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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Broadways My Beat.

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But first, I do want to encourage you, if you're

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enjoying the podcast, to please follow us using your favorite

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podcast software. Today's program is also brought to you in

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part by the financial support of our listeners, and I

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want to go ahead and thank Kevin for sending a

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donation to us via the zell app. And you can

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do that by sending a donation to Box thirteen at

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Great Detectives dot net. You can also become one of

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our ongoing Patreon supporters for as little as two dollars

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per month by going to Patreon dot Great Detectives dot

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net Now. From October twenty seventh, nineteen fifty here is

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the Harold Clark murder Case.

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Speaker 2: Broadways My Beat from Times Square to Columbus Circle. The gaudiest,

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the most violent, the lonesomest mile in the world. Broadways

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My Beat with Larry Thor as Detective Benny. It's the

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journey to the end of all the other streets in

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the world. This Broadway you turn a corner and you're there.

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You walk slowly, you lean your heart against it. Then

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something explodes in your face and you run and you're

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one of the crowd. You shop for the kicks, the

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bargains and the heartbreak, and inevitably you find it one

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or the other, like I did on the street of

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the Tired apartment houses, a street least on the premise

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that both parents should work so they can come home,

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smile bravely at each other, beat their children, then snore.

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The seven pm when I walked up to the second

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floor landing of the l Royal Apartments in answer to

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a call, Detective Muggabun was waiting for me.

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Speaker 3: There he is Denny on the floor over by the ranny.

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Speaker 2: Uh huh, who is he?

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Speaker 1: Hey?

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Speaker 4: Why don't you people break it up? Go on, get

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back to your apartments. You read all about it in

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the paper.

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Speaker 2: Who is he? Muggivin?

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Speaker 3: Name is Harold Clark, lives apartment two c married, no children,

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dead from two thirty eight slugs in his chest.

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Speaker 2: That's who he is. Who killed him?

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Speaker 3: Tenant named Lloyd Raymie had the apartment right here two

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A blasted mister Clark right through the door. Two shots connected.

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Speaker 5: With both You see.

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Speaker 3: Two shots right through the door here here?

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Speaker 2: Uh huh? What about Lloyd Raymie killer? Nothing?

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Speaker 3: He shot Clark and took a fire escape exit through

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his own room.

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Speaker 2: What else, muggervan? What about the rest of the tenants?

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They know anything about Raymie?

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Speaker 3: I asked them. They shake their heads.

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Speaker 2: No, okay, ask them some more. You said Clark was married.

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Speaker 3: His wife is home.

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Speaker 2: Thanks, missus Clark, it's the police, Miss Clark, I've got

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please come in. Excuse the way I look, of course,

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Missus Clark.

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Speaker 6: Do you want me to say to you? Excuse the

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way I look? Excuse the way the apartment looks, the

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way my husband looks lying out there in the hall

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in his undershirt. What else can I say to you?

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I'm sorry about it.

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Speaker 2: I've got to ask you some questions.

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Speaker 6: I know all about that.

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Speaker 5: There see.

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Speaker 6: I here, Detective. Did you ever own a gun? Suspect? No, sir,

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I did not. Detective did you shoot this man? Suspect? No, sir,

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I did not. Just like in these true type detective

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story magazines, I read them all the time, I know

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all about what you've got to do.

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Speaker 2: All right, then it'll make it a lot easier.

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Speaker 6: If you're going to ask me did I shoot my husband,

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I'm going to say no, sir, I did not.

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Speaker 2: We know you didn't.

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Speaker 6: Don't be too sure. I was in Lloyd Ramie's apartment

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when it happened.

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Speaker 2: Oh, tell me about it.

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Speaker 6: I went across the hall to borrow some tea bags

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from mister Ramie because my husband likes tea. I must

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have stayed more than ten seconds because my husband got

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panicky and came after me. He knocked on the door,

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mister REMI didn't even answer. He pulled out a gun

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and shot.

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Speaker 2: How well did you know Ramy for tea bags.

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Speaker 6: With my husband? Tea bags means I'm not being true blue.

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Speaker 2: Your husband was wrong, wasn't he.

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Speaker 6: My husband is dead. I guess that's pretty wrong. He

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knocked on the door and yelled to open it or

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he'd break it down, And now he's dead because he

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liked tea.

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Speaker 4: Doctor Sisky.

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Speaker 3: The technical boys are.

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Speaker 2: Here, Danny, Oh good, I'm through here. Tell him to

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go to work.

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Speaker 4: Okay, I'll lock your people.

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Speaker 1: Why don't you break it up?

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Speaker 4: Why don't you go home? Near on the mit.

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Speaker 2: They stood there, The tenants of the l Royal apartment

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summoned by the violence, drawn by the clamor of the

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violin dead, drawn by the cold wind that had touched

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their throats and led them to the warmth of the spectacle.

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A child's harsh voice ordered his father to hoist him

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to his shoulder so I could see he could see better.

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The father slapped him higher to cross the mount. The

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child wailed and scurried down the corridor, and the father

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looked after him, his eyes filled with pain and confusion

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and then emptying of these things forgetting the child, remembering death.

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Magovin had got one thing out of the tenants, the

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fact that Lloyd Ramie, the murderer was known to a

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certain party, the party being the Wilkins rental agency on

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West fifty eighth Street, the farms you had to fill

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out to get an apartment from them. Your life was

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on a piece of paper in a wooden file box.

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Go ask mister Wilkins about Lloyd Ramie. He'll have it

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in the box. Mister Wilkins did mid it murder?

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Speaker 6: Did he?

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Speaker 4: I just go to show you, miss Glovere you never know.

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Speaker 2: You never know. You found it.

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Speaker 4: Mmmmm, I've found it right here to hand. Man tries

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his best. Mister Clover tries to find a select clients.

