1 00:00:24,879 --> 00:00:28,719 Speaker 1: Yeah, see sitting and living room. 2 00:00:29,120 --> 00:00:32,640 Speaker 2: Your life's gone by way too soon we can be 3 00:00:33,280 --> 00:00:34,200 I'm going. 4 00:00:34,039 --> 00:00:35,039 Speaker 3: Back in the bank. 5 00:00:35,560 --> 00:00:37,200 Speaker 1: We live by the times they. 6 00:00:37,079 --> 00:00:42,359 Speaker 4: Went to face rob towns that we shall now. 7 00:00:42,600 --> 00:00:44,799 Speaker 3: I know you did knockings. 8 00:00:45,000 --> 00:00:49,240 Speaker 2: You will seeking around with another dude. I can't set 9 00:00:49,479 --> 00:00:56,799 up be packing soon. I'm running away. I'm leaving today, 10 00:00:58,560 --> 00:00:59,920 coming back by. 11 00:01:01,560 --> 00:01:07,640 Speaker 5: Sorry to Leigo Salow, how broad away. 12 00:01:07,959 --> 00:01:10,599 Speaker 1: Oh, I'm leaving today. 13 00:01:11,120 --> 00:01:16,159 Speaker 4: I'm coming back to Sorry to lead Sala. 14 00:01:17,799 --> 00:01:20,280 Speaker 3: Yeah, I was making my child. 15 00:01:20,120 --> 00:01:23,480 Speaker 4: From an hour to the thought of being somewhere. 16 00:01:23,000 --> 00:01:26,040 Speaker 6: Else alone with you having me shook it off and 17 00:01:26,120 --> 00:01:26,680 shake him. 18 00:01:26,959 --> 00:01:28,439 Speaker 1: Don't know what to do. 19 00:01:31,319 --> 00:01:36,359 Speaker 3: So where you from? Where you breenough from my heaven? 20 00:01:36,560 --> 00:01:37,319 Done nothing? 21 00:01:37,599 --> 00:01:39,719 Speaker 2: And I don't really want to be the one who 22 00:01:39,799 --> 00:01:40,400 got caught. 23 00:01:40,719 --> 00:01:42,959 Speaker 3: H start always and all away. 24 00:01:43,359 --> 00:01:47,359 Speaker 2: And I'm saying I'm running away. 25 00:01:48,120 --> 00:01:52,400 Speaker 1: I'm leaving to day, not coming back to. 26 00:01:54,359 --> 00:02:00,120 Speaker 5: Sorry to Lego Salow, not Broada. 27 00:02:00,760 --> 00:02:09,039 Speaker 4: Oh, I'm leaving today. I'm coming back tomorrow. Sorry, leading Sorrow. 28 00:02:11,360 --> 00:02:13,199 Speaker 3: Sorry where you're from? 29 00:02:13,319 --> 00:02:14,240 Speaker 1: Where you been? 30 00:02:14,560 --> 00:02:17,400 Speaker 3: Not from my heaven? Nothing not there? 31 00:02:17,599 --> 00:02:19,719 Speaker 4: And I don't really want to be the one who 32 00:02:19,800 --> 00:02:20,439 got caught. 33 00:02:20,599 --> 00:02:22,960 Speaker 7: I donk go away and all away? 34 00:02:23,400 --> 00:02:26,159 Speaker 1: I'm running away. 35 00:02:26,599 --> 00:02:31,400 Speaker 4: I'm leaving today, I'm coming back tomorrow. 36 00:02:32,759 --> 00:02:33,759 Speaker 3: Sorry you don't leave. 37 00:02:33,680 --> 00:02:42,800 Speaker 5: You, say oh, yay, I'm running away. I'm leaving today, I'm. 38 00:02:42,560 --> 00:02:44,199 Speaker 1: Coming back tomorrow. 39 00:02:45,560 --> 00:02:48,000 Speaker 3: Sorry you don't leave you and say yay. 40 00:02:49,039 --> 00:03:07,560 Speaker 1: I'm running away. 41 00:03:07,840 --> 00:03:11,319 Speaker 8: That is Two Towns. That is called running Away. Welcome everybody, 42 00:03:11,719 --> 00:03:17,360 and we've got the two gentlemen from Two Towns. Welcome back, guys, 43 00:03:18,439 --> 00:03:21,400 very well, very well. So running Away was a track 44 00:03:21,639 --> 00:03:23,120 we had played the last time you were here. We're 45 00:03:23,120 --> 00:03:24,879 gonna play some new stuff though, because you've got this 46 00:03:24,919 --> 00:03:27,639 great new I want to talk about this uncovered and 47 00:03:27,719 --> 00:03:31,080 I listened to the whole thing and just really really good. 48 00:03:31,120 --> 00:03:34,479 I love the cover versions of these songs. But gentlemen, 49 00:03:34,520 --> 00:03:37,560 please each introduce yourselves and remind us who you are 50 00:03:37,639 --> 00:03:39,120 and what you do in Two Towns. 51 00:03:39,360 --> 00:03:42,000 Speaker 7: So, yeah, I'm Zack. I'm the front man of Two Towns. 52 00:03:42,039 --> 00:03:45,400 And do you all like the vocals and like some 53 00:03:45,520 --> 00:03:48,719 backing guitar and piano and harmonica and all the fancy stuff. 54 00:03:48,759 --> 00:03:52,759 Speaker 9: So okay, yeah, I'm a James or j Money. I 55 00:03:52,800 --> 00:03:55,599 do the lead acoustic guitar, and I keep Zack in line. 56 00:03:55,680 --> 00:03:57,879 Speaker 8: Yeah pretty much, Okay, very good, very good. Well, it's 57 00:03:57,879 --> 00:04:00,000 wonderful to have you guys back. Jenny looked it up. 58 00:04:00,080 --> 00:04:05,080 It was June the last time that that you guys 59 00:04:05,080 --> 00:04:07,159 were here, so it's really good to have you here. 60 00:04:08,800 --> 00:04:11,840 Tell us about tell us about the new project Uncovered, 61 00:04:11,879 --> 00:04:15,560 and uh, why why did you decide to do this? 62 00:04:15,599 --> 00:04:17,560 And I'm curious too to know, you know, and we'll 63 00:04:17,560 --> 00:04:19,120 play some of them today, but I'm curious to know 64 00:04:19,879 --> 00:04:21,920 what went into choosing these songs to cover. 65 00:04:22,480 --> 00:04:24,560 Speaker 7: So we changed the name of it. It's called Two 66 00:04:24,560 --> 00:04:27,680 Towns Covered Up and that's gonna be the album name. 67 00:04:27,680 --> 00:04:29,439 We're gonna put it out April four. Yeah, we changed 68 00:04:29,439 --> 00:04:31,360 the name. We decided would go with something else, okay, 69 00:04:31,519 --> 00:04:33,639 but yeah, we're gonna put it out on April fourth. 70 00:04:34,040 --> 00:04:37,720 And we kind of just we wanted a mix of 71 00:04:37,800 --> 00:04:41,639 songs that we do live, that we truly feel has 72 00:04:41,639 --> 00:04:45,240 a connection with the audience when we play them, or 73 00:04:45,439 --> 00:04:50,800 just something that's less boring. We just wanted some stuff that, like, 74 00:04:50,959 --> 00:04:54,279 for example, like Atlantic City Bruce Springsteen. Like the original 75 00:04:54,360 --> 00:04:56,319 it's great and all, but we just wanted to like 76 00:04:56,439 --> 00:04:59,319 kind of bring it up to more like modern times, 77 00:04:59,519 --> 00:05:04,079 especially with how audio engineering has changed in mixing and 78 00:05:04,120 --> 00:05:06,040 mastering has changed, so we kind of just wanted to 79 00:05:06,480 --> 00:05:08,560 bring it into the new era. I guess. Yeah, we 80 00:05:08,600 --> 00:05:09,639 did with a lot of the songs. 81 00:05:09,720 --> 00:05:12,240 Speaker 8: So no, that makes sense, you know, because you chose 82 00:05:12,279 --> 00:05:16,360 things that are not necessarily I mean some of these 83 00:05:16,360 --> 00:05:19,720 I would imagine if you know, when you play them out, 84 00:05:19,879 --> 00:05:22,800 people don't necessarily know that they're covers, right, I mean, 85 00:05:23,079 --> 00:05:26,079 because you didn't go with like the obvious. You know, 86 00:05:26,120 --> 00:05:28,519 there's there's certain songs that when someone says, Okay, I'm 87 00:05:28,519 --> 00:05:31,279 gonna do a covers album, there's certain songs or certain 88 00:05:31,399 --> 00:05:33,759 artists who are just kind of obvious. But these are 89 00:05:34,079 --> 00:05:35,759 a little more I don't know if obscure is quite 90 00:05:35,759 --> 00:05:40,680 the right word, but but not not what one expects necessarily, right, Yeah. 91 00:05:40,839 --> 00:05:44,560 Speaker 7: Yeah, we definitely tried to stay away from like really 92 00:05:45,680 --> 00:05:48,360 known stuff, Like there's there's definitely some on there that 93 00:05:48,399 --> 00:05:50,560 are like, Okay, yeah, this is this is something I know, 94 00:05:50,680 --> 00:05:52,160 or this is something that my friends know. 95 00:05:52,519 --> 00:05:53,279 Speaker 8: Yeah. 96 00:05:53,319 --> 00:05:55,879 Speaker 7: But then we also tried to like do like cough 97 00:05:55,920 --> 00:05:59,279 Syrup in Atlantic City and like mash two Luminier songs 98 00:05:59,319 --> 00:06:00,839 together just because as we kind of could. 99 00:06:01,279 --> 00:06:05,680 Speaker 8: Yeah, were there any of these that you found particularly 100 00:06:05,800 --> 00:06:08,480 challenging to learn or to kind of cause you're not 101 00:06:08,920 --> 00:06:11,360 and you're not just learning them, you're also kind of 102 00:06:11,399 --> 00:06:13,399 putting your own spin, on your own vibe on them. 103 00:06:13,600 --> 00:06:13,800 Speaker 7: Yeah. 104 00:06:13,839 --> 00:06:15,439 Speaker 8: Were there any of these that were kind of challenging? 105 00:06:15,839 --> 00:06:18,680 Speaker 10: Would you mind? I had never heard that song before 106 00:06:18,720 --> 00:06:19,439 the day of recording? 107 00:06:19,519 --> 00:06:20,160 Speaker 8: Oh, no kidding. 108 00:06:20,240 --> 00:06:22,000 Speaker 9: Yeah, so Zach kind of just threw it in front 109 00:06:22,000 --> 00:06:23,399 of me and was like, we're doing it. So I 110 00:06:23,519 --> 00:06:24,879 learned it and it turned out great. 111 00:06:24,920 --> 00:06:28,319 Speaker 8: But yeah, yeah, but yeah, so you had never heard 112 00:06:28,319 --> 00:06:31,160 it before, so that that's a little extra challenging, right, Yeah, yeah, no, 113 00:06:31,319 --> 00:06:34,120 that makes sense, that makes sense. Were there any of 114 00:06:34,160 --> 00:06:36,879 these that you decided to learn that were easier than 115 00:06:36,920 --> 00:06:39,279 you expected that just kind of just came together like that? 116 00:06:40,879 --> 00:06:42,600 Speaker 7: The Way Down was really easy? 117 00:06:42,759 --> 00:06:42,959 Speaker 8: Really? 