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<v Speaker 1>From Hollywood, The Judy can Over Show brought few weeks

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<v Speaker 1>week by the Colgate Palmary Peach Company, makers of Palmilly

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<v Speaker 1>Soap and Colgate Tooth Powder, Mammy Soap, Your Beauty, Hope

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<v Speaker 1>and Colgate Tooth Powder.

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<v Speaker 2>For a breath of Sweet present The Judy Canova Show

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<v Speaker 2>with mel Blank, Ruby Dandres Broon of Felton, Joe Kerns,

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<v Speaker 2>The s Workman Opeks and his Orchestra and starring Judy Canova.

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<v Speaker 3>If it ain't build, it's tack. If it ain't waves,

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<v Speaker 3>it's whack. If it nin't skirts, it's slack. Gotta beat

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<v Speaker 3>this or that. If it I steer, it's doggy. If

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<v Speaker 3>it ain't high, it's sooky.

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<v Speaker 4>If it ain't ay, it's fogy. Gotta be this all that?

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<v Speaker 5>Who can it be? If it ain't me?

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<v Speaker 4>I know it's not your brother.

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<v Speaker 5>Can't you see It's gotta.

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<v Speaker 4>Be just one way of the other. Tell me what

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<v Speaker 4>I'm must know. If you don't lie, I'll go.

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<v Speaker 3>If it ain't yes, it's no gotta be this a

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<v Speaker 3>bad illi say I'm act, I'm really in the mass

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<v Speaker 3>man asking for my hands.

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<v Speaker 4>So you just understand this gotta be this a fad,

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<v Speaker 4>I ain't gonna see it. And wait even I had

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<v Speaker 4>a date.

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<v Speaker 3>In nineteen twenty as the gotta be this a fad?

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<v Speaker 5>Why I'm it?

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<v Speaker 4>One soldier from the side sif he was you kind

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<v Speaker 4>of call and lanky handy dad, I reminded him of

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<v Speaker 4>lovely native girlsy scene.

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<v Speaker 5>And hey, what is of you?

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<v Speaker 4>Bangy? So just make up your mind because if you don't,

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<v Speaker 4>you fine.

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<v Speaker 3>I ain't a past time and you're love of the

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<v Speaker 3>common contact with a baseball bat m.

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<v Speaker 4>Tata be.

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<v Speaker 6>Well.

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<v Speaker 2>Judy has decided to augment her vocal talents by becoming

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<v Speaker 2>a musician, and as our scene open, she's practicing on

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<v Speaker 2>the saxophone.

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<v Speaker 3>Draam audrum, joinium, I'm yes, Judy, come over here.

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<v Speaker 4>Take those air mups off. I'm coming, honey. How can

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<v Speaker 4>you hear with those air mufs on? I can't. Hey,

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<v Speaker 4>what do you think of my playing? That's my music

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<v Speaker 4>sends you?

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<v Speaker 7>Oh?

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<v Speaker 4>Yes, MIT's this said?

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<v Speaker 5>All right?

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<v Speaker 4>But that ain't the way I like to travel. Well,

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<v Speaker 4>I learned a new number. Listen to this, okay, godl

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<v Speaker 4>and Judy? What number was that song of India by

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<v Speaker 4>Ramsky Kars The car M's the Corser car.

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<v Speaker 3>Well it sounded flat, my sur it's flat carsic cop

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<v Speaker 3>was driving in on the ramsky.

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<v Speaker 4>Oh hey, this jitty and that's the mouse sting in

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<v Speaker 4>that saxophone. Now I'm happy. Hm, that's settled it.

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<v Speaker 3>That's the last time I'll ever play the saxophone.

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<v Speaker 4>While I'm chewing bubblegum. Thank you, Raiam. Did you ever

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<v Speaker 4>play a musical instrument? Oh? Yeah, honey, I used to

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<v Speaker 4>play the tuba.

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<v Speaker 3>I put everything I had into that tuber. You did, yes,

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<v Speaker 3>with my shape, I could jesse about naked.

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<v Speaker 4>Oho, mad Aggie. How'd you like my saxophone solo?

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<v Speaker 7>Well, Judy, I can't say much for your playing. Why

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<v Speaker 7>must you always play swing? I'm staed up with popular music.

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<v Speaker 4>Well, shot, said I after I played it ain't popular?

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<v Speaker 7>Of course, I like some modern conductors, such as Paul

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<v Speaker 7>Whitemancostilana whom do you like?

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<v Speaker 5>Well?