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Heelver's clients try as a judgeman by his clothes, his

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shifting eyes, a woman hanging on his arm. Good risk,

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bad risk. Man asks himself, yes, Sir Wilkins, please, you're

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eating it to my time, but bid me too, eat

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at yours. The things they put on a questionnaire on

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the form so often the lie, sheer lie. All I

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want is I know, I know information on one of

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my tenants.

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Speaker 2: A murder whenever you feel up to it, mister Wilkins.

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Speaker 4: Thank you. According to my files, Lloyd Ramy is a

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man I never set eyes upon.

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Speaker 2: But you just told me no I know.

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Speaker 4: But sometimes in my profession, as it must be in yours,

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there are extenuating circumstances like what mister Wilkins like this

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letter from Lloyd ram Let me see it. Patience, patience,

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mister Cover. This letter is an extenuating circumstance because with

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it came the money for a year's lease on Apartment

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two a l Royal Apartments. We find questionnaires personal interviews

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unnecessary when a gentleman has the foresight too, what else

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does it have a few well wrought phrases stating that

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he Lloyd Remy had seen our ad and the news,

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had gone to the apartment, found it suitable to his needs,

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and had closed find eight or year's rent dated September third,

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nineteen fifty. From that day forward we rejected all other applicants.

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Speaker 2: Shivered to me.

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Speaker 4: I must I suppose heat apart with it. This letterhead.

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He brought jaw into our lives here at the agency.

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Isn't it joyful? Mm hmmm yes, Berkie sig Miller. Tattoos

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and the slogan what you want where you wanted? Joyful?

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Speaker 7: Huh.

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Speaker 5: I'm back here. I'm by.

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Speaker 4: Hi.

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Speaker 5: Take it terrible right with you? Since I finished with

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this sailor now, I'll still sailor boy.

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Speaker 2: My name is Danny Clover.

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Speaker 5: Hi, Danny, you can look at the patterns on the wall.

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We're having a specialist week on mother, you know, and

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is for the oars five.

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Speaker 2: I'm from the police.

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Speaker 5: I can give you a special on that too.

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Speaker 3: He is for the oars.

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Speaker 5: For some matter with you, Sailor boy?

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Speaker 2: Praise is your name? Berky sig Miller?

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Speaker 5: Yeah, Hey, you ain't got that tattoo? Look in your eye?

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You don't want to get tattooed.

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Speaker 2: Do you I want some information?

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Speaker 5: Look, sailor boy, if you don't hold still, you're gonna

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have the strangest looking mermaid on your chest in the navy.

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What kind of information you want? Danny?

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Speaker 2: The man came in here about four weeks ago and

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used your stationary here stationary in your place?

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Speaker 5: Oh yeah, I recall a request man dropped in for

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a touch up job of a coiled rattlesnake, and he

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asked me for a sheet of paper. When I was done,

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I gave it to him. You got the one I

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gave him in your hand.

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Speaker 2: Had you ever seen the man before?

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Speaker 8: No?

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Speaker 5: What's he done?

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Speaker 2: Murder?

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Speaker 5: That's a new one. Didn't admiral once, but never a murderer. Okay,

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button up your shirt, sailor boy.

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Speaker 2: Have you any idea where I can find this man?

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Speaker 5: There's no use you asked me any more questions, Danny,

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because I couldn't give you any more answers. Just tattoos.

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That's all I.

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Speaker 9: Give, Danny.

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Speaker 4: Danny, it is I.

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Speaker 9: You're ever faithful.

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Speaker 2: Hell you know likewise I'm.

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Speaker 10: Sure well you seem lost, Danny, lost in some reverie

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into which perhaps it is in plight that I intrude

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my face.

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Speaker 2: That's all right, you can stay, thank you. Well, yeah, sure,

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it's all right. What's seating you, Danny?

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Speaker 10: The rumor is making its way through the nooks and

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crannies of police headquarters that you have lately visited a

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tattoo parlor.

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Speaker 2: Rumor is right, Danny.

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Speaker 10: You have not gone and indulged yourself in some mad

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whim or other.

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Speaker 9: You have not.

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Speaker 10: You don't approve, you know, well, it is not for

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me to approve and not to approve, Danny. It is

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only that, in a like circumstance, Mike Shrek, the ball

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headed miracle detective from Philadelphia's tattoo you guessed that in

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the middle of his forehead the tattoo of a snow

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crystal imprinted there by a high a Larmba hailing from Tibet. Hey,

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my Trek has regretted this indiscretion all his life, so

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so well, I don't want the same thing to happen

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to you.

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Speaker 9: This regret, Danny. I won't breathe a word if.

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Speaker 2: I know I can trust you, sir. Now the matter

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of Lloyd Ramy, you have something for me, you know.

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Speaker 10: In the matter of Lloyd Oh oh yeah. In the

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matter of Lloyd Raimy, the usual standard operating procedure, all points, bulletins, timinals,

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watching in relays, nothing. Hey, you can't just bodge in here, lady.

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Speaker 2: You have it's all right, you know you want to

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see me, miss Clark.

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Speaker 6: Not particularly. I only thought that if you were cracking

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your skull over the murder of my husband, maybe I.

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Speaker 2: Could help sit down as Clark, there.

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Speaker 6: Isn't time to be lotted down with me, mister Clover.

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If you want to capture him, you better hurry. He

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was just beginning the souper core when I spotted him.

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Speaker 2: Lloyd Raymie.

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Speaker 6: Where don't panic yourself, mister Clover. Not Lloyd Raymie, but

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a man who was often a caller at the apartment

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of Lloyd Raymie. Raymie was such a secretive type. I

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took mental notes on his call. Where is beginning a

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meal at the Hotel Adams. I dropped in there myself

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for a bite. While waiting for a table, I spotted him,

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who could eat? I ran quick to you with a

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hot clue clutch tight in my little hand.

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Speaker 2: You want it, You'll point him out to me, won't you,

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missus Clark?

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Speaker 6: Why else do you think I missed my dinner? There

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he is, mister Clover. Which one there near the back

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of the room. Man sitting at the small table against

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the wall.

