1 00:00:28,719 --> 00:00:35,560 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:36,320 --> 00:00:39,399 This is your host, Adam Graham. In a moment, we're 3 00:00:39,399 --> 00:00:41,840 going to bring you this week's episode of The Saint. 4 00:00:42,320 --> 00:00:44,399 But first I do want to encourage you. If you're 5 00:00:44,520 --> 00:00:48,799 enjoying the podcast, please follow us using your favorite podcast software, 6 00:00:49,399 --> 00:00:52,880 and you can also support the podcast on a one 7 00:00:52,880 --> 00:00:57,039 time basis. Support dot Great Detectives dot net and become 8 00:00:57,200 --> 00:01:00,359 one of our ongoing Patreon supporters for his little last 9 00:01:00,359 --> 00:01:04,560 two dollars per month at Patreon dot great Attractives dot net. 10 00:01:05,200 --> 00:01:09,680 Now from August sixth, nineteen fifty, here is the Corpse 11 00:01:09,760 --> 00:01:11,120 said Ouch. 12 00:01:33,439 --> 00:01:37,079 Speaker 2: The Adventures of the Saint, starring Vincent Price. 13 00:01:47,439 --> 00:01:47,879 Speaker 3: The scene. 14 00:01:47,959 --> 00:01:51,239 Speaker 2: It's based on characters created by Leslie Charteris and non 15 00:01:51,280 --> 00:01:54,799 divisions from books, magazines, and motion pictures. The Robinhood of 16 00:01:54,879 --> 00:01:58,560 Modern Crime now comes transcribed to radio, starting Hollywood's brilliants 17 00:01:58,560 --> 00:02:00,200 and talented actor Vincent. 18 00:02:02,599 --> 00:02:03,400 Speaker 3: Let's sink. 19 00:02:04,879 --> 00:02:08,960 Speaker 4: I'm not home. It's the middle of the night and 20 00:02:09,039 --> 00:02:13,919 I'm asleep. I'm in Schenectady, sitting up with a sick ant. 21 00:02:19,400 --> 00:02:23,000 Speaker 5: Hello. Hello, are you Simon Templar. 22 00:02:23,159 --> 00:02:26,919 Speaker 4: We'll come in and we'll compare social Security guind Thank you. 23 00:02:28,159 --> 00:02:30,560 Speaker 6: I thought you were in Schenectady, never heard of the place. 24 00:02:30,639 --> 00:02:33,879 Sitting up with a sick ads you recovered suddenly, Simon, 25 00:02:34,240 --> 00:02:36,000 I need help desperately. 26 00:02:36,199 --> 00:02:37,719 Speaker 5: Why because I'm dead? 27 00:02:38,560 --> 00:02:42,560 Speaker 3: You're why dead? Oh? Well, of course some of my. 28 00:02:42,520 --> 00:02:45,280 Speaker 5: Best friends, Simon. My name is Francis Blake. 29 00:02:45,759 --> 00:02:49,039 Speaker 6: Here read this that little item down in the corner 30 00:02:49,240 --> 00:02:50,879 under obituaries. 31 00:02:51,400 --> 00:02:57,560 Speaker 4: Obituaries says here that the body of Francis Blake is 32 00:02:57,639 --> 00:03:01,479 at the rest will Chapel very ill at noon tomorrow. 33 00:03:01,599 --> 00:03:04,000 Speaker 5: You see the newspaper say that I'm dead. 34 00:03:04,400 --> 00:03:06,639 Speaker 3: Yeah, but I don't know whether to believe them or not. 35 00:03:07,199 --> 00:03:10,879 Speaker 4: You are Francis plat of course I am. 36 00:03:10,919 --> 00:03:14,680 Speaker 3: Give me a moment, all right, thank you? 37 00:03:14,719 --> 00:03:16,319 Speaker 5: Now, Simon, what are you tho? 38 00:03:17,120 --> 00:03:18,000 Speaker 3: I thank your pardon. 39 00:03:18,960 --> 00:03:19,840 Speaker 5: You pinched me? 40 00:03:20,159 --> 00:03:22,879 Speaker 3: Yeah, well I had to make sure I wasn't dreaming. 41 00:03:23,479 --> 00:03:26,560 Speaker 6: But you're supposed to pinch yourself if you think you're dreaming. 42 00:03:26,759 --> 00:03:29,800 Speaker 3: I know, but this way was more fun. Also, I 43 00:03:29,840 --> 00:03:32,840 never heard a corpse say ouch before. Therefore you're not dead. 44 00:03:33,199 --> 00:03:35,080 Speaker 5: I already knew that I didn't. 45 00:03:35,360 --> 00:03:37,360 Speaker 4: Now that that's settled, I think perhaps we ought to 46 00:03:37,400 --> 00:03:39,719 go visit visit who your corpse? 47 00:03:53,879 --> 00:03:54,319 Speaker 2: Taxy? 48 00:03:54,879 --> 00:03:59,719 Speaker 5: Taxy? 49 00:04:00,400 --> 00:04:02,080 Speaker 2: Hey, your night rain up right? 50 00:04:02,240 --> 00:04:05,360 Speaker 7: Never mind, Louis, Oh, mister Temple. Had I have known 51 00:04:05,400 --> 00:04:07,120 it was you, I wouldn't have bothered with the whims. 52 00:04:07,159 --> 00:04:11,120 Speaker 3: Had I known it was you, I just wouldn't have bothered. However, friends, 53 00:04:11,639 --> 00:04:11,960 thank you. 54 00:04:14,680 --> 00:04:17,839 Speaker 4: Louis should perhaps be explained he's a cab driver. I 55 00:04:17,920 --> 00:04:21,160 try to avoid I rarely succeed, which proves to me 56 00:04:21,240 --> 00:04:23,199 that my life isn't all that it should be. 57 00:04:23,399 --> 00:04:24,160 Speaker 5: Keep it clean? 58 00:04:24,759 --> 00:04:26,279 Speaker 2: And where at this hour of the night are you 59 00:04:26,399 --> 00:04:27,160 going the rest? 60 00:04:27,199 --> 00:04:27,879 Speaker 3: Will chapel? 61 00:04:27,959 --> 00:04:28,920 Speaker 5: Get another cat? 62 00:04:28,920 --> 00:04:29,240 Speaker 3: Louie? 63 00:04:29,480 --> 00:04:35,079 Speaker 8: Okay, okay, some sport takes a girl to see a 64 00:04:35,120 --> 00:04:36,120 funeral pollow in the. 65 00:04:36,120 --> 00:04:38,000 Speaker 3: Middle of the night. I'm ready taking her home. 66 00:04:38,519 --> 00:04:39,959 Speaker 5: She lives in a funeral pollom. 67 00:04:40,079 --> 00:04:42,959 Speaker 3: She's dead in a funeral parlor. Wo's dead, mis plague? 68 00:04:43,160 --> 00:04:46,639 Speaker 5: Ah me excuse me, But Louise. 69 00:04:46,480 --> 00:04:50,600 Speaker 4: Don't take your hand will I already did so? She 70 00:04:50,759 --> 00:04:52,879 said out personally. 71 00:04:52,879 --> 00:04:54,680 Speaker 8: I would have liked to find out for myself. But 72 00:04:54,759 --> 00:04:56,079 if you say so, I do. 73 00:04:56,199 --> 00:04:58,360 Speaker 7: I'll take your word for it. Only how are you 74 00:04:58,399 --> 00:05:01,199 gonna explain to the funeral palla riding around in cabs? 75 00:05:01,639 --> 00:05:02,000 Speaker 3: Simple? 