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<v Speaker 3>I kind of lean toward Harry James, but Betty Gravell

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<v Speaker 3>keep pushing me away.

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<v Speaker 4>Ah, but the old masters will live forever yep.

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<v Speaker 3>After all, why would music be today if Wagner didn't

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<v Speaker 3>give a wag beet Hoven didn't give a beat, and

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<v Speaker 3>damn Rush didn't guty you thought I was gonna cut

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<v Speaker 3>and say durn didn't you? Well this I ain't getting

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<v Speaker 3>my practicing done.

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<v Speaker 4>Hey, look, my judy. That man next door is opening

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<v Speaker 4>his window and waving at you. O man, mister Michael,

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<v Speaker 4>did you hear me playing indeed? I did you know Atterson,

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<v Speaker 4>Topeka and Santa fe? Yeah? Do you want me to

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<v Speaker 4>play it?

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<v Speaker 8>No? I want you to take it.

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<v Speaker 4>Oh, tell him, no mind this duty. He's just old

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<v Speaker 4>meaning yeah, I know it.

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<v Speaker 3>He's so many uses, Bob, why for clothes line so

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<v Speaker 3>the birds can't sit down?

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<v Speaker 4>Little birds. Feels so sorry for him. Just have a

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<v Speaker 4>good fat any time. But to the time on the radio.

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<v Speaker 4>Oh gosh, yeah, I nearly forgot my favorite program turning

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<v Speaker 4>on drain him.

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<v Speaker 8>The toottl saxophone now uh is on the air.

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<v Speaker 2>Two little saxophones are dandy, built to get your mouth.

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<v Speaker 9>That's newt by morning. Keep it handy when you're going

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<v Speaker 9>on that.

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<v Speaker 2>To uh to.

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<v Speaker 9>Hello, everybody, this is hot. Flickstein, you're a saxophone man.

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<v Speaker 9>Are you a social outcast?

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<v Speaker 4>You sit home alone? Yeah? Night after night you do,

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<v Speaker 4>uh huh.

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<v Speaker 9>Well, then take a saxophone course and be the life

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<v Speaker 9>of the party.

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<v Speaker 6>If after six lessons, you don't play the saxophone beautifully,

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<v Speaker 6>I'll kiss.

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<v Speaker 4>A pig shots. I've had six lessons. I wonder how

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<v Speaker 4>I'm doing.

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<v Speaker 5>Okay, you went.

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<v Speaker 10>Wa wa, Turn.

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<v Speaker 3>That darned thing off, geranium, Just there, Dog's gone. It

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<v Speaker 3>seems like every time I turned the radio on, some

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<v Speaker 3>jug head stick's tato trap into the microphone and says.

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<v Speaker 9>Pardon me for talking in the face and reading.

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<v Speaker 4>Okay, bro, how do you like the way I play

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<v Speaker 4>the saxophone?

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<v Speaker 9>Well, senor readA. I like the way you play it,

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<v Speaker 9>but I don't like the way you hold it up

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<v Speaker 9>to your mouth. Why, because that is what makes your music.

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<v Speaker 11>Come on, Senorita, do you play Shashtikhovi's Tchaikowski and knock

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<v Speaker 11>money and off shosh the coverage Chaikowski and rach money off?

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<v Speaker 4>Now once more? Paid Rod to wash the sofa. You

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<v Speaker 4>know it's not messing. Maxel don't like my playing neither.

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<v Speaker 4>I asked him what he thought of my execution, and

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<v Speaker 4>he said he was in favor of it.

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<v Speaker 9>Send you reader. If I was here, he wouldn't talk

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<v Speaker 9>that way. I fought any golden gloves.

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<v Speaker 4>In the golden club. How'd you come out?

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<v Speaker 9>Pete?

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<v Speaker 11>First, I was in the heavyweight division of the Golden Gloves,

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<v Speaker 11>But Pedro, you're not heavy enough.

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<v Speaker 9>Senor reading my Golden Gloves had led in him. But

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<v Speaker 9>you know I want three fighting in row.

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<v Speaker 11>I fought kid Gonzales, Kid Ramires, Kid Garcia, and then

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<v Speaker 11>I lost.

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<v Speaker 9>What happened?

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<v Speaker 11>They stopped giving me kids and made me fight him man.

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<v Speaker 11>But the biggest moment of my career was when I

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<v Speaker 11>fought Joe Lewis.

