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Speaker 1: To you, m an angel rips the normals.

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Speaker 2: Everything I'm told that's a man true every day it's somebody,

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but it's never you.

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Speaker 3: Nothing deal today.

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Speaker 2: Amazing, not of everything's nothing really, it's just a thing.

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Everything I'm sold that's a non true. Every day is

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the fighting, but it's never you. Nothing feels right anymore.

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I'm aging not of everything. Nothing's real, it's just something.

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Speaker 4: Reble Lake, South Down, trying to keep that theme itself.

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Speaker 5: Nothing is real.

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Speaker 4: It scream at job the best world.

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Speaker 2: Things he's at and we live in at a garden

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ghost culture, Remble Lakes, South Down.

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Speaker 3: Try to keep that theme ins out. Nothing is real.

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Speaker 4: It's get scream at job.

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Speaker 2: See there's world bags he's at. We live in at

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the god Atyad's culture.

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Speaker 6: You you.

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Speaker 7: Bat right back.

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Speaker 4: You you you you you you.

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Speaker 6: You quit.

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Speaker 7: Right back.

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Speaker 2: Everything I'm told that's a not true. Every day it's

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a bid, but it's never you. Nothing feels right anymore.

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I'm aging not of everything.

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Speaker 3: Nothing.

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Speaker 5: Drill is just a thing.

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Speaker 2: Everything I'm told that's homage you.

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Speaker 3: Every day it's a pie, but it's never you. Nothing

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feels right anymore. I'm aging not of everything.

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Speaker 5: Something Drill is just a thing.

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Speaker 2: Everything I'm told that's homage.

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Speaker 6: Every day.

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Speaker 2: It's a fine, but it's not for you. Nothing feels

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right anymore.

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Speaker 4: I'm aging not of anything.

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Speaker 3: Nothing's really it's just that day and everything I'm not.

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Speaker 4: Every day.

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Speaker 2: It's a fight, but it's not for you. Nothing feels

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right any harm. I'm hating, not of everything, nothing really,

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it's just.

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Speaker 4: Everything.

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Speaker 2: I'm old that's a bad true. Every day it's a fine.

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Speaker 4: But it's not for you.

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Speaker 2: Nothing feels right anymore.

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Speaker 4: I'm aging, not of everything.

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Speaker 3: Nothing's real.

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Speaker 5: It's just a thing.

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Speaker 8: I love that that is. Nothing's real, It's just a thing.

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Speaker 9: The album Aaron and the Argonauts, our friend Aaron Billado,

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who is here with us live in studio.

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Speaker 8: Welcome everybody.

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Speaker 9: We have entered our number three New Marrow trace Matt

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Connorton unleashed and we are live from the studios of

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wm NH ninety five point three FM and Glorious Manchester,

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New Hampshire. Today is Saturday June twenty one, twenty twenty five.

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Jenny is here of course at the news table.

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Speaker 10: Present and accounted for. And if you want to make

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your own tie di I go down to the Great

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North Ale Works today from one to six.

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Speaker 9: Yes, yes, right now, and let me get that camera

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on and let me get that mic up, and let's see.

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So we have Aaron billideo here with us live in studio,

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and Aaron is if you're just listening that that's great.

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It is a radio show first and foremost. But you

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got to see the video because Aaron's got his whole

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He's very self contained, if you will, He's got this

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whole set up here just like last time on the show.

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Are very similar. Let's see, let's make sure this is working. Aaron,

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can you uh ooh, I can hear you. Let's see

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if we can hear say something into that mic?

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Speaker 3: If you would test saying saying stuff into the Micoh.

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Speaker 8: This sounds good, sounds good. Yeah. So Aaron is going

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to how many songs are you playing for us? Aerin?

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Speaker 3: I got five for you?

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Speaker 8: You got five? All right? Very good.

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Speaker 9: So we're gonna do, uh, you know, like we did

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last time when Aaron was here. He's gonna play live

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and then we're gonna we're gonna talk a little bit

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afterward and uh catch up on everything he's doing.

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Speaker 8: But I'm excited for this. This is always a lot

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of fun. So, Uh, I don't know.

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Speaker 9: Are you do you want to tell us anything about

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what you're gonna play before you play it, or you

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just want to jump in or no.

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Speaker 3: Well this first song is off my last album, Aeron

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in the Argonauts. It's called the End of Time.

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Speaker 8: All right, The End of Time Eron Billodoh live in studio.

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Speaker 4: Forever.

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Speaker 11: Sound, very fine, Year of Time death, the end of

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the ball, when the.

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Speaker 5: Year was till then?

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Speaker 6: Were in trip with your hand?

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Speaker 5: Oh?

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Speaker 4: Well you see where you read there? The time to meet?

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Speaker 5: Will you still be my friend?

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Speaker 11: Drug out of this?

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Speaker 4: Yeah?

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Speaker 8: No time?

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Speaker 4: Uh du.

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Speaker 5: Drug help be foll.

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Speaker 4: A lot of consciousness?

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Speaker 5: Yeah, no time?

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Speaker 4: Well draft, well you we did the time with me.

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Speaker 9: Aaron Bildeo is here with us live in studio, and uh,

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like I was saying before, if you're just joining us,

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I suggest you check out the video. So Aaron's got

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a got a whole self contained setup. So he's playing

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the bass live and singing and he's got this Uh,

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I don't know. Well, after his set we'll ask him

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more because I I'm kind of a nerd when it

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comes to that kind of thing. I like to know

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all the details about that stuff and and how he

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does it because it's amazing to me. But but that's

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all him that you're hearing in the studio today on

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this uh this Saturday morning, and Aaron is switching bassis.

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Oh here we go, let me turn that that mic

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back on there.

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Speaker 3: All right, he has a bunch of news stuff. It's

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not out yets ago.

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Speaker 8: Okay, very cool.

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Speaker 3: This first song is called ten PM.

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Speaker 8: Oh technical difficulty, no worries, extent Madre.

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Speaker 9: I am.

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Speaker 3: We met, I sweet it soundly sweet. I'm the one

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that people out of her jar if we met soon

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you know, good things sell. We the son found by

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a dans thirty playing her home and you find me

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then I find.

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Speaker 5: Out of the stars for.

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Speaker 12: Hours and ours let me get.

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Speaker 3: In front of the Freds and it was all it

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was all I was the start about the songs.

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Speaker 12: My name care, I knew how to wait, that I

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wanted to be with you, hey one not I knew what.

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Speaker 4: I needed to do.

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Speaker 3: Wow behind happy to be my.

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Speaker 5: To be mine?

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Speaker 3: All right? That was ten PM. That was about my

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wife Amy.

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Speaker 8: Very nice, very nice, oh very sweet.

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Speaker 4: All right.

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Speaker 3: So, uh, last year I had cancer and the way

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I deal with it is, uh, I write songs. So

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this song is called the Passenger Wait to this gotten bad.

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Speaker 5: All the passengers.

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Speaker 13: Grow brows and copy sabby.

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Speaker 14: Inside Yes, turning the light flow their eyes where your

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part all around that.

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Speaker 5: I don't let not real.

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Speaker 4: It?

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Speaker 13: See hone, every brother take that take away creepy.

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Speaker 5: There's no who very pun roll.

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Speaker 15: No matter what I say, why I think what I said? Yes,

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the turn of the lightnow their.

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Speaker 7: Eyes with your my all.

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Speaker 6: That's that's one name.

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Speaker 4: And that.

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Speaker 8: That's one name, dude. That's my favorite song of yours

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that I've ever heard. I love that. That is so good.

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Speaker 5: I love that.

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Speaker 8: Yeah, that is really cool. Fortunately we can all some

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of us in the room can that. You can totally relate.

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Speaker 9: I love that song.

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Speaker 8: I really really do. Hopefully more people can't really Hopefully

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the thing.

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Speaker 4: Yeah.

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Speaker 3: This next song is This next song is called on

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what You're on.

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Speaker 4: You Jason I.

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Speaker 3: Again bah long talk me me Yes, super.

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Speaker 1: Jay thing Hod surpise what calibizay and I sell miss

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soos wild guys.

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Speaker 3: I can't be hon us here wrong. That's far as

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he's gone all about.

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Speaker 5: Well home, I tell you, I can't be almost here wrong.

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Speaker 4: That's far as You're.

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Speaker 5: Gone on my way home. I can.

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Speaker 15: F friends fay s his fay.

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Speaker 3: You just walk away, but I'm still here.

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Speaker 4: I seemed a huge hell through I have.

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Speaker 16: It's got stop postity start.

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Speaker 15: Really, guy, I can't be an't on here.

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Speaker 3: That's far you gone on my way home? I tell

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I can't be ant my gear round.

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Speaker 5: That far you gone on my way hold.

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Speaker 15: I tell you.

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Speaker 5: Like I can't be young us here. That's far you.

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Speaker 4: Gone on my wet hold.

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Speaker 5: I'll tell you I can't be almo that bar who down?

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Speaker 8: I love it. That is so good.

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Speaker 9: I love the energy of these all right, if you're

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just joining us, Aaron Bildo is here listening studio.

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Speaker 3: So this next song I'm about to play. It's it's

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probably over. I don't know, twenty four years old, maybe

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two thousand and one.

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Speaker 8: Okay, wow, we're going back.

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Speaker 4: Yeah.

