<v Speaker 1>no idea who you are.

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<v Speaker 2>That's true.

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<v Speaker 1>Yeah, especially now because I mean not like bragging, but

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<v Speaker 1>like in the last six months or a year, like

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<v Speaker 1>a lot of different people, even more cult people than

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<v Speaker 1>conspiracy following the show now.

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<v Speaker 2>So yeah, well, thank you for having me back on. Yeah,

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<v Speaker 2>I guess I was more in your conspiracy era of

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<v Speaker 2>your show.

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<v Speaker 1>Yeah. Oh yeah, but I mean from your angle though,

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<v Speaker 1>there's always a spiritual aspect to it.

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<v Speaker 2>Oh for sure, absolutely, So, Yeah, I'm Teresa. I had

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<v Speaker 2>a show called The Spiritual Gangsters, which is sort of

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<v Speaker 2>inactive right now now, but there is a lot of

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<v Speaker 2>like good old content on their favorite one wants to

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<v Speaker 2>check it out. But yeah, I used to frequent you

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<v Speaker 2>can't Reachectoh.

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<v Speaker 1>Yeah, yeah, yeah, you're the original OG female.

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<v Speaker 2>That's true. That's it's been a minute.

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<v Speaker 1>Yeah, you're the original female to come on the show.

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<v Speaker 1>She was even giving us topics before the before she

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<v Speaker 1>came on the show.

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<v Speaker 2>When you were still n Y Patriot Show. That's how

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<v Speaker 2>long ago.

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<v Speaker 1>Yeah, when Box was on the show, you gave us

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<v Speaker 1>that carnival as a topic, yeah, and something else what

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<v Speaker 1>it was called. Yeah, Yeah, that's when I found out

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<v Speaker 1>about Napoleon's freak sister. I had no idea that she

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<v Speaker 1>was a freak.

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<v Speaker 2>Oh my god, that was crazy.

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<v Speaker 1>Yeah. Yeah, it was definitely for her. Yo. You remember that.

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<v Speaker 1>Her brother was just like, yo, you gotta stop being

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<v Speaker 1>a fucking horn. Come home. She's like no, yeah, he's

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<v Speaker 1>like yeah, didn't you like literally go out to try

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<v Speaker 1>to get her. He's like, yo, you gotta like kind

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<v Speaker 1>of come home to you. But it doesn't look good.

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<v Speaker 2>I'm just gonna stay here in this villa.

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<v Speaker 1>Yeah, yeah, I'm bouncing around.

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<v Speaker 2>She's a modern woman, she's ahead of her time.

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<v Speaker 1>I guess probably some of the should just kind of

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<v Speaker 1>like stayed alone, well just not married. Yeah, probably would

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<v Speaker 1>have been totally fine with that, because I think she's

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<v Speaker 1>more about like the world instead of you know, that

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<v Speaker 1>way all the world and partying, not being settled down.

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<v Speaker 1>Yeah yes, but uh, you know what was interesting too,

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<v Speaker 1>When I went to Italy, we ended up I don't

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<v Speaker 1>know if it's in Venice. Yeah, it must have been

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<v Speaker 1>in Venice, because I think I was on one of

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<v Speaker 1>those those I can't believe gondola. Yeah, I was in

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<v Speaker 1>the job. He would think, like, Oh, this guy's taking

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<v Speaker 1>a gondola ride in Venice and you can't even remember

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<v Speaker 1>the nameborhood, Like what a fucking cocky bass that, Like,

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<v Speaker 1>I wish I could go on a gondola in Venice

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<v Speaker 1>and this guy doesn't remember the name of it. Okay,

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<v Speaker 1>but uh, yeah we went past. There's something to do

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<v Speaker 1>with neither Napoleon or her. Something was there that somebody

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<v Speaker 1>lived there at one point. Yeah, yeah, it was one of.

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<v Speaker 2>The more parts. Yeah, it was a weird place.

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<v Speaker 1>But I really liked it though. But I will say

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<v Speaker 1>it did have a weird vibe to it, just a

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<v Speaker 1>weird It was different. It's yeah, I will give it that.

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<v Speaker 1>I will give it that. It does have a weird energy.

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<v Speaker 2>I would recommend to go because it's something to see

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<v Speaker 2>for sure, But it's weird. It's got it's got weird vibes.

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<v Speaker 1>Even the art there, some of the architecture of the

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<v Speaker 1>sculptures were very weird compared to other things that I've seen.

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<v Speaker 1>Like there's even one church that even was just like

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<v Speaker 1>went inside like the it's been so long. I don't

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<v Speaker 1>know if I even showed it to you. I'll have

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<v Speaker 1>to send it to you. But uh, it was like

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<v Speaker 1>these versions of Mary, and it was just like I

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<v Speaker 1>was like, Yo, these things like almost look like like

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<v Speaker 1>not demons but not human. It was just very weird.

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<v Speaker 1>It's like the almost creepy looking.

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<v Speaker 2>Honestly, I've been a couple of times and when I

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<v Speaker 2>was very young, and uh, I just got weird vibes

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<v Speaker 2>the whole time both times.

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<v Speaker 1>No, it definitely felt like a weird place.

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<v Speaker 2>Yeah, and then I had a past life reading at

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<v Speaker 2>some point many years later, and then some ship was

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<v Speaker 2>told to me about Venice in the previous lifetime and

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<v Speaker 2>I was like, oh, that makes a lot of sense. Well,

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<v Speaker 2>I didn't really feel settled there.

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<v Speaker 1>Yo. I saw a tag out there from fucking Long Island.

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<v Speaker 1>I'm gonna ship myself, Yes, a sticker, because you know,

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<v Speaker 1>I'm doing my own believe it or not, you'll start

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<v Speaker 1>if you throw up your own forty seven years old,

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<v Speaker 1>I'm slepping. I'm stick as and forgetting the word gondola,

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<v Speaker 1>do what you gotta do, Yeah, you know, but uh,

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<v Speaker 1>you start noticing believing and it's crazy. Is how like

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<v Speaker 1>when I even as I'm traveling, like you know, if

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<v Speaker 1>I it sounds crazy, but whatever, it is what it is.

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<v Speaker 1>Let's say like when I went to Arkansas, when I

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<v Speaker 1>drove down of the Florida, I would stop in places

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<v Speaker 1>and like if I stopped at a gas station, normally

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<v Speaker 1>not at the pump because I'll pull it down, but

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<v Speaker 1>like other spots, sometimes you'll see people at take and

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<v Speaker 1>I'll just throw my own ship up. You'll be like,

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<v Speaker 1>holy fuck, I just saw that one like States Ago.

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<v Speaker 1>Oh wow, yeah, like I've seen that back in like

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<v Speaker 1>New York. Yeah, yeah, it was funny. A while I

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<v Speaker 1>was like, what the fuck.

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<v Speaker 2>Oh, it's a community like any other.

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<v Speaker 1>Didn't I tell you about it? And you looked it

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<v Speaker 1>up for me?

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<v Speaker 2>I don't know what was.

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<v Speaker 1>Yeah, I think it was. I think it was like

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<v Speaker 1>a three letter word and you found it something it

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<v Speaker 1>was like three yeah, yeah, I think I might have

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<v Speaker 1>told you about it when I saw it. Yeah, but

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<v Speaker 1>yeah I saw that in Venice too. Yeah it was though,

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<v Speaker 1>and then we'll get into it. It was. It was a

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<v Speaker 1>weird spot, though. I will say I had a weird

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<v Speaker 1>energy it was even you know what to like it's

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<v Speaker 1>only yo, so funny how you say that, because I

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<v Speaker 1>was gonna say this was there's only one situation that

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<v Speaker 1>I noticed, but like when I was going there at

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<v Speaker 1>one point, like I think I had left and like

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<v Speaker 1>you can only go somewhere from boat over there for

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<v Speaker 1>people who don't know, so like I'm taking a boat

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<v Speaker 1>back and there's like it's just quite obvious fucking creep

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<v Speaker 1>in some young chick on the boat. It was like disgusting,

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<v Speaker 1>and it was to the point to where it's like yo, yo,

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<v Speaker 1>well one he didn't even know no, no, no, no, these

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<v Speaker 1>were tourists, to the point where it's like this is

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<v Speaker 1>where you go to not be seen being a creep.

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<v Speaker 1>Neither one of them were fucking Italian interesting and uh yeah,

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<v Speaker 1>it was just weird. And you know what even made

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<v Speaker 1>it fucking creepy is I swear to god, this guy

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<v Speaker 1>was like almost getting off trying to be like physical

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<v Speaker 1>with her in front of like it was only me

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<v Speaker 1>and my wife on the boat with this guy, well

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<v Speaker 1>my ex wife at the time. It was almost like

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<v Speaker 1>he was like like getting off watching us, like seeing

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<v Speaker 1>him win, and it was just like it was I

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<v Speaker 1>don't know how to explain it, and I was just like, Yo,

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<v Speaker 1>this motherfucker is twisted.

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<v Speaker 2>That's weird.

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<v Speaker 1>I was like, this is sick.

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<v Speaker 2>Damn. Yeah, that is pretty creepy.

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<v Speaker 1>Yeah.

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<v Speaker 2>I just feel like it has like ancient secrets to it,

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<v Speaker 2>like old dark. I don't know, it's a trip if

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<v Speaker 2>anyone has been.

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<v Speaker 1>It felt like that though. I remember even when I

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<v Speaker 1>was like filming the two two or three churches there,

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<v Speaker 1>it's just like even the skies, no lie, it has

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<v Speaker 1>like this gloom to it has like a gloomy I mean,

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<v Speaker 1>it's on the water too. I think about that, you

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<v Speaker 1>know what I'm saying.

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<v Speaker 2>Can you imagine what is in that water?

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<v Speaker 1>Got the artifacts and dead people alone?

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<v Speaker 2>Right exactly? All the first time I went, it smelled terrible.

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<v Speaker 2>It was disgusting, and people are like, oh, yeah, it's

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<v Speaker 2>the sewage and the water. I was like, oh God,

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<v Speaker 2>like that's so nasty. And then I'm just thinking of

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<v Speaker 2>likes of like the Black Plague and like you know,

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<v Speaker 2>back then, and like Mustave is ravage like through there anyways,

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<v Speaker 2>neither here right there.

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<v Speaker 1>I'll tell you though. They got a damn good cup

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<v Speaker 1>of coffee for fifty cents.

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<v Speaker 2>Then I'm sure you know it's still beautiful whenever go

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<v Speaker 2>over to Roman. Ten out of ten would recommend hit

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<v Speaker 2>up venice.

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<v Speaker 1>You go over to Roman, that fifty cents of coffee

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<v Speaker 1>just turned into seven dollars. Yeah sounds real. Yeah, yo,

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<v Speaker 1>you know what I couldn't even believe. And then we'll

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<v Speaker 1>get going. When I went from Rome to Reblo, Now

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<v Speaker 1>I didn't pick this. I didn't pick this trip. I

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<v Speaker 1>would have gone a little crazy with it. Probably would

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<v Speaker 1>have went to Rebello. It's on a Maffei coast up.

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<v Speaker 1>I would have stayed in Rome Longa. But well, you

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<v Speaker 1>know I wasn't. I financially kind of took care of it,

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<v Speaker 1>but I wasn't the person who, actually, you know, my

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<v Speaker 1>ex wife kind of picked all the places.

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<v Speaker 2>Snyder story.

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<v Speaker 1>I forgot where it was going. Oh it's really nice

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<v Speaker 1>and bougie area. Yeah, I'm like, it's fucking you up

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<v Speaker 1>on the top of a mountain. You're like driving around

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<v Speaker 1>the ship like you thinking you're going to fucking fall

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<v Speaker 1>off the fucker. It was actually good.

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<v Speaker 2>Yeah, yeah, one of those yeah.

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<v Speaker 1>Yeah, and that place I just thought it was so weird.

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<v Speaker 1>It's like, all right, so it would be kind of like, oh,

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<v Speaker 1>like that's like nice, you know, nice area to go to,

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<v Speaker 1>Like why is the food cheaper here than it is

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<v Speaker 1>in fucking Rome? Like it just made no sense, Like Rome,

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<v Speaker 1>I could have gotten an apartment. No, lie, they had

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<v Speaker 1>one bedroom apartments over there for one thousand dollars literally

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<v Speaker 1>inside Rome. But then if you want to go get

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<v Speaker 1>a fucking shit ass fucking eight outs coffee, it's like

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<v Speaker 1>seven dollars. It's just you know, it just seemed like

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<v Speaker 1>the expenses of food was just ridiculous compared to but

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<v Speaker 1>you know, but you know what I'm getting at you

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<v Speaker 1>normally in the United States, you go to a rich

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<v Speaker 1>motherfucker's area, This shit's fucking expensive for no reason. But

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<v Speaker 1>yet their shit was way cheaper than Rome. I was

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<v Speaker 1>just like it just made no sense. It's like, why

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<v Speaker 1>am I in a high class area but everything's cheaper

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<v Speaker 1>than Rome was?

