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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the U S Marshal and The Smell

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of Guns Smoke, Gun Will Smoke, starring William Conrad. The

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story of the violence that moved west with young America

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and the story of a man who moved with it.

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I'm that man, Matt Dillon, United States Marshal, the first

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man they look for and the last they want to meet.

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It's a chancy job and it makes a man watchful,

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had a little lonely.

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Speaker 2: Hey, look you there, Sam, the big Fellow's about to

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start the show.

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Speaker 3: Now, Hi, everybody, I heard you, Dodd City folks. We're

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up and coming, ready to pay a price for a

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real thrilling spectacle. Well, this Sidney a feet of Darren,

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the like of which ain't been seen since the days

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away in town.

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Speaker 1: He's a pretty funny talker, and.

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Speaker 3: Ain't I'll put your money in the hat.

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Speaker 4: There won't be any.

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Speaker 3: Shoe Come on, Sam, thank you?

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Speaker 1: Hey, Hey, is that your little boy? Mister? Tell why

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you want to find out? Mister Fitlan here, you know

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this is my.

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Speaker 3: Partner, mister little May He may be small, but he

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ain't no boys, you just found out. I'll advise you

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to put some money in there.

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Speaker 2: Well, sure, sure, I'll put you using a shoot that

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tin can off in the little fellow's head.

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Speaker 1: I shoot one off in his head, he shoots one

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off in mine.

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Speaker 4: If you put in your money, Oh.

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Speaker 3: Well, sure mine. Now, gentlemen, stand back, not away. That's it,

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that's it, thank you. Now I place this small can

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on my head. Please do nothing to distract my partner.

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This is a serious moment. You ain't joking, mister, Please please,

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I'll make no sound as he.

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Speaker 1: Counts yes, one, two, three?

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Speaker 3: Why now He'll place the can on his head and

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right hold it up a minute there, what's trouble, Marshall.

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Speaker 1: There's a law about firing guns in the straight hair, mister.

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Speaker 3: But Marshall, this is an exhibition, a theatrical performance. You

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might say it's even education.

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Speaker 1: I don't care what you call it. There's lead flying

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and it can kill somebody one of you.

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Speaker 3: Even Well, that's what makes a performance, Marshal, That's what

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they pay to see.

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Speaker 1: You're risking a lot for that little hatful of money.

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We trust each other as marksmanship Marshal. Nobody's that good

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every time.

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Speaker 3: We're gamblers, Marshal, I eard.

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Speaker 1: You won this time. Go ahead and split the pot.

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But we haven't finished yet, all right, everybody that shows

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over all along.

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Speaker 3: You won't let us go on? No, I suppose we

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move outside time, no laws and against the.

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Speaker 1: Little target practice? Is there? No at this kind of

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target practice. If you miss, you'll face a murder. Church Well, I.

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Speaker 3: Told you we're gamblers, Marshall. We're gonna set up a

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game here.

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Speaker 1: Any objections, not if your game is honest. But your

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name anyway, Grover Cranston p at your service, And this

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is my heart, the little Marie. I hardly remember his

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last name, but I think it's Smith, and I'll bet

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like yours is grovery. No, I ain't too friendly of you, Marshall.

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I'm not paid to be friendly. Mister.

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Speaker 3: Well well not gentlemen, let's remove ourselves from the marshals purist.

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Speaker 1: Oh my choke cherry thigh is good.

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Speaker 5: One another piece, Chester, I I don't.

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Speaker 1: Know the kiddy. How about you, mister? Not for me? Chester?

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Speaker 6: Uh?

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Speaker 5: Doc, No, not me, but you go on?

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Speaker 2: Oh yes, Chester, you have another just the thing for you?

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Speaker 1: No, uh reckon, I'm better not.

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Speaker 5: Oh, don't let him scare your Chester. I'll go out

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to the kitchen and get.

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Speaker 1: It for you myself.

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Speaker 2: Sure, she'll get it for Chester, and I'll start figuring

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what to charge to cure you.

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Speaker 1: Oh my Doc, I mean, I mean a Chester another

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inch around the middle and you're gonna have trouble.

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Speaker 2: Boy. I noticed yesterday how sure of breath you were

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just walking.

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Speaker 1: Out to the town limits. Eh.

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Speaker 2: Oh, let the cat out.

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Speaker 1: Of the bag.

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Speaker 2: Oh man, Now you knew about those two putting on there?

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Speaker 1: William tell act again.

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Speaker 2: Yesterday, didn't you.

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Speaker 1: That's the first time in two weeks. Yeah, sure, Doc,

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I just didn't know that you and Chester were there.

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Speaker 6: So.

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Speaker 1: Mister Young, I figured maybe somebody or to make sure

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there's really over the line. Now, I hope you had

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a good first row seat. Chester, Yes, how about your doc?

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Were you able to see all right?

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Speaker 5: Well?

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Speaker 1: Uh uh?

