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Speaker 1: W M N h rips the dorms. Woll give me

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the reason why?

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Speaker 2: Walking out the door by.

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Speaker 3: Say little wild It could be like Christmas years long

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for the last game of writing in all the Maybe

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we could go.

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Speaker 4: Back see how the.

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Speaker 1: Wall don't you do? Or the start? You also the storm?

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Speaker 2: He changed like the seas ahead of needing.

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Speaker 5: Better on my.

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Speaker 2: Why give me as I why.

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Speaker 6: S week ago out of the time.

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Speaker 3: We can get away on the next line.

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Speaker 1: Who wakes stays and die?

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Speaker 7: You know, Yesterday's gone, but I'm still staring in the.

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Speaker 1: Big You see who got mad?

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Speaker 2: But he won't? King gave me a time of big?

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Speaker 3: Who stains and died? Will we love back in a

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few mons time? Maybe we need have worked it.

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Speaker 2: Out and all the lie, Oh.

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Speaker 8: Don't you know the ownest garment man me, You're also

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the storm.

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Speaker 3: You change like the Caesars of Ain even better of le.

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Speaker 1: The why games that ry.

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Speaker 2: He said, I.

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Speaker 5: We can get out of the south.

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Speaker 2: We can get.

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Speaker 1: Away on the next fight.

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Speaker 9: Wexstay to night.

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Speaker 4: W don't you joy on the storm?

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Speaker 10: And by he knows the storm.

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Speaker 1: You change like the.

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Speaker 7: Caesars of lat even better of hle whoy Jamison rot

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themis and I waking out up singing it away on

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the next by.

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Speaker 11: Next Days to Night.

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Speaker 6: I like that very much. That is called stay Tonight.

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And the artist is Elijah Jenkins, who is here with

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us via skype. Elijah, how are you?

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Speaker 9: Uh?

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Speaker 8: Oh?

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Speaker 6: I see him, but I don't know if he can

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hear me. But I cannot hear him. Elijah, are you there?

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Uh oh? Uh oh? He's looking at He's looking at

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the screen like he's uh oh, something just changed in

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the audio. Elijah, are you there?

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Speaker 9: Oh?

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Speaker 6: He's talking. I see his lips moving, but I cannot

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hear him. Yeah, you might be. You might be. I

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don't know if you can hear me or not, but

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you might be muted. I'm gonna load up. We've got

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a couple of songs of his. I might load up

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another song here while he tries to pond, might play

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this track start Again, which has a lot of a

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lot of streams. This is a I think this was

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his first single, and Elijah can hear me. I guess

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it doesn't matter if you can hear me, because I

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can't hear you. I'm gonna play this track start Again.

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This is also Elijah Jenkins. This is a really really

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cool song. And I'm gonna message him on skype and say,

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see if you're muted. All right, this is called start

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again very appropriately. Oh but he just hung up. He

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just okay, maybe he's going to try to skype back in.

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I don't know. Let's go ahead and play this and

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we'll see if we can figure this out.

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Speaker 1: So why don't chi lock on the doors? Ever happened?

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Speaker 2: M circle.

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Speaker 8: From around spuning days out?

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Speaker 3: No?

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Speaker 1: Why wish.

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Speaker 8: They could say me now.

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Speaker 12: Say I know that it hurts, but you have to

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do your words.

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Speaker 8: And you say that you change you Now it's me.

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Speaker 1: Left him in the way.

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Speaker 8: There's nothing stayed the same, and I it's me sad

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here on the tree, ready to start again. There's nothing,

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it's the same, ready to start again. Godifin to dream.

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Speaker 12: Your nerves blue me away, BEAUTI thought that peas could work.

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Speaker 1: Out this way.

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Speaker 6: There's no motic to us.

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Speaker 1: What side give me low?

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Speaker 9: So I want to.

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Speaker 8: Scream and shallot into the world, come down.

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Speaker 2: Trying all that it hurts, But.

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Speaker 13: Have to te your words, and you say that you change,

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Then it's me left him's.

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Speaker 8: Way, it's nothing his days the same, and now it's

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me sad here on the.

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Speaker 1: Tree, ready to started again.

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Speaker 8: It's nothing, it's the same, ready to start.

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Speaker 14: Again, saying all that it hurts, but you have to

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do your word, and you say that you change who

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now it's me left you in.

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Speaker 8: There's no fears days to sing. No, it's me sad

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here on the tree. I'm ready to start again. There's

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no finish the same I'm ready it is start again.

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Speaker 6: That's another great track from Elijah Jenkins. Start Again. Very

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appropriate because we're starting again with hopefully getting to talk

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to him. Elijah, can you hear me?

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Speaker 15: I can?

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Speaker 6: Oh, beautiful, Yes we can, Yes, we can. All right. Welcome, Yeah,

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switching switching devices worked out perfectly. You sound great, You

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sound great. Welcome to the show. And by the way,

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so I love that. I love both of those songs,

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Stay Tonight and start Again, and we have another one

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that we can play at the end of the conversation too.

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But I love your voice, and you know, I think

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the songwriting is really sophisticated too. And you've had a

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lot of success with Start Again. Right, You've got something

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like almost one hundred thousand streams I think, Yeah.

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Speaker 15: It's nearly one hundred thousand across Well, it's over one

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hundred thousand across all the songs that have been released

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on Spotify, and I think Start Again is just over

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twenty five thousand, So it's done better than I ever

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thought it would be. I'm immensely proud of that song.

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It's a song that started off my journey and taking

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me to gigs and do festivals that I didn't think

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would be possible.

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Speaker 6: Yeah, so that's the one that kind of kick started

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it for you. That's great. You're and by the way,

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you're very early in your career, right, you're a young man.

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Speaker 15: How old are you, Elijah, I'm twenty so twenty Yeah,

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still got a lot of years ahead of me.

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Speaker 6: Yeah, and you're off to such a fantastic start. So

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that's that's wonderful. I was reading too about you started

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as a solo artist, correct, but now you have a

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band that performs with you live.

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Speaker 9: Is that correct? Yeah?

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Speaker 15: That is correct. So I started in I play my

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first gig in August twenty twenty two. August twenty twenty three. Sorry.

