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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the Smell of

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Guns Smoke Gun Will spoke, starring William Conrad, The story

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of the violence that moved west with the young American

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and the story of a man who moved with it.

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Speaker 2: I'm that man, Matt Dillon, United States Marshal, the first

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man they look for and the less they want to meet.

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It's a chancy job, and it makes a man watchful

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and a little lone lady.

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Speaker 3: And I declare, I don't know what's got in him,

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mister Dillon. Oh Chester, Well, the president, President, grand Oh.

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Speaker 2: What's he done?

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Speaker 4: Now?

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Speaker 3: Well?

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Speaker 5: Letting him tell us take out a patna out there,

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Bob Wila.

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Speaker 3: That stuff's gonna be the ruination of this company.

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Speaker 2: So what's the president I got to do with it?

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He can't stop it?

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Speaker 3: He can't, Well, then what's the good of him being president?

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Speaker 5: Just read your paper at Chester, oh, ell in British foreigners,

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he's fighting again?

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Speaker 3: The rusholds what now? What nobody started.

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Speaker 5: A rus down there?

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Speaker 4: Long?

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Speaker 3: Grand child?

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Speaker 6: Come on stopping here, all right?

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Speaker 2: All right, come on, hold on him, get him off,

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take hold of the other one. What do you all right?

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All right, son, come on, get on your come all right.

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You don't have to bring on this all about that bros.

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I thought you and Color were friends.

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Speaker 3: I did you, Marshal, But no, no more?

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Speaker 2: And what started?

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Speaker 1: And I was only joking?

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Speaker 3: But col it can't even take.

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Speaker 7: A joke you.

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Speaker 4: Next time, I won't use my fist sandals come wearing

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the gun you wish.

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Speaker 2: Nothing dodge you'll want the next time I catch you

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to fighting, either one of you, I'll show you the

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inside of the jail. You want to shake hands? What

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I had a belly full of his crazy temper.

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Speaker 7: I'm gooding through.

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Speaker 2: What about that? Colley?

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Speaker 7: Well, what a paddy Marshall, Come.

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Speaker 8: On over to the bar, mat I buy a drink

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for keeping my place from being smashed.

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Speaker 2: Okay, Kenny, that sounds like fair payment.

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Speaker 3: Uh you too, chest Oh thank you, miss Kiddy.

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Speaker 8: I don't know what got into that colored tape lately.

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He was always polite as could be when he used

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to come into town with his mother.

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Speaker 3: And his money's dead three four years now, can well?

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Speaker 8: Now he's at the bar order to drink.

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Speaker 2: Think maybe I'll have a talk with it, Kenny, Maybe

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I can find out what's wrong. Yeah, sure man, Hey,

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I Sam, I pay for a drink. You'll then what's

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that I for almost breaking your harm? You said, no,

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I'm drink it.

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Speaker 7: Sure. Thanks.

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Speaker 2: You know, when a man's old enough to drink hard liquor,

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he's old enough to get in trouble. Coming How I

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was it about? Well, that's a person I had always

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us tell him it's a public fight, and that's my business.

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Speaker 8: And he.

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Speaker 7: He said something about my old man, what about me?

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Speaker 2: Well what he call us?

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Speaker 7: Squareman?

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Speaker 2: Square man? Or why?

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Speaker 7: Cause it's true. That's the worst of it about my

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old man. It's true.

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Speaker 2: Anyways, Uh Sun's win three.

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Speaker 4: Months when he went to Texas for stock and stopped

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the agency in Darlington, brought her back.

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Speaker 7: And I wrap a whole woman, and I ain't right

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wash 'em just ain't right.

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Speaker 2: I white 'em out of color. A good many men

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have married Indian woman and sometimes are real good marriage.

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Speaker 4: It's good any man who marries want he deserves to

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be called squawmain lung color.

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Speaker 2: Your mom's been dead some years now. A you're old

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enough to know how it is with a man.

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Speaker 4: Him, mooning over him, old enough to be her father,

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and she's more my egs and he is.

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Speaker 2: Well, that's not unusual with Indians. The women expected well

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the worst.

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Speaker 7: Is ain't really married. Well an agent style for a good,

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god fearing man. That ain't nothing at all.

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Speaker 2: Wait a minute, that son, they are married, maybe not legally,

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but if they both accept, and if.

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Speaker 7: They do 'em?

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Speaker 1: What could she do about a colleague?

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Speaker 2: I know your father and Hardeman Tate isn't that kind

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of a man. How do you want me to talk

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to him?

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Speaker 6: Hm, No, it wouldn't.

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Speaker 5: You're no good now.

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Speaker 2: He wouldn't send her back now, but he might marry

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her legally.

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Speaker 3: She'd think that and help.

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Speaker 7: Thanks for the drink, much, m.

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Speaker 8: Oh.

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Speaker 5: We used to pick the ninth day to ride this

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far getting on spring looks.

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Speaker 3: Like good grass this year.

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Speaker 2: How we've had some rain.

