WEBVTT

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<v Speaker 1>Tired of the everyday grind, ever dream of a life

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<v Speaker 1>of romantic adventure.

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<v Speaker 2>I want to get away from it all.

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<v Speaker 3>We offer you.

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<v Speaker 4>Escape, Escape, designed to free you from the four walls

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<v Speaker 4>of today for a half hour of high adventure.

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<v Speaker 1>You are on a remote island and the war torn Pacific,

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<v Speaker 1>a paradise of tropic splendor, where sounds of battle are

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<v Speaker 1>far behind. While walking slowly towards you our arms stretched

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<v Speaker 1>out to you is the most beautiful girl in the

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<v Speaker 1>world whose embrace could mean you of death.

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<v Speaker 4>Listen now as Escape brings you Millard Kaufman's exciting story

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<v Speaker 4>The Island.

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<v Speaker 2>The problem was what could I do with Robert Lacy

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<v Speaker 2>do the album? Have a dream book candy with all

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<v Speaker 2>the charts and categories precisely arranged in alphabetical order. Well,

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<v Speaker 2>in it you'll find a dream for loneliness, about girls

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<v Speaker 2>and soft summary dresses. You'll find a dream for hunger

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<v Speaker 2>two pounds steak, perhaps smothered oliver with limb chops. There

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<v Speaker 2>are dreams for the traveler of a hometown far away

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<v Speaker 2>and long ago. But find me a dream of a

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<v Speaker 2>place you've never seen, a place that doesn't exist, awake

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<v Speaker 2>or asleep, that was Lacey's dream, Corporal Robert Lacey, second Battalion,

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<v Speaker 2>fourth Marines. Harmless enough dream, I guess, and not to

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<v Speaker 2>be taken seriously, or so it seemed, until that night

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<v Speaker 2>when Lacy's dream became my problem. May It was nineteen

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<v Speaker 2>forty five in a little wood on Okinawa.

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<v Speaker 5>Okay to Bory, and I guess I got it.

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<v Speaker 2>Where are we anyhow?

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<v Speaker 3>Had a couple of three mines behind jack lines. Oh fie,

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<v Speaker 3>you'll worry.

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<v Speaker 1>Too much power, even for a guy on his first patrol.

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<v Speaker 2>Well, I've been thinking of it as my last.

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<v Speaker 3>Relax like me, and you'll live forever.

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<v Speaker 6>Oh was I nothing?

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<v Speaker 1>There's a screaming Mimi got a kind of a tail

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<v Speaker 1>adjustment that cuts the winds, sort of screams.

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<v Speaker 3>Jap usually scares.

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<v Speaker 2>Well, they sure succeeded you scare easy though, Sure, sure,

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<v Speaker 2>I'm I'm gonna pushover for that shrekle kite stuff.

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<v Speaker 5>Shrek likite.

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<v Speaker 3>Yeah, what kind of jive is that?

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<v Speaker 2>Well, it means terror of fightfulness German. German's got a

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<v Speaker 2>whole arsenal of terror weapons.

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<v Speaker 1>Japsy got a feel themselves.

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<v Speaker 3>What do you say we sack in sack in here.

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<v Speaker 3>It's as good as the next place.

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<v Speaker 2>The lash up. It's three miles behind jap line.

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<v Speaker 3>You got no chance of getting back tonight. Get knocked off.

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<v Speaker 3>We tried you take the first watch. I'm gonna sack in.

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<v Speaker 2>You're going to sleep.

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<v Speaker 3>I don't know. Maybe I'll just sit here and dream.

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<v Speaker 2>You're sure picking a fine time for it.

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<v Speaker 3>Hey, I would tell you about my island.

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<v Speaker 2>Yeah, yeah, you told me. You must have told me

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<v Speaker 2>fifty sixty times in the past month.

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<v Speaker 1>All right, so I'll tell you again. Now, this island.

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<v Speaker 1>It's a sort of a special place, you see. There's

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<v Speaker 1>no rain and no jungle rock, no war, just a quiet,

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<v Speaker 1>cozy spot where a man can lay down under a

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<v Speaker 1>banyan tree and live off the fat of the land.

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<v Speaker 2>Oh, there is no such place.

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<v Speaker 1>And honest, I want a man that never go hungry.

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<v Speaker 1>All you gotta do is fish a little with the natives.

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<v Speaker 3>And they're all big man, and they're.

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<v Speaker 1>Friendly, not liking nips, and all the dames are beautiful.

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<v Speaker 2>You know something, Lacey, you return, That's.

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<v Speaker 1>Where I'm fixing to go as soon as I can

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<v Speaker 1>find it. I'm never going back Stateside. I'm gonna laid

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<v Speaker 1>down unto that little banyan.