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<v Speaker 9>Boy, did I have him? Frighten? You had Joe Royd's

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<v Speaker 9>see he thought he killed me. Later send read I

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<v Speaker 9>we're going on late start and.

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<v Speaker 4>A hot t do YouTube Pedro.

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<v Speaker 2>That reo the cases clarenadam Is Orchestra playing in Acapulco.

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<v Speaker 6>Use Hall tooth.

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<v Speaker 10>Powder, keep smiling, just fly, use each morning and using

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<v Speaker 10>each n do'n take a chance with your romans. Use

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<v Speaker 10>Coldgate too power.

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<v Speaker 8>Remember this message from Colgate Toothpowder.

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<v Speaker 2>When the one you have a crush on gives you

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<v Speaker 2>the brush off, quickly ask yourself, could I have a

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<v Speaker 2>little breath of trouble? For that breath of trouble, I

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<v Speaker 2>mean unpleasing breath has cooled many a romance. Yes, it's

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<v Speaker 2>happened to thousands without their knowing, So don't you run

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<v Speaker 2>the risk. Follow the Coldgate toothpowder routine. Brush your teeth

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<v Speaker 2>night and morning and before every date with Colgate toothpowder.

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<v Speaker 8>For Colgate tooth.

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<v Speaker 2>Powder cleans your breath as it cleans your teeth, because

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<v Speaker 2>scientific tests have definitely proved that in seven cases out

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<v Speaker 2>of ten, Colgate tooth powder instantly stops unpleasing breath that

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<v Speaker 2>originates in the mouth. What's more, no dndericus at any

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<v Speaker 2>price clean your teeth more quickly and thoroughly than Colgate

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<v Speaker 2>tooth powder. Remember to buy it first thing. Remember the

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<v Speaker 2>name Colgate tooth powder with the accent on powder.

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<v Speaker 5>Don't take the.

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<v Speaker 10>Chimes with your.

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<v Speaker 8>Use cold Gate.

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<v Speaker 4>This Judy has a note from mister Maxwell's man next door.

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<v Speaker 4>I see what it says.

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<v Speaker 3>Oh says he's coming over to tighten a part of

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<v Speaker 3>my saxophone, so I can't.

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<v Speaker 4>Play so loud. YEA, well, what parts you go to titan?

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<v Speaker 3>This drip around my neck. But I'll show him. I'm

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<v Speaker 3>gonna be a great musician. Yeah, honey, maybe someday you

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<v Speaker 3>leave and play Carnegan Hole or the metropol.

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<v Speaker 9>Yes, miss d I heard you playing the saxophone and

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<v Speaker 9>I've come to sign you up.

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<v Speaker 4>Oh are you from the Metropolitan?

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<v Speaker 9>No, I'm from Prudential.

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<v Speaker 4>Hey, I gotta start my flac GUIDs and again. Oh gee,

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<v Speaker 4>that wasn't very good. I better run over it again,

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<v Speaker 4>pull it out of the street. Ray Am, I told

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<v Speaker 4>you we're gonna have trouble with that.

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<v Speaker 5>Man, and you read it.

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<v Speaker 9>I don't like our neighbor, mister Maxwell.

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<v Speaker 4>Pedro, If you don't like him, why were you playing marbles.

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<v Speaker 10>With his kid?

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<v Speaker 11>Well, we wasn't playing Marbora's. I had a fight with

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<v Speaker 11>mister Maxwell and his kids was helping me pick up

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<v Speaker 11>my ps.

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<v Speaker 4>Well how did the fight start?

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<v Speaker 9>Mister Maxwell dropped a bunch of leaves on my head. Off.

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<v Speaker 4>Now, Pedro, how could a bunch of leaves hurt you?

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<v Speaker 9>It was he leaves out of his dining room table.

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<v Speaker 3>If mister Maxwell ever saw my boyfriend palm Roy, he

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<v Speaker 3>wouldn't bother.

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<v Speaker 4>That's right, Jerran palm Roy is big, isn't he?

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<v Speaker 1>Oh?

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<v Speaker 3>Yes, him, He's the original mister five by five palm

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<v Speaker 3>Rod is the only man in the army who has to.

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<v Speaker 4>Fall out in a calm of three. Well that's dobell

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<v Speaker 4>or is it Genian? Then? Missus truck the kind of

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<v Speaker 4>other party you ever seen? His beauty will show him

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<v Speaker 4>in party. Count.

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<v Speaker 9>Oh, I can't you as as as I could.

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<v Speaker 8>My heart sum need to this guise.