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Speaker 5: My farmer got up there, and I'll see much so,

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mister Dylan. I just remember missus Tater. What what was

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she lying?

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Speaker 2: Lchester? She came from a long line of Purisan ministers,

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and she'll never let you forget it.

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Speaker 3: Damn. It's sort of a deliverance from mister Tate.

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Speaker 2: In on, you might say, so, yeah.

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Speaker 3: Like a mighty big jump over to a rap pose squall.

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Speaker 2: That does, doesn't it?

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Speaker 5: Well, there's color il'd front and look at that. He's

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coating the gun, just like he said he would.

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Speaker 2: Uh huh, I'll come on, we'll ride up anyway. Well,

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Marshall Colly, well you decided to come anyway. Ah, that's right.

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Speaker 7: You follow her inside with her.

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Speaker 2: You go on and talk to him if you want.

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Speaker 7: I got chores to.

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Speaker 5: Do then if you're doing that, boy ain't got a

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bit of toleration in him.

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Speaker 2: A tall he's got a lot of his mother anymore.

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Speaker 3: Well, marshall, letest just surprise.

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Speaker 2: How are you?

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Speaker 5: It's fine, come on in set now to see you

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just fixing the meal and I'll tell her to add

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a little bit of pop.

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Speaker 2: Oh no, no, thanks, hearty, We can't stay. We just

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uh want to talk to you for a minute or so.

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Speaker 5: Has Kelly got yourself in trouble?

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Speaker 2: Oh no, no, no, it's nothing like that.

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Speaker 5: Man, he gets you wild none really lately, I don't

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know what to expect. I can't figure what heat on him.

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Speaker 2: And that's what I want to talk to you about, Harry.

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I uh I guess the boys like his mother and.

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Speaker 5: So ooh Kelly's pious at sure, just like Abby gave

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since she died. I don't go to church like out,

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I guess. And it makes the very mad that what

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you mean, Marshall.

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Speaker 2: I'm afraid it's more than that, Hardy. I think he's

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uh upset about uh.

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Speaker 5: Your wife anyway, that Marshall, but that's prety nuts the family.

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It ain't none of your business, squat. I.

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Speaker 2: I don't want to butt in, and I didn't have

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that in mind. I just got a suggestion that might

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be of help to you.

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Speaker 7: And so, but.

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Speaker 2: Bring her in Tom let the reverend Tucker and marry you.

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We're already married in the Arapao way, yes you near rappahoy.

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But Hardy, that's not legal, not for whites. But I

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got to do with luck, Hardy. You bought her from

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her father and now that's against the law. You're living

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with her without benefit of marriage. That's against the law. Illegally.

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I could, and and I should send her back to

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Darlington right now.

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Speaker 3: Oh Marsias, you wouldn't don't know.

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Speaker 2: Please on her style, Hardy. I'm trying to help you.

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The girl is willing marrying her will solve a lot

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of problems. Now if she isn't, and I'm gonna have

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to send her back anyway.

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Speaker 5: You can't send her back, Marshall, or why not come

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in side, both of you please? Alright now to see

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her yet.

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Speaker 3: Come and she's awful pretty much you dow. Yeah, this

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is my wife.

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Speaker 5: Now to see a little deer woman. This is Marshall Dillon.

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Just to proud put man, God know your mistake.

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Speaker 3: Yes, glad.

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Speaker 5: She don't know much English and I don't speak the

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rappitle very good, but we're both of us learning little

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by little.

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Speaker 1: You come eat well?

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Speaker 2: No, thanks, miss, stay away. We got to get on

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back to Dodge. I cook good.

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Speaker 3: Yes, no, i'm'a bet you do?

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Speaker 2: Uh, miss take I I I'd like to ask you

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a question. Do you like it here? D Do you

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want to stay here with him? I?

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Speaker 3: I like here? I see.

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Speaker 8: My husband.

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Speaker 3: Huh all right now to see if you go back

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to the kitchen your friends it come more?

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Speaker 2: Well? Sure, sure we'll be back. You bet good?

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Speaker 3: Buy 'em his taate? Yes, yeah, you see what I mean. Yeah,

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she's everything a man could want you.

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Speaker 2: So I'm pretty happy. I never knew the meaning of

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that word before. Oh, I don't mean no disrespect to

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college mother Gona. I understand you won't send her back,

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look hardy, And it'd still be better if you came

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to town and let the reverend marry you.

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Speaker 3: Alright, Marshall, you'll arrange it. We'll come in chatterday.

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Speaker 2: Oh good good, tell you what. We might even have

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a party after the wedding.

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Speaker 3: Huh biking. That's a good idea by guy. She'd like that.

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Speaker 5: I bet to thank you, Marshall.

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Speaker 2: Cause sure, goodbye, hearty, see you. Sorry.

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Speaker 3: Well, no, I wasn't that a surprise? Poor little thing

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like that? And I'm so happy and all boy, it

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wasn't nothing like i'd thought here Kelly talk, wasn't you're doing?