76 00:05:02,120 --> 00:05:04,199 Speaker 4: I am apparently the kind of a man a girl 77 00:05:04,240 --> 00:05:06,079 wouldn't mind being seen dead. 78 00:05:05,879 --> 00:05:28,959 Speaker 8: With the rest while chapel at your surface. Louis, I know, wait, 79 00:05:29,360 --> 00:05:30,639 but I'm telling you one thing. 80 00:05:30,600 --> 00:05:33,399 Speaker 7: Considering the type of company you're keeping, I ain't waiting 81 00:05:33,439 --> 00:05:35,560 until nobody plays no hot links in a trumpet. 82 00:05:35,759 --> 00:05:38,279 Speaker 3: I don't think you'll have to come along, Francis. 83 00:05:42,759 --> 00:05:44,959 Speaker 6: I've been trying to pretend to myself that it's all 84 00:05:45,040 --> 00:05:46,079 some kind of a joke. 85 00:05:46,160 --> 00:05:49,439 Speaker 5: But that funeral parlor looks too real. 86 00:05:50,000 --> 00:05:53,720 Speaker 3: We'll find out soon enough. One nice thing about funeral pilors. 87 00:05:53,759 --> 00:05:55,079 They're always open. 88 00:05:55,279 --> 00:05:56,600 Speaker 5: That you call nice. 89 00:05:57,319 --> 00:06:02,560 Speaker 3: You have a point there. Listen to that doorbell chopin at. 90 00:06:02,519 --> 00:06:12,600 Speaker 7: Least, ah, I beg your pardon, I said, ah, ah. 91 00:06:11,639 --> 00:06:12,560 Speaker 3: Come in, Francis. 92 00:06:14,800 --> 00:06:17,879 Speaker 4: This is an hour that comes to all, except in 93 00:06:17,920 --> 00:06:20,759 states that don't have daylight saving. I. 94 00:06:20,560 --> 00:06:25,920 Speaker 9: Sir, was referring to your bereavement. Ah, whom are you mourning? 95 00:06:26,279 --> 00:06:29,480 We would like to look at, Francis Blake. The hour 96 00:06:29,600 --> 00:06:34,160 is late, but grief knows no clock. Good Heaven's an apogram. 97 00:06:34,399 --> 00:06:44,240 Speaker 10: Who we try, sir? If you'll follow me, thank you. Ah, 98 00:06:44,319 --> 00:06:46,879 Here we are, and there. 99 00:06:46,759 --> 00:06:50,839 Speaker 3: She is beautiful isn't she very. 100 00:06:52,439 --> 00:06:52,920 Speaker 5: Simon? 101 00:06:53,439 --> 00:06:55,920 Speaker 4: She does look like me a little bit, but hardly 102 00:06:56,040 --> 00:06:59,879 enough to explain. How did she get here, miss Blakeman? 103 00:07:00,680 --> 00:07:04,759 The police brought her? Oh, I see who identified her? 104 00:07:05,079 --> 00:07:07,839 Speaker 9: That was highly necessary. Her coat over there in the 105 00:07:07,839 --> 00:07:08,480 corner side. 106 00:07:08,519 --> 00:07:11,399 Speaker 10: Wait a minute, Frances, what about her coat? It had 107 00:07:11,399 --> 00:07:15,639 her name on the label. Now I shall withdraw. You 108 00:07:15,639 --> 00:07:17,639 will want to be alone with your grief. 109 00:07:17,360 --> 00:07:21,120 Speaker 4: All right, But make a sound withdrawing, please, so we'll 110 00:07:21,160 --> 00:07:23,079 know you're withdrawn, really. 111 00:07:22,839 --> 00:07:26,800 Speaker 9: Sir, it's no use jesting the dead never laugh. 112 00:07:30,439 --> 00:07:36,439 Speaker 5: Well he's withdrawn, Simon. That's my coat. It is mine, Simon. 113 00:07:35,839 --> 00:07:39,639 Speaker 3: But look, yes, two holes in the front of it. 114 00:07:39,720 --> 00:07:40,439 Bullet holes. 115 00:07:40,600 --> 00:07:41,399 Speaker 5: Bullet holes. 116 00:07:41,519 --> 00:07:45,439 Speaker 4: The girl here, whoever she is, was murdered. Come on, 117 00:07:45,519 --> 00:07:46,720 we better get out, all right. 118 00:07:46,839 --> 00:07:49,199 Speaker 6: But I'm taking my coat. I don't think it's mine, 119 00:07:49,240 --> 00:07:52,160 not hers. It belongs to me, even though she was 120 00:07:52,639 --> 00:08:07,920 murdered in it, Simon. 121 00:08:08,120 --> 00:08:10,199 Speaker 5: What was that girl doing with Michael. 122 00:08:10,199 --> 00:08:11,680 Speaker 3: Wearing it when she was shot? 123 00:08:11,680 --> 00:08:15,160 Speaker 4: Presumably there's another question, perhaps a more important one. 124 00:08:15,600 --> 00:08:17,240 Speaker 3: Why was she shot in the first place? 125 00:08:17,399 --> 00:08:18,800 Speaker 5: I suppose she had enemies? 126 00:08:19,000 --> 00:08:20,399 Speaker 3: Have you again? 127 00:08:20,639 --> 00:08:24,560 Speaker 4: Yeah, we're back again, Francis, Thank you, little lady lost 128 00:08:24,560 --> 00:08:25,399 the place. 129 00:08:25,720 --> 00:08:32,279 Speaker 5: Francis, where do you live the Thornton town? Simon? 130 00:08:32,759 --> 00:08:33,240 Speaker 3: Back there? 131 00:08:34,039 --> 00:08:35,960 Speaker 5: Why did you ask if I had any enemies? 132 00:08:36,039 --> 00:08:37,320 Speaker 3: The coat's a distinctive one. 133 00:08:37,519 --> 00:08:39,080 Speaker 5: It's a very colorful play. 134 00:08:39,399 --> 00:08:42,039 Speaker 4: Yes, the girl back at the funeral parlor was murdered 135 00:08:42,039 --> 00:08:45,279 while wearing it. The question comes to was her wearing 136 00:08:45,320 --> 00:08:47,879 the coat when she was killed merely a coincidence or 137 00:08:48,639 --> 00:08:52,080 was she killed because her murderer thought she was you? 138 00:09:06,399 --> 00:09:11,960 Speaker 7: London Pollas And here you are, Louis, And I know, 139 00:09:12,519 --> 00:09:14,879 don't wait on the kind of you're shitting up with 140 00:09:14,960 --> 00:09:19,279 a dead friend. Good Night, Louis, good night, good night folks. 141 00:09:22,519 --> 00:09:29,720 Speaker 6: Oh, Simon, it's so good to be back home. My 142 00:09:29,799 --> 00:09:34,679 apartment's down the corridor. Simon, I feel terrible. 143 00:09:34,759 --> 00:09:35,399 Speaker 3: No, you needn't. 144 00:09:35,720 --> 00:09:38,240 Speaker 6: But what you said in the cab, she was wearing 145 00:09:38,320 --> 00:09:41,200 my coat, a very distinctive one, and then she was 146 00:09:41,240 --> 00:09:42,000 shot to death. 