WEBVTT

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<v Speaker 1>KM I am six forty. You're listening to Later with

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<v Speaker 1>Moe Kelly on demand on the iHeartRadio app.

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<v Speaker 2>I've been following Vintage LA ever since I moved here

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<v Speaker 2>invaluable entertaining researchs resoarch for old photos, videos, lots more,

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<v Speaker 2>and for me personally, it's been way to see things

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<v Speaker 2>when a deadly pandemic turned me into a real hermit

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<v Speaker 2>for most of the time I've lived in LA maybe

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<v Speaker 2>more than a lot of people, I admit, but I

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<v Speaker 2>also love seeing old TV and movie locations, familiar faces

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<v Speaker 2>from entertainment from back in the day and now in

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<v Speaker 2>their later years, catching up with them, and so much

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<v Speaker 2>more than that. The human behind all of that is

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<v Speaker 2>Alison Martino, and she is here with me in the studio. Alison,

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<v Speaker 2>I have awful people, Radar, but you seem like such

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<v Speaker 2>a fun person and I could not be happier that

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<v Speaker 2>you're here with me.

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<v Speaker 3>I'm very happy to be here now.

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<v Speaker 2>I feel like we've secretly been conjoined twins because we

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<v Speaker 2>have so many of the same interests. I am especially

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<v Speaker 2>into old Hollywood, old showbiz stories. I'm a collector of

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<v Speaker 2>old movie posters, among other things. But first we should

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<v Speaker 2>cover the basics. For people who aren't already fans of yours,

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<v Speaker 2>give us vintage LA one on one.

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<v Speaker 3>Please Vintage LA one on one.

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<v Speaker 4>It'll be fifteen years that I started that page on Facebook,

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<v Speaker 4>believe it or not, and I thought, oh, bunch of

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<v Speaker 4>friends will join it from high school and we'll talk

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<v Speaker 4>about places that aren't here anymore. And fifteen years later

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<v Speaker 4>it's like half a million people. But really, all I

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<v Speaker 4>do is start a subject about something in Los Angeles

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<v Speaker 4>isn't here or maybe is here, and the thread just

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<v Speaker 4>it just goes and it feels so good to hear people's.

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<v Speaker 3>Just living in Los Angeles.

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<v Speaker 4>You can't learn this stuff in a textbook because the

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<v Speaker 4>stories are coming from the community, and so that's great.

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<v Speaker 4>Thousands of pictures are posted. I'd say there's got ten

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<v Speaker 4>thousand pictures on there now the last fifteen years.

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<v Speaker 2>Yeah. I love the photos because it's before LA was

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<v Speaker 2>all over built and it just seemed like a spread

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<v Speaker 2>out place, like you.

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<v Speaker 3>Here's something changed a lot.

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<v Speaker 2>Everything has it's it's inevitable. But I love the old stuff,

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<v Speaker 2>and I love watching old Rockford Files episodes and finding

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<v Speaker 2>the locations here, and a lot of them are gone.

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<v Speaker 2>But In fact, I went to the I drove to

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<v Speaker 2>the what is It? In Malibu where his trailer was

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<v Speaker 2>a POS park. It costs a lot just to park

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<v Speaker 2>there and walk around. It's prohibitively expensive just to see

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<v Speaker 2>a spot in a parking lot where a trailer was.

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<v Speaker 4>Well, you know, those shows have gotten more popular, and

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<v Speaker 4>I think even through the pandemic, like Colombo had more

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<v Speaker 4>viewers than it ever had before. It just everybody seemed

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<v Speaker 4>to find it. And there's so much vintagelly in those shows.

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<v Speaker 2>Oh well, I love Colombo, and I think Keno Larber

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<v Speaker 2>put out that box set at the time and there

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<v Speaker 2>was a big kerfuffle about that because for some legal

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<v Speaker 2>reason they couldn't have any of the commentaries or bonuses

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<v Speaker 2>on it, and it was a giant ripoff. I absolutely

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<v Speaker 2>love Colombo and quote some of them chapter and verse.

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<v Speaker 4>Okay, good, well, I like, you know, kind of pause

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<v Speaker 4>it and watch it and see if things are still there.

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<v Speaker 4>And there's a lot of shows in the seventies that

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<v Speaker 4>were filmed in La a lot.

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<v Speaker 2>I don't think people really have a true sense of

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<v Speaker 2>how much people saved money by just shooting stuff in

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<v Speaker 2>the backyard here, right, Vasquez Rocks shows up in Star

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<v Speaker 2>Trek and every Western you've ever seen, And yeah, it

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<v Speaker 2>is my goal when I actually get outside to go

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<v Speaker 2>and have a photo on Vasquez Rocks, like I'm Captain

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<v Speaker 2>Kirk fighting the Gorn in the Arena episode. But by

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<v Speaker 2>the time I left Seattle, I was coming up on

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<v Speaker 2>six years ago. I was ready to go, partly because

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<v Speaker 2>all the cool stuff that made Seattle Seattle, all the

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<v Speaker 2>quirky stuff that gave it character and identity, it was disappearing.

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<v Speaker 2>But you can't really say that about La There's a

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<v Speaker 2>lot of stuff. It's a massive city, and it's a

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<v Speaker 2>gold mine of old stuff still here.

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<v Speaker 4>To look for it a little bit more, but yes,

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<v Speaker 4>i'd say there's there's still a lot left, and we're

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<v Speaker 4>trying to preserve as much as we can and stop

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<v Speaker 4>losing so many amazing structures, like the Sunset Strip that's

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<v Speaker 4>being currently stripped.

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<v Speaker 3>I call it Sunset Strip. Yeah, I mean it's completely different.

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<v Speaker 4>I mean I grew up not too far from the

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<v Speaker 4>Sunset Strip, and I still live near the Sunset Strip,

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<v Speaker 4>so it's very.

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<v Speaker 3>Near and dear to my heart.

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<v Speaker 4>But to see buildings that were like kind of mascots

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<v Speaker 4>of our city and familiar landmarks, familiar corners are completely gone.

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<v Speaker 3>Now house the Blues House, and I'm.

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<v Speaker 4>Sorry for what more overpriced condoct I mean, that's not

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<v Speaker 4>fun when you come to the Sunset Strip. You want

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<v Speaker 4>to go to the strip and you want to see entertainment,

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<v Speaker 4>and they're stripping away all the entertainment. Luckily, places like

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<v Speaker 4>the Whiskey and the Rainbow are landmarked owned by the

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<v Speaker 4>family that still own it. But now the Viper Room

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<v Speaker 4>is in trouble. Yeah, that whole block is going to

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<v Speaker 4>come down for another hotel.

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<v Speaker 2>Yeah, that's exactly what happened in Seattle. All these old

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<v Speaker 2>places were torn down and replaced with condos with a

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<v Speaker 2>retail level on the ground floor because the people who

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<v Speaker 2>owned like the old you know, Mama's Mexican Kitchen or

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<v Speaker 2>whatever dive that we're talking about, maybe they wanted to

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<v Speaker 2>retire and they couldn't turn down that kind of money

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<v Speaker 2>because it's you're operating on a thin margin if you

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<v Speaker 2>run a bar or a restaurant.

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<v Speaker 4>Well, when they say, well we'll make the Viper Room

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<v Speaker 4>a museum, it then don't touch it. It is a

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<v Speaker 4>museum like it's it's fine. I mean, don't don't don't,

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<v Speaker 4>don't take it down. But it's very hard to fight

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<v Speaker 4>City County. Is that very exactly what I was doing?

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<v Speaker 3>Very hard? And they're a little snarky, and I just

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<v Speaker 3>you know.

