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<v Speaker 1>Old Venture, adventure, intrigue, mystery romance starring Humphrey Boguards and

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<v Speaker 1>Lauren bacall together in the sultry setting of tropical Avanna

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<v Speaker 1>and the mysterious islands of the Caribbean. Old Venture. Once again,

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<v Speaker 1>the magic names of Humphrey Bogart and Lauren Bacall bring

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<v Speaker 1>you bold venture and the Tale of miss and in three.

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<v Speaker 2>Missus Moore, you're just a whiz bang, that's all. That's

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<v Speaker 2>just what you are.

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<v Speaker 3>We'll imagine that pottery vendor in Jamaica trying to pass

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<v Speaker 3>off that jug on.

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<v Speaker 4>Me is genuine native merchandise. Mister Haven wanted me to

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<v Speaker 4>be careful, didn't you tell me?

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<v Speaker 1>Sure? I did. I've been to the Caribbees before. I

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<v Speaker 1>know how these natives work. Wow, I'm glad you two

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<v Speaker 1>waited that he came to a Vana before you purchased

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<v Speaker 1>any pottery. I've got a little item here you might

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<v Speaker 1>be interested in.

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<v Speaker 2>Plate these people want to go to their rooms. It's

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<v Speaker 2>pretty late.

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<v Speaker 1>I only show it to you because your guests at

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<v Speaker 1>the hotel got it right here under the desk. How

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<v Speaker 1>do you like it?

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<v Speaker 4>Oh, it's very pretty.

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<v Speaker 1>It's got a real interesting design on it all right?

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<v Speaker 1>Uh huh shape for the flying fingers of the Crawlings. Crawlings,

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<v Speaker 1>a little known tribe of artisans, direct descendence of Lafitte,

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<v Speaker 1>the pirate maroon done a small atole some sixty leagues

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<v Speaker 1>from here. Instead of dying, they made pots. See damp

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<v Speaker 1>right here, crawling crawling's uh with a pocket mirror in

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<v Speaker 1>front of it. It would come out in Newark, wouldn't it. Uh? Yeah, yeah, yeah,

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<v Speaker 1>I guess it would well if you like it that way.

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<v Speaker 1>We also have here a little me meado of your visitor,

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<v Speaker 1>a leather back pocket mirror with a scene of colorful

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<v Speaker 1>old Havanah.

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<v Speaker 2>Tooled into mister Haven, missus Moore. Wouldn't you like to

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<v Speaker 2>see your rooms now? They right across the hall from

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<v Speaker 2>each other.

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<v Speaker 1>Well, I'd like to make a phone call first, if

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<v Speaker 1>you don't mind, Uh, you'll be all right plenty, Oh.

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<v Speaker 4>Of course I will.

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<v Speaker 3>I wanna tell you again how kind you've been meeting

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<v Speaker 3>me on the boat and taking me under your wing

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<v Speaker 3>on this cruise, or you've been.

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<v Speaker 1>Don't mention it, my love, I am my love. Yeah,

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<v Speaker 1>we're mmm, both of us, No, not as far as enough.

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<v Speaker 1>I think we lost them in Jamaica. Sure, I know

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<v Speaker 1>you'll find this, So I thought of something. Why run anymore? Well,

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<v Speaker 1>that's gonna be up to you, Milo, kill him. Didn't

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<v Speaker 1>you hear what I said? That's up to you.

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<v Speaker 5>Come in.

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<v Speaker 4>You've kept me waiting, Tommy, more and more. You keep

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<v Speaker 4>me waiting.

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<v Speaker 2>You're getting that tired.

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<v Speaker 4>Of feeling Tommy because of me?

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<v Speaker 1>How does a man get tired of a girl like you, Claudia?

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<v Speaker 1>The things you do for a man? Steal your husband, blind,

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<v Speaker 1>run barefoot across Somenny shores with your true love, just

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<v Speaker 1>so as you can settle down on a fine covered

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<v Speaker 1>island off the coast of Venezuela, You and your true

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<v Speaker 1>love me.

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<v Speaker 4>It's all you want, isn't it?

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<v Speaker 3>That island a clod of coral and the Caribbean. So

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<v Speaker 3>you can wear a sarrang and a tin crown that

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<v Speaker 3>says king, A ten ten crown.

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<v Speaker 1>That's it, Angel, that's just at the island, the crown

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<v Speaker 1>and you for a princess.

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<v Speaker 4>I supposed Jane finds us, Tommy. Suppose before we make

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<v Speaker 4>Paradise he finds us.

