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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>email it to me Box thirteen at Great Detectives dot net,

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<v Speaker 1>of our friends on Facebook, Facebook, dot com Slash Radio Detectives.

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<v Speaker 1>Today's program is brought to in part by the financial

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<v Speaker 1>support of our listeners. I want to thank Lisa for

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<v Speaker 1>sending in a donation to our peel box Peelbox one

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<v Speaker 1>five nine one three boys idahol eight three seven one five.

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<v Speaker 1>That's Peelbox one five nine thirteen Boise idahol eight three

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<v Speaker 1>seven one five. You can also send along one time

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<v Speaker 1>donations to support dot Great Detectives dot net, and you

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<v Speaker 1>can become one of our ongoing contributors with monthly donations

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<v Speaker 1>of two to thirty dollars at Patreon dot Great Detectives

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<v Speaker 1>dot net. Well, now it's time for today's episode of

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<v Speaker 1>Not Bait and Well, I'll admit to being a little

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<v Speaker 1>bit unsure on the providence of it. I will go

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<v Speaker 1>ahead and play it and we'll talk about it afterwards.

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<v Speaker 1>The original air date is July the thirteenth, nineteen fifty one,

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<v Speaker 1>and this one is Anton's return.

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<v Speaker 2>Nights eight.

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<v Speaker 3>Hi.

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<v Speaker 4>This is Randy Stone. I cover the night Beat for

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<v Speaker 4>the Chicago Star. Stories start in many different ways. This

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<v Speaker 4>one began on an elevated train and ended in eternity.

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<v Speaker 5>Night Beat, starring Fik love Joy as Ramby Stone.

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<v Speaker 6>The night is just about washed up.

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<v Speaker 4>The sky is getting that tattletale gray around the edges.

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<v Speaker 4>Another hour or so, three million alarm clocks will start

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<v Speaker 4>yacking against the air drums of Chicago's.

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<v Speaker 6>Dear hearts and gentle people.

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<v Speaker 4>A goodly number have said, dear hearts and gentle people

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<v Speaker 4>will stumbled at the front door for they copy of

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<v Speaker 4>the Morning Star. I'm wondering what they'll say when they

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<v Speaker 4>read the opening sentence of night Beat story for Today,

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<v Speaker 4>the line that goes, this is a love story with

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<v Speaker 4>the happiest ending.

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<v Speaker 6>I've ever heard.

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<v Speaker 4>I guess they'll think his spring has got me in

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<v Speaker 4>its perfume clutches, And more than likely I'll wind up

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<v Speaker 4>around the.

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<v Speaker 6>Blogonney Sandwich and that'll be that.

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<v Speaker 4>Only if they just keep reading, maybe they'll be in

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<v Speaker 4>for a strange kind of surprise. It started a little

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<v Speaker 4>after ten o'clock last night. I just boarded an elevated

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<v Speaker 4>train and was on my way to the loop.

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<v Speaker 6>The train was pretty crowded, but I.

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<v Speaker 4>Saw on it the seed up front, and I hurried

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<v Speaker 4>for it. I started sitting down without.

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<v Speaker 6>Looking at Tom. Where have you been? I beg your pardon.

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<v Speaker 7>Oh, I've waited for long and Tom the girls sitting

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<v Speaker 7>next to me.

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<v Speaker 6>I noticed her for the first time.

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<v Speaker 4>About twenty maybe, and so beautiful, so delicately beautiful.

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<v Speaker 6>It was like your eyes. It hit the jackpot, and.

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<v Speaker 4>Somehow the grinding elevator train suddenly sounded like a gypsy violin.

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<v Speaker 3>You shouldn't have gone away.

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<v Speaker 4>Look, I hate to tell you this, but I think

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<v Speaker 4>you've got me mixed up.

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<v Speaker 3>It's so good to hear you, to be near you,

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<v Speaker 3>and Ton so good.

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<v Speaker 6>Yes, it's good to be near you too. Kid. Won't

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<v Speaker 6>ever go away again, will you. I'd like to stay

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<v Speaker 6>here forever, coms me.

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<v Speaker 3>You'll never go away.

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<v Speaker 4>Beautiful as she was, and started giving me the crease.

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<v Speaker 4>If i'd been Anton, i've enjoyed it immensely, But being

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<v Speaker 4>as how I was two other guys, I didn't see it. Also,

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<v Speaker 4>there was something about her eyes a disturbing brightness. I

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<v Speaker 4>didn't know what to do about it, and before I

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<v Speaker 4>could decided, I reached my transfer station.

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<v Speaker 6>I started getting up. Lady, look, it's my station. I

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<v Speaker 6>take it easy. I talk me, what's wrong with you?

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<v Speaker 6>This is my stake.

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<v Speaker 8>I'll you'll just have to kid, and I'll like, go

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<v Speaker 8>my son.

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<v Speaker 4>She folded up like a little rag doll, and there

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<v Speaker 4>were dead faint. I bent over a picked up her arm.

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<v Speaker 4>The massage your wrist was like touching a hot stove.

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<v Speaker 4>She was burning up with fever. Passengers in the car

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<v Speaker 4>were crowding around. The conductor still hadn't given the signal

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<v Speaker 4>for the train to leave the station. I picked the

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<v Speaker 4>girl up in my arms, who was like lifting a

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<v Speaker 4>ten year old kid. She must have weighed a fast

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<v Speaker 4>ninety pounds. I carried her out of the train under

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<v Speaker 4>the platform. Someone called for an ambulance. She was still

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<v Speaker 4>unconscious when the ambulance came. She looked so small and

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<v Speaker 4>so lost, and so.

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<v Speaker 6>Alone and well.

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<v Speaker 4>According to her, I was Anton, so the least Anton

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<v Speaker 4>could do would be to sit beside her on the

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<v Speaker 4>long ride to the hospital.

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<v Speaker 6>She was still out cold.

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<v Speaker 4>When we reached County Hospital, they found her name and

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<v Speaker 4>address inside her purse.

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<v Speaker 6>This is Mauritia Noek.

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<v Speaker 4>Six one two Larabee Street. I waited around to see

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<v Speaker 4>what was wrong with it. After almost an hour, they

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<v Speaker 4>said I could go upstairs.

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<v Speaker 6>And talk to the doctor.

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<v Speaker 4>Oh yes, doctor, I want to see about that girl.

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<v Speaker 4>I brought in Marisha, and I like, yes, relative of yours?

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<v Speaker 4>Oh no, no, I just met her.

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<v Speaker 3>I know.

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<v Speaker 8>I'm afraid we've got the contact somewherelative right away.

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<v Speaker 6>Nothing you can do for her?

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<v Speaker 8>Do for her for a kid's been sick for years,

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<v Speaker 8>and wait till she's dying before she comes to a hospital.

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<v Speaker 6>It takes money to go to the hospital down not here.

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<v Speaker 8>Why didn't she come here? It's wrong with these people?

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<v Speaker 8>Are they proud of stupid?

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<v Speaker 6>Three years ago, maybe we could have done something for her.