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<v Speaker 2>Yeah, now that you loved Quentin Tarantinos upon a time

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<v Speaker 2>in Hollywood every bit as much as I did. I

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<v Speaker 2>think it's the best thing he's ever done. And I've

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<v Speaker 2>watched it two or three times and I'm going to

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<v Speaker 2>watch it at least that many more times, and I

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<v Speaker 2>read the book afterward.

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<v Speaker 3>Uh good, Yeah, I think you are.

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<v Speaker 2>As much of an expert as anybody to talk about

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<v Speaker 2>how well he captured that area, or it would be

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<v Speaker 2>the late sixties because it was around the time of

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<v Speaker 2>the Manson killing.

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<v Speaker 4>It was so astonishing to see him turn the streets

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<v Speaker 4>back to nineteen sixty nine in the place in where

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<v Speaker 4>those places were. That's what's amazing about it, you know,

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<v Speaker 4>turning you know, the Doughnut stand back to where it was,

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<v Speaker 4>Peaches records back to where it was, and then just

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<v Speaker 4>having all the cars on the street cruising and just

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<v Speaker 4>really fun.

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<v Speaker 3>He let us watch, He let the.

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<v Speaker 4>Residents and whoever wanted to watch those scenes.

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<v Speaker 3>Wow, you know, so I.

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<v Speaker 4>Went to like five or six different locations, and then

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<v Speaker 4>when the movie came out, we really felt like we

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<v Speaker 4>didn't know what it was about, you know, because there's

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<v Speaker 4>there was no way you were ever going to know

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<v Speaker 4>the ending of that film until you saw it. But

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<v Speaker 4>it was the closest thing to a time machine probably

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<v Speaker 4>the city has ever seen. Yeah, I really raised the

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<v Speaker 4>bar for a lot of films they're going to be

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<v Speaker 4>on location.

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<v Speaker 2>It rang true to me that whole movie, and the

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<v Speaker 2>ending I thought was just magical because it was the

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<v Speaker 2>exact same thing he did in Inglorious Bastards, Yes, which

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<v Speaker 2>was gave you a happy ending to something traumatic, and

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<v Speaker 2>it was so satisfying. But I'm not sure everybody was

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<v Speaker 2>on board with it. There are certain people who work

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<v Speaker 2>here who really dislike that movie, and their opinions are

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<v Speaker 2>completely worthless. I want them to know that.

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<v Speaker 3>Don't tell me who they are.

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<v Speaker 4>I want to like them.

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<v Speaker 3>So some people don't understand it.

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<v Speaker 4>I remember being in the theater, ones going, why are

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<v Speaker 4>we following this blonde lady around all time?

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<v Speaker 3>Yeah, No, I know it's it's.

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<v Speaker 4>You have to I think really want that ending and

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<v Speaker 4>it makes you cry, it makes you laugh, it makes

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<v Speaker 4>you get up and cheer.

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<v Speaker 3>It makes you just go if only it's everything you want.

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<v Speaker 4>It to be and what you wanted it to be,

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<v Speaker 4>if you if it could have been, and if.

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<v Speaker 2>You like all those old shows from that period. I

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<v Speaker 2>think I mentioned to you, so the character of Rick

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<v Speaker 2>Dalton in the movie as a guest shot in an

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<v Speaker 2>FBI episode.

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<v Speaker 3>With Burt Reynolds is the real one.

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<v Speaker 2>Yes, of course I went and I watched that immediately afterward,

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<v Speaker 2>and then I couldn't stop watching FBI episodes. Yeah, so

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<v Speaker 2>I watched like two seasons, and back in the late sixties,

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<v Speaker 2>a season was around thirty episodes long, so that's a

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<v Speaker 2>lot of time. But I loved every second.

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<v Speaker 3>And he copied that episode to a t.

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<v Speaker 4>I mean, it's astonishing to see how meticulous he is.

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<v Speaker 2>Yeah, he was a savant.

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<v Speaker 3>Yeah, but you know this was his.

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<v Speaker 4>Love letter to La, especially the scene where he's like

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<v Speaker 4>where Brad is driving and you see the big knee

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<v Speaker 4>on sign sort of above him through That was Quinton's

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<v Speaker 4>view of La when he was younger, in the back

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<v Speaker 4>of the seat of his parents' car.

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<v Speaker 2>Well, he got so many other little things too. His

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<v Speaker 2>eye for detail is incredible. I am a horror nerd

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<v Speaker 2>and during the brief, brief period I lived here when

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<v Speaker 2>I was geez. I don't know, five, six, seven years old.

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<v Speaker 2>I can't remember exactly, and my mom isn't around to ask,

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<v Speaker 2>but I recall being traumatized by a late night horror

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<v Speaker 2>show host called the Sinister Seymour when I was up

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<v Speaker 2>by myself and I wasn't supposed to be watching things.

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<v Speaker 2>They've had a Sinister Seymour clip in this movie, sure

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<v Speaker 2>it is. It's such a deep cut, and of course

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<v Speaker 2>that leads you down a rabbit hole. So you'll find

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<v Speaker 2>a documentary about him on YouTube with a surviving family members.

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<v Speaker 2>Was there anything else.

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<v Speaker 4>In it that's well, you know, you have to see

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<v Speaker 4>it at the New Beverly if you ever. When you

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<v Speaker 4>see it again, go see it at Quentin's Theater because

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<v Speaker 4>it's like a rocky horror picture show experience.

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<v Speaker 3>Because the people who see that film know that film.

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<v Speaker 3>They're like us.

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<v Speaker 4>It feels like a club, you know, it's like a

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<v Speaker 4>private club in there, and they know every line and

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<v Speaker 4>we're screaming and stuff. But you know, just to hear

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<v Speaker 4>the music, even though we've heard all these songs before,

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<v Speaker 4>I did feel like I was hearing them for the

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<v Speaker 4>first time because the characters are hearing them for the

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<v Speaker 4>first time in the car.

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<v Speaker 2>My favorite LA night, and again, I haven't been out

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<v Speaker 2>much since the pandemic, but my favorite LA night is

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<v Speaker 2>a movie at the New Beverly because they show old

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<v Speaker 2>cult films all on film thirty five millimeter, followed by

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<v Speaker 2>some drinks and some food at El Coyote right down

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<v Speaker 2>the block. What is your favorite LA Night?

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<v Speaker 4>Well, that you just named it, I mean, I've done

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<v Speaker 4>that several times. You know, I'm a creature of habit

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<v Speaker 4>I like old places. You know, I love Dantana's, I

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<v Speaker 4>love Musso and Frank you know. I mean, I kind

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<v Speaker 4>of go to the same ten places. But lately I've

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<v Speaker 4>been hitting the dive bars.

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<v Speaker 2>I know.

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<v Speaker 3>We're going to talk about that later.

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<v Speaker 5>You're listening to Later with Moe Kelly on demand from

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<v Speaker 5>KFI AM six forty.

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<v Speaker 2>We're back with Alison Martino, the mastermind behind Vintage LA. Alison,

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<v Speaker 2>please list all the joints where people can find your content,

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<v Speaker 2>your Vintage LA stuff.

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<v Speaker 4>Well, everywhere every platform. It's either going to be under

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<v Speaker 4>my name, Alison Martino or Vintage Los Angeles.

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<v Speaker 2>But you have a Facebook page, yes, as well as

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<v Speaker 2>a Twitter.

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<v Speaker 4>X all under either Alison Martino, but Vintage La on

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<v Speaker 4>Facebook and Instagram or my Instagram my babies.

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<v Speaker 2>Okay, so those those two things. Now you have done

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<v Speaker 2>a feature for is it Spectrum? Is that correct?

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<v Speaker 5>Yes?