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<v Speaker 1>Jane the husband fella. The boys chased us a long

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<v Speaker 1>way to find his grave. I'll tell you what we'll

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<v Speaker 1>give him one. Mister Shennon. Hey, mister Shennon, I intruding,

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<v Speaker 1>mister Shennon, including anna one, poor in your thoughts, the

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<v Speaker 1>way you're standing here on the beach, drinking in the

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<v Speaker 1>new morning sunshine, wondering what's out there, m out there

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<v Speaker 1>in the ocean. I know what's out in the ocean. Fish.

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<v Speaker 1>You are going where, mister Haven, I wanna talk to you.

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<v Speaker 1>Uh huh, it's about me. Oh well, mister have and

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<v Speaker 1>I I think you're a very fine fellow, loyal, kind,

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<v Speaker 1>brave one. I think he'll go far. Is that what

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<v Speaker 1>you wanted me to tell you? Take get easy? Will

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<v Speaker 1>you just listen for a minute. Yeah, all my life

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<v Speaker 1>I've wanted something. I want a place to go or

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<v Speaker 1>just don't laugh at me. That's all An island, a

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<v Speaker 1>place to live in without rush without I've got one

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<v Speaker 1>all picked out, mister Shannon, an island off Venezuela. I've

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<v Speaker 1>done a lot of research on it. You can buy

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<v Speaker 1>these hunks of land for a song from the venzuel

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<v Speaker 1>And govern wants me to sing for you. Now you've

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<v Speaker 1>got a boat, I want you to take me. When

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<v Speaker 1>I've got some things to take care of first. I'll

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<v Speaker 1>let you know, but it'll be soon. It's a dream

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<v Speaker 1>I've always had, mister Shannon, I need little time to

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<v Speaker 1>put the Bowl Venture in shape. Well, uh, three hundred

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<v Speaker 1>bucks for the trip Haven per person. I'm going alone.

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<v Speaker 1>Oh well, I'll just let me know. You bought yourself

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<v Speaker 1>a boat ride.

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<v Speaker 3>Oh tell me, mister Ball, what does a bachelor girl

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<v Speaker 3>do for thrills in Havannah?

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<v Speaker 4>But tell me just between us.

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<v Speaker 2>Well, they're the Peachey museums for culture, that is, because

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<v Speaker 2>we bachelor girls are nowhere without culture. And there's the

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<v Speaker 2>ice cream your bikes from the vendor's on the Plato,

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<v Speaker 2>that tooty fruity melts in your mouth.

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<v Speaker 4>And then thenn't get the message, Dear, I meant Slate Shannon.

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<v Speaker 2>Him that no good shill for crawling pots. Shannon the

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<v Speaker 2>pot tycoon him.

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<v Speaker 3>The best part of the day's gone, and Shannon's not

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<v Speaker 3>at your side.

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<v Speaker 4>You happy in your work, bachelor girl?

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<v Speaker 1>What's with you? Married?

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<v Speaker 2>Lady Slate's down at the docks getting the Bold Venture

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<v Speaker 2>ready for mister Haven's trip to Venezuela. Slate and I

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<v Speaker 2>are going with him.

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<v Speaker 4>You you were going with him and.

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<v Speaker 2>Not me, among other things. Girly, I have slate's ear

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<v Speaker 2>a poor a word in for you if you uh

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<v Speaker 2>oh uh, pardon me, missus moore this gentleman here, a room,

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<v Speaker 2>gentleman with bath, without bath, Sonny shady state your case.

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<v Speaker 1>Anything you got, miss so long as it's got four walls.

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<v Speaker 2>Well, it just so happens. We've got one where we

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<v Speaker 2>just added a wall. R.

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<v Speaker 1>It's a little higher on that one. I'll take it.

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<v Speaker 1>Bright ice room.

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<v Speaker 2>Three A down that hall sign here?

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<v Speaker 1>So you got a man registered here name of Haven,

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<v Speaker 1>Tommy Haven here im.

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<v Speaker 2>No went out a little while ago.

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<v Speaker 1>You want him, I want him know where he is?

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<v Speaker 1>Bright eyes ply.

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<v Speaker 2>The docks, gentlemen, Mister Haven's probably running his fingers over

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<v Speaker 2>our boat. The bold venture testing her for the trip

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<v Speaker 2>to Venezuela.