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<v Speaker 4>My brain began to.

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<v Speaker 9>Spin, and I flew to you on their wings.

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<v Speaker 4>Y'all go, Count, you better straighten up and fly right

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<v Speaker 4>in here.

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<v Speaker 9>I heard about your troubles from your aunt. I gotta

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<v Speaker 9>Oh what a stew you are eating?

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<v Speaker 4>What is the trouble with your neighbor? Wow? It started

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<v Speaker 4>like this, Count, Why do you think of it? Count?

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<v Speaker 6>It is very good cherry, but I think you have

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<v Speaker 6>a little too much for tissimo in your modato.

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<v Speaker 4>Yes, it's just this tight dress I'm wearing. Listener Rescount,

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<v Speaker 4>Oh my pretty, oh little digeon?

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<v Speaker 8>Oh shut up?

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<v Speaker 9>That man is a cowardly can I will fight you?

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<v Speaker 4>Might do it? Had a boy, Count, I am a

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<v Speaker 4>duel at twenty faces, and you choose the weapons.

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<v Speaker 9>Oh no, I will let him choose the weapons. I

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<v Speaker 9>will choose the number of faces.

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<v Speaker 3>Yeah, I can just leave the headlines now. Man in

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<v Speaker 3>California fights deer with town in South America.

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<v Speaker 8>That is not true.

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<v Speaker 4>I would gladly face death for you, then go over

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<v Speaker 4>and face that man.

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<v Speaker 9>But youerie that man is not dead. She read that

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<v Speaker 9>man has insulted you in this. I cannot stand. I

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<v Speaker 9>simply cannot stand.

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<v Speaker 4>What are you gonna do?

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<v Speaker 9>I'm going to lie down.

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<v Speaker 4>Listen, Judus, what is it geranium? Or is that mister

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<v Speaker 4>mess Well? He's run our vegetable, ruin our vegetable.

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<v Speaker 5>How well?

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<v Speaker 4>He has a clay pigeon that he crossed with a

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<v Speaker 4>mud hen and it's laying bricks all over our victory guards. Judy,

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<v Speaker 4>I content anymore this.

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<v Speaker 7>We're going to sell this house. I'm going to call

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<v Speaker 7>mister Golf, my real estate broker right now.

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<v Speaker 3>Well, I all came with me at Aggie. I'll write

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<v Speaker 3>a ad for the newspapers too. Let me see, now,

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<v Speaker 3>eighteen room house was.

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<v Speaker 4>Four square bathtubs.

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<v Speaker 7>Judy Well mentioning square bathtubs helped sell the house.

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<v Speaker 4>Why Shaw, that'll appail the people. When you take a

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<v Speaker 4>bathroom a square bathtub, you can't.

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<v Speaker 5>Leave a ring.

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<v Speaker 3>Then study if we get a new house. I hope

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<v Speaker 3>we don't get one with those modern gadgets. It's fact

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<v Speaker 3>a white ran him well for one thing. I don't

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<v Speaker 3>like those automatic fire sprinklers that turn on if the

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<v Speaker 3>room gets too hot.

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<v Speaker 4>Why not.

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<v Speaker 3>Well, one night my boyfriend Palmero kissed me in the

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<v Speaker 3>kitchen and before we knew it, we were swimming in

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<v Speaker 3>three feet of water.

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<v Speaker 2>Hey, wait a minute, has anybody seen Judy?

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<v Speaker 8>Yeah, we saw she was in a little jukebox joint.

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<v Speaker 1>He designed the record machine.

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<v Speaker 10>So Judy Canova so mad she was seeing re.

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<v Speaker 8>She'd bang on the counter.

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<v Speaker 10>Jill the owner came over, and this is what Judy said.

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<v Speaker 3>I come here from far up the mountains, sweet burning

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<v Speaker 3>music too. He put my nikel in what and just

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<v Speaker 3>listen what I got. Gimme back my nicka. We don't

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<v Speaker 3>like that stuff of the mountains. Hain't bick Burnald you

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<v Speaker 3>money here.

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<v Speaker 4>I've heard beauty but no come from pigs. And then inco.

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<v Speaker 3>Give me back my Nika, rand Pappy warny about your

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<v Speaker 3>saidy joys. Skinny back my Nika. Oh my six shooter's

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<v Speaker 3>only gonna shoot five time. My three turn to mountains.

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<v Speaker 5>Nor lord Joli, harry.

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<v Speaker 4>Me repine my bye, s peez all out all that day.