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<v Speaker 6>But now, Oh yeah, I don't know, mister s Tone,

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<v Speaker 6>I don't know. It's it's completely frustrating. You study medicine,

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<v Speaker 6>What good does it do? Sometimes life doesn't seem to

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<v Speaker 6>make any sense. Since one is it supposed to make sense?

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<v Speaker 6>I sound like this is my first patient.

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<v Speaker 8>Not very professional, I'm afraid, but don't worry about it.

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<v Speaker 6>It's human. Now. This girl keeps talking about her husband Anton. Well,

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<v Speaker 6>she was talking that way when I met her. He

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<v Speaker 6>is he's supposed to take her away some place to Mexico.

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<v Speaker 8>She says, well, it's warm and she'll get well what

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<v Speaker 8>they expect miracles?

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<v Speaker 6>No sure miracles. Maybe Mexico is going to be her miracle.

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<v Speaker 8>Do you have any idea how to contact her husband?

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<v Speaker 6>Doesn't a girl know where he is?

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<v Speaker 8>Doesn't seem to even when she's not delirious. Got an address?

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<v Speaker 8>Workers a place over on Larabee Street, north of Chicago Avenue.

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<v Speaker 6>Yes, I know that neighborhood.

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<v Speaker 8>Furnished rooms with kitchen privileges, bring your own mass trans lovely,

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<v Speaker 8>no phone listing. I was thinking of calling the police. Yeah,

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<v Speaker 8>trouble is there so little time? How much time I

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<v Speaker 8>don't know? Could happen five minutes from now?

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<v Speaker 6>Five hours? Well, i'll tell you what.

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<v Speaker 4>I'll drop by her address and see what I can

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<v Speaker 4>find out.

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<v Speaker 6>All right, nurse, care to see your mister storm? Yeah?

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<v Speaker 4>The doc turned and walked into the room, and I, well,

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<v Speaker 4>I follow him. That's a nice promising beginning for a

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<v Speaker 4>love story with a happy ending. Only when we got

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<v Speaker 4>inside Mauritia and no X room, the joke was on me.

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<v Speaker 6>There was no hearts and flowers.

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<v Speaker 4>She was even more beautiful than before, her black hair

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<v Speaker 4>spread out on a white pillow, her delicate face, and

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<v Speaker 4>the lovely eyes following us as we came into the room.

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<v Speaker 4>No fear in those eyes, none at all, just a

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<v Speaker 4>sort of questioning. Doctor found him yet not yet, Mauritia

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<v Speaker 4>was still trying. This is mister Stone. He's trying to

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<v Speaker 4>help us locate your husband.

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<v Speaker 3>Oh, I hope you find him, poor Anton. You feel

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<v Speaker 3>so bad if you don't find.

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<v Speaker 8>Him in time, of course, he well, that's why the

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<v Speaker 8>doctor would like you to tell me anything you can,

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<v Speaker 8>and I'd help us find him.

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<v Speaker 3>But I told the doctor he went to find work

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<v Speaker 3>my Anton, so he could take me away where I

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<v Speaker 3>could get well, could be a wife to him.

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<v Speaker 6>There's a bother you to talk as it, Tirant.

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<v Speaker 3>No, no, I like talking about him. And there's so

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<v Speaker 3>little time.

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<v Speaker 6>Doctor said, you were planning on going to Mexico.

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<v Speaker 3>To Las Flories, little town of flowers and very cruise.

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<v Speaker 3>My ring is from Mexico. See silver and turquoise.

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<v Speaker 6>Nice.

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<v Speaker 3>We were married with two rings exactly a life silver

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<v Speaker 3>and turquoise.

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<v Speaker 6>You think Anton could have gone there to Mexico.

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<v Speaker 3>No, no, we'd never have gone there without me, the

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<v Speaker 3>little town of the flowers, like we planned on our honeymoon,

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<v Speaker 3>just like it said in the travel folder, thousands of

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<v Speaker 3>blossoms on the water for a fuming years. But we

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<v Speaker 3>went to a real hotel here in Chicago and our honeymoon.

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<v Speaker 3>Anton insisted on it, even though we couldn't afford it.

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<v Speaker 3>It was in the winter, and it was cold in

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<v Speaker 3>Chicago like now. Icicles hung from the trees, breaking the branches.

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<v Speaker 3>But in the room it was war and we had

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<v Speaker 3>each other.

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<v Speaker 6>Look out the window.

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<v Speaker 9>Mauritia, you know, I've never seen the lake from up

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<v Speaker 9>high in the beautiful and I'm so.

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<v Speaker 3>Happy, And toon, wasn't it extravagant coming here to a hotel.

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<v Speaker 3>I'd have been just as satisfied going straight to our.

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<v Speaker 6>Room on Laravie Street. No, Mauritia, not on our honeymoon.

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<v Speaker 6>We left time enough for that.

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<v Speaker 9>How could you possibly imagine anything beautiful from a furnished

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<v Speaker 9>room on Laravie.

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<v Speaker 6>Street, Darling. But here this is different.

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<v Speaker 9>It's more than a hotel room in Chicago overlooking the lake.

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<v Speaker 9>This is what we've dreamed of. Imagine, It's less Florish. Yeah,

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<v Speaker 9>the little town of the flowers. Look out there, Mauritia.

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<v Speaker 9>That isn't snow, it's thick tropical foliage. And those aren't

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<v Speaker 9>icicles hanging from the trees, the blossoms, and the wind

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<v Speaker 9>is warm and soft outside.

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<v Speaker 6>Oh, you'll get well, Mauritia.

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<v Speaker 3>And we don't need money.

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<v Speaker 6>We can live for practically nothing.

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<v Speaker 3>Fresh fruit growing on trees all we can eat. We

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<v Speaker 3>will go there, Anton, we will, and I'll get well there.

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<v Speaker 3>I'll be a wife to you Anton.

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<v Speaker 6>Just you wait and see.

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<v Speaker 3>But we didn't go to Mexico.

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<v Speaker 6>And then Anton went away, and you haven't heard from

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<v Speaker 6>him since.

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<v Speaker 3>No, but I don't blame him. Why should a man

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<v Speaker 3>stay with a wife who's sick.

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<v Speaker 8>Oh no, no, no, you said yourself. You went away

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<v Speaker 8>to warn money for your truth.

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<v Speaker 3>Yes, if that's it. But now if I could only

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<v Speaker 3>see him once more, just once to tell him not

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<v Speaker 3>to feel badly, to be happy for what we had,

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<v Speaker 3>if I could only tell him not to feel sorry,

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<v Speaker 3>because it was the same as if we really had

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<v Speaker 3>been us. Floris.

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<v Speaker 6>Well, you better rest now, I'll I'll try.

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<v Speaker 10>To find him.

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<v Speaker 6>It's tough when they know they're going to die.

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<v Speaker 4>It's not that they're scared, but suddenly there's something they

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<v Speaker 4>feel that got to do when time is running out.

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<v Speaker 6>That's how it was with Mauritia Noick. She had to

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<v Speaker 6>find her Anton to.

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<v Speaker 4>Tell him it was okay about a little town of

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<v Speaker 4>Mexico that either one of them have ever seen or

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<v Speaker 4>of a wood.