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<v Speaker 1>You bright lip, Darhli. I'm gonna go to my room,

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<v Speaker 1>get my baggage in there. Maybe I wanna change into

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<v Speaker 1>something cool for a walk later on.

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<v Speaker 4>Jean, Jean, aren't you even gonna speak to me?

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<v Speaker 2>Slap me?

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<v Speaker 6>Even?

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<v Speaker 4>How long can you look right through me? Pretend you

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<v Speaker 4>don't you know?

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<v Speaker 1>If this stuff comes with a hotel? Bright eyes spread

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<v Speaker 1>the word. I'm not in the market.

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<v Speaker 2>You stand there and take that. Missus Moore, what all

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<v Speaker 2>you asked for was a slap, have had all of

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<v Speaker 2>it before.

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<v Speaker 4>That was my husband.

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<v Speaker 2>Stunning relationship you two have.

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<v Speaker 4>But not so long, mister ball. I've got this feeling

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<v Speaker 4>not long at all.

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<v Speaker 1>Uh per kitten? Yeah, hew you on a boat. He

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<v Speaker 1>ain't talking to me, that's right. Matter if I come

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<v Speaker 1>a boy I don't know. You know a man named Haven?

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<v Speaker 1>Oh yo? Haven's not around, is he? Maybe I'll just

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<v Speaker 1>look around out of that cabin by stay in fact,

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<v Speaker 1>toss the post. Where is it? Where's heaven? Just because

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<v Speaker 1>it's a fine sunny afternoon and I don't wanna louse

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<v Speaker 1>it up. I'm gonna tell you a thing I saw

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<v Speaker 1>having about six hours ago up the beach. That way

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<v Speaker 1>up the beach, I saw him there. I talked to

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<v Speaker 1>him for a little while and I left him. Now

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<v Speaker 1>you can take off. Your name is Shannon, so yeah,

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<v Speaker 1>so seeing you on your back, I suddenly feel real

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<v Speaker 1>good bye Shannon. Hey ay you Yeah, I'm wait. I'm

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<v Speaker 1>sorry I didn't give it the information you asked me

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<v Speaker 1>for as soon as you ask me, and what well,

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<v Speaker 1>I I hope you don't find my asking you, sir?

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<v Speaker 4>But who are you?

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<v Speaker 1>Yeah? You wanna know? My name's Moore, Jean Moore. We

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<v Speaker 1>got a wife staying at your hotel. Her name is

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<v Speaker 1>Claudia Moore. Yes, sir, my wife whose name is cl

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<v Speaker 1>oh you are more cashed in everything I owned and

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<v Speaker 1>ran away with a man named Haven. They were going

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<v Speaker 1>looking for an island with my dough, and you were

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<v Speaker 1>helping them. So you slugged me, isn't that right, sir?

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<v Speaker 1>That's right, Shannon? I see Oh, now we can be

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<v Speaker 1>friends more. I'll wait'll we wake up, then we can

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<v Speaker 1>be happy about it. Times running thin, shennon night all

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<v Speaker 1>around us, and you still haven't come up with Tommy Heaven.

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<v Speaker 1>I look, buster, I'm as anxious to find him as

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<v Speaker 1>you are. Nothing I enjoy more than playing audience to

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<v Speaker 1>a show between a husband and a cat that ran

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<v Speaker 1>out of a man's dough and his wife. I promise you,

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<v Speaker 1>I'll hitch. We're even up on bruises, Shannon. I slug you,

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<v Speaker 1>You slug me, sport him, but you're still on me Haven.

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<v Speaker 1>All right, all right, so we'll ask around some more. Hey, sir,

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<v Speaker 1>why you calling I? And I'm coming to you. You

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<v Speaker 1>s ain't han around. I got a husband here who's

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<v Speaker 1>hungry for the man.

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<v Speaker 2>I haven't had a haven around here for hours. Maybe

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<v Speaker 2>I can come up with someone else.

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<v Speaker 1>For you, mister Moore, What are you talking about about?

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<v Speaker 2>Twenty minutes ago, a charming little fellow with gleamy teeth

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<v Speaker 2>came up to me and asked for you. I set

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<v Speaker 2>him to your room. He gleamed so nice.