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<v Speaker 2>Yeah, but Rome is like a way more major tourist.

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<v Speaker 1>No I get that, esz.

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<v Speaker 2>Come on, people are just you know, food, Like, maybe

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<v Speaker 2>not as many people are going to go rent an

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<v Speaker 2>apartment in Rome, but a lot of people are going

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<v Speaker 2>to pass through and eat and drink coffee, and you know,

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<v Speaker 2>go to.

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<v Speaker 1>The US, all I did was eat and drink coffee.

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<v Speaker 2>Yeah, but you know it's a tourist destination, but not

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<v Speaker 2>the same magnitude as Rome. That's totally different draw you know,

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<v Speaker 2>so it's different. I do find that in Europe though,

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<v Speaker 2>it like expenses like food and like wine.

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<v Speaker 1>So like what I'm getting at though, like like go

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<v Speaker 1>out to the Hamptons and it's cheaper than fucking ron Conco.

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<v Speaker 1>That makes no sense, do you know what I'm saying.

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<v Speaker 1>I know you're saying again the tourists, that's attraction part,

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<v Speaker 1>but like I mean, everywhere I went was kind of

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<v Speaker 1>a tourist attraction.

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<v Speaker 2>Yeah, but Ravela is just like a totally different vibe.

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<v Speaker 2>But I can see the hotels in Ravelo being more

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<v Speaker 2>expensive because it's more like it's almost like more secluded.

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<v Speaker 2>Like it's just different, you know.

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<v Speaker 1>It it was on the side of a mountain.

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<v Speaker 2>Yeah, so you're not going to get as many people

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<v Speaker 2>just passing through for a day. You know, It's going

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<v Speaker 2>to be like like Rome is, like people could just

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<v Speaker 2>pass through for.

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<v Speaker 1>Like that was you and that was another one too.

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<v Speaker 1>I don't know if it's because like whatever Bougie plays

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<v Speaker 1>that was another one where he's just like constantly so

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<v Speaker 1>dudes with girls where it's just like is that legal?

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<v Speaker 2>It's a secret hideaway, see you secrets?

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<v Speaker 1>Like what the fuck? Well, like some of them are.

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<v Speaker 1>It's just like come on, like the girls like half

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<v Speaker 1>their age, Like I'll just be honest, like they're you know,

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<v Speaker 1>they are really attractive, and it's just like you really

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<v Speaker 1>don't like that, dude, Like let's be real like you. Yeah, yeah, no, no, yeah,

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<v Speaker 1>it's just like come on.

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<v Speaker 2>So she does like dude in that way.

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<v Speaker 1>The guy pie falls asleep at eight o'clock and she

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<v Speaker 1>goes down and gets sucked by somebody else.

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<v Speaker 2>Perfect. It depends on your perspective.

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<v Speaker 1>It's great for her. Yeah, you know she.

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<v Speaker 2>Can see her her young boyfriend while he's asleep and

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<v Speaker 2>just be the arm candy from nine nine to eight. Perfect.

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<v Speaker 2>I don't know, listen, I don't have these sorts of opportunities,

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<v Speaker 2>so I can't comment.

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<v Speaker 1>You're crazy.

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<v Speaker 2>I'm too old for that ship.

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<v Speaker 1>All right, let's get into our symbols. Well we'll meet up.

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<v Speaker 1>For not having any mail, I guess, yeah, he didn't

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<v Speaker 1>forward me anything. I did you feel like reading it anyway? Yeah?

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<v Speaker 1>So you're gonna go first, correct if you don't want, yes, sir.

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<v Speaker 2>Yeah. So the first symbol we have is called the

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<v Speaker 2>T T Y E T. It's an Egyptian symbol. It's

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<v Speaker 2>the not of isis, a red protective sign that followed

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<v Speaker 2>Egypt into eternity. Uh So, obviously, if you're listening to

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00:13:49.399 --> 00:13:53.000
<v Speaker 2>this on audio, try to picture a slender loop of cloth.

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<v Speaker 2>Since tight it's tails hanging straight down, sort of looks

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<v Speaker 2>like a wine opener.

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<v Speaker 1>Yeah you said that, Holy.

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00:14:05.159 --> 00:14:06.879
<v Speaker 2>Arms like go up like a little It looks like

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<v Speaker 2>a little man. This is what that thing looks like.

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00:14:10.200 --> 00:14:14.320
<v Speaker 2>I'm just saying, straight down by the side.

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<v Speaker 1>Depending on how you which ones you kind of look

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00:14:17.639 --> 00:14:19.200
<v Speaker 1>at it to it even, you know how like I'm

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<v Speaker 1>on some bottle openers. It even has that other little

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00:14:21.360 --> 00:14:24.039
<v Speaker 1>piece at the end. Yeah, I mean it even almost

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00:14:24.039 --> 00:14:25.039
<v Speaker 1>looks like that as well.

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00:14:27.799 --> 00:14:30.120
<v Speaker 2>Yeah. So it's a simple enough shape to carve into

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00:14:30.159 --> 00:14:34.840
<v Speaker 2>stone or drill. From Jasper, Egyptians called it the Tietu,

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<v Speaker 2>and from the New Kingdom onward they set it on

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<v Speaker 2>the necks of the dead to symbolize the blood of

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00:14:40.879 --> 00:14:44.759
<v Speaker 2>isis a compact guardian for the body and a license

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00:14:44.799 --> 00:14:48.720
<v Speaker 2>for rebirth. Museums are full of them, the red Jasper

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00:14:48.759 --> 00:14:53.039
<v Speaker 2>type and Carnelian tiets from tomb wrappings. A bright fiance

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00:14:53.200 --> 00:14:56.879
<v Speaker 2>examples strong on necklaces, even pieces inscribed with the very

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00:14:56.960 --> 00:15:01.519
<v Speaker 2>spell that consecrated them. So what it is A t

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<v Speaker 2>looks like an unk with its horizontal arms bent downward.

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<v Speaker 2>Really basically a stylized knot of cloth and texting on objects,

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00:15:10.120 --> 00:15:13.480
<v Speaker 2>it stands for life and welfare, and by the new

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00:15:13.559 --> 00:15:18.480
<v Speaker 2>Kingdom Isis herself. It's often paired with the jed pillar,

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00:15:18.799 --> 00:15:25.039
<v Speaker 2>which symbolizes Osiris, and though was scepter in the triple

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00:15:25.120 --> 00:15:28.879
<v Speaker 2>sign sets. You'll see it cut in redstone for Isis's

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00:15:28.879 --> 00:15:33.879
<v Speaker 2>blood or molded in green blue fiance for renewal. So

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00:15:34.000 --> 00:15:38.840
<v Speaker 2>first showed up in the early Dynastic context, but his

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00:15:38.919 --> 00:15:43.679
<v Speaker 2>association with Isis and its funerary role came together much later.

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<v Speaker 2>By the eighteenth dynasty, the t at emulet was a

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00:15:47.799 --> 00:15:52.799
<v Speaker 2>standard part of the burial kit from the pharaoh. Oh, man,

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00:15:52.799 --> 00:15:58.879
<v Speaker 2>how do you say this guy's name? Yes? Sure, that guy?

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00:16:00.120 --> 00:16:00.480
<v Speaker 1>That right?

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<v Speaker 2>A menot the third. Sorry I'm butchering it.

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<v Speaker 1>I can't remember that. Guys I got to say that

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00:16:05.679 --> 00:16:07.000
<v Speaker 1>I did you were like, how did you.

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<v Speaker 2>Never I'll help you. I'll help you. You know who

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00:16:09.000 --> 00:16:09.399
<v Speaker 2>that is?

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00:16:09.879 --> 00:16:15.519
<v Speaker 1>So yeah, exactly, just remember common, Yeah exactly.

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00:16:15.200 --> 00:16:18.519
<v Speaker 2>There you go. So from a Menotepe the third onward,

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00:16:19.080 --> 00:16:24.039
<v Speaker 2>few people were buried without a t From the New

325
00:16:24.120 --> 00:16:28.960
<v Speaker 2>Kingdom and late period Ptolemaic graves, there were thousands found,

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00:16:29.200 --> 00:16:30.720
<v Speaker 2>so pretty common.

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00:16:31.320 --> 00:16:37.279
<v Speaker 1>Yeah, everybody. Everybody was popping bottles with those things, yes.

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00:16:38.320 --> 00:16:42.759
<v Speaker 2>Opening bottles and then just putting them in their tomb. Perfect. Okay.

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00:16:42.919 --> 00:16:46.000
<v Speaker 2>So the spell that makes it work is spell one

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<v Speaker 2>hundred and fifty six from the Book of the Dead.

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00:16:49.440 --> 00:16:54.399
<v Speaker 2>Egyptian funerary books don't just depict t x ts, they

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00:16:54.440 --> 00:16:58.279
<v Speaker 2>prescribed them. Spell one hundred and fifty six directs that

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<v Speaker 2>a tet of red Jasper or Carnelian be placed at

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00:17:02.200 --> 00:17:06.000
<v Speaker 2>the throat of the deceased, consecrated with words that scribes

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00:17:06.119 --> 00:17:11.039
<v Speaker 2>copied for centuries. Here are the words. You have your blood,

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00:17:11.240 --> 00:17:14.440
<v Speaker 2>O isis you have your power? The amulet is a

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00:17:14.480 --> 00:17:17.920
<v Speaker 2>protection for this great one. It will drive away whoever

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00:17:18.000 --> 00:17:25.279
<v Speaker 2>would do him harm. Interesting. The met summarizes the instruction

339
00:17:25.519 --> 00:17:29.400
<v Speaker 2>on multiple object pages. Redd is preferred for the tiet.

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00:17:29.759 --> 00:17:32.960
<v Speaker 2>The spell specifies neck placement and links the color to

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00:17:33.000 --> 00:17:37.240
<v Speaker 2>Isis's blood, a visceral image of maternal power and protection.

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00:17:39.160 --> 00:17:41.799
<v Speaker 2>So where we mostly find them and who made them

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00:17:42.960 --> 00:17:47.960
<v Speaker 2>workshop amulets in redstone or feance. They are located in

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00:17:48.720 --> 00:17:52.359
<v Speaker 2>Museum of Fine Art in Boston and the Met. They

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00:17:52.400 --> 00:17:56.559
<v Speaker 2>have textbook red Jasper tiets and you can even download

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00:17:56.720 --> 00:18:01.839
<v Speaker 2>their open images for close study excavated pieces. In context,

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00:18:01.920 --> 00:18:05.680
<v Speaker 2>we have the British Museum which holds a New Kingdom

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00:18:05.720 --> 00:18:10.640
<v Speaker 2>Feance tiet from Amara West in Nubia and a Cornelian

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00:18:10.680 --> 00:18:14.440
<v Speaker 2>example inscribed with spell one hundred and fifty six, proving

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00:18:14.519 --> 00:18:18.519
<v Speaker 2>that these weren't just generic charms but text activated tools.

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00:18:18.960 --> 00:18:19.640
<v Speaker 1>That's pretty cool.

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00:18:20.319 --> 00:18:24.200
<v Speaker 2>It is cool. Yeah. Also we have glass and later

353
00:18:24.319 --> 00:18:28.960
<v Speaker 2>material tiets, so the late period Ptolemaic tiets also appear

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00:18:29.000 --> 00:18:35.200
<v Speaker 2>in red glass, still honoring the spell's color logic. In

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00:18:35.240 --> 00:18:41.160
<v Speaker 2>the Isis o Cyrus mythic frame, blood and blood and

356
00:18:41.200 --> 00:18:45.480
<v Speaker 2>binding are power. The TETs not binds protection to the body,

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00:18:45.720 --> 00:18:49.839
<v Speaker 2>the red ties it to Isis's blood, symbolizing life, childbirth,

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00:18:49.839 --> 00:18:53.119
<v Speaker 2>and magic. That's why the sign writes so often with

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00:18:53.200 --> 00:18:57.359
<v Speaker 2>Osirian emblems, and why the funerary spells insists on material

360
00:18:57.400 --> 00:19:02.160
<v Speaker 2>and placement and words together museum labels and reference essays

361
00:19:02.359 --> 00:19:06.519
<v Speaker 2>stress its kinship to the anc which symbolizes life, and

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00:19:06.640 --> 00:19:11.720
<v Speaker 2>to Isis and Neptis as divine protectors. So just a

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00:19:11.799 --> 00:19:17.480
<v Speaker 2>quick timeline, we have the early dynastic tiets like signs

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00:19:17.519 --> 00:19:20.880
<v Speaker 2>noted in the archaeological record. This is pre isis association.