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<v Speaker 4>HOI give me back my Nika, he co.

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<v Speaker 3>Dingy or carousin a sports But I'll get back my neck.

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<v Speaker 4>To take it to the Supreme court. I must return

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<v Speaker 4>to the mountain. I know way no more shall I carry.

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<v Speaker 5>Anyone that likes that.

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<v Speaker 4>That should be sent to out foot tray.

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<v Speaker 8>Gim remember Doctor's pruve Parmollis beauty results. It's true.

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00:18:53.920 --> 00:18:56.680
<v Speaker 2>Doctor's prow parmolixap can bring two out of three women

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00:18:56.759 --> 00:18:58.680
<v Speaker 2>a more beautiful complexion.

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<v Speaker 8>In just fourteen days. And this plan was tested on

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<v Speaker 8>women with all types.

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00:19:02.519 --> 00:19:06.079
<v Speaker 7>Of skin, even women with dry skin, oily skin, rough skin,

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<v Speaker 7>women as.

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00:19:06.720 --> 00:19:09.480
<v Speaker 12>Old as fixty, even women whose skin wasn't clear.

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00:19:09.759 --> 00:19:13.759
<v Speaker 2>Yes, thirty six doctors leading skin specialists have proved the

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00:19:13.839 --> 00:19:17.880
<v Speaker 2>fourteen day par Molli plan improves all types of skin. Yes,

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00:19:18.000 --> 00:19:22.279
<v Speaker 2>brings fresher, brighter, younger looking complexions. Start your fourteen day

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00:19:22.359 --> 00:19:25.319
<v Speaker 2>Parmlly plan. Now, it's as simple as one, two three.

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00:19:25.680 --> 00:19:26.319
<v Speaker 8>Here's all you do.

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00:19:26.680 --> 00:19:29.160
<v Speaker 12>One, wash your face with Palmolive soap.

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00:19:29.279 --> 00:19:29.480
<v Speaker 8>Two.

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00:19:29.880 --> 00:19:33.200
<v Speaker 12>Then massage your face for sixty seconds with Palmolive's soft,

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00:19:33.319 --> 00:19:36.440
<v Speaker 12>lovely lather. You see one full minute of this cleansing

296
00:19:36.519 --> 00:19:40.640
<v Speaker 12>massage brings your skin Pomolive's full beautifying effect free.

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00:19:40.920 --> 00:19:41.519
<v Speaker 2>Then rinse.

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<v Speaker 12>Do this just three times a day for fourteen days

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00:19:44.759 --> 00:19:45.519
<v Speaker 12>and that's all.

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00:19:46.039 --> 00:19:50.400
<v Speaker 2>Remember, doctors proved this beauty plan with Parmolid soap brought

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00:19:50.480 --> 00:19:52.440
<v Speaker 2>two out of free of all women tested a more

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00:19:52.480 --> 00:19:56.799
<v Speaker 2>beautiful complexion in just fourteen days, no matter what beauty

303
00:19:56.880 --> 00:19:59.960
<v Speaker 2>care they used before. So get par moliff.

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00:20:00.079 --> 00:20:02.519
<v Speaker 8>So see what Parmala can do for your own complexion

305
00:20:02.559 --> 00:20:03.839
<v Speaker 8>in only fourteen days.

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00:20:04.240 --> 00:20:07.880
<v Speaker 12>And for tabo shower for loveliness all over, get the

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00:20:08.000 --> 00:20:10.559
<v Speaker 12>new big Christy birth size Pamela.

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00:20:22.799 --> 00:20:26.400
<v Speaker 3>Well, Raggedy, you think the saxophone playing is improved.

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00:20:26.599 --> 00:20:30.279
<v Speaker 7>Well, Frankly, Judy, the timber of your vibratos proves your

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00:20:30.359 --> 00:20:34.319
<v Speaker 7>ambushoor is bad. You haven't enough a legro in your pizicato,

311
00:20:34.440 --> 00:20:37.160
<v Speaker 7>and you don't sustain your crescendo.

312
00:20:38.000 --> 00:20:42.359
<v Speaker 4>Now what does that mean in plain American? In plain American, Judy,

313
00:20:42.480 --> 00:20:44.079
<v Speaker 4>you ain't got no small.

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<v Speaker 3>You may tell me that I'm a square, Well, let's

315
00:20:50.599 --> 00:20:52.839
<v Speaker 3>say you're a little on the icky size.