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<v Speaker 1>That's what you did, eh? Come on, Shennon till I

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<v Speaker 1>find a haven. I don't ever want you to let

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<v Speaker 1>go of my hand. I told you I'm a sucker

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<v Speaker 1>for a domestic phrase after you, husband, you know where

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<v Speaker 1>the light switches are, Shennon, come up with one, yes, sir, yes,

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<v Speaker 1>indeed say light and and something else? Had Hey Cladia, Claire, hm,

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<v Speaker 1>yess you's been stamped for help help her. I wish

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<v Speaker 1>I couldn't. I really wish I couldn't. Your wife's dead,

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<v Speaker 1>mister Moore? Yeah? Or does it surprise you, Shannon? Does

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<v Speaker 1>it really surprise you? I'll back to Bold Venture our

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<v Speaker 1>stars Humphrey Bogart and Lauren McCall and the second act

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<v Speaker 1>of our story.

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<v Speaker 5>In Shannon's place on Havana shore, his trial and tribulation

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<v Speaker 5>in Quantityga lord a husband be read Dan policeman.

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<v Speaker 1>With book to scribble.

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<v Speaker 5>Note on lady.

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<v Speaker 1>Whom life forsook.

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<v Speaker 5>The lady was a tribal lord. The lady was a

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<v Speaker 5>wife who only Caribbean in search of new life with

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<v Speaker 5>a man not hers, with a man not here to

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<v Speaker 5>die by your knife busily right, So dear.

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<v Speaker 2>A fortunate man, Inspector Lassalle, you get background music with

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<v Speaker 2>your murders for this, my.

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<v Speaker 6>Gratitude, Snurita, and you, Shannon, it's the talk of havana.

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<v Speaker 6>What makes you all fell so attractive to murrors?

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<v Speaker 1>All right? Just put up a new neon sign. My

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<v Speaker 1>point a finger at Mailasa. When you've got the lady's

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<v Speaker 1>husband right here with things to reveal about his wife,

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<v Speaker 1>I write, mister Moore, Claudia's dead. That's all the revelation

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<v Speaker 1>that'll ever come to you. Shannon. You heard the song

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<v Speaker 1>the boys sang. Claudia wanted a new life. She didn't

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<v Speaker 1>make it. If I could or we I want only

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<v Speaker 1>missus Morris murderer. I give him to you.

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<v Speaker 2>A little man was more than his quota's teeth, black hair,

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<v Speaker 2>brown eyes. He came here and asked for mister Moore.

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<v Speaker 2>I sent him to mister Moore's room.

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<v Speaker 1>But sell us trying to tell you the shallow as

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<v Speaker 1>the little man with a knife and the teeth wanted

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<v Speaker 1>mister Moore here dead in the dark, he got mixed up.

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<v Speaker 6>Mm get I see a start doing my shovel work.

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<v Speaker 1>Perhaps now you will hone me with the murderer's name.

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<v Speaker 1>Oh yeah, Grady a shallow, you can have that part

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<v Speaker 1>because we don't know.

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<v Speaker 6>Then I am no longer wanted here, and I am

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<v Speaker 6>sensitive to such things. Nothing else, none cooperatives.

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<v Speaker 2>Why didn't you tell him Slate, Why didn't you tell

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<v Speaker 2>him about missus Moore and Tommy Haven from.

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<v Speaker 1>The island, because that belongs to mister Moore, right, mister Moore. Yeah,

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<v Speaker 1>and thanks for letting me keep it the no dull,

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<v Speaker 1>the no wife, courtesy of you, Shannon Well four, May

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<v Speaker 1>I sit down see your haven? Sure? What do you

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<v Speaker 1>think I'm waiting for? Say you did what you were

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<v Speaker 1>supposed to my loan?

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<v Speaker 7>I did, Senor. I went to the Shannon's place. I

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<v Speaker 7>asked for Signor Moore's room. I was directed to it.

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<v Speaker 7>I went to your room.

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<v Speaker 1>I opened the door.

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<v Speaker 7>There in the corner of the dark room. I saw

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<v Speaker 7>a cigarette claw. I threw the knife here, this knife.

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<v Speaker 1>Fool, put it away here, Let me have it. You

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<v Speaker 1>won't have Hannah know what? Give it to me. See

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<v Speaker 1>the knife I threw it, Senor.

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<v Speaker 7>It was a woman I killed, I said, Senor, it.

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<v Speaker 1>Was I heard you, mylone. You said it was a woman.

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<v Speaker 1>It wasn't Jane Moore. It was Claudia. She must have

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<v Speaker 1>been waiting for him in his room. Milo se Senor,

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<v Speaker 1>a little walk Milo. We've got a straighten this out,

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<v Speaker 1>don't we, Milo, Senor? Then let's do it. I want

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<v Speaker 1>you to make a call for me, anything, Senor. Good

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<v Speaker 1>in here, Milo, this phone booth, here's a nickel, Milo,

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<v Speaker 1>call a number, she, Senor, is what number? Any number? Milo,

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<v Speaker 1>the one you'll find on the end of your knife.