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<v Speaker 3>Tree and arrest.

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<v Speaker 2>I let him rave on? What else could I argue

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<v Speaker 2>with him? There? I was three miles deep in enemy

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<v Speaker 2>lines with a stranger, his eyes narrowed in a thousand

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<v Speaker 2>yards stare, rush of words like a nervous twitch. He

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<v Speaker 2>raved on about a place that doesn't exist with me,

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<v Speaker 2>big men and beautiful women.

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<v Speaker 3>Like nothing you ever saw, all surrounded by the mists.

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<v Speaker 2>And then I found myself listening it sort of hypnotized,

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<v Speaker 2>and I learned something about corporal lacy and what combat

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<v Speaker 2>woriness means. He foraged too long among the rotten bombs

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<v Speaker 2>card pebbles of the Pacific olders. It seemed too much death,

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<v Speaker 2>too many crack ups.

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<v Speaker 3>I will back.

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<v Speaker 2>It was himself half cracked and slightly dead, barely held

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<v Speaker 2>together by the taut and twisted wires of his dream.

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<v Speaker 2>So what could I do?

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<v Speaker 3>Argue with me on the island too, And I'm gonna

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<v Speaker 3>find me a beautiful girl.

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<v Speaker 2>No bory, Yeah, yeah, I'm listening.

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<v Speaker 5>Look Taburi out there coming towardoise where over there about

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<v Speaker 5>two o'clock.

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<v Speaker 2>There's a whole bunch of men.

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<v Speaker 3>No, it's not a bunch of four, Three men of

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<v Speaker 3>them and a woman.

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<v Speaker 2>They hadn't right for us.

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<v Speaker 3>Put that rifle down.

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<v Speaker 1>What's the matter, you flip or something? They're not chaps.

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<v Speaker 1>The men are too big. But it's funny the woman

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<v Speaker 1>with him though.

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<v Speaker 2>Maybe his eyes were better than mine. But how could

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<v Speaker 2>I trust that brain as all festive with dreaming.

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<v Speaker 1>But I tell you they're not Japs, and the dame

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<v Speaker 1>is beautiful. Only i'd listened to Lacey then, if only

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<v Speaker 1>i'd know him, but Japs and a Japs.

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<v Speaker 2>I was taking no chances. I raised my rifle and.

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<v Speaker 3>Not that off hit the woman. Now I'm gonna see

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<v Speaker 3>if she is hurt back.

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<v Speaker 2>Come on, Lacy's lay tone goes, you know that Jackson

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<v Speaker 2>might be a trick.

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<v Speaker 3>Don't worry about me, Lick go listen.

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<v Speaker 2>You get yourself killed, not me, for you.

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<v Speaker 3>I'll live to spit in your grave.

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<v Speaker 4>Now lit call me all right, all right, I just

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<v Speaker 4>hold you know what you're doing.

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<v Speaker 2>I don't want to get involved in New York Cocker

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<v Speaker 2>many dreams, you know, dreams.

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<v Speaker 3>It's no dream so Bory you'll find.

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<v Speaker 2>Out, okay, Lacey, So where is she? That's funny.

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<v Speaker 3>She must be around here somewhere.

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<v Speaker 2>Maybe we may what's that.

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<v Speaker 3>They came from over there. Come on, Ah, there she is.

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<v Speaker 2>She's scared of.

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<v Speaker 3>Us, lady.

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<v Speaker 1>It's all right, lady. Hi, No, we won't hurt you.

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<v Speaker 6>Lady, I I heard you.

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<v Speaker 3>Gosh, she's bluffing her. I got your first daid. H yeah,

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<v Speaker 3>look lady, let me fix your arm. Huh.

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<v Speaker 1>You see, we we got bandages, had easy tape.

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<v Speaker 3>And a seller.

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<v Speaker 2>She don't get what you're talking about, and she.

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<v Speaker 3>Gets the idea. All right, that's right, lady. Just won't

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<v Speaker 3>hurt a bit.

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<v Speaker 1>Eh, you just got nicked a little, that's said, just

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<v Speaker 1>a flesh wound.

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<v Speaker 3>She trust you, Yeah, she trust me more than you do.

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<v Speaker 3>Didn't I tell you?

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<v Speaker 2>She was beautiful? And you told me a lot of things.

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<v Speaker 2>How about the men? She was with? The big men?

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<v Speaker 1>She was with 'em, and they weren't jabs, not jopp

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<v Speaker 1>in a pig's eye, not jabbo.

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<v Speaker 3>There you see?

