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Speaker 1: W M. N.

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Speaker 2: H rips the novels.

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Speaker 3: Girl, you know the reason what I got to do?

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Seven years of badle. Maybe you want to know then

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I'm gonna leave you.

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Speaker 4: I take no more'n you put all in my soul.

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Speaker 5: I got to.

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Speaker 1: Got a.

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Speaker 3: Seven years ago, most of them on the road. Okay,

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maybe I'm sinking your problems.

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Speaker 1: It's a girl. You are to know.

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Speaker 3: That I'm gonna leave you.

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Speaker 6: I can't take.

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Speaker 7: No more gonna you hold my soul.

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Speaker 5: I've got you got.

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Speaker 7: Your gonna be.

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Speaker 2: Backs they got.

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Speaker 1: They don't.

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Speaker 2: Go think.

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Speaker 8: Not mas that that ass, not back ass, that bad mass.

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Speaker 9: Not long ago, I was heading down the wit fast

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in a morning altogether and.

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Speaker 10: This time it will last now let enough fire.

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Speaker 9: Style finally up the streets and a few short years together,

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very bad that the sweet had a lead, no love

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to reason, just.

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Speaker 1: One twist of faith. The roof came freshing through the floe,

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and it all came tumbling down.

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Speaker 11: You know.

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Speaker 9: Well the second famite, I sure didn't mean no harm,

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but were there out together, I realized I was wrong.

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Then we call it all behindness.

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Speaker 3: Just give me one chance, because I'm stranding into hatren.

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Speaker 12: And a test ran out of gas and a lot

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to reason, and just one twist of faith, the roof.

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Speaker 9: Came freshing to the floor, and it all came trouble.

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Speaker 5: The down said it all be troubling downwees.

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Speaker 2: Trouble.

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Speaker 1: The dog can't tell.

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Speaker 10: Me it all can't trouble the dowey all can't tumble

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a can't tumble.

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Speaker 13: At that trouble at time.

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Speaker 10: Well it all ben tumbling downy mom game Tombolan down,

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Tom came tumbelan down hom game Tumberland.

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Speaker 1: Omn tublan.

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Speaker 6: Oh ben tulan.

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Speaker 14: Hom game Tumberland.

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Speaker 2: Down.

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Speaker 5: All right, welcome everybody, Welcome back, as we have entered

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our number three New Marrow trace of Matt Connorton unleashed.

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If you are listening live today is Saturday May third,

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twenty twenty five. We are live from the studios of

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w m n H ninety five point three FM in

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Glorious Manchester, New Hampshire. Jenny is here of course at

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the News at it for and joining us live in studio,

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so we might not be able to hear everybody right away.

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I'm going to kind of adjust these levels here as

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we go, because we've got a full band in here,

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but uh, let's start, well that just still tune in.

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So let's start. Let's start with you, sir Ronnie in

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the corner there, and and i'll kind of this will

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let me kind of check the mics too as we're going. Oh,

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I can hear you. Go ahead, and I want to

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go around the room and you can each tell us

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who you are and what you do in the band.

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Speaker 15: Okay, So I'm ron Ronnie Young and uh so I'm

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the drummer and one of the co founders with Etch

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and my son Jake. And yeah, I kind of been

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playing for a long time and can been been very

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blessed to have my son be able to join me.

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Speaker 5: Oh, that's that's pretty cool to be able to play

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in a band with your son.

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Speaker 15: Yeah, that's awesome.

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Speaker 6: That's awesome.

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Speaker 5: Okay, and uh and you this the son in question,

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Go ahead and tell us about yourself.

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Speaker 2: Hello.

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Speaker 8: Hello, I am the son of Ronald Young Jacob. I

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play the bass in the band, emotional support, uh sometimes

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social media video editing, sometimes having having good fun, having

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good laughs, and pretend in fake backup vocals on a

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couple of these tunes. Oh, okay, pretend.

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Speaker 5: Okay, very cool, very cool. I'm a bass player myself,

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so I'm looking forward to hear and your play. Oh awesome, awesome,

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and I like your shirt.

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Speaker 14: Thank you very much, thank you.

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Speaker 2: And you hello.

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Speaker 16: I'm Avery. I'm the daughter I joined later in the

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band to do backups and stuff like that. So yeah,

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we've just been backing up and we do some lead

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songs like covers and stuff like that. So hopefully cool,

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Hopefully we can do more and I'm excited.

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Speaker 5: All right, Avery, welcome and you hello.

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Speaker 17: I am Jenna. They like to call me the honorary

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young because I am Jake's girlfriend.

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Speaker 5: Okay.

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Speaker 17: I started off as a fan and a roadie and

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then I got promoted to backup singer and I also

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do some percussion. I make our flyers and I'm also

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our melodyne master when we're in the studio.

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Speaker 5: Okay, okay, yeah, Jake, uh do me a favorite? Can

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you go ahead and play your bass a little bit?

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Let's see, well at just tuning up, we can check

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to see we gotta do. We're live on the air,

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so we got to kind of do this on the fly,

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but we we make it work.

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Speaker 2: But uh.

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Speaker 5: Oh that sounds nice. You have some fast fingers. There, dude,

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I like it. I like it very good. All right,

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that sounds excellent. And uh, Ronnie, I know we'll be

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able to hear you because drums always.

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Speaker 6: Come through in here in this room.

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Speaker 5: Yeah, and uh when when when etches well, i'll tell

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you what. Well, that's just still getting ready. He's tuning up. Ronnie,

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tell us more about the band. I kind of tell

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us about and how did this come to be where

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because obviously you're one of the youngs, so we tell

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us about how you and Etch Matt and then and

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then how this became kind of a family thing.

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Speaker 15: So interestingly enough, Jake and I were on the baseball

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field and he played baseball. I coached a little bit.

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We're in Brookline and uh we were playing the older

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team and uh, this guy right next to me here

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Atch was standing in there and we started talking and uh, oh,

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my son, he said, is playing there? And I said, yeah,

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my son, Jake's playing there. And we started talking and

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I told him about, you know, playing music and stuff

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like that, and he says, really, I had a drywall

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truck that can run young drywall. And he's like, I

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do drywall too. So it was pretty interesting because you know,

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we both love music. Both have you know, same interest

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in drywall. And then he worked for me one day

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and said, listen, this is my music. And two of

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those songs actually were something he recorded some time ago,

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and I said, I like that. So we ended up

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getting together after I was playing with another band and

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he said, I'm going to steal that drummer, and he did.