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<v Speaker 4>I've been on Spectrum for about five years. It's been

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<v Speaker 4>a true gift being able to report about places that

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<v Speaker 4>I love and frequent all over town. And usually they

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<v Speaker 4>have historic stories behind them. And I did pitch a

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<v Speaker 4>series earlier this year about vintage bars and dive bars,

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<v Speaker 4>and it's been really fun to go in and shoot

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<v Speaker 4>there and get the stories. A lot of these places

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<v Speaker 4>are going on fifty sixty years, some of them even

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<v Speaker 4>eighty years.

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<v Speaker 2>Oh well, well, it is my pleasure to live exactly

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<v Speaker 2>down to the newspaper man's stereotype and focus on the

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<v Speaker 2>dive bars. I of course, The La Confidential is one

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<v Speaker 2>of my favorite movies, and I've been to the Foremosa.

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<v Speaker 2>Is that on your list?

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<v Speaker 3>I've done the Formosa twice for perspective.

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<v Speaker 2>How to pro you are?

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<v Speaker 4>Oh yeah, I was their opening night because you know,

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<v Speaker 4>they were down for a while. We didn't think they

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<v Speaker 4>were going to come back, and my friend Bobby Green

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<v Speaker 4>brought it back. So we were there for the opening

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<v Speaker 4>and that was fabulous. And is that with us now

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<v Speaker 4>for the direction, Yes, yes, it looks it's spectacular. I

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<v Speaker 4>mean they put it back exactly how it probably looked

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<v Speaker 4>in the nineteen thirties, but better than it ever looked.

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<v Speaker 2>And you walk in there and you see some bimbo

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<v Speaker 2>cut to look like Turner and drink in your face.

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<v Speaker 2>What's uh?

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<v Speaker 4>Yeah, I mean it is walking into a time capsule.

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<v Speaker 4>I mean, you know, I don't even think set designers

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<v Speaker 4>could make it look that good. I mean, it really

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<v Speaker 4>is a time capsule. But some of the ones I

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<v Speaker 4>just shot at a shaj which is incredible.

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<v Speaker 3>Have you ever been there?

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<v Speaker 2>No tell me about you have to learn? Yes?

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<v Speaker 4>Yes, didn't you need my help? This is why my

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<v Speaker 4>show is good. Uh well that's in Santa Monica. But

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<v Speaker 4>you have been the Frolic Room. I've driven past the Pantagious.

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<v Speaker 4>You know, when you're talking about doing like a night

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<v Speaker 4>where you go to a movie and dinner, like two things.

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<v Speaker 4>You can go to the Frolic Room for a drink

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<v Speaker 4>and then hit the Pantagious right next to each other.

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<v Speaker 4>And by the way, there's scenes of that in Eli Confidence.

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<v Speaker 2>Yeah. I feel like like Bud and Ed walked into

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<v Speaker 2>the Frolic Room and got into some mischief. What else

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<v Speaker 2>is on your list?

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<v Speaker 4>The Blue Room in North Hollywood and it's not far

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<v Speaker 4>from here.

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<v Speaker 3>Shall we go?

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<v Speaker 2>Yeah?

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<v Speaker 3>Shall we go out after?

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<v Speaker 4>It's got greatest old signs. That's one of the great

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<v Speaker 4>things I love about old old bars, or the signs

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<v Speaker 4>and the cozy booths inside. And they're dives. They're small,

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<v Speaker 4>you know, and they get the locals, they have the stories.

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<v Speaker 2>And so if somebody like me walked in there, like hey, guys,

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<v Speaker 2>look at this fun local dive bar, they I'd be

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<v Speaker 2>risking my life.

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<v Speaker 3>Well, it's not just dive bars.

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<v Speaker 4>It's a bar with you know, kind of like counter eating,

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<v Speaker 4>like you know, I love a counter you know, you

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<v Speaker 4>go into a restaurant, some of them have a bar

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<v Speaker 4>in the restaurant, like D'antana's.

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<v Speaker 3>You know, there's like a bar, so you could sit

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<v Speaker 3>at the bar and eat. And some people like that.

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<v Speaker 3>I do.

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<v Speaker 2>But if you've got regulars, like when I lived in Seattle,

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<v Speaker 2>I lived around the corner from the best dive bar

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<v Speaker 2>in the world. It was called the Tin Hat and

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<v Speaker 2>you had all the regulars, and I was one of them.

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<v Speaker 2>And when a new person came in, it's like it's

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<v Speaker 2>like a scene out of the Old West in a

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<v Speaker 2>saloon when somebody comes in wearing clothes they're a little

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<v Speaker 2>too fancy, and you think, well, they're going to get

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<v Speaker 2>messed up before they leave.

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<v Speaker 3>Don't know your wardrobe? I don't. You might have to

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<v Speaker 3>go with me. I might have a little advantage was

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<v Speaker 3>I put them on the air.

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<v Speaker 4>But I think you'll be okay, okay, HMS Bounty have

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<v Speaker 4>you ever been that?

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<v Speaker 6>I was, Oh my gosh, somebody knows what I'm talking about.

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<v Speaker 6>Let me tell you why gosh. I literally I live

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<v Speaker 6>near HMS Bounty. It's one of my favorite restaurants. I

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<v Speaker 6>was I blanked on the name sitting here because I'm

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<v Speaker 6>thinking of all these other places, and I'm literally on

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<v Speaker 6>my phone right now googling my address and like keywords,

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<v Speaker 6>HMS Bounty is one of my favorite And how about

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<v Speaker 6>the Prince and the.

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<v Speaker 3>Print all of that, right, don't you think Mark has

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<v Speaker 3>a shoo? Places? You should should?

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<v Speaker 2>Are these bars that would be featured on Grinder? What

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<v Speaker 2>are you trying to say?

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<v Speaker 6>Not quite unless you are into the nautical theme of

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<v Speaker 6>than which, yes, but you should totally go to HMS Bounty.

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<v Speaker 6>You should take fantastic baseball steak. Now we're gonna cause

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<v Speaker 6>the line to be out the door. Amazing, love that baseball.

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<v Speaker 4>Yeah, you're the only one that knows that what I'm

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<v Speaker 4>talking of him talking about?

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<v Speaker 2>All right, Now, I have to ask you, as a

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<v Speaker 2>dive bar fan, what is generally the tattoo to tooth

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<v Speaker 2>ratio in these places.

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<v Speaker 3>I have tattoos, but I have all my teeth.

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<v Speaker 2>Okay, pretty strong, all right, but they can be it

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<v Speaker 2>can be.

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<v Speaker 3>Miss not there. It's very old, La, it's old. Yeah,

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<v Speaker 3>it's like it's like walking into nineteen forty.

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<v Speaker 2>It is. Okay, there's one more I want to ask about.

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<v Speaker 2>What about the baked potato?

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<v Speaker 3>Oh that's fantastic, is it?

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<v Speaker 2>Now?

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<v Speaker 3>Are you kidding? Have you been there?

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<v Speaker 2>No? Not yet.

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<v Speaker 4>Well, you know it's owned by Don Randy, who was

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<v Speaker 4>in the wrecking crew, who was who probably backed every

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<v Speaker 4>single record you've ever you've heard the wrecking Crew.

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<v Speaker 2>I only know the d Martin matt Helm wrecking Crew.

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<v Speaker 4>To an educating your show, need we need a few

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<v Speaker 4>days here?

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<v Speaker 2>This was an errand of Mercy.

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<v Speaker 3>Well, that's a whole other show.

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<v Speaker 4>But but yes, the Baked Potato is a gem right

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<v Speaker 4>here on Ventura Boulevard. And they have live music and

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<v Speaker 4>Don Randy's the greatest keyboard players in the world who's

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<v Speaker 4>been playing on every session record back in the sixties.

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<v Speaker 3>And they have karaoke there. They have karaoke. But live

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<v Speaker 3>music is pretty a way to go.

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<v Speaker 4>And potatoes and potatoes get you, absolutely get you, absolutely

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<v Speaker 4>get a potato.