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00:19:22.200 --> 00:19:24.960
<v Speaker 2>Then we have the New Kingdom tiet which is like

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<v Speaker 2>one thousand, fifteen fifty to ten seventy BC. The tet

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00:19:31.200 --> 00:19:35.000
<v Speaker 2>becomes ubiquitous with burials. Spell one hundred and fifty six

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<v Speaker 2>prescribes a red jasper piece at the neck. Then you

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00:19:39.000 --> 00:19:43.319
<v Speaker 2>have the late period Ptolemaic ones, which continued with mass

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00:19:43.440 --> 00:19:46.880
<v Speaker 2>use in redstone and red glass. The TETs then appear

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00:19:46.960 --> 00:19:52.880
<v Speaker 2>in amulet strings and as single throat pendants under funerary wrappings.

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00:19:53.000 --> 00:19:55.440
<v Speaker 2>And then in the modern era, the tiet survives in

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00:19:55.519 --> 00:20:01.680
<v Speaker 2>museum collections, Egyptological glossaries, jewelry revive. It's taught alongside the

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00:20:02.440 --> 00:20:10.079
<v Speaker 2>jed and was one of Egypt's core apotropaic signs. So

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00:20:10.119 --> 00:20:13.119
<v Speaker 2>how it was used then versus now? So back then

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00:20:13.440 --> 00:20:16.960
<v Speaker 2>it was carved, consecrated, and set at the throat during mummification,

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00:20:17.680 --> 00:20:20.640
<v Speaker 2>often described with spell one hundred and fifty six or

378
00:20:20.640 --> 00:20:26.359
<v Speaker 2>accompanied by it on a papyrus. Also then it was

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00:20:26.440 --> 00:20:30.039
<v Speaker 2>worn in life as part of protective necklaces. The fealance

380
00:20:30.119 --> 00:20:35.319
<v Speaker 2>examples with threading holes are common, and nowadays scholars use

381
00:20:35.400 --> 00:20:39.880
<v Speaker 2>TETs to teach funerary technology, so emphasizing the color symbolism

382
00:20:40.400 --> 00:20:44.960
<v Speaker 2>plus the spell text plus the actual object. Artists adapt

383
00:20:44.960 --> 00:20:47.920
<v Speaker 2>the silhouette for ambulance and logos, but the red stone

384
00:20:47.960 --> 00:20:53.839
<v Speaker 2>and throat pairing is historically the traditional usage.

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00:20:54.079 --> 00:20:58.559
<v Speaker 1>That's listen, m actually interestingly, Yeah, things pretty good? You know,

386
00:20:58.640 --> 00:21:03.000
<v Speaker 1>it really does look like that bottles.

387
00:21:01.960 --> 00:21:05.359
<v Speaker 2>Wide opener I was swearing. Isn't that interesting that this

388
00:21:05.599 --> 00:21:10.000
<v Speaker 2>associated with red and like red wine? Oh jeez right,

389
00:21:10.480 --> 00:21:16.359
<v Speaker 2>I don't know blood, I dig it makes sense. It

390
00:21:16.400 --> 00:21:20.079
<v Speaker 2>makes sense in my head. Imagine that was the inspiration

391
00:21:20.160 --> 00:21:21.400
<v Speaker 2>for the wine opener design.

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00:21:23.680 --> 00:21:27.200
<v Speaker 1>I'm actually wondering, like I have, is anybody like technically

393
00:21:27.279 --> 00:21:30.640
<v Speaker 1>you could have repurposed this to do that, You know

394
00:21:30.680 --> 00:21:32.759
<v Speaker 1>how people like use things that aren't supposed to do

395
00:21:32.839 --> 00:21:35.000
<v Speaker 1>but like it works, it pops the thing whatever.

396
00:21:35.079 --> 00:21:37.000
<v Speaker 2>Imagine they like had it around their neck and they're.

397
00:21:36.799 --> 00:21:40.400
<v Speaker 1>Like, huh yeah, if they I guess if they the

398
00:21:40.400 --> 00:21:40.960
<v Speaker 1>ship like that.

399
00:21:42.759 --> 00:21:43.480
<v Speaker 2>Imagine.

400
00:21:45.880 --> 00:21:47.400
<v Speaker 1>So I was wondering. I was like, yo, people could

401
00:21:47.400 --> 00:21:51.640
<v Speaker 1>have actually have used that anyway, even if it wasn't

402
00:21:51.720 --> 00:21:54.759
<v Speaker 1>originally meant for it. That might work still, you know

403
00:21:54.799 --> 00:22:03.480
<v Speaker 1>what I'm saying, Very possible. Mm hmm, all right, one

404
00:22:04.359 --> 00:22:09.559
<v Speaker 1>or boros boros? Yes, the tail eater that circles time

405
00:22:11.240 --> 00:22:15.960
<v Speaker 1>make my notes bigger. I'm going blind. I think it's

406
00:22:15.960 --> 00:22:18.400
<v Speaker 1>from Honestly, I'm even wearing glasses for the blue light.

407
00:22:19.240 --> 00:22:21.240
<v Speaker 1>I think it's I think it's a computer.

408
00:22:21.039 --> 00:22:23.359
<v Speaker 2>That It's a lot of time on the computer.

409
00:22:23.079 --> 00:22:25.839
<v Speaker 1>For sure, Oh god, yeah, especially with these souls people.

410
00:22:26.640 --> 00:22:28.240
<v Speaker 1>Not trying to brag or anything, but the amount of

411
00:22:28.240 --> 00:22:30.319
<v Speaker 1>time that is spent on those things in the editing

412
00:22:30.720 --> 00:22:31.920
<v Speaker 1>making images.

413
00:22:32.839 --> 00:22:33.680
<v Speaker 2>Oh no, for sure.

414
00:22:33.920 --> 00:22:36.799
<v Speaker 1>Yeah, you gotta. You gotta love doing it. For me,

415
00:22:37.079 --> 00:22:38.759
<v Speaker 1>I would have to the only reason I'm doing it

416
00:22:38.799 --> 00:22:43.119
<v Speaker 1>exactly because I love doing it. Yeah, do them ships

417
00:22:43.160 --> 00:22:43.480
<v Speaker 1>at all?

418
00:22:44.559 --> 00:22:49.279
<v Speaker 2>Oh? Totally. I love this symbol, by the way.

419
00:22:49.240 --> 00:22:50.799
<v Speaker 1>Yes, sorry, let me get to it, the tail eater

420
00:22:50.880 --> 00:22:54.440
<v Speaker 1>that circles time. If you stand before toot and commons.

421
00:22:55.000 --> 00:22:59.880
<v Speaker 1>Second gilded shrine, gilded shrine, you'll see something. You'll see something.

422
00:22:59.880 --> 00:23:03.119
<v Speaker 1>You'll see a long divine figure, a fusion of raw

423
00:23:03.200 --> 00:23:05.920
<v Speaker 1>and osyrus, bound at the head and feet by two

424
00:23:06.039 --> 00:23:11.079
<v Speaker 1>serpents biting their tails, twin circles pinning the cosmos into order.

425
00:23:12.200 --> 00:23:15.599
<v Speaker 1>Those rings are the oroboros, already fully formed by the

426
00:23:15.599 --> 00:23:21.799
<v Speaker 1>fourteenth century BCE. In Egypt's cryptic funerary literature, they're identified

427
00:23:21.839 --> 00:23:25.839
<v Speaker 1>with mehen me e h e n I'm saying that correctly,

428
00:23:26.480 --> 00:23:30.359
<v Speaker 1>the encircling serpent who both protects and delimits the sun

429
00:23:30.359 --> 00:23:35.640
<v Speaker 1>god on his night journey. The scene is part of

430
00:23:35.680 --> 00:23:41.359
<v Speaker 1>what scholars now called the enigmatic Netherworld's books compositions, whose

431
00:23:41.720 --> 00:23:47.039
<v Speaker 1>best treatment is John Darnold's monograph Popular Summary notes the

432
00:23:47.400 --> 00:23:52.559
<v Speaker 1>same detailed to Orabori guarding the united raw osyrus, a

433
00:23:52.640 --> 00:23:57.279
<v Speaker 1>visual of beginning and end and closing everything. From there,

434
00:23:57.319 --> 00:24:01.480
<v Speaker 1>the symbol migrates first into the Greek magical world, later

435
00:24:01.559 --> 00:24:06.559
<v Speaker 1>into NaSTA cosmology and alchemy, and eventually into Renaissance emblems

436
00:24:06.559 --> 00:24:10.000
<v Speaker 1>and modern lore. Each stop keeps the core gesture of

437
00:24:10.079 --> 00:24:12.880
<v Speaker 1>serpent closing a circle with its own body, but you

438
00:24:12.880 --> 00:24:16.079
<v Speaker 1>will see tweaks the meaning like a cosmic protection in

439
00:24:16.160 --> 00:24:21.960
<v Speaker 1>Pharonic Egyptian. In Pharonic Egypt, see our World girl world,

440
00:24:22.319 --> 00:24:29.039
<v Speaker 1>girdling boundary and late Antique, late the elite gnosis, and

441
00:24:29.039 --> 00:24:32.400
<v Speaker 1>then you'll see a unity of contraries and endless renewal

442
00:24:32.440 --> 00:24:34.920
<v Speaker 1>for the alchemists. So I mean you will see it

443
00:24:35.000 --> 00:24:36.640
<v Speaker 1>joining a little bit differently, and I do think like

444
00:24:36.759 --> 00:24:41.839
<v Speaker 1>meaning sometimes different things. I would say, like for it

445
00:24:41.920 --> 00:24:44.039
<v Speaker 1>to have anything to do with the eyeball that sometimes

446
00:24:44.039 --> 00:24:46.839
<v Speaker 1>I think it does. And obviously the snake means plenty

447
00:24:46.880 --> 00:24:49.119
<v Speaker 1>of different things, because I don't think it always means

448
00:24:49.160 --> 00:24:55.440
<v Speaker 1>that every time, no where it first shows up, and

449
00:24:55.480 --> 00:24:59.319
<v Speaker 1>what it meant there you have a new kingdom Egypt

450
00:25:00.039 --> 00:25:04.839
<v Speaker 1>from fourteenth to thirteenth century BCE. The Orbos. The Aroboros

451
00:25:04.880 --> 00:25:09.119
<v Speaker 1>is a tested on toot and commons shrine Panels. I

452
00:25:09.160 --> 00:25:11.519
<v Speaker 1>was just saying, where two tail binding serpents ring the

453
00:25:11.599 --> 00:25:17.240
<v Speaker 1>solar Ossyrian figure. Here the serpent is Mayhan, a protective

454
00:25:17.240 --> 00:25:22.400
<v Speaker 1>and delimiting force. The picture collapses first and last the

455
00:25:22.480 --> 00:25:27.319
<v Speaker 1>beginning and end of time into a single image. That's

456
00:25:27.359 --> 00:25:31.160
<v Speaker 1>that speculative. It's how Egyptologists read the scene within the

457
00:25:31.160 --> 00:25:37.200
<v Speaker 1>cryptographic nether World's book tradition, how it enters into magical

458
00:25:37.200 --> 00:25:41.640
<v Speaker 1>and gnostic Mediterranean by the first century ce. The ourboro

459
00:25:41.720 --> 00:25:46.160
<v Speaker 1>shows up everywhere in the Greco Egyptian magical repertoire, especially

460
00:25:46.160 --> 00:25:50.000
<v Speaker 1>our magical gems worn as ambulance. The British Museum holds

461
00:25:50.000 --> 00:25:55.880
<v Speaker 1>a Late Roman intaglios. I'm saying that, I think where

462
00:25:55.880 --> 00:25:58.319
<v Speaker 1>an aur boros? You know what's I used to know

463
00:25:58.359 --> 00:26:00.319
<v Speaker 1>what that was, because let's come up with them. The thing,

464
00:26:00.400 --> 00:26:05.480
<v Speaker 1>but I can't remember it is encircles an entire microcosmos,

465
00:26:06.039 --> 00:26:11.559
<v Speaker 1>including one notorious set notorious set of uterus ambulance. A

466
00:26:11.680 --> 00:26:17.240
<v Speaker 1>Uterus with a sevenmitted key to a locket sits inside

467
00:26:17.279 --> 00:26:22.319
<v Speaker 1>a tail biting serpent, flanked by protected deities like uh

468
00:26:22.559 --> 00:26:27.480
<v Speaker 1>Nubis and Osiris. Uh. These are working pieces, not ornaments,

469
00:26:27.599 --> 00:26:31.279
<v Speaker 1>survivors from the same world as the Greek magical papyary,

470
00:26:31.960 --> 00:26:36.079
<v Speaker 1>and they aimed at warding off uterine disorders and hostile forces.

471
00:26:36.799 --> 00:26:42.200
<v Speaker 2>Wow. Who knew could say something so crazy?

472
00:26:43.440 --> 00:26:45.559
<v Speaker 1>Something I just killed a woman in herself she could

473
00:26:45.559 --> 00:26:46.359
<v Speaker 1>be the hostile force.

474
00:26:48.799 --> 00:26:58.039
<v Speaker 2>Wows too much.

475
00:27:02.160 --> 00:27:07.759
<v Speaker 1>Nastic text, but nobody probably gets that at all. Gnastic text.