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He stole me and we played with another bass player

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at the time, and his name was Johnny Thunder and

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so we named the band Etched Thunder and Young and

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so we played for a couple of years together with Johnny,

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and then during COVID we were recording and so my

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son wanted to do to partake in some recording with us,

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and so he was doing all the mixing and stuff

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in my barn and so it kind of came out

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that he was putting down tracks and stuff and we

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were just like blown away how Rady made us sound.

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So we kind of I said, I want the up

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to play with my son. I told the other bass player,

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I says, I just have to Yeah, nothing against you,

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you love.

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Speaker 5: You, but you and Eddie van Halen, you kicked out

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the old bass player for your son.

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Speaker 15: But that selfish as it is, I had to do it,

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and I get it.

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Speaker 5: Yeah, I hope the old bass player understood. Was he

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nice about it?

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Speaker 1: Yeah?

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Speaker 5: Okay, that's good.

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Speaker 2: Ye.

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Speaker 15: But yeah, after that, I mean, we just played a

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three piece for a long time and for about three years,

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maybe even. And Jenna came in on one of the

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songs that we had recorded during that call it the

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COVID Sessions and you can find it online too. It's

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Broken Heart album. Okay, and Jake mastered.

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Speaker 2: The whole thing.

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Speaker 6: Very cool.

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Speaker 15: Jenna came in and sang a song with us, give

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Me Some Love, and her voice is just amazing. So

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we were like, okay, this is this is something we

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could probably use and down, you know, a year down

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the road. Anyway, we said, Jenna, can you come in

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for some more songs? And then it just kind of

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accumulated and my daughter said I knew she could always

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sing to Yeah, I said, you know, you know, I'd

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like to try a little bit, and so which when

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the two of them got together and they sang, it

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was just it was musical harmony that.

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Speaker 2: It blew me away.

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Speaker 15: Yeah, And to this day, we're still really developing our style.

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Our songs were still really kind of pulling it all together. Yeah,

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and of course we call it generational rock for a reason.

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There's a lot of generations. Yeah, use we play everything

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from the sixties to today and yeah, so that's kind

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of how it all.

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Speaker 1: Together.

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Speaker 5: Okay, very good, very good, and uh oh, etch you're

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already man, Yeah, let me get that Mike. I gotta

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figure out what what trying to figure out what channel

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you're on there.

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Speaker 6: I'm not even.

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Speaker 5: Is that Mike plugged in?

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Speaker 2: Is it?

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Speaker 5: Why aren't I hearing you? I can't hear you at all?

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And I don't know why. We'll figure it out though.

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Speaker 1: What I hear.

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Speaker 6: I hear a crackle.

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Speaker 15: He's got to plug it into the box.

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Speaker 2: Is that.

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Speaker 1: That work?

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Speaker 5: I'm just trying to figure out talking to that mic again,

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etch if you would I think that I think that

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chord is bad. I'm gonna switch out because I I

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hear it crackling. But I'll give the okay, yeah.

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Speaker 1: Perfect on that one.

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Speaker 14: And we got a lot of members here.

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Speaker 5: Yeah, yeah, I see what you're doing. Yeah, yeah, yeah, okay, Yeah,

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that's fine, that's fine. So etch uh, yes, tell us

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about yourself.

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Speaker 18: I'm at My name is Mike Etchel's. My grandfather was at,

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my brother was at, my mother was at, my father

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was at, the dog was at.

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Speaker 5: So I figured, uh, you know, I will use the

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name etch. Okay, So that's about it.

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Speaker 16: Nothing else.

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Speaker 14: What do you do in the band at?

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Speaker 1: I sing in the band.

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Speaker 18: I like to write music.

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Speaker 6: On stage.

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Speaker 1: I like to shut out.

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Speaker 18: I like to shut out Jenna when she's talking.

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Speaker 6: She's kidding.

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Speaker 18: I've been playing since I've been fifteen years old. Before

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I could even really play guitar good, I was writing songs.

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Speaker 1: So this is a real treat for me to be

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able to do this.

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Speaker 5: Well, we're glad that you're here. I need to uh

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why don't we go ahead? And you want to go

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ahead and play something for us? I think, uh, Ronnie,

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do you need a do you need a vocal mic?

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Speaker 6: Or you do? You sing it all?

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Speaker 5: Okay?

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Speaker 6: Okay? Cool?

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Speaker 5: So well, I know these mics are all on.

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Speaker 2: I know that.

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Speaker 6: Uh well, I think I think this mic will pick

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up everybody.

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Speaker 1: Mm hmm my finger is today.

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Speaker 6: Okay, what about you? How long have you been doing this?

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Speaker 5: A long time?

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Speaker 6: A long time?

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Speaker 5: Well time, I think we're I think we're ready. If

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you want to take a run at it.

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Speaker 18: Well, we're gonna do a song called don't matter, because

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the only thing that matters is love.

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Speaker 5: All right on the written etch on the Young's live

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in studio, Here we go, we'll.

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Speaker 18: Pain don't matter, chains don't matter, money don't matter, or

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the thing that matters as well?

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Speaker 1: Look will the rain that spattered and the thunder clatter?

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You ain't the hia.

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Speaker 6: Only thing the malice is love?

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Speaker 19: Weel very down upon me? Still I can't fill up

255
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be reathing, break the strad the b me.

256
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Speaker 5: For you in my pan?

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Speaker 1: Will the sun and shining and.

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Speaker 10: The moon he hid?

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Speaker 11: Right?

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Speaker 1: They all bruised him?

261
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Speaker 2: Or not?

262
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Speaker 1: Didn't that man?

263
00:19:00,039 --> 00:19:00,119
Speaker 11: Now?

264
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Speaker 7: Is his love?

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Speaker 1: Or see?

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Speaker 2: Will you show them more.

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Speaker 9: Time for the games that you played but you just

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can't win?

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Speaker 5: Or it didn't notice his love?

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Speaker 11: Sweet?

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Speaker 20: Littering down upon me until I can't feel my fain

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or anything?

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00:19:37,839 --> 00:19:41,319
Speaker 7: Break and save advice me?

274
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Speaker 13: Won't you in my pin?

275
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Speaker 21: Oh take a.

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Speaker 1: Chap, well don't matter? And those change ways don't matter,

277
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Money don't matter. Only thing that matters is love? Oh

278
00:20:29,720 --> 00:20:40,400
see levery now? Will call me until I can't feel

279
00:20:40,480 --> 00:20:44,839
my pain? Oh? Realthing breaks.