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Prior to that, I was in a band for a year,

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but I then left the band to pursue my own

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solo project and then with the songs I've been writing now,

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I've decided that they sound good with a full band

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behind them. Hence the switch back to a band.

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Speaker 6: Is the process challenging. Where you have these songs that

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you've written and recorded as a solo artist, but now

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or at least written as a solo artist, and you've

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got obviously you have a specific vision in mind in

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terms of how you want them to sound and whatnot,

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and then to find people. Do you try to find

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people then who can play them the way that you

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imagine them, the way that you want them to sound,

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or do you kind of offer a little bit of

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leeway in terms of, well maybe it'll change a little bit,

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but that might be interesting that my be kind of

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the adventure of it. I mean, how do you approach that.

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Speaker 15: All the lads in the band are all very talented,

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So we all sit down, I'll play them a song

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and I'll be like, oh, I think this is an

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area where we can really focus on the lead guitar.

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Here places where you might need to draw back a

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little bit. So yeah, but you know, we're a team

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and we do what's right for the music and what

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sounds best. Yeah, for the music I'm open to ideas.

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I'm absolutely not a closed book and I'm like it's

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my way or the highway. I'm always open to working

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with talented musicians, which the lads are so full credit

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to them as well.

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Speaker 6: Yeah, excellent, and the tracks that we've heard so we've

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listened to you know this morning we of course we

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played Stay to Night and then we played Start Again.

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Where do you record these?

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Speaker 16: Do you?

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Speaker 6: And do you have a producer that you work with

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consistently because everything sounds not only are the songs really good,

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but the production is outstanding.

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Speaker 15: Yeah. So we go to the studio in North Wales

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called the Attics Studios and we work with a guy

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called Roger Hughes, who's been really good. It was an

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interesting story with me and Roger because he first spotted

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me whilst I was playing a bar in Chester and

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he was very kind to offer us a couple of

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tracks to do. So I went over, did a couple

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of tracks with Roger and then went again in over

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Christmas twenty twenty three and then released Start Again about

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a year ago.

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Speaker 6: Oh excellent, excellent. Now you do not yet have a

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full album correct or an EP so far, you've just

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released singles. Is that correct? Yeah, that is correct, And

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what's kind of the future plan? Because you know you're

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into the coming into the industry at a time, you've

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got a lot of options in terms of how you

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release music. Like when I was growing up, it was,

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you know, you put out an album and you put

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out some singles and that was kind of it. But

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that was pre internet and today you know you can

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you can release an album, you can release an EP,

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you can release a series of singles that become an EP.

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Do you have do you have plans or I don't

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know if you've thought this far ahead, but do you

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have plans to do an EP or an album or

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do you want to just keep releasing singles or what's

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kind of your long term strategy.

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Speaker 15: We're definitely going to look at releasing an EP. The

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songs are there, the songs are all written. It just

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depends how we choose to release them. Yeah, but I

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think we'll probably do singles that leads into an EP

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next for the full band project.

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Speaker 6: Yeah, that makes sense. Now, are you playing out a

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lot with the full band?

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Speaker 15: We only had our first gig, oh about two weeks ago,

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a full band, So that's that's how recent everything has changed.

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I was working with a lead guitar artist, Bobby who's

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still in the band, from about September last year, and

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then we've added Jack and Ewan in on drums and

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bass in the last Yeah, at the turn of the year.

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Speaker 6: Yeah, oh, very good, very good. Prior to that, obviously,

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I assume you've played a lot of shows as a

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solo act.

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Speaker 2: Yeah.

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Speaker 15: Yeah, I started off as a solo actor, played quite

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a few shows as a solo act, and people really

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enjoyed it, and you know, and I enjoyed it massively

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as well. If I'm ever offered an acoustic gig, I'll

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always accept it. It's you know, I love being there

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on my own as well and just stripping things back,

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but then I also love being up there with the

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lads as well.

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Speaker 6: Yeah, no, that's excellent. And going forward, as you record

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new music, will it be will you have the band

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that you play live with, will they also be part

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of the studio process or how does that change going forward?

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Speaker 15: If it does change, Yeah, that'll be part of the

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studio process for the next DP. What I'm writing now

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at the minute, you know, suits the full band behind

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it compared to some of the early stuff cool. So yeah,

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definitely that's the progress we want to make. You know,

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these songs that will be released in the future that

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they are more you know, to get people moving, you know,

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on the weekend and stuff have a dance saving sing along.

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So yeah, I'm really happy with the material that I've

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been writing at the minute, and I think the band

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can take it to an even higher level, no doubt.

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Speaker 6: And what is summer looking like for you in terms

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of you're going to be playing a lot of festivals

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or what what's the plan there? Do you have some touring?

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Speaker 15: Yeah, we're still yet to hear from a few of

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the festivals. In my personal life away from music, I've

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I'm in the final few weeks of my university degree,

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so I've been focusing on that quite a lot. So

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music's had to take a bit of a not a

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backwards step, but just put to the side so I

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can make sure I can do the best I can

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at university and then and then we'll be looking to

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play festivals. We're still very early on there was a band,

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so we're not putting too much pressure on ourselves. You know.

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We know that the time will come and when it

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does come, we'll grab the opportunity with both hands.

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Speaker 6: Yeah, and you do have obviously you've got a full

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plate with finishing your education there at university, so that

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be that'll be great once once that's out of the way,

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really well, so congratulations on that. I'm also curious too

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about who you grew up listening to, because, like I said,

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there's a there's a real sophistication to these songs, especially

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for someone so young. And I'm curious about your influences

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growing up.

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Speaker 15: Yes, So growing up in Manchester, you can't really get

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away from music. So I've always been heavily influenced by Oasis,

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the Stone Roses, you know, bands that have come out

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of the city. And then my mom's side of the

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family are all from Liverpool, so they're all massively into

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the Beatles. So a lot a lot of my music

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that I was listening to when I was growing up

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was Oasis, the Beatles, and that's where I really fell

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in love with music. And then I got a guitar

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for my eleventh birthday off my granddad and it sort

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of just started from there.