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Speaker 2: You wait here? Mind if I sat down? Mister h

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sit down.

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Speaker 11: I have a drink, d sonodser.

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Speaker 2: Thanks. I'm from the police.

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Speaker 11: Why don't you bring a lady to.

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Speaker 5: See you?

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Speaker 11: Come with the lady.

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Speaker 3: Go bang you the lady.

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Speaker 11: I'm not feeling so good, but who needs it to

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talk with a lady?

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Speaker 5: Lady?

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Speaker 2: You're sick, sick and drunk.

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Speaker 3: Sick drunk, Go.

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Speaker 7: Get the get the lady.

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Speaker 2: Hey, we'd better get you to I lifted his head

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up from the table and his eyes were open, open

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and staring and not reacting to anything in the world.

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And he's part of it. The made her d hurrying over,

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the polite music, the fingerballs and the Demi task and

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the philets. None of it registered. He just slumped to

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the floor. I knelt over him, felt for a pulse.

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There wasn't any. He was dead. You are listening to

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Broadway's My Beat, written by Morton Fine and David Friedkin

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and starring Larry Thor as Detective Danny Clover. This Sunday,

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Frank Sinatra joins Arthur Godfrey and the other fine entertainers

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and programs to be heard on CBS in the afternoons.

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His new show is called Meet Frank Sinatra, and you'll

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hear members of Frank's studio audience being interviewed by the

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voice and telling him their favorite songs. At their request,

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Frank either will sing the song himself or play a

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famous record. Meet Frank Sinatra will bring you a surefire

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entertainment for a whole hour, starting this Sunday afternoon on

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most of these same CBS stations. Broadway is generous in

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many ways. It offers you for free its own private

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set of values. For instance, the essence of a man's

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life his worth. Measure it in terms of darkness and light.

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Big Man, Big Masda bulb shining bright, so many yards

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of neon, hissing his name into the screaming night. Little

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Man his proper share of darkness, spectacular with burned out bulb,

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sighing at a nothing. Harold Clark, the man shot down

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because he had pounded on a door that was a

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little man. The man at a dinner table who hadn't

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recognized the feel of death who thought he was only drunk,

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also a little man, as witness. How discreetly the management

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tried to hide his dying from the diners hardly worth

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Broadway's notice, hardly worth interrupting the choice of a pastry.

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But at police headquarters he found his importance under a

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microscope in a test tube, a hooded light bulb shining

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down on his death, giving its shape, shining down on

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the white voted figure who ran it through his fingers

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analyzed it. This is it, Danny, This is what did

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it to him? The cliche of poison. It bores you,

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Hot Gordon.

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Speaker 12: If you ask me, Danny, I'll tell you such an

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unoriginal poison, cheap common.

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Speaker 2: It can be boring. How is it administered? I've been

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waiting for you to ask me. Get off at Gordon.

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Speaker 12: Will you surprise me, Danny. I should have thought it

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was normal routine that you asked questions at the hotel bar,

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he was slipped into his drink. I have proof positive

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you didn't ask questions. It makes Shenny happier. Yeah, I did.

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Speaker 2: The bartender couldn't remember him, couldn't remember anybody. That's why

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he's worked this so long, he said, because he couldn't

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remember faces tough.

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Speaker 12: That makes it tough when you doesn't it, Danny, you'd

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00:16:40,720 --> 00:16:43,639
think Lloyd Raymie did our fellow in what else?

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Speaker 2: If you got Gordon, it's.

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Speaker 12: All over there in that file. I'll help you. So

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00:16:46,840 --> 00:16:52,799
you do it, Gordon, because you're a lieutenant. Still all right,

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00:16:53,360 --> 00:16:58,399
I'll do it for you, Lieutenant. His clothes tailored, his

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00:16:58,519 --> 00:17:01,840
wallet alligator is driving, is wrapped in cellophane. It says

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00:17:01,879 --> 00:17:04,160
he had brown eyes, was five eleven, age thirty six.

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00:17:04,240 --> 00:17:06,039
It says he lived at twenty three fifty four. He's

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00:17:06,079 --> 00:17:09,880
forty seventh. That his name was Henry Gayner. You can

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00:17:09,920 --> 00:17:15,359
stop me anytime, Lieutenant. Nothing else, nothing except this package

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00:17:15,400 --> 00:17:16,759
of Orange Life savings.

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00:17:17,480 --> 00:17:22,599
Speaker 2: Have one, Danny, come on, have one? Have I analyzed them?

317
00:17:23,000 --> 00:17:25,160
Homeless Orange?

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00:17:25,559 --> 00:17:31,319
Speaker 12: Goodbye, Gordon, not at all, Lloyd Rainy, Lieutenant, how are

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00:17:31,359 --> 00:17:32,400
you doing on that one?

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Speaker 2: You're very welcome? Lieutenant.

321
00:17:53,680 --> 00:17:54,839
Speaker 3: Hello there, good morning.

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00:17:54,920 --> 00:17:56,640
Speaker 2: Hello. My name's Danny Clover.

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00:17:56,839 --> 00:17:59,160
Speaker 3: Let's come in chat inside.

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00:18:00,359 --> 00:18:00,559
Speaker 4: Then?

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00:18:00,640 --> 00:18:01,559
Speaker 3: Now isn't this better?

326
00:18:02,079 --> 00:18:02,160
Speaker 9: Uh?

327
00:18:02,240 --> 00:18:02,680
Speaker 13: Sit down?

328
00:18:03,039 --> 00:18:04,839
Speaker 3: Try that chair over there, the flowered tree.

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00:18:04,839 --> 00:18:07,920
Speaker 2: Tar Thanks. I started to say, I was from the police.

330
00:18:10,599 --> 00:18:11,559
Speaker 3: I don't understand.

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00:18:11,599 --> 00:18:14,000
Speaker 2: There's nothing to understand, police, that's what I work for.

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00:18:14,759 --> 00:18:15,960
Speaker 3: But why do you want to see me?