280
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Speaker 7: The balancing?

281
00:20:48,799 --> 00:21:11,000
Speaker 1: Won't you in my pain much better, you know on

282
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the thing that that is is.

283
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Speaker 5: Oh very nice, very nice. Well let me get that. Yeah,

284
00:21:36,200 --> 00:21:37,720
playing with these mics a little bit here, but no,

285
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that sounded great. Etch and the youngs is here with

286
00:21:40,119 --> 00:21:43,680
us live and studio on this uh Saturday morning. I

287
00:21:43,759 --> 00:21:52,920
love the harmonies on that really really good. You all

288
00:21:53,079 --> 00:21:55,119
y'all sound great. But I do kind of feel like

289
00:21:55,240 --> 00:21:57,720
that's the secret weapon, is those harmonies on the on

290
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the choruses, that sound.

291
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Speaker 6: Really good, really good. It's really good.

292
00:22:00,960 --> 00:22:03,000
Speaker 5: You do you play a lot of shows. You're doing

293
00:22:03,039 --> 00:22:07,880
a lot of live shows. Oh oh you don't have

294
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a mic?

295
00:22:08,440 --> 00:22:11,920
Speaker 8: Oh yeah, yeah, we definitely, we've got We've been playing

296
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a whole bunch. I mean last last year we had

297
00:22:14,400 --> 00:22:15,960
a ton of gigs. I feel like it's like a

298
00:22:16,000 --> 00:22:18,559
couple of months it was like every weekend, a lot

299
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of local shows where we live Milford and like places

300
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like the Brick House and Stonecutters. But then we're trying to,

301
00:22:28,720 --> 00:22:30,880
you know, like my dad said, we're finding our vibe

302
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and the sound with our new members. So what we

303
00:22:36,039 --> 00:22:39,640
did this winter entering into spring and summer is kind

304
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of going to the studio put down, you know, some

305
00:22:43,079 --> 00:22:45,000
more tracks for those songs that you heard a little

306
00:22:45,000 --> 00:22:46,920
bit earlier. We're going to record that song that we

307
00:22:47,039 --> 00:22:51,119
just played, and so we're kind of on a recording

308
00:22:53,000 --> 00:22:55,640
hiatus away from live shows. So we just do a

309
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once in the once in a while little thing. But

310
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then I think we got some stuff coming up in

311
00:23:01,359 --> 00:23:06,039
the summertime, places like the Range playing on a cruise night,

312
00:23:07,039 --> 00:23:11,000
which that twenty ninth when at the May May playing

313
00:23:11,119 --> 00:23:15,839
Cruise Night at the Range and uh and yeah with Brickhouse,

314
00:23:18,319 --> 00:23:20,960
back to the brick House in July, home Base.

315
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Speaker 5: Brickhouse and Dover. Uh no, in Milford, in Milford, Okay,

316
00:23:24,400 --> 00:23:25,599
right right, gotcha, gotch.

317
00:23:25,519 --> 00:23:26,200
Speaker 14: Right on the Oval?

318
00:23:26,480 --> 00:23:28,920
Speaker 5: Oh okay, very good, very good. Well do you want

319
00:23:28,960 --> 00:23:30,240
to you want to play another one?

320
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Speaker 6: Yeah?

321
00:23:32,039 --> 00:23:37,640
Speaker 5: Well you're warmed up if you're but I need to okay,

322
00:23:38,680 --> 00:23:41,519
you know I don't have to. Okay, you know what,

323
00:23:41,640 --> 00:23:44,000
while you're doing that, I could play another studio track

324
00:23:44,720 --> 00:23:49,079
because I've got we we played the two that just

325
00:23:49,440 --> 00:23:54,200
sent me. But there's also I know you've got more online.

326
00:23:55,519 --> 00:23:55,759
Is there?

327
00:23:56,119 --> 00:23:57,880
Speaker 6: What what should I what should I play from that?

328
00:23:59,200 --> 00:23:59,240
Speaker 2: No?

329
00:23:59,319 --> 00:24:00,000
Speaker 14: No, no, we already.

330
00:24:00,519 --> 00:24:03,079
Speaker 17: I'm a fan. I'm a fan of beards.

331
00:24:03,160 --> 00:24:03,799
Speaker 13: The pain.

332
00:24:05,640 --> 00:24:13,720
Speaker 5: Okay, we could give that a spin. Let's see I

333
00:24:14,160 --> 00:24:17,279
remember seeing that title too. We could play that and

334
00:24:17,400 --> 00:24:20,200
then uh, while you switch over guitars and I kind

335
00:24:20,200 --> 00:24:22,039
of want to plug another mic in there too, so that,

336
00:24:22,240 --> 00:24:25,759
uh so we can hear Ronnie. Let's see, there's no

337
00:24:25,839 --> 00:24:26,400
swears in this.

338
00:24:26,519 --> 00:24:29,720
Speaker 2: Right, I'm well aware of it.

339
00:24:29,960 --> 00:24:32,480
Speaker 14: I can say no, no, no, he's playing he's playing

340
00:24:32,480 --> 00:24:33,200
it on Spotify.

341
00:24:34,119 --> 00:24:35,799
Speaker 5: Yeah, that one has Uh I was gonna I was

342
00:24:35,799 --> 00:24:36,839
gonna play a studio track.

343
00:24:36,960 --> 00:24:38,960
Speaker 14: That one's got one just real quick.

344
00:24:39,319 --> 00:24:40,240
Speaker 5: Okay, so we can't play that.

345
00:24:40,319 --> 00:24:44,799
Speaker 6: We can't do that. Yeah, pick another one, hit too shy.

346
00:24:44,920 --> 00:24:46,240
Speaker 8: That one doesn't have any swears.

347
00:24:47,200 --> 00:24:49,839
Speaker 5: Bit too shy. Okay, let's let's give this a listen

348
00:24:50,079 --> 00:24:52,720
and then uh, we'll make sure uh, and then after

349
00:24:52,839 --> 00:24:54,480
this we'll we'll come back and we'll hear you play

350
00:24:54,519 --> 00:24:57,079
another live one. If you're just joining us, we've got

351
00:24:57,160 --> 00:24:59,240
etch and the Young's here with us live and studio.

352
00:24:59,319 --> 00:25:02,000
But this is this is another studio track. This is

353
00:25:02,079 --> 00:25:03,000
called bit too shy.