476
00:27:09.039 --> 00:27:13.160
<v Speaker 1>The is scaled up to a cosmic boundary. Yeah, nastik

477
00:27:13.200 --> 00:27:16.519
<v Speaker 1>taxi orbos is scaled up to a cosmic boundary. In

478
00:27:16.599 --> 00:27:21.599
<v Speaker 1>the Pistos Sophia fourth century, Jesus describes the outer darkness

479
00:27:21.640 --> 00:27:24.000
<v Speaker 1>as a great dragon whose tail is in his mouth,

480
00:27:24.599 --> 00:27:27.680
<v Speaker 1>outside the whole world and surrounding the whole Do you

481
00:27:27.720 --> 00:27:29.079
<v Speaker 1>remember that?

482
00:27:29.400 --> 00:27:32.640
<v Speaker 2>H Well, I know that the reference.

483
00:27:32.759 --> 00:27:37.680
<v Speaker 1>Yeah, okay, that is the older encirclar reinterpreted the ring

484
00:27:37.720 --> 00:27:40.839
<v Speaker 1>that marks off this world from the next.

485
00:27:41.200 --> 00:27:41.519
<v Speaker 2>Uh.

486
00:27:42.319 --> 00:27:43.240
<v Speaker 1>Did you want to say something?

487
00:27:43.720 --> 00:27:45.799
<v Speaker 2>Yeah, I just think it's also a reference to like

488
00:27:47.119 --> 00:27:50.319
<v Speaker 2>Satan is the king of this world, you know, the

489
00:27:50.400 --> 00:27:52.759
<v Speaker 2>ruler of this world or whatever. Yeah, it's just like

490
00:27:53.039 --> 00:27:56.240
<v Speaker 2>the image of like the dragon encircling the world. You know.

491
00:27:56.759 --> 00:27:59.200
<v Speaker 2>That's just my interpretation where.

492
00:28:01.200 --> 00:28:05.880
<v Speaker 1>The alchemical turn to uh, the oil is one sometime

493
00:28:05.920 --> 00:28:09.880
<v Speaker 1>in the fourth century, uh, preserved to us in the

494
00:28:09.960 --> 00:28:15.319
<v Speaker 1>tenth century Venice and manuscript Venice the alchemist Cleopatra, the alchemist,

495
00:28:15.839 --> 00:28:19.799
<v Speaker 1>but the alchemist clear patra of the alchemist, the alchemist

496
00:28:19.880 --> 00:28:26.400
<v Speaker 1>Cleopatra call itself Cleopatra the Alchemist. Sketching bores with the

497
00:28:26.440 --> 00:28:30.519
<v Speaker 1>Greek motto the oll is what orphan colored and light

498
00:28:30.559 --> 00:28:34.559
<v Speaker 1>and dark half. It visualizes the I don't even know

499
00:28:34.599 --> 00:28:38.559
<v Speaker 1>how to say this word. The opposites married within a

500
00:28:38.599 --> 00:28:42.720
<v Speaker 1>single cycle kind of like the salve a coagula or

501
00:28:43.200 --> 00:28:54.000
<v Speaker 1>death feeding life. That one folio Chirospia of Cleopatra chrystal Pia, Yeah,

502
00:28:54.200 --> 00:28:58.640
<v Speaker 1>became the canonical or boros for later readers. And then

503
00:28:58.680 --> 00:29:01.839
<v Speaker 1>the Renaissance revived well, the emblem that eats its own tail.

504
00:29:03.000 --> 00:29:07.720
<v Speaker 1>When early modern adepts rehabilitated alchemy, they kept the serpent,

505
00:29:08.599 --> 00:29:12.240
<v Speaker 1>and Michael Myers covered him before, and we covered the

506
00:29:12.559 --> 00:29:20.720
<v Speaker 1>Atlantica Fujians emblem fourteen Prince. The caption straight this is

507
00:29:20.759 --> 00:29:23.839
<v Speaker 1>the dragon that devours his tail. I remember one. I

508
00:29:23.839 --> 00:29:29.759
<v Speaker 1>think we might have actually covered that one. And then yeah,

509
00:29:30.039 --> 00:29:34.079
<v Speaker 1>the Science History's Institute scan shows the classic ring dragon

510
00:29:34.160 --> 00:29:38.359
<v Speaker 1>coiled in a landscape a picture lesson in circular process.

511
00:29:38.920 --> 00:29:40.680
<v Speaker 1>So yeah, people want to check that out. It's on

512
00:29:40.720 --> 00:29:45.680
<v Speaker 1>the Michael Myers episode M and what it means boiled

513
00:29:45.680 --> 00:29:49.720
<v Speaker 1>down Egyptian funerary logic. The oraborus is manhinded the circular.

514
00:29:49.799 --> 00:29:53.039
<v Speaker 1>It protects the god and fixes the limits placed at

515
00:29:53.119 --> 00:29:58.039
<v Speaker 1>head and feet, the twin circles, the twin circles, the

516
00:29:58.079 --> 00:30:07.160
<v Speaker 1>twin circles image time contained. That doesn't summery.

517
00:30:09.799 --> 00:30:11.640
<v Speaker 2>I think it's instead of an image, it should be

518
00:30:12.079 --> 00:30:14.200
<v Speaker 2>symbolized as time contained.

519
00:30:16.119 --> 00:30:23.480
<v Speaker 1>Yeah yeah, if I edit that out right.

520
00:30:24.279 --> 00:30:33.720
<v Speaker 2>Yeah yeah, it's fine. Keep going, you're good, it's fine.

521
00:30:34.400 --> 00:30:35.079
<v Speaker 1>Yeah, fuck it.

522
00:30:40.799 --> 00:30:41.799
<v Speaker 2>Buckle up a cup.

523
00:30:43.039 --> 00:30:47.319
<v Speaker 1>Magical technology on gems and ambulance. We're still on what

524
00:30:47.359 --> 00:30:52.519
<v Speaker 1>it means, boiled down like everybody. Magical technology on gems

525
00:30:52.559 --> 00:30:56.720
<v Speaker 1>and ambulance. The ring serpent binds what's inside a womb,

526
00:30:56.880 --> 00:31:00.279
<v Speaker 1>a set of apotropeic beasts or a names so that

527
00:31:00.319 --> 00:31:07.960
<v Speaker 1>disorder stays out all right. Gnostic map a world girdling dragon,

528
00:31:08.359 --> 00:31:12.119
<v Speaker 1>the last fence before the light beyond. And al chemical

529
00:31:12.119 --> 00:31:16.279
<v Speaker 1>doctrine unity, unity of all things with a self feeding cycle,

530
00:31:17.079 --> 00:31:22.119
<v Speaker 1>a picture of matters eternal return into new forms. And

531
00:31:22.160 --> 00:31:27.000
<v Speaker 1>then who made it? Nose real, single inventor. So I

532
00:31:27.039 --> 00:31:27.839
<v Speaker 1>can't help you with that.

533
00:31:27.839 --> 00:31:29.880
<v Speaker 2>One, No one knows.

534
00:31:30.559 --> 00:31:32.319
<v Speaker 1>And where you can see it, I guess, I guess

535
00:31:32.359 --> 00:31:34.440
<v Speaker 1>if you feel like going to a place, you always

536
00:31:34.440 --> 00:31:39.839
<v Speaker 1>go to. Toton Commons Gilded shrine out there. You got

537
00:31:39.880 --> 00:31:43.880
<v Speaker 1>another one. Late Roman magical gems, the Oroboris enclosing Uterus

538
00:31:43.880 --> 00:31:48.240
<v Speaker 1>and key with Nubis and Osiris and others with animal

539
00:31:48.319 --> 00:31:51.680
<v Speaker 1>rows inside the ring. You can find them as was

540
00:31:51.680 --> 00:31:55.359
<v Speaker 1>at the Brave British Museum yep. And then you got

541
00:31:55.359 --> 00:31:59.799
<v Speaker 1>Cleopatra's Cairo Sapia. So whatever, I'm.

542
00:31:59.640 --> 00:32:04.759
<v Speaker 2>Screwing, Chrystopia, chrysopia, I don't know how to say it.

543
00:32:06.680 --> 00:32:09.799
<v Speaker 1>Yeah, that one you can find online. Michael Myers can

544
00:32:09.839 --> 00:32:14.480
<v Speaker 1>be found online as well, under at the Atlanta Fugiens,

545
00:32:15.359 --> 00:32:19.880
<v Speaker 1>And that would be emblem of fourteen and today, really,

546
00:32:20.640 --> 00:32:23.799
<v Speaker 1>I think people just kind of like used for how

547
00:32:23.839 --> 00:32:26.519
<v Speaker 1>it's use today, the orboros remains a signature sigil of

548
00:32:26.519 --> 00:32:30.359
<v Speaker 1>hermetic groups, fine press, alchemy houses, and contemporary occult art.

549
00:32:31.079 --> 00:32:32.799
<v Speaker 1>So basically I was gonna say, it's still like kind

550
00:32:32.839 --> 00:32:36.160
<v Speaker 1>of used for that stuff, even, I would say by

551
00:32:36.200 --> 00:32:37.880
<v Speaker 1>people who don't even know what the fuck it means,

552
00:32:37.960 --> 00:32:40.480
<v Speaker 1>just given it real or not really or don't know

553
00:32:40.559 --> 00:32:43.640
<v Speaker 1>too much really about it. Yeah, I know for a

554
00:32:43.680 --> 00:32:48.920
<v Speaker 1>factor that shit. Scholarship and teachings. Historians of science use

555
00:32:48.960 --> 00:32:53.279
<v Speaker 1>the orboros to teach alchemy's visual language in Egypt's funerary cosmology,

556
00:32:53.960 --> 00:32:59.359
<v Speaker 1>museums mounted in a case study in symbol migration. Interesting,

557
00:32:59.400 --> 00:33:03.599
<v Speaker 1>you have to make it rounds chemist scientific lords. Also,

558
00:33:04.039 --> 00:33:09.359
<v Speaker 1>chemists still retell kakoulies say that right, or boris dream

559
00:33:09.480 --> 00:33:14.119
<v Speaker 1>as the metaphor that closed Benzene into a ring, though

560
00:33:14.240 --> 00:33:18.720
<v Speaker 1>historians warn his accounts warn his accounts conflict over time

561
00:33:19.359 --> 00:33:23.200
<v Speaker 1>treated as a myth of insight, not hard fact. Really. Yeah,

562
00:33:23.640 --> 00:33:25.519
<v Speaker 1>I'm not sure if I even know of that story

563
00:33:25.519 --> 00:33:26.200
<v Speaker 1>to begin with, so.

564
00:33:26.799 --> 00:33:32.000
<v Speaker 2>Not me either. Sounds interesting. I also know it's the

565
00:33:32.039 --> 00:33:34.799
<v Speaker 2>logo for the show Wheel of Time. Yeah, I think

566
00:33:34.839 --> 00:33:36.720
<v Speaker 2>one's a thing. I mean, I love that show.

567
00:33:37.839 --> 00:33:43.119
<v Speaker 1>Yeah, the unicoarsal hexagram that I uh I have because

568
00:33:43.119 --> 00:33:45.279
<v Speaker 1>of what it ended up making it smaller on my arm,

569
00:33:46.559 --> 00:33:48.279
<v Speaker 1>I chose not to go with it, but it originally

570
00:33:48.279 --> 00:33:51.160
<v Speaker 1>had an or bors I wanted around it too. Mm hmm.

571
00:33:51.960 --> 00:33:53.720
<v Speaker 1>It was just supposed to be that with the eyeballs

572
00:33:53.680 --> 00:33:56.359
<v Speaker 1>supposed to be the or bors the extras instagram and

573
00:33:56.400 --> 00:33:57.319
<v Speaker 1>then the eyeball in the middle.

574
00:33:58.920 --> 00:34:01.240
<v Speaker 2>Yeah I like that.

575
00:34:01.960 --> 00:34:04.079
<v Speaker 1>Yeah, No, it would have looked cool, but it just

576
00:34:04.079 --> 00:34:06.279
<v Speaker 1>would have made it, you know, everything else would have had

577
00:34:06.240 --> 00:34:08.320
<v Speaker 1>to get sized down smaller.

578
00:34:07.960 --> 00:34:11.320
<v Speaker 2>Yeah, to fit inside. Yeah. Well, and then of course

579
00:34:11.320 --> 00:34:14.519
<v Speaker 2>you know the infinity symbols, basically two of them together

580
00:34:15.079 --> 00:34:19.199
<v Speaker 2>joined in the middle more or less makes sense.

581
00:34:19.880 --> 00:34:24.599
<v Speaker 1>Oh yeah, that's I guess that's it for the show today.

582
00:34:25.400 --> 00:34:27.440
<v Speaker 1>I guess so yeah, that was pretty fun. What did

583
00:34:27.480 --> 00:34:31.400
<v Speaker 1>I tell you thirty minutes thirty four? I did bullshit

584
00:34:31.480 --> 00:34:32.920
<v Speaker 1>so much at the beginning, it would have been less.