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<v Speaker 2>They're literally they specialize in potato.

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<v Speaker 4>Their signage is true, it's a baked potato.

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<v Speaker 2>Well what goes better than jazz potatoes?

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<v Speaker 3>Nothing?

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<v Speaker 2>Any other last one you want to mention before we go.

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<v Speaker 3>To break Mosto Frank's bars great, but that's not dive.

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<v Speaker 2>But you know, well, you know where I work. I

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<v Speaker 2>don't think I can afford to go there.

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<v Speaker 3>You can get a martini. I think you can afford that.

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<v Speaker 2>Okay, I can afford a drink.

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<v Speaker 3>I'll get you all right.

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<v Speaker 2>It's killing me to have to cut this off to

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<v Speaker 2>go to breaks, because I feel like we could talk

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<v Speaker 2>for like three hours and it would just disappear like that.

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<v Speaker 2>When we come back, we're going to talk about a

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<v Speaker 2>couple of very very beloved, well known people that we've

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<v Speaker 2>lost With Alison Martino Vintage LA.

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<v Speaker 5>You're listening to Later with Moe Kelly on demand from

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<v Speaker 5>KFI AM six forty.

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<v Speaker 2>My guest is Alison Martino from Vintage LA. Now, when

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<v Speaker 2>I knew I was going to start doing some hosting here,

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<v Speaker 2>you were one of the very first people I wanted

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<v Speaker 2>to talk to. Vintage La is terrific. People need to

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<v Speaker 2>is it your accounts on Instagram, Facebook, Twitter X. I

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<v Speaker 2>bet if I had your Rolodex, I would be spoiled

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<v Speaker 2>for choice for guests for the rest of my natural life. Also,

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00:17:13.680 --> 00:17:17.640
<v Speaker 2>rolodex deep dive there. Nobody knows what the word rolodex means.

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<v Speaker 3>Tiffany, I absolutely know.

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<v Speaker 2>Okay, Foush, do you know what a rolodex is? I

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00:17:22.400 --> 00:17:27.160
<v Speaker 2>sure do. Really, I will bet you, Okay, you know

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<v Speaker 2>where I work. I'm not going to bet you any money.

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00:17:29.400 --> 00:17:31.720
<v Speaker 2>I'll bet you Keana doesn't know what a rolodex is.

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00:17:31.839 --> 00:17:34.759
<v Speaker 2>She probably doesn't. Okay, let's just assume. Let's assume that

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00:17:34.799 --> 00:17:38.519
<v Speaker 2>I won that bet. Now, you've also been friends with

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<v Speaker 2>a lot of well known people, Allison, because you grew

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<v Speaker 2>up in the entertainment industry with your father, who maybe

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00:17:44.480 --> 00:17:47.319
<v Speaker 2>people don't know about. Tell us about your father.

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00:17:47.319 --> 00:17:47.839
<v Speaker 3>Who's dad.

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00:17:49.240 --> 00:17:51.359
<v Speaker 4>My dad was a singer named al Martino. You may

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00:17:51.359 --> 00:17:54.079
<v Speaker 4>have known it from the Godfather. He was Johnny Fontage,

404
00:17:54.119 --> 00:17:56.079
<v Speaker 4>but he was actually a singer in real life. So

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00:17:56.200 --> 00:17:58.839
<v Speaker 4>he was friendly with a lot of comics, uh huh,

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00:17:58.880 --> 00:18:02.960
<v Speaker 4>and entertainment people because they would like open for them

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00:18:03.000 --> 00:18:05.200
<v Speaker 4>back then, and you know, like back then, Joan Rivers

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00:18:05.200 --> 00:18:07.799
<v Speaker 4>would open for you know, someone like my dad.

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<v Speaker 3>Uh.

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00:18:08.680 --> 00:18:10.799
<v Speaker 4>And so I got to know a lot of really funny,

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00:18:11.039 --> 00:18:14.759
<v Speaker 4>amazing people and we lost so many of them. I mean,

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00:18:14.880 --> 00:18:17.400
<v Speaker 4>it's it's just astonishing and they are gone.

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<v Speaker 2>Let's get right into that. We lost James Darren today

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<v Speaker 2>and you knew him.

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<v Speaker 4>Yes, yeah, My dad is from South Philly and so

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00:18:23.160 --> 00:18:26.359
<v Speaker 4>was James. And those guys are you know, they're Italian

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00:18:26.400 --> 00:18:30.240
<v Speaker 4>singers from back then. It's Frankie Avalon, Eddie Fisher, yeah,

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00:18:30.240 --> 00:18:32.200
<v Speaker 4>you know, even Chelby Checkers back then, you know, and

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00:18:32.279 --> 00:18:35.400
<v Speaker 4>so those there, I mean, Frankie's Avalon, Thank god, he's okay,

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00:18:35.440 --> 00:18:37.920
<v Speaker 4>everything's fine, but we did. It's a very sad day

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<v Speaker 4>and James Darren passed away. It was a little bit

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00:18:40.599 --> 00:18:43.079
<v Speaker 4>we didn't know that till today and now.

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<v Speaker 2>He was in his uh later eighty eight. Now I

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<v Speaker 2>remember James Darren from reruns. I'm not that old reruns

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00:18:51.400 --> 00:18:53.640
<v Speaker 2>of the Time Tunnel, and I guess I am old

426
00:18:53.720 --> 00:18:55.079
<v Speaker 2>enough to remember TJ. Hooker.

427
00:18:55.200 --> 00:18:57.519
<v Speaker 3>Well that's not as old as Time Time Tunnel.

428
00:18:57.559 --> 00:19:00.359
<v Speaker 4>But you know, a lot of people don't realize with

429
00:19:00.359 --> 00:19:04.079
<v Speaker 4>with James Darren, he directed some of those TJ Hookers.

430
00:19:04.319 --> 00:19:06.079
<v Speaker 2>Yeah, I never knew that but until you mentioned it.

431
00:19:06.160 --> 00:19:09.319
<v Speaker 2>But a lot of these people, including Darren, have such

432
00:19:09.640 --> 00:19:12.400
<v Speaker 2>the scope and depth of their career, we had no idea.

433
00:19:12.440 --> 00:19:13.920
<v Speaker 2>We know him for the things that they're best for.

434
00:19:14.200 --> 00:19:16.359
<v Speaker 2>What else do you know about Darren, especially since you

435
00:19:16.599 --> 00:19:18.079
<v Speaker 2>actually hung out with him in real life.

436
00:19:18.160 --> 00:19:20.400
<v Speaker 4>Well that he that he was a director, and he

437
00:19:20.440 --> 00:19:22.319
<v Speaker 4>was a you know, pretty serious director. He did a

438
00:19:22.319 --> 00:19:24.200
<v Speaker 4>lot of television when you go him too, IMBD. He

439
00:19:24.759 --> 00:19:26.920
<v Speaker 4>directed episodes of nine O two one.

440
00:19:26.920 --> 00:19:27.039
<v Speaker 5>Oh.

441
00:19:27.759 --> 00:19:31.559
<v Speaker 3>I don't think anybody knows that songs.

442
00:19:30.599 --> 00:19:33.279
<v Speaker 4>Yeah, and I mean obviously he was an entertainer on

443
00:19:33.319 --> 00:19:35.680
<v Speaker 4>the road. But how cool to come back and Starr

444
00:19:35.839 --> 00:19:38.279
<v Speaker 4>is you know in TJ Hooker, be a character in

445
00:19:38.279 --> 00:19:40.920
<v Speaker 4>t J Hooker and direct t J Hooker. He has

446
00:19:41.519 --> 00:19:44.079
<v Speaker 4>everything going for him, and he was the most gorgeous

447
00:19:44.160 --> 00:19:45.599
<v Speaker 4>man I've ever seen.