333
00:18:16,519 --> 00:18:19,440
Speaker 2: By the way, who are you, Tommy Lawrence? You live

334
00:18:19,480 --> 00:18:20,400
here with Henry Gaynor.

335
00:18:21,039 --> 00:18:23,880
Speaker 3: I did live here with Henry Gaynor. He's dead. I

336
00:18:23,920 --> 00:18:29,200
read about it in the late editions. Oh oh, that's

337
00:18:29,200 --> 00:18:33,640
why Henry's dead. And you're the police and you've come here.

338
00:18:35,440 --> 00:18:37,559
Oh that's why.

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00:18:37,720 --> 00:18:39,799
Speaker 2: That's why tell me about Henry.

340
00:18:40,119 --> 00:18:42,039
Speaker 3: Well, I advertise in the paper for a clean living

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00:18:42,119 --> 00:18:44,759
man to share this apartment. I chose Henry.

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00:18:44,839 --> 00:18:45,880
Speaker 2: Uh huh.

343
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Speaker 3: But I made a mistake. I learned not to like him.

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00:18:50,000 --> 00:18:52,599
That's why I'm not outraged a word or sorry that

345
00:18:52,680 --> 00:18:56,799
Henry's dead. He did nothing but dote on girls. He

346
00:18:56,880 --> 00:19:00,799
and his buddy buddy Well, that chaser Frank Muir. If

347
00:19:00,880 --> 00:19:03,279
you want his address, I don't know it, but his

348
00:19:03,319 --> 00:19:07,119
phone numbers around you think you can trace it, Frank Muir,

349
00:19:07,640 --> 00:19:10,880
I track him down. Where are you? He's the cause

350
00:19:10,880 --> 00:19:11,319
of it all.

351
00:19:12,960 --> 00:19:20,480
Speaker 2: Ooh, Henry, I detached him from his Creton grief made

352
00:19:20,559 --> 00:19:23,279
him look for Frank Muir's phone number. He found it

353
00:19:23,319 --> 00:19:25,400
on a path next to the phone. He did that

354
00:19:25,440 --> 00:19:29,039
by lifting up a French doll and there it all was. Surprised.

355
00:19:30,160 --> 00:19:32,000
I phoned meure he was at home. I told him

356
00:19:32,039 --> 00:19:34,079
to stay there. He said he had a date. I

357
00:19:34,200 --> 00:19:36,519
tinkled my bat into the receiver. He said he'd break

358
00:19:36,559 --> 00:19:39,000
the date. When I got there, he was still doing it.

359
00:19:39,319 --> 00:19:42,359
Speaker 12: Come on in, mister Clover, mix yourself up a happy

360
00:19:42,400 --> 00:19:45,480
happy at the BA. And this lady I'm tugging doing

361
00:19:45,519 --> 00:19:48,640
the phone, she's bit it. She don't believe I got

362
00:19:48,640 --> 00:19:53,319
around bout with a policeman. Yeah, yeah, sure, honey, I

363
00:19:53,440 --> 00:19:56,160
swear it's only a cap.

364
00:19:57,519 --> 00:19:59,920
Speaker 2: But twenty minutes you've been holding up the phone.

365
00:20:00,160 --> 00:20:06,160
Speaker 12: Honey here, Yeah, I'll prove it to you. Yeah, say

366
00:20:06,240 --> 00:20:09,720
something to my lady. Proved to her you're only a man.

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00:20:09,839 --> 00:20:13,559
Speaker 2: Hang up, But well, look be a past hang up.

368
00:20:14,279 --> 00:20:20,680
Speaker 12: Between the two of you shall fracture me. I don't

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00:20:20,680 --> 00:20:23,079
do this sort of thing the ladies normally.

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00:20:23,119 --> 00:20:26,039
Speaker 2: You understand, mister clover, you had a friend, Henry Gaynor.

371
00:20:27,200 --> 00:20:29,319
You can say that again. He is just a word

372
00:20:30,519 --> 00:20:33,400
I read in the papers, how a friend I once

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had it's now gone. When did you see him last?

374
00:20:36,000 --> 00:20:37,160
You think I killed him?

375
00:20:37,680 --> 00:20:40,160
Speaker 12: When Henry and me had such snazzy times together on

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00:20:40,279 --> 00:20:43,720
blind dates and with your eyes open date. When did

377
00:20:43,799 --> 00:20:46,559
you see him last? On the occasion when I turned

378
00:20:46,559 --> 00:20:48,079
over missus Ellen Clark to.

379
00:20:48,119 --> 00:20:52,279
Speaker 2: And what you heard me? That was three maybe four

380
00:20:52,599 --> 00:20:55,440
saturdays ago. I make it for Missus Clark was one

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00:20:55,480 --> 00:20:56,359
of your lady friends.

382
00:20:56,400 --> 00:21:01,440
Speaker 12: Like, don't get me wrong, mister Clover, Missus Clark, how

383
00:21:01,480 --> 00:21:06,240
do you classify a smile filled with hidden meanings? The

384
00:21:06,319 --> 00:21:08,319
touch of a knee under a checked table cloth?

385
00:21:09,400 --> 00:21:11,519
Speaker 2: That was all Missus Clark was to me. That's why

386
00:21:11,519 --> 00:21:14,200
you handled her over to your buddy. Wrong again.

387
00:21:15,000 --> 00:21:17,400
Speaker 12: You see that plaster cast up there on the mantelpiece.

388
00:21:17,440 --> 00:21:21,119
That's courtesy of irate husband, mister Clark. He found me

389
00:21:21,240 --> 00:21:24,640
once with his missus waiting to catch a see club

390
00:21:24,680 --> 00:21:25,359
at me broke me.

391
00:21:26,160 --> 00:21:30,960
Speaker 2: Care about to grabbing mister Clover. All my friends said, no, oh,

392
00:21:31,039 --> 00:21:32,119
you will excuse me.