118 00:06:43,000 --> 00:06:44,959 Speaker 7: Yeah, Like I thought that was that one was gonna 119 00:06:44,959 --> 00:06:47,759 be way harder, but that was really easy, no kidding. 120 00:06:47,879 --> 00:06:50,639 That one just kind of came together and flowed. Yeah, 121 00:06:50,680 --> 00:06:52,319 that was one of the first ones we actually got done. 122 00:06:52,240 --> 00:06:54,240 Speaker 10: There didn't have to really change a bunch of it. 123 00:06:54,360 --> 00:06:57,399 Speaker 8: Oh that's cool. Yeah, that's cool. Are you playing these? 124 00:06:57,439 --> 00:06:59,920 Are you actively playing these out? Have these been okay? 125 00:07:00,079 --> 00:07:02,439 Speaker 7: Yep, We're gonna start playing the live or booking shows 126 00:07:02,480 --> 00:07:04,759 as we speak. I think we're up to like forty 127 00:07:04,800 --> 00:07:07,480 five dates on the summer run, so we'll see what's 128 00:07:07,519 --> 00:07:10,199 gonna happen. But yeah, okay, keep adding as we go. 129 00:07:10,399 --> 00:07:12,839 Speaker 8: And you're playing them as two towns or yep, okay, 130 00:07:13,160 --> 00:07:15,279 I remember last time I made the mistake. I kept 131 00:07:15,319 --> 00:07:17,120 I think I might have been because of Facebook or 132 00:07:17,120 --> 00:07:19,319 Instagram or something. I kept calling you guys two Towns band, 133 00:07:19,399 --> 00:07:22,240 but it's actually just two towns. Yeah, but is it always? 134 00:07:22,319 --> 00:07:23,920 Is it still always the two of you live? Or 135 00:07:23,959 --> 00:07:25,399 do you have other musicians who join you? 136 00:07:25,519 --> 00:07:26,279 Speaker 10: Just the two of us? 137 00:07:26,519 --> 00:07:29,160 Speaker 8: That must be nice because you know it's simpler, right, 138 00:07:29,199 --> 00:07:31,040 you don't have to check with three other four other 139 00:07:31,120 --> 00:07:33,160 five other people. When when did you go to book 140 00:07:33,160 --> 00:07:33,480 a show? 141 00:07:33,600 --> 00:07:35,879 Speaker 7: Yep, I've done that whole band thing. No, thank you, 142 00:07:36,560 --> 00:07:38,959 it's just too it's too complicated. Everybody wants their own 143 00:07:38,959 --> 00:07:40,920 opinion and their own spin on things. With this, it's 144 00:07:41,040 --> 00:07:44,000 just two brains and it's just okay, we're gonna go 145 00:07:44,040 --> 00:07:46,480 do this, and there's usually no disagreement, and if there is, 146 00:07:46,519 --> 00:07:47,959 it's just easy to get past. 147 00:07:48,160 --> 00:07:48,399 Speaker 1: Yeah. 148 00:07:48,519 --> 00:07:53,160 Speaker 8: No, that's great, that's great. And on the album though, 149 00:07:53,560 --> 00:07:57,279 like what are is the album just all you guys 150 00:07:57,279 --> 00:07:58,480 are Do you have some other do you have some 151 00:07:58,519 --> 00:08:00,319 guest musicians? Oh, we do have. 152 00:08:00,560 --> 00:08:02,759 Speaker 7: We had a guest musician do some electric guitar work, 153 00:08:03,000 --> 00:08:06,279 Tucker Tucker reeneh Art. He was great and he did. 154 00:08:06,720 --> 00:08:08,800 He's probably on like three or four songs on the album. 155 00:08:08,839 --> 00:08:11,360 And it's just like a few spots where we need 156 00:08:11,360 --> 00:08:13,040 an electric guitar and we're like, okay, we got a 157 00:08:13,040 --> 00:08:14,839 guy who knows how to do this, and. 158 00:08:15,000 --> 00:08:18,040 Speaker 9: Yeah, yeah, then Eric Eric is on base our producer. 159 00:08:18,199 --> 00:08:20,839 Speaker 7: Yes, okay, Eric Eric from Blackheart. That was he did 160 00:08:20,920 --> 00:08:23,079 such a good Eric yep, solder. 161 00:08:23,519 --> 00:08:29,240 Speaker 8: Of anyone who records, produces, any of it, engineers who 162 00:08:29,279 --> 00:08:31,000 is active in the scene, his name comes up more 163 00:08:31,040 --> 00:08:31,800 than anybody else. 164 00:08:32,120 --> 00:08:33,519 Speaker 7: He is fantastic. 165 00:08:33,559 --> 00:08:35,759 Speaker 8: Oh yeah, yeah, no, he is. He's amazing, and we 166 00:08:35,759 --> 00:08:37,679 had him on the show. I don't know how long 167 00:08:37,679 --> 00:08:39,000 ago it was now, I was less than a year, 168 00:08:39,039 --> 00:08:40,799 but I remember, you know, Sandu him. It's great to 169 00:08:40,799 --> 00:08:42,519 finally have Beyond because your name comes up on the 170 00:08:42,519 --> 00:08:46,960 show constantly. No, he is amazing at what he does. Absolutely, 171 00:08:47,080 --> 00:08:48,320 how did you come to work with him? 172 00:08:48,720 --> 00:08:51,799 Speaker 7: So we were gonna work with. There was another studio 173 00:08:52,600 --> 00:08:56,320 in match that had closed down. Oh I don't remember 174 00:08:56,320 --> 00:08:57,879 which one it is, but closed down to do some 175 00:08:58,039 --> 00:09:01,840 building issues or something. But after that the name came up. 176 00:09:01,840 --> 00:09:04,000 They were like, oh, we're closing down, but this guy 177 00:09:04,279 --> 00:09:06,519 Eric at Blackheart, like he's the guy you want to 178 00:09:06,519 --> 00:09:09,120 go work with. Well while we're shut down, And then 179 00:09:09,159 --> 00:09:11,279 eventually they didn't open up again, so we're like, all right, 180 00:09:11,279 --> 00:09:12,960 we just guess we're just gonna go work with Eric. 181 00:09:13,120 --> 00:09:15,360 Speaker 8: Oh it was fate, probably worked out for the best. 182 00:09:15,440 --> 00:09:16,360 Speaker 7: Yeah, it worked out great. 183 00:09:16,399 --> 00:09:19,080 Speaker 8: Yeah, yeah, absolutely. Was the entire album recorded with him. 184 00:09:19,120 --> 00:09:21,440 Speaker 7: Yep, entire album was recorded with Eric. We're actually going 185 00:09:21,519 --> 00:09:25,080 back in June for this album was recorded probably the 186 00:09:25,120 --> 00:09:28,159 span of like three days, I would say. And then 187 00:09:28,240 --> 00:09:30,720 we're gonna go back in June and we're doing a 188 00:09:30,720 --> 00:09:33,000 whole week with Eric, and we're just gonna get a 189 00:09:33,080 --> 00:09:35,399 whole original album out and hopefully have that out by 190 00:09:35,399 --> 00:09:35,759 the fall. 191 00:09:35,879 --> 00:09:40,919 Speaker 8: Oh fantastic, fantastic. Well, let's play something from the new album. 192 00:09:40,960 --> 00:09:43,440 So it's called uncovered covered up? Oh covered up? Why 193 00:09:43,440 --> 00:09:47,200 do I keep saying uncovered? I'm sorry, covered up? What 194 00:09:47,279 --> 00:09:49,480 should we I mean? I'll let you guys pick. I mean, 195 00:09:49,559 --> 00:09:50,600 they're all great. 196 00:09:50,519 --> 00:09:53,639 Speaker 7: But start from top Astra. I was hoping you'd say 197 00:09:53,639 --> 00:09:57,879 that was my personal favorite. It was my favorite. Now yeah, 198 00:09:57,919 --> 00:10:01,480 I don't know what it was. And who does this 199 00:10:01,559 --> 00:10:06,440 originally Mountjoy Mount Jos. Okay, yeah, this is This is 200 00:10:06,440 --> 00:10:08,360 an example of the song I was not familiar with, 201 00:10:08,440 --> 00:10:10,279 but I was listening to it and I. 202 00:10:10,679 --> 00:10:12,399 Speaker 8: This is so good. All right, check it out. This 203 00:10:12,559 --> 00:10:16,440 is astro van as covered by two towns. 204 00:10:29,440 --> 00:10:31,440 Speaker 3: Angels smoking cigar. 205 00:10:31,759 --> 00:10:42,759 Speaker 11: It's sotop sinfishness in the mall with room steel. He 206 00:10:42,919 --> 00:10:47,960 comes Jesus in in a strow van, rolling down the street. 207 00:10:48,080 --> 00:10:54,840 Speaker 12: Beginy Stone Wild Jay play. 208 00:10:55,399 --> 00:10:58,840 Speaker 3: You see lifing ever what he seems? 209 00:10:59,000 --> 00:11:02,039 Speaker 11: These streams some more than paper things. 210 00:11:02,639 --> 00:11:08,639 Speaker 6: He's our momy over a brain. Now people along the way, 211 00:11:09,360 --> 00:11:10,159 I don't want. 212 00:11:10,000 --> 00:11:15,320 Speaker 11: To see those tears get you know, Jesus jobs a nastrove. 213 00:11:15,639 --> 00:11:23,720 Then yes it does, he said. 214 00:11:36,080 --> 00:11:36,960 Speaker 6: To my heart. 215 00:11:37,159 --> 00:11:41,519 Speaker 12: There's a holy goal strip and none go know, but 216 00:11:41,679 --> 00:11:46,200 those who know the best ones delp book come down. 217 00:11:49,360 --> 00:11:53,879 If I love that zip Matos are reaching now who 218 00:11:54,200 --> 00:12:02,679 the greed known? Every y has their rule Ooo, because 219 00:12:02,799 --> 00:12:05,440 life thing never what he seems. 220 00:12:05,679 --> 00:12:08,720 Speaker 3: These dreams of all and baby things. 221 00:12:09,360 --> 00:12:15,320 Speaker 13: It's all right, mommy or afraid now before a long way. 222 00:12:16,039 --> 00:12:19,039 Speaker 11: I don't want to see those tears again, you know. 223 00:12:19,840 --> 00:12:22,679 Jesus jobs a nastrove ven. 224 00:12:25,559 --> 00:12:26,039 Speaker 1: Is it does? 225 00:12:28,679 --> 00:12:29,080 Speaker 2: I said? 226 00:12:36,000 --> 00:12:40,679 Speaker 11: When I see those angels on who I know how 227 00:12:41,039 --> 00:12:45,559 made it? When my do be smoking, Jesus. 