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<v Speaker 2>Well then what were they?

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<v Speaker 6>The whoa? Ah? You see my people?

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<v Speaker 2>Who are you? What are you? What's your name?

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<v Speaker 1>Name?

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<v Speaker 6>Takey?

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<v Speaker 7>I am.

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<v Speaker 6>No, can't see in English? But please go away, please

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<v Speaker 6>if you go away fast?

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<v Speaker 2>Now?

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<v Speaker 1>You scared her again, Look, dokey, it's all right. Everything's

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<v Speaker 1>gonna be all right, you just come with us.

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<v Speaker 6>No, I go home. Let's go home.

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<v Speaker 3>So go home, scram Lady loves yourself. Oh no, you don't, lady,

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<v Speaker 3>you'll keep up.

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<v Speaker 2>Let her go, Let her go back to a rice.

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<v Speaker 2>Cattie were here?

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<v Speaker 3>You still don't catch to bory. She A'm from Okinawa.

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<v Speaker 3>She's from that island I was telling you about from

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<v Speaker 3>your goshy you goushy she shea must say shama means island.

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<v Speaker 6>Yes, I am all right?

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<v Speaker 2>All right? Then what are you doing here?

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<v Speaker 7>I do not know?

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<v Speaker 6>Would your Panese bring on canoe?

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<v Speaker 2>She's crazy than you are? Whoever? Shut up?

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<v Speaker 3>Takey? Where is your island? Huh? Where is Yo? Gotchi?

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<v Speaker 6>In east? In China? Sea A stay from Okinawa? My canoe?

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<v Speaker 2>Canoe?

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<v Speaker 3>Well, what's it like, Taki?

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<v Speaker 2>Well? What's your island? Lay lacy? Never mind the got them?

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<v Speaker 2>Let's find that canoe. Come on, don't you see where

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<v Speaker 2>the canoe? We can get back to our lines by water.

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<v Speaker 1>Yeah, I think you've got something there, Taki, can you

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<v Speaker 1>find a canoe?

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<v Speaker 3>I come on.

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<v Speaker 2>Let's go. She led us on through the wood. A

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<v Speaker 2>lopsided moon came up and its rays filled through the

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<v Speaker 2>clouds and downs of the jagged trees in the moonlight.

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<v Speaker 2>She was like one of those porcelain figurines, delicate with

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<v Speaker 2>a peculiar tint to her skin. I'm like anything id

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<v Speaker 2>of it seen before. It's like the shade of waxed ivory,

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<v Speaker 2>ancient ivory. Her hair was long and black, drawn tight

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<v Speaker 2>over her head. She was straight and slim. She walked

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<v Speaker 2>with dignity. She was beautiful, as beautiful as a dream,

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<v Speaker 2>Lacy's dream. But dreams don't come true, not like this yet.

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<v Speaker 2>Here she was just the way he described and the

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<v Speaker 2>three men and the island that I couldn't figure it

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<v Speaker 2>out because just then I didn't have time. Lacy. Yeah,

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<v Speaker 2>come on, Tucky, let us down a slope to the water.

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<v Speaker 2>There were canoes and leaning against a prow with two sentries.

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<v Speaker 2>They were safe, They thought three miles behind their lines

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<v Speaker 2>snug is two bugs in a mosquito, and that they

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<v Speaker 2>were so safe they didn't know what hit on.

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<v Speaker 3>Turkey in the canoe. Huh, all right, push off to

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<v Speaker 3>Bori yo, if you take a bow. Huh, sit down, coming,

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<v Speaker 3>we're to straight up in the channel. You know what

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<v Speaker 3>I think, Huh? I think we're gonna.

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<v Speaker 1>Make it okay to Bory, we can take it easy.

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<v Speaker 2>Now I'm not taking it easy. Little cross our perimeter.

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<v Speaker 3>How you're gonna tell at night? Oh, maybe you think

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<v Speaker 3>I got neon signs.

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<v Speaker 1>Huh, Well maybe we're seal landmark or something. Distances can

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<v Speaker 1>fool you at night, we're able to paddle right into

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<v Speaker 1>a platoon of nips.

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<v Speaker 2>They were to we do, Lacy, it'll.

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<v Speaker 1>Stand by the morning and head for our convoy.

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<v Speaker 3>We'll ride ashore in style, in an LST.

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<v Speaker 2>I don't know.

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<v Speaker 3>I think it'd be better for Look whatever, you think,

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<v Speaker 3>you're out voted. You're out voted two stripes to.

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<v Speaker 1>One when you're pulling rank corporal. Well why not knucklehead?

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<v Speaker 1>The ship's got one skipper and I met, Oh, you're

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<v Speaker 1>like a lot.