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<v Speaker 8>See, how do you find a guy like that? And

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<v Speaker 8>what was I doing looking for him? I took her

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<v Speaker 8>cab back to the loop, I picked up my car

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<v Speaker 8>and drove over to the Larryby Street address.

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<v Speaker 4>It was a rooming house, all right, and the poorest

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<v Speaker 4>looking one on the block.

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<v Speaker 6>I rang the bell and I waited. Middle aged woman

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<v Speaker 6>came to the door.

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<v Speaker 3>What is it.

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<v Speaker 6>Are you the manager?

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<v Speaker 11>You're looking for a room?

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<v Speaker 6>I got no vacant.

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<v Speaker 4>Oh no, no, I don't want a room. You have

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<v Speaker 4>someone living here by the name of Noick.

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<v Speaker 11>Yeah, but she ain't home, which ain't been here all day.

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<v Speaker 6>I know that she's in the hospital.

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<v Speaker 11>The hospital all the poor thing. I was worried about her.

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<v Speaker 11>She's never been out late.

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<v Speaker 6>Like this is her husband here? Anton Noick?

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<v Speaker 3>Oh?

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<v Speaker 11>I know he ain't been here for a long time,

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<v Speaker 11>working someplace out of the city.

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<v Speaker 4>I think whether you have any idea where I've got

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<v Speaker 4>to find him. Missus Noak is well, they don't expect

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<v Speaker 4>her to live. He's got to be notified.

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<v Speaker 6>Oh, that poor little girl.

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<v Speaker 11>For such a long time, she's been sick. Come on in, please,

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<v Speaker 11>maybe there's something in here written down, or maybe mister

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<v Speaker 11>Noak's brother would know.

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<v Speaker 6>Brother. Where does he live?

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<v Speaker 3>Oh?

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00:13:22.519 --> 00:13:23.759
<v Speaker 6>No, I don't know exactly.

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<v Speaker 11>He's the one that's been sending missus Noak money to

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<v Speaker 11>live on while her husband's been away.

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<v Speaker 4>That was the beginning. We found an envelope and the

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<v Speaker 4>brother in the girl's room.

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<v Speaker 6>Paul Noik. He lived on Clark Street in the Lincoln

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<v Speaker 6>Park neighborhood. I drove over. There was a man coming

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<v Speaker 6>down the steps.

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<v Speaker 4>As they got out of my car. I stopped him.

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<v Speaker 4>When he got to the side, I beg your pardon. Yes,

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<v Speaker 4>I saw you coming out of that building. You wouldn't

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<v Speaker 4>be Paul Noak, would you whether you were. I'm from

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<v Speaker 4>the Chicago Star. I'm trying to locate Anton Noick.

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<v Speaker 8>Oh, I can't help you. I don't know anything about him.

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<v Speaker 8>I'm like to work, mister Nowick. You are his brother,

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<v Speaker 8>aren't you?

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<v Speaker 6>Yes? But well, what's the matter? With you. I don't

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<v Speaker 6>know anything about him. He's he's gone away someplace to work.

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<v Speaker 4>Look, fellow, I got to find that Mauritia is very sick. Mauritia,

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<v Speaker 4>she's in the hospital. I got to find your brother

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00:14:20.840 --> 00:14:23.000
<v Speaker 4>right away. I told you I don't know where he is.

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<v Speaker 4>My brother and I, well, we don't see each other.

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<v Speaker 4>I haven't seen him since he left, but he's written

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<v Speaker 4>to you. He must have you been sending money to

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<v Speaker 4>his wife.

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<v Speaker 6>All right, it's none of your business, but I'll tell you.

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<v Speaker 6>I had one letter from him. He asked me to

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<v Speaker 6>do what I could for Maurita until he could send

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00:14:40.159 --> 00:14:42.320
<v Speaker 6>fora Where was a letter from, say where he was

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<v Speaker 6>working someplace in Montreal.

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<v Speaker 8>He didn't give any address, some for company like Chicago,

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00:14:49.960 --> 00:14:50.679
<v Speaker 8>Montreal Firs.

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00:14:51.360 --> 00:14:53.000
<v Speaker 4>Well, it doesn't sound like you're telling me the truth,

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00:14:53.080 --> 00:14:55.000
<v Speaker 4>mister Noye. But I can't say why you'd want a

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<v Speaker 4>thing like that any conscience.

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<v Speaker 6>I'm telling you the truth. Well, okay, but don't take

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00:14:59.279 --> 00:15:04.600
<v Speaker 6>it so hard. Oh my wish, My poor kid. I'll

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00:15:04.639 --> 00:15:06.919
<v Speaker 6>see you the first thing tomorrow. You better make it tonight.

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<v Speaker 6>I can't. I just can't. Well, right in the middle

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<v Speaker 6>of our tax work.

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<v Speaker 8>Ah, Yes, yeah, well, I see your point. Only thing

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<v Speaker 8>is that tomorrow shall be dead.

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<v Speaker 6>It's not true. Doctors are notorious for saying things like that.

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<v Speaker 6>I I don't believe it. Brow would you believe it

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00:15:24.360 --> 00:15:26.480
<v Speaker 6>if you weren't the middle of your tax work. You

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00:15:26.519 --> 00:15:27.759
<v Speaker 6>had no right to talk to me like that, No

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00:15:27.879 --> 00:15:29.600
<v Speaker 6>right at all. I'll see you tomorrow, I tell you,

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00:15:29.679 --> 00:15:33.559
<v Speaker 6>I'll see you tomorrow. Get out of my way.

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00:15:34.240 --> 00:15:35.879
<v Speaker 5>Get out of my way and and stay out of

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00:15:35.919 --> 00:15:36.320
<v Speaker 5>my life.

305
00:15:36.679 --> 00:15:38.799
<v Speaker 6>Stay out of my life, or you'll recredit mister Stone.

306
00:15:39.799 --> 00:15:40.759
<v Speaker 6>Now what was that for?

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00:15:54.519 --> 00:16:07.320
<v Speaker 5>NBC is presenting night Beat, starring Frank Lovejoy as Randy Stone, a.

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00:16:07.399 --> 00:16:10.039
<v Speaker 4>Love story with a happy ending. Yes, that's what the

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00:16:10.120 --> 00:16:12.679
<v Speaker 4>man said. I mean, right at the moment, if there

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00:16:12.679 --> 00:16:13.879
<v Speaker 4>was any happiness.

311
00:16:13.440 --> 00:16:15.080
<v Speaker 6>In the world. Who was staying out of my sight?

312
00:16:16.519 --> 00:16:17.320
<v Speaker 6>Almost midnight?

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00:16:17.360 --> 00:16:19.519
<v Speaker 4>The Mauritia and Noaka at the hospital, hanging on to

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00:16:19.639 --> 00:16:22.360
<v Speaker 4>life by her fingernails until I could find her husband Anton.

315
00:16:23.360 --> 00:16:25.559
<v Speaker 4>Nothing to go on but the name Anton's brother had

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00:16:25.600 --> 00:16:27.879
<v Speaker 4>thrown at me, the Chicago Montreal for a company.