228 00:12:45,240 --> 00:12:48,159 Speaker 3: Puts my name upon his guestless. 229 00:12:48,759 --> 00:12:53,919 Speaker 14: He said, you're famous in heaven or maybe famous in heaven, 230 00:12:55,080 --> 00:12:57,200 or maybe there is no heaven. 231 00:12:58,159 --> 00:13:01,840 Speaker 3: H Maybe we'll all alone together now. 232 00:13:02,519 --> 00:13:05,320 Speaker 2: And I don't want to see those tears A gay 233 00:13:05,720 --> 00:13:12,879 lord Jesus Chrials and Astrovan is he done? 234 00:13:34,399 --> 00:13:37,080 Speaker 8: Oh? That is so good. That is so good. That 235 00:13:37,279 --> 00:13:41,279 is two towns doing astro Van by Mountjoy. That's the 236 00:13:41,759 --> 00:13:45,360 original artists on that. Yep, very very good, good good job. 237 00:13:46,000 --> 00:13:49,159 Do you guys have Do we each have favorites on this? 238 00:13:49,559 --> 00:13:52,879 On this album uncovered, I keep changing mind. Yeah, yeah, 239 00:13:53,120 --> 00:13:55,120 I like to change it every other day. Astra Van 240 00:13:55,200 --> 00:13:58,360 Astravan's up there. Astra Vans in my top three. Yeah, no, 241 00:13:58,519 --> 00:13:59,440 vacancy is up there. 242 00:13:59,639 --> 00:14:02,120 Speaker 7: That will definitely that one was my favorite for the 243 00:14:02,200 --> 00:14:03,919 longest time. I was just like, Yep, that's gonna be 244 00:14:03,919 --> 00:14:05,720 the best song on the album. Then I heard Astravan. 245 00:14:05,759 --> 00:14:08,519 I was like, oh, maybe it's that one. I had 246 00:14:08,559 --> 00:14:12,759 to come in with a third, probably be sleep on 247 00:14:12,840 --> 00:14:14,919 your ho Hey? That one is that one came out 248 00:14:14,960 --> 00:14:15,360 really well? 249 00:14:15,519 --> 00:14:17,759 Speaker 8: Yeah, yeah I did. I never you know, it's funny 250 00:14:18,039 --> 00:14:19,720 until I listened to it. Well until I saw it 251 00:14:19,720 --> 00:14:21,000 and listen to it, I never knew that that was 252 00:14:21,039 --> 00:14:22,279 the actual title of the song. 253 00:14:22,799 --> 00:14:24,639 Speaker 7: That is not the actual title of the song. So 254 00:14:24,759 --> 00:14:27,720 what we did not no, oh, we took one song 255 00:14:27,799 --> 00:14:29,879 by them and another song by them and just mashed 256 00:14:29,919 --> 00:14:30,399 them together. 257 00:14:30,679 --> 00:14:32,080 Speaker 8: Oh, I didn't even realize yet. 258 00:14:32,120 --> 00:14:33,759 Speaker 7: We play the first half of one of their songs, 259 00:14:33,799 --> 00:14:36,639 sleep on the Floor, okay, and then we play the 260 00:14:37,120 --> 00:14:40,159 entirety of ho Hey oh, and we do it live. 261 00:14:40,360 --> 00:14:42,519 We do it live during our shows, Like we're like, okay, 262 00:14:42,600 --> 00:14:45,960 this song, that's second half boring, you can't get through 263 00:14:46,000 --> 00:14:50,480 the whole thing. So we decided to put the first 264 00:14:50,519 --> 00:14:52,879 half of that song of sleep on the Floor and 265 00:14:53,360 --> 00:14:56,440 the interesting ho Hey, which is more upbeat and energetic, 266 00:14:56,720 --> 00:15:00,080 and just mash them together during our shows. And they're like, well, 267 00:15:00,120 --> 00:15:01,279 if we do it during the show, why not do 268 00:15:01,360 --> 00:15:02,080 it on the album. 269 00:15:02,279 --> 00:15:05,320 Speaker 8: That kind of explains my confusion. Yep, but they obviously 270 00:15:05,519 --> 00:15:07,879 they go together well, because I didn't even realize that 271 00:15:08,159 --> 00:15:09,600 as I was listening to it. It didn't occur to 272 00:15:09,639 --> 00:15:11,679 me that they were two different songs. It's like, oh, 273 00:15:12,799 --> 00:15:14,840 oh that's cool. Now what about what about you, James? 274 00:15:14,879 --> 00:15:15,519 Do you have favorites? 275 00:15:15,639 --> 00:15:15,840 Speaker 10: Oh? 276 00:15:15,919 --> 00:15:18,720 Speaker 9: Yeah, mine are more of the like mellow would you 277 00:15:18,840 --> 00:15:24,120 mind sleep on your he and then COFs there are 278 00:15:24,159 --> 00:15:24,679 my favorite. 279 00:15:24,919 --> 00:15:26,639 Speaker 10: That was my idea. He is not a fan, but 280 00:15:26,759 --> 00:15:27,679 oh no kidding it. 281 00:15:27,960 --> 00:15:29,600 Speaker 7: It came out good. It came out better than I thought. 282 00:15:29,639 --> 00:15:31,840 But like, when we did it, we're like, we're really gonna. 283 00:15:31,639 --> 00:15:32,080 Speaker 3: Do that one? 284 00:15:32,320 --> 00:15:34,039 Speaker 10: Really, we were drawing it up. That's the one that 285 00:15:34,080 --> 00:15:35,519 I wanted for sure to Yeah. 286 00:15:35,600 --> 00:15:37,360 Speaker 7: Yeah, but you had to be talked into it, Zach, 287 00:15:37,840 --> 00:15:40,440 I mean a little bit the original is. I mean 288 00:15:40,519 --> 00:15:43,159 we're not we're both not huge fans of the original, 289 00:15:43,240 --> 00:15:45,360 but when we play it live, we like the more 290 00:15:45,480 --> 00:15:47,519 mellow toned down version of it. I think, like the 291 00:15:47,600 --> 00:15:49,759 originals a little got a lot, It's got a lot 292 00:15:49,879 --> 00:15:52,799 going on. So taking it and stripping it down definitely 293 00:15:53,440 --> 00:15:56,039 made me like it more. Okay, So yeah, I'm glad 294 00:15:56,080 --> 00:15:56,879 we put it on we did. 295 00:15:56,960 --> 00:15:59,399 Speaker 9: Similar things with Would you mind because the original is 296 00:15:59,399 --> 00:16:01,519 a big lots of stuff. 297 00:16:01,759 --> 00:16:03,320 Speaker 10: Yeah, we just got it pretty simple. 298 00:16:03,519 --> 00:16:10,039 Speaker 8: Yeah. Yeah. When you're recording these, do you record them 299 00:16:10,120 --> 00:16:13,799 with keeping mind like playing them live, how it's going 300 00:16:13,840 --> 00:16:15,240 to be to play them live? Do you keep that 301 00:16:15,360 --> 00:16:18,440 in mind? Or do you not worry about that part 302 00:16:18,480 --> 00:16:20,639 and say, we just want these to sound awesome and 303 00:16:20,720 --> 00:16:23,159 we'll figure the live part out later, Like what's kind 304 00:16:23,159 --> 00:16:24,879 of your approach to that? Do you think about that 305 00:16:25,000 --> 00:16:25,519 part or no? 306 00:16:26,240 --> 00:16:28,000 Speaker 7: I mean I think that's probably the way we go 307 00:16:28,080 --> 00:16:29,519 with it. It is just like you just want it 308 00:16:29,600 --> 00:16:32,200 to sound as good as we possibly can, and then 309 00:16:33,120 --> 00:16:35,120 we'll just worry about playing it live after. Even if 310 00:16:35,159 --> 00:16:37,120 we have to play the stripped down versions live or 311 00:16:37,480 --> 00:16:39,240 whatever we got to do, or play with the backing track, 312 00:16:39,320 --> 00:16:40,159 then that's what we'll do. 313 00:16:40,480 --> 00:16:40,679 Speaker 1: Yeah. 314 00:16:40,879 --> 00:16:42,960 Speaker 8: Yeah, I was curious because you know, a lot of 315 00:16:42,960 --> 00:16:45,159 people I've interviewed over the years, I'll say, well, when 316 00:16:45,159 --> 00:16:47,279 we go into the studio or when we go to record, 317 00:16:47,360 --> 00:16:50,279 however we record, you know, we think a lot about, 318 00:16:50,360 --> 00:16:52,159 you know, can we pull this off live? What we 319 00:16:52,279 --> 00:16:54,600 do in the studio, because to some musicians it's really 320 00:16:54,600 --> 00:16:57,559 important to be able to duplicate that live. But I've 321 00:16:57,639 --> 00:16:59,720 always looked at it as like, like what you were 322 00:16:59,759 --> 00:17:02,919 just you know, if live, if it's going to be 323 00:17:03,039 --> 00:17:05,759 more of a stripped down version because you can't replicate 324 00:17:05,799 --> 00:17:08,559 what you did in the studio exactly live. Who cares? 325 00:17:08,680 --> 00:17:11,039 So it's a more stripped down version. That's cool too, write, 326 00:17:11,119 --> 00:17:12,799 you know, because I like what when I go to 327 00:17:12,839 --> 00:17:17,319 see somebody live, I like hearing a different interpretation perhaps 328 00:17:17,559 --> 00:17:21,480 of you know, what they recorded, or if it's more 329 00:17:21,720 --> 00:17:25,279 raw and stripped down. That's I like that, you know 330 00:17:25,319 --> 00:17:27,559 what I mean, Like, it's like, Okay, it's live, it 331 00:17:27,599 --> 00:17:29,839 should be you know. Sometimes that gives it a little 332 00:17:29,880 --> 00:17:31,000 extra energy, you know, or. 333 00:17:31,119 --> 00:17:33,680 Speaker 7: Yeah, changes it up, And that's exactly why we did it. 334 00:17:33,720 --> 00:17:36,240 It's like, Okay, maybe people want to hear something different. 335 00:17:36,400 --> 00:17:39,440 Speaker 8: Yeah, yeah, absolutely. Are you guys playing a lot? Because 336 00:17:39,480 --> 00:17:41,119 I looked at from what I saw online, it looks 337 00:17:41,160 --> 00:17:42,640 like you're you're pretty active, right. 