393
00:21:32,200 --> 00:21:46,559
Speaker 14: It turns out on me all right, Danny, I feel

394
00:21:46,880 --> 00:21:47,839
they have been better times.

395
00:21:47,920 --> 00:21:50,680
Speaker 3: Muggerling, you're always seen the papers.

396
00:21:50,799 --> 00:21:53,039
Speaker 2: Uh An at the time you should have looked what

397
00:21:53,119 --> 00:21:54,839
have you got in your mind? Muggling, you don't have.

398
00:21:54,880 --> 00:21:56,599
Speaker 3: To bite my head off because I suggest you read

399
00:21:56,640 --> 00:21:59,480
the papers. He's got a picture of Lloyd Raimie on

400
00:21:59,480 --> 00:22:00,000
the front page.

401
00:22:00,119 --> 00:22:00,839
Speaker 2: What yep.

402
00:22:01,319 --> 00:22:04,079
Speaker 3: Only his name isn't Lloyd Rami. The name is George

403
00:22:04,079 --> 00:22:05,079
Harvey something.

404
00:22:05,160 --> 00:22:05,359
Speaker 9: Huh.

405
00:22:05,359 --> 00:22:07,160
Speaker 2: You want me to invest a nickel in a newspaper

406
00:22:07,200 --> 00:22:08,240
or you want to tell me why.

407
00:22:08,839 --> 00:22:10,680
Speaker 3: We took the two bullets from the body of harrowd

408
00:22:10,680 --> 00:22:12,759
Clark and checked the riflings of what we got on file.

409
00:22:13,240 --> 00:22:16,759
We didn't have anything, so send him to Washington. FBI checked,

410
00:22:17,000 --> 00:22:19,759
send a wire back they got with the two bullets matched.

411
00:22:19,839 --> 00:22:20,799
Speaker 2: Two more bullets worth.

412
00:22:20,799 --> 00:22:22,720
Speaker 3: They get him, one of them out of a murdered

413
00:22:22,759 --> 00:22:25,559
bank clerk of Vincends, Indiana, the other from a woman

414
00:22:25,640 --> 00:22:28,400
shot down during a liquor store robbery in Saint Louis.

415
00:22:28,880 --> 00:22:32,160
Both shootings done by George Harvey, wanted by Indiana Missouri

416
00:22:32,200 --> 00:22:34,759
police for murder. What does it do to you, Danny?

417
00:22:34,920 --> 00:22:36,279
Speaker 2: That's a whole lot magovin.

418
00:22:37,039 --> 00:22:37,720
Speaker 4: May I come in?

419
00:22:38,000 --> 00:22:38,680
Speaker 5: What are you looking for?

420
00:22:38,720 --> 00:22:38,960
Speaker 9: Mister?

421
00:22:39,519 --> 00:22:42,000
Speaker 4: I'm Joseph Gridness. May I come in?

422
00:22:42,200 --> 00:22:43,759
Speaker 2: What's on your mind? Mister Goodness?

423
00:22:44,400 --> 00:22:44,759
Speaker 1: Thank you?

424
00:22:46,119 --> 00:22:47,720
Speaker 4: Who do I see about the reward?

425
00:22:47,920 --> 00:22:48,519
Speaker 2: Reward?

426
00:22:48,759 --> 00:22:51,839
Speaker 4: Yeah, it says right here in the paper reward. And

427
00:22:51,880 --> 00:22:54,079
don't you people try to talk your way out of

428
00:22:54,119 --> 00:22:57,880
it either. You see right here in the front page.

429
00:22:58,960 --> 00:23:02,599
Have you seen this man? It says, I've seen this man.

430
00:23:03,559 --> 00:23:05,920
What about the reward? If there's a reward, we'll see

431
00:23:05,920 --> 00:23:07,599
that you get it. Where did you see him?

432
00:23:08,799 --> 00:23:09,000
Speaker 2: Wait?

433
00:23:09,039 --> 00:23:09,839
Speaker 3: You see him? Yes?

434
00:23:10,519 --> 00:23:12,279
Speaker 2: Wait's a reward. The man in charge of the reward

435
00:23:12,359 --> 00:23:16,079
departments just stepped out. Oh wait sure, wait, but if

436
00:23:16,119 --> 00:23:18,720
George Harvey escapes while you're waiting, you'll be held for

437
00:23:19,720 --> 00:23:21,119
what will he be held for? Magavon?

438
00:23:21,519 --> 00:23:22,759
Speaker 3: Aiding and betting a criminal?

439
00:23:22,839 --> 00:23:24,559
Speaker 2: Aiding and a betting a criminal.

440
00:23:24,839 --> 00:23:30,200
Speaker 4: Aiding and betting a criminal. The man who's picture appears

441
00:23:30,240 --> 00:23:32,160
in the paper moved in this morning, next door to

442
00:23:32,200 --> 00:23:35,559
me Hotel Hobart into the hall, theod floor.

443
00:23:37,079 --> 00:23:52,680
Speaker 2: No, I'll just wait down the under the hall.

444
00:23:52,720 --> 00:23:55,119
Speaker 3: The man said, that's what mister Griven has said.

445
00:23:55,200 --> 00:24:09,119
Speaker 8: Danny here, yeah, yeah, yo, what do you want?

446
00:24:09,319 --> 00:24:12,960
Speaker 2: Come on? Open up, Harvey? Move away my door. Muggling

447
00:24:14,200 --> 00:24:15,759
open the door. I'll break it down.

448
00:24:21,119 --> 00:24:22,119
Speaker 9: Your cops still there?

449
00:24:22,759 --> 00:24:24,559
Speaker 2: Did shoot the lock off the door? Mugging?

450
00:24:26,079 --> 00:24:26,880
Speaker 7: I'll kick it open.

451
00:24:29,400 --> 00:24:35,039
Speaker 2: Let's go, Harvey, what's home?

452
00:24:35,119 --> 00:24:35,759
Speaker 4: Come back later?