585
00:34:33.440 --> 00:34:36.039
<v Speaker 2>That's true. I can talk about Venice for so long.

586
00:34:37.320 --> 00:34:41.000
<v Speaker 1>People like you fuck that. I haven't even left fucking Kansas.

587
00:34:41.360 --> 00:34:45.400
<v Speaker 2>Whatever. Man, this is what it is.

588
00:34:48.320 --> 00:34:50.760
<v Speaker 1>For people who do happen to have any stories or anything.

589
00:34:51.159 --> 00:34:53.880
<v Speaker 1>Send him into headless as a fuck. I forgot. I

590
00:34:54.079 --> 00:34:59.159
<v Speaker 1>forgot his email. Headless Giants podcast. Yeah, Headless Giant podcast,

591
00:34:59.280 --> 00:35:01.480
<v Speaker 1>I don't think. And I'm wondering if he's said the

592
00:35:01.639 --> 00:35:05.119
<v Speaker 1>Headless Giant podcast. I don't think it's the because I

593
00:35:05.239 --> 00:35:08.960
<v Speaker 1>was typing it in today to send him something, and

594
00:35:09.000 --> 00:35:12.079
<v Speaker 1>I think I had to type in headless, and I

595
00:35:12.119 --> 00:35:13.920
<v Speaker 1>think I had thought it stuck in my head because

596
00:35:13.920 --> 00:35:16.039
<v Speaker 1>of him saying that I could be wrong. I could

597
00:35:16.039 --> 00:35:20.079
<v Speaker 1>have just been stoned up. But I'm pretty sure I

598
00:35:20.199 --> 00:35:22.840
<v Speaker 1>heard him say thought in front of it too. So

599
00:35:22.880 --> 00:35:25.719
<v Speaker 1>it is Headless Giant. I think podcast at gmail dot com.

600
00:35:25.719 --> 00:35:27.800
<v Speaker 1>If you got a story, send it over to him,

601
00:35:28.039 --> 00:35:30.519
<v Speaker 1>if you want to put your address on there and

602
00:35:30.800 --> 00:35:35.039
<v Speaker 1>he'll send you some dick pics.

603
00:35:35.599 --> 00:35:38.360
<v Speaker 2>People like yo, what is wrong with He's like goddamn.

604
00:35:38.360 --> 00:35:42.960
<v Speaker 2>Now I gotta follow this extent. I'm gonna do it.

605
00:35:43.119 --> 00:35:44.880
<v Speaker 1>Those one of those things.

606
00:35:45.039 --> 00:35:46.920
<v Speaker 2>Can't disappoint the people.

607
00:35:48.559 --> 00:35:52.119
<v Speaker 1>Beep show, No one of those those fucking what would

608
00:35:52.239 --> 00:35:59.880
<v Speaker 1>I eyeglass things? You Monica is out. That's so mean,

609
00:36:03.360 --> 00:36:06.719
<v Speaker 1>that's terrible. That's my boy. I'm gonna see him tomorrow too.

610
00:36:08.599 --> 00:36:10.519
<v Speaker 2>I'm sorry.

611
00:36:10.760 --> 00:36:13.920
<v Speaker 1>He's not gonna listen to it anyway. I actually know

612
00:36:14.000 --> 00:36:17.159
<v Speaker 1>what he does listen, so he does. He's one of

613
00:36:17.159 --> 00:36:18.599
<v Speaker 1>the him and Jim and like maybe one of the

614
00:36:18.639 --> 00:36:20.360
<v Speaker 1>persons on the show actually listened to it.

615
00:36:20.599 --> 00:36:22.159
<v Speaker 2>He's gonna be mad at you for this.

616
00:36:24.239 --> 00:36:28.400
<v Speaker 1>He's my boy. Yeah, hell yeah, I'm really looking forward

617
00:36:28.440 --> 00:36:32.159
<v Speaker 1>to actually meeting him. But yeah, unfortunately, since this again

618
00:36:32.239 --> 00:36:33.840
<v Speaker 1>is dropping, I would have liked to have maybe dropped

619
00:36:33.840 --> 00:36:38.039
<v Speaker 1>it earlier, but I can't. So, I mean, I guess

620
00:36:38.079 --> 00:36:42.519
<v Speaker 1>I could. It's just just whatever. But yeah, uh but yeah, yeah,

621
00:36:42.559 --> 00:36:45.599
<v Speaker 1>if you want, I'll send stickers. Did I have Did

622
00:36:45.639 --> 00:36:47.239
<v Speaker 1>I have a correct not to dick pics? And will

623
00:36:47.280 --> 00:36:48.840
<v Speaker 1>send stickers. I don't even know if I get to

624
00:36:48.880 --> 00:36:54.840
<v Speaker 1>the stickers. Just left it as that, like, wait's being serious,

625
00:36:55.760 --> 00:36:57.760
<v Speaker 1>I'll send that. I got stick his QR code on

626
00:36:57.800 --> 00:36:59.519
<v Speaker 1>they I'll send out I send out eight at the time,

627
00:37:00.400 --> 00:37:03.480
<v Speaker 1>hoping that somebody will be as uh as pathetic as

628
00:37:03.480 --> 00:37:06.960
<v Speaker 1>me and tagging in the public for me throwing up

629
00:37:07.000 --> 00:37:09.159
<v Speaker 1>on like a you know, sign or something on the

630
00:37:09.159 --> 00:37:12.559
<v Speaker 1>side of the road, be surprised when you start looking around,

631
00:37:12.719 --> 00:37:14.559
<v Speaker 1>you'd start to be like, holy shit, I've just never

632
00:37:14.679 --> 00:37:19.719
<v Speaker 1>noticed like everywhere. Yeah, No, there's like like where did

633
00:37:19.719 --> 00:37:25.039
<v Speaker 1>I go to I think, uh wasn't there's I think

634
00:37:25.039 --> 00:37:27.800
<v Speaker 1>there was spots in Raleigh where there's where like I

635
00:37:27.880 --> 00:37:30.119
<v Speaker 1>saw like stores and like places where it was just

636
00:37:30.199 --> 00:37:33.159
<v Speaker 1>like quite obvious that like it was even like a

637
00:37:33.239 --> 00:37:36.639
<v Speaker 1>loud like it was almost like doors on places but

638
00:37:36.800 --> 00:37:39.400
<v Speaker 1>just totally tagged and stickers and like the poles.

639
00:37:39.559 --> 00:37:42.960
<v Speaker 2>I was like, uh, you know, it kind of makes

640
00:37:42.960 --> 00:37:43.599
<v Speaker 2>this fun art.

641
00:37:44.440 --> 00:37:46.880
<v Speaker 1>No, there's been certain places where I've seen that they like,

642
00:37:46.880 --> 00:37:50.719
<v Speaker 1>like I guess like welcome tagging on their their business.

643
00:37:51.679 --> 00:37:54.079
<v Speaker 2>Sure definitely.

644
00:37:54.199 --> 00:37:56.239
<v Speaker 1>Oh when I wanted to comment Pingpong, I slapped up

645
00:37:56.239 --> 00:37:59.079
<v Speaker 1>stickers in the bathroom, did you Yeah, the place was

646
00:37:59.079 --> 00:37:59.880
<v Speaker 1>filled with stickers.

647
00:38:02.119 --> 00:38:05.320
<v Speaker 2>Also, if anyone sees your stickers in public, like tag

648
00:38:05.679 --> 00:38:06.960
<v Speaker 2>tag them, tag this man.

649
00:38:08.079 --> 00:38:10.079
<v Speaker 1>Oh there was a dude in North Carolina that swow

650
00:38:10.119 --> 00:38:11.719
<v Speaker 1>one of mine, probably a mile away.

651
00:38:11.800 --> 00:38:15.800
<v Speaker 2>Followed me, Oh nice, that's cool, and I hit him up.

652
00:38:15.840 --> 00:38:17.360
<v Speaker 1>I was like, oh, who do you listen to the show?

653
00:38:17.440 --> 00:38:18.719
<v Speaker 1>I was like, you listened to the show? I was like,

654
00:38:18.760 --> 00:38:21.159
<v Speaker 1>I noticed it says you're from fucking North Carolina. I

655
00:38:21.159 --> 00:38:23.599
<v Speaker 1>was like, where are you from? He's like Greenville. I

656
00:38:23.639 --> 00:38:26.639
<v Speaker 1>was like, did you find one of my stickers? He's

657
00:38:26.679 --> 00:38:28.559
<v Speaker 1>like yeah. I was like oh. I was like, you're

658
00:38:28.559 --> 00:38:29.920
<v Speaker 1>into that ship. He's like, I don't know. He's like,

659
00:38:29.960 --> 00:38:31.840
<v Speaker 1>I haven't listened to you, checked you out yet, say well,

660
00:38:31.880 --> 00:38:33.039
<v Speaker 1>let me know what you think. And I've never heard

661
00:38:33.039 --> 00:38:38.000
<v Speaker 1>back from him, so I think something else. Probably probably

662
00:38:38.119 --> 00:38:44.639
<v Speaker 1>looked at the art. He's like, you say that, yeah,

663
00:38:44.679 --> 00:38:47.920
<v Speaker 1>that is that is really fun to keep going. I think.

664
00:38:48.039 --> 00:38:51.320
<v Speaker 2>I think when you make your art, you should, you should.

665
00:38:51.599 --> 00:38:54.519
<v Speaker 2>You should do it on this show and break it down.

666
00:38:54.599 --> 00:38:57.239
<v Speaker 1>Oh I wish I would do that. I would have

667
00:38:57.280 --> 00:38:59.480
<v Speaker 1>no problem even the art that I've used, coming on

668
00:38:59.559 --> 00:39:00.920
<v Speaker 1>and explain I should.

669
00:39:01.880 --> 00:39:06.800
<v Speaker 2>Because you know, if any if anyone should think it's satanic,

670
00:39:06.840 --> 00:39:10.440
<v Speaker 2>it's me, okay, and I don't know.

671
00:39:10.639 --> 00:39:15.360
<v Speaker 1>I have no problem explaining this. Really, That's that's what

672
00:39:15.400 --> 00:39:20.000
<v Speaker 1>that is like, that's fucking weird, yo, even like Yo,

673
00:39:20.199 --> 00:39:22.239
<v Speaker 1>there was a fucking lady in Walmart I was wearing

674
00:39:22.239 --> 00:39:24.679
<v Speaker 1>the Woman the Sea Show lady and she started giving

675
00:39:24.719 --> 00:39:27.199
<v Speaker 1>me the tenth the ninth grade whatever you say, fucking ninth,

676
00:39:27.280 --> 00:39:31.079
<v Speaker 1>tenth degree whatever. Remember that phrase is what's that cult?

677
00:39:31.159 --> 00:39:33.119
<v Speaker 1>What is that? You know what? You're asking me questions

678
00:39:33.119 --> 00:39:36.519
<v Speaker 1>about my shirt and all of a sudden, fucking Jesus

679
00:39:36.519 --> 00:39:36.920
<v Speaker 1>comes out.

680
00:39:38.639 --> 00:39:41.159
<v Speaker 2>Listen, Jesus is always great.

681
00:39:41.199 --> 00:39:46.320
<v Speaker 1>She was also a Baptist, So there's your answer. Do

682
00:39:46.320 --> 00:39:47.800
<v Speaker 1>you have me see those memes where it's like the

683
00:39:47.880 --> 00:39:49.719
<v Speaker 1>kid looks like he's about to like ship his pants,

684
00:39:49.760 --> 00:39:51.719
<v Speaker 1>and it's like I haven't said so such and such

685
00:39:51.760 --> 00:39:54.199
<v Speaker 1>in five seconds. It's like, I mean, it looks like

686
00:39:54.199 --> 00:39:57.599
<v Speaker 1>a kid's like head's gonna explode. Yeah. Yeah, people always

687
00:39:57.639 --> 00:40:00.199
<v Speaker 1>feel like, oh, I haven't talked about that. I if

688
00:40:00.199 --> 00:40:02.480
<v Speaker 1>I as a penguin today in five seconds, So he's

689
00:40:02.480 --> 00:40:05.119
<v Speaker 1>about to fucking blow up, you know what I'm saying? Yeah, yeah,

690
00:40:05.159 --> 00:40:08.440
<v Speaker 1>you know, yeah, yeah. I hate to say it's like

691
00:40:08.440 --> 00:40:11.320
<v Speaker 1>a Baptist to somebody who's like might be you know, satanic.

692
00:40:11.360 --> 00:40:14.840
<v Speaker 1>I guess you can't like dying to stop preaching to me.

693
00:40:15.800 --> 00:40:15.960
<v Speaker 2>You know.