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Speaker 9: Really.

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Speaker 15: I didn't write a song though until about two years ago.

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Speaker 6: Oh no, kidding, Yeah, I just play you know, your.

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Speaker 15: Classic beatles Oasis, the Smiths on guitar. And then when

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I moved to university in twenty twenty two, I found

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myself with a lot more time on my hands, so

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I just started to write about things that had happened

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in my life, reflect a bit more and since then

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have not really looked.

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Speaker 6: Back the first song that you wrote, whereas it was

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only a couple of years ago, did that song carry forth?

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Do you still play that today?

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Speaker 9: Yeah?

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Speaker 15: So the first song I ever wrote was Made a Moment,

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which was the single we released in July last year,

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which done really well.

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Speaker 6: Yeah, fantastic, fantastic and in a moment, we're going to

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play take a Chance on Her? Is this the next single?

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Speaker 15: Or take a Chance on Her? Was the single before

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Stay Tonight, which came out in November, and that song

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about thirty five thousand streams now excellent. Oh yeah, everyone

291
00:20:03,839 --> 00:20:05,720
seems to like that song. At the end of the

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set as well, will usually do take a chance on

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her and to start again, and they're always really well received.

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Speaker 6: Oh, very cool. That's uh, that is excellent. That is excellent.

295
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And now where is the best place for people to

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go online? Who want to keep up with everything that

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you're doing. Who want to follow Elijah Jenkins and keep

298
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up with your your music. Obviously you're you're you're going

299
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to be releasing a lot of new music, so you know,

300
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we'll certainly have you back to talk about it as

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you release new things, and and we love to uh

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love the opportunity to be kind of your conduit into

303
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American radio. But uh what uh what should people know

304
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about where to keep up with Elijah Jenkins online?

305
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Speaker 15: So my Instagram is Elijah W. Jenkins, So it's E

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L I J A H W. Jenkins, which is J

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E N K I N S. That's where all the

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latest news about gigs, releases, behind the scenes, just everything.

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We're upa sive.

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Speaker 6: Okay, okay, fantastic and uh so we're we're gonna let

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you go. H thank you so much for joining us.

312
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And like I said, we're gonna play this another great track.

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Uh take a chance on her. But uh let's uh

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let's do this again in the near future, Elijah, because

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as I said, as you're releasing new music, you know,

316
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we really love what you're doing. We're big fans here

317
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and you know we did play what was yeah, stay tonight.

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We had played a couple of weeks ago, I think

319
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for the first time here, and all the feedback that

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we got on it was very positive. So so we

321
00:21:34,839 --> 00:21:37,160
really love what you're doing and we will we will

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do this again in the future, my friend.

323
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Speaker 15: No, thank you very much for having me on, and

324
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thank you for the pot.

325
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Speaker 6: Absolutely you got it. All right, We're gonna hit this

326
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track and we'll let you go and we'll talk soon.

327
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Take care, Thank you, but you got it. Bye bye,

328
00:21:50,079 --> 00:21:53,440
all right, Elijah Jenkins And uh, we're gonna play this track.

329
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This is another great song.

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Speaker 17: Uh.

331
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Speaker 6: This is called take a chance on Her.

332
00:22:00,240 --> 00:22:07,200
Speaker 18: Remember how it all started, just just catching get my

333
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word tied in case take a man, So you you grab.

334
00:22:14,039 --> 00:22:21,680
Speaker 10: In the streets centered time, say Shelter from the ring

335
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whilst he was born in down.

336
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Speaker 18: You know, I'll dream better than all the boys every day.

337
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Speaker 1: What your insize? Baby, I'm homping. One day I'll get.

338
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Speaker 2: The chance to ask him.

339
00:22:47,279 --> 00:22:51,200
Speaker 1: Oh and you said to me, I reckon, you're a

340
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bit of a chancer.

341
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Speaker 3: You last one day, babe, something good to be last fever,

342
00:23:00,960 --> 00:23:03,759
You do not leave me here with all.

343
00:23:03,799 --> 00:23:05,880
Speaker 15: My questions n't answered.

344
00:23:07,839 --> 00:23:11,680
Speaker 10: I hear everybody talking when you met you to take

345
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a chance on her.

346
00:23:16,240 --> 00:23:19,880
Speaker 3: Going through the train home, I can't seat you again?

347
00:23:20,480 --> 00:23:21,920
Speaker 10: What my high?

348
00:23:23,279 --> 00:23:23,759
Speaker 19: No easy?

349
00:23:23,880 --> 00:23:30,400
Speaker 1: Too good to be true? Or midress? Feeling high? Don't

350
00:23:30,480 --> 00:23:32,079
know what to say next.

351
00:23:32,559 --> 00:23:37,839
Speaker 3: Don't wanna come across to your shahi. Don't wanna look

352
00:23:37,920 --> 00:23:42,160
back any air and see all our dreams slowly die?

353
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Speaker 1: You know, dream better than all.

354
00:23:48,680 --> 00:23:50,640
Speaker 2: The boys ever did?

355
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Speaker 6: What your in size?

356
00:23:54,119 --> 00:23:58,480
Speaker 1: Baby? I'm humping One day I'll get the jobs to us.

357
00:24:04,440 --> 00:24:08,359
Oh and he said to me, I reckon, you're a

358
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bit of the chancellor. You last one day.

359
00:24:13,720 --> 00:24:18,599
Speaker 18: Udy Be's open when we last river, you do not

360
00:24:18,839 --> 00:24:19,680
leave me here?

361
00:24:20,319 --> 00:24:26,960
Speaker 1: With all my quest you don't answer. I hear everybody talking,

362
00:24:27,279 --> 00:24:49,119
would read to take a chance on her. You're not

363
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better than all the boys.

364
00:24:53,039 --> 00:24:53,960
Speaker 2: Every day.

365
00:24:55,680 --> 00:24:59,279
Speaker 3: I watch ringsize, baby, I'm up in One day I'll

366
00:24:59,319 --> 00:25:01,359
get the job A do what?

367
00:25:07,599 --> 00:25:11,799
Speaker 1: Oh and he said to me, hurricane hard.