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00:16:28.279 --> 00:16:29.799
<v Speaker 6>I looked it up in the phone book. It was there,

318
00:16:29.840 --> 00:16:32.320
<v Speaker 6>all right. I started dialing the numbers.

319
00:16:33.320 --> 00:16:35.480
<v Speaker 4>I didn't imagine anybody being around this time of the night,

320
00:16:35.519 --> 00:16:37.159
<v Speaker 4>But it was the only lead I had at the moment.

321
00:16:37.879 --> 00:16:40.840
<v Speaker 4>There weren't too many moments left. All I could think

322
00:16:40.840 --> 00:16:44.000
<v Speaker 4>about was what the doctor had said. Maybe she's got five.

323
00:16:43.759 --> 00:16:48.679
<v Speaker 8>Hours, five hours, No, nobody's gonna last.

324
00:16:51.039 --> 00:16:51.360
<v Speaker 11>Hello.

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00:16:51.759 --> 00:16:56.720
<v Speaker 4>Hello, this is a report on the Chicago Star. Look,

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00:16:56.759 --> 00:16:59.120
<v Speaker 4>I'm trying to locate a man who's working for your company.

327
00:16:59.200 --> 00:17:02.679
<v Speaker 3>Nobody, I'm cleaning woman tomorrow.

328
00:17:02.679 --> 00:17:05.039
<v Speaker 4>No no, no, no, wait, please listen. I don't have any time.

329
00:17:05.079 --> 00:17:07.319
<v Speaker 4>This is very important. Can you tell me how I

330
00:17:07.400 --> 00:17:09.119
<v Speaker 4>can locate the manager of your company?

331
00:17:09.720 --> 00:17:11.240
<v Speaker 11>Gone home at five o'clock?

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00:17:13.440 --> 00:17:15.559
<v Speaker 4>Yes, yes, I understand that, But can you please tell

333
00:17:15.599 --> 00:17:16.559
<v Speaker 4>me the manager's number.

334
00:17:16.599 --> 00:17:19.599
<v Speaker 6>I've got to telephone him now, just a minute.

335
00:17:20.359 --> 00:17:25.839
<v Speaker 4>I waited seemed like forever while she went for the number. Ella, Yeah,

336
00:17:25.839 --> 00:17:26.680
<v Speaker 4>well you were able to find it.

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00:17:27.440 --> 00:17:31.359
<v Speaker 8>George Sphonson you four two.

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00:17:31.240 --> 00:17:35.000
<v Speaker 4>Three one one view four two three one one. Thank you,

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00:17:35.079 --> 00:17:35.920
<v Speaker 4>Thank you very much.

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00:17:36.680 --> 00:17:41.000
<v Speaker 3>I didn't give out the number only because yes.

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00:17:40.880 --> 00:17:50.359
<v Speaker 4>All right, I'll tell him, thank you goodbye, La for

342
00:17:51.279 --> 00:17:53.759
<v Speaker 4>two three one one.

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00:18:01.920 --> 00:18:02.880
<v Speaker 6>Allow, mister Swanson.

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<v Speaker 4>I'm sorry to trouble you, mister Swanson, but it's very important.

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00:18:06.680 --> 00:18:08.640
<v Speaker 4>My name is Stone, I'm a reporter on the Star.

346
00:18:08.960 --> 00:18:10.680
<v Speaker 4>I'm trying to locate a man who works for your

347
00:18:10.759 --> 00:18:12.039
<v Speaker 4>company and Anton.

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00:18:11.759 --> 00:18:15.599
<v Speaker 8>Noak, Oh, we have nowhere by that name working.

349
00:18:15.759 --> 00:18:20.759
<v Speaker 6>What was that name? And toon Noak never.

350
00:18:20.640 --> 00:18:22.920
<v Speaker 8>Have had in Taiping with the company, of course, we're

351
00:18:22.920 --> 00:18:23.599
<v Speaker 8>an all firm.

352
00:18:23.640 --> 00:18:24.640
<v Speaker 12>May have been away back.

353
00:18:24.720 --> 00:18:26.599
<v Speaker 6>Oh no, no, no, this would have been in the

354
00:18:26.680 --> 00:18:27.279
<v Speaker 6>last year or so.

355
00:18:27.559 --> 00:18:27.720
<v Speaker 8>Oh.

356
00:18:28.039 --> 00:18:29.920
<v Speaker 4>Sorry, would you have any way of knowing if he

357
00:18:30.000 --> 00:18:31.279
<v Speaker 4>worked at your Montreal branch?

358
00:18:31.359 --> 00:18:32.960
<v Speaker 6>We have no Montreal branch.

359
00:18:33.599 --> 00:18:36.240
<v Speaker 4>Isn't your company the Chicago Montreal per company?

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00:18:36.240 --> 00:18:37.839
<v Speaker 13>Now that's right, but we haven't had a branch in

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00:18:37.920 --> 00:18:39.000
<v Speaker 13>Montreal for years.

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00:18:39.359 --> 00:18:41.319
<v Speaker 11>It used to be our headquarters.

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00:18:40.759 --> 00:18:42.079
<v Speaker 12>When the company first started.

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00:18:42.079 --> 00:18:44.079
<v Speaker 8>But we'rest tricky Chicago firm now.

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00:18:44.279 --> 00:18:46.920
<v Speaker 6>Oh I see, well, thank you very much. I'm sorry

366
00:18:46.920 --> 00:18:47.440
<v Speaker 6>to trouble you.

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00:18:47.640 --> 00:18:48.519
<v Speaker 2>Oh not at all.

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00:18:48.920 --> 00:18:51.960
<v Speaker 13>Oh, if it's gonna be put in the papers, don't forget.

369
00:18:51.799 --> 00:18:52.720
<v Speaker 11>To mention our name.

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00:18:52.920 --> 00:18:54.559
<v Speaker 6>No no, I want to buy mister Swanson.

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00:18:59.319 --> 00:19:01.759
<v Speaker 4>Something was the smell and it wasn't just the west

372
00:19:01.799 --> 00:19:05.440
<v Speaker 4>window of the stockyards. I checked the vital statistics on

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00:19:05.559 --> 00:19:07.799
<v Speaker 4>deaths no Anton Noak since forty four.

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<v Speaker 6>Check the police records ra amnesia.

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<v Speaker 4>Cases in the Central Bonding Company files, Paul Noak was

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<v Speaker 4>listed as a night auditor with a Great Lakes Bank

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00:19:15.880 --> 00:19:18.799
<v Speaker 4>reserve over on State Street. I drove around the State

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00:19:18.839 --> 00:19:20.880
<v Speaker 4>Street and rang the night bell of the Great Lakes Reserve.

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00:19:21.480 --> 00:19:23.920
<v Speaker 4>The watchman wouldn't let me in, but in a couple

380
00:19:23.960 --> 00:19:25.880
<v Speaker 4>of minutes no Ik came out of the building alone.

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00:19:26.480 --> 00:19:28.720
<v Speaker 6>His face was quite as he came toward me. Why

382
00:19:28.799 --> 00:19:29.640
<v Speaker 6>did you come here?