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Speaker 3: I wrote it back with an old band called Perfectly Normal. Okay,

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way way way back in the day. I wrote the

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baseline and brought it in and we all put it together,

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all right, Aaron, This next song is called eclip all right,

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sad dad?

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Speaker 5: What the trap?

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Speaker 16: Reflecting Western celebrate Marco or.

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Speaker 3: A rubber day job trying to be that used for

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sex years.

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Speaker 5: Moon's alive.

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Speaker 15: I can't tell beauty out of the sub.

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Speaker 16: Continue way that y'all have a scene that you see.

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Speaker 17: Finally by those things that you always wanted to do.

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Speaker 3: You know the season A lot no.

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Speaker 7: It out.

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Speaker 17: Now the celebration food is the first by lease three

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yes keeping time with a rid Hey to the home,

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the speak this type of time, but number one.

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Speaker 18: Io Jesus, time to ride head.

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Speaker 4: You a.

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Speaker 11: Safety class I the sun wonder that's kind of a.

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Speaker 4: Home now I feel loss So you talk bron out.

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Speaker 16: Side, why you uh trut just the pocket world at

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this around it and feel alive to takenifi be u

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shot pick n see order slides up it and uh.

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Speaker 17: Futafi contensation.

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Speaker 15: Five times to the line.

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Speaker 3: I knew that uman p far.

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Speaker 14: Inside a line, but the mind.

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Speaker 15: Won't we pay what it's already here.

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Speaker 19: My eyes I.

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Speaker 17: Clear out kind of knock here your juiceless plass.

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Speaker 14: Time to side, looking to the A had seen this

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time of the ride.

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Speaker 15: To a home.

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Speaker 5: Stay spress type of sign from.

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Speaker 15: The one after time the five hey you a home.

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Speaker 5: Stay the press type of sun the one.

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Speaker 4: That's time of.

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Speaker 16: Home Now I feel live you tongue fro Rodney, what

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do I ride?

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Speaker 19: Took a five world, I'd been RIDI and the lies

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00:23:43,119 --> 00:23:45,920
to take a five to look to the uh sal

242
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based on the ordered flies up, pison up bop a

243
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five contrabas.

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Speaker 8: All right, I'll do it all right.

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Speaker 9: Aaron billideo is here with us live in studio. So

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00:24:14,119 --> 00:24:16,440
just played a great said I love those. What we'll

247
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do is, let's play a studio track here while let

248
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me turn that off while while Aaron moves over to

249
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the chair or as they used to do on the

250
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Tonight Show, while Aaron moves to the couch to sit

251
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next to Johnny. Well, that goes that goes back anyway.

252
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This one's called song of Temptation. This is another great

253
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studio track from Aaron and the Argonauts. And then we'll

254
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catch up with Aaron.

255
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Speaker 4: Me and the r.

256
00:25:11,799 --> 00:25:16,880
Speaker 18: We're going to stand dispray, be re sway.

257
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Speaker 5: Not tim patient of that.

258
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Speaker 7: Band of colors.

259
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Speaker 6: Without fear.

260
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Speaker 8: Recently Arnos.

261
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Speaker 6: Argonized sighs to the starboard side.

262
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Speaker 7: There's something in the scene.

263
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Speaker 6: Time to.

264
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Speaker 8: Speak that is called song of Temptation.

265
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Speaker 9: That is from Aaron and the Argonauts by Aaron Billideau,

266
00:28:36,599 --> 00:28:38,519
who is here with us in studio. Let me get

267
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that Mike on there Aaron, great stuff. I always enjoy

268
00:28:43,559 --> 00:28:46,200
your live set. So oh I can't hear you and

269
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I don't know why. Oh I do know why. Let's

270
00:28:48,240 --> 00:28:51,039
try that again. There we go, there we go, Sorry

271
00:28:51,079 --> 00:28:53,759
about that. Hey, everybody welcome if you are just joining us.

272
00:28:53,839 --> 00:28:55,920
Of course we do have Aeron Billido here with us

273
00:28:56,200 --> 00:29:01,519
live in studio. And yeah, that song was what was

274
00:29:01,559 --> 00:29:02,160
that song on that?

275
00:29:02,200 --> 00:29:04,200
Speaker 8: I said that was like my favorite passenger.

276
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Speaker 5: I love that.

277
00:29:05,079 --> 00:29:07,200
Speaker 8: That is so that is so good. Now that one's

278
00:29:07,240 --> 00:29:07,759
not out yet?

279
00:29:07,839 --> 00:29:09,880
Speaker 3: Correct, No, no, no, I have a whole bunch of

280
00:29:10,000 --> 00:29:13,079
songs I'll be playing tonight. They're all new, actually almost

281
00:29:13,119 --> 00:29:14,720
all of them first half set.

282
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Speaker 8: Okay, okay, yeah, so we should talk about that where

283
00:29:17,160 --> 00:29:17,799
you're playing tonight.

284
00:29:17,920 --> 00:29:21,039
Speaker 3: Yes, so, uh I have a chea sheet.

285
00:29:21,160 --> 00:29:22,079
Speaker 8: Ah, very good.

286
00:29:23,640 --> 00:29:25,759
Speaker 3: I have a cheat sheet. Yes, I learned it from

287
00:29:25,799 --> 00:29:27,519
Saviano Hue the goodgo.

288
00:29:27,960 --> 00:29:32,039
Speaker 8: Okay, all right, yeah he does do that, doesn't he.

289
00:29:32,119 --> 00:29:32,559
That's funny?

290
00:29:32,640 --> 00:29:37,079
Speaker 3: Yeah? All right, Yeah tonight I'm playing at Terminus Underground

291
00:29:37,119 --> 00:29:39,920
at one thirty four Haynes Street, Nashre in New Hampshire. Yes,

292
00:29:40,079 --> 00:29:43,640
I'm playing with Atlantic Corvette. That with Huey the Gecko.

293
00:29:43,880 --> 00:29:47,720
Speaker 8: Yes, of course, Paradise and the whole Loaf okay, oh wonderful.

294
00:29:47,799 --> 00:29:50,480
Speaker 3: Yeah, and I'm going on I think at eight eight thirty, yeah,

295
00:29:50,680 --> 00:29:52,839
somewhere around there. I'm going first, Okay, So if you

296
00:29:52,880 --> 00:29:54,960
want to see me, get there early. And they're gonna

297
00:29:54,960 --> 00:29:58,039
have hamburgers and hot dogs. They're grilling outside.

298
00:29:58,240 --> 00:29:59,799
Speaker 8: Oh no kidding. Oh that's cool.

299
00:30:00,079 --> 00:30:02,160
Speaker 9: Yeah, well it is that time of year, I guess. Yeah,

300
00:30:02,279 --> 00:30:04,799
it's time for some uh some summertime grilling.

301
00:30:05,079 --> 00:30:07,839
Speaker 8: Very nice. So is everything that you're playing tonight? Is

302
00:30:07,880 --> 00:30:08,480
it all new stuff?

303
00:30:08,480 --> 00:30:12,319
Speaker 3: Are you playing? I got about seven songs, brand new

304
00:30:12,400 --> 00:30:14,279
songs I just wrote, So I'm going to be playing

305
00:30:14,279 --> 00:30:16,079
those tonight, okay, and then I'm going to fill up

306
00:30:16,079 --> 00:30:19,400
the rest I set with you know, my uh old stuff. Yeah, no,

307
00:30:19,599 --> 00:30:21,240
not really that old. You know, I just got the

308
00:30:21,279 --> 00:30:22,599
album came out in November.

309
00:30:23,240 --> 00:30:25,559
Speaker 8: Okay, Yeah, I was gonna say Earning the Arnauts. Yeah,

310
00:30:25,599 --> 00:30:30,160
not that not that long ago. So when you is it?

311
00:30:30,440 --> 00:30:30,920
Is it hard?

312
00:30:32,200 --> 00:30:34,000
Speaker 9: I mean again, I I know we talked about this

313
00:30:34,079 --> 00:30:35,480
last time you're here, but it's so impressive to me

314
00:30:35,519 --> 00:30:37,440
that you're able to set all that up and and

315
00:30:37,599 --> 00:30:40,240
be the self contained. You know, they used to call

316
00:30:40,319 --> 00:30:43,519
that a one man band, right, right, it's completely self contained.

317
00:30:43,599 --> 00:30:45,720
Speaker 3: You look up a drum to one one heel and

318
00:30:46,960 --> 00:30:47,240
the other.

319
00:30:47,400 --> 00:30:49,319
Speaker 8: Yeah, that's all they used to do at old school. Yeah,

320
00:30:50,519 --> 00:30:51,519
I mean, is that challenging.

321
00:30:51,759 --> 00:30:53,119
Speaker 3: Yes, it's tough.

322
00:30:53,200 --> 00:30:53,359
Speaker 4: You know.

323
00:30:53,799 --> 00:30:56,119
Speaker 3: I'm always on the search for a drummer or uh

324
00:30:56,240 --> 00:30:58,880
and a keyboard player. Yeah, and it's hired. I've been

325
00:30:58,920 --> 00:31:01,279
trying to put together a a three piece for a

326
00:31:01,400 --> 00:31:05,200
few years now. I played with people. I have a

327
00:31:05,240 --> 00:31:07,000
couple of drummers. I brought a drummer in last time.

328
00:31:07,039 --> 00:31:10,640
He he played on All Aaron and the Argonauts, okay,

329
00:31:11,119 --> 00:31:13,799
the whole album. But he doesn't you know, he doesn't

330
00:31:13,839 --> 00:31:14,200
play out.