453
00:24:37,039 --> 00:24:38,039
Speaker 3: Danny in that hole with you?

454
00:24:51,319 --> 00:24:54,279
Speaker 2: You better call an ambulance. Muggvank and turn the radio on.

455
00:25:00,079 --> 00:25:02,559
Speaker 11: Do you know it was somebody who?

456
00:25:02,720 --> 00:25:03,599
Speaker 2: Can you talk? Hovey?

457
00:25:03,640 --> 00:25:06,440
Speaker 11: I just talked, didn't I? Your husband chased me all

458
00:25:06,480 --> 00:25:08,759
over the country just to chat with me, advertise me

459
00:25:08,799 --> 00:25:11,200
in post offices, detective magazines.

460
00:25:10,720 --> 00:25:11,119
Speaker 5: In a radio.

461
00:25:11,160 --> 00:25:12,279
Speaker 2: Why did you kill Harold Clark?

462
00:25:12,359 --> 00:25:16,599
Speaker 11: Your p Oh, my door, you saw what happened. I

463
00:25:16,640 --> 00:25:19,720
thought he was a cop. Yell open the door. I'll

464
00:25:19,759 --> 00:25:22,160
break it down. Cops talk like that.

465
00:25:22,279 --> 00:25:24,119
Speaker 2: Did you poison a man named Henry Gaynor?

466
00:25:24,680 --> 00:25:26,960
Speaker 11: I'm losing blood, cop pity?

467
00:25:27,160 --> 00:25:28,839
Speaker 2: Did you poison a man named Henry Gaynor?

468
00:25:29,000 --> 00:25:35,240
Speaker 11: Poison? And never in my life Henry Gainner?

469
00:25:37,119 --> 00:25:39,680
Speaker 2: One more question, Hervey. Was Missus Clark in your apartment

470
00:25:39,680 --> 00:25:41,279
when you killed her husband? You kidn't.

471
00:25:42,240 --> 00:25:44,400
Speaker 11: That's one of the tough things about running all the time.

472
00:25:45,480 --> 00:25:48,319
You never have time for a dame. She wasn't in

473
00:25:48,319 --> 00:25:51,920
my apartment. You're sure I'm confessing to murder, mister, don't

474
00:25:51,960 --> 00:25:53,880
try to pook me for a dame in my apartment?

475
00:25:54,960 --> 00:25:56,440
Was missus Clark wasn't there?

476
00:26:14,640 --> 00:26:14,880
Speaker 1: Yes?

477
00:26:16,119 --> 00:26:19,640
Speaker 6: Oh, it's you, mister Clover. I know you've come to

478
00:26:19,680 --> 00:26:21,960
tell me you've got my husband's murderer. Did you bring

479
00:26:22,000 --> 00:26:22,640
me some good.

480
00:26:22,480 --> 00:26:23,000
Speaker 3: News like that?

481
00:26:23,279 --> 00:26:25,119
Speaker 2: I'll come in and tell you about it. Missus Clark,

482
00:26:25,359 --> 00:26:25,720
I was.

483
00:26:25,799 --> 00:26:30,160
Speaker 6: Just going to ask you to do that. My apartment

484
00:26:30,200 --> 00:26:31,480
looks better now, doesn't it.

485
00:26:31,599 --> 00:26:33,880
Speaker 2: How does a woman feel and the man she loves

486
00:26:33,920 --> 00:26:34,440
is murdered?

487
00:26:35,440 --> 00:26:39,359
Speaker 6: I felt numb at first, but I'm getting better, Harold.

488
00:26:39,519 --> 00:26:41,440
My husband was a jealous man.

489
00:26:41,599 --> 00:26:44,000
Speaker 2: Harold, was alm not talking about your husband. I'm talking

490
00:26:44,039 --> 00:26:47,720
about Henry Gaynor, who the man you poisoned after he

491
00:26:47,799 --> 00:26:49,720
refused to have anthing to do with you. You poisoned

492
00:26:49,759 --> 00:26:51,319
him and brought me there to watch him die.

493
00:26:51,920 --> 00:26:52,720
Speaker 6: You're crazy?

494
00:26:52,839 --> 00:26:54,759
Speaker 2: Before you killed gainor did you tell him how you

495
00:26:54,880 --> 00:26:56,440
arranged your husband's murder?

496
00:26:56,559 --> 00:27:00,519
Speaker 6: You invited yourself in, now invite yourself out.

497
00:27:00,759 --> 00:27:01,480
Speaker 5: What are you doing?

498
00:27:01,519 --> 00:27:02,759
Speaker 6: What are you walking around my place?

499
00:27:02,839 --> 00:27:03,000
Speaker 8: For?

500
00:27:03,240 --> 00:27:04,200
Speaker 2: Place looks nice?

501
00:27:04,240 --> 00:27:04,640
Speaker 6: Thanks?

502
00:27:05,079 --> 00:27:05,519
Speaker 5: Get out?

503
00:27:05,720 --> 00:27:09,640
Speaker 2: Really looks a lot better. Neat things in order? Were

504
00:27:09,680 --> 00:27:12,680
all those true type detective story magazines I.

505
00:27:12,680 --> 00:27:16,079
Speaker 6: Gave him away? A man came offered me a dollar

506
00:27:16,119 --> 00:27:18,279
for all those magazines I had. I gave him five

507
00:27:18,319 --> 00:27:19,640
bundles wrapped in twine.

508
00:27:19,720 --> 00:27:22,480
Speaker 2: Did you save one of them? What the one with

509
00:27:22,559 --> 00:27:25,519
a picture of George Harvey alias Lloyd Raymie? What to

510
00:27:25,599 --> 00:27:27,960
say under his picture that he was armed, that he

511
00:27:28,039 --> 00:27:30,440
was wanted for murder, that he was dangerous. Not to

512
00:27:30,519 --> 00:27:32,200
approach him, but to notify the police.

513
00:27:32,240 --> 00:27:32,839
Speaker 5: Get out of here.