354
00:25:27,119 --> 00:25:54,079
Speaker 22: Now, even I want to see your picture, I have

355
00:25:54,119 --> 00:25:59,440
to see a spell. I have to see those crazy eyes. Well,

356
00:25:59,519 --> 00:26:02,920
if you're a thing that you try to be your buffriend,

357
00:26:04,640 --> 00:26:07,960
got enough to love your bit butter much too shy?

358
00:26:11,920 --> 00:26:13,119
Speaker 7: I ain't late say.

359
00:26:15,200 --> 00:26:17,079
Speaker 1: Just a bit too shine.

360
00:26:20,759 --> 00:26:24,160
Speaker 5: All the call the girls, it seemed to em I know.

361
00:26:25,640 --> 00:26:27,279
Speaker 1: All those modal bids.

362
00:26:27,359 --> 00:26:29,440
Speaker 7: You don't even know their names.

363
00:26:31,240 --> 00:26:33,599
Speaker 22: I bet you're doing a thing that you try to

364
00:26:33,680 --> 00:26:37,240
be either Buffy's better be.

365
00:26:37,400 --> 00:26:40,279
Speaker 1: Got mother dot or go in say.

366
00:26:44,000 --> 00:26:49,200
Speaker 13: I ain't lady, just a bit to shine?

367
00:26:58,000 --> 00:27:12,400
Speaker 7: Uh wind it down with the boys.

368
00:27:35,640 --> 00:27:41,079
Speaker 1: Now ever, and no, we're gonna see your picture. Try

369
00:27:41,160 --> 00:27:41,599
to see you.

370
00:27:41,880 --> 00:27:44,319
Speaker 21: Try to see those but shot eyes.

371
00:27:46,160 --> 00:27:49,759
Speaker 22: Well I did anything just trying to be your b friend.

372
00:27:51,480 --> 00:27:55,119
Speaker 4: But I'd love to love you but a much huge shine.

373
00:27:58,759 --> 00:27:59,880
Speaker 1: Hey lazy.

374
00:28:01,759 --> 00:28:10,400
Speaker 2: Jill still Biltre Shi late later.

375
00:28:12,400 --> 00:28:32,079
Speaker 13: Jill st Filtre shih.

376
00:28:50,279 --> 00:28:55,559
Speaker 2: M m.

377
00:29:49,400 --> 00:29:49,839
Speaker 6: Here we go.

378
00:29:51,720 --> 00:29:53,960
Speaker 5: That is called bit too shy, that is and the

379
00:29:54,079 --> 00:29:55,440
Young's great studio track.

380
00:29:55,480 --> 00:29:56,160
Speaker 6: I love that a lot.

381
00:29:56,240 --> 00:29:59,200
Speaker 5: And we've got etch and the Young's uh here in

382
00:29:59,279 --> 00:30:01,119
studio with uson the moment they're going to play another

383
00:30:01,160 --> 00:30:04,480
live song for us. But as you were saying off

384
00:30:04,519 --> 00:30:06,519
air that you've got a story about that song that

385
00:30:06,559 --> 00:30:07,680
we just heard a bit too shy.

386
00:30:08,160 --> 00:30:11,920
Speaker 18: Yes, a friend of mine was over Gary Cormia, and

387
00:30:12,039 --> 00:30:14,039
I said, uh, I write songs.

388
00:30:14,119 --> 00:30:16,960
Speaker 1: He's like, yeah, right, I go okay.

389
00:30:17,119 --> 00:30:19,000
Speaker 18: So I started playing the riff and there was a

390
00:30:19,519 --> 00:30:23,279
poster of Kathy Ireland, the one with her holding the ore.

391
00:30:24,240 --> 00:30:25,480
Speaker 6: How long that song's been?

392
00:30:26,279 --> 00:30:28,519
Speaker 18: And I wrote it because I'd be a bit too

393
00:30:28,640 --> 00:30:29,839
shy to talk to that girl.

394
00:30:30,119 --> 00:30:32,160
Speaker 5: Ah understood, Okay.

395
00:30:31,960 --> 00:30:34,359
Speaker 18: So I proved him that I you know, now I

396
00:30:34,440 --> 00:30:35,759
can even prove it even more.

397
00:30:35,920 --> 00:30:38,720
Speaker 5: That's right, that's right, Yes, absolutely, you have the There is.

398
00:30:38,759 --> 00:30:41,759
Speaker 18: One thing I want to say. I am honored to

399
00:30:41,880 --> 00:30:45,039
play with these people. Oh yeah, these guys are amazing.

400
00:30:45,359 --> 00:30:46,480
Speaker 2: Yeah, like they got to.

401
00:30:46,519 --> 00:30:48,599
Speaker 18: Carry me around. I guess sometimes I get to change

402
00:30:48,640 --> 00:30:49,400
my undergarment.

403
00:30:49,440 --> 00:30:50,160
Speaker 5: Oh my goodness.

404
00:30:50,240 --> 00:30:54,960
Speaker 18: Well, and Jenna Sullivan comes up with vocal arrangements that

405
00:30:55,079 --> 00:30:58,960
are amazing. Yeah, Avery's doing the same thing. Her voice

406
00:30:59,039 --> 00:31:04,480
is angelic, and Jake is amazing, and Ron is a

407
00:31:04,599 --> 00:31:08,920
squirm and Gerbil yeah he's insane, and I'm on it.

408
00:31:09,079 --> 00:31:10,599
I want you guys to know that I mean this

409
00:31:10,680 --> 00:31:12,559
from bottom of my heart. To play in a band with.

410
00:31:12,759 --> 00:31:13,880
Speaker 6: Guys, oh.

411
00:31:15,400 --> 00:31:18,400
Speaker 15: This, I have a connection.

412
00:31:19,400 --> 00:31:20,920
Speaker 5: There we go, How are you holding it right now?

413
00:31:21,000 --> 00:31:21,839
Keep holding it that way?

414
00:31:22,519 --> 00:31:25,160
Speaker 15: We be doing this if we didn't think these songs

415
00:31:25,240 --> 00:31:29,440
were so good and so to you to all the

416
00:31:29,480 --> 00:31:31,480
credit goes to you for writing great music.

417
00:31:32,160 --> 00:31:35,880
Speaker 6: You know, thank you very much, but I mean that, guys,

418
00:31:37,039 --> 00:31:37,240
thank you.