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Speaker 2: When I thought that there might be a chance of

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the professional services that they might be needed.

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Speaker 1: Sure, it's exactly what brought a couple a hundred others

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out there. It's too bad they disappointed you.

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Speaker 6: Oh uh, thank you, miss kidding.

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Speaker 1: Uh. What I can't figure out is, uh why.

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Speaker 2: They staying at Chrummey boarding house where you steer them syster.

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Speaker 1: Oh, now, Dark Misgangs rounder a real nice place. What

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I mean is, well, it's real nice. Yeah.

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Speaker 2: What you mean is the boarding house is bad, the

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food is worse, but the widow Gangs is young and pretty.

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Speaker 1: Would you play?

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Speaker 3: Yeah?

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Speaker 1: All right? When you was watching our poker game last night,

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you have to do that if I keep an eye

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on every game in Ton, you had any complaints about ours?

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If I had, you'd be in jail. We don't have

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to cheat here. You made quite a pile on the

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last couple of weeks. We done alright, Yeah, but you're greedy.

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You put on your act again yesterday, didn't you? And

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it was outside of town. You know you'll go on

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till one of his dead. I'll tell Groover what you

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said when I find him, Marshall.

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Speaker 5: I saw him about an hour ago over on Bridge

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Street with that again.

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Speaker 1: If again?

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Speaker 5: Yeah?

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Speaker 1: Thanks?

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Speaker 5: Did I say something wrong?

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Speaker 1: I don't know, a kiddy. You did seem a little

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sore about.

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Speaker 5: So you know, Groover was sweet talking at Agains.

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Speaker 6: She's a widow.

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Speaker 5: You figure those fellas might be pulling some game on her.

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Speaker 1: Oh I got a kiddy. She's not rich enough, more

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likely to be the other way around, if you ask me.

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Oh wow, Doc, she's real nice.

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Speaker 2: Oh sure, and she's real pretty too, But so's a

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rattle snick if you wanna look at it that way.

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Speaker 3: Thank Rover, or he don't, Marie. I was just going

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down and open up the game. You coming.

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Speaker 1: I've been looking for you. Where you've been all morning? While?

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Around town?

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Speaker 4: Who with?

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Speaker 7: What do you mean?

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Speaker 6: Who?

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Speaker 4: With?

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Speaker 1: Lots of people and everybody wants to see.

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Speaker 3: The act again. I I think we ought to put

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it on this afternoon. The crowd gets bigger every.

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Speaker 1: Time, you know why they keep coming back to see it.

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Speaker 3: Sure, I hope some day we'll miss.

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Speaker 1: And someday we will. Grover, let's get out of this town.

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Speaker 3: Why we're doing fine?

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Speaker 6: I don't like it.

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Speaker 1: And we got enough now, more than we ever had before.

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Let's go somewhere else and start a real business. What

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about it?

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Speaker 3: Well, uh, we'll talk about it tonight. One more William

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tell act this afternoon. Maybe we'll have enough cause one

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more huh see down place?

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Speaker 1: Yeah, I'll be along. I'm just gonna wash up.

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Speaker 4: Okay, honey.

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Speaker 1: I Oh, Grover's already gone? Miss Gans? Oh oh oh,

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what are you staring at you?

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Speaker 7: Miss Gans?

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Speaker 1: You in love with Grover? Why? Why?

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Speaker 6: Now? I? I never whatever gave you that idea?

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Speaker 1: He did? He didn't? No, but I know him pretty well?

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Speaker 7: Miss Gans?

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Speaker 6: Well, well, well you're you're wrong now I I I

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don't say I don't like him, but then I I like.

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Speaker 4: You too more?

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Speaker 1: You mean not? Misgans?

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Speaker 6: What?

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Speaker 1: Well?

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Speaker 6: Sure?

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Speaker 1: Most when and don't like little men like me? Missus Gans?

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Could you find it in yourself to to love me?

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Speaker 6: Why? I? I don't know.

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Speaker 1: If there wasn't no Grover, if there was only one

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of us, could you find it in yourself to leave here?

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Go away and get married?

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Speaker 6: One? Now? Where'd you get such an ideas?

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Speaker 4: That?

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Speaker 6: I don't know what you're talking about? I I don't

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like such talk.

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Speaker 1: You better like it? Ms Gans? You better.

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Speaker 6: Uh that?

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Speaker 1: Doc uh say?

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Speaker 2: If you heard the talk, there's gonna be another of

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those William Tail acts late this afternoon.

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Speaker 1: I can't stop it, Doug Uh, there's something else I

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heard too.

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Speaker 2: Mister Bobkins out the bank says the widow Gangs is

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leaving town, sold her house for cash, and she might

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have some more saved up somewhere.

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Speaker 1: What are you saying? Uh?

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Speaker 2: Yeah, those two uh might be fleecing her.