514
00:27:32,920 --> 00:27:35,119
Speaker 2: You knew your husband was bitterly jealous of God and

515
00:27:35,119 --> 00:27:36,759
made him believe you were carrying on with the neighbor

516
00:27:36,759 --> 00:27:37,359
across the hall.

517
00:27:37,480 --> 00:27:37,880
Speaker 5: Get out.

518
00:27:38,039 --> 00:27:40,160
Speaker 2: You sent him over there, knowing that trigger happy killer

519
00:27:40,160 --> 00:27:41,799
would shoot him as soon as he knocked on the door,

520
00:27:41,799 --> 00:27:44,240
and Harvey did, I'll kill you. Harvey said, you were

521
00:27:44,240 --> 00:27:46,400
never in his apartment. You were too frightened to be

522
00:27:46,480 --> 00:27:49,720
ever to talk to him. Let's gold, Missus.

523
00:27:49,400 --> 00:27:52,039
Speaker 6: Clark, take your hands off me, I.

524
00:27:52,039 --> 00:27:53,720
Speaker 2: Said, let's go, Missus Clark.

525
00:27:54,519 --> 00:27:57,720
Speaker 6: I had it all. I had it in the palm

526
00:27:57,799 --> 00:28:01,119
of my hand until you.

527
00:28:00,119 --> 00:28:01,759
Speaker 2: You come on, Missus Clark.

528
00:28:01,920 --> 00:28:06,559
Speaker 6: Look, look, you've got to understand. My husband was jealous.

529
00:28:07,920 --> 00:28:13,200
He spoiled everything. Every man I ever looked at, you

530
00:28:13,440 --> 00:28:16,880
know how it was. He ruined everything.

531
00:28:17,559 --> 00:28:18,960
Speaker 5: He's spoiled everything.

532
00:28:39,319 --> 00:28:43,079
Speaker 2: It's the street of the Hunter Broadway, and the smile

533
00:28:43,119 --> 00:28:45,920
that's dropped at the tip of a hat, and the

534
00:28:46,000 --> 00:28:49,079
lights are flung from windows out of doorways. You walk

535
00:28:49,079 --> 00:28:53,519
a pavement speckled with a thousand colors. But between the

536
00:28:53,599 --> 00:29:00,599
lights that's where the darkness is. It's Broadway, the gaudiest,

537
00:29:01,680 --> 00:29:08,400
the most violent, the lonesomest mile in the world. Broadway

538
00:29:10,079 --> 00:29:27,359
My Beat. Broadway's My Beat stars Larry Thor as Detective

539
00:29:27,440 --> 00:29:30,799
Danny Clover with Charles Calvert as Tartaglia. The program was

540
00:29:30,839 --> 00:29:34,200
produced and directed by Elliot Lewis, with musical score composed

541
00:29:34,240 --> 00:29:37,519
and conducted by Alexander Courage. Included in the night's cast

542
00:29:37,519 --> 00:29:41,000
were Kathy Lewis, Vivy Janis, Anthony Barrett, Leo Cleary, Jack

543
00:29:41,039 --> 00:30:04,200
Kruschan and Ed Max, Jack Smith, Dinah Shore, Margaret Whiting,

544
00:30:04,319 --> 00:30:08,000
Bob Crosby, the Andrews Sisters, Lowell Thomas, Bulah Ed Murrow.

545
00:30:08,519 --> 00:30:10,759
Anywhere else they'd make up an all star list for

546
00:30:10,799 --> 00:30:13,799
a week, but at CBS the Stars Address, you can

547
00:30:13,799 --> 00:30:17,599
hear them every evening Monday through Friday. Yes, every weekday evening.

548
00:30:17,680 --> 00:30:20,440
Most of these same CBS stations bring you these top

549
00:30:20,480 --> 00:30:24,759
ranking stars and their specialties music, comedy, top reporting. Be

550
00:30:24,839 --> 00:30:27,759
listening for Jack Smith, Dinah Shore and Margaret Whiting, for

551
00:30:27,880 --> 00:30:30,640
Bob Crosby and the Andrews Sisters, for Bulah, and for

552
00:30:30,680 --> 00:30:33,920
those great radio reporters Lowell Thomas and Edward R. Muraw

553
00:30:37,799 --> 00:30:41,079
Dan coverly speaking, This is CBS where Yours Truly. Johnny

554
00:30:41,119 --> 00:30:55,799
Dollar brings Adventure Saturday nights on the Columbia Broadcasting System.

555
00:30:56,039 --> 00:30:59,480
Speaker 1: Welcome Back. This might be one of the more nonsensical

556
00:30:59,559 --> 00:31:05,400
plots on this series. I guess more nonsensical solution her

557
00:31:05,599 --> 00:31:10,000
getting her husband killed. That makes sense. The problem is

558
00:31:10,160 --> 00:31:12,839
that's not actually a crime, So he ended up with

559
00:31:12,920 --> 00:31:16,039
this poisoning. Now, she could have killed the guy in

560
00:31:16,079 --> 00:31:19,000
the restaurant and it probably would have been written off

561
00:31:19,079 --> 00:31:23,480
as a heart attack, and even if it had turned

562
00:31:23,480 --> 00:31:29,119
out to be poisoned, it would be really a stretch

563
00:31:29,200 --> 00:31:33,039
to figure out who actually did it. Instead, she calls

564
00:31:33,119 --> 00:31:35,880
the police in and ties it into the murder case,

565
00:31:36,000 --> 00:31:41,480
leading to Danny digging into her past and finding information why,

566
00:31:41,680 --> 00:31:44,920
and even the information he finds at the end he's

567
00:31:45,079 --> 00:31:47,920
only guessing and he has no evidence, and she makes

568
00:31:48,000 --> 00:31:52,279
no real firm confession other than the fact she wanted

569
00:31:52,279 --> 00:31:55,599
her husband dead. It's like we read out of time

570
00:31:55,680 --> 00:31:58,799
and needed a dramatic arrest. Whether it made sense or not,

571
00:32:00,119 --> 00:32:03,880
So I will say on the positive side, great potential

572
00:32:04,000 --> 00:32:07,839
for someone to write up the adventures of mock Shrek

573
00:32:08,400 --> 00:32:12,480
he's just asking to be updated. I mean, a detective

574
00:32:12,960 --> 00:32:18,759
with a forehead tattoo that is perfect for the twenty twenties.