331
00:31:14,799 --> 00:31:16,480
Speaker 8: Oh so who is it?

332
00:31:17,480 --> 00:31:20,920
Speaker 3: Jason Staples? Okay, you know that's the guy I brought

333
00:31:20,960 --> 00:31:21,559
in last time.

334
00:31:21,720 --> 00:31:24,839
Speaker 8: Oh gotcha? I was gonna say the name is familiar.

335
00:31:25,079 --> 00:31:26,799
Speaker 3: Yeah, yeah, gotcha. I mean, if you want to find him,

336
00:31:26,839 --> 00:31:29,880
he at Jason Staples drum Lessons online. Yeah, it's pretty

337
00:31:29,880 --> 00:31:32,920
easy just to look on YouTube.

338
00:31:33,079 --> 00:31:34,160
Speaker 8: But he doesn't play out at all.

339
00:31:34,240 --> 00:31:36,400
Speaker 3: No, he doesn't leave the house, but he gives lessons

340
00:31:36,440 --> 00:31:36,880
at his house.

341
00:31:36,960 --> 00:31:37,279
Speaker 8: Gotcha?

342
00:31:37,359 --> 00:31:40,440
Speaker 3: And uh, yeah, I worked with him for a good

343
00:31:40,559 --> 00:31:45,559
like eight months or so, and right before my surgery

344
00:31:45,720 --> 00:31:50,039
was coming up, and right right right before the surgery,

345
00:31:50,119 --> 00:31:53,200
it was like a big sprint to get all his

346
00:31:53,319 --> 00:31:56,319
drums recorded. So you know, I got everything together and

347
00:31:56,359 --> 00:31:58,000
we set it all up at his house and we

348
00:31:58,079 --> 00:32:00,400
spent a few days on it and it was pretty good. Yeah,

349
00:32:00,880 --> 00:32:02,960
you know you're hearing what we got from it.

350
00:32:03,279 --> 00:32:06,160
Speaker 9: Yeah, yeah, absolutely. So what's what's the plan for the

351
00:32:06,400 --> 00:32:08,599
new material as far as recording or maybe have you

352
00:32:08,599 --> 00:32:10,000
already started recording.

353
00:32:09,720 --> 00:32:12,759
Speaker 3: It or oh yeah, yeah, I mean, uh, you're kind

354
00:32:12,799 --> 00:32:15,599
of hearing a little of the backing tracks, you know,

355
00:32:16,079 --> 00:32:18,079
minus my my vocals and the base, but the base

356
00:32:18,160 --> 00:32:20,680
and vocals, like, I've got the scratch tracks recorded for

357
00:32:20,759 --> 00:32:22,599
all of it, okay, you know so far.

358
00:32:23,039 --> 00:32:23,559
Speaker 8: Yeah, and.

359
00:32:25,680 --> 00:32:27,720
Speaker 3: I'll get to it. Like I put my albums out

360
00:32:27,759 --> 00:32:30,960
every fall, usually about October and November is when I

361
00:32:31,240 --> 00:32:33,079
put them out, so I get some time. I actually,

362
00:32:33,160 --> 00:32:34,240
like way ahead of schedule.

363
00:32:34,440 --> 00:32:38,640
Speaker 8: Yeah, so that's good. Yeah, it will be a full

364
00:32:38,680 --> 00:32:39,559
album or an EP.

365
00:32:39,559 --> 00:32:42,400
Speaker 3: Or probably Yeah, I put out full albums. Yeah, I've

366
00:32:42,400 --> 00:32:45,039
put out singles before, but uh, yeah, you know, I

367
00:32:45,079 --> 00:32:47,519
don't I don't make any money so I'm just gonna

368
00:32:47,559 --> 00:32:49,880
I'm gonna do it the way I remember. You know,

369
00:32:49,960 --> 00:32:51,480
I grew up in the in the nineties, you know,

370
00:32:51,559 --> 00:32:52,839
and it was all CDs and stuff.

371
00:32:52,920 --> 00:32:53,799
Speaker 8: Oh yeah, Yeah.

372
00:32:54,640 --> 00:32:58,519
Speaker 3: I can't stop writing. And it never it never ends

373
00:32:58,559 --> 00:33:00,839
for me. Yeah, my brain's alway going. It wakes me

374
00:33:00,960 --> 00:33:03,039
up at three in the morning and then I'm downstairs

375
00:33:03,119 --> 00:33:04,079
working on ideas.

376
00:33:04,359 --> 00:33:04,599
Speaker 8: Yeah.

377
00:33:05,839 --> 00:33:08,240
Speaker 3: So so so it just it just never stopped. So

378
00:33:08,440 --> 00:33:10,880
I put out an album a year I've been putting out.

379
00:33:11,119 --> 00:33:15,160
I put out kind of like this weird techno album

380
00:33:15,200 --> 00:33:18,640
called Drifting Signals a couple of months ago you did, Yeah,

381
00:33:18,920 --> 00:33:23,039
and that was a YouTube project where every week I

382
00:33:23,160 --> 00:33:27,440
did free form synth exploration is what I called it, Okay,

383
00:33:27,519 --> 00:33:30,440
And I set up all my stuff, usually like in

384
00:33:30,480 --> 00:33:32,119
the middle of the night. Yeah, and I put like

385
00:33:32,240 --> 00:33:35,640
a GoPro my forehead, and I put a bunch of

386
00:33:35,720 --> 00:33:39,559
cameras at all the synthesizers and stuff this out. Yeah,

387
00:33:39,599 --> 00:33:41,440
and they're all about fifteen minutes long.

388
00:33:41,720 --> 00:33:41,960
Speaker 8: Yeah.

389
00:33:42,640 --> 00:33:45,000
Speaker 3: And uh, you know, when I once I was done,

390
00:33:45,039 --> 00:33:46,920
I did six weeks in a row of this and

391
00:33:49,240 --> 00:33:51,440
I was like, man, I could just put this out.

392
00:33:51,519 --> 00:33:51,680
Speaker 4: You know.

393
00:33:52,559 --> 00:33:55,000
Speaker 3: There's a few of the episodes like episode five is

394
00:33:55,079 --> 00:33:58,839
like my underwater episode where a tribute to my fish. Yeah,

395
00:33:59,359 --> 00:34:01,640
it's like my favorite one out of it. So I

396
00:34:01,720 --> 00:34:03,759
put it out so basically I can listen to it.

397
00:34:03,960 --> 00:34:05,400
Speaker 8: Oh wow, that's cool.

398
00:34:05,599 --> 00:34:06,960
Speaker 3: Yeah, yeah, that was cool.

399
00:34:07,240 --> 00:34:07,440
Speaker 5: Yeah.

400
00:34:08,880 --> 00:34:14,880
Speaker 3: I've been doing a weekly YouTube show every single week. Yeah,

401
00:34:15,119 --> 00:34:20,599
where I put h I produced like a song a week, yeah,

402
00:34:22,199 --> 00:34:24,679
of all my old material okay, because you know, you

403
00:34:24,760 --> 00:34:26,840
know what is it was it like fifty two weeks

404
00:34:26,840 --> 00:34:29,559
in a year and I got over fifty two songs. Yeah,

405
00:34:29,800 --> 00:34:33,239
you know, so I figured, you know, what a great

406
00:34:33,239 --> 00:34:35,000
way to you know, I got plenty of I got

407
00:34:35,039 --> 00:34:36,960
plenty of material, and I started doing that. I was

408
00:34:37,000 --> 00:34:40,280
putting out all these like uh these fun videos, all

409
00:34:40,400 --> 00:34:43,760
like creative different videos, and the I've you started stacking up,

410
00:34:43,880 --> 00:34:46,440
started stacking I'm getting like two thousand views on my

411
00:34:46,519 --> 00:34:48,519
shorts now, which which is a lot for like a

412
00:34:48,599 --> 00:34:49,360
middle aged man.

413
00:34:49,760 --> 00:34:50,880
Speaker 8: Sure sure yeah.

414
00:34:51,119 --> 00:34:55,880
Speaker 3: And it took a while, and I've I've been having

415
00:34:55,920 --> 00:35:00,400
guests lately, yeah, coming and perform. Yeah, I had six

416
00:35:00,519 --> 00:35:05,239
minds combined. Okay, he came over and he did a song. Uh,

417
00:35:05,840 --> 00:35:09,320
I got I got everybody on here. Let's see here

418
00:35:09,400 --> 00:35:13,239
I had, Oh, I had Michael Mandonka from a Land

419
00:35:13,280 --> 00:35:15,760
of Corvette, the bass player, and we did it like

420
00:35:15,840 --> 00:35:20,320
a duet together like a bass Uh.

421
00:35:21,039 --> 00:35:22,039
Speaker 8: I have to check that out.

422
00:35:22,280 --> 00:35:26,159
Speaker 3: For Adam, Jocelyn from Able Blood came and he he

423
00:35:26,280 --> 00:35:30,599
did a song. Oh cool, this guy, uh George Daher

424
00:35:31,320 --> 00:35:34,760
and he played keyboards and he goes by the Trypto

425
00:35:34,920 --> 00:35:38,000
Phantom and he did an episode. So like I'm always

426
00:35:38,039 --> 00:35:40,360
looking for guests, I got some people lined up coming up.