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<v Speaker 3>I want any stuff out of you. I'll knock it

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<v Speaker 3>on you now more thing. You don't fill up this detail?

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00:13:42.639 --> 00:13:45.039
<v Speaker 2>So what was I going to do? Argue with you?

218
00:13:45.320 --> 00:13:47.919
<v Speaker 2>Start a private firefight in the middle of the China Sea.

219
00:13:49.919 --> 00:13:52.559
<v Speaker 2>I was getting a little combat worry myself. But Lacy,

220
00:13:52.639 --> 00:13:55.519
<v Speaker 2>he was all charged up, as though his crazy dream

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00:13:55.600 --> 00:13:59.840
<v Speaker 2>had come true. Lying on the narrow deck of the

222
00:14:00.080 --> 00:14:02.039
<v Speaker 2>knew I could hear Lacy and the more I heard,

223
00:14:02.039 --> 00:14:03.480
<v Speaker 2>the more confused I got.

224
00:14:05.279 --> 00:14:07.039
<v Speaker 3>It's not like other islands.

225
00:14:07.399 --> 00:14:08.000
<v Speaker 6>Is a tucky?

226
00:14:08.879 --> 00:14:10.720
<v Speaker 2>Is what different?

227
00:14:14.720 --> 00:14:16.279
<v Speaker 6>I wish I could tell you.

228
00:14:16.360 --> 00:14:19.759
<v Speaker 3>How I know it's pretty.

229
00:14:19.320 --> 00:14:21.000
<v Speaker 6>He's very pretty.

230
00:14:21.840 --> 00:14:26.639
<v Speaker 1>It is sufficient good, it's good, and we have teeth.

231
00:14:27.679 --> 00:14:30.320
<v Speaker 3>Car I knew it.

232
00:14:30.360 --> 00:14:35.039
<v Speaker 2>I knew it. Cows and pigs and Lacy getting all

233
00:14:35.120 --> 00:14:37.960
<v Speaker 2>it's hopped up about them. Well, that was the last

234
00:14:38.000 --> 00:14:40.039
<v Speaker 2>thing I remembered. I guess I fell asleep, and then

235
00:14:40.840 --> 00:14:41.360
<v Speaker 2>suddenly it.

236
00:14:41.360 --> 00:14:47.799
<v Speaker 3>Was daylight and I look to Bory. What look over there?

237
00:14:47.799 --> 00:14:48.879
<v Speaker 3>What do you see?

238
00:14:50.799 --> 00:14:52.279
<v Speaker 2>An island? Just an island.

239
00:14:52.559 --> 00:14:54.720
<v Speaker 3>It's not just an island. That's my island.

240
00:14:54.759 --> 00:14:55.960
<v Speaker 2>What's a special about it?

241
00:14:56.000 --> 00:14:59.679
<v Speaker 3>We look at it. It's surrounded by myst just like

242
00:14:59.759 --> 00:15:00.919
<v Speaker 3>a tell it to.

243
00:15:00.960 --> 00:15:02.799
<v Speaker 2>The troops when we get back to Okinawa.

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00:15:05.559 --> 00:15:07.960
<v Speaker 1>But to BORI stand by for a ram. We ain't

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00:15:08.000 --> 00:15:12.039
<v Speaker 1>going back to Okinawa. Hey, no, wait, I don't want

246
00:15:12.039 --> 00:15:13.559
<v Speaker 1>any more trouble from you, Tobori.

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00:15:13.639 --> 00:15:17.399
<v Speaker 2>Well, and don't make any your og Hey what looking?

248
00:15:17.639 --> 00:15:18.559
<v Speaker 2>You're right boom.

249
00:15:18.600 --> 00:15:20.240
<v Speaker 3>I don't bother because I got it right here.

250
00:15:21.679 --> 00:15:24.120
<v Speaker 2>Now you get born, You're crazy?

251
00:15:24.240 --> 00:15:27.639
<v Speaker 3>Want to move to Bory. You're flirting with a purple heart.

252
00:15:31.600 --> 00:15:39.240
<v Speaker 3>All right, now, lean on that paddle. That's right, we're

253
00:15:39.279 --> 00:15:40.240
<v Speaker 3>heading for you. Gotchi.

254
00:16:09.519 --> 00:16:11.879
<v Speaker 2>Our canoe scraped the coral beach that you got you

255
00:16:11.960 --> 00:16:15.200
<v Speaker 2>about four hours later. It was a lovely island with

256
00:16:15.320 --> 00:16:18.440
<v Speaker 2>terraced hills and patches of tilled soil checkering the greenery.