694
00:40:16.119 --> 00:40:17.840
<v Speaker 1>She started going on and when I was like, and

695
00:40:17.880 --> 00:40:20.039
<v Speaker 1>I was like, she asked me, She's like, well, what's

696
00:40:20.079 --> 00:40:22.360
<v Speaker 1>it about. I said, that's an artistic depiction of the

697
00:40:22.360 --> 00:40:25.159
<v Speaker 1>inside the arrival, you know, And it looks like that

698
00:40:25.320 --> 00:40:27.039
<v Speaker 1>was like the worst answer. I was like, Fuck, I

699
00:40:27.039 --> 00:40:28.239
<v Speaker 1>can't even win with you, lady.

700
00:40:28.599 --> 00:40:30.559
<v Speaker 2>Listen, she's not going to gather that.

701
00:40:31.239 --> 00:40:34.039
<v Speaker 1>By no, I wouldn't expect anybody to gather that. But

702
00:40:34.119 --> 00:40:35.440
<v Speaker 1>if you told me that, I don't know, if I

703
00:40:35.559 --> 00:40:37.239
<v Speaker 1>keep going with the same angle, I'd be like, wait,

704
00:40:37.280 --> 00:40:38.079
<v Speaker 1>now I'm confused.

705
00:40:38.239 --> 00:40:39.920
<v Speaker 2>Yeah, you're like what I feel like she still.

706
00:40:39.800 --> 00:40:41.400
<v Speaker 1>Wanted to slap me with Jesus shit, And I was like,

707
00:40:41.440 --> 00:40:43.440
<v Speaker 1>oh my god. I was like, yo, mother, I even said.

708
00:40:43.440 --> 00:40:45.920
<v Speaker 1>I was like, hey, it was a gangster. I'm like thinking,

709
00:40:45.960 --> 00:40:47.800
<v Speaker 1>maybe she'll start shutting up or whatever. I was like,

710
00:40:47.840 --> 00:40:49.400
<v Speaker 1>oh god, I just checked the funk out.

711
00:40:49.440 --> 00:40:56.639
<v Speaker 2>Please can just buy my items, ma'am. Yeah. And there's

712
00:40:56.679 --> 00:40:59.800
<v Speaker 2>an expression my grandfather always used to say, they catch

713
00:40:59.840 --> 00:41:04.840
<v Speaker 2>more flies with honey then vinegar. So if that's what

714
00:41:04.960 --> 00:41:09.000
<v Speaker 2>you're going for, I mean, you know you're you're going

715
00:41:09.079 --> 00:41:10.679
<v Speaker 2>to fight the uphill battle there.

716
00:41:11.039 --> 00:41:15.320
<v Speaker 1>You understand who is like from my experience in the

717
00:41:15.360 --> 00:41:18.039
<v Speaker 1>ocul community, even in then when I was like in

718
00:41:18.119 --> 00:41:21.800
<v Speaker 1>the OTO, I mean except forely, like maybe a handful

719
00:41:21.840 --> 00:41:27.320
<v Speaker 1>of just like angry people that probably whatever for the

720
00:41:27.320 --> 00:41:32.159
<v Speaker 1>most part, except for Catholics, which I don't understand because

721
00:41:32.159 --> 00:41:36.760
<v Speaker 1>I'm just gonna keepthic No, which I don't understand because

722
00:41:36.760 --> 00:41:41.239
<v Speaker 1>if you're into ceremonial magic, I just don't get, like,

723
00:41:41.239 --> 00:41:45.159
<v Speaker 1>like you know, Christian Catholicism is like you don't see

724
00:41:45.159 --> 00:41:47.920
<v Speaker 1>the connection here. I just don't get, like how you right,

725
00:41:47.960 --> 00:41:49.519
<v Speaker 1>That's what I'm getting at. And like you said, some

726
00:41:49.679 --> 00:41:52.119
<v Speaker 1>like especially in the OTL, I was like, well, like,

727
00:41:52.199 --> 00:41:53.840
<v Speaker 1>I guess maybe when you get up a little bit harder,

728
00:41:53.920 --> 00:42:01.119
<v Speaker 1>you'll see that they acknowledge Jesus, Like yeah, maybe, yeah, yeah, yeah,

729
00:42:01.360 --> 00:42:03.320
<v Speaker 1>they'll probably have a temp attention when you get up

730
00:42:03.320 --> 00:42:08.960
<v Speaker 1>a few more degrees. By what the fuck? Yeah, if

731
00:42:08.960 --> 00:42:10.960
<v Speaker 1>you did, and if you forgot too. This is based

732
00:42:11.000 --> 00:42:17.760
<v Speaker 1>off of the Russian Orthodox. Ye sorry to tell you,

733
00:42:17.880 --> 00:42:20.800
<v Speaker 1>but it's a full story short. Except for a couple

734
00:42:20.840 --> 00:42:23.239
<v Speaker 1>of handful of just fucking morons who actually, for some

735
00:42:23.280 --> 00:42:25.280
<v Speaker 1>reason just hate the Catholic Church because like they think

736
00:42:25.320 --> 00:42:28.559
<v Speaker 1>they're a witch. And the Catholic or whatever. Yes they

737
00:42:28.559 --> 00:42:31.760
<v Speaker 1>have whatever, but I mean it's just the same motherfuckers.

738
00:42:34.400 --> 00:42:40.880
<v Speaker 1>They're so accepting of other people's religions who believes. They

739
00:42:40.920 --> 00:42:43.239
<v Speaker 1>really don't give a flying if you don't believe like them.

740
00:42:43.239 --> 00:42:46.840
<v Speaker 1>They're like, I didn't think you would. Okay, cool, but

741
00:42:46.920 --> 00:42:49.119
<v Speaker 1>like you know, you get like a fun it's like,

742
00:42:49.159 --> 00:42:50.840
<v Speaker 1>just shut the funk up, leave me alone.

743
00:42:52.679 --> 00:42:56.000
<v Speaker 2>Yeah, I mean, it's just the funny thing.

744
00:42:56.320 --> 00:42:57.960
<v Speaker 1>No I see a cross hanging around your neck? Am

745
00:42:58.000 --> 00:42:59.719
<v Speaker 1>I making fun of you? No? I mean I would

746
00:42:59.719 --> 00:43:01.280
<v Speaker 1>have no reason to because I see no reason to

747
00:43:01.280 --> 00:43:02.239
<v Speaker 1>make fun of somebody for that.

748
00:43:02.280 --> 00:43:03.760
<v Speaker 2>Well exactly, that's just the thing.

749
00:43:03.880 --> 00:43:06.400
<v Speaker 1>You know, at least you believe it's something.

750
00:43:07.639 --> 00:43:10.000
<v Speaker 2>Well, a lot of people wear across and don't.

751
00:43:09.800 --> 00:43:15.719
<v Speaker 1>Believe Trump wear it for jewelry, Like yeah, every Trump

752
00:43:15.760 --> 00:43:16.400
<v Speaker 1>puts on TV.

753
00:43:19.000 --> 00:43:20.719
<v Speaker 2>Yeah, they wear a cross around. Then that can then

754
00:43:20.760 --> 00:43:23.519
<v Speaker 2>they believe in prosperity gospel, like, come on, get the

755
00:43:23.519 --> 00:43:29.360
<v Speaker 2>funk out, I can't. Yeah, but it's funny. It's just

756
00:43:29.440 --> 00:43:33.800
<v Speaker 2>like Protestant Christians. No offense. But you know, they're very fiery,

757
00:43:33.880 --> 00:43:38.199
<v Speaker 2>which is good sometimes, but I feel like being a

758
00:43:38.239 --> 00:43:41.119
<v Speaker 2>Catholic myself, I don't think you'd find a Catholic like

759
00:43:41.440 --> 00:43:45.199
<v Speaker 2>just jump on you like that they'd be. I think

760
00:43:45.239 --> 00:43:47.800
<v Speaker 2>they are usually more reserved and are like, oh that's

761
00:43:47.840 --> 00:43:50.159
<v Speaker 2>interesting what he has on. They might actually ask you

762
00:43:50.199 --> 00:43:51.840
<v Speaker 2>about it out of curiosity.

763
00:43:51.920 --> 00:43:54.159
<v Speaker 1>I think they have a completely different approach and not.

764
00:43:54.119 --> 00:43:59.639
<v Speaker 2>Like shame you immediately. Oh it's just it's a different mentality.

765
00:43:59.719 --> 00:44:02.400
<v Speaker 1>But yeah, I wanted I almost wanted to be like

766
00:44:02.400 --> 00:44:03.760
<v Speaker 1>a take and be like, you know, you're here just

767
00:44:03.760 --> 00:44:08.079
<v Speaker 1>to wring my ship up and bag it like like

768
00:44:08.079 --> 00:44:09.519
<v Speaker 1>not for no that It's like I was just like,

769
00:44:09.559 --> 00:44:11.960
<v Speaker 1>you know, I come to these lines to keep these

770
00:44:12.000 --> 00:44:15.320
<v Speaker 1>people employed because actually I'm against all this automated crowd.

771
00:44:15.400 --> 00:44:18.400
<v Speaker 1>Instead of using yes, just fuck you, I'll just go

772
00:44:18.440 --> 00:44:20.079
<v Speaker 1>to the fucking robots and you can lose your job.

773
00:44:22.559 --> 00:44:26.000
<v Speaker 1>I'll get you. I'll just have more robots checked out.

774
00:44:28.039 --> 00:44:29.239
<v Speaker 2>No, no, she met.

775
00:44:29.079 --> 00:44:30.239
<v Speaker 1>Well, no no she did.

776
00:44:30.480 --> 00:44:32.360
<v Speaker 2>She was trying to for her too.

777
00:44:32.559 --> 00:44:35.079
<v Speaker 1>She was trying to what's those what's those phrases that

778
00:44:35.159 --> 00:44:38.320
<v Speaker 1>she was trying to do a deliverance.

779
00:44:39.199 --> 00:44:43.239
<v Speaker 2>Oh yeah, maybe she's not. She needed to this guy

780
00:44:44.280 --> 00:44:45.159
<v Speaker 2>souls and Carol.

781
00:44:46.480 --> 00:44:48.480
<v Speaker 1>Yeah, long story shot though, I think that all came

782
00:44:48.519 --> 00:44:51.320
<v Speaker 1>from my art looking say t I thought it was funny.

783
00:44:51.639 --> 00:44:53.559
<v Speaker 1>You remember the one time you told me that. I

784
00:44:53.599 --> 00:44:55.039
<v Speaker 1>was asking you and I was like, yo, you really

785
00:44:55.079 --> 00:44:57.880
<v Speaker 1>think my ship looks like that fucked up? And like

786
00:44:58.159 --> 00:45:00.320
<v Speaker 1>there was a pause and I was like, oh wow,

787
00:45:01.320 --> 00:45:03.280
<v Speaker 1>Like you didn't answer right away, and I was like, oh, fuck,

788
00:45:03.320 --> 00:45:05.840
<v Speaker 1>here we go. I was like, and then you're like, listen,

789
00:45:05.920 --> 00:45:09.280
<v Speaker 1>like it does look dark. It looks dark, And I

790
00:45:09.320 --> 00:45:12.719
<v Speaker 1>was like, I just never say it, like no, no, no,

791
00:45:12.920 --> 00:45:14.920
<v Speaker 1>it does though. It does though, You'll be all right,

792
00:45:15.199 --> 00:45:17.519
<v Speaker 1>especially like I never really looked at the main one

793
00:45:17.559 --> 00:45:19.719
<v Speaker 1>that I had with it, like the film coming out

794
00:45:19.719 --> 00:45:22.880
<v Speaker 1>of it, because like I guess, to me, it's an

795
00:45:22.880 --> 00:45:25.760
<v Speaker 1>image that I saw so and it didn't relate to

796
00:45:25.840 --> 00:45:27.760
<v Speaker 1>something that was a dark feeling. But I guess like

797
00:45:27.800 --> 00:45:30.440
<v Speaker 1>if you were just to look at that with nothing, yeah,

798
00:45:30.480 --> 00:45:32.480
<v Speaker 1>I could see it being actually I could see it

799
00:45:32.480 --> 00:45:33.400
<v Speaker 1>being fucking weird.

800
00:45:34.880 --> 00:45:37.320
<v Speaker 2>That's more probably what it is for people.

801
00:45:37.880 --> 00:45:38.199
<v Speaker 1>Weird.

802
00:45:39.599 --> 00:45:45.320
<v Speaker 2>Well, listen, like any any movie or like heavy metal band, like,

803
00:45:45.519 --> 00:45:49.519
<v Speaker 2>a lot of the imagery is questionable, it's jarring, it's strange,

804
00:45:50.119 --> 00:45:52.480
<v Speaker 2>it's not typical, but yet people are accept that.

805
00:45:53.039 --> 00:45:55.960
<v Speaker 1>So I'm like, well, that's the thing too, is that Well,

806
00:45:55.960 --> 00:45:57.960
<v Speaker 1>that's another thing with a lot of my stuff, I

807
00:45:58.159 --> 00:46:00.519
<v Speaker 1>assume people realize I do a pull out of like

808
00:46:00.679 --> 00:46:04.559
<v Speaker 1>influence of the art from eighties and nineties metal. I

809
00:46:04.599 --> 00:46:06.960
<v Speaker 1>mean a lot of like an Iron Maiden, and definitely a.