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Speaker 1: Man, Now you said it'd be more like the other

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way around. But Ronald Snake can be pretty if you

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see it that way. Oh no, no, alright, if you

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want me to talk to her, doc ask her if

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she's being fleece. She thinks she'll thank me for her more.

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Right less you slap your face, eh, and I might

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find out something. I think I'll try it. A lot

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of those guns? What do what do you want Marshall,

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I'll just talk to you for a minute.

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Speaker 6: Well, I'm listening.

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Speaker 1: I heard your soldier. Huh.

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Speaker 6: They had lots of big mouths in this town.

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Speaker 1: I see you got your bag in there. You uh

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planning to leave Tom.

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Speaker 6: I don't see any of your business, Marshall.

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Speaker 1: Oh, I just thought it might be miss gans why.

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Uh you know it is a widow. The little money

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is a fair game, especially if she's pretty.

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Speaker 6: What are you driving at, Marshall?

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Speaker 1: Have you been seeing around with us man Grover? It

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just might be planning to leave town with him.

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Speaker 6: Now you listen to me, Marshall. I'm a widow, yes,

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but I don't have to like it. It don't have

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to mean my life is finished now, does it? No?

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Speaker 1: Man, a course not alright.

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Speaker 6: Then if a man loves me and wants me to

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love him, it's no business of yours.

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Speaker 1: Ah, I'm sorry.

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Speaker 6: Miss Khan's alright. Maybe he meant well, but I don't

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thank you. What I do is my own business, even

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if I lose everything. Now you get out.

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Speaker 3: Well, we're really hot of today. Came to see William

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Tell after all, Marshall. That's right, Robert.

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Speaker 1: Can you see good from there? Marshall? Yeah, I can see.

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Speaker 3: Go ahead, all right, hard Murray, you let me go

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first today.

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Speaker 1: No, I'll go first. What's matter?

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Speaker 3: You're nervous because of the law.

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Speaker 1: I'm not nervous, are you, of course not. Don't worry.

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I'll put the bullet exactly where I wanted.

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Speaker 3: Well, go ahead, then walk on out about ten paces Maray. Oh, gentlemen,

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your attention. Please remain quiet, no movement, no loud noise

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while my partner counts quiet Please?

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Speaker 7: Who is he dead?

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Speaker 3: With a bullet throw the forehead?

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Speaker 1: Yeah he's dead, Murray. Oh, poor Grover. Well, this is terrible,

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terrible arrest of you for murder. Murray? What no, it

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was an accident. Everybody here saw it was an accident.

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You said yourself, it could have happened any time, And

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I said, if it, did you understand trial for murder? Now, look, Marshall,

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do you really think any jury would convict me with

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with all these witnesses here to testify for me. No, no,

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it don't. Then are you gonna lock me up? Or

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would you let me take the body of my partner

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and bury? Alright, go ahead, but Jill, I I swear

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I don't understand. Of course it was a accident. We

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all have seen it, which I ster wanting. You think

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I wanted to be there this time? Well, I I

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don't know. I expected there might be an accident, you did, Yeah,

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I didn't figure it this way. Where we're going to

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the water gans, I wanna be there when little Morey

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shows up. At least we desert decipt in that one

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light in the front room area. Well, let's get a

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little closer. And I turned that room so the suitcase packed.

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There's somebody coming, Little more.

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Speaker 6: Honey, that you did it?

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Speaker 4: Go alright?

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Speaker 1: Is he dead?

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Speaker 6: It took so long I was worried. Well, come on in,

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don't stand out there.

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Speaker 4: I got the money all here.

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Speaker 2: And.

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Speaker 4: Maury, that's right for missus James.

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Speaker 1: It's me, Maurray. I had the first shot, and I

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figured what you do was planning, so I just changed

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the plan a little. Oh no, Drover's dead, alright, that

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don't matter. We'll go instead, you and me with all

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that money. And there's more here from back this afternoon.

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Oh this one was a real killing.

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Speaker 6: No, no, don't you touch me.

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Speaker 1: You said you might put love me, well you will

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now come on?

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Speaker 3: Oh no, all right, that's enough.

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Speaker 4: Moray, marshall.

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Speaker 1: You heard what he did, and I heard what you

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were planning to do. Two miss gangs cannot to be

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my business after all? To them?

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Speaker 6: Oh no, no, you wouldn't.

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Speaker 1: Yes, I wouldn't. She's coming with me, but go over, Morray.

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He can't stop us, Marshall. You know how I can

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shoot you, see me. Don't try me, Moray, even with

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a woman to shields him. Why not chance to al right?

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Speaker 6: Here?

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Speaker 3: What you don't I can hit him?

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Speaker 1: Eat now you drop your gun, Maray, you call that fair?

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This is no game, mister, not drop it alright, Come on,

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both of you. Gun Smoke. Produced and directed by Norman McDonald,

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stars William Conrad as Matt Dylan us Marshall. Featured in

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the cast were Parley Bear as Chester, Howard mcneir as Doc,

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and Georgia Ellis as Kitty