147 00:09:42,360 --> 00:09:43,840 Speaker 5: That girl is dead because of me. 148 00:09:44,080 --> 00:09:45,279 Speaker 3: Oh, we don't really know that. 149 00:09:45,519 --> 00:09:47,879 Speaker 5: It must be so somebody thought she was me and 150 00:09:48,039 --> 00:09:48,840 killed him. 151 00:09:48,840 --> 00:09:55,679 Speaker 6: That's possible. Then that means that somebody wants to kill me. 152 00:09:56,960 --> 00:09:57,919 Speaker 3: This is your doing. 153 00:09:58,440 --> 00:10:01,519 Speaker 5: Oh, yes, of. 154 00:10:01,480 --> 00:10:04,240 Speaker 4: Course, it's also possible that someone didn't like the coat, 155 00:10:04,320 --> 00:10:07,159 And hey, did you leave your lights on when you left? 156 00:10:07,600 --> 00:10:09,320 Speaker 3: No, there's a light in the room ahead. 157 00:10:09,600 --> 00:10:11,320 Speaker 5: That's the living room you used to hear in the hall. 158 00:10:11,399 --> 00:10:12,679 Speaker 3: I'll go ahead and see who it is. 159 00:10:13,200 --> 00:10:15,120 Speaker 4: I just want to make sure they're neutral on the 160 00:10:15,120 --> 00:10:17,120 subject of plaid coats or you. 161 00:10:23,000 --> 00:10:28,840 Speaker 5: Hello, hello, ah, how she was beautiful? Your wife? 162 00:10:29,279 --> 00:10:29,360 Speaker 6: My? 163 00:10:29,519 --> 00:10:33,399 Speaker 5: What your wife? It's her picture on the desk there, No. 164 00:10:33,759 --> 00:10:35,960 Speaker 3: Manda does seem to be a picture of Francis. 165 00:10:36,120 --> 00:10:37,399 Speaker 5: And your name? 166 00:10:37,519 --> 00:10:39,159 Speaker 3: She is my name, Simon. 167 00:10:39,600 --> 00:10:43,600 Speaker 5: Ah. It is a name that fills herself with the soul. 168 00:10:43,919 --> 00:10:48,200 Speaker 11: No, No, I knew that tonight, of all nights, you 169 00:10:48,279 --> 00:10:49,120 would be lonely. 170 00:10:49,360 --> 00:10:50,480 Speaker 3: Believe me, I'm not lone. 171 00:10:50,840 --> 00:10:51,759 Speaker 5: I am here. 172 00:10:52,480 --> 00:10:56,120 Speaker 11: Or your wife, she must have been a wonderful woman. 173 00:10:57,159 --> 00:10:59,840 Your life with her was the magnificence. 174 00:11:00,639 --> 00:11:04,799 Speaker 4: No chamber music would probably be more accurate if you 175 00:11:04,919 --> 00:11:05,720 and now that. 176 00:11:05,799 --> 00:11:09,039 Speaker 5: She is the last gone, I am. 177 00:11:09,039 --> 00:11:12,480 Speaker 4: Here without even a pause for station identification. 178 00:11:13,679 --> 00:11:14,720 Speaker 3: Look, who are you? 179 00:11:15,159 --> 00:11:19,120 Speaker 5: I am? Olga, Simon? Who is she? 180 00:11:19,759 --> 00:11:20,399 Speaker 3: Alga? 181 00:11:20,600 --> 00:11:21,159 Speaker 5: Who is she? 182 00:11:21,679 --> 00:11:24,360 Speaker 3: Francis? And now that you too have met waiting. 183 00:11:24,080 --> 00:11:28,240 Speaker 11: A moment, huh aha, I look on the picture. I'll 184 00:11:28,279 --> 00:11:32,879 look on the flash, the flash of which I might adding, 185 00:11:32,960 --> 00:11:36,480 your wife is perhaps carrying a little too much here 186 00:11:36,840 --> 00:11:40,519 and there, especially there now just a man. 187 00:11:40,600 --> 00:11:42,559 Speaker 3: It wasn't point alga bad man is. 188 00:11:42,559 --> 00:11:45,399 Speaker 5: But I am seeing your wife. She is not dead. 189 00:11:45,600 --> 00:11:48,039 Speaker 4: She isn't. That is Francis isn't. If you like, you 190 00:11:48,039 --> 00:11:49,120 could try pinching her hair. 191 00:11:49,320 --> 00:11:55,039 Speaker 11: I never pinch except boys. Simon, you are disappointing me. 192 00:11:55,320 --> 00:11:55,840 Speaker 8: Goodbye. 193 00:11:58,639 --> 00:12:00,679 Speaker 3: That was quite a performance personally. 194 00:12:00,759 --> 00:12:02,440 Speaker 5: I didn't care for her cadenza. 195 00:12:02,720 --> 00:12:05,120 Speaker 4: Oh I don't know. It was a nice cadenza, and 196 00:12:05,200 --> 00:12:09,399 the two D was definitely fruity, that is if Francis. 197 00:12:09,440 --> 00:12:11,679 The whole thing was camouflaged for what. Take a look 198 00:12:11,720 --> 00:12:14,919 at the room. The room, Oh yes, it looks as 199 00:12:14,960 --> 00:12:16,960 if a junior hurricane had visited it. 200 00:12:17,080 --> 00:12:19,679 Speaker 5: You mean somebody of all go searched the room? 201 00:12:19,840 --> 00:12:25,240 Speaker 3: Uh huh? This one? And yeah, the bedroom as well. 202 00:12:25,399 --> 00:12:27,480 Speaker 5: But simon, what was she looking for? 203 00:12:27,720 --> 00:12:30,720 Speaker 4: I don't know, whatever it was, didn't find it. Our 204 00:12:30,879 --> 00:12:32,000 entrance stopped her search. 205 00:12:32,240 --> 00:12:34,600 Speaker 5: Well, i'd better start straightening things up a bit. 206 00:12:34,799 --> 00:12:35,720 Speaker 3: Good idea, I'll help you. 207 00:12:35,879 --> 00:12:37,679 Speaker 5: Well. Shouldn't you be going home? 208 00:12:37,720 --> 00:12:37,879 Speaker 3: Oh? 209 00:12:37,919 --> 00:12:40,519 Speaker 4: I don't think so. You may get some more visitors later. 210 00:12:40,559 --> 00:12:43,879 On and rougher ones than Alga. Why, maybe they'll tell 211 00:12:43,919 --> 00:12:45,320 us if we asked them prettily. 212 00:12:45,519 --> 00:12:49,440 Speaker 3: In the meanwhile, Yes, Simon, we can practice the overture 213 00:12:49,480 --> 00:12:51,240 to that symphony Alga mentioned. 214 00:13:06,080 --> 00:13:08,720 Speaker 5: Simon. Yes, it's getting awfully late. 215 00:13:09,080 --> 00:13:09,600 Speaker 3: Yes, I know. 216 00:13:10,159 --> 00:13:12,759 Speaker 5: We really can't sit up all night waiting for someone 217 00:13:12,799 --> 00:13:15,559 to come. We don't even know for sure that someone will. 218 00:13:15,879 --> 00:13:18,639 Speaker 3: I'll go got into this apartment, and someone else did. 219 00:13:18,559 --> 00:13:20,399 Speaker 5: Before her, someone else. 220 00:13:20,440 --> 00:13:22,639 Speaker 3: Of course, your coat was stolen, wasn't it. 221 00:13:23,000 --> 00:13:26,240 Speaker 5: Well, I suppose, but not from the apartment side. 222 00:13:26,279 --> 00:13:28,360 Speaker 3: Not from where was it stolen from? 223 00:13:28,519 --> 00:13:31,000 Speaker 6: I can't be sure, of course, But I gave that 224 00:13:31,080 --> 00:13:33,120 coat to the cleaning shop down the block about a 225 00:13:33,159 --> 00:13:33,600 week ago. 226 00:13:33,679 --> 00:13:35,840 Speaker 3: Cleaning shop, what's the name of it? 227 00:13:35,919 --> 00:13:37,480 Speaker 5: The car to cleaners? Why? 228 00:13:37,720 --> 00:13:40,519 Speaker 4: Because evidently it started out from there to wind up 229 00:13:40,519 --> 00:13:44,639 on a murdered girl's body. Therefore, come on, we're gonna, yes, 230 00:13:44,759 --> 00:13:47,080 believe it or not, I'm taking you to the cleaners. 