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<v Speaker 1>Buy Milo, what's would lassu?

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<v Speaker 2>Slate? Boy's got a murder on his hands. He calls

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<v Speaker 2>us up and invites us to a joint in the barrio.

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<v Speaker 2>This is a very quirky policeman.

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<v Speaker 1>I just had a flat. Why don't we walk right

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<v Speaker 1>in here and ask the fella.

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<v Speaker 2>Tremp felts must be out again, daddy, cause there's no

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<v Speaker 2>dancers here just start leftover guitar player on the brands

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<v Speaker 2>stand otherwise.

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<v Speaker 6>Empty empty except for him the guitarist, for me, the

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<v Speaker 6>overworked offsue, and for you the owners of murder hotels.

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<v Speaker 6>And you are not going to interrupt.

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<v Speaker 1>Me, interrupt you crazy. We've been living for this moment.

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<v Speaker 6>And I will do my utmost to make it thrilling

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<v Speaker 6>for you both. A double file behind me, please to

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<v Speaker 6>the third phone booth from the left. This little man

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<v Speaker 6>folded inside with the knife in his back, A little

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<v Speaker 6>deadman familiar to you, Senorita Dubara.

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<v Speaker 1>That's him. That's the man who came hot Man Fellah, the.

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<v Speaker 2>One who came to Shannon's place asking for mister.

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<v Speaker 1>Moore, the one with a gleamy teeth.

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<v Speaker 6>He is a barrio by the name of Milo. You

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<v Speaker 6>call him the murderer, Senorita Doballe.

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<v Speaker 1>Yes she did, but now we'll never know. We'll wait

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<v Speaker 1>unless you.

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<v Speaker 6>In the Senorita, and send your motor wish to co operate.

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<v Speaker 1>Unless you cease to withhold from the evidence, You'll have

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<v Speaker 1>us up to your party, huh for years and years

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<v Speaker 1>maybe more for being with tight mouths concerning the murder

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<v Speaker 1>of a woman concerning the murder of this man Milo

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<v Speaker 1>concerning you're a real convincer. Us all, let's go find more.

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<v Speaker 1>I can't stand it. One policeman call me tight mouth,

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<v Speaker 1>and that's the way it is. More, you got a

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<v Speaker 1>little trap from the police hanging over us. I've got

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<v Speaker 1>to tell you because maybe you ought to give this up.

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<v Speaker 1>Let lesw take care of it. A good suggestion is

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<v Speaker 1>worth a good answer, that's the more. What about it?

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<v Speaker 1>You want to comment? Make it up for me? Start

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<v Speaker 1>with this. I had a wife once named Claudia. I

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<v Speaker 1>have a lot of door ones too, and now there's

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<v Speaker 1>not much of anything at all. I wish there was

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<v Speaker 1>something we could say something. Okay, Shannon, okay, what we've

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<v Speaker 1>been playing long enough? What's your partner? You kidding? You think?

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<v Speaker 7>So?

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<v Speaker 1>I asked the question your pardon it kid? What's Haven

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<v Speaker 1>paying you? How much of my money did he brush

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<v Speaker 1>against you? For me? For the lives? You really aren't kidding,

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<v Speaker 1>I am. We had each other off balance once, Shannon,

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<v Speaker 1>and I'll hear you and me even up want it

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<v Speaker 1>that way? Huh? Just like that? Take a walk, say

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<v Speaker 1>the both.

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<v Speaker 2>Of you lost your nibs. What kind of a way

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<v Speaker 2>is this, I said.

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<v Speaker 1>Take a walk, talk to me. That's why kill each other. Fellows. Hey,

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<v Speaker 1>there's your boy more, there's Haven. Wait your turn, Tony. Wait.

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<v Speaker 1>This is what I've been trying to get done all day, people,

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<v Speaker 1>and now it's done. Wish me well because Gene Moore

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<v Speaker 1>is dead. Lab this Haven? Yeah, try that again, Shannon,

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<v Speaker 1>you'll lie down gently beside Jean. Let's get moving, folks.

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<v Speaker 1>We've got sailing to do. Oh you look, Maddie and

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<v Speaker 1>Selty up there at the wheels, Jenning just like a

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<v Speaker 1>dream in the moonlight. Oh your brains out with that gun, Haven,

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<v Speaker 1>It'll freeze the moment in your memory.