383
00:19:30.000 --> 00:19:33.160
<v Speaker 4>Well, your brother doesn't work for the Chicago Montreal for Company.

384
00:19:33.200 --> 00:19:33.960
<v Speaker 4>I thought you'd want to know.

385
00:19:34.039 --> 00:19:35.160
<v Speaker 6>No, I don't want to know. I don't want to

386
00:19:35.200 --> 00:19:37.480
<v Speaker 6>know anything about it. Your own brother had no right

387
00:19:37.559 --> 00:19:38.680
<v Speaker 6>to come here, no right to you here.

388
00:19:38.920 --> 00:19:41.000
<v Speaker 4>This is my work, for sure, But I didn't think

389
00:19:41.039 --> 00:19:43.759
<v Speaker 4>you'd mind. After all, you've got nothing to hide.

390
00:19:43.799 --> 00:19:44.920
<v Speaker 6>Of course I had nothing to hide.

391
00:19:44.920 --> 00:19:45.640
<v Speaker 5>They know me here.

392
00:19:45.880 --> 00:19:47.720
<v Speaker 6>I'm respected, I have a position of trust.

393
00:19:48.920 --> 00:19:50.559
<v Speaker 8>You had no right to come here and make trouble

394
00:19:50.559 --> 00:19:50.799
<v Speaker 8>for me.

395
00:19:51.200 --> 00:19:52.720
<v Speaker 6>It's taken me years to get where I am.

396
00:19:52.720 --> 00:19:55.039
<v Speaker 4>All right, not just take it easy. Nobody's interested in

397
00:19:55.079 --> 00:19:57.920
<v Speaker 4>making trouble for you. But I am interested in finding

398
00:19:57.960 --> 00:19:59.880
<v Speaker 4>Anton Noak, and whether you like it or not, that's

399
00:20:00.079 --> 00:20:00.640
<v Speaker 4>I intend to do.

400
00:20:00.839 --> 00:20:02.680
<v Speaker 13>And find them, find them or they stay away from me,

401
00:20:02.720 --> 00:20:03.680
<v Speaker 13>stay away from my work.

402
00:20:04.200 --> 00:20:04.920
<v Speaker 6>I can't help you.

403
00:20:04.960 --> 00:20:06.880
<v Speaker 5>I oppose you that I'll stay away from me.

404
00:20:09.680 --> 00:20:12.440
<v Speaker 6>I didn't have time to twist his arm.

405
00:20:12.599 --> 00:20:15.359
<v Speaker 4>As the last resort, I headed across town the police headquarters,

406
00:20:15.359 --> 00:20:18.920
<v Speaker 4>Bureau of Missing Persons and my old friend, Sergeant Adams.

407
00:20:19.240 --> 00:20:21.759
<v Speaker 13>No, Randy know he's never been listed as a missing person.

408
00:20:22.119 --> 00:20:23.839
<v Speaker 13>Somebody would have had to report him, his wife or

409
00:20:23.839 --> 00:20:25.559
<v Speaker 13>a brother, or for us to have a record on him.

410
00:20:25.640 --> 00:20:27.799
<v Speaker 6>Yes, yes, Adams, I know that, But the guy is missing.

411
00:20:27.839 --> 00:20:31.000
<v Speaker 4>You say you check the death records, how about hospital records?

412
00:20:31.079 --> 00:20:33.279
<v Speaker 4>There was nothing to go on and not enough time, Adams,

413
00:20:33.319 --> 00:20:34.599
<v Speaker 4>I tell you, I got to find the fellow the

414
00:20:34.680 --> 00:20:36.640
<v Speaker 4>night tomorrow the last Yeah.

415
00:20:36.279 --> 00:20:39.720
<v Speaker 13>They disappearance May tenth, nineteen forty eight. Did you check

416
00:20:39.759 --> 00:20:41.119
<v Speaker 13>the arrest records.

417
00:20:40.720 --> 00:20:41.240
<v Speaker 2>For that date?

418
00:20:41.480 --> 00:20:42.440
<v Speaker 6>Nothing under knowing?

419
00:20:42.839 --> 00:20:43.880
<v Speaker 8>How about John does?

420
00:20:44.119 --> 00:20:44.720
<v Speaker 6>John does?

421
00:20:44.799 --> 00:20:44.839
<v Speaker 3>No?

422
00:20:45.000 --> 00:20:45.720
<v Speaker 6>I never thought of that.

423
00:20:45.799 --> 00:20:47.839
<v Speaker 13>Yeah, well, come on, I won't take much time, never

424
00:20:47.880 --> 00:20:48.559
<v Speaker 13>can tell them.

425
00:20:48.759 --> 00:20:49.559
<v Speaker 6>Just might be something.

426
00:20:49.960 --> 00:20:52.200
<v Speaker 13>Usually you find something on these John doees after you

427
00:20:52.200 --> 00:20:54.960
<v Speaker 13>had them a while, if the eye, friends, pictures or else,

428
00:20:55.000 --> 00:20:57.240
<v Speaker 13>they just break down. Tell us where they are, of course,

429
00:20:57.279 --> 00:20:59.799
<v Speaker 13>if they're just John Doe drunks just a matter of

430
00:20:59.799 --> 00:21:02.039
<v Speaker 13>so bring them up right in here, Randy.

431
00:21:02.440 --> 00:21:06.720
<v Speaker 6>I'm mac oh Adams arrest records forty eight May tenth. Okay,

432
00:21:06.839 --> 00:21:09.680
<v Speaker 6>you better make it my eleventh to you. The guy

433
00:21:09.720 --> 00:21:14.160
<v Speaker 6>that phoned ear there, Yes, iphoned none of those names, yeah, Mack. Yeah.

434
00:21:14.200 --> 00:21:17.960
<v Speaker 8>We want to have a look for John doe'es yeah, yeah,

435
00:21:19.160 --> 00:21:27.759
<v Speaker 8>Ny tenth as BC's d Day Dolton, then Dell Doe dough,

436
00:21:27.880 --> 00:21:34.119
<v Speaker 8>John Doe drunk, John Doe drunk, John Doe drunk. Here's

437
00:21:34.200 --> 00:21:37.079
<v Speaker 8>one John Doe armed robbery. Let me see the file

438
00:21:37.119 --> 00:21:39.079
<v Speaker 8>on this one, Mac one nine two seven on one.

439
00:21:39.680 --> 00:21:41.400
<v Speaker 6>Do you think there'd be any information in the file.

440
00:21:41.559 --> 00:21:44.680
<v Speaker 13>I never can tell, Randy. Personal property slip sometimes has

441
00:21:44.680 --> 00:21:45.599
<v Speaker 13>the information.

442
00:21:45.240 --> 00:21:47.480
<v Speaker 6>You can use. Yeah.

443
00:21:47.680 --> 00:21:55.519
<v Speaker 7>One John age twenty three, hair, dark eyes, brown, high

444
00:21:55.640 --> 00:21:58.799
<v Speaker 7>five ten three quarters, no identifying scars.

445
00:21:58.799 --> 00:22:01.240
<v Speaker 6>Well that you know that that that age is right?