338 00:17:42,680 --> 00:17:46,400 Speaker 7: We played I think last in the past year. I 339 00:17:46,440 --> 00:17:49,319 think we cleared like eighty five to one hundred and 340 00:17:49,359 --> 00:17:50,480 fifteen shows last year. 341 00:17:50,599 --> 00:17:51,440 Speaker 8: Oh, that's really good. 342 00:17:51,599 --> 00:17:55,119 Speaker 7: This year, we haven't started our like show runs yet, 343 00:17:55,200 --> 00:17:58,359 but we're going to start next month. We're gonna start 344 00:17:58,359 --> 00:18:01,279 in May. Actually we're starting in May over at Telly's. 345 00:18:01,319 --> 00:18:03,200 That's gonna be the first day. I think it's May fifteen, 346 00:18:03,920 --> 00:18:05,759 and then yeah, it's just going to take off from there. 347 00:18:05,759 --> 00:18:07,960 I think we got like forty five dates so far 348 00:18:08,039 --> 00:18:09,680 and we're just gonna keep adding them as we go. 349 00:18:09,960 --> 00:18:14,000 Speaker 8: Excellent, excellent? Are you are? Is there anybody that you're 350 00:18:14,000 --> 00:18:16,400 playing a lot of shows with, you know, sometimes Ban's 351 00:18:16,559 --> 00:18:19,119 team up or it happens organically with other. 352 00:18:20,759 --> 00:18:26,359 Speaker 7: I don't know which one right, maybe, Yeah, we're working 353 00:18:26,400 --> 00:18:28,799 on some shows in Vermont and like doing some like 354 00:18:29,000 --> 00:18:33,039 bigger stuff. Oh nice, but yeah, because I'm from Vermont 355 00:18:33,079 --> 00:18:35,759 and I we had like a pretty pretty strong following 356 00:18:35,839 --> 00:18:38,079 Vermont when we started out because that's where we originally 357 00:18:38,119 --> 00:18:41,400 started out. And then I moved down here and we 358 00:18:41,559 --> 00:18:43,519 just kind of like it's not like a restart, but 359 00:18:44,400 --> 00:18:46,440 it's like, oh, we gotta kind of got to build 360 00:18:46,480 --> 00:18:47,440 it up again. 361 00:18:47,720 --> 00:18:47,960 Speaker 15: Yeah. 362 00:18:48,240 --> 00:18:51,519 Speaker 7: So yeah, it's definitely it's easier to book shows in 363 00:18:51,559 --> 00:18:54,240 different places than it is other places. So we're really 364 00:18:54,279 --> 00:18:57,119 trying to break into Boston Marcas. We play a few 365 00:18:57,240 --> 00:19:00,480 venues in Boston, but we definitely want to have it 366 00:19:00,559 --> 00:19:02,400 more be the like mainstream places. 367 00:19:02,640 --> 00:19:05,240 Speaker 8: Yeah, no, that makes sensese, makes sense. Well, we should 368 00:19:05,240 --> 00:19:09,039 play another track from Uncovered. I'll let you guys pick 369 00:19:09,079 --> 00:19:10,440 what do you what do you want to play next? 370 00:19:12,160 --> 00:19:13,920 Speaker 7: Broken Window? Broken Window Serenade? 371 00:19:14,519 --> 00:19:15,200 Speaker 8: Okay, thank you? 372 00:19:15,599 --> 00:19:17,680 Speaker 7: And who does that originally Whiskey Myers. 373 00:19:17,799 --> 00:19:20,799 Speaker 8: Whiskey Myers. Now that's somebody else. I'm not who's Whiskey Myers. 374 00:19:20,839 --> 00:19:21,680 I'm not familiar with them. 375 00:19:21,759 --> 00:19:26,000 Speaker 7: They're like they country southern rock, Like yeah, like a 376 00:19:26,079 --> 00:19:30,319 southern ish country rock. They Yeah, they're kind of like 377 00:19:30,759 --> 00:19:33,440 not new to the scene, but like they're up and 378 00:19:33,519 --> 00:19:35,039 coming definitely in the past three years. 379 00:19:35,359 --> 00:19:37,440 Speaker 8: Okay, okay, I was gonna say, yeah, I hadn't heard 380 00:19:37,440 --> 00:19:39,920 of them, but uh, but it's funny with a name 381 00:19:40,039 --> 00:19:43,240 like Whiskey Myers, it it makes sense that they would 382 00:19:43,240 --> 00:19:44,839 be kind of like southern h Yeah. 383 00:19:44,960 --> 00:19:47,119 Speaker 7: It like it's it's weird too because when we were 384 00:19:47,160 --> 00:19:49,640 I was in my like high school original band, we 385 00:19:49,759 --> 00:19:52,599 played a higher ground. I didn't realize that at the time, 386 00:19:52,720 --> 00:19:55,359 but it was us in one side of the building 387 00:19:55,359 --> 00:19:56,960 and the other side of the building was Whiskey Myers, 388 00:19:57,000 --> 00:19:58,319 and we were like just kind of like having dinner 389 00:19:58,359 --> 00:20:00,799 with them and stuff. Yeah, kind of it just kind 390 00:20:00,839 --> 00:20:02,680 of worked out that way that we ended up doing 391 00:20:02,720 --> 00:20:03,400 one of their songs. 392 00:20:03,599 --> 00:20:05,480 Speaker 8: Do they know, Like, have you reached out to them 393 00:20:05,519 --> 00:20:06,720 and told them that you covered this song? 394 00:20:06,839 --> 00:20:08,960 Speaker 7: We will, we will. Like this is the first place 395 00:20:09,000 --> 00:20:11,200 anybody's hearing this album, So yeah, we don't have this 396 00:20:11,279 --> 00:20:13,359 anywhere else other than we had an album released party 397 00:20:13,440 --> 00:20:15,119 last night that yeah, we got like all of our 398 00:20:15,160 --> 00:20:16,920 friends and family got to hear for the first time. 399 00:20:17,000 --> 00:20:18,680 Speaker 8: Oh, very cool. Well, that's awesome that we get to 400 00:20:18,680 --> 00:20:22,279 share these share this on the radio. Very good, very good. Well, 401 00:20:22,559 --> 00:20:24,920 let's give this a listen. This is Broken Window serenade 402 00:20:25,000 --> 00:20:27,119 as covered by two towns. 403 00:21:07,000 --> 00:21:10,640 Speaker 3: Here a couple of little pretty flowers. This is what 404 00:21:10,920 --> 00:21:12,079 I'm brought to you. 405 00:21:12,680 --> 00:21:17,559 Speaker 14: I saw you through broken the Window with a different 406 00:21:17,880 --> 00:21:23,319 point of view. You had signs of depression from a 407 00:21:23,440 --> 00:21:24,720 long line of. 408 00:21:24,839 --> 00:21:26,279 Speaker 3: See me over. 409 00:21:26,559 --> 00:21:31,599 Speaker 11: Face tells his story about the please sees you have been. 410 00:21:31,799 --> 00:21:45,960 Speaker 3: I loved soul, a soun you should know, Henny. 411 00:21:45,880 --> 00:21:51,920 Speaker 16: Mudy waters flowing hesitating my hand, past the. 412 00:21:52,000 --> 00:21:57,880 Speaker 14: Creek down by the holler, through your Tay's land. I 413 00:21:58,079 --> 00:22:04,440 could buy you diamond, but I cannot change world. Because 414 00:22:04,519 --> 00:22:09,920 I'm got no money and you'll never be my girl. 415 00:22:10,640 --> 00:22:11,799 Speaker 1: Love a song. 416 00:22:16,079 --> 00:22:17,799 Speaker 3: A fo you should do. 417 00:22:36,720 --> 00:22:41,440 Speaker 17: Us gont be a singer in a big move is 418 00:22:41,799 --> 00:22:42,960 starn but you. 419 00:22:43,400 --> 00:22:48,519 Speaker 14: Can't catch no brisbee and Hollywood is song. 420 00:22:49,039 --> 00:22:51,960 Speaker 1: Now you aren't count out the time out. 421 00:22:52,599 --> 00:22:59,759 Speaker 14: Other one fifty five beyond that savoy dollar, just trying 422 00:22:59,799 --> 00:23:01,119 to stay in love. 423 00:23:01,440 --> 00:23:08,920 Speaker 3: It hurts me so thoun sh no. 424 00:23:14,599 --> 00:23:21,519 Speaker 18: Here you feed your addiction with your crystal left desire. 425 00:23:21,759 --> 00:23:26,880 Speaker 3: Please for your life as it takes you to your death. 426 00:23:27,200 --> 00:23:31,759 Speaker 6: You made a deal with the devil, and your looks 427 00:23:31,839 --> 00:23:33,319 begin to fade. 428 00:23:33,480 --> 00:23:36,799 Speaker 3: I saw on you laughing through the tears. 429 00:23:37,119 --> 00:23:45,680 Speaker 17: As you slowly sleep to way, Watch to Go, I 430 00:23:45,880 --> 00:23:47,319 found you should know. 431 00:23:52,279 --> 00:24:00,200 Speaker 3: Yeah, watch to Go, Thoun you should no. 432 00:24:02,920 --> 00:24:03,319 Speaker 7: I like that. 433 00:24:03,519 --> 00:24:07,799 Speaker 8: That is broken Window serenade, as covered by Two Towns 434 00:24:08,319 --> 00:24:11,880 on the new album Uncovered. And uh that is that 435 00:24:12,000 --> 00:24:14,359 is really good whiskey myers. Of course I did that originally, 436 00:24:14,400 --> 00:24:17,359 as you explained. And does that Zach? Does that require 437 00:24:17,480 --> 00:24:21,759 a different mindset when you're singing something like that, because 438 00:24:21,799 --> 00:24:25,400 you're the way you're singing it is? You know it 439 00:24:25,519 --> 00:24:30,039 fits knowing who, as you explained earlier, Knowing who does 440 00:24:30,160 --> 00:24:32,960 the song, and and you know it's got that Southern 441 00:24:33,079 --> 00:24:35,440 vibe to it. You know, you're you're singing it a 442 00:24:35,480 --> 00:24:37,440 little differently than you would sing a lot of your 443 00:24:37,480 --> 00:24:38,440 other material. 444 00:24:38,640 --> 00:24:42,799 Speaker 7: It seems like, Yeah, yeah, I definitely Okay, I definitely 445 00:24:42,839 --> 00:24:47,200 adjust the vocals to what I feel this song requires, 446 00:24:47,359 --> 00:24:49,720 like based on like the just the emotion of the 447 00:24:49,799 --> 00:24:52,559 raw tone of it. I just like, especially with that song, 448 00:24:52,680 --> 00:24:55,119 that one came out like a little rasp beer than 449 00:24:55,160 --> 00:24:57,200 we usually have, And I think it just it just 450 00:24:57,319 --> 00:24:59,720 matches the song, Yeah, matches what it needed to be. 451 00:25:00,119 --> 00:25:02,200 Speaker 8: Yeah, is there anything else that you saying that you 452 00:25:02,319 --> 00:25:03,759 kind of approach it that same way? 453 00:25:04,039 --> 00:25:09,480 Speaker 7: Or I think on Covered Up, there's something in thee, 454 00:25:09,519 --> 00:25:11,200 something in the orange. Yeah, that was just like the 455 00:25:11,279 --> 00:25:13,640 same sort of feel like live when I play it, 456 00:25:14,079 --> 00:25:17,440 it's more soft, it's more subtle. And then when we 457 00:25:17,559 --> 00:25:20,000 recorded for this, it just came out way raspier than 458 00:25:20,359 --> 00:25:22,160 I intended, but it sounded. 