Speaker 1: Around Dodge City and in the territory on West, there
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke Gun Will spoke, starring William Conrad, The story
of the violence that moved west with the young American
and the story of a man who moved with it.
Speaker 2: I'm that man, Matt Dillon, United States Marshal, the first
man they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful
and a little lone lady.
Speaker 3: And I declare, I don't know what's got in him,
mister Dillon. Oh Chester, Well, the president, President, grand Oh.
Speaker 2: What's he done?
Speaker 4: Now?
Speaker 3: Well?
Speaker 5: Letting him tell us take out a patna out there,
Bob Wila.
Speaker 3: That stuff's gonna be the ruination of this company.
Speaker 2: So what's the president I got to do with it?
He can't stop it?
Speaker 3: He can't, Well, then what's the good of him being president?
Speaker 5: Just read your paper at Chester, oh, ell in British foreigners,
he's fighting again?
Speaker 3: The rusholds what now? What nobody started.
Speaker 5: A rus down there?
Speaker 4: Long?
Speaker 3: Grand child?
Speaker 6: Come on stopping here, all right?
Speaker 2: All right, come on, hold on him, get him off,
take hold of the other one. What do you all right?
All right, son, come on, get on your come all right.
You don't have to bring on this all about that bros.
I thought you and Color were friends.
Speaker 3: I did you, Marshal, But no, no more?
Speaker 2: And what started?
Speaker 1: And I was only joking?
Speaker 3: But col it can't even take.
Speaker 7: A joke you.
Speaker 4: Next time, I won't use my fist sandals come wearing
the gun you wish.
Speaker 2: Nothing dodge you'll want the next time I catch you
to fighting, either one of you, I'll show you the
inside of the jail. You want to shake hands? What
I had a belly full of his crazy temper.
Speaker 7: I'm gooding through.
Speaker 2: What about that? Colley?
Speaker 7: Well, what a paddy Marshall, Come.
Speaker 8: On over to the bar, mat I buy a drink
for keeping my place from being smashed.
Speaker 2: Okay, Kenny, that sounds like fair payment.
Speaker 3: Uh you too, chest Oh thank you, miss Kiddy.
Speaker 8: I don't know what got into that colored tape lately.
He was always polite as could be when he used
to come into town with his mother.
Speaker 3: And his money's dead three four years now, can well?
Speaker 8: Now he's at the bar order to drink.
Speaker 2: Think maybe I'll have a talk with it, Kenny, Maybe
I can find out what's wrong. Yeah, sure man, Hey,
I Sam, I pay for a drink. You'll then what's
that I for almost breaking your harm? You said, no,
I'm drink it.
Speaker 7: Sure. Thanks.
Speaker 2: You know, when a man's old enough to drink hard liquor,
he's old enough to get in trouble. Coming How I
was it about? Well, that's a person I had always
us tell him it's a public fight, and that's my business.
Speaker 8: And he.
Speaker 7: He said something about my old man, what about me?
Speaker 2: Well what he call us?
Speaker 7: Squareman?
Speaker 2: Square man? Or why?
Speaker 7: Cause it's true. That's the worst of it about my
old man. It's true.
Speaker 2: Anyways, Uh Sun's win three.
Speaker 4: Months when he went to Texas for stock and stopped
the agency in Darlington, brought her back.
Speaker 7: And I wrap a whole woman, and I ain't right
wash 'em just ain't right.
Speaker 2: I white 'em out of color. A good many men
have married Indian woman and sometimes are real good marriage.
Speaker 4: It's good any man who marries want he deserves to
be called squawmain lung color.
Speaker 2: Your mom's been dead some years now. A you're old
enough to know how it is with a man.
Speaker 4: Him, mooning over him, old enough to be her father,
and she's more my egs and he is.
Speaker 2: Well, that's not unusual with Indians. The women expected well
the worst.
Speaker 7: Is ain't really married. Well an agent style for a good,
god fearing man. That ain't nothing at all.
Speaker 2: Wait a minute, that son, they are married, maybe not legally,
but if they both accept, and if.
Speaker 7: They do 'em?
Speaker 1: What could she do about a colleague?
Speaker 2: I know your father and Hardeman Tate isn't that kind
of a man. How do you want me to talk
to him?
Speaker 6: Hm, No, it wouldn't.
Speaker 5: You're no good now.
Speaker 2: He wouldn't send her back now, but he might marry
her legally.
Speaker 3: She'd think that and help.
Speaker 7: Thanks for the drink, much, m.
Speaker 8: Oh.
Speaker 5: We used to pick the ninth day to ride this
far getting on spring looks.
Speaker 3: Like good grass this year.
Speaker 2: How we've had some rain.