446
00:22:01.319 --> 00:22:04.799
<v Speaker 6>It could be no. Eck, what do you do? Hold up?

447
00:22:06.039 --> 00:22:08.000
<v Speaker 6>Captured by the victim must have been known at the game.

448
00:22:08.279 --> 00:22:09.319
<v Speaker 6>Let's look at what else you got here.

449
00:22:09.400 --> 00:22:11.440
<v Speaker 13>Yeah, I've a look at the personal property list. Stuff

450
00:22:11.440 --> 00:22:14.480
<v Speaker 13>he had on him and he was booked. Brown suit,

451
00:22:14.519 --> 00:22:18.559
<v Speaker 13>white shirt, blue striped tie, no hat, white handkerchief.

452
00:22:18.640 --> 00:22:22.160
<v Speaker 6>What is this under jewelry? One only hand ring, Indian

453
00:22:23.119 --> 00:22:28.240
<v Speaker 6>silver and turquoise? What else? Cash? Eight sense identification? Now

454
00:22:29.000 --> 00:22:29.920
<v Speaker 6>that's about all it all.

455
00:22:30.720 --> 00:22:33.599
<v Speaker 8>He is a note I thus he was trying to

456
00:22:33.599 --> 00:22:36.759
<v Speaker 8>get away one only travel full round Mexico.

457
00:22:39.799 --> 00:22:40.559
<v Speaker 6>I'd found him.

458
00:22:40.720 --> 00:22:43.680
<v Speaker 4>Anton Noak was John Doe, arrested for robbery May tenth,

459
00:22:43.799 --> 00:22:46.519
<v Speaker 4>nineteen forty eight, Convicted and sentenced to joliet for two

460
00:22:46.519 --> 00:22:49.279
<v Speaker 4>to five years, still under the name of John Doe.

461
00:22:49.880 --> 00:22:51.200
<v Speaker 4>It was beginning to fit together.

462
00:22:51.279 --> 00:22:51.559
<v Speaker 6>Sure.

463
00:22:51.720 --> 00:22:53.680
<v Speaker 4>He didn't want her to know. That's why he hadn't written.

464
00:22:54.839 --> 00:22:56.400
<v Speaker 4>That was the reason for the lie about the job

465
00:22:56.440 --> 00:22:59.200
<v Speaker 4>in Montreal. He was afraid it would hurt her the

466
00:22:59.240 --> 00:23:02.160
<v Speaker 4>prison record. That's why his brother wouldn't tell where. He

467
00:23:02.240 --> 00:23:05.359
<v Speaker 4>was afraid that somehow Anton's crime would reflect on his

468
00:23:05.400 --> 00:23:08.880
<v Speaker 4>own bank job. I jumped into my car and headed

469
00:23:08.920 --> 00:23:12.000
<v Speaker 4>out out Dannaven' tosched Joliette over thirty miles away with

470
00:23:12.119 --> 00:23:13.960
<v Speaker 4>the middle of the night. I had no idea what

471
00:23:14.000 --> 00:23:15.640
<v Speaker 4>I could do when I got there. All I knew

472
00:23:15.680 --> 00:23:18.640
<v Speaker 4>was I had to get there fast. Maybe you'd been released.

473
00:23:19.319 --> 00:23:21.079
<v Speaker 4>Maybe I could talk to the warden and do letting

474
00:23:21.160 --> 00:23:22.839
<v Speaker 4>him out with me. Onder guard, maybe I could put

475
00:23:22.839 --> 00:23:24.640
<v Speaker 4>a call through to the hospital. He could at least

476
00:23:24.640 --> 00:23:27.960
<v Speaker 4>talk to her on the phone. I didn't know. When

477
00:23:28.000 --> 00:23:29.720
<v Speaker 4>I got to Joliet, the place was lit up like

478
00:23:29.759 --> 00:23:32.240
<v Speaker 4>soldier's field. The guard took me inside of the ward

479
00:23:32.279 --> 00:23:34.279
<v Speaker 4>and he was dressed. He seemed to have been expecting me.

480
00:23:35.480 --> 00:23:36.839
<v Speaker 6>Your little lights shone.

481
00:23:36.640 --> 00:23:38.799
<v Speaker 4>Doesn't anybody who bet around here and the rest of

482
00:23:38.839 --> 00:23:41.279
<v Speaker 4>the boys who've been and gone? Rest of what boys?

483
00:23:41.400 --> 00:23:42.440
<v Speaker 4>The other papers?

484
00:23:42.799 --> 00:23:44.119
<v Speaker 6>You mean they got here ahead of me? Now?

485
00:23:44.119 --> 00:23:44.319
<v Speaker 2>Why?

486
00:23:44.359 --> 00:23:46.960
<v Speaker 6>Of course? The break happened a couple of hours ago,

487
00:23:47.200 --> 00:23:47.720
<v Speaker 6>a break.

488
00:23:48.440 --> 00:23:50.200
<v Speaker 4>I thought there was something funny about all those lights

489
00:23:50.200 --> 00:23:51.279
<v Speaker 4>and everybody being up at this.

490
00:23:51.240 --> 00:23:52.799
<v Speaker 6>Time of the night. Isn't that why you're here?

491
00:23:52.839 --> 00:23:52.960
<v Speaker 3>No?

492
00:23:52.960 --> 00:23:55.279
<v Speaker 6>No, I came up to see a fellow. What happened?

493
00:23:55.559 --> 00:23:58.240
<v Speaker 12>One of the men suddenly decided he wanted out, grabbed

494
00:23:58.240 --> 00:24:00.359
<v Speaker 12>a gun away from a garden, started blasting away.

495
00:24:01.200 --> 00:24:03.640
<v Speaker 6>Had to shoot him to stop him. Not unorganized break.

496
00:24:03.799 --> 00:24:04.880
<v Speaker 7>No, he was alone.

497
00:24:05.119 --> 00:24:06.240
<v Speaker 6>I can't understand it.

498
00:24:06.559 --> 00:24:09.920
<v Speaker 12>Model prisoner coming up for parole a month and the

499
00:24:10.039 --> 00:24:12.160
<v Speaker 12>night he just blows up for a pill.

500
00:24:13.279 --> 00:24:16.960
<v Speaker 4>Uh, his name wouldn't be John Doe with it one

501
00:24:17.000 --> 00:24:19.960
<v Speaker 4>of many how did you know he might be the

502
00:24:19.960 --> 00:24:23.640
<v Speaker 4>fellow was coming up to see Chicago number one nine

503
00:24:23.960 --> 00:24:24.559
<v Speaker 4>seven one.

504
00:24:25.240 --> 00:24:29.359
<v Speaker 6>Yeah, so that's a shame. He's in a hospital. Sell

505
00:24:29.440 --> 00:24:32.759
<v Speaker 6>down the hall. I see, it's pretty bad. I'd like

506
00:24:32.799 --> 00:24:35.119
<v Speaker 6>to see him if you don't mind on come on.

507
00:24:35.640 --> 00:24:41.240
<v Speaker 6>Thank you. Funny about these John does did you know him? No? No,

508
00:24:41.319 --> 00:24:43.279
<v Speaker 6>I don't. I think I know his wife.