427
00:35:41,000 --> 00:35:45,360
I'm gonna I'm gonna start focusing on bass players, I think. Yeah,

428
00:35:45,599 --> 00:35:47,719
you know, so I've been reaching out to bass players

429
00:35:47,760 --> 00:35:51,159
that have their own their own solo thing, and I

430
00:35:51,239 --> 00:35:53,239
got a couple of guys lined up, and I'm gonna

431
00:35:53,239 --> 00:35:54,159
be reaching out to more.

432
00:35:54,519 --> 00:35:55,000
Speaker 8: Very cool.

433
00:35:55,119 --> 00:35:55,280
Speaker 4: Oh.

434
00:35:55,480 --> 00:35:57,400
Speaker 3: I mean, if you're a bass player and you're listening

435
00:35:57,440 --> 00:35:59,480
and you know me, I'm probably gonna I'm probably gonna

436
00:35:59,599 --> 00:35:59,920
end up.

437
00:36:00,199 --> 00:36:03,119
Speaker 8: Yeah, that's awesome. What's the Chateau bill.

438
00:36:03,800 --> 00:36:07,239
Speaker 3: That I So that's just uh just the name of

439
00:36:07,280 --> 00:36:08,519
the show that I call it. So I call it

440
00:36:08,679 --> 00:36:14,679
Live from Chateau and uh that that's the song A

441
00:36:14,760 --> 00:36:15,360
week Yeah.

442
00:36:15,519 --> 00:36:16,960
Speaker 8: Yeah, yeah, that's awesome.

443
00:36:17,440 --> 00:36:18,440
Speaker 3: Yeah, thank you, thank you.

444
00:36:18,679 --> 00:36:20,599
Speaker 9: Well's cool too that you're you know, you're you're doing

445
00:36:21,159 --> 00:36:25,400
unique things that you know trying. I mean, it's not

446
00:36:25,519 --> 00:36:27,760
like you're you're just doing a concept that everybody else

447
00:36:27,840 --> 00:36:28,639
is already doing, you know what.

448
00:36:28,639 --> 00:36:31,400
Speaker 3: I mean, right right? Yeah, Well, I mean it's like

449
00:36:31,519 --> 00:36:35,079
the thing is, like, uh, booking shows for my act

450
00:36:35,280 --> 00:36:38,719
is hard, really hard. Yeah, I know, especially like I'm

451
00:36:38,800 --> 00:36:41,159
not that kind of guy. I'm not really good at it.

452
00:36:41,760 --> 00:36:44,960
Speaker 8: Well yeah I try, but what you're doing is unique. Yeah,

453
00:36:45,000 --> 00:36:46,360
but I'm good at that. Yeah.

454
00:36:46,519 --> 00:36:49,400
Speaker 3: You know, booking has been really hard for me. So

455
00:36:49,480 --> 00:36:52,239
I figured, you know, I could just get to more

456
00:36:52,360 --> 00:36:56,199
people online than at a club on a Monday, right,

457
00:36:56,679 --> 00:37:01,519
you know, So like I'm trying to book less shows.

458
00:37:02,000 --> 00:37:04,519
So right now, I got like every other month, Yeah,

459
00:37:05,039 --> 00:37:08,480
I got a gig, put more effort into those instead

460
00:37:08,519 --> 00:37:10,960
of a lot of little gigs. Yeah, and then put

461
00:37:11,079 --> 00:37:14,039
like most of my effort into online, you know. And

462
00:37:15,440 --> 00:37:17,039
I'm hoping for a good turnout tonight.

463
00:37:17,280 --> 00:37:17,480
Speaker 8: Yeah.

464
00:37:17,719 --> 00:37:19,000
Speaker 3: Yeah, we'll see.

465
00:37:19,159 --> 00:37:20,960
Speaker 8: No, that's a strong that's a strong lineup. And of

466
00:37:21,000 --> 00:37:22,239
course Terminus is wonderful.

467
00:37:22,400 --> 00:37:26,199
Speaker 3: Oh I love that place. I played their charity show

468
00:37:26,320 --> 00:37:27,039
back in December.

469
00:37:27,199 --> 00:37:28,639
Speaker 8: Oh, very cool. Yeah, I was gonna say, I know

470
00:37:28,679 --> 00:37:30,360
you've played there, befo, how many fames have you played there?

471
00:37:30,760 --> 00:37:31,719
Speaker 3: Just one? So fun?

472
00:37:32,000 --> 00:37:32,840
Speaker 8: Just one other time.

473
00:37:33,000 --> 00:37:35,400
Speaker 9: Yeah, yeah, No, I always tell everybody who hasn't been

474
00:37:35,400 --> 00:37:36,800
there before. It's like when you walk into that room,

475
00:37:36,800 --> 00:37:38,280
it's like walking into another world.

476
00:37:38,239 --> 00:37:41,559
Speaker 3: Right right, it was. It's it's like Halloween all year round.

477
00:37:42,079 --> 00:37:45,239
Speaker 9: Yeah yeah yeah. And they, you know, obviously, are doing

478
00:37:45,280 --> 00:37:47,400
a lot for the scene, which is wonderful. Yeah, we

479
00:37:47,519 --> 00:37:48,000
need more of that.

480
00:37:48,360 --> 00:37:50,400
Speaker 3: It's nice. It's nice. It's clean in there. You know,

481
00:37:50,519 --> 00:37:53,559
they don't they don't serve alcohol, so so you don't

482
00:37:53,639 --> 00:37:54,719
have that environment.

483
00:37:55,000 --> 00:37:58,039
Speaker 9: Well that's true too, yeah, which is good, Which is good.

484
00:37:59,519 --> 00:38:02,880
And then oh I should I'm gonna for people watching online.

485
00:38:02,920 --> 00:38:04,639
I'm gonna put the camera on me for a second

486
00:38:04,639 --> 00:38:08,159
because I want to hold up this wonderful shirt. And

487
00:38:08,400 --> 00:38:11,320
you brought one for Jenny as well, so very cool.

488
00:38:11,679 --> 00:38:15,920
And Amy designed this isume. Oh you did, okay, because

489
00:38:15,920 --> 00:38:17,599
I know she, I know she does that kind of stuff,

490
00:38:17,599 --> 00:38:19,159
but she did.

491
00:38:19,280 --> 00:38:22,239
Speaker 3: She does all my photography work. Oh right, right, okay,

492
00:38:22,360 --> 00:38:24,599
So you say anytime you see anything I put up,

493
00:38:25,119 --> 00:38:26,760
that's a photograph, it is from her.

494
00:38:27,039 --> 00:38:29,400
Speaker 8: Oh I got you okay, and this cool sticker too.

495
00:38:29,760 --> 00:38:33,639
Speaker 3: Yeah, I'll have these for sale tonight at the Terminus Show.

496
00:38:33,800 --> 00:38:35,760
Speaker 9: I like the QR code attached to the sticker, and

497
00:38:35,840 --> 00:38:37,360
that's that's cool. I don't know if I don't know

498
00:38:37,360 --> 00:38:39,000
if people can see it well enough on camera, but

499
00:38:39,599 --> 00:38:40,360
I'll take a picture of it.

500
00:38:40,599 --> 00:38:42,440
Speaker 3: Yeah, and it sends, it sends people right to my

501
00:38:42,519 --> 00:38:44,880
link tree. Perfect link tree has everything.

502
00:38:45,199 --> 00:38:48,440
Speaker 8: Yeah, yeah, you know, yeah, that's excellent. Excellent.

503
00:38:48,679 --> 00:38:51,840
Speaker 9: Now are you are you entirely focused on the solo well,

504
00:38:51,840 --> 00:38:53,519
I mean you did mention, you know, trying to get

505
00:38:53,599 --> 00:38:55,400
other people involved in it, But I mean is that

506
00:38:55,480 --> 00:38:57,519
your primary focus? Are you playing in a band as

507
00:38:57,559 --> 00:38:58,159
well or anything?

508
00:38:58,280 --> 00:38:59,920
Speaker 3: Or no, No, I'm not playing in a band of

509
00:39:00,239 --> 00:39:02,840
I'm just focused on my solo stuff. And if I

510
00:39:03,000 --> 00:39:05,400
can put together a three piece that you know, that's

511
00:39:05,840 --> 00:39:08,000
the ultimate goal in the end. But until then, I'm

512
00:39:08,000 --> 00:39:08,679
not going to stop.

513
00:39:09,360 --> 00:39:11,840
Speaker 8: Yeah. No, that's that's good.

514
00:39:11,880 --> 00:39:13,639
Speaker 9: I mean, you know this gives you the way you're

515
00:39:13,639 --> 00:39:15,519
doing this, It gives you total control over what you're

516
00:39:15,559 --> 00:39:18,199
doing right, right, and and how you do it, and

517
00:39:18,280 --> 00:39:20,920
you know you don't have to argue with band band members.

518
00:39:20,639 --> 00:39:23,599
Speaker 3: And right, but everything lands on you, and your failure

519
00:39:24,039 --> 00:39:26,119
or success all all lands on you.

520
00:39:26,360 --> 00:39:29,920
Speaker 9: It's all your Oh something too funny that happened off air.

521
00:39:30,159 --> 00:39:33,000
So in the last hour we had the Murphy Clark band,

522
00:39:33,199 --> 00:39:37,320
right right. So so you were here getting ready to

523
00:39:37,440 --> 00:39:40,840
come in for hour three and in the hallway you

524
00:39:41,079 --> 00:39:43,679
you said to Mike Clark, you said, I recorded with

525
00:39:43,800 --> 00:39:44,599
you twenty years ago.