810
00:46:06.960 --> 00:46:09.000
<v Speaker 2>Lot of people are going to get that reference for

811
00:46:09.039 --> 00:46:10.360
<v Speaker 2>sure when they look at your stuff.

812
00:46:10.400 --> 00:46:13.039
<v Speaker 1>Definitely Basically the King guy that I used like kind

813
00:46:13.039 --> 00:46:14.880
<v Speaker 1>of like spurred out of like I kind of a

814
00:46:15.000 --> 00:46:18.039
<v Speaker 1>rip off of Eddie in a sense I didn't know Eddie.

815
00:46:18.079 --> 00:46:19.559
<v Speaker 1>It's like the main guy for Iron Maiden.

816
00:46:20.159 --> 00:46:22.840
<v Speaker 2>Okay, but I mean it wasn't you.

817
00:46:22.800 --> 00:46:24.960
<v Speaker 1>Know what's funny it was It's almost kind of it

818
00:46:25.000 --> 00:46:27.840
<v Speaker 1>had almost like a misfits Eddie idea, And that's what

819
00:46:27.880 --> 00:46:28.880
<v Speaker 1>I pulled that out of video.

820
00:46:29.400 --> 00:46:31.719
<v Speaker 2>Well, your show is called the o'cult Rejects. It's sort

821
00:46:31.760 --> 00:46:35.280
<v Speaker 2>of a misfit rejects vibe, you know, like so like

822
00:46:35.400 --> 00:46:37.599
<v Speaker 2>an outsider whatever, I get it.

823
00:46:37.719 --> 00:46:40.239
<v Speaker 1>I figured I was like, what if I want to

824
00:46:40.239 --> 00:46:43.360
<v Speaker 1>make art? I was thinking, instead of what would Jesus do?

825
00:46:43.400 --> 00:46:45.840
<v Speaker 1>What would Croley do, I'll just rip everybody else. I'll

826
00:46:45.880 --> 00:46:48.840
<v Speaker 1>rip everybody else off. No, that's what I'm saying. No,

827
00:46:48.920 --> 00:46:50.679
<v Speaker 1>But that's what he did. That's what he did, though

828
00:46:50.679 --> 00:46:52.199
<v Speaker 1>he ripped everybody else's arm.

829
00:46:52.119 --> 00:46:55.400
<v Speaker 2>Off with Madonna the same.

830
00:46:55.840 --> 00:47:01.599
<v Speaker 1>Honestly, I'll just rip off everybody else's ship. That's that's

831
00:47:01.320 --> 00:47:04.599
<v Speaker 1>the thing too. It's it's like, yo, somebody, like the

832
00:47:04.679 --> 00:47:06.920
<v Speaker 1>younger people, they probably have no idea that like, oh,

833
00:47:06.960 --> 00:47:09.000
<v Speaker 1>that's the number of the Beast album cover, Like they

834
00:47:09.000 --> 00:47:10.280
<v Speaker 1>probab don't even know what the fuck you.

835
00:47:10.280 --> 00:47:13.000
<v Speaker 2>Know now, they don't know it's true. But I think

836
00:47:13.039 --> 00:47:15.440
<v Speaker 2>sometimes not having that context, you're just looking at it

837
00:47:15.440 --> 00:47:16.519
<v Speaker 2>and you're like, huh.

838
00:47:16.239 --> 00:47:18.360
<v Speaker 1>No, that's what I'm saying. I think without the context

839
00:47:18.360 --> 00:47:20.119
<v Speaker 1>that it is like fucking bizarre looking at people.

840
00:47:20.280 --> 00:47:23.239
<v Speaker 2>Weird for sure, Yeah, that's the thing. And because it's

841
00:47:23.440 --> 00:47:25.880
<v Speaker 2>you creating the image, you know what it means. But

842
00:47:26.000 --> 00:47:28.920
<v Speaker 2>other people don't know. So when they just look at

843
00:47:28.960 --> 00:47:33.880
<v Speaker 2>it with no understanding that it's drying.

844
00:47:32.360 --> 00:47:34.639
<v Speaker 1>You know, at that Arkansas thing and like for some reason,

845
00:47:34.679 --> 00:47:36.960
<v Speaker 1>I guess that one people thought they should just bring

846
00:47:37.000 --> 00:47:40.079
<v Speaker 1>their kids to that one a lot more. Oh and

847
00:47:40.199 --> 00:47:43.840
<v Speaker 1>I had the Ghostbusters next to me, so they're attracting

848
00:47:43.880 --> 00:47:45.960
<v Speaker 1>mad kids. And then I got I got this stand

849
00:47:46.039 --> 00:47:48.199
<v Speaker 1>up prop that you saw where it's like you know

850
00:47:48.239 --> 00:47:49.960
<v Speaker 1>that image where it looks like the guy is like

851
00:47:50.119 --> 00:47:51.960
<v Speaker 1>the scarlet whore and the fucking cup.

852
00:47:51.800 --> 00:47:56.760
<v Speaker 3>Of go that along and like the checkerboard floor and

853
00:47:56.880 --> 00:47:59.800
<v Speaker 3>fire and I'm like, yo, there's fucking kids around my

854
00:48:00.159 --> 00:48:03.559
<v Speaker 3>with I'm like, fuck man, I'm like looking at the parents,

855
00:48:03.599 --> 00:48:05.920
<v Speaker 3>I'm just like, it will just get them out of here.

856
00:48:06.360 --> 00:48:09.079
<v Speaker 2>You should have a banner with an alternative image.

857
00:48:09.519 --> 00:48:11.480
<v Speaker 1>No, I think. I think. I think with your idea

858
00:48:11.480 --> 00:48:13.320
<v Speaker 1>of like the Robin Flood type, like I might pull

859
00:48:13.400 --> 00:48:16.280
<v Speaker 1>something from a grim more that shows like scientific shit

860
00:48:16.400 --> 00:48:17.880
<v Speaker 1>or like the music of the spheres or something with

861
00:48:17.920 --> 00:48:20.599
<v Speaker 1>the eyeball, because I think that will actually get more

862
00:48:20.639 --> 00:48:25.320
<v Speaker 1>of a conversational piece. They're like, what the fuck is that? Like,

863
00:48:25.360 --> 00:48:26.599
<v Speaker 1>I don't want my kids over here?

864
00:48:27.039 --> 00:48:30.960
<v Speaker 2>Well, it's it's not offensive, yeah, because sometimes you know,

865
00:48:31.039 --> 00:48:35.239
<v Speaker 2>I'm not sorry, no, no offense. I can see how

866
00:48:35.320 --> 00:48:39.920
<v Speaker 2>some people would be just like, I don't know, it

867
00:48:39.920 --> 00:48:42.400
<v Speaker 2>would just bring up a feeling that they're like, I

868
00:48:42.440 --> 00:48:46.599
<v Speaker 2>don't want like to be curious about this. You want

869
00:48:46.639 --> 00:48:48.039
<v Speaker 2>people to be curious.

870
00:48:48.559 --> 00:48:50.400
<v Speaker 1>There is some stuff though I do do just to

871
00:48:50.559 --> 00:48:54.760
<v Speaker 1>create feelings. There's even intros I made that actually like

872
00:48:54.920 --> 00:48:57.400
<v Speaker 1>made me like the sounds that I mixed together actually

873
00:48:57.400 --> 00:48:59.079
<v Speaker 1>made me feel and it was almost gave me like

874
00:48:59.079 --> 00:48:59.639
<v Speaker 1>a weird feeling.

875
00:48:59.679 --> 00:49:04.000
<v Speaker 2>I was like, you know, like the podcasting David Winch.

876
00:49:04.000 --> 00:49:07.199
<v Speaker 1>You know, no, it's like like it literally it almost

877
00:49:07.199 --> 00:49:10.000
<v Speaker 1>gave me like a weird feeling with like yeah, but

878
00:49:10.039 --> 00:49:12.960
<v Speaker 1>then again I'm also listening this is sounding a fucking

879
00:49:13.039 --> 00:49:15.440
<v Speaker 1>how insane it is to even make this ship. You

880
00:49:15.519 --> 00:49:17.519
<v Speaker 1>may listen to something one hundred times over and over.

881
00:49:17.360 --> 00:49:20.840
<v Speaker 2>Again, well and then you start hearing it weird.

882
00:49:20.719 --> 00:49:23.039
<v Speaker 1>So like is it like am I literally like did

883
00:49:23.039 --> 00:49:26.119
<v Speaker 1>I just do a mantra with that simple sound and

884
00:49:26.119 --> 00:49:28.719
<v Speaker 1>that's why I feel weird? Yeah? But now there has

885
00:49:28.800 --> 00:49:31.679
<v Speaker 1>been times just like even like certain uh, I do

886
00:49:31.880 --> 00:49:35.360
<v Speaker 1>take to keep it ninety three kind of as a joke,

887
00:49:35.840 --> 00:49:37.360
<v Speaker 1>even with some of the intros, with some of the

888
00:49:37.360 --> 00:49:39.840
<v Speaker 1>weird sounds, I'm taking Saturn in the Moon, I'm taking

889
00:49:39.840 --> 00:49:41.960
<v Speaker 1>their sounds and laying them over each other, which would

890
00:49:42.000 --> 00:49:43.320
<v Speaker 1>be the ninth stree of the third Steel.

891
00:49:43.360 --> 00:49:50.760
<v Speaker 2>Well, it gives that like a little not eerie, it's dissonance. Yeah, yeah,

892
00:49:50.920 --> 00:49:52.239
<v Speaker 2>it creates.

893
00:49:52.239 --> 00:49:54.719
<v Speaker 1>It sounds like almost like weird echoing sounds within like

894
00:49:54.719 --> 00:49:57.360
<v Speaker 1>some grinding metal throughout it, it's fucking weird.

895
00:49:57.920 --> 00:50:01.719
<v Speaker 2>In conclusion, you should do I won't do that on

896
00:50:01.760 --> 00:50:05.480
<v Speaker 2>your and then also to wait to tell people about

897
00:50:05.480 --> 00:50:07.880
<v Speaker 2>your stickers, your T shirts and blah blah blah. And

898
00:50:07.920 --> 00:50:11.280
<v Speaker 2>then once they understand it, they might be like, oh, I.

899
00:50:11.280 --> 00:50:12.880
<v Speaker 1>Should do that. I'm gonna set that up. But she

900
00:50:12.960 --> 00:50:14.599
<v Speaker 1>got you me and Jewels on for that, I think

901
00:50:14.880 --> 00:50:18.880
<v Speaker 1>would kick with it. There you go, then Jewels. Jules's

902
00:50:18.960 --> 00:50:21.119
<v Speaker 1>wife cannot worry and think that I'm crazy.

903
00:50:24.000 --> 00:50:28.360
<v Speaker 2>Times everyone can stop thinking you're no.

904
00:50:29.480 --> 00:50:31.840
<v Speaker 1>But at first she was like, yo, what's it's? This guy?

905
00:50:32.079 --> 00:50:33.199
<v Speaker 1>Is his long.

906
00:50:34.599 --> 00:50:35.519
<v Speaker 2>Fair? You know?

907
00:50:36.360 --> 00:50:38.199
<v Speaker 1>No? And you know you know it's crazy. He explains

908
00:50:38.239 --> 00:50:40.519
<v Speaker 1>one of the T shirts that I have. Yah, because

909
00:50:40.559 --> 00:50:42.960
<v Speaker 1>I explained to him how it was the eyeball, And

910
00:50:43.039 --> 00:50:44.679
<v Speaker 1>I think even when I explained it to him, just

911
00:50:44.719 --> 00:50:46.800
<v Speaker 1>like what the fuck that's all in there? But like

912
00:50:47.239 --> 00:50:49.119
<v Speaker 1>when I explained it, you'll be like, oh, ship it is.

913
00:50:49.639 --> 00:50:51.920
<v Speaker 1>I think he told his wife and she was sickly

914
00:50:52.039 --> 00:50:54.800
<v Speaker 1>what like yeah, So I think she was just.

915
00:50:54.679 --> 00:50:57.719
<v Speaker 2>Like she's like, yeah, I didn't get that. Yeah, yeah.

916
00:50:59.199 --> 00:51:00.920
<v Speaker 1>Right, I get you. A good wife. She isn't one,

917
00:51:01.000 --> 00:51:03.000
<v Speaker 1>is you know where I was been fucking getting caught

918
00:51:03.039 --> 00:51:12.920
<v Speaker 1>up with some psycho a few Yea, Julesie is good dude.

919
00:51:12.960 --> 00:51:13.599
<v Speaker 1>I like that guy.

920
00:51:14.440 --> 00:51:18.679
<v Speaker 2>Yeah, I don't think I've done a show with him.