459 00:25:21,920 --> 00:25:24,279 Speaker 10: Good, so we kept it No Vacancy too completely for good. 460 00:25:24,880 --> 00:25:26,960 Speaker 7: Yeah. I like having kind of a Southern draw on 461 00:25:27,079 --> 00:25:30,400 No Vacancy, okay, and I just don't have one when 462 00:25:30,440 --> 00:25:30,759 I talk. 463 00:25:31,039 --> 00:25:35,160 Speaker 8: Yeah, right right, Yeah, obviously, now you're from Vermont originally yep. 464 00:25:35,240 --> 00:25:38,319 Speaker 10: And what about you, James Somerville Mess You're fraid out 465 00:25:38,319 --> 00:25:38,839 of Boss. 466 00:25:38,599 --> 00:25:41,559 Speaker 8: Somerville, Mass Okay, yeah, okay, And how did you guys? 467 00:25:42,200 --> 00:25:44,240 Obviously we talked about it last time, but for for 468 00:25:44,359 --> 00:25:46,240 newer listeners, how did you guys meet? How did you 469 00:25:46,319 --> 00:25:48,680 connect and end up doing this project together? 470 00:25:49,000 --> 00:25:51,359 Speaker 7: So we like we were working at a like skiing 471 00:25:51,559 --> 00:25:55,839 marketing company together a couple of two years ago, year ago. Yeah, 472 00:25:55,960 --> 00:25:57,640 he still works for him. I don't work for him anymore, 473 00:25:57,720 --> 00:26:01,000 but we were working together at this company and my 474 00:26:01,599 --> 00:26:05,200 guitarist had just left the summer before that. He moved 475 00:26:05,240 --> 00:26:08,240 out west to go do something or moved out to 476 00:26:08,279 --> 00:26:10,279 the Midwest. I don't know what he's doing now, but yeah, 477 00:26:10,720 --> 00:26:13,200 so he left, and then I just went through like 478 00:26:13,279 --> 00:26:15,920 a string of random guitars. It's like, no, you're not 479 00:26:16,000 --> 00:26:18,000 gonna work, You're not gonna work, You're not gonna work. 480 00:26:18,039 --> 00:26:21,599 And then eventually James just brought a guitar to like 481 00:26:21,759 --> 00:26:25,000 one of the like business weekends or something, and then 482 00:26:25,200 --> 00:26:29,480 it's like, oh, you play guitar, and he's like kinda so, 483 00:26:29,720 --> 00:26:32,920 and then what just happened? Yeah, it just kind of 484 00:26:32,960 --> 00:26:35,119 happened yeah, he's like, I've been playing guitar for like 485 00:26:35,200 --> 00:26:37,200 three months now. I'm like, cool, you're now in a 486 00:26:37,279 --> 00:26:41,359 band or start playing live and recording albums? Like all right, Yeah, 487 00:26:41,640 --> 00:26:42,400 we kind of got up. 488 00:26:42,359 --> 00:26:44,680 Speaker 10: To speed to three months later we played our first show. 489 00:26:44,799 --> 00:26:46,920 Speaker 8: Wow, that's amazing. Had you really only been playing for 490 00:26:46,920 --> 00:26:47,440 a few months? 491 00:26:47,759 --> 00:26:50,039 Speaker 9: I got it like maybe a year before, but it 492 00:26:50,119 --> 00:26:52,359 had been like pick a play a little bit. I 493 00:26:52,480 --> 00:26:54,079 wasn't serious until he asked me to join it. 494 00:26:54,160 --> 00:26:58,640 Speaker 8: No kidding, Wow, Oh that's awesome. That's awesome Zach. At 495 00:26:58,680 --> 00:26:59,880 the time, did you feel like you were taking a 496 00:27:01,200 --> 00:27:01,559 It's just. 497 00:27:01,640 --> 00:27:04,519 Speaker 7: Like no, no, yeah, yeah, he got it. It's it's 498 00:27:04,559 --> 00:27:07,920 playing guitar. It's not rocket side right. If you can 499 00:27:08,240 --> 00:27:09,039 play guitar like. 500 00:27:09,640 --> 00:27:16,400 Speaker 8: You can do it? Yeah, yeah, outstanding, outstanding. Do you 501 00:27:16,480 --> 00:27:19,599 guys when you when you play shows, are you like, like, 502 00:27:19,680 --> 00:27:22,480 how long is your set? And do you do Do 503 00:27:22,559 --> 00:27:25,279 you do covers when you play live? Yeah? Prior to 504 00:27:25,440 --> 00:27:27,079 prior to doing this album. 505 00:27:26,960 --> 00:27:29,480 Speaker 7: Yeah, we do covers and originals. Usually our set spans 506 00:27:29,519 --> 00:27:31,960 It depends really depends where we play. Our average time 507 00:27:32,000 --> 00:27:34,839 i'd say is about two hours. Okay, so two hours 508 00:27:34,960 --> 00:27:38,440 breaks and whatever and just yeah, but yeah, about two hours. 509 00:27:38,480 --> 00:27:40,599 Then sometimes we'll play like three to four hours. That's 510 00:27:40,640 --> 00:27:43,119 when we really have to break out like extensive list 511 00:27:43,200 --> 00:27:46,240 of covers. Like we'll find us on a Thursday afternoon 512 00:27:46,319 --> 00:27:50,000 playing ninety songs in the span of four hours. So 513 00:27:50,279 --> 00:27:52,920 it's it's nice to just have that like little guitar 514 00:27:53,000 --> 00:27:55,000 tab thing there when you're just like, I don't know 515 00:27:55,079 --> 00:27:56,000 what to play anymore. 516 00:27:58,200 --> 00:28:00,599 Speaker 8: Of course, I mean I would guess when you're playing 517 00:28:00,640 --> 00:28:02,880 a show that long, you can you can get away 518 00:28:02,920 --> 00:28:05,480 with repeating things, right, or maybe you don't. I don't know, 519 00:28:05,720 --> 00:28:08,799 because I'm just thinking too that crowd's turning over, right, 520 00:28:09,039 --> 00:28:11,720 it's not the same people there three hours in who 521 00:28:11,759 --> 00:28:12,519 are there at the beginning? 522 00:28:12,640 --> 00:28:15,720 Speaker 7: Necessarily I did that one time I played a solo show. 523 00:28:15,920 --> 00:28:18,039 It was like two weeks after my guitarist had left. 524 00:28:18,079 --> 00:28:21,480 I played a solo show in Hampton and I repeated 525 00:28:21,519 --> 00:28:23,519 a song and this drunk lady just yells out, you 526 00:28:23,559 --> 00:28:25,880 already played that one, and I know doubt never did 527 00:28:25,920 --> 00:28:28,240 it again. Oh that's why I never repeated a song. 528 00:28:28,279 --> 00:28:30,680 And unless it was on accident, I've definitely played a 529 00:28:30,759 --> 00:28:31,799 song twice on accident. 530 00:28:31,960 --> 00:28:35,240 Speaker 8: Yeah that makes sense. Oh, that's funny. That's funny. Uh, 531 00:28:35,279 --> 00:28:36,720 we should play another one. What do you guys want 532 00:28:36,720 --> 00:28:38,960 to play next? I love these. These all sounds so good. 533 00:28:40,839 --> 00:28:42,839 Speaker 10: Yeah, that one all right? 534 00:28:43,279 --> 00:28:46,200 Speaker 8: And uh so your version is called the mashup of 535 00:28:46,279 --> 00:28:48,599 the two songs to Sleep on Your Hey, well a 536 00:28:48,680 --> 00:28:50,400 mash up isn't quite the right word, but you know 537 00:28:50,440 --> 00:28:53,279 what I mean, Yeah, putting putting these two together. Yeah, 538 00:28:53,319 --> 00:28:55,279 I really like this. I like how this came out. 539 00:28:55,519 --> 00:28:57,559 If you are just joining us, Two Towns is here 540 00:28:57,599 --> 00:29:00,519 with us and the new album? Is it uncovered or 541 00:29:00,519 --> 00:29:00,880 covered up? 542 00:29:00,920 --> 00:29:01,160 Speaker 7: Covered? 543 00:29:01,519 --> 00:29:03,440 Speaker 8: Covered up? I don't know why I keep saying uncovered. 544 00:29:03,480 --> 00:29:04,599 Speaker 7: I don't think we changed the name. 545 00:29:04,759 --> 00:29:08,680 Speaker 8: Oh that's why. Yeah, covered up, that's the name, right, yep, 546 00:29:08,880 --> 00:29:12,880 all right, I'm committing that to memory. No, but we're 547 00:29:12,920 --> 00:29:14,839 very happy to play these here today. These are really good. 548 00:29:15,000 --> 00:29:17,640 All right. Here's the next one. This is Two Towns 549 00:29:17,839 --> 00:29:18,680 sleep on Your hoe. 550 00:29:18,759 --> 00:29:39,759 Speaker 19: Hey, yeh, beg yourself tooth birsty, thank you, save you, savy, bounce, 551 00:29:41,759 --> 00:29:46,759 take it with draws, take of savings. 552 00:29:49,279 --> 00:29:50,440 Speaker 3: Because if we don't. 553 00:29:50,319 --> 00:29:51,759 Speaker 5: Leave, this sound. 554 00:29:53,640 --> 00:29:58,559 Speaker 3: May never make it out. And no, I was numb 555 00:29:58,720 --> 00:29:59,920 bun to draw. 556 00:30:02,079 --> 00:30:13,079 Speaker 12: Baby, Come on forget with father bred and said we 557 00:30:13,279 --> 00:30:19,279 were not born in said leaving no on your bed. 558 00:30:20,680 --> 00:30:22,240 Speaker 3: Let your mother know hear. 559 00:30:22,279 --> 00:30:30,200 Speaker 12: Say in by the chisy ways. We'll live dreaming through 560 00:30:30,400 --> 00:30:45,839 this stage. We'll live dreaming through the night. Baby, Come on, because. 