526
00:39:44,800 --> 00:39:48,280
Speaker 3: Yes, Yeah, his studio, his story is gorgeous. It's got

527
00:39:48,440 --> 00:39:50,960
it's got like this like an old barn field, but

528
00:39:51,039 --> 00:39:53,559
then it was all redone inside. Yeah, it's really nice.

529
00:39:53,679 --> 00:39:53,880
Speaker 8: Yeah.

530
00:39:54,559 --> 00:39:56,960
Speaker 3: And then he's got this like almost like an apartment

531
00:39:57,079 --> 00:40:00,719
in the back u for for for the band to relax,

532
00:40:00,800 --> 00:40:04,159
and it's I mean when I was there twenty years ago,

533
00:40:04,320 --> 00:40:06,079
you know, they had the Nintendo and a big TV.

534
00:40:06,159 --> 00:40:08,519
I'm sure he's upgraded since then. I would imagine, yeah,

535
00:40:08,599 --> 00:40:10,400
the new stuff, but it was all brand new, top

536
00:40:10,440 --> 00:40:11,199
of the line back then.

537
00:40:11,440 --> 00:40:11,639
Speaker 5: Yeah.

538
00:40:11,880 --> 00:40:14,000
Speaker 3: Yeah, yeah, that was a change of season.

539
00:40:14,239 --> 00:40:14,400
Speaker 8: Yeah.

540
00:40:14,559 --> 00:40:17,320
Speaker 3: The metal band, yep, that's that's really like kind of

541
00:40:17,360 --> 00:40:21,119
I think that's like a more folk centric type of

542
00:40:21,440 --> 00:40:25,360
music that he studies focuses on. Yeah, you know, most

543
00:40:25,360 --> 00:40:27,840
of most of his people, I think I like folk music,

544
00:40:27,880 --> 00:40:30,960
so I feel like we were kind of the odds

545
00:40:31,000 --> 00:40:31,559
going in there.

546
00:40:31,840 --> 00:40:33,559
Speaker 8: Now, I'm curious, did he remember, like when you said

547
00:40:33,639 --> 00:40:36,000
change of season, did he remember? Yeah, no, clue, Yeah,

548
00:40:36,039 --> 00:40:38,159
it was twenty years ago. And plus he's had a

549
00:40:38,199 --> 00:40:40,239
lot of people in it now. He sounds like he's

550
00:40:40,280 --> 00:40:41,039
pretty busy there.

551
00:40:41,159 --> 00:40:44,320
Speaker 3: So yeah, yeah, yeah, he's he's uh he does very

552
00:40:44,320 --> 00:40:44,760
good work.

553
00:40:44,840 --> 00:40:47,519
Speaker 8: Yeah, yeah, no, it sounds I wish I could afford him. Yeah,

554
00:40:48,599 --> 00:40:50,599
you know, but uh, it is what it is.

555
00:40:50,679 --> 00:40:52,760
Speaker 3: And like I said, you know, the money's not going

556
00:40:52,840 --> 00:40:53,760
to stop me either.

557
00:40:53,760 --> 00:40:54,400
Speaker 9: Right right.

558
00:40:55,039 --> 00:40:57,119
Speaker 8: What is your recording process, because you do it all

559
00:40:57,320 --> 00:40:58,960
like you're not working with a studio at all, right,

560
00:40:59,599 --> 00:40:59,880
all in.

561
00:41:00,599 --> 00:41:03,239
Speaker 3: It's all in house. Yeah yeah, yeah, it's just it's

562
00:41:03,280 --> 00:41:07,159
on a laptop through ableton yep, you know. And uh,

563
00:41:07,400 --> 00:41:09,760
you know, I got I got a real drummer for

564
00:41:09,800 --> 00:41:11,559
the first time for the last album. All my other

565
00:41:11,599 --> 00:41:14,719
stuff has been a drum machines, you know. So that

566
00:41:14,960 --> 00:41:17,840
was really interesting. That was like that was the first

567
00:41:17,880 --> 00:41:20,480
time I felt like I was actually like starting to

568
00:41:20,519 --> 00:41:23,760
do something professional or not even professional, but like, yeah,

569
00:41:23,760 --> 00:41:25,559
I know, I felt like I was doing real work

570
00:41:25,880 --> 00:41:28,519
recording a drum set with all the mics and everything. Yeah,

571
00:41:29,719 --> 00:41:32,079
but yeah, I mean my setup right now is pretty

572
00:41:32,159 --> 00:41:34,800
much me at home smoking weed and playing with my

573
00:41:34,920 --> 00:41:37,480
keyboard and playing with my bass and coming up with

574
00:41:37,559 --> 00:41:38,559
all this weird stuff.

575
00:41:38,760 --> 00:41:39,440
Speaker 8: Yeah. Yeah.

576
00:41:41,039 --> 00:41:44,639
Speaker 9: Do you uh in terms of these songs, so do

577
00:41:44,719 --> 00:41:46,840
you have any oh you said the fall, right, do

578
00:41:46,880 --> 00:41:48,400
you plan to do any videos for these?

579
00:41:49,079 --> 00:41:52,119
Speaker 3: Yeah? I uh, I'm thinking about one right now, but

580
00:41:53,280 --> 00:41:58,800
I usually do about two, like like like scripted videos. Yeah,

581
00:41:58,800 --> 00:41:59,840
because our albums.

582
00:42:00,119 --> 00:42:01,559
Speaker 8: The last album I remember you had a video for

583
00:42:02,119 --> 00:42:03,280
Brian yeah.

584
00:42:03,199 --> 00:42:05,440
Speaker 3: Right, and the End of Time I did. I did

585
00:42:05,519 --> 00:42:09,280
as well, right right, and that that featured Gary Smith.

586
00:42:09,360 --> 00:42:12,920
Mister Gary Smith the hardest working musician in New Hampshire.

587
00:42:12,960 --> 00:42:14,719
Speaker 8: I say that all the time because his name comes

588
00:42:14,800 --> 00:42:16,760
up constantly on the show. I always say, yeah, he's

589
00:42:16,760 --> 00:42:17,920
the busiest musician I know.

590
00:42:18,159 --> 00:42:20,880
Speaker 3: Yeah, yeah, he's he's he's like in seven bands and

591
00:42:21,239 --> 00:42:23,679
uh then he does all his like other stuff like

592
00:42:23,760 --> 00:42:27,360
studio work and whatnot. Yep, yep, oh, man, I don't

593
00:42:27,400 --> 00:42:28,639
know how he does it. He's everywhere.

594
00:42:28,880 --> 00:42:30,079
Speaker 8: Yeah, yeah, he really is.

595
00:42:30,199 --> 00:42:32,719
Speaker 3: But he was he he came up to my house

596
00:42:32,800 --> 00:42:36,719
like he recorded. He sent everything over over the internet.

597
00:42:38,199 --> 00:42:40,159
But when it came time to do the video, he

598
00:42:40,280 --> 00:42:42,880
came to my house. Yeah, and that was the first

599
00:42:42,920 --> 00:42:45,039
time we met in person. I asked him to climb

600
00:42:45,119 --> 00:42:49,960
up into my attic through a little hole, right, So

601
00:42:50,079 --> 00:42:52,679
the whole video is filmed in the attic with these old,

602
00:42:52,840 --> 00:42:55,760
like square nails sticking out out of the ceiling right

603
00:42:56,280 --> 00:42:59,280
in the head. Yeah, and he did it. He went

604
00:42:59,360 --> 00:43:02,599
up there and like a champ. Yeah, and uh we

605
00:43:02,719 --> 00:43:05,280
filmed that video. So that video is awesome. Yeah, I

606
00:43:05,320 --> 00:43:07,079
think I think it's one of my best videos.

607
00:43:07,239 --> 00:43:07,400
Speaker 8: Yeah.

608
00:43:07,440 --> 00:43:10,519
Speaker 3: And then we did Grind with my wife and that

609
00:43:10,719 --> 00:43:13,000
was like a whole cast of characters on that one.

610
00:43:13,199 --> 00:43:13,400
Speaker 4: Yeah.

611
00:43:13,679 --> 00:43:15,480
Speaker 8: Yeah, So you plan on doing more?

612
00:43:15,719 --> 00:43:18,400
Speaker 3: Oh yeah, yeah, new material. I have no idea what

613
00:43:18,519 --> 00:43:20,360
I'm gonna do yet, but I've been like, I've been

614
00:43:20,400 --> 00:43:21,559
tossing ideas around.

615
00:43:21,719 --> 00:43:21,960
Speaker 8: Yeah.

616
00:43:22,159 --> 00:43:25,199
Speaker 3: You know, I'm only like halfway through the writing process,

617
00:43:25,280 --> 00:43:26,599
so I get a little ways to go.

618
00:43:26,960 --> 00:43:27,599
Speaker 8: Yeah. Yeah.

619
00:43:28,639 --> 00:43:32,199
Speaker 9: It's funny how sometimes some people who are not I

620
00:43:32,239 --> 00:43:36,159
don't know, social media savvy or whatever, some people have

621
00:43:36,280 --> 00:43:39,639
this perception that that music videos are like a dead medium,

622
00:43:39,800 --> 00:43:42,159
you know what I mean, Right, Because MTV obviously hasn't

623
00:43:42,199 --> 00:43:43,760
for a couple of decades now, really been.