575
00:32:19,319 --> 00:32:22,640
Wonder how it goes when he tries to do undercover work. Well,

576
00:32:22,720 --> 00:32:25,839
somebody will write it and we'll find out, all right. Well,

577
00:32:25,960 --> 00:32:29,680
listener comments and feedback now and over on YouTube. Just

578
00:32:29,759 --> 00:32:33,519
a brief note from a listener listen to and enjoyed

579
00:32:33,559 --> 00:32:36,440
to the Tom and Alice Corey murder case. Well, thank

580
00:32:36,480 --> 00:32:40,079
you so much. And now it's time for us to

581
00:32:40,119 --> 00:32:42,880
go ahead and thank our Patreon supporter of the day,

582
00:32:42,920 --> 00:32:44,920
and I want to thank Jack. Jack's been one of

583
00:32:44,960 --> 00:32:50,000
our Patreon supporters since November twenty nineteen, currently supporting the podcast.

584
00:32:50,039 --> 00:32:53,519
That's a Detective Sergeant level of seven dollars and fourteen

585
00:32:53,599 --> 00:32:56,440
cents or more per monthly. Thanks so much for your support, Jack,

586
00:32:56,480 --> 00:32:59,519
and that will do it for today. If you're enjoying

587
00:32:59,599 --> 00:33:04,240
the pond Cast, please follow us using your favorite podcast software.

588
00:33:04,519 --> 00:33:07,640
And if you're enjoying the podcast on YouTube, be sure

589
00:33:07,680 --> 00:33:10,640
to lock the video, subscribe to the channel, and mark

590
00:33:10,680 --> 00:33:15,039
the notification bell. We will be back next Wednesday with

591
00:33:15,279 --> 00:33:19,440
another episode of Broadways My Bait, But join us back

592
00:33:19,440 --> 00:33:23,519
here tomorrow for dragon. Now where police officers, ma'm we'd

593
00:33:23,519 --> 00:33:24,279
like to see mister Sherman.

594
00:33:24,359 --> 00:33:25,759
Speaker 13: We certainly officers, won't you come in?

595
00:33:25,960 --> 00:33:26,799
Speaker 2: I thank thank you very much.

596
00:33:28,920 --> 00:33:31,200
Speaker 13: I'm missus Keller from next door. I saw you around

597
00:33:31,200 --> 00:33:34,599
here yesterday. Yes, ma'am, came over this morning look after

598
00:33:34,640 --> 00:33:35,599
poor mister Sherman.

599
00:33:36,079 --> 00:33:38,680
Speaker 2: Yes, ma'am. Well, how's he feeling today too?

600
00:33:38,680 --> 00:33:39,079
Speaker 3: Well?

601
00:33:39,480 --> 00:33:41,799
Speaker 13: Fixed him some nice chicken broth for lunch, and I

602
00:33:41,880 --> 00:33:43,480
helped him in his wheelchair and took him out in

603
00:33:43,519 --> 00:33:46,519
the backyard, out in the sun, good hot sun. It's

604
00:33:46,559 --> 00:33:49,720
wonderful for his legs. He has arthritis, you know, yes.

605
00:33:49,559 --> 00:33:51,680
Speaker 3: And we understand what if we could talk to him as.

606
00:33:51,759 --> 00:33:54,839
Speaker 13: Kelly, Well, yes, I guess you have to. He's still

607
00:33:54,839 --> 00:33:56,799
out in the back sleep in his chair. Last time

608
00:33:56,839 --> 00:33:59,000
I looked. Seems ashamed of disturb him.

609
00:33:59,039 --> 00:34:00,880
Speaker 3: Well, he called us at the office city wanted to

610
00:34:00,880 --> 00:34:02,480
see as as soon as we could make it out here.

611
00:34:03,119 --> 00:34:05,920
Speaker 13: Was it about his grandson Jimmy? They found him yet

612
00:34:06,079 --> 00:34:06,480
no man.

613
00:34:06,680 --> 00:34:09,320
Speaker 4: Searching parties calming the area, there's still no trace of

614
00:34:09,360 --> 00:34:09,679
the boy.

615
00:34:09,880 --> 00:34:11,559
Speaker 3: Did any of the other officers who were out here

616
00:34:11,559 --> 00:34:13,480
covering the neighborhood talk to you, miss Kelly.

617
00:34:13,480 --> 00:34:18,480
Speaker 13: Oh, yes, there was mister Lorman, Detective Lourman. I told

618
00:34:18,559 --> 00:34:21,800
him everything I knew about Jimmy's disappearance. It was right

619
00:34:21,800 --> 00:34:25,639
after dinner hour on Monday, about six thirty. Last time

620
00:34:25,679 --> 00:34:29,280
I saw Jimmy, I see. I came out the side

621
00:34:29,360 --> 00:34:32,320
door at empty the garbage and I saw Jimmy hiking

622
00:34:32,440 --> 00:34:34,719
up the side of the hill there just in back

623
00:34:34,760 --> 00:34:37,639
the house, all by himself. Nice boy.

624
00:34:37,960 --> 00:34:40,239
Speaker 1: I hope you'll be with us then in the meantime.

625
00:34:40,480 --> 00:34:44,880
Send your comments to Box thirteen at Great Detectives dot net,

626
00:34:45,239 --> 00:34:48,599
follow us on Twitter at Radio Detectives, and check us

627
00:34:48,639 --> 00:34:55,559
out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho.

628
00:34:55,880 --> 00:34:59,000
This is your host, Adam Graham. Sign and off.