561 00:30:45,559 --> 00:30:49,640 Speaker 13: I've been trying to do it right. I've been living 562 00:30:49,799 --> 00:30:56,000 a lonely line. I haven't sleeping here instead, I haven't 563 00:30:56,079 --> 00:31:09,319 sleeping in my bed, sleeping in my bed, So. 564 00:31:09,640 --> 00:31:11,720 Speaker 3: Showing me famy. 565 00:31:12,599 --> 00:31:16,279 Speaker 20: All the blooded old, Please, how do. 566 00:31:16,440 --> 00:31:17,960 Speaker 1: Know I belong? 567 00:31:19,400 --> 00:31:23,839 Speaker 3: I don't know if I'm wrong if I can. 568 00:31:23,799 --> 00:31:24,799 Speaker 1: Write a song? 569 00:31:27,359 --> 00:31:30,839 Speaker 3: Hey, I've been along with you. You be alone with me, 570 00:31:31,440 --> 00:31:37,359 my sweet, I've been alone with you. You been lone 571 00:31:37,359 --> 00:31:39,480 with me in my sweet. 572 00:31:39,200 --> 00:31:55,119 Speaker 20: How do you think you're right for him? 573 00:31:56,480 --> 00:32:00,880 Speaker 3: Thinking it might have been if we look abased to 574 00:32:01,079 --> 00:32:01,559 join in. 575 00:32:01,680 --> 00:32:05,839 Speaker 1: Town, I'll be staying in non cannot. 576 00:32:07,599 --> 00:32:19,240 Speaker 21: Him boy, she'd be standing next me. Hey, I be 577 00:32:19,319 --> 00:32:24,400 along with you, You be alone with me? Man sweet hand. 578 00:32:25,599 --> 00:32:28,480 Speaker 3: Having along with you, you be alone with me? You 579 00:32:28,720 --> 00:32:30,279 must sweet hard. 580 00:32:32,240 --> 00:32:39,599 Speaker 14: Eln wed now listen. 581 00:32:42,119 --> 00:32:49,240 Speaker 3: Folk song, you sir, will. 582 00:32:49,440 --> 00:32:54,359 Speaker 22: Blieved now I being along with you, you be alone 583 00:32:54,359 --> 00:32:59,599 with me, you mun sweethard, I'll be along with you. 584 00:33:00,319 --> 00:33:03,000 Speaker 3: You mean love me mostly. 585 00:33:17,119 --> 00:33:21,160 Speaker 8: That is excellent. Two Towns. They're here with us in studio, 586 00:33:21,480 --> 00:33:24,440 and you know, I was thinking, I was saying about 587 00:33:24,480 --> 00:33:26,920 this when the tambourine comes in, the mix is so perfect, 588 00:33:27,000 --> 00:33:28,960 and you know, credit to Eric Sotter for that. I mean, 589 00:33:29,039 --> 00:33:33,440 he's just you know, it's it's just so well done. 590 00:33:33,880 --> 00:33:35,559 The mix is just I mean, it's just perfect, you 591 00:33:35,599 --> 00:33:36,039 know what I mean. 592 00:33:36,359 --> 00:33:39,160 Speaker 7: Yeah, I definitely like when when we first like did 593 00:33:39,200 --> 00:33:41,119 the recording, we get the rough tracks, I'm like, ah, 594 00:33:41,240 --> 00:33:43,880 we made a mistake. This is gonna suck, Like, oh, 595 00:33:44,279 --> 00:33:47,640 it's gonna be bad. And then like it's like it's fine, Yeah, 596 00:33:47,839 --> 00:33:50,759 it's great, don't worry about it. Yeah, give it like 597 00:33:50,880 --> 00:33:52,559 a week and then a week late, I'm just like, ah, 598 00:33:52,640 --> 00:33:54,079 I don't know why I was freaking. 599 00:33:53,839 --> 00:33:57,519 Speaker 8: Out right, Right, how long did it take to uh this? 600 00:33:57,599 --> 00:33:58,680 Ha would have been a lot of work, right, I 601 00:33:58,680 --> 00:34:00,480 would think it took a while to comple this, right, 602 00:34:01,240 --> 00:34:03,440 because it's it's ambitious. It's not like it's an EP. 603 00:34:03,559 --> 00:34:04,480 I mean, it's a full album. 604 00:34:04,599 --> 00:34:08,400 Speaker 10: It's you know, two days, two eight hour days, and. 605 00:34:08,440 --> 00:34:10,360 Speaker 8: Then no, really, yeah, are you serious? 606 00:34:10,480 --> 00:34:12,360 Speaker 10: Two eight hour days of recording extras. 607 00:34:12,760 --> 00:34:15,559 Speaker 7: Yeah, And then I went in like two times under 608 00:34:15,599 --> 00:34:17,760 that and did like two or three hours at a time. 609 00:34:18,039 --> 00:34:22,000 Speaker 8: Like I'm stunned. Wow, good for you guys, sub twenty 610 00:34:22,079 --> 00:34:24,800 hours to record it. Okay, wow, that's great. I mean 611 00:34:24,840 --> 00:34:26,360 obviously you went in very prepared. 612 00:34:27,159 --> 00:34:32,239 Speaker 7: No, not one bit of no. I've no yeah, never 613 00:34:32,599 --> 00:34:35,519 really yep. I'm the I'm the kind of person it's like, Okay, 614 00:34:35,559 --> 00:34:37,000 we're gonna show up, but we're going to learn it 615 00:34:37,039 --> 00:34:38,480 all on the spot, no kidding. 616 00:34:38,679 --> 00:34:40,920 Speaker 8: Well that works for you, apparently, I guess. 617 00:34:41,000 --> 00:34:43,920 Speaker 7: So I've never had to play seven straight hours of 618 00:34:43,960 --> 00:34:46,039 acoustic guitar, but I never want to do it again. 619 00:34:46,159 --> 00:34:47,800 Speaker 3: Really, Yeah, it was. 620 00:34:47,960 --> 00:34:50,559 Speaker 7: It was all the timing because I mean I've before this, 621 00:34:51,000 --> 00:34:55,119 I've only recorded in someone's basement. Yeah yeah, and I 622 00:34:55,239 --> 00:34:59,000 am never recorded before yeah, other than on his phone 623 00:34:59,079 --> 00:35:01,000 or like me in the same boat. And then we 624 00:35:01,039 --> 00:35:02,599 get in there, it's like we got to play to 625 00:35:02,639 --> 00:35:06,239 a click track. Yeah, which she's quite possibly the worst 626 00:35:06,280 --> 00:35:06,800 thing possible. 627 00:35:07,400 --> 00:35:08,880 Speaker 10: That stuck in my head for like a week, no. 628 00:35:09,079 --> 00:35:12,679 Speaker 8: Kidding, Yeah, but you did. I mean it works for you, guys. 629 00:35:12,719 --> 00:35:14,800 I mean I'm stunned at how quickly you did it 630 00:35:14,880 --> 00:35:18,360 and with with little preparation. That's amazing. I mean, obviously 631 00:35:18,440 --> 00:35:19,519 you knew the songs. 632 00:35:19,320 --> 00:35:21,360 Speaker 7: Yeah, like we play them live. I mean other than 633 00:35:21,400 --> 00:35:21,920 would you mind? 634 00:35:21,920 --> 00:35:22,519 Speaker 10: That was just like. 635 00:35:25,320 --> 00:35:27,400 Speaker 7: Trying to find the door. It's ridiculous. 636 00:35:27,519 --> 00:35:30,400 Speaker 8: Yeah, you know. And obviously getting to work with someone 637 00:35:30,480 --> 00:35:32,159 like Eric I'm sure was a big help too. 638 00:35:32,599 --> 00:35:32,840 Speaker 10: Yeah. 639 00:35:33,599 --> 00:35:37,119 Speaker 8: Yeah, absolutely, no, that's that's amazing that you were able 640 00:35:37,159 --> 00:35:39,760 to do this so quickly. And then who did the mastering? 641 00:35:40,199 --> 00:35:40,320 Speaker 2: Eric? 642 00:35:40,719 --> 00:35:42,360 Speaker 7: He did all the masters everything. Yep. 643 00:35:42,440 --> 00:35:48,280 Speaker 8: Yeah, it's perfect, It's it's really really good. Are any 644 00:35:48,320 --> 00:35:50,800 of these so is it safe to assume that these 645 00:35:50,840 --> 00:35:53,079 are all songs that you've you had played live prior 646 00:35:53,159 --> 00:35:53,679 to that or no? 647 00:35:54,639 --> 00:35:54,880 Speaker 3: Yeah? 648 00:35:55,159 --> 00:35:57,320 Speaker 9: Yeah, yeah, okay, there might be one or two that 649 00:35:57,400 --> 00:35:59,280 we didn't, but okay, when we just pulled from our 650 00:35:59,320 --> 00:36:01,519 set list, yep, yeah, it's. 651 00:36:01,280 --> 00:36:02,840 Speaker 7: Like what can we play, what can we play well? 652 00:36:02,920 --> 00:36:05,559 And then we took that into consideration, like what we 653 00:36:05,679 --> 00:36:08,119 play well or what we play the best, And then 654 00:36:08,159 --> 00:36:10,199 we also took into consideration like we want it to 655 00:36:10,280 --> 00:36:12,719 be very diverse. We want it like that's what I 656 00:36:12,840 --> 00:36:15,559 think we're all about just two towns in general, is 657 00:36:15,559 --> 00:36:17,679 we want to play something for everybody. We don't want 658 00:36:17,679 --> 00:36:20,920 to cater to one genre or one age, demographic or anything. 659 00:36:20,960 --> 00:36:24,960 I want to play stuff that like from kids to grandparents, know, 660 00:36:25,159 --> 00:36:28,400 and just so there's something for everybody, and then naturally 661 00:36:28,559 --> 00:36:32,280 they'll be drawn to other genres by listening to our music. 662 00:36:32,280 --> 00:36:34,719 Because I mean me personally, I listen to everything. You'll 663 00:36:34,840 --> 00:36:36,960 catch me listening to ed M and opera in the 664 00:36:37,039 --> 00:36:40,880 same car ride. And then it's just I think I 665 00:36:41,000 --> 00:36:43,880 want everyone else to have that same experience and not 666 00:36:44,119 --> 00:36:46,519 limit themselves to what they're listening to musically. 667 00:36:46,679 --> 00:36:49,320 Speaker 8: Mm hmmm hmm. Yeah, absolutely. Are you the same way? James? 668 00:36:49,760 --> 00:36:52,719 Speaker 9: Pretty diverse, honestly, kind of ironic. The only music I 669 00:36:52,760 --> 00:36:54,760 don't listen to his Country, which is what we play. 670 00:36:56,199 --> 00:36:56,960 I've warmed up to it. 671 00:36:57,119 --> 00:37:01,039 Speaker 8: Yeah, yeah, there you go, There you go. Do you 672 00:37:01,199 --> 00:37:03,760 have I mean, do you intend to do this again? 673 00:37:03,960 --> 00:37:06,400 Or is oh no, Actually I think you did mention earlier. 674 00:37:06,400 --> 00:37:08,880 You've got an original album coming up right, or or 675 00:37:08,920 --> 00:37:09,679 an EP or something. 