624
00:43:44,480 --> 00:43:45,639
Speaker 3: But really still making them.

625
00:43:45,679 --> 00:43:48,440
Speaker 8: And there's more more videos than ever really, right, they're.

626
00:43:48,239 --> 00:43:51,880
Speaker 3: Still pomping money and do these big videos millions of dollars,

627
00:43:51,960 --> 00:43:53,679
so they must be doing something.

628
00:43:53,920 --> 00:43:56,480
Speaker 9: Yeah, and the technology is advanced now where you know,

629
00:43:56,760 --> 00:43:57,960
anybody can do it.

630
00:43:59,559 --> 00:44:02,320
Speaker 3: And the new U what is it the vo three

631
00:44:03,119 --> 00:44:05,599
or whatever is the Google? The new Google? Oh ay

632
00:44:05,960 --> 00:44:09,760
that making making the sasquash of logs and all them.

633
00:44:09,880 --> 00:44:13,000
Oh my god, they're so good. Yeah, all these things.

634
00:44:13,480 --> 00:44:15,920
It's it's blowing my mind.

635
00:44:16,039 --> 00:44:17,320
Speaker 8: Yeah, it's a lot to keep up with.

636
00:44:18,079 --> 00:44:20,239
Speaker 3: I can't do it, you know what. I'm actually like,

637
00:44:20,320 --> 00:44:23,840
I'm trying to, like uh uh uh do everything as

638
00:44:23,960 --> 00:44:27,760
practical as possible lately, you know, like like I don't

639
00:44:27,800 --> 00:44:31,239
care if it looks cheesy. That's almost the point. Sure, sure,

640
00:44:32,559 --> 00:44:36,320
you know, uh man, because it's scary because you can

641
00:44:36,400 --> 00:44:41,239
make like beautiful, polished videos now with with just prompts.

642
00:44:41,320 --> 00:44:43,599
Oh yeah, oh yeah, you just tell it what you

643
00:44:43,719 --> 00:44:44,920
want and I'll do it.

644
00:44:45,199 --> 00:44:45,920
Speaker 8: Same with music.

645
00:44:45,960 --> 00:44:48,719
Speaker 9: We're actually we're talking about that with the Murphy Clark

646
00:44:48,760 --> 00:44:51,400
guys like Souno dot com and these we've done it

647
00:44:51,480 --> 00:44:53,719
live on the show. Is just an experiment and the

648
00:44:53,760 --> 00:44:56,519
stuff it spits out is really good.

649
00:44:57,000 --> 00:45:01,239
Speaker 3: I've I've used I've used it to separate tracks from

650
00:45:01,480 --> 00:45:04,000
old recordings of mine so that I can perform on

651
00:45:04,079 --> 00:45:07,320
live No kidding, right right, I've done that. Like uh

652
00:45:08,280 --> 00:45:10,039
Me and Huey the Gecko put out an album a

653
00:45:10,119 --> 00:45:12,880
few years ago called Pink Chicken, and yeah, I wanted

654
00:45:12,920 --> 00:45:15,079
to do some stuff off of that with him, but

655
00:45:15,159 --> 00:45:16,159
I didn't have anything.

656
00:45:16,480 --> 00:45:18,599
Speaker 8: Yeah, I didn't like like that.

657
00:45:18,880 --> 00:45:20,559
Speaker 3: That was a lot of sending back and forth, and

658
00:45:20,599 --> 00:45:23,000
he's like, so he had most of uh uh, like

659
00:45:23,159 --> 00:45:25,000
the drums and stuff. I didn't have any of it.

660
00:45:25,119 --> 00:45:27,440
So so I used a eye to separate it all

661
00:45:27,480 --> 00:45:30,280
and it worked, No kidding. It blows my mind, but

662
00:45:30,360 --> 00:45:33,280
I mean, uh I U. I use it to like

663
00:45:33,480 --> 00:45:35,320
describe my videos online.

664
00:45:35,480 --> 00:45:35,920
Speaker 8: Yeah, you know.

665
00:45:36,000 --> 00:45:39,480
Speaker 3: It just it gets you through all the writing process instantly.

666
00:45:39,559 --> 00:45:41,840
I don't mind that, Yeah, I don't mind. I use

667
00:45:41,880 --> 00:45:44,800
it a little bit to help me design for flyers.

668
00:45:45,719 --> 00:45:49,320
Uh and that's about it. Yeah, you know, but I

669
00:45:49,639 --> 00:45:50,239
do use it.

670
00:45:50,519 --> 00:45:50,760
Speaker 8: Yeah.

671
00:45:51,039 --> 00:45:54,199
Speaker 3: Yeah, it's scary how like how it can write hit

672
00:45:54,360 --> 00:45:58,360
songs and pop songs and they sound so good. I know,

673
00:45:58,679 --> 00:46:00,599
it's just putting everybody out of business.

674
00:46:00,960 --> 00:46:03,360
Speaker 9: Some of the things that Suno has generated actually get

675
00:46:03,440 --> 00:46:06,119
stuck in my head and it's like, oh.

676
00:46:06,280 --> 00:46:09,320
Speaker 3: No, because it's got an algorithm for you.

677
00:46:09,639 --> 00:46:13,559
Speaker 9: Yeah, exactly exactly, it's it's it's incredible. Of course, the

678
00:46:13,639 --> 00:46:16,760
sharks are already circling on that too, like Suno and Udio.

679
00:46:17,159 --> 00:46:18,960
There's a lot of people who want to see those

680
00:46:19,039 --> 00:46:20,519
go away. But I don't think you can put that

681
00:46:20,599 --> 00:46:21,119
genie back.

682
00:46:21,400 --> 00:46:23,639
Speaker 3: No, No, it's it's out there. It's like Napster.

683
00:46:23,719 --> 00:46:26,119
Speaker 9: You can't stop right right, Yeah, you got to adapt,

684
00:46:26,239 --> 00:46:28,199
and you know, the music industry figure out how.

685
00:46:28,119 --> 00:46:31,280
Speaker 3: To you know, after after Napster, everybody I learned that,

686
00:46:31,559 --> 00:46:34,400
all the all the artists learned that if you just

687
00:46:34,480 --> 00:46:36,719
give your music away, you can put the butts in

688
00:46:36,760 --> 00:46:39,280
the seats and I sell the tickets, and that's how

689
00:46:39,440 --> 00:46:41,440
that's how they got to make money moving forward.

690
00:46:41,400 --> 00:46:44,440
Speaker 9: Right right, which was really kind of the business model anyway.

691
00:46:44,599 --> 00:46:47,440
Just I mean, you always made more money, you know,

692
00:46:47,599 --> 00:46:48,239
big big By.

693
00:46:48,280 --> 00:46:50,800
Speaker 3: The artists never made money off the album exactly. It

694
00:46:50,920 --> 00:46:53,960
was always off merch and seats at the shows.

695
00:46:54,079 --> 00:46:56,360
Speaker 9: Oh yeah, exactly. I remember when I was a kid

696
00:46:56,440 --> 00:46:59,039
reading this was when I first kind of realized this.

697
00:46:59,119 --> 00:47:00,840
I was reading an inter you with meat Loaf and

698
00:47:00,920 --> 00:47:03,840
he was talking about how, you know, people think that

699
00:47:03,960 --> 00:47:06,320
people assume that bad Out of Hell, which sold you know,

700
00:47:06,440 --> 00:47:08,559
how many ever gazillion copies, made him rich.

701
00:47:09,320 --> 00:47:12,360
Speaker 8: And he's like, no, right, yeah, yeah, I mean that's

702
00:47:12,400 --> 00:47:12,840
what he said.

703
00:47:12,880 --> 00:47:15,159
Speaker 9: That and touring and he said he's the said he

704
00:47:15,239 --> 00:47:18,239
made he would get something like a quarter, like like

705
00:47:18,360 --> 00:47:22,119
literally twenty five cents per unit right for for albums sold.

706
00:47:22,599 --> 00:47:22,800
Speaker 16: You know.

707
00:47:23,280 --> 00:47:25,440
Speaker 8: It's like it kind of opened my eyes. So so

708
00:47:25,559 --> 00:47:26,360
that's how that works.

709
00:47:26,480 --> 00:47:30,239
Speaker 3: Yeah, Yeah, the record company get recoups all that money yep, yep,

710
00:47:30,360 --> 00:47:34,599
you know, forever, and they make you a big name

711
00:47:35,079 --> 00:47:36,760
for that. You can make your own money somewhere else.

712
00:47:36,960 --> 00:47:39,719
Speaker 9: Yeah, yeah, which is that there's value in that, right,

713
00:47:39,800 --> 00:47:43,559
But but yeah, it's a it's an interesting time to

714
00:47:43,599 --> 00:47:45,480
be alive, that's for sure.

715
00:47:45,960 --> 00:47:47,920
Speaker 8: That's for sure. So you now, do you know when

716
00:47:47,960 --> 00:47:51,039
your next show is? After after the show tonight or you?

717
00:47:51,199 --> 00:47:51,400
Speaker 4: Yeah?

718
00:47:51,599 --> 00:47:52,360
Speaker 8: Just kind of okay.

719
00:47:52,599 --> 00:47:54,840
Speaker 3: So so I got like three more shows after this.

720
00:47:55,280 --> 00:47:59,400
I got August twentieth, the sand Down Farmers Market, yeah,

721
00:47:59,800 --> 00:48:02,719
play in the apartments market, and August thirtieth, I am

722
00:48:02,800 --> 00:48:04,519
playing the Keen Music Festival.