316
00:20:53.480 --> 00:20:56.200
<v Speaker 4>All shock. Now, let's be fair about this thing. And Ragge,

317
00:20:56.279 --> 00:20:58.000
<v Speaker 4>you ain't no Bobby Soycher yourself.

318
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<v Speaker 7>I may never have swooned it, Frankie Sinatra. That's There

319
00:21:03.039 --> 00:21:05.640
<v Speaker 7>have been times when I felt a little saint.

320
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<v Speaker 4>Thank you radio. Do you like Frankie Sinatra singing? Oh yes, honey,

321
00:21:15.319 --> 00:21:20.400
<v Speaker 4>mister Sinatra's singing really sends me. Sinatra sends you, Oh yes, ma'am.

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00:21:20.720 --> 00:21:22.759
<v Speaker 4>He may have to make two drifts, but he sends me.

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<v Speaker 9>Good morning, Good morning, ladies.

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<v Speaker 8>I have wonderful news.

325
00:21:33.359 --> 00:21:36.599
<v Speaker 4>Oh with mister my real estate broker. Have you sold

326
00:21:36.640 --> 00:21:36.920
<v Speaker 4>a house?

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00:21:36.960 --> 00:21:39.079
<v Speaker 8>Why yes, I sold it this morning and tomorrow.

328
00:21:38.799 --> 00:21:41.119
<v Speaker 4>We go to Escrow Ascrow day.

329
00:21:41.240 --> 00:21:41.720
<v Speaker 5>That's wall.

330
00:21:41.839 --> 00:21:43.400
<v Speaker 4>Is that anywhere near Pismo Beach?

331
00:21:43.960 --> 00:21:48.880
<v Speaker 7>Now swim myself, don't never night, whether you swim or not,

332
00:21:49.079 --> 00:21:50.880
<v Speaker 7>we'll get away from that terrible neighbor.

333
00:21:51.359 --> 00:21:52.640
<v Speaker 4>Have you lined this up another place?

334
00:21:52.720 --> 00:21:54.519
<v Speaker 8>Oh, I've not only lined one up, I've bought it

335
00:21:54.599 --> 00:21:54.839
<v Speaker 8>for you.

336
00:21:55.279 --> 00:21:56.839
<v Speaker 4>Sly mister God back your hope.

337
00:21:56.839 --> 00:22:00.359
<v Speaker 3>It ain't want no small Hollywood apartment, you do what well?

338
00:22:00.400 --> 00:22:02.960
<v Speaker 3>Them Hollywood apartments is so small when you close the

339
00:22:03.000 --> 00:22:04.920
<v Speaker 3>bedroom door of the door and now get in bed

340
00:22:04.960 --> 00:22:05.240
<v Speaker 3>with you.

341
00:22:06.799 --> 00:22:08.440
<v Speaker 4>And you know them brass door. And I've was on

342
00:22:08.519 --> 00:22:13.720
<v Speaker 4>a cold night, how hard it is to buy? What

343
00:22:14.000 --> 00:22:14.599
<v Speaker 4>is these chases?

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<v Speaker 10>You said?

345
00:22:17.480 --> 00:22:18.119
<v Speaker 4>Well, you know what.

346
00:22:21.119 --> 00:22:24.000
<v Speaker 6>You Yes, there's something mysterious about it. I went to

347
00:22:24.079 --> 00:22:25.559
<v Speaker 6>the Opa, but they referred.

348
00:22:25.279 --> 00:22:27.480
<v Speaker 4>Me to the FBI. Well what house was that?

349
00:22:27.799 --> 00:22:30.880
<v Speaker 9>The house on ninety second Street. Don't worry about the house.

350
00:22:30.880 --> 00:22:33.119
<v Speaker 4>I did buy it for you, I didn't it that

351
00:22:33.240 --> 00:22:37.680
<v Speaker 4>house on Well, Now with sola house, I can flame

352
00:22:37.720 --> 00:22:38.519
<v Speaker 4>a saxophone.

353
00:22:44.160 --> 00:22:47.720
<v Speaker 3>Oh why, mister Maxwell say, I thought you were a

354
00:22:47.839 --> 00:22:49.920
<v Speaker 3>younger man, But you got white side burns.

355
00:22:50.079 --> 00:22:52.400
<v Speaker 8>These hard side burns. I've got cotton stuff.

356
00:22:52.119 --> 00:22:54.960
<v Speaker 3>In my ears might far greater cotton. There's some bow

357
00:22:55.039 --> 00:22:58.799
<v Speaker 3>eavils crawling down your chin. What do you mean busting

358
00:22:58.839 --> 00:22:59.240
<v Speaker 3>in like this?