231 00:14:01,159 --> 00:14:04,559 Hey what, oh, Louie, I thought I told you not 232 00:14:04,679 --> 00:14:05,159 to wait. 233 00:14:05,360 --> 00:14:07,799 Speaker 7: This is a free country, a blocking limit in this 234 00:14:07,879 --> 00:14:09,759 ship crape maybe no, but I waited. 235 00:14:10,279 --> 00:14:13,039 Speaker 3: But we're only going down the block a little bit. 236 00:14:13,519 --> 00:14:16,759 You can't afford a quarter. I like to walk. What 237 00:14:16,840 --> 00:14:18,639 do you get from walking? Exercise? 238 00:14:19,120 --> 00:14:22,799 Speaker 7: And from exercise an enlarged heart. From an enlarged heart, 239 00:14:22,879 --> 00:14:24,720 you know how many people each year dropped it? 240 00:14:25,000 --> 00:14:27,919 Speaker 3: Add them up? We're walking. Come on, Francis. 241 00:14:30,320 --> 00:14:30,720 Speaker 5: Simon. 242 00:14:30,759 --> 00:14:34,559 Speaker 4: You're worried moderately about all those people with enlarged hearts. 243 00:14:35,320 --> 00:14:36,279 Speaker 3: And this is the place. 244 00:14:36,600 --> 00:14:41,879 Speaker 4: Yes, yes, front door, shepherd, there's a light, insigne. Let's try. 245 00:14:43,159 --> 00:14:44,039 It's locked. 246 00:14:44,480 --> 00:14:50,639 Speaker 3: However, I think someone's coming recognizing him? 247 00:14:50,879 --> 00:14:53,200 Speaker 5: Yes, yes, that's mister Maxim, the manager. 248 00:14:54,080 --> 00:14:55,799 Speaker 3: Oh what do you want? Do you mind if we 249 00:14:55,840 --> 00:14:57,120 come in? Look? 250 00:14:57,159 --> 00:14:59,519 Speaker 7: It may have escaped your attention, but it happens to 251 00:14:59,559 --> 00:15:01,000 be after two o'clock in the morning. 252 00:15:01,840 --> 00:15:03,600 Speaker 3: Why do you want to command to the rain? It's 253 00:15:03,639 --> 00:15:05,240 not rainy, but suppose it starts. 254 00:15:05,320 --> 00:15:07,240 Speaker 7: I happen to be a very tired ma'am. 255 00:15:07,240 --> 00:15:09,840 Speaker 3: You should go home early. I shouldn't be bothered by drunks. 256 00:15:09,879 --> 00:15:12,919 Speaker 4: I'm not drunk. We've stopped by from miss Blake's coat 257 00:15:13,559 --> 00:15:14,080 the plaid. 258 00:15:15,399 --> 00:15:18,120 Speaker 7: As I may have mentioned before, we are not open 259 00:15:18,159 --> 00:15:18,759 for business. 260 00:15:18,879 --> 00:15:19,919 Speaker 3: And then what are you doing here? 261 00:15:19,960 --> 00:15:22,879 Speaker 7: I am crazy about carbon tech mcloride fumes. 262 00:15:22,919 --> 00:15:26,759 Speaker 3: I'd still like the coat. Oh, then please do stop by. 263 00:15:27,320 --> 00:15:31,559 Speaker 4: In the morning, Simon, Why did you I wanted to 264 00:15:31,559 --> 00:15:33,919 find out if the cleaning store knew the plaid coat 265 00:15:34,080 --> 00:15:34,480 was gone. 266 00:15:34,519 --> 00:15:36,200 Speaker 5: But we didn't find out, did we. 267 00:15:36,320 --> 00:15:41,080 Speaker 3: No, Nevertheless, we've worried mister Maxim. Thank Heaven. Louise handy, Hey, 268 00:15:41,159 --> 00:15:49,600 Louis Louie, you give up? Uh into the cab? 269 00:15:49,840 --> 00:15:56,120 Speaker 7: N right, Well, name your destination, mister templar A very 270 00:15:56,240 --> 00:15:59,279 long trip drive to the back of the cleaning store. 271 00:15:59,480 --> 00:16:01,600 Speaker 4: You'll probably probably have to go around the block. That 272 00:16:01,879 --> 00:16:03,120 alley must lead there. 273 00:16:03,360 --> 00:16:07,440 Speaker 6: Okay, but Simon, why are we going to the back 274 00:16:07,480 --> 00:16:09,240 of the store because we're going in? 275 00:16:09,559 --> 00:16:12,679 Speaker 4: No, because I suspect mister Maxon is going out. 276 00:16:24,080 --> 00:16:26,960 Speaker 3: All this year. Is maybe none of my business? It isn't. 277 00:16:27,120 --> 00:16:29,000 Speaker 7: Oh you know, remark like that could easy hide a 278 00:16:29,039 --> 00:16:31,159 fella's feeling. I'm sorry, No, it didn't hit mine. 279 00:16:31,200 --> 00:16:31,720 Speaker 3: I'm sorry. 280 00:16:31,879 --> 00:16:34,879 Speaker 2: Still, but you're not spending this PM in the way 281 00:16:34,879 --> 00:16:35,799 a PM. 282 00:16:35,480 --> 00:16:39,120 Speaker 4: Should be spent. Nonsense. So far, it's all been good cleaning. 283 00:16:38,879 --> 00:16:41,080 Speaker 3: Fun, That's what I mean, Simon. 284 00:16:41,159 --> 00:16:43,039 Speaker 5: Mister Maxon hasn't come out of the store yet. 285 00:16:43,159 --> 00:16:45,399 Speaker 3: No, he may be coy, However. 286 00:16:45,559 --> 00:16:48,919 Speaker 6: Why should he have anything to do with anything he shouldn't. 287 00:16:48,919 --> 00:16:51,120 Speaker 3: But it's very possible that Simon. 288 00:16:51,320 --> 00:16:55,200 Speaker 4: Yeah, yeah, mister Maxon is shutting up shop, coming down 289 00:16:55,240 --> 00:16:57,200 the back alley, which confirms something or else. 290 00:16:57,320 --> 00:16:59,399 Speaker 5: You mean, if he weren't hiding something, he wouldn't use 291 00:16:59,399 --> 00:16:59,919 the back way. 292 00:17:00,080 --> 00:17:02,720 Speaker 4: Perhaps we're far enough away from the alley for him 293 00:17:02,720 --> 00:17:05,319 not to notice, like he's turning the corner. 294 00:17:05,720 --> 00:17:07,519 Speaker 3: Louis, I am alert, not for nothing? 