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<v Speaker 2>I'll cry for you, Haven. I'll give you a nice,

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<v Speaker 2>big fat round tier.

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<v Speaker 1>You miss me? Handhal ask me again? You miss me?

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<v Speaker 2>Huh, you're coaxing Haven. I kind of like it.

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<v Speaker 1>You know, it's really a shame. What is where I'm going?

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<v Speaker 1>The island, the place neither of you will quite get to.

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<v Speaker 2>It'll be lonely for you.

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<v Speaker 1>You pitching something? You know? You better watch your Haven.

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<v Speaker 1>He's been known to sell people out. Is it happening

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<v Speaker 1>to you, Shannon? I hear the girl out? Shall we

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<v Speaker 1>sell on your minds? They lea.

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<v Speaker 2>Nobody's selling you out, Haven. You take me to an island.

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<v Speaker 2>How am I going to cross you?

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<v Speaker 1>True? True out there? I didn't want you Haven, Thanks, Shannon,

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<v Speaker 1>only shut up. We've got a nice conversation going, sailor

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<v Speaker 1>and knee, Hi, Haven, I mean it took the face

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<v Speaker 1>a little to the moonlight. I I wanna look again.

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<v Speaker 2>Like this on your feet, sailer, I'm still tasting. You'd

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<v Speaker 2>better help me.

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<v Speaker 1>Sure, take my hand, baby, and mind the other one

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<v Speaker 1>still got a gun in it.

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<v Speaker 2>Thanks?

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<v Speaker 1>Now, what my good idea? Take the wheel away from Shennon?

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<v Speaker 1>Go ahead, go ahead.

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<v Speaker 2>Man says I should take the wheel.

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<v Speaker 1>Sligh, I heard him take it. Live it up. Come here, Shennon,

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<v Speaker 1>you take orders good. Jump off the boat, Shannon, try that?

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<v Speaker 1>Are you cut crazy? Thirty miles to went? He plays,

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<v Speaker 1>I don't know where that is, even if I could

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<v Speaker 1>swim thirty miles right off the side, shut him? Jump

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<v Speaker 1>or better yet, stand where yarrow? Push off? Thanks, it's

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<v Speaker 1>the wheel, sailor.

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<v Speaker 8>Let me go, Let me go, let's buff go?

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<v Speaker 1>Is that you slow? U? Nice going, sailor? So all right,

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<v Speaker 1>I'll get better. Now give me a hand, Cogan, I've

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<v Speaker 1>got a hand full of hair. I think he's attached

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<v Speaker 1>to it. Yeah, yeah he is. Well, let's go back

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<v Speaker 1>to Havana. Sailor. Our stars Humphrey Bogart and Lauren McAll

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<v Speaker 1>will return in just a moment.

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<v Speaker 2>That you say sharp huh whiffy, that's a beach outfit,

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<v Speaker 2>bathing trunks, a straw hat and a blazer.

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<v Speaker 1>Uh. Yeah, I bought a ukulele, Sailor. The instruction sheet

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<v Speaker 1>said Vestris also obtained while wedding a collegiate outfit a ukulele.

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<v Speaker 1>Just when do you play a ukulele? I was taught.

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<v Speaker 1>I was taught by whom by Myrtle w she who

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<v Speaker 1>walked by waky ky shores.

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<v Speaker 2>No, you know, so play something already.

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<v Speaker 1>Why what do you know? Go hey, Sailor, Sailor. I

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<v Speaker 1>didn't know you could.

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<v Speaker 2>For sure, I can know what these hand movements means

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<v Speaker 2>on the sea.

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<v Speaker 1>Pink on the show. Wait a minute, Wait a minute,

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<v Speaker 1>wait it say pink.

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<v Speaker 2>This, this says pink.

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<v Speaker 1>You know what this? Yeah?

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<v Speaker 6>I know?

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<v Speaker 1>Is that what it said? Did it? Sailor?

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<v Speaker 2>You read me like a book likey island.

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<v Speaker 1>Field and so. Our two stars Humphrey boll Guard and

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<v Speaker 1>Lauren Bacall have brought to a close our latest old

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<v Speaker 1>venture story. Special music was composed and conducted by David Rhose.

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<v Speaker 1>May we invite you to listen again next week at

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<v Speaker 1>this time or another exciting adventure starring Humphrey Boguard and

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<v Speaker 1>Lauren Bacall together in Oh Bet You