368
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Speaker 2: Made of the chance?

369
00:25:14,440 --> 00:25:19,480
Speaker 3: You laugh moday, gudy Be's open when we last river?

370
00:25:21,319 --> 00:25:22,839
Speaker 2: He did not leave me here.

371
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Speaker 10: If all my Christins don't answer, Hey, everybody talk him.

372
00:25:30,480 --> 00:25:37,920
Speaker 1: We need to take a chance on it. I say

373
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my chance on her.

374
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Speaker 6: That is taking a Chance on Her by Elijah Jenkins,

375
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and thank you again to Elijah for joining us skyping

376
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in all the way from the UK. He also asked

377
00:25:56,920 --> 00:25:58,599
me to remind you that you can find all of

378
00:25:58,680 --> 00:26:02,480
his music on spot Funny we were talking about Spotify earlier,

379
00:26:02,680 --> 00:26:05,400
but yeah, check out Elijah Jenkins on Spotify. He's got

380
00:26:05,640 --> 00:26:09,759
several great singles there and I really loved speaking with him.

381
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And as we continue, now we have another American radio

382
00:26:15,240 --> 00:26:20,359
premiere from Harry Fazakerlely Zacherly. I think I'm saying his

383
00:26:20,440 --> 00:26:22,880
name correctly, but we will find out for certain when

384
00:26:22,880 --> 00:26:25,319
we get him on with us via Skype. How to

385
00:26:25,400 --> 00:26:27,359
pronounce his last name. But this is such a great song.

386
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It's called I Want to Go Home, and this is

387
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the American radio premiere. This has not yet been heard

388
00:26:32,440 --> 00:26:36,240
on American FM terrestrial radio. And then we are going

389
00:26:36,319 --> 00:26:39,240
to have him joining us via Skype to talk all

390
00:26:39,279 --> 00:26:41,599
about it. Here it is the American radio premiere I

391
00:26:41,680 --> 00:27:01,200
Want to Go Home by Harry Fazackerley. I'm welcome down

392
00:27:01,240 --> 00:27:03,119
the park, hold in your heart.

393
00:27:04,000 --> 00:27:08,119
Speaker 19: I'm welcome into the future seeing this last but now

394
00:27:08,160 --> 00:27:11,039
I'm welcome back seeing no photographs.

395
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Speaker 2: Reminis about the pasty joy.

396
00:27:13,920 --> 00:27:15,319
Speaker 18: The only die.

397
00:27:17,119 --> 00:27:24,160
Speaker 2: Soon your holy die. So I want to go home,

398
00:27:26,160 --> 00:27:31,920
May welcome shore. Now I'm fun to place.

399
00:27:33,519 --> 00:27:53,119
Speaker 19: That I'm going by your level, and I'm starting to

400
00:27:53,160 --> 00:27:54,799
be seeing you leave.

401
00:27:55,759 --> 00:27:59,720
Speaker 2: I'm a theme Montelli gone, but she needs me and I.

402
00:27:59,759 --> 00:28:02,200
Speaker 19: Have to I go turn up shop in the chair

403
00:28:03,119 --> 00:28:05,759
how mister nor of the things and said by you,

404
00:28:05,920 --> 00:28:06,440
mister be.

405
00:28:08,880 --> 00:28:10,680
Speaker 2: You was going over there.

406
00:28:15,119 --> 00:28:19,039
Speaker 1: And I feel my conference.

407
00:28:21,759 --> 00:28:23,279
Speaker 2: Then I want to find a place.

408
00:28:25,240 --> 00:28:27,039
Speaker 4: Then I have coma your.

409
00:28:43,720 --> 00:28:44,720
Speaker 1: Go on and.

410
00:28:47,400 --> 00:28:52,839
Speaker 2: I feel my comforts job, then I would find a beach.

411
00:28:54,799 --> 00:28:56,559
Then I have coma your.

412
00:29:06,160 --> 00:29:34,920
Speaker 6: Now it's catchy. I like that a lot. That's called

413
00:29:35,039 --> 00:29:38,279
I Want to Go Home. That is Harry Fazakerley all

414
00:29:38,279 --> 00:29:40,359
the way from the UK. He's going to be skyping

415
00:29:40,440 --> 00:29:42,839
in in just a moment and we will speak with him.

416
00:29:42,880 --> 00:29:46,920
But that is the American radio premiere of I Want

417
00:29:46,960 --> 00:29:49,319
to Go Home by Harry Phazakerley. That has not been

418
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played on American radio until today. So very very happy

419
00:29:53,440 --> 00:29:55,559
to do that. If you are just joining us, of course,

420
00:29:56,079 --> 00:30:00,599
today is Saturday, March eight, twenty twenty. If you are

421
00:30:00,680 --> 00:30:04,960
listening live of course on this Saturday. Matt Connorton Unleashed

422
00:30:05,000 --> 00:30:07,799
and we are live from the studios of w m

423
00:30:08,000 --> 00:30:12,079
n H ninety five point three FM and Glorious Manchester,

424
00:30:12,240 --> 00:30:14,400
New Hampshire. Jenny is here of course at the news

425
00:30:14,480 --> 00:30:18,160
table and we're only halfway through the show. Of course,

426
00:30:18,359 --> 00:30:20,480
coming up in the third hour we have Sick Dude.