295 00:17:07,599 --> 00:17:11,920 Speaker 7: Was I a boy scout, although actually when I was 296 00:17:11,920 --> 00:17:13,000 a boy scout. 297 00:17:12,680 --> 00:17:15,119 Speaker 3: For was a certain girl scout. Hold it a minute. 298 00:17:15,359 --> 00:17:17,279 He's getting into that he's a villain. 299 00:17:17,400 --> 00:17:18,240 Speaker 5: That's a convitable. 300 00:17:18,240 --> 00:17:20,599 Speaker 7: Everybody knows only villain's right around in convitibles. 301 00:17:20,640 --> 00:17:41,039 Speaker 3: He started, Louis, there we go, Look Maxim stopping? 302 00:17:41,160 --> 00:17:47,559 Speaker 5: Yeah, I better stop right here. Ah ha, Simon, he's 303 00:17:47,559 --> 00:17:48,599 going into that nightclub. 304 00:17:48,680 --> 00:17:51,640 Speaker 4: Interesting place for a store manager to finish his evening's work. 305 00:17:52,079 --> 00:17:55,720 Speaker 3: Let's go, Francis. Leave me know how the flaw show is. 306 00:17:55,920 --> 00:18:00,559 I'll be sure to Barker's bandbox. I've heard of the Yeah, 307 00:18:00,559 --> 00:18:03,319 and I've heard of Barker. Nothing complimentary either. 308 00:18:03,720 --> 00:18:09,599 Speaker 4: Well, here it is and in we go, dark, crowded 309 00:18:09,640 --> 00:18:10,599 and needs ventilation. 310 00:18:11,279 --> 00:18:16,200 Speaker 3: The floor show emphasis on show over there. Yeah, ducking 311 00:18:16,240 --> 00:18:18,799 out of a door near the piano. Let's follow any 312 00:18:18,880 --> 00:18:19,759 shifty footsteps. 313 00:18:20,640 --> 00:18:21,759 Speaker 5: I hope nobody noticed it. 314 00:18:22,240 --> 00:18:25,440 Speaker 3: What's going on or rather coming off? I don't think so. 315 00:18:28,960 --> 00:18:34,039 Speaker 5: Oh it's so dark in this hallway. Yeah, I can't 316 00:18:34,079 --> 00:18:34,559 hear what it is. 317 00:18:34,920 --> 00:18:38,359 Speaker 3: We can get a little Wait a minute, bark I'll 318 00:18:38,359 --> 00:18:40,440 get me wait long enough, wear a stone. I told 319 00:18:40,480 --> 00:18:43,200 you the girl. Just know what you told me. Don't 320 00:18:43,200 --> 00:18:44,960 give me the stones. And I suppose you tell me 321 00:18:44,960 --> 00:18:47,440 where the stones are. I don't know where they are. 322 00:18:47,640 --> 00:18:48,079 Speaker 5: Stones. 323 00:18:48,160 --> 00:18:50,680 Speaker 4: Yeah, Barker's got quite a reputation as a crook of 324 00:18:50,759 --> 00:18:54,880 various kinds. Stones are jewelry and unquestionably stolen jewelry. 325 00:18:54,920 --> 00:18:58,759 Speaker 3: I having fun fellas well. I hope I didn't frighten 326 00:18:58,759 --> 00:19:01,400 you lady coming up. I used to know the people 327 00:19:01,480 --> 00:19:05,680 like this that was here asthma. Yeah, this here's a rot. 328 00:19:06,559 --> 00:19:09,440 Speaker 5: How cute could I see it? 329 00:19:10,440 --> 00:19:16,160 Speaker 3: Yeah? I've got how gratifying it? I mean, he fell down. 330 00:19:16,680 --> 00:19:19,759 Come on, all that could happen to us in here, 331 00:19:20,880 --> 00:19:21,400 it would be. 332 00:19:21,400 --> 00:19:37,359 Speaker 4: Fatal, I find I know it's always a little nervous 333 00:19:37,359 --> 00:19:41,960 making well here we are not yet I'm going in 334 00:19:42,039 --> 00:19:44,279 with you no for safety. 335 00:19:47,720 --> 00:19:49,799 Speaker 5: You you think maybe. 336 00:19:49,680 --> 00:19:51,160 Speaker 3: Just not taking any chances. 337 00:19:52,880 --> 00:19:58,480 Speaker 4: He is all right, living room, Francis, what don't look 338 00:19:58,480 --> 00:19:59,240 across the room. 339 00:20:00,000 --> 00:20:02,240 Speaker 3: Ilga's back, but this time she's staying. 340 00:20:02,519 --> 00:20:03,079 Speaker 5: What do you mean? 341 00:20:04,359 --> 00:20:07,000 Speaker 3: I hope she wouldn't see her. She isn't beautiful anymore. 342 00:20:09,200 --> 00:20:11,279 Speaker 5: No, just dead. 343 00:20:12,160 --> 00:20:13,200 Speaker 3: I better phone the police. 344 00:20:13,319 --> 00:20:17,400 Speaker 6: Wait, Simon, you know this thing started with Francis Blake 345 00:20:17,480 --> 00:20:19,240 being dead, but it wasn't Francis Blake. 346 00:20:19,279 --> 00:20:21,839 Speaker 5: It was another thing, and then someone else got killed Olga. 347 00:20:22,039 --> 00:20:23,279 Speaker 3: Still not Francis Blake. 348 00:20:23,359 --> 00:20:27,599 Speaker 6: But Simon, the next time, do you do you think 349 00:20:28,000 --> 00:20:30,000 maybe it. 350 00:20:29,240 --> 00:20:29,720 Speaker 5: Will be. 351 00:20:42,960 --> 00:20:44,440 Speaker 3: Come on, let's get out of here. 352 00:20:45,680 --> 00:20:49,759 Speaker 4: Good night, lieutenant, thanks for dropping over and exit Olga 353 00:20:49,839 --> 00:20:51,799 except police Francis. 354 00:20:51,960 --> 00:20:52,720 Speaker 5: Yes, Simon, you. 355 00:20:52,759 --> 00:20:55,519 Speaker 3: Better go to bed. I'll stay on. It's almost morning anyway. 356 00:20:55,599 --> 00:20:58,720 Speaker 6: Oh I couldn't sleep. Would you like me to fix 357 00:20:58,759 --> 00:21:00,000 her some breakfast? 358 00:21:00,160 --> 00:21:01,359 Speaker 3: That's not a bad idea if you. 359 00:21:01,319 --> 00:21:03,920 Speaker 5: Feel up to I don't know how I feel. You 360 00:21:03,960 --> 00:21:05,880 stay right where you are. Don't take me more than 361 00:21:05,920 --> 00:21:06,519 a few minutes. 362 00:21:06,599 --> 00:21:14,759 Speaker 10: All right, Okay, that's all that sounds. You're gonna make 363 00:21:14,799 --> 00:21:17,720 sister the guns loaded. If you've got ideas about yelling 364 00:21:17,799 --> 00:21:20,759 for help. Remember this, bullets get to you quicker and help. 365 00:21:21,680 --> 00:21:23,559 Let's get out of here by the service door like 366 00:21:23,640 --> 00:21:27,519 I come in. Simon, boyfriend, you'll write them a letter 367 00:21:27,559 --> 00:21:31,400 from where you're going if you're lucky, sister, and I 368 00:21:31,480 --> 00:21:32,279 hope you're lucky. 