Speaker 5: My farmer got up there, and I'll see much so,
mister Dylan. I just remember missus Tater. What what was
she lying?
Speaker 2: Lchester? She came from a long line of Purisan ministers,
and she'll never let you forget it.
Speaker 3: Damn. It's sort of a deliverance from mister Tate.
Speaker 2: In on, you might say, so, yeah.
Speaker 3: Like a mighty big jump over to a rap pose squall.
Speaker 2: That does, doesn't it?
Speaker 5: Well, there's color il'd front and look at that. He's
coating the gun, just like he said he would.
Speaker 2: Uh huh, I'll come on, we'll ride up anyway. Well,
Marshall Colly, well you decided to come anyway. Ah, that's right.
Speaker 7: You follow her inside with her.
Speaker 2: You go on and talk to him if you want.
Speaker 7: I got chores to.
Speaker 5: Do then if you're doing that, boy ain't got a
bit of toleration in him.
Speaker 2: A tall he's got a lot of his mother anymore.
Speaker 3: Well, marshall, letest just surprise.
Speaker 2: How are you?
Speaker 5: It's fine, come on in set now to see you
just fixing the meal and I'll tell her to add
a little bit of pop.
Speaker 2: Oh no, no, thanks, hearty, We can't stay. We just
uh want to talk to you for a minute or so.
Speaker 5: Has Kelly got yourself in trouble?
Speaker 2: Oh no, no, no, it's nothing like that.
Speaker 5: Man, he gets you wild none really lately, I don't
know what to expect. I can't figure what heat on him.
Speaker 2: And that's what I want to talk to you about, Harry.
I uh I guess the boys like his mother and.
Speaker 5: So ooh Kelly's pious at sure, just like Abby gave
since she died. I don't go to church like out,
I guess. And it makes the very mad that what
you mean, Marshall.
Speaker 2: I'm afraid it's more than that, Hardy. I think he's
uh upset about uh.
Speaker 5: Your wife anyway, that Marshall, but that's prety nuts the family.
It ain't none of your business, squat. I.
Speaker 2: I don't want to butt in, and I didn't have
that in mind. I just got a suggestion that might
be of help to you.
Speaker 7: And so, but.
Speaker 2: Bring her in Tom let the reverend Tucker and marry you.
We're already married in the Arapao way, yes you near rappahoy.
But Hardy, that's not legal, not for whites. But I
got to do with luck, Hardy. You bought her from
her father and now that's against the law. You're living
with her without benefit of marriage. That's against the law. Illegally.
I could, and and I should send her back to
Darlington right now.
Speaker 3: Oh Marsias, you wouldn't don't know.
Speaker 2: Please on her style, Hardy. I'm trying to help you.
The girl is willing marrying her will solve a lot
of problems. Now if she isn't, and I'm gonna have
to send her back anyway.
Speaker 5: You can't send her back, Marshall, or why not come
in side, both of you please? Alright now to see
her yet.
Speaker 3: Come and she's awful pretty much you dow. Yeah, this
is my wife.
Speaker 5: Now to see a little deer woman. This is Marshall Dillon.
Just to proud put man, God know your mistake.
Speaker 3: Yes, glad.
Speaker 5: She don't know much English and I don't speak the
rappitle very good, but we're both of us learning little
by little.
Speaker 1: You come eat well?
Speaker 2: No, thanks, miss, stay away. We got to get on
back to Dodge. I cook good.
Speaker 3: Yes, no, i'm'a bet you do?
Speaker 2: Uh, miss take I I I'd like to ask you
a question. Do you like it here? D Do you
want to stay here with him? I?
Speaker 3: I like here? I see.
Speaker 8: My husband.
Speaker 3: Huh all right now to see if you go back
to the kitchen your friends it come more?
Speaker 2: Well? Sure, sure we'll be back. You bet good?
Speaker 3: Buy 'em his taate? Yes, yeah, you see what I mean. Yeah,
she's everything a man could want you.
Speaker 2: So I'm pretty happy. I never knew the meaning of
that word before. Oh, I don't mean no disrespect to
college mother Gona. I understand you won't send her back,
look hardy, And it'd still be better if you came
to town and let the reverend marry you.
Speaker 3: Alright, Marshall, you'll arrange it. We'll come in chatterday.
Speaker 2: Oh good good, tell you what. We might even have
a party after the wedding.
Speaker 3: Huh biking. That's a good idea by guy. She'd like that.
Speaker 5: I bet to thank you, Marshall.
Speaker 2: Cause sure, goodbye, hearty, see you. Sorry.
Speaker 3: Well, no, I wasn't that a surprise? Poor little thing
like that? And I'm so happy and all boy, it
wasn't nothing like i'd thought here Kelly talk, wasn't you're doing?