509
00:24:43.160 --> 00:24:46.319
<v Speaker 12>Usually something pretty decent about them, trying to protect their families.

510
00:24:46.359 --> 00:24:50.880
<v Speaker 12>Mostly can't hardly blame them either. Oh, doctor, this is

511
00:24:50.880 --> 00:24:53.480
<v Speaker 12>mister Stone, one of the Chicago papers. All right, if

512
00:24:53.480 --> 00:24:55.279
<v Speaker 12>we go in talk to him for a minute, I'm

513
00:24:55.319 --> 00:24:56.640
<v Speaker 12>afraid it won't make much difference.

514
00:24:56.720 --> 00:25:05.039
<v Speaker 6>Warden Grehadstone, Thank you. Hello, Fellah.

515
00:25:05.960 --> 00:25:07.960
<v Speaker 4>I don't want to bother you, but I came up

516
00:25:08.000 --> 00:25:10.519
<v Speaker 4>here tonight looking for a fellow named Anton Noik.

517
00:25:12.759 --> 00:25:16.519
<v Speaker 6>My name's John Doe. Yeah. This uh, this Anton Noak.

518
00:25:16.599 --> 00:25:18.720
<v Speaker 6>I never met him, but from what I hear is

519
00:25:18.799 --> 00:25:20.079
<v Speaker 6>quite a guy. I wouldn't know.

520
00:25:20.920 --> 00:25:23.279
<v Speaker 4>I had it from a girl named Marisa, his wife.

521
00:25:23.400 --> 00:25:27.920
<v Speaker 4>I believe she loved him quite a lot. By the way,

522
00:25:27.920 --> 00:25:29.440
<v Speaker 4>that ring you were worrying, where'd you get that?

523
00:25:30.000 --> 00:25:33.400
<v Speaker 6>I stole it? Really? Why would anyone steal a cheap

524
00:25:33.400 --> 00:25:35.799
<v Speaker 6>little bit of silver and took hers. I hadn't like

525
00:25:36.640 --> 00:25:37.799
<v Speaker 6>Uh huh.

526
00:25:38.039 --> 00:25:40.079
<v Speaker 4>I saw one like that on a girl once. It

527
00:25:40.200 --> 00:25:43.079
<v Speaker 4>was a wedding ring. The girl liked the too. This

528
00:25:43.160 --> 00:25:45.400
<v Speaker 4>fellow Noak gave it to her. But then he got

529
00:25:45.440 --> 00:25:46.839
<v Speaker 4>into some sort of a jam. He had to go

530
00:25:46.839 --> 00:25:49.839
<v Speaker 4>away for a while. Didn't tell her anything about what happened.

531
00:25:49.880 --> 00:25:53.279
<v Speaker 4>He was afraid it might have heard her would kilty

532
00:25:54.039 --> 00:25:57.720
<v Speaker 4>no would have made her unhappy. Maybe she would have

533
00:25:57.799 --> 00:26:02.920
<v Speaker 4>understood awful lot. She would have been glad he was

534
00:26:02.960 --> 00:26:06.640
<v Speaker 4>squaring things up. She she loved him an awful lot.

535
00:26:07.400 --> 00:26:10.319
<v Speaker 3>What do you want, mister, Like.

536
00:26:10.279 --> 00:26:13.599
<v Speaker 4>I said, I was just looking for a fella, just

537
00:26:13.640 --> 00:26:15.519
<v Speaker 4>one question for the paper. I'm sorry I have to

538
00:26:15.559 --> 00:26:18.440
<v Speaker 4>ask you. But how did you happen to pick tonight

539
00:26:18.519 --> 00:26:20.640
<v Speaker 4>to break out? Why didn't you wait for your release?

540
00:26:21.759 --> 00:26:27.039
<v Speaker 6>I don't know. Something made me, something telling me she

541
00:26:28.039 --> 00:26:38.440
<v Speaker 6>needed me doctor quick. Oh shit, flowers of the water,

542
00:26:39.720 --> 00:26:43.920
<v Speaker 6>how beautiful in the sunlight. She's gone.

543
00:26:47.079 --> 00:26:50.599
<v Speaker 4>Instinctively, I looked down at my watch. Two thirty five

544
00:26:50.680 --> 00:26:54.000
<v Speaker 4>in the morning. A nice, lonely time to make your

545
00:26:54.000 --> 00:26:55.799
<v Speaker 4>curtain call, two thirty five.

546
00:26:55.839 --> 00:26:57.880
<v Speaker 7>I am fine.

547
00:26:57.920 --> 00:27:01.319
<v Speaker 4>Little light had been having a really fell low. I

548
00:27:01.400 --> 00:27:03.279
<v Speaker 4>telephoned the story into the paper and went back to

549
00:27:03.319 --> 00:27:05.720
<v Speaker 4>the hospital. I wasn't going to be much help to Mauritia,

550
00:27:05.799 --> 00:27:09.200
<v Speaker 4>no act, but I promised i'd come back. The doctor

551
00:27:09.279 --> 00:27:11.200
<v Speaker 4>was in the hall working over some reports at the

552
00:27:11.279 --> 00:27:13.000
<v Speaker 4>night desk. He looked up when I stepped out of

553
00:27:13.039 --> 00:27:13.559
<v Speaker 4>the elevator.

554
00:27:14.000 --> 00:27:18.680
<v Speaker 6>Hell, almost I found our ant one, right, h A

555
00:27:18.720 --> 00:27:21.160
<v Speaker 6>little too late, though dead.

556
00:27:21.559 --> 00:27:28.440
<v Speaker 8>Really wouldn't have any difference. She yeah, I'm making out

557
00:27:28.440 --> 00:27:30.400
<v Speaker 8>the report now right.

558
00:27:31.240 --> 00:27:35.599
<v Speaker 6>I wasn't so bad. Stone wasn't bad at all. She

559
00:27:35.759 --> 00:27:39.359
<v Speaker 6>was happy. I've never seen anyone so happy. But did

560
00:27:39.359 --> 00:27:41.519
<v Speaker 6>she have to be happy about them? Who knows.

561
00:27:42.359 --> 00:27:45.759
<v Speaker 8>But right at the last, this wonderful smile came across

562
00:27:45.759 --> 00:27:49.319
<v Speaker 8>her face. I guess it was delirium. She kept saying

563
00:27:49.359 --> 00:27:54.359
<v Speaker 8>something like flowers on the water, how beautiful in the sunlight.

564
00:27:55.400 --> 00:27:56.119
<v Speaker 6>That's what she said.

565
00:27:56.880 --> 00:28:00.240
<v Speaker 4>That report that you're making O tell me was the

566
00:28:00.279 --> 00:28:02.359
<v Speaker 4>time of death? Tell me, DoD please?

567
00:28:02.799 --> 00:28:08.960
<v Speaker 6>Oh it's two thirty five am. Why two thirty five am?

568
00:28:09.039 --> 00:28:22.400
<v Speaker 10>Yeah?