723
00:48:04,639 --> 00:48:05,400
Speaker 8: Oh, very cool.

724
00:48:06,239 --> 00:48:08,679
Speaker 3: I'm excited about that. I've I've been trying for like

725
00:48:08,840 --> 00:48:11,920
three years now, and so I got in this year.

726
00:48:12,159 --> 00:48:12,400
Speaker 5: Nice.

727
00:48:12,559 --> 00:48:12,800
Speaker 4: Good.

728
00:48:12,840 --> 00:48:17,079
Speaker 3: And then October twenty fifth, I'm playing Grafton Palooza.

729
00:48:16,880 --> 00:48:21,679
Speaker 8: Okay, which is a new festival show. Oh that's new okay.

730
00:48:21,880 --> 00:48:25,360
Speaker 3: Yeah, yeah, but you know it seems like he's gathering

731
00:48:25,440 --> 00:48:27,880
up a bunch of names. So yeah, sweet, excited for

732
00:48:27,920 --> 00:48:29,039
that one as well. I'm excited.

733
00:48:29,480 --> 00:48:31,519
Speaker 8: No, that's good. That's good. Yeah, because you mentioned it,

734
00:48:31,679 --> 00:48:35,320
it's hard to find find venues to play, right, Yeah,

735
00:48:36,159 --> 00:48:38,280
I would. I would think you'd be kind of a dream.

736
00:48:39,719 --> 00:48:42,079
Speaker 9: A dream performer for a lot of venues because you're

737
00:48:42,159 --> 00:48:44,039
because you are self contained, right, right?

738
00:48:44,480 --> 00:48:46,000
Speaker 8: Is it that they just don't get it? They just

739
00:48:46,039 --> 00:48:46,920
don't get what you're doing.

740
00:48:47,679 --> 00:48:48,079
Speaker 3: I don't know.

741
00:48:49,280 --> 00:48:50,000
Speaker 4: I have no idea.

742
00:48:50,199 --> 00:48:53,400
Speaker 3: Like, honestly, if I knew what it was, then i'd

743
00:48:53,440 --> 00:48:53,800
be able to.

744
00:48:53,840 --> 00:48:56,000
Speaker 9: Fix it, because I'm sure that happens too, especially if

745
00:48:56,000 --> 00:48:58,480
you're dealing with somebody who maybe as a club owner,

746
00:48:58,559 --> 00:48:59,920
but they're you know, maybe they're.

747
00:48:59,760 --> 00:49:00,920
Speaker 3: Just they just don't get it.

748
00:49:01,000 --> 00:49:03,960
Speaker 8: They're just older and they don't you know, you explained

749
00:49:04,039 --> 00:49:04,840
to them.

750
00:49:05,800 --> 00:49:09,119
Speaker 3: Most solo guys have a guitar, or exactly most most

751
00:49:09,159 --> 00:49:10,480
of the time they have an acoustic guitar.

752
00:49:11,440 --> 00:49:15,440
Speaker 8: Mm hmm, yeah exactly. So you tell them or you

753
00:49:15,519 --> 00:49:16,840
show them what you're doing, and they're like.

754
00:49:17,400 --> 00:49:21,719
Speaker 3: Right, when I decided I was going to start doing this,

755
00:49:21,840 --> 00:49:24,000
I wanted to be different. Everybody out there goes out

756
00:49:25,800 --> 00:49:28,239
of your guests that play music, they play on acoustic guitar.

757
00:49:28,719 --> 00:49:33,840
And anytime you have somebody like like ce Bbie when

758
00:49:33,920 --> 00:49:36,920
she came in on a keyboard or an electric guitar,

759
00:49:37,039 --> 00:49:39,119
or if I see a bass player come into your show,

760
00:49:39,519 --> 00:49:40,039
I'm on it.

761
00:49:40,280 --> 00:49:40,519
Speaker 8: Yep.

762
00:49:40,920 --> 00:49:43,400
Speaker 3: But you know a lot of times when once the

763
00:49:43,480 --> 00:49:46,320
acoustics starts strumming, I'm I'm I'm out.

764
00:49:46,519 --> 00:49:49,719
Speaker 8: Yeah a little bit, you know, you know what you're getting. Yeah, yeah, yeah, so.

765
00:49:50,079 --> 00:49:53,000
Speaker 3: I'm you know, I wanted to I wanted to be

766
00:49:53,239 --> 00:49:56,840
something different that I enjoyed. I wanted to see someone

767
00:49:56,960 --> 00:49:57,280
do No.

768
00:49:57,400 --> 00:49:59,159
Speaker 8: I love it. I love it. I think it's awesome

769
00:49:59,320 --> 00:50:00,400
than you do.

770
00:50:00,440 --> 00:50:03,199
Speaker 9: You get people who when you when you do play live,

771
00:50:03,639 --> 00:50:05,480
like do people come up to you afterward and they're

772
00:50:05,559 --> 00:50:09,159
like kind of surprised, like like does it end up

773
00:50:09,159 --> 00:50:11,400
being something different than what they were expecting maybe.

774
00:50:11,280 --> 00:50:14,920
Speaker 3: Or yeah, I mean if there's people there, like I've

775
00:50:14,960 --> 00:50:17,239
played the empty houses before, you know, and you just

776
00:50:17,280 --> 00:50:18,719
play it like a practice.

777
00:50:18,440 --> 00:50:19,039
Speaker 8: Sure, yeah.

778
00:50:19,599 --> 00:50:19,800
Speaker 4: Yeah.

779
00:50:19,840 --> 00:50:24,760
Speaker 3: I usually get really really good reception yeah, from people

780
00:50:25,039 --> 00:50:27,800
to play live because they've never seen anything like.

781
00:50:27,840 --> 00:50:28,880
Speaker 8: It, right exactly?

782
00:50:29,440 --> 00:50:32,079
Speaker 9: Yeah, who, like, is there somebody out there who does

783
00:50:32,119 --> 00:50:34,119
something even remotely close to what you do that you

784
00:50:34,199 --> 00:50:35,320
can think of, or.

785
00:50:36,920 --> 00:50:40,280
Speaker 3: There's a bunch of busking people like, oh yeah, you

786
00:50:40,519 --> 00:50:44,159
use like like pedals, use a loop stations?

787
00:50:44,199 --> 00:50:45,679
Speaker 8: Yeah yeah, yeah, yeah, I've seen that.

788
00:50:45,960 --> 00:50:48,880
Speaker 3: Yeah, but that's that's about it. I haven't really seen

789
00:50:48,920 --> 00:50:51,320
any like that I know of that I can think

790
00:50:51,320 --> 00:50:53,400
about the top of my head bass players that do

791
00:50:53,559 --> 00:50:54,079
anything like this.

792
00:50:54,400 --> 00:50:54,639
Speaker 8: Yeah.

793
00:50:55,119 --> 00:50:57,440
Speaker 9: I was curious partly because I wondered if if there

794
00:50:57,480 --> 00:51:00,159
was someone you kind of tried to pattern your process after.

795
00:51:00,119 --> 00:51:03,159
Speaker 3: Or like it stole from everybody? Yeah, a little bit

796
00:51:03,199 --> 00:51:03,760
from everybody.

797
00:51:03,840 --> 00:51:05,159
Speaker 8: Yeah No, but you've.

798
00:51:05,039 --> 00:51:07,440
Speaker 9: Made it your own and it's it's really unique. So

799
00:51:07,639 --> 00:51:11,320
I think that's I think that's amazing everything that you've recorded,

800
00:51:11,320 --> 00:51:13,159
because you have recorded all the time goes so quick,

801
00:51:13,239 --> 00:51:14,480
but you have recorded a lot of music.

802
00:51:14,599 --> 00:51:16,719
Speaker 3: Is it all seven albums I've put out and.

803
00:51:16,760 --> 00:51:19,039
Speaker 8: It's all online, it's all it's all in band camp,

804
00:51:19,840 --> 00:51:20,440
it's everywhere.

805
00:51:20,679 --> 00:51:23,360
Speaker 3: Yeah yeah, the old disttro Kid they give it to everybody.

806
00:51:23,599 --> 00:51:28,159
Speaker 9: Oh yes, yes, very good, very good. So we should

807
00:51:28,280 --> 00:51:30,519
remind people one more time about tonight's show.

808
00:51:30,639 --> 00:51:34,719
Speaker 3: Oh yeah, yeah, yeah. So I'll be playing at Terminus Underground, Yeah,

809
00:51:35,480 --> 00:51:38,480
Haynes Street in Nashville and New Hampshire. All right, I'm

810
00:51:38,639 --> 00:51:42,599
gonna be playing with Atlanta Corvette with the great Huey

811
00:51:42,639 --> 00:51:42,960
the Get Go.

812
00:51:43,159 --> 00:51:49,159
Speaker 8: Yeah. We love Paradise and the Whole Loaf. Great great bands.

813
00:51:49,639 --> 00:51:51,800
Speaker 9: We haven't We've had all of them, except we haven't

814
00:51:51,800 --> 00:51:54,239
had Paradise, have we, I don't.

815
00:51:54,079 --> 00:51:57,280
Speaker 10: Think so they're just called Yeah, you should have them

816
00:51:57,360 --> 00:51:57,920
contact me.