257
00:16:20.000 --> 00:16:23.080
<v Speaker 3>Well, Sean's believe that's a Bory.

258
00:16:23.159 --> 00:16:27.679
<v Speaker 2>I wouldn't believe it so close to Okinaw? Where are

259
00:16:27.720 --> 00:16:28.200
<v Speaker 2>your people?

260
00:16:28.320 --> 00:16:30.720
<v Speaker 3>Taki O over here?

261
00:16:31.679 --> 00:16:34.080
<v Speaker 6>But you must not come you.

262
00:16:35.320 --> 00:16:38.559
<v Speaker 3>No, I'm sticking around. How about you to bury? Oh?

263
00:16:38.559 --> 00:16:40.799
<v Speaker 2>I came this for us? What d not just for last?

264
00:16:41.120 --> 00:16:42.679
<v Speaker 3>Are you're going to laugh out of the wrong side

265
00:16:42.679 --> 00:16:43.240
<v Speaker 3>of your face?

266
00:16:44.200 --> 00:16:44.799
<v Speaker 7>What you mean?

267
00:16:45.080 --> 00:16:50.840
<v Speaker 2>That's just a figure of speech talking. Let's go. So there.

268
00:16:50.879 --> 00:16:53.200
<v Speaker 2>I was caught up in Lacey's dream when all the

269
00:16:53.240 --> 00:16:55.840
<v Speaker 2>time I should have taken off at high poort for Okinawa.

270
00:16:56.279 --> 00:16:58.039
<v Speaker 2>I should have known better, but I didn't. And what

271
00:16:58.159 --> 00:16:59.320
<v Speaker 2>you don't know can hurt you.

272
00:17:00.840 --> 00:17:02.279
<v Speaker 3>Hey, look at that car to Bory.

273
00:17:02.480 --> 00:17:03.720
<v Speaker 2>I could eat it out of the hole.

274
00:17:03.840 --> 00:17:06.400
<v Speaker 3>I tell you, I'm going to live off the feederal land.

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00:17:07.640 --> 00:17:11.720
<v Speaker 2>The trails snaked upward, and there were scarlet flowers and

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00:17:11.839 --> 00:17:15.319
<v Speaker 2>lilies and the sword grass, all very nice. I suppose,

277
00:17:15.400 --> 00:17:17.319
<v Speaker 2>but I was looking for people, the big men of

278
00:17:17.400 --> 00:17:20.079
<v Speaker 2>Lacey's dream. The girl's all as lovely as the girl

279
00:17:20.160 --> 00:17:23.519
<v Speaker 2>beside us. I was tense with expectancy at each bend

280
00:17:23.559 --> 00:17:26.160
<v Speaker 2>in the trail. But Lacey's tensions had all vanished. He

281
00:17:26.920 --> 00:17:29.000
<v Speaker 2>lost them because he had found Taki.

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00:17:30.400 --> 00:17:30.799
<v Speaker 6>Oh but.

283
00:17:35.000 --> 00:17:40.279
<v Speaker 3>No, Daky, my name's Lacey. No not try once more?

284
00:17:42.599 --> 00:17:46.640
<v Speaker 2>Gray, Lacey Tacky a.

285
00:17:47.359 --> 00:17:53.480
<v Speaker 3>Hell like in the this is a lily, You are

286
00:17:53.519 --> 00:18:01.079
<v Speaker 3>a lady and your local the bory. I'm gonna sluck you.

287
00:18:01.079 --> 00:18:01.599
<v Speaker 7>You.

288
00:18:01.599 --> 00:18:03.519
<v Speaker 6>You were so funny, racy.

289
00:18:03.839 --> 00:18:09.359
<v Speaker 1>When you laugh, you laugh nice, Tucky.

290
00:18:10.839 --> 00:18:17.519
<v Speaker 6>It is first time in five years. It is time

291
00:18:18.119 --> 00:18:18.880
<v Speaker 6>I am happy.

292
00:18:20.680 --> 00:18:24.000
<v Speaker 1>Maybe you were waiting for me to make you happy

293
00:18:24.920 --> 00:18:26.119
<v Speaker 1>like I was waiting for you.

294
00:18:28.160 --> 00:18:29.599
<v Speaker 6>What do you mean, Lacy?

295
00:18:31.880 --> 00:18:36.640
<v Speaker 1>Well, I I mean, oh well here.

296
00:18:41.839 --> 00:18:45.880
<v Speaker 3>This is for you.

297
00:18:45.960 --> 00:18:48.240
<v Speaker 6>Why you give me flower?

298
00:18:51.240 --> 00:18:52.279
<v Speaker 2>I love you, Turkey.