419
00:31:37,599 --> 00:31:39,319
Speaker 14: Don't sell sell yourself short though.

420
00:31:39,720 --> 00:31:41,039
Speaker 1: Well that's how I am.

421
00:31:42,759 --> 00:31:44,839
Speaker 17: Et definitely brings the comedic relief.

422
00:31:48,359 --> 00:31:50,440
Speaker 5: Yeah, we want to play another one.

423
00:31:50,839 --> 00:31:58,519
Speaker 18: Yeah, uh, this is called Lowdown all right.

424
00:31:58,720 --> 00:32:00,759
Speaker 5: Etch on The Young Live and Studio.

425
00:32:49,279 --> 00:32:57,920
Speaker 20: Got the call last night that she's leaving me. She

426
00:32:58,160 --> 00:33:01,480
don't care no more, all believe in me.

427
00:33:02,279 --> 00:33:08,480
Speaker 3: Oh yeah, it's just a load down there out shape

428
00:33:09,440 --> 00:33:11,160
loads down there out.

429
00:33:12,960 --> 00:33:15,960
Speaker 1: It's just lop down down world.

430
00:33:16,319 --> 00:33:19,000
Speaker 7: I sing, it's a trying shape.

431
00:33:19,480 --> 00:33:21,279
Speaker 1: It's a load down there.

432
00:33:43,400 --> 00:33:52,079
Speaker 4: I spent a million bunch of once a therapy, so

433
00:33:52,160 --> 00:33:55,079
the doctor said more, there's not much in you do

434
00:33:55,319 --> 00:33:55,640
for me.

435
00:33:57,079 --> 00:34:02,599
Speaker 13: Yeah, it's just a load out down the rim.

436
00:34:03,640 --> 00:34:08,000
Speaker 2: No clown down floor right, no.

437
00:34:08,440 --> 00:34:09,880
Speaker 1: Cloud for.

438
00:34:11,679 --> 00:34:13,119
Speaker 7: Spin and change.

439
00:34:13,559 --> 00:34:18,639
Speaker 13: It's now downloa.

440
00:35:31,119 --> 00:35:32,280
Speaker 1: Low down ny.

441
00:35:38,920 --> 00:35:39,320
Speaker 6: All right.

442
00:35:39,800 --> 00:35:43,079
Speaker 5: Wow, I can't I can't hear my Oh there we go.

443
00:35:43,159 --> 00:35:44,599
I was gonna say I can't hear myself all was

444
00:35:44,639 --> 00:35:48,320
on There we Go because the Young's live in studio.

445
00:35:48,519 --> 00:35:50,880
That was That was excellent, excellent, love it.

446
00:35:51,559 --> 00:35:51,960
Speaker 6: I love it.

447
00:35:52,800 --> 00:35:55,119
Speaker 5: How many how many songs do you do you have

448
00:35:55,280 --> 00:35:56,960
as a band? How many original songs do you have?

449
00:35:57,599 --> 00:35:57,760
Speaker 2: Oh?

450
00:35:57,800 --> 00:36:00,480
Speaker 15: My god, probably about fifteen fifty?

451
00:36:00,519 --> 00:36:01,079
Speaker 5: Oh that many?

452
00:36:01,159 --> 00:36:01,360
Speaker 6: Wow?

453
00:36:01,559 --> 00:36:06,000
Speaker 5: Yeah, that's great, that's great. And uh, where should people

454
00:36:06,039 --> 00:36:07,719
go online to keep up with everything that you're doing,

455
00:36:07,760 --> 00:36:10,679
because people might not know how to spell H for example,

456
00:36:10,760 --> 00:36:14,119
it's an unusual uh like just sketch, not a word

457
00:36:14,159 --> 00:36:14,840
to use every day.

458
00:36:16,280 --> 00:36:20,519
Speaker 15: Yeah, it just sketch like etc. H and the youngs.

459
00:36:22,039 --> 00:36:24,480
So you can find us on Spotify or any of

460
00:36:24,559 --> 00:36:25,800
the streaming.

461
00:36:25,559 --> 00:36:32,599
Speaker 14: Channels, YouTube, Facebook, So it does a great job. Facebook

462
00:36:32,719 --> 00:36:34,280
is is where we're most active.

463
00:36:34,480 --> 00:36:40,280
Speaker 8: I'm trying to get better at the instagrams, okay, but

464
00:36:41,079 --> 00:36:43,159
you know, maybe it will have a snapchat one day.

465
00:36:43,360 --> 00:36:44,800
Speaker 2: Yeah, you know.

466
00:36:45,119 --> 00:36:48,960
Speaker 15: It's just a tough thing trying to you know, with

467
00:36:49,079 --> 00:36:53,679
the five of us all organizing ourselves, working during the day,

468
00:36:53,880 --> 00:36:56,000
getting all this stuff together. And the last thing you

469
00:36:56,079 --> 00:36:57,719
really want to do is like, let's play around with

470
00:36:57,840 --> 00:37:03,320
the social media stuff and all that. And so I

471
00:37:03,400 --> 00:37:05,760
do a lot of I do most of the posting

472
00:37:05,880 --> 00:37:09,519
and stuff. But if I need like a good poster made,

473
00:37:09,960 --> 00:37:13,159
Jenna comes and creates it, or Jake Avery does a

474
00:37:13,199 --> 00:37:15,280
lot of like pictures and stuff like that.

475
00:37:15,639 --> 00:37:17,400
Speaker 5: Yeah, Jake does all the.

476
00:37:19,440 --> 00:37:21,159
Speaker 15: What is it called the tech stuff?

477
00:37:21,400 --> 00:37:21,760
Speaker 6: Yeah me.

478
00:37:21,840 --> 00:37:24,519
Speaker 8: They get behind the scenes little tech stuffy yeah yeah,

479
00:37:24,840 --> 00:37:26,000
and videos stuff.

480
00:37:26,039 --> 00:37:26,920
Speaker 2: I just look pretty.

481
00:37:27,199 --> 00:37:29,480
Speaker 14: We just told Edge to show up.

482
00:37:30,960 --> 00:37:32,000
Speaker 17: And bring his tuner.

483
00:37:36,079 --> 00:37:37,719
Speaker 5: Very good, Very good. And where are you playing next?

484
00:37:37,960 --> 00:37:38,559
Where's the next?