427
00:30:20,519 --> 00:30:23,400
Hell yeah, it's gonna be joining us also on the show,

428
00:30:23,559 --> 00:30:26,440
and really looking forward to talking to them. I don't

429
00:30:26,440 --> 00:30:27,599
know if it's just going to be Dylan or if

430
00:30:27,640 --> 00:30:30,079
it's the whole band or what, but that'll be that'll

431
00:30:30,079 --> 00:30:33,200
be very interesting. But yeah, so we've been been having

432
00:30:33,200 --> 00:30:35,319
a great show so far. If you missed it, at

433
00:30:35,359 --> 00:30:37,079
the very beginning of the show today we had a

434
00:30:37,119 --> 00:30:40,640
couple of world radio premieres to share with you. We had,

435
00:30:40,680 --> 00:30:45,359
of course, the the world premiere of Morning Star by

436
00:30:45,519 --> 00:30:48,640
Chasing the Devil. Such a great band and they're doing

437
00:30:48,880 --> 00:30:50,799
they're doing great things and we always we're always the

438
00:30:50,839 --> 00:30:53,720
first radio station to play them. The track's been out

439
00:30:53,759 --> 00:30:55,720
on the streaming platforms, I think for a week or two,

440
00:30:55,799 --> 00:30:57,920
but today was the first time that that was played

441
00:30:57,960 --> 00:31:01,279
on FM radio and we're so happy to uh to

442
00:31:01,640 --> 00:31:05,039
support them. And then we also played the brand new

443
00:31:05,079 --> 00:31:08,200
track from Sepsis. It's called play the Game. Also another

444
00:31:08,240 --> 00:31:10,119
world radio premiere, the first time that that has been

445
00:31:10,160 --> 00:31:13,720
played anywhere on American raid. I'm sorry on uh on

446
00:31:13,839 --> 00:31:17,440
the radio anywhere in the world, a world radio premiere.

447
00:31:17,519 --> 00:31:19,920
So we do love doing those, and of course our

448
00:31:19,960 --> 00:31:22,400
friends in the UK we do these American radio premieres

449
00:31:22,799 --> 00:31:25,200
and uh, you know, we like to break these artists

450
00:31:25,240 --> 00:31:27,440
on American radio for the first time. So so it's

451
00:31:27,480 --> 00:31:29,559
great to talk to Elijah Jenkins. And of course earlier

452
00:31:29,640 --> 00:31:31,480
in the first hour, if you missed it, go back

453
00:31:31,519 --> 00:31:33,119
and check it out. Later we had the guys from

454
00:31:33,200 --> 00:31:36,799
Naked without It uh skyping in. So so we love

455
00:31:36,920 --> 00:31:40,240
these uh, these young up and coming British artists. We're

456
00:31:40,319 --> 00:31:42,279
just really really good. So now we're just waiting for

457
00:31:42,559 --> 00:31:46,440
Harry fora zacherle Uh if you have you spoken with him?

458
00:31:47,000 --> 00:31:50,279
That was this morning. Yeah, yeah, so hopefully any moment

459
00:31:50,359 --> 00:31:52,839
now he'll be uh skyping in. But uh we'll give

460
00:31:52,880 --> 00:31:55,240
him a few more seconds. If if we don't hear

461
00:31:55,240 --> 00:31:57,880
from him, I know you've communicated with him every once

462
00:31:57,960 --> 00:32:01,160
in a while. The uh, the time zone a thing

463
00:32:01,279 --> 00:32:05,799
becomes an issue when you're dealing with these intercontinental guests,

464
00:32:07,319 --> 00:32:10,680
shall we say or transcontinental or whatever term you want

465
00:32:10,720 --> 00:32:15,359
to use, but we'll give Anoh, okay, you know, we

466
00:32:15,480 --> 00:32:17,440
might do it was done so quickly this morning. I'm

467
00:32:17,480 --> 00:32:19,599
just hoping that there wasn't it. Okay, you know what

468
00:32:19,680 --> 00:32:22,359
I think we'll do. And this is actually quite appropriate.

469
00:32:22,440 --> 00:32:25,279
So he has his first single, I believe it was

470
00:32:25,359 --> 00:32:27,000
his first single. Maybe we'll go ahead and give this

471
00:32:27,119 --> 00:32:32,039
a spin. It's called patience, so it seems like very

472
00:32:32,119 --> 00:32:34,559
appropriate for the moment. Maybe we'll go ahead and give

473
00:32:34,599 --> 00:32:36,240
this a spin as well. I really like this song

474
00:32:36,279 --> 00:32:39,519
a lot. He's a very very young man. I think

475
00:32:39,519 --> 00:32:42,920
he's I think he's sixteen, so these young artists coming

476
00:32:42,960 --> 00:32:44,960
out of the UK. But let's give this a spin too,

477
00:32:45,000 --> 00:32:47,039
and we'll see if we'll see if we can get

478
00:32:47,079 --> 00:32:49,119
him on Skype while this is playing. And then if

479
00:32:49,160 --> 00:32:52,359
it doesn't work out, maybe something went wrong, maybe technology

480
00:32:52,440 --> 00:32:54,160
is not cooperating, you know. If we have to move on,

481
00:32:54,279 --> 00:32:56,519
we have to move on. But it does happen sometimes.

482
00:32:56,599 --> 00:32:58,079
But we'll go ahead and give this a listen. This

483
00:32:58,200 --> 00:33:01,359
is called patience. This is Harry for zacharly.

484
00:33:31,799 --> 00:33:33,680
Speaker 1: Is. It's a letter of the sound bars.

485
00:33:33,720 --> 00:33:35,599
Speaker 2: The mascot alive, walking to.

486
00:33:35,720 --> 00:33:38,039
Speaker 19: The shower's eyes the world last time.

487
00:33:40,000 --> 00:33:40,839
Speaker 2: At less those.

488
00:33:40,640 --> 00:33:44,720
Speaker 5: Fans there to the end of my phone, we've.

489
00:33:44,640 --> 00:33:46,680
Speaker 2: Left the cours ship were off the air, so we

490
00:33:46,799 --> 00:33:51,079
left the mill. Now the sills. The peace of a s.

491
00:33:52,559 --> 00:33:55,680
Speaker 20: Of the cost com to the conflicts, a face of

492
00:33:55,759 --> 00:33:59,440
a matter, the cost of my mars of the conflict,

493
00:34:00,119 --> 00:34:00,640
a paars, some.

494
00:34:00,799 --> 00:34:03,599
Speaker 19: Song one out there matter the constant, a bar to

495
00:34:03,720 --> 00:34:04,319
the conflict.

496
00:34:04,559 --> 00:34:06,799
Speaker 20: So much a pace and a song one out there

497
00:34:07,119 --> 00:34:25,800
under the constant, no bar to the conflict. Is it

498
00:34:25,920 --> 00:34:29,159
a nate ro to say goodbye to master alas more,

499
00:34:29,559 --> 00:34:30,440
it's your desire.