369 00:21:33,079 --> 00:21:45,240 Speaker 3: You're too pretty to enjoy dying so quick, Francis, what 370 00:21:45,319 --> 00:21:48,440 are you cooking? Steak, Francis. 371 00:21:49,839 --> 00:21:55,720 Speaker 4: I don't intend to oversee you're cooking, Francis Francis. 372 00:22:08,240 --> 00:22:10,319 Speaker 10: Oh here she is, mister Barker. 373 00:22:10,440 --> 00:22:12,039 Speaker 3: Yeah, nice work, Jake. 374 00:22:12,920 --> 00:22:14,359 Speaker 5: I want to know what this is all about. 375 00:22:14,480 --> 00:22:17,400 Speaker 3: Yeah, I bet you doing you and me both? Baby? 376 00:22:18,160 --> 00:22:19,319 What do you do with the stones? 377 00:22:20,720 --> 00:22:21,119 Speaker 5: Stone? 378 00:22:21,200 --> 00:22:21,440 Speaker 3: Yeah? 379 00:22:21,519 --> 00:22:24,799 Speaker 4: Yeah, the chorus Girl's delight, the old man's charmed the stones? 380 00:22:24,880 --> 00:22:28,000 Speaker 5: Oh you mean jews. I don't have any, maybe. 381 00:22:27,720 --> 00:22:29,920 Speaker 3: Not on you, but you're gonna tell us where they are? 382 00:22:29,920 --> 00:22:32,279 Speaker 5: I want you, baby, suppose I don't know. 383 00:22:33,319 --> 00:22:34,559 Speaker 3: I wouldn't care to believe that. 384 00:22:35,039 --> 00:22:39,200 Speaker 6: Well, you'd better start because I don't know, all. 385 00:22:39,119 --> 00:22:44,960 Speaker 3: Right, I'll start not believing you, Jake. Yeah, I don't 386 00:22:45,000 --> 00:22:47,839 believe her. I don't think she's behaving. 387 00:22:47,480 --> 00:22:56,160 Speaker 4: Right, you don't, uh, I don't okay, mister Barker, what what. 388 00:22:56,079 --> 00:22:56,759 Speaker 5: Are you gonna do. 389 00:22:56,920 --> 00:22:59,519 Speaker 10: I'm gonna slap you around a bit. It's gonna hurt 390 00:22:59,519 --> 00:23:00,960 you more. Hurg me too. 391 00:23:01,119 --> 00:23:03,240 Speaker 5: Oh no, you can't want. 392 00:23:03,039 --> 00:23:05,680 Speaker 3: To bet all that all in a minute, Jake, I 393 00:23:05,839 --> 00:23:12,480 get it. Yeah, fucker, who are you, Simon Templer? You've 394 00:23:12,480 --> 00:23:15,279 got Friencis Blake. They haven't you. It's your phone call. 395 00:23:15,400 --> 00:23:16,440 You must have listen. 396 00:23:16,519 --> 00:23:18,680 Speaker 4: If you don't hurt her in any way, I'll get 397 00:23:18,680 --> 00:23:19,799 you the stones you're looking for. 398 00:23:20,400 --> 00:23:23,680 Speaker 3: She doesn't know where they are. Matter of fact, where 399 00:23:23,759 --> 00:23:26,720 are the stones? The carter cleaner shop? Look, don't have 400 00:23:26,920 --> 00:23:28,920 me that. We already been through the joints. You didn't 401 00:23:28,920 --> 00:23:32,559 know where to look. That could be a deal. 402 00:23:33,559 --> 00:23:37,119 Speaker 4: Okay, your girlfriend will be under a gun all the time. 403 00:23:37,200 --> 00:23:44,079 First funny movement, she gets it. No funny moves, okay, Jake. 404 00:23:44,000 --> 00:23:46,839 Speaker 12: We're going visiting. Maybe we'll trade in a bay for 405 00:23:46,920 --> 00:23:49,519 the stones if the stones are handed over. 406 00:23:49,559 --> 00:23:51,200 Speaker 3: If they ain't, we'll just trade her in. 407 00:24:02,440 --> 00:24:06,240 Speaker 4: Good morning, And oh you were here last night, And 408 00:24:06,279 --> 00:24:07,240 that's right, mister Maxon. 409 00:24:07,279 --> 00:24:10,039 Speaker 3: I was looking for a plaid coat. Plaid. Yes, maybe 410 00:24:10,079 --> 00:24:12,000 it would be here on this rack. Oh it wouldn't 411 00:24:12,039 --> 00:24:14,880 be there. You'll see this rack is for dressing and 412 00:24:15,039 --> 00:24:20,160 this is for last night. Sorry to have upset you, 413 00:24:20,319 --> 00:24:22,000 mister Maxon, but company is. 414 00:24:21,920 --> 00:24:35,000 Speaker 4: Coming and I've got to set the table for them. 415 00:24:35,160 --> 00:24:37,960 Speaker 3: Joe looks clean. No blue uniforms around park at Jake. 416 00:24:38,160 --> 00:24:45,119 Speaker 4: Okay, here we go, baby, I can walk. 417 00:24:45,720 --> 00:24:47,920 Speaker 3: Yeah, I know, I know, but I enjoy your company. 418 00:24:54,279 --> 00:24:54,720 Speaker 5: Simon. 419 00:24:54,839 --> 00:24:59,559 Speaker 3: Hello, Francis you Tempa. That's right, stay next to me, sister, better, 420 00:24:59,680 --> 00:25:04,480 just the door. We won't be interrupted, all right? Where 421 00:25:04,519 --> 00:25:06,599 the stones they're in the place here they must be. 422 00:25:07,079 --> 00:25:08,720 I don't like the sound of that. It could be 423 00:25:08,720 --> 00:25:10,559 a stall. What's that? 424 00:25:10,759 --> 00:25:12,759 Speaker 4: And mister max and he fell down while he was 425 00:25:12,799 --> 00:25:14,240 pressing some suits or something. 426 00:25:14,440 --> 00:25:15,880 Speaker 3: Yeah, get up, Mexican. 427 00:25:16,039 --> 00:25:19,720 Speaker 7: Well yeah, oh oh oh, hello mister Barker. 428 00:25:19,839 --> 00:25:22,799 Speaker 3: Oh res oh. You don't have to talk that way, 429 00:25:22,839 --> 00:25:24,119 mister Barker. I can't help it. 430 00:25:24,119 --> 00:25:26,240 Speaker 7: If the stones were stolen from me, if the woman 431 00:25:26,279 --> 00:25:27,079 double crossed me. 432 00:25:27,559 --> 00:25:29,640 Speaker 3: This babe here, yeah. 433 00:25:29,079 --> 00:25:31,680 Speaker 7: Why don't you work her over, mister Barker and her boyfriend. 