448
00:19:45.519 --> 00:19:48.440
<v Speaker 2>Not only I guarantee you that William Shatner was jealous

449
00:19:48.480 --> 00:19:52.920
<v Speaker 2>of his hair. He had some. He had some magnificent

450
00:19:53.000 --> 00:19:56.240
<v Speaker 2>eighties feathered hair. I could never get mine to do that, and.

451
00:19:56.599 --> 00:19:59.160
<v Speaker 3>He had it. I mean, he just continued to be gorgeous.

452
00:19:59.240 --> 00:20:01.599
<v Speaker 2>Yeah, And so what kind of guy was he like

453
00:20:01.599 --> 00:20:01.880
<v Speaker 2>in real?

454
00:20:01.920 --> 00:20:02.119
<v Speaker 5>Oh?

455
00:20:02.119 --> 00:20:04.200
<v Speaker 4>He was fantastic. You know, he's still Philly guy, so

456
00:20:04.799 --> 00:20:07.480
<v Speaker 4>kind of tells you like it is and a street

457
00:20:07.519 --> 00:20:13.240
<v Speaker 4>smart and funny, charming and just a very very nice guy.

458
00:20:13.839 --> 00:20:16.920
<v Speaker 2>I saw a video of James Darren on YouTube showing

459
00:20:16.960 --> 00:20:19.559
<v Speaker 2>somebody around some of his old haunts. I think someplace

460
00:20:19.640 --> 00:20:21.079
<v Speaker 2>that maybe he was roommates with.

461
00:20:21.279 --> 00:20:25.400
<v Speaker 4>I shot that video. Oh my god, Yeah, I took

462
00:20:25.480 --> 00:20:28.839
<v Speaker 4>Jimmy around. I took well, Jimmy liked Green Blats a lot,

463
00:20:28.880 --> 00:20:31.920
<v Speaker 4>which we lost that one. And he used to live

464
00:20:32.000 --> 00:20:35.000
<v Speaker 4>in the apartment behind it with with with some of

465
00:20:35.000 --> 00:20:38.599
<v Speaker 4>the old Sky Saxon and people like that and who.

466
00:20:39.079 --> 00:20:40.599
<v Speaker 4>He had a lot of a lot of friends. He

467
00:20:40.640 --> 00:20:43.000
<v Speaker 4>was friends with James Dean, James Dean hung out on That's.

468
00:20:42.920 --> 00:20:43.960
<v Speaker 2>The name I was trying to remember.

469
00:20:44.000 --> 00:20:47.000
<v Speaker 4>Yes, de Yeah, James Dean and him used to hang

470
00:20:47.000 --> 00:20:50.799
<v Speaker 4>out a Googe's coffee shop across the streets. I know,

471
00:20:51.000 --> 00:20:53.200
<v Speaker 4>I know, And so he took me to the apartment

472
00:20:53.240 --> 00:20:54.200
<v Speaker 4>that they used to live in.

473
00:20:54.240 --> 00:20:55.759
<v Speaker 3>It's still there. Isn't that amazing?

474
00:20:55.880 --> 00:20:59.640
<v Speaker 2>That is you were so lucky and you were also

475
00:21:00.079 --> 00:21:03.480
<v Speaker 2>lucky enough to be actual real life friends with Peter Marshall.

476
00:21:03.799 --> 00:21:05.839
<v Speaker 3>Yes, and that when that was that We lost him

477
00:21:05.839 --> 00:21:06.759
<v Speaker 3>about ten days ago.

478
00:21:07.000 --> 00:21:10.319
<v Speaker 2>Peter Marshall, for anybody who doesn't know, what he's best

479
00:21:10.400 --> 00:21:14.000
<v Speaker 2>known for as being the longtime host of the Hollywood Squares.

480
00:21:14.519 --> 00:21:17.160
<v Speaker 2>But again, this is another one tip of the iceberg

481
00:21:17.240 --> 00:21:20.359
<v Speaker 2>on this guy. Right, Yeah, he did so much stuff.

482
00:21:20.559 --> 00:21:23.480
<v Speaker 2>He was a singer, he was an actor, and I

483
00:21:23.519 --> 00:21:24.920
<v Speaker 2>only knew a little bit of this, and then I

484
00:21:24.960 --> 00:21:26.799
<v Speaker 2>listened to like an hour and a half interview with

485
00:21:26.880 --> 00:21:30.400
<v Speaker 2>him on Gilbert Gottfried's amazing Colossal podcast and Gilbert's no

486
00:21:30.440 --> 00:21:32.960
<v Speaker 2>longer with us, but they get into some of this stuff.

487
00:21:33.400 --> 00:21:36.279
<v Speaker 2>I had no idea all the stuff that Peter Marshall

488
00:21:36.400 --> 00:21:39.119
<v Speaker 2>did and how talented and versatile he was, well he.

489
00:21:39.160 --> 00:21:41.559
<v Speaker 4>Was, yes, I mean, he was the perfect host for

490
00:21:41.799 --> 00:21:45.759
<v Speaker 4>Hollywood Squares, but he was also a singer and an entertainer,

491
00:21:45.880 --> 00:21:48.519
<v Speaker 4>and you go into his house and you just cannot

492
00:21:48.599 --> 00:21:50.599
<v Speaker 4>believe all the memorabilia on the wall.

493
00:21:50.759 --> 00:21:53.200
<v Speaker 2>I want to hear about this specifically.

494
00:21:52.640 --> 00:21:54.920
<v Speaker 3>That kind of stuff. I mean, I live for that stuff.

495
00:21:54.960 --> 00:21:59.400
<v Speaker 4>And just packed your Glorin Awards and Emmy's and and

496
00:21:59.480 --> 00:22:02.039
<v Speaker 4>he's so so humble, and he would love to tell stories.

497
00:22:02.079 --> 00:22:04.920
<v Speaker 4>He knew everyone, you know, he knew everybody. Fred Willard

498
00:22:04.960 --> 00:22:06.240
<v Speaker 4>was a very good friend of his, and I got

499
00:22:06.240 --> 00:22:10.480
<v Speaker 4>to meet friends from Peter and Robert Morse, another great

500
00:22:10.519 --> 00:22:13.000
<v Speaker 4>friend of Peter's, also gone. That was an amazing dinner

501
00:22:13.000 --> 00:22:14.839
<v Speaker 4>I got to have there and they're all gone.

502
00:22:14.920 --> 00:22:15.960
<v Speaker 3>It's really really.

503
00:22:15.839 --> 00:22:18.480
<v Speaker 2>Hard, but you will have these memories for the rest

504
00:22:18.480 --> 00:22:22.920
<v Speaker 2>of your life. And that is so amazing. So when

505
00:22:22.920 --> 00:22:25.799
<v Speaker 2>you just were hanging out having a meal and a

506
00:22:25.920 --> 00:22:30.359
<v Speaker 2>drink with Peter Marshall, what was the evening? Like? What

507
00:22:30.359 --> 00:22:31.759
<v Speaker 2>what did you do? What did you talk about?

508
00:22:31.880 --> 00:22:34.400
<v Speaker 3>That's the thing, you know. I live for for history.

509
00:22:34.480 --> 00:22:36.000
<v Speaker 4>So it was really nice to be able to go

510
00:22:36.039 --> 00:22:38.759
<v Speaker 4>to Peter's house for dinner and just sit him down

511
00:22:38.799 --> 00:22:39.279
<v Speaker 4>and ask.

512
00:22:39.160 --> 00:22:43.640
<v Speaker 3>Him about paul In. Give me paul In Stories.

513
00:22:43.680 --> 00:22:46.240
<v Speaker 4>And I used to produce this show called mysteries and scandals,

514
00:22:46.240 --> 00:22:48.400
<v Speaker 4>and I was doing a segment on Paul In and

515
00:22:48.440 --> 00:22:51.640
<v Speaker 4>I could not afford to license Hollywood Squares.