485
00:37:39,000 --> 00:37:43,159
Speaker 15: So May twenty ninth, Thursday night, it's Cruise Night at

486
00:37:43,239 --> 00:37:46,960
the Range. The Range is this wonderful hidden gem in Mason,

487
00:37:47,039 --> 00:37:51,119
New Hampshire, and everybody with supercas and you know classics

488
00:37:51,199 --> 00:37:54,519
come and uh they do music every Thursday.

489
00:37:56,199 --> 00:37:56,440
Speaker 2: They do.

490
00:37:57,000 --> 00:37:59,599
Speaker 15: There's this huge stage for the weekend shows. They have

491
00:37:59,679 --> 00:38:04,079
a lot of great bands. Check them out online. The

492
00:38:04,239 --> 00:38:08,079
Range and Mason. Everybody should know about this. It's like

493
00:38:08,159 --> 00:38:12,199
the it's like the the little great Woods of New

494
00:38:12,280 --> 00:38:17,760
Hampshire and they're they're they're definitely up and coming thing

495
00:38:17,840 --> 00:38:22,239
that people will be flocking to. Very cool Sundays they

496
00:38:22,320 --> 00:38:25,719
do a blues thing there. So yeah, we'll be there

497
00:38:26,159 --> 00:38:29,000
May twenty ninth. I hope people come and check it out,

498
00:38:29,960 --> 00:38:32,480
but after that won't be until we're taken June off

499
00:38:33,119 --> 00:38:35,840
and then we'll be back in July eleventh to the

500
00:38:36,679 --> 00:38:41,760
Brick House in Milford and we usually play there every

501
00:38:41,840 --> 00:38:44,039
other month. We had to we had to cancel one

502
00:38:44,760 --> 00:38:49,000
because of a wedding in May, so yeah, we have

503
00:38:49,119 --> 00:38:55,719
to go to those weddings. H nephew.

504
00:38:55,880 --> 00:38:59,079
Speaker 14: My nephew's getting chat congratulations.

505
00:38:59,440 --> 00:39:04,880
Speaker 15: Yeah, and uh and then after that, Uh, we were

506
00:39:05,000 --> 00:39:08,000
open to whoever wants to book us. We do parties.

507
00:39:08,079 --> 00:39:09,880
We have some Fourth of July we'll be on the

508
00:39:09,960 --> 00:39:12,800
parade and New Boston we're playing on a float. So

509
00:39:12,960 --> 00:39:15,239
in fourth of July we're gonna play on the float

510
00:39:15,280 --> 00:39:18,039
and wave to people who usually give away like blow

511
00:39:18,119 --> 00:39:21,079
up guitars and microphones and kids love it and we

512
00:39:21,199 --> 00:39:23,039
have a good time. We did that last year. That

513
00:39:23,199 --> 00:39:25,880
was a lot of fun. And then we got a

514
00:39:25,960 --> 00:39:28,280
party that we're doing for fourth to July and so

515
00:39:28,800 --> 00:39:33,639
but well, I'm gonna stop booking port for the fall season.

516
00:39:33,920 --> 00:39:37,320
We usually play a lot in the fall. Everybody he's

517
00:39:37,360 --> 00:39:40,800
got festivals and fairs and stuff like that going on.

518
00:39:40,960 --> 00:39:43,400
We'll play at the Pumpkin Festival in Milford, Co.

519
00:39:43,960 --> 00:39:44,159
Speaker 2: Yeah.

520
00:39:44,199 --> 00:39:46,440
Speaker 15: Well, uh, we played there last year and it was

521
00:39:46,519 --> 00:39:50,039
a great time. And trying to get our name out there,

522
00:39:50,119 --> 00:39:53,400
so I'm hoping we appreciate the opportunity for you guys

523
00:39:53,440 --> 00:39:56,480
to have us here of course, to gain that recognition

524
00:39:56,639 --> 00:39:58,320
out there and hope they like it and come and

525
00:39:58,400 --> 00:39:58,719
see us.

526
00:39:58,840 --> 00:40:00,440
Speaker 5: Yeah, yeah, no, we appreciate you've been.

527
00:40:02,239 --> 00:40:03,760
Speaker 14: Clock Collective Studios.

528
00:40:04,199 --> 00:40:07,480
Speaker 2: Yes, Mike, Mike, great guy.

529
00:40:07,719 --> 00:40:10,440
Speaker 8: Okay, you like the sound of those mixes, like the

530
00:40:10,519 --> 00:40:13,679
sound of those Masters and Clark Creative and Amherst, New Hampshire.

531
00:40:13,760 --> 00:40:16,239
Speaker 5: Yeah, I was curious about that actually, because yeah, everything

532
00:40:16,320 --> 00:40:17,079
sounds really good.

533
00:40:18,760 --> 00:40:23,920
Speaker 17: Although that last song that you played, not the live

534
00:40:24,000 --> 00:40:26,920
ones that we played, but a bit too shy that

535
00:40:27,079 --> 00:40:30,760
you played, that was actually all Jake's doing.

536
00:40:31,280 --> 00:40:33,719
Speaker 15: Oh really, that was the COVID sessions. I was telling

537
00:40:33,760 --> 00:40:36,840
you about that when it all came out and there

538
00:40:36,920 --> 00:40:39,360
was five the five songs on there called Broken Hot

539
00:40:39,960 --> 00:40:42,639
And so when you go on online you want to

540
00:40:42,679 --> 00:40:45,440
look up Atcher the Young's Broken Heart. We have that

541
00:40:45,599 --> 00:40:48,320
ep on are and Jake was pretty much the producer

542
00:40:48,440 --> 00:40:49,079
of that whole thing.

543
00:40:49,199 --> 00:40:57,559
Speaker 5: Oh okay, And although I want to check out Parietal Eye, oh.

544
00:40:59,079 --> 00:41:01,559
Speaker 6: Yeah, as well is playing in this band.

545
00:41:01,639 --> 00:41:05,760
Speaker 15: He plays in Paridal Eye, which is amazing, really amazing.

546
00:41:05,960 --> 00:41:13,679
Speaker 8: What's it called pard Yeah, okay, third, Yeah, it's not

547
00:41:13,760 --> 00:41:15,239
the easiest name to remember.

548
00:41:15,079 --> 00:41:18,280
Speaker 16: But confuse it with partial eye thought, a lot of

549
00:41:18,360 --> 00:41:19,000
partial eyes.

550
00:41:19,159 --> 00:41:20,960
Speaker 5: Oh, I can imagine. I can imagine that name being

551
00:41:20,960 --> 00:41:22,199
misspelled on a lot of flyers.