817
00:51:58,079 --> 00:52:01,119
Speaker 8: We had somebody on the show with that in their name, right, yes, yeah,

818
00:52:01,199 --> 00:52:03,199
but not but not just Paradise. But yeah, it's just

819
00:52:03,280 --> 00:52:03,840
two of them.

820
00:52:04,840 --> 00:52:09,719
Speaker 3: I think a keyboard play. I haven't seen them yet,

821
00:52:09,760 --> 00:52:11,840
but I think it's just two of them. It's a dual.

822
00:52:12,119 --> 00:52:14,519
Speaker 9: Oh okay, yeah, yeah, we'll have to h we'll have

823
00:52:14,599 --> 00:52:16,159
to get them on and you know, and obviously we

824
00:52:16,239 --> 00:52:18,599
love what what they do, Eleanor and Andre, what they've

825
00:52:18,639 --> 00:52:18,920
done with.

826
00:52:20,039 --> 00:52:23,320
Speaker 8: Amazing, amazing, very good, very good.

827
00:52:23,559 --> 00:52:27,519
Speaker 9: In a moment, think think about I'll let you think

828
00:52:27,519 --> 00:52:30,519
about this while Jenny uh talks about what's going on tomorrow.

829
00:52:30,559 --> 00:52:32,159
But think about what you want me to play to

830
00:52:32,239 --> 00:52:34,360
end the show. I'll play one more track from Aaron

831
00:52:34,400 --> 00:52:36,400
and the Argonauts, one more studio track.

832
00:52:36,480 --> 00:52:39,000
Speaker 8: But Jenny, what's going on tomorrow? Tomorrow?

833
00:52:39,000 --> 00:52:40,599
Speaker 10: Are you gonna find Matt and I at the Great

834
00:52:40,679 --> 00:52:44,320
North Airworks for the Sunday Shakedown from one to five pm.

835
00:52:44,960 --> 00:52:48,679
Join artisans, local vendors, all kinds of great stuff there

836
00:52:48,920 --> 00:52:50,639
if you want to take a tootle down there today.

837
00:52:50,639 --> 00:52:53,039
They're also doing me here on tied I. I made

838
00:52:53,079 --> 00:52:55,840
myself a zip up last year. It came out really great. Yeah,

839
00:52:55,960 --> 00:52:58,559
so check out the Great North Airworks. They are located

840
00:52:58,639 --> 00:53:01,039
right here in the Queen City on holt.

841
00:53:01,000 --> 00:53:03,559
Speaker 8: A ten fifty holt ap And you said it's one

842
00:53:03,639 --> 00:53:04,719
to five, one.

843
00:53:04,679 --> 00:53:09,599
Speaker 10: To five, Yes, tomorrow, the Artisan the Sunday Shakedown, the

844
00:53:09,639 --> 00:53:11,639
Great Artisan Event. There's going to be lots of great

845
00:53:12,639 --> 00:53:15,239
yeah sorry, small business companies there.

846
00:53:15,440 --> 00:53:16,400
Speaker 3: He'll croft.

847
00:53:17,840 --> 00:53:20,840
Speaker 8: Jewelry, all kinds of goodies and then down and check

848
00:53:20,880 --> 00:53:22,280
it out. And there's something there today too.

849
00:53:22,360 --> 00:53:25,480
Speaker 10: Right today, they're doing make your Own Tied Eye this afternoon.

850
00:53:25,559 --> 00:53:26,280
Speaker 8: Yes, okay, they do.

851
00:53:26,320 --> 00:53:28,639
Speaker 10: You usually have t shirts and sweatshirts and all kinds

852
00:53:28,639 --> 00:53:30,440
of fun stuff and the lady that does it is

853
00:53:30,519 --> 00:53:31,400
just absolutely incredible.

854
00:53:31,440 --> 00:53:33,559
Speaker 8: I made myself a gorgeous zip up last year. Yeah,

855
00:53:33,760 --> 00:53:36,360
fishes in town, so it's a it's a weekend for tid.

856
00:53:36,239 --> 00:53:39,639
Speaker 10: Eye for tied Eye and they have a great Tied

857
00:53:39,719 --> 00:53:42,519
I beer. So check out Great North Airworks.

858
00:53:42,840 --> 00:53:44,719
Speaker 8: And you should plug your website too, because you've been

859
00:53:44,719 --> 00:53:45,440
doing a lot of stuff.

860
00:53:45,519 --> 00:53:47,039
Speaker 10: Yeah, you want to find out more about me in

861
00:53:47,079 --> 00:53:49,639
the trouble that I get into, go to Gencoffee dot com,

862
00:53:49,800 --> 00:53:51,840
j E N N c O F F e y

863
00:53:52,239 --> 00:53:52,599
dot com.

864
00:53:52,960 --> 00:53:55,199
Speaker 9: And by the way, our friend Slicko who called in

865
00:53:55,320 --> 00:53:58,480
earlier too, he's got a show tonight, hip hop show

866
00:53:58,639 --> 00:54:01,639
at Club Madison and Hampton. I'm not familiar with Club Madison,

867
00:54:01,679 --> 00:54:03,639
but it sounds like it's a new new venue. But

868
00:54:03,920 --> 00:54:05,360
I was great to hear from him because it's been

869
00:54:05,440 --> 00:54:09,000
literally years since we've since we've really talked.

870
00:54:08,800 --> 00:54:10,000
Speaker 8: To him as from the past.

871
00:54:10,119 --> 00:54:12,039
Speaker 3: Don't be so distant.

872
00:54:12,320 --> 00:54:14,760
Speaker 9: And also to just keep an eye on your social

873
00:54:14,840 --> 00:54:17,559
media because I believe this afternoon, Eric Pilcher and I

874
00:54:17,639 --> 00:54:20,920
will do another live stream of our podcast Tough Bumps.

875
00:54:21,480 --> 00:54:26,880
Uh so that will be today as well. So yes, yes,

876
00:54:27,159 --> 00:54:29,679
so always a lot going on. But thank you to

877
00:54:29,719 --> 00:54:32,400
everyone who joined us today. Of course Moonlight Eclips who

878
00:54:32,480 --> 00:54:35,719
joined us online all the way from Ireland, and uh,

879
00:54:35,800 --> 00:54:37,159
let's see. And then of course we had the Murphy

880
00:54:37,199 --> 00:54:38,880
Clark Band in the second hour, so thank you to

881
00:54:38,920 --> 00:54:42,079
Brian Murphy and Mike Clark. And if you miss any

882
00:54:42,079 --> 00:54:43,320
part of today's show, it'll be up in just a

883
00:54:43,320 --> 00:54:45,960
little bit at wmnhradio dot organ on my website Matt

884
00:54:46,000 --> 00:54:48,760
connorton dot com. And of course Aaron Billidoh, thank you

885
00:54:48,880 --> 00:54:51,159
so much, always always so much fun to have you on.

886
00:54:51,599 --> 00:54:54,239
And uh, good luck tonight at the show of course

887
00:54:54,599 --> 00:54:57,119
at Terminus Underground in Nashua.

888
00:54:57,599 --> 00:55:00,440
Speaker 3: And what should we play it on the show, Hiding

889
00:55:00,519 --> 00:55:01,440
behind the Sun.

890
00:55:01,599 --> 00:55:05,440
Speaker 9: Hiding behind the Sun from Aaron and the Argonauts. Let

891
00:55:05,480 --> 00:55:08,400
me get that all right, Very good, very good, and

892
00:55:09,000 --> 00:55:09,960
thank you again, thank you.

893
00:55:10,000 --> 00:55:11,039
Speaker 8: Everybody, thank you for having me.

894
00:55:11,079 --> 00:55:13,239
Speaker 9: We joined us today. Absolutely we will do it again

895
00:55:13,280 --> 00:55:14,840
in the future, and we'll close out with this. This

896
00:55:15,000 --> 00:55:17,840
is Hiding behind the Sun from the album Aaron and

897
00:55:18,000 --> 00:55:20,280
the Argonauts by Aaron Bilodeo.

898
00:55:36,000 --> 00:55:59,920
Speaker 7: Signal job.

899
00:56:02,000 --> 00:56:04,400
Speaker 3: From so far way.

900
00:56:06,519 --> 00:56:09,960
Speaker 7: But never.

901
00:56:13,599 --> 00:56:26,840
Speaker 18: Had the servoice.

902
00:56:38,320 --> 00:57:12,039
Speaker 7: You want to go, just say you the Sajo.

903
00:57:02,719 --> 00:57:08,480
Speaker 3: Curling Rin.

904
00:57:09,760 --> 00:57:27,000
Speaker 4: T come Son sl swirl.

905
00:57:29,079 --> 00:57:41,880
Speaker 7: One En Sun.

906
00:57:48,480 --> 00:57:49,639
Speaker 18: Look Boy.

907
00:57:52,760 --> 00:58:01,480
Speaker 7: Said nys so you don't die wa.

908
00:58:27,199 --> 00:58:30,199
Speaker 8: This is Eleanor Langthorne from Vices, Inc. And you're listening

909
00:58:30,280 --> 00:58:33,920
to Matt Connorton Unleashed on ninety five point three w

910
00:58:34,400 --> 00:58:35,119
m n H.

911
00:58:35,400 --> 00:58:37,280
Speaker 4: You're listening to w m n H.

912
00:58:41,960 --> 00:58:47,199
Speaker 2: The command don't get supreme lea Matzo coming

913
00:59:47,079 --> 00:59:47,280
Speaker 6: Yes,