299
00:18:54.319 --> 00:18:57.359
<v Speaker 6>No, No, you can't know.

300
00:18:59.200 --> 00:18:59.920
<v Speaker 3>Why, Tucky.

301
00:19:00.480 --> 00:19:07.279
<v Speaker 6>You don't know. I don't know how to say. You

302
00:19:07.319 --> 00:19:08.319
<v Speaker 6>do not know me.

303
00:19:08.799 --> 00:19:11.119
<v Speaker 1>I know you have been dreaming about you for two

304
00:19:11.200 --> 00:19:13.599
<v Speaker 1>years and you find you.

305
00:19:15.680 --> 00:19:19.319
<v Speaker 6>I never fucking what you'll say.

306
00:19:20.319 --> 00:19:21.640
<v Speaker 3>I'll never let you forget.

307
00:19:22.799 --> 00:19:30.759
<v Speaker 1>Oh La, Lacey, honey, hell, I can love.

308
00:19:32.960 --> 00:19:36.720
<v Speaker 2>They walked on together up the trail, a tall marine

309
00:19:36.759 --> 00:19:39.000
<v Speaker 2>and a slim girl with the ivory skin with a

310
00:19:39.000 --> 00:19:41.799
<v Speaker 2>flower in her hand. Now and then she'd look at

311
00:19:41.839 --> 00:19:43.559
<v Speaker 2>the flower, and then she'd look at Lacy in a

312
00:19:43.640 --> 00:19:46.880
<v Speaker 2>pained expression of cloud her face. And though she didn't understand,

313
00:19:48.079 --> 00:20:07.640
<v Speaker 2>I didn't either, But I had to find out. Man,

314
00:20:07.720 --> 00:20:10.359
<v Speaker 2>what a client there ought to be easier for. I

315
00:20:10.680 --> 00:20:11.839
<v Speaker 2>give me back my rifle.

316
00:20:12.559 --> 00:20:15.079
<v Speaker 3>Don't worry about me. I'll get by.

317
00:20:15.559 --> 00:20:18.799
<v Speaker 2>Oh we got it like this the summer, the.

318
00:20:18.839 --> 00:20:24.000
<v Speaker 6>Highest point on you're got you see down there? Follow

319
00:20:24.039 --> 00:20:25.920
<v Speaker 6>me and body right.

320
00:20:27.000 --> 00:20:31.839
<v Speaker 3>Hey, look look at them my people. I told you

321
00:20:31.880 --> 00:20:32.960
<v Speaker 3>they were big men.

322
00:20:33.079 --> 00:20:34.680
<v Speaker 2>How can you tell from this distance?

323
00:20:35.039 --> 00:20:36.240
<v Speaker 3>Well, look how broad they are.

324
00:20:36.680 --> 00:20:40.559
<v Speaker 2>It's funny how they're all on a bunch like, hey, listen.

325
00:20:46.599 --> 00:20:50.359
<v Speaker 5>What maybe it's what you call it a ceremony or something.

326
00:20:50.440 --> 00:20:52.039
<v Speaker 6>Huh it is?

327
00:20:52.720 --> 00:20:55.519
<v Speaker 3>Well, maybe it's for us. I bet they know we're coming.

328
00:20:55.720 --> 00:20:59.599
<v Speaker 6>No, it's for with it.

329
00:21:01.279 --> 00:21:01.799
<v Speaker 3>What happened?

330
00:21:01.839 --> 00:21:03.720
<v Speaker 2>You suppose that the war the.

331
00:21:03.799 --> 00:21:09.680
<v Speaker 6>Wall was here. It's just my people die.

332
00:21:12.599 --> 00:21:17.960
<v Speaker 1>Everybody's people die. He's just gotta happen sooner or later.

333
00:21:18.559 --> 00:21:20.359
<v Speaker 2>Never heard. It's a well point.

334
00:21:20.519 --> 00:21:25.400
<v Speaker 3>Why don't you drop dead to Bori, let's go talking.

335
00:21:38.400 --> 00:21:40.680
<v Speaker 2>We went down the mountain side, down to a cape

336
00:21:40.680 --> 00:21:44.200
<v Speaker 2>that jutted into the Pacific like a narl finger of doom.

337
00:21:44.400 --> 00:21:47.119
<v Speaker 2>Bar away, we saw a village. We headed toward it

338
00:21:47.160 --> 00:21:50.640
<v Speaker 2>through a sunless gorge. At the far end was a

339
00:21:50.720 --> 00:21:58.720
<v Speaker 2>thatched hut. Looks like it's empty, as any fool could see.