552
00:41:22,239 --> 00:41:25,639
Speaker 14: Oh yeah, it's not the greatest marketing on our it's fun.

553
00:41:26,400 --> 00:41:27,280
Speaker 6: What kind of music is it?

554
00:41:27,920 --> 00:41:35,719
Speaker 8: A little experimental EXPERIMENTALTI.

555
00:41:33,880 --> 00:41:39,159
Speaker 14: Indeed metal, third wave sky, Yeah, just experimental rock, I

556
00:41:39,159 --> 00:41:41,320
would say, okay, I could sum it up right now.

557
00:41:41,679 --> 00:41:46,840
Speaker 18: Yeah, Iron Maiden's grandchildren met children of the Red Hot

558
00:41:46,920 --> 00:41:47,519
Chili Peppers.

559
00:41:47,599 --> 00:41:51,320
Speaker 17: Yeah, okay, I was going to say, Red Hot Chili

560
00:41:51,360 --> 00:41:54,920
Peppers go sideways, all right.

561
00:41:55,239 --> 00:41:59,280
Speaker 15: And Jenna, you're also in other things to boy, So.

562
00:41:59,480 --> 00:42:04,320
Speaker 17: I'm gonna duo with Jake called the has Beens. And

563
00:42:04,840 --> 00:42:09,320
we actually host an open mic through the Jason R.

564
00:42:09,400 --> 00:42:14,440
Flood Memorial, And that's a mental health suicide prevention memorial

565
00:42:15,119 --> 00:42:18,199
based out of Dairy, New Hampshire. Oh cool, in memory

566
00:42:18,360 --> 00:42:22,199
of my friend Jason Flood. So we do a lot

567
00:42:22,280 --> 00:42:26,320
of things involved with that foundation. We also gig around

568
00:42:26,360 --> 00:42:29,639
the area as well. But yeah, we host the open

569
00:42:29,719 --> 00:42:33,559
mics at the Coffee Factory in Dairy, New Hampshire.

570
00:42:33,760 --> 00:42:36,199
Speaker 5: Excellent and every month.

571
00:42:36,159 --> 00:42:41,199
Speaker 17: Yeah, last Friday of every month. And then my first

572
00:42:41,400 --> 00:42:47,000
love is musical theater, so I perform in community theaters,

573
00:42:47,039 --> 00:42:48,719
but I also direct children's theater.

574
00:42:48,960 --> 00:42:50,199
Speaker 5: Okidding, good for you.

575
00:42:50,360 --> 00:42:52,480
Speaker 2: Wow she was a score.

576
00:42:53,239 --> 00:42:56,159
Speaker 5: Yeah, definitely, yeah, no doubt, no doubt. That's just a

577
00:42:56,280 --> 00:42:58,440
musical right now.

578
00:42:58,920 --> 00:43:01,480
Speaker 18: If you want to really good drink, yeah, if you

579
00:43:01,559 --> 00:43:05,440
go to the old Town tavern, Yeah, Avery's a great bottend.

580
00:43:05,639 --> 00:43:07,559
Speaker 6: Oh yeah, get a lot.

581
00:43:07,440 --> 00:43:08,119
Speaker 5: Of tips after this.

582
00:43:11,559 --> 00:43:14,480
Speaker 16: Relations I get a lot of connections from that place,

583
00:43:14,559 --> 00:43:14,880
for sure.

584
00:43:16,719 --> 00:43:20,039
Speaker 5: Outstanding, outstanding. Well, we are approaching the top of the hour,

585
00:43:20,280 --> 00:43:22,960
so I think what we'll do is we can to

586
00:43:23,079 --> 00:43:25,280
finish out. We'll play one more from the the E.

587
00:43:25,440 --> 00:43:31,039
P What should I play from the E? Because because

588
00:43:31,039 --> 00:43:33,440
we already played those other two studio tracks, open the segment.

589
00:43:33,639 --> 00:43:37,679
Speaker 15: Some love, Yeah, the one Jenna first sang on.

590
00:43:38,679 --> 00:43:42,480
Speaker 5: Okay, we'll give that a spin and uh, let's see.

591
00:43:42,559 --> 00:43:44,320
And before we go to Jenny, you want to remind

592
00:43:44,320 --> 00:43:46,280
everybody your website because you've got a lot going on.

593
00:43:46,440 --> 00:43:48,119
Speaker 8: As always, if you want to see what kind of

594
00:43:48,159 --> 00:43:51,000
trouble I'm getting myself into, go to Gencoffee dot com

595
00:43:51,159 --> 00:43:52,559
j E N N C O.

596
00:43:52,800 --> 00:43:54,039
Speaker 6: F F E y dot com.

597
00:43:54,559 --> 00:43:57,360
Speaker 5: Very nice, very nice, And of course if you're listening

598
00:43:57,440 --> 00:43:59,920
live on Saturday too. Uh later, I'll be recording an

599
00:44:00,280 --> 00:44:03,280
edition of the Tough Bumps podcast with Eric Pilcher, so

600
00:44:03,400 --> 00:44:05,800
you can look for that. And thank you everybody who

601
00:44:05,880 --> 00:44:08,280
joined us today. Of course we had an able Blood

602
00:44:08,519 --> 00:44:11,840
and Charles Richardson and in the first hour and etch

603
00:44:11,920 --> 00:44:15,199
on the youngs. Thank you once again. Appreciate this very

604
00:44:15,280 --> 00:44:17,440
much and we'll definitely do it again in the future.

605
00:44:17,960 --> 00:44:20,400
And we will close out with this track. This is

606
00:44:20,480 --> 00:44:21,880
called give Me Some Love. This is one of the

607
00:44:21,920 --> 00:44:23,000
ones you produced, Jays.

608
00:44:23,079 --> 00:44:25,039
Speaker 11: It is Yeah in a big old barn, in a

609
00:44:25,079 --> 00:44:27,599
big old barn, all right, it sounds great, sounds great,

610
00:44:27,920 --> 00:44:29,400
And if you miss any part of today's show, it

611
00:44:29,440 --> 00:44:30,960
will be up in just a little bit at wm

612
00:44:31,119 --> 00:44:34,440
hradio dot organ on my website Mattconnorton dot com, and

613
00:44:34,800 --> 00:44:35,880
we'll talk to you a little bit later.

614
00:44:35,960 --> 00:44:36,840
Speaker 6: Bye, everybody.