516
00:22:51.640 --> 00:22:55.480
<v Speaker 3>And Peter gave to the rescue and gave me his outtakes.

517
00:22:55.279 --> 00:22:58.119
<v Speaker 4>Much from his personal collection, and I'm like, I look

518
00:22:58.160 --> 00:22:58.720
<v Speaker 4>what I got.

519
00:22:58.759 --> 00:22:59.440
<v Speaker 3>I don't have to lie.

520
00:22:59.440 --> 00:23:01.680
<v Speaker 2>I don't have to lie the outtakes. How much of

521
00:23:01.720 --> 00:23:02.640
<v Speaker 2>that could you actually use?

522
00:23:02.759 --> 00:23:04.799
<v Speaker 4>Oh, it was a lot of bleeping, a lot of

523
00:23:04.799 --> 00:23:08.480
<v Speaker 4>b bang, but how fun, you know, and to see

524
00:23:08.519 --> 00:23:10.880
<v Speaker 4>a little bit of Paul Lynn and his you know

525
00:23:11.160 --> 00:23:11.559
<v Speaker 4>sort of.

526
00:23:11.839 --> 00:23:13.400
<v Speaker 2>Yeah, you in my mind that I wanted to talk

527
00:23:13.440 --> 00:23:16.319
<v Speaker 2>about Paul Lynn because because I've read, among other things,

528
00:23:16.319 --> 00:23:21.519
<v Speaker 2>that Paul Lynn was a huge drunk and also kind

529
00:23:21.519 --> 00:23:23.039
<v Speaker 2>of nasty when he got in his cups.

530
00:23:23.079 --> 00:23:24.960
<v Speaker 4>I asked Peter about it. I mean he did say

531
00:23:25.000 --> 00:23:27.680
<v Speaker 4>there were some horrific nights, but yeah, I mean that

532
00:23:27.799 --> 00:23:31.559
<v Speaker 4>was exact quote exact quote details.

533
00:23:31.559 --> 00:23:34.000
<v Speaker 3>Please, I don't think he got into details. That was enough.

534
00:23:34.400 --> 00:23:36.960
<v Speaker 3>But I think that he also was great.

535
00:23:37.200 --> 00:23:38.039
<v Speaker 2>Well, he was hilarious.

536
00:23:38.079 --> 00:23:39.920
<v Speaker 3>He could be and hide.

537
00:23:40.440 --> 00:23:42.960
<v Speaker 4>There they're jecky and hide at times, so they could

538
00:23:42.960 --> 00:23:45.480
<v Speaker 4>be absolutely the best, and then they could just be

539
00:23:45.519 --> 00:23:46.119
<v Speaker 4>a horror show.

540
00:23:46.319 --> 00:23:48.880
<v Speaker 2>And Paul Lynn died at a fairly young age. I

541
00:23:48.960 --> 00:23:49.880
<v Speaker 2>believe alone as well.

542
00:23:50.160 --> 00:23:52.119
<v Speaker 4>I mean, he kind of got pigeonholed into that center

543
00:23:52.160 --> 00:23:55.000
<v Speaker 4>square sort of syndrome, and I think it drove him crazy,

544
00:23:55.039 --> 00:23:57.960
<v Speaker 4>and he wanted to do serious acting. And you know,

545
00:23:57.960 --> 00:23:59.559
<v Speaker 4>he had he was on Bewitched and he had his

546
00:23:59.599 --> 00:24:01.279
<v Speaker 4>own show for a little while. A pol On Shout

547
00:24:01.279 --> 00:24:02.759
<v Speaker 4>didn't it didn't get picked up. But I think he

548
00:24:02.799 --> 00:24:06.440
<v Speaker 4>really wanted to go into serious acting and maybe he

549
00:24:06.480 --> 00:24:08.279
<v Speaker 4>could have. And I think he could have if we had,

550
00:24:08.359 --> 00:24:10.079
<v Speaker 4>if he had gone into the eighties, I think there

551
00:24:10.079 --> 00:24:11.359
<v Speaker 4>would have been a lot of parts for him.

552
00:24:12.000 --> 00:24:14.119
<v Speaker 2>I think we look at game shows a little differently

553
00:24:14.200 --> 00:24:16.279
<v Speaker 2>now than we used to, and we don't look at

554
00:24:16.359 --> 00:24:18.680
<v Speaker 2>him as like low rent things that stay at home

555
00:24:18.759 --> 00:24:22.680
<v Speaker 2>moms watch. We look at them and realize how brilliant

556
00:24:22.759 --> 00:24:25.240
<v Speaker 2>some of them were. Like I'm a huge match game fan.

557
00:24:25.400 --> 00:24:27.559
<v Speaker 3>Yeah, they're fun to watch, aren't they? In the Game

558
00:24:27.559 --> 00:24:28.160
<v Speaker 3>show Network.

559
00:24:28.920 --> 00:24:31.680
<v Speaker 2>They're very fun, and they get away with some stuff

560
00:24:31.680 --> 00:24:34.720
<v Speaker 2>that maybe went over our heads when we were kids too.

561
00:24:35.519 --> 00:24:36.680
<v Speaker 3>It is kind of shocking.

562
00:24:38.000 --> 00:24:40.039
<v Speaker 2>Okay, we're gonna have to break here, but we're gonna

563
00:24:40.079 --> 00:24:43.119
<v Speaker 2>have a little bit more with Alison Martino from Vintage LA.

564
00:24:43.440 --> 00:24:47.200
<v Speaker 2>After the break. This is killing me. I feel like

565
00:24:48.279 --> 00:24:50.039
<v Speaker 2>you're the first person I should have called when I

566
00:24:50.079 --> 00:24:51.240
<v Speaker 2>moved here six years ago.

567
00:24:51.839 --> 00:24:55.440
<v Speaker 5>You're listening to Later with Moe Kelly on Demand from

568
00:24:55.519 --> 00:24:57.359
<v Speaker 5>KFI AM six forty.

569
00:24:58.599 --> 00:25:01.440
<v Speaker 2>Mark Ronner with Tiffany hobb In from MO and coming

570
00:25:01.519 --> 00:25:03.519
<v Speaker 2>up in the ten pm hours Coast to Coast with

571
00:25:03.599 --> 00:25:06.559
<v Speaker 2>George Nori and we got George right here with us.

572
00:25:06.839 --> 00:25:08.759
<v Speaker 5>Hey, Mark, Hi, Tip, how's everybody?

573
00:25:09.000 --> 00:25:11.759
<v Speaker 2>George. I'm usually the news anchor and I'm sitting in

574
00:25:11.759 --> 00:25:14.279
<v Speaker 2>for Mo. Is this bitterly disappointing for you tonight?

575
00:25:14.880 --> 00:25:15.680
<v Speaker 6>Absolutely not.

576
00:25:15.839 --> 00:25:18.319
<v Speaker 3>You do a great job for KFI, my friends.

577
00:25:18.400 --> 00:25:21.759
<v Speaker 2>I'm recording that and I'm playing it for everyone I know. George,

578
00:25:21.759 --> 00:25:22.759
<v Speaker 2>what do you got going on tonight?

579
00:25:23.000 --> 00:25:26.200
<v Speaker 5>I'm going to talk about miraculous healing techniques and later

580
00:25:26.279 --> 00:25:29.519
<v Speaker 5>on a little bit of life after death on Coast.

581
00:25:29.160 --> 00:25:33.400
<v Speaker 2>To Coast, So there is life after death? Absolutely well.

582
00:25:33.480 --> 00:25:36.279
<v Speaker 2>I will be sure to listen. Great talking to you, George.