921
00:51:18.960 --> 00:51:20.159
<v Speaker 2>I don't think so.

922
00:51:20.199 --> 00:51:23.280
<v Speaker 1>The Vulteans asked me to come on with him. Yo,

923
00:51:23.400 --> 00:51:25.280
<v Speaker 1>you know who asked me to come on again? And

924
00:51:25.280 --> 00:51:26.679
<v Speaker 1>I was like wondering if they were going to ask

925
00:51:26.719 --> 00:51:34.840
<v Speaker 1>me to bring you back showing at Atwood. He emailed

926
00:51:34.840 --> 00:51:36.519
<v Speaker 1>me two days ago and was like, Yo, we would

927
00:51:36.559 --> 00:51:37.840
<v Speaker 1>love to have you back on. Would you want to

928
00:51:37.840 --> 00:51:39.239
<v Speaker 1>come back on? I was like, what the funk sho

929
00:51:40.400 --> 00:51:42.639
<v Speaker 1>I show? I sure? He followed me on Instagram like

930
00:51:42.679 --> 00:51:45.760
<v Speaker 1>a week or two ago, and uh, when you have

931
00:51:45.840 --> 00:51:48.519
<v Speaker 1>like your own YouTube channel, will show you like recent subscribers,

932
00:51:48.519 --> 00:51:50.039
<v Speaker 1>And I was like, what the Fun's got over a

933
00:51:50.079 --> 00:51:52.000
<v Speaker 1>million people just subscribe to me. It was like, oh,

934
00:51:52.039 --> 00:51:56.599
<v Speaker 1>showing that would like so many mixed, so many mixed

935
00:51:56.599 --> 00:51:58.599
<v Speaker 1>opinions about the guy. You really can't break about it

936
00:52:00.119 --> 00:52:02.880
<v Speaker 1>on the show, just getting I don't give a fuck.

937
00:52:03.760 --> 00:52:05.639
<v Speaker 1>We went on the first time and I was just

938
00:52:05.679 --> 00:52:07.960
<v Speaker 1>gonna keep it real. That guy didn't fucking interrupt this

939
00:52:08.079 --> 00:52:11.480
<v Speaker 1>the whole time. See now, I'm not saying that the

940
00:52:11.519 --> 00:52:14.119
<v Speaker 1>guy whatever, X, Y and Z. But when you go

941
00:52:14.239 --> 00:52:16.519
<v Speaker 1>on a show that maybe the person is fucked up

942
00:52:16.559 --> 00:52:19.000
<v Speaker 1>and they start fucking budding in and don't let you

943
00:52:19.119 --> 00:52:21.679
<v Speaker 1>fucking get certain places, then you know you're getting fucking played.

944
00:52:22.360 --> 00:52:24.800
<v Speaker 1>He didn't interrupt the fucking thing we got off our chest.

945
00:52:24.840 --> 00:52:28.639
<v Speaker 1>Whatever we came there to say, whatever. I got to

946
00:52:28.679 --> 00:52:30.480
<v Speaker 1>do what I wanted to do. If the guy's fucked

947
00:52:30.519 --> 00:52:34.960
<v Speaker 1>up their people, he got to hear my uncut message.

948
00:52:35.400 --> 00:52:38.320
<v Speaker 2>The booker and everything. It was all very very professional.

949
00:52:38.599 --> 00:52:41.239
<v Speaker 1>Oh yeah, yeah, yeah, yeah, yeah, oh no, that was

950
00:52:42.360 --> 00:52:44.280
<v Speaker 1>I'll keep it real, for real, for real. That was

951
00:52:44.280 --> 00:52:48.920
<v Speaker 1>done ten times better than fucking tinfoil hat bookings. No,

952
00:52:49.000 --> 00:52:52.199
<v Speaker 1>I'm just saying the professional wise professional, yeah, which is

953
00:52:52.639 --> 00:52:53.079
<v Speaker 1>just like.

954
00:52:53.039 --> 00:52:54.639
<v Speaker 2>It you can tell it's like an operation.

955
00:52:54.880 --> 00:52:58.079
<v Speaker 1>It's like you know, no, like you know, not knocking.

956
00:52:58.199 --> 00:53:00.639
<v Speaker 1>I'm just saying. They have their own way of booking

957
00:53:00.639 --> 00:53:02.840
<v Speaker 1>people too. It's you know, there's a process to it.

958
00:53:02.840 --> 00:53:03.960
<v Speaker 2>But like it works for them.

959
00:53:04.119 --> 00:53:06.440
<v Speaker 1>But but but no, that would seem Remember when we

960
00:53:06.480 --> 00:53:08.400
<v Speaker 1>went on that ship, was like they were like with

961
00:53:08.480 --> 00:53:11.079
<v Speaker 1>us the whole way up until I hitting record.

962
00:53:12.960 --> 00:53:17.079
<v Speaker 2>Wood show. There's multiple guests or topics like per show,

963
00:53:17.239 --> 00:53:19.920
<v Speaker 2>so it's sort of almost more like like a talk show.

964
00:53:20.199 --> 00:53:21.840
<v Speaker 1>Yeah, I felt like we had like somebody in the

965
00:53:21.880 --> 00:53:24.400
<v Speaker 1>middle that was like having us ready to bring us on,

966
00:53:24.480 --> 00:53:24.920
<v Speaker 1>Like it was.

967
00:53:24.880 --> 00:53:27.000
<v Speaker 2>Just I really want to make sure you're ready for.

968
00:53:27.119 --> 00:53:30.119
<v Speaker 1>Yeah, they're checking our sound. This is pretty wild.

969
00:53:30.119 --> 00:53:32.079
<v Speaker 2>And I remember I was having internet issues that day

970
00:53:32.119 --> 00:53:33.760
<v Speaker 2>and I was like, please don't crash out, please don't

971
00:53:33.760 --> 00:53:36.960
<v Speaker 2>crash out, like and luckily it all worked out. Was

972
00:53:37.000 --> 00:53:41.480
<v Speaker 2>the weather manipulation patents we talked about.

973
00:53:41.559 --> 00:53:42.840
<v Speaker 1>I think when I went on we gained like three

974
00:53:42.880 --> 00:53:46.880
<v Speaker 1>hundred followers that day too. That was good, a lot

975
00:53:46.880 --> 00:53:48.880
<v Speaker 1>of people on YouTube. I was like, this was awesome.

976
00:53:49.440 --> 00:53:50.599
<v Speaker 2>Yeah, so that was good.

977
00:53:51.559 --> 00:53:53.960
<v Speaker 1>All right, all right, yeah, thank you very much, Teresa.

978
00:53:53.960 --> 00:53:58.039
<v Speaker 1>I had a blast. We'll definitely have anyone. Spiritual Gangsters

979
00:53:58.079 --> 00:54:00.559
<v Speaker 1>go check it out. Uh, probably get are on here.

980
00:54:00.559 --> 00:54:04.000
<v Speaker 1>Every once in a while. Topic fits. There's one that

981
00:54:04.000 --> 00:54:07.039
<v Speaker 1>I'm looking into that I don't know. It might be

982
00:54:07.079 --> 00:54:08.440
<v Speaker 1>a little bit shorter of a show. Maybe if I

983
00:54:08.440 --> 00:54:09.840
<v Speaker 1>bring you on and we do it together, maybe we

984
00:54:09.840 --> 00:54:11.880
<v Speaker 1>can pull an hour. But you know that idea, that.

985
00:54:11.880 --> 00:54:15.760
<v Speaker 2>Topic I had before, that's a good one.

986
00:54:15.880 --> 00:54:17.840
<v Speaker 1>Yeah, I find it interesting. It's just like I don't

987
00:54:17.880 --> 00:54:21.239
<v Speaker 1>know if it's enough for like an hour and a

988
00:54:21.280 --> 00:54:23.880
<v Speaker 1>half show, but I still think it's worth talking about.

989
00:54:23.920 --> 00:54:24.719
<v Speaker 1>It's very interesting.

990
00:54:25.480 --> 00:54:27.480
<v Speaker 2>I think I think it could be we might have

991
00:54:27.480 --> 00:54:29.559
<v Speaker 2>to fill in some gaps on the research.

992
00:54:29.320 --> 00:54:32.960
<v Speaker 1>But yeah, I'm sure there's other things maybe we'll get

993
00:54:33.000 --> 00:54:35.480
<v Speaker 1>to eventually. But yeah, oh yeah, no, I think I

994
00:54:35.519 --> 00:54:37.360
<v Speaker 1>got you coming on with some guest shows in the future.

995
00:54:38.119 --> 00:54:42.199
<v Speaker 1>I think so couple, nothing too crazy, but we'll trying

996
00:54:42.199 --> 00:54:44.039
<v Speaker 1>to get her back on here. And then I had

997
00:54:44.039 --> 00:54:46.000
<v Speaker 1>a sweeten the deal with the Italian Witchcraft to get

998
00:54:46.000 --> 00:54:48.800
<v Speaker 1>her back on. Between that and Robbie Barks, she was like,

999
00:54:48.840 --> 00:54:49.920
<v Speaker 1>all right, I'll come, I'll come.

1000
00:54:50.079 --> 00:54:54.119
<v Speaker 2>Fine, I enjoy it. I've just been really busy.

1001
00:54:54.519 --> 00:54:57.639
<v Speaker 1>I do a lot of taking care of a lot

1002
00:54:57.679 --> 00:55:01.320
<v Speaker 1>of shit, so totally understanding. Yeah mm hmm, all right,

1003
00:55:01.360 --> 00:55:03.440
<v Speaker 1>So yeah, this is the end of the cult rejects. Uh.

1004
00:55:04.000 --> 00:55:06.559
<v Speaker 1>If you have any stories, send them over to Hella's Giant.

1005
00:55:06.599 --> 00:55:08.559
<v Speaker 1>Put down your address. I'll send you out some stickers

1006
00:55:08.559 --> 00:55:11.320
<v Speaker 1>you can slap them out. Check out his shows The

1007
00:55:11.360 --> 00:55:15.000
<v Speaker 1>Trialogue and his Monday Alchemy, Him and Him and Arrows Up.

1008
00:55:15.000 --> 00:55:17.599
<v Speaker 1>They'll be cooking some ship up. Check out the show.

1009
00:55:17.639 --> 00:55:20.199
<v Speaker 1>It's live maybe you'll catch one of themselves blowing up

1010
00:55:20.199 --> 00:55:25.239
<v Speaker 1>with some shit. I don't know. Oh they're doing alchemy,

1011
00:55:25.320 --> 00:55:27.840
<v Speaker 1>Like who the fuck? You never know what? Just giving

1012
00:55:28.840 --> 00:55:31.599
<v Speaker 1>you never know what? My boy, I have problems lighting

1013
00:55:31.639 --> 00:55:33.639
<v Speaker 1>charcoal and an altar, so I mean I can't talk.

1014
00:55:36.760 --> 00:55:37.840
<v Speaker 2>That's funny.

1015
00:55:37.960 --> 00:55:40.880
<v Speaker 1>I got ship popping and fucking burning ship like I

1016
00:55:40.920 --> 00:55:45.079
<v Speaker 1>can't even light fucking incense. Right, all right, that's enough,

1017
00:55:45.159 --> 00:55:49.239
<v Speaker 1>we're over. Yeah go check out Hells's show, and uh yeah,

1018
00:55:49.719 --> 00:55:51.840
<v Speaker 1>check out the we got seven to seven seven that

1019
00:55:51.880 --> 00:55:55.039
<v Speaker 1>me and him were also doing going forward for people listening,

1020
00:55:55.079 --> 00:55:57.480
<v Speaker 1>if you happen to check out the YouTube, it's kind

1021
00:55:57.480 --> 00:55:58.960
<v Speaker 1>of something he wanted to do. I think this just

1022
00:55:59.039 --> 00:56:01.000
<v Speaker 1>keep it real to try to help row his YouTube channel.

1023
00:56:01.320 --> 00:56:03.880
<v Speaker 1>Every other week we're streaming live from that from somebody

1024
00:56:03.880 --> 00:56:06.920
<v Speaker 1>else's platform. So if you were like, oh, I didn't

1025
00:56:06.920 --> 00:56:09.199
<v Speaker 1>see it done last week online, it's because it was

1026
00:56:09.199 --> 00:56:12.280
<v Speaker 1>over on Headlesses and vice versa. So uh yeah, check

1027
00:56:12.320 --> 00:56:15.480
<v Speaker 1>that out. Though it is still live on YouTube every week,

1028
00:56:15.519 --> 00:56:18.760
<v Speaker 1>it just switches plat you know whose channel, But uh yeah,

1029
00:56:18.920 --> 00:56:21.000
<v Speaker 1>we do. We do got that and we will keep

1030
00:56:21.079 --> 00:56:24.119
<v Speaker 1>that going looking forward to doing more of that and

1031
00:56:24.199 --> 00:56:27.119
<v Speaker 1>uh yeah until the next one. Everybody be well later