500
00:34:30,599 --> 00:34:35,519
Speaker 12: So on last nime, make them up the last part, stay.

501
00:34:35,320 --> 00:34:38,800
Speaker 19: In through the end of levelone, make them up a

502
00:34:38,880 --> 00:34:40,159
girls chair and off.

503
00:34:40,039 --> 00:34:41,280
Speaker 2: Here so we left them in the.

504
00:34:43,880 --> 00:34:47,559
Speaker 21: Always a pace of the matter, the constant of bad

505
00:34:47,679 --> 00:34:49,320
to the conflict, Always.

506
00:34:49,079 --> 00:34:51,599
Speaker 1: A peace and a song find out there unto.

507
00:34:51,519 --> 00:34:54,599
Speaker 20: The constant bad to the conflicts, a pace of a

508
00:34:54,719 --> 00:34:58,239
soul on out there the matter, the constant to the conflict.

509
00:34:58,440 --> 00:35:00,559
Speaker 1: Always a pace of asom about that.

510
00:35:00,920 --> 00:35:03,199
Speaker 17: Lots of the coffin, a bunts of the confidence.

511
00:35:20,519 --> 00:35:39,960
Speaker 20: Sause it's elect sac to saize.

512
00:35:42,519 --> 00:35:44,960
Speaker 2: Shag marshal amount.

513
00:35:45,800 --> 00:35:58,960
Speaker 22: Unsized now exclusively on double U M n H ninety

514
00:35:59,039 --> 00:36:03,079
five point three f M. Matt Connerton Unleashed presents the

515
00:36:03,320 --> 00:36:08,639
world radio premiere of Morning Star by Chasing the Devil.

516
00:36:09,039 --> 00:36:11,679
Speaker 23: You are listening to Wuminates.

517
00:36:13,000 --> 00:37:08,039
Speaker 2: World premiere World No Love, It's we all us, please

518
00:37:08,199 --> 00:37:10,000
sell me on the fall.

519
00:37:14,039 --> 00:37:16,440
Speaker 6: I guess it's telling me honest.

520
00:37:17,760 --> 00:37:22,039
Speaker 1: For the first time. I just need you to hear me.

521
00:37:29,760 --> 00:37:38,159
I gave you mon don't know the spacemen time me

522
00:37:38,400 --> 00:37:44,199
all awating, round and around and round we go where

523
00:37:44,280 --> 00:37:45,760
we is out love.

524
00:37:45,840 --> 00:37:49,519
Speaker 5: One never knows, But I'm not given enough.

525
00:37:49,719 --> 00:37:56,119
Speaker 1: This can to be all. I dash out and disord

526
00:38:01,159 --> 00:38:14,880
little monem so much. This team Mo nell WMB.

527
00:38:18,880 --> 00:38:21,280
Speaker 2: To fella beyonder.

528
00:38:22,079 --> 00:38:25,960
Speaker 1: Before the food. I see it too.

529
00:38:34,320 --> 00:38:35,119
Speaker 5: I can't you.

530
00:38:37,760 --> 00:38:41,400
Speaker 2: Don't know, just be man.

531
00:38:42,760 --> 00:38:48,960
Speaker 1: You won away so round and around around where we

532
00:38:49,519 --> 00:38:55,320
don't know. I know, but I'm not giving up this canopy.

533
00:39:23,559 --> 00:39:28,480
Speaker 2: This is telling to be honest, be on the line.

534
00:39:29,519 --> 00:39:34,840
Speaker 1: I don't to leave me. You know.

535
00:39:39,079 --> 00:39:39,719
Speaker 20: I gave you.

536
00:39:46,639 --> 00:39:49,079
Speaker 1: Sun you all always it.

537
00:39:49,239 --> 00:39:53,559
Speaker 2: All round and round the round we go where we

538
00:39:53,760 --> 00:39:58,800
have sp no never knows, but I'm not giving.

539
00:39:58,639 --> 00:40:11,280
Speaker 1: Help this kid. This save me last day, This.

540
00:40:17,800 --> 00:40:20,639
Speaker 2: Can't be last time.

541
00:41:00,079 --> 00:41:14,599
Speaker 1: M n s with times, your taskill mount.

542
00:41:14,440 --> 00:41:20,519
Speaker 21: Eisode intil the must RaSE again.

543
00:41:21,840 --> 00:41:29,639
Speaker 20: Ss the Times is placed, games that cause simal faces.

544
00:41:30,480 --> 00:41:35,039
Speaker 1: Someone else have yet followed news.

545
00:41:36,280 --> 00:41:40,719
Speaker 11: Gray exist, the presidents at difference.

546
00:41:40,320 --> 00:41:46,039
Speaker 21: In a time still rely skilled that hasty.

547
00:41:49,039 --> 00:42:01,239
Speaker 1: You want to tell the sky I wonder why the

548
00:42:01,440 --> 00:42:11,320
shows us so the Times and the taste to the

549
00:42:11,519 --> 00:42:20,159
sun intil the must again slows.

550
00:42:20,840 --> 00:42:26,360
Speaker 5: Side, I'm play the gem produce first.

551
00:42:27,280 --> 00:42:33,960
Speaker 1: Every patient score side stop. This is a slow moments the.

552
00:42:36,000 --> 00:42:39,199
Speaker 21: Stas sleep sing six specious.

553
00:42:46,119 --> 00:43:06,760
Speaker 11: You want to tell the sky showers time to tescult to.

554
00:43:09,800 --> 00:43:13,519
Speaker 1: The must race again.

555
00:43:17,440 --> 00:43:18,480
Speaker 2: The films.

556
00:43:19,800 --> 00:43:49,480
Speaker 21: Guesses say.

557
00:43:37,760 --> 00:43:42,239
Speaker 2: You want to claims, but you consider more too many times.

558
00:43:43,840 --> 00:43:46,360
Speaker 1: Worthier short.

559
00:43:49,440 --> 00:43:50,320
Speaker 14: As got.

560
00:43:54,639 --> 00:44:03,840
Speaker 1: Kid good jud.