359
00:22:59.400 --> 00:22:59.759
<v Speaker 4>Anyhow?

360
00:23:00.119 --> 00:23:02.079
<v Speaker 8>That's saxophone? Can't you play any other instrument?

361
00:23:02.759 --> 00:23:03.000
<v Speaker 12>Well?

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00:23:03.200 --> 00:23:05.079
<v Speaker 4>I can play the split flip.

363
00:23:05.279 --> 00:23:06.200
<v Speaker 9>Don't you mean foop?

364
00:23:06.559 --> 00:23:06.599
<v Speaker 2>No?

365
00:23:06.839 --> 00:23:11.240
<v Speaker 3>When I play ice pray? Yeah, killo flies. But if

366
00:23:11.319 --> 00:23:13.920
<v Speaker 3>York can't murders the bee, where's why'm.

367
00:23:13.720 --> 00:23:14.240
<v Speaker 8>Gonna be murdered?

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<v Speaker 1>All right?

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00:23:14.799 --> 00:23:16.759
<v Speaker 2>I'm telling you that if you think if I thought

370
00:23:16.799 --> 00:23:18.160
<v Speaker 2>that you, if you think to say, what.

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<v Speaker 8>Am I mad about?

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<v Speaker 6>I forgot when I came over here to tell you,

373
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<v Speaker 6>I just bought this house and I'm gonna throw you off.

374
00:23:23.240 --> 00:23:23.720
<v Speaker 4>Do you hear that?

375
00:23:23.839 --> 00:23:24.400
<v Speaker 5>Ad I eat?

376
00:23:24.440 --> 00:23:28.200
<v Speaker 4>Mister Maxwell bought our house and that mass back again?

377
00:23:28.559 --> 00:23:31.200
<v Speaker 6>Oh, come in, mister go miss Canova, about that house

378
00:23:31.240 --> 00:23:32.880
<v Speaker 6>I bought for you. I forgot to tell you where

379
00:23:32.880 --> 00:23:35.519
<v Speaker 6>it is. Here's the address, mister Goff, why he sold

380
00:23:35.559 --> 00:23:37.640
<v Speaker 6>me this house? What house did you buy, Miss Canova?

381
00:23:39.200 --> 00:23:40.440
<v Speaker 4>When we bought your house?

382
00:23:43.079 --> 00:23:45.799
<v Speaker 8>Hey, no, we're right back where we started. What are

383
00:23:45.839 --> 00:23:46.519
<v Speaker 8>we gonna do about it?

384
00:23:47.000 --> 00:23:49.039
<v Speaker 4>Well, I don't know what you're gonna do about it,

385
00:23:49.119 --> 00:23:52.799
<v Speaker 4>but I gotta get back. I'm a practice. Oh my man,

386
00:23:53.440 --> 00:24:12.559
<v Speaker 4>that boll. We all have dreams, some of 'em good

387
00:24:12.599 --> 00:24:13.480
<v Speaker 4>and some of 'em bad.

388
00:24:14.000 --> 00:24:15.480
<v Speaker 5>But there's one dream we all.

389
00:24:15.400 --> 00:24:17.400
<v Speaker 3>Share with our loved ones and the armed forces who

390
00:24:17.440 --> 00:24:20.039
<v Speaker 3>are still overseas, the dream of the time to come

391
00:24:20.079 --> 00:24:21.599
<v Speaker 3>and we can all be together again.

392
00:24:22.240 --> 00:24:27.720
<v Speaker 5>I'll buy that dream. Imagine me with my head on

393
00:24:27.960 --> 00:24:36.119
<v Speaker 5>your should and you with your lives getting ball a

394
00:24:36.400 --> 00:24:43.640
<v Speaker 5>god who love moods and us we'd meadow to side

395
00:24:44.039 --> 00:24:50.799
<v Speaker 5>that dream. Imagine me and a girl right and love,

396
00:24:52.799 --> 00:24:59.680
<v Speaker 5>and you thinking that for my dolly, a church love,

397
00:25:00.079 --> 00:25:11.000
<v Speaker 5>Oh and those last minute joy that dream, A honeymoon

398
00:25:11.400 --> 00:25:16.519
<v Speaker 5>and Carrol and a brand new auto gyro and on

399
00:25:16.839 --> 00:25:18.359
<v Speaker 5>my rocket and a.