583
00:25:36.319 --> 00:25:39.240
<v Speaker 2>We'll do it again, see you in minutes. And we

584
00:25:39.279 --> 00:25:43.240
<v Speaker 2>still have Alison Martino here from Vintage LA. Let's Alison

585
00:25:43.279 --> 00:25:46.400
<v Speaker 2>remind people of some things you've got coming up that

586
00:25:46.440 --> 00:25:47.519
<v Speaker 2>they can consume.

587
00:25:49.119 --> 00:25:52.000
<v Speaker 4>Well, my bar series well air next Thursday if you

588
00:25:52.039 --> 00:25:54.559
<v Speaker 4>have Spectrum News at nine and it'll be all about

589
00:25:54.640 --> 00:25:57.440
<v Speaker 4>the bars. And then I have an interview coming up

590
00:25:57.440 --> 00:26:01.279
<v Speaker 4>with artist Edward sha next week well, who has an

591
00:26:01.359 --> 00:26:05.319
<v Speaker 4>amazing exhibit right now at the Museum of Art. Everything

592
00:26:05.359 --> 00:26:07.839
<v Speaker 4>he's ever done is there. So I highly recommend going

593
00:26:07.839 --> 00:26:09.720
<v Speaker 4>because it's like only going to be there till October.

594
00:26:10.559 --> 00:26:14.680
<v Speaker 4>And my Houdini Estate show airs on Halloween. I know

595
00:26:14.720 --> 00:26:16.839
<v Speaker 4>that's a while back from here, but I'm really excited

596
00:26:16.880 --> 00:26:17.200
<v Speaker 4>about it.

597
00:26:17.240 --> 00:26:19.200
<v Speaker 3>Oh, it's spooky season. All rookies.

598
00:26:20.480 --> 00:26:24.039
<v Speaker 2>Yeah, talking my language, and I tell us more about

599
00:26:24.039 --> 00:26:24.960
<v Speaker 2>the Houdini stuff.

600
00:26:25.559 --> 00:26:26.359
<v Speaker 3>So it's a.

601
00:26:26.319 --> 00:26:28.880
<v Speaker 4>It's a mansion and it literally is right there in

602
00:26:28.920 --> 00:26:31.960
<v Speaker 4>Laurel Canyon and it was built by a man named

603
00:26:32.079 --> 00:26:35.279
<v Speaker 4>Ralph Walker, and he was a friend of Harry Houdini

604
00:26:36.160 --> 00:26:38.440
<v Speaker 4>and it's been sitting up there since the early nineteen hundred.

605
00:26:38.559 --> 00:26:40.279
<v Speaker 4>Some of it had burned down, but it has been

606
00:26:40.319 --> 00:26:43.400
<v Speaker 4>restored and be built on and it has caves and

607
00:26:43.480 --> 00:26:47.759
<v Speaker 4>hidden tunnels and terrace gardens. And Houdini kind of used

608
00:26:47.799 --> 00:26:51.519
<v Speaker 4>the property as he kind of practiced his magic there

609
00:26:51.559 --> 00:26:52.640
<v Speaker 4>and used the pool, and.

610
00:26:53.119 --> 00:26:55.200
<v Speaker 3>It's got a lot of spirits because I'm.

611
00:26:55.039 --> 00:26:56.759
<v Speaker 4>Telling you I was there. It was there in the

612
00:26:56.880 --> 00:27:00.480
<v Speaker 4>day and I was I was freaking out. You feel it,

613
00:27:00.519 --> 00:27:02.480
<v Speaker 4>and I'm a native and I'm kind of a hard sellic.

614
00:27:02.519 --> 00:27:06.000
<v Speaker 4>Oh really really no, It's fantastic and maybe one day

615
00:27:06.200 --> 00:27:08.200
<v Speaker 4>it'll be open to the public, which I think it's

616
00:27:08.200 --> 00:27:09.160
<v Speaker 4>gonna happen soon.

617
00:27:09.240 --> 00:27:11.359
<v Speaker 2>All right, this is important for you to know, Alison.

618
00:27:11.480 --> 00:27:14.720
<v Speaker 2>My last name is Runner r A. H and e

619
00:27:14.960 --> 00:27:18.000
<v Speaker 2>Er and you know who shared that last name.

620
00:27:18.319 --> 00:27:20.759
<v Speaker 3>Tell me, I think I know, but's.

621
00:27:20.039 --> 00:27:21.079
<v Speaker 2>Wife best Runner.

622
00:27:21.799 --> 00:27:22.119
<v Speaker 3>Yeah.

623
00:27:22.160 --> 00:27:26.039
<v Speaker 2>So I can't prove this. I don't I don't have

624
00:27:26.119 --> 00:27:30.000
<v Speaker 2>like Mariy Povich here to verify anything. But I'm just

625
00:27:30.039 --> 00:27:33.200
<v Speaker 2>going to say that I'm related to Houdini, and anybody

626
00:27:33.200 --> 00:27:36.119
<v Speaker 2>who wants to dispute that, that's on them. So I

627
00:27:36.200 --> 00:27:39.720
<v Speaker 2>believe I should have access to this place. Now, we

628
00:27:40.119 --> 00:27:43.880
<v Speaker 2>were talking about places around LA that have gone extinct,

629
00:27:43.960 --> 00:27:46.000
<v Speaker 2>and I wanted to tell you about the Captain's Table

630
00:27:46.039 --> 00:27:48.319
<v Speaker 2>because I don't I don't think a lot of people

631
00:27:48.400 --> 00:27:52.359
<v Speaker 2>remember that the Skipper from Gilligan's Island had a restaurant

632
00:27:52.440 --> 00:27:54.839
<v Speaker 2>in LA called the Captain's Table. Wasn't it some kind

633
00:27:54.839 --> 00:27:55.720
<v Speaker 2>of a lobster jointer.

634
00:27:55.799 --> 00:27:58.079
<v Speaker 4>It was a lobster joint, and it was on restaurant

635
00:27:58.160 --> 00:28:01.079
<v Speaker 4>Row okay, And it was right next to Xavior. Kugat

636
00:28:01.079 --> 00:28:03.599
<v Speaker 4>had a restaurant too, called Kugats, of course. And you

637
00:28:03.640 --> 00:28:05.640
<v Speaker 4>know who performed there if we're like, because we're really

638
00:28:05.640 --> 00:28:09.799
<v Speaker 4>old here, Uhli.

639
00:28:09.920 --> 00:28:11.000
<v Speaker 3>It was his wife.

640
00:28:11.319 --> 00:28:14.759
<v Speaker 4>So what a cool spot like neighborhood? Had those two

641
00:28:14.839 --> 00:28:17.079
<v Speaker 4>right near each other. Now was restaurant Row Lost Sienega.

642
00:28:17.599 --> 00:28:20.359
<v Speaker 4>This was a little bit north of that above Melrose.

643
00:28:20.440 --> 00:28:20.759
<v Speaker 3>Okay.

644
00:28:21.079 --> 00:28:22.960
<v Speaker 2>This is the saddest thing you're ever going to hear, though,

645
00:28:23.599 --> 00:28:26.000
<v Speaker 2>And I'm not making any of this up. When I

646
00:28:26.079 --> 00:28:28.519
<v Speaker 2>was really really young, like jeez, I don't know, five

647
00:28:28.599 --> 00:28:31.960
<v Speaker 2>or six years old, my mom and my stepdad, pardon me,

648
00:28:32.079 --> 00:28:35.240
<v Speaker 2>my stepdad took me to the captain's table. Of course,

649
00:28:35.279 --> 00:28:38.440
<v Speaker 2>every kid back in the day you watch Gilligan's Island.