434 00:25:31,839 --> 00:25:33,799 After all, they're the ones who killed Og, aren't they. 435 00:25:33,839 --> 00:25:35,400 It was a narrow part of mine out. 436 00:25:35,559 --> 00:25:37,200 Speaker 12: I like the kid. I sent her out the job. 437 00:25:37,319 --> 00:25:40,000 She got us business. You gotta cut your losses when 438 00:25:40,039 --> 00:25:43,519 you have to. I still want the stones, are. 439 00:25:43,400 --> 00:25:46,079 Speaker 4: You they are here, they have to be and find them. 440 00:25:46,119 --> 00:25:49,000 I've looked, but they're hidden cleverly. You sound like a 441 00:25:49,039 --> 00:25:49,960 guy up a tree. 442 00:25:50,079 --> 00:25:52,160 Speaker 12: Mister in In just a couple of seconds, I'm gonna 443 00:25:52,200 --> 00:25:53,079 cut that tree down. 444 00:25:53,240 --> 00:25:56,880 Speaker 4: Tree you wake in a tree. Suppose you wanted to 445 00:25:56,960 --> 00:25:59,319 hide a tree so you couldn't find it. Where were 446 00:25:59,359 --> 00:26:02,079 you guide it? Ain't interested in hiding trees, you'd hide it 447 00:26:02,119 --> 00:26:05,440 in the forest, of course. Therefore, going through the place 448 00:26:05,480 --> 00:26:09,119 I noticed Francis, go through that dress rack, dress rack, 449 00:26:09,319 --> 00:26:16,839 find a dress, any dress that doesn't seem to belong well, I. 450 00:26:15,200 --> 00:26:15,880 Speaker 3: I don't get it. 451 00:26:15,920 --> 00:26:18,519 Speaker 10: Bosh, who wants to hide a tree? 452 00:26:20,880 --> 00:26:22,960 Speaker 6: I'm not sure what you mean. But this shop is 453 00:26:22,960 --> 00:26:25,920 in a pretty expensive neighborhood. All the dresses here are 454 00:26:26,000 --> 00:26:29,200 very good ones, except this one. It's quite cheap, covered 455 00:26:29,240 --> 00:26:30,359 with cheap rhinestone. 456 00:26:30,440 --> 00:26:34,160 Speaker 3: Let me have it. Yes, of course it doesn't belong here. 457 00:26:34,200 --> 00:26:36,480 Speaker 4: Why is it here? Because it's a forest. Looks like 458 00:26:36,519 --> 00:26:38,599 a rag to me, not like a forest. I suppose 459 00:26:38,640 --> 00:26:40,599 you take another look at some of the rhinestones on 460 00:26:40,759 --> 00:26:45,200 Let me have it. Hey, most of the things sewing 461 00:26:45,240 --> 00:26:47,599 on that dress are cheap rhinestones, but among. 462 00:26:47,359 --> 00:26:52,000 Speaker 3: Them are the genuine stones, the ones we've been looking for. Well, 463 00:26:52,400 --> 00:26:56,519 nice work, Max, I didn't know anything about it. 464 00:26:57,000 --> 00:26:59,319 Speaker 7: Somebody else must have done the frame here. No, I'm 465 00:26:59,359 --> 00:27:02,039 all kids, minute, wait away, what. 466 00:27:02,799 --> 00:27:09,480 Speaker 3: I'm gonna tell you something? Max? No, b you sure 467 00:27:09,559 --> 00:27:13,119 Tony never did like a double cross? Hey, ware you going? 468 00:27:13,400 --> 00:27:18,039 It occurred to me you mightn't like witnesses either. Francis 469 00:27:18,119 --> 00:27:21,440 came behind me. I wait, touching the sleeves. Build up 470 00:27:21,519 --> 00:27:22,920 quite a lot of steam presser. 471 00:27:23,559 --> 00:27:25,759 Speaker 4: I kicked the outlet pipe off and it banged at you, 472 00:27:26,240 --> 00:27:27,279 and it's tramp barker and. 473 00:27:27,279 --> 00:27:32,400 Speaker 3: Let you want to get my boy. 474 00:27:28,839 --> 00:27:39,680 Speaker 4: You're leaving it. Oh, thank god, yes, Francis, but not 475 00:27:39,759 --> 00:27:40,240 for long. 476 00:27:41,440 --> 00:27:43,640 Speaker 3: The police won't have much trouble picking them up. 477 00:27:43,839 --> 00:27:47,160 Speaker 4: With them all forgive me, but I can't resistance with 478 00:27:47,359 --> 00:28:02,079 them all steamed up, Simon. 479 00:28:02,160 --> 00:28:07,039 Speaker 6: I'm terribly grateful, but I can't resist Francis asking you 480 00:28:07,119 --> 00:28:08,160 what it was all about? 481 00:28:08,440 --> 00:28:13,799 Speaker 4: Oh, oh, an intellectual when you see Fancis, Maxon and 482 00:28:13,839 --> 00:28:17,559 Baker were partners in the jewelry business, illegitimate. They worked 483 00:28:17,559 --> 00:28:21,000 out a nice idea they'd used very distinctive clothes left 484 00:28:21,000 --> 00:28:24,359 with the cleaning shop as disguises for themselves and their confederates. 485 00:28:24,480 --> 00:28:28,359 Speaker 6: Oh and disguises which couldn't be traced because they'd lead 486 00:28:28,400 --> 00:28:31,400 back only to perfectly innocent people who had albis and 487 00:28:31,440 --> 00:28:32,440 everything right. 488 00:28:32,720 --> 00:28:34,799 Speaker 4: And the last job they did involved a girl who 489 00:28:34,799 --> 00:28:38,240 wore your plaid coat while stealing the jewels. Maxon, however, 490 00:28:38,279 --> 00:28:40,720 decided he wanted all the jewels for himself, so he 491 00:28:40,839 --> 00:28:42,799 killed the girl and hid the stones and all. 492 00:28:43,440 --> 00:28:45,759 Speaker 3: He had to kill Alga because. 493 00:28:45,480 --> 00:28:48,799 Speaker 4: She suspected something wrong and came to this apartment because 494 00:28:48,799 --> 00:28:51,160 that's where the plaid coat came from. 495 00:28:51,200 --> 00:28:53,240 Speaker 5: Well, but how did you know that Maxon. 496 00:28:52,960 --> 00:28:55,440 Speaker 4: Had killed her back in the shop? He said Aga 497 00:28:55,480 --> 00:28:58,519 had been killed in this apartment. How did he know that? 498 00:28:59,240 --> 00:29:04,759 Speaker 6: Because he killer? Oh, Simon, what would I have done 499 00:29:04,799 --> 00:29:05,519 without you? 500 00:29:07,240 --> 00:29:09,240 Speaker 3: The question is what are you gonna do with me? 501 00:29:23,160 --> 00:29:26,119 Speaker 2: You have been listening to another transcribed venture of a saint, 502 00:29:26,200 --> 00:29:28,599 the robin Hood of modern crime. Now here is our 503 00:29:28,640 --> 00:29:31,680 star of incient price ladies and gentlemen. Our cast tonight. 504 00:29:31,519 --> 00:29:34,000 Speaker 3: Included Shirley Mitchell, v Olivaugh. 505 00:29:34,000 --> 00:29:38,279 Speaker 4: Larry Dobkin, Lou Merrill, Tony Barrett, and Jack Moyles. This 506 00:29:38,440 --> 00:29:40,839 is Vincent Price, inviting you to join us again next 507 00:29:40,839 --> 00:29:44,079 week at the same time for another exciting adventure of 508 00:29:44,160 --> 00:29:44,640 the Saint. 509 00:29:44,920 --> 00:29:45,359 Speaker 3: Good Night. 