569
00:28:23.039 --> 00:28:26.119
<v Speaker 4>So here I sit, watching the dawn creeping up on Chicago,

570
00:28:26.359 --> 00:28:29.720
<v Speaker 4>tapping out thirty My story for the night, A love story,

571
00:28:29.920 --> 00:28:35.079
<v Speaker 4>you know, less, A very pessimistic Fellow once wrote, when

572
00:28:35.079 --> 00:28:37.799
<v Speaker 4>two people really love each other, there can never be

573
00:28:37.839 --> 00:28:38.599
<v Speaker 4>a happy ending.

574
00:28:39.359 --> 00:28:40.079
<v Speaker 6>Well that could be.

575
00:28:41.480 --> 00:28:44.279
<v Speaker 4>But then again, maybe that pessimistic Fellow used one word

576
00:28:44.319 --> 00:28:48.720
<v Speaker 4>too many. Maybe when two people really love each other

577
00:28:48.839 --> 00:28:53.599
<v Speaker 4>there can never be an ending. Who knows you pays

578
00:28:53.640 --> 00:29:00.160
<v Speaker 4>your money and it takes your choice copy Boy.

579
00:29:07.920 --> 00:29:11.680
<v Speaker 5>Nightbeat, a new dramatic series, stars Frank love Joy as

580
00:29:11.799 --> 00:29:15.759
<v Speaker 5>Randy Stone. Nightbeat is edited by Larry Marcus and directed

581
00:29:15.759 --> 00:29:16.799
<v Speaker 5>by Warren Lewis.

582
00:29:17.359 --> 00:29:18.720
<v Speaker 6>Music is by Frank Worth.

583
00:29:19.480 --> 00:29:23.920
<v Speaker 5>Others in tonight's cast were Joyce McCluskey, Vic Perrin, Jack Edwards,

584
00:29:24.000 --> 00:29:26.880
<v Speaker 5>Jerry Hassner, Rena Craig, Larry.

585
00:29:26.720 --> 00:29:28.039
<v Speaker 6>Dobkin, and Charles Seal.

586
00:29:28.920 --> 00:29:31.240
<v Speaker 5>Frank love Joy will next be seen in Milton Spurling's

587
00:29:31.240 --> 00:29:36.519
<v Speaker 5>production Rock Bottom, released by Warner Brothers. Listen next week

588
00:29:36.559 --> 00:29:39.319
<v Speaker 5>at the same time and every week as Randy Stone

589
00:29:39.400 --> 00:29:42.440
<v Speaker 5>searches through the city for the strange stories waiting for

590
00:29:42.519 --> 00:29:44.920
<v Speaker 5>him in the darkness, the stories that come out of

591
00:29:44.960 --> 00:30:03.720
<v Speaker 5>the shadows to find their way into Nightbeat. There's more

592
00:30:03.839 --> 00:30:07.640
<v Speaker 5>great action pact entertainment for you throughout the week on NBC.

593
00:30:08.839 --> 00:30:13.160
<v Speaker 5>Other mystery adventure programs include such popular shows as Dragnet,

594
00:30:13.799 --> 00:30:15.880
<v Speaker 5>High Adventure and Christopher London.

595
00:30:21.240 --> 00:30:23.960
<v Speaker 14>This is Andrew from Otirwesterns dot com. I wanted to

596
00:30:24.000 --> 00:30:25.880
<v Speaker 14>invite you to come take a look at her site

597
00:30:25.960 --> 00:30:29.279
<v Speaker 14>where we put on podcasts of old time radio Westerns.

598
00:30:29.759 --> 00:30:32.000
<v Speaker 14>Check us out at Otirowesterns dot com.

599
00:30:32.160 --> 00:30:33.039
<v Speaker 6>You're listening to the.

600
00:30:32.960 --> 00:30:35.680
<v Speaker 14>Great Detectives of Old Time Radio with Adam Graham. Now

601
00:30:35.720 --> 00:30:36.960
<v Speaker 14>let's get back into the show.

602
00:30:44.519 --> 00:30:49.079
<v Speaker 1>Welcome back. Well, it's a good episode, but may sound

603
00:30:49.119 --> 00:30:53.799
<v Speaker 1>familiar to long term listeners because it's essentially the same

604
00:30:53.880 --> 00:30:58.000
<v Speaker 1>thing ass Flowers on the Water. My reason for playing

605
00:30:58.000 --> 00:31:03.279
<v Speaker 1>it is that most radio lists this episode, and I

606
00:31:03.319 --> 00:31:07.160
<v Speaker 1>even found this plot summary. Now, there are numerous things

607
00:31:07.160 --> 00:31:11.079
<v Speaker 1>that kind of make me a dubious about it. It

608
00:31:11.200 --> 00:31:14.400
<v Speaker 1>aired during the summer, but it referenced tax time, which

609
00:31:14.440 --> 00:31:16.920
<v Speaker 1>would be in March and spring, and there's also a

610
00:31:16.960 --> 00:31:19.720
<v Speaker 1>reference to spring at the start of it. This also

611
00:31:19.839 --> 00:31:25.200
<v Speaker 1>could be a straight out and out replay of that episode.

612
00:31:25.440 --> 00:31:29.519
<v Speaker 1>It wasn't totally unheard of it by nineteen fifty one

613
00:31:29.559 --> 00:31:33.119
<v Speaker 1>with all of these episodes being transcribed, so again we

614
00:31:33.200 --> 00:31:36.920
<v Speaker 1>went with the best sources available. But whether this is

615
00:31:37.480 --> 00:31:41.599
<v Speaker 1>correct or not, who knows. They do label this episode

616
00:31:41.599 --> 00:31:45.440
<v Speaker 1>generally Antonio's return, which is odd as there's no one

617
00:31:45.519 --> 00:31:49.359
<v Speaker 1>named Antonio in the plot. It's anton Regardless, the story's

618
00:31:49.400 --> 00:31:57.640
<v Speaker 1>got a definite sense of tragic, somewhat beautiful romance while

619
00:31:57.680 --> 00:32:03.160
<v Speaker 1>still showing Brandy's will to take on the tough task

620
00:32:03.759 --> 00:32:06.039
<v Speaker 1>in the middle of the night when there's no one

621
00:32:06.200 --> 00:32:09.119
<v Speaker 1>else really available to do it. All right, well, that

622
00:32:09.240 --> 00:32:11.680
<v Speaker 1>will do it for today. Join us back here tomorrow

623
00:32:11.759 --> 00:32:15.640
<v Speaker 1>for pursuit, and then next Monday it's another episode of

624
00:32:15.720 --> 00:32:19.440
<v Speaker 1>Not Buyed. In the meantime, send your comments to Box

625
00:32:19.559 --> 00:32:23.119
<v Speaker 1>thirteen at Great Detectives dot net, follow us on Twitter

626
00:32:23.160 --> 00:32:27.039
<v Speaker 1>at Radio Detectives, and become one of our friends on Facebook,

627
00:32:27.079 --> 00:32:31.200
<v Speaker 1>Facebook dot com, Slash Radiodetectives From Boise, Idaho, This is

628
00:32:31.240 --> 00:32:33.279
<v Speaker 1>your host, Adam Grahamson and off