615
00:44:42,360 --> 00:44:59,559
Speaker 1: Whoa him.

616
00:44:59,719 --> 00:45:02,880
Speaker 2: Look morning, when you kid about of ben.

617
00:45:04,559 --> 00:45:07,199
Speaker 1: Girl, I hope you wake up.

618
00:45:09,320 --> 00:45:13,679
Speaker 5: Time to be my woman father, Send me free.

619
00:45:15,159 --> 00:45:18,039
Speaker 1: Baby. How to make your smile.

620
00:45:19,320 --> 00:45:21,039
Speaker 7: While you waiting so long?

621
00:45:24,119 --> 00:45:27,679
Speaker 2: Oh baby, while you're waiting so long, you got to

622
00:45:27,760 --> 00:45:28,599
give free wood.

623
00:45:28,679 --> 00:45:30,679
Speaker 3: I need you got to give us something love.

624
00:45:33,320 --> 00:45:34,320
Speaker 1: Bring a town to me.

625
00:45:34,559 --> 00:45:38,519
Speaker 14: You got to give us something love, girl.

626
00:45:38,440 --> 00:45:41,400
Speaker 5: Line want I see you got to give us something loved.

627
00:45:43,960 --> 00:45:44,960
Speaker 1: Many say that free.

628
00:45:45,159 --> 00:45:46,559
Speaker 14: You got to kive us something love.

629
00:45:47,880 --> 00:45:49,320
Speaker 2: You got to give us something love.

630
00:45:50,480 --> 00:45:52,079
Speaker 1: You gotta give us something love.

631
00:46:02,159 --> 00:46:05,079
Speaker 21: Now, girl, you know I'm a simple man and you

632
00:46:05,280 --> 00:46:11,159
know my heart is true, So why don't you wake up.

633
00:46:13,519 --> 00:46:14,760
Speaker 5: Telling to be my woman?

634
00:46:14,920 --> 00:46:16,679
Speaker 1: I'll make you see which.

635
00:46:16,519 --> 00:46:17,360
Speaker 7: You can't see?

636
00:46:18,920 --> 00:46:21,280
Speaker 1: Whoa and it make mess?

637
00:46:21,559 --> 00:46:25,079
Speaker 2: Five? Why you wait so long?

638
00:46:28,199 --> 00:46:28,840
Speaker 13: Oh baby?

639
00:46:28,920 --> 00:46:30,599
Speaker 9: Why you waiting so long?

640
00:46:31,440 --> 00:46:33,280
Speaker 1: You got to give me what I need.

641
00:46:33,400 --> 00:46:34,199
Speaker 2: You've got to give me.

642
00:46:34,280 --> 00:46:38,599
Speaker 1: Something load, bring it down to me.

643
00:46:38,840 --> 00:46:40,280
Speaker 13: You've got to give me something love.

644
00:46:42,639 --> 00:46:43,960
Speaker 1: I like what I see.

645
00:46:44,079 --> 00:46:49,559
Speaker 2: You got to give us something the siving breeze. You

646
00:46:49,639 --> 00:46:52,880
got to give us a home. You got to give

647
00:46:52,920 --> 00:46:53,440
me some home.

648
00:46:54,960 --> 00:46:56,480
Speaker 1: You got to give us something love.

649
00:47:27,199 --> 00:47:28,039
Speaker 6: I kiss.

650
00:47:38,599 --> 00:47:40,760
Speaker 1: So every day I wake up.

651
00:47:41,639 --> 00:47:42,920
Speaker 2: First stop thinking you.

652
00:47:44,719 --> 00:47:50,760
Speaker 21: Oh why don't you wake up? You know I need

653
00:47:50,840 --> 00:47:56,800
your loving girl Gonna get right next to you for

654
00:47:56,960 --> 00:47:57,960
a little while.

655
00:48:00,119 --> 00:48:02,920
Speaker 1: So girl, you know how I'm a simple man and

656
00:48:03,039 --> 00:48:03,320
you know.

657
00:48:03,480 --> 00:48:08,960
Speaker 3: My heart is too, So why don't you wakeom?

658
00:48:11,159 --> 00:48:12,480
Speaker 1: I do hear that thing?

659
00:48:12,719 --> 00:48:17,280
Speaker 4: Not court, just to finally see you smile, and just

660
00:48:17,440 --> 00:48:18,239
a whole time.

661
00:48:18,599 --> 00:48:21,320
Speaker 3: You know, I walk up a million my house, baby,

662
00:48:21,360 --> 00:48:22,960
while you waiting so long?

663
00:48:26,119 --> 00:48:29,559
Speaker 2: Oh baby, why you don't waiting so long? You got

664
00:48:29,639 --> 00:48:31,000
to give me what I need.

665
00:48:31,159 --> 00:48:35,800
Speaker 1: You got to give me something love, Bring it.

666
00:48:35,880 --> 00:48:36,400
Speaker 21: Down to me.

667
00:48:36,679 --> 00:48:37,639
Speaker 1: You got to give us.

668
00:48:37,559 --> 00:48:38,360
Speaker 7: Something love.

669
00:48:40,480 --> 00:48:41,239
Speaker 1: I don't want.

670
00:48:41,239 --> 00:48:41,840
Speaker 13: I see.

671
00:48:41,960 --> 00:48:42,880
Speaker 1: You got to give us.

672
00:48:42,920 --> 00:48:47,239
Speaker 3: Some may say that free.

673
00:48:47,360 --> 00:48:48,480
Speaker 1: You got to give us all.

674
00:48:50,039 --> 00:48:53,880
Speaker 2: You got to give us all. You gotta give us over.

675
00:49:03,400 --> 00:49:04,480
You got to kill us soon.

676
00:49:04,760 --> 00:50:19,920
Speaker 12: Le and a.

677
00:51:45,159 --> 00:53:42,880
Speaker 2: M W m N h rips the novels waiting the smoke.

678
00:53:43,440 --> 00:53:48,960
Speaker 13: Smoke started to kill up.

679
00:53:57,599 --> 00:54:14,840
Speaker 23: I had a straight past. What to say, Vision's gone?

680
00:54:19,320 --> 00:54:36,519
Made a mental notes, getting bored, got up a love.

681
00:54:36,519 --> 00:54:46,679
Speaker 1: Sick drink or two.

682
00:54:51,880 --> 00:55:54,159
Speaker 6: You'll be free in anything in

683
00:56:56,480 --> 00:57:48,559
Speaker 13: Na