650
00:28:38.480 --> 00:28:41.160
<v Speaker 2>It's the law, you have to. And my dad was

651
00:28:41.200 --> 00:28:45.279
<v Speaker 2>connected somehow, and he brought the skipper to the table

652
00:28:46.200 --> 00:28:49.720
<v Speaker 2>and I was terrified. I was so terrified that I'm

653
00:28:49.720 --> 00:28:52.160
<v Speaker 2>not kidding you. I dove under the table. I dove

654
00:28:52.240 --> 00:28:53.720
<v Speaker 2>under the table and I wouldn't come out and I

655
00:28:53.720 --> 00:28:57.640
<v Speaker 2>wouldn't say anything because it's the Skipper and he couldn't

656
00:28:57.680 --> 00:29:00.480
<v Speaker 2>have been nicer. So I'm hearing from outside the first

657
00:29:00.519 --> 00:29:02.279
<v Speaker 2>of all, it's my mom. It's like Mark, get out

658
00:29:02.319 --> 00:29:04.920
<v Speaker 2>of there, Mark. But then I'm also hearing the Skipper

659
00:29:05.160 --> 00:29:07.839
<v Speaker 2>talking to me like I'm Gilligan and he's going, hey,

660
00:29:07.880 --> 00:29:10.480
<v Speaker 2>it's okay, little buddy, come on out, little buddy, it's

661
00:29:10.519 --> 00:29:14.359
<v Speaker 2>the Skipper, Come on out. And I was petrified. I

662
00:29:14.400 --> 00:29:17.960
<v Speaker 2>could not do it because I was just cripplingly shy.

663
00:29:18.039 --> 00:29:20.200
<v Speaker 2>And to this day, I'm bitter that I didn't come

664
00:29:20.240 --> 00:29:22.640
<v Speaker 2>out and like have him slap me with his hat

665
00:29:22.759 --> 00:29:24.839
<v Speaker 2>or something like like Gilligan.

666
00:29:24.920 --> 00:29:27.359
<v Speaker 3>That blew my dad, blowing my mind.

667
00:29:29.480 --> 00:29:31.359
<v Speaker 2>But look at what I'm talking to. You must have

668
00:29:31.400 --> 00:29:32.279
<v Speaker 2>a million stories.

669
00:29:32.519 --> 00:29:35.240
<v Speaker 4>But you know, growing up in the business, that's a

670
00:29:35.279 --> 00:29:37.880
<v Speaker 4>great story because that was one of your favorite shows.

671
00:29:37.960 --> 00:29:39.720
<v Speaker 4>And he's coming to your table and there he is,

672
00:29:39.759 --> 00:29:40.680
<v Speaker 4>and you're under the table.

673
00:29:40.920 --> 00:29:43.240
<v Speaker 2>Yeah, I mean, it's kind of like I mean, I mean.

674
00:29:43.400 --> 00:29:45.279
<v Speaker 4>My dad knew Paul Freeze. You know, he was the

675
00:29:45.359 --> 00:29:47.240
<v Speaker 4>voice of them on the Mansion, and he did that

676
00:29:47.319 --> 00:29:49.200
<v Speaker 4>for me as a little girl. I went under the table.

677
00:29:49.279 --> 00:29:51.200
<v Speaker 4>I get I get to go under the table for that,

678
00:29:51.200 --> 00:29:54.440
<v Speaker 4>that's scary. I don't know about the skipper, but no, no,

679
00:29:54.759 --> 00:29:55.720
<v Speaker 4>for people who don't know.

680
00:29:55.680 --> 00:29:57.720
<v Speaker 2>Who Paul Freeze was, he had one of the most

681
00:29:57.759 --> 00:30:02.519
<v Speaker 2>magnificent and instantly recognized voices in all of entertainment. In fact,

682
00:30:02.559 --> 00:30:04.960
<v Speaker 2>just a last weekend, I watched a movie on two

683
00:30:04.960 --> 00:30:07.759
<v Speaker 2>be called Dark of the Sun, and I thought, this

684
00:30:07.799 --> 00:30:10.359
<v Speaker 2>German guy's voice is dub Hey, that's Paul Freeze. I

685
00:30:10.359 --> 00:30:13.079
<v Speaker 2>would recognize that anywhere. You knew.

686
00:30:13.119 --> 00:30:15.960
<v Speaker 3>This guy in this room actually stretching. I mean I

687
00:30:16.000 --> 00:30:18.559
<v Speaker 3>had him do that for me. I mean I really

688
00:30:18.640 --> 00:30:19.400
<v Speaker 3>was terrified.

689
00:30:19.559 --> 00:30:22.240
<v Speaker 4>Yeah, you know, I mean it was very and then

690
00:30:22.359 --> 00:30:24.240
<v Speaker 4>once he did it, like five or six times, I

691
00:30:24.279 --> 00:30:26.759
<v Speaker 4>realized it was just it was a you know character

692
00:30:26.799 --> 00:30:28.759
<v Speaker 4>he was doing. Yeah, And then I would go to

693
00:30:29.119 --> 00:30:29.680
<v Speaker 4>Disney World.

694
00:30:29.799 --> 00:30:31.759
<v Speaker 3>Doesney want to go? I know him? I know him.

695
00:30:33.839 --> 00:30:37.680
<v Speaker 2>That is amazing. Well, we're just about out of time here, Allison.

696
00:30:37.759 --> 00:30:40.519
<v Speaker 2>I cannot thank you enough for being my guest on

697
00:30:40.559 --> 00:30:43.640
<v Speaker 2>our second night. And if we haven't burned the joint

698
00:30:43.640 --> 00:30:46.039
<v Speaker 2>to the ground, maybe you can come back again sometime.

699
00:30:46.759 --> 00:30:49.200
<v Speaker 2>I want to thank everybody. Tiffany, thank you so much

700
00:30:49.240 --> 00:30:53.680
<v Speaker 2>for everything and for making sure you ever you ever

701
00:30:53.680 --> 00:30:56.880
<v Speaker 2>see one of those James Brown concerts where Brown kind

702
00:30:56.920 --> 00:31:01.559
<v Speaker 2>of feigns that he's fading. Right now, is that we're

703
00:31:01.599 --> 00:31:05.400
<v Speaker 2>doing Need I Need the Cape. Thank you to Fush,

704
00:31:05.440 --> 00:31:08.440
<v Speaker 2>to Keana too, of course, Jackie Ray, thank you to

705
00:31:08.640 --> 00:31:12.079
<v Speaker 2>Robin and of course Chris Little. I'll be back in

706
00:31:12.200 --> 00:31:14.599
<v Speaker 2>the news chair tomorrow and I believe we're going to

707
00:31:14.640 --> 00:31:18.519
<v Speaker 2>be filling it in again here the following Monday night.

708
00:31:19.119 --> 00:31:23.119
<v Speaker 2>So it's anybody's guests who will have as a guest.

709
00:31:23.400 --> 00:31:25.920
<v Speaker 2>And thank you listeners, especially the ones who sent me

710
00:31:25.960 --> 00:31:30.680
<v Speaker 2>some really nice emails with some kind words. Very much appreciated.

711
00:31:30.680 --> 00:31:33.160
<v Speaker 2>We'll see you next time. We'll see you tomorrow, Mark Ronerd,

712
00:31:33.200 --> 00:31:36.759
<v Speaker 2>Tiffany Hobbs, KFI AM six forty live everywhere on the

713
00:31:36.799 --> 00:31:40.880
<v Speaker 2>iHeart app. It's later with mob Je. You've been listening,

714
00:31:40.960 --> 00:31:42.200
<v Speaker 2>so later with mo Kelly.

715
00:31:42.279 --> 00:31:45.480
<v Speaker 1>You can always hear us live on KFI AM six

716
00:31:45.559 --> 00:31:49.039
<v Speaker 1>forty seven pm to ten pm every Monday through Friday,

717
00:31:49.160 --> 00:31:52.799
<v Speaker 1>and anytime on demand on the iHeartRadio app.