400
00:25:18.480 --> 00:25:25.799
<v Speaker 3>Weed we'll settle down in Dallas and a little plastic dalace.

401
00:25:27.160 --> 00:25:33.079
<v Speaker 5>It's not as crazy as you think. Imagine me on

402
00:25:33.440 --> 00:25:39.720
<v Speaker 5>our birth and a birth tree with one like you

403
00:25:39.920 --> 00:25:44.920
<v Speaker 5>win the nurse dree. It doesn't sound bad.

404
00:25:45.880 --> 00:25:47.960
<v Speaker 4>And if it can be had.

405
00:25:49.960 --> 00:26:00.480
<v Speaker 10>A honeymoon carle little brand new lot garble and on

406
00:26:00.720 --> 00:26:01.400
<v Speaker 10>my rocking.

407
00:26:01.880 --> 00:26:02.680
<v Speaker 6>In a way.

408
00:26:04.440 --> 00:26:08.680
<v Speaker 10>We'll settle down there, Dallas, in a little plastic power.

409
00:26:10.279 --> 00:26:13.000
<v Speaker 8>It's not as crazy as it nay.

410
00:26:14.599 --> 00:26:18.839
<v Speaker 5>Imagine me on a bird and a bird.

411
00:26:22.079 --> 00:26:29.079
<v Speaker 4>One like you in the Norse. It doesn't sound And

412
00:26:34.119 --> 00:26:38.599
<v Speaker 4>by that.

413
00:26:54.960 --> 00:26:57.319
<v Speaker 2>This is burn Smith acting you to follow the fourteen

414
00:26:57.400 --> 00:27:00.759
<v Speaker 2>day Palmy plan for a lovelier complexion, and don't take

415
00:27:00.799 --> 00:27:04.039
<v Speaker 2>a chance with your romance. Use Colgate tooth powder night

416
00:27:04.079 --> 00:27:08.480
<v Speaker 2>and morning and before every date. Good news, ladies, more

417
00:27:08.599 --> 00:27:11.960
<v Speaker 2>points for used plats. Yes, you now get four points

418
00:27:11.960 --> 00:27:15.200
<v Speaker 2>a pound for your used cooking fat, four instead of two.

419
00:27:15.720 --> 00:27:18.319
<v Speaker 2>Those extra points will help you buy choice cuts of meat.

420
00:27:18.880 --> 00:27:21.400
<v Speaker 2>Why has Uncle Sam increased the points for cooking fat.

421
00:27:21.880 --> 00:27:24.839
<v Speaker 2>It's because there is an alarming shortage in industrial fats.

422
00:27:25.160 --> 00:27:27.920
<v Speaker 2>So in order to hurry along wonderful peace time products,

423
00:27:28.359 --> 00:27:31.559
<v Speaker 2>do save all the cooking fat you can if needed.

424
00:27:31.599 --> 00:27:36.240
<v Speaker 2>In the manufacture of nylons, electric appliances, upholstery, textiles, baby

425
00:27:36.279 --> 00:27:39.759
<v Speaker 2>carriages and hundreds of other articles. And don't forget soap

426
00:27:39.880 --> 00:27:42.880
<v Speaker 2>requires a colossal amount of fat. You can speed up

427
00:27:42.920 --> 00:27:47.160
<v Speaker 2>soap supplies by saving every possible drop of fat. You will,

428
00:27:47.279 --> 00:27:50.359
<v Speaker 2>won't you remember your butcher now pays you four cents

429
00:27:50.480 --> 00:27:53.440
<v Speaker 2>and four points for every pound of cooking fat.

430
00:27:54.400 --> 00:27:56.920
<v Speaker 8>Ah, here's duty, folks.

431
00:27:57.279 --> 00:27:59.599
<v Speaker 3>It was off the nice being riddy tonight, and I

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<v Speaker 3>hope we'll all be together again next Saturday night.

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<v Speaker 4>In the meantime, please don't.

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<v Speaker 3>Forget the two products that bring us together each week.

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<v Speaker 3>I'm Holly's open Holgate tooth.

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<v Speaker 4>Powder, the bestest in the world. This is Judy Canova

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<v Speaker 4>from Hollywood, saying.

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<v Speaker 3>Goo Nair, wherever you may.

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<v Speaker 12>By hall.

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<v Speaker 5>Longly.

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<v Speaker 8>The Judy Canomoshaw was written by Bred Fox and Henry Hofo.

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<v Speaker 8>This is the national broadcasting coming

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<v Speaker 5>Boom.