561
00:44:10,639 --> 00:44:20,119
Speaker 24: Yeah oh no, pay so baggy looking like high air

562
00:44:20,199 --> 00:44:23,199
balloons dancing on TV, but your career pupp is soon

563
00:44:23,599 --> 00:44:24,079
to sexy.

564
00:44:24,159 --> 00:44:25,559
Speaker 1: Catch is not a golden.

565
00:44:25,320 --> 00:44:27,840
Speaker 24: Room now you bake account and thier than a month,

566
00:44:27,960 --> 00:44:30,719
so he's in trend's hard saw. Your flaws on display

567
00:44:31,079 --> 00:44:31,920
paid for your fame.

568
00:44:32,000 --> 00:44:34,360
Speaker 1: Man, you can't afford to stay used to be a star.

569
00:44:34,559 --> 00:44:38,119
Speaker 24: Now your wind disarray can't touch success when it slips away,

570
00:44:38,360 --> 00:44:39,880
can't touch your missteps.

571
00:44:39,960 --> 00:44:43,760
Speaker 15: Man, it's of it and fallen from grace past, so relevant.

572
00:44:43,400 --> 00:44:45,159
Speaker 1: Can't touch your future. Man.

573
00:44:45,320 --> 00:44:46,079
Speaker 2: It's hesitant.

574
00:44:46,239 --> 00:44:48,639
Speaker 6: Once a king, now a broken testament.

575
00:44:48,960 --> 00:44:52,079
Speaker 3: Spent all that dole on a lavish throne, built up

576
00:44:52,159 --> 00:44:52,760
in the empire.

577
00:44:52,880 --> 00:44:53,800
Speaker 6: Now you're all alone.

578
00:44:54,079 --> 00:44:57,199
Speaker 3: Thought you were untouchable, Now overblown castle turned the sand

579
00:44:57,320 --> 00:44:58,360
left with just a tone.

580
00:44:58,519 --> 00:44:59,440
Speaker 1: Dorse was drying out.

581
00:44:59,519 --> 00:45:00,519
Speaker 2: Fame hit pause.

582
00:45:00,719 --> 00:45:03,400
Speaker 24: Once a mighty force, now a broken claws.

583
00:45:03,280 --> 00:45:06,159
Speaker 2: Served up his but forgot the cause. Used to be

584
00:45:06,280 --> 00:45:08,440
the boss, Now fighting flaws.

585
00:45:08,320 --> 00:45:11,800
Speaker 19: Dancing with shadows, Echoes of the past, brief taste the glory,

586
00:45:11,840 --> 00:45:13,119
but nothing seems to last.

587
00:45:13,320 --> 00:45:14,480
Speaker 1: Foot prints in twilight.

588
00:45:14,559 --> 00:45:18,519
Speaker 10: It moves out class once center stage, now and now cast.

589
00:45:28,920 --> 00:45:38,480
Speaker 1: Jeh Jo.

590
00:45:38,960 --> 00:45:42,079
Speaker 25: Can't touch your missteps, man, it's sether it didn't falling

591
00:45:42,159 --> 00:45:45,800
from grace pass so relevant, can't touch your future. Man,

592
00:45:45,960 --> 00:45:58,800
it's hesitant. Once a king, now a broken testament. Can't

593
00:45:58,880 --> 00:45:59,960
suh your misstep.

594
00:46:00,039 --> 00:46:06,719
Speaker 24: Ye, can't touch your missteps, man, it's selling.

595
00:46:08,639 --> 00:46:10,760
Speaker 2: Can't touch your missteps, then.

596
00:46:10,719 --> 00:46:14,280
Speaker 24: It's selling it far from grace pass relevant, can't touch

597
00:46:14,400 --> 00:46:16,440
your future, man, It's hesitant.

598
00:46:16,599 --> 00:46:17,679
Speaker 1: Once the king, now.

599
00:46:17,679 --> 00:46:22,280
Speaker 24: A broken testament, spent all that doe on elavish throne,

600
00:46:22,519 --> 00:46:23,719
built up in the empire.

601
00:46:23,800 --> 00:46:24,760
Speaker 1: Now you roll alone.

602
00:46:25,039 --> 00:46:27,559
Speaker 24: Thought you were a run such able now overblown castle

603
00:46:27,639 --> 00:46:28,559
turned to sand, left.

604
00:46:28,440 --> 00:46:32,079
Speaker 18: With just a tone endorsements, jot up fame, hit pause,

605
00:46:32,280 --> 00:46:34,639
Once a mighty force, now a broken clause.

606
00:46:34,840 --> 00:46:37,000
Speaker 1: Served up hits, but forgot the cause.

607
00:46:37,440 --> 00:46:39,440
Speaker 15: Used to be the boss, Now fighting flaws.

608
00:46:39,519 --> 00:46:41,559
Speaker 1: This is a shadows that goes off the past.

609
00:46:41,800 --> 00:46:43,920
Speaker 15: Brief tastes a glory button, nothing seems.

610
00:46:43,679 --> 00:46:46,320
Speaker 1: To last foot Prince in Twilight. Your moves out.

611
00:46:46,239 --> 00:46:49,719
Speaker 25: Class once in a stage, now an outcast.

612
00:46:52,280 --> 00:46:57,800
Speaker 1: Show show.

613
00:46:59,159 --> 00:47:10,400
Speaker 26: You show show.

614
00:47:19,440 --> 00:47:25,800
Speaker 2: Dancing with shadows, echoes of the past, brief taste of glory,

615
00:47:26,440 --> 00:47:30,920
but nothing seems to last for Prince in Twilight.

616
00:47:31,519 --> 00:47:37,000
Speaker 1: It moves out class once at a stage. No, I

617
00:47:37,159 --> 00:47:38,039
out cast.

618
00:47:39,599 --> 00:47:43,000
Speaker 24: Can't touch young missteps minute Southern It fallen.

619
00:47:42,800 --> 00:47:46,440
Speaker 25: From grace past, so elevant can't touch your future. Man

620
00:47:46,599 --> 00:47:49,920
It says it's once a king, now a broken testament.

621
00:47:52,920 --> 00:47:59,559
Speaker 17: Yea no no.