Speaker 2: No, I wasn't Chester. You wanna know something that's kind
of what bothers me.
Speaker 3: That's Homi's doing.
Speaker 1: Doc Ester's.
Speaker 7: Oh you look like.
Speaker 3: The captain swallowed the canary. Uh, Doc you out to see.
I've been over at the Long Branch, miss kidd. He
got everything ready for the party of the preacher's wife.
Even bake the cake. There are more important elements just
uh huh.
Speaker 2: You can't have a wedding without a bride and groom.
Speaker 3: Chester, well, my greateus. No, it was after three o'clock.
Speaker 2: Now there's no sign of them yet.
Speaker 3: Mm min you think there's something wrong as you don't.
Speaker 2: I don't know. Doc and I were just talking about Marshall. Oh,
come in, reverend coming night he Chester? God?
Speaker 7: How you say you haven't seen him?
Speaker 2: No I haven't, Marshall. I'm getting worried.
Speaker 7: They wouldn't just not show up.
Speaker 2: Now, they could have changed their minds about a wedding.
I had done it. I hope nothing's happened. Well, if
they were coming, they've been here. But now I think
maybe Chester and I but are right out to the
take place and see if there's anything wrong. Oh oh, alright,
hold her chest?
Speaker 7: Oh what's you? Marshall?
Speaker 4: Uh?
Speaker 2: Who'd you think it was? Colling?
Speaker 3: Well, he's all blood.
Speaker 2: What's happened here? What's wrong? I just got those scratches
on her face.
Speaker 7: She done it after I found him. She tried to
kill me, Marshall? What just let she killed Paul?
Speaker 2: What did this happened?
Speaker 7: This morning? Just before they was to leave for town.
Speaker 2: Why didn't you come and tell me about it?
Speaker 7: H h I was scared marshall. She's out there somewhere
and she wants to kill me.
Speaker 2: I was waiting for darc where's your gun?
Speaker 8: What?
Speaker 7: Why she's got it? That's what she killed him with?
Speaker 2: How'd she got it?
Speaker 7: I musta must have stole it from.
Speaker 3: My room, I guess.
Speaker 5: Well, I know I.
Speaker 4: Heard the shot or run out and she had the
gun and I got stl it away from her.
Speaker 7: That's when she's scratch my face and he was laying
there dead.
Speaker 2: Where I back in the woodlock. Alright, let's go out,
no washing lant. I don't wanna go out there again.
Speaker 7: I don't wanna see him.
Speaker 2: Now. You better come anyway, come out to me?
Speaker 3: What burst fire? Nywise? Miss take? Now? What she want
with a fire like that?
Speaker 2: I don't know.
Speaker 3: But Younger looks like she's praying.
Speaker 2: It's a dust song on Chester's aid, a rap a
hole song of morning.
Speaker 3: Oh but I I don't see Roup above.
Speaker 2: Chester in the tree there.
Speaker 3: Wh Well, she's given him a regular Indian barrier.
Speaker 2: More. She used to stay right with us, colored.
Speaker 4: H.
Speaker 2: That's the garden Chester.
Speaker 3: And she don't even seem to notice this.
Speaker 2: Oh yeah, mis tape, mis takele.
Speaker 5: H.
Speaker 2: Then then my husband.
Speaker 3: You know him work?
Speaker 2: Yeah, I see you got something her a banded Chester?
What is what's meaning? You give me that night? Give Chester?
Speaker 3: Yes, sir? Here you know him? Mis take what you say?
Speaker 5: Dad?
Speaker 3: Yes, ma'am Cully what.
Speaker 2: I want to ask you about those scratches on your
face color? Weren't they made before? Not after your father died?
And once she scratched you, she was probably screaming, wasn't
you hm? And your father heard and he came running
to find out what you were trying to do. And
you shot him? All right, Maybe it.
Speaker 3: Was some defense.
Speaker 2: Maybe he would have killed you or hurt your back,
But you shot him first, didn't you? No?
Speaker 4: No, yep, Well a young girl like that with an
old man, that ain't natural.
Speaker 2: Oh, she didn't hate him, she loved it. She could
never have loved you. Yes, it is because when a
raper hole woman doesn't mon my husband, she I was
gonna love. If she doesn't love him, she she wouldn't
have cut off two of her fingers. As soon as
we could get our bandage, step will take you in
the dodge.
Speaker 7: Lay only ment to show him she was no good.
She wouldn't have wrong. It was so un do.
Speaker 3: You believe that mister Johan.
Speaker 2: No Chester, and I think maybe he does.
Speaker 1: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
as Matt Dylan US Marshall. Featured in the cast were
Parley Bear as Chester, Howard mcneer as Doc, and Georgia
Ellis as Kiddy.