676 00:37:09,760 --> 00:37:12,679 Speaker 7: Ye, We're gonna do a full full length album in 677 00:37:12,840 --> 00:37:15,760 June with Eric again and hopefully that comes out by 678 00:37:15,760 --> 00:37:18,400 the fall, and that's gonna be five days of us 679 00:37:18,599 --> 00:37:20,159 just locking ourselves in a studio. 680 00:37:20,599 --> 00:37:24,039 Speaker 8: Yeah, are you are you intentionally kind of spreading it 681 00:37:24,119 --> 00:37:26,639 out this time over five days, so it's not like, yeah, 682 00:37:26,679 --> 00:37:28,519 because you mentioned how hard that was. 683 00:37:28,599 --> 00:37:31,400 Speaker 7: To Yeah, I don't want to have to go back 684 00:37:31,440 --> 00:37:34,280 in again, like I want it to be done in 685 00:37:34,320 --> 00:37:36,199 the five days. Yeah, that makes sense and then not 686 00:37:36,360 --> 00:37:37,920 have to like go in and just be like, oh, 687 00:37:37,960 --> 00:37:40,360 here's another thing, here's another thing. Because then, especially with 688 00:37:40,519 --> 00:37:43,960 recording an original album, that's when ideas hit a wall. 689 00:37:44,239 --> 00:37:47,599 Oh yeah, especially when like you're like, oh, five days straight, 690 00:37:47,679 --> 00:37:50,000 like we're gonna get all this done, the ideas are 691 00:37:50,039 --> 00:37:53,159 gonna flow, and it's gonna be one big musical process. 692 00:37:53,199 --> 00:37:54,840 And then if I have to come back in a 693 00:37:54,920 --> 00:37:57,079 week later and be like scrap the whole thing, I 694 00:37:57,159 --> 00:38:00,840 hate it. I don't want to do that, right right, Yeah, understandable. 695 00:38:01,320 --> 00:38:02,440 I always think it's funny. 696 00:38:02,480 --> 00:38:06,199 Speaker 8: You see too, these uh documentaries of very famous, very 697 00:38:06,239 --> 00:38:09,000 successful artists who you know, you see a documentary about 698 00:38:09,000 --> 00:38:11,280 them working in the studio, you know, Pink Floyda, Fleewood 699 00:38:11,280 --> 00:38:13,119 Mac or somebody in there, and it's like, because they 700 00:38:13,159 --> 00:38:14,840 have all the money in the world, they can they 701 00:38:14,880 --> 00:38:17,159 can do this thing where you know, they're like writing 702 00:38:17,280 --> 00:38:19,760 songs in the studio they're coming up with all these 703 00:38:19,840 --> 00:38:22,880 new ideas while they're while they're recording. But they you know, 704 00:38:23,000 --> 00:38:25,000 and they can do that, but it's like, you know, 705 00:38:25,119 --> 00:38:27,480 and then it ends up taking you know, eight months 706 00:38:27,519 --> 00:38:31,119 to complete an album. But they have the resources to 707 00:38:31,199 --> 00:38:33,519 do that. But you know, when you're when you're young 708 00:38:33,599 --> 00:38:35,519 and you're starting out and you know you've really got 709 00:38:35,599 --> 00:38:38,280 to be you know, hence the going in for two days, right, 710 00:38:38,360 --> 00:38:40,639 and that for two days, it's just trying to do 711 00:38:40,760 --> 00:38:41,559 as much as you can. 712 00:38:41,679 --> 00:38:42,679 Speaker 7: And yep, that was a lot. 713 00:38:43,000 --> 00:38:45,800 Speaker 8: Yeah yeah, but like I said, it worked out. I mean, 714 00:38:45,880 --> 00:38:48,639 this is this album covered up really really good. I 715 00:38:48,719 --> 00:38:51,280 love these We should play another one? Uh, what do 716 00:38:51,280 --> 00:38:52,000 you guys want to play? 717 00:38:52,159 --> 00:38:52,800 Speaker 7: No Vacancy? 718 00:38:52,960 --> 00:38:53,559 Speaker 8: No Vacancy? 719 00:38:53,639 --> 00:38:53,920 Speaker 10: Okay? 720 00:38:54,360 --> 00:38:55,519 Speaker 8: And who did this originally? 721 00:38:56,639 --> 00:38:58,079 Speaker 7: Tredio Revival. 722 00:39:00,039 --> 00:39:00,960 Speaker 8: I don't think I know them. 723 00:39:01,280 --> 00:39:03,320 Speaker 7: They they're they're new, they're like new new. 724 00:39:03,440 --> 00:39:06,360 Speaker 8: Okay, Okay, why'd you choose this song? 725 00:39:06,960 --> 00:39:09,480 Speaker 7: I we play it live and then I just love 726 00:39:09,559 --> 00:39:11,639 the way this song sounds. All of their songs. I 727 00:39:11,800 --> 00:39:13,719 like the way they write, I like the way their 728 00:39:13,800 --> 00:39:16,760 songs are mixed and recorded, like they have a sense 729 00:39:16,800 --> 00:39:21,760 of like rashness to their music too. Okay, which I enjoy. Yeah, yeah, 730 00:39:21,840 --> 00:39:23,679 they're just like I said, they're just starting out, and 731 00:39:23,800 --> 00:39:25,480 that's someone we want to work with in the future. 732 00:39:25,719 --> 00:39:27,840 Speaker 8: Okay, all right, very cool. Let's give this a spend. 733 00:39:28,119 --> 00:39:31,360 This is no vacancy as covered by two towns. 734 00:39:43,000 --> 00:39:45,840 Speaker 6: Seeing not a curve, sound like you're in the comb. 735 00:39:48,159 --> 00:39:54,360 We actually say it's goodbye and the phone here, and 736 00:39:54,480 --> 00:40:00,400 it's kind of got me feeling some TAMPOOA I can 737 00:40:00,519 --> 00:40:03,760 send hers sitting on judgment day. 738 00:40:17,400 --> 00:40:21,679 Speaker 3: With empty bottles and motel rooms. 739 00:40:23,199 --> 00:40:30,199 Speaker 15: Don't treat me quiet, they used and the coming in 740 00:40:30,559 --> 00:40:37,000 name don't treat me well paying for a floor five 741 00:40:37,119 --> 00:40:42,599 prison cell. But she comes as she goes, and she 742 00:40:43,000 --> 00:40:45,199 always says goodbye. 743 00:40:46,559 --> 00:40:50,920 Speaker 3: And I get any things to be by her side. 744 00:40:52,400 --> 00:40:55,760 I got a bottle in the room and a motel. 745 00:40:58,199 --> 00:41:04,320 Speaker 6: And a broken how loan vegan see brook holl lord vacant, 746 00:41:04,599 --> 00:41:22,000 see hell know vacancy said she called me around Halfdan 747 00:41:22,519 --> 00:41:26,400 stays ben a damn long day. 748 00:41:26,599 --> 00:41:33,119 Speaker 3: Don't stay up. Jay had him sit out the prisoner the. 749 00:41:33,280 --> 00:41:39,639 Speaker 6: Sports, watching basic cable, taking alcohol. 750 00:41:42,360 --> 00:41:44,280 Speaker 3: Well, she comes as she goes. 751 00:41:44,119 --> 00:41:48,920 Speaker 21: And she always says it's good bye, And I give 752 00:41:49,119 --> 00:41:52,880 Betty thanks to be by her side. 753 00:41:54,079 --> 00:41:58,159 Speaker 3: I got a bottle in the room and a motel keep. 754 00:42:00,039 --> 00:42:04,559 Speaker 6: And a broken how no bacon see broke in, I. 755 00:42:05,079 --> 00:42:06,559 Speaker 21: Know vacon see. 756 00:42:07,840 --> 00:42:35,239 Speaker 18: Hell no vacancy, sitting on a curve syde liquor, and 757 00:42:35,400 --> 00:42:36,199 my come. 758 00:42:38,280 --> 00:42:42,159 Speaker 3: It says goodbye, and a phone up. 759 00:42:44,159 --> 00:42:44,400 Speaker 6: Again. 760 00:42:44,480 --> 00:42:50,119 Speaker 3: It's kind of got me feeling sometime way like I 761 00:42:50,239 --> 00:42:53,599 can see last sitting on judgment day. 762 00:42:55,320 --> 00:42:58,360 Speaker 6: Well, but she comes and she goes, and she always 763 00:42:58,440 --> 00:43:02,519 says good bye, and I get. 764 00:43:02,480 --> 00:43:07,920 Speaker 3: Many things to be by the sign. I got a 765 00:43:08,000 --> 00:43:10,559 bottle in a room, and moon sail. 766 00:43:10,920 --> 00:43:17,400 Speaker 6: Came and broke and howl and old vacancy and broke 767 00:43:17,519 --> 00:43:20,239 in howel and old vacancy. 768 00:43:21,199 --> 00:43:22,719 Speaker 3: I don't know vacancy. 769 00:43:47,960 --> 00:43:51,039 Speaker 8: Oh, that is so good that one came out really well. 770 00:43:51,360 --> 00:43:54,159 Yeah I did, Yeah I did. That is no vacancy 771 00:43:54,280 --> 00:43:58,119 as covered by two towns. And now who's that on 772 00:43:58,199 --> 00:44:00,800 guitar game? We gotta we gotta give him some some shine. 773 00:44:00,880 --> 00:44:04,360 Speaker 7: That's uh, Tucker Reinhardt. He's a buddy of ours. He'd 774 00:44:04,480 --> 00:44:07,920 kind of just started coming and hanging out at the 775 00:44:07,960 --> 00:44:10,480 apartment and it was just like, oh, I play guitar too, 776 00:44:10,760 --> 00:44:13,280 like cool, So then we would all just sit around 777 00:44:13,400 --> 00:44:15,679 have a few drinks and then start playing together. And yeah, 778 00:44:15,960 --> 00:44:18,599 eventually studio time came and I'm like, well, I don't 779 00:44:18,639 --> 00:44:20,480 want to do this. He didn't want to do it. 780 00:44:20,800 --> 00:44:22,639 They're like, oh, we'll just gonna call it Tucker. He's 781 00:44:22,679 --> 00:44:23,119 gonna do it. 782 00:44:23,480 --> 00:44:26,440 Speaker 8: Yeah, it's fantastic. Yeah. I love what he plays in 783 00:44:26,559 --> 00:44:30,920 his tone, everything, everything, that's perfect. Yeah, that's probably my favorite. 784 00:44:30,920 --> 00:44:33,039 I think I said earlier it might have been astro Van, 785 00:44:33,119 --> 00:44:34,760 but I think that's actually I think No Vacancy is 786 00:44:34,840 --> 00:44:37,920 my favorite. Yeah, that's so good. It's got a great vibe. 787 00:44:37,920 --> 00:44:39,400 And who's the original band on that? Again? 