510 00:30:10,119 --> 00:30:12,480 Speaker 2: The night's script of The Saint was written by Lewis Bidhi's. 511 00:30:12,519 --> 00:30:15,400 The music was composed and conducted by Von Dexter. The Saint, 512 00:30:15,440 --> 00:30:18,680 based on characters created by Leslie Charteris, is a James L. 513 00:30:18,680 --> 00:30:21,640 Sathier production and is directed by Helen mac mist And 514 00:30:21,720 --> 00:30:24,039 Price is soon to be seen co starring in Rkao's 515 00:30:24,079 --> 00:30:26,799 production of His Kind of Woman. I'll use Saint fans, 516 00:30:26,839 --> 00:30:28,720 I'll be glad to know that the Saint comic books 517 00:30:28,720 --> 00:30:29,599 are on sale at all. 518 00:30:29,559 --> 00:30:30,240 Speaker 3: Use stands here. 519 00:30:30,240 --> 00:30:34,400 Speaker 2: Announcer is Don Stanley Programs, Get your programs here Tomorrow Night. 520 00:30:34,440 --> 00:30:35,519 Speaker 3: Tune here for Nightbeat. 521 00:30:35,640 --> 00:30:39,160 Speaker 2: Here the unusual Tales uncovered by reporter Randy Stone as 522 00:30:39,160 --> 00:30:41,960 he searches Chicago after dark for human interest stories. 523 00:30:42,119 --> 00:30:42,720 Speaker 3: Tomorrow night. 524 00:30:42,720 --> 00:30:44,920 Speaker 2: At every Monday, I'd hear night Beat, and then stay 525 00:30:44,920 --> 00:30:48,799 tuned for the first piano quartet. Next, Sam Spade cuts 526 00:30:48,799 --> 00:30:52,480 a caper, Then Rose Bampton sings on NVC. 527 00:30:57,400 --> 00:31:04,440 Speaker 1: Welcome Back. The idea of being a closed rental shop 528 00:31:04,799 --> 00:31:10,519 for criminals is a clever idea that only falls apart 529 00:31:10,839 --> 00:31:15,160 when it encounters reality, as we saw in this episode, 530 00:31:15,200 --> 00:31:21,319 because this is a pretty predictable outcome, because any detective 531 00:31:21,759 --> 00:31:26,359 who traces close back to the legitimate owner finds out 532 00:31:26,440 --> 00:31:31,000 they have an alibi and then finds out that the 533 00:31:31,119 --> 00:31:33,960 garment in question had been sent to the dry cleaner 534 00:31:34,599 --> 00:31:40,480 is going to pretty much do exactly what the Saint did. 535 00:31:41,200 --> 00:31:45,119 So not the smartest criminal plan ever, but still a 536 00:31:45,960 --> 00:31:51,359 enjoyable episode with a great hook. Listener comments and feedback. 537 00:31:51,440 --> 00:31:56,000 Now and we go to YouTube with a comment from 538 00:31:56,359 --> 00:32:00,160 Victor regarding the episode The Death of the Sun eight. 539 00:32:00,519 --> 00:32:03,599 I know it's necessary for the plot, but I don't 540 00:32:03,680 --> 00:32:07,640 understand the reason Claire and Maxim are enemies all of 541 00:32:07,680 --> 00:32:12,599 a sudden. Well that's a good observation, Victor. When you 542 00:32:12,680 --> 00:32:18,839 listen to the episode, what comes out from Claire is 543 00:32:18,839 --> 00:32:26,160 that this is a secret Nazi hunting organization and most 544 00:32:26,200 --> 00:32:28,960 of the members of it did not know each other, 545 00:32:29,799 --> 00:32:34,720 which means that while Claire was aware of Maxim, she 546 00:32:34,839 --> 00:32:38,200 didn't recognize him on site and in fact thought he 547 00:32:38,480 --> 00:32:42,319 was an enemy agent. Again in case more of being 548 00:32:42,680 --> 00:32:46,160 a little too secret. Well, now it's time to thank 549 00:32:46,319 --> 00:32:50,519 our Patreon supporter of the day. Thank you to Adrian, 550 00:32:50,759 --> 00:32:55,599 Patreon supporter since January twenty twenty, currently supporting the podcast 551 00:32:56,039 --> 00:32:59,400 at the Detective Sergeant level of seven dollars and fourteen 552 00:32:59,440 --> 00:33:02,720 cents or more for month. Thanks so much for your support, Adrian, 553 00:33:02,839 --> 00:33:05,720 and that will do it for today. If you're enjoying 554 00:33:05,759 --> 00:33:10,279 the podcast, please follow us using your favorite podcast software 555 00:33:10,640 --> 00:33:13,079 and be sure to rate and review the podcast wherever 556 00:33:13,160 --> 00:33:17,039 you download it from. We'll be back next Monday with 557 00:33:17,119 --> 00:33:20,599 another episode of The Saint, but join us back here 558 00:33:20,640 --> 00:33:23,440 tomorrow for the Big Story. 559 00:33:23,000 --> 00:33:24,880 Speaker 3: Where thank you. 560 00:33:25,319 --> 00:33:29,119 Speaker 13: Go ahead, mister Becklis, you're off night desk, beck with 561 00:33:29,559 --> 00:33:31,119 a brennywere yet Rollinsville? 562 00:33:31,119 --> 00:33:32,039 Speaker 3: Back on my hills? Listen. 563 00:33:32,279 --> 00:33:33,720 Speaker 13: In the middle drawer of the desk, you'll find an 564 00:33:33,799 --> 00:33:37,279 envelope marked hold yeah, yeah. 565 00:33:37,160 --> 00:33:38,400 Speaker 3: Got it good, Open it. 566 00:33:38,440 --> 00:33:40,440 Speaker 13: Read it the story I've been working up on my 567 00:33:40,480 --> 00:33:40,920 own time. 568 00:33:41,559 --> 00:33:41,880 Speaker 3: Listen. 569 00:33:41,920 --> 00:33:44,200 Speaker 13: There are only two phone lines in the Densiness town. 570 00:33:44,480 --> 00:33:46,160 One is being held open to the police, the other 571 00:33:46,200 --> 00:33:49,599 I'm holding. Starting right now, this comes through, it'll be exclusive. 572 00:33:49,960 --> 00:33:52,160 I'll start reading that story. I'll hang on here. Any 573 00:33:52,279 --> 00:33:53,640 questions as you go ask me? 574 00:33:53,839 --> 00:33:56,839 Speaker 3: Okay, okay, what are you waiting for up there the 575 00:33:56,920 --> 00:34:00,359 end of the story. If it comes, it'll be murder. 576 00:34:01,400 --> 00:34:03,759 Speaker 1: I hope you'll be with us then in the meantime, 577 00:34:03,960 --> 00:34:08,239 send your comments to Box thirteen at Greatdetectives dot net, 578 00:34:08,599 --> 00:34:12,199 follow us on Twitter at Radio Detectives, and check us 579 00:34:12,199 --> 00:34:18,920 out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho. 580 00:34:19,599 --> 00:34:22,360 This is your host, Adam Graham signing off.