340
00:21:59.039 --> 00:22:02.119
<v Speaker 6>You wait here. I come back soon with Hitman.

341
00:22:02.640 --> 00:22:13.920
<v Speaker 1>You speak English, No, Bory, you.

342
00:22:11.960 --> 00:22:13.559
<v Speaker 3>You're gonna stay here with me?

343
00:22:14.440 --> 00:22:18.079
<v Speaker 2>No, I see. I just want one good look at

344
00:22:18.079 --> 00:22:21.079
<v Speaker 2>your big men and beautiful women in the native habitat,

345
00:22:21.799 --> 00:22:23.039
<v Speaker 2>and I'm off for Oknawa.

346
00:22:23.079 --> 00:22:24.039
<v Speaker 3>He's still won't proof.

347
00:22:24.160 --> 00:22:27.039
<v Speaker 2>Yeah, And there's something strange about this place. I want

348
00:22:27.039 --> 00:22:27.640
<v Speaker 2>to know what it is.

349
00:22:27.720 --> 00:22:31.119
<v Speaker 3>It's not strange, it's just different.

350
00:22:31.400 --> 00:22:34.039
<v Speaker 2>Like I say, you're all fouled up lacy in a dream.

351
00:22:34.359 --> 00:22:36.160
<v Speaker 2>I'm not sure what it's all about, but I gotta

352
00:22:36.200 --> 00:22:38.240
<v Speaker 2>find out or it'll drive me crazy the rest of

353
00:22:38.240 --> 00:22:39.720
<v Speaker 2>my life.

354
00:22:39.599 --> 00:22:41.680
<v Speaker 3>You mean crazy like me.

355
00:22:42.279 --> 00:22:43.039
<v Speaker 2>I didn't say that.

356
00:22:43.079 --> 00:22:45.039
<v Speaker 3>You know, since we left Okanawa you've been giving me

357
00:22:45.079 --> 00:22:45.640
<v Speaker 3>a bad time.

358
00:22:45.720 --> 00:22:46.359
<v Speaker 2>That's mutually.

359
00:22:46.400 --> 00:22:47.480
<v Speaker 3>Now you just call me crazy.

360
00:22:47.519 --> 00:22:49.160
<v Speaker 2>I know what I said, I know what you think.

361
00:22:50.319 --> 00:22:51.079
<v Speaker 3>I know what you'll do.

362
00:22:51.119 --> 00:22:53.839
<v Speaker 1>Once you get back to Kanawa, you'll tell the MPs

363
00:22:53.880 --> 00:22:55.200
<v Speaker 1>I went over the hill, and you'll tell them where

364
00:22:55.200 --> 00:22:55.440
<v Speaker 1>I am.

365
00:22:55.440 --> 00:22:56.200
<v Speaker 3>They'll come after me.

366
00:22:56.319 --> 00:22:57.039
<v Speaker 2>You are crazy.

367
00:22:57.039 --> 00:22:58.799
<v Speaker 3>I'm just crazy enough to make sure you keep your

368
00:22:58.799 --> 00:23:02.680
<v Speaker 3>trap shut. You remember Tobori, I said I'd be around

369
00:23:02.759 --> 00:23:03.880
<v Speaker 3>to spit in your grave.

370
00:23:06.480 --> 00:23:08.000
<v Speaker 2>He stopped kidding. Wrong with that rifle.

371
00:23:08.079 --> 00:23:13.519
<v Speaker 1>I'm kidding. I'm gonna kill you, Tobory. But first you're

372
00:23:13.559 --> 00:23:15.359
<v Speaker 1>gonna see I was right. I want to see the

373
00:23:15.440 --> 00:23:18.240
<v Speaker 1>expression on that smart, I like face of yours when

374
00:23:18.240 --> 00:23:18.960
<v Speaker 1>you admit.

375
00:23:18.759 --> 00:23:21.000
<v Speaker 3>It, and then I'm gonna kill you.

376
00:23:22.720 --> 00:23:26.079
<v Speaker 2>I get back in that corner. Keep you my shout.

377
00:23:30.400 --> 00:23:34.039
<v Speaker 3>Hello you the headman.

378
00:23:35.079 --> 00:23:36.720
<v Speaker 2>I suppose you could call me that?

379
00:23:37.079 --> 00:23:38.759
<v Speaker 6>His name Eroshi?

380
00:23:40.400 --> 00:23:41.640
<v Speaker 8>What can I do for you?

381
00:23:42.400 --> 00:23:47.640
<v Speaker 1>I I want to stay here well with Taki.

382
00:23:48.559 --> 00:23:51.640
<v Speaker 8>I'm afraid you cannot well.