788 00:44:39,519 --> 00:44:40,800 Speaker 7: That's a Treaty O Revival. 789 00:44:40,920 --> 00:44:42,280 Speaker 8: Okay, Treaty Oak Revival. 790 00:44:42,320 --> 00:44:44,920 Speaker 7: And they're new, they're new, Yeah, okay, okay hitting the scene. 791 00:44:45,000 --> 00:44:46,400 Speaker 8: Yeah, I got to look into them. Are they from? 792 00:44:46,400 --> 00:44:48,159 Where are they from? Do you know they're not from here? 793 00:44:48,199 --> 00:44:48,440 Are they? 794 00:44:48,480 --> 00:44:49,159 Speaker 7: No, they're not from here? 795 00:44:49,199 --> 00:44:49,639 Speaker 10: I don't think. 796 00:44:49,760 --> 00:44:54,000 Speaker 7: I want to say out west somewhere? Okay, mid West 797 00:44:54,119 --> 00:44:55,159 maybe southern. 798 00:44:55,039 --> 00:44:57,920 Speaker 8: Sounds like it. Yeah, Yeah, No, that's that's really good. 799 00:44:57,960 --> 00:45:02,920 That's a really great song. And then now for the 800 00:45:03,280 --> 00:45:05,719 for the next project, because you've got as you we 801 00:45:05,760 --> 00:45:08,079 talked about earlier, you're gonna be doing an original album, 802 00:45:08,639 --> 00:45:10,400 do you already have the material for that or are 803 00:45:10,440 --> 00:45:11,679 you still writing for that or. 804 00:45:12,000 --> 00:45:13,880 Speaker 7: We've got a few things like, I mean, I've had 805 00:45:13,920 --> 00:45:17,320 stuff backlogged for a little bit now. But at the 806 00:45:17,360 --> 00:45:19,559 same time, I don't want it to be just me. Yeah, 807 00:45:19,599 --> 00:45:22,400 I also wanted to be like us just getting in 808 00:45:22,440 --> 00:45:25,800 a room together and just figuring out kind of what's 809 00:45:25,880 --> 00:45:28,199 gonna go on it and how we're gonna do it. 810 00:45:28,440 --> 00:45:28,679 Speaker 3: Yeah. 811 00:45:29,000 --> 00:45:31,000 Speaker 7: Yeah, So I definitely don't want an everything to come 812 00:45:31,039 --> 00:45:33,840 from me. I want like James's creative input to. 813 00:45:34,239 --> 00:45:35,760 Speaker 10: Kind of like this one. 814 00:45:35,920 --> 00:45:38,400 Speaker 9: It's we have songs like Astrovan and then we have 815 00:45:38,480 --> 00:45:42,199 songs like no Vival where they're just completely different as 816 00:45:42,239 --> 00:45:45,880 far as like the tone and our first original we 817 00:45:46,000 --> 00:45:47,519 kind of wanted to be the same where there's like 818 00:45:48,119 --> 00:45:50,800 heavier songs, lighter songs, and then after that. 819 00:45:50,840 --> 00:45:54,880 Speaker 10: We'll release more yea themed Okay, okay projects. 820 00:45:55,440 --> 00:45:58,320 Speaker 8: Will that be the first full album of original material 821 00:45:58,360 --> 00:45:59,239 that you guys have done. 822 00:45:59,320 --> 00:46:02,400 Speaker 10: Or with me on the band with City? 823 00:46:04,000 --> 00:46:07,320 Speaker 7: Yeah? Yeah, Shell was two years ago. Okay, with that 824 00:46:07,440 --> 00:46:10,079 was with Hunter. That was the first like oh Towns 825 00:46:10,199 --> 00:46:11,320 album with Shelle City. 826 00:46:11,239 --> 00:46:13,800 Speaker 8: Gotcha so the track we played earlier at the top 827 00:46:13,840 --> 00:46:17,199 of the segment that was from that Yeah, okay, right right, okay, Yeah, 828 00:46:17,199 --> 00:46:18,800 it's starting to come back to me now. Yeah, because 829 00:46:18,800 --> 00:46:20,480 it was almost a year ago. Jenny looked it up. 830 00:46:20,480 --> 00:46:22,199 It was June, the last time you guys were here. 831 00:46:22,360 --> 00:46:25,079 So yeah, and yeah, you guys have been busy with 832 00:46:25,159 --> 00:46:30,280 all the shows and recording this album and so, but 833 00:46:30,440 --> 00:46:32,519 you probably don't have an ETA right on the new one. 834 00:46:32,599 --> 00:46:35,519 It's gonna be when did you say, like fall by fall? 835 00:46:35,719 --> 00:46:36,719 Speaker 7: I want it to be. I want it to be 836 00:46:36,840 --> 00:46:38,800 like if we do the album in June, like we're 837 00:46:38,920 --> 00:46:44,119 planning on doing. Okay, then yeah, August September, hopefully towards 838 00:46:44,159 --> 00:46:46,039 the end of our show run. I think our shows 839 00:46:46,079 --> 00:46:49,320 are probably gonna wrap up around late August early so 840 00:46:49,440 --> 00:46:51,280 I know we have some shows in early September already, 841 00:46:51,360 --> 00:46:54,239 so right around there, kind of take the headwinds from 842 00:46:55,159 --> 00:46:57,440 touring and then just throw it right into the album 843 00:46:57,519 --> 00:46:57,880 coming out. 844 00:46:58,039 --> 00:47:02,360 Speaker 8: Okay, Okay, very good, very good. We're gonna play one 845 00:47:02,480 --> 00:47:05,519 more track in a moment to finish out. But I 846 00:47:05,599 --> 00:47:07,199 want to make sure our listeners know where's the best 847 00:47:07,199 --> 00:47:08,719 place to go online to keep up with everything you 848 00:47:08,760 --> 00:47:11,280 guys are doing. You're very busy. You've got you've got this, 849 00:47:11,400 --> 00:47:15,280 You've got the shows, you play, play a lot. Where 850 00:47:15,280 --> 00:47:16,360 should people go to keep up? 851 00:47:16,519 --> 00:47:20,360 Speaker 7: Instagram, Facebook, TikTok, two Towns Yep, you can find us 852 00:47:20,440 --> 00:47:23,840 there and Spotify. Make sure to pre save the album. 853 00:47:24,000 --> 00:47:26,760 We'll be getting that on there for a pre save, 854 00:47:26,920 --> 00:47:29,199 probably by the end of the weekend. And then yeah, 855 00:47:29,320 --> 00:47:32,239 April fourth is the hard launch date for the album. 856 00:47:32,039 --> 00:47:37,599 Speaker 8: April fourth. Great, congratulations on it. It sounds amazing, sounds amazing. Absolutely, guys, 857 00:47:37,639 --> 00:47:40,239 I'm gonna let you pick what should we close out with? 858 00:47:40,440 --> 00:47:43,639 Speaker 7: From Atlantic City? 859 00:47:44,440 --> 00:47:45,119 Speaker 10: Atlantic City? 860 00:47:45,199 --> 00:47:48,440 Speaker 8: From Covered Up? Yeah, I almost said the wrong name again. 861 00:47:48,719 --> 00:47:50,840 I almost said that's why I glitched. I was like, no, no, no, 862 00:47:51,800 --> 00:47:54,320 Atlantic City, Okay, And who's the original? Oh? This is 863 00:47:54,360 --> 00:47:58,400 the spring Scene yep. I hope our friend Rob Azevito 864 00:47:58,519 --> 00:47:59,920 is listening. I don't know if you guys know Rob. 865 00:48:00,039 --> 00:48:02,800 Here's the show granted State of Mind Fridays at six 866 00:48:03,480 --> 00:48:05,679 and he's a huge Springsteen fan. 867 00:48:06,119 --> 00:48:07,760 Speaker 7: Yeah. This was a good This was a good one. 868 00:48:07,960 --> 00:48:10,880 Speaker 8: Yeah, yeah, this is really good. So Rob, if you're listening, 869 00:48:12,079 --> 00:48:13,760 well I hope you're listening. If not, I'll make sure 870 00:48:13,800 --> 00:48:15,320 you know about this so you can check it out later. 871 00:48:15,559 --> 00:48:18,800 Atlantic City by as covered by two towns and guys, 872 00:48:18,840 --> 00:48:19,880 thank you again so much. 873 00:48:20,199 --> 00:48:20,400 Speaker 7: Thanks. 874 00:48:20,760 --> 00:48:23,000 Speaker 8: We leave you with this. This is Atlantic City, as 875 00:48:23,079 --> 00:48:24,239 covered by two towns. 876 00:48:24,800 --> 00:48:28,679 Speaker 23: Well they blew up the chicken man in Philly last night, 877 00:48:29,199 --> 00:48:34,039 Well they blew off his house to down on the 878 00:48:34,519 --> 00:48:38,639 bull walk the getting ready for a five. Gonna see 879 00:48:38,960 --> 00:48:40,800 what the racket of boys can do. 880 00:48:42,639 --> 00:48:47,199 Speaker 11: Now there's troumble busting, and from now estay in the 881 00:48:47,400 --> 00:48:53,079 d can get new Illy. I'm gonna be a rumble 882 00:48:53,239 --> 00:48:58,760 loud on promenade in the gambling commissioners, singing all about 883 00:48:59,039 --> 00:48:59,679 skin of his. 884 00:49:00,519 --> 00:49:06,400 Speaker 16: Well, everything does, baby, that's certain facts. Maybe everything it 885 00:49:06,679 --> 00:49:11,840 does some day comes back should make a bound fix 886 00:49:12,000 --> 00:49:17,599 you have pretty, He means now, Dinny in Ani. 887 00:49:17,480 --> 00:49:40,039 Speaker 11: City, we'll I got a job trumping my money away, 888 00:49:40,679 --> 00:49:42,000 but I got. 889 00:49:41,840 --> 00:49:47,760 Speaker 3: This honest man can pay. So I drew ahead from. 890 00:49:48,239 --> 00:49:54,199 Speaker 11: Central, trusting about us two tickets on land co City busting. 891 00:49:55,039 --> 00:49:58,119 Speaker 3: Everything does, baby, that's certain facts. 892 00:49:58,760 --> 00:50:03,840 Speaker 14: Maybe everything it does some tack comes back should make 893 00:50:04,000 --> 00:50:08,840 a bomb fix your hair row pretty? And me means 894 00:50:09,159 --> 00:50:15,159 now any in Anix City, everything does baby at. 895 00:50:15,159 --> 00:50:20,280 Speaker 3: Some facts maybe everything it does, some tack comes back. 896 00:50:21,119 --> 00:50:25,960 Should make a bomb. Fix your hair up. Pretty me 897 00:50:26,400 --> 00:50:32,320 means or now an Alani city. He means now any 898 00:50:32,639 --> 00:50:33,760 Lanx city.