622
00:48:13,000 --> 00:48:15,199
Speaker 23: In times of crisis, you need a law firm that

623
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stands by your side. With over forty years of experience,

624
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Craigan Getzulis is dedicated to fighting for your rights. As

625
00:48:22,199 --> 00:48:25,360
former state prosecutors Our attorneys have the knowledge and trial

626
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experience to provide an aggressive defense against any charge, from

627
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DUIs to homicides. If you've been injured, our compassionate team

628
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will assess your case and fight for the compensation you deserve.

629
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Serving all of New Hampshire, Craig and Getzulis is here

630
00:48:39,880 --> 00:48:42,960
when you need us most. Visit Craigatzulis dot com for

631
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a free consultation. Craigan Getzulis, your advocates, your allies.

632
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Speaker 4: Bring your kitchen to life with Queen City Cabinetry, located

633
00:48:52,119 --> 00:48:55,559
at eighty seven Elm Street in the historic Sunbeam Law

634
00:48:55,719 --> 00:48:59,400
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635
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point thirty pm, in Saturdays ten am to two pm.

636
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Speaker 26: They can be reached at.

637
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Speaker 4: Six oh three two two two to zero zero seven

638
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or on the web at Queen Citycabinatree NH dot com.

639
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Speaker 26: Come see the possibilities. Queen City Cabinet Tree, another round

640
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sponsor of w MNH. Disneys Cafe is the place to

641
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put a smile on your face. Judy and the crew

642
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will take care of you, bring your appetite and treat

643
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your taste buds right. Busineess Cafe is always a winning choice. Breakfast,

644
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lunch or supper. Dine's Cafe at eight sixty Elm Street

645
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in downtown Manchester. Dine in, takeout or make a reservation

646
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647
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two each, drink and be happy Dizzney's Cafe.

648
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Speaker 16: When it comes to keeping WMNH on the air and

649
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your own personal or business computer needs, trust Roland Computers,

650
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located on Elm Street in Manchester. Groland handles computer rip

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expenses here. Visit Groland dot com or call Grolling Computers

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656
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657
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Speaker 2: Night.

658
00:50:29,119 --> 00:50:33,039
Speaker 5: Seven times out of ten we listened to our music

659
00:50:33,320 --> 00:50:33,880
at night.

660
00:50:35,880 --> 00:50:39,079
Speaker 26: That's one titled lists program.

661
00:50:38,920 --> 00:50:42,960
Speaker 25: Late Night to Light with DJ Midas right here on WMNH, Manchester.

662
00:50:43,039 --> 00:50:44,719
Speaker 1: If you want to know why, because.

663
00:50:46,440 --> 00:50:48,800
Speaker 8: Saturdays and Sunday nights midnight to four am.

664
00:50:50,159 --> 00:50:55,639
Speaker 17: This hour on wm NH is sponsored by CGI Business Solutions,

665
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located at five Dartmouth Drive in Auburn. They serve all

666
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all your business needs including employee benefits, planning, corporate design

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and business administration, investments and wealth management and customized business

668
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insurance solutions. Their phone number is eight sixty six eight

669
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four one forty six hundred or on the web at

670
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671
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Speaker 27: Behold the harmony of airwaves as you immerse yourself in

672
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the captivating frequencies of w m NHLP the sonic cardets

673
00:51:30,440 --> 00:51:33,960
of Manchester, transcending through the ether at ninety five point

674
00:51:34,000 --> 00:51:37,800
three megahertz frequency modulation. Our transmissions emanate from the zeed

675
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at one thousand Elm Streets to insure into the hearts

676
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of our creative realm at one nineteen Canal Street, where

677
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innovation and sound coluge. They're the impro moder of Manchester

678
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Public Television Service in the venerable City of Manchester, New Hampshire, USA.

679
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Enrich your auditory journey with the depth of our license

680
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to Wesdent WES. Spet your missives to w m n

681
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H ninety five three at gmail dot com, or traverse

682
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the virtual corridors of w m n H Radio dot org.

683
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Engage with our sonic vibrations by communing with us through

684
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the digital channels or radio seconds, eager to enthrall you

685
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with its mesmerizing cadence and envelop you with a symphony

686
00:52:15,039 --> 00:52:16,960
of boundless an its or is one dude?

687
00:52:21,159 --> 00:52:25,480
Speaker 1: W m n H rip the novels you're listening to.

688
00:52:25,920 --> 00:52:26,599
Speaker 15: W mn H.

689
00:52:31,280 --> 00:52:36,119
Speaker 24: You command God, don't get supremely mazill.

690
00:53:31,000 --> 00:53:37,800
Speaker 9: I go.

691
00:53:44,599 --> 00:54:06,159
Speaker 1: Say anything. How many times do I have to expect

692
00:54:09,559 --> 00:54:16,360
out of dual money? This time you.

693
00:54:16,559 --> 00:54:19,559
Speaker 9: Really cost the many life.

694
00:54:21,119 --> 00:54:24,840
Speaker 2: I the water be bout of yun side.

695
00:54:26,760 --> 00:54:32,760
Speaker 1: That's the right to have your good lad. That's a

696
00:54:32,960 --> 00:54:35,000
lot to have you my way.

697
00:54:38,000 --> 00:54:45,159
Speaker 9: Solde tructum boys sold structing.

698
00:55:00,960 --> 00:55:03,280
Speaker 1: How many times do I have to get the bad?

699
00:55:06,840 --> 00:55:09,239
Speaker 6: I don't mean your senseless past.

700
00:55:12,199 --> 00:55:13,440
Speaker 7: It ain't no picture.

701
00:55:13,719 --> 00:55:15,599
Speaker 2: Roger spies.

702
00:55:18,119 --> 00:55:21,920
Speaker 6: One stranture stamp those flies.

703
00:55:23,840 --> 00:55:26,159
Speaker 11: That's all right to tag you good bad.

704
00:55:29,400 --> 00:55:40,639
Speaker 5: That's a lot ject in my way, solds doctor, So

705
00:55:41,039 --> 00:55:42,519
that doctor do

706
00:55:44,800 --> 00:56:12,079
Speaker 9: Yees wack wack