383
00:23:51.960 --> 00:23:53.279
<v Speaker 3>I work my way.

384
00:23:53.640 --> 00:23:56.039
<v Speaker 8>That is not the point you look.

385
00:23:56.079 --> 00:23:59.359
<v Speaker 1>I don't want no arguments out of you.

386
00:23:59.359 --> 00:24:05.200
<v Speaker 2>You can't not stay well? Why she is a leper?

387
00:24:09.759 --> 00:24:09.880
<v Speaker 1>Huh?

388
00:24:13.960 --> 00:24:14.400
<v Speaker 6>But she.

389
00:24:16.200 --> 00:24:17.359
<v Speaker 2>She's so beautiful.

390
00:24:18.440 --> 00:24:26.640
<v Speaker 8>Yes, I know, my son, but in three years, five years, god.

391
00:24:26.519 --> 00:24:33.640
<v Speaker 6>Kid, I try to tell you what I did not

392
00:24:33.880 --> 00:24:40.640
<v Speaker 6>know how, but then I w if I wanted to,

393
00:24:43.319 --> 00:24:52.960
<v Speaker 6>I wanted to do last, one more, one more me.

394
00:24:53.559 --> 00:24:56.839
<v Speaker 2>They stood there facing each other, the tall marine and

395
00:24:56.880 --> 00:24:59.200
<v Speaker 2>the girl with the ivory skin, with the flowers still

396
00:24:59.240 --> 00:25:01.640
<v Speaker 2>in her hand. Hour already beginning the world.

397
00:25:04.039 --> 00:25:18.720
<v Speaker 6>Good bye, thank you, through the floor.

398
00:25:19.960 --> 00:25:32.000
<v Speaker 2>Can't you go? I? Uh you hiroshi? What's this all about?

399
00:25:32.240 --> 00:25:35.799
<v Speaker 8>Which is quite simple? Two nights ago the Japanese came

400
00:25:35.880 --> 00:25:39.000
<v Speaker 8>to the leper colony. They took more than half my

401
00:25:39.119 --> 00:25:42.440
<v Speaker 8>patients to okn hour, headed toward the American High Book.

402
00:25:42.519 --> 00:25:47.799
<v Speaker 8>Why to disrupt your advance? There was no chance of contagion?

403
00:25:47.920 --> 00:25:52.480
<v Speaker 8>But well, my patients do not all look as lovely

404
00:25:52.519 --> 00:25:58.839
<v Speaker 8>as turkey. I see Shrek like exactly, the weapon of terror.

405
00:25:59.599 --> 00:26:05.960
<v Speaker 1>Yeah, don't glory? Yeah, all right, I guess we're better

406
00:26:06.079 --> 00:26:12.559
<v Speaker 1>move out. You're ready pout? Yeah, it's a long road.

407
00:26:12.359 --> 00:26:17.079
<v Speaker 2>Back to o Canawa.

408
00:26:18.599 --> 00:26:19.200
<v Speaker 8>For me is that.

409
00:26:22.359 --> 00:26:23.960
<v Speaker 3>The road back is longer than that.

410
00:26:45.000 --> 00:26:48.559
<v Speaker 7>The correction of any Ellens, those brought to the islands

411
00:26:48.559 --> 00:26:51.920
<v Speaker 7>to buy Ellen Poplin. Sorry, don't you know that's the

412
00:26:52.880 --> 00:26:58.119
<v Speaker 7>William Conrad's lay. The cabs were Michael and Bellett, Jack

413
00:26:59.000 --> 00:27:04.119
<v Speaker 7>and Robert Ediponial supervisess by John Beson, and the special

414
00:27:04.200 --> 00:27:08.440
<v Speaker 7>music for Escape is composed and conducted by a beak stupid.

415
00:27:11.880 --> 00:27:12.559
<v Speaker 5>Next week.

416
00:27:16.039 --> 00:27:18.839
<v Speaker 7>You're standing in a dark room and the heart of

417
00:27:18.920 --> 00:27:23.000
<v Speaker 7>Russians dress to the uncle prisons your fine torture and

418
00:27:23.119 --> 00:27:28.680
<v Speaker 7>the likeness. But a closer sets from your applely smiling

419
00:27:28.960 --> 00:27:34.359
<v Speaker 7>us is a keep of Russian spy who intends to

420
00:27:34.480 --> 00:27:39.759
<v Speaker 7>drive you to antenati or to set so lit. The

421
00:27:39.839 --> 00:27:43.720
<v Speaker 7>next week when escape, when's your? John Dader is exciting story.

422
00:27:44.240 --> 00:28:00.440
<v Speaker 7>A man with a single bea