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Speaker 2: No, I wasn't Chester. You wanna know something that's kind

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of what bothers me.

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Speaker 3: That's Homi's doing.

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Speaker 1: Doc Ester's.

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Speaker 7: Oh you look like.

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Speaker 3: The captain swallowed the canary. Uh, Doc you out to see.

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I've been over at the Long Branch, miss kidd. He

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got everything ready for the party of the preacher's wife.

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Even bake the cake. There are more important elements just

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uh huh.

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Speaker 2: You can't have a wedding without a bride and groom.

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Speaker 3: Chester, well, my greateus. No, it was after three o'clock.

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Speaker 2: Now there's no sign of them yet.

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Speaker 3: Mm min you think there's something wrong as you don't.

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Speaker 2: I don't know. Doc and I were just talking about Marshall. Oh,

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come in, reverend coming night he Chester? God?

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Speaker 7: How you say you haven't seen him?

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Speaker 2: No I haven't, Marshall. I'm getting worried.

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Speaker 7: They wouldn't just not show up.

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Speaker 2: Now, they could have changed their minds about a wedding.

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I had done it. I hope nothing's happened. Well, if

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they were coming, they've been here. But now I think

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maybe Chester and I but are right out to the

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take place and see if there's anything wrong. Oh oh, alright,

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hold her chest?

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Speaker 7: Oh what's you? Marshall?

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Speaker 4: Uh?

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Speaker 2: Who'd you think it was? Colling?

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Speaker 3: Well, he's all blood.

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Speaker 2: What's happened here? What's wrong? I just got those scratches

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on her face.

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Speaker 7: She done it after I found him. She tried to

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kill me, Marshall? What just let she killed Paul?

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Speaker 2: What did this happened?

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Speaker 7: This morning? Just before they was to leave for town.

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Speaker 2: Why didn't you come and tell me about it?

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Speaker 7: H h I was scared marshall. She's out there somewhere

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and she wants to kill me.

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Speaker 2: I was waiting for darc where's your gun?

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Speaker 8: What?

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Speaker 7: Why she's got it? That's what she killed him with?

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Speaker 2: How'd she got it?

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Speaker 7: I musta must have stole it from.

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Speaker 3: My room, I guess.

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Speaker 5: Well, I know I.

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Speaker 4: Heard the shot or run out and she had the

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gun and I got stl it away from her.

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Speaker 7: That's when she's scratch my face and he was laying

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there dead.

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Speaker 2: Where I back in the woodlock. Alright, let's go out,

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no washing lant. I don't wanna go out there again.

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Speaker 7: I don't wanna see him.

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Speaker 2: Now. You better come anyway, come out to me?

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Speaker 3: What burst fire? Nywise? Miss take? Now? What she want

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with a fire like that?

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Speaker 2: I don't know.

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Speaker 3: But Younger looks like she's praying.

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Speaker 2: It's a dust song on Chester's aid, a rap a

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hole song of morning.

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Speaker 3: Oh but I I don't see Roup above.

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Speaker 2: Chester in the tree there.

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Speaker 3: Wh Well, she's given him a regular Indian barrier.

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Speaker 2: More. She used to stay right with us, colored.

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Speaker 4: H.

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Speaker 2: That's the garden Chester.

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Speaker 3: And she don't even seem to notice this.

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Speaker 2: Oh yeah, mis tape, mis takele.

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Speaker 5: H.

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Speaker 2: Then then my husband.

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Speaker 3: You know him work?

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Speaker 2: Yeah, I see you got something her a banded Chester?

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What is what's meaning? You give me that night? Give Chester?

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Speaker 3: Yes, sir? Here you know him? Mis take what you say?

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Speaker 5: Dad?

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Speaker 3: Yes, ma'am Cully what.

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Speaker 2: I want to ask you about those scratches on your

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face color? Weren't they made before? Not after your father died?

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And once she scratched you, she was probably screaming, wasn't

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you hm? And your father heard and he came running

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to find out what you were trying to do. And

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you shot him? All right, Maybe it.

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Speaker 3: Was some defense.

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Speaker 2: Maybe he would have killed you or hurt your back,

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But you shot him first, didn't you? No?

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Speaker 4: No, yep, Well a young girl like that with an

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old man, that ain't natural.

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Speaker 2: Oh, she didn't hate him, she loved it. She could

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never have loved you. Yes, it is because when a

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raper hole woman doesn't mon my husband, she I was

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gonna love. If she doesn't love him, she she wouldn't

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have cut off two of her fingers. As soon as

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we could get our bandage, step will take you in

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the dodge.

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Speaker 7: Lay only ment to show him she was no good.

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She wouldn't have wrong. It was so un do.

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Speaker 3: You believe that mister Johan.

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Speaker 2: No Chester, and I think maybe he does.

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Speaker 1: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad

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as Matt Dylan US Marshall. Featured in the cast were

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Parley Bear as Chester, Howard mcneer as Doc, and Georgia

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Ellis as Kiddy.